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1
00:00:19,352 --> 00:00:20,687
HEY, DANNY,
2
00:00:20,721 --> 00:00:22,858
SEE MY STAIN?COVERED
UNIFORM?
3
00:00:22,891 --> 00:00:24,860
THAT�S OFF
YOUR PARADE DETAIL?
4
00:00:24,893 --> 00:00:27,229
SOME IDIOT COVERED
IN CRANKCASE OIL LEAPED
5
00:00:27,262 --> 00:00:30,599
OFF ONE OF THE PARADE FLOATS
AND KEPT HUGGING ME.
6
00:00:30,633 --> 00:00:33,201
YOU PAY A PRICE
FOR PERSONAL CHARISMA.
7
00:00:33,235 --> 00:00:36,038
WELL, IT�S LIKE I WAS
WEARING A "HUG ME" SIGN.
8
00:00:36,071 --> 00:00:37,773
YEAH, ANDY AND ME ??
WE CAUGHT AN ASSAULT.
9
00:00:37,806 --> 00:00:39,141
I GUESS THESE COPS
HANDLED THE JOB.
10
00:00:39,174 --> 00:00:41,043
YEAH, GOOD.
11
00:00:41,076 --> 00:00:42,778
HEY, NEIL.
12
00:00:42,811 --> 00:00:45,714
DANNY, HEY, DID YOU GUYS
CATCH OUR ASSAULT?
13
00:00:45,748 --> 00:00:47,282
MIKEY SILVA?
14
00:00:47,315 --> 00:00:49,251
YEAH, THAT�S US.
MY PARTNER, JOE BRADSHAW.
15
00:00:49,284 --> 00:00:50,886
HOW�S IT GOING, JOE?
HOW YOU DOIN�?
16
00:00:50,919 --> 00:00:53,756
ANDY SIPOWICZ.
HOW YOU DOIN�?
17
00:00:53,789 --> 00:00:56,291
YOU, UH, HANDLED
OUR ASSAULT?
18
00:00:56,324 --> 00:00:58,661
COME ON.
LET�S TALK OVER HERE.
19
00:01:03,932 --> 00:01:05,768
THE GUY�S
IN THE O .R. RIGHT NOW.
20
00:01:05,801 --> 00:01:09,405
DOC SAYS IT�S A COIN FLIP
IF HE GOES OUT OF THE PICTURE.
21
00:01:09,438 --> 00:01:11,974
YOU WANT TO BE LOOKING
FOR A JERRY DePAULO.
22
00:01:12,007 --> 00:01:13,241
WE SAW HIM AND THIS SILVA
INTO IT IN THE SAME ALLEY
23
00:01:13,275 --> 00:01:14,643
LIKE AN HOUR BEFORE.
24
00:01:14,677 --> 00:01:17,413
THEY WERE IN THE SAME ALLEY
THROWING FISTS.
25
00:01:17,446 --> 00:01:19,615
NOTHING MAJOR, AND THERE�S
10 JOBS HOLDING IN THE PRECINCT,
26
00:01:19,648 --> 00:01:21,750
SO WE SENT JERRY
DOWN THE ROAD.
27
00:01:21,784 --> 00:01:23,486
YEAH, THAT MIKEY
GOT BELLIGERENT ON US.
28
00:01:23,519 --> 00:01:25,454
SON OF A BITCH
SPITS IN MY FACE.
29
00:01:25,488 --> 00:01:26,922
SPITS IN YOUR FACE?
30
00:01:26,955 --> 00:01:29,124
MIKEY THAT�S UPSTAIRS
IN THE O. R.?
YEAH.
31
00:01:29,157 --> 00:01:30,726
WE HAD AN EXPLANATORY
CONVERSATION
32
00:01:30,759 --> 00:01:32,260
IN THE ALLEY
WITH MIKEY AFTERWARDS.
33
00:01:32,294 --> 00:01:33,896
NOTHING MAJOR?
34
00:01:33,929 --> 00:01:36,131
NAH, A MINOR TUNE?UP,
SENT HIM ON HIS WAY.
35
00:01:36,164 --> 00:01:39,435
SO THAT�S IRRELEVANT
TO WHAT HAPPENED SUBSEQUENT?
36
00:01:39,468 --> 00:01:41,570
THE MINOR TUNE?UP?
NAH. NO, NO.
37
00:01:41,604 --> 00:01:44,573
IT�S JERRY DePAULO YOU�RE MAKING
LIKELY FOR THE BEATING
38
00:01:44,607 --> 00:01:47,643
THAT PUT THIS GUY UPSTAIRS
WITH THE COIN FLIP
39
00:01:47,676 --> 00:01:48,977
IF HE�S GOING TO LIVE.
40
00:01:49,011 --> 00:01:51,079
YEAH, THE NEIGHBORHOOD MOPE.
HE MUST HAVE COME BACK.
41
00:01:51,113 --> 00:01:52,280
HERE�S HIS PLACES.
42
00:01:53,348 --> 00:01:54,750
YEAH, GOOD.
43
00:01:57,453 --> 00:01:58,787
ALL RIGHT, GUYS.
44
00:01:58,821 --> 00:02:00,656
YEAH, THANKS.
45
00:02:03,225 --> 00:02:05,761
YOU KNOW
WHAT THEY JUST DID?
46
00:02:05,794 --> 00:02:08,731
YEAH.
THEY OVER?COMMUNICATED.
47
00:02:11,800 --> 00:02:14,369
WE GOT TO MAKE OUT A FIVE,
48
00:02:14,403 --> 00:02:17,072
AND THIS GUY�S IN THE HOSPITAL
OFF A BEATING,
49
00:02:17,105 --> 00:02:19,975
AND THEY TELL US THAT THEY
JUST TUNED THIS GUY UP.
50
00:02:20,008 --> 00:02:21,610
THE OTHER COP ??
51
00:02:21,644 --> 00:02:24,246
HE LOOKED EMBARRASSED
THAT BAKER SAID ANYTHING.
52
00:02:24,279 --> 00:02:26,649
IF IT�S IRRELEVANT,
THEN DON�T TELL US ABOUT IT.
53
00:02:26,682 --> 00:02:29,418
THEY GIVE US THIS BAG OF CRAP
TO HOLD FOR NO GOOD REASON.
54
00:02:29,452 --> 00:02:30,686
[ PAGER BEEPS ]
55
00:02:30,719 --> 00:02:32,855
IT�S MY INFORMANT J. B.
HE�S BEEPING ME 911.
56
00:02:32,888 --> 00:02:34,890
THIS BAKER ?? HE�S A TYPE.
YOU KNOW, EVER SINCE WE
LAID EYES ON HIM,
57
00:02:34,923 --> 00:02:37,125
HE�S HAD A CONSTANT SIGN
AROUND HIS NECK ??
58
00:02:37,159 --> 00:02:40,729
"HERE, HOLD MY UPCOMING
BAGS OF CRAP."
59
00:02:40,763 --> 00:02:42,465
I�D BETTER
CHECK OUT J. B., ANDY.
60
00:02:42,498 --> 00:02:44,633
HE�S BEEPING ME OVER
TO OUR CRISIS COFFEE SHOP.
61
00:02:44,667 --> 00:02:46,535
GIVE ME THIS GUY�S PLACES
62
00:02:46,569 --> 00:02:48,136
THAT SUPPOSEDLY
DID THE ASSAULT.
63
00:02:48,170 --> 00:02:50,138
YOU�RE GOING TO TAKE
BAKER AND BRADSHAW
WITH YOU,
64
00:02:50,172 --> 00:02:52,040
HAVE THEM
POINT THE GUY OUT?
65
00:02:52,074 --> 00:02:53,809
I�LL GO BACK TO THE HOUSE
AND GET HIS PICTURE.
66
00:02:53,842 --> 00:02:55,644
I DON�T WANT THEM DICKHEADS
ANYWHERE NEAR THIS.
67
00:02:58,514 --> 00:03:00,282
HEY, ANDY,
68
00:03:00,315 --> 00:03:02,384
YOU GOT 10 SECONDS
FOR A PERSONAL OBSERVATION?
69
00:03:02,418 --> 00:03:03,452
[ GRUNTS ]
70
00:03:03,486 --> 00:03:06,021
YOU ARE
A VERY ATTRACTIVE MAN.
71
00:03:07,956 --> 00:03:10,192
I DON�T KNOW
IF YOU�VE SHED WEIGHT
72
00:03:10,225 --> 00:03:12,628
OR WHAT IT IS, BUT...
73
00:04:43,852 --> 00:04:45,888
NOW.
74
00:04:45,921 --> 00:04:47,590
I GOT IT.
75
00:04:47,623 --> 00:04:49,958
�CAUSE HE STILL OWES
FOR LAST WEDNESDAY.
76
00:04:49,992 --> 00:04:51,460
I GOT LAST WEDNESDAY.
77
00:04:51,494 --> 00:04:54,396
EGGS BENNY, HOME FRIES,
CHOCOLATE MALT.
78
00:04:54,430 --> 00:04:55,397
YOU?
79
00:04:55,431 --> 00:04:56,765
JUST COFFEE.
80
00:04:56,799 --> 00:04:59,201
YO, YO, YO ??
AND A SIDE OF RANCH.
81
00:04:59,234 --> 00:05:00,636
[ HISSES ]
82
00:05:00,669 --> 00:05:02,605
VAMPIRE?LOOKING BITCH.
83
00:05:02,638 --> 00:05:04,607
I�M WORKING, J. B.
84
00:05:04,640 --> 00:05:06,975
BASED ON OBSERVATIONS
I MADE LAST NIGHT,
85
00:05:07,009 --> 00:05:09,377
I NEED YOU TO VOUCH
TO SOME COPS FOR ME.
86
00:05:09,412 --> 00:05:11,814
IF THAT�S NOT
TOO MUCH TROUBLE.
WHICH COPS?
87
00:05:11,847 --> 00:05:14,883
WHOEVER HAD SECTOR PATROL
LAST NIGHT OFF LAFAYETTE.
88
00:05:14,917 --> 00:05:16,585
WHERE YOU SAW WHAT?
89
00:05:19,121 --> 00:05:22,124
YOUR BOYS ROLL UP
ON TWO GUYS THROWING
PUNCHES IN THE ALLEY.
90
00:05:22,157 --> 00:05:25,193
THE BOYS COOL IT OUT,
WALK ONE OF THE GUYS AWAY.
91
00:05:25,227 --> 00:05:28,130
THE OTHER GUY LOOGIES
IN ONE OF YOUR BOYS� FACES ??
92
00:05:28,163 --> 00:05:29,965
I�M TALKING
ABOUT A SEROUS LOOGIE:
93
00:05:29,998 --> 00:05:32,968
THE KIND WHERE YOU??YOU
SNORT SNOT BACK AND YOU
MIX IT UP WITH SPIT.
94
00:05:33,001 --> 00:05:34,369
AND WHAT DID THE COP DO?
95
00:05:34,403 --> 00:05:36,472
THEY WORKED OUT ON THE GUY
THAT LAUNCHED THE LOOGIE
96
00:05:36,505 --> 00:05:39,975
TILL ONE SEES ME
SEEING WHAT�S GOING ON
FROM ACROSS THE STREET.
97
00:05:40,008 --> 00:05:42,377
HE GIVES ME
THIS LASER DEATH RAY STARE.
98
00:05:42,411 --> 00:05:44,547
AND WHAT DO YOU DO?
99
00:05:44,580 --> 00:05:47,149
I RAN UP AND GAVE MY CARD
TO EVERYONE INVOLVED.
100
00:05:47,182 --> 00:05:49,818
SO YOU SPLIT?
I SPLIT.
CORRECT.
101
00:05:49,852 --> 00:05:53,422
SO BEIN� YOU SPLIT,
HOW DO YOU KNOW WHAT
HAPPENED AFTER THE GUY SPIT?
