All language subtitles for Magnum P.I. s02e19 Double Jeopardy.eng

I'm Olivia Ross.

I'm a big fan of yours.

Congratulations, Magnum.

You're our new stunt double
for Jack Martin.

Action!

Who are those guys?

The Sushi brothers.

This is the movies, T.C.
The movies!

This is boring.

Would you read lines
with me?

Uh, it says here
they kiss.

Good morning,
ladies and gentlemen.

This concludes
our midnight flight from Los Ángeles to Honolulu.

It's 7:30 a.m. Local time

and the temperature
is a comfortable 76 degrees.

We hope you've
enjoyed your flight

and that you'll keep us
in mind

for future travel plans.
Mahalo.

Even on the red-eye,
it's wonderful flying

into Honolulu for
a vacation in paradise.

But it's not
nearly so wonderful

when you're
a private investigator

who's spent two weeks
in Bakersfield

on a case and been
stiffed by your client.

It's even worse
when your ride

from the airport
didn't show up

and the cab driver's listening

to the Orange
Blossom Special.

Excuse me.

Do you mind?

This is Kalakawa
Kalakua Road there, mister.

How far down?

It's right up there.

You can sort of
see the gate.

It's right where
that guy's standing by the ladder.

Standing by the ladder?

Wait, no, back up.
Back up.

Okay, brother,
all right.

Hey!

Here, keep the change.

Okay, brother. Right on.

What the...

Hold it!
Cut! Cut! Cut!

What happened?
Are you all right?

Oh, my back.
It's your back?

Yeah.

You better go lie down
for a minute.

Sorry, I didn't know
what was happening.

I saw this ladder,
this guy going over the wall.

You think I'm gonna buy
you're just a Good Samaritan?

I didn't know
he was an actor.

Oh, you thought
all these people and these cameras

were here just to
film a one-man invasion of Robin's Nest.

That's wilder than
the script I'm shooting.

Look, I'm sorry
I wrecked your shot,

or... or whatever it is
you call it.

I'm sorry, fellow.
But, look, I just got back

from the mainland,
and I'm exhausted.

So now, I will get
out of the way, okay?

Hey, wait, wait, wait,
wait, wait a minute.

You're Thomas Magnum,
aren't you?

What?

I should've known
right off.

Higgins said you were
gonna be back on Wednesday.

Well, I'm Mert Callaghan,
the director.

It's uncanny.

What's uncanny?

Might be a little young.

It's okay.
There's somebody you've just gotta meet.

Wait a minute.
What are you talking about?

Come on, let's go.

No, I gotta get my bag.

Uh, get his bag.

Zeus, Apollo, attack.

Down, lads. Sit.

Not bad, in here.

But will they do it
in front of the camera, out there?

Mr. Knox, I guarantee
these dogs

will perform under
any circumstances.

They're like
finely-tuned machines

designed to respond
to their master's command.

I don't want machines.
I want a couple of dogs that can act.

They're gonna have to go up
against the boys. I want vicious.

I assure you,
they have multiple levels of ferocity

whatever the situation
should require.

A case in point.

Oh, Magnum, I see
you've finally returned.

This is Thomas Magnum?
Yep.

Yes, indeed.

Excuse me.

Higgins, what is
going on here?

Magnum, may I introduce you
to William B. Knox.

He's producing the film
based on

Robin Masters' latest novel,
Tahiti Kill.

The final days of shooting
will be done here.

How do you do?

Same height,
same build, same face.

A little younger.

I don't know if
Jack will like that.

Are you in good shape?

Are you kidding?
I just saw him jump

over a wall and attack
one of the commandos.

Damn near killed him.

Excellent.
We'll go with him.

Higgins, you're right.
He's perfect.

Congratulations, Magnum.

You're our new
stunt double for Jack Martin.

I took the liberty

of volunteering
your services.

The previous double
had an unfortunate accident.

Robin thought it
a splendid idea.

What kind
of an accident?

Nothing, nothing.
Don't worry about it.

