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Narrator:
Having a multi-tool on hand
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Is like having
A toolbox in your pocket.
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It contains anywhere from
5 to 21 basic implements,
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00:01:01,344 --> 00:01:05,620
From screwdrivers and scissors
To can openers and pliers.
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00:01:05,620 --> 00:01:08,620
They all fold in and out
Of the handles, forming a case
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That's compact enough
To be carried in your pocket.
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This multi-tool
Contains 14 different tools,
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Including scissors, a knife,
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Wire cutters,
Two types of pliers,
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Three different screwdrivers,
And much more.
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Most of these tools
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And the handle into
Which they conveniently fold
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Are made of stainless steel.
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The strip of stainless steel
Winds off a reel
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And moves through
A 300-ton punch press.
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It works
Like a giant cookie cutter,
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Striking a series of dies
Against the passing metal,
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Progressively stamping out,
In this case,
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One part of the multi-tool's
Two-part handle.
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17 strikes later,
It's fully formed
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And ready to go through
A heat-treatment process
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To strengthen
The stainless steel.
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00:02:04,172 --> 00:02:09,240
Next, a polishing robot runs the
Handle against a grinding wheel.
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00:02:09,240 --> 00:02:12,137
It does so with specific
Programmed movements
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00:02:12,137 --> 00:02:16,586
Which produce a delicate lined
Pattern on the metal surface.
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Certain tools,
Like knife blades,
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Are made of premium steel
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That is too hard for the press
To punch through,
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So they have to be cut out
By a computer-guided laser.
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The laser's heat literally
Melts through the metal.
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The knife blades go into
A polishing machine,
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Where they vibrate among ceramic
Stones for several hours.
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This smoothes out
The rough edges by abrasion.
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A magnet then removes the blades
From the machine.
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The knife blades,
Still dull at this point,
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Go onto a motorized table
That runs them back and forth
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Under a grinding wheel.
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This finalizes the dimensions.
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The two jaws
That form the plier head
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Are cast in steel.
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Workers assemble them
With a spring...
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...A pin...
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...And a rivet.
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Then a robot
Performs a two-stage polishing,
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First against a grinding belt
With the rough grit,
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Then against
One with a finer grit.
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The plier head is at last
Ready to be assembled
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To the multi-tool's
Two-part handle.
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They align the holes
Of the handle
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With holes of the plier head,
Slipping a spacer in between.
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They put a pin
And screw fastener
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Through the aligned holes
To connect handle to head.
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Back to the knife blade now.
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Until this point, the blade's
Cutting edge has been dull.
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Now a robot sharpens it
Against two grinding wheels.
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This is what the knife blade
Looks like before...
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And after.
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With the handle and all 14 tools
Formed, heat treated,
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And polished, and the pliers
Connected to the handles,
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Final assembly can begin --
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The remaining tools stacked
Together inside the two handles
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With the stainless-steel ring
To fill up the excess width.
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The assemblers thread a rod
All the way through
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The holes of the base
Of the handle and tools
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To hold the alignment
Until they secure the setup
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With the stainless-steel pin
And rivet.
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They repeat this process
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In the other handle
With the remaining tools,
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Except for the knife blade
And scissors,
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Which go in later.
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They apply a few drops
Of thread lock
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To immobilize the pins
In each handle.
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A bronze washer makes the handle
Housing the knife blade
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Open smoothly to prevent injury.
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They install a safety cover
On that same handle
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To shield the sharp knife
When it's not in use.
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Now the knife blade itself.
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They rivet the scissors
To the other handle,
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And the assembly is finished.
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This multi-tool, with its
14 different implements,
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Is ready to be folded up
And tucked in a pocket
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Or unfolded, offering up
The right tool for the task.
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Narrator: jojoba oil
Isn't actually an oil.
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It's a liquid wax from
The seed of the jojoba plant,
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Native to the sonoran desert
Areas in arizona,
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California, and mexico.
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Jojoba oil is
A common ingredient in soaps,
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Shampoos, moisturizers,
Eye makeup, lip products,
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And color cosmetics.
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Cosmetics manufacturers
Buy refined jojoba oil
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From a processing facility.