102
00:05:53,456 --> 00:05:55,958
I DON�T KNOW WHAT HAPPENED
AFTERWARD, PREVIOUS, OR DURING,
103
00:05:55,991 --> 00:05:57,460
IS WHAT I�D LIKE YOU
TO TELL YOUR BOYS.
104
00:05:57,493 --> 00:05:59,562
NEVER MIND WHAT YOU�RE
WILLING TO FORGET, J. B.
105
00:05:59,595 --> 00:06:02,030
ALL YOU KNOW,
THESE COPS COULD HAVE
DELIVERED A MINOR TUNE?UP,
106
00:06:02,064 --> 00:06:03,766
LEFT LOOGIE GUY IN THE ALLEY,
AND HIS ASSHOLE BUDDY
107
00:06:03,799 --> 00:06:05,768
COULD HAVE COME BACK
FOR ROUND TWO.
108
00:06:05,801 --> 00:06:08,136
I TAKE IT
THE LOOGIE GUY GOT HURT.
109
00:06:08,170 --> 00:06:10,939
THE LOOGIE GUY
GOT HURT REAL BAD.
110
00:06:10,973 --> 00:06:14,109
HIS ASSHOLE BUDDY DEFINITELY
COULD HAVE COME BACK,
111
00:06:14,142 --> 00:06:16,645
AND THOSE COPS ABSOLUTELY
COULD HAVE CALMED DOWN,
112
00:06:16,679 --> 00:06:20,248
KEPT IT TO A MINOR TUNE?UP,
AND LEFT THE GUY ??
113
00:06:20,282 --> 00:06:21,984
ABSOLUTELY.
114
00:06:22,017 --> 00:06:24,052
ALL RIGHT, GOOD.
NOW, LAST WEDNESDAY,
115
00:06:24,086 --> 00:06:26,555
DID YOU DINE ALONE
OR TREAT A WHOLE TROOP?
116
00:06:26,589 --> 00:06:29,958
IT WAS, LIKE, $12.
117
00:06:29,992 --> 00:06:32,595
YO, YO, YO, DANNY,
CAN YOU LEAVE THE WHOLE $20?
118
00:06:32,628 --> 00:06:34,430
I THINK I GOT A CHANCE.
119
00:06:50,913 --> 00:06:52,648
HEY, DIANE,
120
00:06:52,681 --> 00:06:56,051
I WANT TO RUN SOMETHING
PAST YOU.
121
00:06:56,084 --> 00:06:57,986
OKAY.
I WANT
YOUR HONEST OPINION,
122
00:06:58,020 --> 00:07:00,889
NOT WHAT YOU THINK
I WANT YOU TO TELL ME.
123
00:07:00,923 --> 00:07:02,858
WITH KYLE�S FIRST COMMUNION
COMING UP,
124
00:07:02,891 --> 00:07:05,127
I�VE BEEN DEALING WITH DON
A LOT MORE REGULARLY.
125
00:07:05,160 --> 00:07:07,229
DON?
126
00:07:07,262 --> 00:07:11,567
YEAH, HE�S BEEN VERY,
UM, HELPFUL AND RELIABLE.
127
00:07:11,600 --> 00:07:14,369
THAT�S GOOD FOR KYLE,
YOU KNOW, TO SEE THAT EXAMPLE ??
YEAH.
128
00:07:14,403 --> 00:07:16,271
FOR KYLE AND FRANK BOTH.
129
00:07:16,304 --> 00:07:18,040
YEAH, AND, UH,
130
00:07:18,073 --> 00:07:20,409
I�M, UM,
ENTERTAINING THE IDEA
131
00:07:20,443 --> 00:07:24,279
OF POSSIBLY
SEEING HIM SOCIALLY.
132
00:07:24,312 --> 00:07:28,717
HMM. IS THAT WHAT YOU WANT
MY HONEST OPINION ABOUT?
133
00:07:28,751 --> 00:07:32,254
WELL, DIANE, HE�S LIKE THE GUY
I ALWAYS KNEW HE COULD BE
IF HE GREW UP A LITTLE.
134
00:07:32,287 --> 00:07:34,723
LIKE WHEN HE SAYS HE�S GOING
TO PICK UP THE BOYS AT 10:00,
135
00:07:34,757 --> 00:07:36,959
HE�S THERE AT 9:59.
136
00:07:36,992 --> 00:07:39,094
NOW, HE�S
EVIDENTLY WORKING.
137
00:07:39,127 --> 00:07:40,529
WHAT DOES THAT MEAN?
138
00:07:40,563 --> 00:07:42,130
WELL, HE HAS INCOME.
139
00:07:42,164 --> 00:07:44,132
I MEAN,
HE�S A PARTIAL PARTNER
140
00:07:44,166 --> 00:07:45,768
IN A DISTRIBUTORSHIP.
141
00:07:45,801 --> 00:07:48,937
AND, NO, I HAVEN�T
ASKED HIM FOR DETAILS.
142
00:07:48,971 --> 00:07:50,706
WHY BURDEN YOURSELF
WITH THAT INFORMATION?
143
00:07:50,739 --> 00:07:53,141
WHAT AM I GOING TO DO?
144
00:07:53,175 --> 00:07:56,412
HE�S THE ONLY ONE
WHO GOT ME TO FEEL THIS.
145
00:07:58,113 --> 00:08:01,249
YOU DON�T THINK
HE DESERVES ??
146
00:08:01,283 --> 00:08:03,486
A SIXTH CHANCE?
147
00:08:03,519 --> 00:08:05,187
HI, DANNY.
148
00:08:05,220 --> 00:08:06,722
Diane: HI.
149
00:08:06,755 --> 00:08:08,356
Danny: HOW�S IT GOING?
150
00:08:08,390 --> 00:08:09,692
ANDY BACK YET?
151
00:08:09,725 --> 00:08:12,060
HE�S GOT SOME SKELL
IN THE POKEY.
152
00:08:12,094 --> 00:08:13,762
I ASSUME IT�S CONNECTED
WITH YOUR ASSAULT.
153
00:08:13,796 --> 00:08:15,764
YEAH, IT�S GONNA
BE A MUTT NAMED JERRY.
154
00:08:15,798 --> 00:08:17,533
YOU LIKE HIM FOR THE ASSAULT
ON THE CASE YOU CAUGHT?
155
00:08:17,566 --> 00:08:19,067
I HOPE SO, YOU KNOW?
156
00:08:19,101 --> 00:08:21,437
LET ME GO PISS.
157
00:08:21,470 --> 00:08:23,338
ABSOLUTELY.
158
00:08:27,443 --> 00:08:29,412
I GUESS
I WANTED YOUR OPINION
159
00:08:29,445 --> 00:08:32,280
IF IT WAS THE OPINION
I WANTED YOU TO HAVE.
160
00:08:32,314 --> 00:08:34,450
YOU DON�T HAVE TO MAKE
A LOGICAL CASE
161
00:08:34,483 --> 00:08:36,719
FOR WANTING TO BE HAPPY.
162
00:08:36,752 --> 00:08:40,022
WELL, IT�S NOT LIKE WE GET
THAT MANY TIMES AT BAT.
163
00:08:40,055 --> 00:08:42,124
NO.
164
00:08:42,157 --> 00:08:44,893
THANKS.
165
00:08:48,497 --> 00:08:49,632
[ DOOR SHUTS ]
166
00:08:52,267 --> 00:08:53,802
LAST NIGHT ??
167
00:08:53,836 --> 00:08:57,105
START AROUND 7:00?
168
00:08:57,139 --> 00:08:58,974
I�M AT MY GIRLFRIEND�S
APARTMENT,
169
00:08:59,007 --> 00:09:00,909
BUT WE GET INTO IT.
170
00:09:00,943 --> 00:09:02,778
SHE�S SCREAMING
AND DISRESPECTING ME,
171
00:09:02,811 --> 00:09:04,947
HER KID�S CRYING ??
172
00:09:04,980 --> 00:09:06,949
PAGE TWO,
YOU KNOW WHAT I�M SAYING?
YEAH.
173
00:09:06,982 --> 00:09:08,817
DROPPED BY
THE SPINNING WHEEL,
174
00:09:08,851 --> 00:09:10,919
HAD A FEW DRINKS,
SHOT SOME POOL.
175
00:09:10,953 --> 00:09:12,621
LIKE MAYBE 10:30, 11:00,
176
00:09:12,655 --> 00:09:14,890
I GET INTO IT
WITH POODLEHEAD MIKEY.
177
00:09:14,923 --> 00:09:16,625
I�M SHOOTING 9?BALL,
178
00:09:16,659 --> 00:09:18,561
IN WALKS THE POODLE
179
00:09:18,594 --> 00:09:20,195
BROWN?BAGGING
SOME THUNDERBIRD,
180
00:09:20,228 --> 00:09:22,765
PUTS TWO QUARTERS
ON THE TABLE, CALLS NEXT.
181
00:09:22,798 --> 00:09:25,200
I�M, LIKE, "WITH ALL THIS
DISCRETIONARY INCOME,
182
00:09:25,233 --> 00:09:27,235
WHERE�S THE 20
YOU OWE ME?"
183
00:09:27,269 --> 00:09:29,938
HE TELLS ME,
"DON�T WORRY ABOUT IT,"
184
00:09:29,972 --> 00:09:32,040
LIKE I�M LICE
ON HIS HAIR PIE.
185
00:09:32,074 --> 00:09:34,309
POODLEHEAD MIKEY,
PLAYING ME OFF.
186
00:09:34,342 --> 00:09:35,778
IT�S ON.
187
00:09:35,811 --> 00:09:37,646
HEY, BUT I AIN�T BUSTING UP
THE SPINNING WHEEL ??
188
00:09:37,680 --> 00:09:39,615
IT�S THE LAST PLACE
WITH A POOL TABLE
I AIN�T 86�d.
189
00:09:39,648 --> 00:09:43,218
ULTIMATELY, WE WIND UP
IN THE ALLEY OFF LAFAYETTE.
190
00:09:43,251 --> 00:09:46,188
I DON�T SEE NO MARKS ON YOU.
DID YOU KICK MIKEY�S ASS?
191
00:09:46,221 --> 00:09:49,191
BELIEVE ME, I�D HAVE
KICKED MIKEY�S ASS UP
AND DOWN THAT ALLEY.
192
00:09:49,224 --> 00:09:50,926
EXCEPT WHAT?
193
00:09:50,959 --> 00:09:53,095
NOTHING.
THE COPS BROKE IT UP.
194
00:09:53,128 --> 00:09:54,930
YOU DIDN�T
KICK MIKEY�S ASS?
195
00:09:54,963 --> 00:09:57,132
HEY, IF THAT LOSER,
DEADBEAT, JUICEHEAD
196
00:09:57,165 --> 00:09:59,301
IS FILING A COMPLAINT
AGAINST ME,
197
00:09:59,334 --> 00:10:00,736
I MAYBE NICKED HIS LIP.
198
00:10:05,774 --> 00:10:08,210
ALL RIGHT,
AND THEN WHAT, JERRY?
199
00:10:08,243 --> 00:10:10,078
SHE CALMED DOWN.
200
00:10:10,112 --> 00:10:12,615
SHE GAVE THE KID
SOME PAREGORIC ??
201
00:10:12,648 --> 00:10:14,650
YOU RUB IT ON THEIR GUMS,
THEY DOZE RIGHT OFF.
202
00:10:14,683 --> 00:10:17,052
YOU�RE SAYING ONCE THE COPS
BREAK YOU AND MIKEY UP,
203
00:10:17,085 --> 00:10:18,787
YOU WENT STRAIGHT BACK
TO YOUR GIRLFRIEND?
204
00:10:18,821 --> 00:10:20,789
SHE�S GOING TO
REMEMBER THAT, TOO.
205
00:10:20,823 --> 00:10:22,558
I GAVE HER
A LITTLE LOVE REMINDER,
206
00:10:22,591 --> 00:10:24,092
AND MIDWAY, SHE WOKE UP.
