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These are the user uploaded subtitles that are being translated: 1 00:00:05,100 --> 00:00:05,868 O.K. 2 00:00:13,367 --> 00:00:14,300 IS THIS YOUR CARD? 3 00:00:28,200 --> 00:00:30,501 * TELL ME WHY * 4 00:00:30,501 --> 00:00:32,200 * I LOVE YOU LIKE I DO * 5 00:00:32,200 --> 00:00:34,100 * TELL ME WHO * 6 00:00:34,100 --> 00:00:36,701 * CAN STOP MY HEART AS MUCH AS YOU * 7 00:00:36,701 --> 00:00:38,167 * LET'S TAKE EACH OTHER'S HAND * 8 00:00:38,167 --> 00:00:39,200 * AS WE JUMP INTO * 9 00:00:39,200 --> 00:00:41,968 * THE FINAL FRONTIER * 10 00:00:41,968 --> 00:00:43,734 * I'M MAD ABOUT YOU, BABY ** 11 00:00:49,801 --> 00:00:51,200 LOOK AT THESE BROCHURES. 12 00:00:51,200 --> 00:00:52,868 WHAT DO YOU GOT? 13 00:00:52,868 --> 00:00:54,267 AMISH COUNTRY, THE POCONOS, 14 00:00:54,267 --> 00:00:55,133 HERSHEY, GETTYSBURG. 15 00:00:55,133 --> 00:00:56,267 GETTYSBURG? 16 00:00:56,267 --> 00:00:57,901 IS THERE AN ADDRESS? 17 00:01:01,133 --> 00:01:03,634 SO WHY IS EVERYTHING IN PENNSYLVANIA? 18 00:01:03,634 --> 00:01:05,267 WHAT'S WRONG WITH PENNSYLVANIA? 19 00:01:05,267 --> 00:01:06,934 PENNSYLVANIA'S A FINE STATE. 20 00:01:06,934 --> 00:01:08,734 ONE OF THE ORIGINAL 13. THE KEYSTONE STATE. 21 00:01:08,734 --> 00:01:10,267 GOT QUAKERS. 22 00:01:10,267 --> 00:01:12,100 GOT TO LOVE THE QUAKERS. QUAKER OATS. 23 00:01:12,100 --> 00:01:13,801 QUAKER FURNITURE. 24 00:01:13,801 --> 00:01:14,734 THAT'S SHAKER. 25 00:01:14,734 --> 00:01:16,601 WHATEVER. 26 00:01:16,601 --> 00:01:19,567 HOW ABOUT NEW YORK, THE EMPIRE STATE? 27 00:01:19,567 --> 00:01:20,968 MANY FINE TOURIST ATTRACTIONS THERE. 28 00:01:20,968 --> 00:01:22,467 MASSACHUSETTS ALWAYS RELIABLE. 29 00:01:22,467 --> 00:01:24,567 WHY DON'T WE GO TO CANADA, 30 00:01:24,567 --> 00:01:26,701 VISIT OUR NEIGHBORS TO THE NORTH? 31 00:01:26,701 --> 00:01:29,601 WHY ARE THEY ANY BETTER THAN PENNSYLVANIA? 32 00:01:29,601 --> 00:01:32,000 DO YOU HAVE A DISCOUNT FROM WORK 33 00:01:32,000 --> 00:01:33,400 WITH PENNSYLVANIA TOURISM? 34 00:01:33,400 --> 00:01:35,267 AREN'T YOU SO SMART? 35 00:01:35,267 --> 00:01:37,367 WHY DON'T YOU SAY THAT? 36 00:01:37,367 --> 00:01:39,434 I DIDN'T WANT TO PREJUDICE YOU AGAINST PENNSYLVANIA. 37 00:01:39,434 --> 00:01:40,701 I'LL CALL THE TRAVEL AGENCY GUY. 38 00:01:40,701 --> 00:01:42,801 WHEN? 39 00:01:42,801 --> 00:01:46,300 I CAN'T DO IT UNTIL WEED IS DONE. 40 00:01:46,300 --> 00:01:48,200 THEY DON'T UNDERSTAND FILMMAKING AS METAPHOR, 41 00:01:48,200 --> 00:01:49,734 FILMMAKING AS POETRY. 42 00:01:49,734 --> 00:01:51,767 AS ART. 43 00:01:51,767 --> 00:01:54,400 YES, BUT NOT IN A MOCKING TONE YOU JUST SAID. 44 00:01:54,400 --> 00:01:56,434 I'M NOT MOCKING. 45 00:01:56,434 --> 00:01:59,601 YOU WANTED ME TO WORK FOR THE EXPLORER CHANNEL. 46 00:01:59,601 --> 00:02:00,834 I DID NOT. 47 00:02:00,834 --> 00:02:02,834 THIS IS THE PRICE YOU PAY 48 00:02:02,834 --> 00:02:04,701 WHEN YOU WORK FOR THE MAN. 49 00:02:04,701 --> 00:02:08,767 WHAT ARE YOU, SHAFT? 50 00:02:08,767 --> 00:02:11,667 I ONLY WANTED YOU TO WORK FOR THE EXPLORER CHANNEL 51 00:02:11,667 --> 00:02:15,767 IF YOU WANTED TO WORK FOR THE EXPLORER CHANNEL. 52 00:02:15,767 --> 00:02:17,567 IF I DIDN'T WANT TO WORK THERE? 53 00:02:17,567 --> 00:02:19,601 THEN I DIDN'T WANT YOU TO. 54 00:02:19,601 --> 00:02:20,834 I DON'T REMEMBER THAT CONVERSATION. 55 00:02:20,834 --> 00:02:21,901 IT'S TRUE. 56 00:02:21,901 --> 00:02:23,534 HOW DO YOU REMEMBER? I EAT RIGHT. 57 00:02:25,834 --> 00:02:29,267 MY MEMORY IS JUST AS GOOD EATING CRAP. 58 00:02:29,267 --> 00:02:30,434 O.K., NOW, WHERE'S MY PANTS? 59 00:02:35,734 --> 00:02:36,601 THAT'S GOOD. 60 00:02:40,467 --> 00:02:41,567 O.K., WHO'S BREATHING HERE? 61 00:02:41,567 --> 00:02:43,501 WE ALL ARE. 62 00:02:43,501 --> 00:02:44,701 SOMEBODY'S NOSE IS WHISTLING. 63 00:02:44,701 --> 00:02:46,334 [EVERYBODY SNIFFING] 64 00:02:46,334 --> 00:02:47,434 PAUL. 65 00:02:47,434 --> 00:02:48,567 YES, HOLLIS. 66 00:02:48,567 --> 00:02:49,834 YOU WEARING A WATCH? 67 00:02:49,834 --> 00:02:51,100 I AM. 68 00:02:51,100 --> 00:02:53,200 WOULD YOU LOOK AT IT? 69 00:02:53,200 --> 00:02:55,801 WE'VE BEEN TRYING TO LIGHT THIS WEED FOR TWO HOURS. 70 00:02:55,801 --> 00:02:57,400 IT'S NOT EASY TO LIGHT A WEED. 71 00:02:57,400 --> 00:02:58,300 RIGHT, BOBBY? 72 00:02:58,300 --> 00:02:59,634 I GUESS. 73 00:02:59,634 --> 00:03:01,534 THANKS FOR BACKING ME UP. 74 00:03:01,534 --> 00:03:03,367 WHAT ARE YOU DOING? 