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-[THEME MUSIC]
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-♪ SOME PEOPLE STAND
IN THE DARKNESS ♪
3
00:00:17,017 --> 00:00:20,890
♪ AFRAID TO STEP
INTO THE LIGHT ♪
4
00:00:21,021 --> 00:00:24,589
♪ SOME PEOPLE NEED
TO HELP SOMEBODY ♪
5
00:00:24,720 --> 00:00:27,984
♪ WHEN THE EDGE OF
SURRENDER'S IN SIGHT ♪
6
00:00:28,115 --> 00:00:30,769
♪ DON'T YOU WORRY
7
00:00:30,900 --> 00:00:33,859
♪ IT'S GONNA BE ALL RIGHT
8
00:00:36,993 --> 00:00:38,864
♪ 'CAUSE I'M ALWAYS READY
9
00:00:38,995 --> 00:00:42,346
♪ I WON'T LET YOU
OUT OF MY SIGHT ♪
10
00:00:45,436 --> 00:00:49,397
♪ I'LL BE READY
I'LL BE READY♪
11
00:00:49,527 --> 00:00:53,270
♪ NEVER YOU FEAR
NO, DON'T YOU FEAR ♪
12
00:00:53,401 --> 00:00:56,534
♪ I'LL BE READY
13
00:00:56,665 --> 00:00:59,885
♪ FOREVER AND ALWAYS
14
00:01:00,016 --> 00:01:02,540
♪ I'M ALWAYS HERE
15
00:01:20,993 --> 00:01:22,734
♪ 'CAUSE I'M ALWAYS READY
16
00:01:22,865 --> 00:01:26,608
♪ I WON'T LET YOU
OUT OF MY SIGHT ♪
17
00:01:29,132 --> 00:01:33,615
♪ I'LL BE READY
I'LL BE READY ♪
18
00:01:33,745 --> 00:01:36,966
♪ NEVER YOU FEAR
NO, DON'T YOU FEAR ♪
19
00:01:37,097 --> 00:01:40,970
♪ I'LL BE READY
20
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♪ FOREVER AND ALWAYS
21
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♪ I'M ALWAYS HERE
22
00:02:01,512 --> 00:02:04,602
-[PEACEFUL PIANO MUSIC]
23
00:02:46,340 --> 00:02:49,125
-♪ YOU KNOW YOU GOT ME HYPNOTIZED
24
00:02:52,172 --> 00:02:54,957
♪ ONE LOOK AT YOU, I'M PARALYZED
25
00:02:57,699 --> 00:03:00,528
♪ SO HOT, YOU MUST BE BURNING
26
00:03:00,658 --> 00:03:03,661
♪ IN EVERY WAY, YOU'RE PERFECT
27
00:03:03,792 --> 00:03:06,577
♪ I WANT YOU NOW, THERE'S NO DENYING
28
00:03:07,926 --> 00:03:13,367
♪ I ONLY HAVE EYES FOR YOU
29
00:03:14,063 --> 00:03:18,850
♪ LOST IN THE WAY YOU MOVE ♪
30
00:03:19,808 --> 00:03:24,726
♪ NOBODY DOES IT LIKE YOU DO
31
00:03:25,335 --> 00:03:30,514
♪ I ONLY HAVE EYES FOR YOU ♪
32
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♪ I ONLY HAVE EYES FOR YOU
33
00:03:37,304 --> 00:03:39,741
♪ I ONLY HAVE EYES FOR YOU
34
00:03:43,092 --> 00:03:45,573
♪ I ONLY HAVE EYES FOR YOU
35
00:03:49,054 --> 00:03:51,361
♪ I ONLY HAVE EYES FOR YOU
36
00:03:54,712 --> 00:03:59,761
♪ I ONLY HAVE EYES FOR YOU
37
00:04:00,675 --> 00:04:05,984
-♪ LOST IN THE WAY YOU MOVE
38
00:04:06,550 --> 00:04:12,077
♪ NOBODY DOES IT LIKE YOU DO ♪
39
00:04:12,208 --> 00:04:17,257
♪ I ONLY HAVE EYES FOR YOU
40
00:04:18,170 --> 00:04:20,825
♪ I ONLY HAVE EYES FOR YOU
41
00:04:24,176 --> 00:04:27,267
♪ I ONLY HAVE EYES FOR YOU
42
00:04:34,274 --> 00:04:37,799
-NEWMIE, THE WATER IS THAT WAY.
43
00:04:37,929 --> 00:04:40,018
-I WAS GLANCING.
THAT WAS A GLANCE.
44
00:04:40,149 --> 00:04:41,629
-THAT WAS MORE THAN A GLANCE.
45
00:04:42,978 --> 00:04:44,196
-WHY COULDN'T I
BE PICKED TO JUDGE
46
00:04:44,327 --> 00:04:45,763
THE MISS MALIBU BEACH CONTEST?
47
00:04:46,503 --> 00:04:48,331
TO DO THE
UP-CLOSE AND PERSONALS
48
00:04:48,462 --> 00:04:52,161
ON EVERY, SINGLE, CONTESTANT.
49
00:04:52,292 --> 00:04:54,642
-WELL, THEY NEEDED AN EXPERT.
50
00:04:54,772 --> 00:04:55,686
WHAT CAN I SAY?
51
00:04:56,687 --> 00:04:57,514
-THANKS.
52
00:04:57,645 --> 00:04:58,646
-GREAT DAY, PAL.
53
00:04:59,647 --> 00:05:04,173
-[PHOTOGRAPHERS AND
CONTESTANTS CHATTER]
54
00:05:08,046 --> 00:05:09,570
-CYNTHIA KEATON.
55
00:05:10,266 --> 00:05:11,833
-OH HI, HI, CAN
I SEE YOUR PASS?
56
00:05:12,747 --> 00:05:14,662
-I DON'T REALLY NEED
ONE, PAL, I'M A LIFEGUARD.
57
00:05:14,792 --> 00:05:16,490
-WELL THAT'S GREAT BUT YOU'RE
STILL GONNA NEED A PASS.
58
00:05:16,620 --> 00:05:19,101
-BUDDY, I DON'T NEED
ONE, I'M A JUDGE.
59
00:05:19,231 --> 00:05:21,756
-I HEARD YOU,
BUT I CAN'T HELP YOU.
60
00:05:22,452 --> 00:05:24,411
-SAMANTHA. SAM!
61
00:05:26,848 --> 00:05:28,806
SOMEBODY FORGOT
TO GIVE ME A PASS.
62
00:05:28,937 --> 00:05:29,938
-NO, NO ONE FORGOT.
63
00:05:30,068 --> 00:05:32,157
-YES. YES, SOMEONE FORGOT.
64
00:05:32,288 --> 00:05:33,898
-NO THEY DIDN'T.
JUDGES DON'T GET ONE.
65
00:05:34,029 --> 00:05:35,813
DIDN'T I TELL YOU?
66
00:05:36,423 --> 00:05:37,989
JUDGES CAN'T SOCIALIZE
WITH CONTESTANTS
67
00:05:38,120 --> 00:05:39,121
BEFORE THE PAGEANT.
68
00:05:39,251 --> 00:05:41,515
-NO, YOU DIDN'T TELL ME.
69
00:05:41,645 --> 00:05:43,168
-MUST'VE SLIPPED MY MIND.
70
00:05:43,299 --> 00:05:44,953
YOU KNOW, WITH ALL
THE PREPARATION.
71
00:05:45,083 --> 00:05:47,172
-HOW AM I SUPPOSED TO GET
UP-CLOSE AND PERSONAL INTERVIEWS
72
00:05:47,303 --> 00:05:49,000
IF I CAN'T GET
UP-CLOSE AND PERSONAL?
73
00:05:49,131 --> 00:05:51,916
-IN WRITING, YOU SUBMIT THE
QUESTIONS, THEY ANSWER THEM,
74
00:05:52,047 --> 00:05:53,178
YOU JUDGE THEIR ANSWERS.
75
00:05:58,706 --> 00:06:00,316
-WELL THEN, I
RESIGN MY JUDGESHIP.
76
00:06:00,447 --> 00:06:02,231
I NO LONGER WISH TO BE A JUDGE.
77
00:06:02,362 --> 00:06:03,319
-TOO LATE.
78
00:06:03,450 --> 00:06:05,060
-IT'S NOT TOO LATE. COME ON.
79
00:06:05,190 --> 00:06:06,453
YOU KNOW WHAT, HIRE NEWMIE.
80
00:06:06,583 --> 00:06:08,150
HEY NEWMIE! YOU
WANT TO BE A JUDGE?
81
00:06:08,280 --> 00:06:10,021
-YEAH!
-LOOK. LOOK AT HIM,
SMILING UP THERE.
82
00:06:10,152 --> 00:06:11,371
HIRE NEWMIE, HE'S A GREAT JUDGE.
83
00:06:11,501 --> 00:06:12,894
-THE PAY-PER-VIEW
PEOPLE WANT YOU.
84
00:06:13,024 --> 00:06:14,635
THEY THINK YOU'RE
CUTE AND CREDIBLE.
85
00:06:14,765 --> 00:06:16,985
-I'M NOT CUTE AND
CREDIBLE. AM I CUTE? NO.
86
00:06:17,115 --> 00:06:18,682
SEE, I'M NOT CUTE. I'M
NOT CUTE AND PERSONAL.
87
00:06:18,813 --> 00:06:20,945
I DON'T WANT TO BE A
JUDGE, I REALLY DON'T.
88
00:06:21,076 --> 00:06:23,208
-MITCH, DON'T SULK. YOU'RE
DOING THE RIGHT THING.
-I'M NOT SULKING.
89
00:06:23,339 --> 00:06:24,296
I'M NOT.
90
00:06:25,733 --> 00:06:26,951
-ONE,
91
00:06:28,344 --> 00:06:29,693
TWO,
92
00:06:31,216 --> 00:06:32,609
THREE,
93
00:06:32,740 --> 00:06:34,132
[CHUCKLES]
94
00:06:34,263 --> 00:06:35,351
FOUR,
95
00:06:36,308 --> 00:06:37,919
FIVE,
96
00:06:38,049 --> 00:06:42,532
SIX, SEVEN, EIGHT, NINE, TEN.
97
00:06:43,751 --> 00:06:44,752
11,
98
00:06:46,449 --> 00:06:47,755
12,
99
00:06:48,930 --> 00:06:50,410
13,
100
00:06:51,846 --> 00:06:53,195
14,
101
00:06:54,326 --> 00:06:57,852
15, 16, 17,
102
00:06:57,982 --> 00:06:58,722
-STEPHANIE: CAROLINE?
