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1
00:00:04,830 --> 00:00:08,590
**
2
00:00:08,630 --> 00:00:10,920
* Yeaaaaaaah *
3
00:00:10,960 --> 00:00:12,840
Oh!
Whoo!
4
00:00:13,550 --> 00:00:16,050
* I get
a feeling that *
5
00:00:16,090 --> 00:00:17,720
* I never, never, never *
6
00:00:17,760 --> 00:00:19,890
Whoo-hoo-hoo!
* Never had before *
7
00:00:19,930 --> 00:00:21,680
* No, no *
8
00:00:21,730 --> 00:00:23,180
I don't know how
you're gonna choose.
9
00:00:23,230 --> 00:00:24,440
Good luck.
[ Niall laughs ]
10
00:00:24,480 --> 00:00:28,270
* It's gonna be my day *
11
00:00:28,310 --> 00:00:30,110
Chance's team is really strong.
12
00:00:30,150 --> 00:00:31,690
My team is stacked.
Whoo!
13
00:00:31,740 --> 00:00:33,530
Team Blake are on fire.
Oh, my God.
14
00:00:33,570 --> 00:00:34,860
You come out and you put on
one of the best
15
00:00:34,900 --> 00:00:36,870
performances
we've seen on this show.
Yes!
16
00:00:36,910 --> 00:00:39,410
* It's gonna be my day *
17
00:00:39,450 --> 00:00:41,490
Kelly: This is a hard thing
for the coaches
18
00:00:41,540 --> 00:00:44,540
'cause we have five people
and you can only choose two
19
00:00:44,580 --> 00:00:47,000
to move forward
to the live semifinals.
20
00:00:47,040 --> 00:00:48,040
Daly: Blake,
are you ready?
21
00:00:48,080 --> 00:00:49,210
No, I'm nervous.
22
00:00:49,250 --> 00:00:52,130
That is super "Hunger Games."
23
00:00:52,170 --> 00:00:53,380
Why is it so hard for me?
24
00:00:53,420 --> 00:00:54,630
Semifinals are coming up next.
25
00:00:54,670 --> 00:00:56,380
And the fact that
we don't get a steal,
26
00:00:56,430 --> 00:00:57,890
the fact that there's
no pass or anything.
27
00:00:57,930 --> 00:00:59,850
I've got goosebumps
as I'm saying it right now.
28
00:00:59,890 --> 00:01:02,560
Puts the pressure on all of the
artists and their performances.
29
00:01:02,600 --> 00:01:04,020
I think you got
to move him forward.
30
00:01:04,060 --> 00:01:06,140
It's my show, so you have
to do what I say, so...
31
00:01:06,190 --> 00:01:07,440
So I have to do what --
Alright.
32
00:01:07,480 --> 00:01:08,520
Yeah, go ahead
and mark it down, yeah.
33
00:01:08,560 --> 00:01:09,900
America,
it's up to you next.
34
00:01:09,940 --> 00:01:11,730
* It's time to rise up *
35
00:01:11,780 --> 00:01:13,360
Kelly: We have the Playoff Pass
people coming in
36
00:01:13,400 --> 00:01:14,740
that weren't there
for the knockout rounds.
37
00:01:14,780 --> 00:01:17,910
So it's becoming this incredible
like mini finale.
38
00:01:17,950 --> 00:01:20,580
* It's gonna be my day *
39
00:01:20,620 --> 00:01:22,240
I feel like we're seeing
"Voice" history.
40
00:01:22,290 --> 00:01:24,830
We're seeing Blake Shelton's
last ever decisions.
41
00:01:24,870 --> 00:01:26,330
Let's hope they're good ones.
42
00:01:26,370 --> 00:01:27,710
I would have
quit a season before
43
00:01:27,750 --> 00:01:30,420
had I known
how bad this sucks.
44
00:01:30,460 --> 00:01:32,420
[ Laughter ]
* It's gonna be my day *
45
00:01:32,460 --> 00:01:33,840
Daly: Good luck
to you tonight.
46
00:01:33,880 --> 00:01:35,090
Blake: Thank you.
47
00:01:35,130 --> 00:01:36,340
Yeah!
48
00:01:36,380 --> 00:01:37,760
[ Cheers and applause ]
49
00:01:37,800 --> 00:01:38,800
Good luck tonight.
50
00:01:38,840 --> 00:01:40,140
Perfect.
Thanks, man.
51
00:01:40,180 --> 00:01:41,640
Daly: Alright.
We got a big night.
52
00:01:41,680 --> 00:01:43,850
Here's how this is gonna work.
Let's break it down.
53
00:01:43,890 --> 00:01:45,350
Team Blake and Team Chance
54
00:01:45,390 --> 00:01:47,600
will be taking turns
performing on the stage.
55
00:01:47,640 --> 00:01:49,350
At the end of the night,
Blake and Chance
56
00:01:49,400 --> 00:01:51,440
both are gonna have very
difficult decisions to make.
57
00:01:51,480 --> 00:01:54,280
They each can only pick
two of their artists
58
00:01:54,320 --> 00:01:57,110
to represent them
in the live semifinals.
59
00:01:57,150 --> 00:01:58,360
So I'm sure
they're dreading that.
60
00:01:58,410 --> 00:02:00,700
Chance, this is your
first playoffs.
61
00:02:00,740 --> 00:02:03,280
What was it like to prepare
the team for tonight?
62
00:02:03,330 --> 00:02:05,200
It was kinda easy,
to be honest.
63
00:02:05,250 --> 00:02:07,710
[ Laughter ]
My team is fire.
64
00:02:07,750 --> 00:02:09,420
Well, we're looking forward
to it. Good luck to you.
65
00:02:09,460 --> 00:02:11,330
And, Blake, this is
your last playoffs.
66
00:02:11,380 --> 00:02:12,670
How are you feeling
about that?
67
00:02:12,710 --> 00:02:14,130
And how's your team
looking for tonight?
68
00:02:14,170 --> 00:02:15,460
Well, better than Chance,
I think.
69
00:02:15,510 --> 00:02:16,760
Did you say everybody
on your team is --
70
00:02:16,800 --> 00:02:18,430
Everybody's fired?
[ Laughter ]
71
00:02:18,470 --> 00:02:19,680
Oh, my God, man,
72
00:02:19,720 --> 00:02:21,180
that's a terrible attitude
to have.
73
00:02:21,220 --> 00:02:22,390
You gotta pick
two of them at least.
74
00:02:22,430 --> 00:02:23,390
Fire, Blake, fire.
75
00:02:23,430 --> 00:02:24,640
Do I go tonight?
76
00:02:24,680 --> 00:02:25,970
Oh, my God.
Yes, yes.
77
00:02:26,020 --> 00:02:27,730
Uh, I'm ready.
Looks like it.
78
00:02:27,770 --> 00:02:29,640
Any thoughts
at your last playoffs?
79
00:02:29,690 --> 00:02:31,060
It sucks, man.
It sucks.
80
00:02:31,100 --> 00:02:32,360
These decisions
are tough,
81
00:02:32,400 --> 00:02:34,400
and it's sad that this
is the last playoffs
82
00:02:34,440 --> 00:02:35,650
I'll ever get to do.
83
00:02:35,690 --> 00:02:37,440
But, you know,
Kelly got me fired.
84
00:02:37,490 --> 00:02:39,200
[ Laughter ]
A-And it's time
to find out...
85
00:02:39,240 --> 00:02:40,610
Oh, my God.
...what's next
in line.
86
00:02:40,660 --> 00:02:42,410
It is a night packed
with performances.
87
00:02:42,450 --> 00:02:43,950
We can waste no more time.
Let's get to it
88
00:02:43,990 --> 00:02:47,000
and see how our first artist
prepared for tonight.
89
00:02:47,040 --> 00:02:49,330
Blake.
What are you doing,
buddy?
90
00:02:49,370 --> 00:02:50,620
I'm ready to rock out.
91
00:02:50,670 --> 00:02:52,710
* I put a spell on you *
92
00:02:52,750 --> 00:02:54,250
Ha-ha-ha-ha-ha!
93
00:02:54,290 --> 00:02:57,010
Kelly: NOIVAS becomes this whole
character when he's onstage,
94
00:02:57,050 --> 00:02:59,970
and it's hard to not
gravitate towards that.
95
00:03:00,010 --> 00:03:01,930
Your talent is fearless.
96
00:03:01,970 --> 00:03:03,300
I'm proud of NOIVAS.
97
00:03:03,350 --> 00:03:04,800
You know,
he's former Team Chance.
98
00:03:04,850 --> 00:03:06,350
That boy an actor.
99
00:03:06,390 --> 00:03:08,220
People like NOIVAS --
That's a star.
100
00:03:08,270 --> 00:03:11,270
Blake: NOIVAS' bread and butter
is getting out on that stage
101
00:03:11,310 --> 00:03:13,440
and just taking over the room.
102
00:03:13,480 --> 00:03:15,770
He's just got a cool factor
about him.
103
00:03:15,820 --> 00:03:18,440
NOIVAS is my ultimate
entertainer.
104
00:03:20,070 --> 00:03:22,950
NOIVAS: For playoffs,
I'm singing "Come Together,"
105
00:03:22,990 --> 00:03:25,030
which is a staple in rock.
106
00:03:25,080 --> 00:03:27,200
* Here come old flat-top *
107
00:03:27,240 --> 00:03:29,540
* He come grooving up slowly *
108
00:03:29,580 --> 00:03:31,870
Blake: The fun thing about
NOIVAS is that he comes in
109
00:03:31,920 --> 00:03:34,040
looking like a rancher
from Texas.
110
00:03:34,080 --> 00:03:35,590
* Come together *
111
00:03:35,630 --> 00:03:39,550
Blake: But then he performs
these soulful rock songs.
112
00:03:39,590 --> 00:03:41,800
* Over me *
113
00:03:41,840 --> 00:03:44,470
He can hit these big notes.
He can hit them with power.
114
00:03:44,510 --> 00:03:46,810
* Yeah, yeah, yeah *
115
00:03:46,850 --> 00:03:48,890
And this song gives him
the opportunity
116
00:03:48,930 --> 00:03:50,560
to do all those things.
117
00:03:50,600 --> 00:03:53,560
When you do the super high
head voice,
118
00:03:53,600 --> 00:03:55,400
you've got
so much energy.
119
00:03:55,440 --> 00:03:56,650
Sometimes they just go
120
00:03:56,690 --> 00:03:58,440
a little bit
past the note.
Got it.
121
00:03:58,480 --> 00:04:00,940
But everything else
is so good, dude,
122
00:04:00,990 --> 00:04:02,400
and it's just fun.
123
00:04:02,450 --> 00:04:03,910
I can tell you're
having a blast,
124
00:04:03,950 --> 00:04:05,280
so congratulations.
125
00:04:05,320 --> 00:04:07,740
If NOIVAS can just get
the wildness under control,
126
00:04:07,780 --> 00:04:10,250
this is gonna be
another killer performance.
127
00:04:10,290 --> 00:04:12,410
Thank you for seeing something
in me.
128
00:04:12,460 --> 00:04:13,750
I really wanted
to work with you
129
00:04:13,790 --> 00:04:16,840
because I felt like
we had a lot in common.
130
00:04:16,880 --> 00:04:20,050
I mean, not only the fact
that we're both two tall guys...
131
00:04:20,090 --> 00:04:21,760
[ Chuckles ]
...you know,
pretty good-looking,
132
00:04:21,800 --> 00:04:23,470
if I -- if I say
so myself.
Extremely.
133
00:04:23,510 --> 00:04:25,550
Extremely good-looking,
yeah.
You know?
[ Chuckles ]
134
00:04:25,590 --> 00:04:28,140
And even the fact that
we both lost brothers.
135
00:04:28,180 --> 00:04:29,890
How old were you when
you lost your brother?
136
00:04:29,930 --> 00:04:31,020
21.
137
00:04:31,060 --> 00:04:32,560
I was 14.
138
00:04:32,600 --> 00:04:34,600
NOIVAS: My brother passed away
in 2013.
139
00:04:34,640 --> 00:04:37,810
He was always the person
that you looked up to.
140
00:04:37,860 --> 00:04:41,610
He was a physical therapist.
He was a great father.
141
00:04:41,650 --> 00:04:45,450
The last thing he told me
was to do me.
142
00:04:45,490 --> 00:04:49,280
Before my brother passed away,
I was very quiet.
143
00:04:49,330 --> 00:04:51,790
It wasn't until I lost
my brother
144
00:04:51,830 --> 00:04:54,620
that I started
to become fearless.
145
00:04:54,660 --> 00:04:58,000
And this is a big song,
and I'm not afraid.
146
00:04:58,040 --> 00:04:59,790
My brother,
he would've freaked out
147
00:04:59,840 --> 00:05:01,460
if he could have known
what I went on to do
148
00:05:01,500 --> 00:05:04,300
'cause he was just
such a huge music fan.
149
00:05:04,340 --> 00:05:06,300
You'd hear him coming
six blocks away,
150
00:05:06,340 --> 00:05:09,680
the stereo blaring
out of his truck, so...
That's awesome.
151
00:05:09,720 --> 00:05:11,640
That's cool your brother
got to see you do it.
152
00:05:11,680 --> 00:05:14,480
If Alfred was still here,
he would be happy
153
00:05:14,520 --> 00:05:17,980
that I followed the words
that he taught me --
154
00:05:18,020 --> 00:05:19,310
Just do you.
155
00:05:19,360 --> 00:05:23,150
And I'm gonna take that
into every performance.
156
00:05:23,190 --> 00:05:25,900
We're going from five to two.
It's gonna be a tough day.
157
00:05:25,950 --> 00:05:27,610
I'm up for the challenge,
though.
158
00:05:27,660 --> 00:05:30,990
I came here with the intention
of getting to the lives.
159
00:05:31,030 --> 00:05:34,200
And I'm gonna leave it
all there on the stage.
160
00:05:34,250 --> 00:05:38,710
**
161
00:05:38,750 --> 00:05:40,170
Blake.
162
00:05:40,210 --> 00:05:42,460
Mr. The Rapper.
163
00:05:42,500 --> 00:05:43,760
Good luck to you.
164
00:05:43,800 --> 00:05:45,420
You too.
165
00:05:45,470 --> 00:05:46,680
Bad luck to you.
166
00:05:46,720 --> 00:05:47,760
You're going
the wrong way.
167
00:05:47,800 --> 00:05:49,720
Alright.
[ Laughs ]
168
00:05:49,760 --> 00:05:53,640
[ Cheers and applause ]
169
00:05:53,680 --> 00:05:56,140
He's got a mic stand again.
Y'all watch out.
170
00:05:56,180 --> 00:05:57,690
Not even with the stick.
171
00:05:57,730 --> 00:05:59,270
Blake: What's he got,
a walking stick?
172
00:05:59,310 --> 00:06:01,860
Oh, his mic.
Oh, okay.
173
00:06:01,900 --> 00:06:05,030
With "Come Together,"
here is NOIVAS.
174
00:06:05,070 --> 00:06:06,820
[ Cheers and applause ]
175
00:06:06,860 --> 00:06:12,990
**
176
00:06:13,030 --> 00:06:17,080
* Yeaaaaaaah *
177
00:06:19,420 --> 00:06:21,250
* Here come old flat-top *
178
00:06:21,290 --> 00:06:24,130
* He come grooving up slowly *
179
00:06:24,170 --> 00:06:26,880
* He got juju eyeballs *
180
00:06:26,920 --> 00:06:29,630
* He one holy roller *
181
00:06:29,680 --> 00:06:35,680
* He got hair down
to his knees *
182
00:06:35,720 --> 00:06:38,480
* Got to be a joker *
183
00:06:38,520 --> 00:06:41,980
* He just do
what he please, yeah *
184
00:06:42,020 --> 00:06:44,730
**
185
00:06:44,770 --> 00:06:45,900
Ow!
186
00:06:45,940 --> 00:06:53,580
**
187
00:06:53,620 --> 00:06:55,620
* He wear no shoeshine *
188
00:06:55,660 --> 00:06:58,410
Whoo!
* He got toe-jam football *
189
00:06:58,460 --> 00:07:01,290
* He got monkey finger *
190
00:07:01,330 --> 00:07:04,040
* He shoot Coca-Cola *
191
00:07:04,090 --> 00:07:09,470
* He say, "I know you,
and you know me" *
192
00:07:09,510 --> 00:07:10,590
Oh!
193
00:07:10,630 --> 00:07:12,510
* "One thing I can tell you *
194
00:07:12,550 --> 00:07:15,470
* Is you got to be free" *
195
00:07:15,510 --> 00:07:18,310
* Come together *
196
00:07:18,350 --> 00:07:20,980
* Right now *
197
00:07:21,020 --> 00:07:22,440
* Over me *
198
00:07:22,480 --> 00:07:27,110
**
199
00:07:27,150 --> 00:07:28,440
Ow!
200
00:07:28,490 --> 00:07:30,740
* Yeaaaah *
201
00:07:30,780 --> 00:07:34,240
* Yeah, yeah, yeah *
202
00:07:34,280 --> 00:07:35,620
* Yeah *
203
00:07:35,660 --> 00:07:37,120
* Yeah *
204
00:07:37,160 --> 00:07:39,290
* Yeah, yeah, yeah *
205
00:07:39,330 --> 00:07:41,210
* He roller-coaster *
206
00:07:41,250 --> 00:07:43,960
* He got early warning *
207
00:07:44,000 --> 00:07:46,880
* He got muddy water *
208
00:07:46,920 --> 00:07:49,760
* He one mojo filter *
209
00:07:49,800 --> 00:07:55,970
* He say, "One and one
and one is three" *
210
00:07:56,010 --> 00:07:58,010
* Got to be good-lookin' *
211
00:07:58,060 --> 00:07:59,390
* 'Cause he's so hard to see *
212
00:07:59,430 --> 00:08:00,680
* So hard to see *
213
00:08:00,730 --> 00:08:03,770
* Come together *
214
00:08:03,810 --> 00:08:06,150
* Right now *
215
00:08:07,110 --> 00:08:09,320
* Come together *
216
00:08:09,360 --> 00:08:12,700
* Right now *
* Oooooooooh, oooh-oooh-ooh *
217
00:08:12,740 --> 00:08:14,280
* Come together *
218
00:08:14,320 --> 00:08:15,530
[ Chuckles ]
219
00:08:15,570 --> 00:08:18,410
* Right now *
220
00:08:18,450 --> 00:08:21,040
* Over me *
221
00:08:21,080 --> 00:08:24,750
**
222
00:08:24,790 --> 00:08:30,050
* Yeaaaaaaah,
yeah, yeah, yeaaaah *
223
00:08:30,090 --> 00:08:32,550
**
224
00:08:32,590 --> 00:08:33,680
Whoo!
225
00:08:33,720 --> 00:08:37,140
[ Cheers and applause ]
226
00:08:37,180 --> 00:08:39,140
Daly: That is NOIVAS.
227
00:08:39,180 --> 00:08:40,180
Oh, my God!
228
00:08:40,220 --> 00:08:42,350
Great way to kick off
the playoffs.
229
00:08:42,390 --> 00:08:43,690
Niall,
what'd you think?
230
00:08:43,730 --> 00:08:46,230
NOIVAS, whoa. Whoa.
It's insane.
231
00:08:46,270 --> 00:08:49,190
You brought a different level
of energy every week.
232
00:08:49,230 --> 00:08:51,030
And this week you've come out
and you've put on
233
00:08:51,070 --> 00:08:52,690
one of the best performances
we've seen on this show.
234
00:08:52,740 --> 00:08:54,240
Wow.
[ Cheers and applause ]
235
00:08:54,280 --> 00:08:55,360
Chance?
236
00:08:55,410 --> 00:08:56,780
Incredible.
237
00:08:56,820 --> 00:08:58,870
You just turned this
into your own concert.
238
00:08:58,910 --> 00:09:00,240
The use of
the background vocalists
239
00:09:00,290 --> 00:09:02,040
was something
I didn't see coming.
240
00:09:02,080 --> 00:09:04,000
I'm like, is he cheating?
I don't know.
[ Laughter ]
241
00:09:04,040 --> 00:09:06,710
I thought the whole thing
was...
242
00:09:06,750 --> 00:09:08,380
I don't know.
What's the best word for it?
243
00:09:08,420 --> 00:09:09,460
Fire.
244
00:09:09,500 --> 00:09:10,590
Fire?
Fire.
245
00:09:10,630 --> 00:09:12,170
Fire!
246
00:09:12,210 --> 00:09:13,340
If it was up to me,
247
00:09:13,380 --> 00:09:15,010
I would send
him right ahead.
You would?
248
00:09:15,050 --> 00:09:16,380
Whoo!
Hell, yeah.
Okay.
249
00:09:16,430 --> 00:09:17,970
Daly:
Alright. Kelly?
250
00:09:18,010 --> 00:09:20,720
I have no idea
how you don't make it.
251
00:09:20,760 --> 00:09:23,100
Yeah.
It was so incredible.
252
00:09:23,140 --> 00:09:25,100
I mean, your range,
you were, like,
253
00:09:25,140 --> 00:09:27,310
shredding with
the guitar vocally.
254
00:09:27,350 --> 00:09:28,610
Like, it was,
like, "What?"
255
00:09:28,650 --> 00:09:29,940
I think I'm gonna see you
in the finale.
256
00:09:29,980 --> 00:09:31,730
I'd be shocked
if I didn't.
257
00:09:31,780 --> 00:09:33,440
Let's see what your coach
thinks. Blake.
258
00:09:33,490 --> 00:09:36,200
Blake: I'm glad the producers
decided to not give you
259
00:09:36,240 --> 00:09:39,200
the most dangerous half
of the microphone stand.
260
00:09:39,240 --> 00:09:40,620
[ Laughter ]
261
00:09:40,660 --> 00:09:42,490
I mean, because people
almost got hurt.
262
00:09:42,540 --> 00:09:44,040
It was scary.
[ Chuckles ]
263
00:09:44,080 --> 00:09:46,620
But I'm talking about just
an overall eruption
264
00:09:46,670 --> 00:09:49,540
that happens on the stage
when this guy gets up here.