75 00:03:03,367 --> 00:03:05,767 NOTHING. 76 00:03:05,767 --> 00:03:08,100 YOU'RE CASTING A SHADOW ON THE WEED. 77 00:03:08,100 --> 00:03:10,000 I'M TRYING TO LIGHT A WEED. 78 00:03:10,000 --> 00:03:11,534 WHERE'S THE CONTINUITY-- 79 00:03:11,534 --> 00:03:13,801 WASN'T THIS LEANING TO THE SOUTH YESTERDAY? 80 00:03:13,801 --> 00:03:15,767 NOW IT'S LEANING TO THE WEST. 81 00:03:15,767 --> 00:03:17,167 UH-HUH. 82 00:03:17,167 --> 00:03:18,434 WHAT'S THE DIFFERENCE? 83 00:03:18,434 --> 00:03:20,567 IT'S A WEED. 84 00:03:20,567 --> 00:03:22,534 IT'S THE STAR OF THE SHOW. 85 00:03:22,534 --> 00:03:25,033 THE FILM IS CALLED WEED. 86 00:03:25,033 --> 00:03:27,400 PUT SOME STRING ON IT AND HOLD IT UP. 87 00:03:27,400 --> 00:03:29,067 YOU KNOW WHAT? 88 00:03:29,067 --> 00:03:30,601 IT'S NOT A PUPPET. 89 00:03:30,601 --> 00:03:32,367 IT'S A LIVING THING. 90 00:03:32,367 --> 00:03:34,601 PUT A STRING ON THIS WEED 91 00:03:34,601 --> 00:03:36,667 AND BE OUT OF HERE IN FIVE MINUTES. 92 00:03:36,667 --> 00:03:38,267 YOU'RE NOT RUINING MY FILM. 93 00:03:38,267 --> 00:03:40,334 IT'S A WEED. IT'S A WEED. 94 00:03:40,334 --> 00:03:42,033 YOU'RE A WEED. 95 00:03:42,033 --> 00:03:43,367 FINE, I'M A WEED. 96 00:03:45,300 --> 00:03:47,100 BY THE WAY, 97 00:03:47,100 --> 00:03:49,267 WHO ATE ALL THE DOUGHNUTS? 98 00:03:56,934 --> 00:03:58,400 THIS IS A DISASTER. 99 00:03:58,400 --> 00:04:00,934 ALL HELL IS GOING TO BREAK LOOSE. 100 00:04:00,934 --> 00:04:02,367 WHY WAS BROCKWELL TAKING MONEY 101 00:04:02,367 --> 00:04:04,701 FROM A REPUTED CRIME BOSS? 102 00:04:04,701 --> 00:04:06,567 IT WAS SPARE CHANGE FOR CAB FARE. 103 00:04:06,567 --> 00:04:09,300 HE LEFT HIS WALLET AT HOME. 104 00:04:09,300 --> 00:04:11,300 YOU THINK THE GRAND JURY WILL BELIEVE THAT? 105 00:04:11,300 --> 00:04:13,267 OH, WE'RE SCREWED. 106 00:04:13,267 --> 00:04:15,834 MONTHS OF PLANNING A CAMPAIGN ALL UP IN SMOKE. 107 00:04:15,834 --> 00:04:17,200 MAYBE HE WON'T GET INDICTED. 108 00:04:17,200 --> 00:04:18,567 DON'T BE SO OPTIMISTIC. 109 00:04:18,567 --> 00:04:20,100 YOU'LL GET MY HOPES UP. 110 00:04:20,100 --> 00:04:21,868 THERE GOES MY ENTIRE WEEKEND. 111 00:04:21,868 --> 00:04:23,901 WHAT WERE YOU GOING TO DO? 112 00:04:23,901 --> 00:04:26,033 I HAVE NO PLANS. I HAVE NO LIFE. 113 00:04:26,033 --> 00:04:27,667 HOW ABOUT YOU? 114 00:04:27,667 --> 00:04:29,634 I USED TO HAVE A LIFE. 115 00:04:29,634 --> 00:04:31,267 HEY, SORRY I'M LATE. 116 00:04:31,267 --> 00:04:32,767 YOU'RE NOT LATE. YOU'RE EARLY FOR TOMORROW. 117 00:04:32,767 --> 00:04:34,534 WE ATE YOUR KUNG PAO. 118 00:04:34,534 --> 00:04:35,834 I HAD LUNCH WITH MARK. 119 00:04:35,834 --> 00:04:36,901 TWO HOURS? 120 00:04:36,901 --> 00:04:38,934 I CHEWED SLOWLY. 121 00:04:38,934 --> 00:04:42,067 WE HAVE TO WORK ALL WEEKEND. 122 00:04:42,067 --> 00:04:44,400 WE ARE? WHAT? 123 00:04:44,400 --> 00:04:47,334 MARK AND I ARE GOING TO THE PENNSYLVANIA-DUTCH COUNTRY. 124 00:04:47,334 --> 00:04:48,968 YOU'RE WHAT? 125 00:04:48,968 --> 00:04:51,501 WHAT MADE YOU DECIDE ON THAT? 126 00:04:51,501 --> 00:04:53,701 I WAS LOOKING THROUGH YOUR BROCHURES. 127 00:04:53,701 --> 00:04:55,334 IS SOMETHING WRONG? 128 00:04:55,334 --> 00:04:56,901 PAUL AND I WERE THINKING 129 00:04:56,901 --> 00:04:58,567 OF GOING AWAY THIS WEEKEND. 130 00:04:58,567 --> 00:05:00,167 YOU WERE? YOU WERE? 131 00:05:00,167 --> 00:05:01,567 WE TALKED ABOUT IT. 132 00:05:01,567 --> 00:05:03,934 COME WITH US. 133 00:05:03,934 --> 00:05:05,801 YOU'VE GOT TO HELP ME PREP BROCKWELL 134 00:05:05,801 --> 00:05:07,901 FOR A GRAND JURY TESTIMONY ON MONDAY. 135 00:05:07,901 --> 00:05:09,801 OUR DEPOSIT'S NONREFUNDABLE. 136 00:05:09,801 --> 00:05:11,901 YOU KNOW HOW MARK IS ABOUT THAT. HOW? 137 00:05:11,901 --> 00:05:12,934 CHEAP. CHEAP. 138 00:05:12,934 --> 00:05:16,334 PAUL PROBABLY COULDN'T GO ANYWAY. 139 00:05:16,334 --> 00:05:18,367 IF YOU WANT ME TO STAY, I WILL. 140 00:05:18,367 --> 00:05:19,501 O.K. 141 00:05:19,501 --> 00:05:21,767 I CAN'T. I JUST CAN'T. 142 00:05:21,767 --> 00:05:23,200 GO. 143 00:05:23,200 --> 00:05:24,534 WE'LL TAKE CARE OF IT. 144 00:05:24,534 --> 00:05:25,734 YOU'RE NOT MAD. 145 00:05:25,734 --> 00:05:26,968 NO. 146 00:05:26,968 --> 00:05:28,434 DON'T BE MAD. 147 00:05:28,434 --> 00:05:29,667 I'M NOT MAD. 148 00:05:29,667 --> 00:05:31,133 THANK YOU. 149 00:05:31,133 --> 00:05:33,467 HOPE THE AMISH WRAP HER IN A QUILT 150 00:05:33,467 --> 00:05:34,734 AND BEAT HER WITH A HOE. 151 00:05:41,501 --> 00:05:42,501 [WEED FILM PLAYS] 152 00:05:51,300 --> 00:05:53,501 IF I KNEW WE WERE GOING TO WORK 153 00:05:53,501 --> 00:05:55,601 THESE KINDS OF HOURS, 154 00:05:55,601 --> 00:05:58,067 I'D HAVE TAKEN BETTER CARE OF MYSELF YEARS AGO. 155 00:05:58,067 --> 00:05:59,734 [FILM REWINDING] 156 00:05:59,734 --> 00:06:04,167 THIS IS THE SHOT THEY WANTED ME TO USE. 157 00:06:04,167 --> 00:06:06,367 IT STINKS UP THE WHOLE PIECE. DON'T YOU THINK? 