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These are the user uploaded subtitles that are being translated: 1 00:00:01,001 --> 00:00:05,005 -[THEME MUSIC] 2 00:00:12,838 --> 00:00:16,886 -♪ SOME PEOPLE STAND IN THE DARKNESS ♪ 3 00:00:17,017 --> 00:00:20,890 ♪ AFRAID TO STEP INTO THE LIGHT ♪ 4 00:00:21,021 --> 00:00:24,589 ♪ SOME PEOPLE NEED TO HELP SOMEBODY ♪ 5 00:00:24,720 --> 00:00:27,984 ♪ WHEN THE EDGE OF SURRENDER'S IN SIGHT ♪ 6 00:00:28,115 --> 00:00:30,769 ♪ DON'T YOU WORRY 7 00:00:30,900 --> 00:00:33,859 ♪ IT'S GONNA BE ALL RIGHT 8 00:00:36,993 --> 00:00:38,864 ♪ 'CAUSE I'M ALWAYS READY 9 00:00:38,995 --> 00:00:42,346 ♪ I WON'T LET YOU OUT OF MY SIGHT ♪ 10 00:00:45,436 --> 00:00:49,397 ♪ I'LL BE READY I'LL BE READY♪ 11 00:00:49,527 --> 00:00:53,270 ♪ NEVER YOU FEAR NO, DON'T YOU FEAR ♪ 12 00:00:53,401 --> 00:00:56,534 ♪ I'LL BE READY 13 00:00:56,665 --> 00:00:59,885 ♪ FOREVER AND ALWAYS 14 00:01:00,016 --> 00:01:02,540 ♪ I'M ALWAYS HERE 15 00:01:20,993 --> 00:01:22,734 ♪ 'CAUSE I'M ALWAYS READY 16 00:01:22,865 --> 00:01:26,608 ♪ I WON'T LET YOU OUT OF MY SIGHT ♪ 17 00:01:29,132 --> 00:01:33,615 ♪ I'LL BE READY I'LL BE READY ♪ 18 00:01:33,745 --> 00:01:36,966 ♪ NEVER YOU FEAR NO, DON'T YOU FEAR ♪ 19 00:01:37,097 --> 00:01:40,970 ♪ I'LL BE READY 20 00:01:41,101 --> 00:01:43,929 ♪ FOREVER AND ALWAYS 21 00:01:44,060 --> 00:01:46,802 ♪ I'M ALWAYS HERE 22 00:02:01,512 --> 00:02:04,602 -[PEACEFUL PIANO MUSIC] 23 00:02:46,340 --> 00:02:49,125 -♪ YOU KNOW YOU GOT ME HYPNOTIZED 24 00:02:52,172 --> 00:02:54,957 ♪ ONE LOOK AT YOU, I'M PARALYZED 25 00:02:57,699 --> 00:03:00,528 ♪ SO HOT, YOU MUST BE BURNING 26 00:03:00,658 --> 00:03:03,661 ♪ IN EVERY WAY, YOU'RE PERFECT 27 00:03:03,792 --> 00:03:06,577 ♪ I WANT YOU NOW, THERE'S NO DENYING 28 00:03:07,926 --> 00:03:13,367 ♪ I ONLY HAVE EYES FOR YOU 29 00:03:14,063 --> 00:03:18,850 ♪ LOST IN THE WAY YOU MOVE ♪ 30 00:03:19,808 --> 00:03:24,726 ♪ NOBODY DOES IT LIKE YOU DO 31 00:03:25,335 --> 00:03:30,514 ♪ I ONLY HAVE EYES FOR YOU ♪ 32 00:03:31,515 --> 00:03:33,996 ♪ I ONLY HAVE EYES FOR YOU 33 00:03:37,304 --> 00:03:39,741 ♪ I ONLY HAVE EYES FOR YOU 34 00:03:43,092 --> 00:03:45,573 ♪ I ONLY HAVE EYES FOR YOU 35 00:03:49,054 --> 00:03:51,361 ♪ I ONLY HAVE EYES FOR YOU 36 00:03:54,712 --> 00:03:59,761 ♪ I ONLY HAVE EYES FOR YOU 37 00:04:00,675 --> 00:04:05,984 -♪ LOST IN THE WAY YOU MOVE 38 00:04:06,550 --> 00:04:12,077 ♪ NOBODY DOES IT LIKE YOU DO ♪ 39 00:04:12,208 --> 00:04:17,257 ♪ I ONLY HAVE EYES FOR YOU 40 00:04:18,170 --> 00:04:20,825 ♪ I ONLY HAVE EYES FOR YOU 41 00:04:24,176 --> 00:04:27,267 ♪ I ONLY HAVE EYES FOR YOU 42 00:04:34,274 --> 00:04:37,799 -NEWMIE, THE WATER IS THAT WAY. 43 00:04:37,929 --> 00:04:40,018 -I WAS GLANCING. THAT WAS A GLANCE. 44 00:04:40,149 --> 00:04:41,629 -THAT WAS MORE THAN A GLANCE. 45 00:04:42,978 --> 00:04:44,196 -WHY COULDN'T I BE PICKED TO JUDGE 46 00:04:44,327 --> 00:04:45,763 THE MISS MALIBU BEACH CONTEST? 47 00:04:46,503 --> 00:04:48,331 TO DO THE UP-CLOSE AND PERSONALS 48 00:04:48,462 --> 00:04:52,161 ON EVERY, SINGLE, CONTESTANT. 49 00:04:52,292 --> 00:04:54,642 -WELL, THEY NEEDED AN EXPERT. 50 00:04:54,772 --> 00:04:55,686 WHAT CAN I SAY? 51 00:04:56,687 --> 00:04:57,514 -THANKS. 52 00:04:57,645 --> 00:04:58,646 -GREAT DAY, PAL. 53 00:04:59,647 --> 00:05:04,173 -[PHOTOGRAPHERS AND CONTESTANTS CHATTER] 54 00:05:08,046 --> 00:05:09,570 -CYNTHIA KEATON. 55 00:05:10,266 --> 00:05:11,833 -OH HI, HI, CAN I SEE YOUR PASS? 56 00:05:12,747 --> 00:05:14,662 -I DON'T REALLY NEED ONE, PAL, I'M A LIFEGUARD. 57 00:05:14,792 --> 00:05:16,490 -WELL THAT'S GREAT BUT YOU'RE STILL GONNA NEED A PASS. 58 00:05:16,620 --> 00:05:19,101 -BUDDY, I DON'T NEED ONE, I'M A JUDGE. 59 00:05:19,231 --> 00:05:21,756 -I HEARD YOU, BUT I CAN'T HELP YOU. 60 00:05:22,452 --> 00:05:24,411 -SAMANTHA. SAM! 61 00:05:26,848 --> 00:05:28,806 SOMEBODY FORGOT TO GIVE ME A PASS. 62 00:05:28,937 --> 00:05:29,938 -NO, NO ONE FORGOT. 63 00:05:30,068 --> 00:05:32,157 -YES. YES, SOMEONE FORGOT. 64 00:05:32,288 --> 00:05:33,898 -NO THEY DIDN'T. JUDGES DON'T GET ONE. 65 00:05:34,029 --> 00:05:35,813 DIDN'T I TELL YOU? 66 00:05:36,423 --> 00:05:37,989 JUDGES CAN'T SOCIALIZE WITH CONTESTANTS 67 00:05:38,120 --> 00:05:39,121 BEFORE THE PAGEANT. 68 00:05:39,251 --> 00:05:41,515 -NO, YOU DIDN'T TELL ME. 69 00:05:41,645 --> 00:05:43,168 -MUST'VE SLIPPED MY MIND. 70 00:05:43,299 --> 00:05:44,953 YOU KNOW, WITH ALL THE PREPARATION. 71 00:05:45,083 --> 00:05:47,172 -HOW AM I SUPPOSED TO GET UP-CLOSE AND PERSONAL INTERVIEWS 72 00:05:47,303 --> 00:05:49,000 IF I CAN'T GET UP-CLOSE AND PERSONAL? 73 00:05:49,131 --> 00:05:51,916 -IN WRITING, YOU SUBMIT THE QUESTIONS, THEY ANSWER THEM, 74 00:05:52,047 --> 00:05:53,178 YOU JUDGE THEIR ANSWERS. 75 00:05:58,706 --> 00:06:00,316 -WELL THEN, I RESIGN MY JUDGESHIP. 76 00:06:00,447 --> 00:06:02,231 I NO LONGER WISH TO BE A JUDGE. 77 00:06:02,362 --> 00:06:03,319 -TOO LATE. 78 00:06:03,450 --> 00:06:05,060 -IT'S NOT TOO LATE. COME ON. 79 00:06:05,190 --> 00:06:06,453 YOU KNOW WHAT, HIRE NEWMIE. 80 00:06:06,583 --> 00:06:08,150 HEY NEWMIE! YOU WANT TO BE A JUDGE? 81 00:06:08,280 --> 00:06:10,021 -YEAH! -LOOK. LOOK AT HIM, SMILING UP THERE. 82 00:06:10,152 --> 00:06:11,371 HIRE NEWMIE, HE'S A GREAT JUDGE. 83 00:06:11,501 --> 00:06:12,894 -THE PAY-PER-VIEW PEOPLE WANT YOU. 84 00:06:13,024 --> 00:06:14,635 THEY THINK YOU'RE CUTE AND CREDIBLE. 85 00:06:14,765 --> 00:06:16,985 -I'M NOT CUTE AND CREDIBLE. AM I CUTE? NO. 86 00:06:17,115 --> 00:06:18,682 SEE, I'M NOT CUTE. I'M NOT CUTE AND PERSONAL. 87 00:06:18,813 --> 00:06:20,945 I DON'T WANT TO BE A JUDGE, I REALLY DON'T. 88 00:06:21,076 --> 00:06:23,208 -MITCH, DON'T SULK. YOU'RE DOING THE RIGHT THING. -I'M NOT SULKING. 89 00:06:23,339 --> 00:06:24,296 I'M NOT. 90 00:06:25,733 --> 00:06:26,951 -ONE, 91 00:06:28,344 --> 00:06:29,693 TWO, 92 00:06:31,216 --> 00:06:32,609 THREE, 93 00:06:32,740 --> 00:06:34,132 [CHUCKLES] 94 00:06:34,263 --> 00:06:35,351 FOUR, 95 00:06:36,308 --> 00:06:37,919 FIVE, 96 00:06:38,049 --> 00:06:42,532 SIX, SEVEN, EIGHT, NINE, TEN. 97 00:06:43,751 --> 00:06:44,752 11, 98 00:06:46,449 --> 00:06:47,755 12, 99 00:06:48,930 --> 00:06:50,410 13, 100 00:06:51,846 --> 00:06:53,195 14, 101 00:06:54,326 --> 00:06:57,852 15, 16, 17, 102 00:06:57,982 --> 00:06:58,722 -STEPHANIE: CAROLINE? 