265
00:09:49,580 --> 00:09:50,920
Your singing
was incredible.
266
00:09:50,960 --> 00:09:54,130
The way you perform,
it's a little bit wild
267
00:09:54,170 --> 00:09:57,050
and it just works for you,
dude, great job.
268
00:09:57,090 --> 00:09:59,010
How about another hand
for NOIVAS,
269
00:09:59,050 --> 00:10:01,300
ladies and gentlemen?
[ Cheers and applause ]
270
00:10:01,350 --> 00:10:04,020
Blake: NOIVAS came out here
and he set the bar,
271
00:10:04,060 --> 00:10:06,100
I think,
for the entire competition.
272
00:10:06,140 --> 00:10:07,230
Whoo!
273
00:10:07,270 --> 00:10:08,850
Blake: I have other performances
to see,
274
00:10:08,900 --> 00:10:11,150
but, man, he's gonna make this
a tough decision for me.
275
00:10:11,190 --> 00:10:12,770
Good job, man.
Good job.
Thank you.
276
00:10:12,820 --> 00:10:14,730
A lot is riding
on these playoffs.
277
00:10:14,780 --> 00:10:16,320
We've cut our team
in half two times
278
00:10:16,360 --> 00:10:19,610
and now we're asked to cut it
even more than half.
279
00:10:19,660 --> 00:10:20,990
This is painful.
280
00:10:21,030 --> 00:10:23,660
I love that you said
"a little wild."
281
00:10:23,700 --> 00:10:24,870
A little?
A little wild.
282
00:10:24,910 --> 00:10:26,250
[ Chuckles ]
It was like a lot wild.
283
00:10:26,290 --> 00:10:27,830
Niall: Every time he steps
on the stage,
284
00:10:27,870 --> 00:10:29,000
NOIVAS brings it.
285
00:10:29,040 --> 00:10:30,460
And if he gets to the lives,
286
00:10:30,500 --> 00:10:33,210
he is tough, tough competition
for Team Niall.
287
00:10:33,250 --> 00:10:36,300
He's like 7 foot tall.
I'm pretty big, though.
288
00:10:36,340 --> 00:10:37,380
[ Chuckles ]
289
00:10:38,590 --> 00:10:41,010
Daly: Coming up...
* The thrill is gone *
290
00:10:41,050 --> 00:10:44,010
Daly: ...the artists sing for
spots in the live semifinals.
291
00:10:44,060 --> 00:10:46,980
* Love is alive
and at our breakfast table *
292
00:10:47,020 --> 00:10:48,850
* Every day of the week *
293
00:10:48,890 --> 00:10:51,650
Daly: And an emotional rehearsal
moves Chance.
294
00:10:51,690 --> 00:10:53,690
I literally
just started crying.
295
00:10:53,730 --> 00:10:54,820
Oh, my God.
[ Chuckles ]
296
00:10:54,860 --> 00:10:57,570
* Valentine *
297
00:10:57,610 --> 00:10:59,150
* Staaaaaaay *
298
00:10:59,200 --> 00:11:00,280
Oh, my God.
299
00:11:00,320 --> 00:11:02,490
Daly: And later,
the Playoff Pass artists
300
00:11:02,530 --> 00:11:03,780
take the stage.
301
00:11:03,830 --> 00:11:05,660
You felt it. You meant it.
You believe it.
302
00:11:05,700 --> 00:11:09,410
* If I die young,
bury me in satin *
303
00:11:09,460 --> 00:11:12,130
That was my favorite performance
from Team Blake today.
304
00:11:12,170 --> 00:11:14,340
Blake: Sorry about this
for three of you.
305
00:11:14,380 --> 00:11:18,090
The first artist
advancing is...
306
00:11:18,130 --> 00:11:19,920
**
307
00:11:25,560 --> 00:11:26,770
* This is "The Voice" *
308
00:11:26,810 --> 00:11:28,850
Daly:
Welcome back to the playoffs.
309
00:11:28,890 --> 00:11:31,020
Hey, hey.
Hey, hey.
310
00:11:31,060 --> 00:11:32,730
It's good to see y'all,
man.
311
00:11:32,770 --> 00:11:35,230
I'm super excited
for the playoffs.
312
00:11:35,270 --> 00:11:38,070
My team is really,
like, stacked.
313
00:11:38,110 --> 00:11:40,740
This is my last chance
to really, like, size up my team
314
00:11:40,780 --> 00:11:43,820
and see what they have before
America starts to decide.
315
00:11:43,870 --> 00:11:47,040
Man: Nate? Nate?
316
00:11:47,080 --> 00:11:48,160
I was just saying
what's up.
Hey!
317
00:11:48,200 --> 00:11:49,750
Hey, what's up, man?
[ Chuckles ]
318
00:11:49,790 --> 00:11:52,080
We welcome you
to the team, Kala.
Yes, welcome!
319
00:11:52,120 --> 00:11:54,630
You fit right in.
You were the missing piece.
320
00:11:54,670 --> 00:11:56,800
You put so much
emotion into it.
321
00:11:56,840 --> 00:11:58,210
Can't wait to hear you.
322
00:11:58,250 --> 00:12:00,470
So I could cry.
Thank you. Aww!
323
00:12:00,510 --> 00:12:03,260
Chance: Kala is amazing.
324
00:12:03,300 --> 00:12:06,100
[ Whoosh ]
Daly: That is the sound
of a steal!
325
00:12:06,140 --> 00:12:08,310
Chance: I can't believe
that Niall and Kelly
326
00:12:08,350 --> 00:12:10,480
both let her go.
327
00:12:10,520 --> 00:12:12,980
Kala is my blessing in disguise.
328
00:12:13,020 --> 00:12:16,770
* And I don't want the world
to see me *
329
00:12:16,820 --> 00:12:18,570
Kelly:
Kala's voice is so angelic,
330
00:12:18,610 --> 00:12:20,280
but she has this heartbreak
with her rasp.
331
00:12:20,320 --> 00:12:21,900
That just sticks out to me.
332
00:12:21,950 --> 00:12:24,030
You're like one of
my favorite storytellers
333
00:12:24,070 --> 00:12:25,030
I've ever worked with.
334
00:12:25,070 --> 00:12:26,120
Thank you so much.
335
00:12:26,160 --> 00:12:27,370
Niall: Letting Kala go
336
00:12:27,410 --> 00:12:29,290
might be one
of my bigger regrets.
337
00:12:29,330 --> 00:12:32,870
I'm so excited to see
you perform for Team Chance.
338
00:12:32,910 --> 00:12:34,960
Yeah.
Are you excited
for this song?
339
00:12:35,000 --> 00:12:36,880
Yeah, I sang it when
I was in high school
340
00:12:36,920 --> 00:12:39,340
where I was a vocalist
in the jazz band.
341
00:12:39,380 --> 00:12:41,090
It really
kind of opened my eyes
342
00:12:41,130 --> 00:12:43,590
to how fun jazz can be.
343
00:12:44,720 --> 00:12:48,430
* My funny Valentine *
344
00:12:48,470 --> 00:12:50,350
I'm singing
"My Funny Valentine,"
345
00:12:50,390 --> 00:12:53,140
which is nowadays
like a jazz standard.
346
00:12:53,180 --> 00:12:55,980
* You make me smile *
347
00:12:56,020 --> 00:12:57,770
People might think
jumping from coach to coach
348
00:12:57,810 --> 00:13:00,110
can be a disadvantage,
but I feel like I've learned
349
00:13:00,150 --> 00:13:03,190
something so unique
from each coach.
350
00:13:03,240 --> 00:13:05,490
Chance built his own legacy.
351
00:13:05,530 --> 00:13:07,870
It's really amazing
to get the opportunity to work
352
00:13:07,910 --> 00:13:10,490
with someone
who has done it all.
353
00:13:10,540 --> 00:13:12,950
* Valentine *
354
00:13:13,000 --> 00:13:14,290
Chance:
Kala really surprised me.
355
00:13:14,330 --> 00:13:17,330
She has this ability to play
356
00:13:17,380 --> 00:13:20,210
with the intricacies
on a lot of these songs.
357
00:13:20,250 --> 00:13:23,670
She just brought
this new feeling to it.
358
00:13:23,720 --> 00:13:26,510
I am broken right now.
359
00:13:26,550 --> 00:13:27,470
Oh!
360
00:13:27,510 --> 00:13:29,600
I literally
just started crying.
361
00:13:29,640 --> 00:13:31,180
Oh, my God.
[ Chuckles ]
362
00:13:31,220 --> 00:13:33,140
The one note that I had
was if you just
363
00:13:33,180 --> 00:13:34,810
sustained
a little bit more.
364
00:13:34,850 --> 00:13:36,900
The vibrato, I think,
sometimes
365
00:13:36,940 --> 00:13:38,360
breaks it up
a little bit too much.
366
00:13:38,400 --> 00:13:40,520
But, like,
what do I know?
[ Chuckles ]
367
00:13:40,570 --> 00:13:42,150
I just started crying.
368
00:13:42,190 --> 00:13:43,940
I have no idea
what's happening
369
00:13:43,990 --> 00:13:46,110
to me emotionally
right now.
370
00:13:46,150 --> 00:13:48,030
My eyes are also
really dry today.
371
00:13:48,070 --> 00:13:49,820
[ Laughs ]
Sure.
372
00:13:49,870 --> 00:13:53,200
I'm brand-new to the show,
but I'm almost absolutely sure
373
00:13:53,240 --> 00:13:54,870
that this is the best deal
374
00:13:54,910 --> 00:13:56,330
to happen in the history
of "The Voice."
375
00:13:56,370 --> 00:13:58,500
I'm so, so happy to have
you on the team, Kala.
376
00:13:58,540 --> 00:13:59,830
I'm happy to be here.
377
00:13:59,880 --> 00:14:03,130
Everybody on my team
should win this competition
378
00:14:03,170 --> 00:14:06,050
and it's gonna be based
on this next performance
379
00:14:06,090 --> 00:14:10,260
as to who's my two
to go to the live shows.
380
00:14:10,300 --> 00:14:11,640
Wowzers.
381
00:14:11,680 --> 00:14:13,010
[ Cheers and applause ]
382
00:14:13,060 --> 00:14:14,970
"My Funny Valentine."
383
00:14:15,020 --> 00:14:16,390
I'm dedicating
this to you.
384
00:14:16,430 --> 00:14:18,230
[ Chuckles ] Thank you.
Yeah.
385
00:14:18,270 --> 00:14:20,310
I'm so excited
about this.
386
00:14:20,360 --> 00:14:21,820
This is about to be crazy.
387
00:14:21,860 --> 00:14:25,690
Singing "My Funny Valentine,"
here's Kala Banham.
388
00:14:25,740 --> 00:14:27,530
[ Cheers and applause ]
389
00:14:27,570 --> 00:14:28,910
**
390
00:14:28,950 --> 00:14:34,450
* Ohhhhhhhh *
391
00:14:36,000 --> 00:14:41,750
* My funny valentine *
392
00:14:41,790 --> 00:14:47,300
* Sweet comic valentine *
393
00:14:48,090 --> 00:14:52,850
* You make me smile *
394
00:14:52,890 --> 00:14:58,100
* With my heart *
395
00:15:00,270 --> 00:15:04,820
* Your looks are laughable *
396
00:15:04,860 --> 00:15:06,400
* Hmm *
397
00:15:06,440 --> 00:15:12,530
* Unphotographable *
398
00:15:12,570 --> 00:15:18,200
* Yet, you're my favorite *
399
00:15:18,250 --> 00:15:21,170
* Work of art *
400
00:15:21,210 --> 00:15:22,880
* Oh *
401
00:15:23,670 --> 00:15:31,220
* Is your figure
less than Greek? *
402
00:15:31,260 --> 00:15:38,220
* Is your mouth
a little weak? *
403
00:15:38,270 --> 00:15:45,230
* When you open it to speak *
404
00:15:45,270 --> 00:15:49,740
* Are you smart? *
405
00:15:49,780 --> 00:15:55,330
* Oooooooohh *
406
00:15:55,370 --> 00:16:02,000
* But don't change
a hair for me *
407
00:16:02,040 --> 00:16:08,340
* Not if you care for me *
408
00:16:08,380 --> 00:16:14,010
* Stay, funny valentine *
409
00:16:14,050 --> 00:16:19,890
* Staaaaaaaaaaaay *
410
00:16:21,060 --> 00:16:31,110
* Each day is Valentine's
Daaaa-aa-aa-aaaa-aa-aa-aa-aaay *
411
00:16:31,110 --> 00:16:37,700
* Each day is Valentine's
Daaaa-aa-aa-aaaa-aa-aa-aa-aaay *
412
00:16:37,740 --> 00:16:39,240
Oh, my God!
413
00:16:40,080 --> 00:16:50,130
* Each day is Valentine's
Daaaaaaa-aaaaaaaa-aaa-aaaay *
414
00:16:50,130 --> 00:16:55,890
* Each day is Valentine's
Daaaaaaa-aaaaaaaa-aaa-aaaay *
415
00:16:55,930 --> 00:16:59,260
[ Cheers and applause ]
416
00:17:01,100 --> 00:17:03,140
What?
Daly: That is Kala Banham,
417
00:17:03,180 --> 00:17:04,350
ladies and gentlemen.
418
00:17:04,390 --> 00:17:06,810
[ Cheers and applause ]
419
00:17:06,860 --> 00:17:08,060
Wow.
Oh, my God.
420
00:17:08,110 --> 00:17:09,690
Blake, what did you
think of that?
421
00:17:09,730 --> 00:17:11,570
It was perfect.
Like, was it perfect?
422
00:17:11,610 --> 00:17:13,070
Yeah.
I think it
was actually perfect.
423
00:17:13,110 --> 00:17:14,650
Thank you, Blake.
424
00:17:14,700 --> 00:17:17,240
You have to put her
in the next level.
Yeah.
425
00:17:17,280 --> 00:17:19,240
That was unbelievable.
You have to.
426
00:17:19,280 --> 00:17:20,830
It's my show,
so you have to do what I say.
427
00:17:20,870 --> 00:17:22,160
[ Laughter ]
428
00:17:22,200 --> 00:17:24,160
Kala, that song was,
like, made for you.
429
00:17:24,210 --> 00:17:25,830
And I spoke to you about
this when we started.
430
00:17:25,870 --> 00:17:28,500
Make sure that you sing songs
that could be on your record,
431
00:17:28,540 --> 00:17:31,170
and that's just
different level now.
432
00:17:31,210 --> 00:17:32,460
Thanks, Niall.
Kelly.
433
00:17:32,510 --> 00:17:34,260
You made it
Kala's version,
434
00:17:34,300 --> 00:17:36,300
like, as if that was
a brand-new song.
435
00:17:36,340 --> 00:17:39,140
It was so beautiful and dark
but inspiring.
436
00:17:39,180 --> 00:17:40,930
It was all
the great adjectives.
437
00:17:40,970 --> 00:17:42,220
Chance.
438
00:17:42,270 --> 00:17:44,430
I'm so proud.
That was so incredible.
439
00:17:44,480 --> 00:17:46,730
Like, it's crazy that
you slipped through
440
00:17:46,770 --> 00:17:50,110
two other coaches' fingers.
[ Laughter ]
441
00:17:50,150 --> 00:17:51,610
You made me cry
in the rehearsal.
442
00:17:51,650 --> 00:17:53,280
And...
Wait a minute.
You cried?
443
00:17:53,320 --> 00:17:54,740
I did.
[ Laughs ]
444
00:17:54,780 --> 00:17:56,490
It was amazing.
Thanks, Chance.
445
00:17:56,530 --> 00:17:58,910
How about another big hand
for Kala Banham, everybody?
446
00:17:58,950 --> 00:18:00,280
[ Cheers and applause ]
447
00:18:00,330 --> 00:18:02,330
Chance: Kala was insane.
You are unbelievable.
448
00:18:02,370 --> 00:18:03,790
Chance:
Her ability to change songs
449
00:18:03,830 --> 00:18:06,620
to fit, like, her esthetic
and feel.
450
00:18:06,670 --> 00:18:08,630
And it just
reminded everybody
451
00:18:08,670 --> 00:18:10,460
how dumb they were
for losing her on their team.
452
00:18:10,500 --> 00:18:12,090
Like, are you crazy?
453
00:18:12,130 --> 00:18:15,260
I thought I had made up in
my mind how I was gonna go.
454
00:18:15,300 --> 00:18:17,130
And now everything's
kinda up in the air.
455
00:18:17,180 --> 00:18:18,680
That was so beautiful.
456
00:18:18,720 --> 00:18:20,220
God, why did
I get rid of her?
457
00:18:20,260 --> 00:18:22,140
Oh, my gosh.
I'm just relieved, I think.
458
00:18:22,180 --> 00:18:23,520
[ Chuckles ]
459
00:18:23,560 --> 00:18:25,850
I needed to give the best
performance of my life
460
00:18:25,890 --> 00:18:27,230
to go to lives.
461
00:18:27,270 --> 00:18:29,060
I'm praying that
it was enough.
462
00:18:29,100 --> 00:18:31,560
You cried, like,
cried?
Cried.
Oh, my goodness.
463
00:18:31,610 --> 00:18:33,610
Real men do.
I didn't make the sound.
464
00:18:33,650 --> 00:18:35,150
The song's called
"My Funny Valentine."
465
00:18:35,190 --> 00:18:36,740
[ Laughter ]
466
00:18:43,030 --> 00:18:44,200
* This is "The Voice" *
467
00:18:44,240 --> 00:18:45,370
Daly:
Welcome back to the playoffs
468
00:18:45,410 --> 00:18:46,870
at Universal Studios Hollywood.
469
00:18:46,910 --> 00:18:48,580
Now it's the pop singer
from Wisconsin
470
00:18:48,620 --> 00:18:51,420
that Blake stole from Kelly
during the knockouts.
471
00:18:51,460 --> 00:18:53,550
Here's more
from Rachel Christine.
472
00:18:55,050 --> 00:18:57,130
Blake: Rachel was my steal
in the knockout.
473
00:18:57,170 --> 00:18:58,130
Oh!
Oh, my God!
474
00:18:58,170 --> 00:18:59,470
And I recognized quickly
475
00:18:59,510 --> 00:19:01,300
that she was choosing
some unique things
476
00:19:01,340 --> 00:19:02,760
to do with that performance.
477
00:19:02,800 --> 00:19:04,850
She honored the original,
but she changed it up.
478
00:19:04,890 --> 00:19:06,140
She was just great at it.
479
00:19:06,180 --> 00:19:10,100
Rachel is my alternative
dark horse on Team Blake.
480
00:19:10,150 --> 00:19:13,940
* Will you walk awaaaaay *
481
00:19:13,980 --> 00:19:18,360
Rachel, you remind me so much
of me when I was younger.
482
00:19:18,400 --> 00:19:20,160
When your other person
gets stolen,
483
00:19:20,200 --> 00:19:21,450
it's like the best
moment ever
484
00:19:21,490 --> 00:19:22,870
because you don't want
them to go home
485
00:19:22,910 --> 00:19:24,370
and you know
they deserve to stay.
486
00:19:24,410 --> 00:19:26,240
Hey!
Hi.
487
00:19:26,290 --> 00:19:27,700
The new person.
488
00:19:27,750 --> 00:19:29,620
It's definitely
a once-in-a-lifetime feeling.
489
00:19:29,660 --> 00:19:32,540
I'm Blake's last steal ever.
490
00:19:32,580 --> 00:19:35,130
I was sitting here looking
at your song selection.
491
00:19:35,170 --> 00:19:37,420
"The Only Exception"
by Paramore.
492
00:19:37,460 --> 00:19:38,670
Yeah.
And I think
I've met her.
493
00:19:38,720 --> 00:19:40,090
She's a Nashville girl.
494
00:19:40,130 --> 00:19:41,630
Yes, she is.
Yeah.
495
00:19:41,680 --> 00:19:43,140
Hayley Williams,
yep.
Hayley, yeah.
That's right.
496
00:19:43,180 --> 00:19:46,510
I grew up on Paramore
and not just Paramore.
497
00:19:46,560 --> 00:19:48,270
I love Hayley Williams herself.
498
00:19:48,310 --> 00:19:50,520
She is such a good lyricist.
499
00:19:50,560 --> 00:19:54,270
* And my mama swore
that she would *
500
00:19:54,310 --> 00:19:56,610
I am inspired by her
when I write.
501
00:19:56,650 --> 00:19:58,360
My sister's a writer.
502
00:19:58,400 --> 00:20:00,740
My dad's a writer.
My mom songwrites.
503
00:20:00,780 --> 00:20:02,530
I've written about
10 songs on my own
504
00:20:02,570 --> 00:20:04,370
that are just piano
and me singing
505
00:20:04,410 --> 00:20:06,790
and they're just voice memos
on my phone.
506
00:20:06,830 --> 00:20:08,410
But they're done.
[ Chuckles ]
507
00:20:08,450 --> 00:20:09,950
* Ooooooooooh *
508
00:20:10,000 --> 00:20:12,540
Nice. When you can get on
a note and find the pitch,
509
00:20:12,580 --> 00:20:13,880
you nail it perfectly.
Yeah.
510
00:20:13,920 --> 00:20:15,460
But it's the quick ones
getting up there
511
00:20:15,500 --> 00:20:17,380
that felt like you
kinda went off the rails
512
00:20:17,420 --> 00:20:18,510
for just a second.
513
00:20:18,550 --> 00:20:19,960
Please don't regret
stealing me.
514
00:20:20,010 --> 00:20:21,720
I can do this.
[ Chuckles ]
[ Chuckles ]
515
00:20:21,760 --> 00:20:23,720
I'm very grateful to be here,
516
00:20:23,760 --> 00:20:26,640
but I almost feel like
maybe I'm just getting lucky.
517
00:20:26,680 --> 00:20:28,810
Maybe I'm not as talented.
518
00:20:28,850 --> 00:20:31,350
[ Crying ]
519
00:20:34,100 --> 00:20:35,230
I'm sorry.
520
00:20:35,270 --> 00:20:37,900
These are kind of tears of joy.