158 00:06:06,367 --> 00:06:08,701 I DON'T CARE ANYMORE. 159 00:06:10,367 --> 00:06:12,567 IT'S 2 A.M. DON'T YOU HAVE A LIFE? 160 00:06:12,567 --> 00:06:14,601 THAT'S A GREAT ANGLE, 161 00:06:14,601 --> 00:06:17,734 BUT THEY SAID IT MAKES THE WEED LOOK TOO OMINOUS. 162 00:06:17,734 --> 00:06:20,467 WHY DIDN'T YOU PUT A STRING ON THAT COCKAMAMIE WEED? 163 00:06:20,467 --> 00:06:22,734 I'D HAVE BEEN HOME BY 8:00. 164 00:06:22,734 --> 00:06:25,601 ARREST ME FOR TAKING PRIDE IN MY WORK. 165 00:06:25,601 --> 00:06:27,701 I'D LIKE TO KILL YOU. 166 00:06:27,701 --> 00:06:29,300 LET'S GET THIS OVER WITH. 167 00:06:29,300 --> 00:06:32,033 PICK AN ANGLE, AND LET ME GO HOME. 168 00:06:32,033 --> 00:06:33,968 I DON'T EVEN KNOW-- 169 00:06:33,968 --> 00:06:35,501 JUST PICK AN ANGLE! 170 00:06:36,901 --> 00:06:39,567 O.K. 171 00:06:39,567 --> 00:06:40,767 LET'S GO WITH THAT. 172 00:06:40,767 --> 00:06:42,000 GOOD. 173 00:06:42,000 --> 00:06:43,100 NO, NO, WAIT, WAIT. 174 00:06:46,767 --> 00:06:48,334 DID YOU SEE CITIZEN KANE? 175 00:06:48,334 --> 00:06:49,434 YEAH. 176 00:06:49,434 --> 00:06:50,834 GREAT MOVIE. 177 00:06:50,834 --> 00:06:52,067 WELL, THIS AIN'T IT. 178 00:06:54,868 --> 00:06:56,934 THIS IS WEED. 179 00:06:56,934 --> 00:06:58,200 I KNOW. 180 00:06:58,200 --> 00:06:59,968 BUT I'M JUST--OW! 181 00:06:59,968 --> 00:07:01,667 WHAT'S THE MATTER? 182 00:07:01,667 --> 00:07:04,367 MY TOOTH. I THINK I GOT A CAVITY. 183 00:07:04,367 --> 00:07:05,968 WHY DON'T YOU EAT MORE COOKIES? 184 00:07:08,467 --> 00:07:10,133 LEAVE ME ALONE, WOULD YOU? 185 00:07:10,133 --> 00:07:12,200 YOU KNOW WHAT? I DON'T LIKE THIS. 186 00:07:12,200 --> 00:07:14,501 OH, BOY. 187 00:07:14,501 --> 00:07:15,968 IT'S NO GOOD. 188 00:07:15,968 --> 00:07:17,100 IT'S NO... 189 00:07:17,100 --> 00:07:19,133 THERE'S SOMETHING... 190 00:07:19,133 --> 00:07:21,434 WHAT DID THAT MEAN, I DON'T HAVE A LIFE? 191 00:07:21,434 --> 00:07:22,968 WHAT? 192 00:07:22,968 --> 00:07:25,033 YOU SAID I DON'T HAVE A LIFE? 193 00:07:25,033 --> 00:07:26,968 LOOK AT YOU. 194 00:07:26,968 --> 00:07:28,467 YOU'RE YOUNG, YOU'RE NOT SLEEPING, 195 00:07:28,467 --> 00:07:30,767 YOU'RE NEVER HOME, ALL YOU DO IS WORK, 196 00:07:30,767 --> 00:07:34,067 AND YOUR TEETH ARE FALLING OUT. 197 00:07:34,067 --> 00:07:35,834 PICK AN ANGLE. 198 00:07:35,834 --> 00:07:39,067 THIS IS WHAT IT TAKES TO WORK FOR A BIG COMPANY. 199 00:07:39,067 --> 00:07:41,434 THEN MAYBE YOU SHOULDN'T WORK FOR A BIG COMPANY. 200 00:07:41,434 --> 00:07:42,734 WHAT DOES THAT MEAN? 201 00:07:42,734 --> 00:07:43,834 NOTHING. PICK AN ANGLE. 202 00:07:43,834 --> 00:07:45,200 I SHOULD QUIT? 203 00:07:45,200 --> 00:07:47,534 PICK AN ANGLE. 204 00:07:47,534 --> 00:07:50,434 I SHOULD SAY, "YOU GUYS CAN'T TELL ME WHAT TO DO"? 205 00:07:50,434 --> 00:07:51,501 HEY, WHAT DID YOU DO? 206 00:07:51,501 --> 00:07:54,067 I PICKED YOU AN ANGLE, KUROSAWA. 207 00:07:54,067 --> 00:07:55,167 I DON'T LIKE-- 208 00:07:55,167 --> 00:07:56,234 MOVING ON. 209 00:08:02,334 --> 00:08:03,701 THAT'S GREAT, BOBBY. 210 00:08:03,701 --> 00:08:05,133 THAT'S GREAT. 211 00:08:05,133 --> 00:08:07,100 LEAVE IT, LEAVE IT. 212 00:08:07,100 --> 00:08:08,801 LET'S GET READY TO SHOOT THIS THING. 213 00:08:08,801 --> 00:08:10,400 IT'S 4 A.M. 214 00:08:10,400 --> 00:08:11,834 WHAT ARE YOU DOING? 215 00:08:11,834 --> 00:08:13,834 I-I'M WORKING. 216 00:08:13,834 --> 00:08:16,601 YOU'RE STARING AT A WEED. 217 00:08:16,601 --> 00:08:18,200 IT'S MY JOB. 218 00:08:18,200 --> 00:08:19,934 COME ON, COME TO BED. 219 00:08:19,934 --> 00:08:21,901 STARE AT THE WEED IN THE MORNING. 220 00:08:21,901 --> 00:08:24,033 WAIT, WAIT. DID YOU SEE IT MOVE? 221 00:08:24,033 --> 00:08:25,234 NO. 222 00:08:25,234 --> 00:08:27,000 THE WEED WAFTED. 223 00:08:27,000 --> 00:08:28,267 IT WAFTED EVER SO SLIGHTLY, 224 00:08:28,267 --> 00:08:29,667 BUT IT WAS A WAFT. 225 00:08:29,667 --> 00:08:31,367 YOU NEED TO RELAX, 226 00:08:31,367 --> 00:08:33,767 GET YOUR MIND OFF OF WORK. 227 00:08:33,767 --> 00:08:35,534 LET'S SEE WHAT ELSE IS ON. 228 00:08:35,534 --> 00:08:37,033 WHAT ARE YOU DOING? 