103 00:06:58,853 --> 00:07:00,158 -18! 104 00:07:00,289 --> 00:07:01,812 -CAROLINE? ARE YOU ALL RIGHT? 105 00:07:02,639 --> 00:07:05,773 -YEAH, I'M FINE. I'M WONDERFUL. 106 00:07:07,775 --> 00:07:08,863 -I'LL BE RIGHT THERE. 107 00:07:11,779 --> 00:07:13,041 -21, 108 00:07:14,912 --> 00:07:16,305 22, 109 00:07:19,090 --> 00:07:20,440 23, 110 00:07:23,791 --> 00:07:25,227 -CAROLINE. 111 00:07:25,357 --> 00:07:27,229 CAROLINE, WHAT'S GOING ON? 112 00:07:27,359 --> 00:07:28,883 I MEAN YOU'RE ANGRY, YOU'RE HAPPY, YOU'RE SAD. YOU'RE-- 113 00:07:29,013 --> 00:07:29,927 WHAT IS UP? 114 00:07:30,058 --> 00:07:31,581 -YOU COULD TELL? 115 00:07:31,712 --> 00:07:33,627 -YEAH, OF COURSE I COULD TELL. CAROLINE, DUH. 116 00:07:33,757 --> 00:07:35,280 -WELL SEE, IT'S AN EXERCISE FOR ACTING CLASS, 117 00:07:35,411 --> 00:07:36,891 AND FIRST I HAVE TO DO TEN COUNTS OF BEING HAPPY, 118 00:07:37,021 --> 00:07:39,023 TEN COUNTS OF BEING ANGRY, TEN COUNTS OF BEING SAD. 119 00:07:39,154 --> 00:07:40,895 AND THEN I HAVE TO BE HAPPY AGAIN, AND YOU CAN TELL. 120 00:07:41,025 --> 00:07:43,071 THIS IS INCREDIBLE! I CAN'T WAIT TO GO TO ACTING CLASS. 121 00:07:43,201 --> 00:07:44,681 -UH-HUH, ACTING CLASS. 122 00:07:44,812 --> 00:07:46,683 IS IT THE ACTING CLASS OR THE ACTING TEACHER? 123 00:07:46,814 --> 00:07:48,468 -WELL, IT'S ACTING CLASS. 124 00:07:49,643 --> 00:07:51,601 AND MAYBE THE TEACHER A LITTLE BIT. 125 00:07:52,950 --> 00:07:54,691 OH, HE'S SO CUTE. 126 00:07:54,822 --> 00:07:56,432 -I THOUGHT THAT YOU WERE SWEARING OFF MEN 127 00:07:56,563 --> 00:07:57,868 AND CONCENTRATING ON YOURSELF? 128 00:07:57,999 --> 00:07:59,696 -OH I AM. 129 00:07:59,827 --> 00:08:01,481 IT'S JUST THAT HE'S LIKE NO OTHER MAN I'VE EVER MET. 130 00:08:01,611 --> 00:08:05,006 I MEAN, HE'S SENSITIVE, AND SEXY, 131 00:08:05,702 --> 00:08:09,445 AND CHARMING, AND SEXY, AND TALENTED, AND-- 132 00:08:09,576 --> 00:08:12,666 -SEXY. UH-HUH AND IN HIS FIFTIES. 133 00:08:12,796 --> 00:08:14,450 -OH, SO WHAT, AGE DOESN'T MEAN ANYTHING. 134 00:08:15,146 --> 00:08:16,060 -YOU'RE NOT DATING HIM, ARE YOU? 135 00:08:16,191 --> 00:08:17,148 -OH NO, NO. 136 00:08:18,541 --> 00:08:19,411 NOT YET. 137 00:08:20,543 --> 00:08:22,414 YOU NEVER KNOW WHAT MIGHT HAPPEN. 138 00:08:23,590 --> 00:08:29,334 ONE, TWO, THREE, FOUR, FIVE, SIX, SEVEN, EIGHT, NINE-- 139 00:08:31,859 --> 00:08:37,168 -[TENSE MUSIC] 140 00:08:45,655 --> 00:08:47,831 -HEY, BARNETT, RADIO TO HEADQUARTERS AND ASK THEM 141 00:08:47,962 --> 00:08:49,746 TO PICK UP THEIR WINDSURFERS, OKAY? 142 00:08:49,877 --> 00:08:51,139 -BARNETT: OKAY, YOU GOT IT. 143 00:08:54,142 --> 00:08:54,925 -YOU ON? 144 00:08:55,056 --> 00:08:55,883 -YEP. 145 00:08:56,013 --> 00:08:56,840 -ALL RIGHT. 146 00:09:08,330 --> 00:09:11,028 -[GROANING] 147 00:09:20,472 --> 00:09:21,691 -JORDAN: HEY CODY, LOOK UP THERE. 148 00:09:21,822 --> 00:09:23,475 IT LOOKS LIKE HE'S IN TROUBLE. 149 00:09:29,743 --> 00:09:31,309 WHATEVER THAT IS, IT'S GOING DOWN. 150 00:09:32,093 --> 00:09:33,355 -CODY: HANG ON. 151 00:09:35,270 --> 00:09:37,881 -[GROANING] 152 00:09:38,752 --> 00:09:40,623 -BAYWATCH TO HEADQUARTERS FROM WD THREE. 153 00:09:40,754 --> 00:09:42,451 I GOT A PARAMOTOR, WHOEVER'S FLYING IT 154 00:09:42,582 --> 00:09:44,279 IS HAVING A MAJOR PROBLEM. 155 00:09:44,409 --> 00:09:46,803 IT'S GONNA CRASH ABOUT A MILE WEST OF SURFRIDER BEACH. 156 00:09:48,283 --> 00:09:50,633 -[GROANING] 157 00:09:53,767 --> 00:09:58,119 -[DRAMATIC MUSIC] 158 00:10:55,176 --> 00:10:56,133 -I GOT HIM. 159 00:10:56,264 --> 00:10:57,265 -I'LL CHECK HIS BREATHING. 160 00:11:02,792 --> 00:11:03,924 -COME ON. 161 00:11:05,447 --> 00:11:06,448 -JORDAN: HE'S BREATHING. 162 00:11:06,578 --> 00:11:07,405 -GOTTA GET HIM TO SHORE. 163 00:11:07,536 --> 00:11:08,929 -JORDAN: I'LL HOLD HIM. 164 00:11:09,059 --> 00:11:10,060 -NO, IT'S TOO RISKY. HE'S GOT NECK INJURIES. 165 00:11:10,191 --> 00:11:11,627 -WELL WHAT CHOICE HAVE WE GOT? 166 00:11:11,758 --> 00:11:13,194 -I DON'T KNOW, WAIT FOR BACKUP. 167 00:11:13,324 --> 00:11:15,239 -WELL, WE CAN'T WAIT, CODY, HE WON'T MAKE IT. 168 00:11:15,370 --> 00:11:16,719 -WE NEEDED MY WINDJET. 169 00:11:16,850 --> 00:11:17,807 -WHAT'S A WINDJET? 170 00:11:17,938 --> 00:11:19,591 -THAT'S WHAT WE NEED RIGHT NOW. 171 00:11:20,375 --> 00:11:23,030 ALL RIGHT, YOU RIDE, I'LL HOLD HIM. LET'S GO. 172 00:11:34,302 --> 00:11:35,695 -HEY WHAT'S HAPPENING? WHAT'S YOUR NAME? 173 00:11:35,825 --> 00:11:37,174 -CHARLIE. 174 00:11:37,305 --> 00:11:39,002 -HOW ARE YOU DOING, CHARLIE, YOU OKAY? 175 00:11:39,133 --> 00:11:40,961 -YES. -WHAT'D YOU DO, HURT YOUR HAND OUT THERE? 176 00:11:41,091 --> 00:11:42,440 -YES. -WELL YOU'VE GOT A BEAUTIFUL LIFEGUARD HERE, KIM, 177 00:11:42,571 --> 00:11:43,703 TO TAKE CARE OF YOU, OKAY? 178 00:11:43,833 --> 00:11:45,226 -OKAY. -ALL RIGHT, KEEP SMILING. 179 00:11:45,356 --> 00:11:46,880 ALL RIGHT, SEE YOU LATER, PAL. 180 00:11:47,707 --> 00:11:50,144 -THE WINDJET CAN RUN ON ONE OR BOTH SEA-DOOS. 181 00:11:50,274 --> 00:11:52,146 NOW, BOTH CAN BE DETACHED FOR RESCUES, 182 00:11:52,276 --> 00:11:54,365 GIVING US THE SPEED AND FLEXIBILITY OF A SEA-DOO, 183 00:11:54,496 --> 00:11:56,890 WITH A BOAT'S ABILITY TO TRANSPORT VICTIMS. 184 00:11:57,499 --> 00:11:59,327 NOW, IF JORDAN AND I HAD ONE OF THESE, TODAY, 185 00:11:59,457 --> 00:12:01,590 WE COULD'VE HANDLED THE GUY WHO SUFFERED THE HEART ATTACK 186 00:12:01,721 --> 00:12:04,419 FLYING THAT PARAMOTOR SAFER AND MORE EFFICIENTLY. 187 00:12:04,549 --> 00:12:06,116 -HEY JORDAN'S AN EXCELLENT LIFEGUARD, ISN'T SHE? 188 00:12:06,247 --> 00:12:07,639 -YEAH, SHE'S AWESOME. 189 00:12:07,770 --> 00:12:09,467 -WELL THIS IS AWESOME TOO. 190 00:12:11,339 --> 00:12:12,688 ONLY ONE THING WRONG WITH IT. 191 00:12:14,298 --> 00:12:16,300 -AND WHAT'S THAT? 192 00:12:16,431 --> 00:12:17,737 -I DIDN'T THINK OF IT. 193 00:12:18,563 --> 00:12:20,174 I GOTTA GET OUT OF HERE, I GOTTA GO JUDGE 194 00:12:20,304 --> 00:12:24,308 THE MISS MALIBU BEACH CONTEST BY HER QUESTIONNAIRE. 195 00:12:25,179 --> 00:12:26,093 THANK YOU VERY MUCH. 196 00:12:28,008 --> 00:12:29,400 -HE'S SO MUCH FUN TO ANNOY. 197 00:12:30,750 --> 00:12:34,492 ANYWAY, CODY, THIS IS A REALLY GOOD IDEA. 198 00:12:35,102 --> 00:12:36,625 WHO WROTE THE PATENT? 