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Jojoba in its natural state
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Is golden
And has a slightly nutty odor.
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Once refined, it can be rendered
Colorless and odorless.
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The jojoba farm
Takes selected cuttings
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From mature jojoba shrubs,
Roots and grows them
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For 18 months to 2 years
In a greenhouse,
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Then transplants them
Into the fields.
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The wind carries pollen
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From the male plants
To fertilize female plants,
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After which the female seed
Starts developing.
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Each seed is housed
Inside a hull
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That gradually dries out
And separates,
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Dropping the seed to the ground.
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The fallen seeds
Are mature for harvest.
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00:07:12,689 --> 00:07:16,172
The mechanical harvester works
Like a giant vacuum cleaner,
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Sucking the seeds
Off the ground,
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Along with a lot of sand,
Twigs, and rocks.
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The harvester then dumps its
Collection into a large hopper
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That feeds an elaborate
Seed-cleaning machine.
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In it, the seeds and debris
Move from conveyor to conveyor
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Through a series
Of vibrating screens,
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Each made
Of increasingly smaller mesh.
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The process gradually sifts out
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Smaller and smaller bits
Of debris...
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...Until only the seeds
Are left.
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They go into
Huge polyethylene bags,
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Then off to the processing plant
Where workers empty the bags
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Into a holding area
Called a seed pit.
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From here, conveyors
Take the seeds to the presses.
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The liquid wax is contained
Within the hard, white flesh,
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Called the cotyledon.
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They expel the liquid wax with
Conventional expeller press.
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A long screw conveyor
Feeds the seeds into the press,
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Then crushes them
Against a shaft.
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This forces out the liquid wax
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00:08:45,931 --> 00:08:49,034
That makes up
About half a seed's weight.
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The mashed seed-solids, called
Cake, are put to good use.
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Some are used for compost.
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Some will be processed
Into exfoliates --
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Abrasives used
In face and body products
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To remove dead skin cells.
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Meanwhile,
A second screw conveyor
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Moves the expelled liquid wax
Into a holding container,
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00:09:14,620 --> 00:09:19,965
And from there, a pump pushes it
Through a filter press.
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00:09:19,965 --> 00:09:23,448
This press consists
Of several plates and frames,
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Each one covered
With a filter cloth.
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As the liquid wax
Passes through,
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The cloth catches
The last remaining solids.
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This buildup of seed particles
And other minute debris
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Is biodegradable waste.
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To make exfoliates, machines
Grind the cake into particles,
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Then vibrating sifters divide
The particles by size.
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What's too big or small goes
Back to the farm for compost.
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The extracted liquid wax
Isn't yet fully refined.
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It's still cloudy and yellowish,
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So workers
Add natural powdered absorbents,
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Then filter them out.
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This clarifies the jojoba oil
To its finished state.
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00:10:08,310 --> 00:10:12,965
The company lab runs extensive
Quality tests on every batch.
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00:10:12,965 --> 00:10:15,448
Technicians
Analyze several criteria,
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Including color, odor,
And chemical composition,
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Ensuring the oil meets
Strict product specifications.
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As the jojoba oil
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Flows from storage tanks
Into shipping drums,
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It passes through a final
Ultra-sensitive cartridge filter
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That removes
Any minute particles
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That might have slipped
Through the filter press.
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00:10:36,965 --> 00:10:39,689
This processor
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Makes two varieties
Of refined jojoba oil --
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One golden,
With a mild, nutty aroma,
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The other,
Colorless and odorless.
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The texture and consistency
Are identical.
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Manufacturers
Buy whichever variety
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Better suits their product.
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Narrator: string puppets,
Also known as marionettes,
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Are an ancient form
Of performance.
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00:11:14,724 --> 00:11:16,758
It's not known exactly
When or where
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The first string puppets
Made an appearance,
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00:11:19,103 --> 00:11:20,965
But it was
Thousands of years ago.
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00:11:20,965 --> 00:11:23,241
Today, they've still got
What it takes
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To entertain audiences
Worldwide.
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[ circus music plays ]
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Digitized characters
May rule in the movies,
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00:11:33,275 --> 00:11:36,758
But onstage, there's no doubt
That string-animated ones
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Can still dazzle audiences.