521
00:20:37,940 --> 00:20:40,320
I'm just really surprised
that I'm still here
522
00:20:40,360 --> 00:20:43,530
because I didn't think I was
gonna make it past the blinds.
523
00:20:43,570 --> 00:20:45,490
So much better.
Yeah,
it felt better.
524
00:20:45,530 --> 00:20:46,620
I think you could
tweak --
525
00:20:46,660 --> 00:20:48,330
* The morning *
526
00:20:48,370 --> 00:20:51,160
and leave with
some kind of proof.
527
00:20:51,200 --> 00:20:52,660
Both of those,
528
00:20:52,710 --> 00:20:54,500
give them the extra strength
and lift they need
529
00:20:54,540 --> 00:20:55,960
because they're almost
getting thrown away.
530
00:20:56,000 --> 00:20:57,500
Yeah.
But outside of that,
I would just go
531
00:20:57,540 --> 00:20:59,130
woodshed on it now.
[ Chuckles ]
532
00:20:59,170 --> 00:21:02,590
I can only take two artists
into these live semifinals.
533
00:21:02,630 --> 00:21:05,010
I do not regret...
Okay, thank God.
534
00:21:05,050 --> 00:21:05,930
...stealing you at all.
535
00:21:05,970 --> 00:21:07,510
I know I did
the right thing.
536
00:21:07,550 --> 00:21:09,260
Rachel just needs to make
sure she's consistent
537
00:21:09,310 --> 00:21:10,890
all the way through the song.
538
00:21:10,930 --> 00:21:13,350
If she can do that, it's gonna
be a standout performance.
539
00:21:13,390 --> 00:21:14,480
Incredible.
540
00:21:14,520 --> 00:21:15,940
These artists
are all so good.
541
00:21:15,980 --> 00:21:17,480
I don't have a clue what
I'm gonna do at this moment.
542
00:21:17,520 --> 00:21:19,150
This is gonna be tough.
543
00:21:19,190 --> 00:21:21,650
See you, buddy.
Alright. Thank you so much.
[ Chuckles ]
544
00:21:21,690 --> 00:21:23,900
[ Cheers and applause ]
545
00:21:23,950 --> 00:21:27,280
With "The Only Exception,"
here is Rachel Christine.
546
00:21:27,320 --> 00:21:28,740
Yeah, Rachel!
547
00:21:30,290 --> 00:21:39,960
**
548
00:21:40,000 --> 00:21:46,380
* When I was younger,
I saw my daddy cry *
549
00:21:46,430 --> 00:21:50,220
* And curse at the wind *
550
00:21:50,260 --> 00:21:54,060
* He broke his own heart,
and I watched *
551
00:21:54,100 --> 00:21:59,560
* As he tried
to reassemble it *
552
00:22:00,690 --> 00:22:02,900
* And my mama swore *
553
00:22:02,940 --> 00:22:10,740
* That she would never
let herself forget *
554
00:22:10,780 --> 00:22:14,750
* And that was the day
that I promised *
555
00:22:14,790 --> 00:22:19,920
* I'd never sing of love
if it does not exist *
556
00:22:19,960 --> 00:22:26,260
* But, darling,
you are the only exception *
557
00:22:26,300 --> 00:22:31,470
* But you are
the only exception *
558
00:22:31,510 --> 00:22:36,600
* But you,
the only exception *
559
00:22:36,640 --> 00:22:45,740
* But you are the only
exceptioooooon *
560
00:22:45,780 --> 00:22:51,530
* Oooo-ooo-ooo-ooo-oooh *
561
00:22:51,570 --> 00:22:54,580
* I've got a tight grip
on reality *
562
00:22:54,620 --> 00:23:01,790
* But I can't let go of what's
in front of me here *
563
00:23:01,840 --> 00:23:04,460
* I know you're leaving
in the morning *
564
00:23:04,500 --> 00:23:06,880
* When I wake up *
565
00:23:06,920 --> 00:23:11,340
* Leave me with some kind
proof it's not a dream *
566
00:23:11,390 --> 00:23:17,100
* Oooo-ooo-ooo-ooooooooooh *
567
00:23:17,980 --> 00:23:22,980
* You are the only exception *
568
00:23:23,020 --> 00:23:28,490
* But you are the only
exceptiooooooooon *
569
00:23:28,530 --> 00:23:32,660
* You are
the only exception *
570
00:23:32,700 --> 00:23:38,040
* You are the only exception
Ooooooooooooooooooooooh *
571
00:23:38,080 --> 00:23:45,920
* And I'm on my way
to believiiiiiiiiiiiing *
572
00:23:45,960 --> 00:23:47,300
Yeah!
573
00:23:47,340 --> 00:23:56,180
* Oh, and I'm on my way
to believing *
574
00:23:56,220 --> 00:23:57,930
You did it, Rachel!
575
00:23:57,970 --> 00:24:01,440
[ Cheers and applause ]
576
00:24:01,480 --> 00:24:03,560
Daly:
That is Rachel Christine,
577
00:24:03,610 --> 00:24:05,020
ladies and gentlemen.
578
00:24:05,070 --> 00:24:06,360
Yeah!
579
00:24:06,400 --> 00:24:07,900
[ Cheers and applause ]
580
00:24:07,940 --> 00:24:09,490
Yes!
581
00:24:09,530 --> 00:24:10,860
Let's get some thoughts
from Chance.
582
00:24:10,900 --> 00:24:12,360
Chance:
Great control of the stage.
583
00:24:12,410 --> 00:24:14,320
You were just -- You were
just snaking around up there.
584
00:24:14,370 --> 00:24:16,240
[ Laughter ]
I felt like there
was maybe, like,
585
00:24:16,280 --> 00:24:18,080
one or two moments where it
got a little pitchy,
586
00:24:18,120 --> 00:24:19,870
but then you, like,
still caught yourself
587
00:24:19,910 --> 00:24:21,250
right behind that.
588
00:24:21,290 --> 00:24:22,710
And I thought it was
an awesome performance.
589
00:24:22,750 --> 00:24:23,880
Thank you so much.
Kelly.
590
00:24:23,920 --> 00:24:25,210
I loved all
the soaring notes.
591
00:24:25,250 --> 00:24:27,380
I loved just artistically
where you went with it.
592
00:24:27,420 --> 00:24:29,760
I love how big
and open your voice is, Rachel.
593
00:24:29,800 --> 00:24:31,880
It's so beautiful.
Great job.
594
00:24:31,930 --> 00:24:33,760
Thank you.
Niall.
595
00:24:33,800 --> 00:24:35,430
Rachel, That was beautiful.
Great rendition of it.
596
00:24:35,470 --> 00:24:38,060
Something I haven't heard.
Kind of a bit more theatrical.
597
00:24:38,100 --> 00:24:41,770
That lower register stuff
is if you're anyway nervous,
598
00:24:41,810 --> 00:24:43,900
it can scare
the life out of you.
599
00:24:43,940 --> 00:24:46,190
And to get through that,
I thought you smashed it.
600
00:24:46,230 --> 00:24:49,030
Obviously, Blakey Boy's
got some tough decisions
601
00:24:49,070 --> 00:24:51,900
and some of his last decisions
he'll make on "The Voice."
602
00:24:51,950 --> 00:24:54,490
But you've given him
something to think about.
603
00:24:54,530 --> 00:24:55,740
[ Cheers and applause ]
Thank you.
604
00:24:55,780 --> 00:24:57,530
Thank you, Coaches.
Blake.
605
00:24:57,580 --> 00:24:59,620
I got to tell you, man,
you threw a monkey wrench
606
00:24:59,660 --> 00:25:01,000
into this whole thing
for me
607
00:25:01,040 --> 00:25:03,750
because to have you
fall into the mix here
608
00:25:03,790 --> 00:25:06,920
last minute and for you to swing
for the fence like that,
609
00:25:06,960 --> 00:25:08,460
you really did
an incredible job.
610
00:25:08,500 --> 00:25:10,460
Thank you.
And I'm so blown away
by you, Rachel.
611
00:25:10,510 --> 00:25:12,050
I really am.
Thank you so much.
612
00:25:12,090 --> 00:25:14,760
How about another big hand
for Rachel Christine, everybody?
613
00:25:14,800 --> 00:25:16,180
[ Cheers and applause ]
614
00:25:16,220 --> 00:25:18,100
Kelly: Rachel, she's got
such a gorgeous voice.
615
00:25:18,140 --> 00:25:19,390
I love her.
616
00:25:19,430 --> 00:25:20,970
I'm always excited
because my team gets stolen
617
00:25:21,020 --> 00:25:22,850
and they stay on the show,
so I'm excited for them,
618
00:25:22,890 --> 00:25:24,730
but, man, when they do
such a great job, you
get a little bummed.
619
00:25:24,770 --> 00:25:26,100
You're like, "Oh, man.
620
00:25:26,150 --> 00:25:27,860
I maybe made a poor decision."
[ Chuckles ]
621
00:25:27,900 --> 00:25:31,610
Blake: I'll only choose
two artists to move forward.
622
00:25:31,650 --> 00:25:33,030
And the stakes
have never been higher.
623
00:25:33,070 --> 00:25:35,950
Rachel -- I totally respect
her song choice
624
00:25:35,990 --> 00:25:38,070
to show off
what she's capable of.
625
00:25:38,120 --> 00:25:41,120
But, man, NOIVAS -- I mean,
his stage presence is also
626
00:25:41,160 --> 00:25:43,790
this physical thing
that happens onstage.
627
00:25:43,830 --> 00:25:46,210
Man, I don't know
what I'm gonna do now.
628
00:25:52,510 --> 00:25:53,670
* This is "The Voice" *
629
00:25:53,720 --> 00:25:55,840
Daly: Welcome back
to the playoffs.
630
00:25:55,880 --> 00:25:58,510
I just seen a note
or something.
631
00:25:58,550 --> 00:26:01,010
**
632
00:26:01,060 --> 00:26:04,020
"Chance, I miss you"?
633
00:26:04,060 --> 00:26:06,440
"XOXO, Blake."
[ Chuckles ]
634
00:26:06,480 --> 00:26:07,690
Alright, cool.
635
00:26:07,730 --> 00:26:10,020
Jamar is trained.
636
00:26:10,070 --> 00:26:11,570
He knows what he's doing,
637
00:26:11,610 --> 00:26:15,400
and he has the experience
to make it even after the show.
638
00:26:15,450 --> 00:26:17,450
Jamar is my veteran.
639
00:26:17,490 --> 00:26:21,200
* To every little part
of each other *
640
00:26:21,240 --> 00:26:24,200
Whoo!
* Baby, baby, babe *
641
00:26:24,250 --> 00:26:25,910
Kelly: Chance has got
a great one with Jamar.
642
00:26:25,960 --> 00:26:28,710
You can sing some
baby-making music, man.
643
00:26:28,750 --> 00:26:31,250
He's really cool.
Jamar just stands out.
644
00:26:31,290 --> 00:26:33,340
Jamar, I love when you're
playing the guitar.
645
00:26:33,380 --> 00:26:36,050
You're kind of lost
in the moment, and it works.
646
00:26:36,090 --> 00:26:37,380
Chance: You've been
killing it, dude.
647
00:26:37,430 --> 00:26:39,090
I've been putting
my heart into it.
648
00:26:39,140 --> 00:26:40,680
Everybody's happy
that you're here.
649
00:26:40,720 --> 00:26:42,060
How you feel
about the song?
650
00:26:42,100 --> 00:26:44,350
This is actually one of
my personal favorites.
651
00:26:44,390 --> 00:26:46,560
Something my dad
used to play and sing.
652
00:26:46,600 --> 00:26:49,350
That's all we heard --
him in the kitchen playing,
653
00:26:49,400 --> 00:26:51,230
my mama whipping up
Sunday dinner.
654
00:26:51,270 --> 00:26:53,400
I am singing
"The Thrill Is Gone"
655
00:26:53,440 --> 00:26:54,570
by B.B. King.
656
00:26:54,610 --> 00:26:57,740
* The thrill is gone away,
yeah *
657
00:26:57,780 --> 00:27:02,120
The words have spoken to me
throughout my music career.
658
00:27:02,160 --> 00:27:05,910
* All I can do
is wish you well, yeah *
659
00:27:05,950 --> 00:27:07,460
"All I could do
is wish you well."
660
00:27:07,500 --> 00:27:10,880
To me, that's so powerful
because I can wish those moments
661
00:27:10,920 --> 00:27:13,960
of not getting in the door,
those moments of no callbacks.
662
00:27:14,000 --> 00:27:16,920
Every moment that I've failed
in music -- bye-bye,
663
00:27:16,970 --> 00:27:19,590
because here I am
in the playoffs.
664
00:27:19,630 --> 00:27:22,180
Boom. First of all,
that sounds fire.
[ Chuckles ]
665
00:27:22,220 --> 00:27:24,390
The one thing that you
have left to unlock
666
00:27:24,430 --> 00:27:26,600
is just a little bit
of, like...
Oh, yeah.
667
00:27:26,640 --> 00:27:28,980
...a little bit of swag,
you know what I'm saying?
A little swag, yeah.
668
00:27:29,020 --> 00:27:31,230
Prince got the most swag
with a guitar.
669
00:27:31,270 --> 00:27:32,770
When Prince got the guitar,
he's...
670
00:27:32,810 --> 00:27:34,400
You know what I'm saying?
He's got the little bends.
671
00:27:34,440 --> 00:27:37,320
Like, obviously he's got
the mic stand tricks, too.
672
00:27:37,360 --> 00:27:39,490
The mic stand
is an instrument.
673
00:27:39,530 --> 00:27:41,610
Moving around it,
coming to the side of it,
674
00:27:41,660 --> 00:27:44,280
and like, you know,
having that, like, control,
675
00:27:44,330 --> 00:27:46,160
we call it
motivated sound.
676
00:27:46,200 --> 00:27:48,580
Like, people are hearing stuff,
but they want to see the visual.
677
00:27:48,620 --> 00:27:50,370
Like, what's motivating
that feel?
True.
678
00:27:50,420 --> 00:27:52,750
It reminds us
that you controlling that --
679
00:27:52,790 --> 00:27:54,590
that piece on the stage.
Man, yes.
680
00:27:54,630 --> 00:27:56,050
But again,
you got it, dude.
Yeah.
681
00:27:56,090 --> 00:27:57,670
I got to take it
back to the living room.
682
00:27:57,710 --> 00:28:00,430
Jamar, on this performance,
if he can really lead the band
683
00:28:00,470 --> 00:28:03,260
and keep his identity
front and center onstage,
684
00:28:03,300 --> 00:28:06,060
not only will the crowd
and everybody else love him,
685
00:28:06,100 --> 00:28:07,720
but I would have him
in my top two.
686
00:28:07,770 --> 00:28:09,480
Chance: I'll see you soon,
Jamar.
See you soon.
687
00:28:09,520 --> 00:28:10,940
My guy.
Yes, sir.
688
00:28:10,980 --> 00:28:12,480
[ Cheers and applause ]
689
00:28:12,520 --> 00:28:14,810
Ooh.
This is gonna be
so good.
690
00:28:14,860 --> 00:28:16,190
My team is fire.
691
00:28:16,230 --> 00:28:17,980
Daly: Singing
"The Thrill Is Gone,"
692
00:28:18,030 --> 00:28:19,740
here's Jamar Langley.
693
00:28:19,780 --> 00:28:21,820
[ Cheers and applause ]
694
00:28:21,860 --> 00:28:23,910
[ Guitar strums ]
695
00:28:23,950 --> 00:28:27,950
**
696
00:28:27,990 --> 00:28:30,410
* The thrill is gone *
697
00:28:30,460 --> 00:28:32,710
**
698
00:28:32,750 --> 00:28:35,840
* The thrill is gone away *
699
00:28:35,880 --> 00:28:38,090
Yeah.
700
00:28:38,130 --> 00:28:40,340
* The thrill is gone *
701
00:28:40,380 --> 00:28:41,840
**
702
00:28:41,880 --> 00:28:42,970
* Hey *
703
00:28:43,010 --> 00:28:46,550
* The thrill is gone away *
704
00:28:46,600 --> 00:28:48,390
**
705
00:28:48,430 --> 00:28:51,020
* You know
you done me wrong, baby *
706
00:28:51,060 --> 00:28:54,270
* And you'll be sorry someday *
707
00:28:54,310 --> 00:28:56,650
Band, come on
with the second verse.
708
00:28:56,690 --> 00:28:58,940
**
709
00:28:58,980 --> 00:29:01,700
* The thrill is gone *
710
00:29:01,740 --> 00:29:04,360
* It's gone away from me *
711
00:29:04,410 --> 00:29:09,200
**
712
00:29:09,240 --> 00:29:11,370
* The thrill is gone *
713
00:29:11,410 --> 00:29:12,580
* Ha *
714
00:29:12,620 --> 00:29:17,460
* Hey, is gone away
from me, yeah *
715
00:29:17,500 --> 00:29:18,960
* Yes, it is *
716
00:29:19,000 --> 00:29:22,090
* Although I'll be
living on, baby *
717
00:29:22,130 --> 00:29:26,050
* So lonely I'll be *
718
00:29:26,090 --> 00:29:28,300
Break the music.
Break the music right here.
719
00:29:28,350 --> 00:29:29,220
Whoo!
720
00:29:29,260 --> 00:29:32,890
* The thrill is gone *
721
00:29:32,930 --> 00:29:34,810
* Is gone away for good *
722
00:29:34,850 --> 00:29:37,480
* Yes, it is, yes, it is *
723
00:29:37,520 --> 00:29:39,770
**
724
00:29:39,820 --> 00:29:43,780
* The thrill is gone *
725
00:29:43,820 --> 00:29:44,900
* Hey *
726
00:29:44,950 --> 00:29:49,240
* Is gone away for good *
727
00:29:49,280 --> 00:29:52,540
* Someday I'll be moving on,
baby *
728
00:29:52,580 --> 00:29:55,960
* Just like I know
a good man like me should *
729
00:29:56,000 --> 00:29:57,290
* 'Cause I've been a good boy *
730
00:29:57,330 --> 00:29:59,090
* Take it to the bridge *
731
00:29:59,130 --> 00:30:00,300
* I'm free now, baby *
732
00:30:00,340 --> 00:30:01,420
* Thrill is gone *
733
00:30:01,460 --> 00:30:03,170
* I'm free from your spell *
734
00:30:03,210 --> 00:30:04,170
* Thrill is gone *
735
00:30:04,220 --> 00:30:05,720
* I'm free now, baby *
736
00:30:05,760 --> 00:30:06,800
* Thrill is gone *
737
00:30:06,840 --> 00:30:08,090
* I'm free from your spell *
738
00:30:08,140 --> 00:30:09,180
* Thrill is gone *
739
00:30:09,220 --> 00:30:10,850
* And when it's all over *
740
00:30:10,890 --> 00:30:12,020
* Thrill is gone *
741
00:30:12,060 --> 00:30:13,270
* When it's all over *
742
00:30:13,310 --> 00:30:14,350
* Thrill is gone *
743
00:30:14,390 --> 00:30:16,850
* When it's all over *
744
00:30:16,900 --> 00:30:18,770
* I'm gonna wish you well *
745
00:30:18,810 --> 00:30:21,110
* Yeah, yeah *
746
00:30:21,150 --> 00:30:23,490
* When it's all over *
747
00:30:23,530 --> 00:30:27,910
* All I can do
is wish you well *
748
00:30:27,950 --> 00:30:29,620
**
749
00:30:29,660 --> 00:30:31,410
* Yeah, yeah *
750
00:30:31,450 --> 00:30:36,620
* When it's all over *
751
00:30:36,670 --> 00:30:41,210
* All I can do
is wish you well *
752
00:30:41,250 --> 00:30:45,970
* Ha, baby,
now the thrill is gone *
753
00:30:46,010 --> 00:30:49,430
[ Cheers and applause ]
754
00:30:49,470 --> 00:30:52,220
**
755
00:30:52,260 --> 00:30:53,890
He was awesome!
756
00:30:53,930 --> 00:30:55,140
That was so good!
757
00:30:55,180 --> 00:30:57,940
I'm telling you, man!
Whoa.
758
00:30:57,980 --> 00:30:59,310
Oh, my God!
Daly: Jamar, great job.
759
00:30:59,350 --> 00:31:00,650
Let's get some thoughts
from our coaches.
760
00:31:00,690 --> 00:31:01,770
Kelly Clarkson.
761
00:31:01,820 --> 00:31:04,110
You are
incredibly cool, man.
Right?
762
00:31:04,150 --> 00:31:05,900
Oh.
Jamar: Thank you. Thank you.
763
00:31:05,940 --> 00:31:08,240
I mean,
you just walk onstage,
764
00:31:08,280 --> 00:31:10,370
the music hadn't even started,
and I already want to be you.
765
00:31:10,410 --> 00:31:12,490
Like, you're just
a cool dude.
766
00:31:12,530 --> 00:31:14,120
When you play,
it's like your body
767
00:31:14,160 --> 00:31:15,700
is singing with your voice.
768
00:31:15,750 --> 00:31:18,830
That was such
a great performance.
Thank you so much.
769
00:31:18,870 --> 00:31:20,580
I appreciate it.
Daly: Thank you, Kelly.
Blake.
770
00:31:20,630 --> 00:31:23,000
Chance, your team --
you got some really big singers.
771
00:31:23,040 --> 00:31:26,050
I don't know how he stacks up
against everybody else,
772
00:31:26,090 --> 00:31:29,470
but I think from the standpoint
of just what you do vocally,
773
00:31:29,510 --> 00:31:30,430
you nail it.
774
00:31:30,470 --> 00:31:32,180
And then to mix in
the guitar,
775
00:31:32,220 --> 00:31:33,890
I think you got
to move him forward.
776
00:31:33,930 --> 00:31:35,310
[ Cheers and applause ]
777
00:31:35,350 --> 00:31:37,680
And again, it's my show,
and so what I say is --
778
00:31:37,730 --> 00:31:39,600
So I have to do what --
Alright, what you said.
779
00:31:39,640 --> 00:31:41,060
[ Laughter ]
780
00:31:41,100 --> 00:31:43,360
Niall.
