Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:05,875 --> 00:00:08,530
[male announcer]
IN NEW YORK CITY'S
WAR ON CRIME,
2
00:00:08,530 --> 00:00:10,836
THE WORST CRIMINAL OFFENDERS
ARE PURSUED
3
00:00:10,836 --> 00:00:13,709
BY THE DETECTIVES
OF THE MAJOR CASE SQUAD.
4
00:00:13,709 --> 00:00:16,103
THESE ARE THEIR STORIES.
5
00:00:22,892 --> 00:00:24,807
[gunshot]
6
00:00:24,807 --> 00:00:27,549
[gunshots]
7
00:00:34,817 --> 00:00:38,299
LIONEL,
I CAN'T DO THIS TO HIM.
8
00:00:38,299 --> 00:00:41,084
HE'S MY FRIEND.
9
00:00:41,084 --> 00:00:43,086
I HAVE TO CALL YOU BACK.
10
00:00:43,086 --> 00:00:44,566
I KNOW THIS IS
YOUR BIG NIGHT,
11
00:00:44,566 --> 00:00:46,437
BUT THESE NEED
TO BE PROOFED.
12
00:00:55,272 --> 00:00:56,882
GO.
13
00:00:56,882 --> 00:00:59,059
[giggles]
14
00:01:07,676 --> 00:01:09,678
YOU'RE JUST LEAVING NOW?
15
00:01:10,374 --> 00:01:14,117
DON'T EVEN BOTHER, D.
16
00:01:14,117 --> 00:01:17,251
THANK YOU.
17
00:01:17,251 --> 00:01:18,295
THANK YOU VERY MUCH.
18
00:01:18,295 --> 00:01:20,471
[applause]
19
00:01:23,431 --> 00:01:27,348
NEXT UP, I'M PERSONALLY
PROUD TO INTRODUCE,
20
00:01:27,348 --> 00:01:29,611
STRAIGHT OUT OF BROOKLYN,
21
00:01:29,611 --> 00:01:32,701
GIVE IT UP FOR
MISS KIRA DANFORTH.
22
00:01:32,701 --> 00:01:37,271
[cheers and applause]
23
00:01:39,969 --> 00:01:44,452
THE FOLLOWING IS,
AS THEY SAY...
24
00:01:44,452 --> 00:01:46,454
A TRUE STORY.
25
00:01:48,456 --> 00:01:51,894
[Kira]
I'M SO GLAD YOU CAME TONIGHT.
THAT MEANT A LOT TO ME.
26
00:01:51,894 --> 00:01:53,809
YOU KNOW WHAT I'M SAYING?
27
00:01:53,809 --> 00:01:55,724
I'M LIKE AIRING
MY DIRTY LAUNDRY--
28
00:01:55,724 --> 00:01:59,945
YOU. YOU HAVE
A GREAT NOVEL IN YOU.
29
00:01:59,945 --> 00:02:01,817
AND I WANT IT.
30
00:02:01,817 --> 00:02:04,298
LIONEL SAYS IT'S NOT
A NOVEL YET.
31
00:02:04,298 --> 00:02:05,603
LIONEL'S NOT AN AGENT.
32
00:02:05,603 --> 00:02:07,388
I AM.
33
00:02:07,388 --> 00:02:09,433
COME ON.
FIRST DRINK IS ON ME.
34
00:02:09,433 --> 00:02:11,609
I HAVE TO READ
THE WHOLE BOOK.
35
00:02:11,609 --> 00:02:12,871
I MEAN,
I CAN'T BELIEVE--
36
00:02:12,871 --> 00:02:14,221
YO, KIRA,
WHAT'S THIS?
37
00:02:14,221 --> 00:02:15,787
[Sage]
HO, HO, HO,
HEY, HEY, HEY.
38
00:02:15,787 --> 00:02:17,485
HANDS OFF THE LADY.
39
00:02:21,402 --> 00:02:23,317
SHALL WE?
40
00:02:26,320 --> 00:02:27,930
YOU KNOW HIM?I'M SORRY.
41
00:02:30,628 --> 00:02:32,935
[Shill]
HE COULDN'T MAKE A SENTENCE
STAND UP AND BE NOTICED
42
00:02:32,935 --> 00:02:34,197
IF HE PUT VIAGRA
IN THE INK.
43
00:02:34,197 --> 00:02:36,417
[men chuckling]
44
00:02:36,417 --> 00:02:37,635
DEAR. AH.
45
00:02:37,635 --> 00:02:39,637
THANK YOU.
46
00:02:39,637 --> 00:02:44,425
HELLO.
KIRA, WHERE ARE YOU?
47
00:02:44,425 --> 00:02:47,428
KIRA,
HE'S VERY BAD NEWS.
48
00:02:47,428 --> 00:02:48,559
GET OUT.
49
00:02:48,559 --> 00:02:50,387
JUST COME JOIN US
AS SOON AS YOU CAN.
50
00:02:50,387 --> 00:02:52,476
SUCH A PLEASURE
TO MEET YOU, MR. GREEN.
51
00:02:52,476 --> 00:02:53,912
REALLY.
52
00:02:53,912 --> 00:02:55,958
UH-HUH.
53
00:02:57,873 --> 00:02:59,831
[object shatters]
THAT'S NOT REAL EITHER!
54
00:02:59,831 --> 00:03:01,659
[gunshots]
55
00:03:57,628 --> 00:03:59,761
[Detective Willis]
VICTIM'S KIRA DANFORTH.
56
00:03:59,761 --> 00:04:01,676
LOT OF GOOD
THESE LOCKS DID.
57
00:04:01,676 --> 00:04:03,852
LOOKS LIKE A PUSH-IN.
58
00:04:03,852 --> 00:04:05,723
AH, BUT WHAT DO I KNOW,
59
00:04:05,723 --> 00:04:08,378
AFTER WORKING
ONLY 50 HOMICIDES?
60
00:04:08,378 --> 00:04:10,902
YOU MIND TELLING ME
WHY MAJOR CASE IS SLUMMING?
61
00:04:10,902 --> 00:04:12,600
VICTIM WORKED
FOR ARIANA CYPHER
62
00:04:12,600 --> 00:04:13,905
OF CYPHER PRESS.
63
00:04:13,905 --> 00:04:16,734
OH. TOOK HER
FOR A COLLEGE GRAD.
64
00:04:16,734 --> 00:04:19,737
WHAT WITH ALL THE BOOKS,
MILK CRATE FURNITURE.
65
00:04:19,737 --> 00:04:21,783
OH, FOUND THIS...
66
00:04:21,783 --> 00:04:23,654
HERE NEAR THE, UH, KITCHENETTE.
67
00:04:23,654 --> 00:04:25,613
SATURDAY NIGHT SPECIAL.
68
00:04:25,613 --> 00:04:26,744
OLDER THAN THE VICTIM.
69
00:04:26,744 --> 00:04:28,746
[Eames]
SMALL CALIBER.
70
00:04:28,746 --> 00:04:30,313
POOR GIRL BLED TO DEATH.
71
00:04:31,793 --> 00:04:33,447
LOOKS LIKE SHE'S GOT
72
00:04:33,447 --> 00:04:34,883
SYNTHETIC
HAIR EXTENSIONS.
73
00:04:34,883 --> 00:04:36,624
THEY'VE BEEN SINGED.
74
00:04:36,624 --> 00:04:38,930
THIS HAND'S BURNED.
LOOKS LIKE COILS.
75
00:04:38,930 --> 00:04:40,845
STOVE'S ELECTRIC.
76
00:04:45,763 --> 00:04:48,113
SO...
77
00:04:48,113 --> 00:04:50,942
THEY TRIED TO, UH,
78
00:04:50,942 --> 00:04:53,336
SHOVE HER HEAD
INTO THE BURNER.
79
00:04:53,336 --> 00:04:56,034
SHE BLOCKS IT
WITH HER LEFT HAND.
80
00:05:00,038 --> 00:05:02,737
BURNS HER HAND
AND HER HAIR TOO.
81
00:05:02,737 --> 00:05:04,826
WHOEVER DID THIS,
THEY WERE LOOKING FOR SOMETHING.
82
00:05:04,826 --> 00:05:06,871
THEY WANTED HER TO TALK.
83
00:05:27,414 --> 00:05:30,025
WELL, THEY MIGHT HAVE FOUND
WHAT THEY WERE LOOKING FOR.
84
00:05:30,025 --> 00:05:32,157
I GOT BRIGHT GREEN RESIN,
85
00:05:32,157 --> 00:05:34,856
[sniffs]
CRYSTALLIZED.
86
00:05:34,856 --> 00:05:37,772
AND THEY SAY COPS
HAVE THE BEST POT.
87
00:05:37,772 --> 00:05:40,688
EAST FLATBUSH KID.
88
00:05:40,688 --> 00:05:43,821
SELLING HIGH-END WEED
TO HER MIDTOWN COLLEAGUES.
89
00:05:43,821 --> 00:05:45,954
YOU KNOW, YOU COULD STORE
A FORTUNE IN HERE.
90
00:05:45,954 --> 00:05:48,826
A SINGLE FEMALE--
EASY TARGET.
91
00:05:48,826 --> 00:05:51,481
SHE MIGHT NOT BE SINGLE.
92
00:05:51,481 --> 00:05:54,484
SCARFACE DVD.
MEN'S HOODIES.
93
00:05:54,484 --> 00:05:57,487
WHERE'S HER BOYFRIEND?
94
00:05:57,487 --> 00:05:59,489
SOMEBODY OUTSIDE
WANTS A WORD.
95
00:05:59,489 --> 00:06:01,056
FAMILY?
96
00:06:01,056 --> 00:06:02,187
DON'T KNOW.
97
00:06:02,187 --> 00:06:05,190
BUT YOU'RE MAJOR CASE.
YOU TELL ME.
98
00:06:07,976 --> 00:06:09,717
[police radio chatter]
99
00:06:09,717 --> 00:06:11,501
[woman]
KIRA MAY HAVE
COME FROM HERE,
100
00:06:11,501 --> 00:06:12,894
BUT SHE WAS GOING PLACES.
101
00:06:12,894 --> 00:06:14,809
[Eames]
WHAT DID KIRA
DO FOR YOU, MISS CYPHER?
102
00:06:14,809 --> 00:06:18,508
EVERYTHING.
SHE WAS DEVOTED, BRILLIANT.
103
00:06:18,508 --> 00:06:22,120
NO MATTER HOW EARLY I GOT IN,
SHE WAS ALWAYS THERE FIRST.
104
00:06:22,120 --> 00:06:24,079
RIGHT. WHEN SHE DIDN'T
SHOW THIS MORNING,
105
00:06:24,079 --> 00:06:25,472
YOU CAME HERE?
106
00:06:25,472 --> 00:06:27,691
NO. I SENT MY OTHER
ASSISTANT, PAIGE.
107
00:06:27,691 --> 00:06:29,519
SHE CALLED 911.
108
00:06:29,519 --> 00:06:31,782
FEEL FREE
TO ASK HER ANYTHING.
109
00:06:31,782 --> 00:06:33,262
I WANT THE KILLER CAUGHT.
110
00:06:33,262 --> 00:06:35,569
YOU'LL HANDLE THIS, YES?
111
00:06:35,569 --> 00:06:37,614
[Eames]
WE'LL DO OUR VERY BEST.
112
00:06:37,614 --> 00:06:38,876
I'M LATE.
113
00:06:41,488 --> 00:06:42,750
I CAN'T BELIEVE IT.
114
00:06:42,750 --> 00:06:45,230
JUST LAST NIGHT,
KIRA WAS ON TOP OF THE WORLD.
115
00:06:45,230 --> 00:06:46,493
YOU WERE WITH HER.
116
00:06:46,493 --> 00:06:48,582
AT A SHORT STORY READING
IN THE EAST VILLAGE.