199 00:12:36,756 --> 00:12:38,409 -WELL I DID, BUT IF THE DEPARTMENT DEVELOPS THIS, 200 00:12:38,540 --> 00:12:39,846 I'D BE WILLING TO SHARE THE REVENUES. 201 00:12:39,976 --> 00:12:41,021 -REALLY? 202 00:12:41,151 --> 00:12:42,544 WELL THAT'S WHAT I LIKE TO HEAR. 203 00:12:43,197 --> 00:12:44,459 HOW MUCH TO BUILD A PROTOTYPE? 204 00:12:44,589 --> 00:12:46,069 -WELL I ALREADY HAVE THE BODY MOLDED, 205 00:12:46,200 --> 00:12:47,636 AND THE LINKING SYSTEM IN PLACE. 206 00:12:47,767 --> 00:12:50,900 BUT I STILL NEED ABOUT 20,000 TO ENGINEER 207 00:12:51,031 --> 00:12:52,728 THE STEERING AND THROTTLE SYSTEMS. 208 00:12:52,859 --> 00:12:54,295 -20,000. 209 00:12:54,425 --> 00:12:55,687 -YEAH, I THOUGHT YOU COULD USE THE PROCEEDS 210 00:12:55,818 --> 00:12:58,560 FROM THE MISS MALIBU BEACH CONTEST. 211 00:12:58,690 --> 00:13:00,605 -THEY'RE ALREADY ALLOCATED TO OTHER EXPENSES. 212 00:13:01,258 --> 00:13:02,869 -WHAT ABOUT THE MONEY YOU RAISED SELLING ADVERTISING 213 00:13:02,999 --> 00:13:04,392 ON BEACH TRASH CANS? 214 00:13:04,522 --> 00:13:05,785 -SAMANTHA: SUBSIDIZING BEACH MAINTENANCE. 215 00:13:07,917 --> 00:13:11,007 LOOK, LET ME THINK ABOUT THIS, 216 00:13:11,138 --> 00:13:12,922 AND I'LL SEE WHAT I CAN COME UP WITH. 217 00:13:13,575 --> 00:13:15,098 -YOU'RE A GEM. 218 00:13:23,454 --> 00:13:25,674 -WAIT, HOLD ON A SECOND. 219 00:13:28,198 --> 00:13:29,199 MORGAN? 220 00:13:31,636 --> 00:13:33,595 MORGAN, WAIT UP IT'S ME, PETRA. 221 00:13:34,204 --> 00:13:35,336 -MY NAME'S NOT MORGAN. 222 00:13:35,945 --> 00:13:38,078 -MINE ISN'T REALLY PETRA. 223 00:13:38,208 --> 00:13:40,123 YOU WON A BIKINI CONTEST IN PALM SPRINGS LAST YEAR. 224 00:13:41,995 --> 00:13:43,300 I FINISHED SECOND. 225 00:13:45,302 --> 00:13:47,261 IT'S NOTHING TO BE ASHAMED OF. 226 00:13:49,045 --> 00:13:51,700 OH, I GET IT. 227 00:13:52,657 --> 00:13:54,442 NOW THAT YOU'RE A LIFEGUARD, YOU'RE EMBARRASSED 228 00:13:54,572 --> 00:13:55,878 ABOUT BEING IN BIKINI CONTESTS. 229 00:13:57,749 --> 00:14:01,014 -OKAY FINE, MY NAME IS DONNA. 230 00:14:01,144 --> 00:14:02,711 AND YES, IF THE PEOPLE I WORK WITH FOUND OUT 231 00:14:02,842 --> 00:14:05,627 I USED TO DO BIKINI CONTESTS, 232 00:14:05,757 --> 00:14:07,498 IT COULD HURT MY CREDIBILITY AS A LIFEGUARD. 233 00:14:07,629 --> 00:14:10,197 -YOU WON $2,000 IN PALM SPRINGS. 234 00:14:11,198 --> 00:14:14,114 LOOK, I'VE WON $23,000 CIRCUIT SO FAR THIS YEAR. 235 00:14:15,767 --> 00:14:18,422 IT'S NOT A BAD SUPPLEMENT FOR A FIFTH GRADE TEACHER SALARY. 236 00:14:19,771 --> 00:14:21,077 WHAT'S EMBARRASSING ABOUT THAT? 237 00:14:21,208 --> 00:14:22,731 -NOTHING. OH, NOTHING. 238 00:14:22,862 --> 00:14:25,516 IT'S JUST--IT'S PERCEPTION, YOU KNOW. 239 00:14:25,647 --> 00:14:27,083 PERCEPTION'S EVERYTHING. 240 00:14:28,302 --> 00:14:31,087 I'D REALLY APPRECIATE IT IF YOU COULD KEEP THIS TO YOURSELF, 241 00:14:31,218 --> 00:14:32,262 OKAY? 242 00:14:34,569 --> 00:14:38,268 -WELL I'LL TRY, BUT I CAN'T PROMISE ANYTHING. 243 00:14:38,921 --> 00:14:41,228 SOMETIMES, SECRETS HAVE A WAY OF GETTING OUT. 244 00:14:47,538 --> 00:14:49,192 -CAN I TALK TO YOU FOR A SECOND? 245 00:14:49,323 --> 00:14:51,020 -ACTUALLY, I REALLY DON'T WANT TO BE LATE FOR CLASS. 246 00:14:51,151 --> 00:14:52,630 -WELL ACTUALLY, THAT'S WHAT I WANT TO TALK TO YOU ABOUT. 247 00:14:53,327 --> 00:14:54,937 YOU KNOW, I'M WRITING A SCRIPT IS KIND OF A CROSS 248 00:14:55,068 --> 00:14:56,896 BETWEEN POINT BREAK AND FATAL ATTRACTION. 249 00:14:57,026 --> 00:14:57,984 -RIGHT, I KNOW THIS. 250 00:14:58,114 --> 00:14:59,507 YOU TOLD ME ALL OF THIS ALREADY. 251 00:14:59,637 --> 00:15:01,117 -RIGHT, WELL THE THING IS, I'VE HIT A BIT 252 00:15:01,248 --> 00:15:03,032 OF A SNAG WITH THE DIALOGUE. 253 00:15:03,163 --> 00:15:04,338 AND I FIGURED MAYBE YOU COULD DO SOME OF THE SCENES IN CLASS, 254 00:15:04,468 --> 00:15:05,513 SO I COULD HEAR WHAT THEY SOUND LIKE. 255 00:15:06,253 --> 00:15:07,602 -ARE YOU SERIOUS? 256 00:15:07,732 --> 00:15:08,864 -I'M VERY SERIOUS. 257 00:15:08,995 --> 00:15:10,126 I'M GONNA SELL THE SCRIPT, CAROLINE. 258 00:15:10,257 --> 00:15:11,649 IF YOU HELP ME, I'LL HELP YOU. 259 00:15:11,780 --> 00:15:13,129 -REALLY? 260 00:15:13,260 --> 00:15:15,044 AND HOW DO YOU PROPOSE TO DO THAT? 261 00:15:15,175 --> 00:15:17,133 -WELL THERE'S A PARTY COMING UP AT THE MAIN STREET GALLERY, 262 00:15:17,264 --> 00:15:18,787 ALL THE TOP HOLLYWOOD AGENTS AND PRODUCERS 263 00:15:18,918 --> 00:15:19,962 WILL BE THERE. 264 00:15:20,093 --> 00:15:22,878 I CAN GET YOU IN, AND WHO KNOWS. 265 00:15:23,531 --> 00:15:24,924 MAYBE YOU'LL BE DISCOVERED. 266 00:15:31,756 --> 00:15:33,280 HELP ME. 267 00:15:34,281 --> 00:15:35,586 HELP YOURSELF. 268 00:15:37,893 --> 00:15:39,112 -HELP ME. 269 00:15:40,504 --> 00:15:42,071 -HELP YOURSELF. 270 00:15:43,029 --> 00:15:44,117 -HELP ME. 271 00:15:46,075 --> 00:15:47,033 -HELP YOURSELF. 272 00:15:47,163 --> 00:15:48,599 -CAROLINE. 273 00:15:48,730 --> 00:15:49,687 CAROLINE, WHAT ARE YOU GETTING FROM TAMMY? 274 00:15:51,472 --> 00:15:54,866 -ANGER. SCORN. 275 00:15:54,997 --> 00:15:56,390 -HOW DOES THAT MAKE YOU FEEL? 276 00:15:58,435 --> 00:16:02,178 -I DON'T KNOW, IT MAKES ME RESENTFUL AND FRUSTRATED. 277 00:16:02,309 --> 00:16:04,180 -THOSE ARE CONCEPTS. 278 00:16:04,311 --> 00:16:05,355 WHAT DOES IT MAKE YOU FEEL? 279 00:16:07,053 --> 00:16:08,532 THERE! 280 00:16:08,663 --> 00:16:10,447 THERE, WHAT'S CHURNING INSIDE YOU RIGHT NOW? 281 00:16:11,666 --> 00:16:12,754 -FEAR. -WHAT! 282 00:16:14,495 --> 00:16:15,539 -FEAR, I FEEL FEAR. 283 00:16:15,670 --> 00:16:17,280 -YES, SO EXPRESS IT. 284 00:16:18,064 --> 00:16:19,891 GO WITH IT. LET IT OUT. 285 00:16:21,023 --> 00:16:23,895 SWITCH. TAMMY, YOU START. 286 00:16:28,161 --> 00:16:29,205 -HELP ME. 287 00:16:29,336 --> 00:16:30,424 -HELP YOURSELF. 288 00:16:30,554 --> 00:16:31,860 -MORE. 289 00:16:31,991 --> 00:16:33,427 -HELP ME. 290 00:16:33,557 --> 00:16:34,384 -HELP YOURSELF. 291 00:16:34,515 --> 00:16:35,385 -DIG DEEPER, CAROLINE. 292 00:16:36,560 --> 00:16:37,387 -HELP YOURSELF. 293 00:16:37,518 --> 00:16:38,432 -COME ON, MORE. 294 00:16:38,562 --> 00:16:39,563 -HELP ME! 295 00:16:40,521 --> 00:16:41,478 -HELP YOURSELF. 296 00:16:41,609 --> 00:16:43,437 -THERE. SEE HOW IT CHANGED? 297 00:16:44,525 --> 00:16:47,310 IT HAS NOTHING TO DO WITH THE WORDS SHE'S SAYING. 