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1
00:00:06,876 --> 00:00:09,313
[male announcer]
IN NEW YORK CITY'S
WAR ON CRIME,
2
00:00:09,313 --> 00:00:11,359
THE WORST CRIMINAL OFFENDERS
ARE PURSUED
3
00:00:11,359 --> 00:00:14,362
BY THE DETECTIVES
OF THE MAJOR CASE SQUAD.
4
00:00:14,362 --> 00:00:16,494
THESE ARE THEIR STORIES.
5
00:00:17,582 --> 00:00:20,063
MILES STONE.
HE CAN DO IT. TOTALLY.
6
00:00:20,063 --> 00:00:21,108
HE'S HOT.
7
00:00:21,108 --> 00:00:23,240
THE GUY IS A CHICK MAGNET.
8
00:00:23,240 --> 00:00:24,285
I'LL TELL YA SOMETHING.
9
00:00:24,285 --> 00:00:26,069
WHEN THEY DIG HIM
OUT OF THERE,
10
00:00:26,069 --> 00:00:27,679
WE ARE GONNA PAR-TAY.
11
00:00:27,679 --> 00:00:30,160
I'M GONNA BE HAPPY
WITH HIS OVERFLOW.
12
00:00:30,160 --> 00:00:32,336
♪ MILES STONE'S
THE NEXT HOUDINI ♪
13
00:00:32,336 --> 00:00:34,686
♪ WHEN HE ESCAPES,
I'LL BUY HIM A MARTINI ♪
14
00:00:34,686 --> 00:00:36,775
♪ MILES STONE LIES
SIX FEET UNDER ♪
15
00:00:36,775 --> 00:00:40,127
♪ HOW HE DOES IT
MAKES THIS COWBOY WONDER ♪
16
00:00:40,127 --> 00:00:42,172
[cheers and applause]
17
00:00:42,172 --> 00:00:43,391
[Shaun Robinson]
HARRY HOUDINI
18
00:00:43,391 --> 00:00:46,089
ONCE BURIED HIMSELF ALIVE
FOR 31 MINUTES.
19
00:00:46,089 --> 00:00:48,526
DAVID BLAINE A WEEK.
20
00:00:48,526 --> 00:00:52,748
MAGIC PHENOM MILES STONE
HAS BEEN BURIED ALIVE
21
00:00:52,748 --> 00:00:55,272
FOR 31 DAYS.
22
00:00:55,272 --> 00:00:57,100
AND TONIGHT IN THE SHADOW
23
00:00:57,100 --> 00:00:59,711
OF HARRY HOUDINI'S FINAL
RESTING PLACE,
24
00:00:59,711 --> 00:01:02,888
MILES STONE WILL ATTEMPT
TO RISE FROM THE GRAVE
25
00:01:02,888 --> 00:01:04,803
WHILE THE WORLD WATCHES.
26
00:01:04,803 --> 00:01:07,589
[cheers and applause]
27
00:01:14,248 --> 00:01:15,597
CUT TO THE CASKET.
28
00:01:23,257 --> 00:01:26,216
[circus music]
29
00:01:26,216 --> 00:01:29,828
♪
30
00:01:29,828 --> 00:01:33,267
WE'RE ON, AMANDA.
31
00:01:33,267 --> 00:01:34,442
MIRANDA.
32
00:01:34,442 --> 00:01:37,271
AMANDA. MIRANDA.
33
00:01:37,271 --> 00:01:38,881
WHICHEVER.
34
00:01:44,278 --> 00:01:46,497
THIS IS WHAT MILES STONE
TOLD ACCESS HOLLYWOOD
35
00:01:46,497 --> 00:01:48,238
EXCLUSIVELY BEFORE EMBARKING
36
00:01:48,238 --> 00:01:52,155
ON HIS LATEST VISIONARY
CHALLENGE 31 DAYS AGO.
37
00:01:52,155 --> 00:01:54,157
I'VE GONE BEYOND TRICKS.
38
00:01:54,157 --> 00:01:57,813
I'M TAKING MY MIND AND MY BODY
TO THE ABSOLUTE LIMIT.
39
00:01:57,813 --> 00:02:00,598
MAGIC AS WE KNOW IT
IS DYING.
40
00:02:00,598 --> 00:02:03,775
AND I'M WILLING TO RISK
MY LIFE TO REVIVE IT.
41
00:02:03,775 --> 00:02:06,169
THE PUBLIC DOESN'T WANT
CHEAP TRICKS
42
00:02:06,169 --> 00:02:07,605
AND ILLUSIONS ANYMORE.
43
00:02:07,605 --> 00:02:09,738
IT WANTS REALITY.
44
00:02:09,738 --> 00:02:12,175
TRY GIVING THEM THAT
WITH A TOP HAT, A RABBIT,
45
00:02:12,175 --> 00:02:15,135
AND A DECK OF CARDS.
46
00:02:17,267 --> 00:02:20,227
THERE, SIR.
IS THAT YOUR CARD?
47
00:02:21,750 --> 00:02:24,579
[scattered applause]
48
00:02:24,579 --> 00:02:27,799
THANK YOU. THANK YOU.
49
00:02:27,799 --> 00:02:30,367
YOU ALL COME IN THE SAME CAB?
50
00:02:32,369 --> 00:02:34,328
KIDDING.
51
00:02:34,328 --> 00:02:38,332
NOW I'M GOING TO ATTEMPT
SOMETHING SO DANGEROUS
52
00:02:38,332 --> 00:02:40,247
IT'S BEEN BANNED
IN 39 STATES
53
00:02:40,247 --> 00:02:43,337
AND THE DISTRICT
OF COLUMBIA.
54
00:02:43,337 --> 00:02:48,429
ALL OF YOU FAINT OF HEART,
YOU'VE BEEN WARNED.
55
00:02:49,386 --> 00:02:54,304
CLEARLY, MIRANDA
HAS GROWN TOO BIG
56
00:02:54,304 --> 00:02:56,263
FOR HER SEQUINED BRITCHES.
57
00:02:56,263 --> 00:02:59,875
HIGH TIME I CUT HER DOWN
A SIZE
58
00:02:59,875 --> 00:03:03,835
WITH THESE RAZOR SHARP,
59
00:03:03,835 --> 00:03:05,489
HAND FORGED,
60
00:03:05,489 --> 00:03:08,536
CARBON STEEL
SAMURAI SWORDS!
61
00:03:19,068 --> 00:03:20,330
[gasps and exclamations]
62
00:03:20,330 --> 00:03:21,331
SOMETHING'S WRONG.
63
00:03:21,331 --> 00:03:22,506
DIG HIM UP!
64
00:03:22,506 --> 00:03:23,855
MILES SAID
"UNDER NO CIRCUMSTANCES."
65
00:03:23,855 --> 00:03:26,249
KILL THE FEED!
GET MILES OUT OF THERE NOW!
66
00:03:26,249 --> 00:03:27,685
MOVE!
67
00:03:31,036 --> 00:03:34,388
DON'T WORRY, LADIES
AND GENTLEMEN.
68
00:03:34,388 --> 00:03:37,652
THIS WON'T HURT...
69
00:03:37,652 --> 00:03:38,827
MUCH.
70
00:03:38,827 --> 00:03:40,394
[Jacob]
COME ON, DIG HIM UP!
71
00:03:40,394 --> 00:03:42,352
GET THESE CAMERAS
OUT OF HERE!
72
00:03:42,352 --> 00:03:44,485
COME ON!
DIG HIM UP! MOVE!
73
00:03:51,753 --> 00:03:52,884
[grunts]
74
00:03:54,408 --> 00:03:55,452
[grunts]
75
00:04:05,070 --> 00:04:07,421
WHERE IS HE?
76
00:04:07,421 --> 00:04:08,857
WHERE'S MILES STONE?
77
00:04:18,736 --> 00:04:22,349
OH, MY LORD.
OH, MY...
78
00:04:26,004 --> 00:04:28,006
MILES.
79
00:05:16,272 --> 00:05:18,535
[woman]
THE GREAT CARMINE
SAVED HIS BEST TRICK FOR LAST.
80
00:05:18,535 --> 00:05:20,145
CARMINE CLOSES THE LID,
DOES THE SWORDS,
81
00:05:20,145 --> 00:05:22,626
OPENS THE BOX,
AND PRESTO.
82
00:05:22,626 --> 00:05:23,888
MILES STONE.
83
00:05:23,888 --> 00:05:26,021
AT 9:45,
HIS LOVELY ASSISTANT
84
00:05:26,021 --> 00:05:29,241
CLIMBED INTO THIS.
85
00:05:29,241 --> 00:05:32,462
THIS IS A, UH,
A-A-A BLADE BOX.
86
00:05:32,462 --> 00:05:33,463
IT'S--IT'S A-A CLASSIC.
87
00:05:33,463 --> 00:05:34,551
YOU KNOW,
OLD SCHOOL MAGICIANS,
88
00:05:34,551 --> 00:05:35,857
THEY ALL HAVE THIS
IN THEIR REPERTOIRE.
89
00:05:35,857 --> 00:05:38,294
MY UNCLE USED TO TAKE ME
TO TANNEN'S MAGIC SHOP.
90
00:05:38,294 --> 00:05:40,122
CARMINE
AND HIS ASSISTANT.
91
00:05:40,122 --> 00:05:41,776
HE'S IN HIS DRESSING ROOM.
92
00:05:41,776 --> 00:05:43,168
MIRANDA--NO LAST NAME--
93
00:05:43,168 --> 00:05:44,300
FLED THE SCENE.
94
00:05:44,300 --> 00:05:45,954
YOU GET STATEMENTS
FROM THE AUDIENCE?
95
00:05:45,954 --> 00:05:47,216
ALL SIX OF 'EM.
96
00:05:47,216 --> 00:05:49,044
THEY ONLY SAW
WHAT THEY WERE SUPPOSED TO SEE.
97
00:05:49,044 --> 00:05:51,568
RIGOR IS JUST
SETTING IN.
98
00:05:51,568 --> 00:05:53,091
THIS GUY'S EMACIATED.
99
00:05:53,091 --> 00:05:54,266
WELL, HE'S BEEN ON A DIET,
100
00:05:54,266 --> 00:05:55,485
LOCKED IN A CASKET
FOR A MONTH.
101
00:05:55,485 --> 00:05:56,660
EVEN SO,
102
00:05:56,660 --> 00:05:57,705
SEVEN STAB WOUNDS,
103
00:05:57,705 --> 00:06:00,272
THERE'D BE MORE BLOOD.
104
00:06:00,272 --> 00:06:02,187
MM. WELL, THIS ISN'T
105
00:06:02,187 --> 00:06:04,538
A TYPICAL BLADE BOX.
106
00:06:04,538 --> 00:06:06,148
IT'S A, UH, MODIFIED
107
00:06:06,148 --> 00:06:07,323
MUMMY CABINET.
108
00:06:07,323 --> 00:06:09,543
SEE, WHAT--WHAT--
THERE SHOULD BE A MUMMY
109
00:06:09,543 --> 00:06:11,283
WHERE STONE IS NOW.
110
00:06:11,283 --> 00:06:13,851
THE SYSTEM
CLOSES THE DOOR.
111
00:06:13,851 --> 00:06:16,158
NOW I--I--INSIDE,
112
00:06:16,158 --> 00:06:17,246
THERE'S A...
113
00:06:17,246 --> 00:06:19,727
SPINNING CABINET HERE
LIKE THIS
114
00:06:19,727 --> 00:06:21,816
TO TRADE PLACES
115
00:06:21,816 --> 00:06:23,818
WITH THE MUMMY.
116
00:06:23,818 --> 00:06:25,167
AND SHE SHOULD SHOW UP
117
00:06:25,167 --> 00:06:26,516
IN THE BACK OF THE HOUSE.
118
00:06:30,259 --> 00:06:33,305
SO THIS EXPLAINS
HOW SHE GOT OUT
119
00:06:33,305 --> 00:06:36,874
AND HOW STONE GOT IN,
OR HOW SOMEONE PUT HIM IN.
120
00:06:36,874 --> 00:06:38,267
WHERE'D THE ASSISTANT GO?
121
00:06:38,267 --> 00:06:40,225
OH, BACKSTAGE,
THERE'S A FIRE EXIT.