103
00:06:58,853 --> 00:07:00,158
-18!
104
00:07:00,289 --> 00:07:01,812
-CAROLINE? ARE YOU ALL RIGHT?
105
00:07:02,639 --> 00:07:05,773
-YEAH, I'M FINE. I'M WONDERFUL.
106
00:07:07,775 --> 00:07:08,863
-I'LL BE RIGHT THERE.
107
00:07:11,779 --> 00:07:13,041
-21,
108
00:07:14,912 --> 00:07:16,305
22,
109
00:07:19,090 --> 00:07:20,440
23,
110
00:07:23,791 --> 00:07:25,227
-CAROLINE.
111
00:07:25,357 --> 00:07:27,229
CAROLINE, WHAT'S GOING ON?
112
00:07:27,359 --> 00:07:28,883
I MEAN YOU'RE ANGRY,
YOU'RE HAPPY, YOU'RE SAD.
YOU'RE--
113
00:07:29,013 --> 00:07:29,927
WHAT IS UP?
114
00:07:30,058 --> 00:07:31,581
-YOU COULD TELL?
115
00:07:31,712 --> 00:07:33,627
-YEAH, OF COURSE I COULD TELL.
CAROLINE, DUH.
116
00:07:33,757 --> 00:07:35,280
-WELL SEE, IT'S AN
EXERCISE FOR ACTING CLASS,
117
00:07:35,411 --> 00:07:36,891
AND FIRST I HAVE TO DO TEN
COUNTS OF BEING HAPPY,
118
00:07:37,021 --> 00:07:39,023
TEN COUNTS OF BEING ANGRY,
TEN COUNTS OF BEING SAD.
119
00:07:39,154 --> 00:07:40,895
AND THEN I HAVE TO BE HAPPY
AGAIN, AND YOU CAN TELL.
120
00:07:41,025 --> 00:07:43,071
THIS IS INCREDIBLE! I CAN'T
WAIT TO GO TO ACTING CLASS.
121
00:07:43,201 --> 00:07:44,681
-UH-HUH, ACTING CLASS.
122
00:07:44,812 --> 00:07:46,683
IS IT THE ACTING CLASS
OR THE ACTING TEACHER?
123
00:07:46,814 --> 00:07:48,468
-WELL, IT'S ACTING CLASS.
124
00:07:49,643 --> 00:07:51,601
AND MAYBE THE
TEACHER A LITTLE BIT.
125
00:07:52,950 --> 00:07:54,691
OH, HE'S SO CUTE.
126
00:07:54,822 --> 00:07:56,432
-I THOUGHT THAT YOU
WERE SWEARING OFF MEN
127
00:07:56,563 --> 00:07:57,868
AND CONCENTRATING ON YOURSELF?
128
00:07:57,999 --> 00:07:59,696
-OH I AM.
129
00:07:59,827 --> 00:08:01,481
IT'S JUST THAT HE'S LIKE
NO OTHER MAN I'VE EVER MET.
130
00:08:01,611 --> 00:08:05,006
I MEAN, HE'S
SENSITIVE, AND SEXY,
131
00:08:05,702 --> 00:08:09,445
AND CHARMING, AND
SEXY, AND TALENTED, AND--
132
00:08:09,576 --> 00:08:12,666
-SEXY. UH-HUH
AND IN HIS FIFTIES.
133
00:08:12,796 --> 00:08:14,450
-OH, SO WHAT, AGE
DOESN'T MEAN ANYTHING.
134
00:08:15,146 --> 00:08:16,060
-YOU'RE NOT DATING
HIM, ARE YOU?
135
00:08:16,191 --> 00:08:17,148
-OH NO, NO.
136
00:08:18,541 --> 00:08:19,411
NOT YET.
137
00:08:20,543 --> 00:08:22,414
YOU NEVER KNOW
WHAT MIGHT HAPPEN.
138
00:08:23,590 --> 00:08:29,334
ONE, TWO, THREE, FOUR, FIVE,
SIX, SEVEN, EIGHT, NINE--
139
00:08:31,859 --> 00:08:37,168
-[TENSE MUSIC]
140
00:08:45,655 --> 00:08:47,831
-HEY, BARNETT, RADIO TO
HEADQUARTERS AND ASK THEM
141
00:08:47,962 --> 00:08:49,746
TO PICK UP
THEIR WINDSURFERS, OKAY?
142
00:08:49,877 --> 00:08:51,139
-BARNETT: OKAY, YOU GOT IT.
143
00:08:54,142 --> 00:08:54,925
-YOU ON?
144
00:08:55,056 --> 00:08:55,883
-YEP.
145
00:08:56,013 --> 00:08:56,840
-ALL RIGHT.
146
00:09:08,330 --> 00:09:11,028
-[GROANING]
147
00:09:20,472 --> 00:09:21,691
-JORDAN: HEY
CODY, LOOK UP THERE.
148
00:09:21,822 --> 00:09:23,475
IT LOOKS LIKE HE'S IN TROUBLE.
149
00:09:29,743 --> 00:09:31,309
WHATEVER THAT IS,
IT'S GOING DOWN.
150
00:09:32,093 --> 00:09:33,355
-CODY: HANG ON.
151
00:09:35,270 --> 00:09:37,881
-[GROANING]
152
00:09:38,752 --> 00:09:40,623
-BAYWATCH TO
HEADQUARTERS FROM WD THREE.
153
00:09:40,754 --> 00:09:42,451
I GOT A PARAMOTOR,
WHOEVER'S FLYING IT
154
00:09:42,582 --> 00:09:44,279
IS HAVING A MAJOR PROBLEM.
155
00:09:44,409 --> 00:09:46,803
IT'S GONNA CRASH ABOUT A
MILE WEST OF SURFRIDER BEACH.
156
00:09:48,283 --> 00:09:50,633
-[GROANING]
157
00:09:53,767 --> 00:09:58,119
-[DRAMATIC MUSIC]
158
00:10:55,176 --> 00:10:56,133
-I GOT HIM.
159
00:10:56,264 --> 00:10:57,265
-I'LL CHECK HIS BREATHING.
160
00:11:02,792 --> 00:11:03,924
-COME ON.
161
00:11:05,447 --> 00:11:06,448
-JORDAN: HE'S BREATHING.
162
00:11:06,578 --> 00:11:07,405
-GOTTA GET HIM TO SHORE.
163
00:11:07,536 --> 00:11:08,929
-JORDAN: I'LL HOLD HIM.
164
00:11:09,059 --> 00:11:10,060
-NO, IT'S TOO RISKY.
HE'S GOT NECK INJURIES.
165
00:11:10,191 --> 00:11:11,627
-WELL WHAT CHOICE HAVE WE GOT?
166
00:11:11,758 --> 00:11:13,194
-I DON'T KNOW, WAIT FOR BACKUP.
167
00:11:13,324 --> 00:11:15,239
-WELL, WE CAN'T WAIT,
CODY, HE WON'T MAKE IT.
168
00:11:15,370 --> 00:11:16,719
-WE NEEDED MY WINDJET.
169
00:11:16,850 --> 00:11:17,807
-WHAT'S A WINDJET?
170
00:11:17,938 --> 00:11:19,591
-THAT'S WHAT WE NEED RIGHT NOW.
171
00:11:20,375 --> 00:11:23,030
ALL RIGHT, YOU RIDE,
I'LL HOLD HIM. LET'S GO.
172
00:11:34,302 --> 00:11:35,695
-HEY WHAT'S HAPPENING?
WHAT'S YOUR NAME?
173
00:11:35,825 --> 00:11:37,174
-CHARLIE.
174
00:11:37,305 --> 00:11:39,002
-HOW ARE YOU DOING,
CHARLIE, YOU OKAY?
175
00:11:39,133 --> 00:11:40,961
-YES.
-WHAT'D YOU DO, HURT
YOUR HAND OUT THERE?
176
00:11:41,091 --> 00:11:42,440
-YES.
-WELL YOU'VE GOT A BEAUTIFUL
LIFEGUARD HERE, KIM,
177
00:11:42,571 --> 00:11:43,703
TO TAKE CARE OF YOU, OKAY?
178
00:11:43,833 --> 00:11:45,226
-OKAY.
-ALL RIGHT, KEEP SMILING.
179
00:11:45,356 --> 00:11:46,880
ALL RIGHT, SEE YOU LATER, PAL.
180
00:11:47,707 --> 00:11:50,144
-THE WINDJET CAN RUN
ON ONE OR BOTH SEA-DOOS.
181
00:11:50,274 --> 00:11:52,146
NOW, BOTH CAN BE
DETACHED FOR RESCUES,
182
00:11:52,276 --> 00:11:54,365
GIVING US THE SPEED AND
FLEXIBILITY OF A SEA-DOO,
183
00:11:54,496 --> 00:11:56,890
WITH A BOAT'S ABILITY
TO TRANSPORT VICTIMS.
184
00:11:57,499 --> 00:11:59,327
NOW, IF JORDAN AND I
HAD ONE OF THESE, TODAY,
185
00:11:59,457 --> 00:12:01,590
WE COULD'VE HANDLED THE GUY
WHO SUFFERED THE HEART ATTACK
186
00:12:01,721 --> 00:12:04,419
FLYING THAT PARAMOTOR
SAFER AND MORE EFFICIENTLY.
187
00:12:04,549 --> 00:12:06,116
-HEY JORDAN'S AN EXCELLENT
LIFEGUARD, ISN'T SHE?
188
00:12:06,247 --> 00:12:07,639
-YEAH, SHE'S AWESOME.
189
00:12:07,770 --> 00:12:09,467
-WELL THIS IS AWESOME TOO.
190
00:12:11,339 --> 00:12:12,688
ONLY ONE THING WRONG WITH IT.
191
00:12:14,298 --> 00:12:16,300
-AND WHAT'S THAT?
192
00:12:16,431 --> 00:12:17,737
-I DIDN'T THINK OF IT.
193
00:12:18,563 --> 00:12:20,174
I GOTTA GET OUT OF
HERE, I GOTTA GO JUDGE
194
00:12:20,304 --> 00:12:24,308
THE MISS MALIBU BEACH
CONTEST BY HER QUESTIONNAIRE.
195
00:12:25,179 --> 00:12:26,093
THANK YOU VERY MUCH.
196
00:12:28,008 --> 00:12:29,400
-HE'S SO MUCH FUN TO ANNOY.
197
00:12:30,750 --> 00:12:34,492
ANYWAY, CODY, THIS IS
A REALLY GOOD IDEA.
198
00:12:35,102 --> 00:12:36,625
WHO WROTE THE PATENT?