Look, the rest of the stunts
are minimal, Magnum.

I mean, they're not
really stunts at all.

It's just
a little running around.

Did I happen
to mention to you

the kind of money
you'd be making?

It doesn't matter

because I wouldn't
have much fun

spending it
from a wheelchair.

Wheelchair?

He's funny.

Excuse me, Mr. Knox,
but we need the wrangler on the set.

And, Mert, we're ready
whenever you are.

Oh, I'll... I'll be
right there.

Listen, Magnum,
I gotta get back to the set.

Think about it, will you?
We'll talk later.

There's nothing
to talk about.

Welcome aboard.

Who are those guys?

The Sushi brothers.

Sushi is just
a stage name, of course.

Black belts in at least
four or five of the martial arts.

Quite a talented twosome.

Not too chatty, though.

The lads will be
taking them on in

one of the more
action-packed sequences.

I think you'll enjoy
working with them.

The only thing I am
going to be working on

is three days of sleep.

And maybe, just maybe
when I wake up,

all these people
will be gone.

Oh, Higgins.

By the way,
what did happen to the other stunt double?

Insurance took care of it.

Ah.

"You are so lovely.

"Even in your sadness,
now is the time for inner strength.

"I know it's lonely out there.

"It's always lonely

"after they walk away
that last time.

But I'm with you now."

Thomas!

Thanks a lot for picking
me up at the airport.

Buddy, am I glad to see you.
Guess what?

I am gonna be
in a movie.

Oh, no. Not you, too.

Well, I didn't get
the part officially yet,

but I'm quite sure
it's a shoo-in.

A shoo-in?

Yeah. The audition's
in a couple of days.

That's why I've
been practicing every chance I get.

Wait a minute.
Isn't it a little late to be casting a part?

Higgins said
this was the last week of shooting.

The guys were all set
but the director changed some stuff in his character.

They had to get rid of him.
That's why I'm positive this part was meant for me.

Here read this.

"Enter Garson Swift,

a short, debonair,
well-dressed man in his middle 30s."

That's you, all right.
Short.

Hey, come on,
don't be a wisenheimer.

I'm serious, this part
was meant for me, Thomas.

This could be
the start of a big career.

Whoa!
Oh, no, now what?

That's T.C.
With the stars.

The stars?

I'm shivering with delight.

We're talking
Jack Martin and Olivia Ross.

Come on.

Olivia Ross?

Come on.

Jack Martin and Olivia Ross
were the rarest of creatures,

a Hollywood marriage that had
lasted through 15 years

and a dozen pictures

where they'd played
America's dream couple.

As for me?

Well, I'd been secretly
in love with Olivia

from the day that
I'd seen her first picture.

To get close to her,

I'd even become
a stunt double.

Oh, I know, actresses are
never supposed to be like the people they portray,

but somehow,
I just didn't think that applied to Olivia.

She was so wonderful.

You're not using
full loads?

You kidding. I wouldn't
do that to you, Jack.

Sure, sure, I've been
there before.

I'm glad you changed
your mind.

You may as well
meet Jack Martin.

He's getting
wired up over here.

Jack, I'd like you to meet
your new stunt double.

This is
Thomas Magnum.

My God, there is
a resemblance.

Maybe he could do the 52-city
promotional tour and, uh, I'll take a vacation.

Actually, Magnum was
a little reluctant to take this job.

Nice having you
join us, Magnum.

Okay, finished, Mr. Martin.
Thanks, Tim.

We're set up over here, Jack.

Okay, everybody, let's go.

All right, places, everybody.

Now, if, uh, if you'll get

in place down here,
we can, uh...

Ready?

Yeah, come on.
Check it with my crew.

Oh!
Oh!

I'm so sorry.
Did I step on your foot?

No, no, it's okay.

No, it's okay, really.
It's fine.

I'm, uh, Mr. Martin's
stunt double.

You know, for a second,
I thought you looked

just like Jack
when I married him.

Really?

I'm Olivia Ross.