229 00:08:37,033 --> 00:08:38,534 LET'S JUST SEE. 230 00:08:38,534 --> 00:08:40,400 LOOK, THERE WE GO. 231 00:08:40,400 --> 00:08:42,067 IT'S YOUR FAVORITE INFOMERCIAL. 232 00:08:43,133 --> 00:08:45,000 THE AB-FLEXOR. 233 00:08:45,000 --> 00:08:48,400 YOU ALWAYS WANTED AN AB-FLEXOR. 234 00:08:48,400 --> 00:08:50,534 LOOK, A WOMEN'S PRISON MOVIE. 235 00:08:50,534 --> 00:08:52,667 VERY SEXY. 236 00:08:52,667 --> 00:08:54,234 WHO, 237 00:08:54,234 --> 00:08:56,567 THE WOMAN ON THE LEFT IN THE ROBE? 238 00:08:56,567 --> 00:08:59,501 HER NAME IS MIMSY. 239 00:08:59,501 --> 00:09:01,934 AND SHE'S INNOCENT. SHE'S BEEN FRAMED. 240 00:09:01,934 --> 00:09:04,567 THERE'S A BIG SHOWDOWN IN THE SHOWER. 241 00:09:04,567 --> 00:09:06,934 THEN THERE'S A LOT OF BLOODSHED AND TEARS. 242 00:09:06,934 --> 00:09:08,868 IN THE END, JUSTICE WILL PREVAIL. 243 00:09:08,868 --> 00:09:10,868 YOU'VE SEEN THIS BEFORE? 244 00:09:10,868 --> 00:09:12,667 PART OF IT. 245 00:09:17,100 --> 00:09:19,334 YOU KNOW, I CAME THIS CLOSE TO QUITTING TODAY? 246 00:09:19,334 --> 00:09:20,601 YOU DID? 247 00:09:20,601 --> 00:09:22,267 YEAH, BUT I DIDN'T. 248 00:09:22,267 --> 00:09:23,934 I'M GOING TO STICK IT OUT. 249 00:09:23,934 --> 00:09:26,634 I'M GOING TO DO MY TIME. LIKE MIMSY. 250 00:09:26,634 --> 00:09:29,534 BUT IF I'M ACCUSED OF SOMETHING THAT I DIDN'T DO-- 251 00:09:29,534 --> 00:09:30,901 YOU MAY HAVE TO MAKE A BREAK FOR IT. 252 00:09:30,901 --> 00:09:32,968 I MAY. I UNDERSTAND. 253 00:09:32,968 --> 00:09:35,100 WHEN YOU'RE DONE WITH WEED, WE HAVE TO GO AWAY. 254 00:09:35,100 --> 00:09:37,000 SEE THAT ANGLE? 255 00:09:37,000 --> 00:09:38,834 THAT'S THE ANGLE I SHOULD'VE SHOT THE WEED FROM, 256 00:09:38,834 --> 00:09:42,701 FROM THE WEED'S POINT OF VIEW. 257 00:09:42,701 --> 00:09:44,100 BYE-BYE. 258 00:09:44,100 --> 00:09:46,033 NOW YOU'RE CHANGING IT? 259 00:09:46,033 --> 00:09:48,067 FRAN AND MARK WENT TO PENNSYLVANIA-DUTCH COUNTRY. 260 00:09:48,067 --> 00:09:49,634 DOESN'T THAT SOUND NICE? 261 00:09:49,634 --> 00:09:51,667 I DON'T KNOW WHEN I CAN. 262 00:09:51,667 --> 00:09:53,234 DID YOU CALL THE TRAVEL AGENT? 263 00:09:53,234 --> 00:09:54,467 NOT YET. 264 00:09:54,467 --> 00:09:55,734 OOH, GLADIATOR MOVIE. 265 00:09:55,734 --> 00:09:57,000 COME ON. 266 00:09:57,000 --> 00:09:58,901 COME TO BED. 267 00:09:58,901 --> 00:10:00,801 IF THE HAIRSTYLES IN THIS MOVIE 268 00:10:00,801 --> 00:10:02,734 ARE HISTORICALLY ACCURATE, 269 00:10:02,734 --> 00:10:04,167 THE POMPADOUR'S BEEN AROUND FOR 2,000 YEARS. 270 00:10:06,234 --> 00:10:07,300 ALL RIGHT. 271 00:10:07,300 --> 00:10:08,968 YOU KNOW WHAT? 272 00:10:08,968 --> 00:10:10,300 STARE AT YOUR WEED. 273 00:10:11,834 --> 00:10:13,434 I'M FINISHING THE PIE. 274 00:10:15,434 --> 00:10:18,601 O.K., WEED, 275 00:10:18,601 --> 00:10:21,234 SCENE 8, TAKE 47. 276 00:10:21,234 --> 00:10:22,968 ALL RIGHT, THANK YOU. 277 00:10:22,968 --> 00:10:25,701 IT TOOK A WHOLE JUNGLE TO MAKE COPPOLA GO CRAZY. 278 00:10:25,701 --> 00:10:27,234 FOR BUCHMAN, IT'S ONE WEED. 279 00:10:27,234 --> 00:10:29,634 AND...ACTION! 280 00:10:32,701 --> 00:10:35,400 YEAH, YEAH, YEAH, YEAH. 281 00:10:35,400 --> 00:10:37,567 CUT, CUT, CUT, CUT. 282 00:10:37,567 --> 00:10:40,100 HEY, WHAT'S THE MATTER? THAT WAS GREAT. 283 00:10:40,100 --> 00:10:41,400 YOU THOUGHT THAT WAS GREAT? 284 00:10:41,400 --> 00:10:42,567 YEAH, I DID. 285 00:10:42,567 --> 00:10:43,667 PAUL? 286 00:10:43,667 --> 00:10:45,567 YES, HOLLIS? 287 00:10:45,567 --> 00:10:47,267 WE'VE DONE 47 TAKES. 288 00:10:47,267 --> 00:10:50,234 BELIEVE ME WHEN I SAY WE HAVE IT. 289 00:10:50,234 --> 00:10:52,000 BELIEVE WHEN I SAY WE DON'T. 290 00:10:52,000 --> 00:10:54,033 WE DON'T. WE DO. 291 00:10:54,033 --> 00:10:56,467 I THINK WE SHOULD TAKE A BREAK. 292 00:10:56,467 --> 00:10:58,434 I DON'T WANT TO TAKE A BREAK. 293 00:10:58,434 --> 00:10:59,667 EVERYONE IS TIRED AND HUNGRY. 294 00:10:59,667 --> 00:11:00,734 WHO'S HUNGRY? 295 00:11:00,734 --> 00:11:02,801 HERE, HAVE SOME CHIPS. 296 00:11:02,801 --> 00:11:04,300 LITTLE CHIPS, HUH? 297 00:11:04,300 --> 00:11:06,067 WASTING OF CHIPS. 298 00:11:06,067 --> 00:11:07,534 CAN'T LET THAT ONE SLIDE. 299 00:11:07,534 --> 00:11:08,734 GET OFF THE SET, PLEASE. 300 00:11:08,734 --> 00:11:09,834 EXCUSE ME? 301 00:11:09,834 --> 00:11:11,634 GET OFF THE SET. 302 00:11:11,634 --> 00:11:13,033 YOU'RE BANNED FROM MY SET. 303 00:11:13,033 --> 00:11:14,601 YOU CAN'T BAN ME. 304 00:11:14,601 --> 00:11:15,801 IT'S A PUBLIC STREET. 