122
00:06:40,225 --> 00:06:43,228
OH, YOU'RE RUINING
THE ILLUSION.
123
00:06:43,228 --> 00:06:45,883
PLEASE CALL ME
AS SOON AS YOU CAN.
124
00:06:45,883 --> 00:06:49,234
SOMETHING WENT WRONG.
IT WAS AWFUL.
125
00:06:49,234 --> 00:06:52,281
I DIDN'T EVEN KNOW
HER LAST NAME.
126
00:06:52,281 --> 00:06:54,326
YOU ALWAYS
HIRE STRANGERS?
127
00:06:56,024 --> 00:06:58,548
LAST MONTH,
OUT OF THE BLUE,
128
00:06:58,548 --> 00:06:59,636
MY GIRL MERCEDES
129
00:06:59,636 --> 00:07:01,943
QUIT ON ME.
130
00:07:01,943 --> 00:07:03,248
BEEN WITH ME FOR YEARS.
131
00:07:03,248 --> 00:07:04,989
IN WALKS THIS NEW KID.
132
00:07:04,989 --> 00:07:06,991
COSTUME FITS.
133
00:07:06,991 --> 00:07:08,645
SHE HAS EXPERIENCE.
134
00:07:08,645 --> 00:07:09,820
I HIRED HER.
135
00:07:09,820 --> 00:07:11,605
WELL, HOW'D YOU FIND HER?
136
00:07:11,605 --> 00:07:12,910
CRAIGSLIST?
137
00:07:12,910 --> 00:07:14,869
WHO'S CRAIG?
138
00:07:14,869 --> 00:07:18,568
I PUT THE WORD OUT.
SHE FOUND ME.
139
00:07:20,352 --> 00:07:23,268
I DIDN'T MEAN
TO KILL MILES.
140
00:07:24,922 --> 00:07:28,056
WHEN THE SWORDS GO IN,
THAT BOX SHOULD BE EMPTY.
141
00:07:28,056 --> 00:07:33,104
SO SOMEONE WANTS US TO BELIEVE
YOU WANTED STONE DEAD.
142
00:07:33,104 --> 00:07:35,759
COME ON.
143
00:07:35,759 --> 00:07:39,371
HE USED TO SWEEP MY STAGE.
144
00:07:39,371 --> 00:07:42,679
I TAUGHT HIM
TWISTING ACES.
145
00:07:42,679 --> 00:07:44,681
I GAVE HIM HIS START.
146
00:07:44,681 --> 00:07:47,641
HE'S A STAR NOW.
147
00:07:47,641 --> 00:07:49,599
BESIDES, I'M PRACTICALLY
THE ONLY GUY IN THE BUSINESS
148
00:07:49,599 --> 00:07:50,687
WHO STILL LIKES HIM.
149
00:07:50,687 --> 00:07:52,428
HOW'S THAT?
150
00:07:52,428 --> 00:07:54,822
HE'S GOT NO RESPECT.
151
00:07:54,822 --> 00:07:58,608
MAKES HIMSELF OUT TO BE...
152
00:07:58,608 --> 00:08:00,915
BETTER THAN THE TRADITION.
153
00:08:00,915 --> 00:08:02,003
TRADITION.
154
00:08:02,003 --> 00:08:03,831
DOES THAT INCLUDE...
155
00:08:03,831 --> 00:08:06,921
GETTING DRUNK
BEFORE YOU GO ONSTAGE?
156
00:08:06,921 --> 00:08:08,749
I MEAN,
NOT EVEN THAT ONION
157
00:08:08,749 --> 00:08:12,404
COULD KEEP THE SMELL
OF VODKA OFF YA.
158
00:08:12,404 --> 00:08:15,190
JUST ENOUGH TO LOOSEN UP
THE OLD CORDS.
159
00:08:22,153 --> 00:08:26,636
[cell phone rings]
160
00:08:31,380 --> 00:08:32,816
"THE GREAT CARMINE,
161
00:08:32,816 --> 00:08:34,470
"THE MAN WHO TAUGHT
DEAN HOLIDAY, MILES STONE
162
00:08:34,470 --> 00:08:35,776
EVERYTHING THEY KNOW."
163
00:08:35,776 --> 00:08:37,125
MM, THE GREAT CARMINE.
164
00:08:37,125 --> 00:08:38,692
LET HIM DRY OUT
IN HOLDING.
165
00:08:38,692 --> 00:08:42,130
WE GOT ANOTHER STOPTO MAKE.
166
00:08:42,130 --> 00:08:45,481
THE GRAVE'S BEEN FILLED IN
BEFORE ANYONE CALLED THE COPS?
167
00:08:45,481 --> 00:08:46,961
PEOPLE THOUGHT STONE'S
VANISHING ACT
168
00:08:46,961 --> 00:08:48,440
WAS PART OF THE SHOW.
169
00:08:48,440 --> 00:08:49,833
BY THE TIME WE GOT HERE,
170
00:08:49,833 --> 00:08:52,140
THE CASKET WAS ALREADY LOADED
IN THE HEARSE.
171
00:08:55,056 --> 00:08:57,319
DOESN'T SMELL LIKE ANYONE'S
BEEN LIVING IN THIS THING
172
00:08:57,319 --> 00:08:58,668
FOR A MONTH.
173
00:09:01,018 --> 00:09:02,716
GOTTA BE A-A-A TRAP DOOR SOMEWHERE.
174
00:09:02,716 --> 00:09:05,240
MM. WHEN MY PARTNER'S
DONE PLAYING,
175
00:09:05,240 --> 00:09:06,894
SEND THIS OVER
TO THE TRAP SPECIALIST
176
00:09:06,894 --> 00:09:08,722
AT THE GARAGE.
177
00:09:08,722 --> 00:09:09,679
[casket thuds]
WHO'S IN CHARGE?
178
00:09:09,679 --> 00:09:13,509
GUY NAMED JACOB GREEN.
179
00:09:13,509 --> 00:09:16,381
OF COURSE HE WAS SUPPOSED
TO BE IN THE CASKET
180
00:09:16,381 --> 00:09:17,905
WHEN IT OPENED.
181
00:09:17,905 --> 00:09:19,515
I CAN'T EXPLAIN
HOW THIS HAPPENED.
182
00:09:19,515 --> 00:09:21,691
CAN'T OR WON'T?
183
00:09:21,691 --> 00:09:24,433
WELL, I-I THINK
MR. GREEN FEELS
184
00:09:24,433 --> 00:09:27,741
HE HAS TO PROTECT
MILES STONE'S SECRETS.
185
00:09:27,741 --> 00:09:31,527
YOU KNOW, I-I RESPECT THAT.
186
00:09:31,527 --> 00:09:34,312
BUT THIS IS
A MURDER INVESTIGATION.
187
00:09:34,312 --> 00:09:37,141
I ONLY KNOW
WHAT EVERYONE KNOWS.
188
00:09:37,141 --> 00:09:38,534
MILES WAS BURIED
IN THAT CASKET
189
00:09:38,534 --> 00:09:40,362
WITH NOTHING
BUT A BREATHING TUBE,
190
00:09:40,362 --> 00:09:42,407
A CATHETER,
AND AN IV FOR FLUIDS.
191
00:09:42,407 --> 00:09:45,106
AND A WEB CAM
STREAMING A LIVE FEED.
192
00:09:45,106 --> 00:09:47,195
LAST NIGHT WAS THE MOMENT
HE DREAMED OF.
193
00:09:47,195 --> 00:09:48,544
HE'D DONE IT.
194
00:09:48,544 --> 00:09:51,416
SOUNDS MORE LIKE SELF TORTURE
THAN A MAGIC TRICK.
195
00:09:51,416 --> 00:09:54,419
HE CALLED IT THE NEW MAGIC.
196
00:09:54,419 --> 00:09:56,770
TRAINED LIKE A TRIATHLETE.MM.
197
00:09:56,770 --> 00:09:58,554
WHAT ABOUT THE RED ALERT?
198
00:09:58,554 --> 00:10:00,338
THE VITAL SIGNS CRASHING.
199
00:10:00,338 --> 00:10:02,732
THAT BIG RUSH
TO PRY HIM OUT.
200
00:10:02,732 --> 00:10:07,084
THAT WAS PREPLANNED
201
00:10:07,084 --> 00:10:08,520
FOR THE FINALE.
202
00:10:08,520 --> 00:10:10,044
MILES LIKED DRAMA.
203
00:10:10,044 --> 00:10:13,221
HOW DID HE KEEP TRACK
OF TIME UNDERGROUND?
204
00:10:13,221 --> 00:10:16,485
PURE MIND OVER MATTER.
205
00:10:16,485 --> 00:10:19,793
HE WAS A SUPERMAN.
206
00:10:19,793 --> 00:10:21,142
I STILL THINK WHEN I GET HOME
207
00:10:21,142 --> 00:10:25,276
I'LL FIND HIM IN MY KITCHEN
DRINKING MY LAST BEER.
208
00:10:29,106 --> 00:10:31,326
[woman]
WHERE IS HE?
WHERE'S MILES STONE?
209
00:10:31,326 --> 00:10:34,851
[Ross] MAGICIANS ARE LIKE DOCTORS
AND PRIESTS NOW?
210
00:10:34,851 --> 00:10:36,070
JACOB GREEN THINKS
HE CAN CLAIM
211
00:10:36,070 --> 00:10:38,768
SOME KIND OF MAGICIAN'S
PRIVILEGE?
212
00:10:38,768 --> 00:10:40,161
THAT'S THEIR CODE.
213
00:10:40,161 --> 00:10:44,252
YOU KNOW, YOU CAN'T TELL ANYONE
HOW A TRICK WORKS.
214
00:10:44,252 --> 00:10:46,994
AND CARMINE
ISN'T TALKING EITHER.
215
00:10:46,994 --> 00:10:49,823
WELL, HE'S STILL
SLEEPING IT OFF.
216
00:10:49,823 --> 00:10:51,520
ANYWAY, THAT TRICK
IS TOO SOPHISTICATED
217
00:10:51,520 --> 00:10:53,043
FOR AN OLD DRUNK.
218
00:10:53,043 --> 00:10:55,350
OKAY, HOW ABOUT
THE MISSING ASSISTANT?
219
00:10:55,350 --> 00:10:57,918
SHE WAS BACKSTAGE
PUTTING ON HER SEQUINS BY 9:00.
220
00:10:57,918 --> 00:10:59,571
MILES STONE HAD TO HAVE BEEN
ON HIS WAY
221
00:10:59,571 --> 00:11:01,051
TO CONEY ISLAND BY THEN.
222
00:11:01,051 --> 00:11:03,401
OUT OF HIS CASKET
AND INTO A BLADE BOX
223
00:11:03,401 --> 00:11:05,142
WITHOUT ANYONE SEEING
HOW IT WAS DONE.
224
00:11:08,406 --> 00:11:12,280
YOU HAVE A THEORY,
DETECTIVE?
225
00:11:12,280 --> 00:11:15,587
I-I'D TELL YA,
BUT, YOU KNOW...
226
00:11:15,587 --> 00:11:17,938
THE CODE.
227
00:11:17,938 --> 00:11:20,288
[woman]
I'VE DONE THOUSANDS
OF AUTOPSIES.
228
00:11:20,288 --> 00:11:22,116
NEVER SEEN BOWELS
THIS EMPTY.
229
00:11:22,116 --> 00:11:24,292
THAT AND HIS MUSCLE TONE,
230
00:11:24,292 --> 00:11:27,121
LOOKS LIKE HE'S BEEN
IN A BOX FOR A MONTH.
231
00:11:27,121 --> 00:11:29,601
WELL, HE WAS ON AN IV
FOR NOURISHMENT.
232
00:11:29,601 --> 00:11:33,257
BARE MINIMUM.
JUST ENOUGH TO KEEP HIM ALIVE.
233
00:11:33,257 --> 00:11:35,390
IS THAT WHY HE DIDN'T BLEED MUCH
WHEN HE WAS STABBED?
234
00:11:35,390 --> 00:11:37,261
NO. IF HIS HEART WAS PUMPING,
HE'DA GUSHED
235
00:11:37,261 --> 00:11:39,089
NO MATTER HOW EMACIATED
HE WAS.