199
00:12:36,756 --> 00:12:38,409
-WELL I DID, BUT IF THE
DEPARTMENT DEVELOPS THIS,
200
00:12:38,540 --> 00:12:39,846
I'D BE WILLING TO
SHARE THE REVENUES.
201
00:12:39,976 --> 00:12:41,021
-REALLY?
202
00:12:41,151 --> 00:12:42,544
WELL THAT'S WHAT I LIKE TO HEAR.
203
00:12:43,197 --> 00:12:44,459
HOW MUCH TO BUILD A PROTOTYPE?
204
00:12:44,589 --> 00:12:46,069
-WELL I ALREADY
HAVE THE BODY MOLDED,
205
00:12:46,200 --> 00:12:47,636
AND THE LINKING SYSTEM IN PLACE.
206
00:12:47,767 --> 00:12:50,900
BUT I STILL NEED ABOUT
20,000 TO ENGINEER
207
00:12:51,031 --> 00:12:52,728
THE STEERING AND
THROTTLE SYSTEMS.
208
00:12:52,859 --> 00:12:54,295
-20,000.
209
00:12:54,425 --> 00:12:55,687
-YEAH, I THOUGHT YOU
COULD USE THE PROCEEDS
210
00:12:55,818 --> 00:12:58,560
FROM THE MISS MALIBU
BEACH CONTEST.
211
00:12:58,690 --> 00:13:00,605
-THEY'RE ALREADY ALLOCATED
TO OTHER EXPENSES.
212
00:13:01,258 --> 00:13:02,869
-WHAT ABOUT THE MONEY YOU
RAISED SELLING ADVERTISING
213
00:13:02,999 --> 00:13:04,392
ON BEACH TRASH CANS?
214
00:13:04,522 --> 00:13:05,785
-SAMANTHA: SUBSIDIZING
BEACH MAINTENANCE.
215
00:13:07,917 --> 00:13:11,007
LOOK, LET ME THINK ABOUT THIS,
216
00:13:11,138 --> 00:13:12,922
AND I'LL SEE WHAT
I CAN COME UP WITH.
217
00:13:13,575 --> 00:13:15,098
-YOU'RE A GEM.
218
00:13:23,454 --> 00:13:25,674
-WAIT, HOLD ON A SECOND.
219
00:13:28,198 --> 00:13:29,199
MORGAN?
220
00:13:31,636 --> 00:13:33,595
MORGAN, WAIT UP IT'S ME, PETRA.
221
00:13:34,204 --> 00:13:35,336
-MY NAME'S NOT MORGAN.
222
00:13:35,945 --> 00:13:38,078
-MINE ISN'T REALLY PETRA.
223
00:13:38,208 --> 00:13:40,123
YOU WON A BIKINI CONTEST
IN PALM SPRINGS LAST YEAR.
224
00:13:41,995 --> 00:13:43,300
I FINISHED SECOND.
225
00:13:45,302 --> 00:13:47,261
IT'S NOTHING TO BE ASHAMED OF.
226
00:13:49,045 --> 00:13:51,700
OH, I GET IT.
227
00:13:52,657 --> 00:13:54,442
NOW THAT YOU'RE A LIFEGUARD,
YOU'RE EMBARRASSED
228
00:13:54,572 --> 00:13:55,878
ABOUT BEING IN BIKINI CONTESTS.
229
00:13:57,749 --> 00:14:01,014
-OKAY FINE, MY NAME IS DONNA.
230
00:14:01,144 --> 00:14:02,711
AND YES, IF THE PEOPLE
I WORK WITH FOUND OUT
231
00:14:02,842 --> 00:14:05,627
I USED TO DO BIKINI CONTESTS,
232
00:14:05,757 --> 00:14:07,498
IT COULD HURT MY
CREDIBILITY AS A LIFEGUARD.
233
00:14:07,629 --> 00:14:10,197
-YOU WON $2,000
IN PALM SPRINGS.
234
00:14:11,198 --> 00:14:14,114
LOOK, I'VE WON $23,000
CIRCUIT SO FAR THIS YEAR.
235
00:14:15,767 --> 00:14:18,422
IT'S NOT A BAD SUPPLEMENT FOR
A FIFTH GRADE TEACHER SALARY.
236
00:14:19,771 --> 00:14:21,077
WHAT'S EMBARRASSING ABOUT THAT?
237
00:14:21,208 --> 00:14:22,731
-NOTHING. OH, NOTHING.
238
00:14:22,862 --> 00:14:25,516
IT'S JUST--IT'S
PERCEPTION, YOU KNOW.
239
00:14:25,647 --> 00:14:27,083
PERCEPTION'S EVERYTHING.
240
00:14:28,302 --> 00:14:31,087
I'D REALLY APPRECIATE IT IF YOU
COULD KEEP THIS TO YOURSELF,
241
00:14:31,218 --> 00:14:32,262
OKAY?
242
00:14:34,569 --> 00:14:38,268
-WELL I'LL TRY, BUT I
CAN'T PROMISE ANYTHING.
243
00:14:38,921 --> 00:14:41,228
SOMETIMES, SECRETS HAVE
A WAY OF GETTING OUT.
244
00:14:47,538 --> 00:14:49,192
-CAN I TALK TO
YOU FOR A SECOND?
245
00:14:49,323 --> 00:14:51,020
-ACTUALLY, I REALLY DON'T
WANT TO BE LATE FOR CLASS.
246
00:14:51,151 --> 00:14:52,630
-WELL ACTUALLY, THAT'S WHAT
I WANT TO TALK TO YOU ABOUT.
247
00:14:53,327 --> 00:14:54,937
YOU KNOW, I'M WRITING A
SCRIPT IS KIND OF A CROSS
248
00:14:55,068 --> 00:14:56,896
BETWEEN POINT BREAK
AND FATAL ATTRACTION.
249
00:14:57,026 --> 00:14:57,984
-RIGHT, I KNOW THIS.
250
00:14:58,114 --> 00:14:59,507
YOU TOLD ME ALL OF THIS ALREADY.
251
00:14:59,637 --> 00:15:01,117
-RIGHT, WELL THE THING
IS, I'VE HIT A BIT
252
00:15:01,248 --> 00:15:03,032
OF A SNAG WITH THE DIALOGUE.
253
00:15:03,163 --> 00:15:04,338
AND I FIGURED MAYBE YOU COULD
DO SOME OF THE SCENES IN CLASS,
254
00:15:04,468 --> 00:15:05,513
SO I COULD HEAR WHAT
THEY SOUND LIKE.
255
00:15:06,253 --> 00:15:07,602
-ARE YOU SERIOUS?
256
00:15:07,732 --> 00:15:08,864
-I'M VERY SERIOUS.
257
00:15:08,995 --> 00:15:10,126
I'M GONNA SELL THE SCRIPT, CAROLINE.
258
00:15:10,257 --> 00:15:11,649
IF YOU HELP ME, I'LL HELP YOU.
259
00:15:11,780 --> 00:15:13,129
-REALLY?
260
00:15:13,260 --> 00:15:15,044
AND HOW DO YOU PROPOSE TO DO THAT?
261
00:15:15,175 --> 00:15:17,133
-WELL THERE'S A PARTY COMING
UP AT THE MAIN STREET GALLERY,
262
00:15:17,264 --> 00:15:18,787
ALL THE TOP HOLLYWOOD
AGENTS AND PRODUCERS
263
00:15:18,918 --> 00:15:19,962
WILL BE THERE.
264
00:15:20,093 --> 00:15:22,878
I CAN GET YOU IN, AND WHO KNOWS.
265
00:15:23,531 --> 00:15:24,924
MAYBE YOU'LL BE DISCOVERED.
266
00:15:31,756 --> 00:15:33,280
HELP ME.
267
00:15:34,281 --> 00:15:35,586
HELP YOURSELF.
268
00:15:37,893 --> 00:15:39,112
-HELP ME.
269
00:15:40,504 --> 00:15:42,071
-HELP YOURSELF.
270
00:15:43,029 --> 00:15:44,117
-HELP ME.
271
00:15:46,075 --> 00:15:47,033
-HELP YOURSELF.
272
00:15:47,163 --> 00:15:48,599
-CAROLINE.
273
00:15:48,730 --> 00:15:49,687
CAROLINE, WHAT ARE YOU
GETTING FROM TAMMY?
274
00:15:51,472 --> 00:15:54,866
-ANGER. SCORN.
275
00:15:54,997 --> 00:15:56,390
-HOW DOES THAT MAKE YOU FEEL?
276
00:15:58,435 --> 00:16:02,178
-I DON'T KNOW, IT MAKES ME
RESENTFUL AND FRUSTRATED.
277
00:16:02,309 --> 00:16:04,180
-THOSE ARE CONCEPTS.
278
00:16:04,311 --> 00:16:05,355
WHAT DOES IT MAKE YOU FEEL?
279
00:16:07,053 --> 00:16:08,532
THERE!
280
00:16:08,663 --> 00:16:10,447
THERE, WHAT'S CHURNING
INSIDE YOU RIGHT NOW?
281
00:16:11,666 --> 00:16:12,754
-FEAR.
-WHAT!
282
00:16:14,495 --> 00:16:15,539
-FEAR, I FEEL FEAR.
283
00:16:15,670 --> 00:16:17,280
-YES, SO EXPRESS IT.
284
00:16:18,064 --> 00:16:19,891
GO WITH IT. LET IT OUT.
285
00:16:21,023 --> 00:16:23,895
SWITCH. TAMMY, YOU START.
286
00:16:28,161 --> 00:16:29,205
-HELP ME.
287
00:16:29,336 --> 00:16:30,424
-HELP YOURSELF.
288
00:16:30,554 --> 00:16:31,860
-MORE.
289
00:16:31,991 --> 00:16:33,427
-HELP ME.
290
00:16:33,557 --> 00:16:34,384
-HELP YOURSELF.
291
00:16:34,515 --> 00:16:35,385
-DIG DEEPER, CAROLINE.
292
00:16:36,560 --> 00:16:37,387
-HELP YOURSELF.
293
00:16:37,518 --> 00:16:38,432
-COME ON, MORE.
294
00:16:38,562 --> 00:16:39,563
-HELP ME!
295
00:16:40,521 --> 00:16:41,478
-HELP YOURSELF.
296
00:16:41,609 --> 00:16:43,437
-THERE. SEE HOW IT CHANGED?
297
00:16:44,525 --> 00:16:47,310
IT HAS NOTHING TO DO WITH
THE WORDS SHE'S SAYING.
298
00:16:48,355 --> 00:16:49,660
OR THE WORDS YOU'RE SAYING.
299
00:16:50,531 --> 00:16:53,012
IT'S ABOUT HOW SHE
MAKES YOU FEEL.