305 00:11:15,801 --> 00:11:17,133 OH, REALLY? 306 00:11:17,133 --> 00:11:18,834 IS THAT YOUR PEN? GO GET IT. 307 00:11:18,834 --> 00:11:19,734 FETCH! FETCH! 308 00:11:19,734 --> 00:11:21,033 UH-HUH. 309 00:11:21,033 --> 00:11:22,467 OH, YOU'RE SO CLEVER. 310 00:11:22,467 --> 00:11:24,701 GET OFF THE SET! 311 00:11:24,701 --> 00:11:26,968 I THINK YOU'RE BEING A LITTLE UNREASONABLE. 312 00:11:26,968 --> 00:11:28,634 GIVE ME MY CHIPS. 313 00:11:28,634 --> 00:11:30,367 YOU TURNED ON ME, BOBBY. 314 00:11:30,367 --> 00:11:32,834 I NEVER SAW THAT COMING. 315 00:11:32,834 --> 00:11:34,501 YOU'RE KIDDING ME, RIGHT? 316 00:11:34,501 --> 00:11:36,234 GET OFF THE SET. 317 00:11:36,234 --> 00:11:37,968 JOIN YOUR FRIEND THERE. 318 00:11:37,968 --> 00:11:40,200 I'LL DO THIS MYSELF. TAKE ME UP. 319 00:11:40,200 --> 00:11:41,767 EVERYBODY OFF THE SET. 320 00:11:41,767 --> 00:11:43,567 YOU'RE ALL OUT OF HERE. 321 00:11:43,567 --> 00:11:44,901 YOU'RE BANNED. 322 00:11:44,901 --> 00:11:47,133 OUT. LET'S GO, LET'S GO. 323 00:11:47,133 --> 00:11:48,434 EVERYBO-- 324 00:11:48,434 --> 00:11:50,234 HEY, WHAT DO YOU DO HERE? 325 00:11:50,234 --> 00:11:51,667 I LIVE HERE. 326 00:11:51,667 --> 00:11:53,167 I DON'T CARE. GET OUT. 327 00:11:53,167 --> 00:11:55,367 OFF THE SET. 328 00:11:55,367 --> 00:11:56,701 WATCH OUT FOR THE WEED! 329 00:11:56,701 --> 00:11:58,033 JEEZ! 330 00:11:58,033 --> 00:12:00,033 DO YOU NOT SEE THE WEED? 331 00:12:00,033 --> 00:12:02,200 IT'S A HUGE WEED. 332 00:12:02,200 --> 00:12:03,601 ALL RIGHT. 333 00:12:05,467 --> 00:12:07,067 THIS IS BETTER. 334 00:12:07,067 --> 00:12:08,334 O.K., NOW WE CAN WORK. 335 00:12:11,767 --> 00:12:12,901 EXCUSE ME. 336 00:12:12,901 --> 00:12:14,467 UH... 337 00:12:14,467 --> 00:12:15,200 BUDDY? PAL? 338 00:12:18,334 --> 00:12:19,968 EXCUSE ME. 339 00:12:19,968 --> 00:12:21,534 I CAN'T GET DOWN NOW. 340 00:12:24,234 --> 00:12:25,834 O.K., I MAY HAVE OVERREACTED. 341 00:12:33,701 --> 00:12:35,868 HERE WE GO. TWO KNEE BRACES, 342 00:12:35,868 --> 00:12:38,000 TWO ANKLE BRACES, AND THE ACE BANDAGE. 343 00:12:38,000 --> 00:12:40,634 OW! OW! IT HURTS, HUH? 344 00:12:40,634 --> 00:12:42,534 YOU EVER JUMP OFF A CRANE? 345 00:12:42,534 --> 00:12:44,200 I CAN'T SAY I HAVE. 346 00:12:44,200 --> 00:12:46,400 I WOULDN'T RUSH TO DO IT. 347 00:12:46,400 --> 00:12:48,667 THEY DRIVING YOU NUTS OVER THERE, HUH? 348 00:12:48,667 --> 00:12:50,567 I'M SO READY TO QUIT. 349 00:12:50,567 --> 00:12:52,534 YOU DON'T WANT TO DO THAT. 350 00:12:52,534 --> 00:12:54,400 IT'S A QUESTION OF DIGNITY. 351 00:12:54,400 --> 00:12:56,734 IT'S A QUESTION OF SELF-RESPECT AND HONOR. 352 00:12:56,734 --> 00:12:57,701 WHAT'S THAT ON YOUR SWEATER? 353 00:12:57,701 --> 00:12:59,067 HMM? 354 00:12:59,067 --> 00:12:59,868 IT'S TWINKIE FILLING. 355 00:13:02,100 --> 00:13:03,200 EXCUSE ME. 356 00:13:03,200 --> 00:13:05,133 YES, MA'AM. 357 00:13:05,133 --> 00:13:06,267 DO YOU CARRY SWEAT SOCKS? 358 00:13:06,267 --> 00:13:07,801 RIGHT OVER THERE. 359 00:13:07,801 --> 00:13:11,100 AND WHAT ABOUT RIFLES? 360 00:13:11,100 --> 00:13:12,400 AISLE 9. 361 00:13:12,400 --> 00:13:14,400 THANK YOU. 362 00:13:14,400 --> 00:13:17,200 I JUST THINK YOU'RE NOT THINKING STRAIGHT. 363 00:13:17,200 --> 00:13:20,133 THIS ISN'T THE TIME TO BE THINKING ABOUT QUITTING YOUR JOB. 364 00:13:20,133 --> 00:13:22,100 WHY ARE YOU NOT SUPPORTING ME? 365 00:13:22,100 --> 00:13:24,133 I AM SUPPORTING YOU. 366 00:13:24,133 --> 00:13:26,200 WHERE WOULD I FIND TETHERBALLS? 367 00:13:26,200 --> 00:13:27,701 THOSE ARE RIGHT AROUND THE CORNER. 368 00:13:27,701 --> 00:13:29,033 UH-HUH. 369 00:13:29,033 --> 00:13:32,133 HOW ABOUT BLOWGUNS? 370 00:13:32,133 --> 00:13:34,167 IT'S AISLE 9. 371 00:13:34,167 --> 00:13:35,501 AISLE 9. THANK YOU. 372 00:13:39,000 --> 00:13:41,801 YOU HAVE NO IDEA WHAT IT'S LIKE. 373 00:13:41,801 --> 00:13:43,801 I'M SHOWING THEM MY MOVIE TOMORROW. 374 00:13:43,801 --> 00:13:46,000 I GUARANTEE YOU, WHATEVER IT IS I LIKE, 375 00:13:46,000 --> 00:13:47,167 THEY'LL WANT TO CHANGE. 376 00:13:47,167 --> 00:13:49,501 SO WHAT? 377 00:13:49,501 --> 00:13:52,501 SOMETIMES IN LIFE, YOU GOT TO SACRIFICE. 378 00:13:52,501 --> 00:13:55,200 BUT TO GO TO WORK EVERY DAY AND BE MISERABLE... 379 00:13:55,200 --> 00:13:56,701 WHERE ARE YOU SITTING RIGHT NOW? 380 00:13:56,701 --> 00:13:58,300 WHERE? 381 00:13:58,300 --> 00:14:00,167 WHO BUILT THIS PLACE FROM A VACANT LOT? 382 00:14:00,167 --> 00:14:01,300 SO? 383 00:14:01,300 --> 00:14:03,033 YOUR FATHER. 