236
00:11:39,089 --> 00:11:40,917
SO WHAT KILLED HIM?
237
00:11:40,917 --> 00:11:42,223
HEART ATTACK.
238
00:11:42,223 --> 00:11:43,485
AN ARRHYTHMIA
BROUGHT ON
239
00:11:43,485 --> 00:11:45,356
BY PROLONGED,
ACUTE MALNUTRITION.
240
00:11:45,356 --> 00:11:47,358
HE STARVED HIMSELF
TO DEATH.
241
00:11:49,099 --> 00:11:50,971
[Goren]
THEN WHY WASN'T HE
242
00:11:50,971 --> 00:11:53,190
IN THE CASKET
WHEN THEY OPENED IT?
243
00:11:54,931 --> 00:11:58,239
CARMINE WILL BE RELIEVED
TO HEAR THAT THE GUY HE STABBED
244
00:11:58,239 --> 00:11:59,675
WAS ALREADY DEAD.
245
00:11:59,675 --> 00:12:00,937
[door opens]
246
00:12:03,200 --> 00:12:05,159
OFFICER,
WHERE'S THE OLD MAN?
247
00:12:05,159 --> 00:12:07,117
HE'S BEEN IN HERE ALL...
248
00:12:07,117 --> 00:12:09,641
I DON'T UNDERS...
249
00:12:09,641 --> 00:12:11,339
HE COULDN'T HAVE JUST...
250
00:12:11,339 --> 00:12:13,210
DISAPPEARED.
251
00:12:17,388 --> 00:12:19,303
WELL, HE IS THE,
YOU KNOW, GREAT CARMINE.
252
00:12:19,303 --> 00:12:22,350
YEAH, I GUESS
WE UNDERESTIMATED HIM.
253
00:12:24,613 --> 00:12:25,614
TELL US WHAT HAPPENED,
OFFICER JONES.
254
00:12:25,614 --> 00:12:28,008
THE OLD MAN ASKED
FOR SOME COFFEE.
255
00:12:28,008 --> 00:12:29,139
SO YOU BROUGHT HIM A CUP.
256
00:12:29,139 --> 00:12:31,185
HANDED IT TO HIM
THROUGH THE BARS.
257
00:12:31,185 --> 00:12:33,927
WAS HIS, UH, HAND STEADY?
258
00:12:33,927 --> 00:12:35,450
HE HAD THE DTs.
259
00:12:35,450 --> 00:12:37,191
SPILLED COFFEE
ALL OVER HIMSELF AND ME.
260
00:12:37,191 --> 00:12:38,714
SO IT WAS,
LIKE, SHAKY?SURE.
261
00:12:38,714 --> 00:12:39,715
THAT'S WHAT I WAS SAYING.
262
00:12:39,715 --> 00:12:41,325
HEY!THAT'S MY FAULT.
263
00:12:41,325 --> 00:12:42,674
THAT'S MY FAULT.
I'M VERY SORRY.
264
00:12:42,674 --> 00:12:43,763
HERE.
I GOT IT.
265
00:12:43,763 --> 00:12:45,590
NO, LET ME--
LET ME JUST HELP YOU OUT.
266
00:12:45,590 --> 00:12:47,462
YOU WANT TO DO IT?
FINE.
267
00:12:47,462 --> 00:12:49,333
IT'S--I'M--I'M SORRY.
268
00:12:49,333 --> 00:12:50,595
AND THEN YOU HELP HIM,
269
00:12:50,595 --> 00:12:52,989
YOU KNOW, HELPED HIM
WIPE IT UP, I GUESS.
270
00:12:52,989 --> 00:12:54,512
YEAH.
271
00:12:59,996 --> 00:13:02,390
HERE.
272
00:13:02,390 --> 00:13:04,435
YOU KNOW, IT'S THE CLASSIC
MISDIRECT, RIGHT?
273
00:13:04,435 --> 00:13:06,394
THAT'S WHY MAGICIANS
HAVE PRETTY GIRLS WITH THEM
274
00:13:06,394 --> 00:13:10,528
BECAUSE YOU'RE LOOKIN'
AT THE GIRL INSTEAD OF...
275
00:13:10,528 --> 00:13:11,703
[Ross]
SPEAKING OF PRETTY GIRLS,
276
00:13:11,703 --> 00:13:13,183
WHEN YOU FIND CARMINE,
277
00:13:13,183 --> 00:13:17,274
SEE WHAT HE KNOWS
ABOUT HIS MYSTERIOUS ASSISTANT.
278
00:13:17,274 --> 00:13:22,149
...AND OFFICER JONES,
279
00:13:22,149 --> 00:13:23,715
YOU AND I AREN'T DONE YET.
280
00:13:23,715 --> 00:13:27,763
CLOTHES. CARDS. HANDKERCHIEFS.
281
00:13:27,763 --> 00:13:30,635
EVERYTHING A MAGICIAN
MIGHT NEED.
282
00:13:30,635 --> 00:13:32,507
LOOKS LIKE CARMINE
WAS GETTING READY
283
00:13:32,507 --> 00:13:35,336
TO TAKE HIS ACT
ON THE ROAD.
284
00:13:41,821 --> 00:13:43,300
[laughs]
285
00:13:43,300 --> 00:13:44,519
THIS IS A-A-A DOLLHOUSE.
286
00:13:44,519 --> 00:13:45,650
A-A ILLUSION.
287
00:13:45,650 --> 00:13:47,043
I WANTED ONE OF THESE
WHEN I WAS A KID.
288
00:13:47,043 --> 00:13:49,480
LOOK AT THIS.
289
00:13:50,568 --> 00:13:52,135
[cane snaps]
290
00:13:52,135 --> 00:13:55,138
[cane smacks sides]
291
00:14:12,721 --> 00:14:14,766
CAN'T TAKE ME BACK
TO JAIL AGAIN.
292
00:14:14,766 --> 00:14:16,681
I SWEAR,
I DIDN'T KILL MILES.
293
00:14:16,681 --> 00:14:18,509
YEAH, W--W--WE KNOW.
294
00:14:18,509 --> 00:14:21,730
SO I'M FREE TO GO.
295
00:14:21,730 --> 00:14:25,429
I-I GOTTA GIG IN ELKO.
296
00:14:25,429 --> 00:14:26,517
NEED TO CATCH A BUS.
297
00:14:26,517 --> 00:14:27,562
NOT UNTIL YOU TELL US
298
00:14:27,562 --> 00:14:30,086
HOW HIS BODY GOT
INTO YOUR BLADE BOX.
299
00:14:30,086 --> 00:14:31,609
I GOT NO IDEA.
300
00:14:31,609 --> 00:14:33,133
YOUR ASSISTANT
MIGHT KNOW.
301
00:14:33,133 --> 00:14:36,310
OH, THAT'S RIGHT.
YOU DON'T KNOW WHO SHE IS.
302
00:14:36,310 --> 00:14:38,312
SHE WORKED
FOR DEAN HOLIDAY.
303
00:14:38,312 --> 00:14:40,096
THAT WAS GOOD ENOUGH
FOR ME.
304
00:14:40,096 --> 00:14:43,360
DID YOU CALL HOLIDAY,
YOU KNOW, CHECK IT OUT?
305
00:14:43,360 --> 00:14:45,536
WHY? SHE KNEW HIS ACT.
306
00:14:45,536 --> 00:14:47,538
INSIDE STUFF.
307
00:14:47,538 --> 00:14:49,366
I'DA KNOWN IF SHE WASN'T
ON THE SQUARE.
308
00:14:49,366 --> 00:14:51,891
NO LAST NAME.
NO PHONE NUMBER.
309
00:14:51,891 --> 00:14:53,196
YOU DID PAY HER, RIGHT?
310
00:14:53,196 --> 00:14:56,547
UNDER THE TABLE,
SAME AS ME.
311
00:14:56,547 --> 00:14:57,722
WE GOOD?
312
00:14:57,722 --> 00:14:59,028
SORRY.
313
00:14:59,028 --> 00:15:01,074
WE HAVE TO CHARGE YOU
FOR YOUR GREAT ESCAPE.
314
00:15:03,293 --> 00:15:06,383
UH, WELL, MAYBE THERE'S
315
00:15:06,383 --> 00:15:07,645
A LITTLE SOMETHING MORE
316
00:15:07,645 --> 00:15:09,734
I CAN, UH,
317
00:15:09,734 --> 00:15:12,302
GIVE YOU TO, UH,
318
00:15:12,302 --> 00:15:13,782
IDENTIFY HER.
319
00:15:15,827 --> 00:15:19,744
A MAN HAS NEEDS.
320
00:15:19,744 --> 00:15:22,660
YOU KNOW THIS WOMAN?
GOES BY THE NAME OF MIRANDA.
321
00:15:22,660 --> 00:15:24,619
SHE WAS CARMINE'S
ASSISTANT.
322
00:15:24,619 --> 00:15:26,751
CARMINE'S STILL
A PEEPING TOM.
323
00:15:26,751 --> 00:15:28,579
HOLE IN DRESSING ROOM WALL?
324
00:15:28,579 --> 00:15:31,365
UH, NO. TEDDY BEAR
NANNY CAM.
325
00:15:31,365 --> 00:15:33,584
HMM. OLD BOY'S KEEPING UP
WITH THE TIMES.
326
00:15:33,584 --> 00:15:35,412
AND WHAT ABOUT
HIS ASSISTANT?
327
00:15:35,412 --> 00:15:38,415
MUST BE NEW.
328
00:15:38,415 --> 00:15:39,460
SHE WASN'T WITH HIM LAST YEAR
329
00:15:39,460 --> 00:15:40,940
WHEN HE CAME BACKSTAGE.
330
00:15:40,940 --> 00:15:42,202
[woman over P.A. system]
MR. HOLIDAY, TWO MINUTES.
331
00:15:42,202 --> 00:15:43,725
OH, BUT CARMINE SAID
HE HIRED HER
332
00:15:43,725 --> 00:15:44,769
BECAUSE SHE WORKED
WITH YOU.
333
00:15:44,769 --> 00:15:46,641
KNEW YOUR ACT.
334
00:15:46,641 --> 00:15:48,469
PROBABLY GOT IT OFF
THE INTERNET.
335
00:15:48,469 --> 00:15:49,774
YOU'D BE AMAZED
HOW MANY WEB SITES
336
00:15:49,774 --> 00:15:50,819
ARE DEVOTED TO ME.
337
00:15:50,819 --> 00:15:53,909
OH, I CAN'T WAIT
TO CHECK THEM OUT.
338
00:15:53,909 --> 00:15:55,737
WELL, WHY NOT JUST STAY
FOR MY MIDNIGHT SHOW?
339
00:15:55,737 --> 00:15:57,695
ATLANTIC CITY IS HOPPIN'
AFTER DARK.
340
00:15:57,695 --> 00:15:59,697
SOME OTHER TIME, MAYBE.
341
00:15:59,697 --> 00:16:02,700
THIS GIRL.
SHE DUPED CARMINE.
342
00:16:02,700 --> 00:16:04,398
HE MAY NOT BE AS SHARP
AS HE USED TO BE.
343
00:16:04,398 --> 00:16:06,443
ALTHOUGH, I DID HEAR
HE ESCAPED RECENTLY
344
00:16:06,443 --> 00:16:08,619
FROM ONE POLICE PLAZA.
345
00:16:08,619 --> 00:16:11,622
IS HE REALLY A SUSPECT?
346
00:16:11,622 --> 00:16:13,624
YOU THINK
HE'S BEYOND THAT?
347
00:16:13,624 --> 00:16:16,279
CARMINE'S OLD SCHOOL. CATSKILLS.
348
00:16:16,279 --> 00:16:19,630
SULLIVAN SHOW. STONE'S ILLUSIONS
ARE WAY TOO ADVANCED FOR HIM.
349
00:16:19,630 --> 00:16:22,633
M.E. TOLD US, UM,
350
00:16:22,633 --> 00:16:24,418
STONE REALLY WAS
BURIED ALIVE.
351
00:16:24,418 --> 00:16:25,593
NO TRICK.
352
00:16:25,593 --> 00:16:26,768
BELIEVE ME, DETECTIVE.