Your voice just sounds
781
00:31:43,400 --> 00:31:46,030
so familiar to me
in the best way possible.
782
00:31:46,070 --> 00:31:47,530
And the conversational.
I forgot to say that.
783
00:31:47,570 --> 00:31:49,280
But you were, like,
laughing and playful.
784
00:31:49,320 --> 00:31:50,700
It was, like --
It was so cool.
785
00:31:50,740 --> 00:31:53,490
Usually you're like,
shy Jamar, you know?
786
00:31:53,530 --> 00:31:56,660
Time to bring the beast out.
That's it.
Yeah! [ Laughs ]
787
00:31:56,700 --> 00:31:58,460
Showed up.
[ Cheers and applause ]
788
00:31:58,500 --> 00:32:00,670
Well, I'll tell you what,
Chance, Jamar's your guy.
789
00:32:00,710 --> 00:32:02,750
I appreciate that.
I appreciate that.
790
00:32:02,790 --> 00:32:04,210
Jamar, let's see
what your coach thinks.
791
00:32:04,250 --> 00:32:06,670
Chance.
My favorite thing overall
792
00:32:06,710 --> 00:32:08,720
was your interaction
with the band.
793
00:32:08,760 --> 00:32:11,010
Like, all of those
directional qualities
794
00:32:11,050 --> 00:32:14,300
of being a real live performer,
like, next is the lives.
795
00:32:14,350 --> 00:32:15,720
Like, this is, like,
the last chance I get
796
00:32:15,760 --> 00:32:18,390
to pick who's gonna be
on Team Chance,
797
00:32:18,430 --> 00:32:20,770
and you just made
a really, really strong case.
798
00:32:20,810 --> 00:32:22,900
You just showed up today.
That was just raw.
799
00:32:22,940 --> 00:32:25,860
Thank you.
How about another big hand
for Jamar Langley, everybody?
800
00:32:25,900 --> 00:32:27,400
[ Cheers and applause ]
801
00:32:27,440 --> 00:32:31,280
Jamar. My boy Jamar.
He just went off.
802
00:32:31,320 --> 00:32:33,950
His technical ability,
his pitch, his timing.
803
00:32:33,990 --> 00:32:36,410
This round is definitely making
people bring their A-game.
804
00:32:36,450 --> 00:32:39,040
I have no idea how
I'm gonna pick only two.
805
00:32:39,080 --> 00:32:41,460
I keep trying to tell y'all
my whole team is fire.
806
00:32:41,500 --> 00:32:43,830
And that was really cool.
That was so good.
807
00:32:43,880 --> 00:32:46,880
Chance, pick me so we can go
ahead and win this thing.
808
00:32:46,920 --> 00:32:50,220
I just realized there's
spider webs and a spider
809
00:32:50,260 --> 00:32:52,380
on my chair right now.
I actually love spiders.
810
00:32:52,430 --> 00:32:54,470
Grab it. I dare you.
Okay.
811
00:32:54,510 --> 00:32:56,930
Blake:
You like spiders?
Yeah.
812
00:32:56,970 --> 00:32:59,270
I've never seen this.
I need to take a video of it.
Can you see it?
813
00:32:59,310 --> 00:33:02,390
[ Laughter ]
We got Kelly Clarkson here
814
00:33:02,440 --> 00:33:03,770
walking her pet spider.
I don't want it
to fall.
815
00:33:03,810 --> 00:33:05,730
Possibly the coolest
and grossest thing
816
00:33:05,770 --> 00:33:07,400
I've ever seen
on the set of "The Voice."
817
00:33:07,440 --> 00:33:09,150
There you go.
You can come on my chair.
818
00:33:09,190 --> 00:33:13,200
Now it's my spider.
Ew. [ Laughs ]
819
00:33:20,000 --> 00:33:21,200
* This is "The Voice" *
820
00:33:21,250 --> 00:33:23,670
Daly: Welcome back
to the playoffs.
821
00:33:23,710 --> 00:33:25,710
Kelly: There's a little
baby spider, so don't --
822
00:33:25,750 --> 00:33:28,090
I was just telling you
not to kill it.
823
00:33:28,130 --> 00:33:29,920
I took it
from Chance's chair.
824
00:33:29,960 --> 00:33:32,470
Chance: I think I'm covered
in spider webs right now.
825
00:33:32,510 --> 00:33:34,220
I'm letting her hang with me.
[ Laughs ]
826
00:33:34,260 --> 00:33:35,840
[ Laughter ]
827
00:33:35,890 --> 00:33:37,600
Now it's the Michigan
country singer
828
00:33:37,640 --> 00:33:40,020
who's singing a number-one
country hit tonight --
829
00:33:40,060 --> 00:33:41,270
Grace West.
830
00:33:41,310 --> 00:33:43,810
Blake: Grace,
she's so consistent.
831
00:33:43,850 --> 00:33:46,770
She's got this pure,
real country tone
832
00:33:46,810 --> 00:33:49,440
that kind of takes me back
to my favorite days
833
00:33:49,480 --> 00:33:51,190
in country music,
which is the '80s.
834
00:33:51,230 --> 00:33:53,990
Grace is my last country artist.
835
00:33:54,030 --> 00:33:56,910
* Maybe it was Memphis *
836
00:33:56,950 --> 00:33:59,410
Niall:
Grace's voice is incredible.
837
00:33:59,450 --> 00:34:01,790
She knows all of the nuances
in a country singer,
838
00:34:01,830 --> 00:34:04,370
and it's a kind of voice
that you can't really teach.
839
00:34:04,410 --> 00:34:06,960
Oh, my gosh.
I was so sad.
Hi.
840
00:34:07,000 --> 00:34:08,710
I thought you
weren't coming.
Oh, pfft.
841
00:34:08,750 --> 00:34:10,880
I was like, "Oh,
Grace forgot about me."
Never.
842
00:34:10,920 --> 00:34:12,710
Blake:
Grace is only 19 years old,
843
00:34:12,760 --> 00:34:15,340
and she already has
a publishing deal in Nashville.
844
00:34:15,380 --> 00:34:16,680
It's a lot less stressful
coming in here
845
00:34:16,720 --> 00:34:18,050
and not having Reba
looking at you
846
00:34:18,090 --> 00:34:19,600
when you're
about to sing.
[ Laughs ]
847
00:34:19,640 --> 00:34:21,350
And now this exposure
here on the show,
848
00:34:21,390 --> 00:34:23,430
she's just literally
one step away now
849
00:34:23,480 --> 00:34:26,230
from being the next star
on country radio.
850
00:34:26,270 --> 00:34:29,230
This is "Love Is Alive"
by The Judds.
851
00:34:29,270 --> 00:34:30,480
Do you know this song?
852
00:34:30,520 --> 00:34:32,440
I never sang it before,
but I know it.
853
00:34:32,480 --> 00:34:34,400
Have you done any Wynonna
at all?
854
00:34:34,440 --> 00:34:35,860
One of the first songs
I learned on guitar,
855
00:34:35,900 --> 00:34:37,860
especially playing out at gigs,
I learned "Grandpa."
856
00:34:37,910 --> 00:34:40,910
Well, my guitar I got
from my grandpa when I learned.
857
00:34:40,950 --> 00:34:42,740
And it's got my great
grandmother's name
858
00:34:42,790 --> 00:34:44,330
engraved in the top.
Is that the one?
859
00:34:44,370 --> 00:34:45,910
Yes, this is the one.
Whoa. Let me see.
860
00:34:45,960 --> 00:34:47,790
So...
861
00:34:47,830 --> 00:34:50,170
Got her name on a little
nameplate right here.
Look at that.
862
00:34:50,210 --> 00:34:54,800
* Love ain't a candle *
863
00:34:54,840 --> 00:34:58,090
I was 13 when I first got
this guitar from my grandpa.
864
00:34:58,130 --> 00:35:00,550
I started taking it with me
to gig places,
865
00:35:00,600 --> 00:35:02,010
and I brought it to Nashville
866
00:35:02,060 --> 00:35:04,100
every time I would
travel down to write.
867
00:35:04,140 --> 00:35:08,350
So it has been with me
for every major musical event
868
00:35:08,400 --> 00:35:09,980
and experience I've had.
869
00:35:10,020 --> 00:35:12,520
Having the guitar with me is
like having my family with me.
870
00:35:12,570 --> 00:35:15,360
* Love is alive
and at our breakfast table *
871
00:35:15,400 --> 00:35:17,610
* Every day of the week *
872
00:35:17,650 --> 00:35:19,660
Blake: I totally think
that Grace fits in
873
00:35:19,700 --> 00:35:21,870
in what's happening
in country music right now.
874
00:35:21,910 --> 00:35:24,080
The movement,
especially for females, is
875
00:35:24,120 --> 00:35:27,660
it's leaning more traditional
than it has in years.
876
00:35:27,710 --> 00:35:30,960
Blake: Well, I just think you
have such a pure-sounding voice,
877
00:35:31,000 --> 00:35:34,300
and get enough air that you can
really milk those parts.
878
00:35:34,340 --> 00:35:36,210
Just go out there
and be Grace.
879
00:35:36,260 --> 00:35:37,670
Alright.
880
00:35:37,720 --> 00:35:40,260
Representing Blake
in his final lives
881
00:35:40,300 --> 00:35:43,390
as a country artist --
the only one on his team --
882
00:35:43,430 --> 00:35:45,270
that would be a dream come true.
883
00:35:45,310 --> 00:35:46,640
Thank you.
Yes, ma'am.
Thank you, buddy.
884
00:35:46,680 --> 00:35:48,140
I'm so excited.
Me, too.
885
00:35:48,180 --> 00:35:50,480
I want to make the live shows
to prove to myself
886
00:35:50,520 --> 00:35:53,610
that I can do this,
then move to Nashville.
887
00:35:53,650 --> 00:35:54,980
I'm not going to college.
888
00:35:55,030 --> 00:35:57,240
Like, I'm eat, sleeping,
and breathing music.
889
00:35:57,280 --> 00:35:58,570
It will be all worth it.
890
00:35:58,610 --> 00:35:59,700
Alright.
See ya, buddy.
891
00:35:59,740 --> 00:36:02,070
See ya.
Thank you.
892
00:36:02,120 --> 00:36:04,620
[ Cheers and applause ]
893
00:36:04,660 --> 00:36:07,330
She got the hat out.
Yep. And the guit.
894
00:36:08,120 --> 00:36:12,000
Singing "Love Is Alive,"
here's Grace West.
895
00:36:12,040 --> 00:36:18,840
**
896
00:36:18,880 --> 00:36:24,430
* Love ain't a candle *
897
00:36:24,470 --> 00:36:27,680
* It doesn't burn
for one night *
898
00:36:27,720 --> 00:36:30,980
* And need the dark to shine *
899
00:36:31,020 --> 00:36:34,150
**
900
00:36:34,190 --> 00:36:37,360
* Love is alive *
901
00:36:37,400 --> 00:36:40,700
**
902
00:36:40,740 --> 00:36:46,620
* And love ain't just a word *
903
00:36:46,660 --> 00:36:50,370
* In every dictionary *
904
00:36:50,410 --> 00:36:53,120
* With nowhere defined *
905
00:36:53,170 --> 00:36:55,540
**
906
00:36:55,590 --> 00:36:59,050
* Love is a man and he's mine *
907
00:36:59,090 --> 00:37:02,880
**
908
00:37:02,930 --> 00:37:05,800
* Love is alive
and at our breakfast table *
909
00:37:05,850 --> 00:37:08,470
* Every day of the week *
910
00:37:08,520 --> 00:37:11,770
* Love is alive and it grows
every day and night *
911
00:37:11,810 --> 00:37:13,980
* Even in our sleep *
912
00:37:14,020 --> 00:37:18,900
* Love is alive and it's made
a happy woman out of me *
913
00:37:18,940 --> 00:37:23,490
* Oh, love is alive *
914
00:37:23,530 --> 00:37:27,910
* And here by me *
915
00:37:27,950 --> 00:37:30,450
**
916
00:37:30,500 --> 00:37:35,920
* And love ain't just a mood *
917
00:37:35,960 --> 00:37:39,300
* A distant, far away dream *
918
00:37:39,340 --> 00:37:43,130
* That needs the night to rise *
919
00:37:43,170 --> 00:37:46,010
**
920
00:37:46,050 --> 00:37:51,220
* Love is alive *
921
00:37:51,270 --> 00:37:55,560
* Oh, love is alive
and at our breakfast table *
922
00:37:55,600 --> 00:37:58,110
* Every day of the week *
923
00:37:58,150 --> 00:38:01,480
* Love is alive and it grows
every day and night *
924
00:38:01,530 --> 00:38:03,780
* Even in our sleep *
925
00:38:03,820 --> 00:38:08,620
* Love is alive and it's made
a happy woman out of me *
926
00:38:08,660 --> 00:38:12,830
* Oh, love is alive *
927
00:38:12,870 --> 00:38:17,460
* And here by me *
928
00:38:17,500 --> 00:38:18,880
[ Cheers and applause ]
929
00:38:18,920 --> 00:38:30,060
* Love is aliiiiiiiive *
930
00:38:30,100 --> 00:38:35,230
* Here by me *
931
00:38:36,480 --> 00:38:40,650
* Ooh, ooh *
932
00:38:40,690 --> 00:38:43,230
[ Cheers and applause ]
933
00:38:43,280 --> 00:38:46,030
Now we're talking!
Daly: Give it up for Grace West.
934
00:38:46,070 --> 00:38:47,450
Whoo!
935
00:38:47,490 --> 00:38:48,910
Way to go. Let's get some
thoughts from our coaches.
936
00:38:48,950 --> 00:38:50,200
We'll start with Niall.
937
00:38:50,240 --> 00:38:51,990
Whoo. Say good stuff, buddy.
That was good.
938
00:38:52,040 --> 00:38:54,660
I d-- I don't have any bad
things to say about this girl.
939
00:38:54,700 --> 00:38:57,080
Since day one,
I've just been a massive fan.
940
00:38:57,120 --> 00:38:59,040
And no matter what happens
on this show --
941
00:38:59,080 --> 00:39:00,840
I think you should
send her through --
942
00:39:00,880 --> 00:39:02,460
there's no doubt
that you will have a career.
943
00:39:02,500 --> 00:39:05,510
You've got the most authentic,
yet familiar voice
944
00:39:05,550 --> 00:39:07,680
that you could possibly hear
coming out of country music.
945
00:39:07,720 --> 00:39:09,340
And I'm all in for it.
946
00:39:09,390 --> 00:39:11,010
Thank you.
947
00:39:11,050 --> 00:39:12,890
Daly: Chance.
There's a reason
you made it this far.
948
00:39:12,930 --> 00:39:14,930
It's 'cause you have
great control
949
00:39:14,970 --> 00:39:17,020
and a strong sense of self
in your identity,
950
00:39:17,060 --> 00:39:19,270
and it shows in, like,
your song selection.
951
00:39:19,310 --> 00:39:21,650
If I was Blake
and I wanted to win the show,
952
00:39:21,690 --> 00:39:24,690
I would probably --
I've thought about winning --
wanting to win.
953
00:39:24,730 --> 00:39:27,070
So that makes sense, yeah.
Exactly.
954
00:39:27,110 --> 00:39:27,950
[ Laughter ]
955
00:39:27,990 --> 00:39:29,990
I'd go with Grace.
Okay.
956
00:39:30,030 --> 00:39:32,450
Daly: Kelly.
I'm such a fan of you.
957
00:39:32,490 --> 00:39:34,040
I love that
you're so young.
958
00:39:34,080 --> 00:39:37,870
You're 19, and you sing all this
great music that I grew up on.
959
00:39:37,910 --> 00:39:39,870
You have a very flawless way
of singing country music.
960
00:39:39,920 --> 00:39:41,580
It's just in your bones.
Yeah.
961
00:39:41,630 --> 00:39:43,040
I love this song so much,
962
00:39:43,090 --> 00:39:46,090
but I don't think this song
showcased the best of you,
963
00:39:46,130 --> 00:39:48,170
and I can't wait
to see that.
964
00:39:48,220 --> 00:39:51,300
I'm looking forward to what
you're gonna do.
Thank you, Coaches.
965
00:39:51,340 --> 00:39:53,430
Grace, let's see
what your coach thought.
966
00:39:53,470 --> 00:39:56,220
Blake.
I'm just trying
to still make some sense
967
00:39:56,270 --> 00:40:00,060
out of what Kelly said,
which is common around here.
968
00:40:00,100 --> 00:40:01,810
[ Laughter ]
It made sense.
969
00:40:01,860 --> 00:40:03,230
Well, you were just saying
that you loved the song,
970
00:40:03,270 --> 00:40:04,730
you loved her performance
of the song,
971
00:40:04,770 --> 00:40:06,190
but you wouldn't have
done that song.
972
00:40:06,230 --> 00:40:07,900
We're picking two people
out of five.
973
00:40:07,940 --> 00:40:10,240
I was just saying, I think
that song didn't do you justice
974
00:40:10,280 --> 00:40:12,780
for what you actually
are capable of, overall.
975
00:40:12,820 --> 00:40:15,580
Since the first time
I heard you sing,
976
00:40:15,620 --> 00:40:17,580
I've just been excited.
977
00:40:17,620 --> 00:40:20,210
I have this very unique
young artist
978
00:40:20,250 --> 00:40:22,960
that I get to work with
on my last season.
979
00:40:23,000 --> 00:40:25,590
The fact that you're the last
person I even hit my button for,
980
00:40:25,630 --> 00:40:27,630
it's just been really
exciting to me.
981
00:40:27,670 --> 00:40:30,930
And you did another great job
today, so awesome, Grace.
982
00:40:30,970 --> 00:40:33,180
Yeah.
Thank you so much.
983
00:40:33,220 --> 00:40:35,890
How about another big hand
for Grace West, everybody?
984
00:40:35,930 --> 00:40:39,770
Blake: Grace, she's been
consistent every single time.
985
00:40:39,810 --> 00:40:41,440
Grace: Thank you.
Great stuff.
986
00:40:41,480 --> 00:40:42,730
Blake: And I just love how
987
00:40:42,770 --> 00:40:44,860
she's just pure country
and nothing else.
988
00:40:44,900 --> 00:40:47,110
It's making this decision
even harder for me.
989
00:40:47,150 --> 00:40:50,240
I love her.
She's 19. She killed it.
990
00:40:50,280 --> 00:40:52,450
Grace West --
she's like country's next star.
991
00:40:52,490 --> 00:40:56,200
She's so cool. I would buy
that record tomorrow.
Yeah. Yeah.
992
00:41:02,500 --> 00:41:03,670
* This is "The Voice" *
993
00:41:03,710 --> 00:41:05,790
Daly: Welcome back.
994
00:41:05,840 --> 00:41:07,670
Some of them
surprised me today.
995
00:41:07,710 --> 00:41:09,090
I think they've been
so good.
996
00:41:09,130 --> 00:41:11,010
I think people came to want
to make the semifinals.
997
00:41:11,050 --> 00:41:12,970
Specifically.
I mean, just specifically.
998
00:41:13,010 --> 00:41:14,340
You know who,
specifically...
Specifically, Kala.
999
00:41:14,390 --> 00:41:15,890
...surprised me?
Yeah, she did.
1000
00:41:15,930 --> 00:41:17,640
She surprised me.
But what about my team?
1001
00:41:17,680 --> 00:41:19,020
I think NOIVAS
killed it.
Grace.
1002
00:41:19,060 --> 00:41:21,270
Do you regret letting NOIVAS
go off your team?
1003
00:41:21,310 --> 00:41:22,850
It was a play.
I gave him to you.
1004
00:41:22,890 --> 00:41:25,020
It was, like, "This guy
could win the show,
1005
00:41:25,060 --> 00:41:27,070
but he has to win
with Blake."
Got it.
1006
00:41:27,110 --> 00:41:29,070
[ Laughs ]
That's so kind.
Yeah.
1007
00:41:29,110 --> 00:41:30,990
Let's do this.
Alright, let's do it.
1008
00:41:31,030 --> 00:41:33,150
Now it's the Dallas soul singer
1009
00:41:33,200 --> 00:41:37,330
and Chance's Playoff Pass
artist, Manasseh Samone.
1010
00:41:38,700 --> 00:41:42,040
Chance: Manasseh -- I've been
keeping her in the tuck,
1011
00:41:42,080 --> 00:41:45,000
waiting for the opportunity
to win the whole thing with her.
1012
00:41:46,250 --> 00:41:48,670
Manasseh is my secret weapon.
1013
00:41:48,710 --> 00:41:50,340
[ Cheers and applause ]
Daly: Oh!
1014
00:41:50,380 --> 00:41:53,510
Chance: Manasseh,
my Playoff Pass winner...
1015
00:41:53,550 --> 00:41:55,390
I haven't seen her
in a couple of weeks.
1016
00:41:55,430 --> 00:41:57,510
I've been missing you.
I'mma be honest with you.
1017
00:41:57,550 --> 00:41:59,010
Aww.
You know?
1018
00:41:59,060 --> 00:42:00,810
Vice versa.
What do you think
about the song?
1019
00:42:00,850 --> 00:42:02,310
Manasseh: I am singing
"Speak The Name,"
1020
00:42:02,350 --> 00:42:03,480
by Koryn Hawthorne.
1021
00:42:03,520 --> 00:42:06,350
She was a contestant
on "The Voice."
1022
00:42:06,400 --> 00:42:08,310
She's, like,
Grammy-nominated now,
1023
00:42:08,360 --> 00:42:11,070
and knowing that she's
a contemporary Christian artist
1024
00:42:11,110 --> 00:42:14,150
as well,
it really paves the way for me.
1025
00:42:14,200 --> 00:42:17,740
This song is definitely, like,
a signification of my life
1026
00:42:17,780 --> 00:42:19,280
through all of
the dark times,
1027
00:42:19,330 --> 00:42:22,120
from not having my father
in my life,
1028
00:42:22,160 --> 00:42:26,290
and also, like, losing
my oldest brother.
1029
00:42:26,330 --> 00:42:28,630
I remember I would always,
you know, go to the church.
1030
00:42:28,670 --> 00:42:31,420
Amen. This the first time
we getting gospel on the show.