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00:11:40,068 --> 00:11:42,758
A few movements
Of the puppeteer's hands,
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00:11:42,758 --> 00:11:47,896
And some fantastical characters
Are brought to life.
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Behind the scenes,
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Making these marionettes
Is a major production.
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Each one is painstakingly
Hand-crafted
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In a process that takes weeks.
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It all starts with an idea.
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The puppet maker draws several
Sketches of the character,
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Tweaking the features
Until he's satisfied.
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00:12:08,862 --> 00:12:13,689
He then draws a full-scale
Version of the marionette.
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Referring to
That scaled drawing,
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He sculpts the head in clay,
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Building it into a wooden
Framework known as the armature.
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The clay is oil-based.
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It doesn't dry out
As fast as the water-based kind,
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So there's time to tweak
The sculpture and perfect it.
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Lines drawn for reference
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00:12:32,103 --> 00:12:36,241
Make it easier to position
The nose, eyes, and mouth.
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He defines the mouth
A little more
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To give it
A petulant expression.
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He smoothes
The top of the clay head,
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Using a looped sculpting tool
And his thumb.
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00:12:46,137 --> 00:12:49,103
With a caliper tool,
He constantly compares
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00:12:49,103 --> 00:12:52,137
The dimensions of the sketch
To the sculpture
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To ensure the head won't end up
Too large or too small.
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00:12:56,448 --> 00:13:00,448
Once the lips and other features
Have been smoothed out,
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He prepares to make
A plaster mold of the sculpture.
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00:13:03,862 --> 00:13:06,413
He divides the head
Into four sections,
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00:13:06,413 --> 00:13:09,241
And he outlines a trap door
At the back of the head
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For easy access later.
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00:13:12,275 --> 00:13:16,103
He now inserts metal
Shims along the dividing lines.
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00:13:16,103 --> 00:13:22,758
He's essentially building walls
To contain molding plaster.
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00:13:22,758 --> 00:13:26,103
The shims will also ensure
That the plaster, once hardened,
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00:13:26,103 --> 00:13:30,724
Can be removed from the clay
Sculpture in four intact pieces.
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The plaster has been mixed to
The consistency of cake batter.
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He scoops a generous amount
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Into a walled-in section
Of the clay sculpture.
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00:13:44,448 --> 00:13:48,793
The plaster generates heat
As it hardens and sets.
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00:13:48,793 --> 00:13:51,931
It then cools
For about half an hour.
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00:13:54,793 --> 00:13:59,103
He removes
The shims that surround it.
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00:13:59,103 --> 00:14:05,172
He then uses those shims
To wall-in the next section.
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00:14:05,172 --> 00:14:09,793
He adds more plaster to build up
This part of the mold.
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00:14:12,655 --> 00:14:15,413
When all four sections
Are complete,
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00:14:15,413 --> 00:14:19,241
He gently chisels them
At the seams to separate them.
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00:14:19,241 --> 00:14:22,379
He opens the mold
And removes the sculpture.
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00:14:22,379 --> 00:14:26,172
Its image has been transferred
To the inside of the mold.
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The sculpture
Is no longer needed,
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00:14:27,827 --> 00:14:32,172
And he's ready to cast
The puppet head, using the mold.
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00:14:32,172 --> 00:14:35,793
For that, he uses
Plastic-infused cloth squares,
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00:14:35,793 --> 00:14:37,068
Softened by solvent.
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00:14:37,068 --> 00:14:40,724
He transfers the squares
To the mold sections
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00:14:40,724 --> 00:14:44,724
And layers them
Papier-mâché style.
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00:14:44,724 --> 00:14:47,206
A release agent
Applied to the mold
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00:14:47,206 --> 00:14:49,827
Keeps the squares
From sticking to it
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00:14:49,827 --> 00:14:53,000
As they begin to adhere to
Each other, and, in the process,
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00:14:53,000 --> 00:14:56,137
Conform to the mold's
Curves and crevices.