353
00:16:26,768 --> 00:16:28,770
YOU ASK ANY TRUE MAGICIAN,
354
00:16:28,770 --> 00:16:32,687
THERE IS ALWAYS A TRICK.
355
00:16:32,687 --> 00:16:36,560
TOOK ME AWHILE TO FIGURE
THIS ONE OUT.
356
00:16:36,560 --> 00:16:38,998
ELECTROMAGNETIC STRIPS
HIDDEN IN THE HEAD PANEL
357
00:16:38,998 --> 00:16:41,304
AND EDGES OF THE CASKET.
358
00:16:41,304 --> 00:16:42,653
AS LONG AS THE JUICE
IS RUNNIN',
359
00:16:42,653 --> 00:16:45,656
THE MAGNETIC SEAL
WON'T BUDGE.
360
00:16:45,656 --> 00:16:47,267
WHERE'D THE CURRENT
COME FROM?
361
00:16:47,267 --> 00:16:48,659
CARBON BATTERY
362
00:16:48,659 --> 00:16:50,835
LIKE THIS STRIP.
363
00:16:50,835 --> 00:16:52,620
HIDDEN IN THE BASE
OF THE CASKET.
364
00:16:52,620 --> 00:16:54,491
LOOKS LIKE ORDINARY
BLACK TAPE.
365
00:16:54,491 --> 00:16:56,276
MM-HMM.
366
00:16:56,276 --> 00:16:59,844
SO HOW DID HE TURN IT OFF
TO OPEN THE TRAP?
367
00:16:59,844 --> 00:17:03,848
WITH A REMOTE
LIKE THIS ONE.
368
00:17:03,848 --> 00:17:06,851
NO LOCKS OR LATCHES.
369
00:17:06,851 --> 00:17:08,853
INGENIOUS.
370
00:17:08,853 --> 00:17:10,029
WELL,
INGENIOUS AS IT IS,
371
00:17:10,029 --> 00:17:12,509
STONE WAS STILL BURIED
SIX FEET UNDER.
372
00:17:12,509 --> 00:17:13,989
IT MAY BE A CLEVER WAY OUT.
373
00:17:13,989 --> 00:17:17,384
BUT OUT TO WHERE?
374
00:17:47,762 --> 00:17:50,373
HERE'S WHERE YOUR CEMETERY
TUNNEL ENDS.
375
00:17:50,373 --> 00:17:53,594
MAYBE 50 YARDS
FROM THE GRAVE.
376
00:17:53,594 --> 00:17:56,379
WELL, STONE WOULD HAVE HAD
TO CRAWL
377
00:17:56,379 --> 00:17:58,686
TO--TO GET HERE.
378
00:17:58,686 --> 00:18:02,733
BUT FROM HERE ON,
HE COULD'VE GONE ANYWHERE.
379
00:18:02,733 --> 00:18:07,477
WELL, THE SHAPE HE WAS IN,
HE COULDN'T HAVE GONE FAR.
380
00:18:14,702 --> 00:18:16,399
OH, IT'S CEMETERY DIRT.
381
00:18:16,399 --> 00:18:17,618
MM.
382
00:18:21,143 --> 00:18:23,798
LOT OF TRACKS.
TRACKS THAT WAY.
383
00:18:27,323 --> 00:18:29,282
[woman]
THIS ISN'T ABOUT MILES.
384
00:18:29,282 --> 00:18:31,806
IT'S ABOUT YOU TOO.
YOUR FUTURE. YOUR CAREER.
385
00:18:31,806 --> 00:18:33,112
MY CAREER?
386
00:18:33,112 --> 00:18:35,462
I'M FREAKING OUT HERE.
WHAT IF THEY FIND IT?
387
00:18:35,462 --> 00:18:38,769
THEY WON'T. WE'RE THE ONLY ONES
WHO KNOW WHERE IT IS.
388
00:18:38,769 --> 00:18:43,034
TERESA, YOU SWEAR
YOU NEVER TOLD ANYONE?
389
00:18:43,034 --> 00:18:45,994
HOW CAN YOU EVEN
ASK ME THAT?
390
00:18:51,913 --> 00:18:54,002
EAMES.
391
00:18:56,091 --> 00:18:57,397
WHERE COULD THAT GO?
392
00:19:12,368 --> 00:19:15,066
WELL, EASY IN, EASY OUT.
393
00:19:16,807 --> 00:19:18,461
[Eames]
AN OPEN CASKET.
394
00:19:18,461 --> 00:19:23,988
MATCHES THE ONE
IN THE CEMETERY.
395
00:19:23,988 --> 00:19:26,817
AND A WEB CAM.
396
00:19:26,817 --> 00:19:29,472
MILES STONE DIDN'T SPEND
31 DAYS IN THAT CEMETERY.
397
00:19:29,472 --> 00:19:32,519
HE SPENT IT IN HERE.
398
00:19:39,395 --> 00:19:40,788
WHY'D YOU BRING ME HERE?
WHAT IS THIS?
399
00:19:40,788 --> 00:19:43,182
YOU KNOW WHAT IT IS.
400
00:19:43,182 --> 00:19:45,880
THIS IS WHERE THE REAL WEB CAM
WAS SET UP.
401
00:19:45,880 --> 00:19:48,187
SO HIS FANS COULD WATCH HIM SUFFER
402
00:19:48,187 --> 00:19:50,406
FOR HIS VISION
DAY AND NIGHT.
403
00:19:50,406 --> 00:19:53,496
RIGHT...HERE.
404
00:19:57,500 --> 00:19:59,415
AND WHEN HE NEEDED
A BREAK,
405
00:19:59,415 --> 00:20:01,417
YOU SWITCHED TO THE PRE-RECORDED
VIDEO LOOP.
406
00:20:01,417 --> 00:20:03,071
IT WAS A SHAM.
407
00:20:03,071 --> 00:20:04,899
I DON'T KNOW ANYTHING
ABOUT THIS.
408
00:20:04,899 --> 00:20:06,292
[Goren]
YOU DON'T?
409
00:20:06,292 --> 00:20:07,902
BUT IT WAS
410
00:20:07,902 --> 00:20:10,383
YOUR DESIGN.
411
00:20:10,383 --> 00:20:12,036
THE TUNNEL
412
00:20:12,036 --> 00:20:14,517
AND THE ELECTROMAGNETIC TRAPS
413
00:20:14,517 --> 00:20:18,391
I MEAN, STONE COULDN'T HAVE COME
UP WITH THIS ON HIS OWN.
414
00:20:18,391 --> 00:20:20,958
HE DIDN'T HAVE
A HIGH SCHOOL EDUCATION.
415
00:20:20,958 --> 00:20:22,395
BUT YOU,
CALTECH AT 16.
416
00:20:22,395 --> 00:20:24,484
STRAIGHT "A"S
IN ENGINEERING.
417
00:20:24,484 --> 00:20:26,486
I'M TELLING YOU,
I WAS NEVER HERE.
418
00:20:26,486 --> 00:20:28,488
WE'RE GONNA FIND YOUR
FINGERPRINTS ON THIS CASKET
419
00:20:28,488 --> 00:20:30,446
AND YOUR DNA
ALL OVER THIS ROOM.
420
00:20:33,493 --> 00:20:36,278
OH.
421
00:20:36,278 --> 00:20:39,107
LOOK, I WAS JUST TRYING
TO PROTECT HIM.
422
00:20:39,107 --> 00:20:41,936
FROM WHAT?
HIMSELF.
423
00:20:41,936 --> 00:20:42,980
MILES STARTED TO BELIEVE
HIS OWN HYPE.
424
00:20:42,980 --> 00:20:45,287
HE WANTED TO BE BURIED
FOR REAL.
425
00:20:45,287 --> 00:20:47,985
I TOLD HIM I COULD MAKE IT
LOOK AND FEEL REAL
426
00:20:47,985 --> 00:20:49,160
WITH A LOT LESS RISK.
427
00:20:49,160 --> 00:20:50,466
WELL, I GUESS
YOU WERE WRONG.
428
00:20:50,466 --> 00:20:52,468
I HAD NOTHING
TO DO WITH HIS DEATH.
429
00:20:54,165 --> 00:20:55,428
YOU KNOW
I WAS AT THE CEMETERY.
430
00:20:55,428 --> 00:20:57,081
I WAS ON TV.YOU HAD AN ACCOMPLICE.
431
00:20:57,081 --> 00:20:58,953
WHO ELSE KNEW
ABOUT THIS PLACE?
432
00:20:58,953 --> 00:21:00,389
NO ONE.
433
00:21:00,389 --> 00:21:01,434
I HAD THE ONLY KEY.
434
00:21:02,652 --> 00:21:03,610
[Goren]
OH.
435
00:21:03,610 --> 00:21:04,959
WELL, THEN, I GUESS
436
00:21:04,959 --> 00:21:07,004
YOU'RE THE LAST ONE
TO SEE HIM ALIVE.
437
00:21:07,004 --> 00:21:09,311
BECAUSE I WAS KEEPING HIMALIVE.
438
00:21:09,311 --> 00:21:12,445
I CHANGED HIS IV BAGS,
I MADE SURE HE GOT EXERCISE,
439
00:21:12,445 --> 00:21:13,446
I PUT SALVE ON HIS SORES.
440
00:21:13,446 --> 00:21:14,664
OH, WE GET IT.
441
00:21:14,664 --> 00:21:16,187
YOU WERE A REGULAR
FLORENCE NIGHTINGALE.
442
00:21:16,187 --> 00:21:17,493
YOU KNOW
WHO THIS WOMAN IS?
443
00:21:17,493 --> 00:21:20,017
SHE GOES BY THE NAME
OF MIRANDA.
444
00:21:20,017 --> 00:21:21,236
SHE WAS CARMINE'S
ASSISTANT.
445
00:21:21,236 --> 00:21:22,977
I DON'T KNOW HER.SORRY.
446
00:21:22,977 --> 00:21:24,892
CAN I GO NOW?
447
00:21:24,892 --> 00:21:26,459
NOPE.
448
00:21:26,459 --> 00:21:28,199
WE'VE HAD ENOUGH
VANISHING ACTS LATELY.
449
00:21:28,199 --> 00:21:30,289
OFFICERS.
450
00:21:30,289 --> 00:21:31,681
YOU'RE ARRESTING ME?
451
00:21:31,681 --> 00:21:34,510
YUP. THAT'S WHAT HAPPENS
WHEN YOU LIE TO THE POLICE.
452
00:21:36,991 --> 00:21:40,995
SO, JACOB SAYS
THAT HE CHANGED
453
00:21:40,995 --> 00:21:43,389
STONE'S IV BAGS.
454
00:21:43,389 --> 00:21:45,129
STONE HAD A CENTRAL LINE INSERTED.
455
00:21:45,129 --> 00:21:48,916
THAT'S SOMETHING THAT--
THAT DOCTORS DO.
456
00:21:48,916 --> 00:21:52,572
THESE GLOVES,
THEY SEEM SMALL FOR A MAN.
457
00:21:52,572 --> 00:21:55,183
OUR MISSING ASSISTANT
458
00:21:55,183 --> 00:21:56,619
FIT INTO MERCEDES' COSTUMES.
459
00:21:56,619 --> 00:21:57,881
I BET SHE FIT
INTO THESE.
460
00:22:01,494 --> 00:22:03,147
SERIAL NUMBER. MM.
461
00:22:03,147 --> 00:22:04,366
THIS STUFF'S NOT MAIL ORDER.
462
00:22:04,366 --> 00:22:07,064
SHE MIGHT HAVE HAD
ACCESS TO A HOSPITAL.
463
00:22:07,064 --> 00:22:09,371
WELL, I MISSED IT
THE FIRST TIME.
464
00:22:09,371 --> 00:22:13,201
COLOR ME CHAGRINED.
465
00:22:13,201 --> 00:22:14,507
POTASSIUM CHLORIDE?
466
00:22:14,507 --> 00:22:16,160
YEAH, TRIGGERS
A HEART ATTACK.
467
00:22:16,160 --> 00:22:19,294
THERE WERE TRACES OF IT
IN THE IV BAGS
468
00:22:19,294 --> 00:22:21,383
AND AT THE INSERTION POINT
OF THE CENTRAL LINE.
