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These are the user uploaded subtitles that are being translated: 1 00:00:05,875 --> 00:00:08,530 [male announcer] IN NEW YORK CITY'S WAR ON CRIME, 2 00:00:08,530 --> 00:00:10,836 THE WORST CRIMINAL OFFENDERS ARE PURSUED 3 00:00:10,836 --> 00:00:13,709 BY THE DETECTIVES OF THE MAJOR CASE SQUAD. 4 00:00:13,709 --> 00:00:16,103 THESE ARE THEIR STORIES. 5 00:00:22,892 --> 00:00:24,807 [gunshot] 6 00:00:24,807 --> 00:00:27,549 [gunshots] 7 00:00:34,817 --> 00:00:38,299 LIONEL, I CAN'T DO THIS TO HIM. 8 00:00:38,299 --> 00:00:41,084 HE'S MY FRIEND. 9 00:00:41,084 --> 00:00:43,086 I HAVE TO CALL YOU BACK. 10 00:00:43,086 --> 00:00:44,566 I KNOW THIS IS YOUR BIG NIGHT, 11 00:00:44,566 --> 00:00:46,437 BUT THESE NEED TO BE PROOFED. 12 00:00:55,272 --> 00:00:56,882 GO. 13 00:00:56,882 --> 00:00:59,059 [giggles] 14 00:01:07,676 --> 00:01:09,678 YOU'RE JUST LEAVING NOW? 15 00:01:10,374 --> 00:01:14,117 DON'T EVEN BOTHER, D. 16 00:01:14,117 --> 00:01:17,251 THANK YOU. 17 00:01:17,251 --> 00:01:18,295 THANK YOU VERY MUCH. 18 00:01:18,295 --> 00:01:20,471 [applause] 19 00:01:23,431 --> 00:01:27,348 NEXT UP, I'M PERSONALLY PROUD TO INTRODUCE, 20 00:01:27,348 --> 00:01:29,611 STRAIGHT OUT OF BROOKLYN, 21 00:01:29,611 --> 00:01:32,701 GIVE IT UP FOR MISS KIRA DANFORTH. 22 00:01:32,701 --> 00:01:37,271 [cheers and applause] 23 00:01:39,969 --> 00:01:44,452 THE FOLLOWING IS, AS THEY SAY... 24 00:01:44,452 --> 00:01:46,454 A TRUE STORY. 25 00:01:48,456 --> 00:01:51,894 [Kira] I'M SO GLAD YOU CAME TONIGHT. THAT MEANT A LOT TO ME. 26 00:01:51,894 --> 00:01:53,809 YOU KNOW WHAT I'M SAYING? 27 00:01:53,809 --> 00:01:55,724 I'M LIKE AIRING MY DIRTY LAUNDRY-- 28 00:01:55,724 --> 00:01:59,945 YOU. YOU HAVE A GREAT NOVEL IN YOU. 29 00:01:59,945 --> 00:02:01,817 AND I WANT IT. 30 00:02:01,817 --> 00:02:04,298 LIONEL SAYS IT'S NOT A NOVEL YET. 31 00:02:04,298 --> 00:02:05,603 LIONEL'S NOT AN AGENT. 32 00:02:05,603 --> 00:02:07,388 I AM. 33 00:02:07,388 --> 00:02:09,433 COME ON. FIRST DRINK IS ON ME. 34 00:02:09,433 --> 00:02:11,609 I HAVE TO READ THE WHOLE BOOK. 35 00:02:11,609 --> 00:02:12,871 I MEAN, I CAN'T BELIEVE-- 36 00:02:12,871 --> 00:02:14,221 YO, KIRA, WHAT'S THIS? 37 00:02:14,221 --> 00:02:15,787 [Sage] HO, HO, HO, HEY, HEY, HEY. 38 00:02:15,787 --> 00:02:17,485 HANDS OFF THE LADY. 39 00:02:21,402 --> 00:02:23,317 SHALL WE? 40 00:02:26,320 --> 00:02:27,930 YOU KNOW HIM?I'M SORRY. 41 00:02:30,628 --> 00:02:32,935 [Shill] HE COULDN'T MAKE A SENTENCE STAND UP AND BE NOTICED 42 00:02:32,935 --> 00:02:34,197 IF HE PUT VIAGRA IN THE INK. 43 00:02:34,197 --> 00:02:36,417 [men chuckling] 44 00:02:36,417 --> 00:02:37,635 DEAR. AH. 45 00:02:37,635 --> 00:02:39,637 THANK YOU. 46 00:02:39,637 --> 00:02:44,425 HELLO. KIRA, WHERE ARE YOU? 47 00:02:44,425 --> 00:02:47,428 KIRA, HE'S VERY BAD NEWS. 48 00:02:47,428 --> 00:02:48,559 GET OUT. 49 00:02:48,559 --> 00:02:50,387 JUST COME JOIN US AS SOON AS YOU CAN. 50 00:02:50,387 --> 00:02:52,476 SUCH A PLEASURE TO MEET YOU, MR. GREEN. 51 00:02:52,476 --> 00:02:53,912 REALLY. 52 00:02:53,912 --> 00:02:55,958 UH-HUH. 53 00:02:57,873 --> 00:02:59,831 [object shatters] THAT'S NOT REAL EITHER! 54 00:02:59,831 --> 00:03:01,659 [gunshots] 55 00:03:57,628 --> 00:03:59,761 [Detective Willis] VICTIM'S KIRA DANFORTH. 56 00:03:59,761 --> 00:04:01,676 LOT OF GOOD THESE LOCKS DID. 57 00:04:01,676 --> 00:04:03,852 LOOKS LIKE A PUSH-IN. 58 00:04:03,852 --> 00:04:05,723 AH, BUT WHAT DO I KNOW, 59 00:04:05,723 --> 00:04:08,378 AFTER WORKING ONLY 50 HOMICIDES? 60 00:04:08,378 --> 00:04:10,902 YOU MIND TELLING ME WHY MAJOR CASE IS SLUMMING? 61 00:04:10,902 --> 00:04:12,600 VICTIM WORKED FOR ARIANA CYPHER 62 00:04:12,600 --> 00:04:13,905 OF CYPHER PRESS. 63 00:04:13,905 --> 00:04:16,734 OH. TOOK HER FOR A COLLEGE GRAD. 64 00:04:16,734 --> 00:04:19,737 WHAT WITH ALL THE BOOKS, MILK CRATE FURNITURE. 65 00:04:19,737 --> 00:04:21,783 OH, FOUND THIS... 66 00:04:21,783 --> 00:04:23,654 HERE NEAR THE, UH, KITCHENETTE. 67 00:04:23,654 --> 00:04:25,613 SATURDAY NIGHT SPECIAL. 68 00:04:25,613 --> 00:04:26,744 OLDER THAN THE VICTIM. 69 00:04:26,744 --> 00:04:28,746 [Eames] SMALL CALIBER. 70 00:04:28,746 --> 00:04:30,313 POOR GIRL BLED TO DEATH. 71 00:04:31,793 --> 00:04:33,447 LOOKS LIKE SHE'S GOT 72 00:04:33,447 --> 00:04:34,883 SYNTHETIC HAIR EXTENSIONS. 73 00:04:34,883 --> 00:04:36,624 THEY'VE BEEN SINGED. 74 00:04:36,624 --> 00:04:38,930 THIS HAND'S BURNED. LOOKS LIKE COILS. 75 00:04:38,930 --> 00:04:40,845 STOVE'S ELECTRIC. 76 00:04:45,763 --> 00:04:48,113 SO... 77 00:04:48,113 --> 00:04:50,942 THEY TRIED TO, UH, 78 00:04:50,942 --> 00:04:53,336 SHOVE HER HEAD INTO THE BURNER. 79 00:04:53,336 --> 00:04:56,034 SHE BLOCKS IT WITH HER LEFT HAND. 80 00:05:00,038 --> 00:05:02,737 BURNS HER HAND AND HER HAIR TOO. 81 00:05:02,737 --> 00:05:04,826 WHOEVER DID THIS, THEY WERE LOOKING FOR SOMETHING. 82 00:05:04,826 --> 00:05:06,871 THEY WANTED HER TO TALK. 83 00:05:27,414 --> 00:05:30,025 WELL, THEY MIGHT HAVE FOUND WHAT THEY WERE LOOKING FOR. 84 00:05:30,025 --> 00:05:32,157 I GOT BRIGHT GREEN RESIN, 85 00:05:32,157 --> 00:05:34,856 [sniffs] CRYSTALLIZED. 86 00:05:34,856 --> 00:05:37,772 AND THEY SAY COPS HAVE THE BEST POT. 87 00:05:37,772 --> 00:05:40,688 EAST FLATBUSH KID. 88 00:05:40,688 --> 00:05:43,821 SELLING HIGH-END WEED TO HER MIDTOWN COLLEAGUES. 89 00:05:43,821 --> 00:05:45,954 YOU KNOW, YOU COULD STORE A FORTUNE IN HERE. 90 00:05:45,954 --> 00:05:48,826 A SINGLE FEMALE-- EASY TARGET. 91 00:05:48,826 --> 00:05:51,481 SHE MIGHT NOT BE SINGLE. 92 00:05:51,481 --> 00:05:54,484 SCARFACE DVD. MEN'S HOODIES. 93 00:05:54,484 --> 00:05:57,487 WHERE'S HER BOYFRIEND? 94 00:05:57,487 --> 00:05:59,489 SOMEBODY OUTSIDE WANTS A WORD. 95 00:05:59,489 --> 00:06:01,056 FAMILY? 96 00:06:01,056 --> 00:06:02,187 DON'T KNOW. 97 00:06:02,187 --> 00:06:05,190 BUT YOU'RE MAJOR CASE. YOU TELL ME. 98 00:06:07,976 --> 00:06:09,717 [police radio chatter] 99 00:06:09,717 --> 00:06:11,501 [woman] KIRA MAY HAVE COME FROM HERE, 100 00:06:11,501 --> 00:06:12,894 BUT SHE WAS GOING PLACES. 101 00:06:12,894 --> 00:06:14,809 [Eames] WHAT DID KIRA DO FOR YOU, MISS CYPHER? 102 00:06:14,809 --> 00:06:18,508 EVERYTHING. SHE WAS DEVOTED, BRILLIANT. 103 00:06:18,508 --> 00:06:22,120 NO MATTER HOW EARLY I GOT IN, SHE WAS ALWAYS THERE FIRST. 104 00:06:22,120 --> 00:06:24,079 RIGHT. WHEN SHE DIDN'T SHOW THIS MORNING, 105 00:06:24,079 --> 00:06:25,472 YOU CAME HERE? 106 00:06:25,472 --> 00:06:27,691 NO. I SENT MY OTHER ASSISTANT, PAIGE. 107 00:06:27,691 --> 00:06:29,519 SHE CALLED 911. 108 00:06:29,519 --> 00:06:31,782 FEEL FREE TO ASK HER ANYTHING. 109 00:06:31,782 --> 00:06:33,262 I WANT THE KILLER CAUGHT. 110 00:06:33,262 --> 00:06:35,569 YOU'LL HANDLE THIS, YES? 111 00:06:35,569 --> 00:06:37,614 [Eames] WE'LL DO OUR VERY BEST. 112 00:06:37,614 --> 00:06:38,876 I'M LATE. 113 00:06:41,488 --> 00:06:42,750 I CAN'T BELIEVE IT. 114 00:06:42,750 --> 00:06:45,230 JUST LAST NIGHT, KIRA WAS ON TOP OF THE WORLD. 