207
00:10:30,433 --> 00:10:32,400
DID YOU HEAR
FROM THE HOSPITAL?
208
00:10:32,435 --> 00:10:34,770
CAN WE TALK
TO THIS MIKEY YET?
209
00:10:34,803 --> 00:10:36,539
GAY JOHN�S FINDING OUT.
210
00:10:36,572 --> 00:10:39,408
I�LL TELL YOU
WHAT ELSE, ANDY.
211
00:10:39,442 --> 00:10:40,809
MY INFORMANT J. B. ??
212
00:10:40,843 --> 00:10:42,745
HE SAYS THAT HE SAW
THE TUNE?UP
213
00:10:42,778 --> 00:10:45,247
THAT BAKER AND BRADSHAW
WERE PUTTING ON THIS MIKEY,
214
00:10:45,280 --> 00:10:47,382
AND BAKER AND BRADSHAW
SAW HIM.
215
00:10:47,416 --> 00:10:50,453
MAYBE THAT�S WHY THEY
GIVE US A CASUAL MENTION
216
00:10:50,486 --> 00:10:53,088
THEY PUT
A MINOR BEATING ON HIM.
217
00:10:53,121 --> 00:10:56,459
KNOWING SOMEONE ELSE
MIGHT TELL US ANYWAY.
218
00:11:00,629 --> 00:11:03,766
EXCUSE ME.
219
00:11:06,234 --> 00:11:07,870
D.O.A.
220
00:11:07,903 --> 00:11:09,805
POODLEHEAD MIKEY�S DEAD?
221
00:11:09,838 --> 00:11:11,607
THE HOSPITAL SAID
MICHAEL SILVA DIED.
222
00:11:11,640 --> 00:11:13,108
IS ?? IS THAT POODLEHEAD?
223
00:11:13,141 --> 00:11:14,643
YEAH, THAT�S HIS
NICKNAME ?? "POODLEHEAD."
224
00:11:14,677 --> 00:11:17,212
THANKS FOR THE GOOD NEWS.
225
00:11:17,245 --> 00:11:18,914
SORRY.
226
00:11:21,083 --> 00:11:23,952
GO BACK TO THE ALLEY
AND RE?CANVASS.
227
00:11:23,986 --> 00:11:25,654
OH, BROTHER.
228
00:11:41,336 --> 00:11:44,072
WHOEVER TURNED
POODLEHEAD MIKEY�S LIGHTS OUT
229
00:11:44,106 --> 00:11:47,075
WASN�T WORRYING ABOUT
POSSIBLE SPECTATORS.
230
00:11:47,109 --> 00:11:48,777
IT�S THE DAY CORP SECTOR CAR.
231
00:11:48,811 --> 00:11:51,914
COPS ?? YOU�D THINK THEY�D
TAKE THE GUY TO ONE SIDE.
232
00:11:51,947 --> 00:11:54,783
YOU BEAT A GUY SO BAD HE CROAKS,
YOU�RE NOT USING THE CAUTIOUS
PART OF YOUR BRAIN.
233
00:11:54,817 --> 00:11:56,419
STOPPED ON A DIME, HUH?
234
00:11:56,452 --> 00:11:58,754
YOU GUYS CATCH THE ASSAULT
FROM LAST NIGHT?
235
00:11:58,787 --> 00:12:01,590
IT�S A HOMICIDE NOW.
236
00:12:01,624 --> 00:12:03,459
I�M DANNY SORENSON.
THIS IS ANDY SIPOWICZ.
237
00:12:03,492 --> 00:12:05,293
MARY FRANCO.
ED LAUGHLIN.
238
00:12:05,327 --> 00:12:06,929
Danny: HOW�S IT GOIN�?
239
00:12:06,962 --> 00:12:08,764
I HEARD MAYBE YOU
CAUGHT A GROUND BALL.
240
00:12:08,797 --> 00:12:11,299
REALLY? THEY GOT A WEB SITE
UP ON THIS CASE?
241
00:12:11,333 --> 00:12:13,268
THIS WOMAN
LIVES UP THERE ??
242
00:12:13,301 --> 00:12:15,103
SHE�S PARTLY CLOUDY,
BUT SHE�S USUALLY LOOKING OUT.
243
00:12:15,137 --> 00:12:16,138
YOU KNOW HER NAME?
244
00:12:16,171 --> 00:12:17,806
[ WHISTLES ]
245
00:12:17,840 --> 00:12:20,409
SARA!
246
00:12:20,443 --> 00:12:21,944
I SAW YOU PEEKING.
247
00:12:21,977 --> 00:12:24,046
LUCKY NOTHING SHATTERED.
248
00:12:24,079 --> 00:12:26,415
I WOULDN�T WANT
TO GET YOU STIRRED UP.
249
00:12:26,449 --> 00:12:27,816
WHAT?
250
00:12:27,850 --> 00:12:29,317
WHAT?
WHAT?
251
00:12:29,351 --> 00:12:31,153
GET DOWN HERE!
252
00:12:31,186 --> 00:12:32,421
I�M NUDE!
253
00:12:32,455 --> 00:12:36,024
GET DRESSED AND GET YOUR ASS
DOWN HERE, SARA.
254
00:12:36,058 --> 00:12:38,794
WHAT�S HER ACT?
SPEED FREAK.
255
00:12:38,827 --> 00:12:41,630
NO. �CAUSE JOEY BRADSHAW
SAID ON A PREVIOUS CIRCUIT,
256
00:12:41,664 --> 00:12:44,066
LIKE AN HOUR BEFORE
THEY FOUND THIS GUY,
257
00:12:44,099 --> 00:12:46,535
THEY BROKE UP A BEEF BETWEEN
THIS GUY AND SOME MOPE.
258
00:12:46,569 --> 00:12:48,704
AND THEY FIGURED THE MOPE
FOR THE GUY COMIN� BACK
AND DOING THIS.
259
00:12:48,737 --> 00:12:50,906
OH, YEAH.
WE�RE LOOKIN� INTO THAT.
260
00:12:50,939 --> 00:12:52,575
LOOK, I WENT THROUGH THE ACADEMY
WITH JOEY BRADSHAW.
261
00:12:52,608 --> 00:12:53,809
YOU DID, HUH?
262
00:12:53,842 --> 00:12:55,478
HEY, HE�S A GOOD GUY.
A GOOD COP.
263
00:12:55,511 --> 00:12:57,880
THAT�S SOME ENDORSEMENT
THERE, ED.
Mary: THERE SHE IS.
264
00:12:57,913 --> 00:13:00,583
I�M JUST SAYING
IF JOEY BRADSHAW�S
GOT AN OPINION ON SOMETHING,
265
00:13:00,616 --> 00:13:02,217
IT�S WORTH
PAYING ATTENTION TO.
266
00:13:02,250 --> 00:13:04,487
Sara: I�M BUSY, ALL RIGHT?
267
00:13:04,520 --> 00:13:06,555
Mary: WHY DON�T YOU TELL THEM
WHAT YOU SAW LAST NIGHT?
268
00:13:06,589 --> 00:13:08,624
WHO SAID I SAW ANYTHING?
269
00:13:08,657 --> 00:13:09,925
I�LL DENY IT WAS MY VOICE.
270
00:13:09,958 --> 00:13:11,594
IT IS COMING OUT
OF YOUR MOUTH.
271
00:13:11,627 --> 00:13:14,396
CALL 911 LAST NIGHT?
I�LL DENY IT WAS ME.
272
00:13:14,430 --> 00:13:17,299
NO ONE�S GOING
TO JAM YOU UP.
YOU GOING
TO PUT ME IN RESTRAINTS?
273
00:13:17,332 --> 00:13:19,267
NO ONE�S LOOKIN�
TO PUT YOU IN RESTRAINTS.
274
00:13:19,301 --> 00:13:20,936
I�M DANNY SORENSON, SARA.
275
00:13:20,969 --> 00:13:22,871
WHY DON�T WE TALK
AT THE STATION HOUSE?
276
00:13:22,905 --> 00:13:25,874
I�M CLEANING THE TILES
IN MY SHOWER.
ALL RIGHT, THAT�LL WAIT.
277
00:13:25,908 --> 00:13:28,544
COME ON.
WE�LL GET YOU BACK
IN A LITTLE WHILE.
278
00:13:28,577 --> 00:13:31,079
WE�LL BUY YOU ONE OF THEM
LITTLE BRUSHES GOOD
FOR CLEANING THE CORNER GROUT.
279
00:13:31,113 --> 00:13:33,115
ORAL B ??
WITH THE RUBBER GUM TIP?
280
00:13:33,148 --> 00:13:34,850
BRAND OF YOUR CHOICE.
281
00:13:47,295 --> 00:13:49,397
HEY, DANNY.
282
00:13:49,432 --> 00:13:51,199
WHAT�S GOING ON, NEIL?
283
00:13:51,233 --> 00:13:53,769
THAT POODLEHEAD MIKEY
WENT OUT OF THE PICTURE.
YEAH, WE HEARD.
284
00:13:53,802 --> 00:13:55,704
YEAH, WE JUST GOT BACK
FROM THE HOSPITAL.
285
00:13:55,738 --> 00:13:57,740
WHAT ARE YOU,
VOUCHERING HIS STUFF?
286
00:13:57,773 --> 00:13:59,608
YEAH, WE�RE
VOUCHERIN� IT NOW.
287
00:13:59,642 --> 00:14:01,610
HEY, ED. HEY, MARY.
YEAH. HOW�S IT GOIN�?
288
00:14:01,644 --> 00:14:03,646
GET THAT GIRL
A CANDY BAR.
289
00:14:03,679 --> 00:14:05,380
I DON�T WANT TO EAT.
YOU DON�T HAVE TO EAT.
290
00:14:05,414 --> 00:14:07,049
WE�RE GONNA GET HER
A MARS BAR.
291
00:14:07,082 --> 00:14:08,717
HOW�D WE DO
WITH JERRY?
292
00:14:08,751 --> 00:14:10,919
OH, WE DID FINE.
293
00:14:10,953 --> 00:14:12,888
DO WE LIKE HIM?
NEIL.
294
00:14:12,921 --> 00:14:14,089
I�M SCARED.
295
00:14:14,122 --> 00:14:16,692
YOU GOT A PROBLEM
WITH "WE"?
296
00:14:16,725 --> 00:14:18,627
AREN�T WE
ON THE SAME JOB?
297
00:14:18,661 --> 00:14:21,063
YES WE ARE. THAT�S WHY I KNOW
YOU�RE GOING TO UNDERSTAND
298
00:14:21,096 --> 00:14:23,866
US HEADING UP THOSE
STAIRS TO DO OUR PART.
299
00:14:23,899 --> 00:14:25,634
ED, WOULD YOU
COME WITH US ALSO, PLEASE?
300
00:14:25,668 --> 00:14:27,770
FOR WHAT?
I NEED TO ASK YOU
A QUESTION.
301
00:14:29,938 --> 00:14:31,874
WHAT�S THIS
CONFRONTATIONAL TONE?
302
00:14:31,907 --> 00:14:34,142
OH, THAT�S A MISREAD,
NEIL.
303
00:14:34,176 --> 00:14:36,078
I DON�T NOW. HE SEEMED
A LITTLE CONFRONTATIONAL.
304
00:14:36,111 --> 00:14:38,447
NO, HE�S JUST LOOKING
TO TALK TO THIS GIRL.
305
00:14:38,481 --> 00:14:41,049
SHE�S GOT A SPACESHIP
TO CATCH.
OH, YEAH?
306
00:14:41,083 --> 00:14:43,852
SHE�S GOT AN INTERSTELLAR
TRAVEL AGENT.
307
00:14:50,926 --> 00:14:52,861
SO WHAT DO YOU
WANT TO ASK ME?
308
00:14:52,895 --> 00:14:55,598
I�M NOT PREPARED
TO ASK YOU YET.
WHAT IS THAT SUPPOSED TO MEAN?