1031
00:42:31,460 --> 00:42:33,130
I'm so glad that it's you
bringing it to us.
1032
00:42:33,170 --> 00:42:36,930
* The atmosphere
is changing *
1033
00:42:36,970 --> 00:42:38,890
This song relates to me
'cause back home
1034
00:42:38,930 --> 00:42:40,510
I would worship at my church
1035
00:42:40,560 --> 00:42:43,220
and it would encourage
so many other people.
1036
00:42:43,270 --> 00:42:45,100
But they didn't know
behind closed doors
1037
00:42:45,140 --> 00:42:47,270
that I was dealing
with my own things.
1038
00:42:47,310 --> 00:42:50,360
My brother Ray had HIV/AIDS.
1039
00:42:50,400 --> 00:42:53,650
He stopped talking, and he
didn't even look like himself.
1040
00:42:53,690 --> 00:42:58,780
It's a tough story, but it
helped me be who I am today.
1041
00:42:58,820 --> 00:43:03,040
* The Name above
all other names *
1042
00:43:03,080 --> 00:43:06,160
When she gets onstage,
you really feel the lyrics.
1043
00:43:06,210 --> 00:43:09,250
You feel her talent.
You feel connected to her.
1044
00:43:09,290 --> 00:43:13,300
Witness for us, man.
That's what we need.
[ Chuckles ]
1045
00:43:13,340 --> 00:43:16,550
You are leading worship
with this.
[ Chuckles ]
1046
00:43:16,590 --> 00:43:20,890
Please stay in that mode.
Like, be all the way vulnerable.
1047
00:43:20,930 --> 00:43:22,430
I hope if make it to the lives
1048
00:43:22,470 --> 00:43:25,020
that I could just win
this whole thing. [ Laughs ]
1049
00:43:25,060 --> 00:43:26,940
And it would be crazy
'cause I don't think
1050
00:43:26,980 --> 00:43:28,850
a gospel artist has ever won.
1051
00:43:28,900 --> 00:43:30,770
Chance: I got to take
a picture with you.
[ Chuckles ]
1052
00:43:30,810 --> 00:43:31,770
[ Camera shutter clicks ]
1053
00:43:31,820 --> 00:43:34,230
I'm just ready to smash it.
1054
00:43:34,280 --> 00:43:37,240
[ Cheers and applause ]
1055
00:43:37,280 --> 00:43:40,070
With "Speak The Name,"
here's Manasseh Samone.
1056
00:43:40,120 --> 00:43:42,200
Manasseh?
Yeah.
1057
00:43:42,240 --> 00:43:49,000
**
1058
00:43:49,040 --> 00:43:52,840
* The atmosphere is changing *
1059
00:43:52,880 --> 00:43:56,340
* Nothing stays the same *
1060
00:43:56,380 --> 00:43:58,430
* Heaven is waiting *
1061
00:43:58,470 --> 00:44:03,050
* For the mention of the Name *
1062
00:44:03,100 --> 00:44:07,100
* The Spirit is moving *
1063
00:44:07,140 --> 00:44:10,770
* Burning like a flame *
1064
00:44:10,810 --> 00:44:14,020
* Healing the broken *
1065
00:44:14,070 --> 00:44:17,860
* By the One we proclaim *
1066
00:44:17,900 --> 00:44:21,610
* Raise it up *
1067
00:44:21,660 --> 00:44:23,780
* Fill the sky *
1068
00:44:23,830 --> 00:44:26,790
* Oh, chains will fall *
1069
00:44:26,830 --> 00:44:28,160
* Mountains move *
1070
00:44:28,200 --> 00:44:32,210
* We lift You high *
1071
00:44:32,250 --> 00:44:34,790
* Speak the Name *
1072
00:44:34,840 --> 00:44:39,550
* The Name above
all other names *
1073
00:44:39,590 --> 00:44:41,890
* Speak the Name *
1074
00:44:41,930 --> 00:44:46,510
* The Name
the wind and waves obey *
1075
00:44:46,560 --> 00:44:50,100
* All of heaven coming down *
1076
00:44:50,140 --> 00:44:53,690
* Fill the earth
with the sound *
1077
00:44:53,730 --> 00:44:56,900
* Of the Name *
1078
00:44:56,940 --> 00:45:00,860
* The Name of Jesus *
1079
00:45:00,900 --> 00:45:03,990
* Speak the Name *
1080
00:45:04,030 --> 00:45:09,410
* The Name of Jesus *
1081
00:45:09,450 --> 00:45:10,410
Whoo!
1082
00:45:10,460 --> 00:45:12,330
* Yeah *
1083
00:45:12,370 --> 00:45:15,920
* Wonderful Name *
1084
00:45:15,960 --> 00:45:19,760
* Glorious Name *
1085
00:45:19,800 --> 00:45:25,970
* Powerful Name of Jesus *
1086
00:45:26,010 --> 00:45:28,470
* Speak the name *
1087
00:45:28,520 --> 00:45:31,100
* The Name above
all other names *
1088
00:45:31,140 --> 00:45:33,190
* You gotta speak the Name *
1089
00:45:33,230 --> 00:45:34,270
* Speak the Name *
1090
00:45:34,310 --> 00:45:36,480
* Oh, he saved me *
1091
00:45:36,520 --> 00:45:38,020
* He healed me *
1092
00:45:38,070 --> 00:45:39,780
* He could do it for you *
1093
00:45:39,820 --> 00:45:43,280
* Oh, yeah *
1094
00:45:43,320 --> 00:45:47,410
* I'mma fill the earth
with the sound *
1095
00:45:47,450 --> 00:45:50,660
* Of the Name, whoo *
1096
00:45:50,700 --> 00:45:54,750
* The Name of Jesus *
1097
00:45:54,790 --> 00:45:58,000
* Speak the Name *
1098
00:45:58,040 --> 00:46:03,170
* The Name of Jesus *
1099
00:46:03,220 --> 00:46:07,260
[ Cheers and applause ]
1100
00:46:09,890 --> 00:46:11,520
**
1101
00:46:11,560 --> 00:46:12,850
Thank you.
1102
00:46:12,890 --> 00:46:15,440
Daly:
That is Manasseh Samone.
1103
00:46:15,480 --> 00:46:17,810
Let's get some thoughts
from Niall. Niall?
1104
00:46:17,860 --> 00:46:20,070
Oh, Manasseh,
that was insane.
1105
00:46:20,110 --> 00:46:21,320
You know, I could kind of
little bit
1106
00:46:21,360 --> 00:46:22,650
sense the nerves
early in the song.
1107
00:46:22,690 --> 00:46:24,240
You were trying
to come out here and prove
1108
00:46:24,280 --> 00:46:25,610
why you got
the Playoff Pass.
Mm-hmm.
1109
00:46:25,660 --> 00:46:27,410
By the end of that song,
you did exactly that.
1110
00:46:27,450 --> 00:46:29,450
Your stage performance was
better than I've ever seen it,
1111
00:46:29,490 --> 00:46:30,910
and it was so nice
to watch the passion
1112
00:46:30,950 --> 00:46:32,250
you really put in there.
1113
00:46:32,290 --> 00:46:33,620
You never, never put
a foot wrong, ever.
1114
00:46:33,660 --> 00:46:36,210
Thank you.
Thank you, Coach. Kelly?
1115
00:46:36,250 --> 00:46:38,340
I just love
a passionate performance.
1116
00:46:38,380 --> 00:46:40,800
You felt it. You meant it.
You believe it.
1117
00:46:40,840 --> 00:46:42,510
You look beautiful.
1118
00:46:42,550 --> 00:46:45,130
Thank you.
It looks like
a finale moment right now,
1119
00:46:45,180 --> 00:46:46,380
what's happening
onstage.
1120
00:46:46,430 --> 00:46:47,890
I don't know how
you're gonna choose.
1121
00:46:47,930 --> 00:46:49,510
Good luck.
Thanks, Kelly.
1122
00:46:49,550 --> 00:46:52,060
Daly: Blake?
Blake: The shaky parts,
1123
00:46:52,100 --> 00:46:54,140
trying to get up
to the level of energy,
1124
00:46:54,180 --> 00:46:56,440
or even pitch
in the first half,
1125
00:46:56,480 --> 00:46:58,360
and then once you
kind of cut loose,
1126
00:46:58,400 --> 00:47:01,480
you definitely put it together
there at the end.
1127
00:47:01,520 --> 00:47:03,440
I don't know what I'd do
if I was you, Chance.
1128
00:47:03,490 --> 00:47:05,450
You know what
she's capable of.
1129
00:47:05,490 --> 00:47:08,530
So tough one
for you, buddy.
Chance, what are you thinking,
bud?
1130
00:47:08,570 --> 00:47:11,530
That was the best
performance.
Thank you.
1131
00:47:11,580 --> 00:47:13,700
And there's people that are
watching at home right now,
1132
00:47:13,750 --> 00:47:15,370
their eyes are
welling up with tears
1133
00:47:15,410 --> 00:47:18,460
'cause you just professed
the name Jesus
1134
00:47:18,500 --> 00:47:21,420
in front of 10 million-plus
viewers at home.
1135
00:47:21,460 --> 00:47:24,840
So I think the fact
that you've been on the show
1136
00:47:24,880 --> 00:47:27,220
a season before and didn't
make it past blinds,
1137
00:47:27,260 --> 00:47:29,930
you came back
and got the Playoff Pass,
1138
00:47:29,970 --> 00:47:33,560
you're here performing a song
from a past "Voice" contestant
1139
00:47:33,600 --> 00:47:36,560
who went on to make it huge
as a gospel artist.
1140
00:47:36,600 --> 00:47:39,060
It feels very ordained,
and I thought it was
1141
00:47:39,100 --> 00:47:41,730
the coolest thing
I've seen so far.
Oh, thank you.
1142
00:47:41,770 --> 00:47:44,480
How about another big hand
for Manasseh Samone?
1143
00:47:44,530 --> 00:47:46,240
[ Cheers and applause ]
1144
00:47:46,280 --> 00:47:48,410
Chance: Manasseh's performance
was insane.
1145
00:47:48,450 --> 00:47:51,070
She really bared herself
and beared witness.
1146
00:47:51,120 --> 00:47:55,080
But Kala, it was just
such a beautiful performance.
1147
00:47:55,120 --> 00:47:56,710
It showed off
her vocal strength.
1148
00:47:56,750 --> 00:47:57,910
And then we got Jamar.
1149
00:47:57,960 --> 00:47:59,580
He really came out of his shell.
1150
00:47:59,620 --> 00:48:01,460
I feel kinda bad for Blake,
him having to make a decision
1151
00:48:01,500 --> 00:48:03,040
with all these talented people.
1152
00:48:03,090 --> 00:48:05,380
Not -- Not as tough
as the decision I have to make.
1153
00:48:05,420 --> 00:48:07,590
I'm gonna draw
a flame for you guys,
1154
00:48:07,630 --> 00:48:10,890
'cause my team is -- is fire.
[ Laughs ]
1155
00:48:10,930 --> 00:48:11,970
Daly: Coming up...
1156
00:48:12,010 --> 00:48:15,060
* Something's got a hold on me *
1157
00:48:15,100 --> 00:48:17,480
* Oh,
it's got a hold on me **
1158
00:48:17,520 --> 00:48:21,730
* You don't need no other body *
1159
00:48:21,770 --> 00:48:23,940
This is cheating.
[ Laughter ]
1160
00:48:23,980 --> 00:48:25,730
It's too perfect.
1161
00:48:25,780 --> 00:48:26,740
Daly: And later...
1162
00:48:26,780 --> 00:48:29,400
Who will move on
to the semifinals?
1163
00:48:29,450 --> 00:48:31,780
Blake, are you ready?
1164
00:48:31,820 --> 00:48:33,700
No, I'm nervous.
1165
00:48:40,000 --> 00:48:41,120
* This is "The Voice" *
1166
00:48:41,170 --> 00:48:42,920
Daly: Welcome back
to the playoffs.
1167
00:48:42,960 --> 00:48:46,130
Kylee, I think one of the first
times I heard you
1168
00:48:46,170 --> 00:48:47,760
was singing
"All By Myself,"
1169
00:48:47,800 --> 00:48:52,180
and when you hit that note
at the end, I just...
1170
00:48:52,220 --> 00:48:53,550
Exactly.
[ Chuckles ]
1171
00:48:53,600 --> 00:48:55,470
It's, like, beautiful
no matter what you do.
1172
00:48:55,510 --> 00:48:57,680
Oh, thanks.
You're okay.
1173
00:48:57,720 --> 00:48:59,310
[ Laughter ]
1174
00:48:59,350 --> 00:49:01,350
Blake: Kylee's got range
all over the place
1175
00:49:01,390 --> 00:49:02,650
from the top to the bottom,
1176
00:49:02,690 --> 00:49:04,560
and every time
she gets on this stage,
1177
00:49:04,610 --> 00:49:06,400
she's blowing the roof
off this place
1178
00:49:06,440 --> 00:49:09,440
with just the power
and skill set that she has.
1179
00:49:09,490 --> 00:49:12,280
Kylee is my surprising
pop star.
1180
00:49:12,320 --> 00:49:16,870
* All by myself *
1181
00:49:16,910 --> 00:49:18,160
* Anymooore *
1182
00:49:18,200 --> 00:49:20,370
You really got in there
and you just kept going,
1183
00:49:20,410 --> 00:49:22,080
and it was incredible.
1184
00:49:22,120 --> 00:49:23,670
Congratulations.
Thank you.
1185
00:49:23,710 --> 00:49:25,920
Thank youfor blowing
the roof off the place.
1186
00:49:25,960 --> 00:49:28,550
[ Chuckles ]
When you do a gig,
do you sing like that?
1187
00:49:28,590 --> 00:49:31,300
I don't do anything
at home.
1188
00:49:31,340 --> 00:49:33,130
I just, like,
sing in my bedroom.
1189
00:49:33,180 --> 00:49:34,260
Wow.
1190
00:49:34,300 --> 00:49:35,890
* We were gold *
1191
00:49:35,930 --> 00:49:38,560
For the playoffs, I'm singing
"Flowers" by Miley Cyrus.
1192
00:49:38,600 --> 00:49:40,390
I'm gonna be singing about
how I don't need anybody
1193
00:49:40,430 --> 00:49:41,890
to make me happy.
1194
00:49:41,940 --> 00:49:43,940
There was a time when my parents
had just got divorced
1195
00:49:43,980 --> 00:49:47,020
and my mom was struggling
to find herself,
1196
00:49:47,070 --> 00:49:48,730
and then I literally
watched her journey
1197
00:49:48,780 --> 00:49:51,240
figuring out how to do things
without a man.
1198
00:49:51,280 --> 00:49:54,410
* I can buy myself flowers *
1199
00:49:54,450 --> 00:49:56,490
She has just always
shown me and my sister
1200
00:49:56,530 --> 00:49:59,200
that we can do anything
we put our minds to,
1201
00:49:59,240 --> 00:50:02,710
and I genuinely wouldn't be
experiencing any of this
1202
00:50:02,750 --> 00:50:03,870
without her.
1203
00:50:03,920 --> 00:50:06,580
* Say things you don't
understand *
1204
00:50:06,630 --> 00:50:08,250
Blake: This song,
it's a current hit.
1205
00:50:08,290 --> 00:50:11,510
She is an artist that could
fit in on the radio right now,
1206
00:50:11,550 --> 00:50:13,260
and it's cool to be able
to experience that
1207
00:50:13,300 --> 00:50:15,300
and see her discover
that for herself.
1208
00:50:15,340 --> 00:50:16,550
So good.
1209
00:50:16,590 --> 00:50:18,640
Ugh, I love singing that song!
It's so fun!
1210
00:50:18,680 --> 00:50:19,890
[ Chuckles ]
1211
00:50:19,930 --> 00:50:22,060
I was doing it
with my guitar last night,
1212
00:50:22,100 --> 00:50:24,270
and I have some ideas.
1213
00:50:24,310 --> 00:50:25,600
Okay.
1214
00:50:25,650 --> 00:50:33,280
* Started to cry,
but then remembered I *
1215
00:50:33,320 --> 00:50:35,610
And then, like, take it
to the regular.
I love it.
1216
00:50:35,660 --> 00:50:36,910
Paul: We could
certainly add him
1217
00:50:36,950 --> 00:50:38,700
playing the guitar
in the front of it.
1218
00:50:38,740 --> 00:50:40,290
That stop, I think,
is pretty important.
Yeah, yeah.
1219
00:50:40,330 --> 00:50:41,450
We can give
an extra bar there, sure.
1220
00:50:41,490 --> 00:50:42,830
Okay. Yeah.
1221
00:50:42,870 --> 00:50:44,790
Kylee definitely has
a vision for herself,
1222
00:50:44,830 --> 00:50:47,630
and it's just super impressive
for somebody, you know,
1223
00:50:47,670 --> 00:50:51,130
who hasn't had any experience
to kind of take it by the reins.
1224
00:50:51,170 --> 00:50:52,670
My mom is such
a girlboss,
1225
00:50:52,710 --> 00:50:54,880
and I'm just gonna channel
her energy onstage
1226
00:50:54,920 --> 00:50:56,220
and just slay.
1227
00:50:56,260 --> 00:50:57,430
Have you heard
that word before?
1228
00:50:57,470 --> 00:50:58,930
Girlboss?
Slay.
1229
00:50:58,970 --> 00:51:00,220
Oh, oh, God, yeah.
1230
00:51:00,260 --> 00:51:02,810
[ Laughter ]
I'm gonna slay.
1231
00:51:02,850 --> 00:51:05,440
I wanna make the lives just
'cause I wanna continue to grow.
1232
00:51:05,480 --> 00:51:09,020
Going from my bedroom
to a live TV audience,
1233
00:51:09,060 --> 00:51:10,730
that would be insane.
1234
00:51:10,770 --> 00:51:12,400
That's what the kids
say now, "slay."
1235
00:51:12,440 --> 00:51:13,820
It's like you killed it,
not like you're in
1236
00:51:13,860 --> 00:51:15,570
a transportation mechanism
with horses.
1237
00:51:15,610 --> 00:51:16,860
It's not like a sleigh,
like a --
1238
00:51:16,910 --> 00:51:18,280
Well, then, maybe
I don't understand.
1239
00:51:18,320 --> 00:51:20,160
It's not like a one-horse
open sleigh.
1240
00:51:20,200 --> 00:51:22,120
[ Cheers and applause ]
1241
00:51:22,160 --> 00:51:23,950
Whoo!
1242
00:51:24,000 --> 00:51:25,080
Whoo!
1243
00:51:25,120 --> 00:51:29,580
With "Flowers,"
here's Kylee Dayne.
1244
00:51:29,630 --> 00:51:31,130
I hope she smashes it.
1245
00:51:31,170 --> 00:51:34,340
**
1246
00:51:34,380 --> 00:51:36,510
* We were good *
1247
00:51:36,550 --> 00:51:38,390
* We were gold *
1248
00:51:38,430 --> 00:51:42,470
* Kinda dream
that can't be sold *
1249
00:51:42,510 --> 00:51:46,480
* We were right
till we weren't *
1250
00:51:46,520 --> 00:51:50,690
* Built a home
and watched it burn *
1251
00:51:50,730 --> 00:51:54,940
* Mm, I didn't wanna leave you,
I didn't wanna lie *
1252
00:51:54,980 --> 00:52:01,910
* Started to cry,
but then remembered I *
1253
00:52:01,950 --> 00:52:05,950
* I can buy myself flowers *
1254
00:52:06,000 --> 00:52:09,830
* Write my name in the sand *
1255
00:52:09,870 --> 00:52:13,840
* Talk to myself for hours *
1256
00:52:13,880 --> 00:52:17,880
* Say things you don't
understand *
1257
00:52:17,920 --> 00:52:22,430
* And I can take myself
dancing, ohhh *
1258
00:52:22,470 --> 00:52:25,060
* I can hold my own hand *
1259
00:52:25,100 --> 00:52:30,100
* Yeah, I can love me better
than you can *
1260
00:52:30,150 --> 00:52:34,400
* Can love me better,
I can love me better, baby *
1261
00:52:34,440 --> 00:52:36,570
* Can love me better, I... *
1262
00:52:36,610 --> 00:52:37,570
* I can love me better *
1263
00:52:37,610 --> 00:52:39,240
* Paint my nails *
1264
00:52:39,280 --> 00:52:41,410
Whoo!
* Cherry red *
1265
00:52:41,450 --> 00:52:45,490
* Match the roses
that you left *
1266
00:52:45,540 --> 00:52:49,580
* No remorse, no regret *
1267
00:52:49,620 --> 00:52:53,000
* I forgive every word
you said *
1268
00:52:53,040 --> 00:52:56,250
* Hey, I didn't wanna
leave, baby *
1269
00:52:56,300 --> 00:52:58,380
* I didn't wanna fight *
1270
00:52:58,420 --> 00:53:03,350
* Started to cry, remembered I *
1271
00:53:03,390 --> 00:53:06,010
* I can buy myself flowers *
1272
00:53:06,060 --> 00:53:07,390
* Ohhh *
1273
00:53:07,430 --> 00:53:08,890
* Write my name in the sand *
1274
00:53:08,930 --> 00:53:11,100
* I'll write my name
in the sand *
1275
00:53:11,140 --> 00:53:12,230
* Talk to myself *
1276
00:53:12,270 --> 00:53:14,810
* For hours *
1277
00:53:14,860 --> 00:53:18,190
* Say things you don't
understand *
1278
00:53:18,230 --> 00:53:22,410
* Ohhhh, I can take
myself dancing *
1279
00:53:22,450 --> 00:53:26,080
* Ohhh, I can hold my own hand *
1280
00:53:26,120 --> 00:53:30,120
* Yeah, I can love me better
than *
1281
00:53:30,160 --> 00:53:34,170
* Yeah, I can love me
better than *
1282
00:53:34,210 --> 00:53:39,920
* Yeah, I can love me better
than you can *
1283
00:53:39,960 --> 00:53:43,470
* Can love me better,
I can love me better, baby *
1284
00:53:43,510 --> 00:53:46,810
* Can love me better,
I can love me better, baby *
1285
00:53:46,850 --> 00:53:49,100
* Wooooooah *
1286
00:53:49,140 --> 00:53:50,850
* I can love me better, baby *
1287
00:53:50,890 --> 00:53:52,440
* Yeah, I can *
1288
00:53:52,480 --> 00:53:56,900
* Yeah, I can love me better
than you can *
1289
00:53:56,940 --> 00:53:59,480
[ Cheers and applause ]
That was so good.