300
00:16:54,274 --> 00:16:58,582
-WHAT IF YOU CAN'T STAND THE
ACTOR YOU HAVE TO WORK WITH,
301
00:16:58,713 --> 00:17:00,410
BUT IN THE SCENE YOU'RE
SUPPOSED TO LIKE THEM?
302
00:17:02,238 --> 00:17:05,850
-USE IT AS A COLOR.
303
00:17:11,204 --> 00:17:12,988
THAT'S ALL FOR TONIGHT.
304
00:17:16,252 --> 00:17:18,863
-KEEP TRYING, YOU'LL
GET IT EVENTUALLY.
305
00:17:25,870 --> 00:17:27,263
YOU'RE NEW IN CLASS?
306
00:17:27,394 --> 00:17:28,656
-I'M JUST HERE WITH A FRIEND.
307
00:17:28,786 --> 00:17:30,136
ACTUALLY, I'M A WRITER.
308
00:17:30,266 --> 00:17:31,789
-REALLY? WHAT HAVE YOU WRITTEN?
309
00:17:31,920 --> 00:17:33,617
-I JUST WROTE A NEW SCREENPLAY.
310
00:17:33,748 --> 00:17:35,184
IT'S KIND OF A CROSS BETWEEN--
311
00:17:35,315 --> 00:17:36,577
-IS THERE ANYTHING IN
IT I MIGHT BE RIGHT FOR?
312
00:17:37,447 --> 00:17:38,927
-WELL ACTUALLY, YOU
COULD PLAY REGINA.
313
00:17:40,015 --> 00:17:42,800
SHE'S A BAD GIRL THOUGH,
BUT IT'S THE LEAD.
314
00:17:43,453 --> 00:17:44,933
-I LOVE BEING BAD.
315
00:17:46,848 --> 00:17:48,632
-ANYWAY, IT'S AN
ORIGINAL SCREENPLAY
316
00:17:48,763 --> 00:17:50,504
THAT A FRIEND OF MINE WROTE.
IT'S REALLY VERY GOOD,
317
00:17:50,634 --> 00:17:52,027
AND HE WANTS TO HEAR
IT UP ON ITS FEET,
318
00:17:52,158 --> 00:17:53,637
SO I SAID THAT WE'D DO A
SCENE FROM IT IN CLASS.
319
00:17:53,768 --> 00:17:55,161
I MEAN, IF IT'S OKAY WITH YOU,
320
00:17:55,291 --> 00:17:56,988
BECAUSE IT'S REALLY,
REALLY, REALLY GOOD
321
00:17:57,119 --> 00:17:59,295
CONSIDERING THAT IT'S THE FIRST
TIME HE EVER WROTE ANYTHING.
322
00:17:59,426 --> 00:18:00,775
AND I'M BABBLING, SORRY.
323
00:18:01,732 --> 00:18:03,734
-YOU CAN DO THE PHONE
BOOK, IF YOU WANT.
324
00:18:03,865 --> 00:18:05,519
IT DOESN'T MATTER TO ME
325
00:18:06,172 --> 00:18:09,000
JUST AS LONG AS YOU GIVE ME
WHAT'S REALLY INSIDE YOU.
326
00:18:10,132 --> 00:18:12,830
EVERYTHING YOU NEED
IS RIGHT IN THERE.
327
00:18:14,049 --> 00:18:15,616
YOU JUST GOTTA LET IT OUT.
328
00:18:26,409 --> 00:18:27,671
-SO, WHAT DID HE SAY?
329
00:18:28,846 --> 00:18:32,415
-HE SAID, FINE. WE'LL
DO IT IN OUR NEXT CLASS.
330
00:18:32,546 --> 00:18:33,373
-GREAT.
331
00:18:33,503 --> 00:18:34,678
-GREAT.
332
00:18:40,119 --> 00:18:41,294
-WHY ARE YOU
TORTURING YOURSELF,
333
00:18:41,424 --> 00:18:43,122
GO HOME AND BED
YOUR QUESTIONNAIRES.
334
00:18:43,774 --> 00:18:45,211
-STILL TRYING TO PROTECT ME?
335
00:18:45,341 --> 00:18:46,777
-SOMEONE HAS TO.
336
00:18:47,604 --> 00:18:50,085
SPEAKING OF PROTECTION,
WHY DO YOU INSIST
337
00:18:50,216 --> 00:18:51,913
ON BEING A PRIVATE DETECTIVE?
338
00:18:52,043 --> 00:18:53,349
IT'S DANGEROUS.
339
00:18:53,480 --> 00:18:55,221
-AT LEAST THERE,
I'M MY OWN BOSS.
340
00:18:55,351 --> 00:18:58,659
I DON'T HAVE SOMEONE TELLING
ME WHAT I CAN OR CANNOT DO.
341
00:18:58,789 --> 00:19:01,270
-ARE YOU SAYING THAT YOU'D
RATHER I WASN'T YOUR CAPTAIN?
342
00:19:01,401 --> 00:19:04,230
-NO, I'M JUST SAYING I'M NOT
THRILLED ABOUT BEING UP HERE
343
00:19:04,360 --> 00:19:06,362
WHILE THE PARTY'S
GOING ON DOWN THERE.
344
00:19:06,493 --> 00:19:09,104
-WELL, THAT'S THE
PRICE OF INTEGRITY.
345
00:19:09,800 --> 00:19:12,542
DON'T WORRY, I'LL BRING
YOU A PIECE OF CAKE.
346
00:19:13,848 --> 00:19:16,198
-YOU KNOW, YOU'RE A SADIST,
YOU'RE A TRUE SADIST.
347
00:19:16,329 --> 00:19:18,244
TELL YOU WHAT, I'M NOT
GONNA HANG AROUND HERE
348
00:19:18,374 --> 00:19:20,246
AND WATCH YOU WATCH ME SUFFER.
349
00:19:21,072 --> 00:19:26,121
I'M GONNA GO HOME
AND SUFFER PRIVATELY.
350
00:19:36,131 --> 00:19:38,438
-MITCH. OVER HERE.
351
00:19:39,265 --> 00:19:40,527
I'VE BEEN WAITING FOR YOU.
352
00:19:52,800 --> 00:19:55,411
I'VE ALWAYS HAD A
WEAKNESS FOR LIFEGUARDS.
353
00:19:56,020 --> 00:19:58,240
ONE SAVED MY LIFE WHEN
I WAS NINE YEARS OLD.
354
00:19:59,023 --> 00:20:00,634
I WAS TOO WEAK TO SWIM.
355
00:20:01,504 --> 00:20:05,552
THAT'S WHEN I COMMITTED MYSELF
TO GETTING MY BODY IN SHAPE.
356
00:20:07,380 --> 00:20:09,904
-WELL, YOU CERTAINLY HAVE
HONORED THAT COMMITMENT.
357
00:20:10,034 --> 00:20:12,254
-SPEAKING OF COMMITMENTS,
358
00:20:12,385 --> 00:20:14,561
ARE YOU INVOLVED WITH
ANYONE AT THE MOMENT?
359
00:20:15,431 --> 00:20:18,826
-AT THE MOMENT, NO.
360
00:20:20,131 --> 00:20:22,133
-GREAT. NEITHER AM I.
361
00:20:26,921 --> 00:20:28,966
-DONOVAN WILL BE AT THE
LIGHTHOUSE TOMORROW NIGHT.
362
00:20:29,097 --> 00:20:30,098
YOU'LL GET THERE BEFORE HIM--
363
00:20:30,229 --> 00:20:31,404
-CAROLINE: I KNOW WHAT TO DO.
364
00:20:31,534 --> 00:20:32,709
-YOU'LL DO WHAT
I TELL YOU TO DO.
365
00:20:32,840 --> 00:20:34,407
-CAROLINE: I'LL
DO WHAT I DO BEST.
366
00:20:34,537 --> 00:20:36,104
YOU DID HIRE ME,
BECAUSE I CAN GET A MAN
367
00:20:36,235 --> 00:20:37,801
TO REVEAL HIS DEEPEST SECRETS.
368
00:20:37,932 --> 00:20:39,586
-LOGAN: NO, CAROLINE,
YOU'VE GOTTA BE SEDUCTIVE
369
00:20:39,716 --> 00:20:41,457
WHEN YOU SAY THAT LINE.
370
00:20:41,588 --> 00:20:43,285
-WELL WHAT IF I'M NOT FEELING
SEDUCTIVE AT THAT MOMENT?
371
00:20:43,416 --> 00:20:44,852
-IT DOESN'T MATTER,
JUST FEEL IT.
372
00:20:45,896 --> 00:20:47,942
OKAY, TAKE IT FROM,
"YOU'LL DO WHAT I TELL YOU."
373
00:20:51,467 --> 00:20:53,034
AND, ACTION.
374
00:20:53,861 --> 00:20:55,471
-YOU'LL DO WHAT
I TELL YOU TO DO.
375
00:20:55,602 --> 00:20:57,734
-I WILL DO--THIS IS RIDICULOUS.
376
00:20:57,865 --> 00:20:59,301
HOW CAN YOU SIT
THERE AND TELL ME
377
00:20:59,432 --> 00:21:00,737
THAT WHAT I'M FEELING
DOESN'T MATTER.
378
00:21:00,868 --> 00:21:02,609
-IT DOES MATTER,
AS LONG AS YOU FEEL
379
00:21:02,739 --> 00:21:04,263
WHAT I TELL YOU TO FEEL.
380
00:21:04,393 --> 00:21:06,003
LOOK, I AM THE WRITER
AND THE DIRECTOR.
381
00:21:06,134 --> 00:21:07,309
THIS IS MY VISION.
382
00:21:07,962 --> 00:21:10,007
AND IT'S YOUR JOB AS
THE ACTOR TO EXECUTE IT.
383
00:21:10,138 --> 00:21:12,619
-I COMPLETELY DISAGREE,
IT IS MY JOB AS THE ACTOR
384
00:21:12,749 --> 00:21:14,447
TO ENHANCE YOUR SCRIPT.
385
00:21:14,577 --> 00:21:17,406
-YOU KNOW, THERE IS A
SIMPLE SOLUTION TO ALL THIS.
386
00:21:18,842 --> 00:21:21,192
IF CAROLINE CAN'T
FEEL SEDUCTIVE,
387
00:21:21,323 --> 00:21:22,542
MAYBE WE SHOULD
JUST SWITCH ROLES.
388
00:21:23,238 --> 00:21:24,108
-GOOD IDEA.
389
00:21:24,761 --> 00:21:25,849
CAROLINE, WHY DON'T YOU BE BETH.
390
00:21:26,459 --> 00:21:28,199
TAMMY, WHY DON'T YOU BE NIKKI?