309
00:14:55,631 --> 00:14:58,701
IT MEANS
AT THIS IMMEDIATE INSTANT,
I AM NOT READY TO ASK YOU.
310
00:14:58,734 --> 00:15:01,036
THEY�RE ARGUING.
IT�S NOT YOUR PROBLEM.
311
00:15:01,069 --> 00:15:03,539
I�M GOING BACK DOWNSTAIRS.
NO, ED.
312
00:15:03,572 --> 00:15:05,541
WHAT THE HELL ARE YOU PEOPLE
TRYING TO PULL HERE?
313
00:15:05,574 --> 00:15:09,277
NOTHING.
WE�RE TRYING TO FIND OUT
WHO CROAKED THIS D. O. A.
314
00:15:09,311 --> 00:15:11,814
YOUR PRESENCE HERE
AND NOT DOWNSTAIRS
IS A COMFORT TO US.
315
00:15:20,923 --> 00:15:24,460
GO AHEAD AND SIT DOWN.
YOU SIT BY SARA.
316
00:15:24,493 --> 00:15:26,729
WHAT AM I SUPPOSED TO DO?
317
00:15:26,762 --> 00:15:29,131
YOU SIT THERE AND PLAY
WITH THE FINGERPRINT MATERIALS.
318
00:15:29,164 --> 00:15:32,768
I RECOGNIZE
THOSE OTHER COPS.
THE ONES WE
WERE TALKIN� TO DOWNSTAIRS?
319
00:15:32,801 --> 00:15:35,404
THEY WERE IN THE ALLEY
LAST NIGHT.
THEY SAID THEY
WERE IN THE ALLEY LAST NIGHT.
320
00:15:35,438 --> 00:15:37,873
HEY, YOU BELIEVE I�M KIDDING
WHEN I TELL YOU TO BE STILL?
321
00:15:37,906 --> 00:15:40,709
YEAH, WELL, EVER SINCE WE
WALKED INTO THIS STATION HOUSE,
I RESENT THE THRUST ??
322
00:15:40,743 --> 00:15:42,110
YOU THINK I�M KIDDING YOU?
323
00:15:42,144 --> 00:15:44,046
I�M GETTING FRIGHTENED.
IT�S ALL RIGHT, SARA.
324
00:15:44,079 --> 00:15:46,148
EVERYTHING�S OKAY.
YOU GOT NOTHIN�
TO BE SCARED ABOUT.
325
00:15:46,181 --> 00:15:47,716
I DON�T WANT
TO BE PUT IN RESTRAINTS.
326
00:15:47,750 --> 00:15:49,217
WOULD YOU GET HER
OFF OF THAT?
327
00:15:49,251 --> 00:15:51,420
HOW ABOUT YOU LOWER
THE TEMPERATURE JUST A LITTLE?
328
00:15:51,454 --> 00:15:53,255
OH, ABSOLUTELY.
THERMOMETER�S YOURS.
329
00:15:53,288 --> 00:15:55,558
I�VE BEEN HONEST WITH YOU,
RIGHT, SARA?
330
00:15:55,591 --> 00:15:58,427
SO ALL YOU NEED TO DO
IS SAY WHAT YOU SAW LAST NIGHT,
331
00:15:58,461 --> 00:16:01,363
AND THEN YOU GO HOME
JUST LIKE I PROMISED.
332
00:16:01,396 --> 00:16:03,732
I BET YOU�RE EVEN GOING
TO HAVE A FEW DOLLARS
IN YOUR POCKET.
333
00:16:03,766 --> 00:16:06,301
YEAH, LIKE THAT AIN�T
GOING TO GO FOR CRYSTAL METH.
334
00:16:06,334 --> 00:16:08,871
YEAH, GO AHEAD, MARY.
YOU THINK WE KNOW
WHAT THE PLAY IS HERE?
335
00:16:08,904 --> 00:16:10,305
Sara: THEY BEAT HIM UP.
336
00:16:10,338 --> 00:16:12,541
WHO DID, SARA?
337
00:16:12,575 --> 00:16:14,042
THOSE COPS DOWNSTAIRS.
338
00:16:14,076 --> 00:16:16,645
THEY BEAT HIM UP,
AND THEY LEFT HIM.
339
00:16:16,679 --> 00:16:19,982
AFTER A WHILE, THEY CAME BACK
UNTIL THE AMBULANCE CAME.
340
00:16:20,015 --> 00:16:22,485
AND YOU DIDN�T SEE NO ONE ELSE
IN THAT ALLEY?
341
00:16:22,518 --> 00:16:24,820
BEFORE THE COPS CAME
THE FIRST TIME,
342
00:16:24,853 --> 00:16:27,856
THE GUY THE COPS BEAT UP
WAS GOING TO FIGHT ANOTHER GUY.
343
00:16:27,890 --> 00:16:30,225
ALL RIGHT, AND THEN
BETWEEN THE TIME
THE COPS BEAT UP THE GUY
344
00:16:30,258 --> 00:16:32,360
AND THE COPS CAME BACK,
WHO ELSE DID YOU SEE?
345
00:16:32,394 --> 00:16:34,897
WHO ELSE CAME IN
AND BEAT THE GUY?
NOBODY.
346
00:16:34,930 --> 00:16:36,632
YOU WERE WATCHING
THE WHOLE TIME?
347
00:16:36,665 --> 00:16:38,266
THE WHOLE TIME.
348
00:16:38,300 --> 00:16:41,069
WHEN YOU WEREN�T SHOOTING
CRYSTAL METH, HUH?
349
00:16:41,103 --> 00:16:45,040
I SNORT, AND I KEPT WATCHING,
EXCEPT ONCE I WENT TO PEE.
350
00:16:45,073 --> 00:16:47,275
YEAH, HOW LONG DID THAT TAKE?
351
00:16:47,309 --> 00:16:49,077
I WENT TO PEE.
352
00:16:49,111 --> 00:16:51,313
SO, WHAT, A MINUTE?
HOWEVER LONG IT TAKES ME.
I NEVER TIMED IT.
353
00:16:51,346 --> 00:16:53,048
THAT�S THE ONLY TIME
YOU WEREN�T LOOKING, RIGHT?
354
00:16:53,081 --> 00:16:54,617
YOU WEREN�T CLEANING
OR ANYTHING, SARA?
355
00:16:54,650 --> 00:16:57,285
YOU WEREN�T SCRUBBING
YOUR BATHROOM TILES?
356
00:16:57,319 --> 00:16:59,121
WHAT DO YOU
WANT ME TO SAY?
357
00:16:59,154 --> 00:17:00,789
TO THE BEST
OF MY RECOLLECTION, NO.
358
00:17:00,823 --> 00:17:03,559
WHAT IS THIS,
PAYBACK, SARA?
359
00:17:03,592 --> 00:17:05,428
DID SOME COP
JAM YOU UP?
360
00:17:05,461 --> 00:17:08,263
I�M SORRY. IT TOOK ME
TOO LONG TO CALL 911.
361
00:17:08,296 --> 00:17:09,932
[ WHIMPERING ]
362
00:17:09,965 --> 00:17:11,834
COME ON.
363
00:17:26,348 --> 00:17:29,918
LAUGHLIN, THAT CANDIDATE
FOR THE HOMICIDE
364
00:17:29,952 --> 00:17:32,287
THAT BAKER AND BRADSHAW
GAVE YOU?
365
00:17:32,320 --> 00:17:33,856
HE ALIBIS OUT.
366
00:17:33,889 --> 00:17:35,958
PLUS BAKER AND BRADSHAW
SAW A C.I. OF MINE
367
00:17:35,991 --> 00:17:38,060
WATCHING THEM PUT
THE BEATING ON MIKEY.
368
00:17:38,093 --> 00:17:40,228
WHICH IS WHY THEY GET
IN FRONT OF THEIR STORY ??
369
00:17:40,262 --> 00:17:42,765
SAYING THEY TUNED THE GUY UP,
BUT JUST GAVE HIM A COUPLE
OF BRUISES.
370
00:17:42,798 --> 00:17:45,434
HEY, YOU�RE SUPPOSED
TO GO TO BAT FOR GUYS
YOU WORK WITH.
371
00:17:45,468 --> 00:17:47,102
BOTH OF US RESPECT THAT.
372
00:17:47,135 --> 00:17:49,071
Sipowicz: THE SCALES
ARE TIPPING PRETTY BAD HERE,
373
00:17:49,104 --> 00:17:51,306
AND YOU CAN�T BE KEEPING
THE TWO OF THEM UP TO SPEED.
374
00:17:51,339 --> 00:17:54,076
WELL, WHAT, AM I SUPPOSED
TO STAY UPSTAIRS,
375
00:17:54,109 --> 00:17:55,478
I�M SUPPOSED TO SNEAK
OUT THE BACK WAY?
376
00:17:55,511 --> 00:17:56,512
[ CLEARS THROAT ]
377
00:18:00,348 --> 00:18:02,117
IT MIGHT NOT BE
A BAD IDEA, IF YOU WANT.
378
00:18:04,520 --> 00:18:06,655
SHE WANTS TO GO HOME.
379
00:18:06,689 --> 00:18:08,724
WE GOT TO GET
A WRITTEN STATEMENT.
THANKS.
380
00:18:08,757 --> 00:18:10,726
DON�T THANK ME
FOR JAMMING UP COPS.
381
00:18:10,759 --> 00:18:11,894
HEY, EDDIE.
382
00:18:11,927 --> 00:18:13,629
Ed: HEY, NEIL.
383
00:18:13,662 --> 00:18:15,097
SHE GOT ANYTHING FOR US?
384
00:18:15,130 --> 00:18:17,466
I GOT TO GO TO THE JOHN.
385
00:18:17,500 --> 00:18:19,735
HEY, MARY.
HEY, NEIL.
386
00:18:19,768 --> 00:18:21,704
HER APARTMENT
LOOKS OVER THAT ALLEY.
387
00:18:21,737 --> 00:18:23,238
YEAH, HUH?
SHE GOT ANYTHING,
388
00:18:23,271 --> 00:18:25,240
SEE WHAT WENT DOWN
LAST NIGHT?
389
00:18:25,273 --> 00:18:27,242
SHE�S HALF A WACK JOB,
YOU KNOW?
390
00:18:27,275 --> 00:18:28,877
HALF?WACKY ON SPEED.
391
00:18:28,911 --> 00:18:30,579
YEAH, HUH?
392
00:18:30,613 --> 00:18:35,083
SO FAR SHE SAW
50?FOOT DUELING CENTIPEDES.
393
00:18:35,117 --> 00:18:37,886
[ CHUCKLES ]
SO, IN OTHER WORDS,
SHE�S A HALF A WACK JOB.
394
00:18:37,920 --> 00:18:41,189
OH, SHE�S MORE LIKE
A SHORT BUS RIDE
FROM A TOTAL WACK JOB.
395
00:18:41,223 --> 00:18:45,027
SHE RECOGNIZE ME AND BRADSHAW
FROM BEING THERE LAST NIGHT?
MAKE EVEN THAT MUCH SENSE?
396
00:18:45,060 --> 00:18:47,763
TO DETERMINE THAT,
YOU�D HAVE TO PRETEND
397
00:18:47,796 --> 00:18:50,633
YOU GOT 50 LEGS
ON EITHER SIDE OF YOUR BODY.
[ CHUCKLES ]
398
00:18:50,666 --> 00:18:53,335
WAVE MY ARMS LIKE I�M
A CENTIPEDE, HUH?
YEAH. [ CHUCKLES ]
399
00:18:55,303 --> 00:18:56,939
HEY, JOEY.
400
00:18:56,972 --> 00:18:59,274
ANYWAY, LET US
GET BACK IN WITH HER.
401
00:18:59,307 --> 00:19:02,144
DANNY AND SIPOWICZ DON�T FEEL
SHE�S GOT MUCH FOR US.
402
00:19:02,177 --> 00:19:05,280
YOU�RE NOT GOING TO PURSUE
THIS JERRY ANGLE?
