All language subtitles for Mad About You s04e17 The Glue People.eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,033 --> 00:00:08,234 WHAT DO YOU THINK JANSON'S DOING RIGHT NOW? 2 00:00:08,234 --> 00:00:09,534 JANSON WHO? 3 00:00:09,534 --> 00:00:10,901 OUR DERMATOLOGIST. 4 00:00:12,067 --> 00:00:13,400 WHAT'S HE DOING? 5 00:00:13,400 --> 00:00:15,567 YEAH. WHAT'S HE DOING RIGHT NOW? 6 00:00:15,567 --> 00:00:17,601 RIGHT NOW, WHAT, 10:30 AT NIGHT? 7 00:00:17,601 --> 00:00:19,200 YEAH. 8 00:00:19,200 --> 00:00:21,534 PROBABLY SLEEPING. WATCHING TV. 9 00:00:21,534 --> 00:00:23,601 COME ON. YOU CAN DO BETTER THAN THAT. 10 00:00:23,601 --> 00:00:24,968 O.K. 11 00:00:24,968 --> 00:00:26,467 JANSON... 12 00:00:29,234 --> 00:00:31,868 JANSON IS ROAMING THE STREETS 13 00:00:31,868 --> 00:00:35,634 WITH SOME CREAM AND A LASER, 14 00:00:35,634 --> 00:00:38,200 AND HE'S REMOVING THINGS FROM PEOPLE, 15 00:00:38,200 --> 00:00:40,100 BUT WITHOUT THEIR PERMISSION, 16 00:00:40,100 --> 00:00:41,767 ALMOST AGAINST THEIR WILL, 17 00:00:41,767 --> 00:00:43,467 AND THEN HE RUNS, HE RUNS AWAY. 18 00:00:43,467 --> 00:00:45,400 HE HAS A MASK SO YOU CAN'T RECOGNIZE HIM, 19 00:00:45,400 --> 00:00:47,100 AND THE POLICE CHASE HIM, 20 00:00:47,100 --> 00:00:48,734 BUT HE'S FAST, HE'S FAST LIKE THE WIND, 21 00:00:48,734 --> 00:00:49,934 SO HE ELUDES THEM. 22 00:00:49,934 --> 00:00:51,834 YOU'RE VERY GOOD TO ME. 23 00:01:04,200 --> 00:01:06,868 * TELL ME WHY * 24 00:01:06,868 --> 00:01:08,734 * I LOVE YOU LIKE I DO * 25 00:01:08,734 --> 00:01:10,767 * TELL ME WHO * 26 00:01:10,767 --> 00:01:12,834 * CAN STOP MY HEART AS MUCH AS YOU * 27 00:01:12,834 --> 00:01:14,501 * LET'S TAKE EACH OTHER'S HAND * 28 00:01:14,501 --> 00:01:15,901 * AS WE JUMP INTO * 29 00:01:15,901 --> 00:01:18,534 * THE FINAL FRONTIER * 30 00:01:18,534 --> 00:01:21,133 * I'M MAD ABOUT YOU, BABY * 31 00:01:31,200 --> 00:01:33,367 CAN I JUST SAY THAT RIGHT NOW 32 00:01:33,367 --> 00:01:35,434 I HAVE EVERYTHING I NEED IN LIFE? 33 00:01:35,434 --> 00:01:38,400 I GOT MY SPECIAL K, A PRETTY GIRL WHO LIKES ME, 34 00:01:38,400 --> 00:01:40,000 SPORTS SECTION OF THE TIMES. 35 00:01:40,000 --> 00:01:41,801 WANT TO TRY THE HONEY NUT BRAN? 36 00:01:41,801 --> 00:01:44,901 NOPE. CEREALS WITH A "K"-- CAN'T BEAT 'EM. 37 00:01:44,901 --> 00:01:46,234 WANT THE FRONT SECTION? 38 00:01:46,234 --> 00:01:49,467 MMM. SPORTS SECTION. HAPPY, HAPPY. 39 00:01:49,467 --> 00:01:52,734 9,000 OTHER FASCINATING ITEMS IN THE PAPER. 40 00:01:52,734 --> 00:01:54,901 YEAH, BUT YOU KNOW WHAT? EHH. 41 00:01:54,901 --> 00:01:58,000 "DEEP FREEZE GRIPS SOUTHERN STATES." 42 00:01:58,000 --> 00:02:00,601 SO. IT'S THE SOUTH. IT'LL PASS. 43 00:02:01,667 --> 00:02:03,267 "HILLARY CLINTON EMBATTLED." 44 00:02:03,267 --> 00:02:04,367 SHE'S EMBATTLED. 45 00:02:04,367 --> 00:02:05,901 THEY SHOULD JUST... 46 00:02:05,901 --> 00:02:07,934 LEAVE HER ALONE, THE NICE LADY. 47 00:02:07,934 --> 00:02:09,601 "MALAYSIA SIGNS TRADE PACT." 48 00:02:09,601 --> 00:02:10,601 BABE. 49 00:02:10,601 --> 00:02:11,934 ALL RIGHT, ALL RIGHT. 50 00:02:11,934 --> 00:02:13,334 [TELEPHONE RINGS] 51 00:02:13,334 --> 00:02:15,734 LOOK AT THIS. "NICKEL INCREASE IN SUBWAY TOKEN EXPECTED." 52 00:02:15,734 --> 00:02:17,434 I WORKED ON THIS WITH BROCKWELL. 53 00:02:17,434 --> 00:02:18,868 HEY, IT'S ME. 54 00:02:18,868 --> 00:02:20,734 HOW YOU DOING? 55 00:02:20,734 --> 00:02:22,634 I'M GOOD, I'M GOOD. YOU? 56 00:02:22,634 --> 00:02:23,701 YEAH, GOOD. I'M FINE. 57 00:02:23,701 --> 00:02:24,734 YEAH, IT'S GOOD EXCEPT... 58 00:02:24,734 --> 00:02:26,067 WHAT? 59 00:02:26,067 --> 00:02:27,234 NAH. NOT--NAW. NOTHING. 60 00:02:27,234 --> 00:02:28,567 WHAT? 61 00:02:28,567 --> 00:02:30,367 NO. NO, IT'S NOTHING. 62 00:02:30,367 --> 00:02:33,033 I DON'T EVEN KNOW WHY I BRING IT UP! 63 00:02:33,033 --> 00:02:34,434 NO, IT'S STUPID! 64 00:02:34,434 --> 00:02:35,367 IT'S FRAN. 65 00:02:35,367 --> 00:02:36,300 FRAN? WHAT? 66 00:02:36,300 --> 00:02:38,000 AND IRA. 67 00:02:38,000 --> 00:02:40,000 FRAN AND IRA? 68 00:02:40,000 --> 00:02:42,200 WHEN'S HE GOING TO STOP WITH THAT? 69 00:02:42,200 --> 00:02:44,601 MARK, IT IS OVER WITH THOSE GUYS. 70 00:02:44,601 --> 00:02:46,601 YEAH, SO YOU KEEP SAYING. 71 00:02:46,601 --> 00:02:49,033 SO THEY KEEP SAYING, RIGHT? 72 00:02:49,033 --> 00:02:51,534 BUT YESTERDAY I'M OVER AT FRAN'S, RIGHT? 73 00:02:51,534 --> 00:02:54,234 AND WHO STOPS BY OUT OF THE BLUE, OUT OF NOWHERE? 74 00:02:54,234 --> 00:02:55,434 IRA? 75 00:02:55,434 --> 00:02:56,501 IRA. 76 00:02:56,501 --> 00:02:58,100 WELL, THEY'RE FRIENDS. 77 00:02:58,100 --> 00:03:00,334 YEAH, SEE, I DON'T BUY THAT. 78 00:03:00,334 --> 00:03:03,667 WHO STOPS OVER IN THE MIDDLE OF THE AFTERNOON? 