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These are the user uploaded subtitles that are being translated: 1 00:00:07,006 --> 00:00:09,109 >> Trevor: GOOD EVENING AND WELCOME TO MUSIC'S BIGGEST 2 00:00:09,175 --> 00:00:09,476 NIGHT. 3 00:00:09,976 --> 00:00:11,745 IT'S THE 66TH ANNUAL GRAMMY AWARDS. 4 00:00:11,811 --> 00:00:12,000 AND TONIGHT WE ARE COMING TO YOU LIVE FROM THE CITY OF 5 00:00:12,000 --> 00:00:14,013 AND TONIGHT WE ARE COMING TO YOU LIVE FROM THE CITY OF 6 00:00:14,080 --> 00:00:17,951 LOS ANGELES, WHERE THE LOCAL POPULATION HAS JUST SURVIVED THE 7 00:00:18,017 --> 00:00:18,451 UNTHINKABLE... 8 00:00:18,518 --> 00:00:19,953 RAIN. 9 00:00:20,019 --> 00:00:21,821 WE'LL HAVE A MOMENT OF SILENCE FOR THEM LATER. 10 00:00:21,888 --> 00:00:24,000 BUT RIGHT NOW, LET'S TURN IT UP WITH AN INTERNATIONAL SUPERSTAR, 11 00:00:24,000 --> 00:00:24,991 BUT RIGHT NOW, LET'S TURN IT UP WITH AN INTERNATIONAL SUPERSTAR, 12 00:00:25,058 --> 00:00:27,227 A MULTIPLE GRAMMY WINNER, NOMINATED TONIGHT FOR 13 00:00:27,293 --> 00:00:28,595 SONG OF THE YEAR. 14 00:00:28,661 --> 00:00:30,000 GIVE IT UP FOR DUA LIPA! 15 00:00:30,000 --> 00:00:36,000 GIVE IT UP FOR DUA LIPA! 16 00:00:36,000 --> 00:00:39,739 GIVE IT UP FOR DUA LIPA! 17 00:00:39,806 --> 00:00:42,000 [CHEERS AND APPLAUSE] ♪ ♪ 18 00:00:42,000 --> 00:00:44,711 [CHEERS AND APPLAUSE] ♪ ♪ 19 00:00:50,116 --> 00:00:54,000 ♪ ♪ ♪ ARE YOU ♪ 20 00:00:54,000 --> 00:00:55,789 ♪ ♪ ♪ ARE YOU ♪ 21 00:00:55,855 --> 00:00:59,159 ♪ SOMEONE THAT I CAN GIVE MY HEART TO ♪ 22 00:00:59,225 --> 00:01:00,000 ♪ OR JUST THE POISON THAT I'M DRAWN TO? ♪ 23 00:01:00,000 --> 00:01:02,328 ♪ OR JUST THE POISON THAT I'M DRAWN TO? ♪ 24 00:01:02,395 --> 00:01:06,000 ♪ IT CAN BE HARD TO TELL THE DIFFERENCE LATE AT NIGHT ♪ 25 00:01:06,000 --> 00:01:10,437 ♪ IT CAN BE HARD TO TELL THE DIFFERENCE LATE AT NIGHT ♪ 26 00:01:10,503 --> 00:01:12,000 ♪ BUT IF YOU REALLY WANNA GO THERE YOU SHOULD KNOW ♪ 27 00:01:12,000 --> 00:01:16,709 ♪ BUT IF YOU REALLY WANNA GO THERE YOU SHOULD KNOW ♪ 28 00:01:16,776 --> 00:01:17,710 ♪ I NEED SOMEONE TO HOLD ME CLOSE ♪ 29 00:01:17,777 --> 00:01:18,000 ♪ DEEPER THAN I'VE EVER KNOWN WHOSE ♪ 30 00:01:18,000 --> 00:01:20,213 ♪ DEEPER THAN I'VE EVER KNOWN WHOSE ♪ 31 00:01:20,280 --> 00:01:22,549 ♪ LOVE FEELS LIKE A RODEO ♪ ♪ KNOWS JUST HOW TO TAKE 32 00:01:22,615 --> 00:01:24,000 CONTROL ♪ ♪ WHEN I'M VULNERABLE ♪ 33 00:01:24,000 --> 00:01:25,552 CONTROL ♪ ♪ WHEN I'M VULNERABLE ♪ 34 00:01:25,618 --> 00:01:27,654 ♪ HE'S STRAIGHT TALKING TO MY SOUL ♪ 35 00:01:27,720 --> 00:01:30,000 ♪ CONVERSATION OVERLOAD GOT ♪ ♪ ME FEELING VERTIGO ♪ 36 00:01:30,000 --> 00:01:33,793 ♪ CONVERSATION OVERLOAD GOT ♪ ♪ ME FEELING VERTIGO ♪ 37 00:01:33,860 --> 00:01:36,000 ♪ I NEED SOMEBODY WHO CAN GO THERE? ♪ 38 00:01:36,000 --> 00:01:37,897 ♪ I NEED SOMEBODY WHO CAN GO THERE? ♪ 39 00:01:37,964 --> 00:01:42,000 ♪ CAUSE I DON'T WANNA HAVE TO SHOW YA ♪ 40 00:01:42,000 --> 00:01:42,035 ♪ CAUSE I DON'T WANNA HAVE TO SHOW YA ♪ 41 00:01:42,101 --> 00:01:44,604 ♪ IF THAT AIN'T YOU THEN LET ME KNOW ♪ 42 00:01:44,671 --> 00:01:47,540 ♪ YEAH CAUSE TRAINING SEASON'S OVER ♪ 43 00:01:47,607 --> 00:01:48,000 ♪ NEED SOME ONE TO HOLD ME CLOSE ♪ 44 00:01:48,000 --> 00:01:49,642 ♪ NEED SOME ONE TO HOLD ME CLOSE ♪ 45 00:01:49,709 --> 00:01:51,678 ♪ DEEPER THAN I'VE EVER KNOWN ♪ ♪ WHOSE LOVE FEELS LIKE A 46 00:01:51,744 --> 00:01:53,746 RODEO ♪ ♪ KNOWS JUST HOW TO TAKE 47 00:01:53,813 --> 00:01:54,000 CONTROL ♪ ♪ WHEN I'M VULNERABLE ♪ 48 00:01:54,000 --> 00:01:57,250 CONTROL ♪ ♪ WHEN I'M VULNERABLE ♪ 49 00:01:57,317 --> 00:01:59,819 ♪ HE'S STRAIGHT TALKING TO MY SOUL ♪ 50 00:01:59,886 --> 00:02:00,000 ♪ CONVERSATION OVERLOAD ♪ ♪ 'CAUSE TRAINING SEASON'S 51 00:02:00,000 --> 00:02:02,155 ♪ CONVERSATION OVERLOAD ♪ ♪ 'CAUSE TRAINING SEASON'S 52 00:02:02,222 --> 00:02:06,000 OVER ♪ ♪ TRAINING SEASON'S OVER ♪ 53 00:02:06,000 --> 00:02:12,000 OVER ♪ ♪ TRAINING SEASON'S OVER ♪ 54 00:02:12,000 --> 00:02:14,801 OVER ♪ ♪ TRAINING SEASON'S OVER ♪ 55 00:02:14,868 --> 00:02:18,000 ♪ EVEN WHEN THE TEARS ARE FLOWIN' LIKE DIAMONDS ON MY 56 00:02:18,000 --> 00:02:18,071 ♪ EVEN WHEN THE TEARS ARE FLOWIN' LIKE DIAMONDS ON MY 57 00:02:18,137 --> 00:02:24,000 FACE ♪ >> GRAMMYS MAKE SOME NOISE! 58 00:02:24,000 --> 00:02:26,379 FACE ♪ >> GRAMMYS MAKE SOME NOISE! 59 00:02:26,446 --> 00:02:27,514 ♪ I'LL STILL KEEP THE PARTY GOIN', NOT ONE HAIR OUT OF 60 00:02:27,580 --> 00:02:30,000 PLACE ♪ ♪ EVEN WHEN THE TEARS ARE 61 00:02:30,000 --> 00:02:30,183 PLACE ♪ ♪ EVEN WHEN THE TEARS ARE 62 00:02:30,250 --> 00:02:31,284 FLOWIN' LIKE DIAMONDS ON MY FACE ♪ 63 00:02:31,351 --> 00:02:32,418 ♪ I'LL STILL KEEP THE PARTY GOIN', NOT ONE HAIR OUT OF 64 00:02:32,485 --> 00:02:36,000 PLACE7 ♪ WATCH ME DANCE ♪ 