384 00:14:03,033 --> 00:14:05,033 YOU THINK HE RESENTED SACRIFICING FOR YOU? 385 00:14:05,033 --> 00:14:06,501 I WOULD IMAGINE SO. 386 00:14:06,501 --> 00:14:08,200 THE ANSWER IS NO. 387 00:14:08,200 --> 00:14:09,868 OUR PARENTS WENT TO WORK. 388 00:14:09,868 --> 00:14:11,934 THEY DIDN'T BELLYACHE ABOUT IT. 389 00:14:11,934 --> 00:14:14,434 SO WE'RE NOT A VERY HARDY GENERATION. 390 00:14:14,434 --> 00:14:17,434 DO YOU SELL WINDBREAKERS? 391 00:14:17,434 --> 00:14:18,634 AISLE 2. 392 00:14:18,634 --> 00:14:19,934 AND HATCHETS? 393 00:14:22,267 --> 00:14:23,634 AISLE 9. 394 00:14:23,634 --> 00:14:24,701 AISLE 9. 395 00:14:28,400 --> 00:14:31,000 BOY, AISLE 9 HAS REALLY CHANGED. 396 00:14:34,000 --> 00:14:36,601 AND SO, ULTIMATELY, 397 00:14:36,601 --> 00:14:38,667 THE WEED SURVIVES. 398 00:14:41,534 --> 00:14:42,968 [MAN CLEARS THROAT] 399 00:14:50,167 --> 00:14:52,367 WELL, PAUL, 400 00:14:52,367 --> 00:14:54,534 CONGRATULATIONS. IT WAS GREAT. 401 00:14:54,534 --> 00:14:56,067 GREAT, JUST GREAT, PAUL. 402 00:14:56,067 --> 00:14:59,367 LOVE IT. IT'S PERFECT. 403 00:14:59,367 --> 00:15:01,033 WELL, THANK YOU. 404 00:15:01,033 --> 00:15:03,067 YOU HEAR THAT, HOLLIS? 405 00:15:03,067 --> 00:15:04,501 WOULDN'T CHANGE A THING. 406 00:15:04,501 --> 00:15:06,267 WOULDN'T CHANGE A THING. 407 00:15:06,267 --> 00:15:08,400 YOU HEAR THAT? WOULDN'T CHANGE A THING. 408 00:15:08,400 --> 00:15:09,901 UM...AHEM... NOTHING... 409 00:15:09,901 --> 00:15:11,701 SIR? 410 00:15:11,701 --> 00:15:13,067 MAYBE A FEW SMALL THINGS. 411 00:15:13,067 --> 00:15:15,000 UH-HUH. 412 00:15:15,000 --> 00:15:18,133 LIKE WHAT? 413 00:15:18,133 --> 00:15:19,734 [MIMICKING HOLLIS] LIKE WHAT? 414 00:15:19,734 --> 00:15:21,501 FRANKLY, 415 00:15:21,501 --> 00:15:23,334 THE WEED JUST ISN'T AS SYMPATHETIC 416 00:15:23,334 --> 00:15:25,767 AS WE'D HOPED IT'D BE. 417 00:15:25,767 --> 00:15:27,901 YES! I MENTIONED THIS TO PAUL NUMEROUS TIMES. 418 00:15:27,901 --> 00:15:30,801 I HAVE IT HERE IN MY NOTES. 419 00:15:30,801 --> 00:15:32,367 BE THAT AS IT MAY, 420 00:15:32,367 --> 00:15:34,100 FOCUSING ON THE WEED, 421 00:15:34,100 --> 00:15:35,000 COULDN'T THE WEED BE NICER? 422 00:15:37,567 --> 00:15:38,567 NICER? 423 00:15:38,567 --> 00:15:39,601 NICER. 424 00:15:39,601 --> 00:15:40,767 NICE-ER. 425 00:15:40,767 --> 00:15:42,501 THIS IS JUST OUR OPINION. 426 00:15:42,501 --> 00:15:44,634 DO WHAT YOU THINK IS RIGHT. 427 00:15:44,634 --> 00:15:46,667 WE'LL DO WHAT I THINK IS RIGHT. 428 00:15:46,667 --> 00:15:49,067 WHAT YOU JUST SAW, I THINK IT REFLECTS-- 429 00:15:49,067 --> 00:15:51,367 I MEAN, THAT'S WHAT WE WANT. 430 00:15:51,367 --> 00:15:53,300 THAT'S THE ESSENCE OF THE WEED'S REALITY. 431 00:15:53,300 --> 00:15:54,868 UH... 432 00:15:54,868 --> 00:15:56,767 WHAT IF WE PLAY UP 433 00:15:56,767 --> 00:15:58,634 THE STREET-SMART SIDE OF THE WEED? 434 00:15:58,634 --> 00:16:00,067 YES! 435 00:16:00,067 --> 00:16:01,834 YES, THAT'S BRILLIANT. 436 00:16:01,834 --> 00:16:04,000 MAKE IT STREET-SAVVY, 437 00:16:04,000 --> 00:16:06,067 KIND OF A HAPPENING WEED. 438 00:16:06,067 --> 00:16:08,300 OH, AND, UH, MAYBE GIVE HIM A NEMESIS. 439 00:16:08,300 --> 00:16:10,133 YES. I LOVE THAT. 440 00:16:10,133 --> 00:16:12,067 COULD YOU SHUT UP FOR ONE SECOND? 441 00:16:12,067 --> 00:16:14,100 MAYBE--MAYBE WHAT WE NEED 442 00:16:14,100 --> 00:16:15,601 IS SOMEBODY TO ROOT AGAINST. 443 00:16:15,601 --> 00:16:16,934 ROOT AGAINST? 444 00:16:16,934 --> 00:16:19,167 A NEMESIS FOR THE WEED. 445 00:16:19,167 --> 00:16:22,033 WHAT IS THAT, LIKE A CAT OR SOMETHING? 446 00:16:23,701 --> 00:16:24,934 A CAT? 447 00:16:24,934 --> 00:16:26,200 WHAT, LIKE A CRAZED GARDENER? 448 00:16:26,200 --> 00:16:27,033 CRAZED GARDENER? 449 00:16:27,033 --> 00:16:28,534 WHAT? 450 00:16:28,534 --> 00:16:30,667 THIS IS WHAT I HAVE TO WORK WITH. 451 00:16:30,667 --> 00:16:32,567 THESE ARE THE SUGGESTIONS HE MAKES. 452 00:16:32,567 --> 00:16:33,667 I WASN'T MAKING A SUGGESTION. 453 00:16:33,667 --> 00:16:34,801 YES, YOU WERE. 454 00:16:34,801 --> 00:16:35,801 I WAS-- 455 00:16:35,801 --> 00:16:36,801 GENTLEMEN, GENTLEMEN. 456 00:16:36,801 --> 00:16:38,334 PLEASE. 457 00:16:38,334 --> 00:16:40,767 I MUST SAY I'M VERY DISAPPOINTED 458 00:16:40,767 --> 00:16:42,868 IN BOTH OF YOU. 459 00:16:42,868 --> 00:16:45,834 WE SENT YOU OUT TO MAKE A FILM ABOUT A WEED, 460 00:16:45,834 --> 00:16:47,767 A FRIENDLY, UPBEAT FILM 461 00:16:47,767 --> 00:16:49,968 THAT'D COME IN ON SCHEDULE AND ON BUDGET. 