115 00:06:45,230 --> 00:06:46,493 YOU WERE WITH HER. 116 00:06:46,493 --> 00:06:48,582 AT A SHORT STORY READING IN THE EAST VILLAGE. 117 00:06:48,582 --> 00:06:50,932 I HAD NO IDEA SHE LIVED HERE. 118 00:06:50,932 --> 00:06:53,935 KIRA KEPT A LOT CLOSE TO THE VEST. 119 00:06:53,935 --> 00:06:55,589 LIKE SELLING POT AT WORK? 120 00:06:55,589 --> 00:06:57,025 KIRA? NEVER. 121 00:06:57,025 --> 00:06:58,766 WHERE'D YOU GET THAT IDEA? 122 00:06:58,766 --> 00:07:00,942 SHE EVER MENTION A BOYFRIEND? 123 00:07:00,942 --> 00:07:02,857 NO. 124 00:07:02,857 --> 00:07:04,989 BUT, UH, LAST MONTH, COMING BACK FROM LUNCH, 125 00:07:04,989 --> 00:07:07,992 WE RAN INTO A FRIEND OF HERS ON HIS BIKE. 126 00:07:07,992 --> 00:07:10,778 SHE DIDN'T INTRODUCE US, SO I DID IT MYSELF. 127 00:07:10,778 --> 00:07:13,607 HIS NAME WAS D TOUR. 128 00:07:13,607 --> 00:07:15,826 BAGGY JEANS, 129 00:07:15,826 --> 00:07:16,827 OVERSIZED HOODIE? 130 00:07:16,827 --> 00:07:18,307 YEAH. 131 00:07:18,307 --> 00:07:21,266 HE WAS... 132 00:07:21,266 --> 00:07:22,964 HE WAS REALLY... 133 00:07:22,964 --> 00:07:25,009 BLACK. 134 00:07:26,054 --> 00:07:28,709 REALLY BLACK. YOU MEAN OBSIDIAN? 135 00:07:28,709 --> 00:07:31,189 NO. I MEAN NOT LIKE KIRA, YOU KNOW? 136 00:07:31,189 --> 00:07:32,713 STREET. 137 00:07:32,713 --> 00:07:35,977 SAID HE WAS AN ANIMATOR 138 00:07:35,977 --> 00:07:37,979 FOR A STUDIO IN RED HOOK, 139 00:07:37,979 --> 00:07:40,024 BUT HE LOOKED LIKE A MESSENGER. 140 00:07:43,245 --> 00:07:45,116 [man] HIS REAL NAME... 141 00:07:45,116 --> 00:07:47,292 UH, WE JUST CALL HIM D TOUR. 142 00:07:47,292 --> 00:07:50,165 HE RUNS ERRANDS, MAKES DELIVERIES. 143 00:07:50,165 --> 00:07:52,559 UH, OUT SICK TODAY. 144 00:07:52,559 --> 00:07:53,864 HE TOLD PEOPLE HE WAS AN ANIMATOR. 145 00:07:53,864 --> 00:07:55,823 [Chad] I TOLD HIM HE COULD WORK HIS WAY UP. 146 00:07:55,823 --> 00:07:59,000 BUT HE'S ALWAYS STROLLING IN LATE. 147 00:07:59,000 --> 00:08:00,262 [Eames] HE'S NOT EXACTLY 148 00:08:00,262 --> 00:08:02,525 EMPLOYEE OF THE MONTH-- WHY KEEP HIM AROUND? 149 00:08:02,525 --> 00:08:06,137 WE LIKE HIM. HE'S A FUN GUY. 150 00:08:06,137 --> 00:08:07,835 AND IT'S A FUN PLACE TO WORK. 151 00:08:07,835 --> 00:08:09,793 YOU GOT ALL THIS STUFF. 152 00:08:09,793 --> 00:08:14,015 YOU GOT PINBALL MACHINES AND PING-PONG. 153 00:08:19,107 --> 00:08:20,935 YOU GOT ROACHES. 154 00:08:24,591 --> 00:08:26,157 IS THAT WHY YOU KEEP D TOUR AROUND, 155 00:08:26,157 --> 00:08:28,029 'CAUSE HE GETS THE GOOD STUFF? 156 00:08:28,029 --> 00:08:30,858 YOUR DIAL-A-WEED PAL'S A MURDER SUSPECT. 157 00:08:30,858 --> 00:08:31,989 WHERE DOES HE LIVE? 158 00:08:35,602 --> 00:08:37,865 ALL I HAVE IS A... 159 00:08:37,865 --> 00:08:39,910 PAGER NUMBER. 160 00:08:46,613 --> 00:08:47,875 HEY, YO, D. 161 00:08:47,875 --> 00:08:49,877 WHAT THE DEAL, BABY? 162 00:09:03,107 --> 00:09:05,893 [Mrs. Danforth] HOW DID THIS HAPPEN TO MY DAUGHTER? 163 00:09:05,893 --> 00:09:08,939 [Eames] WE'RE LOOKING FOR A MAN KIRA WAS INVOLVED WITH. 164 00:09:08,939 --> 00:09:11,072 GOES BY THE NAMED TOUR. 165 00:09:12,290 --> 00:09:13,770 THIS MEANS NOTHING TO ME. 166 00:09:13,770 --> 00:09:16,251 THEY MEAN DANTE, MAMA. 167 00:09:16,251 --> 00:09:18,079 DANTE HEATH... 168 00:09:18,079 --> 00:09:19,994 IS MY SISTER'S HIGH SCHOOL BOYFRIEND. 169 00:09:19,994 --> 00:09:21,952 HE LIVED NEARBY. 170 00:09:21,952 --> 00:09:23,824 IN THE PROJECTS. 171 00:09:23,824 --> 00:09:26,130 MY KIRA WAS RAISED IN A HOME, 172 00:09:26,130 --> 00:09:28,045 ONE I WORKED THREE JOBS TO BUY. 173 00:09:28,045 --> 00:09:29,960 [Goren] IS THAT HOW YOU PAID 174 00:09:29,960 --> 00:09:31,962 FOR HER EDUCATION? 175 00:09:31,962 --> 00:09:34,748 SHE WON SCHOLARSHIPS TO KINGSLEY, BRYN MAWR. 176 00:09:34,748 --> 00:09:36,401 MY KIRA WAS CHOSEN. 177 00:09:36,401 --> 00:09:39,056 SHE HAD NOTHING TO DO 178 00:09:39,056 --> 00:09:41,624 WITH THAT TROUBLEMAKER FOR YEARS. 179 00:09:46,107 --> 00:09:48,152 YOU DON'T SHARE YOUR MOTHER'S FEELINGS? 180 00:09:49,066 --> 00:09:50,981 KIRA LOVED THAT FOOL. 181 00:09:50,981 --> 00:09:52,069 SHE TOOK CARE OF HIM. 182 00:09:52,069 --> 00:09:53,767 AND YOU DIDN'TTELL ME? 183 00:09:53,767 --> 00:09:55,420 D TOUR WOULDN'T HURT HER.CHAYNE! 184 00:09:57,031 --> 00:09:59,033 HE HAVE A HISTORY? 185 00:09:59,033 --> 00:10:01,905 VIOLENCE, DRUGS? 186 00:10:01,905 --> 00:10:03,777 SELLS A LITTLE GANJA. 187 00:10:03,777 --> 00:10:05,082 YOU KNOW, WITH HIS BIKE AND CARTOONS, 188 00:10:05,082 --> 00:10:07,824 HE'S TOO MUCH A KID TO GET INTO REAL TROUBLE. 189 00:10:07,824 --> 00:10:09,696 THIS IS AS REAL AS IT GETS, CHAYNE. 190 00:10:11,698 --> 00:10:13,482 BUT D TOUR MUST KNOW THAT BY NOW. 191 00:10:13,482 --> 00:10:15,310 HE'S ON THE RUN. HE'S SCARED. 192 00:10:15,310 --> 00:10:19,096 I SUPPOSE HE'D GO WHERE ANY KID WOULD--HOME. 193 00:10:19,096 --> 00:10:22,143 TO HIS MOTHER. IF YOU CAN CALL HER THAT. 194 00:10:22,143 --> 00:10:24,232 [clicks tongue] 195 00:10:24,232 --> 00:10:26,800 DANTE CRASHES WITH HIS MOM 196 00:10:26,800 --> 00:10:28,845 IN THE SAME PROJECT HE GREW UP IN. 197 00:10:28,845 --> 00:10:31,065 KIRA HAS A DEGREE FROM BRYN MAWR. 198 00:10:31,065 --> 00:10:33,807 WHY COME BACK HERE-- FOR HIM? 199 00:10:33,807 --> 00:10:35,896 [siren wailing] 200 00:10:42,859 --> 00:10:46,776 [D Tour's mother, sobbing] 201 00:10:46,776 --> 00:10:48,169 WHAT ARE Y'ALL LOOKING AT? 202 00:10:48,169 --> 00:10:50,867 WHAT THE HELL ARE Y'ALL LOOKING AT? 203 00:10:50,867 --> 00:10:54,044 [sobbing] 204 00:10:54,044 --> 00:10:56,090 [D TOUR] NO, WHAT HAPPENED TO ME WAS PAYBACK 205 00:10:56,090 --> 00:10:58,179 FOR STEALING SOMEONE'S STASH. 206 00:10:58,179 --> 00:10:59,441 [Eames] YOU ROBBED SOMEBODY. 207 00:10:59,441 --> 00:11:02,749 I WAS MAKING A PICKUP WHEN I HEARD SHOTS. 208 00:11:02,749 --> 00:11:05,926 I SAW MY CONNECTION AND SOME FOOL BOTH DEAD, 209 00:11:05,926 --> 00:11:07,841 ALL THIS WEED ON THE TABLE, 210 00:11:07,841 --> 00:11:08,842 NOBODY AROUND. 211 00:11:08,842 --> 00:11:10,887 BUT SOMEBODY MADE YOU. 212 00:11:10,887 --> 00:11:12,497 WHO? 213 00:11:12,497 --> 00:11:14,978 [Goren] BEFORE THEY KILLED KIRA, THEY TORTURED HER. 214 00:11:14,978 --> 00:11:16,371 WHY WOULD YOU PROTECT THEM? 215 00:11:16,371 --> 00:11:19,330 I HOPE THEY ROT IN HELL. BUT THEY DIDN'T KILL KIRA. 216 00:11:19,330 --> 00:11:21,202 HOW DO YOU KNOW THAT? 217 00:11:21,202 --> 00:11:22,203 'CAUSE SHE LEFT ME A MESSAGE. 218 00:11:22,203 --> 00:11:24,205 SAID THEY ROUGHED HER UP. 219 00:11:24,205 --> 00:11:28,122 MESSAGE IS STILL THERE. YOU CAN CHECK IT YOUR DAMN SELF. 220 00:11:30,254 --> 00:11:32,213 WHAT HAPPENED? 221 00:11:32,213 --> 00:11:34,258 SHE DUMP YOU, YOU GOT JEALOUS? 222 00:11:36,260 --> 00:11:38,262 I KNEW I LOST HER AT THAT READING. 223 00:11:38,262 --> 00:11:39,611 I SAW THE WAY-- 224 00:11:39,611 --> 00:11:41,918 THE WAY HE WAS TOUCHING HER, SPEAKING FOR HER. 225 00:11:41,918 --> 00:11:43,485 WHO'S HE? 226 00:11:43,485 --> 00:11:46,227 SOME WHITE GUY. LOSIN' HIS HAIR. 227 00:11:46,227 --> 00:11:50,492 I WAS MAD, SO...I JUST HOOKED UP WITH SOME HOOD RAT. 228 00:11:52,929 --> 00:11:54,583 [Eames] D TOUR AND A REBOUND DATE 229 00:11:54,583 --> 00:11:57,107 WERE AT ROSCOE'S TILL 3:00. 