All language subtitles for M.S01E02.Gala [eng]

LA MODERNA PRESENTS

Without setting a pre…
but have you asked this?

OK, Manuela,
I really appreciate it, it's hard for me.

Yes.

OK... Then... OK.

Call me when you know something.
I have to go.

Great, thanks. Bye.

MATRIZ
WRITTEN AND DIRECTED BY PAULA FONCEA

- Hello?
- Hi, I'm calling because there's a rent

and I was wondering
if you knew who the landlord was.

I think the ones
from the café are a few.

No, the one next to it,
next to the haberdashery.

Do you know the owner?

- No, no idea.
- Or how to get in touch with...

No, I'm sorry.

- Oh, OK.
- Bye.

- Thank you.
- Thank you.

Hello?

Hi, do you know who the owner
from the rental down here is?

No, mate, I haven't been here long.

- OK, thank you very much.
- Bye.

- Hi!
- Hi, I'm sorry, but I'm closing.

It's only a quick question.

Do you know who the owner is?

- From this place next door?
- Yes, but she's never here.

She's always travelling.
I think she's a biologist.

She used to live in Antartida.

But a neighbour told us about her son,
who comes to the community meetings.

Her son. Yes. Oh, I remember!
He's a very nice guy.

Do you know him? Could we have
his contact so we can speak to him?

I think I have it from
when I was president of the community.

- Her son always came.
- Oh, great!

- I'll give it to you.
- Really?

- Thank you.
- Thanks so much.

No. I think you've done enough.

- The chosen family, right?
- Of course.

When we saw it in the news
we said: what the hell?

And when it happens to you,
you say: wow, really?

Yes, I know.

How many people have to go
through this every day in Madrid?

- Thank you for everything, Paula.
- No problem!

I'll never forget this. Never.

If you need anything, call me, OK?

Gorgeous!

- Look who's here!
- Hey, beautiful!

- You look great!
- Finally!

How are you? Careful!

- I'm so happy!
- How are you?

How did your big trip go?

Tell us all about it. You hitch-hiked?

Yes, I hitch-hiked from Poland.

- Wow! And how was it?
- Great, but first, how's the script going?

Oh, not now, sorry.
But I've been with this all day…

But tell me something,
I have no idea what has happened.

- You didn't see what Marina said?
- Yes, on the news.

No shit!

Fuck, I'm so sorry.

And how are you?

I'd rather see him rot in jail
and not shoot than...

I mean, It's way better, obviously.

I don't know. In London
they're not happy about my time off.

It's easy for them to tell me to piss off.

- Torturing yourself won't help.
- I know.

- It's not knowing anything.
- I know.

It's in stand-by,
frozen, and I don't know.

- And the other production company?
- I haven't managed to talk to anyone.

You don't give up until you're at the end.

- It's better this way. Let him rot.
- Of course.

- Good afternoon.
- Good afternoon.

- I'm looking for the owner.
- That's me.

- Pleased to meet you. What's your name?
- Martín.

- Martín? Mr. Martín. It's a pleasure.
- Great.

Allow me to introduce myself
by handing you my card.

Of course.

Thank you, but I'm not interested.

You still don't know what
Weber Investments offers you.

But I am not interested.
Thank you very much.

- Martín, we are buying the building.
- What building?

This one which your bar belongs to.

- You're buying all this building?
- There's only you left.

We've talked to everybody.

We wanted to tell you
about the deal over the phone,

but since it has been impossible,
allow me…

I believe that for this amount
you would be willing to give us the place.

- What do you think?
- No.

I'm saying no.

I'll speak to my partner, yes.

- But you have a "no" for now.
- OK.

- You have time to think about it.
- Yes, OK.

If they offered this amount to me…

Well, when you have a bar
and they offer it to you, sell it.

- Here's my card.
- Leave, please.

I'm very sorry for you, Paula.

I don't want this to sound as though
I'm throwing it in your face but…

You didn't talk about
the production company.

I know, I know.

You told me about your colleagues,
the typical female character.

Typical female character.

Marina, I think, as a person,
as a friend and as a citizen,

that that's more important than this.

- You do a great job.
- Yeah, but that's a pity.

I know, but thank you very much.

Truly.

But we've been a little
out of contact, haven't we?

- A little bit, yes.
- A little bit.

Well, a lot of stress.

I'm thinking about work,
there are other things, but…

I don't know.

A lot of mood swings…

What does Marta tell you?

The usual. The seasons, the pills…

What's the matter?

What's the matter?
What are you not telling me?

- No.
- Yes.

Nothing, I'm on something.

- What do you mean? Are you in a cult?
- No!

I'm on something big.

With Clara
we're going to open a new media.

It's going to be big.
With all the names you can imagine.

Are you serious?

I'm still at the newspaper, but anyway…

No, I spoke to Manuela.

I want to know where the production is at.

No, but you don't know anything?

I'm sorry but I'm waiting
for another job abroad, you know?

OK.

Yeah, of course, I'll wait.

I appreciate it.

All right, thank you very much. Bye.

Bureaucracy even in the movies.

Do something else.

They won't tell me
anything about the film.

And in London
they might not give me more time.

The classic problem of having
two jobs in the art world.

Marina, I'm doing it for your sake.

Yes, sure, for my sake.