1290
00:53:59,530 --> 00:54:01,990
Daly: That is Kylee Dayne,
everybody.
1291
00:54:02,030 --> 00:54:03,410
Whoo!
1292
00:54:03,450 --> 00:54:04,660
Whoo!
1293
00:54:04,700 --> 00:54:06,030
Chance,
we'll start with you.
1294
00:54:06,070 --> 00:54:07,910
Chance: Thought it was
a cool choice of song.
1295
00:54:07,950 --> 00:54:10,330
I think if I was in Blake's
position, I'd have a tough time
1296
00:54:10,370 --> 00:54:12,830
because Kylee shows
every week why she's here,
1297
00:54:12,870 --> 00:54:15,710
so I thought it was
a great performance overall.
1298
00:54:15,750 --> 00:54:17,210
Yeah.
Kel?
1299
00:54:17,250 --> 00:54:19,380
You just have these incredible
runs that sound effortless,
1300
00:54:19,420 --> 00:54:21,170
which I love,
it doesn't sound put-on.
Thank you.
1301
00:54:21,210 --> 00:54:23,630
I know I saw your face
at the end of the performance,
1302
00:54:23,680 --> 00:54:26,180
so I know you weren't,
like, 100% at the end,
1303
00:54:26,220 --> 00:54:27,470
you were a little bummed,
1304
00:54:27,510 --> 00:54:28,930
but even though you missed,
like, a couple things
1305
00:54:28,970 --> 00:54:30,390
that you feel like you
could have done better,
1306
00:54:30,430 --> 00:54:32,520
like, it was still
a solid performance.
Thank you.
1307
00:54:32,560 --> 00:54:34,520
Niall.
Niall: To come out and do
a big song like Miley,
1308
00:54:34,560 --> 00:54:38,110
you always, like, challenge
yourself with newer songs,
1309
00:54:38,150 --> 00:54:41,360
which I think is a bigger test,
sometimes, than the older ones
1310
00:54:41,400 --> 00:54:44,240
'cause they're very in
people's ears at the moment.
1311
00:54:44,280 --> 00:54:45,660
I've always been a huge fan,
1312
00:54:45,700 --> 00:54:47,160
and I would like to see you
make the lives.
1313
00:54:47,200 --> 00:54:49,280
I think you just always bring
something different.
1314
00:54:49,330 --> 00:54:51,660
Alright, Coaches.
Thanks for that. Blake?
1315
00:54:51,700 --> 00:54:53,160
Blake: I wanted to ask
Kylee, like,
1316
00:54:53,200 --> 00:54:55,040
we all saw the look
on your face there at the end.
1317
00:54:55,080 --> 00:54:57,420
I don't know if it was nerves,
or do you just get choked up
1318
00:54:57,460 --> 00:54:58,840
for a second or...?
1319
00:54:58,880 --> 00:55:00,590
I think it's just, like,
this whole environment
1320
00:55:00,630 --> 00:55:02,170
is just really
new for me.
1321
00:55:02,210 --> 00:55:04,050
I usually just sing
in my bedroom.
Yeah, yeah.
1322
00:55:04,090 --> 00:55:05,720
That's probably
all it was.
I just saw that moment
1323
00:55:05,760 --> 00:55:07,390
where you were like,
"Oh, I'm gonna punch myself
1324
00:55:07,430 --> 00:55:08,550
in the face right now."
1325
00:55:08,600 --> 00:55:09,720
[ Laughter ]
1326
00:55:09,760 --> 00:55:11,140
So don't beat yourself
up too much.
1327
00:55:11,180 --> 00:55:12,600
I thought you did
a great job.
Thank you.
1328
00:55:12,640 --> 00:55:15,390
Give it up one more time
for Kylee Dayne.
1329
00:55:15,440 --> 00:55:17,770
Blake: I can tell that Kylee
really poured everything she had
1330
00:55:17,810 --> 00:55:19,310
into that performance,
1331
00:55:19,360 --> 00:55:21,230
and I could also see that
she was beating herself up
1332
00:55:21,270 --> 00:55:22,820
at the end.
1333
00:55:22,860 --> 00:55:24,990
But, you know, Kylee has been
solid this entire season,
1334
00:55:25,030 --> 00:55:27,240
and that's something that I try
to take into account
1335
00:55:27,280 --> 00:55:29,990
when making a decision
like this.
1336
00:55:36,460 --> 00:55:37,790
* This is "The Voice" *
1337
00:55:37,830 --> 00:55:40,090
Daly: Welcome back.
1338
00:55:40,130 --> 00:55:41,960
Chance, how you been,
boss?
1339
00:55:42,000 --> 00:55:43,300
Good, man.
Good to see you.
1340
00:55:43,340 --> 00:55:46,510
Chance: Ray is an amazing
vocalist and artist.
1341
00:55:46,550 --> 00:55:48,090
He's a powerful singer.
1342
00:55:48,130 --> 00:55:50,470
I would love to see
what he does in the studio.
1343
00:55:50,510 --> 00:55:52,930
Ray is my subtle soul singer.
1344
00:55:52,970 --> 00:55:56,230
* Goodbye *
1345
00:55:56,270 --> 00:55:57,730
Whoo!
1346
00:55:57,770 --> 00:55:59,980
Ray, there's some huge male
voices in this competition,
1347
00:56:00,020 --> 00:56:02,110
and I feel like you slide in
under the radar
1348
00:56:02,150 --> 00:56:03,650
because of how slick
everything is.
1349
00:56:03,690 --> 00:56:04,980
[ Cheers and applause ]
1350
00:56:05,030 --> 00:56:06,570
Ray:
I'm feeling this song.
1351
00:56:06,610 --> 00:56:07,990
It's different from,
you know,
1352
00:56:08,030 --> 00:56:09,570
everything that I've done
so far.
Yeah.
1353
00:56:09,610 --> 00:56:13,240
* Make ah give you
all you need, baby *
1354
00:56:13,280 --> 00:56:18,160
I'll be singing "Essence," which
is by Wizkid featuring Tems.
1355
00:56:18,210 --> 00:56:20,920
Together: * You don't need
no other body *
1356
00:56:20,960 --> 00:56:22,500
Ray: I've been doing, like,
ballads
1357
00:56:22,540 --> 00:56:24,380
and songs that make people want
to cry, so this song,
1358
00:56:24,420 --> 00:56:26,300
it makes you want to dance,
you know, it's a feel-good song.
1359
00:56:26,340 --> 00:56:29,630
And collaborating with Chance
is really going to help me
1360
00:56:29,680 --> 00:56:30,930
show a bit of versatility.
1361
00:56:30,970 --> 00:56:32,140
We're gonna have, like,
background vocalists
1362
00:56:32,180 --> 00:56:33,560
for this one.
Yeah.
1363
00:56:33,600 --> 00:56:35,850
Maybe, like, the last chorus,
have them take the main,
1364
00:56:35,890 --> 00:56:39,060
and then I just kind of,
like, be free to ad lib.
1365
00:56:39,100 --> 00:56:40,600
I think that's
a great idea.
1366
00:56:40,650 --> 00:56:44,770
Music has saved my life
in a lot of different ways.
1367
00:56:44,820 --> 00:56:46,030
During my childhood,
1368
00:56:46,070 --> 00:56:47,820
making friends
was not that easy for me.
1369
00:56:47,860 --> 00:56:51,700
I was very different from a lot
of the people in my environment.
1370
00:56:51,740 --> 00:56:53,910
I was just kind of,
like, a nerdy kid.
1371
00:56:53,950 --> 00:56:55,290
I did get picked on a lot,
1372
00:56:55,330 --> 00:56:58,200
but then I did go
to a performing arts school.
1373
00:56:58,250 --> 00:57:00,210
I met a lot of people
that were like me,
1374
00:57:00,250 --> 00:57:03,040
and I was, you know,
free to just be myself.
1375
00:57:03,080 --> 00:57:06,130
Could be dope
to slow it down,
1376
00:57:06,170 --> 00:57:07,880
make it a little bit
more open.
1377
00:57:07,920 --> 00:57:10,180
Keep the rhythm out
until we get to that bridge.
1378
00:57:10,220 --> 00:57:12,340
It's like this slowly
building thing,
1379
00:57:12,390 --> 00:57:14,510
and really let his vocal
push it through
1380
00:57:14,550 --> 00:57:18,060
and still have fun with showing
your personality within it.
1381
00:57:18,100 --> 00:57:19,270
Are you cool
with that?
1382
00:57:19,310 --> 00:57:20,890
Yeah, I think that'll
be super cool.
1383
00:57:20,940 --> 00:57:22,900
* Give it all *
1384
00:57:22,940 --> 00:57:24,190
Whoo-hoo-hoo-hoo!
1385
00:57:24,230 --> 00:57:26,110
Ray was really receptive
to the changes.
1386
00:57:26,150 --> 00:57:28,990
His ability to bring
songs to life
1387
00:57:29,030 --> 00:57:30,900
and, like, switch them up
on a whim
1388
00:57:30,950 --> 00:57:32,530
is one of his strong suits.
1389
00:57:32,570 --> 00:57:34,200
I think it's fire.
1390
00:57:34,240 --> 00:57:37,240
Like, when you do the
* Give you all you need *
1391
00:57:37,290 --> 00:57:39,450
what if you tried other choices
for that note,
1392
00:57:39,500 --> 00:57:41,790
or, like, did, like, little runs
just, like, to play with it
1393
00:57:41,830 --> 00:57:44,380
'cause she, you know --
she's going like, really low.
Yeah.
1394
00:57:44,420 --> 00:57:46,750
Working with Chance when
he's in his producer element
1395
00:57:46,800 --> 00:57:48,920
was really cool to see
how -- how fast
1396
00:57:48,960 --> 00:57:50,760
he kind of, like,
comes up with stuff.
1397
00:57:50,800 --> 00:57:53,390
When you're onstage, like,
what mindset do you go into?
1398
00:57:53,430 --> 00:57:55,050
'Cause I be trying to make
everything so perfect,
1399
00:57:55,100 --> 00:57:57,140
like, with vocals,
so I'd be too focused on that.
1400
00:57:57,180 --> 00:57:59,430
First, first, first, first --
fun.
Okay, okay.
1401
00:57:59,470 --> 00:58:01,890
You're here
'cause you like doing this.
Yeah.
1402
00:58:01,940 --> 00:58:04,730
I really want to make it
through to the lives.
1403
00:58:04,770 --> 00:58:06,770
It would blow my mind.
I'm ready to go.
1404
00:58:06,820 --> 00:58:08,150
You got it, man.
Yeah, yeah.
1405
00:58:08,190 --> 00:58:10,990
Team Chance is incredible,
top to bottom.
1406
00:58:11,030 --> 00:58:13,950
Any of them could and should
win this show,
1407
00:58:13,990 --> 00:58:16,780
and I'm ready
to make the choice.
1408
00:58:16,830 --> 00:58:20,950
Kelly: Come on, Ray!
Whoo!
1409
00:58:21,000 --> 00:58:23,830
With "Essence,"
here is Ray Uriel.
1410
00:58:24,790 --> 00:58:26,000
Come on, Ray!
1411
00:58:26,920 --> 00:58:31,010
**
1412
00:58:31,050 --> 00:58:36,140
* Ooooo-ooohhh *
1413
00:58:36,180 --> 00:58:40,890
* Say I'm gon' wanna leave you
in the mornin' *
1414
00:58:40,930 --> 00:58:43,810
* But I need you now *
1415
00:58:43,850 --> 00:58:45,650
[ Whistles ]
* Yeah, yeah *
1416
00:58:45,690 --> 00:58:50,820
* I find you,
I give you all you needin' *
1417
00:58:50,860 --> 00:58:54,150
* I know you what you like *
1418
00:58:54,200 --> 00:58:55,950
[ Snapping ]
Oh, my gosh.
1419
00:58:55,990 --> 00:59:00,950
* I feel it comin' *
1420
00:59:00,990 --> 00:59:04,210
* Time is of the essence *
1421
00:59:06,210 --> 00:59:10,300
* I tried to teach you *
1422
00:59:10,340 --> 00:59:11,420
Oh, my gosh.
1423
00:59:11,460 --> 00:59:14,760
* But I'm gon' need
some lessons *
1424
00:59:14,800 --> 00:59:19,640
* I need to give it all *
1425
00:59:19,680 --> 00:59:24,890
* I tried to leave,
but I can't *
1426
00:59:24,930 --> 00:59:28,730
* I don't know why
you're the one *
1427
00:59:28,770 --> 00:59:30,020
Whoo!
1428
00:59:30,070 --> 00:59:36,030
* Turn me out of my mind *
1429
00:59:36,070 --> 00:59:38,700
* You don't need no other body *
1430
00:59:38,740 --> 00:59:41,200
* You don't need no other body *
1431
00:59:41,240 --> 00:59:43,870
* You don't need
no other body, yeah *
1432
00:59:43,910 --> 00:59:46,040
* You don't need no other body *
1433
00:59:46,080 --> 00:59:48,880
* Only you fi hold my body *
1434
00:59:48,920 --> 00:59:51,210
* Only you can hold *
1435
00:59:51,250 --> 00:59:54,800
* Only you fi hold my body *
1436
00:59:54,840 --> 00:59:57,800
* 'Cause I gave you all,
gave you all you need, yeah *
1437
00:59:57,840 --> 01:00:01,720
* Gave you all you need,
gave you all you need *
1438
01:00:01,760 --> 01:00:03,220
* Gave you all *
1439
01:00:03,260 --> 01:00:06,560
* Gave you all you need,
gave you all you need *
1440
01:00:06,600 --> 01:00:09,900
* Gave you all, make ah
give you all you need *
1441
01:00:09,940 --> 01:00:13,070
* Every touch you need, yeah *
1442
01:00:13,110 --> 01:00:16,070
* Gave you all you need *
1443
01:00:16,110 --> 01:00:17,200
* You don't need *
1444
01:00:17,240 --> 01:00:20,660
* No other boooooody *
1445
01:00:20,700 --> 01:00:21,740
Yeah!
1446
01:00:21,780 --> 01:00:25,160
* You don't need no other body *
1447
01:00:26,450 --> 01:00:30,580
* No other body, yeah *
1448
01:00:30,630 --> 01:00:31,710
Whoo!
1449
01:00:31,750 --> 01:00:38,630
* Only you fi hold my body,
yeah *
1450
01:00:39,630 --> 01:00:46,730
* Whoooooo *
1451
01:00:46,770 --> 01:00:53,110
* Yeaaaaaah *
1452
01:00:53,150 --> 01:00:56,650
[ Cheers and applause ]
1453
01:00:56,690 --> 01:00:59,700
Daly:
That is Ray Uriel.
Whoo!
1454
01:00:59,740 --> 01:01:01,700
Oh, my gosh.
1455
01:01:01,740 --> 01:01:03,160
Whoo!
1456
01:01:03,200 --> 01:01:05,200
I love the arrangement!
That is so cool!
1457
01:01:05,240 --> 01:01:07,120
It's so good.
Y'all worked on that?
1458
01:01:07,160 --> 01:01:10,620
Your voice is like the angel
I would want to sing to me.
1459
01:01:10,670 --> 01:01:12,630
You have such
a beautiful tone.
Thank you.
1460
01:01:12,670 --> 01:01:16,960
Like, it's so broken, but
it's just so sweet and smooth.
1461
01:01:17,010 --> 01:01:18,470
Thank you so much.
1462
01:01:18,510 --> 01:01:20,090
I don't know how
you're gonna choose.
1463
01:01:20,130 --> 01:01:21,430
Your team
is really good.
1464
01:01:21,470 --> 01:01:22,970
Chance: Yeah.
Good luck with that.
1465
01:01:23,010 --> 01:01:24,470
Yeah.
Daly: Blake.
1466
01:01:24,510 --> 01:01:26,970
Ray, I want you to make it
as an artist
1467
01:01:27,020 --> 01:01:29,350
and then you turn
back the sound
1468
01:01:29,390 --> 01:01:32,480
that's on popular radio
right now back to that,
1469
01:01:32,520 --> 01:01:34,650
'cause I think I mentioned
to you in the knockouts
1470
01:01:34,690 --> 01:01:37,940
that there's something
very '90s about how you sound.
Yeah, yeah.
1471
01:01:37,980 --> 01:01:40,030
You gotta put
this guy through.
1472
01:01:40,070 --> 01:01:42,320
Niall: Yeah.
Are you going to?
1473
01:01:42,360 --> 01:01:44,820
Oh, I don't know, you got --
you got to think about it, okay.
1474
01:01:44,870 --> 01:01:46,330
[ Laughs ]
Daly: Niall.
1475
01:01:46,370 --> 01:01:48,750
Oh, Ray, man, I could
just watch you every week.
1476
01:01:48,790 --> 01:01:50,660
You're unbelievable. It just
feels like the real deal.
1477
01:01:50,710 --> 01:01:52,500
I've got goosebumps
as I'm saying it right now.
1478
01:01:52,540 --> 01:01:54,500
Does it not, like, feel like
you're watching an award show?
1479
01:01:54,540 --> 01:01:55,840
Thank you.
1480
01:01:55,880 --> 01:01:57,630
Your tone is just
so good.
1481
01:01:57,670 --> 01:02:00,800
Kinda like Frank Ocean,
it's just, like -- just pure.
1482
01:02:00,840 --> 01:02:03,760
It's like if Frank Ocean
and Miguel had a musical baby.
1483
01:02:03,800 --> 01:02:05,180
[ Chuckles ] Yeah.
1484
01:02:05,220 --> 01:02:07,060
Chancey Boy, send him through,
brother, come on.
1485
01:02:07,100 --> 01:02:08,970
[ Cheers and applause ]
1486
01:02:09,020 --> 01:02:11,520
I'm so proud
of this performance.
1487
01:02:11,560 --> 01:02:14,020
The growth that I've seen
through the competition
1488
01:02:14,060 --> 01:02:15,270
is astronomical.
1489
01:02:15,310 --> 01:02:16,520
Watching you come out
of your shell,
1490
01:02:16,560 --> 01:02:18,230
get more comfortable
on this stage.
1491
01:02:18,270 --> 01:02:20,780
You just walk around
with this effortless cool.
1492
01:02:20,820 --> 01:02:22,450
That's awesome.
1493
01:02:22,490 --> 01:02:23,990
When you make the songs sound
like how you want them to be,
1494
01:02:24,030 --> 01:02:26,120
it's incredible, and
everybody's arrested in it,
1495
01:02:26,160 --> 01:02:27,990
and so kudos to you, man.
1496
01:02:28,030 --> 01:02:29,370
Thank you.
Amazing performance.
1497
01:02:29,410 --> 01:02:31,960
How about another big hand
for Ray Uriel?
1498
01:02:32,000 --> 01:02:33,870
[ Cheers and applause ]
1499
01:02:33,920 --> 01:02:35,210
With Ray, every week,
1500
01:02:35,250 --> 01:02:37,750
he's just getting better
and better and better
1501
01:02:37,790 --> 01:02:39,710
and also showing
new sides of himself.
1502
01:02:39,750 --> 01:02:41,340
He's one of those people
that I could see
1503
01:02:41,380 --> 01:02:42,550
winning the whole thing.
1504
01:02:42,590 --> 01:02:44,130
That was so cool.
He's so good.
1505
01:02:44,180 --> 01:02:46,720
I'm telling you!
My team is stacked!
1506
01:02:46,760 --> 01:02:49,310
Every time somebody goes up,
I don't know what to do
1507
01:02:49,350 --> 01:02:50,850
'cause everybody's too good.
1508
01:02:50,890 --> 01:02:53,640
In building this team,
I'm looking for somebody
1509
01:02:53,690 --> 01:02:56,060
that stands out because
it's not just about me anymore,
1510
01:02:56,100 --> 01:02:59,190
it's about America and who
they're gonna want to see win.
1511
01:02:59,230 --> 01:03:01,860
So I just really
want individuality
1512
01:03:01,900 --> 01:03:03,400
and a confidence in self.
1513
01:03:03,450 --> 01:03:05,570
God, it's so beautiful.
You could listen
to that forever.
1514
01:03:05,610 --> 01:03:08,740
Team Chance has stepped it up
big time in the playoffs.
1515
01:03:08,780 --> 01:03:11,490
The vocal performances
have been unbelievable so far.
1516
01:03:11,540 --> 01:03:13,040
They've taken it to a new level.
1517
01:03:13,080 --> 01:03:14,910
Chance: We got two more.
Is that what's going on here?
1518
01:03:14,960 --> 01:03:16,670
Oh, no, two more,
and then we make the decision.
1519
01:03:16,710 --> 01:03:18,670
Blake: What does kudos mean?
Is it like, "congrats,"
1520
01:03:18,710 --> 01:03:20,090
or, like, you did --
Kudos, like
"congratulations."
1521
01:03:20,130 --> 01:03:21,340
Yeah.
"Good on you," like --
1522
01:03:21,380 --> 01:03:22,760
Good on you.
You did something good.
1523
01:03:22,800 --> 01:03:23,760
Yeah.
Kudos.
1524
01:03:23,800 --> 01:03:25,590
I thought there
was a snack --
1525
01:03:25,630 --> 01:03:27,220
There was a snack that came out
in the '90s called "Kudos."
1526
01:03:27,260 --> 01:03:28,430
Kudos bar.
Oh, yeah, Kudos bar.
1527
01:03:28,470 --> 01:03:30,180
I remember those.
Yeah.
1528
01:03:36,980 --> 01:03:38,100
* This is "The Voice" *
1529
01:03:38,150 --> 01:03:40,320
Daly: Welcome back
to the playoffs.
1530
01:03:40,360 --> 01:03:42,070
Is it hot in here?