298 00:16:48,355 --> 00:16:49,660 OR THE WORDS YOU'RE SAYING. 299 00:16:50,531 --> 00:16:53,012 IT'S ABOUT HOW SHE MAKES YOU FEEL. 300 00:16:54,274 --> 00:16:58,582 -WHAT IF YOU CAN'T STAND THE ACTOR YOU HAVE TO WORK WITH, 301 00:16:58,713 --> 00:17:00,410 BUT IN THE SCENE YOU'RE SUPPOSED TO LIKE THEM? 302 00:17:02,238 --> 00:17:05,850 -USE IT AS A COLOR. 303 00:17:11,204 --> 00:17:12,988 THAT'S ALL FOR TONIGHT. 304 00:17:16,252 --> 00:17:18,863 -KEEP TRYING, YOU'LL GET IT EVENTUALLY. 305 00:17:25,870 --> 00:17:27,263 YOU'RE NEW IN CLASS? 306 00:17:27,394 --> 00:17:28,656 -I'M JUST HERE WITH A FRIEND. 307 00:17:28,786 --> 00:17:30,136 ACTUALLY, I'M A WRITER. 308 00:17:30,266 --> 00:17:31,789 -REALLY? WHAT HAVE YOU WRITTEN? 309 00:17:31,920 --> 00:17:33,617 -I JUST WROTE A NEW SCREENPLAY. 310 00:17:33,748 --> 00:17:35,184 IT'S KIND OF A CROSS BETWEEN-- 311 00:17:35,315 --> 00:17:36,577 -IS THERE ANYTHING IN IT I MIGHT BE RIGHT FOR? 312 00:17:37,447 --> 00:17:38,927 -WELL ACTUALLY, YOU COULD PLAY REGINA. 313 00:17:40,015 --> 00:17:42,800 SHE'S A BAD GIRL THOUGH, BUT IT'S THE LEAD. 314 00:17:43,453 --> 00:17:44,933 -I LOVE BEING BAD. 315 00:17:46,848 --> 00:17:48,632 -ANYWAY, IT'S AN ORIGINAL SCREENPLAY 316 00:17:48,763 --> 00:17:50,504 THAT A FRIEND OF MINE WROTE. IT'S REALLY VERY GOOD, 317 00:17:50,634 --> 00:17:52,027 AND HE WANTS TO HEAR IT UP ON ITS FEET, 318 00:17:52,158 --> 00:17:53,637 SO I SAID THAT WE'D DO A SCENE FROM IT IN CLASS. 319 00:17:53,768 --> 00:17:55,161 I MEAN, IF IT'S OKAY WITH YOU, 320 00:17:55,291 --> 00:17:56,988 BECAUSE IT'S REALLY, REALLY, REALLY GOOD 321 00:17:57,119 --> 00:17:59,295 CONSIDERING THAT IT'S THE FIRST TIME HE EVER WROTE ANYTHING. 322 00:17:59,426 --> 00:18:00,775 AND I'M BABBLING, SORRY. 323 00:18:01,732 --> 00:18:03,734 -YOU CAN DO THE PHONE BOOK, IF YOU WANT. 324 00:18:03,865 --> 00:18:05,519 IT DOESN'T MATTER TO ME 325 00:18:06,172 --> 00:18:09,000 JUST AS LONG AS YOU GIVE ME WHAT'S REALLY INSIDE YOU. 326 00:18:10,132 --> 00:18:12,830 EVERYTHING YOU NEED IS RIGHT IN THERE. 327 00:18:14,049 --> 00:18:15,616 YOU JUST GOTTA LET IT OUT. 328 00:18:26,409 --> 00:18:27,671 -SO, WHAT DID HE SAY? 329 00:18:28,846 --> 00:18:32,415 -HE SAID, FINE. WE'LL DO IT IN OUR NEXT CLASS. 330 00:18:32,546 --> 00:18:33,373 -GREAT. 331 00:18:33,503 --> 00:18:34,678 -GREAT. 332 00:18:40,119 --> 00:18:41,294 -WHY ARE YOU TORTURING YOURSELF, 333 00:18:41,424 --> 00:18:43,122 GO HOME AND BED YOUR QUESTIONNAIRES. 334 00:18:43,774 --> 00:18:45,211 -STILL TRYING TO PROTECT ME? 335 00:18:45,341 --> 00:18:46,777 -SOMEONE HAS TO. 336 00:18:47,604 --> 00:18:50,085 SPEAKING OF PROTECTION, WHY DO YOU INSIST 337 00:18:50,216 --> 00:18:51,913 ON BEING A PRIVATE DETECTIVE? 338 00:18:52,043 --> 00:18:53,349 IT'S DANGEROUS. 339 00:18:53,480 --> 00:18:55,221 -AT LEAST THERE, I'M MY OWN BOSS. 340 00:18:55,351 --> 00:18:58,659 I DON'T HAVE SOMEONE TELLING ME WHAT I CAN OR CANNOT DO. 341 00:18:58,789 --> 00:19:01,270 -ARE YOU SAYING THAT YOU'D RATHER I WASN'T YOUR CAPTAIN? 342 00:19:01,401 --> 00:19:04,230 -NO, I'M JUST SAYING I'M NOT THRILLED ABOUT BEING UP HERE 343 00:19:04,360 --> 00:19:06,362 WHILE THE PARTY'S GOING ON DOWN THERE. 344 00:19:06,493 --> 00:19:09,104 -WELL, THAT'S THE PRICE OF INTEGRITY. 345 00:19:09,800 --> 00:19:12,542 DON'T WORRY, I'LL BRING YOU A PIECE OF CAKE. 346 00:19:13,848 --> 00:19:16,198 -YOU KNOW, YOU'RE A SADIST, YOU'RE A TRUE SADIST. 347 00:19:16,329 --> 00:19:18,244 TELL YOU WHAT, I'M NOT GONNA HANG AROUND HERE 348 00:19:18,374 --> 00:19:20,246 AND WATCH YOU WATCH ME SUFFER. 349 00:19:21,072 --> 00:19:26,121 I'M GONNA GO HOME AND SUFFER PRIVATELY. 350 00:19:36,131 --> 00:19:38,438 -MITCH. OVER HERE. 351 00:19:39,265 --> 00:19:40,527 I'VE BEEN WAITING FOR YOU. 352 00:19:52,800 --> 00:19:55,411 I'VE ALWAYS HAD A WEAKNESS FOR LIFEGUARDS. 353 00:19:56,020 --> 00:19:58,240 ONE SAVED MY LIFE WHEN I WAS NINE YEARS OLD. 354 00:19:59,023 --> 00:20:00,634 I WAS TOO WEAK TO SWIM. 355 00:20:01,504 --> 00:20:05,552 THAT'S WHEN I COMMITTED MYSELF TO GETTING MY BODY IN SHAPE. 356 00:20:07,380 --> 00:20:09,904 -WELL, YOU CERTAINLY HAVE HONORED THAT COMMITMENT. 357 00:20:10,034 --> 00:20:12,254 -SPEAKING OF COMMITMENTS, 358 00:20:12,385 --> 00:20:14,561 ARE YOU INVOLVED WITH ANYONE AT THE MOMENT? 359 00:20:15,431 --> 00:20:18,826 -AT THE MOMENT, NO. 360 00:20:20,131 --> 00:20:22,133 -GREAT. NEITHER AM I. 361 00:20:26,921 --> 00:20:28,966 -DONOVAN WILL BE AT THE LIGHTHOUSE TOMORROW NIGHT. 362 00:20:29,097 --> 00:20:30,098 YOU'LL GET THERE BEFORE HIM-- 363 00:20:30,229 --> 00:20:31,404 -CAROLINE: I KNOW WHAT TO DO. 364 00:20:31,534 --> 00:20:32,709 -YOU'LL DO WHAT I TELL YOU TO DO. 365 00:20:32,840 --> 00:20:34,407 -CAROLINE: I'LL DO WHAT I DO BEST. 366 00:20:34,537 --> 00:20:36,104 YOU DID HIRE ME, BECAUSE I CAN GET A MAN 367 00:20:36,235 --> 00:20:37,801 TO REVEAL HIS DEEPEST SECRETS. 368 00:20:37,932 --> 00:20:39,586 -LOGAN: NO, CAROLINE, YOU'VE GOTTA BE SEDUCTIVE 369 00:20:39,716 --> 00:20:41,457 WHEN YOU SAY THAT LINE. 370 00:20:41,588 --> 00:20:43,285 -WELL WHAT IF I'M NOT FEELING SEDUCTIVE AT THAT MOMENT? 371 00:20:43,416 --> 00:20:44,852 -IT DOESN'T MATTER, JUST FEEL IT. 372 00:20:45,896 --> 00:20:47,942 OKAY, TAKE IT FROM, "YOU'LL DO WHAT I TELL YOU." 373 00:20:51,467 --> 00:20:53,034 AND, ACTION. 374 00:20:53,861 --> 00:20:55,471 -YOU'LL DO WHAT I TELL YOU TO DO. 375 00:20:55,602 --> 00:20:57,734 -I WILL DO--THIS IS RIDICULOUS. 376 00:20:57,865 --> 00:20:59,301 HOW CAN YOU SIT THERE AND TELL ME 377 00:20:59,432 --> 00:21:00,737 THAT WHAT I'M FEELING DOESN'T MATTER. 378 00:21:00,868 --> 00:21:02,609 -IT DOES MATTER, AS LONG AS YOU FEEL 379 00:21:02,739 --> 00:21:04,263 WHAT I TELL YOU TO FEEL. 380 00:21:04,393 --> 00:21:06,003 LOOK, I AM THE WRITER AND THE DIRECTOR. 381 00:21:06,134 --> 00:21:07,309 THIS IS MY VISION. 382 00:21:07,962 --> 00:21:10,007 AND IT'S YOUR JOB AS THE ACTOR TO EXECUTE IT. 383 00:21:10,138 --> 00:21:12,619 -I COMPLETELY DISAGREE, IT IS MY JOB AS THE ACTOR 384 00:21:12,749 --> 00:21:14,447 TO ENHANCE YOUR SCRIPT. 385 00:21:14,577 --> 00:21:17,406 -YOU KNOW, THERE IS A SIMPLE SOLUTION TO ALL THIS. 386 00:21:18,842 --> 00:21:21,192 IF CAROLINE CAN'T FEEL SEDUCTIVE, 387 00:21:21,323 --> 00:21:22,542 MAYBE WE SHOULD JUST SWITCH ROLES. 