Am I telling you
we won't publish the article?

- Yes.
- No. I'm saying we can't with those names.

- Same thing.
- No it's not.

The content is one thing,
which I think is fantastic,

but we can't mention people so lightly,

let alone mention the name of the company.

- Don't put it in.
- That's what I say.

Let's do the articles
like other newspapers do.

No, even better,
let's do what Twitter or Facebook do.

And we don't give a shit
about the laws of journalism.

- Marina, it's not that and you know it.
- Yes, it is.

I work here all day, every day

- and my work deserves respect.
- You have it.

At least do it for me,
because I'm working my ass off.

- You and everyone else.
- Of course, but I'm talking about me.

- Or is…
- Will you listen to me for once, Jorge?

I'm sick of you,
sick of your condescending bullshit,

sick of commercial bullshit!

My work is impeccable,
I deserve more than this shitty newspaper!

You don't deserve
even an inch of what I do!

And this cool, expensive,
Christmas present,

well, it doesn't work.

- Excuse me, can I go through?
- Keep moving.

Sorry, what happened?

Sir, I told you to keep moving.
You can't be here.

OK, but have you found anything
or has anything happened?

- ID.
- I don't have it.

I've lost my yoga bag

and I have the documentation there.
I'm looking for it.

What colour was your bag?

Black with pink letters on it.

Wait here, please.

- Come on, go through.
- Thank you and sorry.

He's on his way.

Yes, it was an amazing trip.

- And the bus?
- No we didn't get a bus in Slovenia.

We got one in Tarragona to go to Madrid.

In Slovenia, Rodrigo and I
met a very nice Slovenian guy.

- He invited us to his house.
- Sounds great!

He had a big house
in the middle of a lake. It was amazing.

What are you going to do
about the master's degree?

I don't know about the master's degree,
I haven't looked at it, I have to see.

You went back for that.

Yes, I said I was coming back
for the master's but…

my mother and sister have been taking care
of my brother for a long time

and it's my turn now. I don't know.

Also the master's is a lot of money.
I don't know if I'll get the scholarship…

I'll see.

And you? Tell me how's it going, Ashka!
How is it going with your boyfriend?

- Hey!
- Hello!

- I'm going to ask you straight away.
- What?

Can you take care of her for a few days?

- What do you mean take care of her?
- Yes, take care of her.

Until we find someone
who loves her and keeps her.

- Poor thing.
- She's so good and affectionate.

- She's so good.
- Oh, she's a bit scared.

- Yes, a bit.
- She's gorgeous.

She's amazing.

I think you get on very well.

You have some stuff in here, OK?

- These are…
- Is this her food?

No, these are her treats.

There's also food.
But this is for when she's been good.

There're also blankets.
You need to feed her twice a day.

- Water.
- These are the treats?

- No, this is her food.
- Oh, OK.

She doesn't have a name.

I thought you named all of them.

- No, don't do that!
- No, no!

- No.
- We shouldn't eat Paula's food.

Don't eat Paula's food. I'm sorry, babe.

- Was it your lunch?
- Yes.

She's a bit anxious because on the street…

she feels like
she's not going to eat anymore.

- I'm sorry.
- It's OK.

She thinks it's going to be her last meal.

- So gorgeous!
- He's rewarding you.

Jano's very bad with dogs, isn't he?

- I reward you for eating Paula's food.
- And I talk to you as if I were stupid.

You're not going to eat my food, are you?

- You'll love her. Only a few days, OK?
- OK.

Thank you so much!

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The door is not open! If it were half open

you could still say:
it's behind or in front

but, fuck, with the strings
you can't change the colours!

Yeah, right!
I'm going to open them magically,

because I'm a magic magician,
I change the colour

and that's it. You can't do it!

You can't. How can you change the colour?

It's silly! To change it, it has to be…

- Carlota.
- Let's go home.

Home? Is there strawberry yoghurt left?

- Is there any?
- Yes, there is.

Martín, I'm happy to do that.

You invite me to some beers,
I'll drop by, it's no trouble for me.

No, because…

I don't want to be a piano teacher,
and I'll go back to London, I think.

Sorry, I'll call you later. Bye.

- I'm sorry, I don't know…
- Don't worry.

- I just got her recently.
- She looks just like my Republicana.

She's in foster care,
we're looking for a home for her.

- You're not going to stay together?
- Right now, in the near future…

- You never know.
- Yeah.

- What's her name?
- Gala.

Gala, you have a very pretty name.

- I couldn't keep my Republicana either.
- No?

- No.
- But you kept her? What did you do?

Yes. I had to adapt.

You can't go against things.

- It is what it is.
- Yeah.

- Gorgeous!
- See you later.

Hello! How are you?

Hang on a minute.

- Now.
- How are you?

- I was just calling to see how you were.
- Fine!

- Where are my girls?
- Shouting.

Yeah, I can hear them. Give them my love.

I will. And you? How are you?

- Hello?
- Yes.

How are you?

- Can you hear me?
- Yes.

- Hello.
- Hello.

Hello, sorry, I was drinking some water.

I was just checking in.

We're fine. We want to see you.

- Yes, I'll be there soon.
- They're calling you.

- OK, I love you very much.
- Me too.

- Bye.
- Kisses for all of you.