Oh, yes, I know.
I- I'm Thomas Magnum.

I'm a big fan of yours.

Thank you.

Welcome aboard.

Quiet on the set. Rolling.

Tahiti Kill,
Scene 130, Take 1.

And action!

Is that the way
you're going to end it?

Just walk out?

I've done everything
I can do.

The rest is up to you.

Cut it.

That's a cut.
We'll do it once more.

Olivia?

I'm sorry.
Jack, your makeup.

Maybe it's nothing.

What?

Well, you look washed-out.

Is it just me?

He looks fine to me.

Albert?

Wait a minute.
Let me get a touchup.

All right, what's gonna
happen now?

Just wait.
You'll find out.

Wait? I ain't got time
to wait around here all day.

Especially if they're
gonna stop all the time.

This is the movies, T.C.
The movies!

This is boring,
that's what it is.

Take 2.

Action!

Is this the way
you're going to end it?

Just walk out?

I've done everything
I can do.

The rest is up to you.

You're a coward,
just like your brother.

At least he died
a brave man.

You want
a brave man, Stefanie?

Okay, here, shoot me.

I'll die a brave man
for you.

Oh! My body mike slipped.

Cut it.

Can we help you here?

Can we help you
with that?

Ah, why don't we just
go to lunch?

What else?

Take 3.

Action!

It's not gonna work.
You want the gun.

Oh, hell, I'm sorry.

Keep it rolling.
Keep it rolling.

And action!

You're a coward,
just like your brother.

At least he died a brave man.

You want
a brave man, Stefanie?

Okay, here, shoot me.
I'll die a brave man for you.

Now who's a coward?

Jack?

All right, everybody.
Let's get ready to move.

Help me,
somebody, please!

He's been shot for real.

Somebody give me
a hand here.

T.C., roll up
the chopper.

Got it.

Somebody grab his feet.
Higgins.

Call Bishop Emergency.

Tell them to have
their crash team ready.

Oh, my God, Jack!

Jack!

All right, it's gonna
be all right.

Say again, Mr. Masters,
I can barely hear you.

No one knows.
It's quite baffling.

He's still in a coma.

The doctors won't know
for a while.

Well, as well as
could be expected,

uh, she's at the hospital now.

Every day we're shut down,

it's costing
the company $60,000.

You're already
two weeks over.

I want to start up again
as soon as possible.

Tomorrow.

Tomorrow?

Oh, I don't know, Billy.

The crew's pretty shook up.
Lots of grief.

People can grieve and work
at the same time.

I see it a lot.

Yes, if that's what
you want.

Yes, Mr. Masters.

I will keep you informed.

Goodbye.

Robin wants me
to investigate.

Of course.

I hope you do better
than the local cops.

What a bunch
of bozos.

Yeah,
real clowns.

Lt. Tanaka, Homicide.

You must be William B. Knox.

I am a big fan
of yours.

You know,
my favorite picture

was your original version of
23 Guns To Cairo.

I've seen it 16 times.

Thanks.

You know, it's a shame

you haven't done
many pictures in the last couple of years.

Oh, well, it's a feast
or famine kind of business.

And you must be
Mert Callaghan.

Maybe you can
answer a question for me.

I was just curious

about the end
of your last film

where the old blind woman

baked a cake for
the dying psychic.

Were the metaphysical
implications intentional?

Lieutenant,
you did not come here

to discuss cinema,
did you?

Hi, Magnum.
Hi.

How're you doing?
Pretty good.

Hey, you hear?

Tigers traded Kemp.

Yeah, for Lemon.

Uh, you didn't come here

to discuss baseball either,
did you?

Magnum, you just
can't stand chitchat, can you?

Well, actually,
I came here to find out

how a gun
with live ammunition

could be switched
with a prop.

Maybe you ought to ask
the prop man.

You mean Carl?
Yeah, I talked with him.

Oh, he's quite distraught.

You know, he told me
that he's worked

on every one of
Jack's pictures.

Like most of the crew.