1531
01:03:42,110 --> 01:03:43,780
The leather.
It's leather.
1532
01:03:43,820 --> 01:03:45,530
It's not hot at all.
[ Laughs ]
1533
01:03:45,570 --> 01:03:47,610
Got to sit up straight
like a lady.
1534
01:03:47,660 --> 01:03:50,240
Now it's time for the
singer-songwriter from Virginia
1535
01:03:50,280 --> 01:03:52,660
who Blake sent straight
to this round
1536
01:03:52,700 --> 01:03:54,790
using his one and only
Playoff Pass.
1537
01:03:54,830 --> 01:03:57,750
Here's more
from Mary Kate Connor.
1538
01:03:57,790 --> 01:04:00,340
Blake: Come in here,
little buddy.
Mary Kate:
Hey, big buddy.
1539
01:04:00,380 --> 01:04:02,250
How you doing?
Good. I'm excited.
1540
01:04:02,300 --> 01:04:03,510
Good to see you.
1541
01:04:03,550 --> 01:04:05,090
Good to see you.
It's been forever.
1542
01:04:05,130 --> 01:04:06,760
My -- My Playoff Pass.
1543
01:04:06,800 --> 01:04:09,090
[ Chuckling ] That's still
crazy every time you say it.
1544
01:04:09,140 --> 01:04:10,510
I think --
Oh, it works.
1545
01:04:10,550 --> 01:04:11,890
Daly: Oh!
1546
01:04:11,930 --> 01:04:15,180
Blake: Mary Kate has stepped
into this competition
1547
01:04:15,230 --> 01:04:16,520
with a lot of confidence
1548
01:04:16,560 --> 01:04:18,440
and knowing exactly
what she wants to do,
1549
01:04:18,480 --> 01:04:21,230
and she's fearless about it.
Somebody that focused,
1550
01:04:21,270 --> 01:04:22,690
I wanted to get her right
into the playoffs.
1551
01:04:22,730 --> 01:04:26,150
Mary Kate is my fearless
young talent
1552
01:04:26,190 --> 01:04:27,530
that I have on Team Blake.
1553
01:04:27,570 --> 01:04:29,030
Alright, so talk to me
about this.
1554
01:04:29,070 --> 01:04:31,370
Oh, my gosh, I'm so excited
about this song.
1555
01:04:31,410 --> 01:04:33,540
"If I Die Young,"
The Band Perry.
1556
01:04:33,580 --> 01:04:36,620
I feel like I haven't yet been
able to, like, find moments
1557
01:04:36,660 --> 01:04:39,370
that I can be theatrical
'cause I used to, like --
1558
01:04:39,420 --> 01:04:40,880
My dream was to be
on Broadway.
1559
01:04:40,920 --> 01:04:43,290
* If I die young *
1560
01:04:43,340 --> 01:04:44,880
I've done theater
since I was 9,
1561
01:04:44,920 --> 01:04:48,680
and so I'm excited
to sing this song with drama
1562
01:04:48,720 --> 01:04:50,550
and use my theater background
1563
01:04:50,590 --> 01:04:53,390
to really, like, hone in
on the performance.
1564
01:04:53,430 --> 01:04:55,310
My goal is to make people cry
with this song.
1565
01:04:55,350 --> 01:05:00,560
* The sharp knife
of a short life *
1566
01:05:00,600 --> 01:05:02,900
The stakes are so high
this round
1567
01:05:02,940 --> 01:05:06,360
because I am the Playoff Pass
on Blake's last team
1568
01:05:06,400 --> 01:05:07,940
and I just really want
to make him proud
1569
01:05:07,990 --> 01:05:10,610
so that he doesn't regret
pushing me this far
1570
01:05:10,660 --> 01:05:12,120
into the competition.
1571
01:05:12,160 --> 01:05:14,910
* Just enough time *
1572
01:05:14,950 --> 01:05:16,540
The thing I love
about this song for you
1573
01:05:16,580 --> 01:05:19,080
is that you can hear all
the little tiny details
1574
01:05:19,120 --> 01:05:20,670
and things that you do.
1575
01:05:20,710 --> 01:05:23,250
Maybe too much time
in your head voice.
Absolutely.
1576
01:05:23,290 --> 01:05:24,750
When you get
to the chorus,
1577
01:05:24,790 --> 01:05:26,590
you kind of want this
natural build, and it just...
1578
01:05:26,630 --> 01:05:28,380
I don't know, it just never
really takes off.
1579
01:05:28,420 --> 01:05:30,430
As much as you can give me
in those courses.
1580
01:05:30,470 --> 01:05:32,050
Yeah.
Sounds so good.
1581
01:05:32,090 --> 01:05:33,930
I had so much fun with Blake.
1582
01:05:33,970 --> 01:05:36,100
He's still a celebrity,
but he feels more to me
1583
01:05:36,140 --> 01:05:37,350
like a normal person.
1584
01:05:37,390 --> 01:05:38,770
I was thinking,
I was like,
1585
01:05:38,810 --> 01:05:40,270
"I could go sit
in your chair."
1586
01:05:40,310 --> 01:05:41,520
You wanna take it?
My spot?
1587
01:05:41,560 --> 01:05:42,770
You want me to just
will it to you?
1588
01:05:42,810 --> 01:05:44,190
I'll be coach next.
Okay.
1589
01:05:44,230 --> 01:05:45,730
Yeah, you can put me
in the will.
1590
01:05:45,770 --> 01:05:47,190
They have seat warmers
in them, too.
No, they do not.
1591
01:05:47,230 --> 01:05:49,320
There's a switch
underneath.
No massage chairs?
1592
01:05:49,360 --> 01:05:50,530
No, that's why
I'm leaving.
1593
01:05:50,570 --> 01:05:51,820
Yeah.
[ Chuckles ]
1594
01:05:51,860 --> 01:05:54,070
* If I die young,
bury me in satin *
1595
01:05:54,120 --> 01:05:57,950
Singing "If I Die Young,"
here's Mary Kate Connor.
1596
01:05:57,990 --> 01:06:00,040
[ Cheers and applause ]
1597
01:06:00,080 --> 01:06:01,330
[ Strums guitar ]
1598
01:06:01,370 --> 01:06:07,050
* If I die young,
bury me in satin *
1599
01:06:07,090 --> 01:06:11,970
* Lay me down on a bed
of roses *
1600
01:06:12,010 --> 01:06:17,140
* Sink me in the river
at dawn *
1601
01:06:17,180 --> 01:06:25,190
* Send me away with the words
of a love song *
1602
01:06:25,230 --> 01:06:26,940
[ Cheers and applause ]
1603
01:06:26,980 --> 01:06:30,530
* Lord, make me a rainbow,
I'll shine down on my mother *
1604
01:06:30,570 --> 01:06:32,280
* She'll know I'm safe
with you *
1605
01:06:32,320 --> 01:06:34,160
* When she stands
under my colors *
1606
01:06:34,200 --> 01:06:38,790
* Oh, and life ain't always what
you think it ought to be, no *
1607
01:06:38,830 --> 01:06:43,290
* It ain't even gray,
but she buries her baby *
1608
01:06:43,330 --> 01:06:49,210
* The sharp knife
of a short life *
1609
01:06:49,250 --> 01:06:56,340
* And, well,
I've had just enough time *
1610
01:06:56,390 --> 01:06:59,850
* If I die young,
bury me in satin *
1611
01:06:59,890 --> 01:07:03,810
* Lay me down
on a bed of roses *
1612
01:07:03,850 --> 01:07:07,190
* Sink me in the river at dawn *
1613
01:07:07,230 --> 01:07:12,610
* Send me away with the words
of a love song *
1614
01:07:12,650 --> 01:07:18,870
* The sharp knife
of a short life *
1615
01:07:18,910 --> 01:07:26,710
* And, well,
I've had just enough time *
1616
01:07:26,750 --> 01:07:34,260
* So put on your best, boys,
and I'll wear my pearls *
1617
01:07:34,300 --> 01:07:38,050
* What I never did is done *
1618
01:07:38,090 --> 01:07:39,760
* If I die young *
1619
01:07:39,800 --> 01:07:41,510
* Bury me in satin *
1620
01:07:41,560 --> 01:07:45,390
* Lay me down
on a bed of roses *
1621
01:07:45,440 --> 01:07:48,860
* Sink me in the river
at dawn *
1622
01:07:48,900 --> 01:07:54,070
* Send me away with the words
of a love song *
1623
01:07:54,110 --> 01:08:00,580
* The sharp knife
of a short life *
1624
01:08:00,620 --> 01:08:07,170
* And, well,
I've had just enough time *
1625
01:08:07,210 --> 01:08:14,840
* Ohhh-whoooa, whoooa *
1626
01:08:16,470 --> 01:08:24,560
* I've had just enough time *
1627
01:08:24,600 --> 01:08:26,770
[ Cheers and applause ]
1628
01:08:26,810 --> 01:08:34,820
* So put on your best, boys,
and I'll wear my pearls *
1629
01:08:35,820 --> 01:08:39,990
[ Cheers and applause ]
1630
01:08:40,030 --> 01:08:42,990
Daly: That is Mary Kate,
everybody.
1631
01:08:43,030 --> 01:08:44,620
That's what we like
to see.
1632
01:08:44,660 --> 01:08:46,620
Alright, Coaches,
let's get some thoughts.
1633
01:08:46,660 --> 01:08:47,830
Kelly,
what'd you think?
1634
01:08:47,870 --> 01:08:50,960
Oh, my gosh.
You're a magical storyteller.
1635
01:08:51,000 --> 01:08:53,750
I feel like you should maybe
get into acting as well.
1636
01:08:53,800 --> 01:08:56,800
Your strength really is
in that really intimate part.
1637
01:08:56,840 --> 01:08:58,880
It's almost like
a broken little secret
1638
01:08:58,930 --> 01:09:02,260
that you're, like, relaying,
and it's really, really cool.
1639
01:09:02,300 --> 01:09:03,560
Thank you.
Niall?
1640
01:09:03,600 --> 01:09:05,270
Niall:
This was different for you.
1641
01:09:05,310 --> 01:09:07,810
The tears at the end was -- it
shows how much it meant to you.
1642
01:09:07,850 --> 01:09:10,480
But that performance
was just so sweet.
1643
01:09:10,520 --> 01:09:12,060
Thank you.
The way you told
the story of that song,
1644
01:09:12,110 --> 01:09:14,520
even with your hands,
was really nice to watch.
1645
01:09:14,570 --> 01:09:15,860
I'm very proud of you.
Well done.
1646
01:09:15,900 --> 01:09:18,110
Thank you.
Thank you, Niall.
Chance.
1647
01:09:18,150 --> 01:09:20,740
So there were a lot of moments
the pitch was a little bit off,
1648
01:09:20,780 --> 01:09:22,030
or, like,
it got tripped up,
1649
01:09:22,070 --> 01:09:23,830
so this might be confusing
when I say this,
1650
01:09:23,870 --> 01:09:25,410
but that was
my favorite performance
1651
01:09:25,450 --> 01:09:28,870
from Team Blake today
'cause of how much emotion
1652
01:09:28,910 --> 01:09:30,330
you showed through it.
1653
01:09:30,370 --> 01:09:31,960
Mary Kate: Thank you.
1654
01:09:32,000 --> 01:09:34,210
Especially the last, like,
soaring high note that you did,
1655
01:09:34,250 --> 01:09:36,340
it showed that you were still,
like, ready to risk it,
1656
01:09:36,380 --> 01:09:37,920
like, you were still
trusting your voice,
1657
01:09:37,960 --> 01:09:39,550
you're still trusting
in your gift.
1658
01:09:39,590 --> 01:09:41,340
That shows a lot
of promise.
1659
01:09:41,380 --> 01:09:44,180
I think if you were
to go to the lives,
you would kill it.
1660
01:09:44,220 --> 01:09:46,260
Thank you so much.
Yeah, straight up.
1661
01:09:46,310 --> 01:09:49,390
Thank you, Chance. Mary Kate,
let's talk to your coach.
1662
01:09:49,430 --> 01:09:50,980
Hi, Blake.
Alright, Blake.
1663
01:09:51,020 --> 01:09:52,310
Hey, buddy.
1664
01:09:52,350 --> 01:09:54,730
What you did ultimately
was deliver the message
1665
01:09:54,770 --> 01:09:58,030
in a way that was believable
and authentic and real.
1666
01:09:58,070 --> 01:09:59,530
Great job. Yes.
1667
01:09:59,570 --> 01:10:02,360
Daly: How about another big hand
for Mary Kate Connor?
1668
01:10:02,410 --> 01:10:04,490
[ Cheers and applause ]
1669
01:10:04,530 --> 01:10:05,990
Blake: Mary Kate
was my Playoff Pass,
1670
01:10:06,030 --> 01:10:09,160
and I think she proved
that she deserved that position.
1671
01:10:09,200 --> 01:10:11,080
This is the last time
I'm ever gonna be able
1672
01:10:11,120 --> 01:10:13,380
to make a decision
on this show again.
1673
01:10:13,420 --> 01:10:14,750
[ Cheers and applause ]
1674
01:10:14,790 --> 01:10:16,290
Mary Kate: The show has just
been my dream
1675
01:10:16,340 --> 01:10:17,550
since I was a little girl,
1676
01:10:17,590 --> 01:10:19,630
and if this is my last
performance ever,
1677
01:10:19,670 --> 01:10:21,130
I'm so thankful.
[ Sniffles ]
1678
01:10:21,170 --> 01:10:23,640
Oh, man. I'm a mess.
[ Laughs ]
1679
01:10:23,680 --> 01:10:26,010
I gotta go make another
big, tall drink.
1680
01:10:26,050 --> 01:10:28,350
Wait,
what are you doing?
You need a drink?
1681
01:10:28,390 --> 01:10:30,230
Don't do anything
weird.
1682
01:10:30,270 --> 01:10:31,640
[ Laughter ]
1683
01:10:38,440 --> 01:10:39,610
* This is "The Voice" *
1684
01:10:39,650 --> 01:10:41,740
Daly: Welcome back.
1685
01:10:41,780 --> 01:10:44,450
**
1686
01:10:44,490 --> 01:10:46,620
So...
Your last season,
huh?
1687
01:10:46,660 --> 01:10:48,120
[ Laughter ]
1688
01:10:48,160 --> 01:10:49,790
Alright, no, seriously.
Listen up, guys.
Okay.
1689
01:10:49,830 --> 01:10:52,580
Chance and I are carrying
the load here today.
1690
01:10:52,620 --> 01:10:53,960
I've been honest
and helpful.
1691
01:10:54,000 --> 01:10:55,710
I don't think you've been
definitive, though.
1692
01:10:55,750 --> 01:10:57,130
I have been.
What about you?
1693
01:10:57,170 --> 01:10:58,960
You haven't really
been that definitive, like...
1694
01:10:59,000 --> 01:11:00,550
I'm just here.
France, you know?
1695
01:11:00,590 --> 01:11:01,760
You're a little bit
like France.
1696
01:11:01,800 --> 01:11:03,300
Switzerland.
[ Laughs ]
1697
01:11:03,340 --> 01:11:05,840
I'm so sad for y'all.
Are you freaking out right now?
1698
01:11:05,890 --> 01:11:07,640
Everybody on my team
could win the whole show.
1699
01:11:07,680 --> 01:11:10,020
But what I'm --
So I don't think I can make
the wrong decision.
1700
01:11:10,060 --> 01:11:11,850
I know, but it doesn't mean --
Well, that means you're making
absolutely the wrong decision.
1701
01:11:11,890 --> 01:11:13,600
You're sending three winners
home today.
1702
01:11:13,640 --> 01:11:15,150
Oh, yeah.
But they win anyway.
1703
01:11:15,190 --> 01:11:17,060
That's something losers say.
They're on "The Voice," baby.
1704
01:11:17,110 --> 01:11:19,610
[ Laughs ]
I think we should
get out there.
1705
01:11:19,650 --> 01:11:21,440
Alright.
Thank you, America.
1706
01:11:21,480 --> 01:11:22,740
This was helpful.
1707
01:11:22,780 --> 01:11:24,950
Now it's the sister pop trio
from Ohio.
1708
01:11:24,990 --> 01:11:27,530
Here is more now
from Sorelle.
1709
01:11:28,280 --> 01:11:30,410
Chance: Sorelle is a really
important part of my team.
1710
01:11:30,450 --> 01:11:32,910
Like, they're only group
on the whole show.
1711
01:11:32,950 --> 01:11:36,330
They're incredibly experienced
to be so young.
1712
01:11:36,370 --> 01:11:39,790
They have the ability to make
the most beautiful harmonics
1713
01:11:39,840 --> 01:11:41,050
that you've ever heard.
1714
01:11:41,090 --> 01:11:43,840
Sorelle is my mini choir.
1715
01:11:43,880 --> 01:11:45,550
* Love you *
1716
01:11:45,590 --> 01:11:48,680
* I love you *
1717
01:11:48,720 --> 01:11:51,510
Kelly: Sorelle has this really
incredible harmony thing going.
1718
01:11:51,560 --> 01:11:53,180
Everybody obviously can tell
they're family.
1719
01:11:53,220 --> 01:11:55,520
They've been singing
for a minute together.
1720
01:11:55,560 --> 01:11:57,020
Here we are.
I know.
Yeah.
1721
01:11:57,060 --> 01:11:58,480
In the big leagues.
1722
01:11:58,520 --> 01:11:59,980
Yeah, we love
this song.
1723
01:12:00,020 --> 01:12:02,320
We, like, loved "Burlesque"
as kids.
Oh, wow.
1724
01:12:02,360 --> 01:12:04,280
It was, like, one
of our favorite movies.
Yeah.
1725
01:12:04,320 --> 01:12:07,740
So this song was, like,
always playing in the house.
Yeah, always.
1726
01:12:07,780 --> 01:12:10,120
* Ohhhh *
Madi: For the playoffs,
we'll be singing...
1727
01:12:10,160 --> 01:12:11,790
Together: "Something's
Got A Hold On Me"...
1728
01:12:11,830 --> 01:12:14,000
by Etta James,
Christina Aguilera's version.
1729
01:12:14,040 --> 01:12:16,210
Ana:
Christina Aguilera,
1730
01:12:16,250 --> 01:12:17,710
she holds a special place
in my heart.
1731
01:12:17,750 --> 01:12:22,050
When I was younger, I had this
very low, raspy voice.
1732
01:12:22,090 --> 01:12:24,880
No other girl sounded like me.
My sisters didn't sound like me.
1733
01:12:24,920 --> 01:12:27,510
No other girl in my classroom
sounded like me.
1734
01:12:27,550 --> 01:12:30,140
I felt...different.
1735
01:12:31,350 --> 01:12:35,310
I always feared that maybe
I would tie them down.
1736
01:12:35,350 --> 01:12:37,980
Seeing another woman
that sounds like me
1737
01:12:38,020 --> 01:12:40,900
really changed my life.
1738
01:12:40,940 --> 01:12:44,440
I think that she brings
something very, very important
1739
01:12:44,480 --> 01:12:45,900
to the group.
1740
01:12:45,940 --> 01:12:49,070
Her voice is personally
one of my favorite voices
1741
01:12:49,110 --> 01:12:51,030
I've ever heard.
Oh, stop.
1742
01:12:51,070 --> 01:12:52,780
I think there's a lot
of solo parts.
1743
01:12:52,830 --> 01:12:55,790
Yeah.
Yeah.
And I think that one
of you guys' strong suits
1744
01:12:55,830 --> 01:12:58,080
is the ability
to do harmonics.
1745
01:12:58,120 --> 01:13:01,170
Mm-hmm.
I honestly think
in the first verse solo,
1746
01:13:01,210 --> 01:13:03,250
* I get a feeling
that I *
1747
01:13:03,290 --> 01:13:04,840
* Never, never, never *
1748
01:13:04,880 --> 01:13:05,960
* Had before *
1749
01:13:06,010 --> 01:13:08,430
Ooh.
Does that make sense?
1750
01:13:08,470 --> 01:13:12,140
* I get
a feeling that I *
1751
01:13:12,180 --> 01:13:14,010
* Never, never, never *
1752
01:13:14,060 --> 01:13:16,520
* Never had before,
no, no *
1753
01:13:16,560 --> 01:13:18,770
Boom!
That's fire.
1754
01:13:18,810 --> 01:13:21,020
That "Never, never, never"
sounds like The Supremes.
1755
01:13:21,060 --> 01:13:22,560
[ Chuckles ]
Woo-hoo!
1756
01:13:22,610 --> 01:13:24,360
* Let me tell you now,
my heart feels heavy *
1757
01:13:24,400 --> 01:13:26,990
Ana: It's truly amazing
having Chance as our coach.
1758
01:13:27,030 --> 01:13:29,490
He's taught us so much already
about stage presence,
1759
01:13:29,530 --> 01:13:32,660
about how to really incorporate
our harmonies to lift the song.
1760
01:13:32,700 --> 01:13:35,580
* Love's sure gonna
put a hurtin' on me *
1761
01:13:35,620 --> 01:13:37,120
I feel like that's
just set it off.
Yeah.
1762
01:13:37,160 --> 01:13:38,620
We don't have to do --
add too much more.
1763
01:13:38,660 --> 01:13:39,910
That's hot.
1764
01:13:39,960 --> 01:13:42,130
It's crazy how many
amazing artists
1765
01:13:42,170 --> 01:13:43,460
are in this competition
right now,
1766
01:13:43,500 --> 01:13:45,340
but we're hoping he goes
with us. [ Chuckles ]
1767
01:13:45,380 --> 01:13:46,840
Let's get it. Let's go
to the playoffs, y'all.
1768
01:13:46,880 --> 01:13:48,630
Thank you.
1769
01:13:48,670 --> 01:13:51,010
Chance: Sorelle's advantage
is that they know themselves
1770
01:13:51,050 --> 01:13:52,640
so well that they really gel,
1771
01:13:52,680 --> 01:13:55,810
and if they can keep
that identity as a trio
1772
01:13:55,850 --> 01:13:57,640
and keep it uniform,
1773
01:13:57,680 --> 01:14:00,140
I think that they could end up
being in the top two.