388 00:21:23,238 --> 00:21:24,108 -GOOD IDEA. 389 00:21:24,761 --> 00:21:25,849 CAROLINE, WHY DON'T YOU BE BETH. 390 00:21:26,459 --> 00:21:28,199 TAMMY, WHY DON'T YOU BE NIKKI? 391 00:21:28,330 --> 00:21:31,290 -WAIT A SECOND, I AM PERFECTLY CAPABLE OF BEING SEDUCTIVE 392 00:21:31,420 --> 00:21:32,508 IF THE SCENE CALLS FOR IT. 393 00:21:32,639 --> 00:21:33,553 THAT IS NOT THE POINT. 394 00:21:34,162 --> 00:21:35,294 -YES IT IS. 395 00:21:37,513 --> 00:21:39,298 HI, I'M DARREN HIGHLAND. 396 00:21:39,428 --> 00:21:40,516 -LOGAN FOWLER. 397 00:21:40,647 --> 00:21:41,430 -NICE TO MEET YOU. 398 00:21:41,561 --> 00:21:43,127 -LOGAN: YOU TOO. 399 00:21:43,258 --> 00:21:45,173 -IF YOUR DIRECTOR WANTS SEDUCTION AS AN UNDERCURRENT 400 00:21:45,304 --> 00:21:46,566 IN THE SCENE, 401 00:21:46,696 --> 00:21:49,046 THEN YOU NEED TO EXPLORE IT COMPLETELY. 402 00:21:49,177 --> 00:21:51,701 TRY TO FIND A WAY TO MAKE IT REAL FOR YOURSELF. 403 00:21:51,832 --> 00:21:53,007 -THAT'S WHAT I TOLD HER. 404 00:21:54,182 --> 00:21:55,444 IT IS. ISN'T THAT WHAT I SAID? 405 00:21:59,056 --> 00:22:01,407 -WHAT ABOUT FEELING WHAT THE OTHER PERSON MAKES YOU FEEL? 406 00:22:01,537 --> 00:22:02,799 -WELL IT'S POSSIBLE TO FEEL A LOT 407 00:22:02,930 --> 00:22:04,148 OF DIFFERENT THINGS AT ONCE. 408 00:22:05,541 --> 00:22:08,631 THE AUDIENCE JUST HAS TO BE ABLE TO SEE THEM IN YOUR EYES. 409 00:22:10,416 --> 00:22:12,374 I WANT YOU TO TRY THE SCENE AGAIN. 410 00:22:12,505 --> 00:22:14,855 -LOGAN: OKAY, FROM THE TOP. 411 00:22:14,985 --> 00:22:17,510 CAROLINE, WHY DON'T YOU BE NIKKI AGAIN. 412 00:22:18,249 --> 00:22:19,555 TAMMY, WHY DON'T YOU BE BETH? 413 00:22:19,686 --> 00:22:21,688 -YOU'RE THE DIRECTOR. 414 00:22:26,780 --> 00:22:28,434 -AND ACTION. 415 00:22:28,564 --> 00:22:31,045 -DONOVAN WILL BE AT THE LIGHTHOUSE TOMORROW NIGHT. 416 00:22:31,175 --> 00:22:32,612 YOU HAVE TO GET THERE BEFORE HIM. 417 00:22:32,742 --> 00:22:33,917 -I KNOW WHAT TO DO. 418 00:22:34,048 --> 00:22:36,050 -YOU'LL DO WHAT I TELL YOU TO DO. 419 00:22:36,180 --> 00:22:38,487 -I'LL DO WHAT I DO BEST. 420 00:22:38,618 --> 00:22:41,142 AFTER ALL, YOU DID HIRE ME BECAUSE I CAN GET ANY MAN 421 00:22:41,272 --> 00:22:43,013 TO REVEAL HIS DEEPEST SECRET. 422 00:22:43,144 --> 00:22:44,537 -HOLD IT. 423 00:22:44,667 --> 00:22:46,974 CAROLINE, IS THAT YOUR IDEA OF SEDUCTIVE? 424 00:22:47,714 --> 00:22:48,889 -YES. 425 00:22:49,019 --> 00:22:50,107 I MEAN, THAT'S WHAT I WAS FEELING. 426 00:22:50,238 --> 00:22:51,761 -WELL, IT'S NOT SEDUCTIVE. 427 00:22:51,892 --> 00:22:53,154 -YES IT WAS. 428 00:22:53,894 --> 00:22:56,070 I WASN'T EVEN LOOKING AND I FELT IT. 429 00:22:57,506 --> 00:22:58,899 YOU WROTE THIS MATERIAL, DIDN'T YOU? 430 00:22:59,029 --> 00:23:00,814 -LOGAN: YES. 431 00:23:00,944 --> 00:23:02,598 -AND SO YOU'VE ALREADY SEEN IT PLAYED OUT IN YOUR HEAD. 432 00:23:02,729 --> 00:23:05,732 ALL YOUR IMAGINARY PEOPLE DOING YOUR IMAGINARY THINGS. 433 00:23:05,862 --> 00:23:07,037 -EXACTLY. 434 00:23:07,168 --> 00:23:08,822 -WELL CLEAR YOUR HEAD. 435 00:23:09,388 --> 00:23:12,086 UNTIL YOU CAN FORGET EVERYTHING YOU'VE EVER IMAGINED, 436 00:23:12,216 --> 00:23:14,784 SO THAT YOU CAN EXPERIENCE IT FOR THE FIRST TIME, 437 00:23:14,915 --> 00:23:16,177 HERE AND NOW. 438 00:23:16,786 --> 00:23:19,223 THAT'S THE ONLY WAY YOU'LL EVER BECOME A DECENT DIRECTOR. 439 00:23:26,796 --> 00:23:28,407 WHAT ARE YOU FEELING RIGHT NOW? 440 00:23:29,930 --> 00:23:31,018 -DESIRE. 441 00:23:31,888 --> 00:23:33,063 -USE IT. 442 00:23:41,463 --> 00:23:44,771 -WELL, WHY DON'T WE JUST START THE SCENE FROM THE TOP. 443 00:23:44,901 --> 00:23:47,121 -SOME OF THE GIRLS TRY TO INFLUENCE THE JUDGES. 444 00:23:47,251 --> 00:23:48,731 SEDUCE THEM, WHATEVER. 445 00:23:49,297 --> 00:23:50,472 BUT THEY'RE USUALLY THE ONES THAT DON'T HAVE MUCH 446 00:23:50,603 --> 00:23:52,213 OF A CHANCE OF WINNING ANYWAY. 447 00:23:52,779 --> 00:23:54,563 -WELL, I'M SURE THERE'S A LOT OF JUDGES WHO TRY 448 00:23:54,694 --> 00:23:56,652 AND TAKE ADVANTAGE OF THOSE POSITIONS TOO. 449 00:23:56,783 --> 00:23:58,219 -ARE YOU KIDDING? 450 00:23:58,349 --> 00:24:00,003 I HAVE TO FIGHT THEM OFF WITH CHAIRS SOMETIMES. 451 00:24:00,656 --> 00:24:02,092 THAT'S WHAT I LIKE ABOUT YOU, 452 00:24:02,745 --> 00:24:04,878 YOU DON'T HAVE TO DO THINGS LIKE THAT TO ATTRACT WOMEN. 453 00:24:05,008 --> 00:24:07,315 -OH PLEASE, GIVE ME A BREAK. 454 00:24:07,924 --> 00:24:08,795 MITCH. 455 00:24:10,710 --> 00:24:13,190 BOTH OF YOU, JUST WAIT RIGHT THERE. 456 00:24:16,193 --> 00:24:18,457 -I'M REALLY SORRY, MITCH. I HOPE I DIDN'T GET YOU INTO ANY TROUBLE. 457 00:24:18,587 --> 00:24:20,589 -NO, NO, NO. DON'T WORRY. 458 00:24:20,720 --> 00:24:22,025 YOU DIDN'T DO ANYTHING WRONG. 459 00:24:22,156 --> 00:24:23,374 NEITHER OF US HAVE. 460 00:24:23,505 --> 00:24:25,115 EVERYTHING'S GONNA BE FINE, OKAY? 461 00:24:27,683 --> 00:24:29,859 -GIVE ME ONE REASON WHY I SHOULDN'T DISQUALIFY BOTH OF YOU? 462 00:24:29,990 --> 00:24:32,035 -BECAUSE NOTHING HAS HAPPENED THAT'S GONNA INFLUENCE 463 00:24:32,166 --> 00:24:33,384 THE OUTCOME OF THE CONTEST. 464 00:24:33,515 --> 00:24:35,474 -EVERYTHING IS CAUSE AND EFFECT. 465 00:24:35,604 --> 00:24:37,824 AND AUDREY'S DEFINITELY A CAUSE, 466 00:24:37,954 --> 00:24:40,087 AND YOU WILL BE AFFECTED BY HER ONE WAY OR THE OTHER. 467 00:24:40,217 --> 00:24:42,089 -ARE YOU QUESTIONING MY INTEGRITY? 468 00:24:42,916 --> 00:24:44,744 -NO. 469 00:24:44,874 --> 00:24:46,572 -IS THIS SOMETHING PERSONAL OR IS THIS ABOUT THE CONTEST? 470 00:24:46,702 --> 00:24:48,356 -IT'S JUST ABOUT THE CONTEST. 471 00:24:48,487 --> 00:24:50,314 SO, I WILL GIVE YOU A CHOICE. 472 00:24:50,445 --> 00:24:53,492 YOU CAN CONTINUE ENJOYING MR. BUCHANNON'S DAZZLING COMPANY 473 00:24:53,622 --> 00:24:54,971 FOR THE REST OF THE EVENING. 474 00:24:55,102 --> 00:24:56,625 OR YOU CAN ENTER THE CONTEST TOMORROW. 475 00:24:56,756 --> 00:24:58,409 YOU CAN'T DO BOTH, PICK ONE, DON'T SAY A WORD. 476 00:25:01,369 --> 00:25:04,198 -MAYBE WE COULD JUST GET TOGETHER AFTER THE CONTEST 477 00:25:04,851 --> 00:25:06,809 WHEN THERE AREN'T SO MANY DISTRACTIONS. 478 00:25:09,246 --> 00:25:10,596 -SOUNDS LIKE A PLAN. 479 00:25:11,422 --> 00:25:13,120 -I'M SORRY IF I CAUSED YOU ANY PROBLEMS. 480 00:25:13,250 --> 00:25:14,600 IT WASN'T INTENTIONAL. 