391
00:21:28,330 --> 00:21:31,290
-WAIT A SECOND, I AM PERFECTLY
CAPABLE OF BEING SEDUCTIVE
392
00:21:31,420 --> 00:21:32,508
IF THE SCENE CALLS FOR IT.
393
00:21:32,639 --> 00:21:33,553
THAT IS NOT THE POINT.
394
00:21:34,162 --> 00:21:35,294
-YES IT IS.
395
00:21:37,513 --> 00:21:39,298
HI, I'M DARREN HIGHLAND.
396
00:21:39,428 --> 00:21:40,516
-LOGAN FOWLER.
397
00:21:40,647 --> 00:21:41,430
-NICE TO MEET YOU.
398
00:21:41,561 --> 00:21:43,127
-LOGAN: YOU TOO.
399
00:21:43,258 --> 00:21:45,173
-IF YOUR DIRECTOR WANTS
SEDUCTION AS AN UNDERCURRENT
400
00:21:45,304 --> 00:21:46,566
IN THE SCENE,
401
00:21:46,696 --> 00:21:49,046
THEN YOU NEED TO
EXPLORE IT COMPLETELY.
402
00:21:49,177 --> 00:21:51,701
TRY TO FIND A WAY TO MAKE
IT REAL FOR YOURSELF.
403
00:21:51,832 --> 00:21:53,007
-THAT'S WHAT I TOLD HER.
404
00:21:54,182 --> 00:21:55,444
IT IS. ISN'T THAT WHAT I SAID?
405
00:21:59,056 --> 00:22:01,407
-WHAT ABOUT FEELING WHAT THE
OTHER PERSON MAKES YOU FEEL?
406
00:22:01,537 --> 00:22:02,799
-WELL IT'S POSSIBLE
TO FEEL A LOT
407
00:22:02,930 --> 00:22:04,148
OF DIFFERENT THINGS AT ONCE.
408
00:22:05,541 --> 00:22:08,631
THE AUDIENCE JUST HAS TO BE
ABLE TO SEE THEM IN YOUR EYES.
409
00:22:10,416 --> 00:22:12,374
I WANT YOU TO TRY
THE SCENE AGAIN.
410
00:22:12,505 --> 00:22:14,855
-LOGAN: OKAY, FROM THE TOP.
411
00:22:14,985 --> 00:22:17,510
CAROLINE, WHY DON'T
YOU BE NIKKI AGAIN.
412
00:22:18,249 --> 00:22:19,555
TAMMY, WHY DON'T YOU BE BETH?
413
00:22:19,686 --> 00:22:21,688
-YOU'RE THE DIRECTOR.
414
00:22:26,780 --> 00:22:28,434
-AND ACTION.
415
00:22:28,564 --> 00:22:31,045
-DONOVAN WILL BE AT THE
LIGHTHOUSE TOMORROW NIGHT.
416
00:22:31,175 --> 00:22:32,612
YOU HAVE TO GET
THERE BEFORE HIM.
417
00:22:32,742 --> 00:22:33,917
-I KNOW WHAT TO DO.
418
00:22:34,048 --> 00:22:36,050
-YOU'LL DO WHAT
I TELL YOU TO DO.
419
00:22:36,180 --> 00:22:38,487
-I'LL DO WHAT I DO BEST.
420
00:22:38,618 --> 00:22:41,142
AFTER ALL, YOU DID HIRE ME
BECAUSE I CAN GET ANY MAN
421
00:22:41,272 --> 00:22:43,013
TO REVEAL HIS DEEPEST SECRET.
422
00:22:43,144 --> 00:22:44,537
-HOLD IT.
423
00:22:44,667 --> 00:22:46,974
CAROLINE, IS THAT YOUR
IDEA OF SEDUCTIVE?
424
00:22:47,714 --> 00:22:48,889
-YES.
425
00:22:49,019 --> 00:22:50,107
I MEAN, THAT'S
WHAT I WAS FEELING.
426
00:22:50,238 --> 00:22:51,761
-WELL, IT'S NOT SEDUCTIVE.
427
00:22:51,892 --> 00:22:53,154
-YES IT WAS.
428
00:22:53,894 --> 00:22:56,070
I WASN'T EVEN LOOKING
AND I FELT IT.
429
00:22:57,506 --> 00:22:58,899
YOU WROTE THIS
MATERIAL, DIDN'T YOU?
430
00:22:59,029 --> 00:23:00,814
-LOGAN: YES.
431
00:23:00,944 --> 00:23:02,598
-AND SO YOU'VE ALREADY SEEN
IT PLAYED OUT IN YOUR HEAD.
432
00:23:02,729 --> 00:23:05,732
ALL YOUR IMAGINARY PEOPLE
DOING YOUR IMAGINARY THINGS.
433
00:23:05,862 --> 00:23:07,037
-EXACTLY.
434
00:23:07,168 --> 00:23:08,822
-WELL CLEAR YOUR HEAD.
435
00:23:09,388 --> 00:23:12,086
UNTIL YOU CAN FORGET EVERYTHING
YOU'VE EVER IMAGINED,
436
00:23:12,216 --> 00:23:14,784
SO THAT YOU CAN EXPERIENCE
IT FOR THE FIRST TIME,
437
00:23:14,915 --> 00:23:16,177
HERE AND NOW.
438
00:23:16,786 --> 00:23:19,223
THAT'S THE ONLY WAY YOU'LL
EVER BECOME A DECENT DIRECTOR.
439
00:23:26,796 --> 00:23:28,407
WHAT ARE YOU FEELING RIGHT NOW?
440
00:23:29,930 --> 00:23:31,018
-DESIRE.
441
00:23:31,888 --> 00:23:33,063
-USE IT.
442
00:23:41,463 --> 00:23:44,771
-WELL, WHY DON'T WE JUST
START THE SCENE FROM THE TOP.
443
00:23:44,901 --> 00:23:47,121
-SOME OF THE GIRLS TRY
TO INFLUENCE THE JUDGES.
444
00:23:47,251 --> 00:23:48,731
SEDUCE THEM, WHATEVER.
445
00:23:49,297 --> 00:23:50,472
BUT THEY'RE USUALLY THE
ONES THAT DON'T HAVE MUCH
446
00:23:50,603 --> 00:23:52,213
OF A CHANCE OF WINNING ANYWAY.
447
00:23:52,779 --> 00:23:54,563
-WELL, I'M SURE THERE'S
A LOT OF JUDGES WHO TRY
448
00:23:54,694 --> 00:23:56,652
AND TAKE ADVANTAGE OF
THOSE POSITIONS TOO.
449
00:23:56,783 --> 00:23:58,219
-ARE YOU KIDDING?
450
00:23:58,349 --> 00:24:00,003
I HAVE TO FIGHT THEM OFF
WITH CHAIRS SOMETIMES.
451
00:24:00,656 --> 00:24:02,092
THAT'S WHAT I LIKE ABOUT YOU,
452
00:24:02,745 --> 00:24:04,878
YOU DON'T HAVE TO DO THINGS
LIKE THAT TO ATTRACT WOMEN.
453
00:24:05,008 --> 00:24:07,315
-OH PLEASE, GIVE ME A BREAK.
454
00:24:07,924 --> 00:24:08,795
MITCH.
455
00:24:10,710 --> 00:24:13,190
BOTH OF YOU, JUST
WAIT RIGHT THERE.
456
00:24:16,193 --> 00:24:18,457
-I'M REALLY SORRY, MITCH.
I HOPE I DIDN'T GET
YOU INTO ANY TROUBLE.
457
00:24:18,587 --> 00:24:20,589
-NO, NO, NO. DON'T WORRY.
458
00:24:20,720 --> 00:24:22,025
YOU DIDN'T DO ANYTHING WRONG.
459
00:24:22,156 --> 00:24:23,374
NEITHER OF US HAVE.
460
00:24:23,505 --> 00:24:25,115
EVERYTHING'S GONNA
BE FINE, OKAY?
461
00:24:27,683 --> 00:24:29,859
-GIVE ME ONE REASON
WHY I SHOULDN'T
DISQUALIFY BOTH OF YOU?
462
00:24:29,990 --> 00:24:32,035
-BECAUSE NOTHING HAS HAPPENED
THAT'S GONNA INFLUENCE
463
00:24:32,166 --> 00:24:33,384
THE OUTCOME OF THE CONTEST.
464
00:24:33,515 --> 00:24:35,474
-EVERYTHING IS
CAUSE AND EFFECT.
465
00:24:35,604 --> 00:24:37,824
AND AUDREY'S DEFINITELY A CAUSE,
466
00:24:37,954 --> 00:24:40,087
AND YOU WILL BE AFFECTED BY
HER ONE WAY OR THE OTHER.
467
00:24:40,217 --> 00:24:42,089
-ARE YOU QUESTIONING
MY INTEGRITY?
468
00:24:42,916 --> 00:24:44,744
-NO.
469
00:24:44,874 --> 00:24:46,572
-IS THIS SOMETHING PERSONAL
OR IS THIS ABOUT THE CONTEST?
470
00:24:46,702 --> 00:24:48,356
-IT'S JUST ABOUT THE CONTEST.
471
00:24:48,487 --> 00:24:50,314
SO, I WILL GIVE YOU A CHOICE.
472
00:24:50,445 --> 00:24:53,492
YOU CAN CONTINUE ENJOYING MR.
BUCHANNON'S DAZZLING COMPANY
473
00:24:53,622 --> 00:24:54,971
FOR THE REST OF THE EVENING.
474
00:24:55,102 --> 00:24:56,625
OR YOU CAN ENTER THE
CONTEST TOMORROW.
475
00:24:56,756 --> 00:24:58,409
YOU CAN'T DO BOTH, PICK
ONE, DON'T SAY A WORD.
476
00:25:01,369 --> 00:25:04,198
-MAYBE WE COULD JUST GET
TOGETHER AFTER THE CONTEST
477
00:25:04,851 --> 00:25:06,809
WHEN THERE AREN'T SO
MANY DISTRACTIONS.
478
00:25:09,246 --> 00:25:10,596
-SOUNDS LIKE A PLAN.
479
00:25:11,422 --> 00:25:13,120
-I'M SORRY IF I CAUSED
YOU ANY PROBLEMS.
480
00:25:13,250 --> 00:25:14,600
IT WASN'T INTENTIONAL.
481
00:25:14,730 --> 00:25:17,080
-NO, NO, NO, EVERYTHING'S FINE.
482
00:25:20,083 --> 00:25:21,911
I CAN'T BELIEVE
YOU DON'T TRUST ME.