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00:14:56,137 --> 00:14:59,482
With squares now applied
To all four sections,
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00:14:59,482 --> 00:15:03,379
He puts the mold back together
And joins them at the seams.
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00:15:03,379 --> 00:15:07,241
After 10 hours,
It's time for the big reveal.
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00:15:07,241 --> 00:15:12,206
All those little squares are
Now one solid marionette head.
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00:15:12,206 --> 00:15:15,896
The casting looks pretty rough
At this point,
238
00:15:15,896 --> 00:15:20,413
So he covers the entire surface
With plastic wood.
239
00:15:23,827 --> 00:15:28,137
What a difference
Sanding the plastic wood makes.
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00:15:28,137 --> 00:15:29,482
He then paints the head
241
00:15:29,482 --> 00:15:33,482
And cuts holes
For the eyes and mouth.
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00:15:33,482 --> 00:15:36,724
From the inside of the puppet
Head, he attaches springs
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00:15:36,724 --> 00:15:41,000
To enable the mouth and eyes
To open and close.
244
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Over in the paint department,
With every stroke of the brush,
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The puppet becomes
A more colorful character.
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Coming up next, the marionette
Gets its moving parts,
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And, of course,
They come with strings attached.
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Narrator: with
Their string-operated limbs,
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00:16:19,655 --> 00:16:24,000
Marionettes can imitate almost
Every human or animal gesture.
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00:16:24,000 --> 00:16:26,965
The more joints and strings
The puppet has,
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00:16:26,965 --> 00:16:29,655
The wider the range of movement
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00:16:29,655 --> 00:16:33,275
And the more lifelike
The character becomes.
253
00:16:37,827 --> 00:16:39,965
Before the head
Of the penguin puppet
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00:16:39,965 --> 00:16:41,551
Can be attached to the body,
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00:16:41,551 --> 00:16:44,931
It just needs
A few more dramatic touches,
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00:16:44,931 --> 00:16:46,965
Like curly fur.
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00:16:46,965 --> 00:16:49,275
Yes, in the fantasy world
Of puppetry,
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00:16:49,275 --> 00:16:52,965
Anything is possible --
Even fur on a penguin.
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00:16:52,965 --> 00:16:56,965
He traces the pattern on the
Reverse side of the furry fabric
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00:16:56,965 --> 00:16:59,206
And cuts it out
From that side, too,
261
00:16:59,206 --> 00:17:02,172
To prevent any snipping
Of the fur on the front.
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00:17:02,172 --> 00:17:04,344
He stitches the darts together
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00:17:04,344 --> 00:17:07,137
To conform to the shape
Of the penguin head.
264
00:17:08,827 --> 00:17:13,792
This process must be repeated
For each fur-covered part.
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00:17:13,792 --> 00:17:15,827
He checks out the fit
266
00:17:15,827 --> 00:17:19,619
And confirms that it achieves
The desired effect.
267
00:17:21,723 --> 00:17:27,068
Satisfied with the results,
He moves on to the eyelashes.
268
00:17:27,068 --> 00:17:31,724
He traces the pattern onto
Rubber and cuts the lashes out.
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00:17:31,724 --> 00:17:36,379
To accentuate the eyes,
The lashes are substantial.
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00:17:40,275 --> 00:17:44,758
He inserts a pair of lashes into
Slits in each wooden eyeball.
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00:17:44,758 --> 00:17:49,241
From head to toe,
No detail is overlooked.
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00:17:49,241 --> 00:17:51,896
Here, he glues rhinestones
To shoes
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00:17:51,896 --> 00:17:54,724
For some serious onstage bling.
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00:17:57,000 --> 00:17:59,344
He's now ready to build
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00:17:59,344 --> 00:18:03,413
The torso and limbs
Of the marionette.
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00:18:03,413 --> 00:18:07,413
He traces the pattern of those
Parts onto blocks of poplar wood
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00:18:07,413 --> 00:18:11,241
And then carefully cuts them out
With a band saw.
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00:18:11,241 --> 00:18:15,931
This particular part is a hand
For the penguin character.
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00:18:21,724 --> 00:18:26,379
The initial cut
Is rough and needs fine-tuning,
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00:18:26,379 --> 00:18:28,379
So he chisels away at it
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00:18:28,379 --> 00:18:31,034
To remove excess wood
And define the shape.