117
00:06:48,582 --> 00:06:50,932
I HAD NO IDEA
SHE LIVED HERE.
118
00:06:50,932 --> 00:06:53,935
KIRA KEPT A LOT
CLOSE TO THE VEST.
119
00:06:53,935 --> 00:06:55,589
LIKE SELLING POT
AT WORK?
120
00:06:55,589 --> 00:06:57,025
KIRA? NEVER.
121
00:06:57,025 --> 00:06:58,766
WHERE'D YOU GET
THAT IDEA?
122
00:06:58,766 --> 00:07:00,942
SHE EVER MENTION
A BOYFRIEND?
123
00:07:00,942 --> 00:07:02,857
NO.
124
00:07:02,857 --> 00:07:04,989
BUT, UH, LAST MONTH,
COMING BACK FROM LUNCH,
125
00:07:04,989 --> 00:07:07,992
WE RAN INTO A FRIEND OF HERS
ON HIS BIKE.
126
00:07:07,992 --> 00:07:10,778
SHE DIDN'T INTRODUCE US,
SO I DID IT MYSELF.
127
00:07:10,778 --> 00:07:13,607
HIS NAME WAS D TOUR.
128
00:07:13,607 --> 00:07:15,826
BAGGY JEANS,
129
00:07:15,826 --> 00:07:16,827
OVERSIZED HOODIE?
130
00:07:16,827 --> 00:07:18,307
YEAH.
131
00:07:18,307 --> 00:07:21,266
HE WAS...
132
00:07:21,266 --> 00:07:22,964
HE WAS REALLY...
133
00:07:22,964 --> 00:07:25,009
BLACK.
134
00:07:26,054 --> 00:07:28,709
REALLY BLACK.
YOU MEAN OBSIDIAN?
135
00:07:28,709 --> 00:07:31,189
NO. I MEAN NOT LIKE KIRA,
YOU KNOW?
136
00:07:31,189 --> 00:07:32,713
STREET.
137
00:07:32,713 --> 00:07:35,977
SAID HE WAS AN ANIMATOR
138
00:07:35,977 --> 00:07:37,979
FOR A STUDIO IN RED HOOK,
139
00:07:37,979 --> 00:07:40,024
BUT HE LOOKED LIKE A MESSENGER.
140
00:07:43,245 --> 00:07:45,116
[man]
HIS REAL NAME...
141
00:07:45,116 --> 00:07:47,292
UH, WE JUST CALL HIM
D TOUR.
142
00:07:47,292 --> 00:07:50,165
HE RUNS ERRANDS,
MAKES DELIVERIES.
143
00:07:50,165 --> 00:07:52,559
UH, OUT SICK TODAY.
144
00:07:52,559 --> 00:07:53,864
HE TOLD PEOPLE
HE WAS AN ANIMATOR.
145
00:07:53,864 --> 00:07:55,823
[Chad]
I TOLD HIM HE COULD
WORK HIS WAY UP.
146
00:07:55,823 --> 00:07:59,000
BUT HE'S ALWAYS
STROLLING IN LATE.
147
00:07:59,000 --> 00:08:00,262
[Eames]
HE'S NOT EXACTLY
148
00:08:00,262 --> 00:08:02,525
EMPLOYEE OF THE MONTH--
WHY KEEP HIM AROUND?
149
00:08:02,525 --> 00:08:06,137
WE LIKE HIM.
HE'S A FUN GUY.
150
00:08:06,137 --> 00:08:07,835
AND IT'S A FUN
PLACE TO WORK.
151
00:08:07,835 --> 00:08:09,793
YOU GOT
ALL THIS STUFF.
152
00:08:09,793 --> 00:08:14,015
YOU GOT PINBALL MACHINES
AND PING-PONG.
153
00:08:19,107 --> 00:08:20,935
YOU GOT ROACHES.
154
00:08:24,591 --> 00:08:26,157
IS THAT WHY
YOU KEEP D TOUR AROUND,
155
00:08:26,157 --> 00:08:28,029
'CAUSE HE GETS
THE GOOD STUFF?
156
00:08:28,029 --> 00:08:30,858
YOUR DIAL-A-WEED PAL'S
A MURDER SUSPECT.
157
00:08:30,858 --> 00:08:31,989
WHERE DOES HE LIVE?
158
00:08:35,602 --> 00:08:37,865
ALL I HAVE IS A...
159
00:08:37,865 --> 00:08:39,910
PAGER NUMBER.
160
00:08:46,613 --> 00:08:47,875
HEY, YO, D.
161
00:08:47,875 --> 00:08:49,877
WHAT THE DEAL, BABY?
162
00:09:03,107 --> 00:09:05,893
[Mrs. Danforth]
HOW DID THIS HAPPEN
TO MY DAUGHTER?
163
00:09:05,893 --> 00:09:08,939
[Eames]
WE'RE LOOKING FOR A MAN
KIRA WAS INVOLVED WITH.
164
00:09:08,939 --> 00:09:11,072
GOES BY THE NAMED TOUR.
165
00:09:12,290 --> 00:09:13,770
THIS MEANS
NOTHING TO ME.
166
00:09:13,770 --> 00:09:16,251
THEY MEAN DANTE, MAMA.
167
00:09:16,251 --> 00:09:18,079
DANTE HEATH...
168
00:09:18,079 --> 00:09:19,994
IS MY SISTER'S
HIGH SCHOOL BOYFRIEND.
169
00:09:19,994 --> 00:09:21,952
HE LIVED NEARBY.
170
00:09:21,952 --> 00:09:23,824
IN THE PROJECTS.
171
00:09:23,824 --> 00:09:26,130
MY KIRA WAS RAISED
IN A HOME,
172
00:09:26,130 --> 00:09:28,045
ONE I WORKED
THREE JOBS TO BUY.
173
00:09:28,045 --> 00:09:29,960
[Goren]
IS THAT HOW YOU PAID
174
00:09:29,960 --> 00:09:31,962
FOR HER EDUCATION?
175
00:09:31,962 --> 00:09:34,748
SHE WON SCHOLARSHIPS
TO KINGSLEY, BRYN MAWR.
176
00:09:34,748 --> 00:09:36,401
MY KIRA WAS CHOSEN.
177
00:09:36,401 --> 00:09:39,056
SHE HAD NOTHING TO DO
178
00:09:39,056 --> 00:09:41,624
WITH THAT TROUBLEMAKER
FOR YEARS.
179
00:09:46,107 --> 00:09:48,152
YOU DON'T SHARE
YOUR MOTHER'S FEELINGS?
180
00:09:49,066 --> 00:09:50,981
KIRA LOVED THAT FOOL.
181
00:09:50,981 --> 00:09:52,069
SHE TOOK CARE OF HIM.
182
00:09:52,069 --> 00:09:53,767
AND YOU DIDN'TTELL ME?
183
00:09:53,767 --> 00:09:55,420
D TOUR WOULDN'T HURT HER.CHAYNE!
184
00:09:57,031 --> 00:09:59,033
HE HAVE A HISTORY?
185
00:09:59,033 --> 00:10:01,905
VIOLENCE, DRUGS?
186
00:10:01,905 --> 00:10:03,777
SELLS A LITTLE GANJA.
187
00:10:03,777 --> 00:10:05,082
YOU KNOW, WITH HIS BIKE
AND CARTOONS,
188
00:10:05,082 --> 00:10:07,824
HE'S TOO MUCH A KID
TO GET INTO REAL TROUBLE.
189
00:10:07,824 --> 00:10:09,696
THIS IS AS REAL
AS IT GETS, CHAYNE.
190
00:10:11,698 --> 00:10:13,482
BUT D TOUR MUST KNOW THAT
BY NOW.
191
00:10:13,482 --> 00:10:15,310
HE'S ON THE RUN.
HE'S SCARED.
192
00:10:15,310 --> 00:10:19,096
I SUPPOSE HE'D GO
WHERE ANY KID WOULD--HOME.
193
00:10:19,096 --> 00:10:22,143
TO HIS MOTHER.
IF YOU CAN CALL HER THAT.
194
00:10:22,143 --> 00:10:24,232
[clicks tongue]
195
00:10:24,232 --> 00:10:26,800
DANTE CRASHES WITH HIS MOM
196
00:10:26,800 --> 00:10:28,845
IN THE SAME PROJECT
HE GREW UP IN.
197
00:10:28,845 --> 00:10:31,065
KIRA HAS A DEGREE
FROM BRYN MAWR.
198
00:10:31,065 --> 00:10:33,807
WHY COME BACK HERE--
FOR HIM?
199
00:10:33,807 --> 00:10:35,896
[siren wailing]
200
00:10:42,859 --> 00:10:46,776
[D Tour's mother, sobbing]
201
00:10:46,776 --> 00:10:48,169
WHAT ARE Y'ALL LOOKING AT?
202
00:10:48,169 --> 00:10:50,867
WHAT THE HELL
ARE Y'ALL LOOKING AT?
203
00:10:50,867 --> 00:10:54,044
[sobbing]
204
00:10:54,044 --> 00:10:56,090
[D TOUR]
NO, WHAT HAPPENED TO ME
WAS PAYBACK
205
00:10:56,090 --> 00:10:58,179
FOR STEALING SOMEONE'S STASH.
206
00:10:58,179 --> 00:10:59,441
[Eames]
YOU ROBBED SOMEBODY.
207
00:10:59,441 --> 00:11:02,749
I WAS MAKING A PICKUP
WHEN I HEARD SHOTS.
208
00:11:02,749 --> 00:11:05,926
I SAW MY CONNECTION
AND SOME FOOL BOTH DEAD,
209
00:11:05,926 --> 00:11:07,841
ALL THIS WEED ON THE TABLE,
210
00:11:07,841 --> 00:11:08,842
NOBODY AROUND.
211
00:11:08,842 --> 00:11:10,887
BUT SOMEBODY
MADE YOU.
212
00:11:10,887 --> 00:11:12,497
WHO?
213
00:11:12,497 --> 00:11:14,978
[Goren] BEFORE THEY KILLED KIRA,
THEY TORTURED HER.
214
00:11:14,978 --> 00:11:16,371
WHY WOULD YOU
PROTECT THEM?
215
00:11:16,371 --> 00:11:19,330
I HOPE THEY ROT IN HELL.
BUT THEY DIDN'T KILL KIRA.
216
00:11:19,330 --> 00:11:21,202
HOW DO YOU KNOW THAT?
217
00:11:21,202 --> 00:11:22,203
'CAUSE SHE LEFT ME
A MESSAGE.
218
00:11:22,203 --> 00:11:24,205
SAID THEY ROUGHED HER UP.
219
00:11:24,205 --> 00:11:28,122
MESSAGE IS STILL THERE.
YOU CAN CHECK IT YOUR DAMN SELF.
220
00:11:30,254 --> 00:11:32,213
WHAT HAPPENED?
221
00:11:32,213 --> 00:11:34,258
SHE DUMP YOU,
YOU GOT JEALOUS?
222
00:11:36,260 --> 00:11:38,262
I KNEW I LOST HER
AT THAT READING.
223
00:11:38,262 --> 00:11:39,611
I SAW THE WAY--
224
00:11:39,611 --> 00:11:41,918
THE WAY HE WAS TOUCHING HER,
SPEAKING FOR HER.
225
00:11:41,918 --> 00:11:43,485
WHO'S HE?
226
00:11:43,485 --> 00:11:46,227
SOME WHITE GUY.
LOSIN' HIS HAIR.
227
00:11:46,227 --> 00:11:50,492
I WAS MAD, SO...I JUST
HOOKED UP WITH SOME HOOD RAT.
228
00:11:52,929 --> 00:11:54,583
[Eames]
D TOUR AND A REBOUND DATE
229
00:11:54,583 --> 00:11:57,107
WERE AT ROSCOE'S TILL 3:00.