469
00:22:21,383 --> 00:22:24,560
BUT IT'S HARD TO DETECT.
470
00:22:24,560 --> 00:22:26,606
IMPOSSIBLE,
ONCE IT'S IN THE BODY.
471
00:22:26,606 --> 00:22:29,304
PERFECT CHOICE
FOR AN ANGEL OF MERCY.
472
00:22:29,304 --> 00:22:32,394
WE TRACED THE IV BAGS
BACK TO THIS HOSPITAL.
473
00:22:32,394 --> 00:22:35,092
THIS IS A MUNICIPAL HOSPITAL.
474
00:22:35,092 --> 00:22:37,573
THINGS DISAPPEAR.
475
00:22:37,573 --> 00:22:38,531
AND THESE ARE ALL
THE FEMALE PHYSICIANS?
476
00:22:38,531 --> 00:22:39,575
MM-HMM.
477
00:22:39,575 --> 00:22:41,534
WHAT ABOUT THE NURSES?
478
00:22:41,534 --> 00:22:42,578
OH, YOU HAVE TO BE
AT LEAST A RESIDENT
479
00:22:42,578 --> 00:22:44,667
TO INSERT A CENTRAL LINE.
480
00:22:44,667 --> 00:22:45,668
WHAT A NURSE IS AUTHORIZED
TO DO
481
00:22:45,668 --> 00:22:46,582
AND WHAT A NURSE
IS CAPABLE OF
482
00:22:46,582 --> 00:22:47,670
ARE TWO DIFFERENT THINGS.
483
00:22:47,670 --> 00:22:51,544
WE HAVE OVER 800 NURSES
ON STAFF HERE.
484
00:22:51,544 --> 00:22:53,589
DO YOU WANT PHOTOS
OF EACH ONE?
485
00:22:55,461 --> 00:22:57,550
YEAH, START WITH THE UNITS
THAT SPECIALIZE
486
00:22:57,550 --> 00:23:00,422
IN LONG-TERM IV CARE.
487
00:23:09,475 --> 00:23:11,085
[knock at door]
488
00:23:13,304 --> 00:23:15,568
[Teresa]
IT SOUNDS LAME, I KNOW,
489
00:23:15,568 --> 00:23:19,746
BUT I JOINED THE SIDESHOW
TO GET JACOB'S ATTENTION.
490
00:23:19,746 --> 00:23:22,357
IT'S LIKE HE WAS ENGAGED
TO MILES, INSTEAD OF TO ME,
491
00:23:22,357 --> 00:23:23,576
THE AMOUNT OF TIME
THEY SPENT TOGETHER.
492
00:23:23,576 --> 00:23:25,752
OH, YOU AND JACOB
ARE ENGAGED?
493
00:23:25,752 --> 00:23:28,145
THEN HOW COME
494
00:23:28,145 --> 00:23:31,322
WHEN WE SHOWED HIM
YOUR PICTURE,
495
00:23:31,322 --> 00:23:34,021
HE SAID
HE DIDN'T KNOW YOU?
496
00:23:37,328 --> 00:23:39,635
PROBABLY WEIRDED OUT.
497
00:23:39,635 --> 00:23:43,073
HE HAD NO IDEA
I WAS WORKING FOR CARMINE.
498
00:23:43,073 --> 00:23:45,162
OH, WHY'D YOU KEEP THAT
A SECRET?
499
00:23:47,164 --> 00:23:49,036
I WAS GOING TO BRING JACOB
TO THE SHOW
500
00:23:49,036 --> 00:23:50,690
AND SURPRISE HIM
FOR HIS BIRTHDAY.
501
00:23:54,171 --> 00:23:57,653
AND HOW DID YOU HEAR
ABOUT THE JOB?
502
00:23:57,653 --> 00:24:01,657
WAS THAT, UM, CARMINE'S AD
OR HIS POST ON CRAIGSLIST?
503
00:24:04,355 --> 00:24:05,313
CRAIGSLIST.
504
00:24:05,313 --> 00:24:06,836
THAT'S IT.
505
00:24:06,836 --> 00:24:10,231
MM, WHY'D YOU DISAPPEAR
THE NIGHT CARMINE STABBED STONE?
506
00:24:12,102 --> 00:24:15,236
I PANICKED.
507
00:24:15,236 --> 00:24:17,717
SOMETHING WENT WRONG
WITH THE TRICK.
508
00:24:17,717 --> 00:24:19,632
I JUST FREAKED OUT
AND RAN.
509
00:24:19,632 --> 00:24:22,722
OH.
510
00:24:22,722 --> 00:24:24,027
I JUST--
511
00:24:24,027 --> 00:24:26,508
I, YOU KNOW,
I HAVE ONE MORE QUESTION.
512
00:24:26,508 --> 00:24:32,253
SO WHEN WAS THE LAST TIME
YOU WERE AT THE SAFE ROOM?
513
00:24:32,253 --> 00:24:34,168
BECAUSE WE FOUND
514
00:24:34,168 --> 00:24:36,170
YOUR PRINTS ON THESE.
515
00:24:36,170 --> 00:24:39,086
I WAS JUST THERE ONCE.
516
00:24:39,086 --> 00:24:40,653
I SWEAR.
517
00:24:40,653 --> 00:24:43,699
ALL I DID
WAS INSERT THE LINE.
518
00:24:43,699 --> 00:24:47,747
WE FOUND POTASSIUM CHLORIDE
519
00:24:47,747 --> 00:24:50,097
AT THE INSERTION POINT
520
00:24:50,097 --> 00:24:54,144
AND ON THE IV BAGS.
521
00:24:54,144 --> 00:24:56,625
DO YOU HAVE
A PROFESSIONAL OPINION
522
00:24:56,625 --> 00:24:58,409
ABOUT HOW THEY GOT THERE?
523
00:25:04,241 --> 00:25:07,070
DO I NEED A LAWYER?
524
00:25:09,595 --> 00:25:11,553
CARMINE DIDN'T POST
ON CRAIGSLIST.
525
00:25:11,553 --> 00:25:13,642
NO, BUT TERESA DID GET HER JOBIN TIME
526
00:25:13,642 --> 00:25:15,514
FOR STONE'S GRAND FINALE.
527
00:25:15,514 --> 00:25:17,559
WE LEFT CALLS
FOR HIS OLD ASSISTANT.
528
00:25:17,559 --> 00:25:19,866
IT'S TIME TO PAY HERA VISIT.
529
00:25:19,866 --> 00:25:21,520
SHE DIDN'T CALL YOU BACK
530
00:25:21,520 --> 00:25:23,696
BECAUSE MERCEDES DIDN'T TAKE
HER CELL PHONE WITH HER.
531
00:25:23,696 --> 00:25:24,697
WITH HER WHERE?
532
00:25:24,697 --> 00:25:26,829
MY SISTER WON A CONTEST.
533
00:25:26,829 --> 00:25:28,570
A CRUISE
AROUND THE WORLD.
534
00:25:28,570 --> 00:25:30,703
WOW.
SHE REALLY HIT THE JACKPOT.
535
00:25:30,703 --> 00:25:32,574
AH, IT WAS
A DREAM COME TRUE.
536
00:25:32,574 --> 00:25:34,097
SHE ALWAYS WANTED
TO TRAVEL.
537
00:25:34,097 --> 00:25:35,708
YOU KNOW
WHERE SHE IS NOW?
538
00:25:35,708 --> 00:25:40,756
UM, WELL, THE LAST POSTCARD
I GOT WAS A WEEK AGO.
539
00:25:43,454 --> 00:25:45,282
OH, CASABLANCA.
540
00:25:45,282 --> 00:25:47,894
YOU KNOW WHO SPONSORED
THIS CONTEST?
541
00:25:47,894 --> 00:25:49,852
SHE DIDN'T EVEN REMEMBER ENTERING.
542
00:25:49,852 --> 00:25:54,248
BUT SOMETIMES FATE WORKS
IN MYSTERIOUS WAYS.
543
00:25:54,248 --> 00:25:55,249
DOESN'T IT?
544
00:25:55,249 --> 00:25:57,294
THANK YOU.
545
00:25:59,819 --> 00:26:01,864
HER LIFELONG DREAM.
546
00:26:01,864 --> 00:26:03,300
SOMEONE MADE IT HAPPEN.
547
00:26:03,300 --> 00:26:06,695
MM, JUST LIKE MAGIC.
548
00:26:06,695 --> 00:26:09,872
I'M GETTING
SOMETHING ELSE.
549
00:26:09,872 --> 00:26:12,745
COLLEGE.
550
00:26:12,745 --> 00:26:15,399
FRESHMAN YEAR.
551
00:26:15,399 --> 00:26:17,750
A TATTOO PARLOR.
552
00:26:17,750 --> 00:26:21,797
BUT YOU CHICKENED OUT.
553
00:26:21,797 --> 00:26:23,799
MY FOLKS
WOULD HAVE KILLED ME.
554
00:26:23,799 --> 00:26:25,322
[laughter]
555
00:26:25,322 --> 00:26:27,542
YOU NEVER GOT
THAT TATTOO.
556
00:26:27,542 --> 00:26:28,630
RIGHT?
557
00:26:28,630 --> 00:26:31,633
THERE'S NO WAY
I COULD KNOW
558
00:26:31,633 --> 00:26:33,330
WHAT IT WAS.
559
00:26:33,330 --> 00:26:35,811
WELL, SHELLY, TELL ME.
560
00:26:35,811 --> 00:26:38,771
DOES THIS TAKE YOU BACK?
561
00:26:38,771 --> 00:26:39,772
NO WAY.
562
00:26:39,772 --> 00:26:41,382
THAT'S THE TATTOO
563
00:26:41,382 --> 00:26:42,731
I WANTED.
564
00:26:42,731 --> 00:26:44,820
BUT YOU'RE FORGETTING SOMETHING,
RIGHT?
565
00:26:44,820 --> 00:26:46,474
THE NAME
566
00:26:46,474 --> 00:26:51,653
OF AN OLD FLAME?
567
00:26:51,653 --> 00:26:53,263
OH, MY GOSH.
568
00:26:53,263 --> 00:26:54,613
THAT'S MY COLLEGE SWEETHEART.
569
00:26:54,613 --> 00:26:56,353
[cheers and applause]
570
00:26:56,353 --> 00:26:58,399
HOW DID YOU DO THAT?
571
00:26:58,399 --> 00:27:01,489
WELL, I WOULD TELL YOU,
BUT--
572
00:27:03,360 --> 00:27:05,580
I'D HAVE TO KILL YOU.
573
00:27:05,580 --> 00:27:06,886
[laughter]
574
00:27:06,886 --> 00:27:09,889
[cheers and applause]
575
00:27:24,991 --> 00:27:26,470
DETECTIVES.
576
00:27:26,470 --> 00:27:28,429
WE CAUGHT
THE END OF YOUR SHOW.
577
00:27:28,429 --> 00:27:29,604
YOUR STAGE MANAGER
578
00:27:29,604 --> 00:27:31,475
LET US IN.
579
00:27:31,475 --> 00:27:34,087
SHELLY, WHY DON'T YOU
AND YOUR FRIENDS GO DOWN
580
00:27:34,087 --> 00:27:35,828
AND HAVE A DRINKON ME,
581
00:27:35,828 --> 00:27:37,960
AND WE'LL DO THAT PHOTOGRAPH
A LITTLE LATER, ALL RIGHT?
582
00:27:37,960 --> 00:27:40,528
OKAY.
583
00:27:44,053 --> 00:27:46,490
YOU SHOULD HAVE CALLED.
584
00:27:46,490 --> 00:27:48,492
I WOULD HAVE COMPED YOU.
585
00:27:48,492 --> 00:27:49,537
HOW'D YOU LIKE MY ACT?
586
00:27:49,537 --> 00:27:51,800
IT WAS MAGICAL.
587
00:27:51,800 --> 00:27:53,410
[laughs]
588
00:27:53,410 --> 00:27:54,803
[Goren]
EAMES.
589
00:27:54,803 --> 00:27:56,152
LOOK, IT'S OUR FRIEND, ADELE.
590
00:27:56,152 --> 00:28:00,983
WITH THE GREAT CARMINE
AND HER SISTER MERCEDES.