79 00:03:03,667 --> 00:03:06,334 IT'S UPSETTING ME! AND I'LL TELL YOU SOMETHING. 80 00:03:06,334 --> 00:03:07,968 WHAT? 81 00:03:07,968 --> 00:03:13,000 I'M STARTING TO UNDERSTAND CRIMES OF PASSION. 82 00:03:13,000 --> 00:03:14,200 [BEEP] 83 00:03:14,200 --> 00:03:15,601 YOU KNOW WHAT? HOLD THAT VERY IMPORTANT THOUGHT. 84 00:03:15,601 --> 00:03:16,868 THE THING IS BEEPING. 85 00:03:16,868 --> 00:03:18,701 LOOK. "NICKEL INCREASE WOULD FUND STREET RENAMING." 86 00:03:18,701 --> 00:03:19,868 HELLO? 87 00:03:19,868 --> 00:03:20,901 HEY. 88 00:03:20,901 --> 00:03:23,167 HEY, SPLINKY. HOW IS IT TO BE YOU? 89 00:03:23,167 --> 00:03:24,934 IRIS. SHE'S KILLING ME. 90 00:03:24,934 --> 00:03:27,200 HOLD ON ONE SEC. IRIS. SHE'S KILLING HIM. 91 00:03:27,200 --> 00:03:28,801 HEY. 92 00:03:28,801 --> 00:03:30,901 HEY. NOW SHE WON'T TALK TO ME. 93 00:03:30,901 --> 00:03:32,968 WHAT DID YOU DO? 94 00:03:32,968 --> 00:03:35,133 I DON'T KNOW. SHE WON'T TALK TO ME! 95 00:03:35,133 --> 00:03:37,734 WHAT DO YOU WANT ME TO DO? 96 00:03:37,734 --> 00:03:40,067 THIS IS BROCKWELL'S BIG PLAN, TO RENAME THE STREETS? 97 00:03:40,067 --> 00:03:40,934 I'LL CALL MARK BACK. 98 00:03:40,934 --> 00:03:42,767 HANG ON ONE SECOND. 99 00:03:42,767 --> 00:03:45,300 MARK. THIS IS HOW OVER IT IS. 100 00:03:45,300 --> 00:03:47,868 IRA IS ON THE OTHER PHONE COMPLAINING. 101 00:03:47,868 --> 00:03:49,234 HE'S BEING TORTURED BY ANOTHER WOMAN. 102 00:03:49,234 --> 00:03:50,601 REALLY? 103 00:03:50,601 --> 00:03:52,634 I SWEAR TO YOU. RIGHT NOW. 104 00:03:52,634 --> 00:03:54,667 ON THE OTHER LINE. TORTURED. 105 00:03:54,667 --> 00:03:56,467 IF I COULD ONLY BELIEVE THAT. 106 00:03:56,467 --> 00:03:57,667 WHY WOULDN'T YOU? 107 00:03:57,667 --> 00:03:59,033 IT'S NOT THAT I DON'T. 108 00:03:59,033 --> 00:04:00,934 HE'S UP TO SOMETHING. 109 00:04:00,934 --> 00:04:03,334 MARK, THE MAN IS-- O.K. O.K. CALL ME BACK. 110 00:04:03,334 --> 00:04:05,634 CALL ME BACK. 111 00:04:05,634 --> 00:04:07,767 IT'S LIKE TALKING TO A NEUROTIC AUCTIONEER. 112 00:04:07,767 --> 00:04:10,634 IRA? 113 00:04:10,634 --> 00:04:13,167 YEAH. I ASK HER LIKE A HUNDRED TIMES WHAT'S WRONG? 114 00:04:13,167 --> 00:04:14,234 EVERY TIME, THE SAME ANSWER. 115 00:04:14,234 --> 00:04:15,767 WHAT? 116 00:04:15,767 --> 00:04:17,100 NOTHING. NOTHING! YOU UNDERSTAND? 117 00:04:17,100 --> 00:04:19,234 SHE WILL NOT TALK TO ME. 118 00:04:19,234 --> 00:04:21,200 "MAJOR STREETS TO BE GIVEN NAMES 119 00:04:21,200 --> 00:04:22,467 LIKE AVENUE OF THE AMERICAS." 120 00:04:22,467 --> 00:04:24,667 YOU EVER BEEN THERE? 121 00:04:24,667 --> 00:04:27,133 THEY SHOULD JUST CALL IT "RUN FOR YOUR LIFE BOULEVARD." 122 00:04:27,133 --> 00:04:28,767 SHE'LL JUST MAKE FACES. 123 00:04:28,767 --> 00:04:30,234 IT'S LIKE DATING HARPO MARX. 124 00:04:30,234 --> 00:04:31,767 [BEEP] 125 00:04:31,767 --> 00:04:33,234 I'M SORRY. HANG ON ONE SECOND. 126 00:04:33,234 --> 00:04:34,334 HELLO? 127 00:04:34,334 --> 00:04:35,367 HEY. HEY. 128 00:04:35,367 --> 00:04:37,334 MINE OR YOURS? 129 00:04:37,334 --> 00:04:38,501 * IT'S SPECIAL K TIME ** 130 00:04:38,501 --> 00:04:41,167 WHAT'S GOING ON? 131 00:04:41,167 --> 00:04:43,634 MARK'S UPSET ABOUT IRA AGAIN BECAUSE IRA CAME OVER-- 132 00:04:43,634 --> 00:04:45,667 WHEN MARK WAS THERE. I HEARD. 133 00:04:45,667 --> 00:04:47,501 IRA WAS RETURNING A CROCKPOT! 134 00:04:47,501 --> 00:04:49,667 ARE YOU SURE IT'S OVER BETWEEN YOU AND IRA? 135 00:04:49,667 --> 00:04:50,968 YES! 136 00:04:50,968 --> 00:04:52,868 ALL RIGHT. HOLD ON. 137 00:04:52,868 --> 00:04:54,968 IRA, ARE YOU SURE IT'S OVER BETWEEN YOU AND FRAN? 138 00:04:54,968 --> 00:04:56,868 ABSOLUTELY. 139 00:04:56,868 --> 00:04:58,367 ALL RIGHT. SHE SAYS HELLO, BY THE WAY. 140 00:04:58,367 --> 00:04:59,801 OH. HELLO BACK. 141 00:04:59,801 --> 00:05:02,234 WE'LL HAVE DINNER, THE SIX OF US, 142 00:05:02,234 --> 00:05:04,667 YOU, MARK, ME, PAUL, IRA, AND IRIS. 143 00:05:04,667 --> 00:05:06,200 MARK WILL SEE IT'S OVER, 144 00:05:06,200 --> 00:05:08,400 AND WE'LL MAKE NICE TO IRIS, 145 00:05:08,400 --> 00:05:09,801 AND SHE'LL START TALKING TO IRA AGAIN. 146 00:05:09,801 --> 00:05:11,300 GREAT IDEA. 147 00:05:11,300 --> 00:05:13,534 WE'LL HAVE DINNER, THE SIX OF US. 148 00:05:13,534 --> 00:05:15,934 YOU AND IRIS, ME AND PAUL, MARK AND FRAN. 149 00:05:15,934 --> 00:05:17,701 MARK WILL SEE THAT IT'S OVER, 150 00:05:17,701 --> 00:05:18,934 WE'LL MAKE NICE TO IRIS, 151 00:05:18,934 --> 00:05:20,834 AND SHE'LL START TALKING TO IRA AGAIN. 152 00:05:20,834 --> 00:05:22,167 IT'S A GREAT IDEA. 153 00:05:22,167 --> 00:05:23,934 HONEY, WE'RE GOING TO HAVE DINNER, 154 00:05:23,934 --> 00:05:27,167 THE SIX OF US--YOU, ME, MARK, FRAN, IRA, AND IRIS. 155 00:05:28,400 --> 00:05:30,634 THAT'S NOT A GOOD IDEA. 156 00:05:30,634 --> 00:05:32,567 IT'LL HELP KNIT THEM TOGETHER. 