230
00:11:57,107 --> 00:12:00,763
KIRA'S BURNS PRECEDED
THE DEATH BY A FEW HOURS.
231
00:12:00,763 --> 00:12:02,983
LOOKS LIKE
THIS TORTURE AND MURDER
232
00:12:02,983 --> 00:12:05,202
MIGHT HAVE BEEN
TWO SEPARATE EVENTS.
233
00:12:05,202 --> 00:12:06,943
OR D TOUR'S FRIENDS
COULD HAVE BEEN
234
00:12:06,943 --> 00:12:08,423
LAYING IN WAIT FOR HIM
THE WHOLE NIGHT.
235
00:12:08,423 --> 00:12:11,382
WE THINK THEY RECOVERED
THEIR POT AND CUT OUT.
236
00:12:11,382 --> 00:12:14,821
KIRA LEFT D TOUR
THIS MESSAGE AT 11:00.
237
00:12:14,821 --> 00:12:16,474
[Kira, tearfully]
THEY CAME FOR YOUR STASH.
238
00:12:16,474 --> 00:12:18,912
THE PLACE IS A MESS,
AND SO AM I.
239
00:12:18,912 --> 00:12:21,044
IT'S OVER, D.
240
00:12:21,044 --> 00:12:23,046
KIRA MADE TWO OTHER
CELL CALLS THURSDAY NIGHT
241
00:12:23,046 --> 00:12:24,613
TO THE PANTHEON RESTAURANT.
242
00:12:24,613 --> 00:12:27,572
THE PANTHEON--
BRIGHT LIGHTS, BIG CITY.
243
00:12:27,572 --> 00:12:31,098
LOOKS LIKE KIRA
WAS JUGGLING TWO WORLDS.
244
00:12:31,098 --> 00:12:32,403
AND THIS WAS THE NIGHT
245
00:12:32,403 --> 00:12:34,928
THAT THEY BOTH CAME
CRASHING DOWN ON HER.
246
00:12:34,928 --> 00:12:36,364
[Paige]
RECEDING HAIRLINE?
247
00:12:36,364 --> 00:12:39,280
THAT'S EVERY OTHER
EDITOR IN NEW YORK.
248
00:12:39,280 --> 00:12:40,585
YOU DIDN'T LEAVE
THE READING WITH KIRA?
249
00:12:40,585 --> 00:12:41,935
I HAD HOMEWORK.
250
00:12:41,935 --> 00:12:45,852
AND SHE WAS BEING MOBBED;
EDITORS, AGENTS.
251
00:12:45,852 --> 00:12:47,592
ONLY TJ WAS GETTING
MORE ATTENTION.
252
00:12:47,592 --> 00:12:49,246
TJ...HAWKINS?
253
00:12:49,246 --> 00:12:52,293
HE WROTE THAT MEMOIR ABOUT
HIS TIME IN A YEMEN PRISON?
254
00:12:52,293 --> 00:12:53,860
MM-HMM.
THROAT FULL OF GLASS.
255
00:12:53,860 --> 00:12:55,122
BEST-SELLER.
256
00:12:55,122 --> 00:12:58,255
HE AND KIRA ARE IN
LIONEL'S SALON TOGETHER.
257
00:12:58,255 --> 00:12:59,474
[Eames]
LIONEL...
258
00:12:59,474 --> 00:13:01,258
LIONEL SHILL.
259
00:13:01,258 --> 00:13:02,433
HE'S STILL WRITING?
260
00:13:02,433 --> 00:13:04,435
HE'S LEGENDARY NOW.
AS A TEACHER.
261
00:13:04,435 --> 00:13:07,134
GUIDING NEW WRITERS
LIKE KIRA AND TJ.
262
00:13:07,134 --> 00:13:09,136
IT'S A TOKEN.
263
00:13:12,052 --> 00:13:13,270
I-I GET IT.
264
00:13:13,270 --> 00:13:15,142
SHE'S THE ONLY
AFRICAN-AMERICAN
265
00:13:15,142 --> 00:13:16,534
IN THESE PHOTOS.
266
00:13:16,534 --> 00:13:19,407
[Paige]
SHE HAD A SENSE
OF HUMOR ABOUT IT.
267
00:13:19,407 --> 00:13:21,844
RIGHT.
268
00:13:21,844 --> 00:13:23,324
[token clinks]
269
00:13:23,324 --> 00:13:25,195
AMERICAN DELINQUENT. HAWKINS.
270
00:13:25,195 --> 00:13:27,328
IT'S HIS NEW BOOK?
271
00:13:27,328 --> 00:13:28,851
[Paige]
MM-HMM.
272
00:13:28,851 --> 00:13:30,984
"TO MY GIRL KIRA.
LOVE, TJ."
273
00:13:30,984 --> 00:13:33,334
TJ AND KIRA WERE LOVERS?
274
00:13:33,334 --> 00:13:35,075
NO. LIKE SIBLINGS.
275
00:13:35,075 --> 00:13:36,641
AND LIONEL'S PETS.
276
00:13:36,641 --> 00:13:38,861
IN FACT,
LIONEL INVITED TJ
277
00:13:38,861 --> 00:13:41,908
TO A SPECIAL DINNER AT
THE PANTHEON LATER THAT NIGHT.
278
00:13:44,127 --> 00:13:46,695
AND TJ INVITED KIRA?
279
00:13:46,695 --> 00:13:49,219
HE DID.
280
00:13:50,394 --> 00:13:52,440
YOU LIKED THROAT FULL?
281
00:13:52,440 --> 00:13:55,138
THERE YOU GO.
HAVE A GOOD ONE.
282
00:13:56,444 --> 00:13:58,359
YOU TWO AREN'T HERE
FOR AUTOGRAPHS.
283
00:13:58,359 --> 00:14:01,057
NO. BUT I READ
YOUR LAST ONE,
284
00:14:01,057 --> 00:14:02,276
THROAT FULL OF GLASS.
285
00:14:02,276 --> 00:14:03,320
IT WAS INTENSE.
286
00:14:03,320 --> 00:14:05,061
TRY LIVING IT.
287
00:14:05,061 --> 00:14:06,323
YOU ALWAYS WRITE
ABOUT YOUR LIFE?
288
00:14:06,323 --> 00:14:09,544
IT'S A WAY FOR ME
TO EXORCISE MY DEMONS.
289
00:14:09,544 --> 00:14:12,503
DONE THINGS
I SHOULDN'T HAVE.
290
00:14:12,503 --> 00:14:15,376
MM. THAT INCLUDE
LAST THURSDAY NIGHT?
291
00:14:21,425 --> 00:14:23,384
OKAY.
292
00:14:23,384 --> 00:14:25,429
I GOTCHA.
293
00:14:26,430 --> 00:14:29,129
THINK I DID IT?
HUH?
294
00:14:29,129 --> 00:14:32,393
BECAUSE OF WHAT--
MY PAST?
295
00:14:32,393 --> 00:14:35,135
YOU NEED TO TAKE IT
EASY, TJ.
296
00:14:41,097 --> 00:14:43,404
[Eames]
IS THAT YOUR IDEA
OF TAKING IT EASY?
297
00:14:47,582 --> 00:14:50,106
A LAWYER. HA.
NAW, I CAN HANDLE YOU TWO.
298
00:14:50,106 --> 00:14:52,848
THEN SIT DOWN
AND ANSWER THE QUESTION.
299
00:14:52,848 --> 00:14:55,024
WHERE WERE YOU THURSDAY
AT 2:00 A.M.?
300
00:14:55,024 --> 00:14:57,722
WITH LIONEL SHILL.
CALL HIM.
301
00:14:57,722 --> 00:15:00,203
OR DON'T.
JUST THROW ME IN RIKERS.
302
00:15:00,203 --> 00:15:01,639
I DON'T CARE.
303
00:15:03,467 --> 00:15:04,860
UH, HOLD THAT THOUGHT.
304
00:15:10,083 --> 00:15:11,736
HE'S A PIECE OF WORK.
305
00:15:11,736 --> 00:15:13,913
YEAH, PAPARAZZI'S
SWARMING OUTSIDE.
306
00:15:13,913 --> 00:15:15,566
TJ DID THIS
FOR THE PUBLICITY.
307
00:15:15,566 --> 00:15:17,612
AND HE GOT IT.
308
00:15:17,612 --> 00:15:20,136
YOU MADE YOULENZ.
309
00:15:20,136 --> 00:15:22,225
THE ADA SAYS
IT'S PERFORMANCE ART,
310
00:15:22,225 --> 00:15:25,098
NOT ASSAULT.
311
00:15:25,098 --> 00:15:27,970
IF SHILL CONFIRMS HIS ALIBI,
WE HAVE TO STREET HIM.
312
00:15:31,582 --> 00:15:34,977
[Lionel]
I FIRST MET TJ
ABOUT FIVE YEARS AGO
313
00:15:34,977 --> 00:15:36,979
AT A NARCONON MEETING.
314
00:15:36,979 --> 00:15:38,720
RESEARCHING
A NEW BOOK?
315
00:15:38,720 --> 00:15:40,809
YES. HA.
316
00:15:40,809 --> 00:15:43,203
TJ WAS
THE REAL THING.
317
00:15:43,203 --> 00:15:45,161
OH, THE STORIES
HE TOLD.
318
00:15:45,161 --> 00:15:46,728
ONCE HE WAS--
319
00:15:46,728 --> 00:15:49,252
SO YOU INVITED HIM
INTO YOUR SALON.
320
00:15:49,252 --> 00:15:52,212
I TOLD HIM THAT WRITING
COULD BE HIS SALVATION,
321
00:15:52,212 --> 00:15:54,954
AND, AH,
TODAY HE'S AN AUTHOR.
322
00:15:54,954 --> 00:15:57,739
SO YOU INVITED HIM
TO THE PANTHEON.
323
00:15:57,739 --> 00:15:59,219
WAS THAT
TO IMPRESS ANYONE?
324
00:15:59,219 --> 00:16:01,221
AU CONTRAIRE.
325
00:16:01,221 --> 00:16:02,570
I KNEW HE'D BE DELIGHTED
326
00:16:02,570 --> 00:16:04,006
TO MEET MY DEAR FRIEND
PHILLIP GREEN
327
00:16:04,006 --> 00:16:05,747
WHO JUST WON THE NOBEL.
328
00:16:05,747 --> 00:16:08,750
TJ SHOWED UP
ABOUT 9:00.
329
00:16:08,750 --> 00:16:10,926
AFTER DINNER,
WE RETIRED HERE.
330
00:16:10,926 --> 00:16:12,536
I WISH YOU WOULDN'T.
331
00:16:12,536 --> 00:16:14,974
THOSE WERE GIFTS TO ME
FROM PAUL BOWLES!
332
00:16:14,974 --> 00:16:17,280
TJ INVITED KIRA TOO.
333
00:16:17,280 --> 00:16:18,934
DID SHE COME?
334
00:16:18,934 --> 00:16:20,588
NO, SHE CALLED.
335
00:16:20,588 --> 00:16:22,633
SHE WAS WITH
GARETH SAGE.
336
00:16:22,633 --> 00:16:24,505
SNAKE OF A MAN.
337
00:16:24,505 --> 00:16:26,115
A SNAKE.
338
00:16:26,115 --> 00:16:27,856
SO HE'S AN AGENT.
339
00:16:27,856 --> 00:16:31,120
YES, HE DOESN'T HANDLE
MANY WOMEN CLIENTS TODAY.
340
00:16:31,120 --> 00:16:33,775
PERHAPS BECAUSE
OF THE WAY HE...
341
00:16:33,775 --> 00:16:36,169
HANDLED THEM.
342
00:16:36,169 --> 00:16:38,606
KIRA CALLED YOU
AGAIN AT 11:00.