YOU�RE DOWN ON THAT?
403
00:19:05,313 --> 00:19:08,050
WE�LL GIVE YOU THE STATUS REPORT
ONCE WE FINISH WITH THIS GIRL.
404
00:19:08,083 --> 00:19:10,719
WHICH THEY FEEL SHE�S
HALF A WACK JOB, JOEY.
405
00:19:10,753 --> 00:19:12,955
SHE THOUGHT SHE
SAW DUELING BUGS.
406
00:19:12,988 --> 00:19:15,123
I TOLD ANDY I SHOULD
IMPERSONATE A CENTIPEDE,
407
00:19:15,157 --> 00:19:18,126
TRY AND JOG HER MEMORY.
[ CHUCKLES ]
408
00:19:18,160 --> 00:19:20,095
SO, YOU�LL
KEEP US POSTED?
409
00:19:20,128 --> 00:19:20,963
ABSOLUTELY.
410
00:19:22,798 --> 00:19:25,367
THANKS.
411
00:19:25,400 --> 00:19:26,735
AH, DON�T THANK US.
412
00:19:33,742 --> 00:19:35,911
OH, GOD.
413
00:20:03,439 --> 00:20:06,442
ALLS I�M GOING TO SAY ??
414
00:20:06,475 --> 00:20:10,145
YOU DON�T WANT TO KNOW.
415
00:20:10,178 --> 00:20:12,815
THE LESS YOU KNOW,
THE BETTER.
416
00:20:12,848 --> 00:20:16,251
THIS IS A 5?TON
BAG OF CRAP.
417
00:20:17,986 --> 00:20:19,788
BELIEVE ME.
418
00:20:34,837 --> 00:20:38,641
IF THEY MAKE ME TESTIFY,
I�LL GO BACK IN RESTRAINTS.
419
00:20:38,674 --> 00:20:40,042
WE�RE GOING TO TRY
420
00:20:40,075 --> 00:20:42,578
SO YOU DON�T HAVE
TO TESTIFY.
421
00:20:42,611 --> 00:20:44,647
THANKS FOR ALL YOUR HELP.
422
00:20:49,852 --> 00:20:52,555
I GOT NOTHING.
YOU GOT 24?
423
00:20:52,588 --> 00:20:54,757
I�LL GET YOUR BAG.
424
00:20:54,790 --> 00:20:56,459
THANKS FOR ALL THE COFFEE.
425
00:21:03,966 --> 00:21:05,834
WAS MY PRINTING TOO TINY?
426
00:21:12,808 --> 00:21:14,443
HI, DON.
427
00:21:14,477 --> 00:21:15,811
YOU JAMMED WITH WORK?
428
00:21:15,844 --> 00:21:17,813
OH, YEAH, WE GOT
A STINKY ONE,
429
00:21:17,846 --> 00:21:19,948
BUT I�M NOT ON IT.
430
00:21:19,982 --> 00:21:21,950
WHY DIDN�T YOU COME
UPSTAIRS?
431
00:21:21,984 --> 00:21:24,920
I DON�T THINK I�VE GOT
A BIG FAN CLUB UP THERE.
432
00:21:24,953 --> 00:21:27,456
OH, WELL, THEY TAKE
THEIR CUE FROM ME.
433
00:21:27,490 --> 00:21:29,558
SO MAYBE MY CASE
ISN�T HOPELESS.
434
00:21:29,592 --> 00:21:32,394
I JUST WANT TO MAKE SURE
I WASN�T OVERSTEPPING.
435
00:21:32,428 --> 00:21:34,029
ABOUT WHAT?
436
00:21:34,062 --> 00:21:36,031
I TOOK KYLE
FOR HIS FITTING.
437
00:21:36,064 --> 00:21:38,434
OH, YEAH, I�M SORRY
I PUNKED OUT ON THAT.
438
00:21:38,467 --> 00:21:40,769
OH, NO PROBLEM.
NO, BUT WHILE WE WERE THERE,
439
00:21:40,803 --> 00:21:43,071
THEY HAD THE EXACT SUIT
ON THE RACK
440
00:21:43,105 --> 00:21:44,707
THAT KYLE LOOKED AT
441
00:21:44,740 --> 00:21:47,075
WHEN WE WERE FIRST GOING
THROUGH THE CATALOGS,
AH.
442
00:21:47,109 --> 00:21:49,077
AND, YOU KNOW,
IT�S MORE EXPENSIVE.
AH.
443
00:21:49,111 --> 00:21:51,079
BUT IT IS
HIS FIRST COMMUNION SUIT,
444
00:21:51,113 --> 00:21:55,818
AND, YOU KNOW, MAYBE HIS SON
COULD WEAR IT SOMEDAY.
445
00:21:55,851 --> 00:21:58,053
ANYWAY, THE $65 EXTRA ??
446
00:21:58,086 --> 00:22:00,656
THANK GOD NOW THE MONEY
IS IN MY MEANS,
447
00:22:00,689 --> 00:22:03,191
BUT I JUST DIDN�T WANT
TO FREELANCE
448
00:22:03,225 --> 00:22:05,193
A DECISION LIKE THAT.
449
00:22:05,227 --> 00:22:07,763
NO, IF YOU WANTED
TO DO THAT FOR KYLE,
450
00:22:07,796 --> 00:22:10,232
I THINK
THAT WOULD BE GREAT.
451
00:22:10,265 --> 00:22:12,400
I THINK HE�LL APPRECIATE
THE GESTURE.
452
00:22:15,971 --> 00:22:18,106
ALL RIGHT, I�M GOING TO.
453
00:22:18,140 --> 00:22:21,243
OKAY.
454
00:22:21,276 --> 00:22:24,246
ANY CHANCE I MIGHT, UH,
SHOW UP FOR A SECRET VISIT
455
00:22:24,279 --> 00:22:25,948
AFTER THE KIDS ARE ASLEEP?
456
00:22:29,151 --> 00:22:32,755
I TOLD YOU
THAT WAS A ONE TIME ONLY.
457
00:22:32,788 --> 00:22:34,423
A MOMENT
OF MUTUAL WEAKNESS.
458
00:22:34,457 --> 00:22:36,625
YEAH.
459
00:22:36,659 --> 00:22:40,395
OKAY, I�M GOING TO TAKE OFF
BEFORE I GET A FIRM NO.
460
00:22:40,429 --> 00:22:42,097
HEY, DON?
461
00:22:42,130 --> 00:22:44,366
THAT WAS NICE
ABOUT THE SUIT.
462
00:22:44,399 --> 00:22:46,935
OH, NO, I WANT
TO DO IT FOR KYLE.
463
00:22:57,513 --> 00:23:01,149
ANONYMOUS CALL TO 911.
464
00:23:01,183 --> 00:23:03,919
SECTOR COPS FIND A GUY
BEATEN IN AN ALLEY LAST NIGHT
465
00:23:03,952 --> 00:23:05,421
OFF LAFAYETTE.
466
00:23:05,454 --> 00:23:08,290
NO WITNESSES AT THE SCENE,
WE CATCH THIS MORNING.
467
00:23:08,323 --> 00:23:10,926
AT THE E. R.,
THESE COPS TELL US
468
00:23:10,959 --> 00:23:13,295
WE WANT TO LOOK
FOR A JERRY DePAULO.
469
00:23:13,328 --> 00:23:15,598
SAME COPS
THAT FOUND THE GUY?
YEAH.
470
00:23:15,631 --> 00:23:17,866
THEY DIDN�T CALL IN
NIGHT WATCH?
WHAT DID I JUST SAY TO YOU?
471
00:23:17,900 --> 00:23:19,635
AT THE E. R.,
472
00:23:19,668 --> 00:23:22,037
THESE SAME COPS WHO FOUND HIM
WHO BROUGHT THE GUY IN,
473
00:23:22,070 --> 00:23:24,640
TELL US THAT WE WANT
TO LOOK AT A JERRY DePAULO
474
00:23:24,673 --> 00:23:27,042
FOR THE ASSAULT
BECAUSE AN HOUR PREVIOUS,
475
00:23:27,075 --> 00:23:29,545
THEY HAD BROKE IT UP
BETWEEN THEM TWO
476
00:23:29,578 --> 00:23:31,880
IN THAT VERY ALLEY,
PLUS THROWING IN
477
00:23:31,914 --> 00:23:33,882
HOW AFTER
THEY BROKE UP THE FIGHT
478
00:23:33,916 --> 00:23:36,318
AND SENT THIS JERRY
ON HIS WAY,
479
00:23:36,351 --> 00:23:38,721
THEY ALSO HAD OCCASION
TO HAND OUT A COUPLE
OF MINOR SMACKS
480
00:23:38,754 --> 00:23:41,323
TO THIS GUY THAT WINDS UP
IN THE HOSPITAL.
481
00:23:41,356 --> 00:23:44,226
THE GUY BROUGHT UP A LUNG?ER
AND SPIT IN THE ONE COP�S FACE.
482
00:23:44,259 --> 00:23:48,396
IF THEY�RE MINOR SMACKS
AND NO ONE�S ON THE SCENE,
WHY GO ON RECORD?
483
00:23:48,431 --> 00:23:50,899
THEY DID SEE SOMEONE ELSE
ON THE SCENE, BUT THEY
DIDN�T WANT TO GIVE THAT UP.
484
00:23:50,933 --> 00:23:53,436
WE BRING IN
THIS JERRY DePAULO.
485
00:23:53,469 --> 00:23:55,137
HE DON�T HAVE A CARE
IN THE WORLD.
486
00:23:55,170 --> 00:23:56,905
HIM AND THE OTHER GUY DID BEEF
IN THE ALLEY.
487
00:23:56,939 --> 00:23:58,541
THE COPS BROKE IT UP.
488
00:23:58,574 --> 00:23:59,875
HE WENT HOME, HE THREW A HUMP
INTO HIS GIRLFRIEND
489
00:23:59,908 --> 00:24:02,244
SO MASSIVE
HE ACTUALLY WOKE HER UP.
490
00:24:02,277 --> 00:24:04,246
HIS GIRLFRIEND
BACKS UP HIS ALIBI
491
00:24:04,279 --> 00:24:06,148
FOR WHAT TIME
HE GOT HOME?
492
00:24:06,181 --> 00:24:08,717
PLUS, AT THIS POINT,
A C.I. OF MINE SAYS
493
00:24:08,751 --> 00:24:11,286
HE SAW THE COPS
HAND THE BEATING OUT,
AND ONE OF THE COPS SAW HIM.
494
00:24:11,319 --> 00:24:13,121
WHICH GIVES YOU YOUR INKLING
WHY THESE COPS GIVE US
495
00:24:13,155 --> 00:24:15,257
THIS BAG OF CRAP
AT THE EMERGENCY ROOM ??
496
00:24:15,290 --> 00:24:18,260
SO THEY COULD BE ON RECORD
WHEN THIS WITNESS COMES FORWARD.
497
00:24:18,293 --> 00:24:20,729
AT THIS POINT,
THE GUY GOES D. O. A.
498
00:24:20,763 --> 00:24:23,031
NEVER REGAINS
CONSCIOUSNESS?
499
00:24:23,065 --> 00:24:26,068
HE GOES D. O. A. WITHOUT EVER
REGAINING CONSCIOUSNESS ??
500
00:24:26,101 --> 00:24:27,770
THIS POODLEHEAD MIKEY.
501
00:24:27,803 --> 00:24:30,406
WE RE?CANVASS, COME UP
WITH THE WITNESS
WHO MADE THE 911 CALL.
502
00:24:30,439 --> 00:24:33,375
SAID SHE SAW THE WHOLE THING.
THE ONLY BEATING
CAME FROM THE COPS.
503
00:24:33,409 --> 00:24:35,944
NO ONE ELSE CAME INTO THAT ALLEY
FROM THE TIME THEY
HANDED THE BEATIN� OUT
504
00:24:35,978 --> 00:24:38,581
TILL THE TIME
THE COPS COME BACK.