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00:18:34,965 --> 00:18:37,931
He files it with a rasp
To round the profile.
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00:18:40,620 --> 00:18:46,137
It takes about five hours
To produce just one puppet hand.
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00:18:46,137 --> 00:18:48,793
The other parts receive
An equal amount of attention,
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00:18:48,793 --> 00:18:51,448
Because with
Ball-and-socket-style joints,
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00:18:51,448 --> 00:18:55,793
Each limb must fit smoothly
To the next.
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00:18:55,793 --> 00:18:58,862
He attaches the two
Limb segments with a hinge
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00:18:58,862 --> 00:19:01,310
Made from
A kind of fiber board --
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00:19:01,310 --> 00:19:05,655
The same material
Used to make steamer trunks.
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00:19:05,655 --> 00:19:10,275
He confirms that the joints will
Move freely under the costume.
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00:19:14,827 --> 00:19:18,310
When the marionette body
Has all its moving parts,
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00:19:18,310 --> 00:19:21,103
It's time
To stretch those limbs.
293
00:19:22,862 --> 00:19:24,724
So they suit him up
294
00:19:24,724 --> 00:19:26,724
And thread the strings
From the puppet
295
00:19:26,724 --> 00:19:29,206
To the correct spot
On the controls.
296
00:19:29,206 --> 00:19:32,482
The control bars
Are shaped like an airplane.
297
00:19:32,482 --> 00:19:35,551
They're known in the world of
Puppetry as an airplane control.
298
00:19:35,551 --> 00:19:40,862
The thread they use is fishing
Line because of its strength.
299
00:19:40,862 --> 00:19:42,551
They run nine strings or more,
300
00:19:42,551 --> 00:19:45,551
Depending on the complexity
Of the marionette.
301
00:19:45,551 --> 00:19:49,068
Some of these strings are
For support, some for movement,
302
00:19:49,068 --> 00:19:53,965
And others for effects like
Nose growing or ear wiggling.
303
00:19:53,965 --> 00:19:57,793
Of course, the string placement
Is crucial for proper movement.
304
00:19:57,793 --> 00:19:59,965
With the strings strung
And well knotted,
305
00:19:59,965 --> 00:20:02,931
The marionette body
Comes to life.
306
00:20:02,931 --> 00:20:05,620
And now the defining moment.
307
00:20:05,620 --> 00:20:08,068
They attach the head
To the body.
308
00:20:08,068 --> 00:20:10,103
It's a good fit.
309
00:20:10,103 --> 00:20:14,034
This new character is almost
Ready to meet his audience.
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00:20:16,827 --> 00:20:19,137
All that's left
Is to run the strings
311
00:20:19,137 --> 00:20:23,896
For controlling his head
And facial expressions.
312
00:20:23,896 --> 00:20:26,724
And a little accessorizing.
313
00:20:29,758 --> 00:20:33,931
They now manipulate the strings
To check his limb dexterity
314
00:20:33,931 --> 00:20:37,551
And the movement of his mouth,
Eyes, and eyebrows.
315
00:20:37,551 --> 00:20:41,724
This marionette
Is now ready for the stage.
316
00:20:41,724 --> 00:20:44,551
Between shows, he reclines.
317
00:20:44,551 --> 00:20:48,724
After all,
You can't always be on.
318
00:20:48,724 --> 00:20:52,172
Incredibly,
It takes up to 1,500 hours
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00:20:52,172 --> 00:20:55,068
To create
Each one of these marionettes.
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00:21:00,206 --> 00:21:05,586
After all that work,
They're ready to cue the talent.
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00:21:05,586 --> 00:21:08,103
[ up-tempo music plays ]
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00:21:13,862 --> 00:21:16,379
[ music stops ]
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00:21:16,379 --> 00:21:19,379
--captions by vitac--
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00:21:19,379 --> 00:21:22,379
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325
00:21:22,379 --> 00:21:24,379
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326
00:21:24,379 --> 00:21:27,689
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327
00:21:27,689 --> 00:21:29,034
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