1774
01:14:00,190 --> 01:14:01,980
[ Cheers and applause ]
1775
01:14:02,020 --> 01:14:05,230
Here they come.
People are choosing some
great songs today, y'all.
1776
01:14:05,270 --> 01:14:07,610
With "Something's Got
A Hold On Me,"
1777
01:14:07,650 --> 01:14:09,990
here's Sorelle.
1778
01:14:10,030 --> 01:14:12,820
**
1779
01:14:12,860 --> 01:14:16,830
* Whoa *
1780
01:14:16,870 --> 01:14:22,750
* Sometimes I get
a good feeling, yeah *
Whoa!
1781
01:14:22,790 --> 01:14:24,380
* Yeah *
1782
01:14:24,420 --> 01:14:27,670
* I get a feeling
that I *
1783
01:14:27,710 --> 01:14:29,210
* Never, never, never *
1784
01:14:29,260 --> 01:14:31,470
* Never had before *
1785
01:14:31,510 --> 01:14:33,590
* No, no *
1786
01:14:33,640 --> 01:14:35,680
* Yeah *
1787
01:14:35,720 --> 01:14:41,230
* And I just got to tell you
right now that I *
1788
01:14:41,270 --> 01:14:46,110
* Ooooh *
* I believe *
1789
01:14:46,150 --> 01:14:50,490
* I really do
believe that *
You go ahead.
1790
01:14:50,530 --> 01:14:53,990
* Something's got a hold
on me, yeah *
1791
01:14:54,030 --> 01:14:55,740
* Ohh,
it must be love *
1792
01:14:55,780 --> 01:14:57,200
* Whoa *
1793
01:14:57,240 --> 01:15:00,330
* Something's got a hold
on me right now, child *
1794
01:15:00,370 --> 01:15:02,160
* Ohh,
it must be love *
Dude!
1795
01:15:02,210 --> 01:15:03,540
* Let me tell you now *
1796
01:15:03,580 --> 01:15:06,460
* I've got a feeling,
I feel so strange *
1797
01:15:06,500 --> 01:15:09,960
* Everything about me
seems to have changed *
1798
01:15:10,010 --> 01:15:12,880
* Step by step,
I got a brand-new walk *
1799
01:15:12,920 --> 01:15:16,140
* I even sound sweeter
when I talk *
1800
01:15:16,180 --> 01:15:17,970
* I said, oh *
* Oh *
1801
01:15:18,010 --> 01:15:19,720
* Oh *
* Oh *
1802
01:15:19,760 --> 01:15:21,310
* Oh *
* Oh *
1803
01:15:21,350 --> 01:15:24,390
* Whoa, I said, baby *
1804
01:15:24,440 --> 01:15:26,560
* Oh, it must be love *
1805
01:15:26,600 --> 01:15:29,360
* Love *
* Let me tell you now *
1806
01:15:29,400 --> 01:15:31,070
* My heart feels heavy *
1807
01:15:31,110 --> 01:15:32,740
* My feet feel light *
1808
01:15:32,780 --> 01:15:34,110
* I shake all over, but I *
1809
01:15:34,150 --> 01:15:36,160
* Feel alright *
1810
01:15:36,200 --> 01:15:39,240
* I never felt
like this before *
1811
01:15:39,280 --> 01:15:42,410
* Something's got a hold on me
that won't let go *
1812
01:15:42,450 --> 01:15:45,460
* I never thought
this could happen to me *
1813
01:15:45,500 --> 01:15:48,710
* Got me happy
without the misery *
1814
01:15:48,750 --> 01:15:52,130
* I never thought
it could be this way *
1815
01:15:52,170 --> 01:15:55,010
* Love's sure gonna
put a hurting on me *
1816
01:15:55,050 --> 01:15:57,050
* I said, oh *
* Oh *
1817
01:15:57,090 --> 01:16:00,100
* Oh *
* Ohhh *
1818
01:16:00,140 --> 01:16:01,600
* Whoa *
1819
01:16:01,640 --> 01:16:03,680
* I said, baby *
1820
01:16:03,730 --> 01:16:05,770
* Oh, it must be love *
1821
01:16:05,810 --> 01:16:07,020
* Oh, it must be love *
1822
01:16:07,060 --> 01:16:08,980
* Yeah,
he walks like love *
1823
01:16:09,020 --> 01:16:10,270
* Yeah, he walks like love *
1824
01:16:10,320 --> 01:16:12,190
* Yeah, he talks
like love *
1825
01:16:12,230 --> 01:16:13,570
* Yeah,
he talks like love *
1826
01:16:13,610 --> 01:16:15,650
* Makes me feel
alright *
1827
01:16:15,700 --> 01:16:17,070
* Makes me feel alright *
1828
01:16:17,110 --> 01:16:18,620
* In the middle
of the night *
1829
01:16:18,660 --> 01:16:20,490
* In the middle
of the night *
1830
01:16:20,530 --> 01:16:22,830
* Whoa, oh-ohh *
1831
01:16:22,870 --> 01:16:24,000
* Something's got a hold *
1832
01:16:24,040 --> 01:16:26,120
* On me *
1833
01:16:26,160 --> 01:16:28,330
* Oh, it's got a hold
on me *
1834
01:16:28,380 --> 01:16:29,960
* Na, na, na, na *
1835
01:16:30,000 --> 01:16:32,960
* Oh, hey, yeeahh *
1836
01:16:33,000 --> 01:16:34,550
* Hey *
1837
01:16:34,590 --> 01:16:40,390
* Yeaaaah *
1838
01:16:40,430 --> 01:16:41,680
Ow!
1839
01:16:41,720 --> 01:16:45,060
[ Cheers and applause ]
1840
01:16:45,100 --> 01:16:47,440
Daly: That is Sorelle
in the playoffs.
1841
01:16:47,480 --> 01:16:49,980
How good is that?
My team is crazy.
1842
01:16:50,020 --> 01:16:53,780
Wow.
Let's get some thoughts
from our coaches. Blake.
1843
01:16:53,820 --> 01:16:56,070
I mean, come on.
1844
01:16:56,110 --> 01:16:57,450
This is cheating.
1845
01:16:57,490 --> 01:16:58,660
[ Laughter ]
1846
01:16:58,700 --> 01:17:00,280
It's too perfect.
1847
01:17:00,320 --> 01:17:03,200
I loved the individual moments
that you guys had.
1848
01:17:03,240 --> 01:17:05,450
It was like,
"Oh, you think we all three
1849
01:17:05,500 --> 01:17:07,000
can't do this
separately, too?
1850
01:17:07,040 --> 01:17:08,710
Like, watch this."
You know?
1851
01:17:08,750 --> 01:17:11,080
I mean, you're gonna
put them through, aren't you?
1852
01:17:11,130 --> 01:17:12,460
You putting
those through?
1853
01:17:12,500 --> 01:17:14,250
Ah,
we'll talk about it.
1854
01:17:14,300 --> 01:17:15,550
Thanks, Blake. Yeah.
1855
01:17:15,590 --> 01:17:17,090
Niall,
give us some thoughts.
1856
01:17:17,130 --> 01:17:19,260
The energy off
you guys is insane.
1857
01:17:19,300 --> 01:17:21,180
Like, what did you
grow up listening to?
1858
01:17:21,220 --> 01:17:22,470
There's a lot of stuff.
A little bit of everything.
1859
01:17:22,510 --> 01:17:23,850
Yeah.
We listened to this a lot.
1860
01:17:23,890 --> 01:17:26,350
Do you, like, ever listen to,
like, '40s music?
1861
01:17:26,390 --> 01:17:27,980
You know, when all those --
can hear you sing, like,
1862
01:17:28,020 --> 01:17:29,640
"Boogie Woogie Bugle Boy," like,
all that kind of stuff as well.
1863
01:17:29,690 --> 01:17:30,980
Yes. We love that.
1864
01:17:31,020 --> 01:17:32,770
We study that
to study our harmonies.
Yeah.
1865
01:17:32,810 --> 01:17:34,440
That's why it's like that.
It's so tight.
1866
01:17:34,480 --> 01:17:36,740
You definitely study 'cause
it's ridiculously tight.
1867
01:17:36,780 --> 01:17:39,200
It's phenomenal. And, Chance,
hell of an arrangement.
1868
01:17:39,240 --> 01:17:40,820
Whoever was involved in that,
yourself.
1869
01:17:40,860 --> 01:17:43,700
Oh, I think you'd be missing
a beat if you didn't have these
1870
01:17:43,740 --> 01:17:45,700
with you in the semifinals,
for sure.
Thank you.
1871
01:17:45,740 --> 01:17:47,540
Thank you.
Daly: Thank you, Coach. Kelly?
1872
01:17:47,580 --> 01:17:49,410
What you're doing
is so fresh.
1873
01:17:49,460 --> 01:17:51,460
It's just, like,
unlike anyone else.
1874
01:17:51,500 --> 01:17:53,040
I think that makes
you stand out.
1875
01:17:53,080 --> 01:17:54,750
Thank you.
Thank you so much.
1876
01:17:54,790 --> 01:17:56,920
Daly: Alright, Sorelle,
let's talk to your coach.
1877
01:17:56,960 --> 01:17:58,210
Chance: I'm so proud.
1878
01:17:58,260 --> 01:17:59,420
Every time you guys
get onstage,
1879
01:17:59,470 --> 01:18:02,050
it just blows
everybody away.
1880
01:18:02,090 --> 01:18:04,640
And you guys have just been
so receptive to all the notes.
1881
01:18:04,680 --> 01:18:06,930
And so y'all killed it.
Thank you.
1882
01:18:06,970 --> 01:18:09,810
Thank you.
How about another
big hand for Sorelle,
1883
01:18:09,850 --> 01:18:10,890
ladies and gentlemen?
1884
01:18:10,940 --> 01:18:13,560
Sorelle was amazing.
1885
01:18:13,610 --> 01:18:14,560
Niall: Smashed.
1886
01:18:14,610 --> 01:18:16,320
They're one of
my favorite things
1887
01:18:16,360 --> 01:18:17,780
about working on this show
because I love
1888
01:18:17,820 --> 01:18:19,070
playing with harmonics.
1889
01:18:19,110 --> 01:18:20,490
They really went for it
on this one.
1890
01:18:20,530 --> 01:18:21,990
That did not make it easier.
1891
01:18:22,030 --> 01:18:23,490
That was crazy.
Yeah.
1892
01:18:23,530 --> 01:18:25,410
Their performance
was phenomenal today.
1893
01:18:25,450 --> 01:18:29,330
If Team Niall don't win,
Sorelle deserves it.
1894
01:18:29,370 --> 01:18:31,500
What are you gonna do?
I have no idea.
1895
01:18:31,540 --> 01:18:34,250
I'm about to make the toughest
decision of the season.
1896
01:18:34,290 --> 01:18:36,880
Maybe toughest decision
of my life. I don't know.
1897
01:18:36,920 --> 01:18:38,210
Daly: Coming up...
1898
01:18:38,250 --> 01:18:40,010
It's time to find out
who will move on
1899
01:18:40,050 --> 01:18:41,510
to the semifinals.
1900
01:18:41,550 --> 01:18:44,220
Why is it so hard for me?
Freaking out about this.
1901
01:18:44,260 --> 01:18:46,140
I would have quit
a season before
1902
01:18:46,180 --> 01:18:48,680
had I known
that's how bad this sucks.
1903
01:18:54,980 --> 01:18:56,190
* This is "The Voice" *
1904
01:18:56,230 --> 01:18:58,320
Daly: Welcome back
to the playoffs.
1905
01:18:58,360 --> 01:18:59,650
Man: 10 seconds out.
1906
01:18:59,690 --> 01:19:01,320
I can't really
even see myself
1907
01:19:01,360 --> 01:19:02,900
getting rid of
any of these people.
1908
01:19:02,950 --> 01:19:04,490
That's what's hard.
[ Exhales deeply ]
1909
01:19:04,530 --> 01:19:06,410
Man: Here we go.
Your last one.
1910
01:19:06,450 --> 01:19:08,580
It's the last brain cell
you have to use
1911
01:19:08,620 --> 01:19:11,000
ever in your life.
[ Laughter ]
1912
01:19:11,040 --> 01:19:12,540
[ Cheers and applause ]
1913
01:19:12,580 --> 01:19:14,670
Blake: Yeah!
Here we go!
1914
01:19:14,710 --> 01:19:18,340
It is time to find out who will
move on to the semifinals.
1915
01:19:18,380 --> 01:19:20,670
We're starting tonight
with Team Blake.
1916
01:19:20,710 --> 01:19:23,380
Please welcome them
center stage. Team Blake!
1917
01:19:23,430 --> 01:19:26,340
[ Cheers and applause ]
1918
01:19:26,390 --> 01:19:33,520
**
1919
01:19:33,560 --> 01:19:34,730
Congratulations to all of you
1920
01:19:34,770 --> 01:19:37,310
on an incredible
playoff performance.
1921
01:19:37,360 --> 01:19:39,480
Blake, are you ready?
1922
01:19:39,520 --> 01:19:41,480
No, I'm nervous.
1923
01:19:41,530 --> 01:19:44,450
Only two can represent you
in the Top 8 live show.
1924
01:19:44,490 --> 01:19:45,990
Before we get your decision,
1925
01:19:46,030 --> 01:19:47,410
what would you like
to say to your team?
1926
01:19:47,450 --> 01:19:51,370
Uh...for my journey
to go out
1927
01:19:51,410 --> 01:19:54,540
with five absolutely
amazing vocalists,
1928
01:19:54,580 --> 01:19:57,880
and -- and by the way,
really great people,
1929
01:19:57,920 --> 01:19:59,790
it's literally
storybook stuff
1930
01:19:59,840 --> 01:20:01,880
for me to go out
with a group like this.
1931
01:20:01,920 --> 01:20:04,550
I just can't thank you enough
for all your hard work.
1932
01:20:04,590 --> 01:20:08,390
And I'm sorry about this
for three of ya.
1933
01:20:08,430 --> 01:20:09,890
I would have quit
a season before
1934
01:20:09,930 --> 01:20:12,270
had I known
that's how bad this sucks.
1935
01:20:12,310 --> 01:20:14,020
But it is
what it is, so...
1936
01:20:14,060 --> 01:20:18,230
Alright, Blake, who is
the first artist moving on?
1937
01:20:18,270 --> 01:20:21,730
[ Dramatic music plays ]
1938
01:20:21,780 --> 01:20:29,780
**
1939
01:20:29,820 --> 01:20:33,870
So the first artist
advancing is...
1940
01:20:33,910 --> 01:20:35,370
NOIVAS.
1941
01:20:35,410 --> 01:20:40,040
NOIVAS moving on
to the live semifinals!
1942
01:20:40,090 --> 01:20:43,760
Blake: NOIVAS, I mean, he just
does these huge performances
1943
01:20:43,800 --> 01:20:47,550
that he sings with everything
he has in his body.
1944
01:20:47,590 --> 01:20:49,970
[ Cheers and applause ]
Good job, buddy.
1945
01:20:50,010 --> 01:20:52,970
There's no way
to deny this guy's talent.
1946
01:20:53,010 --> 01:20:55,600
[ Cheers and applause ]
1947
01:20:55,640 --> 01:20:58,520
Alright, here we go.
There are four artists left.
1948
01:20:58,560 --> 01:21:01,360
Blake, who is your final artist
moving on?
1949
01:21:01,400 --> 01:21:03,940
[ Groans ]
1950
01:21:03,980 --> 01:21:05,940
[ Dramatic music plays ]
1951
01:21:05,990 --> 01:21:08,780
**
1952
01:21:08,820 --> 01:21:12,950
The second artist advancing
to the lives...
1953
01:21:12,990 --> 01:21:16,450
**
1954
01:21:16,500 --> 01:21:18,290
Grace.
[ Cheers and applause ]
1955
01:21:18,330 --> 01:21:20,540
Grace, congratulations!
1956
01:21:20,580 --> 01:21:22,090
Blake: I mean,
I had to pick Grace West.
1957
01:21:22,130 --> 01:21:25,920
She is the real deal.
She is pure country.
1958
01:21:25,960 --> 01:21:28,170
My dream was,
since this is my last season,
1959
01:21:28,220 --> 01:21:31,050
that I could go into the lives
with a country artist,
1960
01:21:31,090 --> 01:21:33,970
and she is absolutely
the perfect country artist
1961
01:21:34,010 --> 01:21:35,470
to have for this moment.
1962
01:21:35,520 --> 01:21:37,430
Thank you.
[ Chuckles ]
You deserve it, kid.
1963
01:21:37,480 --> 01:21:40,270
Grace! [ Laughs ]
Congratulations.
1964
01:21:40,310 --> 01:21:43,730
I'm sorry, you guys.
It's okay.
1965
01:21:43,770 --> 01:21:46,360
This has been the toughest thing
they've ever asked me to do.
1966
01:21:46,400 --> 01:21:48,320
We're going into the lives now,
1967
01:21:48,360 --> 01:21:49,570
and I think the winner
1968
01:21:49,610 --> 01:21:51,030
is on Team Blake.
1969
01:21:51,070 --> 01:21:53,070
Daly: Two semifinalists
are locked.
1970
01:21:53,120 --> 01:21:55,790
And now, another tough choice.
1971
01:21:55,830 --> 01:21:57,750
Please welcome Team Chance!
1972
01:21:57,790 --> 01:22:00,750
[ Cheers and applause ]
1973
01:22:00,790 --> 01:22:06,840
**
1974
01:22:06,880 --> 01:22:09,510
Only two can represent
Team Chance
1975
01:22:09,550 --> 01:22:10,880
in the Top 8 live show.
1976
01:22:10,930 --> 01:22:13,600
Before we get to that
big decision, Chance,
1977
01:22:13,640 --> 01:22:15,510
what would you first like
to say to your team?
1978
01:22:15,560 --> 01:22:18,390
I'm incredibly proud
of all of you guys.
1979
01:22:18,430 --> 01:22:20,480
You guys are just
awesome individuals.
1980
01:22:20,520 --> 01:22:22,020
You guys have true love
for music,
1981
01:22:22,060 --> 01:22:24,360
which we see every week
when you guys come up here.
1982
01:22:24,400 --> 01:22:27,690
Everybody, top to bottom,
should be winning this show.
1983
01:22:27,730 --> 01:22:29,030
Daly: Well said, Coach,
1984
01:22:29,070 --> 01:22:31,200
and congratulations
on a great season so far.
1985
01:22:31,240 --> 01:22:35,280
Chance, who's the first artist
that is moving on?
1986
01:22:35,330 --> 01:22:37,370
[ Dramatic music plays ]
1987
01:22:37,410 --> 01:22:42,750
**
1988
01:22:42,790 --> 01:22:46,090
The first artist
advancing...
1989
01:22:48,630 --> 01:22:49,920
...is Sorelle.
1990
01:22:49,960 --> 01:22:53,180
Daly: Sorelle!
The pop trio.
1991
01:22:53,220 --> 01:22:55,100
Congratulations!
1992
01:22:55,140 --> 01:22:57,310
There's no other Sorelle
on this show.
1993
01:22:57,350 --> 01:23:00,310
They needed to be in the Top 8
where I get to do arrangements
1994
01:23:00,350 --> 01:23:04,310
and vocal splits and work with
them, like, almost like a choir.
1995
01:23:04,350 --> 01:23:05,730
Amazing.
Y'all are amazing.
1996
01:23:05,770 --> 01:23:07,070
We just have a great connection,
1997
01:23:07,110 --> 01:23:08,480
and then they have
a great connection.
1998
01:23:08,530 --> 01:23:09,690
Daly: Alright, Chance,
this is it.
1999
01:23:09,730 --> 01:23:11,320
Four of your artists are left.
2000
01:23:11,360 --> 01:23:12,860
Who is the last artist
moving on?
2001
01:23:12,900 --> 01:23:14,740
Wow. Why is this
so hard for me?
2002
01:23:14,780 --> 01:23:15,990
It is really hard
for him.
2003
01:23:16,030 --> 01:23:17,580
He's been stressed
about it all day.
2004
01:23:17,620 --> 01:23:19,740
Literally.
Freaking out about this.
2005
01:23:19,790 --> 01:23:23,210
All you guys are
individually amazing, man.
2006
01:23:23,250 --> 01:23:24,750
Uh...
2007
01:23:24,790 --> 01:23:28,750
the second artist advancing
to lives...
2008
01:23:31,260 --> 01:23:33,430
...is Ray.
Daly: Ray!
2009
01:23:33,470 --> 01:23:35,140
Chance:
Ray is an amazing artist.
2010
01:23:35,180 --> 01:23:36,470
I think he has potential
2011
01:23:36,510 --> 01:23:38,010
not just as a vocalist,
but as a writer.
2012
01:23:38,050 --> 01:23:39,760
And I'm always just looking
for uniqueness.
2013
01:23:39,810 --> 01:23:43,390
I think that what he brings
to the show is himself.
2014
01:23:43,440 --> 01:23:45,940
[ Cheers and applause ]
2015
01:23:45,980 --> 01:23:47,770
We are Team Chance.
We are Team Chance.
2016
01:23:47,810 --> 01:23:50,440
It's just us now.
It's just us now, so...
2017
01:23:50,480 --> 01:23:51,940
Crazy.
This is crazy.
2018
01:23:51,990 --> 01:23:55,110
Oh, man.
That's hard.
That was tough.
2019
01:23:55,160 --> 01:23:57,450
I'm beyond excited
going into live shows.
2020
01:23:57,490 --> 01:23:58,780
And yeah,
we're in it for the gold.
2021
01:23:58,830 --> 01:24:00,370
We're trying
to take it all the way.
2022
01:24:00,410 --> 01:24:02,120
That's horrible.
[ Laughs ]
Blake: It's ruthless.
2023
01:24:02,160 --> 01:24:04,290
I am so not looking forward
to next week.
2024
01:24:04,330 --> 01:24:07,170
Now I'm just gonna go out
like a -- like a rebel.
2025
01:24:07,210 --> 01:24:17,140
**
2026
01:24:17,180 --> 01:24:27,150
**
2027
01:24:27,190 --> 01:24:37,200
**
151659
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