591
00:28:00,983 --> 00:28:02,768
ONLY MET HER THE ONE TIME.
592
00:28:02,768 --> 00:28:04,595
DON'T REMEMBER THE NAME.
593
00:28:04,595 --> 00:28:05,988
[Goren]
SHE WAS CARMINE'S ASSISTANT.
594
00:28:05,988 --> 00:28:10,906
UNTIL SHE WON
AN AROUND-THE-WORLD CRUISE.
595
00:28:10,906 --> 00:28:13,126
ONLY WE CHECKED
WITH THE CRUISE LINE.
596
00:28:13,126 --> 00:28:14,736
SHE DIDN'T WIN
ANY CONTEST.
597
00:28:14,736 --> 00:28:17,826
TURNS OUT SOMEONE HERE
IN ATLANTIC CITY
598
00:28:17,826 --> 00:28:20,089
WIRED CASH
TO BUY HER A TICKET.
599
00:28:20,089 --> 00:28:22,613
A LOT OF HIGH ROLLERS
IN THIS TOWN.
600
00:28:22,613 --> 00:28:23,614
[Goren]
YEAH.
601
00:28:23,614 --> 00:28:25,834
WELL, SOMEHOW,
ONE OF THEM KNEW
602
00:28:25,834 --> 00:28:27,749
THAT HER DREAM
WAS TO SEE THE WORLD.
603
00:28:27,749 --> 00:28:30,534
YOU KNOW,
LIKE HE READ HER MIND,
604
00:28:30,534 --> 00:28:31,971
MUCH LIKE YOU JUST DID ONSTAGE.
605
00:28:31,971 --> 00:28:34,451
YOU KNOW,
ONSTAGE WITH THAT GIRL.
606
00:28:34,451 --> 00:28:36,889
OH, YOU THINK THAT'S
WHAT I WAS DOING TONIGHT?
607
00:28:36,889 --> 00:28:38,064
WHAT WOULD YOU CALL IT?
608
00:28:38,064 --> 00:28:39,587
[clears throat]
609
00:28:39,587 --> 00:28:41,502
HOLD ON.
610
00:28:41,502 --> 00:28:46,768
I-I THINK I'M GETTING
SOMETHING HERE.
611
00:28:46,768 --> 00:28:48,770
I THINK
612
00:28:48,770 --> 00:28:51,207
THERE ARE
SOME UNRESOLVED ISSUES
613
00:28:51,207 --> 00:28:55,037
WITH A MAN
IN YOUR LIFE.
614
00:28:55,037 --> 00:28:56,473
SOME TRUST ISSUES.
615
00:28:56,473 --> 00:29:00,869
HE'S BETRAYED YOU,
HASN'T HE?
616
00:29:00,869 --> 00:29:03,002
KEPT A SECRET
FROM YOU.
617
00:29:03,002 --> 00:29:04,525
NOT FOR THE FIRST TIME.
618
00:29:04,525 --> 00:29:09,530
POOR THING.
619
00:29:09,530 --> 00:29:10,836
HOW'S MY AIM?
PRETTY CLOSE?
620
00:29:10,836 --> 00:29:13,577
WELL, GOOD CHANCE GUESSES,
621
00:29:13,577 --> 00:29:15,841
THEY USUALLY ARE.
622
00:29:15,841 --> 00:29:17,799
ANYWAY, THAT'S THE TRICK
OF A COLD READ.
623
00:29:17,799 --> 00:29:19,932
PSYCHICS, CHARLATANS
USE IT ALL THE TIME,
624
00:29:19,932 --> 00:29:21,760
YOU KNOW,
TO CON THEIR CLIENTS.
625
00:29:21,760 --> 00:29:22,891
[Eames]
OR AN AUDIENCE.
626
00:29:22,891 --> 00:29:26,852
WELL, SO DO CRIMINAL PROFILERS.
627
00:29:26,852 --> 00:29:28,854
BIGGEST FRAUDS OF ALL.
628
00:29:28,854 --> 00:29:31,770
WHAT'S THE NAME
OF THAT SHRINK
629
00:29:31,770 --> 00:29:34,816
WHO HELPED CATCH
THE MAD BOMBER BACK IN THE '50s?
630
00:29:34,816 --> 00:29:35,991
JAMES BRUSSELS.
631
00:29:35,991 --> 00:29:37,079
RIGHT, NOW HE SAID
632
00:29:37,079 --> 00:29:38,994
THAT THE BOMBER
WOULD BE GERMAN,
633
00:29:38,994 --> 00:29:41,910
A LONER WITH A FACIAL SCAR--
634
00:29:41,910 --> 00:29:43,607
[Goren]
YEAH, METICULOUSLY DRESSED
635
00:29:43,607 --> 00:29:44,957
IN A DOUBLE-BREASTED SUIT.
636
00:29:44,957 --> 00:29:47,524
RIGHT, AND...
637
00:29:47,524 --> 00:29:49,831
WHEN HE WAS ARRESTED,
HE WAS WEARING JUST THAT.
638
00:29:49,831 --> 00:29:51,224
BUT HE WASN'T GERMAN.
639
00:29:51,224 --> 00:29:53,922
RIGHT, AND HE HAD NO SCAR,
BUT--
640
00:29:53,922 --> 00:29:56,055
BRUSSELS DIDN'T GET IT
ALL RIGHT,
641
00:29:56,055 --> 00:29:59,014
BUT HE DID GET ENOUGH RIGHT
TO STOP A MADMAN.
642
00:29:59,014 --> 00:30:00,015
OH, COME ON.
643
00:30:00,015 --> 00:30:03,584
BRUSSELS WAS WAY OFF
HIS READ.
644
00:30:03,584 --> 00:30:04,890
HE'S JUST ANOTHER CARNY
TENT HUSTLER
645
00:30:04,890 --> 00:30:06,805
WHO GOT OVER.
646
00:30:06,805 --> 00:30:07,849
OH, I'M SORRY.
647
00:30:07,849 --> 00:30:09,068
YOU CONSIDER HIM TO BE
THE FATHER
648
00:30:09,068 --> 00:30:10,199
OF CRIMINAL PROFILING,
DON'T YOU?
649
00:30:10,199 --> 00:30:11,984
[scoffs]
THIS GUY--YEAH, AND YOU,
650
00:30:11,984 --> 00:30:15,030
YOU LEAVE YOUR EYES OPEN
651
00:30:15,030 --> 00:30:16,989
WHEN YOU DO A READ.
652
00:30:16,989 --> 00:30:17,990
I MEAN,
653
00:30:17,990 --> 00:30:19,121
THAT'S YOUR TELL--
654
00:30:19,121 --> 00:30:20,166
THERE'S TWO KIND OF PSYCHICS:
655
00:30:20,166 --> 00:30:21,994
THE KIND THAT SHUT THEIR EYES,
656
00:30:21,994 --> 00:30:23,647
WHO TRULY BELIEVE
THAT THEY HAVE A GIFT,
657
00:30:23,647 --> 00:30:25,519
AND THEN THE ONES THAT LEAVE
THEIR EYES OPEN LIKE YOU,
658
00:30:25,519 --> 00:30:28,609
WHO KNOW
THAT THEY'RE A CON.
659
00:30:28,609 --> 00:30:31,655
WELL, I TOLD YOU,
THERE'S ALWAYS A TRICK.
660
00:30:31,655 --> 00:30:34,136
I ADMIT
I'M A FRAUD.
661
00:30:34,136 --> 00:30:36,704
HOW ABOUT YOU?
662
00:30:38,924 --> 00:30:41,840
ACTUALLY, WE WERE WONDERING
IF YOU WERE A MURDERER.
663
00:30:41,840 --> 00:30:44,233
NOW THERE YOU GO.
664
00:30:44,233 --> 00:30:46,932
THAT IS A GOOD CHANCE GUESS.
665
00:30:48,194 --> 00:30:49,195
BUT YOU MISSED.
666
00:30:51,240 --> 00:30:53,199
WANNA TRY ANOTHER?
667
00:30:53,199 --> 00:30:55,723
[Goren]
WE KNOW THAT MERCEDES
668
00:30:55,723 --> 00:30:58,030
WENT BACKSTAGE
AFTER HOLIDAY'S SHOW.
669
00:30:58,030 --> 00:30:59,858
WHERE HE READ
HER MIND.
670
00:30:59,858 --> 00:31:01,729
I BELIEVE YOU,
BUT DO WE HAVE ANY PROOF
671
00:31:01,729 --> 00:31:02,773
HOLIDAY PAID
FOR HER CRUISE TICKET?
672
00:31:02,773 --> 00:31:04,732
NO TRACE
IN HIS FINANCIALS,
673
00:31:04,732 --> 00:31:05,864
BUT IT WOULDN'T BE HARD
FOR HIM TO HIDE
674
00:31:05,864 --> 00:31:06,995
100,000 IN CASH.
675
00:31:06,995 --> 00:31:08,257
HE MAKES THAT MUCH MONEY?
676
00:31:08,257 --> 00:31:09,650
YUP.
677
00:31:09,650 --> 00:31:11,260
NOTHING COMPARED TO STONE.
678
00:31:11,260 --> 00:31:13,306
THIS IS STONE'S LATEST DEAL
WITH NBC.
679
00:31:13,306 --> 00:31:15,569
NINE MILLION
OVER THREE YEARS.
680
00:31:15,569 --> 00:31:17,005
MM-HMM,
HOLIDAY HAD A SIMILAR DEAL,
681
00:31:17,005 --> 00:31:19,007
BUT THEY DROPPED HIM
WHEN THEY SIGNED STONE.
682
00:31:19,007 --> 00:31:21,618
SO WHERE WAS HE
THE NIGHT STONE DIED?
683
00:31:21,618 --> 00:31:24,970
AT THE CASINO
FOR HIS MIDNIGHT SHOW.
684
00:31:24,970 --> 00:31:27,015
ACCORDING TO HIS KEYCARD,
685
00:31:27,015 --> 00:31:29,104
HE WAS IN HIS ROOM
ALL EVENING.
686
00:31:29,104 --> 00:31:31,150
GUY MADE
THE SPACE NEEDLE DISAPPEAR.
687
00:31:31,150 --> 00:31:32,934
I'M SURE HE CAN MAKE IT
LOOK LIKE HE WAS IN HIS ROOM
688
00:31:32,934 --> 00:31:36,590
WHEN HE WASN'T.
689
00:31:38,113 --> 00:31:40,028
TERESA'S LAWYER'S HERE.
690
00:31:40,028 --> 00:31:42,944
MAYBE SHE'S READY
TO DEAL.
691
00:31:42,944 --> 00:31:45,599
A FEW WEEKS AGO,
I WAS WALKING HOME FROM WORK
692
00:31:45,599 --> 00:31:47,775
AND I HEAR SOMEONE CALLMY NAME.
693
00:31:47,775 --> 00:31:49,298
DEAN HOLIDAY,
IN A LIMO.
694
00:31:49,298 --> 00:31:52,693
HE JUST HAPPENED
TO BE CRUISING BY THE HOSPITAL?
695
00:31:52,693 --> 00:31:54,869
WHAT'D HE WANT?
696
00:31:54,869 --> 00:31:56,915
WE JUST TALKED.
697
00:31:56,915 --> 00:31:59,047
ABOUT THE CEMETERY STUNT?
698
00:31:59,047 --> 00:32:01,049
HE COULDN'T GET OVER IT.
699
00:32:01,049 --> 00:32:04,792
HE KEPT SAYING
HOW BRILLIANT JACOB WAS.
700
00:32:04,792 --> 00:32:08,796
HOW MILES WAS JUST THE FACE,
BUT JACOB HAD THE REAL TALENT.
701
00:32:08,796 --> 00:32:11,146
HE ASK YOU
HOW THE TRICK WORKED?
702
00:32:11,146 --> 00:32:12,756
I DIDN'T TELL HIM.
703
00:32:12,756 --> 00:32:13,801
I SWEAR.
704
00:32:13,801 --> 00:32:16,021
HE TALKED
LIKE HE ALREADY KNEW.
705
00:32:16,021 --> 00:32:19,067
HE SAID,
"THERE HAS TO BE A TUNNEL."