343
00:16:38,606 --> 00:16:40,173
DID SHE MENTION SAGE?
344
00:16:42,088 --> 00:16:44,177
I COULDN'T MAKE OUT
A WORD.
345
00:16:44,177 --> 00:16:46,005
SHE WAS VERY UPSET.
346
00:16:46,005 --> 00:16:49,921
I...I TOLD HER
TO CALL 911.
347
00:16:49,921 --> 00:16:52,663
HERE'S WHITE FLIGHT,
BLACK HATE.
348
00:16:54,970 --> 00:16:57,755
IT'S ABOUT A YOUNG MAN
WHO SHOOTS A COP
349
00:16:57,755 --> 00:16:59,018
IN THE NEWARK RIOTS.
350
00:16:59,018 --> 00:17:00,889
I READ THIS WHEN
I WAS IN COLLEGE.
351
00:17:00,889 --> 00:17:04,153
I TAUGHT THAT YOUNG MAN
TO READ WHILE HE WAS IN PRISON.
352
00:17:04,153 --> 00:17:06,764
HE DIED OF AIDS.
353
00:17:06,764 --> 00:17:09,332
I'D SHOW YOU MY NEW ONE
THAT'S DUE OUT IN A MONTH,
354
00:17:09,332 --> 00:17:11,204
BUT MY PUBLISHER
WOULD KILL ME.
355
00:17:11,204 --> 00:17:14,642
BUT YOU MAY KEEP THAT ONE.
I'M HAPPY TO SIGN IT FOR YOU.
356
00:17:14,642 --> 00:17:16,687
NOT NECESSARY.IT'S...
357
00:17:16,687 --> 00:17:18,298
BUT WE WILL TAKE
SAGE'S NUMBER.
358
00:17:18,298 --> 00:17:19,560
OH.
359
00:17:23,868 --> 00:17:25,044
GO AHEAD.
360
00:17:29,396 --> 00:17:31,659
NO, NO, TOM--
361
00:17:31,659 --> 00:17:33,835
THE DETECTIVES
AREN'T STAYING.
362
00:17:33,835 --> 00:17:35,576
YOU KNOW WHAT?
I'LL HAVE ONE OF THOSE.
363
00:17:35,576 --> 00:17:37,056
THANKS.
THANK YOU.
364
00:17:37,056 --> 00:17:38,579
HEY!
365
00:17:38,579 --> 00:17:39,580
[ping]
366
00:17:39,580 --> 00:17:40,842
AND CALL THE TODAY SHOW.
367
00:17:40,842 --> 00:17:42,017
TELL THEM IF THEY
DON'T TAKE MY CALL,
368
00:17:42,017 --> 00:17:43,758
I'M GONNA GO
RIGHT TO ZUCKER.
369
00:17:43,758 --> 00:17:46,891
OKAY.
I LIKED HER READING.
370
00:17:46,891 --> 00:17:49,024
WE WENT TO A BAR, THOR,
371
00:17:49,024 --> 00:17:51,374
AND...WE DISCUSSED
HER FUTURE.
372
00:17:51,374 --> 00:17:54,029
DID YOU GIVE KIRA
A LIFT HOME?
373
00:17:54,029 --> 00:17:56,684
NO. I WENT BACK TO THE WIFE
AND THE BRAT
374
00:17:56,684 --> 00:17:58,033
IN GLEN COVE.
375
00:17:58,033 --> 00:18:00,905
ALL RIGHT,
AFTER YOUR DRINK WITH KIRA,
376
00:18:00,905 --> 00:18:02,037
SHE CALLED A FRIEND.
377
00:18:02,037 --> 00:18:03,169
SHE WAS VERY UPSET.
378
00:18:03,169 --> 00:18:05,040
YOU HAVE ANY IDEA WHY?
379
00:18:05,040 --> 00:18:06,346
I CAN'T IMAGINE.
380
00:18:06,346 --> 00:18:07,999
I'D JUST TOLD HER I WAS
GONNA HANDLE HER NOVEL.
381
00:18:07,999 --> 00:18:10,654
WELL, WE HEARD YOU DON'T
REPRESENT WOMEN.
382
00:18:10,654 --> 00:18:13,396
OH, I SEE...
383
00:18:13,396 --> 00:18:16,051
LIONEL SHILL.[telephone rings]
384
00:18:16,051 --> 00:18:17,966
JERKING YOU AND ME AROUND.
385
00:18:17,966 --> 00:18:19,707
WELL, YOU CAN IGNORE HIM.
386
00:18:19,707 --> 00:18:21,709
MR. SAGE,
TODAY SHOW ON ONE.
387
00:18:21,709 --> 00:18:22,362
AH.
388
00:18:23,667 --> 00:18:24,668
HI.
389
00:18:24,668 --> 00:18:26,975
YEAH. LOOK.
390
00:18:26,975 --> 00:18:29,325
TJ WAS TERRIFIC
ON LENO LAST YEAR.
391
00:18:29,325 --> 00:18:31,849
WHY ARE YOU MAKING ME
WORK SO HARD, HUH?
392
00:18:31,849 --> 00:18:34,765
TOM, TOM, WOULD YOU PLEASE
SHOW THE DETECTIVES OUT?
393
00:18:34,765 --> 00:18:37,290
YEAH. WELL, THIS BOOK
IS A LOT BETTER.
394
00:18:37,290 --> 00:18:39,118
LET ME TELL YOU.
395
00:18:39,118 --> 00:18:40,162
[Goren]
THANK YOU, TOM.
396
00:18:40,162 --> 00:18:42,295
YOU'RE WELCOME.
397
00:18:42,295 --> 00:18:44,427
[Eames]
I FOUND GARETH SAGE STORIES
ALL OVER A MESSAGE BOARD
398
00:18:44,427 --> 00:18:46,255
DEVOTED TO BAD BOSSES.
399
00:18:46,255 --> 00:18:48,039
YOU JUST HAPPENED
TO BE LOOKING THERE.
400
00:18:48,039 --> 00:18:50,433
HE FORCED A WOMAN
TO LICK UP COFFEE
401
00:18:50,433 --> 00:18:52,783
SHE SPILLED
ON HIS DESK.
402
00:18:52,783 --> 00:18:54,437
HE'S A SUCCESSFUL,
POWERFUL AGENT,
403
00:18:54,437 --> 00:18:56,178
AND HE'S HARD
ON HIS ASSISTANTS.
404
00:18:56,178 --> 00:18:58,137
YOU NEED A MESSAGE
BOARD FOR THAT?
405
00:18:58,137 --> 00:18:59,355
AT LEAST THREE WOMEN
HAVE CHARGED HIM
406
00:18:59,355 --> 00:19:00,922
WITH SEXUAL HARASSMENT.
407
00:19:00,922 --> 00:19:03,142
BUT THERE'S NO RECORD
OF ASSAULT.
408
00:19:03,142 --> 00:19:06,362
NO. BECAUSE SAGE
ALWAYS SETTLES OUT OF COURT.
409
00:19:06,362 --> 00:19:08,016
WHERE'S YOUR PARTNER?
410
00:19:08,016 --> 00:19:11,324
HE'S ON A READING BINGE.
HAWKINS, SHILL.
411
00:19:11,324 --> 00:19:13,456
SAGE IS GONNA LAWYER UP
412
00:19:13,456 --> 00:19:15,415
THE NEXT TIME YOU AND GOREN
GO TO SEE HIM.
413
00:19:15,415 --> 00:19:19,810
BEFORE YOU DO, SEE IF ANY
OF THESE WOMEN WILL TALK.
414
00:19:19,810 --> 00:19:23,684
I WON THIS LIT PRIZE
AT COLUMBIA.
415
00:19:23,684 --> 00:19:26,165
THERE WAS A CEREMONY.
I READ.
416
00:19:26,165 --> 00:19:28,167
GARETH WAS THERE.
417
00:19:28,167 --> 00:19:29,994
TOOK ME OUT
FOR A DRINK.
418
00:19:29,994 --> 00:19:33,172
I TOLD HIM I HAD
A NOVEL AT HOME.
419
00:19:33,172 --> 00:19:35,174
AND HE ASKED TO READ IT.
420
00:19:35,174 --> 00:19:38,002
HE GAVE ME A RIDE
IN HIS JAGUAR.
421
00:19:38,002 --> 00:19:41,484
AND THAT'S WHEN
HE HARASSED YOU.
422
00:19:41,484 --> 00:19:44,313
I TRIED TO FIGHT HIM OFF,
BUT HE OVERPOWERED ME.
423
00:19:44,313 --> 00:19:46,010
BUT YOU FOUGHT HIM
IN COURT.
424
00:19:46,010 --> 00:19:47,795
AND LOST.
425
00:19:47,795 --> 00:19:49,231
I GOT A LITTLE HUSH MONEY, BUT...
426
00:19:49,231 --> 00:19:51,407
HE SAID HE'D BURY ME.
427
00:19:51,407 --> 00:19:54,497
IT'S NOT EXACTLY THE FUTURE
YOU HOPED FOR?
428
00:19:54,497 --> 00:19:58,458
SHARKS LIKE GARETH SAGE...
429
00:19:58,458 --> 00:20:01,200
THEY DON'T PAY
FOR THEIR SINS.
430
00:20:02,462 --> 00:20:05,813
[Eames]
THIS IS SAGE
AND HIS WIFE.
431
00:20:05,813 --> 00:20:09,033
BUT IT TURNS OUT
HE HAS ANOTHER TYPE.
432
00:20:09,033 --> 00:20:12,733
HE GAVE SHARON A RIDE HOME
TO PICK UP HER NOVEL.
433
00:20:12,733 --> 00:20:15,083
WHO'S TO SAY HE DIDN'T
DRIVE KIRA TO GET HERS?
434
00:20:15,083 --> 00:20:17,041
EAMES, IT'S A REACH.
435
00:20:17,041 --> 00:20:19,261
HE STILL DRIVE A JAG?
436
00:20:19,261 --> 00:20:20,436
A NEW ONE
EVERY THREE YEARS,
437
00:20:20,436 --> 00:20:22,482
JUST LIKE HIS
HARASSMENT SUITS.
438
00:20:22,482 --> 00:20:24,832
IF HE DROVE HIS OTHER
VICTIMS HOME,
439
00:20:24,832 --> 00:20:28,357
YOU MIGHT HAVE ENOUGH
FOR A SEARCH WARRANT ON HIS CAR.
440
00:20:33,101 --> 00:20:35,103
LIONEL, THE...
441
00:20:35,103 --> 00:20:39,107
THE NEW ONE,
IT'S NOT...
442
00:20:42,371 --> 00:20:44,547
YOU KNOW...
443
00:20:44,547 --> 00:20:46,375
SOMETIMES
444
00:20:46,375 --> 00:20:50,379
YOUR GREATEST TRIUMPH
CAN BE YOUR ALBATROSS.
445
00:20:50,379 --> 00:20:52,860
THIS LIFE I HAVE...
446
00:20:52,860 --> 00:20:56,820
THE ONE
YOU'VE GIVEN ME...
447
00:20:56,820 --> 00:20:58,431
I CAN'T GO BACK.
448
00:21:03,305 --> 00:21:06,439
HAVE A DRINK.
IT'S OKAY.
449
00:21:06,439 --> 00:21:08,484
YOU'LL FEEL BETTER.
450
00:21:13,620 --> 00:21:15,883
[police radio chatter]
451
00:21:20,975 --> 00:21:23,543
THIS IS SYNTHETIC HAIR.
452
00:21:23,543 --> 00:21:25,849
[Eames]
YOUR WIFE'S EXTENSIONS,
MR. SAGE?
453
00:21:27,895 --> 00:21:29,157
HANG ON.
454
00:21:34,336 --> 00:21:36,033
COMPACT.