505
00:24:38,614 --> 00:24:40,783
WHO ARE THE COPS?
506
00:24:42,585 --> 00:24:45,320
JOE BRADSHAW
AND NEIL BAKER.
507
00:24:45,353 --> 00:24:48,290
NEIL BAKER,
THAT EIGHT MONTHS AGO,
508
00:24:48,323 --> 00:24:50,626
YOU STOOD UP FOR,
AND I CLEAR?
509
00:24:53,662 --> 00:24:56,599
[ SIGHS ]
510
00:24:56,632 --> 00:24:58,767
YOU GOT TO GET
THEIR STATEMENTS.
511
00:24:58,801 --> 00:25:00,302
THE HELL WE DO.
512
00:25:00,335 --> 00:25:02,037
WHAT, DID YOU JUST RETIRE?
513
00:25:02,070 --> 00:25:03,772
DO BAKER AND BRADSHAW
KNOW YOU LIKE THEM?
514
00:25:03,806 --> 00:25:05,741
THEY SENSE
THEY�RE A FEW LENGTHS IN FRONT.
515
00:25:05,774 --> 00:25:06,742
THEY DON�T KNOW.
516
00:25:06,775 --> 00:25:08,711
NO, THEY DON�T KNOW.
517
00:25:08,744 --> 00:25:10,713
WHAT THEY DO KNOW...
YOU AREN�T COPS
518
00:25:10,746 --> 00:25:13,081
THAT CALL I. A. B. IN
OVER A MINOR
TUNE?UP,
519
00:25:13,115 --> 00:25:15,150
SO IF I�M DOING
THE INTERVIEW,
520
00:25:15,183 --> 00:25:17,520
THEY�RE HOLDING THE BAG
FOR A HOMICIDE.
521
00:25:19,287 --> 00:25:23,391
YOU�RE NOT WATCHING US
BEHIND THOSE DOUBLE MIRRORS.
522
00:25:23,426 --> 00:25:25,794
I�M NOT TALKING TO THEM
AND LYING,
523
00:25:25,828 --> 00:25:27,796
AND NOBODY�S LISTENING.
524
00:25:27,830 --> 00:25:29,765
NO, I DON�T
HAVE TO WATCH.
525
00:25:44,647 --> 00:25:46,148
HOW WE DOING?
526
00:25:55,424 --> 00:25:57,926
I�M GOING TO TELL YOU
WHAT WE KNOW,
527
00:25:57,960 --> 00:26:00,563
AND I�M GOING TO TELL YOU
WHERE YOU STAND.
528
00:26:00,596 --> 00:26:03,532
WHEN I�M DONE, AND YOU TALK,
YOU BETTER NOT COME OUT
WITH A LIE,
529
00:26:03,566 --> 00:26:05,367
BECAUSE THE ONLY
CONVERSATION BETWEEN YOU
530
00:26:05,400 --> 00:26:07,135
AND A COP
NOT FROM I. A. B.
531
00:26:07,169 --> 00:26:08,937
IS GOING TO BE
THIS CONVERSATION.
532
00:26:08,971 --> 00:26:10,573
THE MINOR TUNE?UP ??
533
00:26:10,606 --> 00:26:12,608
YOU DRIVIN� OFF
AND COMING BACK
AN HOUR LATER
534
00:26:12,641 --> 00:26:14,577
TO SEE MIKEY BEEN BEATEN
BY SOMEBODY ELSE?
535
00:26:14,610 --> 00:26:16,579
LET GO OF THAT, NEIL.
536
00:26:16,612 --> 00:26:19,214
WE GOT TWO WITNESSES
PUT YOU IN THAT ALLEY,
537
00:26:19,247 --> 00:26:22,951
AND NO ONE COMING IN OR OUT
EXCEPT YOU AND BRADSHAW
WHEN YOU CAME BACK.
538
00:26:22,985 --> 00:26:24,487
WHAT ABOUT
WHAT WE TOLD YOU?
539
00:26:26,154 --> 00:26:28,557
TO TELL YOU
WHAT HAPPENED
540
00:26:28,591 --> 00:26:31,026
WOULD BE TO RAT OUT
MY OWN PARTNER.
541
00:26:31,059 --> 00:26:32,761
WELL THEN FIND
ANOTHER WORD FOR IT,
542
00:26:32,795 --> 00:26:35,030
�CAUSE YOU ARE ABOUT
TO BURN DOWN.
543
00:26:35,063 --> 00:26:38,901
I�M TELLING YOU RIGHT NOW,
I SWEAR ON MY LIFE,
544
00:26:38,934 --> 00:26:40,235
I WAS READY TO LEAVE.
545
00:26:44,473 --> 00:26:46,575
SO THIS POODLEHEAD MIKEY
SPITS IN MY FACE
546
00:26:46,609 --> 00:26:48,577
AND WE�RE TRYING TO HELP.
547
00:26:48,611 --> 00:26:52,415
SO I TAKE HIM IN THE ALLEY,
AND I BACKHAND HIM HARD,
548
00:26:52,448 --> 00:26:55,250
AND THEN I INSULT EVERY
FEMALE MEMBER IN HIS FAMILY.
549
00:26:55,283 --> 00:26:58,320
THAT WAS ENOUGH FOR ME,
BUT NOT FOR JOEY.
550
00:26:58,353 --> 00:26:59,755
SO JOE DOES WHAT?
551
00:26:59,788 --> 00:27:01,724
HE YELLS AT ME,
552
00:27:01,757 --> 00:27:03,626
WHICH ISN�T THE FIRST
TIME HE�S DONE IT
SINCE WE PARTNERED UP.
553
00:27:03,659 --> 00:27:05,628
"ASSHOLE SPITS
IN YOUR FACE.
554
00:27:05,661 --> 00:27:08,263
"THAT�S ALL YOU�RE GOING
TO GIVE HIM?
555
00:27:08,296 --> 00:27:10,633
NOBODY�S GOING TO RESPECT YOU
ON THE STREET."
556
00:27:10,666 --> 00:27:12,034
YOU KNOW,
TRYING TO PROVOKE ME,
557
00:27:12,067 --> 00:27:14,537
BUT I DIDN�T LET IT
GET TO ME.
558
00:27:14,570 --> 00:27:16,439
JOE TOOK OVER ON MIKEY?
559
00:27:16,472 --> 00:27:18,407
LIKE YOU WOULDN�T
BELIEVE.
560
00:27:18,441 --> 00:27:20,443
I MEAN, HE JUST ??
561
00:27:20,476 --> 00:27:22,545
HE JUST DRILLS THE GUY.
562
00:27:22,578 --> 00:27:24,547
"YOU�RE A PUSSY, NEIL."
BANG.
563
00:27:24,580 --> 00:27:27,115
"STAND UP
FOR YOURSELF, NEIL." BANG.
564
00:27:27,149 --> 00:27:29,752
"THIS IS
OUR STREET, NEIL." BANG.
565
00:27:29,785 --> 00:27:32,287
JOEY�S HAYWIRE
AT THIS POINT ??
566
00:27:32,320 --> 00:27:34,256
OUT OF HIS HEAD.
567
00:27:34,289 --> 00:27:37,392
JOEY SAID SOMEONE SAW US
TAKE MIKEY INTO THE ALLEY.
568
00:27:37,426 --> 00:27:39,562
HE SAID HE RECOGNIZED
THE GUY�S FACE,
569
00:27:39,595 --> 00:27:42,230
AND WE GOT TO GET THIS GUY
AND SHUT HIM UP.
570
00:27:42,264 --> 00:27:44,399
SO YOU GO LOOKING
FOR THE WITNESS.
571
00:27:44,433 --> 00:27:45,834
I WAS AFRAID OF JOEY.
572
00:27:48,070 --> 00:27:51,039
I WAS AFRAID OF WHAT
HE MIGHT DO TO ME
573
00:27:51,073 --> 00:27:52,340
IF I WENT AGAINST HIM.
574
00:27:55,578 --> 00:27:58,113
WE WENT LOOKING
FOR THE WITNESS.
575
00:27:58,146 --> 00:28:00,816
IT WAS AN HOUR
TILL WE GOT BACK TO MIKEY.
576
00:28:00,849 --> 00:28:04,520
I KEPT YOU
OUT ON THE STREET.
577
00:28:12,728 --> 00:28:16,231
I�VE MET ALL THE TOUGH GUYS
I NEED TO, BRADSHAW.
578
00:28:16,264 --> 00:28:18,967
YOU WANT TO WASTE TIME
PROVING YOU�RE ONE OF THEM,
579
00:28:19,001 --> 00:28:21,203
YOU�LL ONLY SHOW ME
YOU�RE STUPID.
580
00:28:21,236 --> 00:28:23,105
WHAT�S IT ABOUT?
YOU KNOW WHAT IT�S ABOUT.
581
00:28:23,138 --> 00:28:25,273
NO.
YEAH. THAT ALLEY.
582
00:28:25,307 --> 00:28:27,109
WE TOLD YOU
ABOUT THE ALLEY.
583
00:28:27,142 --> 00:28:29,211
YOU LIED.
584
00:28:29,244 --> 00:28:31,714
THE ONLY BEATING THAT D.O.A.
TOOK WAS OFF YOU GUYS.
585
00:28:31,747 --> 00:28:34,650
YOU AND BAKER
BEAT HIM TO DEATH.
586
00:28:34,683 --> 00:28:38,921
WE GAVE HIM A MINOR TUNE?UP
AND SENT HIM ON HIS WAY.
587
00:28:38,954 --> 00:28:40,589
HOUR LATER, DISPATCH SENDS US
BACK TO THE ALLEY,
588
00:28:40,623 --> 00:28:42,658
WE FIND THE GUY DOWN.
589
00:28:42,691 --> 00:28:44,893
THAT HOUR, SOMEONE ELSE
GAVE HIM A BEATING ??
590
00:28:44,927 --> 00:28:46,862
EITHER THAT JERRY
WE GAVE YOU
591
00:28:46,895 --> 00:28:48,531
OR SOME OTHER SKELL.
592
00:28:48,564 --> 00:28:50,733
NO ONE ELSE WAS
IN THAT ALLEY, BRADSHAW.
593
00:28:50,766 --> 00:28:53,436
FROM THE TIME YOU GAVE HIM
HIS "MINOR TUNE?UP,"
594
00:28:53,469 --> 00:28:56,238
THE HOUR THAT HE LAY THERE
TILL YOU AND BAKER CAME BACK,
595
00:28:56,271 --> 00:28:58,574
NO ONE ELSE
LAID A HAND ON HIM.
596
00:28:58,607 --> 00:29:00,476
YOU KNOW THIS?
WE KNOW IT.
597
00:29:00,509 --> 00:29:01,710
�CAUSE COPS TOLD YOU?
598
00:29:01,744 --> 00:29:04,312
YOU DON�T WANT TO PLAY
THAT CARD, ASSHOLE,
599
00:29:04,346 --> 00:29:07,950
NOT AFTER LYIN�
IN OUR FACES AND PUTTING US
IN THE MIDDLE OF THIS CRAP.
600
00:29:07,983 --> 00:29:09,718
YOU�RE PUTTING YOURSELF
IN THE MIDDLE,
601
00:29:09,752 --> 00:29:11,820
DISREGARDING OUR WORD.
602
00:29:11,854 --> 00:29:15,290
OH, YOU FIGURE YOU AND BAKER
ARE STILL ON THE SAME PAGE, HUH?
603
00:29:15,323 --> 00:29:17,960
BRADSHAW, PICTURE YOUR
PUNK PARTNER WITH SORENSON
604
00:29:17,993 --> 00:29:19,962
IN THAT OTHER
INTERVIEW ROOM.
605
00:29:19,995 --> 00:29:21,396
WHAT�S
YOUR VISUALIZATION, HUH?