481 00:25:14,730 --> 00:25:17,080 -NO, NO, NO, EVERYTHING'S FINE. 482 00:25:20,083 --> 00:25:21,911 I CAN'T BELIEVE YOU DON'T TRUST ME. 483 00:25:22,042 --> 00:25:22,999 -IT'S NOT ABOUT THAT. 484 00:25:23,130 --> 00:25:24,348 I WOULD TRUST YOU WITH MY LIFE. 485 00:25:24,479 --> 00:25:26,046 THIS IS ABOUT PERCEPTION. 486 00:25:26,176 --> 00:25:28,570 -WHOSE? YOU'RE THE ONLY ONE HERE. 487 00:25:28,701 --> 00:25:30,398 -AND MY PERCEPTION'S VERY ACCURATE. 488 00:25:30,529 --> 00:25:32,008 JUST TRUST ME, MITCH, SHE'S NOT GOING TO GET TOGETHER 489 00:25:32,139 --> 00:25:33,619 WITH YOU AFTER THE CONTEST. 490 00:25:33,749 --> 00:25:34,794 SHE'S ONLY INTERESTED IN GETTING YOUR VOTE. 491 00:25:35,838 --> 00:25:36,665 -HOW MUCH? 492 00:25:36,796 --> 00:25:38,232 -WHAT? 493 00:25:38,362 --> 00:25:40,060 -HOW MUCH DO YOU WANT TO BET THAT AUDREY AND I 494 00:25:40,190 --> 00:25:42,497 GET TOGETHER AFTER THE CONTEST AND HAVE A DAZZLING TIME. 495 00:25:43,280 --> 00:25:44,543 -I DON'T GAMBLE. 496 00:25:45,631 --> 00:25:48,242 BUT IF I DID, I'D BET EVERYTHING I HAD. 497 00:25:48,372 --> 00:25:50,374 AND GIVE YOU ODDS. 498 00:25:54,378 --> 00:25:59,340 -[UPBEAT MUSIC] 499 00:26:46,300 --> 00:26:48,955 -20 MINUTES, LADIES, LET'S DO IT HOW WE REHEARSED IT. 500 00:26:49,085 --> 00:26:51,914 IF ANY ONE HAS ANY QUESTIONS, THIS IS THE TIME TO ASK. 501 00:26:52,045 --> 00:26:53,742 -I HEAR A LOT OF AGENTS AND TALENT SCOUTS 502 00:26:53,873 --> 00:26:55,526 ARE GONNA BE THERE, IS IT TRUE? 503 00:26:56,223 --> 00:26:57,703 -PROBABLY. 504 00:26:57,833 --> 00:26:58,834 HOW LEGITIMATE THEY ALL ARE, I CAN'T SAY. 505 00:26:58,965 --> 00:27:00,270 SO BE CAUTIOUS. 506 00:27:00,401 --> 00:27:01,750 ANYONE CAN PRINT UP A BUSINESS CARD, 507 00:27:01,881 --> 00:27:04,318 AND NEVER GIVE OUT YOUR HOME PHONE NUMBERS. 508 00:27:04,448 --> 00:27:06,494 -HAVE ANY OF THE JUDGES BEEN DISQUALIFIED YET? 509 00:27:06,625 --> 00:27:10,411 -NO, AND NEITHER HAVE ANY OF THE CONTESTANTS, YET. 510 00:27:13,370 --> 00:27:16,025 -OKAY, LADIES, YOU HEARD HER. 20 MINUTES. 511 00:27:16,156 --> 00:27:17,940 -THEY SHOULD'VE AT LEAST ATTACHED POLAROIDS 512 00:27:18,071 --> 00:27:20,290 TO THE QUESTIONNAIRE SO WE CAN TELL WHOSE ANSWER WAS WHOSE. 513 00:27:20,421 --> 00:27:23,032 -WE'RE NOT SUPPOSED TO BE INFLUENCED BY THEIR LOOKS. 514 00:27:23,163 --> 00:27:24,381 -THAT'S THE CRAZIEST THING I'VE EVER HEARD. 515 00:27:24,512 --> 00:27:25,905 THIS IS A BEAUTY PAGEANT. 516 00:27:26,035 --> 00:27:27,863 -SO HOW DID YOU GET PICKED FOR THIS TORTURE? 517 00:27:28,472 --> 00:27:29,865 -I'M AN AGENT, I'M USED TO TORTURE. 518 00:27:30,431 --> 00:27:32,955 I JUDGE THESE ALL THE TIME AND I FOUND SOME AMAZING TALENT. 519 00:27:33,521 --> 00:27:35,349 INCREDIBLY UNBELIEVABLY AMAZING. [CHUCKLING] 520 00:27:38,744 --> 00:27:40,136 -[MEN WHISTLING] 521 00:27:40,876 --> 00:27:42,356 -CAN'T GET AWAY FROM IT, CAN YOU? 522 00:27:43,052 --> 00:27:44,097 -FROM WHAT? 523 00:27:44,227 --> 00:27:45,664 -OH, THE STEREOTYPE. 524 00:27:46,708 --> 00:27:49,493 DOESN'T MATTER IF YOU WEAR LIFEGUARD RED OR ONE OF THESE. 525 00:27:50,059 --> 00:27:51,844 THE FIRST THING THEY SEE IS YOUR BODY. 526 00:27:51,974 --> 00:27:54,673 -IT MATTERS, BELIEVE ME, IF THEY'RE DROWNING, IT MATTERS. 527 00:27:56,022 --> 00:27:59,286 -SO, I SUPPOSE YOU STILL WANT ME TO KEEP YOUR SECRET. 528 00:27:59,416 --> 00:28:01,331 -LOOK, I DON'T HAVE TIME TO PLAY GAMES, PETRA. 529 00:28:01,462 --> 00:28:03,203 -NEITHER DO I. 530 00:28:03,333 --> 00:28:07,816 LOOK, I WON'T SAY ANYTHING, IF YOU DO SOMETHING FOR ME. 531 00:28:09,339 --> 00:28:10,384 -WHAT? 532 00:28:10,993 --> 00:28:13,866 -THE LIFEGUARD JUDGE, MITCH BUCHANNON, 533 00:28:15,519 --> 00:28:17,696 TELL HIM YOU'D THINK HE'D BE CRAZY TO CAST HIS VOTE 534 00:28:17,826 --> 00:28:19,045 FOR ANYONE BUT ME. 535 00:28:35,539 --> 00:28:37,324 -MITCH, I'M SERIOUS, YOU HAVE TO PROMISE. 536 00:28:37,454 --> 00:28:39,065 YOU'RE NOT GONNA LOOK AT ME ANY DIFFERENTLY. 537 00:28:39,195 --> 00:28:40,109 -THAN WHAT? 538 00:28:40,849 --> 00:28:42,416 -JUST PROMISE. 539 00:28:42,546 --> 00:28:44,113 -OKAY, I PROMISE I WON'T LOOK AT YOU ANY DIFFERENTLY. 540 00:28:44,244 --> 00:28:47,334 -OKAY, BEFORE I BECAME A LIFEGUARD, 541 00:28:48,117 --> 00:28:49,989 I USED TO DO A LOT OF BIKINI CONTESTS. 542 00:28:50,554 --> 00:28:51,860 -AND? 543 00:28:51,991 --> 00:28:53,514 -WELL, THAT'S IT. 544 00:28:53,644 --> 00:28:55,429 I MEAN, I DID THEM, YOU KNOW, IT WAS FUN, AND 545 00:28:55,559 --> 00:28:58,388 THERE WAS PRIZE MONEY AND GUYS CHEERING FOR ME. 546 00:29:03,437 --> 00:29:05,744 WHAT? -OH, I'M SORRY, YOU'RE RIGHT. 547 00:29:05,874 --> 00:29:07,180 I WAS LOOKING AT YOU DIFFERENTLY. 548 00:29:07,310 --> 00:29:08,181 -MITCH. 549 00:29:08,311 --> 00:29:09,660 -OH COME ON, WILL YOU? 550 00:29:09,791 --> 00:29:11,314 I DON'T CARE WHAT YOU DO IN A BIKINI. 551 00:29:11,445 --> 00:29:12,098 I CARE WHAT YOU DO IN THAT, YOU DO A GREAT JOB. 552 00:29:12,228 --> 00:29:13,055 -OKAY. 553 00:29:13,186 --> 00:29:13,969 THANKS SO MUCH. 554 00:29:14,100 --> 00:29:15,797 -ALL RIGHT. 555 00:29:15,928 --> 00:29:18,626 -HEY, BY THE WAY, YOU SEE NUMBER 19 RIGHT OVER THERE? 556 00:29:18,757 --> 00:29:19,845 -MITCH: YEAH, BEAUTIFUL. 557 00:29:22,456 --> 00:29:23,544 -YOU'D BE CRAZY TO VOTE FOR HER. 558 00:29:23,674 --> 00:29:25,502 SHE'S A TOTAL LOSER. 559 00:29:27,940 --> 00:29:30,333 -LOST IT ON THAT ONE, MYSELF GUYS. 560 00:29:30,464 --> 00:29:33,510 ALL RIGHT, NUMBER 20, ANNA MARIE. 561 00:29:34,381 --> 00:29:36,600 VERY NICE TO HAVE YOU, ANNA MARIE. 562 00:29:38,602 --> 00:29:43,825 NUMBER 16, AUDREY, THE BEAUTIFUL. 563 00:29:43,956 --> 00:29:46,306 EXCELLENT, AUDREY, THANK YOU VERY MUCH. 564 00:29:46,436 --> 00:29:49,918 NUMBER 25, MARCIA. 565 00:29:50,049 --> 00:29:51,224 -HAVING FUN? 566 00:29:51,354 --> 00:29:54,183 -I WILL TONIGHT, AFTER THE CONTEST. 567 00:29:54,314 --> 00:29:56,011 -I DOUBT IT. 568 00:29:56,142 --> 00:29:57,491 BUT, AS LONG AS YOU CAN LOOK AT YOURSELF IN THE MIRROR 569 00:29:57,621 --> 00:29:58,709 AND KNOW THAT YOUR VOTE WASN'T INFLUENCED 570 00:29:58,840 --> 00:30:00,450 THAT'LL BE ENOUGH FOR ME. 571 00:30:00,581 --> 00:30:03,627 -WELL, LET'S SEE, I CAN LOOK AT MYSELF IN THE MIRROR. 