462 00:16:49,968 --> 00:16:51,267 WILL SOMEBODY PLEASE TELL ME 463 00:16:51,267 --> 00:16:54,033 HOW DID THIS HAPPEN? 464 00:16:54,033 --> 00:16:56,601 I HAVE IT ALL RIGHT HERE IN MY NOTES. 465 00:16:56,601 --> 00:16:58,033 WHAT DO YOU HAVE? 466 00:16:58,033 --> 00:16:59,267 EVERYTHING. 467 00:16:59,267 --> 00:17:00,734 YOU HAVE NOTHING. 468 00:17:00,734 --> 00:17:01,934 SHOW ME. 469 00:17:01,934 --> 00:17:03,300 SHOW ME-- 470 00:17:03,300 --> 00:17:04,534 ALL RIGHT, ALL RIGHT. 471 00:17:04,534 --> 00:17:05,434 ENOUGH, ENOUGH! 472 00:17:05,434 --> 00:17:06,767 MY NOTES. 473 00:17:06,767 --> 00:17:09,901 WELL... 474 00:17:09,901 --> 00:17:11,434 I SEE NO CONSTRUCTIVE SOLUTIONS FORTHCOMING 475 00:17:11,434 --> 00:17:13,434 FROM THE TWO OF YOU. 476 00:17:13,434 --> 00:17:16,167 I, ON THE OTHER HAND, HAVE A VERY SIMPLE FIX. 477 00:17:19,501 --> 00:17:21,167 HOW CAN THEY FIRE BOTH OF US? 478 00:17:23,868 --> 00:17:26,033 THE PLACE HAS NO IDEA WHAT IT'S DOING. 479 00:17:26,033 --> 00:17:27,300 IT'S ALL SCREWED UP. 480 00:17:27,300 --> 00:17:28,300 THEIR LOSS. 481 00:17:28,300 --> 00:17:29,534 THEIR LOSS. 482 00:17:29,534 --> 00:17:30,501 WE WERE A GREAT TEAM. 483 00:17:33,968 --> 00:17:36,534 WE WERE THE BEST, MAN. 484 00:17:36,534 --> 00:17:37,734 HOLLIS AND PAUL, 485 00:17:37,734 --> 00:17:39,501 PAUL AND HOLLIS. 486 00:17:41,367 --> 00:17:42,300 FOREVER. 487 00:17:44,267 --> 00:17:45,934 YOU KNOW, I, UH, 488 00:17:45,934 --> 00:17:47,834 I PLAYED IT ALL WRONG. 489 00:17:47,834 --> 00:17:50,300 NO, NO, NO, I DID. IT WAS ME. 490 00:17:50,300 --> 00:17:52,467 I WAS TOO EAGER TO GIVE IN. 491 00:17:52,467 --> 00:17:53,934 I COULD'VE BEEN MORE COMPROMISING. 492 00:17:53,934 --> 00:17:56,868 WELL, WE COULDN'T HELP IT. 493 00:17:56,868 --> 00:17:58,934 YOU KNOW WHAT? THAT'S WHO WE ARE. 494 00:17:58,934 --> 00:18:01,601 I'M JUST A STRAIGHT-ARROW, 495 00:18:01,601 --> 00:18:03,868 BY-THE-BOOK, BUTTONED-DOWN... 496 00:18:03,868 --> 00:18:04,834 BROWN-NOSE. 497 00:18:06,367 --> 00:18:08,167 YES, I AM. 498 00:18:08,167 --> 00:18:09,934 I HAVE MY FAULTS, TOO. 499 00:18:09,934 --> 00:18:13,367 I'M A STUBBORN, SINGLE-MINDED, 500 00:18:13,367 --> 00:18:15,267 FIERCELY UNCOMPROMISING... 501 00:18:15,267 --> 00:18:16,467 PAIN IN THE ASS? MM-HMM. 502 00:18:19,200 --> 00:18:22,200 WELL, HERE'S TO US. 503 00:18:22,200 --> 00:18:24,501 HERE'S TO A GREAT FILMMAKER. 504 00:18:24,501 --> 00:18:25,767 AW... 505 00:18:25,767 --> 00:18:26,968 AND HERE'S TO... 506 00:18:26,968 --> 00:18:28,200 MM-HMM? 507 00:18:30,234 --> 00:18:31,267 UM... 508 00:18:31,267 --> 00:18:32,467 MM-HMM. 509 00:18:32,467 --> 00:18:34,300 HERE'S TO YOU. 510 00:18:40,834 --> 00:18:43,400 OHH...ALL RIGHT. 511 00:18:43,400 --> 00:18:44,400 I LOVE YOU, MAN. 512 00:18:46,667 --> 00:18:49,334 ALL RIGHT. 513 00:18:49,334 --> 00:18:50,701 I REALLY DO. 514 00:18:50,701 --> 00:18:51,934 O.K. 515 00:18:51,934 --> 00:18:52,934 YOU'RE RIGHT. 516 00:18:52,934 --> 00:18:54,734 AS OF THIS MOMENT, 517 00:18:54,734 --> 00:18:56,601 I'M TURNING OVER A NEW LEAF. 518 00:18:56,601 --> 00:18:58,300 GOOD FOR YOU. 519 00:19:03,801 --> 00:19:06,234 WHAT ARE YOU WRITING NOW, HOLLIS? 520 00:19:06,234 --> 00:19:07,601 OH... 521 00:19:07,601 --> 00:19:08,734 NOTHING. 522 00:19:13,300 --> 00:19:15,734 I'LL BE THE D.A. YOU BE BROCKWELL. 523 00:19:15,734 --> 00:19:18,701 NOW, MR. BROCKWELL, ON MARCH 9th-- 524 00:19:18,701 --> 00:19:20,000 SHOULDN'T I SWEAR TO TELL THE TRUTH, 525 00:19:20,000 --> 00:19:22,133 THE WHOLE TRUTH, AND NOTHING BUT THE TRUTH? 526 00:19:22,133 --> 00:19:23,868 SO HELP YOU GOD? YES. 527 00:19:23,868 --> 00:19:25,300 NO. 528 00:19:25,300 --> 00:19:26,968 MR. BROCKWELL, ON MARCH 9th-- 529 00:19:26,968 --> 00:19:28,934 AREN'T YOU GOING TO ASK ME TO STATE MY NAME? 530 00:19:31,334 --> 00:19:33,267 WOULD YOU STATE YOUR NAME, PLEASE? 531 00:19:33,267 --> 00:19:34,434 LANCE BROCKWELL. 532 00:19:34,434 --> 00:19:35,667 NOW, 533 00:19:35,667 --> 00:19:37,000 MR. BROCKWELL, 534 00:19:37,000 --> 00:19:38,567 ON MARCH 9th, 535 00:19:38,567 --> 00:19:41,267 DID YOU ACCEPT $14 536 00:19:41,267 --> 00:19:43,534 FROM REPUTED RUSSIAN MOB BOSS 537 00:19:43,534 --> 00:19:45,968 YURI "POTATOHEAD" BULKOV? 538 00:19:47,734 --> 00:19:49,133 YES. 539 00:19:49,133 --> 00:19:50,567 CAN I ASK YOU SOMETHING? 540 00:19:50,567 --> 00:19:52,033 YES. 541 00:19:52,033 --> 00:19:52,901 THAT'S YOUR BROCKWELL? 542 00:19:52,901 --> 00:19:54,100 YES. 543 00:19:54,100 --> 00:19:55,133 IT'S LOUSY. 