65 00:02:36,000 --> 00:02:36,256 PLACE7 ♪ WATCH ME DANCE ♪ 66 00:02:36,322 --> 00:02:39,893 ♪ TIME IS PASSIN' LIKE A SOLAR ECLIPSE ♪ 67 00:02:39,959 --> 00:02:42,000 ♪ SEE YOU WATCHIN' AND YOU BLOW ME A KISS ♪ 68 00:02:42,000 --> 00:02:44,197 ♪ SEE YOU WATCHIN' AND YOU BLOW ME A KISS ♪ 69 00:02:44,264 --> 00:02:48,000 ♪ IT'S YOUR MOMENT, BABY, DON'T LET IT SLIP ♪ 70 00:02:48,000 --> 00:02:48,067 ♪ IT'S YOUR MOMENT, BABY, DON'T LET IT SLIP ♪ 71 00:02:48,134 --> 00:02:51,237 ♪ COME IN CLOSER, ARE YOU READIN' MY LIPS? ♪ 72 00:02:51,304 --> 00:02:54,000 ♪ THEY SAY I COME AND I GO ♪ ♪ TELL ME ALL THE WAYS YOU NEED 73 00:02:54,000 --> 00:02:54,240 ♪ THEY SAY I COME AND I GO ♪ ♪ TELL ME ALL THE WAYS YOU NEED 74 00:02:54,307 --> 00:02:57,877 ME ♪ ♪ I'M NOT HERE FOR LONG ♪ 75 00:02:57,944 --> 00:03:00,000 ♪ CATCH ME OR I GO HOUDINI ♪ ♪ I COME AND I GO ♪ 76 00:03:00,000 --> 00:03:02,348 ♪ CATCH ME OR I GO HOUDINI ♪ ♪ I COME AND I GO ♪ 77 00:03:02,415 --> 00:03:05,051 ♪ PROVE YOU GOT THE RIGHT TO PLEASE ME ♪ 78 00:03:05,118 --> 00:03:06,000 ♪ EVERYBODY KNOWS ♪ ♪ CATCH ME OR I GO HOUDINI ♪ 79 00:03:06,000 --> 00:03:10,023 ♪ EVERYBODY KNOWS ♪ ♪ CATCH ME OR I GO HOUDINI ♪ 80 00:03:10,089 --> 00:03:12,000 ♪ IF YOU'RE GOOD ENOUGH, YOU'LL FIND A WAY ♪ 81 00:03:12,000 --> 00:03:12,625 ♪ IF YOU'RE GOOD ENOUGH, YOU'LL FIND A WAY ♪ 82 00:03:12,692 --> 00:03:16,829 ♪ MAYBE YOU COULD CAUSE A GIRL TO CHANGE ♪ 83 00:03:16,896 --> 00:03:18,000 ♪ DO YOU THINK ABOUT IT NIGHT AND DAY? ♪ 84 00:03:18,000 --> 00:03:21,901 ♪ DO YOU THINK ABOUT IT NIGHT AND DAY? ♪ 85 00:03:21,968 --> 00:03:24,000 ♪ MAYBE YOU COULD BE THE ONE TO MAKE ME STAY ♪ 86 00:03:24,000 --> 00:03:25,538 ♪ MAYBE YOU COULD BE THE ONE TO MAKE ME STAY ♪ 87 00:03:25,605 --> 00:03:29,842 ♪ EVERYTHING YOU SAY IS SOUNDIN' SO SWEET ♪ 88 00:03:29,909 --> 00:03:30,000 ♪ BUT DO YOU PRACTISE EVERYTHING THAT YOU PREACH? ♪ 89 00:03:30,000 --> 00:03:33,212 ♪ BUT DO YOU PRACTISE EVERYTHING THAT YOU PREACH? ♪ 90 00:03:33,279 --> 00:03:36,000 ♪ I NEED SOMETHING THAT'LL MAKE ME BELIEVE ♪ 91 00:03:36,000 --> 00:03:37,150 ♪ I NEED SOMETHING THAT'LL MAKE ME BELIEVE ♪ 92 00:03:37,216 --> 00:03:40,386 ♪ IF YOU GOT IT, BABY, GIVE IT TO ME ♪ 93 00:03:40,453 --> 00:03:42,000 ♪ THEY SAY I COME AND I GO ♪ ♪ TELL ME ALL THE WAYS YOU NEED 94 00:03:42,000 --> 00:03:42,989 ♪ THEY SAY I COME AND I GO ♪ ♪ TELL ME ALL THE WAYS YOU