483
00:25:22,042 --> 00:25:22,999
-IT'S NOT ABOUT THAT.
484
00:25:23,130 --> 00:25:24,348
I WOULD TRUST YOU WITH MY LIFE.
485
00:25:24,479 --> 00:25:26,046
THIS IS ABOUT PERCEPTION.
486
00:25:26,176 --> 00:25:28,570
-WHOSE? YOU'RE
THE ONLY ONE HERE.
487
00:25:28,701 --> 00:25:30,398
-AND MY PERCEPTION'S
VERY ACCURATE.
488
00:25:30,529 --> 00:25:32,008
JUST TRUST ME, MITCH, SHE'S
NOT GOING TO GET TOGETHER
489
00:25:32,139 --> 00:25:33,619
WITH YOU AFTER THE CONTEST.
490
00:25:33,749 --> 00:25:34,794
SHE'S ONLY INTERESTED
IN GETTING YOUR VOTE.
491
00:25:35,838 --> 00:25:36,665
-HOW MUCH?
492
00:25:36,796 --> 00:25:38,232
-WHAT?
493
00:25:38,362 --> 00:25:40,060
-HOW MUCH DO YOU WANT
TO BET THAT AUDREY AND I
494
00:25:40,190 --> 00:25:42,497
GET TOGETHER AFTER THE CONTEST
AND HAVE A DAZZLING TIME.
495
00:25:43,280 --> 00:25:44,543
-I DON'T GAMBLE.
496
00:25:45,631 --> 00:25:48,242
BUT IF I DID, I'D
BET EVERYTHING I HAD.
497
00:25:48,372 --> 00:25:50,374
AND GIVE YOU ODDS.
498
00:25:54,378 --> 00:25:59,340
-[UPBEAT MUSIC]
499
00:26:46,300 --> 00:26:48,955
-20 MINUTES, LADIES, LET'S
DO IT HOW WE REHEARSED IT.
500
00:26:49,085 --> 00:26:51,914
IF ANY ONE HAS ANY QUESTIONS,
THIS IS THE TIME TO ASK.
501
00:26:52,045 --> 00:26:53,742
-I HEAR A LOT OF
AGENTS AND TALENT SCOUTS
502
00:26:53,873 --> 00:26:55,526
ARE GONNA BE THERE, IS IT TRUE?
503
00:26:56,223 --> 00:26:57,703
-PROBABLY.
504
00:26:57,833 --> 00:26:58,834
HOW LEGITIMATE THEY
ALL ARE, I CAN'T SAY.
505
00:26:58,965 --> 00:27:00,270
SO BE CAUTIOUS.
506
00:27:00,401 --> 00:27:01,750
ANYONE CAN PRINT
UP A BUSINESS CARD,
507
00:27:01,881 --> 00:27:04,318
AND NEVER GIVE OUT YOUR
HOME PHONE NUMBERS.
508
00:27:04,448 --> 00:27:06,494
-HAVE ANY OF THE JUDGES
BEEN DISQUALIFIED YET?
509
00:27:06,625 --> 00:27:10,411
-NO, AND NEITHER HAVE ANY
OF THE CONTESTANTS, YET.
510
00:27:13,370 --> 00:27:16,025
-OKAY, LADIES, YOU
HEARD HER. 20 MINUTES.
511
00:27:16,156 --> 00:27:17,940
-THEY SHOULD'VE AT
LEAST ATTACHED POLAROIDS
512
00:27:18,071 --> 00:27:20,290
TO THE QUESTIONNAIRE SO WE CAN
TELL WHOSE ANSWER WAS WHOSE.
513
00:27:20,421 --> 00:27:23,032
-WE'RE NOT SUPPOSED TO BE
INFLUENCED BY THEIR LOOKS.
514
00:27:23,163 --> 00:27:24,381
-THAT'S THE CRAZIEST
THING I'VE EVER HEARD.
515
00:27:24,512 --> 00:27:25,905
THIS IS A BEAUTY PAGEANT.
516
00:27:26,035 --> 00:27:27,863
-SO HOW DID YOU GET
PICKED FOR THIS TORTURE?
517
00:27:28,472 --> 00:27:29,865
-I'M AN AGENT, I'M
USED TO TORTURE.
518
00:27:30,431 --> 00:27:32,955
I JUDGE THESE ALL THE TIME AND
I FOUND SOME AMAZING TALENT.
519
00:27:33,521 --> 00:27:35,349
INCREDIBLY UNBELIEVABLY
AMAZING. [CHUCKLING]
520
00:27:38,744 --> 00:27:40,136
-[MEN WHISTLING]
521
00:27:40,876 --> 00:27:42,356
-CAN'T GET AWAY
FROM IT, CAN YOU?
522
00:27:43,052 --> 00:27:44,097
-FROM WHAT?
523
00:27:44,227 --> 00:27:45,664
-OH, THE STEREOTYPE.
524
00:27:46,708 --> 00:27:49,493
DOESN'T MATTER IF YOU WEAR
LIFEGUARD RED OR ONE OF THESE.
525
00:27:50,059 --> 00:27:51,844
THE FIRST THING THEY
SEE IS YOUR BODY.
526
00:27:51,974 --> 00:27:54,673
-IT MATTERS, BELIEVE ME, IF
THEY'RE DROWNING, IT MATTERS.
527
00:27:56,022 --> 00:27:59,286
-SO, I SUPPOSE YOU STILL
WANT ME TO KEEP YOUR SECRET.
528
00:27:59,416 --> 00:28:01,331
-LOOK, I DON'T HAVE TIME
TO PLAY GAMES, PETRA.
529
00:28:01,462 --> 00:28:03,203
-NEITHER DO I.
530
00:28:03,333 --> 00:28:07,816
LOOK, I WON'T SAY ANYTHING,
IF YOU DO SOMETHING FOR ME.
531
00:28:09,339 --> 00:28:10,384
-WHAT?
532
00:28:10,993 --> 00:28:13,866
-THE LIFEGUARD JUDGE,
MITCH BUCHANNON,
533
00:28:15,519 --> 00:28:17,696
TELL HIM YOU'D THINK HE'D
BE CRAZY TO CAST HIS VOTE
534
00:28:17,826 --> 00:28:19,045
FOR ANYONE BUT ME.
535
00:28:35,539 --> 00:28:37,324
-MITCH, I'M SERIOUS,
YOU HAVE TO PROMISE.
536
00:28:37,454 --> 00:28:39,065
YOU'RE NOT GONNA LOOK
AT ME ANY DIFFERENTLY.
537
00:28:39,195 --> 00:28:40,109
-THAN WHAT?
538
00:28:40,849 --> 00:28:42,416
-JUST PROMISE.
539
00:28:42,546 --> 00:28:44,113
-OKAY, I PROMISE I WON'T
LOOK AT YOU ANY DIFFERENTLY.
540
00:28:44,244 --> 00:28:47,334
-OKAY, BEFORE I
BECAME A LIFEGUARD,
541
00:28:48,117 --> 00:28:49,989
I USED TO DO A LOT
OF BIKINI CONTESTS.
542
00:28:50,554 --> 00:28:51,860
-AND?
543
00:28:51,991 --> 00:28:53,514
-WELL, THAT'S IT.
544
00:28:53,644 --> 00:28:55,429
I MEAN, I DID THEM,
YOU KNOW, IT WAS FUN, AND
545
00:28:55,559 --> 00:28:58,388
THERE WAS PRIZE MONEY
AND GUYS CHEERING FOR ME.
546
00:29:03,437 --> 00:29:05,744
WHAT?
-OH, I'M SORRY, YOU'RE RIGHT.
547
00:29:05,874 --> 00:29:07,180
I WAS LOOKING AT
YOU DIFFERENTLY.
548
00:29:07,310 --> 00:29:08,181
-MITCH.
549
00:29:08,311 --> 00:29:09,660
-OH COME ON, WILL YOU?
550
00:29:09,791 --> 00:29:11,314
I DON'T CARE WHAT
YOU DO IN A BIKINI.
551
00:29:11,445 --> 00:29:12,098
I CARE WHAT YOU DO IN
THAT, YOU DO A GREAT JOB.
552
00:29:12,228 --> 00:29:13,055
-OKAY.
553
00:29:13,186 --> 00:29:13,969
THANKS SO MUCH.
554
00:29:14,100 --> 00:29:15,797
-ALL RIGHT.
555
00:29:15,928 --> 00:29:18,626
-HEY, BY THE WAY, YOU SEE
NUMBER 19 RIGHT OVER THERE?
556
00:29:18,757 --> 00:29:19,845
-MITCH: YEAH, BEAUTIFUL.
557
00:29:22,456 --> 00:29:23,544
-YOU'D BE CRAZY
TO VOTE FOR HER.
558
00:29:23,674 --> 00:29:25,502
SHE'S A TOTAL LOSER.
559
00:29:27,940 --> 00:29:30,333
-LOST IT ON THAT
ONE, MYSELF GUYS.
560
00:29:30,464 --> 00:29:33,510
ALL RIGHT, NUMBER 20,
ANNA MARIE.
561
00:29:34,381 --> 00:29:36,600
VERY NICE TO HAVE
YOU, ANNA MARIE.
562
00:29:38,602 --> 00:29:43,825
NUMBER 16, AUDREY,
THE BEAUTIFUL.
563
00:29:43,956 --> 00:29:46,306
EXCELLENT, AUDREY,
THANK YOU VERY MUCH.
564
00:29:46,436 --> 00:29:49,918
NUMBER 25, MARCIA.
565
00:29:50,049 --> 00:29:51,224
-HAVING FUN?
566
00:29:51,354 --> 00:29:54,183
-I WILL TONIGHT,
AFTER THE CONTEST.
567
00:29:54,314 --> 00:29:56,011
-I DOUBT IT.
568
00:29:56,142 --> 00:29:57,491
BUT, AS LONG AS YOU CAN LOOK
AT YOURSELF IN THE MIRROR
569
00:29:57,621 --> 00:29:58,709
AND KNOW THAT YOUR
VOTE WASN'T INFLUENCED
570
00:29:58,840 --> 00:30:00,450
THAT'LL BE ENOUGH FOR ME.
571
00:30:00,581 --> 00:30:03,627
-WELL, LET'S SEE, I CAN
LOOK AT MYSELF IN THE MIRROR.
572
00:30:03,758 --> 00:30:06,021
-I'M SURE YOU HAVE
NO PROBLEM DOING THAT.
573
00:30:07,022 --> 00:30:11,244
-HOST: NUMBER 14, KATHY
ERIN, LET'S GIVE IT UP!
574
00:30:12,636 --> 00:30:13,986
ALL RIGHT, WE'RE BACK.