455
00:21:39,298 --> 00:21:41,212
THAT'S AN ODD SHADE
FOR A BLONDE.
456
00:21:42,910 --> 00:21:45,478
YOU GAVE KIRA A RIDE
AFTER ALL.
457
00:21:51,745 --> 00:21:54,748
DOES YOUR CLIENT
RECOGNIZE THESE WOMEN?
458
00:21:54,748 --> 00:21:56,576
ONLY AS
SHAKEDOWN ARTISTS.
459
00:21:56,576 --> 00:21:57,925
THOSE CHARGES
WERE SETTLED.
460
00:21:57,925 --> 00:22:00,623
EACH LIAR RECEIVED
HER QUICK BUCK.
461
00:22:00,623 --> 00:22:02,016
WELL, YOUR CLIENT TOLD US
462
00:22:02,016 --> 00:22:04,801
THAT HE LEFT KIRA DANFORTH
IN A BAR.
463
00:22:04,801 --> 00:22:07,456
BUT WE FOUND PROOF
THAT SHE WAS IN HIS JAGUAR.
464
00:22:07,456 --> 00:22:08,805
SO WHAT DOES THAT
MAKE HIM?
465
00:22:14,071 --> 00:22:15,682
OKAY.
466
00:22:15,682 --> 00:22:18,598
I DROVE HER HOME,
AND THAT'S IT.
467
00:22:19,773 --> 00:22:21,383
[Goren]
KIRA REJECTED YOU,
468
00:22:21,383 --> 00:22:23,559
AND YOU WERE AFRAID
THAT SHE'D TALK,
469
00:22:23,559 --> 00:22:27,563
SO YOU CAME BACK TO MAKE
SURE THAT SHE WOULDN'T?
470
00:22:27,563 --> 00:22:31,741
NO. KIRA RAN UP
TO GET HER NOVEL.
471
00:22:31,741 --> 00:22:33,395
NOW, I CAN'T AFFORD
MIXED MESSAGES,
472
00:22:33,395 --> 00:22:35,745
SO I WAITED IN MY CAR...
473
00:22:35,745 --> 00:22:37,747
WHEN I REALIZED
WHERE I WAS,
474
00:22:37,747 --> 00:22:40,750
IN MY JAG IN THE 'HOOD.
475
00:22:40,750 --> 00:22:43,666
SO I SET MY GPS
FOR CIVILIZATION,
476
00:22:43,666 --> 00:22:44,928
AND I GOT THE HELL OUT.
477
00:22:44,928 --> 00:22:46,930
[Constance]
HERE'S HIS GPS LOG.
478
00:22:46,930 --> 00:22:48,845
MR. SAGE WAS HOME
BY 10:30.
479
00:22:50,456 --> 00:22:52,762
WHY DIDN'T YOU
TELL US THIS BEFORE?
480
00:22:52,762 --> 00:22:54,416
I WAS AFRAID
OF HOW IT WOULD LOOK,
481
00:22:54,416 --> 00:22:56,679
GIVEN THAT PEOPLE LIKE
TO TELL LIES ABOUT ME.
482
00:22:56,679 --> 00:22:58,812
[Goren]
THESE WOMEN, THEY'RE
SWORN TO SECRECY
483
00:22:58,812 --> 00:23:00,944
AS PART OF THEIR SETTLEMENT.
484
00:23:00,944 --> 00:23:02,946
SO WHO YOU TALKING ABOUT?
485
00:23:04,818 --> 00:23:06,689
LIONEL SHILL?
486
00:23:06,689 --> 00:23:08,778
WHY IS HE MAD AT YOU?
487
00:23:08,778 --> 00:23:10,911
HE'S MAD AT HIMSELF
488
00:23:10,911 --> 00:23:13,653
FOR SQUANDERING
WHAT LITTLE TALENT HE HAD.
489
00:23:13,653 --> 00:23:16,133
HE PROJECTS HIS LOATHING
ONTO ME
490
00:23:16,133 --> 00:23:18,745
AND ANYONE ELSE THAT
HE MIGHT BE JEALOUS OF.
491
00:23:18,745 --> 00:23:21,617
YOU'RE SAYING THAT THAT
WOULD INCLUDE KIRA?
492
00:23:21,617 --> 00:23:24,838
WELL, KIRA
HAD TWO THINGS
493
00:23:24,838 --> 00:23:26,927
THAT SHILL LACKS--
494
00:23:26,927 --> 00:23:29,843
A VOICE AND A FUTURE.
495
00:23:38,155 --> 00:23:40,027
[man]
♪ DEE DEE DEE DEE
496
00:23:40,027 --> 00:23:44,466
♪ DEE DEE DEE ♪
497
00:23:56,043 --> 00:24:00,482
GARETH WAS HOME
LONG BEFORE KIRA WAS SHOT.
498
00:24:00,482 --> 00:24:02,484
WHICH MEANS
WE'RE BACK TO SQUARE ONE.
499
00:24:02,484 --> 00:24:03,790
MAYBE NOT.
500
00:24:03,790 --> 00:24:07,141
THIS IS THE GALLEYS
TO SHILL'S NEW NOVEL.
501
00:24:07,141 --> 00:24:09,796
IT'S ABOUT A YOUNG
BLACK PAINTER'S RISE
502
00:24:09,796 --> 00:24:13,930
FROM POVERTY TO MANHATTAN'S
POSH ART SCENE.
503
00:24:13,930 --> 00:24:16,455
HE'S CALLING IT TOKEN.
504
00:24:18,935 --> 00:24:20,937
[Ross]
SO...
505
00:24:20,937 --> 00:24:23,766
HOW CLOSELY DOES IT
HEW TO THE NOVEL
506
00:24:23,766 --> 00:24:25,464
KIRA WAS GONNA
GIVE GARETH?
507
00:24:25,464 --> 00:24:26,900
WE HAVEN'T BEEN
ABLE TO FIND IT.
508
00:24:26,900 --> 00:24:30,425
KIRA'S COMPUTER WAS SMASHED
THE NIGHT SHE WAS KILLED.
509
00:24:30,425 --> 00:24:34,037
JUST HOW DESPERATE
IS MR. SHILL?
510
00:24:34,037 --> 00:24:36,213
WELL, HIS LAST SIX NOVELS
CRASHED AND BURNED.
511
00:24:36,213 --> 00:24:38,868
HE MAKES A LIVING
ON THE LECTURE CIRCUIT.
512
00:24:38,868 --> 00:24:40,522
YOU KNOW, ARIANA CYPHER,
513
00:24:40,522 --> 00:24:43,177
SHE SAID THAT KIRA
WAS ALWAYS THE FIRST PERSON
514
00:24:43,177 --> 00:24:44,744
IN THE OFFICE.
515
00:24:44,744 --> 00:24:46,963
MAYBE SHE CAME EARLY
516
00:24:46,963 --> 00:24:48,878
TO WORK ON HER NOVEL.
517
00:24:48,878 --> 00:24:51,446
TAKE ANOTHER PASS
AT KIRA'S WORK COMPUTER.
518
00:24:51,446 --> 00:24:53,883
DON'T TELL ARIANA WHY.
519
00:24:53,883 --> 00:24:55,537
CAN YOU...DO THAT?
520
00:24:55,537 --> 00:24:58,018
I-I WANNA TALK TO
ONE OF THE CHARACTERS
521
00:24:58,018 --> 00:24:59,889
IN SHILL'S NOVEL.
522
00:25:01,891 --> 00:25:03,850
[D TOUR]
I NEVER READ WHAT SHE WROTE.
523
00:25:03,850 --> 00:25:05,547
WRITING STUFF
WASN'T MY BAG.
524
00:25:05,547 --> 00:25:07,201
KIRA LOVED YA.
525
00:25:07,201 --> 00:25:09,725
SHE LOVED THE WAY YOU SANG.
WHAT WAS THE SONG?
526
00:25:09,725 --> 00:25:12,859
FORGOT WHAT TUNE IT WAS. UH...
527
00:25:12,859 --> 00:25:14,904
MADE HER SMILE--
SHINE EYE GIRL.
528
00:25:14,904 --> 00:25:17,124
HOW YOU KNOW THAT?
529
00:25:17,124 --> 00:25:19,909
BECAUSE I READ IT.
530
00:25:19,909 --> 00:25:21,911
KIRA WROTE ABOUT ME?
531
00:25:21,911 --> 00:25:24,914
I'M NOT SURE
I'M FEELIN' THAT.
532
00:25:24,914 --> 00:25:26,960
WHY, YOU GOT SOMETHING
TO HIDE?
533
00:25:30,659 --> 00:25:33,009
I WAS 16.
I STOLE A BEEMER.
534
00:25:33,009 --> 00:25:35,011
ENDED UP IN SPOFFORD
FOR A YEAR.
535
00:25:35,011 --> 00:25:38,972
AND KIRA...SHE CAME
TO SEE ME EVERY WEEK.
536
00:25:40,103 --> 00:25:42,758
WELL, SHE DIDN'T WRITE
ANYTHING ABOUT THAT.
537
00:25:44,586 --> 00:25:46,022
LOOK, SHE EVER TELL YOU
538
00:25:46,022 --> 00:25:48,242
WHAT SHILL THOUGHT
ABOUT HER NOVEL?
539
00:25:48,242 --> 00:25:51,027
HE NEVER LET HER READ IT
IN FRONT OF HIS GROUP.
540
00:25:51,027 --> 00:25:53,029
SHE'D COME HOME IN TEARS.
541
00:25:53,029 --> 00:25:55,684
NO MATTER HOW HARD
SHE WORKED,
542
00:25:55,684 --> 00:25:57,599
HE SAID IT WASN'T ENOUGH.
543
00:26:01,255 --> 00:26:03,779
[Eames]
KIRA'S MANUSCRIPT
WAS IN A FILE
544
00:26:03,779 --> 00:26:05,607
ON HER HARD DRIVE
TITLED BUDGETS.
545
00:26:05,607 --> 00:26:08,044
YOU KNOW,
I SPOKE TO D TOUR,
546
00:26:08,044 --> 00:26:10,525
AND SHILL
STOLE HER VOICE.
547
00:26:10,525 --> 00:26:13,310
KIRA'S LAST PHONE CALLS
WERE TO SHILL.
548
00:26:13,310 --> 00:26:15,617
YEAH, BUT HE MIGHT
HAVE SNAPPED
549
00:26:15,617 --> 00:26:18,707
IF SHE TOLD HIM THAT SAGE
WAS INTERESTED IN HER NOVEL.
550
00:26:18,707 --> 00:26:20,056
I DON'T KNOW IF I SEE SHILL
551
00:26:20,056 --> 00:26:22,276
LEAVING HIS
WEST VILLAGE TOWNHOUSE
552
00:26:22,276 --> 00:26:26,106
TO SHOOT HIS PROTéGé
IN A BROOKLYN GHETTO.
553
00:26:26,106 --> 00:26:28,630
YEAH, BUT THE GUY
IS DESPERATE FOR A COMEBACK.
554
00:26:28,630 --> 00:26:30,719
IF KIRA EXPOSED HIM
FOR WHAT HE IS,
555
00:26:30,719 --> 00:26:33,635
I CAN'T SEE THAT GUY
SURVIVING HUMILIATION LIKE THAT.
556
00:26:33,635 --> 00:26:34,897
I KNOW GUYS LIKE THIS.
557
00:26:34,897 --> 00:26:37,073
I KNOW YOU DO.
558
00:26:37,073 --> 00:26:38,727
I'VE MET YOUR MENTOR.
559
00:26:38,727 --> 00:26:40,163
WELL, IT'S NOT
ABOUT THAT.
560
00:26:40,163 --> 00:26:41,991
IT'S ABOUT FINDING
THE TRUTH.
561
00:26:41,991 --> 00:26:44,298
WE GOTTA BRING
THIS GUY IN NOW.