230 00:11:57,107 --> 00:12:00,763 KIRA'S BURNS PRECEDED THE DEATH BY A FEW HOURS. 231 00:12:00,763 --> 00:12:02,983 LOOKS LIKE THIS TORTURE AND MURDER 232 00:12:02,983 --> 00:12:05,202 MIGHT HAVE BEEN TWO SEPARATE EVENTS. 233 00:12:05,202 --> 00:12:06,943 OR D TOUR'S FRIENDS COULD HAVE BEEN 234 00:12:06,943 --> 00:12:08,423 LAYING IN WAIT FOR HIM THE WHOLE NIGHT. 235 00:12:08,423 --> 00:12:11,382 WE THINK THEY RECOVERED THEIR POT AND CUT OUT. 236 00:12:11,382 --> 00:12:14,821 KIRA LEFT D TOUR THIS MESSAGE AT 11:00. 237 00:12:14,821 --> 00:12:16,474 [Kira, tearfully] THEY CAME FOR YOUR STASH. 238 00:12:16,474 --> 00:12:18,912 THE PLACE IS A MESS, AND SO AM I. 239 00:12:18,912 --> 00:12:21,044 IT'S OVER, D. 240 00:12:21,044 --> 00:12:23,046 KIRA MADE TWO OTHER CELL CALLS THURSDAY NIGHT 241 00:12:23,046 --> 00:12:24,613 TO THE PANTHEON RESTAURANT. 242 00:12:24,613 --> 00:12:27,572 THE PANTHEON-- BRIGHT LIGHTS, BIG CITY. 243 00:12:27,572 --> 00:12:31,098 LOOKS LIKE KIRA WAS JUGGLING TWO WORLDS. 244 00:12:31,098 --> 00:12:32,403 AND THIS WAS THE NIGHT 245 00:12:32,403 --> 00:12:34,928 THAT THEY BOTH CAME CRASHING DOWN ON HER. 246 00:12:34,928 --> 00:12:36,364 [Paige] RECEDING HAIRLINE? 247 00:12:36,364 --> 00:12:39,280 THAT'S EVERY OTHER EDITOR IN NEW YORK. 248 00:12:39,280 --> 00:12:40,585 YOU DIDN'T LEAVE THE READING WITH KIRA? 249 00:12:40,585 --> 00:12:41,935 I HAD HOMEWORK. 250 00:12:41,935 --> 00:12:45,852 AND SHE WAS BEING MOBBED; EDITORS, AGENTS. 251 00:12:45,852 --> 00:12:47,592 ONLY TJ WAS GETTING MORE ATTENTION. 252 00:12:47,592 --> 00:12:49,246 TJ...HAWKINS? 253 00:12:49,246 --> 00:12:52,293 HE WROTE THAT MEMOIR ABOUT HIS TIME IN A YEMEN PRISON? 254 00:12:52,293 --> 00:12:53,860 MM-HMM. THROAT FULL OF GLASS. 255 00:12:53,860 --> 00:12:55,122 BEST-SELLER. 256 00:12:55,122 --> 00:12:58,255 HE AND KIRA ARE IN LIONEL'S SALON TOGETHER. 257 00:12:58,255 --> 00:12:59,474 [Eames] LIONEL... 258 00:12:59,474 --> 00:13:01,258 LIONEL SHILL. 259 00:13:01,258 --> 00:13:02,433 HE'S STILL WRITING? 260 00:13:02,433 --> 00:13:04,435 HE'S LEGENDARY NOW. AS A TEACHER. 261 00:13:04,435 --> 00:13:07,134 GUIDING NEW WRITERS LIKE KIRA AND TJ. 262 00:13:07,134 --> 00:13:09,136 IT'S A TOKEN. 263 00:13:12,052 --> 00:13:13,270 I-I GET IT. 264 00:13:13,270 --> 00:13:15,142 SHE'S THE ONLY AFRICAN-AMERICAN 265 00:13:15,142 --> 00:13:16,534 IN THESE PHOTOS. 266 00:13:16,534 --> 00:13:19,407 [Paige] SHE HAD A SENSE OF HUMOR ABOUT IT. 267 00:13:19,407 --> 00:13:21,844 RIGHT. 268 00:13:21,844 --> 00:13:23,324 [token clinks] 269 00:13:23,324 --> 00:13:25,195 AMERICAN DELINQUENT. HAWKINS. 270 00:13:25,195 --> 00:13:27,328 IT'S HIS NEW BOOK? 271 00:13:27,328 --> 00:13:28,851 [Paige] MM-HMM. 272 00:13:28,851 --> 00:13:30,984 "TO MY GIRL KIRA. LOVE, TJ." 273 00:13:30,984 --> 00:13:33,334 TJ AND KIRA WERE LOVERS? 274 00:13:33,334 --> 00:13:35,075 NO. LIKE SIBLINGS. 275 00:13:35,075 --> 00:13:36,641 AND LIONEL'S PETS. 276 00:13:36,641 --> 00:13:38,861 IN FACT, LIONEL INVITED TJ 277 00:13:38,861 --> 00:13:41,908 TO A SPECIAL DINNER AT THE PANTHEON LATER THAT NIGHT. 278 00:13:44,127 --> 00:13:46,695 AND TJ INVITED KIRA? 279 00:13:46,695 --> 00:13:49,219 HE DID. 280 00:13:50,394 --> 00:13:52,440 YOU LIKED THROAT FULL? 281 00:13:52,440 --> 00:13:55,138 THERE YOU GO. HAVE A GOOD ONE. 282 00:13:56,444 --> 00:13:58,359 YOU TWO AREN'T HERE FOR AUTOGRAPHS. 283 00:13:58,359 --> 00:14:01,057 NO. BUT I READ YOUR LAST ONE, 284 00:14:01,057 --> 00:14:02,276 THROAT FULL OF GLASS. 285 00:14:02,276 --> 00:14:03,320 IT WAS INTENSE. 286 00:14:03,320 --> 00:14:05,061 TRY LIVING IT. 287 00:14:05,061 --> 00:14:06,323 YOU ALWAYS WRITE ABOUT YOUR LIFE? 288 00:14:06,323 --> 00:14:09,544 IT'S A WAY FOR ME TO EXORCISE MY DEMONS. 289 00:14:09,544 --> 00:14:12,503 DONE THINGS I SHOULDN'T HAVE. 290 00:14:12,503 --> 00:14:15,376 MM. THAT INCLUDE LAST THURSDAY NIGHT? 291 00:14:21,425 --> 00:14:23,384 OKAY. 292 00:14:23,384 --> 00:14:25,429 I GOTCHA. 293 00:14:26,430 --> 00:14:29,129 THINK I DID IT? HUH? 294 00:14:29,129 --> 00:14:32,393 BECAUSE OF WHAT-- MY PAST? 295 00:14:32,393 --> 00:14:35,135 YOU NEED TO TAKE IT EASY, TJ. 296 00:14:41,097 --> 00:14:43,404 [Eames] IS THAT YOUR IDEA OF TAKING IT EASY? 297 00:14:47,582 --> 00:14:50,106 A LAWYER. HA. NAW, I CAN HANDLE YOU TWO. 298 00:14:50,106 --> 00:14:52,848 THEN SIT DOWN AND ANSWER THE QUESTION. 299 00:14:52,848 --> 00:14:55,024 WHERE WERE YOU THURSDAY AT 2:00 A.M.? 300 00:14:55,024 --> 00:14:57,722 WITH LIONEL SHILL. CALL HIM. 301 00:14:57,722 --> 00:15:00,203 OR DON'T. JUST THROW ME IN RIKERS. 302 00:15:00,203 --> 00:15:01,639 I DON'T CARE. 303 00:15:03,467 --> 00:15:04,860 UH, HOLD THAT THOUGHT. 304 00:15:10,083 --> 00:15:11,736 HE'S A PIECE OF WORK. 305 00:15:11,736 --> 00:15:13,913 YEAH, PAPARAZZI'S SWARMING OUTSIDE. 306 00:15:13,913 --> 00:15:15,566 TJ DID THIS FOR THE PUBLICITY. 307 00:15:15,566 --> 00:15:17,612 AND HE GOT IT. 308 00:15:17,612 --> 00:15:20,136 YOU MADE YOULENZ. 309 00:15:20,136 --> 00:15:22,225 THE ADA SAYS IT'S PERFORMANCE ART, 310 00:15:22,225 --> 00:15:25,098 NOT ASSAULT. 311 00:15:25,098 --> 00:15:27,970 IF SHILL CONFIRMS HIS ALIBI, WE HAVE TO STREET HIM. 312 00:15:31,582 --> 00:15:34,977 [Lionel] I FIRST MET TJ ABOUT FIVE YEARS AGO 313 00:15:34,977 --> 00:15:36,979 AT A NARCONON MEETING. 314 00:15:36,979 --> 00:15:38,720 RESEARCHING A NEW BOOK? 315 00:15:38,720 --> 00:15:40,809 YES. HA. 316 00:15:40,809 --> 00:15:43,203 TJ WAS THE REAL THING. 317 00:15:43,203 --> 00:15:45,161 OH, THE STORIES HE TOLD. 318 00:15:45,161 --> 00:15:46,728 ONCE HE WAS-- 319 00:15:46,728 --> 00:15:49,252 SO YOU INVITED HIM INTO YOUR SALON. 320 00:15:49,252 --> 00:15:52,212 I TOLD HIM THAT WRITING COULD BE HIS SALVATION, 321 00:15:52,212 --> 00:15:54,954 AND, AH, TODAY HE'S AN AUTHOR. 322 00:15:54,954 --> 00:15:57,739 SO YOU INVITED HIM TO THE PANTHEON. 323 00:15:57,739 --> 00:15:59,219 WAS THAT TO IMPRESS ANYONE? 324 00:15:59,219 --> 00:16:01,221 AU CONTRAIRE. 325 00:16:01,221 --> 00:16:02,570 I KNEW HE'D BE DELIGHTED 326 00:16:02,570 --> 00:16:04,006 TO MEET MY DEAR FRIEND PHILLIP GREEN 327 00:16:04,006 --> 00:16:05,747 WHO JUST WON THE NOBEL. 328 00:16:05,747 --> 00:16:08,750 TJ SHOWED UP ABOUT 9:00. 329 00:16:08,750 --> 00:16:10,926 AFTER DINNER, WE RETIRED HERE. 330 00:16:10,926 --> 00:16:12,536 I WISH YOU WOULDN'T. 331 00:16:12,536 --> 00:16:14,974 THOSE WERE GIFTS TO ME FROM PAUL BOWLES! 332 00:16:14,974 --> 00:16:17,280 TJ INVITED KIRA TOO. 333 00:16:17,280 --> 00:16:18,934 DID SHE COME? 334 00:16:18,934 --> 00:16:20,588 NO, SHE CALLED. 335 00:16:20,588 --> 00:16:22,633 SHE WAS WITH GARETH SAGE. 336 00:16:22,633 --> 00:16:24,505 SNAKE OF A MAN. 337 00:16:24,505 --> 00:16:26,115 A SNAKE. 338 00:16:26,115 --> 00:16:27,856 SO HE'S AN AGENT. 339 00:16:27,856 --> 00:16:31,120 YES, HE DOESN'T HANDLE MANY WOMEN CLIENTS TODAY. 340 00:16:31,120 --> 00:16:33,775 PERHAPS BECAUSE OF THE WAY HE... 341 00:16:33,775 --> 00:16:36,169 HANDLED THEM. 342 00:16:36,169 --> 00:16:38,606 KIRA CALLED YOU AGAIN AT 11:00. 