NEED 95 00:03:43,056 --> 00:03:47,026 ME ♪ ♪ I'M NOT HERE FOR LONG ♪ 96 00:03:47,093 --> 00:03:48,000 ♪ CATCH ME OR I GO HOUDINI ♪ ♪ I COME AND I GO ♪ 97 00:03:48,000 --> 00:03:51,130 ♪ CATCH ME OR I GO HOUDINI ♪ ♪ I COME AND I GO ♪ 98 00:03:51,197 --> 00:03:54,000 ♪ PROVE YOU GOT THE RIGHT TO PLEASE ME ♪ 99 00:03:54,000 --> 00:03:55,268 ♪ PROVE YOU GOT THE RIGHT TO PLEASE ME ♪ 100 00:03:55,335 --> 00:03:58,805 ♪ EVERYBODY KNOWS ♪ ♪ CATCH ME OR I GO HOUDINI ♪ 101 00:03:58,871 --> 00:04:00,000 ♪ IF YOU'RE GOOD ENOUGH, YOU'LL FIND A WAY ♪ 102 00:04:00,000 --> 00:04:02,241 ♪ IF YOU'RE GOOD ENOUGH, YOU'LL FIND A WAY ♪ 103 00:04:02,308 --> 00:04:06,000 ♪ MAYBE YOU COULD CAUSE A GIRL TO CHANGE ♪ 104 00:04:06,000 --> 00:04:06,379 ♪ MAYBE YOU COULD CAUSE A GIRL TO CHANGE ♪ 105 00:04:06,446 --> 00:04:10,617 ♪ DO YOU THINK ABOUT IT NIGHT AND DAY? ♪ 106 00:04:10,683 --> 00:04:12,000 ♪ MAYBE YOU COULD BE THE ONE TO MAKE ME STAY ♪ 107 00:04:12,000 --> 00:04:12,685 ♪ MAYBE YOU COULD BE THE ONE TO MAKE ME STAY ♪ 108 00:04:21,995 --> 00:04:24,000 ♪ ♪ [CHEERS AND APPLAUSE] 109 00:04:24,000 --> 00:04:30,000 ♪ ♪ [CHEERS AND APPLAUSE] 110 00:04:30,000 --> 00:04:33,773 ♪ ♪ [CHEERS AND APPLAUSE] 111 00:04:33,840 --> 00:04:35,808 ♪ I COME AND I GO ♪ ♪ TELL ME ALL THE WAYS YOU NEED 112 00:04:35,875 --> 00:04:36,000 ME ♪ ♪ I'M NOT HERE FOR LONG ♪ 113 00:04:36,000 --> 00:04:40,313 ME ♪ ♪ I'M NOT HERE FOR LONG ♪ 114 00:04:40,380 --> 00:04:42,000 ♪ CATCH ME OR I GO HOUDINI ♪ ♪ I COME AND I GO ♪ 115 00:04:42,000 --> 00:04:42,415 ♪ CATCH ME OR I GO HOUDINI ♪ ♪ I COME AND I GO ♪ 116 00:04:42,482 --> 00:04:45,985 ♪ PROVE YOU GOT THE RIGHT TO PLEASE ME ♪ 117 00:04:46,052 --> 00:04:48,000 ♪ EVERYBODY KNOWS ♪ ♪ CATCH ME OR I GO HOUDINI ♪ 118 00:04:48,000 --> 00:04:50,056 ♪ EVERYBODY KNOWS ♪ ♪ CATCH ME OR I GO HOUDINI ♪ 119 00:04:50,123 --> 00:04:54,000 ♪ HOUDINI ♪ ♪ CATCH ME OR I GO HOUDINI ♪ 120 00:04:54,000 --> 00:05:00,000 ♪ HOUDINI ♪ ♪ CATCH ME OR I GO HOUDINI ♪ 121 00:05:00,000 --> 00:05:05,004 ♪ HOUDINI ♪ ♪ CATCH ME OR I GO HOUDINI ♪ 122 00:05:05,071 --> 00:05:06,000 ♪ HOUDINI ♪ ♪ CATCH ME OR I GO HOUDINI ♪ 123 00:05:06,000 --> 00:05:11,511 ♪ HOUDINI ♪ ♪ CATCH ME OR I GO HOUDINI ♪ 124 00:05:11,577 --> 00:05:12,000 [CHEERS AND APPLAUSE] >> Trevor: WOW! 125 00:05:12,000 --> 00:05:18,000 [CHEERS AND APPLAUSE] >> Trevor: WOW! 126 00:05:18,000 --> 00:05:21,988 [CHEERS AND APPLAUSE] >> Trevor: WOW! 127 00:05:22,055 --> 00:05:23,923 ARE YOU KIDDING ME? 128 00:05:23,990 --> 00:05:24,000 COME ON, GIVE IT UP, Y'ALL! 129 00:05:24,000 --> 00:05:25,024 COME ON, GIVE IT UP, Y'ALL! 130 00:05:25,091 --> 00:05:26,359 THAT WAS AMAZING! 