157 00:05:32,567 --> 00:05:34,567 I DON'T WANT TO KNIT. 158 00:05:34,567 --> 00:05:36,601 HE THINKS IT'S A GREAT IDEA. 159 00:05:36,601 --> 00:05:37,834 WHO? WHO? 160 00:05:37,834 --> 00:05:38,968 IRA. HE SAYS HELLO. 161 00:05:38,968 --> 00:05:40,133 TELL HIM HELLO. 162 00:05:40,133 --> 00:05:41,334 I ALREADY DID. YOU'LL TELL MARK? 163 00:05:41,334 --> 00:05:42,667 YEAH. THEN I'LL SPEAK TO YOU. 164 00:05:42,667 --> 00:05:44,100 HONEY. 165 00:05:44,100 --> 00:05:45,467 SO YOU'LL SPEAK TO IRIS? 166 00:05:45,467 --> 00:05:47,067 I'LL SPEAK TO IRIS. 167 00:05:47,067 --> 00:05:48,601 SHE WON'T SPEAK TO ME, 168 00:05:48,601 --> 00:05:50,200 THEN I'LL SPEAK TO YOU. 169 00:05:50,200 --> 00:05:53,067 HONEY, CAN I SPEAK TO YOU? 170 00:05:53,067 --> 00:05:55,400 LOOK, CAN YOU EXPLAIN ONE THING TO ME? 171 00:05:55,400 --> 00:05:56,501 HONEY? 172 00:05:56,501 --> 00:05:57,501 HONEY! 173 00:05:57,501 --> 00:05:58,834 WHAT? 174 00:05:58,834 --> 00:06:01,033 PICK UP! 175 00:06:01,033 --> 00:06:02,033 WHO IS IT? 176 00:06:02,033 --> 00:06:03,000 ME! 177 00:06:05,701 --> 00:06:07,033 WHAT? 178 00:06:07,033 --> 00:06:08,734 WHY ARE WE DOING THIS? 179 00:06:08,734 --> 00:06:10,100 BECAUSE THEY'RE OUR FRIENDS. 180 00:06:10,100 --> 00:06:12,667 YEAH, BUT IT WILL BE FOR US 181 00:06:12,667 --> 00:06:14,200 AN EVENING OF GUARANTEED PAIN. 182 00:06:14,200 --> 00:06:15,534 BUT WE'RE THEIR GLUE PEOPLE. 183 00:06:15,534 --> 00:06:17,167 WE HOLD THEM TOGETHER, 184 00:06:17,167 --> 00:06:18,934 OUR LITTLE CIRCLE OF FRIENDS. 185 00:06:18,934 --> 00:06:20,601 THAT'S OUR JOB. 186 00:06:20,601 --> 00:06:22,234 HOW'D WE GET THAT JOB? 187 00:06:22,234 --> 00:06:23,834 BECAUSE WE'RE THE LEAST CRAZY. 188 00:06:23,834 --> 00:06:26,834 YEAH, BUT BY A LITTLE. BY SO LITTLE. 189 00:06:26,834 --> 00:06:29,501 THEY LOOK UP TO US, I THINK, SOCIALLY. 190 00:06:29,501 --> 00:06:31,200 THEY LOOK UP TO US? 191 00:06:31,200 --> 00:06:32,901 DON'T YOU THINK A LITTLE? 192 00:06:32,901 --> 00:06:34,534 I DON'T KNOW. I'LL THINK ABOUT IT. 193 00:06:34,534 --> 00:06:36,400 I'LL CALL YOU BACK FROM THE LIVING ROOM. 194 00:06:39,834 --> 00:06:41,000 AND SO, 195 00:06:41,000 --> 00:06:44,367 THE SWANS OF THE CENTRAL PARK BOAT POND 196 00:06:44,367 --> 00:06:45,968 STAGGER TOWARD EXTINCTION 197 00:06:45,968 --> 00:06:49,901 WHILE NEW YORK TURNS AND UNFEELING EAR. 198 00:06:49,901 --> 00:06:50,834 THAT'S SO SAD. 199 00:06:52,200 --> 00:06:55,767 IT'S HEARTBREAKING, FOR CRYING OUT LOUD! 200 00:06:55,767 --> 00:06:58,033 NOTHING'S SADDER THAN MAN'S CRUELTY TO ANIMALS. 201 00:06:58,033 --> 00:06:58,934 [TELEPHONE RINGS] 202 00:06:58,934 --> 00:06:59,901 SO SAD. 203 00:06:59,901 --> 00:07:01,934 HELLO. 204 00:07:01,934 --> 00:07:03,801 [JAMIE] PUT YOUR TV ON. 205 00:07:03,801 --> 00:07:05,334 2, 4, 7, 11, OR NEW YORK 1. 206 00:07:05,334 --> 00:07:07,067 WHY? 207 00:07:07,067 --> 00:07:09,634 WHAT IS THE BIG DEAL? PUT YOUR TV ON! 208 00:07:09,634 --> 00:07:11,868 FIRST OF ALL, LET ME SAY THANK YOU... 209 00:07:11,868 --> 00:07:13,934 HI! 210 00:07:13,934 --> 00:07:16,000 LOOK AT YOU! YOU'RE ON TV. 211 00:07:16,000 --> 00:07:17,968 I'M ON TV! 212 00:07:17,968 --> 00:07:20,167 LOOK AT YOU. LOOK AT HER. 213 00:07:20,167 --> 00:07:21,300 SHE LOOKS DAMN GOOD! 214 00:07:23,000 --> 00:07:25,167 SO WAIT A SECOND. YOU'RE ON TV, 215 00:07:25,167 --> 00:07:26,767 AND YOU'RE TALKING TO ME. 216 00:07:26,767 --> 00:07:27,868 I KNOW. 217 00:07:27,868 --> 00:07:30,467 WOW! SO--SO SIGNAL ME OR SOMETHING. 218 00:07:30,467 --> 00:07:33,000 DO SOMETHING THAT ONLY I COULD KNOW. 219 00:07:33,000 --> 00:07:34,067 O.K. O.K. WATCH. 220 00:07:34,067 --> 00:07:35,267 YOU READY? WATCH. 221 00:07:35,267 --> 00:07:37,467 I... 222 00:07:37,467 --> 00:07:40,067 LOVE... 223 00:07:40,067 --> 00:07:42,100 GREEK DANCING! 224 00:07:42,100 --> 00:07:44,334 YOU. YOU LOVE ME. 225 00:07:44,334 --> 00:07:45,534 I DO, I DO. 226 00:07:45,534 --> 00:07:46,868 SHE LOVES ME. 227 00:07:46,868 --> 00:07:48,367 SHE'S A FINE YOUNG WOMAN. 228 00:07:48,367 --> 00:07:50,400 DO SOMETHING ELSE. 229 00:07:50,400 --> 00:07:54,701 O.K. ALL RIGHT, WATCH. WATCH VERY CLOSELY. 230 00:07:54,701 --> 00:07:58,534 THIS IS THE FIRST HUMAN BREAST EVER ON LIVE TELEVISION. 231 00:07:58,534 --> 00:08:00,167 GET OUT OF HERE! 232 00:08:00,167 --> 00:08:01,133 READY? 233 00:08:01,133 --> 00:08:02,400 YEAH. 234 00:08:02,400 --> 00:08:04,100 DA--EE! 235 00:08:04,100 --> 00:08:06,567 HEY, THIS IS FUN. 236 00:08:06,567 --> 00:08:09,100 IT'S A WHOLE LOT OF FUN! 237 00:08:09,100 --> 00:08:10,601 WHAT ARE YOU LOOKING AT? 238 00:08:12,434 --> 00:08:13,868 SO WHAT ARE YOU DOING THERE? 239 00:08:13,868 --> 00:08:15,334 JUST BEEN MAKING CALLS ABOUT THE DINNER. 240 00:08:15,334 --> 00:08:17,801 OH, THIS DINNER... 