343 00:16:38,606 --> 00:16:40,173 DID SHE MENTION SAGE? 344 00:16:42,088 --> 00:16:44,177 I COULDN'T MAKE OUT A WORD. 345 00:16:44,177 --> 00:16:46,005 SHE WAS VERY UPSET. 346 00:16:46,005 --> 00:16:49,921 I...I TOLD HER TO CALL 911. 347 00:16:49,921 --> 00:16:52,663 HERE'S WHITE FLIGHT, BLACK HATE. 348 00:16:54,970 --> 00:16:57,755 IT'S ABOUT A YOUNG MAN WHO SHOOTS A COP 349 00:16:57,755 --> 00:16:59,018 IN THE NEWARK RIOTS. 350 00:16:59,018 --> 00:17:00,889 I READ THIS WHEN I WAS IN COLLEGE. 351 00:17:00,889 --> 00:17:04,153 I TAUGHT THAT YOUNG MAN TO READ WHILE HE WAS IN PRISON. 352 00:17:04,153 --> 00:17:06,764 HE DIED OF AIDS. 353 00:17:06,764 --> 00:17:09,332 I'D SHOW YOU MY NEW ONE THAT'S DUE OUT IN A MONTH, 354 00:17:09,332 --> 00:17:11,204 BUT MY PUBLISHER WOULD KILL ME. 355 00:17:11,204 --> 00:17:14,642 BUT YOU MAY KEEP THAT ONE. I'M HAPPY TO SIGN IT FOR YOU. 356 00:17:14,642 --> 00:17:16,687 NOT NECESSARY.IT'S... 357 00:17:16,687 --> 00:17:18,298 BUT WE WILL TAKE SAGE'S NUMBER. 358 00:17:18,298 --> 00:17:19,560 OH. 359 00:17:23,868 --> 00:17:25,044 GO AHEAD. 360 00:17:29,396 --> 00:17:31,659 NO, NO, TOM-- 361 00:17:31,659 --> 00:17:33,835 THE DETECTIVES AREN'T STAYING. 362 00:17:33,835 --> 00:17:35,576 YOU KNOW WHAT? I'LL HAVE ONE OF THOSE. 363 00:17:35,576 --> 00:17:37,056 THANKS. THANK YOU. 364 00:17:37,056 --> 00:17:38,579 HEY! 365 00:17:38,579 --> 00:17:39,580 [ping] 366 00:17:39,580 --> 00:17:40,842 AND CALL THE TODAY SHOW. 367 00:17:40,842 --> 00:17:42,017 TELL THEM IF THEY DON'T TAKE MY CALL, 368 00:17:42,017 --> 00:17:43,758 I'M GONNA GO RIGHT TO ZUCKER. 369 00:17:43,758 --> 00:17:46,891 OKAY. I LIKED HER READING. 370 00:17:46,891 --> 00:17:49,024 WE WENT TO A BAR, THOR, 371 00:17:49,024 --> 00:17:51,374 AND...WE DISCUSSED HER FUTURE. 372 00:17:51,374 --> 00:17:54,029 DID YOU GIVE KIRA A LIFT HOME? 373 00:17:54,029 --> 00:17:56,684 NO. I WENT BACK TO THE WIFE AND THE BRAT 374 00:17:56,684 --> 00:17:58,033 IN GLEN COVE. 375 00:17:58,033 --> 00:18:00,905 ALL RIGHT, AFTER YOUR DRINK WITH KIRA, 376 00:18:00,905 --> 00:18:02,037 SHE CALLED A FRIEND. 377 00:18:02,037 --> 00:18:03,169 SHE WAS VERY UPSET. 378 00:18:03,169 --> 00:18:05,040 YOU HAVE ANY IDEA WHY? 379 00:18:05,040 --> 00:18:06,346 I CAN'T IMAGINE. 380 00:18:06,346 --> 00:18:07,999 I'D JUST TOLD HER I WAS GONNA HANDLE HER NOVEL. 381 00:18:07,999 --> 00:18:10,654 WELL, WE HEARD YOU DON'T REPRESENT WOMEN. 382 00:18:10,654 --> 00:18:13,396 OH, I SEE... 383 00:18:13,396 --> 00:18:16,051 LIONEL SHILL.[telephone rings] 384 00:18:16,051 --> 00:18:17,966 JERKING YOU AND ME AROUND. 385 00:18:17,966 --> 00:18:19,707 WELL, YOU CAN IGNORE HIM. 386 00:18:19,707 --> 00:18:21,709 MR. SAGE, TODAY SHOW ON ONE. 387 00:18:21,709 --> 00:18:22,362 AH. 388 00:18:23,667 --> 00:18:24,668 HI. 389 00:18:24,668 --> 00:18:26,975 YEAH. LOOK. 390 00:18:26,975 --> 00:18:29,325 TJ WAS TERRIFIC ON LENO LAST YEAR. 391 00:18:29,325 --> 00:18:31,849 WHY ARE YOU MAKING ME WORK SO HARD, HUH? 392 00:18:31,849 --> 00:18:34,765 TOM, TOM, WOULD YOU PLEASE SHOW THE DETECTIVES OUT? 393 00:18:34,765 --> 00:18:37,290 YEAH. WELL, THIS BOOK IS A LOT BETTER. 394 00:18:37,290 --> 00:18:39,118 LET ME TELL YOU. 395 00:18:39,118 --> 00:18:40,162 [Goren] THANK YOU, TOM. 396 00:18:40,162 --> 00:18:42,295 YOU'RE WELCOME. 397 00:18:42,295 --> 00:18:44,427 [Eames] I FOUND GARETH SAGE STORIES ALL OVER A MESSAGE BOARD 398 00:18:44,427 --> 00:18:46,255 DEVOTED TO BAD BOSSES. 399 00:18:46,255 --> 00:18:48,039 YOU JUST HAPPENED TO BE LOOKING THERE. 400 00:18:48,039 --> 00:18:50,433 HE FORCED A WOMAN TO LICK UP COFFEE 401 00:18:50,433 --> 00:18:52,783 SHE SPILLED ON HIS DESK. 402 00:18:52,783 --> 00:18:54,437 HE'S A SUCCESSFUL, POWERFUL AGENT, 403 00:18:54,437 --> 00:18:56,178 AND HE'S HARD ON HIS ASSISTANTS. 404 00:18:56,178 --> 00:18:58,137 YOU NEED A MESSAGE BOARD FOR THAT? 405 00:18:58,137 --> 00:18:59,355 AT LEAST THREE WOMEN HAVE CHARGED HIM 406 00:18:59,355 --> 00:19:00,922 WITH SEXUAL HARASSMENT. 407 00:19:00,922 --> 00:19:03,142 BUT THERE'S NO RECORD OF ASSAULT. 408 00:19:03,142 --> 00:19:06,362 NO. BECAUSE SAGE ALWAYS SETTLES OUT OF COURT. 409 00:19:06,362 --> 00:19:08,016 WHERE'S YOUR PARTNER? 410 00:19:08,016 --> 00:19:11,324 HE'S ON A READING BINGE. HAWKINS, SHILL. 411 00:19:11,324 --> 00:19:13,456 SAGE IS GONNA LAWYER UP 412 00:19:13,456 --> 00:19:15,415 THE NEXT TIME YOU AND GOREN GO TO SEE HIM. 413 00:19:15,415 --> 00:19:19,810 BEFORE YOU DO, SEE IF ANY OF THESE WOMEN WILL TALK. 414 00:19:19,810 --> 00:19:23,684 I WON THIS LIT PRIZE AT COLUMBIA. 415 00:19:23,684 --> 00:19:26,165 THERE WAS A CEREMONY. I READ. 416 00:19:26,165 --> 00:19:28,167 GARETH WAS THERE. 417 00:19:28,167 --> 00:19:29,994 TOOK ME OUT FOR A DRINK. 418 00:19:29,994 --> 00:19:33,172 I TOLD HIM I HAD A NOVEL AT HOME. 419 00:19:33,172 --> 00:19:35,174 AND HE ASKED TO READ IT. 420 00:19:35,174 --> 00:19:38,002 HE GAVE ME A RIDE IN HIS JAGUAR. 421 00:19:38,002 --> 00:19:41,484 AND THAT'S WHEN HE HARASSED YOU. 422 00:19:41,484 --> 00:19:44,313 I TRIED TO FIGHT HIM OFF, BUT HE OVERPOWERED ME. 423 00:19:44,313 --> 00:19:46,010 BUT YOU FOUGHT HIM IN COURT. 424 00:19:46,010 --> 00:19:47,795 AND LOST. 425 00:19:47,795 --> 00:19:49,231 I GOT A LITTLE HUSH MONEY, BUT... 426 00:19:49,231 --> 00:19:51,407 HE SAID HE'D BURY ME. 427 00:19:51,407 --> 00:19:54,497 IT'S NOT EXACTLY THE FUTURE YOU HOPED FOR? 428 00:19:54,497 --> 00:19:58,458 SHARKS LIKE GARETH SAGE... 429 00:19:58,458 --> 00:20:01,200 THEY DON'T PAY FOR THEIR SINS. 430 00:20:02,462 --> 00:20:05,813 [Eames] THIS IS SAGE AND HIS WIFE. 431 00:20:05,813 --> 00:20:09,033 BUT IT TURNS OUT HE HAS ANOTHER TYPE. 432 00:20:09,033 --> 00:20:12,733 HE GAVE SHARON A RIDE HOME TO PICK UP HER NOVEL. 433 00:20:12,733 --> 00:20:15,083 WHO'S TO SAY HE DIDN'T DRIVE KIRA TO GET HERS? 434 00:20:15,083 --> 00:20:17,041 EAMES, IT'S A REACH. 435 00:20:17,041 --> 00:20:19,261 HE STILL DRIVE A JAG? 436 00:20:19,261 --> 00:20:20,436 A NEW ONE EVERY THREE YEARS, 437 00:20:20,436 --> 00:20:22,482 JUST LIKE HIS HARASSMENT SUITS. 438 00:20:22,482 --> 00:20:24,832 IF HE DROVE HIS OTHER VICTIMS HOME, 439 00:20:24,832 --> 00:20:28,357 YOU MIGHT HAVE ENOUGH FOR A SEARCH WARRANT ON HIS CAR. 440 00:20:33,101 --> 00:20:35,103 LIONEL, THE... 441 00:20:35,103 --> 00:20:39,107 THE NEW ONE, IT'S NOT... 442 00:20:42,371 --> 00:20:44,547 YOU KNOW... 443 00:20:44,547 --> 00:20:46,375 SOMETIMES 444 00:20:46,375 --> 00:20:50,379 YOUR GREATEST TRIUMPH CAN BE YOUR ALBATROSS. 445 00:20:50,379 --> 00:20:52,860 THIS LIFE I HAVE... 446 00:20:52,860 --> 00:20:56,820 THE ONE YOU'VE GIVEN ME... 447 00:20:56,820 --> 00:20:58,431 I CAN'T GO BACK. 448 00:21:03,305 --> 00:21:06,439 HAVE A DRINK. IT'S OKAY. 449 00:21:06,439 --> 00:21:08,484 YOU'LL FEEL BETTER. 450 00:21:13,620 --> 00:21:15,883 [police radio chatter] 451 00:21:20,975 --> 00:21:23,543 THIS IS SYNTHETIC HAIR. 452 00:21:23,543 --> 00:21:25,849 [Eames] YOUR WIFE'S EXTENSIONS, MR. SAGE? 453 00:21:27,895 --> 00:21:29,157 HANG ON. 454 00:21:34,336 --> 00:21:36,033 COMPACT. 