Sounds like one
big happy family.

Well, anyway,

I got all
the family's statements.

I'll take yours now.

Who wants
to bat first? Huh?

Tanaka managed to drag
an hour's work into three.

If only to avoid him,
I wanted out of this.

On the other hand,
the woman I grew up

dreaming about
was in a real mess

and I knew
I couldn't stop myself from helping her.

A beautiful woman
in distress.

A reluctant but
finally heroic private investigator.

It was just like the movies.

And I was hooked.

Mrs. Ross.

I was only gone
for a minute.

I hope you won't tell.

Of course not.

Mrs. Ross?

I want you to know
that I've always been

a big fan of both
you and Mr. Martin.

I always wanted
to meet you.

Since I was a kid.

I can't tell you
how sorry I am

that it had
to be like this.

Thank you.

You know, I've seen him
in so many pictures,

all of that action stuff.

It's hard to believe
that something could...

could really happen to him.

You know, it's hard
to believe that he's...

He's a real human being.

Yeah, I guess.

I can't tell you
how really human he is.

That's why I love him.

Oh, Olivia.

Olivia, is... is... is he...

Not yet.

Let's get out of here
and grab some coffee.

Well, we're here.

Here's your coffee.

Thanks.

Did you tell her about
the... the guy with the gun?

No.
Ugh.

There's this, uh, cop
who's been nosing around.

Unbelievable, this guy.
He's a lunatic.

Yeah, he thinks
one of us did it.

Yeah. I mean, I was
never even near the gun.

Nobody was near the gun,

except special effects
and props and...

And me.

You know,
sometimes you really say stupid things, Billy Knox.

It's okay, Mert.

He's only saying out loud

what I'm sure
everyone else is thinking.

Did she or didn't she?

That's not true.

Did she finally find out
about his affair

with that stand-in
on his last picture?

No, no. Nobody... Nobody's
been thinking that.

The only thing
they're thinking is

what a terrible tragedy
this is.

Mert and I, we came over here
in an attempt to see you,

be with you,
help if we could.

Everybody's just
as concerned for you, Olivia,

as they are for Jack.

But, well, we've all
just gotta keep on going.

I mean, you've gotta
keep on going.

Jack would want that.
Yeah.

Oh, yeah, absolutely.
I mean, Mert's right.

You know the best thing
for you right now?

Keep right on working.

It would certainly
take your mind off things,

give you a... a focus.

Besides, you're a pro.

I don't believe you two.

Jack could be dying
and all that you care about

is finishing
your damn picture.

Olivia,

we care about you.

Oh, you are
so transparent, Billy.

You haven't had a hit since
23 Guns To Cairo,

and you need this one bad.

Olivia!

Now, wait a minute.

We've all been through a lot.

There's no reason
to attack, Olivia.

Oh, spare me, Mert.

The only picture
you've ever done

had dark lighting,
an incomprehensible script,

and the Danish coastline.
So you need it, too.

I don't.

Olivia.

Hey, can I have
your watch and ring please?

My watch and my ring?
Yeah, it won't match.

I'll take care of it.
Don't worry about it.

I'll take good care of it,
don't worry.

All right.

Okay, thanks very much.

All right, people,
let's get ready.

I don't see what
all the fuss is about.

You don't look
like Jack Martin, short or healthy.

Are you getting
a screen credit?

I don't know.
I'm only doing this

so I can hang out
with these people.

Yeah. Yeah.

You coming close
to find out who did it?

No.

I sure hope
those Sushi brothers

know how to
pull their punches.

It's their kicks
I'd be worrying about.

You think they
won't pull their kicks?

Scene 75, Take 1.

Now, remember, falter.

And action, Magnum!

All right,
Sushi brothers, come on.

Cue the dogs, Higgins.

Zeus, Apollo, attack.

Cut!

Higgins!

Down, lads. Back.

Higgins, the dogs are
supposed to attack

the Sushi brothers,
not Magnum.

Sorry, force of habit.
It won't happen again.