572 00:30:03,758 --> 00:30:06,021 -I'M SURE YOU HAVE NO PROBLEM DOING THAT. 573 00:30:07,022 --> 00:30:11,244 -HOST: NUMBER 14, KATHY ERIN, LET'S GIVE IT UP! 574 00:30:12,636 --> 00:30:13,986 ALL RIGHT, WE'RE BACK. 575 00:30:14,116 --> 00:30:16,727 AND THIS IS WILD, IT'S INSANE I'M TELLING YOU. 576 00:30:16,858 --> 00:30:19,556 SAMANTHA, LET ME ASK YOU, THIS ISN'T YOUR NORMAL EVENT 577 00:30:19,687 --> 00:30:21,297 THAT LIFEGUARDS WOULD BE SPONSORING. 578 00:30:21,428 --> 00:30:23,038 I MEAN, COME ON, WHEN WE THINK ABOUT LIFEGUARDS, 579 00:30:23,169 --> 00:30:25,475 WE THINK ABOUT THEM SWIMMING OUT TO CATALINA. 580 00:30:25,606 --> 00:30:27,521 TOWING BOATS BACK ON THEIR BACK, YOU KNOW. 581 00:30:27,651 --> 00:30:28,827 THINGS LIKE THAT. 582 00:30:28,957 --> 00:30:31,046 I MEAN, WHAT MAKES IT HAPPEN HERE? 583 00:30:31,568 --> 00:30:33,309 -WELL ACTUALLY, THIS IS THE PERFECT EVENT 584 00:30:33,440 --> 00:30:35,050 FOR LIFEGUARDS TO SPONSOR. 585 00:30:35,181 --> 00:30:36,835 WE'RE CELEBRATING HEALTH AND FITNESS AT THE BEACH. 586 00:30:36,965 --> 00:30:38,488 EVERYONE'S HERE TO HAVE A GOOD TIME. 587 00:30:38,619 --> 00:30:41,056 AND THE MONEY WE RAISE WILL GO TO GOOD USE 588 00:30:41,187 --> 00:30:42,710 LIKE KEEPING PEOPLE SAFE AT THE BEACH. 589 00:30:42,841 --> 00:30:44,930 -HOST: WELL, THERE YOU HAVE IT. MONEY WELL SPENT. 590 00:30:45,060 --> 00:30:46,845 SO HOLD ON GUYS, BECAUSE WHEN WE COME BACK, 591 00:30:46,975 --> 00:30:51,545 LIVE FROM MALIBU, IT'S THE MISS MALIBU BEACH CONTEST. 592 00:30:51,675 --> 00:30:52,981 YEAH! 593 00:30:55,201 --> 00:30:58,247 -ALL RIGHT YOU GUYS, ARE YOU READY FOR SOME GIRLS? 594 00:30:58,378 --> 00:30:59,858 -[CHEERING] 595 00:31:02,599 --> 00:31:05,385 -♪ YOU NEED SOMEONE TO BRING THE HEAT 596 00:31:05,994 --> 00:31:08,431 ♪ SHE'LL KNOCK YOU OUTTA YOUR SEAT ♪ 597 00:31:08,562 --> 00:31:11,782 ♪ SHE'S GOT THAT LOOK, SHE'S GOT THAT VIBE ♪ 598 00:31:11,913 --> 00:31:15,090 ♪ PUTS YOUR HEART IN SHOCK, YOU WON'T SURVIVE ♪ 599 00:31:16,396 --> 00:31:17,919 ♪ OH, NO 600 00:31:20,356 --> 00:31:23,229 ♪ FEELIN' LOW? SHE'S TAKE YOU HIGHER 601 00:31:23,359 --> 00:31:26,101 ♪ SET THE SPARK, SHE'LL LIGHT THAT FIRE 602 00:31:26,232 --> 00:31:29,191 ♪ AIN'T NO TELLIN' WHAT SHE'S GOT IN STORE ♪ 603 00:31:29,322 --> 00:31:32,891 ♪ SHE'LL MAKE YOU SCREAM OUT FOR MORE 604 00:31:35,241 --> 00:31:38,548 ♪ HOT LOVE, SEALED WITH A KISS 605 00:31:39,419 --> 00:31:41,073 ♪ SHAKIN' THOSE HIPS 606 00:31:41,203 --> 00:31:44,206 ♪ HOT LOVE, WORKIN' THOSE HEELS 607 00:31:44,772 --> 00:31:46,905 ♪ SHE'S HELL ON WHEELS ♪ 608 00:31:47,035 --> 00:31:50,038 ♪ HOT LOVE, LOVE AT FIRST BITE 609 00:31:50,996 --> 00:31:53,172 ♪ TURN UP THE NIGHT 610 00:31:53,302 --> 00:31:55,783 ♪ SHE'S GOT THAT GOLDEN TOUCH 611 00:31:56,349 --> 00:31:58,655 ♪ DESIRE BURNS TOO MUCH ♪ 612 00:31:58,786 --> 00:32:04,052 ♪ HOT LOVE, CAN'T GET ENOUGH 613 00:32:30,078 --> 00:32:32,341 ♪ SHE'S GOT WHAT YOU WANT 614 00:32:33,168 --> 00:32:35,649 ♪ SHE'S GOT WHAT YOU NEED 615 00:32:35,779 --> 00:32:38,565 ♪ ONCE YOU GET A LITTLE TASTE 616 00:32:38,695 --> 00:32:41,568 ♪ YOU'LL NEVER WANT TO LEAVE 617 00:32:50,925 --> 00:32:53,580 ♪ SHE'S GOT THAT GOLDEN TOUCH 618 00:32:54,146 --> 00:32:56,583 ♪ DESIRE BURNS TOO MUCH ♪ 619 00:32:57,845 --> 00:32:59,368 ♪ CAN'T GET ENOUGH 620 00:33:00,630 --> 00:33:02,676 ♪ CAN'T GET ENOUGH 621 00:33:04,199 --> 00:33:06,245 THERE YOU HAVE IT, GUYS. 622 00:33:06,375 --> 00:33:07,724 AREN'T THEY BEAUTIFUL? 623 00:33:07,855 --> 00:33:08,943 COME ON, THEY'RE WORKING HARD FOR YOU. 624 00:33:09,074 --> 00:33:10,423 LET'S GIVE IT UP. 625 00:33:10,553 --> 00:33:14,427 -[CHEERING] 626 00:33:14,557 --> 00:33:16,385 -ALL RIGHT GUYS, THIS IS IT, WE'RE GONNA COME DOWN 627 00:33:16,516 --> 00:33:17,952 TO THE TWO FINALISTS. 628 00:33:18,083 --> 00:33:20,389 SAMANTHA, CAN I HAVE THE ENVELOPE, PLEASE? 629 00:33:21,260 --> 00:33:22,783 OH NO, YOU GUYS, DON'T GET QUIET, 630 00:33:22,913 --> 00:33:24,611 THESE GIRLS UP HERE WORKING HARD. 631 00:33:24,741 --> 00:33:27,831 -[CHEERING] 632 00:33:27,962 --> 00:33:29,398 -HERE IT IS, GUYS. 633 00:33:30,008 --> 00:33:33,315 ONE OF THESE LADIES IS GONNA WIN BIG BUCKS, 634 00:33:33,446 --> 00:33:37,319 SO WHEN I CALL YOUR NAME, PLEASE COME STEP FORWARD. 635 00:33:37,450 --> 00:33:40,409 AND BY THE WAY, GUYS, THE NUMBER ONE RUNNER-UP 636 00:33:40,540 --> 00:33:43,369 IS GONNA RECEIVE 4,000 BIG ONES. 637 00:33:44,761 --> 00:33:47,895 AND THE WINNER, SHE GETS TEN GRAND! 638 00:33:48,026 --> 00:33:50,376 -[CHEERING] 639 00:33:50,506 --> 00:33:53,074 -ALL RIGHT, LADIES, NO FIGHTING HERE. 640 00:33:53,205 --> 00:33:56,295 NUMBER 16, GET UP HERE WITH ME! 641 00:33:58,732 --> 00:33:59,994 GIVE IT UP, GUYS! 642 00:34:01,213 --> 00:34:04,738 AND NUMBER 19! YOUR TWO FINALISTS! 643 00:34:06,261 --> 00:34:11,440 HOW ABOUT IT, GUYS? ALL RIGHT! 644 00:34:11,571 --> 00:34:13,877 ALL RIGHT, KEEP IT DOWN, YOU ANIMALS. 645 00:34:14,617 --> 00:34:16,750 LADIES, WOULD YOU LIKE TO SAY SOMETHING 646 00:34:16,880 --> 00:34:18,752 BEFORE ONE OF YOU DECIDES TO DROWN THE OTHER? 647 00:34:18,882 --> 00:34:21,015 LIFEGUARDS, LET'S STAND BY, OKAY? 648 00:34:21,146 --> 00:34:24,236 -LIFEGUARDS, RELAX. WE NEVER FEEL LIKE DROWNING EACH OTHER. 649 00:34:24,366 --> 00:34:27,282 JUST THE JUDGES. JUST KIDDING, WE LOVE YOU. 650 00:34:28,153 --> 00:34:29,545 AND WE LOVE YOU TOO. 651 00:34:29,676 --> 00:34:32,113 -ALL RIGHT GUYS, YOU HEARD IT, THEY LOVE YOU! 652 00:34:32,244 --> 00:34:33,636 AUDREY? 653 00:34:33,767 --> 00:34:35,769 -I'D JUST LIKE TO THANK THE LIFEGUARDS 654 00:34:35,899 --> 00:34:37,423 FOR SPONSORING THIS EVENT. 655 00:34:37,553 --> 00:34:39,860 AND ALSO FOR KEEPING US SAFE ON THE BEACH, THANK YOU. 656 00:34:39,990 --> 00:34:41,775 -ALL RIGHT, GREAT. GIVE IT UP, GUYS. 657 00:34:41,905 --> 00:34:43,516 LET'S THANK THESE LIFEGUARDS. 658 00:34:43,646 --> 00:34:47,215 -[CHEERING] 659 00:34:47,346 --> 00:34:51,132 ALL RIGHT, YOU GUYS, ONLY ONE CAN PREVAIL. 660 00:34:51,263 --> 00:34:54,135 AND THIS IS IT. LADIES. 661 00:34:55,005 --> 00:34:58,183 AND THE WINNER IS NUMBER 16, AUDREY! 662 00:34:58,313 --> 00:35:00,533 -YES! YES! 663 00:35:00,663 --> 00:35:02,187 -[CHEERING] 664 00:35:02,317 --> 00:35:04,928 -HOST: GIVE IT UP, LET'S GO! 665 00:35:07,105 --> 00:35:08,758 THE RIBBON, PLEASE. 666 00:35:09,933 --> 00:35:11,805 ALL RIGHT. 