455 00:21:39,298 --> 00:21:41,212 THAT'S AN ODD SHADE FOR A BLONDE. 456 00:21:42,910 --> 00:21:45,478 YOU GAVE KIRA A RIDE AFTER ALL. 457 00:21:51,745 --> 00:21:54,748 DOES YOUR CLIENT RECOGNIZE THESE WOMEN? 458 00:21:54,748 --> 00:21:56,576 ONLY AS SHAKEDOWN ARTISTS. 459 00:21:56,576 --> 00:21:57,925 THOSE CHARGES WERE SETTLED. 460 00:21:57,925 --> 00:22:00,623 EACH LIAR RECEIVED HER QUICK BUCK. 461 00:22:00,623 --> 00:22:02,016 WELL, YOUR CLIENT TOLD US 462 00:22:02,016 --> 00:22:04,801 THAT HE LEFT KIRA DANFORTH IN A BAR. 463 00:22:04,801 --> 00:22:07,456 BUT WE FOUND PROOF THAT SHE WAS IN HIS JAGUAR. 464 00:22:07,456 --> 00:22:08,805 SO WHAT DOES THAT MAKE HIM? 465 00:22:14,071 --> 00:22:15,682 OKAY. 466 00:22:15,682 --> 00:22:18,598 I DROVE HER HOME, AND THAT'S IT. 467 00:22:19,773 --> 00:22:21,383 [Goren] KIRA REJECTED YOU, 468 00:22:21,383 --> 00:22:23,559 AND YOU WERE AFRAID THAT SHE'D TALK, 469 00:22:23,559 --> 00:22:27,563 SO YOU CAME BACK TO MAKE SURE THAT SHE WOULDN'T? 470 00:22:27,563 --> 00:22:31,741 NO. KIRA RAN UP TO GET HER NOVEL. 471 00:22:31,741 --> 00:22:33,395 NOW, I CAN'T AFFORD MIXED MESSAGES, 472 00:22:33,395 --> 00:22:35,745 SO I WAITED IN MY CAR... 473 00:22:35,745 --> 00:22:37,747 WHEN I REALIZED WHERE I WAS, 474 00:22:37,747 --> 00:22:40,750 IN MY JAG IN THE 'HOOD. 475 00:22:40,750 --> 00:22:43,666 SO I SET MY GPS FOR CIVILIZATION, 476 00:22:43,666 --> 00:22:44,928 AND I GOT THE HELL OUT. 477 00:22:44,928 --> 00:22:46,930 [Constance] HERE'S HIS GPS LOG. 478 00:22:46,930 --> 00:22:48,845 MR. SAGE WAS HOME BY 10:30. 479 00:22:50,456 --> 00:22:52,762 WHY DIDN'T YOU TELL US THIS BEFORE? 480 00:22:52,762 --> 00:22:54,416 I WAS AFRAID OF HOW IT WOULD LOOK, 481 00:22:54,416 --> 00:22:56,679 GIVEN THAT PEOPLE LIKE TO TELL LIES ABOUT ME. 482 00:22:56,679 --> 00:22:58,812 [Goren] THESE WOMEN, THEY'RE SWORN TO SECRECY 483 00:22:58,812 --> 00:23:00,944 AS PART OF THEIR SETTLEMENT. 484 00:23:00,944 --> 00:23:02,946 SO WHO YOU TALKING ABOUT? 485 00:23:04,818 --> 00:23:06,689 LIONEL SHILL? 486 00:23:06,689 --> 00:23:08,778 WHY IS HE MAD AT YOU? 487 00:23:08,778 --> 00:23:10,911 HE'S MAD AT HIMSELF 488 00:23:10,911 --> 00:23:13,653 FOR SQUANDERING WHAT LITTLE TALENT HE HAD. 489 00:23:13,653 --> 00:23:16,133 HE PROJECTS HIS LOATHING ONTO ME 490 00:23:16,133 --> 00:23:18,745 AND ANYONE ELSE THAT HE MIGHT BE JEALOUS OF. 491 00:23:18,745 --> 00:23:21,617 YOU'RE SAYING THAT THAT WOULD INCLUDE KIRA? 492 00:23:21,617 --> 00:23:24,838 WELL, KIRA HAD TWO THINGS 493 00:23:24,838 --> 00:23:26,927 THAT SHILL LACKS-- 494 00:23:26,927 --> 00:23:29,843 A VOICE AND A FUTURE. 495 00:23:38,155 --> 00:23:40,027 [man] ♪ DEE DEE DEE DEE 496 00:23:40,027 --> 00:23:44,466 ♪ DEE DEE DEE ♪ 497 00:23:56,043 --> 00:24:00,482 GARETH WAS HOME LONG BEFORE KIRA WAS SHOT. 498 00:24:00,482 --> 00:24:02,484 WHICH MEANS WE'RE BACK TO SQUARE ONE. 499 00:24:02,484 --> 00:24:03,790 MAYBE NOT. 500 00:24:03,790 --> 00:24:07,141 THIS IS THE GALLEYS TO SHILL'S NEW NOVEL. 501 00:24:07,141 --> 00:24:09,796 IT'S ABOUT A YOUNG BLACK PAINTER'S RISE 502 00:24:09,796 --> 00:24:13,930 FROM POVERTY TO MANHATTAN'S POSH ART SCENE. 503 00:24:13,930 --> 00:24:16,455 HE'S CALLING IT TOKEN. 504 00:24:18,935 --> 00:24:20,937 [Ross] SO... 505 00:24:20,937 --> 00:24:23,766 HOW CLOSELY DOES IT HEW TO THE NOVEL 506 00:24:23,766 --> 00:24:25,464 KIRA WAS GONNA GIVE GARETH? 507 00:24:25,464 --> 00:24:26,900 WE HAVEN'T BEEN ABLE TO FIND IT. 508 00:24:26,900 --> 00:24:30,425 KIRA'S COMPUTER WAS SMASHED THE NIGHT SHE WAS KILLED. 509 00:24:30,425 --> 00:24:34,037 JUST HOW DESPERATE IS MR. SHILL? 510 00:24:34,037 --> 00:24:36,213 WELL, HIS LAST SIX NOVELS CRASHED AND BURNED. 511 00:24:36,213 --> 00:24:38,868 HE MAKES A LIVING ON THE LECTURE CIRCUIT. 512 00:24:38,868 --> 00:24:40,522 YOU KNOW, ARIANA CYPHER, 513 00:24:40,522 --> 00:24:43,177 SHE SAID THAT KIRA WAS ALWAYS THE FIRST PERSON 514 00:24:43,177 --> 00:24:44,744 IN THE OFFICE. 515 00:24:44,744 --> 00:24:46,963 MAYBE SHE CAME EARLY 516 00:24:46,963 --> 00:24:48,878 TO WORK ON HER NOVEL. 517 00:24:48,878 --> 00:24:51,446 TAKE ANOTHER PASS AT KIRA'S WORK COMPUTER. 518 00:24:51,446 --> 00:24:53,883 DON'T TELL ARIANA WHY. 519 00:24:53,883 --> 00:24:55,537 CAN YOU...DO THAT? 520 00:24:55,537 --> 00:24:58,018 I-I WANNA TALK TO ONE OF THE CHARACTERS 521 00:24:58,018 --> 00:24:59,889 IN SHILL'S NOVEL. 522 00:25:01,891 --> 00:25:03,850 [D TOUR] I NEVER READ WHAT SHE WROTE. 523 00:25:03,850 --> 00:25:05,547 WRITING STUFF WASN'T MY BAG. 524 00:25:05,547 --> 00:25:07,201 KIRA LOVED YA. 525 00:25:07,201 --> 00:25:09,725 SHE LOVED THE WAY YOU SANG. WHAT WAS THE SONG? 526 00:25:09,725 --> 00:25:12,859 FORGOT WHAT TUNE IT WAS. UH... 527 00:25:12,859 --> 00:25:14,904 MADE HER SMILE-- SHINE EYE GIRL. 528 00:25:14,904 --> 00:25:17,124 HOW YOU KNOW THAT? 529 00:25:17,124 --> 00:25:19,909 BECAUSE I READ IT. 530 00:25:19,909 --> 00:25:21,911 KIRA WROTE ABOUT ME? 531 00:25:21,911 --> 00:25:24,914 I'M NOT SURE I'M FEELIN' THAT. 532 00:25:24,914 --> 00:25:26,960 WHY, YOU GOT SOMETHING TO HIDE? 533 00:25:30,659 --> 00:25:33,009 I WAS 16. I STOLE A BEEMER. 534 00:25:33,009 --> 00:25:35,011 ENDED UP IN SPOFFORD FOR A YEAR. 535 00:25:35,011 --> 00:25:38,972 AND KIRA...SHE CAME TO SEE ME EVERY WEEK. 536 00:25:40,103 --> 00:25:42,758 WELL, SHE DIDN'T WRITE ANYTHING ABOUT THAT. 537 00:25:44,586 --> 00:25:46,022 LOOK, SHE EVER TELL YOU 538 00:25:46,022 --> 00:25:48,242 WHAT SHILL THOUGHT ABOUT HER NOVEL? 539 00:25:48,242 --> 00:25:51,027 HE NEVER LET HER READ IT IN FRONT OF HIS GROUP. 540 00:25:51,027 --> 00:25:53,029 SHE'D COME HOME IN TEARS. 541 00:25:53,029 --> 00:25:55,684 NO MATTER HOW HARD SHE WORKED, 542 00:25:55,684 --> 00:25:57,599 HE SAID IT WASN'T ENOUGH. 543 00:26:01,255 --> 00:26:03,779 [Eames] KIRA'S MANUSCRIPT WAS IN A FILE 544 00:26:03,779 --> 00:26:05,607 ON HER HARD DRIVE TITLED BUDGETS. 545 00:26:05,607 --> 00:26:08,044 YOU KNOW, I SPOKE TO D TOUR, 546 00:26:08,044 --> 00:26:10,525 AND SHILL STOLE HER VOICE. 547 00:26:10,525 --> 00:26:13,310 KIRA'S LAST PHONE CALLS WERE TO SHILL. 548 00:26:13,310 --> 00:26:15,617 YEAH, BUT HE MIGHT HAVE SNAPPED 549 00:26:15,617 --> 00:26:18,707 IF SHE TOLD HIM THAT SAGE WAS INTERESTED IN HER NOVEL. 550 00:26:18,707 --> 00:26:20,056 I DON'T KNOW IF I SEE SHILL 551 00:26:20,056 --> 00:26:22,276 LEAVING HIS WEST VILLAGE TOWNHOUSE 552 00:26:22,276 --> 00:26:26,106 TO SHOOT HIS PROTéGé IN A BROOKLYN GHETTO. 553 00:26:26,106 --> 00:26:28,630 YEAH, BUT THE GUY IS DESPERATE FOR A COMEBACK. 554 00:26:28,630 --> 00:26:30,719 IF KIRA EXPOSED HIM FOR WHAT HE IS, 555 00:26:30,719 --> 00:26:33,635 I CAN'T SEE THAT GUY SURVIVING HUMILIATION LIKE THAT. 556 00:26:33,635 --> 00:26:34,897 I KNOW GUYS LIKE THIS. 557 00:26:34,897 --> 00:26:37,073 I KNOW YOU DO. 558 00:26:37,073 --> 00:26:38,727 I'VE MET YOUR MENTOR. 559 00:26:38,727 --> 00:26:40,163 WELL, IT'S NOT ABOUT THAT. 560 00:26:40,163 --> 00:26:41,991 IT'S ABOUT FINDING THE TRUTH. 