Seventy-six. Take 1.

Action!

Take 3.

Take 7.

Take 10.

Cut it.

Save it. That's a print.

Get wardrobe.

Wardrobe. Wardrobe.

Get some robes for
the Sushi brothers.

They're soaking wet.

Mert?

I'm sorry.
I was looking for Mert.

I was at the hospital
all afternoon.

When I came back,
they said I'd find her here.

Oh, uh, she went
to dinner with Knox.

Oh.

How's Mr. Martin?

No change.

Tomorrow they're going
to try and get out

the bullet from
near his lung.

They're worried.

Oh.

Sorry to intrude.
I'll... I'll go.

No, no, that's all right.

Can I get you anything?

No, thank you.

Anything at all?

No, really.

You're sure? A drink?
No.

Oh, thank you.
Okay.

May I tell you
something foolish?

Sure.

I really came
to see you.

Me?

Well, I don't know you
very well,

but you have a look

in the eyes, especially,
that's very much like Jack.

When he was
younger and happier.

Maybe a little more
in love with me.

I'm sorry.
Now I really do feel foolish.

Oh, there's
no need to be.

You're very kind

and modest,
which is where you and Jack part company.

Would you do me a favor?

Sure.

Would you read lines with me?

I'd really like to get
my mind off things.

Me? I'm not an actor.

Well, go on, give it a try.
Where's your script?

It's over here.
Oh.

Okay.

Um,

you read the part of Victor.

Scene 79.

All right.

All right.

I'll start, all right?

"Just tell me
one thing, Victor.

What really happened
to your first wife?"

"I loaned her to a friend
while I was out of town.

"She was never
the same after that.

"Her bottom was
covered with barnacles,

"and her nose was
cracked down the middle.

There was nothing"...
Where are you reading?

Are you...
Are you on Scene 79?

Yeah.

Let me see.

Oh, that's an old draft.

Come on,
we'll read from mine.

Oh, all right.

Shall we try it again?

All right.

"Just tell me
one thing, Victor.

What really happened
to your first wife?"

No, no, we'll start again,
all right?

Sure.

Just tell me
one thing, Victor.

What really happened
to your first wife?

"I don't know.
Uh, she left the country,

"and I never
heard from her again.

"But it never
mattered because

then I met you
and my life was changed."

Oh, Victor,
I want to believe that.

It would make our time apart
so much easier to bear.

"Believe it, Stefanie,
because I love you."

Ahem.

Uh, it says here they kiss.

Excuse me, I...

For a second, I...

Bravo, bravo.

I am really impressed.

That was so real.

Tanaka, for once,
I want a straight answer out of you.

What the hell are you doing
in my guest house?

Magnum, I came here
to arrest your guest

for shooting
her husband.

How bad do things look?

Pretty bad.

That's what I thought.

I said it was bad.
I didn't say it was hopeless.

I'm so tired.

I'm cold. Hold me.

We've been working nonstop
on this film for three months.

We thought
coming to Hawaii

would be like
a vacation for us.

Jack's shrink said
it would do a worid of good.

Jack sees
a psychiatrist?

In this industry,
doesn't everyone?

Lots of fragile egos
in Hollywood.

How fragile is Jack's?

Like most actors,
he's insecure about himself.

He hasn't had a hit
for quite a while.

So I suppose he's depressed.

Enough to worry you?

I'm concerned.
I mean, he's my husband.

But he's dealing with it.

How?

No more girlfriends.

No more cheap affairs
with women who want

bed time with Jack Martin,
the movie star.

He's taken
a really long, harsh look

at himself, and gone
for professional help.

I really thought
he was better.

Are you trying
to convince me

or yourself?

Miss, I'm ready now.

Tom.

Help me.

Oh, you're grandstanding,
Lieutenant.

You know me, Magnum.
I'm not that kind of guy.

Oh, no? Out of the blue,
you just go and arrest Olivia Ross

for the murder attempt
on her husband? It doesn't make sense.

Really?

What part doesn't
make sense to you?