706
00:32:19,067 --> 00:32:20,634
I SAID,
"I DON'T KNOW."
707
00:32:20,634 --> 00:32:24,072
AND HE SAID,
"I THOUGHT SO."
708
00:32:24,072 --> 00:32:26,074
WELL, HE WAS READING YOU.
709
00:32:26,074 --> 00:32:27,075
YOUR REACTIONS.
710
00:32:30,296 --> 00:32:31,819
I DIDN'T MEAN
TO GIVE IT AWAY.
711
00:32:31,819 --> 00:32:34,126
YOU PROUD OF JACOB?
712
00:32:36,215 --> 00:32:39,087
HE DOESN'T KNOW
HOW GOOD HE IS.
713
00:32:39,087 --> 00:32:41,350
AND AFTER YOU TOLD
HOLIDAY THAT,
714
00:32:41,350 --> 00:32:46,007
DID HE OFFER
TO MAKE JACOB A STAR?
715
00:32:48,053 --> 00:32:49,010
HE SAID
HE COULD HELP.
716
00:32:49,010 --> 00:32:50,969
IN EXCHANGE
717
00:32:50,969 --> 00:32:54,755
FOR PUTTING POTASSIUM CHLORIDE
IN STONE'S IV?
718
00:32:54,755 --> 00:32:58,193
NO.
NO, I SWEAR.
719
00:33:00,456 --> 00:33:01,631
ALL HE SAID WAS
720
00:33:01,631 --> 00:33:04,678
THAT HIS FRIEND CARMINE NEEDED
AN ASSISTANT
721
00:33:04,678 --> 00:33:06,767
FOR A FEW WEEKS.
722
00:33:06,767 --> 00:33:08,682
THAT'S ALL HE WANTED?
723
00:33:14,209 --> 00:33:15,994
JACOB CANNOT KNOW.
724
00:33:15,994 --> 00:33:18,039
OKAY?
725
00:33:18,039 --> 00:33:20,128
THREE NIGHTS,
I SLEPT ON THE COUCH,
726
00:33:20,128 --> 00:33:24,045
WORRIED THAT HE WOULD SMELL
HOLIDAY'S COLOGNE ON ME.
727
00:33:24,045 --> 00:33:26,917
I'VE TOLD YOU
EVERYTHING I KNOW.
728
00:33:26,917 --> 00:33:30,312
JUST PLEASE
DON'T TELL JACOB.
729
00:33:30,312 --> 00:33:32,488
SHE TOLD HOLIDAY
ABOUT THE SAFE ROOM?
730
00:33:32,488 --> 00:33:34,055
NO WAY.
731
00:33:34,055 --> 00:33:35,100
SHE WOULD NEVER BETRAY ME.
732
00:33:35,100 --> 00:33:36,231
NO?
733
00:33:36,231 --> 00:33:37,145
THEN WHY WAS SHE WORKING
FOR CARMINE
734
00:33:37,145 --> 00:33:38,146
WITHOUT TELLING YOU?
735
00:33:38,146 --> 00:33:40,844
I DON'T KNOW.
736
00:33:40,844 --> 00:33:43,151
WANNA GUESS
WHO GOT HER THE JOB?
737
00:33:43,151 --> 00:33:46,807
TERESA WOULD NEVER HURT MILESOR ME.
738
00:33:48,200 --> 00:33:52,160
JACOB, ONLY YOU AND TERESA
KNEW ABOUT THE SAFE ROOM.
739
00:33:52,160 --> 00:33:55,294
AND YOU THINK THAT SHE WOULD
NEVER TELL HOLIDAY.
740
00:34:00,125 --> 00:34:03,389
THEN HOW DID STONE'S BODY
END UP IN CONEY ISLAND?
741
00:34:14,878 --> 00:34:16,228
JACOB.
742
00:34:19,361 --> 00:34:22,408
JACOB, PLEASE.
743
00:34:22,408 --> 00:34:25,846
SAY SOMETHING.
744
00:34:36,117 --> 00:34:38,119
WELL, I DON'T THINK
HE'S GONNA FORGIVE HER,
745
00:34:38,119 --> 00:34:40,991
BUT HE WOULDN'T TURN
ON HER.
746
00:34:40,991 --> 00:34:42,428
YOU'RE BUYING
THEIR LITTLE SOAP OPERA?
747
00:34:42,428 --> 00:34:44,299
I THINK THEY MIGHT HAVE HELPED
KILL STONE.
748
00:34:44,299 --> 00:34:46,258
I JUST DON'T THINK
THAT THEY KNEW.
749
00:34:49,217 --> 00:34:51,263
[footsteps]
750
00:34:51,263 --> 00:34:55,571
THIS IS THE LAST LOOP
THAT STONE PRE-RECORDED.
751
00:34:55,571 --> 00:34:57,225
IT WAS SWITCHED ON
752
00:34:57,225 --> 00:34:58,618
WITH AN HOUR TO GO.
753
00:34:58,618 --> 00:35:00,272
IT GIVES HIM TIME
TO GET FROM THE SAFE ROOM
754
00:35:00,272 --> 00:35:01,925
TO THE UNDERGROUND CASKET.
755
00:35:01,925 --> 00:35:03,927
MM-HMM.
LOOK AT HIS BREATHING.
756
00:35:03,927 --> 00:35:07,105
[Eames]
HE'S BARELY BREATHING.
757
00:35:07,105 --> 00:35:08,932
THIS ONE--
758
00:35:08,932 --> 00:35:11,021
IT'S AN HOUR EARLIER.
759
00:35:11,021 --> 00:35:14,112
THE LIVE FEED
FROM THE SAFE ROOM.
760
00:35:14,112 --> 00:35:17,506
HE'S NOT BREATHINGAT ALL.
761
00:35:19,639 --> 00:35:23,121
OH, PLEASE.
PLEASE, I'VE DONE NOTHING.
762
00:35:23,121 --> 00:35:24,948
AH!
DON'T!
763
00:35:24,948 --> 00:35:26,254
[grunt]
764
00:35:26,254 --> 00:35:28,256
[applause]
765
00:35:28,256 --> 00:35:31,129
THAT'S--
766
00:35:31,129 --> 00:35:32,347
THAT WAS GREAT.
767
00:35:32,347 --> 00:35:34,436
[laughing]
REALLY.
768
00:35:34,436 --> 00:35:35,959
OH, DEAN, GO AHEAD.
769
00:35:35,959 --> 00:35:37,047
I'M SORRY.
YOU CAN DO YOUR BOW THING.
770
00:35:39,311 --> 00:35:40,268
I USED TO HAVE
ONE OF THESE WHEN I WAS A KID.
771
00:35:40,268 --> 00:35:41,487
I DID, REALLY. HONESTLY.
772
00:35:41,487 --> 00:35:43,445
MINE WAS 11 FOOT.
773
00:35:43,445 --> 00:35:45,230
BUT, YOU KNOW,
A LITTLE DIFFERENT THAN THIS.
774
00:35:45,230 --> 00:35:46,492
MINE WAS A DOUBLE BLADE.
775
00:35:46,492 --> 00:35:49,277
THIS IS, A, UM, ER,
A BODY SWITCH, RIGHT?
776
00:35:49,277 --> 00:35:51,584
SOMETHING LIKE THAT. YEAH.
777
00:35:51,584 --> 00:35:52,933
YOU CAN TAKE OFF.
778
00:35:52,933 --> 00:35:54,108
THIS IS REALLY COOL, THOUGH.
IT REALLY IS.
779
00:35:54,108 --> 00:35:55,544
YOU KNOW, I MEAN,
IT'S ALL PRETTY SIMPLE.
780
00:35:55,544 --> 00:35:58,243
YOU KNOW.
IT'S ALL JUST FAKE LEGS,
781
00:35:58,243 --> 00:35:59,461
TRAPDOORS...
782
00:35:59,461 --> 00:36:01,289
PLEASE DON'T TOUCH THAT.
783
00:36:01,289 --> 00:36:02,334
[laughing]
784
00:36:02,334 --> 00:36:04,205
I MEAN, IT ALL JUST SEEMS
SO OBVIOUS
785
00:36:04,205 --> 00:36:07,165
WHEN YOU FINALLY KNOW
WHAT THE SECRET IS.
786
00:36:07,165 --> 00:36:08,209
IT'S JUST, LIKE,
RIGHT IN FRONT OF YOUR FACE
787
00:36:08,209 --> 00:36:10,342
THE WHOLE TIME.
788
00:36:10,342 --> 00:36:13,345
YEAH, IT'S MISDIRECTION.
789
00:36:14,520 --> 00:36:15,521
YEAH, MISDIRECTION.
790
00:36:15,521 --> 00:36:18,176
YEAH, WE ARRESTED
STONE'S KILLERS.
791
00:36:18,176 --> 00:36:20,917
JACOB GREEN
792
00:36:20,917 --> 00:36:22,005
AND HIS FIANCEE.
793
00:36:22,005 --> 00:36:25,879
SHE'S A, UH, BURN UNIT NURSE.
794
00:36:25,879 --> 00:36:27,010
UH, TERESA.
795
00:36:27,010 --> 00:36:28,490
REALLY?
796
00:36:28,490 --> 00:36:31,493
I-I-I KNOW
HOW THIS TRICK WORKS.
797
00:36:31,493 --> 00:36:33,060
DID THEY CONFESS?
798
00:36:33,060 --> 00:36:37,064
NO, BUT THEY POISONED HIM
THROUGH HIS IV.
799
00:36:37,064 --> 00:36:38,196
THEIR PRINTS WERE
ALL OVER THE SAFE ROOM.
800
00:36:38,196 --> 00:36:39,327
PLEASE, ONE TIME.
801
00:36:39,327 --> 00:36:42,112
OH, THAT'S HOW THEY DID IT.
802
00:36:42,112 --> 00:36:45,246
THE BURIED ALIVE GAG,
I MEAN.
803
00:36:45,246 --> 00:36:47,292
A SAFE ROOM.
804
00:36:47,292 --> 00:36:48,336
WELL, KILLING HIM
WAS THE EASY PART.
805
00:36:48,336 --> 00:36:50,033
HE WAS A SITTING DUCK.
806
00:36:50,033 --> 00:36:52,210
[Goren]
BUT THE THEATRICS,
807
00:36:52,210 --> 00:36:55,038
THE SPECTACULAR--
I KNOW HOW TO DO THIS.
808
00:36:55,038 --> 00:36:56,431
I CAN--WATCH.
809
00:36:57,954 --> 00:37:00,348
YOU KNOW, THE THING WE CAN'T
FIGURE OUT IS HOW
810
00:37:00,348 --> 00:37:03,046
JACOB PULLED OFF THE SWITCH.
811
00:37:03,046 --> 00:37:04,265
[gasps]
812
00:37:04,265 --> 00:37:05,440
ISN'T THAT GREAT?
LOOK.
813
00:37:05,440 --> 00:37:06,702
[Goren laughs]
814
00:37:06,702 --> 00:37:09,270
SORRY.
815
00:37:09,270 --> 00:37:12,404
WELL, DIDN'T YOU SAY
HIS FIANCEE WAS INVOLVED?
816
00:37:12,404 --> 00:37:16,016
OH, SHE WAS ONSTAGE
WITH CARMINE
817
00:37:16,016 --> 00:37:17,670
WHEN STONE'S BODY
MUST HAVE BEEN MOVED,
818
00:37:17,670 --> 00:37:20,281
AND JACOB WAS
AT THE GRAVESITE.
819
00:37:20,281 --> 00:37:21,369
THIS.THANKS.
820
00:37:21,369 --> 00:37:24,372
SO, ALL HE NEEDED
WAS A STAGEHAND
821
00:37:24,372 --> 00:37:26,374
TO MOVE THE BODY
FROM THE SAFE ROOM
822
00:37:26,374 --> 00:37:27,549
TO CONEY ISLAND.
823
00:37:27,549 --> 00:37:29,247
BUT NOT JUST ANYONE.
824
00:37:29,247 --> 00:37:31,379
I MEAN, YOU CAN'T GIVE
AN OUTSIDER THE ACE TO PALM.