131 00:05:26,426 --> 00:05:30,000 DUA LIPA! 132 00:05:30,000 --> 00:05:30,496 DUA LIPA! 133 00:05:30,563 --> 00:05:33,499 THAT IS WHY SHE IS ONE OF THE BEST PERFORMERS OF A GENERATION! 134 00:05:33,566 --> 00:05:36,000 I'M NEVER GOING TO LOOK AT SCAFFOLDING THE SAME. 135 00:05:36,000 --> 00:05:36,703 I'M NEVER GOING TO LOOK AT SCAFFOLDING THE SAME. 136 00:05:36,769 --> 00:05:39,772 DID YOU SEE THAT THING? 137 00:05:39,839 --> 00:05:42,000 WE ARE BACK, IT'S THE GRAMMYS, EVERYBODY! 138 00:05:42,000 --> 00:05:44,010 WE ARE BACK, IT'S THE GRAMMYS, EVERYBODY! 139 00:05:44,077 --> 00:05:46,212 WELCOME TO YOU IN THE ROOM, WELCOME TO YOU AT HOME. 140 00:05:46,279 --> 00:05:48,000 WELCOME TO THE ONLY CONCERT OF THE YEAR THAT STARTS ON TIME. 141 00:05:48,000 --> 00:05:52,919 WELCOME TO THE ONLY CONCERT OF THE YEAR THAT STARTS ON TIME. 142 00:05:52,985 --> 00:05:54,000 I AM YOUR HOST TREVOR NOAH! 143 00:05:54,000 --> 00:05:54,554 I AM YOUR HOST TREVOR NOAH! 144 00:05:54,620 --> 00:05:56,055 AND DUA LIPA WAS JUST THE BEGINNING, BECAUSE THE GRAMMYS 145 00:05:56,122 --> 00:05:57,223 HAS EVERYTHING. 146 00:05:57,290 --> 00:05:58,057 WE'VE GOT HIP-HOP, WE'VE GOT COUNTRY, WE'VE GOT AFRO-BEATS. 147 00:05:58,124 --> 00:05:59,158 IF IT'S RECORDED, THE ACADEMY HAS IT. 148 00:05:59,225 --> 00:06:00,000 YOU KNOW, THEY'VE EVEN GOT A GRAMMY FOR AUDIOBOOKS. 149 00:06:00,000 --> 00:06:01,194 YOU KNOW, THEY'VE EVEN GOT A GRAMMY FOR AUDIOBOOKS. 150 00:06:01,260 --> 00:06:05,698 THEY'RE HARD TO TWERK TO, BUT THEY'RE STILL GREAT. 151 00:06:05,765 --> 00:06:06,000 YOU KNOW? 152 00:06:06,000 --> 00:06:06,499 YOU KNOW? 153 00:06:06,566 --> 00:06:07,567 CHAPTER 1. 154 00:06:07,633 --> 00:06:09,168 IT WAS THE BEST OF TIMES, IT WAS THE WORST OF TIMES. 155 00:06:09,235 --> 00:06:10,670 AND THE GRAMMYS DOESN'T JUST HAVE EVERYTHING, IT HAS 156 00:06:10,737 --> 00:06:12,000 EVERYONE! 157 00:06:12,000 --> 00:06:13,840 EVERYONE! 158 00:06:13,906 --> 00:06:15,775 LOOK AT THIS ROOM! 159 00:06:15,842 --> 00:06:17,210 LOOK AT THE PEOPLE IN THIS ROOM! 160 00:06:17,276 --> 00:06:18,000 GIVE YOURSELVES A ROUND OF APPLAUSE! 