562
00:26:44,298 --> 00:26:47,170
LET'S TALK TO SHILL
ON HIS OWN TURF.
563
00:26:47,170 --> 00:26:50,826
YOU KNOW, PHILLIP GREEN
COULD ATTEST
564
00:26:50,826 --> 00:26:53,829
THAT THE THREE OF US
WERE HOME ALL NIGHT.
565
00:26:53,829 --> 00:26:56,832
OF COURSE,
HE'S IN STOCKHOLM,
566
00:26:56,832 --> 00:27:00,009
SO PERHAPS IT WOULD BE EASIER
TO CONTACT TJ.
567
00:27:01,358 --> 00:27:03,883
YOUR LOYAL PROTéGé,
TJ HAWKINS.
568
00:27:06,015 --> 00:27:08,191
NOW, HE OWES
HIS CAREER TO YOU.
569
00:27:08,191 --> 00:27:10,193
WELL, HE'S BEEN
KIND ENOUGH TO SAY SO.
570
00:27:10,193 --> 00:27:13,849
IN THE SAME WAY
THAT YOU OWE KIRA YOUR COMEBACK.
571
00:27:13,849 --> 00:27:14,850
PARDON?
572
00:27:14,850 --> 00:27:17,070
YOU STOLE HER BOOK.
573
00:27:17,070 --> 00:27:20,029
RIGHT?
YOUR NEW BOOK.
574
00:27:20,029 --> 00:27:22,858
KIRA'S LIFE
IS AN INSPIRATION,
575
00:27:22,858 --> 00:27:24,686
BUT I--
576
00:27:24,686 --> 00:27:27,863
WOULD YOU DO ME A FAVOR?
COULD YOU READ THIS?
577
00:27:27,863 --> 00:27:30,387
I MARKED IT HERE...
578
00:27:30,387 --> 00:27:33,347
CAN YOU READ THIS FOR ME?
579
00:27:36,350 --> 00:27:38,308
LOOK, JUST...
580
00:27:38,308 --> 00:27:39,353
YEAH.
581
00:27:43,096 --> 00:27:46,186
"HE WAS MAKING
CHICKEN STEW.
582
00:27:46,186 --> 00:27:48,318
"THE FETOR OF GARLIC
PULLED HER BACK,
583
00:27:48,318 --> 00:27:51,321
BUT SHE WAS
DETERMINED TO GO."
584
00:27:51,321 --> 00:27:53,367
THAT'S A NICE PIECE
OF WRITING.
585
00:27:53,367 --> 00:27:55,108
THANK YOU.
586
00:27:55,108 --> 00:27:56,936
"D COOKS STEW CHICKEN.
587
00:27:59,112 --> 00:28:01,070
"THE SMELL OF GARLIC
BURROWS INTO MY SILK BLOUSE.
588
00:28:01,070 --> 00:28:04,770
I LEAVE, REEKING OF HOME
AND FEELING LIKE A TRAITOR."
589
00:28:06,293 --> 00:28:09,209
WE FOUND
KIRA'S NOVEL.
590
00:28:10,253 --> 00:28:11,037
OH.
591
00:28:11,037 --> 00:28:13,256
[Goren]
IT'S NOT AS PURPLE
592
00:28:13,256 --> 00:28:17,086
AS YOUR PROSE, BUT...
593
00:28:17,086 --> 00:28:20,133
I DON'T KNOW,
TO ME IT RINGS TRUER.
594
00:28:20,133 --> 00:28:22,222
HUH.
EVERYONE'S A CRITIC.
595
00:28:22,222 --> 00:28:26,443
[Goren]
AND YOU'RE A PLAGIARIST,
AREN'T YOU?
596
00:28:26,443 --> 00:28:28,358
YOU'RE A FAKE.
597
00:28:28,358 --> 00:28:30,143
A HACK.
598
00:28:30,143 --> 00:28:31,361
IF WORD GOT OUT,
599
00:28:31,361 --> 00:28:33,755
THOSE LECTURE FEES
WOULD DRY UP.
600
00:28:33,755 --> 00:28:36,105
[Goren]
KIRA TRUSTED YOU,
601
00:28:36,105 --> 00:28:38,368
AND YOU STOLE FROM HER.
602
00:28:38,368 --> 00:28:40,936
AND YOU ARE BEING
HYPERBOLIC, DETECTIVE!
603
00:28:40,936 --> 00:28:41,981
I'M NOT DONE!
604
00:28:47,073 --> 00:28:49,728
I'D LIKE FOR YOU TO SAY
THAT YOU'RE A FRAUD.
605
00:28:52,818 --> 00:28:54,080
[chuckles]
606
00:28:54,080 --> 00:28:55,777
[whimpers]
607
00:28:55,777 --> 00:28:57,953
AH...AH...AH!
608
00:28:57,953 --> 00:28:58,780
HAVE A SEAT.
609
00:28:58,780 --> 00:29:00,956
GO AHEAD.
610
00:29:00,956 --> 00:29:02,305
COME ON.
611
00:29:03,089 --> 00:29:05,004
I'D LIKE YOU TO SAY IT.
612
00:29:14,448 --> 00:29:16,058
OKAY.
613
00:29:19,496 --> 00:29:22,064
YOU PULLED BACK
THE CURTAIN,
614
00:29:22,064 --> 00:29:26,460
AND YOU FOUND
A PATHETIC OLD MAN...
615
00:29:26,460 --> 00:29:29,855
WHO COVETED A BRILLIANT
YOUNG WRITER'S FUTURE.
616
00:29:32,031 --> 00:29:34,990
PERHAPS HE--
HE TOOK HER WORDS.
617
00:29:37,210 --> 00:29:38,951
ONLY HER WORDS.
618
00:29:38,951 --> 00:29:40,866
NOT HER LIFE.
619
00:29:46,175 --> 00:29:49,178
YOU KILLED KIRA
TO SAVE YOUR LEGACY.
620
00:29:49,178 --> 00:29:50,832
WHAT LEGACY?
621
00:29:50,832 --> 00:29:54,183
MY LAST NOVEL SOLD
LESS THAN A THOUSAND COPIES.
622
00:29:54,183 --> 00:30:00,015
I WAS HERE...
AS I AM EVERY NIGHT,
623
00:30:00,015 --> 00:30:01,887
DRINKING...
624
00:30:17,250 --> 00:30:19,905
ALL RIGHT!
625
00:30:19,905 --> 00:30:22,255
I-I'LL GIVE YOU
PHILLIP'S NUMBER.
626
00:30:23,299 --> 00:30:26,259
I WAS--I WAS HOPING
TO SPARE HIM THIS,
627
00:30:26,259 --> 00:30:30,524
BUT HE WILL CERTIFY
THAT I WAS HOME ALL NIGHT.
628
00:30:36,835 --> 00:30:38,271
MY GOD,
629
00:30:38,271 --> 00:30:41,056
IF I DIDN'T KNOW BETTER,
I'D SWEAR THIS WAS PERSONAL.
630
00:30:44,973 --> 00:30:51,110
[ice cubes clinking]
631
00:30:52,024 --> 00:30:53,852
A VERY CRANKY PHILLIP GREEN
IN STOCKHOLM.
632
00:30:53,852 --> 00:30:56,158
HE SAYS HE AND TJ
AND SHILL
633
00:30:56,158 --> 00:30:57,856
GOT TO SHILL'S HOME
AROUND 11:30
634
00:30:57,856 --> 00:30:59,248
WHERE HE SPENT
635
00:30:59,248 --> 00:31:02,338
MOST OF THE NIGHT
IN THE GUEST ROOM RECOVERING.
636
00:31:02,338 --> 00:31:04,427
RECOVERING FROM WHAT?
637
00:31:04,427 --> 00:31:06,690
AN OVERABUNDANCE
OF GRAPPA.
638
00:31:08,475 --> 00:31:11,434
WHY DON'T YOU GO BACK
TO THE ONE GUY IN THIS MIX
639
00:31:11,434 --> 00:31:13,175
WHO ACTUALLY ADMITS
TO BEING A MURDERER?
640
00:31:13,175 --> 00:31:15,177
THE POSER
WITHOUT A MOTIVE?
641
00:31:15,177 --> 00:31:16,178
EAMES...
642
00:31:16,178 --> 00:31:17,832
WE'VE SEEN THE BITTER FATE
643
00:31:17,832 --> 00:31:20,226
OF BEING
A ONE-HIT WONDER.
644
00:31:27,886 --> 00:31:30,758
DO YOU HAVE ANY IDEA
WHAT WAS ON KIRA'S MIND
645
00:31:30,758 --> 00:31:33,152
THE NIGHT OF THE READING?
646
00:31:33,152 --> 00:31:36,155
WHAT, YOU COULDN'T BEAT
AN ANSWER OUT OF LIONEL?
647
00:31:40,028 --> 00:31:41,812
HE'S MAD AT ME.
648
00:31:43,205 --> 00:31:45,425
IS THAT BECAUSE I WENT
AFTER YOUR MENTOR LIKE THAT?
649
00:31:45,425 --> 00:31:47,949
LOOK,
KIRA WAS YOUR FRIEND.
650
00:31:47,949 --> 00:31:49,995
SHE WAS IN TROUBLE.
651
00:31:49,995 --> 00:31:52,084
SHE DIDN'T
TELL YOU ANYTHING?
652
00:31:52,084 --> 00:31:54,521
I DIDN'T HAVE TIME TO TALK
TO HER BEFORE THE READING.
653
00:31:54,521 --> 00:31:56,131
THEN SHE HOOKED UP
WITH SAGE.
654
00:31:56,131 --> 00:31:58,090
AND WHEN SHE CALLED
THE RESTAURANT?
655
00:31:58,090 --> 00:31:59,961
I DIDN'T KNOW
SHE CALLED.
656
00:31:59,961 --> 00:32:01,354
PHILLIP WAS HOLDING COURT,
657
00:32:01,354 --> 00:32:03,486
TELLING STORIES ABOUT
SMOKING POT IN THE WHITE HOUSE
658
00:32:03,486 --> 00:32:05,097
WITH ALLEN GINSBERG.
659
00:32:07,882 --> 00:32:09,971
WELL, SHILL TOLD US
660
00:32:09,971 --> 00:32:11,146
THAT SHE WAS DISTRAUGHTAND...
661
00:32:11,146 --> 00:32:13,322
HE DIDN'T SHARE THAT
WITH YOU AT ALL?
662
00:32:13,322 --> 00:32:15,411
MAYBE HE THOUGHT
YOU'D BREAK OUT
663
00:32:15,411 --> 00:32:17,370
INTO A VIOLENT RAGE
OR SOMETHING.
664
00:32:17,370 --> 00:32:19,763
YOU KNOW, HE SHOWED YOU OFF
AS HIS PRIZED PUPIL,
665
00:32:19,763 --> 00:32:22,810
BUT MAYBE HE THOUGHT DEEP DOWN
YOU WERE STILL AN ANIMAL.
666
00:32:25,030 --> 00:32:27,119
LET ME DO IT.
HERE, COME ON.
667
00:32:27,119 --> 00:32:28,381
GO AHEAD.
668
00:32:28,381 --> 00:32:29,904
YOU DON'T WANNA
STAND THERE.
669
00:32:29,904 --> 00:32:31,036
COME ON.YEAH?
670
00:32:31,036 --> 00:32:32,776
COME ON, TJ.
LET'S SEE WHAT YOU GOT.
671
00:32:34,213 --> 00:32:36,041
COME ON.
672
00:32:36,041 --> 00:32:37,216
GIVE IT YOUR BEST SHOT.
673
00:32:38,957 --> 00:32:41,176
THAT'S IT?
THAT'S--THAT'S WHAT YOU HAVE?