241 00:08:17,801 --> 00:08:20,434 FRAN'S NERVOUS THAT MARK WILL BE UNCOMFORTABLE, 242 00:08:20,434 --> 00:08:22,300 BUT I MOLLIFIED HER. WHAT? 243 00:08:22,300 --> 00:08:23,234 CALMED HER DOWN. 244 00:08:23,234 --> 00:08:25,567 SO SAY THAT! 245 00:08:25,567 --> 00:08:30,334 I HAVE DECIDED TO SEEK THE OFFICE OF MAYOR OF NEW YORK CITY. 246 00:08:30,334 --> 00:08:32,000 I'D LIKE TO INTRODUCE TEAM BROCKWELL-- 247 00:08:32,000 --> 00:08:33,634 SPECIAL ASSISTANT DOUG BERKUS, 248 00:08:33,634 --> 00:08:35,734 AND MY CAMPAIGN CHAIRPEOPLE, MS. JAMIE BUCHMAN 249 00:08:35,734 --> 00:08:37,801 AND MISS FRAN DEVENOW. 250 00:08:37,801 --> 00:08:40,067 THE DINNER'S GOING TO BE FUN. WE HAVE TO--WHAT? 251 00:08:40,067 --> 00:08:41,400 I HAVE TO GO. 252 00:08:51,234 --> 00:08:54,667 "FIRST AVENUE TO BE RENAMED AVENUE OF THE IMMIGRANTS." 253 00:08:54,667 --> 00:08:57,200 WOULD YOU EVER DRIVE DOWN A STREET 254 00:08:57,200 --> 00:08:58,701 CALLED AVENUE OF THE IMMIGRANTS? 255 00:08:58,701 --> 00:09:00,934 OF COURSE NOT. YOU HAVE NO CAR. 256 00:09:00,934 --> 00:09:02,334 I AM A CAMPAIGN MANAGER 257 00:09:02,334 --> 00:09:04,534 FOR A CANDIDATE FOR THE OFFICE 258 00:09:04,534 --> 00:09:06,701 FOR THE MAYOR OF THE CITY OF NEW YORK! 259 00:09:06,701 --> 00:09:08,567 AND VERY TELEGENIC. MAY I SAY THAT? 260 00:09:08,567 --> 00:09:10,267 WANT TO HEAR MY-- 261 00:09:10,267 --> 00:09:11,501 MY IDEA FOR THE CAMPAIGN? 262 00:09:11,501 --> 00:09:13,567 YES. SHOOT. 263 00:09:13,567 --> 00:09:16,767 PAUL BUCHMAN DIRECTS LANCE BROCKWELL'S COMMERCIALS! 264 00:09:16,767 --> 00:09:18,501 OH! NO, NO, NO. 265 00:09:18,501 --> 00:09:19,734 YOU'D BE PERFECT! 266 00:09:19,734 --> 00:09:21,601 OH, NO, NO! 267 00:09:21,601 --> 00:09:25,133 YOU'RE A GENIUS. YOU'D WORK HARDER THAN SOME HIRED GUN. 268 00:09:25,133 --> 00:09:27,000 WAIT. JUST HEAR ME OUT. 269 00:09:27,000 --> 00:09:28,334 O.K. 270 00:09:29,801 --> 00:09:31,334 PLEASE! 271 00:09:33,167 --> 00:09:34,601 SWEETIE, IT'S POLITICS. 272 00:09:34,601 --> 00:09:35,934 I'M NOT-- I'M, LIKE-- 273 00:09:35,934 --> 00:09:38,300 I'M AGAINST-- I'M, LIKE, ANTI-- I'M NON-- 274 00:09:38,300 --> 00:09:39,634 YOU'RE APOLITICAL. 275 00:09:39,634 --> 00:09:41,667 APOLITICAL. YEAH. 276 00:09:41,667 --> 00:09:44,033 I'M SWITZERLAND. I DON'T GET INVOLVED. 277 00:09:44,033 --> 00:09:46,200 SWITZERLAND WOULD GET INVOLVED UNDER CERTAIN CIRCUMSTANCES. 278 00:09:46,200 --> 00:09:47,501 LIKE WHAT? 279 00:09:47,501 --> 00:09:49,567 LIKE IF ITS WIFE ASKED IT TO. 280 00:09:49,567 --> 00:09:51,734 YOU KNOW WHAT? 281 00:09:51,734 --> 00:09:53,467 I'M NOT THAT CRAZY ABOUT BROCKWELL. 282 00:09:53,467 --> 00:09:55,767 REALLY? 283 00:09:55,767 --> 00:09:59,400 YEAH. NO, TO ME HE'S A LITTLE OFFICIOUS. 284 00:09:59,400 --> 00:10:00,701 OFFICIOUS? 285 00:10:00,701 --> 00:10:04,000 YES. THAT'S A WORD I'M PROUD TO KNOW. 286 00:10:04,000 --> 00:10:06,634 WELL, HE'S NOT OFFICIOUS. 287 00:10:06,634 --> 00:10:09,067 AT WORST, HE'S INDEFATIGABLE. 288 00:10:09,067 --> 00:10:10,267 IS THIS LIKE A CONTEST WITH YOU? 289 00:10:10,267 --> 00:10:11,734 AND THAT'S AT WORST. 290 00:10:11,734 --> 00:10:13,701 PLUS THAT WHOLE RENAMING THE STREET THING... 291 00:10:13,701 --> 00:10:15,334 IT'S A SYMBOLIC GESTURE. 292 00:10:15,334 --> 00:10:16,601 IT'LL MAKE PEOPLE FEEL GOOD. 293 00:10:16,601 --> 00:10:18,467 IT RAISES THEIR SUBWAY PRICES. 294 00:10:18,467 --> 00:10:20,033 IT'LL MAKE THEM FEEL BROKE. 295 00:10:20,033 --> 00:10:22,033 IT'S NOT JUST STREET RENAMING. 296 00:10:22,033 --> 00:10:24,200 THEY'RE BUILDING THAT SCHOOL IN STATEN ISLAND, 297 00:10:24,200 --> 00:10:26,400 GETTING RID OF THOSE AWFUL PLATES ON 8th AVENUE. 298 00:10:26,400 --> 00:10:28,601 8th AVENUE. YOU MEAN SOPHIE TUCKER DRIVE? 299 00:10:28,601 --> 00:10:30,334 IT'S A NICKEL! 300 00:10:30,334 --> 00:10:35,234 IT'S THE PRINCIPLE. PLUS IT SAID IN THE ARTICLE-- 301 00:10:35,234 --> 00:10:37,801 I'M READING ALL THE SECTIONS NOW-- 302 00:10:37,801 --> 00:10:40,801 IT SAYS BROCKWELL IN 1993 WAS THE COMMISSIONER OF PARKS. 303 00:10:40,801 --> 00:10:44,601 1993 IS THE YEAR THE CITY TURNED ITS BACK ON THE SWANS, 304 00:10:44,601 --> 00:10:47,667 LITTLE DYING SWANS IN CENTRAL PARK BOAT POND. 305 00:10:47,667 --> 00:10:50,434 SO ARE YOU SAYING YOU'RE GOING TO VOTE FOR GIULIANI? 306 00:10:50,434 --> 00:10:51,701 YES. 307 00:10:51,701 --> 00:10:53,801 WELL...HA. 308 00:10:53,801 --> 00:10:56,000 OBVIOUSLY IT'S YOUR VOTE TO DO WITH AS YOU PLEASE. 309 00:10:56,000 --> 00:10:57,901 OH, THANK YOU. 310 00:10:57,901 --> 00:10:59,767 BUT THAT WOULD BE A CRUSHING MISTAKE. 311 00:10:59,767 --> 00:11:01,767 I DON'T BELIEVE IT WOULD. 312 00:11:01,767 --> 00:11:04,934 I KNOW THAT IT WOULD BE A CRUSHING MISTAKE. 313 00:11:04,934 --> 00:11:07,334 BROCKWELL IS SMARTER THAN GIULIANI. HE HAS VISION. 