561 00:26:41,991 --> 00:26:44,298 WE GOTTA BRING THIS GUY IN NOW. 562 00:26:44,298 --> 00:26:47,170 LET'S TALK TO SHILL ON HIS OWN TURF. 563 00:26:47,170 --> 00:26:50,826 YOU KNOW, PHILLIP GREEN COULD ATTEST 564 00:26:50,826 --> 00:26:53,829 THAT THE THREE OF US WERE HOME ALL NIGHT. 565 00:26:53,829 --> 00:26:56,832 OF COURSE, HE'S IN STOCKHOLM, 566 00:26:56,832 --> 00:27:00,009 SO PERHAPS IT WOULD BE EASIER TO CONTACT TJ. 567 00:27:01,358 --> 00:27:03,883 YOUR LOYAL PROTéGé, TJ HAWKINS. 568 00:27:06,015 --> 00:27:08,191 NOW, HE OWES HIS CAREER TO YOU. 569 00:27:08,191 --> 00:27:10,193 WELL, HE'S BEEN KIND ENOUGH TO SAY SO. 570 00:27:10,193 --> 00:27:13,849 IN THE SAME WAY THAT YOU OWE KIRA YOUR COMEBACK. 571 00:27:13,849 --> 00:27:14,850 PARDON? 572 00:27:14,850 --> 00:27:17,070 YOU STOLE HER BOOK. 573 00:27:17,070 --> 00:27:20,029 RIGHT? YOUR NEW BOOK. 574 00:27:20,029 --> 00:27:22,858 KIRA'S LIFE IS AN INSPIRATION, 575 00:27:22,858 --> 00:27:24,686 BUT I-- 576 00:27:24,686 --> 00:27:27,863 WOULD YOU DO ME A FAVOR? COULD YOU READ THIS? 577 00:27:27,863 --> 00:27:30,387 I MARKED IT HERE... 578 00:27:30,387 --> 00:27:33,347 CAN YOU READ THIS FOR ME? 579 00:27:36,350 --> 00:27:38,308 LOOK, JUST... 580 00:27:38,308 --> 00:27:39,353 YEAH. 581 00:27:43,096 --> 00:27:46,186 "HE WAS MAKING CHICKEN STEW. 582 00:27:46,186 --> 00:27:48,318 "THE FETOR OF GARLIC PULLED HER BACK, 583 00:27:48,318 --> 00:27:51,321 BUT SHE WAS DETERMINED TO GO." 584 00:27:51,321 --> 00:27:53,367 THAT'S A NICE PIECE OF WRITING. 585 00:27:53,367 --> 00:27:55,108 THANK YOU. 586 00:27:55,108 --> 00:27:56,936 "D COOKS STEW CHICKEN. 587 00:27:59,112 --> 00:28:01,070 "THE SMELL OF GARLIC BURROWS INTO MY SILK BLOUSE. 588 00:28:01,070 --> 00:28:04,770 I LEAVE, REEKING OF HOME AND FEELING LIKE A TRAITOR." 589 00:28:06,293 --> 00:28:09,209 WE FOUND KIRA'S NOVEL. 590 00:28:10,253 --> 00:28:11,037 OH. 591 00:28:11,037 --> 00:28:13,256 [Goren] IT'S NOT AS PURPLE 592 00:28:13,256 --> 00:28:17,086 AS YOUR PROSE, BUT... 593 00:28:17,086 --> 00:28:20,133 I DON'T KNOW, TO ME IT RINGS TRUER. 594 00:28:20,133 --> 00:28:22,222 HUH. EVERYONE'S A CRITIC. 595 00:28:22,222 --> 00:28:26,443 [Goren] AND YOU'RE A PLAGIARIST, AREN'T YOU? 596 00:28:26,443 --> 00:28:28,358 YOU'RE A FAKE. 597 00:28:28,358 --> 00:28:30,143 A HACK. 598 00:28:30,143 --> 00:28:31,361 IF WORD GOT OUT, 599 00:28:31,361 --> 00:28:33,755 THOSE LECTURE FEES WOULD DRY UP. 600 00:28:33,755 --> 00:28:36,105 [Goren] KIRA TRUSTED YOU, 601 00:28:36,105 --> 00:28:38,368 AND YOU STOLE FROM HER. 602 00:28:38,368 --> 00:28:40,936 AND YOU ARE BEING HYPERBOLIC, DETECTIVE! 603 00:28:40,936 --> 00:28:41,981 I'M NOT DONE! 604 00:28:47,073 --> 00:28:49,728 I'D LIKE FOR YOU TO SAY THAT YOU'RE A FRAUD. 605 00:28:52,818 --> 00:28:54,080 [chuckles] 606 00:28:54,080 --> 00:28:55,777 [whimpers] 607 00:28:55,777 --> 00:28:57,953 AH...AH...AH! 608 00:28:57,953 --> 00:28:58,780 HAVE A SEAT. 609 00:28:58,780 --> 00:29:00,956 GO AHEAD. 610 00:29:00,956 --> 00:29:02,305 COME ON. 611 00:29:03,089 --> 00:29:05,004 I'D LIKE YOU TO SAY IT. 612 00:29:14,448 --> 00:29:16,058 OKAY. 613 00:29:19,496 --> 00:29:22,064 YOU PULLED BACK THE CURTAIN, 614 00:29:22,064 --> 00:29:26,460 AND YOU FOUND A PATHETIC OLD MAN... 615 00:29:26,460 --> 00:29:29,855 WHO COVETED A BRILLIANT YOUNG WRITER'S FUTURE. 616 00:29:32,031 --> 00:29:34,990 PERHAPS HE-- HE TOOK HER WORDS. 617 00:29:37,210 --> 00:29:38,951 ONLY HER WORDS. 618 00:29:38,951 --> 00:29:40,866 NOT HER LIFE. 619 00:29:46,175 --> 00:29:49,178 YOU KILLED KIRA TO SAVE YOUR LEGACY. 620 00:29:49,178 --> 00:29:50,832 WHAT LEGACY? 621 00:29:50,832 --> 00:29:54,183 MY LAST NOVEL SOLD LESS THAN A THOUSAND COPIES. 622 00:29:54,183 --> 00:30:00,015 I WAS HERE... AS I AM EVERY NIGHT, 623 00:30:00,015 --> 00:30:01,887 DRINKING... 624 00:30:17,250 --> 00:30:19,905 ALL RIGHT! 625 00:30:19,905 --> 00:30:22,255 I-I'LL GIVE YOU PHILLIP'S NUMBER. 626 00:30:23,299 --> 00:30:26,259 I WAS--I WAS HOPING TO SPARE HIM THIS, 627 00:30:26,259 --> 00:30:30,524 BUT HE WILL CERTIFY THAT I WAS HOME ALL NIGHT. 628 00:30:36,835 --> 00:30:38,271 MY GOD, 629 00:30:38,271 --> 00:30:41,056 IF I DIDN'T KNOW BETTER, I'D SWEAR THIS WAS PERSONAL. 630 00:30:44,973 --> 00:30:51,110 [ice cubes clinking] 631 00:30:52,024 --> 00:30:53,852 A VERY CRANKY PHILLIP GREEN IN STOCKHOLM. 632 00:30:53,852 --> 00:30:56,158 HE SAYS HE AND TJ AND SHILL 633 00:30:56,158 --> 00:30:57,856 GOT TO SHILL'S HOME AROUND 11:30 634 00:30:57,856 --> 00:30:59,248 WHERE HE SPENT 635 00:30:59,248 --> 00:31:02,338 MOST OF THE NIGHT IN THE GUEST ROOM RECOVERING. 636 00:31:02,338 --> 00:31:04,427 RECOVERING FROM WHAT? 637 00:31:04,427 --> 00:31:06,690 AN OVERABUNDANCE OF GRAPPA. 638 00:31:08,475 --> 00:31:11,434 WHY DON'T YOU GO BACK TO THE ONE GUY IN THIS MIX 639 00:31:11,434 --> 00:31:13,175 WHO ACTUALLY ADMITS TO BEING A MURDERER? 640 00:31:13,175 --> 00:31:15,177 THE POSER WITHOUT A MOTIVE? 641 00:31:15,177 --> 00:31:16,178 EAMES... 642 00:31:16,178 --> 00:31:17,832 WE'VE SEEN THE BITTER FATE 643 00:31:17,832 --> 00:31:20,226 OF BEING A ONE-HIT WONDER. 644 00:31:27,886 --> 00:31:30,758 DO YOU HAVE ANY IDEA WHAT WAS ON KIRA'S MIND 645 00:31:30,758 --> 00:31:33,152 THE NIGHT OF THE READING? 646 00:31:33,152 --> 00:31:36,155 WHAT, YOU COULDN'T BEAT AN ANSWER OUT OF LIONEL? 647 00:31:40,028 --> 00:31:41,812 HE'S MAD AT ME. 648 00:31:43,205 --> 00:31:45,425 IS THAT BECAUSE I WENT AFTER YOUR MENTOR LIKE THAT? 649 00:31:45,425 --> 00:31:47,949 LOOK, KIRA WAS YOUR FRIEND. 650 00:31:47,949 --> 00:31:49,995 SHE WAS IN TROUBLE. 651 00:31:49,995 --> 00:31:52,084 SHE DIDN'T TELL YOU ANYTHING? 652 00:31:52,084 --> 00:31:54,521 I DIDN'T HAVE TIME TO TALK TO HER BEFORE THE READING. 653 00:31:54,521 --> 00:31:56,131 THEN SHE HOOKED UP WITH SAGE. 654 00:31:56,131 --> 00:31:58,090 AND WHEN SHE CALLED THE RESTAURANT? 655 00:31:58,090 --> 00:31:59,961 I DIDN'T KNOW SHE CALLED. 656 00:31:59,961 --> 00:32:01,354 PHILLIP WAS HOLDING COURT, 657 00:32:01,354 --> 00:32:03,486 TELLING STORIES ABOUT SMOKING POT IN THE WHITE HOUSE 658 00:32:03,486 --> 00:32:05,097 WITH ALLEN GINSBERG. 659 00:32:07,882 --> 00:32:09,971 WELL, SHILL TOLD US 660 00:32:09,971 --> 00:32:11,146 THAT SHE WAS DISTRAUGHTAND... 661 00:32:11,146 --> 00:32:13,322 HE DIDN'T SHARE THAT WITH YOU AT ALL? 662 00:32:13,322 --> 00:32:15,411 MAYBE HE THOUGHT YOU'D BREAK OUT 663 00:32:15,411 --> 00:32:17,370 INTO A VIOLENT RAGE OR SOMETHING. 664 00:32:17,370 --> 00:32:19,763 YOU KNOW, HE SHOWED YOU OFF AS HIS PRIZED PUPIL, 665 00:32:19,763 --> 00:32:22,810 BUT MAYBE HE THOUGHT DEEP DOWN YOU WERE STILL AN ANIMAL. 666 00:32:25,030 --> 00:32:27,119 LET ME DO IT. HERE, COME ON. 667 00:32:27,119 --> 00:32:28,381 GO AHEAD. 668 00:32:28,381 --> 00:32:29,904 YOU DON'T WANNA STAND THERE. 