674
00:32:41,176 --> 00:32:43,048
IS THAT IT?
THAT'S ALL HE'S GOT?
675
00:32:43,048 --> 00:32:45,050
OKAY, MAYBE THIS'LL
MAKE IT EASIER FOR YOU.
676
00:32:45,050 --> 00:32:47,095
OH, BOBBY--
677
00:32:47,095 --> 00:32:49,271
SORRY ABOUT THE FLIES.
THEY'RE ALL OVER YOU.
678
00:32:53,101 --> 00:32:55,016
SHOW ME SOMETHING.COME ON.
679
00:32:59,107 --> 00:33:01,240
SHOW ME SOMETHING.
680
00:33:02,284 --> 00:33:04,983
I ONLY START
WHAT I CAN FINISH.
681
00:33:10,901 --> 00:33:13,078
WELL, I GUESS THERE
WEREN'T ENOUGH CAMERAS AROUND
682
00:33:13,078 --> 00:33:14,601
FOR HIM TO GIVE USA SHOW.
683
00:33:14,601 --> 00:33:16,124
WELL, HE GAVE US A TELL.
684
00:33:16,124 --> 00:33:18,431
TURNED HIS BACK
WHEN HE WALKED AWAY.
685
00:33:20,128 --> 00:33:21,390
WHICH WOULD HAVE BEEN
THE FIRST THING
686
00:33:21,390 --> 00:33:24,002
HE'D LEARN NOT TO DO
IN THE PEN.
687
00:33:29,137 --> 00:33:32,097
[Goren] THANK YOU VERY MUCH. ASHKOURAK.
688
00:33:32,097 --> 00:33:34,055
YOU TWO PUNCHED IN EARLY.
689
00:33:34,055 --> 00:33:36,492
[Goren]
WELL, THEY'RE SEVEN
HOURS AHEAD OF US IN YEMEN.
690
00:33:36,492 --> 00:33:40,235
THE JAIL THAT TJ CLAIMS
TO HAVE SERVED TIME IN
691
00:33:40,235 --> 00:33:42,063
BURNED DOWN IN 2004.
692
00:33:42,063 --> 00:33:43,630
AND THE STATE DEPARTMENT
HAS NO RECORD
693
00:33:43,630 --> 00:33:45,980
OF TJ EVER BEING
IN YEMEN.
694
00:33:45,980 --> 00:33:47,460
I MAY BE DENSE,
695
00:33:47,460 --> 00:33:50,071
BUT WHAT HAS THIS GOT TO DO
WITH KIRA DANFORTH?
696
00:33:50,071 --> 00:33:52,117
TJ'S NEW BOOK,
AMERICAN DELINQUENT.
697
00:33:52,117 --> 00:33:57,165
NOW, HE DOESN'T NAME
THE JUVIE DETENTION CENTER,
698
00:33:57,165 --> 00:33:59,254
BUT HE WRITES ABOUT IT.
699
00:33:59,254 --> 00:34:02,997
HE SAYS THAT HE COULD SMELL
RAW MEAT FROM HIS CELL.
700
00:34:04,216 --> 00:34:06,087
THE PRODUCE AND MEAT CENTER
IN THE BRONX.
701
00:34:06,087 --> 00:34:07,306
IT'S SPOFFORD.
702
00:34:07,306 --> 00:34:09,264
THAT'S WHERE D TOUR
SPENT A YEAR
703
00:34:09,264 --> 00:34:10,874
FOR STEALING A CAR.
704
00:34:10,874 --> 00:34:12,572
NOW, I CALLED D TOUR AGAIN
705
00:34:12,572 --> 00:34:16,097
AND TOLD HIM SOME OF THE THINGS
THAT TJ SAYS IN THIS BOOK.
706
00:34:16,097 --> 00:34:18,143
HE LAUGHED.
707
00:34:18,143 --> 00:34:19,448
TJ DID ENOUGH RESEARCH
TO SOUND CONVINCING.
708
00:34:19,448 --> 00:34:22,147
IT WAS JUST HIS BAD LUCK
THAT KIRA'S BOYFRIEND
709
00:34:22,147 --> 00:34:23,496
WAS ACTUALLY THERE.
710
00:34:23,496 --> 00:34:26,020
OKAY, BUT HOW CAN
SHE HURT HIM?
711
00:34:26,020 --> 00:34:27,152
SHE'S AN UNPUBLISHED WRITER.
712
00:34:27,152 --> 00:34:29,502
HE'S ON THE TOP
OF THE BEST-SELLER LIST.
713
00:34:29,502 --> 00:34:31,199
BUT NOT WITH
AMERICAN DELINQUENT.
714
00:34:31,199 --> 00:34:33,027
THE DAILY TIMES
715
00:34:33,027 --> 00:34:35,029
HASN'T PUBLISHED
A REVIEW YET.
716
00:34:35,029 --> 00:34:36,944
POWERHOUSE AUTHOR
LIKE HAWKINS,
717
00:34:36,944 --> 00:34:39,338
THAT REVIEW SHOULD HAVE RUN
IN TIME WITH THE RELEASE.
718
00:34:39,338 --> 00:34:41,557
UNLESS WHOEVER WROTE IT...
719
00:34:41,557 --> 00:34:44,343
COULDN'T TURN IT IN.
720
00:34:45,561 --> 00:34:47,302
[Sage]
OKAY, I SHOULD HAVE TOLD YOU
721
00:34:47,302 --> 00:34:50,958
THAT KIRA WAS GOING TO REVIEW
TJ'S BOOK.
722
00:34:50,958 --> 00:34:51,959
[Goren]
IN THE TIMES.
723
00:34:51,959 --> 00:34:53,178
YES.
724
00:34:53,178 --> 00:34:55,180
WHEN DID YOU TELL TJ?
725
00:34:55,180 --> 00:34:57,182
I DIDN'T.
726
00:34:57,182 --> 00:34:59,184
I DIDN'T WANT TJ
PRESSURING KIRA.
727
00:34:59,184 --> 00:35:00,576
IT WAS TOO RISKY.
728
00:35:00,576 --> 00:35:03,275
THE NIGHT THAT YOU
TOOK KIRA OUT
729
00:35:03,275 --> 00:35:05,190
AFTER THE READING...
730
00:35:05,190 --> 00:35:08,193
YOU KNEW THAT YOU DIDN'T
WANT TO REPRESENT HER NOVEL.
731
00:35:08,193 --> 00:35:10,238
TJ AND KIRA WERE FRIENDS.
732
00:35:10,238 --> 00:35:14,373
I WOULD ASSUME THAT THE REVIEW
WOULD BE A RAVE, SURE.
733
00:35:14,373 --> 00:35:17,027
BUT I WANTED
TO COVER MY BASES.
734
00:35:17,027 --> 00:35:20,292
HEY, ANY CHANCE THE TIMES
LET YOU SEE THAT REVIEW?
735
00:35:20,292 --> 00:35:22,294
[Eames]
KIRA NEVER HANDED IT IN.
736
00:35:22,294 --> 00:35:25,079
IT WAS DUE THE DAY
AFTER SHE WAS KILLED.
737
00:35:25,079 --> 00:35:27,386
GREAT! JUST MY LUCK.
738
00:35:27,386 --> 00:35:29,214
NOW THEY'RE GONNA
HAVE TO REASSIGN.
739
00:35:29,214 --> 00:35:30,650
THE THING
COULD TAKE WEEKS.
740
00:35:30,650 --> 00:35:33,305
[Eames] WELL, I'M SURE
YOU CAN COME UP WITH
741
00:35:33,305 --> 00:35:35,350
SOMEONE ELSE
WHO CAN WRITE IT.
742
00:35:35,350 --> 00:35:36,351
WHAT ARE YOU SAYING?
743
00:35:36,351 --> 00:35:38,179
WELL,
KIRA'S UNPUBLISHED.
744
00:35:38,179 --> 00:35:40,094
SHE COULDN'T HAVE
GOTTEN THE GIG AT THE TIMES
745
00:35:40,094 --> 00:35:42,270
UNLESS SOMEONE
CASHED IN A FAVOR.
746
00:35:42,270 --> 00:35:45,317
[chuckling]
THE DAY THEY LET AGENTS
747
00:35:45,317 --> 00:35:47,101
CHOOSE WHO'S GONNA
REVIEW BOOKS
748
00:35:47,101 --> 00:35:50,409
IS THE DAY EVEN I THINK
THE BUSINESS IS TOO SLEAZY.
749
00:35:50,409 --> 00:35:54,152
OKAY, IF IT WASN'T YOU,
HOW'D KIRA GET THE ASSIGNMENT?
750
00:35:54,152 --> 00:35:56,415
HOW DID SHE GET
THE ASSIGNMENT?
751
00:35:56,415 --> 00:36:00,332
WHO DO YOU THINK THE TIMES
EDITOR STUDIED UNDER?
752
00:36:01,768 --> 00:36:03,248
[Eames]
SHILL GOT KIRA ASSIGNED
753
00:36:03,248 --> 00:36:05,250
TO REVIEW
HIS PROTéGé'S BOOK,
754
00:36:05,250 --> 00:36:06,555
KIRA'S FIRST BIG BREAK.
755
00:36:06,555 --> 00:36:08,209
[cell phone ringing]
756
00:36:08,209 --> 00:36:09,732
GOREN.
757
00:36:09,732 --> 00:36:12,605
OH, IS THAT RIGHT?
ALL RIGHT, THANKS.
758
00:36:12,605 --> 00:36:15,608
BALLISTICS.
THEY GOT A HIT ON THAT .22.
759
00:36:15,608 --> 00:36:18,132
THEY ALREADY RAN THAT GUN.
CAME UP EMPTY.
760
00:36:18,132 --> 00:36:19,307
YEAH, IN NEW YORK.
761
00:36:19,307 --> 00:36:21,353
I HAD A FRIEND
RUN IT IN JERSEY.
762
00:36:21,353 --> 00:36:24,312
TURNS OUT, IT WAS USED
IN THE NEWARK RIOTS
763
00:36:24,312 --> 00:36:25,444
TO SHOOT A COP.
764
00:36:25,444 --> 00:36:27,707
THAT BOY SHILL TAUGHT
IN PRISON...
765
00:36:27,707 --> 00:36:29,622
HE NOT ONLY GOT
A NOVEL OUT OF HIM.
766
00:36:29,622 --> 00:36:31,276
HE GOT THE KID'S GUN?
767
00:36:31,276 --> 00:36:32,538
SAME AS THE BOOK, RIGHT?
768
00:36:32,538 --> 00:36:34,496
KID GIVES THE TEACHER THE GUN
FOR SAFEKEEPING.
769
00:36:34,496 --> 00:36:36,629
KIRA WAS SWIMMING
WITH SHARKS.
770
00:36:36,629 --> 00:36:39,284
SHILL'S A THIEF.
TJ'S A FRAUD.
771
00:36:39,284 --> 00:36:40,415
EITHER ONE OF THEM
772
00:36:40,415 --> 00:36:43,070
COULD HAVE TAKEN THAT GUN
TO BROOKLYN.
773
00:36:47,683 --> 00:36:50,295
[woman]
I WANTED TO OPEN
WITH SOMETHING MEMORABLE.
774
00:36:50,295 --> 00:36:53,515
WELL, MY DEAR,
TWO THINGS:
775
00:36:53,515 --> 00:36:55,691
FIRST, IT WASN'T MEMORABLE.
776
00:36:55,691 --> 00:36:59,478
IT WAS LIKE JOYCE CAROL OATES
ON BARBITURATES.
777
00:36:59,478 --> 00:37:01,262
SECONDLY,
YOUR OPENING SENTENCE
778
00:37:01,262 --> 00:37:04,178
MUST BE A PROMISE
OF A TRUTH WORTH READING.