314 00:11:07,334 --> 00:11:09,501 VISION OF WHAT, STREETS WITH NEW NAMES? 315 00:11:09,501 --> 00:11:11,400 THE NAZIS DID THAT. 316 00:11:11,400 --> 00:11:13,067 OH, DON'T START WITH THE NAZIS. 317 00:11:13,067 --> 00:11:14,634 YOU ALWAYS PLAY THE NAZI CARD. 318 00:11:14,634 --> 00:11:18,033 AND SOMETHING ELSE-- THE NAZIS WERE OFFICIOUS. 319 00:11:18,033 --> 00:11:20,601 THAT IS THE CHEAPEST WAY TO WIN AN ARGUMENT, 320 00:11:20,601 --> 00:11:22,400 JUST CALL IN THE NAZIS. 321 00:11:22,400 --> 00:11:24,701 ONLY WHEN IT'S APPROPRIATE. 322 00:11:24,701 --> 00:11:27,667 YOU THINK I COULDN'T WIN AN ARGUMENT THAT WAY? 323 00:11:27,667 --> 00:11:30,534 WE'RE VOTING FOR DIFFERENT MAYORS. IS THAT A BIG DEAL? 324 00:11:30,534 --> 00:11:33,167 YES! DON'T YOU AGREE THAT OUR PERSONAL POLITICS 325 00:11:33,167 --> 00:11:35,400 ARE REFLECTIONS OF OUR MORAL COLOR 326 00:11:35,400 --> 00:11:37,367 AND THAT MORAL AND INTELLECTUAL COMPATIBILITY 327 00:11:37,367 --> 00:11:38,734 ARE ELEMENTALLY IMPORTANT? 328 00:11:41,634 --> 00:11:43,801 I DON'T KNOW WHAT YOU JUST SAID. 329 00:11:43,801 --> 00:11:46,100 A CRUSHING MISTAKE. 330 00:11:46,100 --> 00:11:48,834 DO YOU THINK SO? 331 00:11:48,834 --> 00:11:51,834 AND YOU SHOULD BE SUPPORTING YOUR SPOUSE. I SUPPORT YOU. 332 00:11:51,834 --> 00:11:53,801 THAT'S DIFFERENT. YOU'RE GOING TO BE ANTI-SWAN? 333 00:11:53,801 --> 00:11:55,267 FINE. YOU KNOW WHAT? 334 00:11:55,267 --> 00:11:56,634 VOTE FOR WHOEVER YOU WANT. 335 00:11:56,634 --> 00:11:58,033 THANK YOU. 336 00:11:58,033 --> 00:11:59,200 IT'S A CRUSHING MISTAKE. 337 00:11:59,200 --> 00:12:00,300 THERE IT IS. 338 00:12:16,067 --> 00:12:18,067 A NICKEL. THAT'S ALL HE'S SAYING. 339 00:12:18,067 --> 00:12:19,601 ONE PUNY LITTLE NICKEL. 340 00:12:19,601 --> 00:12:22,300 AND BESIDES, BROCKWELL IS MORE EDUCATED THAN GIULIANI. 341 00:12:22,300 --> 00:12:24,300 HE HAS MORE CLASS THAN GIULIANI. 342 00:12:24,300 --> 00:12:26,701 HE'S GOING TO MAKE NEW YORK NEW YORK AGAIN-- 343 00:12:26,701 --> 00:12:29,400 FUN CITY, THE BIG APPLE, 344 00:12:29,400 --> 00:12:30,667 GOTHAM. 345 00:12:32,033 --> 00:12:35,767 I'VE NEVER BEEN MORE FRIGHTENED IN MY LIFE. 346 00:12:35,767 --> 00:12:38,734 JUST MEET WITH BERKUS. 347 00:12:38,734 --> 00:12:40,767 LET HIM TELL YOU ABOUT BROCKWELL. 348 00:12:40,767 --> 00:12:43,000 HOW LONG HAVE YOU BEEN WAITING THERE? 349 00:12:43,000 --> 00:12:45,100 IF, AFTER THAT, YOU STILL DON'T BELIEVE IN HIM, 350 00:12:45,100 --> 00:12:47,667 AND YOU STILL DON'T WANT TO DO THE SPOTS, 351 00:12:47,667 --> 00:12:49,100 THEN I PROMISE THE ISSUE IS CLOSED. 352 00:12:49,100 --> 00:12:50,467 O.K. 353 00:12:50,467 --> 00:12:52,100 YOU'LL MEET WITH BERKUS? 354 00:12:52,100 --> 00:12:53,434 YEAH. JUST STOP YELLING. 355 00:12:53,434 --> 00:12:55,000 YOU WON'T BE SORRY. 356 00:12:55,000 --> 00:12:57,400 WHAT IF I AM? STOP YELLING AT ME. 357 00:12:57,400 --> 00:12:58,467 BUT YOU WON'T BE. 358 00:13:02,033 --> 00:13:04,868 LOOK, I APPRECIATE IT, AND I LOVE MY WIFE, 359 00:13:04,868 --> 00:13:08,167 BUT I GOT TO TELL YOU, I'M NOT INTERESTED. 360 00:13:08,167 --> 00:13:10,133 I UNDERSTAND. I UNDERSTAND COMPLETELY. 361 00:13:10,133 --> 00:13:12,200 NO. YOU'RE JUST SAYING THAT 362 00:13:12,200 --> 00:13:14,200 SO YOU CAN TALK ME INTO DIRECTING THIS BROCKWELL COMMERCIAL. 363 00:13:14,200 --> 00:13:16,434 NO, I RESPECT YOUR OPINION, PAUL. 364 00:13:16,434 --> 00:13:18,667 HEY, THAT STREET RENAMING THING-- 365 00:13:18,667 --> 00:13:20,567 NOT BROCKWELL'S FINEST HOUR. 366 00:13:20,567 --> 00:13:23,200 COME ON. EMERSON BOOZER AVENUE. 367 00:13:23,200 --> 00:13:27,267 OH HO. AND HE DID TURN HIS BACK ON THE SWANS AT THE BOAT POND. 368 00:13:27,267 --> 00:13:29,701 AND THAT IS SO SAD. 369 00:13:29,701 --> 00:13:33,100 SO SAD. AND BELIEVE ME, HE FEELS TERRIBLE ABOUT IT. 370 00:13:33,100 --> 00:13:34,601 ALL RIGHT. I BELIEVE YOU. 371 00:13:34,601 --> 00:13:36,234 HERE YOU GO. 372 00:13:36,234 --> 00:13:37,901 TO BE HONEST, 373 00:13:37,901 --> 00:13:40,334 HE CAN BE A LITTLE OFFICIOUS. 374 00:13:40,334 --> 00:13:42,267 WELL, UH... 375 00:13:42,267 --> 00:13:44,033 NO, HE CAN BE. WELL--- 376 00:13:44,033 --> 00:13:45,434 PAUL, BETWEEN US, HE'S OFFICIOUS. 377 00:13:45,434 --> 00:13:47,934 ALL RIGHT. BETWEEN YOU AND ME. 378 00:13:47,934 --> 00:13:50,734 I AM A BIG FAN OF JAMIE'S, AND IF JAMIE TELLS ME 379 00:13:50,734 --> 00:13:52,734 YOU'RE THE MAN TO DIRECT THIS COMMERCIAL, 380 00:13:52,734 --> 00:13:55,367 THEN YOU TELL ME WHAT TO DO TO MAKE IT HAPPEN. 381 00:13:55,367 --> 00:13:57,734 I DON'T KNOW WHAT TO TELL YOU-- 382 00:13:57,734 --> 00:14:00,734 YOU KNOW, OUR VISIONS OF NEW YORK CITY 383 00:14:00,734 --> 00:14:02,334 REALLY AREN'T ALL THAT FAR APART. 