669 00:32:29,904 --> 00:32:31,036 COME ON.YEAH? 670 00:32:31,036 --> 00:32:32,776 COME ON, TJ. LET'S SEE WHAT YOU GOT. 671 00:32:34,213 --> 00:32:36,041 COME ON. 672 00:32:36,041 --> 00:32:37,216 GIVE IT YOUR BEST SHOT. 673 00:32:38,957 --> 00:32:41,176 THAT'S IT? THAT'S--THAT'S WHAT YOU HAVE? 674 00:32:41,176 --> 00:32:43,048 IS THAT IT? THAT'S ALL HE'S GOT? 675 00:32:43,048 --> 00:32:45,050 OKAY, MAYBE THIS'LL MAKE IT EASIER FOR YOU. 676 00:32:45,050 --> 00:32:47,095 OH, BOBBY-- 677 00:32:47,095 --> 00:32:49,271 SORRY ABOUT THE FLIES. THEY'RE ALL OVER YOU. 678 00:32:53,101 --> 00:32:55,016 SHOW ME SOMETHING.COME ON. 679 00:32:59,107 --> 00:33:01,240 SHOW ME SOMETHING. 680 00:33:02,284 --> 00:33:04,983 I ONLY START WHAT I CAN FINISH. 681 00:33:10,901 --> 00:33:13,078 WELL, I GUESS THERE WEREN'T ENOUGH CAMERAS AROUND 682 00:33:13,078 --> 00:33:14,601 FOR HIM TO GIVE USA SHOW. 683 00:33:14,601 --> 00:33:16,124 WELL, HE GAVE US A TELL. 684 00:33:16,124 --> 00:33:18,431 TURNED HIS BACK WHEN HE WALKED AWAY. 685 00:33:20,128 --> 00:33:21,390 WHICH WOULD HAVE BEEN THE FIRST THING 686 00:33:21,390 --> 00:33:24,002 HE'D LEARN NOT TO DO IN THE PEN. 687 00:33:29,137 --> 00:33:32,097 [Goren] THANK YOU VERY MUCH. ASHKOURAK. 688 00:33:32,097 --> 00:33:34,055 YOU TWO PUNCHED IN EARLY. 689 00:33:34,055 --> 00:33:36,492 [Goren] WELL, THEY'RE SEVEN HOURS AHEAD OF US IN YEMEN. 690 00:33:36,492 --> 00:33:40,235 THE JAIL THAT TJ CLAIMS TO HAVE SERVED TIME IN 691 00:33:40,235 --> 00:33:42,063 BURNED DOWN IN 2004. 692 00:33:42,063 --> 00:33:43,630 AND THE STATE DEPARTMENT HAS NO RECORD 693 00:33:43,630 --> 00:33:45,980 OF TJ EVER BEING IN YEMEN. 694 00:33:45,980 --> 00:33:47,460 I MAY BE DENSE, 695 00:33:47,460 --> 00:33:50,071 BUT WHAT HAS THIS GOT TO DO WITH KIRA DANFORTH? 696 00:33:50,071 --> 00:33:52,117 TJ'S NEW BOOK, AMERICAN DELINQUENT. 697 00:33:52,117 --> 00:33:57,165 NOW, HE DOESN'T NAME THE JUVIE DETENTION CENTER, 698 00:33:57,165 --> 00:33:59,254 BUT HE WRITES ABOUT IT. 699 00:33:59,254 --> 00:34:02,997 HE SAYS THAT HE COULD SMELL RAW MEAT FROM HIS CELL. 700 00:34:04,216 --> 00:34:06,087 THE PRODUCE AND MEAT CENTER IN THE BRONX. 701 00:34:06,087 --> 00:34:07,306 IT'S SPOFFORD. 702 00:34:07,306 --> 00:34:09,264 THAT'S WHERE D TOUR SPENT A YEAR 703 00:34:09,264 --> 00:34:10,874 FOR STEALING A CAR. 704 00:34:10,874 --> 00:34:12,572 NOW, I CALLED D TOUR AGAIN 705 00:34:12,572 --> 00:34:16,097 AND TOLD HIM SOME OF THE THINGS THAT TJ SAYS IN THIS BOOK. 706 00:34:16,097 --> 00:34:18,143 HE LAUGHED. 707 00:34:18,143 --> 00:34:19,448 TJ DID ENOUGH RESEARCH TO SOUND CONVINCING. 708 00:34:19,448 --> 00:34:22,147 IT WAS JUST HIS BAD LUCK THAT KIRA'S BOYFRIEND 709 00:34:22,147 --> 00:34:23,496 WAS ACTUALLY THERE. 710 00:34:23,496 --> 00:34:26,020 OKAY, BUT HOW CAN SHE HURT HIM? 711 00:34:26,020 --> 00:34:27,152 SHE'S AN UNPUBLISHED WRITER. 712 00:34:27,152 --> 00:34:29,502 HE'S ON THE TOP OF THE BEST-SELLER LIST. 713 00:34:29,502 --> 00:34:31,199 BUT NOT WITH AMERICAN DELINQUENT. 714 00:34:31,199 --> 00:34:33,027 THE DAILY TIMES 715 00:34:33,027 --> 00:34:35,029 HASN'T PUBLISHED A REVIEW YET. 716 00:34:35,029 --> 00:34:36,944 POWERHOUSE AUTHOR LIKE HAWKINS, 717 00:34:36,944 --> 00:34:39,338 THAT REVIEW SHOULD HAVE RUN IN TIME WITH THE RELEASE. 718 00:34:39,338 --> 00:34:41,557 UNLESS WHOEVER WROTE IT... 719 00:34:41,557 --> 00:34:44,343 COULDN'T TURN IT IN. 720 00:34:45,561 --> 00:34:47,302 [Sage] OKAY, I SHOULD HAVE TOLD YOU 721 00:34:47,302 --> 00:34:50,958 THAT KIRA WAS GOING TO REVIEW TJ'S BOOK. 722 00:34:50,958 --> 00:34:51,959 [Goren] IN THE TIMES. 723 00:34:51,959 --> 00:34:53,178 YES. 724 00:34:53,178 --> 00:34:55,180 WHEN DID YOU TELL TJ? 725 00:34:55,180 --> 00:34:57,182 I DIDN'T. 726 00:34:57,182 --> 00:34:59,184 I DIDN'T WANT TJ PRESSURING KIRA. 727 00:34:59,184 --> 00:35:00,576 IT WAS TOO RISKY. 728 00:35:00,576 --> 00:35:03,275 THE NIGHT THAT YOU TOOK KIRA OUT 729 00:35:03,275 --> 00:35:05,190 AFTER THE READING... 730 00:35:05,190 --> 00:35:08,193 YOU KNEW THAT YOU DIDN'T WANT TO REPRESENT HER NOVEL. 731 00:35:08,193 --> 00:35:10,238 TJ AND KIRA WERE FRIENDS. 732 00:35:10,238 --> 00:35:14,373 I WOULD ASSUME THAT THE REVIEW WOULD BE A RAVE, SURE. 733 00:35:14,373 --> 00:35:17,027 BUT I WANTED TO COVER MY BASES. 734 00:35:17,027 --> 00:35:20,292 HEY, ANY CHANCE THE TIMES LET YOU SEE THAT REVIEW? 735 00:35:20,292 --> 00:35:22,294 [Eames] KIRA NEVER HANDED IT IN. 736 00:35:22,294 --> 00:35:25,079 IT WAS DUE THE DAY AFTER SHE WAS KILLED. 737 00:35:25,079 --> 00:35:27,386 GREAT! JUST MY LUCK. 738 00:35:27,386 --> 00:35:29,214 NOW THEY'RE GONNA HAVE TO REASSIGN. 739 00:35:29,214 --> 00:35:30,650 THE THING COULD TAKE WEEKS. 740 00:35:30,650 --> 00:35:33,305 [Eames] WELL, I'M SURE YOU CAN COME UP WITH 741 00:35:33,305 --> 00:35:35,350 SOMEONE ELSE WHO CAN WRITE IT. 742 00:35:35,350 --> 00:35:36,351 WHAT ARE YOU SAYING? 743 00:35:36,351 --> 00:35:38,179 WELL, KIRA'S UNPUBLISHED. 744 00:35:38,179 --> 00:35:40,094 SHE COULDN'T HAVE GOTTEN THE GIG AT THE TIMES 745 00:35:40,094 --> 00:35:42,270 UNLESS SOMEONE CASHED IN A FAVOR. 746 00:35:42,270 --> 00:35:45,317 [chuckling] THE DAY THEY LET AGENTS 747 00:35:45,317 --> 00:35:47,101 CHOOSE WHO'S GONNA REVIEW BOOKS 748 00:35:47,101 --> 00:35:50,409 IS THE DAY EVEN I THINK THE BUSINESS IS TOO SLEAZY. 749 00:35:50,409 --> 00:35:54,152 OKAY, IF IT WASN'T YOU, HOW'D KIRA GET THE ASSIGNMENT? 750 00:35:54,152 --> 00:35:56,415 HOW DID SHE GET THE ASSIGNMENT? 751 00:35:56,415 --> 00:36:00,332 WHO DO YOU THINK THE TIMES EDITOR STUDIED UNDER? 752 00:36:01,768 --> 00:36:03,248 [Eames] SHILL GOT KIRA ASSIGNED 753 00:36:03,248 --> 00:36:05,250 TO REVIEW HIS PROTéGé'S BOOK, 754 00:36:05,250 --> 00:36:06,555 KIRA'S FIRST BIG BREAK. 755 00:36:06,555 --> 00:36:08,209 [cell phone ringing] 756 00:36:08,209 --> 00:36:09,732 GOREN. 757 00:36:09,732 --> 00:36:12,605 OH, IS THAT RIGHT? ALL RIGHT, THANKS. 758 00:36:12,605 --> 00:36:15,608 BALLISTICS. THEY GOT A HIT ON THAT .22. 759 00:36:15,608 --> 00:36:18,132 THEY ALREADY RAN THAT GUN. CAME UP EMPTY. 760 00:36:18,132 --> 00:36:19,307 YEAH, IN NEW YORK. 761 00:36:19,307 --> 00:36:21,353 I HAD A FRIEND RUN IT IN JERSEY. 762 00:36:21,353 --> 00:36:24,312 TURNS OUT, IT WAS USED IN THE NEWARK RIOTS 763 00:36:24,312 --> 00:36:25,444 TO SHOOT A COP. 764 00:36:25,444 --> 00:36:27,707 THAT BOY SHILL TAUGHT IN PRISON... 765 00:36:27,707 --> 00:36:29,622 HE NOT ONLY GOT A NOVEL OUT OF HIM. 766 00:36:29,622 --> 00:36:31,276 HE GOT THE KID'S GUN? 767 00:36:31,276 --> 00:36:32,538 SAME AS THE BOOK, RIGHT? 768 00:36:32,538 --> 00:36:34,496 KID GIVES THE TEACHER THE GUN FOR SAFEKEEPING. 769 00:36:34,496 --> 00:36:36,629 KIRA WAS SWIMMING WITH SHARKS. 770 00:36:36,629 --> 00:36:39,284 SHILL'S A THIEF. TJ'S A FRAUD. 771 00:36:39,284 --> 00:36:40,415 EITHER ONE OF THEM 772 00:36:40,415 --> 00:36:43,070 COULD HAVE TAKEN THAT GUN TO BROOKLYN. 773 00:36:47,683 --> 00:36:50,295 [woman] I WANTED TO OPEN WITH SOMETHING MEMORABLE. 774 00:36:50,295 --> 00:36:53,515 WELL, MY DEAR, TWO THINGS: 775 00:36:53,515 --> 00:36:55,691 FIRST, IT WASN'T MEMORABLE. 776 00:36:55,691 --> 00:36:59,478 IT WAS LIKE JOYCE CAROL OATES ON BARBITURATES. 777 00:36:59,478 --> 00:37:01,262 SECONDLY, YOUR OPENING SENTENCE 778 00:37:01,262 --> 00:37:04,178 MUST BE A PROMISE OF A TRUTH WORTH READING. 779 00:37:04,178 --> 00:37:06,354 ANYTHING LESS IS BLASPHEMY. 