Well, what do you got
on her? Why Olivia?

Why not Carl,
the prop man?

Carl gave Mr. Martin
a prop gun.

He has lots of witnesses
to back that one up.

He puts a white stripe
on the clip,

indicates how much powder
there is in that cartridge.

Okay, what about
the others?

What about Mert Callaghan
or William Knox?

Carl gave the gun
to two people.

One of them was Mr. Martin.

The other one was Miss Ross.

Mr. Martin is now
in the hospital almost dead.

The other one was Miss Ross.

Still doesn't
make sense to you?

Have you found
the prop gun?

No.

My guess is she dumped it.
Probably in the ocean.

And what's her motive?

I gotta be honest with you.

I don't have anything solid
on that one yet.

But I've heard some stuff.
You know, this Martin fellow,

he's really fine
with the ladies.

What? You arrest someone
based on gossip?

I arrested someone
based on fact.

She had the gun and time
to make the switch.

Well, maybe you believe that.

Maybe you've
convinced yourself.

But you haven't
convinced me.

He'll only hurt you

like he's done
so many times before.

Stefanie, let him go.

Let him leave.

"I can't, Garson.
I need him.

Oh, do l"...
But you can't depend...

Quit jumping ahead.

I still got one more line.

"I can't, Garson.
I need him.

"Oh, do I need him.

He's my life."

But you can't
depend on him.

Not anymore.

T.C.?

Would you say your line,
for crying out loud?

Hold on.

It says here
you're supposed to grab

Stefanie by the shoulders
and shake her.

T.C., that doesn't matter.

Now will you
read the line?

"Let go of me."

Can't you put
a little more into it?

How am I supposed
to react off of:

"Let go of me."

Hey, man, I'm doing
the best I can.

You ain't no
Sir Laurence Olivier yourself, Orville.

What do you expect
with you as my leading lady?

Who's Laurence Olivier?
That does it.

I don't need
this acting madness.

T.C.? T.C.?

You don't like
my performance,

you get you
somebody else.

Like him.

Hey, what's the matter
with you guys?

I'm not working
with him anymore.

Hey, I'd rather
fly my chopper

through automatic
weapons fire

than do any kind
of acting with you.

You know...
You know something...

Cut it out, will you?
I need your help.

T.C.?

Sure, man,
I'd rather do anything

than acting parts
with Mickey Rooney here.

Where're we going?

Shh. Just follow me.

I've heard that before.

Didn't the cops
search everything already?

Here, T.C., hold the light
on the door.

You said you was
going searching.

Now you're
breaking and entering.

What makes you think
the gun's in here?

'Cause just
before he was shot,

Jack went in the motor home
to fix his makeup.

And he had the gun
with him.

Ow!

Shh!

Watch it, T.C.

Shh, wait a minute.
I feel something.

Yeah,
it's my foot.

Oh?

Hey, T.C., bring that light
back here, will you?

I can't see anything.

I'm looking for a switch.

Oh, there you go.

5- O must have used
a vacuum cleaner on this rig.

So you saying that
Jack switched guns or something, huh?

I'm hoping he did.

Hey, come on, you guys.
You're not looking.

Yeah, but you're
talking about suicide.

Look, Olivia said
that Jack had been real depressed lately.

Maybe he was more depressed
than people thought.

Come on, Thomas.
Enough to kill himself?

Yeah, that's a little crazy,
even for these people.

I mean, it's one thing
to commit suicide,

but to set it up
as part of a scene,

and then have
your wife kill you?

Sounds real
far-fetched to me.

And real sick.

Miss Ross, Miss Ross,
do you have any idea

why your husband
wanted to kill himself?

Miss Ross isn't answering
any questions.

How will this affect
the film completion, Mr. Knox?

The film is
virtually complete.

Do you think
the publicity concerning Mr. Martin's accident

will favorably
affect the box office?

Will you use any
of the footage in the film?

Even though
you've been exonerated,

do you feel responsible
in any way

for your husband's
mental state

that led to his
attempted suicide?