384 00:14:02,334 --> 00:14:03,701 THEY'RE NOT. 385 00:14:03,701 --> 00:14:05,267 HEAR ME OUT ON THIS, O.K.? 386 00:14:05,267 --> 00:14:07,100 O.K. 387 00:14:07,100 --> 00:14:09,901 WE SEE A SHINING NEW YORK CITY. 388 00:14:09,901 --> 00:14:12,400 WELL, WHO DOESN'T? 389 00:14:12,400 --> 00:14:15,400 A NEW YORK IN WHICH OPTIMISM HAS REPLACED BLEAKNESS. 390 00:14:15,400 --> 00:14:17,634 THAT WOULD BE NICE. 391 00:14:17,634 --> 00:14:20,601 IN WHICH WE FACE TOMORROW WITH A SPRING IN OUR STEP, 392 00:14:20,601 --> 00:14:22,834 KNOWING THAT WE LIVE IN THE WORLD'S GREATEST TOWN. 393 00:14:22,834 --> 00:14:24,601 AND DON'T WE. 394 00:14:24,601 --> 00:14:27,300 AND WE WANT PEOPLE TO RECAPTURE THAT MAGICAL WAY 395 00:14:27,300 --> 00:14:30,334 THAT WE ALL USED TO FEEL ABOUT NEW YORK. 396 00:14:30,334 --> 00:14:32,534 REMEMBER AS A KID, THE HAYDEN PLANETARIUM? 397 00:14:32,534 --> 00:14:33,934 FOURTH GRADE. MY FIELD TRIP. 398 00:14:33,934 --> 00:14:35,901 O.K. OR THE MET. 399 00:14:35,901 --> 00:14:38,868 I DON'T GO, BUT I MEAN TO. 400 00:14:38,868 --> 00:14:41,601 AND THINKING, "GOD, I CAN'T BELIEVE I GET TO LIVE HERE!" 401 00:14:41,601 --> 00:14:43,934 WELL, I GREW UP IN QUEENS, BUT ALSO NICE. 402 00:14:43,934 --> 00:14:46,567 AND WE WANT NEW YORKERS TO WAKE UP TO A NEW DAY 403 00:14:46,567 --> 00:14:48,868 AND SEE THE STATUE OF LIBERTY 404 00:14:48,868 --> 00:14:50,701 OR THE EMPIRE STATE BUILDING 405 00:14:50,701 --> 00:14:52,868 OR THE MAJESTY OF THE SHEEP'S MEADOW 406 00:14:52,868 --> 00:14:55,367 AND SAY, "DAMN IT"-- 407 00:14:55,367 --> 00:14:57,801 IT'S MORNING IN CENTRAL PARK AGAIN. 408 00:14:57,801 --> 00:15:00,501 OH, MY GOD. DID YOU JUST THINK OF THAT? 409 00:15:00,501 --> 00:15:01,868 I JUST DID, RIGHT THERE. 410 00:15:05,267 --> 00:15:07,234 THERE'S A NEW DAY DAWNING IN NEW YORK 411 00:15:07,234 --> 00:15:10,400 AND A NEW SPIRIT WITH IT. 412 00:15:10,400 --> 00:15:13,200 IT'S A SPIRIT THAT KNOWS THAT SOON, 413 00:15:13,200 --> 00:15:18,033 AS SURE AS THE SUN WILL RISE OVER AVENUE OF THE IMMIGRANTS, 414 00:15:18,033 --> 00:15:22,200 NEW YORK WILL ONCE AGAIN BE THE CITY OF DREAMS. 415 00:15:29,701 --> 00:15:31,767 PAID FOR BY... 416 00:15:31,767 --> 00:15:33,200 OH, MY GOD. 417 00:15:33,200 --> 00:15:35,067 OH, MY GOD. 418 00:15:35,067 --> 00:15:36,300 WOW! 419 00:15:36,300 --> 00:15:37,834 WHAT DID I DO? 420 00:15:37,834 --> 00:15:39,100 YOU'RE A GENIUS! 421 00:15:39,100 --> 00:15:40,400 I'M A MANIPULATOR OF MINDS. 422 00:15:40,400 --> 00:15:42,167 I'M A PROPAGANDIST! 423 00:15:42,167 --> 00:15:43,567 I'M--I'M LENI REIFENSHTAL! 424 00:15:43,567 --> 00:15:45,601 NO, NO. I DON'T THINK SO. 425 00:15:45,601 --> 00:15:48,000 I AM. I'M LENI REIFENSHTAL. 426 00:15:48,000 --> 00:15:50,868 NO, YOU'RE NOT. AT LEAST BE PROUD OF YOUR WORK. 427 00:15:50,868 --> 00:15:53,334 I'M GOING TO THROW UP. PLEASE DON'T. 428 00:15:53,334 --> 00:15:55,033 I'M GOING STRAIGHT TO HELL FOR THIS. 429 00:15:55,033 --> 00:15:57,367 WELL, EAT SOMETHING FIRST. 430 00:15:57,367 --> 00:15:59,501 WE'LL DO A FULL MEDIA BLITZ. 431 00:15:59,501 --> 00:16:00,968 NO. NO BLITZ. NO BLITZ. 432 00:16:00,968 --> 00:16:02,300 PRINT ADS. RADIO LIFTS. 433 00:16:02,300 --> 00:16:03,734 WE GOT TO TALK. 434 00:16:03,734 --> 00:16:05,567 WE WILL. BE A GLUE PERSON. 435 00:16:05,567 --> 00:16:07,167 HI. IS IRA HERE YET? 436 00:16:07,167 --> 00:16:08,834 NOT YET. 437 00:16:08,834 --> 00:16:11,868 GOOD. BECAUSE I NEED TO SOAK UP THE PLACE, 438 00:16:11,868 --> 00:16:14,667 YOU KNOW, GET COMFORTABLE TO MY SURROUNDINGS. 439 00:16:14,667 --> 00:16:16,100 O.K. I'M FINE. O.K. SIT DOWN. 440 00:16:16,100 --> 00:16:17,634 HEY! 441 00:16:17,634 --> 00:16:18,968 HEY! 442 00:16:18,968 --> 00:16:20,167 HEY, HEY, HEY, HEY. 443 00:16:20,167 --> 00:16:21,100 YOU KNOW YOUR EX-HUSBAND. 444 00:16:21,100 --> 00:16:22,501 HI. 445 00:16:22,501 --> 00:16:23,701 HOW YOU DOING? 446 00:16:23,701 --> 00:16:24,868 IS MARK NERVOUS? 447 00:16:24,868 --> 00:16:26,467 HE'S CALMING DOWN, AND SO SHOULD YOU. 448 00:16:26,467 --> 00:16:27,734 OH, COOL AS A CUCUMBER. 449 00:16:27,734 --> 00:16:28,801 HEY, WHAT'S UP? 450 00:16:28,801 --> 00:16:31,067 HEY.HEY. HI. 451 00:16:31,067 --> 00:16:32,834 YOU KNOW MARK AND FRAN. 452 00:16:32,834 --> 00:16:35,801 SO YOU'RE MARK, WHICH WOULD MAKE YOU FRAN. 453 00:16:35,801 --> 00:16:37,234 HA HA. SHE TALKS. 454 00:16:37,234 --> 00:16:39,968 SURE, TO YOU. 455 00:16:39,968 --> 00:16:42,534 LISTEN, I KNOW THAT YOU AND IRA-- 456 00:16:42,534 --> 00:16:44,100 I'M NOT TALKING TO HIM. 457 00:16:44,100 --> 00:16:47,033 DON'T ASK ME TO TALK TO HIM. 458 00:16:47,033 --> 00:16:48,767 I WASN'T GOING TO SAY THAT, BUT--O.K. THAT'S FINE. 459 00:16:51,601 --> 00:16:52,767 SO... 460 00:17:06,033 --> 00:17:07,234 SO HOW IS EVERYBODY? 