575
00:30:14,116 --> 00:30:16,727
AND THIS IS WILD, IT'S
INSANE I'M TELLING YOU.
576
00:30:16,858 --> 00:30:19,556
SAMANTHA, LET ME ASK YOU,
THIS ISN'T YOUR NORMAL EVENT
577
00:30:19,687 --> 00:30:21,297
THAT LIFEGUARDS
WOULD BE SPONSORING.
578
00:30:21,428 --> 00:30:23,038
I MEAN, COME ON, WHEN WE
THINK ABOUT LIFEGUARDS,
579
00:30:23,169 --> 00:30:25,475
WE THINK ABOUT THEM
SWIMMING OUT TO CATALINA.
580
00:30:25,606 --> 00:30:27,521
TOWING BOATS BACK ON
THEIR BACK, YOU KNOW.
581
00:30:27,651 --> 00:30:28,827
THINGS LIKE THAT.
582
00:30:28,957 --> 00:30:31,046
I MEAN, WHAT MAKES
IT HAPPEN HERE?
583
00:30:31,568 --> 00:30:33,309
-WELL ACTUALLY, THIS
IS THE PERFECT EVENT
584
00:30:33,440 --> 00:30:35,050
FOR LIFEGUARDS TO SPONSOR.
585
00:30:35,181 --> 00:30:36,835
WE'RE CELEBRATING HEALTH
AND FITNESS AT THE BEACH.
586
00:30:36,965 --> 00:30:38,488
EVERYONE'S HERE TO
HAVE A GOOD TIME.
587
00:30:38,619 --> 00:30:41,056
AND THE MONEY WE RAISE
WILL GO TO GOOD USE
588
00:30:41,187 --> 00:30:42,710
LIKE KEEPING PEOPLE
SAFE AT THE BEACH.
589
00:30:42,841 --> 00:30:44,930
-HOST: WELL, THERE YOU HAVE IT.
MONEY WELL SPENT.
590
00:30:45,060 --> 00:30:46,845
SO HOLD ON GUYS, BECAUSE
WHEN WE COME BACK,
591
00:30:46,975 --> 00:30:51,545
LIVE FROM MALIBU, IT'S THE
MISS MALIBU BEACH CONTEST.
592
00:30:51,675 --> 00:30:52,981
YEAH!
593
00:30:55,201 --> 00:30:58,247
-ALL RIGHT YOU GUYS, ARE
YOU READY FOR SOME GIRLS?
594
00:30:58,378 --> 00:30:59,858
-[CHEERING]
595
00:31:02,599 --> 00:31:05,385
-♪ YOU NEED SOMEONE TO BRING THE HEAT
596
00:31:05,994 --> 00:31:08,431
♪ SHE'LL KNOCK YOU OUTTA YOUR SEAT ♪
597
00:31:08,562 --> 00:31:11,782
♪ SHE'S GOT THAT LOOK,
SHE'S GOT THAT VIBE ♪
598
00:31:11,913 --> 00:31:15,090
♪ PUTS YOUR HEART IN SHOCK,
YOU WON'T SURVIVE ♪
599
00:31:16,396 --> 00:31:17,919
♪ OH, NO
600
00:31:20,356 --> 00:31:23,229
♪ FEELIN' LOW? SHE'S TAKE YOU HIGHER
601
00:31:23,359 --> 00:31:26,101
♪ SET THE SPARK, SHE'LL LIGHT THAT FIRE
602
00:31:26,232 --> 00:31:29,191
♪ AIN'T NO TELLIN'
WHAT SHE'S GOT IN STORE ♪
603
00:31:29,322 --> 00:31:32,891
♪ SHE'LL MAKE YOU SCREAM OUT FOR MORE
604
00:31:35,241 --> 00:31:38,548
♪ HOT LOVE, SEALED WITH A KISS
605
00:31:39,419 --> 00:31:41,073
♪ SHAKIN' THOSE HIPS
606
00:31:41,203 --> 00:31:44,206
♪ HOT LOVE, WORKIN' THOSE HEELS
607
00:31:44,772 --> 00:31:46,905
♪ SHE'S HELL ON WHEELS ♪
608
00:31:47,035 --> 00:31:50,038
♪ HOT LOVE, LOVE AT FIRST BITE
609
00:31:50,996 --> 00:31:53,172
♪ TURN UP THE NIGHT
610
00:31:53,302 --> 00:31:55,783
♪ SHE'S GOT THAT GOLDEN TOUCH
611
00:31:56,349 --> 00:31:58,655
♪ DESIRE BURNS TOO MUCH ♪
612
00:31:58,786 --> 00:32:04,052
♪ HOT LOVE, CAN'T GET ENOUGH
613
00:32:30,078 --> 00:32:32,341
♪ SHE'S GOT WHAT YOU WANT
614
00:32:33,168 --> 00:32:35,649
♪ SHE'S GOT WHAT YOU NEED
615
00:32:35,779 --> 00:32:38,565
♪ ONCE YOU GET A LITTLE TASTE
616
00:32:38,695 --> 00:32:41,568
♪ YOU'LL NEVER WANT TO LEAVE
617
00:32:50,925 --> 00:32:53,580
♪ SHE'S GOT THAT GOLDEN TOUCH
618
00:32:54,146 --> 00:32:56,583
♪ DESIRE BURNS TOO MUCH ♪
619
00:32:57,845 --> 00:32:59,368
♪ CAN'T GET ENOUGH
620
00:33:00,630 --> 00:33:02,676
♪ CAN'T GET ENOUGH
621
00:33:04,199 --> 00:33:06,245
THERE YOU HAVE IT, GUYS.
622
00:33:06,375 --> 00:33:07,724
AREN'T THEY BEAUTIFUL?
623
00:33:07,855 --> 00:33:08,943
COME ON, THEY'RE
WORKING HARD FOR YOU.
624
00:33:09,074 --> 00:33:10,423
LET'S GIVE IT UP.
625
00:33:10,553 --> 00:33:14,427
-[CHEERING]
626
00:33:14,557 --> 00:33:16,385
-ALL RIGHT GUYS, THIS IS
IT, WE'RE GONNA COME DOWN
627
00:33:16,516 --> 00:33:17,952
TO THE TWO FINALISTS.
628
00:33:18,083 --> 00:33:20,389
SAMANTHA, CAN I HAVE
THE ENVELOPE, PLEASE?
629
00:33:21,260 --> 00:33:22,783
OH NO, YOU GUYS,
DON'T GET QUIET,
630
00:33:22,913 --> 00:33:24,611
THESE GIRLS UP
HERE WORKING HARD.
631
00:33:24,741 --> 00:33:27,831
-[CHEERING]
632
00:33:27,962 --> 00:33:29,398
-HERE IT IS, GUYS.
633
00:33:30,008 --> 00:33:33,315
ONE OF THESE LADIES IS
GONNA WIN BIG BUCKS,
634
00:33:33,446 --> 00:33:37,319
SO WHEN I CALL YOUR NAME,
PLEASE COME STEP FORWARD.
635
00:33:37,450 --> 00:33:40,409
AND BY THE WAY, GUYS,
THE NUMBER ONE RUNNER-UP
636
00:33:40,540 --> 00:33:43,369
IS GONNA RECEIVE 4,000 BIG ONES.
637
00:33:44,761 --> 00:33:47,895
AND THE WINNER,
SHE GETS TEN GRAND!
638
00:33:48,026 --> 00:33:50,376
-[CHEERING]
639
00:33:50,506 --> 00:33:53,074
-ALL RIGHT, LADIES,
NO FIGHTING HERE.
640
00:33:53,205 --> 00:33:56,295
NUMBER 16, GET UP HERE WITH ME!
641
00:33:58,732 --> 00:33:59,994
GIVE IT UP, GUYS!
642
00:34:01,213 --> 00:34:04,738
AND NUMBER 19!
YOUR TWO FINALISTS!
643
00:34:06,261 --> 00:34:11,440
HOW ABOUT IT, GUYS? ALL RIGHT!
644
00:34:11,571 --> 00:34:13,877
ALL RIGHT, KEEP IT
DOWN, YOU ANIMALS.
645
00:34:14,617 --> 00:34:16,750
LADIES, WOULD YOU
LIKE TO SAY SOMETHING
646
00:34:16,880 --> 00:34:18,752
BEFORE ONE OF YOU DECIDES
TO DROWN THE OTHER?
647
00:34:18,882 --> 00:34:21,015
LIFEGUARDS, LET'S
STAND BY, OKAY?
648
00:34:21,146 --> 00:34:24,236
-LIFEGUARDS, RELAX. WE NEVER
FEEL LIKE DROWNING EACH OTHER.
649
00:34:24,366 --> 00:34:27,282
JUST THE JUDGES. JUST
KIDDING, WE LOVE YOU.
650
00:34:28,153 --> 00:34:29,545
AND WE LOVE YOU TOO.
651
00:34:29,676 --> 00:34:32,113
-ALL RIGHT GUYS, YOU
HEARD IT, THEY LOVE YOU!
652
00:34:32,244 --> 00:34:33,636
AUDREY?
653
00:34:33,767 --> 00:34:35,769
-I'D JUST LIKE TO
THANK THE LIFEGUARDS
654
00:34:35,899 --> 00:34:37,423
FOR SPONSORING THIS EVENT.
655
00:34:37,553 --> 00:34:39,860
AND ALSO FOR KEEPING US SAFE
ON THE BEACH, THANK YOU.
656
00:34:39,990 --> 00:34:41,775
-ALL RIGHT, GREAT.
GIVE IT UP, GUYS.
657
00:34:41,905 --> 00:34:43,516
LET'S THANK THESE LIFEGUARDS.
658
00:34:43,646 --> 00:34:47,215
-[CHEERING]
659
00:34:47,346 --> 00:34:51,132
ALL RIGHT, YOU GUYS,
ONLY ONE CAN PREVAIL.
660
00:34:51,263 --> 00:34:54,135
AND THIS IS IT. LADIES.
661
00:34:55,005 --> 00:34:58,183
AND THE WINNER IS
NUMBER 16, AUDREY!
662
00:34:58,313 --> 00:35:00,533
-YES! YES!
663
00:35:00,663 --> 00:35:02,187
-[CHEERING]
664
00:35:02,317 --> 00:35:04,928
-HOST: GIVE IT UP, LET'S GO!
665
00:35:07,105 --> 00:35:08,758
THE RIBBON, PLEASE.
666
00:35:09,933 --> 00:35:11,805
ALL RIGHT.
667
00:35:15,330 --> 00:35:18,464
HERE SHE IS, MISS MALIBU
BEACH, GIVE IT UP.