544 00:19:55,133 --> 00:19:56,400 BETTER THAN YOURS. 545 00:19:56,400 --> 00:19:58,467 I SPOKE TO MY FRIEND 546 00:19:58,467 --> 00:20:00,467 WHO'S HEAD OF THE MASSACHUSETTS TOURIST BOARD. 547 00:20:00,467 --> 00:20:02,667 HE'LL GET YOU GUYS A WEEKEND GETAWAY PACKAGE. 548 00:20:02,667 --> 00:20:04,400 IS THAT O.K.? 549 00:20:04,400 --> 00:20:06,834 I DON'T KNOW WHEN WE CAN DO IT. 550 00:20:06,834 --> 00:20:08,167 PAUL'S BUSY WITH HIS FILM. 551 00:20:08,167 --> 00:20:09,167 WEED. 552 00:20:09,167 --> 00:20:10,667 WEED. 553 00:20:10,667 --> 00:20:12,434 THAT'S VERY SWEET. 554 00:20:12,434 --> 00:20:14,701 O.K., WELL... LET'S GET BACK TO WORK. 555 00:20:14,701 --> 00:20:16,467 ONE OF US HAS TO BE BULKOV. 556 00:20:16,467 --> 00:20:18,334 YOU BE BULKOV. 557 00:20:18,334 --> 00:20:20,167 I DON'T WANT TO BE BULKOV. 558 00:20:20,167 --> 00:20:21,234 I DON'T WANT TO BE BULKOV. 559 00:20:24,234 --> 00:20:26,100 COME ON, HONEY. YOU'LL MISS IT. 560 00:20:26,100 --> 00:20:27,534 YOU'RE GOING TO WATCH IT? 561 00:20:27,534 --> 00:20:28,801 HOW CAN I NOT WATCH IT? 562 00:20:28,801 --> 00:20:30,567 IT'S GOOD TO SEE YOU HAPPY AGAIN. 563 00:20:30,567 --> 00:20:33,100 I'M THRILLED. GETTING FIRED 564 00:20:33,100 --> 00:20:35,067 IS GOING TO BE THE BEST THING 565 00:20:35,067 --> 00:20:36,734 THAT EVER HAPPENED TO ME. 566 00:20:36,734 --> 00:20:38,200 YOU'RE IN SUCH DEEP, DEEP DENIAL. 567 00:20:39,801 --> 00:20:41,834 IT'S NOT DENIAL. IT'S ECSTASY. 568 00:20:41,834 --> 00:20:43,601 YOU'LL GET SOMETHING GREAT. 569 00:20:43,601 --> 00:20:45,400 DO I LOOK WORRIED? 570 00:20:45,400 --> 00:20:47,234 NO. THAT'S WHAT WORRIES ME. 571 00:20:47,234 --> 00:20:49,100 GET FIRED WITH ME. 572 00:20:49,100 --> 00:20:51,234 WE'LL STAY HOME HAPPY AS CLAMS. 573 00:20:51,234 --> 00:20:53,434 CAN'T. BIG MOMMY'S GOT TO BRING HOME THE BACON. 574 00:20:55,968 --> 00:20:57,734 HEAR THAT? MAMA'S GOING TO BRING HOME SOME BACON. 575 00:20:57,734 --> 00:20:59,501 [DOORBELL BUZZES] 576 00:20:59,501 --> 00:21:00,868 WHAT DID YOU FORGET? 577 00:21:00,868 --> 00:21:03,367 I LOVE YOU. 578 00:21:03,367 --> 00:21:04,534 IT'S GOING TO BE FINE. 579 00:21:04,534 --> 00:21:07,133 I KNOW. 580 00:21:07,133 --> 00:21:09,734 YOU COULD NEVER LOSE YOUR JOB. 581 00:21:09,734 --> 00:21:11,801 IF YOU DID, YOU'D FIND WORK IN A MINUTE 582 00:21:11,801 --> 00:21:13,667 'CAUSE YOU'RE VERY GOOD. 583 00:21:13,667 --> 00:21:16,501 [DOORBELL BUZZES] 584 00:21:16,501 --> 00:21:18,667 HOW OFTEN IS THERE A WORLD PREMIERE? 585 00:21:18,667 --> 00:21:20,067 YOU'LL BE LATE. 586 00:21:20,067 --> 00:21:21,567 DOUG'LL COVER FOR ME. 587 00:21:21,567 --> 00:21:24,133 IF THEY LEFT IN THE CRANE SHOT 588 00:21:24,133 --> 00:21:25,767 AND DIDN'T REDO THE NARRATION 589 00:21:25,767 --> 00:21:28,100 AND DIDN'T PUT IN THAT STUPID MUSIC, 590 00:21:28,100 --> 00:21:29,200 IT MIGHT NOT BE THAT TERRIBLE. 591 00:21:29,200 --> 00:21:30,267 THAT'S THE SPIRIT, HONEY. 592 00:21:30,267 --> 00:21:32,634 NEXT ON THE EXPLORER CHANNEL, 593 00:21:32,634 --> 00:21:35,200 A WEED IS TERRORIZED BY A CAT 594 00:21:35,200 --> 00:21:36,701 AND A CRAZED GARDENER 595 00:21:36,701 --> 00:21:39,901 ON THE WORLD PREMIERE OF THE WEED. 596 00:21:42,367 --> 00:21:43,667 I NEED PIE. 597 00:21:51,501 --> 00:21:52,734 THIS AMAZING PRODUCT 598 00:21:52,734 --> 00:21:55,100 WILL WORK MIRACLES ON THOSE MIDSECTION MUSCLES 599 00:21:55,100 --> 00:21:56,567 IN NO TIME. 600 00:21:56,567 --> 00:21:58,100 IN JUST A MATTER OF WEEKS, 601 00:21:58,100 --> 00:22:00,767 YOU, TOO, CAN HAVE THE RIPPLING, ROCK-HARD ABS 602 00:22:00,767 --> 00:22:04,000 THAT YOU'VE ALWAYS DREAMED ABOUT. 603 00:22:04,000 --> 00:22:05,801 LIKE THIS. 604 00:22:05,801 --> 00:22:07,100 AND THIS. 605 00:22:07,100 --> 00:22:10,100 HAVE YOU EVER SEEN A STOMACH LIKE THIS? 606 00:22:10,100 --> 00:22:12,067 YOU KNOW, ASK ANY WOMAN, 607 00:22:12,067 --> 00:22:14,968 AND SHE'LL TELL YOU THOSE FLABBY LOVE HANDLES 608 00:22:14,968 --> 00:22:16,567 AND EXTRA INCHES ABOVE THE BELT 609 00:22:16,567 --> 00:22:18,400 CAN BE A REAL TURNOFF. 610 00:22:18,400 --> 00:22:20,634 THIS AMAZING DEVICE IS SO EASY TO USE 611 00:22:20,634 --> 00:22:22,267 FOR THE ENTIRE FAMILY. 612 00:22:22,267 --> 00:22:25,400 PICK UP THE PHONE AND ORDER YOURS NOW. 613 00:22:25,400 --> 00:22:27,234 SUPPLIES ARE LIMITED, SO HURRY. 614 00:22:27,284 --> 00:22:31,834 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 39057

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