825
00:37:31,379 --> 00:37:33,338
I MEAN, IT HAD TO BE
ANOTHER MAGICIAN,
826
00:37:33,338 --> 00:37:35,078
SOMEONE AS GOOD
AS STONE.
827
00:37:35,078 --> 00:37:38,081
LOOK, YOU KNOW,
FOR AWHILE,
828
00:37:38,081 --> 00:37:39,518
I THOUGHT IT WAS YOU.
829
00:37:39,518 --> 00:37:41,955
YOU KNOW,
'CAUSE YOU FIT THE PROFILE.
830
00:37:41,955 --> 00:37:44,392
FOR WHATEVER IT'S WORTH,
AND ACCORDING TO YOU,
831
00:37:44,392 --> 00:37:45,567
NOT MUCH, BUT--[scoffs]
832
00:37:45,567 --> 00:37:47,395
STILL, IT'S ALWAYS FLATTERING
833
00:37:47,395 --> 00:37:49,484
WHEN PEOPLE THINK
YOU'RE SMARTER THAN YOU ARE.
834
00:37:49,484 --> 00:37:50,572
OR MORE VAIN.
835
00:37:50,572 --> 00:37:53,575
DIDN'T YOU USED TO HAVE
A NETWORK DEAL
836
00:37:53,575 --> 00:37:56,622
BEFORE THEY DROPPED YOU
IN FAVOR OF STONE?
837
00:37:56,622 --> 00:38:00,365
HOW MANY MILLIONS OF PEOPLE
SAW HIM ON TV THAT NIGHT?
838
00:38:00,365 --> 00:38:01,714
[Goren]
15.
839
00:38:01,714 --> 00:38:04,586
PERFECT OPPORTUNITY
TO SHOW MILLIONS OF PEOPLE
840
00:38:04,586 --> 00:38:07,154
THAT STONE WASN'T
THE REAL DEAL.
841
00:38:07,154 --> 00:38:09,330
WELL, ALL DUE RESPECT,
HE WASN'T.
842
00:38:09,330 --> 00:38:10,505
[Goren]
NOT LIKE YOU.
843
00:38:10,505 --> 00:38:12,464
I MEAN, I THOUGHT
THAT YOU KILLED HIM
844
00:38:12,464 --> 00:38:13,465
BECAUSE HE ECLIPSED YOU.
845
00:38:13,465 --> 00:38:15,118
[scoffs]
846
00:38:15,118 --> 00:38:16,424
THAT'S A PATHETIC PORTRAIT.
847
00:38:16,424 --> 00:38:18,339
[Goren]
AND IT'S WAY TOO SIMPLE.
848
00:38:18,339 --> 00:38:22,517
I REALIZED WHEN I WAS WATCHING
STONE'S WEB CAM FEED
849
00:38:22,517 --> 00:38:24,476
THAT FOR ALMOST AN HOUR,
850
00:38:24,476 --> 00:38:27,348
HIS CHEST STOPPED MOVING.
851
00:38:27,348 --> 00:38:28,523
MM, HIS FANS WERE WATCHING
A DEAD MAN
852
00:38:28,523 --> 00:38:29,698
AND DIDN'T EVEN KNOW IT.
853
00:38:29,698 --> 00:38:31,526
[Goren]
THE KILLER WAS BRAZEN ENOUGH
854
00:38:31,526 --> 00:38:33,572
TO KILL STONE IN FRONT
OF MILLIONS OF WITNESSES.
855
00:38:33,572 --> 00:38:35,791
IT TOOK REAL PASSION.
856
00:38:35,791 --> 00:38:39,447
THAT'S WHEN WE KNEW
IT COULDN'T HAVE BEEN YOU.
857
00:38:39,447 --> 00:38:42,363
YOU HAVE SOME ANGER,
DON'T YOU, DETECTIVE?
858
00:38:42,363 --> 00:38:43,364
IS IT THE BETRAYAL?
859
00:38:43,364 --> 00:38:45,279
WELL, WHAT ABOUT YOURS?
860
00:38:45,279 --> 00:38:47,368
YOU KNOW,
861
00:38:47,368 --> 00:38:49,370
YOUR BETRAYAL
862
00:38:49,370 --> 00:38:50,719
OF YOUR ART.
863
00:38:50,719 --> 00:38:53,461
WE SAW YOUR SHOW,
864
00:38:53,461 --> 00:38:55,463
AND YOU KNOW...
865
00:38:55,463 --> 00:38:56,725
YOU'RE PHONING IT IN.
866
00:38:56,725 --> 00:38:59,162
TEN YEARS AGO,
867
00:38:59,162 --> 00:39:00,599
YOU WOULD HAVE HAD
THE AUDACITY,
868
00:39:00,599 --> 00:39:01,600
BUT NOW, NO CHANCE.
869
00:39:01,600 --> 00:39:05,343
WHAT ABOUT YOU,
DETECTIVE?
870
00:39:05,343 --> 00:39:07,301
LOST A STEP OR TWO
OVER THE YEARS,
871
00:39:07,301 --> 00:39:08,650
OR DO YOU STILL THINK YOU CAN
PULL OFF THE BIG SOLVE
872
00:39:08,650 --> 00:39:10,304
WHEN YOU NEED TO?
873
00:39:10,304 --> 00:39:12,132
[Eames]
OH, BUT HE SOLVED THIS ONE.
874
00:39:12,132 --> 00:39:16,049
JACOB WAS THE JEALOUS,
UNSUNG GENIUS
875
00:39:16,049 --> 00:39:17,529
WHO PULLED OFF
THE GREATEST TRICK
876
00:39:17,529 --> 00:39:20,706
OF ALL TIME, LIVE,
WHILE THE NATION WAS WATCHING.
877
00:39:20,706 --> 00:39:22,055
I THOUGHT YOU SAID
878
00:39:22,055 --> 00:39:23,491
YOU STILL DIDN'T KNOW
HOW HE DID IT.
879
00:39:23,491 --> 00:39:26,320
NO, WE DON'T,
BUT HE'LL PROBABLY END UP
880
00:39:26,320 --> 00:39:27,495
PLEADING OUT.
881
00:39:27,495 --> 00:39:28,627
YOU WANNA KNOW
THE IRONY OF THE THING?
882
00:39:28,627 --> 00:39:30,324
IF YOU INSIST.
883
00:39:30,324 --> 00:39:31,499
THAT JACOB ENGINEERED
884
00:39:31,499 --> 00:39:32,805
THE WHOLE TRICK
JUST TO SHOW THE WORLD
885
00:39:32,805 --> 00:39:35,242
THAT STONE WASN'T
WHAT THEY THOUGHT HE WAS.
886
00:39:35,242 --> 00:39:37,505
YEAH,
AND SINCE HE WON'T CONFESS,
887
00:39:37,505 --> 00:39:39,768
STONE'S DEATH
IS STILL A MYSTERY.
888
00:39:39,768 --> 00:39:41,335
RIGHT, HE'LL PROBABLY
END UP BEING
889
00:39:41,335 --> 00:39:44,599
A BIGGER LEGEND THAN,
I DON'T KNOW, LIKE, HOUDINI.
890
00:39:44,599 --> 00:39:47,341
[Eames]
AND JACOB,
THE ONLY PERSON
891
00:39:47,341 --> 00:39:48,647
WHO KNOWS THE SECRET,
892
00:39:48,647 --> 00:39:51,127
WON'T REVEAL IT.
893
00:39:53,869 --> 00:39:55,480
[laughs]
894
00:39:57,743 --> 00:40:02,530
JACOB IS...UH, NOT A GENIUS;
HE'S A GEEK.
895
00:40:02,530 --> 00:40:03,749
THE TUNNEL,
THE SAFE ROOM,
896
00:40:03,749 --> 00:40:05,620
THEY'RE ALL VERY WORKMAN-LIKE,
897
00:40:05,620 --> 00:40:07,535
BUT NO VISION.
898
00:40:07,535 --> 00:40:09,537
NO, NOT LIKE STONE,
899
00:40:09,537 --> 00:40:11,670
WHO, I THINK, YOU KNOW,
HE TRANSCENDS MAGIC.
900
00:40:11,670 --> 00:40:13,411
MM-HMM.
901
00:40:13,411 --> 00:40:15,761
STONE WAS AN OVERPAID,
OVERINDULGED LITTLE PUNK.
902
00:40:18,285 --> 00:40:20,722
BUT HE HAD NERVE,
YOU GOTTA GIVE HIM THAT.
903
00:40:20,722 --> 00:40:22,245
NERVE?
904
00:40:22,245 --> 00:40:25,814
[scoffs]
905
00:40:25,814 --> 00:40:27,555
THE ONLY NERVE THAT HE HAD
WAS TO THINK
906
00:40:27,555 --> 00:40:30,253
THAT IT ALL BEGAN AND ENDED
WITH HIM.
907
00:40:30,253 --> 00:40:33,256
YOU KNOW, THERE IS A HISTORY
TO WHAT WE DO.
908
00:40:33,256 --> 00:40:34,388
THERE IS A CODE.
909
00:40:34,388 --> 00:40:36,259
THAT KIND OF DISRESPECT--
910
00:40:36,259 --> 00:40:38,348
AND HE NEEDED
TO BE TAUGHT A LESSON.
911
00:40:38,348 --> 00:40:39,437
YEAH, YEAH,
HE DID.
912
00:40:39,437 --> 00:40:40,916
[Eames]
YOU HAD THE PERFECT CRIME:
913
00:40:40,916 --> 00:40:42,570
SLIP INTO STONE'S SAFE HOUSE,
914
00:40:42,570 --> 00:40:45,530
INJECT THE POTASSIUM CHLORIDE,
SLIP OUT.
915
00:40:45,530 --> 00:40:47,662
YOU EVEN HAD
TWO PERFECT PATSIES
916
00:40:47,662 --> 00:40:48,837
TO TAKE THE FALL.
917
00:40:48,837 --> 00:40:53,799
BUT YOU'RE TOO MUCH
OF A SHOWMAN FOR THAT.
918
00:40:56,279 --> 00:40:59,718
YOU TOOK STONE'S BODY
TO CONEY ISLAND YOURSELF,
919
00:40:59,718 --> 00:41:01,633
PLANTED HIM
ON CARMINE'S STAGE...
920
00:41:04,418 --> 00:41:06,420
COME ON, DEAN.
921
00:41:06,420 --> 00:41:07,552
WHAT'S THE BIGGER CRIME?
922
00:41:07,552 --> 00:41:09,205
THAT YOU KILLED MILES STONE,
923
00:41:09,205 --> 00:41:11,425
OR THAT NO ONE
WILL EVER KNOW?
924
00:41:11,425 --> 00:41:14,472
I MEAN,
YOU NEED TO TAKE HIM DOWN.
925
00:41:14,472 --> 00:41:21,566
THERE'S ONLY ONE WAY.
926
00:41:21,566 --> 00:41:24,525
YOU KNOW, STONE IS AS MUCH
TO BLAME AS I AM.
927
00:41:30,270 --> 00:41:31,706
IF HE HADN'T STARVED HIMSELF,
928
00:41:31,706 --> 00:41:33,839
IF HE HADN'T MADE IT
LOOK SO REAL--
929
00:41:36,668 --> 00:41:39,497
HE MIGHT HAVE HAD THE STRENGTH
TO PUT UP A FIGHT.
930
00:41:42,804 --> 00:41:44,589
[laughs]
931
00:41:44,589 --> 00:41:48,331
HE MADE IT EASYFOR ME.
932
00:41:50,377 --> 00:41:52,814
DEAN HOLIDAY, YOU'RE
UNDER ARREST FOR THE MURDER
933
00:41:52,814 --> 00:41:55,643
OF MILES STONE.
934
00:41:58,951 --> 00:42:00,953
NO, I DON'T THINK SO.
935
00:42:00,953 --> 00:42:03,390
[laughs]
936
00:42:03,390 --> 00:42:05,348
IS ALL THIS RESTRAINT
REALLY NECESSARY?
937
00:42:05,348 --> 00:42:07,350
WE LEARN OUR LESSONS TOO.
938
00:42:10,049 --> 00:42:14,619
GLAD SOME PEOPLE STILL KNOW
THE MEANING OF RESPECT.
939
00:42:14,619 --> 00:42:17,665
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