606
00:29:21,430 --> 00:29:23,398
IS BAKER DIGGING
HIS SHOULDER IN,
607
00:29:23,432 --> 00:29:25,367
HOLDING UP
THAT BIG BLUE WALL?
608
00:29:25,400 --> 00:29:27,302
I HOLD MY END UP.
609
00:29:27,335 --> 00:29:29,805
YOU HOLD UP THIS.
610
00:29:29,838 --> 00:29:32,808
ARE YOU TELLING ME
I�VE LIED FOR COPS 30 YEARS
611
00:29:32,841 --> 00:29:35,277
SO YOU CAN GO CRAZY
ON SOME STREET MUTT
612
00:29:35,310 --> 00:29:36,912
AND DO MURDER?
613
00:29:36,945 --> 00:29:39,281
NEITHER ME NOR BAKER
MURDERED THAT GUY.
614
00:29:39,314 --> 00:29:41,917
YOU SMACK A SKELL
BAD ENOUGH THAT HE�S HURT,
615
00:29:41,950 --> 00:29:44,820
YOU COLLAR HIM FOR DISCON
AND BRING HIM TO THE HOUSE
OR THE HOSPITAL.
616
00:29:44,853 --> 00:29:47,222
YOU DON�T LEAVE HIM
LAY THERE TO DIE.
617
00:29:47,255 --> 00:29:50,125
IS THAT WHAT I DID,
LEAVE HIM TO DIE?
618
00:29:50,158 --> 00:29:53,128
LOOK IN MY FACE AND CALL ME
THAT KIND OF COP.
619
00:29:53,161 --> 00:29:55,130
HERE�S WHAT I GOT NOW,
BRADSHAW ??
620
00:29:55,163 --> 00:29:57,766
YOU�RE A GUTLESS SCUMBAG
THAT BEAT A GUY UNCONSCIOUS
621
00:29:57,800 --> 00:30:00,135
AND LEFT HIM
IN THE STREET TO DIE.
622
00:30:00,168 --> 00:30:02,137
YOU WANT
TO SHOW ME DIFFERENT?
623
00:30:02,170 --> 00:30:05,608
MY GUTLESS SCUMBAG PARTNER
LEFT HIM IN THE STREET.
624
00:30:05,641 --> 00:30:07,576
I WANTED TO BRING HIM IN.
625
00:30:07,610 --> 00:30:09,578
I WANTED TO BRING HIM IN,
626
00:30:09,612 --> 00:30:12,981
BUT MY GUTLESS SCUMBAG
PARTNER FREAKS OUT.
627
00:30:13,015 --> 00:30:16,585
SOME GUTLESS SCUMBAG
STREET SKELL SAW THE TUNE?UP
628
00:30:16,619 --> 00:30:19,054
AND RUNS FOR THE RADIO CAR
TO GO AFTER HIM.
629
00:30:19,087 --> 00:30:21,824
I�D STARED AT THAT GUY.
HE KNEW NOT TO MESS WITH US,
630
00:30:21,857 --> 00:30:23,792
BUT MY GUTLESS
SCUMBAG PARTNER�S
631
00:30:23,826 --> 00:30:25,928
GOT TO JUMP
IN THE RADIO CAR
632
00:30:25,961 --> 00:30:27,730
SO WE CAN TRY
AND CHASE HIM DOWN.
633
00:30:27,763 --> 00:30:29,364
YOU NEVER FOUND HIM.
634
00:30:29,397 --> 00:30:31,767
WHICH WE NEVER FOUND HIM,
AND I GOT TO LISTEN
635
00:30:31,800 --> 00:30:33,569
TO MY GUTLESS SCUMBAG
PARTNER CRY,
636
00:30:33,602 --> 00:30:36,572
"WHAT ARE WE GOING TO DO?
HE SAW US. WE GOT TO FIND HIM."
637
00:30:36,605 --> 00:30:40,308
TILL AN HOUR�S GONE WHILE
WE LOOK FOR THAT SKELL
638
00:30:40,342 --> 00:30:42,478
TILL I CAN GET BAKER
BACK TO THAT ALLEY.
639
00:30:45,080 --> 00:30:48,050
HE DIDN�T BEAT HIM.
640
00:30:48,083 --> 00:30:52,788
BAKER RAN, BUT YOU�RE
WHO TUNED THAT GUY UP.
641
00:30:52,821 --> 00:30:56,058
I DID WHAT
WAS APPROPRIATE.
642
00:30:56,091 --> 00:30:59,428
THESE ARE OUR STREETS.
643
00:30:59,462 --> 00:31:02,798
HE SPIT IN BAKER�S FACE.
644
00:31:02,831 --> 00:31:05,768
BAKER GIVES HIM
ONE LITTLE BACKHAND?
645
00:31:05,801 --> 00:31:08,270
I DID WHAT
HAD TO BE DONE.
646
00:31:29,592 --> 00:31:31,927
GIVE ME A HINT.
647
00:31:31,960 --> 00:31:34,730
"POODLEHEAD."
648
00:31:34,763 --> 00:31:36,799
I�M GLAD YOU LIKED IT,
SWEETHEART.
649
00:31:36,832 --> 00:31:40,302
YEAH, I WANT TO SEE YOU IN IT
AS SOON AS I GET HOME.
650
00:31:40,335 --> 00:31:41,937
IT WAS.
651
00:31:41,970 --> 00:31:44,072
IT WAS A NICE THING
FOR DAD TO DO.
652
00:31:44,106 --> 00:31:45,441
HI.
653
00:31:45,474 --> 00:31:47,743
HI.
654
00:31:47,776 --> 00:31:49,545
SORRY YOUR CASE
BROKE THIS WAY.
655
00:31:49,578 --> 00:31:51,480
YOU MAY TAKE A RIP
656
00:31:51,514 --> 00:31:53,882
FOR NOT NOTIFYING I. A. B.
TILL THIS AFTERNOON.
657
00:31:53,916 --> 00:31:56,318
THOSE TWO COPS HAND US
THEIR BAG OF CRAP.
658
00:31:56,351 --> 00:31:58,220
I KNOW WHAT YOU DID.
659
00:31:58,253 --> 00:32:01,890
WE�RE GOING TO TAKE A RIP
FOR NOT PASSING THE BAG ALONG?
660
00:32:01,924 --> 00:32:05,060
THIS JOB MAKES
MORE AND MORE SENSE.
661
00:32:05,093 --> 00:32:06,729
GOOD NIGHT.
662
00:32:06,762 --> 00:32:08,363
GOOD NIGHT.
663
00:32:08,396 --> 00:32:10,198
WHAT TYPE
OF RIP YOU FIGURE?
664
00:32:10,232 --> 00:32:11,967
THEY�LL SEND ME
BACK TO VIETNAM?
665
00:32:12,000 --> 00:32:14,570
IF YOUR FIVES ARE DONE,
666
00:32:14,603 --> 00:32:17,406
LEAVE THE VOUCHERING
FOR GREG AND JAMES.
667
00:32:17,440 --> 00:32:22,044
THEY�LL RIP US
FOR VACATION DAYS.
668
00:32:22,077 --> 00:32:23,779
WHEN�S THE LAST
YOU TOOK VACATION?
669
00:32:23,812 --> 00:32:26,415
YEAH, GOOD.
670
00:32:28,016 --> 00:32:30,886
I GOT TO COOK DINNER.
671
00:32:30,919 --> 00:32:33,556
SUBMIT
BOTH THEIR STATEMENTS,
672
00:32:33,589 --> 00:32:36,258
LET THE JURY DECIDE WHICH
OF THESE BUMS IS A LIAR.
673
00:32:43,398 --> 00:32:45,067
I HAD A COUSIN.
674
00:32:45,100 --> 00:32:48,771
THIS TYPE DAY�S EVENTS
TENDED TO PUT HIM IN A MOOD.
675
00:32:48,804 --> 00:32:52,040
BE THINKING, "THIS ISN�T
WHAT I JOINED UP TO DO.
676
00:32:52,074 --> 00:32:53,776
WHAT ABOUT
THESE COPS� FAMILIES?"
677
00:32:53,809 --> 00:32:55,411
WOULD HE GET PEOPLE
678
00:32:55,444 --> 00:32:58,080
OFFERING HIM ADVICE
HE DIDN�T ASK FOR?
679
00:32:58,113 --> 00:33:00,883
WHEN HE WAS IN THAT TYPE
HEAD?UP?HIS?ASS MOOD,
680
00:33:00,916 --> 00:33:02,451
HE�D GO OUT LOOKING
681
00:33:02,485 --> 00:33:04,787
FOR PEOPLE TO BUTT IN
WITH THEIR OPINIONS,
682
00:33:04,820 --> 00:33:07,122
SAY WHAT HE WAS THINKING
ABOUT HIMSELF
683
00:33:07,155 --> 00:33:09,091
SO HE COULD PUNCH THEM.
684
00:33:09,124 --> 00:33:11,694
THAT�S HOW HE DEVELOPED
ENORMOUS CAREER MOMENTUM
685
00:33:11,727 --> 00:33:13,929
AND A WIDE CIRCLE
OF FRIENDSHIP.
686
00:33:13,962 --> 00:33:16,799
OKAY, ANDY.
687
00:33:16,832 --> 00:33:20,035
YEAH, OKAY. GOOD NIGHT.
688
00:33:20,068 --> 00:33:21,403
GOOD NIGHT.
689
00:33:21,437 --> 00:33:23,138
YEAH, GOOD NIGHT.
690
00:33:25,273 --> 00:33:27,042
AHEM.
691
00:33:27,075 --> 00:33:29,712
UM...
692
00:33:29,745 --> 00:33:31,447
FEEL LIKE HAVING
SOME DINNER?
693
00:33:31,480 --> 00:33:33,081
I�M GOOD, YOU KNOW?
694
00:33:33,115 --> 00:33:35,451
I�M JUST GOING TO DO
THIS VOUCHERING MYSELF,
695
00:33:35,484 --> 00:33:37,285
TAKE, LIKE, 10 MINUTES.
696
00:33:37,319 --> 00:33:40,355
THANKS FOR HELPING ME
WITH THE FIVES, DIANE.
697
00:33:42,357 --> 00:33:46,695
YOU EVER MET
ANDY�S COUSIN ??
698
00:33:46,729 --> 00:33:50,699
MR. HYDE?
699
00:33:50,733 --> 00:33:53,936
ALL RIGHT, WELL,
700
00:33:53,969 --> 00:33:55,938
GOOD NIGHT, THEN, DANNY.
701
00:33:55,971 --> 00:33:57,272
YEAH, TAKE CARE.
702
00:34:13,789 --> 00:34:20,362
[ READING ALOUD ]
703
00:34:20,395 --> 00:34:23,131
"UH?OH,
THERE WE GO AGAIN
704
00:34:23,165 --> 00:34:24,767
"TO THE FIREFIGHTER�S
HOUSE.
705
00:34:24,800 --> 00:34:27,970
GO, GO.
GET THE WATER, TOO."
706
00:34:28,003 --> 00:34:30,973
ANY JOB YOU HAVE,
YOU TRY AND HELP PEOPLE.
707
00:34:31,006 --> 00:34:32,975
THAT�S YOUR PURPOSE
WITH A JOB ??
708
00:34:33,008 --> 00:34:38,146
YOU EARN A LIVING,
AND YOU TRY TO HELP.
709
00:34:38,180 --> 00:34:39,782
MASHED POTATOES.
710
00:34:39,815 --> 00:34:42,384
YEAH, THAT�S YOUR
MASHED POTATOES THERE,
711
00:34:42,418 --> 00:34:44,386
RIGHT NEXT
TO YOUR MEATLOAF
712
00:34:44,420 --> 00:34:46,054
THAT I PROBABLY
OVERCOOKED.
713
00:34:46,088 --> 00:34:48,424
OKAY, COME ON,
LET�S SIT DOWN AND EAT.
714
00:34:48,457 --> 00:34:50,392
COME ON.