461 00:17:07,234 --> 00:17:08,200 GOOD. GOOD. 462 00:17:08,200 --> 00:17:09,234 VERY GOOD. 463 00:17:09,234 --> 00:17:11,100 YEAH, GOOD. 464 00:17:11,100 --> 00:17:13,033 I'M GOOD. 465 00:17:13,033 --> 00:17:14,767 HOW ARE YOU GUYS? 466 00:17:14,767 --> 00:17:15,868 WE'RE GOOD. 467 00:17:15,868 --> 00:17:17,133 GOOD. WE'RE GOOD. 468 00:17:22,434 --> 00:17:24,734 HEY, MAYBE WE'LL GET SOME DRINKS. 469 00:17:24,734 --> 00:17:27,100 HOW ABOUT A LITTLE BRUSCHETTA FOR THE TABLE? 470 00:17:27,100 --> 00:17:28,367 ABSOLUTELY. YEAH. 471 00:17:31,801 --> 00:17:32,767 ISN'T IT BRUSKETTA? 472 00:17:32,767 --> 00:17:34,200 BRUSHETTA. 473 00:17:34,200 --> 00:17:36,234 I THOUGHT IT WAS BRUSH-CHETTA. 474 00:17:36,234 --> 00:17:37,901 THE BREAD WITH THE TOPPING... 475 00:17:37,901 --> 00:17:39,501 YEAH. 476 00:17:39,501 --> 00:17:40,534 THAT'S-- THAT'S WHAT I MEAN. 477 00:17:43,367 --> 00:17:45,200 OH, PAULIE, CONGRATULATIONS 478 00:17:45,200 --> 00:17:47,567 ON THE BROCKWELL FOR MAYOR COMMERCIAL. 479 00:17:47,567 --> 00:17:49,000 DID YOU SEE IT? 480 00:17:49,000 --> 00:17:51,434 IT'S ON ALL THE TIME. IT'S IMPRESSIVE. 481 00:17:51,434 --> 00:17:52,934 ISN'T IT? 482 00:17:52,934 --> 00:17:54,367 SURE IS. 483 00:17:54,367 --> 00:17:56,467 I'M OF TWO MINDS ABOUT IT-- 484 00:17:56,467 --> 00:17:58,100 THAT BROCKWELL COMMERCIAL'S YOURS, PAUL? 485 00:17:58,100 --> 00:17:59,934 ISN'T IT GREAT? 486 00:17:59,934 --> 00:18:01,567 IT'S BRILLIANT. 487 00:18:01,567 --> 00:18:03,000 IT'S MOVING AND STIRRING. 488 00:18:03,000 --> 00:18:05,100 IT'S...AND BRILLIANT. 489 00:18:05,100 --> 00:18:07,100 WELL, I--I GOT TO TELL YOU. 490 00:18:07,100 --> 00:18:08,968 IN MY HEART, I'M SORRY-- 491 00:18:08,968 --> 00:18:10,067 YOU DIRECTED THE BROCKWELL COMMERCIAL? 492 00:18:10,067 --> 00:18:12,300 I DID. 493 00:18:12,300 --> 00:18:15,367 FIRST TIME SINCE THE CAMPAIGN OF EDMOND MUSKIE 494 00:18:15,367 --> 00:18:17,334 THAT MY MIND WAS ACTUALLY CHANGED BY ONE OF THOSE. 495 00:18:17,334 --> 00:18:18,901 REALLY? 496 00:18:18,901 --> 00:18:20,167 YOU WERE GOING TO VOTE FOR GIULIANI? 497 00:18:20,167 --> 00:18:22,501 YEAH, BUT THAT WOULD HAVE BEEN A CRUSHING MISTAKE. 498 00:18:24,868 --> 00:18:27,501 I WAS COMPLETELY ON THE FENCE UNTIL I SAW IT, 499 00:18:27,501 --> 00:18:28,901 AND NOW I AM A BROCKWELL GUY. 500 00:18:28,901 --> 00:18:31,701 OH, OH... BEFORE YOU CHOOSE, 501 00:18:31,701 --> 00:18:34,400 STUDY BOTH CANDIDATES, LOOK AT THE PLATFORMS-- 502 00:18:34,400 --> 00:18:36,067 EXCUSE ME. DID YOU SAY YOU DIRECTED 503 00:18:36,067 --> 00:18:38,267 THE LANCE BROCKWELL FOR MAJOR COMMERCIAL? 504 00:18:38,267 --> 00:18:41,334 BECAUSE MY WHOLE FAMILY-- 505 00:18:41,334 --> 00:18:43,667 CAN YOU GET US THE BREAD WITH THE TOPPING? 506 00:18:43,667 --> 00:18:44,767 BRUSKEETA? 507 00:18:44,767 --> 00:18:46,501 WHATEVER IT IS. 508 00:18:46,501 --> 00:18:47,968 FAMILY OF 12. ALL VOTERS. 509 00:18:47,968 --> 00:18:50,100 GOOD TO HEAR. THANK YOU. 510 00:18:50,100 --> 00:18:52,868 YOU REALLY CAN'T BE SWAYED BY A PIECE OF ADVERTISING-- 511 00:18:52,868 --> 00:18:55,067 YOU DON'T GIVE YOURSELF ENOUGH CREDIT. 512 00:18:55,067 --> 00:18:57,767 HOW ABOUT THE PART WHERE BROCKWELL FEEDS THE SWANS? 513 00:18:57,767 --> 00:18:58,801 SO UPLIFTING! 514 00:18:58,801 --> 00:19:00,033 SO UPLIFTING. 515 00:19:00,033 --> 00:19:01,767 AND THEN WHEN THEY SAY, 516 00:19:01,767 --> 00:19:04,200 "AS SURE AS THE SUN WILL RISE 517 00:19:04,200 --> 00:19:05,567 OVER THE AVENUE OF THE IMMIGRANTS." 518 00:19:05,567 --> 00:19:07,767 OH! 519 00:19:07,767 --> 00:19:09,934 IT'S NOT LIKE I SOLD THEM PUDDING OR A COAT. 520 00:19:09,934 --> 00:19:11,200 IT'S A MORAL THING-- 521 00:19:11,200 --> 00:19:14,367 MUCH MORE IMPORTANT THAN A COAT, 522 00:19:14,367 --> 00:19:16,667 BECAUSE HAD YOU BEEN THERE IN '88, 523 00:19:16,667 --> 00:19:18,634 PRESIDENT DUKAKIS, MY HAND TO GOD. 524 00:19:18,634 --> 00:19:20,567 DO YOU REMEMBER '88, FRAN? 525 00:19:20,567 --> 00:19:23,167 HOW COULD I FORGET '88? 526 00:19:23,167 --> 00:19:25,067 HEY, IRA, IRIS... 527 00:19:25,067 --> 00:19:26,434 IRA, IRIS. THAT SOUNDS TERRIFIC. 528 00:19:26,434 --> 00:19:28,667 IRIS, IRA, IRIS, IRA! 529 00:19:28,667 --> 00:19:31,934 HEY, I DISOWN-- I HEREBY DISOWN THAT BROCKWELL COMMERCIAL. 530 00:19:31,934 --> 00:19:34,200 THAT DOESN'T REFLECT MY OPINION. 531 00:19:34,200 --> 00:19:35,567 I WAS COERCED AND CHARMED. 532 00:19:35,567 --> 00:19:37,000 THERE WAS MARITAL PRESSURE. 533 00:19:37,000 --> 00:19:39,133 MARITAL PRESSURE? YES. 534 00:19:39,133 --> 00:19:40,601 FROM WHO? 535 00:19:40,601 --> 00:19:43,200 WAIT, WAIT, GUYS, GUYS, AND FRAN, 536 00:19:43,200 --> 00:19:46,000 LET ME APOLOGIZE. I'M SORRY I GOT NUTS ABOUT IRA YESTERDAY. 537 00:19:46,000 --> 00:19:48,934 AND IRA, YOU I GOT TO APOLOGIZE TO, 538 00:19:48,934 --> 00:19:50,701 BECAUSE A MAN FEARS THE WORST. 