Forget him.
Let's go. Now.

Am I responsible?

There have been rumors
of Mr. Martin's

increased alcohol
consumption.

And of the deterioration
within your marriage.

I don't know
any of you people.

But you seem to know
everything there is about me, about my husband,

even about our marriage.

Our lives are nothing,
are they?

Just a story,
an open book.

You invade
our privacy, our homes, you go through our trash.

You take everything
that you can find

and spread it
across every newspaper in the country.

And while my husband
lies dying in a hospital,

you are speculating
on the effect

that the publicity
will have on our picture.

And you have the audacity
to ask me

whether I feel responsible
for his mental health?

Well, thank you very much.

Thanks, bye.

I'd done my part
to save the lady in distress.

But life isn't as neat
as the movies.

It doesn't fade out
after the happy ending.

I'd go back to divorces
and missing persons.

Olivia Ross would go on
to another location.

I'd probably
never see her again.

Tom?

I thought
you'd be asleep.

No.

A warm bath,
fresh change works wonders.

I'm glad I found you.

I expected to see you
at my release

from that awful
police station.

Well, I just thought
I'd be in the way.

There's that modesty again.

You know, you carry it
too far sometimes.

You know,

I've played this scene
a lot for film

but in real life,
words seem so inadequate.

How do you say "thank you"

and have it carry
everything you feel?

It carries plenty.

They're showing
dailies inside.

What do you say we go see
how photogenic you are?

Miss Ross?

Hello, Higgins.

The hospital just called.

Mr. Martin regained
consciousness for a few minutes.

He appears
to be improving.

Oh, thank God.

Can I take your car?
Of course.

I can drive you.

No, no, you go see
your dailies.

No, no, I-I'm sure
I can see them anytime.

I'd better see him alone.

You're a dear.

Well,

shall we go see
how photogenic you are?

That'll work.

Damn good.

I say, this is delightful.

And so close to reality.

That's terrific.
You see the way

they flipped him
into the water?

Oh, that really played.

If you'll excuse me.

You needn't
be embarrassed, Magnum.

It's a
stellar performance.

Uh-uh.

Here it comes, guys.

You sure you
wanna watch this?

Now wait a minute.

Wait a minute.
Wait. No, just a minute.

Can you back this up?

Yeah, sure.
Magnum.

No, just back it up.

Stop it right there.

Are these takes
printed in order?

Well, these here
are, yeah. Why?

And this was taken
after Jack got his makeup adjusted in the motor home?

That's right.

What're you
talking about? That's the prop gun, isn't it?

The white stripe on it?

Yes.

I say, Magnum.

He does that all the time.

Does what?

Never mind.

Tom?

What are you doing here?

I came to stop you
from trying again.

What?

You switched the guns.

What were you
gonna do this time?

Pump his heart
full of air?

What are you
talking about?

Oh, you're really terrific,
Olivia.

It's too bad
this isn't a movie.

Tom, what is this?

When Jack came back
from the motor home,

he still had the prop gun.

Oh, it's all in the dailies.
I saw a white stripe

on the bottom
of the magazine.

No, no, you switched the guns,

afterward, when you had
trouble with your mike.

That isn't true, Tom.

You found
the prop gun yourself.

I let you lead me
around by the nose.

You made me think
Jack was suicidal,

and you planted
the gun in the icemaker.

Oh, you played me
really well, Olivia.

Tom...
Why?

Okay, you're right.

But I hope you don't
expect me to turn myself in.

Really? What else can you do?

What have you got?

You got a piece of film
that's probably not too clear.

Could be a mistake.

And if you think this has
been a good performance,

you wait until
you see Olivia Ross

on the witness stand,
mister.

She'll have them
eating out of her hand.

Something you understand, too,
Thomas Magnum.

At least you've done
one good thing today.

You've saved Jack's life.

Congratulations.

Illusion and reality
finally came together.

And like I always knew,
deep down inside,

illusion never
really had a chance.

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