668
00:35:18,594 --> 00:35:23,469
-[CHEERFUL GUITAR MUSIC]
669
00:35:35,350 --> 00:35:37,222
THERE WE HAVE IT,
AND THAT'S THE END
670
00:35:37,352 --> 00:35:40,050
OF THE '96 MISS MALIBU BEACH.
671
00:35:40,181 --> 00:35:44,533
YOU GUYS BE SAFE. LIFEGUARDS,
THANK YOU VERY MUCH.
672
00:35:44,664 --> 00:35:45,882
GOOD NIGHT.
673
00:35:48,537 --> 00:35:50,191
-WHAT ARE YOU DOING OVER HERE?
674
00:35:50,322 --> 00:35:51,627
YOU ARE FREE TO SOCIALIZE.
675
00:35:51,758 --> 00:35:52,889
-I KNOW.
676
00:35:53,629 --> 00:35:55,414
I'M JUST LETTING HER HAVE
HER MOMENT IN THE SUN
677
00:35:55,544 --> 00:35:58,547
BEFORE WALKING OFF INTO
THE SUNSET WITH ME.
678
00:35:58,678 --> 00:36:01,071
-OH. COME ON, I WANT TO
GET SOME PICTURES OF THIS
679
00:36:01,202 --> 00:36:01,985
BEFORE THE SUN GOES DOWN.
680
00:36:02,116 --> 00:36:03,161
-ALL RIGHT.
681
00:36:08,427 --> 00:36:10,690
-SAMANTHA: CAN WE GET
A FEW PICTURES, PLEASE?
682
00:36:12,692 --> 00:36:16,696
-I WANT YOU TO KNOW, ONE
OF YOUR LIFEGUARDS, DONNA,
683
00:36:17,871 --> 00:36:19,177
SHE USED TO DO BIKINI CONTESTS.
684
00:36:19,307 --> 00:36:21,135
-OH YEAH. YEAH, RIGHT.
685
00:36:21,266 --> 00:36:24,007
FROM WHAT I UNDERSTAND, SHE
ALWAYS FINISHED AHEAD OF YOU.
686
00:36:24,965 --> 00:36:26,793
-SAMANTHA: LET'S GET A FEW
WITH A JUDGE AND THE WINNER.
687
00:36:26,923 --> 00:36:28,186
THANK YOU.
688
00:36:30,188 --> 00:36:32,712
-MITCH: SO, WHAT DO
YOU SAY WE WRAP THIS UP
689
00:36:32,842 --> 00:36:34,844
IN A COUPLE OF MINUTES AND
SKATE OUT OF HERE, HUH?
690
00:36:34,975 --> 00:36:36,455
-DON'T WAIT FOR ME.
691
00:36:36,585 --> 00:36:38,021
-NO, NO, IT'S OKAY.
692
00:36:38,152 --> 00:36:39,458
I UNDERSTAND YOU WANT
YOUR MOMENT IN THE SUN,
693
00:36:39,588 --> 00:36:40,633
BUT I'LL JUST KIND
OF WAIT OVER THERE.
694
00:36:40,763 --> 00:36:43,505
-NO, REALLY. DON'T WAIT FOR ME.
695
00:36:45,246 --> 00:36:47,292
-SAMANTHA: LET'S GET A
COUPLE MORE PICTURES, LADIES.
696
00:36:49,424 --> 00:36:50,817
AREN'T YOU GLAD WE DIDN'T BET?
697
00:36:50,947 --> 00:36:54,516
-SHE IS JUST PREOCCUPIED
BY WINNING, THAT'S ALL.
698
00:36:55,343 --> 00:36:57,302
-WELL, WINNING WAS
WHAT SHE WAS HERE TO DO.
699
00:36:57,432 --> 00:36:58,868
ALL SHE WAS HERE TO DO.
700
00:37:08,138 --> 00:37:09,357
-AUDREY: THANK YOU.
701
00:37:09,488 --> 00:37:11,968
-HEY, TALK TO YOU FOR A SECOND?
702
00:37:12,099 --> 00:37:13,187
-FOR A SECOND.
703
00:37:13,318 --> 00:37:14,536
-SO, WHAT'S GOING ON?
704
00:37:14,667 --> 00:37:15,450
I THOUGHT WE HAD
PLANS FOR THE NIGHT.
705
00:37:15,581 --> 00:37:16,408
SOMETHING CHANGE?
706
00:37:17,104 --> 00:37:19,454
-LOOK, MITCH,
YOU'RE REALLY SWEET.
707
00:37:19,585 --> 00:37:21,151
BUT HOW CAN I GO OUT WITH YOU,
708
00:37:21,282 --> 00:37:22,457
KNOWING THAT YOU
DIDN'T VOTE FOR ME.
709
00:37:23,371 --> 00:37:24,894
THAT YOU THOUGHT
SOMEONE ELSE WAS BETTER.
710
00:37:26,026 --> 00:37:27,549
IT'D JUST BE TOO UNCOMFORTABLE.
711
00:37:28,158 --> 00:37:30,291
-WHO TOLD YOU I
DIDN'T VOTE FOR YOU?
712
00:37:31,336 --> 00:37:33,120
-I SAW YOUR SCORECARD.
713
00:37:34,948 --> 00:37:36,341
-LIMO'S WAITING.
714
00:37:37,864 --> 00:37:39,344
-YOU KNOW, SAMANTHA WAS RIGHT.
715
00:37:39,474 --> 00:37:41,302
YOU DID ALLOW YOURSELF
TO BE INFLUENCED,
716
00:37:41,433 --> 00:37:42,695
BY HER.
717
00:37:43,783 --> 00:37:46,133
TOO BAD, I'D BEEN
A LOT MORE FUN.
718
00:37:48,788 --> 00:37:50,137
-I DOUBT IT.
719
00:37:52,879 --> 00:37:55,273
-I COULD TELL YOU WERE
VERY TALENTED THE SECOND
720
00:37:55,403 --> 00:37:56,796
I LAID EYES ON YOU.
721
00:37:57,362 --> 00:37:59,668
-THANK YOU. I'LL
JUST BE FIVE MINUTES.
722
00:38:12,594 --> 00:38:14,248
-WHAT IS WRONG WITH YOU?
723
00:38:16,337 --> 00:38:18,600
-I DIDN'T VOTE FOR
HER AND SOMEBODY
724
00:38:18,731 --> 00:38:20,950
SHOWED HER MY SCORECARD.
725
00:38:21,081 --> 00:38:24,345
-OH, WELL THINK OF IT THIS WAY.
726
00:38:25,433 --> 00:38:28,567
AT LEAST NOW SHE'LL KNOW YOU
HAVE PRINCIPLES, AND INTEGRITY.
727
00:38:30,569 --> 00:38:31,526
-WAIT A MINUTE.
728
00:38:32,919 --> 00:38:34,660
IT WAS YOU, WASN'T IT?
729
00:38:34,790 --> 00:38:36,749
YOU KNOW, YOU ARE A SADIST.
730
00:38:37,706 --> 00:38:38,925
I CAN'T--
731
00:38:39,055 --> 00:38:40,013
-SAMANTHA: CAPTAIN
SADIST TO YOU.
732
00:38:40,143 --> 00:38:40,927
-HEY MITCH, HOW'S IT GOING?
733
00:38:41,057 --> 00:38:41,884
-WHAT'S IT LOOK LIKE?
734
00:38:43,016 --> 00:38:44,191
-WHAT'S UP WITH HIM?
735
00:38:46,106 --> 00:38:48,238
-CAPTAIN THOMAS,
CAPTAIN THOMAS?
736
00:38:49,675 --> 00:38:52,634
SO, HOW'D THE PAY-PER-VIEW GO?
737
00:38:52,765 --> 00:38:54,636
YOU THINK WE RAISED ENOUGH
TO FUND THE WINDJET?
738
00:38:57,291 --> 00:38:58,423
YES!
739
00:38:58,553 --> 00:39:02,601
-[UPBEAT ROCK MUSIC]
740
00:39:10,173 --> 00:39:11,914
-♪ GONNA RUN WILD
741
00:39:12,045 --> 00:39:13,916
♪ GONNA MAKE OUR ESCAPE
742
00:39:14,047 --> 00:39:17,355
♪ UNDERNEATH THE SUMMER SUN
743
00:39:17,964 --> 00:39:21,663
♪ CHASING DOWN A DREAM
DO WHATEVER IT TAKES ♪
744
00:39:21,794 --> 00:39:24,449
♪ ALL IN THE NAME OF FUN
745
00:39:26,451 --> 00:39:30,585
♪ AIN'T NOTHING GONNA
KEEP US ON DRY LAND ♪
746
00:39:31,151 --> 00:39:32,935
♪ UNDERSTAND?
747
00:39:33,849 --> 00:39:37,505
♪ I'M GONNA TAKE IT
HIGHER GONNA PLAY IT ♪
748
00:39:37,636 --> 00:39:40,987
♪ WAY BEYOND THE SAND
749
00:39:41,117 --> 00:39:44,904
♪ MAKE MY ESCAPE
AND RACE YOU TO THE BREAK ♪
750
00:39:45,034 --> 00:39:48,211
♪ CAUSE I'M WAY BEYOND THE SAND
751
00:39:48,342 --> 00:39:50,257
♪ WOO OOO
752
00:39:52,215 --> 00:39:55,958
♪ OH WOAH YEAH YEAH
753
00:39:56,089 --> 00:39:58,178
♪ WOO OOO
754
00:39:59,875 --> 00:40:03,618
♪ OH WOAH YEAH YEAH
755
00:40:28,556 --> 00:40:32,604
♪ AIN'T NOTHING GONNA KEEP US
ON DRY LAND ♪
756
00:40:33,256 --> 00:40:34,693
♪ UNDERSTAND?
757
00:40:35,824 --> 00:40:39,480
♪ I'M GONNA TAKE IT
HIGHER GONNA PLAY IT ♪
758
00:40:39,611 --> 00:40:42,352
♪ WAY BEYOND THE SAND
759
00:40:43,266 --> 00:40:46,748
♪ MAKE MY ESCAPE AND
RACE YOU TO THE BREAK ♪
760
00:40:46,879 --> 00:40:50,143
♪ CAUSE I'M WAY BEYOND THE SAND
761
00:40:50,273 --> 00:40:52,145
♪ WOO OOO
762
00:40:54,277 --> 00:40:58,194
♪ OH WOAH YEAH YEAH
763
00:40:58,325 --> 00:40:59,979
♪ WOO OOO
764
00:41:02,068 --> 00:41:05,724
♪ OH WOAH YEAH YEAH
765
00:41:15,603 --> 00:41:20,478
-[THEME MUSIC]
51673
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