539 00:19:50,701 --> 00:19:52,167 HEY, NO APOLOGY NECESSARY. 540 00:19:52,167 --> 00:19:54,133 IRA TALKS ABOUT YOU ALL THE TIME. 541 00:19:54,133 --> 00:19:56,367 YES. HE DOES? YOU DO? 542 00:19:56,367 --> 00:19:58,901 IF YOU WERE TALKING TO ME, YOU'D KNOW. 543 00:19:58,901 --> 00:20:01,400 GIULIANI DOESN'T WASTE TIME WITH CAMPAIGN FLUFF. 544 00:20:01,400 --> 00:20:02,968 IT'S NOT FLUFF. 545 00:20:02,968 --> 00:20:04,634 IT IS. IT'S TOTAL MARSHMALLOW FLUFF. 546 00:20:04,634 --> 00:20:07,234 O.K. MAY I SAY THAT YOU TWO 547 00:20:07,234 --> 00:20:08,734 MAKE A TERRIFIC-LOOKING COUPLE. 548 00:20:08,734 --> 00:20:10,300 SO HANDSOME. 549 00:20:10,300 --> 00:20:12,334 HE DOESN'T WANT TO RENAME THE STREETS. 550 00:20:12,334 --> 00:20:15,167 HE WANTS THE STREETS SAFE FOR YOUR BABIES. 551 00:20:15,167 --> 00:20:17,234 THEIR BABIES? YOU'RE RIGHT. 552 00:20:17,234 --> 00:20:19,567 YOU ARE A MANIPULATOR OF MINDS. 553 00:20:19,567 --> 00:20:23,200 AND YOU ARE BIG TAXPAYER'S MONEY SPENDER ON NOTHING! 554 00:20:23,200 --> 00:20:26,167 WE SHOULDN'T EVEN SPEND A NICKEL ON CITY SPIRIT? 555 00:20:26,167 --> 00:20:28,367 A NICKEL. NICKEL, SAYS SUBWAY GIRL 556 00:20:28,367 --> 00:20:30,934 WHO THINKS WE NEED MORE SYMBOLS AND RALLIES 557 00:20:30,934 --> 00:20:32,067 LIKE WHO? THE NAZIS. 558 00:20:32,067 --> 00:20:34,200 THERE! A MATTER OF TIME. 559 00:20:34,200 --> 00:20:37,133 YOU ACTUALLY WOULD BE UNABLE TO HAVE A CONVERSATION 560 00:20:37,133 --> 00:20:39,033 IF THERE HADN'T BEEN NAZIS. 561 00:20:39,033 --> 00:20:40,367 ARE YOU GUYS O.K.? 562 00:20:40,367 --> 00:20:41,200 WE'RE DANDY. WE'RE FINE. 563 00:20:41,200 --> 00:20:42,501 YOU'RE DELUDED! 564 00:20:42,501 --> 00:20:44,968 THE MAN IS A CONVICTED SWAN KILLER. 565 00:20:44,968 --> 00:20:46,834 HE'S CONVICTED? 566 00:20:46,834 --> 00:20:48,567 NOT CONVICTED, BUT YOU KNOW IT. 567 00:20:48,567 --> 00:20:50,267 POLITICS AT THE TABLE IS BAD, BAD, BAD. 568 00:20:50,267 --> 00:20:51,501 HE STARTED IT. 569 00:20:51,501 --> 00:20:52,534 SO YOU BE BIG-- 570 00:20:52,534 --> 00:20:54,167 I'M ALWAYS THE BIG PERSON! 571 00:20:54,167 --> 00:20:55,634 YEAH, BIG AND WRONG. 572 00:20:55,634 --> 00:20:56,868 I'M NOT WRONG. 573 00:20:56,868 --> 00:20:58,701 WELL, YOU'RE NOT RIGHT. 574 00:20:58,701 --> 00:21:01,968 IF YOU GUYS ARE HAVING PROBLEMS, YOU CAN TALK TO US. 575 00:21:01,968 --> 00:21:03,367 WE'RE HERE TO HELP. 576 00:21:03,367 --> 00:21:04,934 YEAH. SURE. 577 00:21:04,934 --> 00:21:07,000 IT'S O.K. I'M FINE. 578 00:21:07,000 --> 00:21:09,567 IF SHE NEEDS NOTHING MORE THAN PARADES AND FLAG WAVING-- 579 00:21:09,567 --> 00:21:11,234 ALL RIGHT. ONCE AGAIN-- 580 00:21:11,234 --> 00:21:12,501 MARCHING BANDS AND FASCIST HATS-- 581 00:21:12,501 --> 00:21:15,634 WHY NOT BRING UP THE VIKINGS, 582 00:21:15,634 --> 00:21:18,200 SEE THE MILEAGE YOU CAN GET OUT OF THEM? 583 00:21:18,200 --> 00:21:19,501 NOW YOU'RE LASHING OUT BLINDLY. 584 00:21:19,501 --> 00:21:20,634 IT'S NOT ATTRACTIVE. 585 00:21:20,634 --> 00:21:21,634 OOH! 586 00:21:21,634 --> 00:21:22,601 AHH! 587 00:21:24,868 --> 00:21:27,334 WHAT IS THE MATTER WITH THEM? 588 00:21:27,334 --> 00:21:29,634 IRIS, I'M SORRY YOU HAD TO SEE THIS. 589 00:21:29,634 --> 00:21:32,167 THEY'RE JUST NUTS IS WHAT THEY ARE. 590 00:21:32,167 --> 00:21:35,634 FRANKLY, I DON'T KNOW WHY WE INVITE THEM. 591 00:21:35,634 --> 00:21:38,200 I'LL TELL YOU WHY. BECAUSE THEY LOOK UP TO US SOCIALLY. 592 00:21:38,200 --> 00:21:40,033 YOU THINK? 593 00:21:40,033 --> 00:21:41,300 OH, YEAH. WE HOLD THEM TOGETHER. 594 00:21:43,300 --> 00:21:44,701 LIKE GLUE. 595 00:21:54,200 --> 00:21:56,334 O.K. SIMPLE. TAKE SOPHIE TUCKER DRIVE 596 00:21:56,334 --> 00:21:58,367 OVER TO THE AVENUE OF THE IMMIGRANTS. 597 00:21:58,367 --> 00:22:01,534 MAKE A LEFT ON BOULEVARD OF DREAMS. 598 00:22:01,534 --> 00:22:04,367 BOULEVARD OF DREAMS IS ONE-WAY, SO STAY RIGHT. 599 00:22:04,367 --> 00:22:06,701 YOU'LL COME TO MARIO PROCACCINO. 600 00:22:06,701 --> 00:22:09,901 YEAH. MARIO PRO-- MAKE A RIGHT ON MARIO PROCACCINO. 601 00:22:09,901 --> 00:22:13,467 IF YOU GO LEFT, IT'S MARIO BIAGI. 602 00:22:13,467 --> 00:22:15,334 THAT'S RIGHT. SO MARIO BECOMES MARIO. 603 00:22:15,334 --> 00:22:16,834 STAY RIGHT. IT'S PROCACCINO. 604 00:22:16,834 --> 00:22:18,734 YOU GO ACROSS HORACE CLARK AVENUE. 605 00:22:18,734 --> 00:22:20,634 YOU'LL SEE ZERO MOSTEL PLACE 606 00:22:20,634 --> 00:22:24,634 AND ALBERT SHANKER CIRCLE. 607 00:22:24,634 --> 00:22:27,701 IT'S TRICKY AROUND THE CIRCLE. THIRD BUILDING. 608 00:22:27,701 --> 00:22:29,767 IF YOU HIT BELLA ABZUG, YOU WENT TOO FAR. 609 00:22:29,817 --> 00:22:34,367 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 41363

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