780 00:37:06,354 --> 00:37:11,229 [deliberate clapping] 781 00:37:12,317 --> 00:37:15,320 THEY FOLLOWED ME IN. THEY HAVE BADGES. 782 00:37:15,320 --> 00:37:17,496 WE'RE IN THE MIDDLE OF OUR SALON. 783 00:37:17,496 --> 00:37:20,281 IT'S OKAY. I WANTED TO SEE THE... 784 00:37:20,281 --> 00:37:22,675 MASTER AT WORK, YOU KNOW, PLOTTING THE... 785 00:37:22,675 --> 00:37:24,503 PSYCHOLOGICAL INTRIGUE. 786 00:37:24,503 --> 00:37:27,419 THE WAY THAT YOU MANIPULATE LIVES, AS IF... 787 00:37:27,419 --> 00:37:29,464 THEY WERE CHARACTERS 788 00:37:29,464 --> 00:37:32,337 IN YOUR OWN LIFE NOVEL WHERE YOU PLAY GOD. 789 00:37:32,337 --> 00:37:34,426 SHOW SOME RESPECT, SHERLOCK. 790 00:37:34,426 --> 00:37:36,297 [Eames] RESPECT. THAT'S IMPORTANT, ISN'T IT? 791 00:37:36,297 --> 00:37:37,516 WHERE'D YOU LEARN THAT, 792 00:37:37,516 --> 00:37:40,301 AT THAT HELLHOLE IN YEMEN 793 00:37:40,301 --> 00:37:42,129 OR AT SPOFFORD? 794 00:37:42,129 --> 00:37:44,305 HARD TIME IS HARD TIME. 795 00:37:44,305 --> 00:37:45,828 BEEN GOOD FOR YOU. 796 00:37:45,828 --> 00:37:47,482 HOW'S THAT SECOND BOOK-- OH, WAIT. 797 00:37:47,482 --> 00:37:48,875 IT HASN'T REALLY CAUGHT ON FIRE YET. 798 00:37:48,875 --> 00:37:50,703 YOU STILL WAITING ON THE TIMES REVIEW? 799 00:37:50,703 --> 00:37:54,707 [Eames] A GOOD FRIEND LIKE KIRA SINGING YOUR PRAISES. 800 00:37:54,707 --> 00:37:56,448 THAT WOULD HAVE BEEN A SLAM DUNK. 801 00:37:56,448 --> 00:37:59,451 DID YOU KNOW THAT MR. SHILL GOT KIRA THE JOB, 802 00:37:59,451 --> 00:38:02,410 CONNED AN EDITOR FRIEND OF HIS OVER THERE 803 00:38:02,410 --> 00:38:05,848 INTO GLOSSING OVER KIRA'S CONFLICT OF INTEREST? 804 00:38:05,848 --> 00:38:08,373 SHE WAS THE PERFECT CHOICE, WASN'T SHE, 805 00:38:08,373 --> 00:38:11,680 BECAUSE OF HER CONNECTION TO THE MATERIAL? 806 00:38:11,680 --> 00:38:15,728 THE LOVE OF KIRA'S LIFE SPENT A YEAR IN SPOFFORD. 807 00:38:15,728 --> 00:38:19,253 SHE KNOWS THE TRUTH OF THAT PLACE, YOU KNOW? 808 00:38:19,253 --> 00:38:22,169 WHEN SHE READ YOUR BOOK, SHE SAW IT FOR WHAT IT WAS. 809 00:38:22,169 --> 00:38:23,823 IT WAS PURE FICTION. 810 00:38:23,823 --> 00:38:27,174 [Eames] HER EXPOSé WOULD HAVE BEEN FRONT PAGE NEWS. 811 00:38:27,174 --> 00:38:28,523 SO YOU HAD TO STOP THAT. 812 00:38:34,312 --> 00:38:37,880 HOW DID YOU KNOW THAT HE WAS A FAKE? 813 00:38:37,880 --> 00:38:38,881 DID KIRA TELL YOU THAT, 814 00:38:38,881 --> 00:38:40,927 OR YOU FIGURE THAT OUT ON YOUR OWN? 815 00:38:40,927 --> 00:38:43,277 YOU KNOW THIS IS ABSOLUTE NONSENSE. 816 00:38:45,235 --> 00:38:46,367 KIRA SHOW YOU THIS? 817 00:38:46,367 --> 00:38:48,500 IT'S KIRA'S NOVEL IN PROGRESS. 818 00:38:48,500 --> 00:38:49,805 HERE. 819 00:38:49,805 --> 00:38:51,546 [Shill, chuckling] I'LL TAKE IT. 820 00:38:52,721 --> 00:38:54,723 YOU SHOULD HAVE A LOOK AT IT. 821 00:38:54,723 --> 00:38:57,247 YOU'LL...RECOGNIZE IT. 822 00:38:57,247 --> 00:38:59,467 HE STOLE HER VOICE AND HER LIFE. 823 00:38:59,467 --> 00:39:02,296 HE PUT HIS NAME ON IT. 824 00:39:04,646 --> 00:39:05,734 YOU'RE LYING. 825 00:39:10,913 --> 00:39:12,480 READ IT. 826 00:39:15,701 --> 00:39:18,965 SECOND CALL THAT SHE MADE TO YOU... 827 00:39:18,965 --> 00:39:21,402 SHE HAD BEEN BEATEN UP, YOU KNOW. 828 00:39:21,402 --> 00:39:22,664 SHE WAS HURT. SHE WAS SCARED. 829 00:39:22,664 --> 00:39:24,274 SHE REACHED OUT TO YOU, 830 00:39:24,274 --> 00:39:25,754 AND WHAT DID YOU DO? 831 00:39:25,754 --> 00:39:27,669 I COULD NOT UNDERSTAND A WORD SHE WAS SAYING. 832 00:39:27,669 --> 00:39:30,498 NO, YOU SHOWED TJ HER REVIEW. 833 00:39:30,498 --> 00:39:32,282 OH, TJ, 834 00:39:32,282 --> 00:39:33,806 THEY'RE TRYING TO PROVOKE YOU. 835 00:39:33,806 --> 00:39:36,678 COME ON, TJ. 836 00:39:36,678 --> 00:39:40,508 HE SET YOU UP TO KILL KIRA, 837 00:39:40,508 --> 00:39:42,771 NOT BECAUSE SHE WAS GONNA EXPOSE YOU, 838 00:39:42,771 --> 00:39:44,556 BUT BECAUSE SHE WAS GONNA EXPOSE HIM. 839 00:39:45,861 --> 00:39:47,472 YOU KNOW, YOU DON'T WANNA READ THAT THING? 840 00:39:47,472 --> 00:39:49,648 THAT'S FINE. 841 00:39:49,648 --> 00:39:53,303 READ SHILL'S. LET'S HAVE A LOOK AT YOURS. 842 00:39:53,303 --> 00:39:55,697 "SHE RIDES THE TRAIN TO MIDTOWN. 843 00:39:55,697 --> 00:39:57,482 "THE OTHER BLACK WOMEN 844 00:39:57,482 --> 00:40:01,007 "IN THEIR SECRETARY BEST EYE HER. 845 00:40:01,007 --> 00:40:03,662 "SAMPLE SALE CLOTHES. 846 00:40:03,662 --> 00:40:05,490 STRAIGHTENED HAIR." 847 00:40:05,490 --> 00:40:07,927 YOU SON OF A BITCH. 848 00:40:07,927 --> 00:40:10,320 YOU KNEW I WAS DOWN ABOUT MY BOOK, 849 00:40:10,320 --> 00:40:13,672 AFRAID I WAS GONNA... LOSE EVERYTHING. 850 00:40:14,890 --> 00:40:16,849 HE WOUND YOU UP. HE GAVE YOU A GUN. 851 00:40:16,849 --> 00:40:18,894 WHERE WOULD I GET A GUN, TJ? 852 00:40:18,894 --> 00:40:21,767 LAMAR STYLES. REMEMBER HIM? 853 00:40:21,767 --> 00:40:23,508 [book clunks on table] 854 00:40:23,508 --> 00:40:26,902 HE SHOT A COP IN THE NEWARK RIOTS IN '67. 855 00:40:26,902 --> 00:40:28,861 [Eames] THE BULLETS THEY FOUND IN KIRA 856 00:40:28,861 --> 00:40:31,472 WERE FROM THAT SAME GUN. 857 00:40:31,472 --> 00:40:33,692 HE GAVE IT TO YOU, DIDN'T HE? 858 00:40:38,871 --> 00:40:40,568 YES. 859 00:40:40,568 --> 00:40:42,657 BUT BEFORE HE DID, 860 00:40:42,657 --> 00:40:44,833 HE CUT ME A LINE OF COKE. 861 00:40:44,833 --> 00:40:46,792 I'D BEEN CLEAN FOR FIVE YEARS. 862 00:40:46,792 --> 00:40:49,708 HE TOLD ME I DESERVED IT. 863 00:40:49,708 --> 00:40:51,797 THEN HE CUT ANOTHER ONE. 864 00:40:51,797 --> 00:40:55,540 TOLD ME TO GO GET THE CIGAR BOX FROM HIS DESK. 865 00:40:55,540 --> 00:40:57,890 OH, YOU INGRATE. 866 00:40:57,890 --> 00:41:00,283 HE TOLD ME TO TAKE THE PIECE. 867 00:41:03,591 --> 00:41:05,941 BE THE MAN I WROTE ABOUT. 868 00:41:11,643 --> 00:41:14,080 WHEN I GOT TO KIRA'S APARTMENT, I-- 869 00:41:14,080 --> 00:41:16,648 I CONFRONTED HER ABOUT THE REVIEW. 870 00:41:16,648 --> 00:41:18,911 YEAH, BUT SHE DIDN'T WANT TO HEAR ABOUT ANY REVIEW. 871 00:41:18,911 --> 00:41:20,913 NOT FROM A FRAUD LIKE YOU. 872 00:41:20,913 --> 00:41:24,786 SHE TOLD ME I WOULD NEVER BE ABLE TO USE A REAL GUN 873 00:41:24,786 --> 00:41:27,615 'CAUSE I WASN'T REAL. 874 00:41:27,615 --> 00:41:32,359 SHE MOCKED ME, TAUNTED ME. 875 00:41:32,359 --> 00:41:35,362 YOU NEEDED TO SHOW HER THAT YOU WERE REAL. 876 00:41:35,362 --> 00:41:36,885 I PULLED THE TRIGGER. 877 00:41:36,885 --> 00:41:40,715 BUT YOU DIDN'T EVEN HAVE THE COURAGE TO FINISH THE JOB. 878 00:41:40,715 --> 00:41:42,456 KIRA BLED TO DEATH. 879 00:41:42,456 --> 00:41:44,414 TJ HAWKINS, YOU ARE UNDER ARREST 880 00:41:44,414 --> 00:41:47,069 FOR THE MURDER OF KIRA DANFORTH. 881 00:41:49,594 --> 00:41:50,899 LIONEL SHILL, YOU'RE UNDER ARREST 882 00:41:50,899 --> 00:41:54,947 FOR CONSPIRING IN THE MURDER OF KIRA DANFORTH. 883 00:41:54,947 --> 00:41:56,514 TJ. HA. 884 00:41:56,514 --> 00:41:59,821 FROM MY TRIUMPH TO MY ALBATROSS. 885 00:42:05,044 --> 00:42:07,133 [Goren] SEE THOSE WRITERS? 886 00:42:07,133 --> 00:42:10,528 THEY'RE GONNA HAVE A HELL OF A STORY. 62212

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