667 00:35:15,330 --> 00:35:18,464 HERE SHE IS, MISS MALIBU BEACH, GIVE IT UP. 668 00:35:18,594 --> 00:35:23,469 -[CHEERFUL GUITAR MUSIC] 669 00:35:35,350 --> 00:35:37,222 THERE WE HAVE IT, AND THAT'S THE END 670 00:35:37,352 --> 00:35:40,050 OF THE '96 MISS MALIBU BEACH. 671 00:35:40,181 --> 00:35:44,533 YOU GUYS BE SAFE. LIFEGUARDS, THANK YOU VERY MUCH. 672 00:35:44,664 --> 00:35:45,882 GOOD NIGHT. 673 00:35:48,537 --> 00:35:50,191 -WHAT ARE YOU DOING OVER HERE? 674 00:35:50,322 --> 00:35:51,627 YOU ARE FREE TO SOCIALIZE. 675 00:35:51,758 --> 00:35:52,889 -I KNOW. 676 00:35:53,629 --> 00:35:55,414 I'M JUST LETTING HER HAVE HER MOMENT IN THE SUN 677 00:35:55,544 --> 00:35:58,547 BEFORE WALKING OFF INTO THE SUNSET WITH ME. 678 00:35:58,678 --> 00:36:01,071 -OH. COME ON, I WANT TO GET SOME PICTURES OF THIS 679 00:36:01,202 --> 00:36:01,985 BEFORE THE SUN GOES DOWN. 680 00:36:02,116 --> 00:36:03,161 -ALL RIGHT. 681 00:36:08,427 --> 00:36:10,690 -SAMANTHA: CAN WE GET A FEW PICTURES, PLEASE? 682 00:36:12,692 --> 00:36:16,696 -I WANT YOU TO KNOW, ONE OF YOUR LIFEGUARDS, DONNA, 683 00:36:17,871 --> 00:36:19,177 SHE USED TO DO BIKINI CONTESTS. 684 00:36:19,307 --> 00:36:21,135 -OH YEAH. YEAH, RIGHT. 685 00:36:21,266 --> 00:36:24,007 FROM WHAT I UNDERSTAND, SHE ALWAYS FINISHED AHEAD OF YOU. 686 00:36:24,965 --> 00:36:26,793 -SAMANTHA: LET'S GET A FEW WITH A JUDGE AND THE WINNER. 687 00:36:26,923 --> 00:36:28,186 THANK YOU. 688 00:36:30,188 --> 00:36:32,712 -MITCH: SO, WHAT DO YOU SAY WE WRAP THIS UP 689 00:36:32,842 --> 00:36:34,844 IN A COUPLE OF MINUTES AND SKATE OUT OF HERE, HUH? 690 00:36:34,975 --> 00:36:36,455 -DON'T WAIT FOR ME. 691 00:36:36,585 --> 00:36:38,021 -NO, NO, IT'S OKAY. 692 00:36:38,152 --> 00:36:39,458 I UNDERSTAND YOU WANT YOUR MOMENT IN THE SUN, 693 00:36:39,588 --> 00:36:40,633 BUT I'LL JUST KIND OF WAIT OVER THERE. 694 00:36:40,763 --> 00:36:43,505 -NO, REALLY. DON'T WAIT FOR ME. 695 00:36:45,246 --> 00:36:47,292 -SAMANTHA: LET'S GET A COUPLE MORE PICTURES, LADIES. 696 00:36:49,424 --> 00:36:50,817 AREN'T YOU GLAD WE DIDN'T BET? 697 00:36:50,947 --> 00:36:54,516 -SHE IS JUST PREOCCUPIED BY WINNING, THAT'S ALL. 698 00:36:55,343 --> 00:36:57,302 -WELL, WINNING WAS WHAT SHE WAS HERE TO DO. 699 00:36:57,432 --> 00:36:58,868 ALL SHE WAS HERE TO DO. 700 00:37:08,138 --> 00:37:09,357 -AUDREY: THANK YOU. 701 00:37:09,488 --> 00:37:11,968 -HEY, TALK TO YOU FOR A SECOND? 702 00:37:12,099 --> 00:37:13,187 -FOR A SECOND. 703 00:37:13,318 --> 00:37:14,536 -SO, WHAT'S GOING ON? 704 00:37:14,667 --> 00:37:15,450 I THOUGHT WE HAD PLANS FOR THE NIGHT. 705 00:37:15,581 --> 00:37:16,408 SOMETHING CHANGE? 706 00:37:17,104 --> 00:37:19,454 -LOOK, MITCH, YOU'RE REALLY SWEET. 707 00:37:19,585 --> 00:37:21,151 BUT HOW CAN I GO OUT WITH YOU, 708 00:37:21,282 --> 00:37:22,457 KNOWING THAT YOU DIDN'T VOTE FOR ME. 709 00:37:23,371 --> 00:37:24,894 THAT YOU THOUGHT SOMEONE ELSE WAS BETTER. 710 00:37:26,026 --> 00:37:27,549 IT'D JUST BE TOO UNCOMFORTABLE. 711 00:37:28,158 --> 00:37:30,291 -WHO TOLD YOU I DIDN'T VOTE FOR YOU? 712 00:37:31,336 --> 00:37:33,120 -I SAW YOUR SCORECARD. 713 00:37:34,948 --> 00:37:36,341 -LIMO'S WAITING. 714 00:37:37,864 --> 00:37:39,344 -YOU KNOW, SAMANTHA WAS RIGHT. 715 00:37:39,474 --> 00:37:41,302 YOU DID ALLOW YOURSELF TO BE INFLUENCED, 716 00:37:41,433 --> 00:37:42,695 BY HER. 717 00:37:43,783 --> 00:37:46,133 TOO BAD, I'D BEEN A LOT MORE FUN. 718 00:37:48,788 --> 00:37:50,137 -I DOUBT IT. 719 00:37:52,879 --> 00:37:55,273 -I COULD TELL YOU WERE VERY TALENTED THE SECOND 720 00:37:55,403 --> 00:37:56,796 I LAID EYES ON YOU. 721 00:37:57,362 --> 00:37:59,668 -THANK YOU. I'LL JUST BE FIVE MINUTES. 722 00:38:12,594 --> 00:38:14,248 -WHAT IS WRONG WITH YOU? 723 00:38:16,337 --> 00:38:18,600 -I DIDN'T VOTE FOR HER AND SOMEBODY 724 00:38:18,731 --> 00:38:20,950 SHOWED HER MY SCORECARD. 725 00:38:21,081 --> 00:38:24,345 -OH, WELL THINK OF IT THIS WAY. 726 00:38:25,433 --> 00:38:28,567 AT LEAST NOW SHE'LL KNOW YOU HAVE PRINCIPLES, AND INTEGRITY. 727 00:38:30,569 --> 00:38:31,526 -WAIT A MINUTE. 728 00:38:32,919 --> 00:38:34,660 IT WAS YOU, WASN'T IT? 729 00:38:34,790 --> 00:38:36,749 YOU KNOW, YOU ARE A SADIST. 730 00:38:37,706 --> 00:38:38,925 I CAN'T-- 731 00:38:39,055 --> 00:38:40,013 -SAMANTHA: CAPTAIN SADIST TO YOU. 732 00:38:40,143 --> 00:38:40,927 -HEY MITCH, HOW'S IT GOING? 733 00:38:41,057 --> 00:38:41,884 -WHAT'S IT LOOK LIKE? 734 00:38:43,016 --> 00:38:44,191 -WHAT'S UP WITH HIM? 735 00:38:46,106 --> 00:38:48,238 -CAPTAIN THOMAS, CAPTAIN THOMAS? 736 00:38:49,675 --> 00:38:52,634 SO, HOW'D THE PAY-PER-VIEW GO? 737 00:38:52,765 --> 00:38:54,636 YOU THINK WE RAISED ENOUGH TO FUND THE WINDJET? 738 00:38:57,291 --> 00:38:58,423 YES! 739 00:38:58,553 --> 00:39:02,601 -[UPBEAT ROCK MUSIC] 740 00:39:10,173 --> 00:39:11,914 -♪ GONNA RUN WILD 741 00:39:12,045 --> 00:39:13,916 ♪ GONNA MAKE OUR ESCAPE 742 00:39:14,047 --> 00:39:17,355 ♪ UNDERNEATH THE SUMMER SUN 743 00:39:17,964 --> 00:39:21,663 ♪ CHASING DOWN A DREAM DO WHATEVER IT TAKES ♪ 744 00:39:21,794 --> 00:39:24,449 ♪ ALL IN THE NAME OF FUN 745 00:39:26,451 --> 00:39:30,585 ♪ AIN'T NOTHING GONNA KEEP US ON DRY LAND ♪ 746 00:39:31,151 --> 00:39:32,935 ♪ UNDERSTAND? 747 00:39:33,849 --> 00:39:37,505 ♪ I'M GONNA TAKE IT HIGHER GONNA PLAY IT ♪ 748 00:39:37,636 --> 00:39:40,987 ♪ WAY BEYOND THE SAND 749 00:39:41,117 --> 00:39:44,904 ♪ MAKE MY ESCAPE AND RACE YOU TO THE BREAK ♪ 750 00:39:45,034 --> 00:39:48,211 ♪ CAUSE I'M WAY BEYOND THE SAND 751 00:39:48,342 --> 00:39:50,257 ♪ WOO OOO 752 00:39:52,215 --> 00:39:55,958 ♪ OH WOAH YEAH YEAH 753 00:39:56,089 --> 00:39:58,178 ♪ WOO OOO 754 00:39:59,875 --> 00:40:03,618 ♪ OH WOAH YEAH YEAH 755 00:40:28,556 --> 00:40:32,604 ♪ AIN'T NOTHING GONNA KEEP US ON DRY LAND ♪ 756 00:40:33,256 --> 00:40:34,693 ♪ UNDERSTAND? 757 00:40:35,824 --> 00:40:39,480 ♪ I'M GONNA TAKE IT HIGHER GONNA PLAY IT ♪ 758 00:40:39,611 --> 00:40:42,352 ♪ WAY BEYOND THE SAND 759 00:40:43,266 --> 00:40:46,748 ♪ MAKE MY ESCAPE AND RACE YOU TO THE BREAK ♪ 760 00:40:46,879 --> 00:40:50,143 ♪ CAUSE I'M WAY BEYOND THE SAND 761 00:40:50,273 --> 00:40:52,145 ♪ WOO OOO 762 00:40:54,277 --> 00:40:58,194 ♪ OH WOAH YEAH YEAH 763 00:40:58,325 --> 00:40:59,979 ♪ WOO OOO 764 00:41:02,068 --> 00:41:05,724 ♪ OH WOAH YEAH YEAH 765 00:41:15,603 --> 00:41:20,478 -[THEME MUSIC] 51673

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