161 00:06:18,000 --> 00:06:18,911 GIVE YOURSELVES A ROUND OF APPLAUSE! 162 00:06:18,978 --> 00:06:22,181 LOOK AT THESE PEOPLE, THEY WRITE THE SOUNDTRACKS OF OUR LIVES! 163 00:06:22,248 --> 00:06:23,316 LOOK AT THIS TABLE ALONE. 164 00:06:23,382 --> 00:06:24,000 ED SHEERAN, ONE OF THE GREATEST PERFORMERS OF ALL TIME. 165 00:06:24,000 --> 00:06:28,921 ED SHEERAN, ONE OF THE GREATEST PERFORMERS OF ALL TIME. 166 00:06:28,988 --> 00:06:30,000 ONE OF THE GREATEST SONGWRITERS OF ALL TIME. 167 00:06:30,000 --> 00:06:30,957 ONE OF THE GREATEST SONGWRITERS OF ALL TIME. 168 00:06:31,023 --> 00:06:32,558 FLEW FROM TAIWAN TO BE WITH US. 169 00:06:32,625 --> 00:06:36,000 MARK RONSON, ONE OF THE GREATEST PRODUCERS OF ALL TIME. 170 00:06:36,000 --> 00:06:36,095 MARK RONSON, ONE OF THE GREATEST PRODUCERS OF ALL TIME. 171 00:06:36,162 --> 00:06:38,931 AND GET THIS, HIS MOTHER-IN-LAW IS GOING TO BE SITTING RIGHT 172 00:06:38,998 --> 00:06:39,499 HERE. 173 00:06:39,565 --> 00:06:40,099 DO YOU KNOW WHO SHE IS? 174 00:06:40,166 --> 00:06:41,067 MERYL STREEP! 175 00:06:41,134 --> 00:06:42,000 ONE OF THE GREATEST MERYL STREEPS OF ALL TIME! 176 00:06:42,000 --> 00:06:43,569 ONE OF THE GREATEST MERYL STREEPS OF ALL TIME! 177 00:06:43,636 --> 00:06:45,037 SHE IS GOING TO BE IN THIS CHAIR. 178 00:06:45,104 --> 00:06:48,000 I CAN'T BELIEVE MERYL STREEP IS HERE. 179 00:06:48,000 --> 00:06:48,474 I CAN'T BELIEVE MERYL STREEP IS HERE. 180 00:06:48,541 --> 00:06:53,146 I REALLY CAN'T BELIEVE IT! 181 00:06:53,212 --> 00:06:53,713 WHAT? 182 00:06:53,780 --> 00:06:54,000 YOU THOUGHT I WAS LYING? 183 00:06:54,000 --> 00:06:57,116 YOU THOUGHT I WAS LYING? 184 00:06:57,183 --> 00:07:00,000 YOU DON'T HAVE TO APOLOGIZE TO ME. 185 00:07:00,000 --> 00:07:00,353 YOU DON'T HAVE TO APOLOGIZE TO ME. 186 00:07:00,419 --> 00:07:01,788 MERYL STREEP, YES! 187 00:07:01,854 --> 00:07:03,122 DO YOU KNOW WHAT THAT MEANS? 188 00:07:03,189 --> 00:07:06,000 THIS GRAMMYS IS GONNA WIN AN OSCAR. 189 00:07:06,000 --> 00:07:07,960 THIS GRAMMYS IS GONNA WIN AN OSCAR. 190 00:07:08,027 --> 00:07:11,564 I DON'T KNOW HOW, BUT WE JUST DID IT. 191 00:07:11,631 --> 00:07:12,000 I'D LIKE TO THANK BOTH ACADEMIES! 192 00:07:12,000 --> 00:07:14,467 I'D LIKE TO THANK BOTH ACADEMIES! 193 00:07:14,534 --> 00:07:15,868 I'VE BEEN LOOKING AROUND. 