715
00:34:50,426 --> 00:34:53,596
HERE. HERE YOU GO.
716
00:34:53,629 --> 00:34:56,364
SIT DOWN IN FRONT
OF PETE THE BEAR.
717
00:34:56,398 --> 00:34:59,835
MMM, GOOD.
718
00:35:02,304 --> 00:35:05,107
WE HAVE TO SAY
OUR PRAYERS, OKAY?
719
00:35:05,140 --> 00:35:06,442
PUT YOUR HANDS TOGETHER.
720
00:35:08,243 --> 00:35:11,213
BLESS THIS FOOD
TO OUR USE
721
00:35:11,246 --> 00:35:14,149
AND US TO THY SERVICE.
AMEN.
722
00:35:14,182 --> 00:35:15,651
AMEN.
723
00:35:21,990 --> 00:35:23,659
YOUR MOM IN HEAVEN ??
724
00:35:23,692 --> 00:35:26,094
SHE HAD THAT GOAL
WITH HER JOB ??
725
00:35:26,128 --> 00:35:28,631
THEO, THEO, DON�T PLOP
YOUR MASHED POTATOES
726
00:35:28,664 --> 00:35:30,232
ALL OVER THE TABLE.
COME ON.
727
00:35:30,265 --> 00:35:32,234
JUST EAT UP.
728
00:35:32,267 --> 00:35:35,938
YOU HAD AN OLDER BROTHER
I�LL COME TO TELL YOU ABOUT.
729
00:35:35,971 --> 00:35:39,141
HE ALSO TRIED TO HELP.
730
00:35:39,174 --> 00:35:41,910
I TRY TO BE HELPFUL.
731
00:35:41,944 --> 00:35:44,913
I�M HELPING YOU.
732
00:35:48,917 --> 00:35:51,887
YEAH, YOU�RE HELPING ME.
733
00:35:51,920 --> 00:35:53,889
YOU�RE HELPING ME
BY NOT DISTRIBUTING
734
00:35:53,922 --> 00:35:56,825
YOUR MASHED POTATOES
ALL OVER THE TABLE.
735
00:35:56,859 --> 00:35:59,127
I WANT TO GIVE YOU
A KISS.
736
00:35:59,161 --> 00:36:02,698
YOU�RE GOING TO KISS ME
IN THE MIDDLE OF DINNER?
737
00:36:02,731 --> 00:36:05,100
I�M GOING TO KISS YOU.
738
00:36:05,133 --> 00:36:08,036
ALL RIGHT.
739
00:36:08,070 --> 00:36:10,305
[ SMACKS LIPS ]
740
00:36:13,609 --> 00:36:16,812
THAT�S VERY HELPFUL.
741
00:36:16,845 --> 00:36:18,180
I�M HELPING YOU.
742
00:36:21,484 --> 00:36:25,120
YOU HELPED ME
WITH THAT KISS.
743
00:36:25,153 --> 00:36:26,455
THANK YOU VERY MUCH.
744
00:36:47,676 --> 00:36:51,079
ANOTHER ONE.
745
00:36:51,113 --> 00:36:53,081
SHANNON, YOU DON�T
WANT TO KNOW
746
00:36:53,115 --> 00:36:55,718
HOW MY SISTER LORI IS?
747
00:36:55,751 --> 00:36:57,720
FIGURE THIS CITY�S
SAFER TONIGHT, DANNY?
748
00:36:57,753 --> 00:37:00,088
YOU TOOK TWO COPS
OFF THE STREET.
749
00:37:00,122 --> 00:37:02,491
THEM TWO COPS?
YEAH, THE CITY�S SAFER.
750
00:37:02,525 --> 00:37:04,126
YOU KNOW THE CASE.
751
00:37:04,159 --> 00:37:07,062
TRUE, THAT.
752
00:37:07,095 --> 00:37:08,431
SAY HI TO LORI.
753
00:37:08,464 --> 00:37:10,398
YEAH, ALL RIGHT.
754
00:37:35,157 --> 00:37:36,959
HOW�S IT GOING?
755
00:37:36,992 --> 00:37:39,928
THE 20 I BORROWED.
756
00:37:39,962 --> 00:37:42,230
I�D LIKE TO TALK
TO YOU ABOUT THE CASE.
757
00:37:42,264 --> 00:37:46,034
I DON�T KNOW I�D WANT TO BE
TALKING ABOUT IT TOO MUCH.
758
00:37:46,068 --> 00:37:48,136
IF IT WAS YOU,
MAYBE YOU�D KNOW
759
00:37:48,170 --> 00:37:51,073
THERE WAS A BIG MARGIN
YOU GOT THE WRONG TWO GUYS.
760
00:37:51,106 --> 00:37:53,409
THIS IS WITHOUT ME.
761
00:37:53,442 --> 00:37:56,244
WE�LL MUDDLE THROUGH.
762
00:38:01,249 --> 00:38:04,453
SO WHAT DO YOU WANT
TO SAY?
763
00:38:04,487 --> 00:38:08,256
I WANT TO SAY THIS CASE
BROKE DIFFICULT ENOUGH TODAY
764
00:38:08,290 --> 00:38:10,626
WHERE EVERY TIME I GLANCED
IN YOUR DIRECTION,
765
00:38:10,659 --> 00:38:12,928
I DIDN�T NEED DISAPPROVING
MYSTERY LOOKS,
766
00:38:12,961 --> 00:38:16,031
OR YOU ACT LIKE I ENJOYED
SCARING THAT GIRL.
767
00:38:16,064 --> 00:38:19,401
I WAS TRYING TO SHAKE HER
OFF HER STORY.
768
00:38:19,435 --> 00:38:21,136
YOU WENT TOO FAR.
769
00:38:21,169 --> 00:38:23,972
I WAS HOPING SHE�D MOVE
OFF THOSE COPS.
770
00:38:24,006 --> 00:38:25,974
ARE YOU USUALLY
OFF BASE THIS FAR
771
00:38:26,008 --> 00:38:27,776
ON WHAT�S
ON PEOPLE�S MINDS?
772
00:38:27,810 --> 00:38:29,778
I COULD SEE IT SLOWING DOWN
YOUR DETECTIVE WORK.
773
00:38:33,348 --> 00:38:35,551
ANYWAY, WHO�S OUR MUTUAL
ACQUAINTANCE, FRANCO,
774
00:38:35,584 --> 00:38:37,553
THAT YOU CAN CRACK WISE
775
00:38:37,586 --> 00:38:39,221
I DON�T LIKE
GETTING STIRRED UP?
776
00:38:39,254 --> 00:38:41,457
TAMMY SIMPSON.
777
00:38:41,490 --> 00:38:43,759
THAT I DATED TWICE.
778
00:38:43,792 --> 00:38:46,061
MY GIRLFRIEND WHO I WAS
IN THE ACADEMY WITH.
779
00:38:46,094 --> 00:38:48,864
I HOPE NOBODY SHARES MISSILE
INFORMATION WITH HER.
780
00:38:48,897 --> 00:38:51,099
THE WHOLE THING SHE SAID
781
00:38:51,133 --> 00:38:56,271
WAS YOU WERE THIS SWEET GUY
WHO WAS TOTALLY CONFUSED,
782
00:38:56,304 --> 00:38:59,274
AND YOU PUSHED HER AWAY
WHEN YOU WANTED TO HOLD HER.
783
00:38:59,307 --> 00:39:02,277
AND THIS CAUSED YOU
TO HATE ME.
784
00:39:02,310 --> 00:39:04,279
NO, I GUESS
IT PROBABLY CAUSED ME
785
00:39:04,312 --> 00:39:05,748
TO BE INTERESTED IN YOU.
786
00:39:08,116 --> 00:39:10,453
YOU THINK THERE�S ONLY
ROOM ON EARTH
787
00:39:10,486 --> 00:39:12,187
FOR ONE CONFUSED PERSON?
788
00:39:18,961 --> 00:39:22,230
FRANCO, YOU WANT
TO COME HOME WITH ME?
789
00:39:25,901 --> 00:39:27,169
YEAH, ALL RIGHT.
790
00:40:08,511 --> 00:40:11,647
WAIT. WAIT. WAIT.
791
00:40:11,680 --> 00:40:12,881
WHAT�S THE MATTER?
792
00:40:12,915 --> 00:40:14,783
I�M NOT COMFORTABLE.
793
00:40:14,817 --> 00:40:17,553
OKAY.
LET�S GET COMFORTABLE.
794
00:40:17,586 --> 00:40:20,388
C?CAN WE JUST STOP?
795
00:40:20,423 --> 00:40:24,092
STOP COMPLETELY? SURE.
796
00:40:29,765 --> 00:40:32,635
I?I�M SORRY. I�M JUST NOT
COMFORTABLE DOING THIS.
797
00:40:32,668 --> 00:40:35,771
I KNOW I CAME UP HERE
WITH YOU.
798
00:40:35,804 --> 00:40:39,542
I JUST GOT SCARED
ALL OF A SUDDEN.
799
00:40:39,575 --> 00:40:42,645
THAT HAPPENS, I GUESS.
800
00:40:42,678 --> 00:40:45,047
I�M JUST GOING
TO GO, ALL RIGHT?
801
00:40:45,080 --> 00:40:47,049
I�M VERY SORRY.
802
00:40:47,082 --> 00:40:49,184
ALL RIGHT.
803
00:40:52,254 --> 00:40:54,222
ALL RIGHT.
804
00:40:54,256 --> 00:40:57,359
[ SOBBING ]
805
00:41:01,730 --> 00:41:04,232
NOTHING WRONG IS GOING
TO HAPPEN HERE.
806
00:41:04,266 --> 00:41:06,234
YOU WEREN�T DOING
ANYTHING WRONG.
807
00:41:06,268 --> 00:41:08,871
WHEN I SAW YOU
IN THE BAR TONIGHT,
808
00:41:08,904 --> 00:41:11,239
I WENT FROM LOOKING
FOR A FIGHT
809
00:41:11,273 --> 00:41:13,876
TO JUST WANTING
TO KEEP COMPANY.
810
00:41:13,909 --> 00:41:17,946
AND I WANTED
TO KEEP YOU COMPANY.
811
00:41:17,980 --> 00:41:22,718
SO YOU JUST WANT ME
TO HOLD YOU?
812
00:41:22,751 --> 00:41:25,554
DO YOU MIND
JUST HOLDING ME?
813
00:41:25,588 --> 00:41:27,556
NO, I�LL JUST HOLD YOU.
814
00:41:27,590 --> 00:41:29,558
HERE, TAKE
YOUR PANTS OFF ??
815
00:41:29,592 --> 00:41:31,560
STRICTLY FOR HOLDING
PURPOSES ONLY.
816
00:41:31,594 --> 00:41:33,796
I�M NOT GOING
TO DO ANYTHING.
817
00:41:33,829 --> 00:41:36,064
WE�LL JUST LAY BACK
RIGHT HERE
818
00:41:36,098 --> 00:41:38,434
UNTIL WE GET IN A MORE
PERMANENT POSITION
819
00:41:38,467 --> 00:41:39,968
UNDER THE COVERS
820
00:41:40,002 --> 00:41:42,370
WHERE NOTHING IS GOING
TO HAPPEN ALSO.
821
00:41:42,405 --> 00:41:45,708
HA HA HA HA HA.
822
00:41:45,741 --> 00:41:47,075
OKAY?
823
00:41:47,109 --> 00:41:49,445
YEAH.
824
00:41:49,478 --> 00:41:52,147
THAT�S GOOD.
825
00:42:00,756 --> 00:42:03,726
THAT�S JUST
WHAT I WANTED TONIGHT ??
826
00:42:03,759 --> 00:42:05,661
JUST KEEPING COMPANY
WITH YOU.
827
00:42:19,508 --> 00:42:22,244
Captioned by VISUAL DATA
Your Closed Captioning Resource
??www.visualdatainc.com??
828
00:42:22,277 --> 00:42:29,284
? ?
62044
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