779
00:37:04,178 --> 00:37:06,354
ANYTHING LESS
IS BLASPHEMY.
780
00:37:06,354 --> 00:37:11,229
[deliberate clapping]
781
00:37:12,317 --> 00:37:15,320
THEY FOLLOWED ME IN.
THEY HAVE BADGES.
782
00:37:15,320 --> 00:37:17,496
WE'RE IN THE MIDDLE
OF OUR SALON.
783
00:37:17,496 --> 00:37:20,281
IT'S OKAY.
I WANTED TO SEE THE...
784
00:37:20,281 --> 00:37:22,675
MASTER AT WORK, YOU KNOW,
PLOTTING THE...
785
00:37:22,675 --> 00:37:24,503
PSYCHOLOGICAL INTRIGUE.
786
00:37:24,503 --> 00:37:27,419
THE WAY THAT YOU
MANIPULATE LIVES, AS IF...
787
00:37:27,419 --> 00:37:29,464
THEY WERE CHARACTERS
788
00:37:29,464 --> 00:37:32,337
IN YOUR OWN LIFE NOVEL
WHERE YOU PLAY GOD.
789
00:37:32,337 --> 00:37:34,426
SHOW SOME RESPECT, SHERLOCK.
790
00:37:34,426 --> 00:37:36,297
[Eames]
RESPECT. THAT'S IMPORTANT,
ISN'T IT?
791
00:37:36,297 --> 00:37:37,516
WHERE'D YOU LEARN THAT,
792
00:37:37,516 --> 00:37:40,301
AT THAT HELLHOLE IN YEMEN
793
00:37:40,301 --> 00:37:42,129
OR AT SPOFFORD?
794
00:37:42,129 --> 00:37:44,305
HARD TIME IS HARD TIME.
795
00:37:44,305 --> 00:37:45,828
BEEN GOOD FOR YOU.
796
00:37:45,828 --> 00:37:47,482
HOW'S THAT SECOND BOOK--
OH, WAIT.
797
00:37:47,482 --> 00:37:48,875
IT HASN'T REALLY
CAUGHT ON FIRE YET.
798
00:37:48,875 --> 00:37:50,703
YOU STILL WAITING
ON THE TIMES REVIEW?
799
00:37:50,703 --> 00:37:54,707
[Eames]
A GOOD FRIEND LIKE KIRA
SINGING YOUR PRAISES.
800
00:37:54,707 --> 00:37:56,448
THAT WOULD HAVE BEEN
A SLAM DUNK.
801
00:37:56,448 --> 00:37:59,451
DID YOU KNOW THAT
MR. SHILL GOT KIRA THE JOB,
802
00:37:59,451 --> 00:38:02,410
CONNED AN EDITOR FRIEND
OF HIS OVER THERE
803
00:38:02,410 --> 00:38:05,848
INTO GLOSSING OVER
KIRA'S CONFLICT OF INTEREST?
804
00:38:05,848 --> 00:38:08,373
SHE WAS THE PERFECT CHOICE,
WASN'T SHE,
805
00:38:08,373 --> 00:38:11,680
BECAUSE OF HER CONNECTION
TO THE MATERIAL?
806
00:38:11,680 --> 00:38:15,728
THE LOVE OF KIRA'S LIFE
SPENT A YEAR IN SPOFFORD.
807
00:38:15,728 --> 00:38:19,253
SHE KNOWS THE TRUTH
OF THAT PLACE, YOU KNOW?
808
00:38:19,253 --> 00:38:22,169
WHEN SHE READ YOUR BOOK,
SHE SAW IT FOR WHAT IT WAS.
809
00:38:22,169 --> 00:38:23,823
IT WAS PURE FICTION.
810
00:38:23,823 --> 00:38:27,174
[Eames]
HER EXPOSé WOULD HAVE
BEEN FRONT PAGE NEWS.
811
00:38:27,174 --> 00:38:28,523
SO YOU HAD TO STOP THAT.
812
00:38:34,312 --> 00:38:37,880
HOW DID YOU KNOW
THAT HE WAS A FAKE?
813
00:38:37,880 --> 00:38:38,881
DID KIRA TELL YOU THAT,
814
00:38:38,881 --> 00:38:40,927
OR YOU FIGURE THAT OUT
ON YOUR OWN?
815
00:38:40,927 --> 00:38:43,277
YOU KNOW THIS IS
ABSOLUTE NONSENSE.
816
00:38:45,235 --> 00:38:46,367
KIRA SHOW YOU THIS?
817
00:38:46,367 --> 00:38:48,500
IT'S KIRA'S NOVEL
IN PROGRESS.
818
00:38:48,500 --> 00:38:49,805
HERE.
819
00:38:49,805 --> 00:38:51,546
[Shill, chuckling]
I'LL TAKE IT.
820
00:38:52,721 --> 00:38:54,723
YOU SHOULD HAVE
A LOOK AT IT.
821
00:38:54,723 --> 00:38:57,247
YOU'LL...RECOGNIZE IT.
822
00:38:57,247 --> 00:38:59,467
HE STOLE HER VOICE
AND HER LIFE.
823
00:38:59,467 --> 00:39:02,296
HE PUT HIS NAME ON IT.
824
00:39:04,646 --> 00:39:05,734
YOU'RE LYING.
825
00:39:10,913 --> 00:39:12,480
READ IT.
826
00:39:15,701 --> 00:39:18,965
SECOND CALL
THAT SHE MADE TO YOU...
827
00:39:18,965 --> 00:39:21,402
SHE HAD BEEN
BEATEN UP, YOU KNOW.
828
00:39:21,402 --> 00:39:22,664
SHE WAS HURT.
SHE WAS SCARED.
829
00:39:22,664 --> 00:39:24,274
SHE REACHED OUT TO YOU,
830
00:39:24,274 --> 00:39:25,754
AND WHAT DID YOU DO?
831
00:39:25,754 --> 00:39:27,669
I COULD NOT UNDERSTAND
A WORD SHE WAS SAYING.
832
00:39:27,669 --> 00:39:30,498
NO, YOU SHOWED TJ
HER REVIEW.
833
00:39:30,498 --> 00:39:32,282
OH, TJ,
834
00:39:32,282 --> 00:39:33,806
THEY'RE TRYING
TO PROVOKE YOU.
835
00:39:33,806 --> 00:39:36,678
COME ON, TJ.
836
00:39:36,678 --> 00:39:40,508
HE SET YOU UP
TO KILL KIRA,
837
00:39:40,508 --> 00:39:42,771
NOT BECAUSE SHE WAS
GONNA EXPOSE YOU,
838
00:39:42,771 --> 00:39:44,556
BUT BECAUSE SHE WAS
GONNA EXPOSE HIM.
839
00:39:45,861 --> 00:39:47,472
YOU KNOW, YOU DON'T
WANNA READ THAT THING?
840
00:39:47,472 --> 00:39:49,648
THAT'S FINE.
841
00:39:49,648 --> 00:39:53,303
READ SHILL'S.
LET'S HAVE A LOOK AT YOURS.
842
00:39:53,303 --> 00:39:55,697
"SHE RIDES THE TRAIN
TO MIDTOWN.
843
00:39:55,697 --> 00:39:57,482
"THE OTHER BLACK WOMEN
844
00:39:57,482 --> 00:40:01,007
"IN THEIR SECRETARY BEST
EYE HER.
845
00:40:01,007 --> 00:40:03,662
"SAMPLE SALE CLOTHES.
846
00:40:03,662 --> 00:40:05,490
STRAIGHTENED HAIR."
847
00:40:05,490 --> 00:40:07,927
YOU SON OF A BITCH.
848
00:40:07,927 --> 00:40:10,320
YOU KNEW I WAS DOWN
ABOUT MY BOOK,
849
00:40:10,320 --> 00:40:13,672
AFRAID I WAS GONNA...
LOSE EVERYTHING.
850
00:40:14,890 --> 00:40:16,849
HE WOUND YOU UP.
HE GAVE YOU A GUN.
851
00:40:16,849 --> 00:40:18,894
WHERE WOULD I GET
A GUN, TJ?
852
00:40:18,894 --> 00:40:21,767
LAMAR STYLES.
REMEMBER HIM?
853
00:40:21,767 --> 00:40:23,508
[book clunks on table]
854
00:40:23,508 --> 00:40:26,902
HE SHOT A COP
IN THE NEWARK RIOTS IN '67.
855
00:40:26,902 --> 00:40:28,861
[Eames]
THE BULLETS THEY FOUND IN KIRA
856
00:40:28,861 --> 00:40:31,472
WERE FROM THAT SAME GUN.
857
00:40:31,472 --> 00:40:33,692
HE GAVE IT TO YOU,
DIDN'T HE?
858
00:40:38,871 --> 00:40:40,568
YES.
859
00:40:40,568 --> 00:40:42,657
BUT BEFORE HE DID,
860
00:40:42,657 --> 00:40:44,833
HE CUT ME A LINE OF COKE.
861
00:40:44,833 --> 00:40:46,792
I'D BEEN CLEAN
FOR FIVE YEARS.
862
00:40:46,792 --> 00:40:49,708
HE TOLD ME
I DESERVED IT.
863
00:40:49,708 --> 00:40:51,797
THEN HE CUT ANOTHER ONE.
864
00:40:51,797 --> 00:40:55,540
TOLD ME TO GO GET
THE CIGAR BOX FROM HIS DESK.
865
00:40:55,540 --> 00:40:57,890
OH, YOU INGRATE.
866
00:40:57,890 --> 00:41:00,283
HE TOLD ME
TO TAKE THE PIECE.
867
00:41:03,591 --> 00:41:05,941
BE THE MAN
I WROTE ABOUT.
868
00:41:11,643 --> 00:41:14,080
WHEN I GOT
TO KIRA'S APARTMENT, I--
869
00:41:14,080 --> 00:41:16,648
I CONFRONTED HER
ABOUT THE REVIEW.
870
00:41:16,648 --> 00:41:18,911
YEAH, BUT SHE DIDN'T WANT
TO HEAR ABOUT ANY REVIEW.
871
00:41:18,911 --> 00:41:20,913
NOT FROM A FRAUD
LIKE YOU.
872
00:41:20,913 --> 00:41:24,786
SHE TOLD ME I WOULD NEVER
BE ABLE TO USE A REAL GUN
873
00:41:24,786 --> 00:41:27,615
'CAUSE I WASN'T REAL.
874
00:41:27,615 --> 00:41:32,359
SHE MOCKED ME, TAUNTED ME.
875
00:41:32,359 --> 00:41:35,362
YOU NEEDED TO SHOW HER
THAT YOU WERE REAL.
876
00:41:35,362 --> 00:41:36,885
I PULLED THE TRIGGER.
877
00:41:36,885 --> 00:41:40,715
BUT YOU DIDN'T EVEN HAVE
THE COURAGE TO FINISH THE JOB.
878
00:41:40,715 --> 00:41:42,456
KIRA BLED TO DEATH.
879
00:41:42,456 --> 00:41:44,414
TJ HAWKINS,
YOU ARE UNDER ARREST
880
00:41:44,414 --> 00:41:47,069
FOR THE MURDER
OF KIRA DANFORTH.
881
00:41:49,594 --> 00:41:50,899
LIONEL SHILL,
YOU'RE UNDER ARREST
882
00:41:50,899 --> 00:41:54,947
FOR CONSPIRING IN THE MURDER
OF KIRA DANFORTH.
883
00:41:54,947 --> 00:41:56,514
TJ. HA.
884
00:41:56,514 --> 00:41:59,821
FROM MY TRIUMPH
TO MY ALBATROSS.
885
00:42:05,044 --> 00:42:07,133
[Goren]
SEE THOSE WRITERS?
886
00:42:07,133 --> 00:42:10,528
THEY'RE GONNA HAVE
A HELL OF A STORY.
62212
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.