194 00:07:15,935 --> 00:07:18,000 I JUST SAW 21 SAVAGE, WHO, BY THE WAY, HAS ALREADY HIT A 195 00:07:18,000 --> 00:07:20,373 I JUST SAW 21 SAVAGE, WHO, BY THE WAY, HAS ALREADY HIT A 196 00:07:20,439 --> 00:07:21,007 BILLION STREAMS IN 2024! 197 00:07:21,073 --> 00:07:23,509 THE YEAR JUST STARTED. 198 00:07:23,576 --> 00:07:23,943 A BILLION STREAMS! 199 00:07:24,010 --> 00:07:28,347 LOOK AT THAT. 200 00:07:28,414 --> 00:07:30,000 IN FACT, I ACTUALLY LISTENED EARLIER TODAY, SO YOU ARE AT A 201 00:07:30,000 --> 00:07:31,984 IN FACT, I ACTUALLY LISTENED EARLIER TODAY, SO YOU ARE AT A 202 00:07:32,051 --> 00:07:36,000 BILLION AND ONE. 203 00:07:36,000 --> 00:07:36,389 BILLION AND ONE. 204 00:07:36,455 --> 00:07:36,889 OLIVIA RODRIGO! 205 00:07:36,956 --> 00:07:38,157 ABSOLUTE SUPERSTAR. 206 00:07:38,224 --> 00:07:39,759 AND TONIGHT, SHE'S PERFORMING HER HIT "VAMPIRE!" 207 00:07:39,826 --> 00:07:41,060 AND I CAN'T WAIT TO SEE WHAT SHE RHYMES "BLOODSUCKER" WITH ON 208 00:07:41,127 --> 00:07:42,000 NATIONAL TV. 209 00:07:42,000 --> 00:07:42,195 NATIONAL TV. 210 00:07:42,261 --> 00:07:44,330 ICE TRUCKER? 211 00:07:44,397 --> 00:07:44,931 FUDDRUCKER? 212 00:07:44,997 --> 00:07:48,000 YOU'LL THINK OF SOMETHING! 213 00:07:48,000 --> 00:07:48,367 YOU'LL THINK OF SOMETHING! 214 00:07:48,434 --> 00:07:50,670 YOU'LL THINK OF SOMETHING! 215 00:07:50,736 --> 00:07:54,000 WHO ELSE DO WE HAVE IN THE ROOM HERE TONIGHT? 216 00:07:54,000 --> 00:07:54,173 WHO ELSE DO WE HAVE IN THE ROOM HERE TONIGHT? 217 00:07:54,240 --> 00:07:56,909 I KNOW THAT OPRAH IS GOING TO BE JOINING US AS WELL! 218 00:07:56,976 --> 00:07:59,579 OH, LOOK AT THIS! 219 00:07:59,645 --> 00:08:00,000 BILLIE EILISH AND FINNEAS JOINING US! 220 00:08:00,000 --> 00:08:04,483 BILLIE EILISH AND FINNEAS JOINING US! 221 00:08:04,550 --> 00:08:06,000 THIS IS IN STAYING! 222 00:08:06,000 --> 00:08:08,321 THIS IS IN STAYING! 223 00:08:08,387 --> 00:08:09,789 WE HAVE COUNTRY STARS LIKE LUKE COMBS! 224 00:08:09,856 --> 00:08:10,923 COUNTRY STAR LAINEY WILSON. 225 00:08:10,990 --> 00:08:12,000 AND IN CASE YOU'RE WONDERING, BEYONCE AND JAY-Z WILL BE 226 00:08:12,000 --> 00:08:12,358 AND IN CASE YOU'RE WONDERING, BEYONCE AND JAY-Z WILL BE 227 00:08:12,425 --> 00:08:18,000 JOINING US TONIGHT. 228 00:08:18,000 --> 00:08:18,064 JOINING US TONIGHT. 229 00:08:18,130 --> 00:08:20,700 THERE ARE SO MANY STARS GATHERING IN ONE PLACE! 230 00:08:20,766 --> 00:08:23,135 NEIL DEGRASSE TYSON IS GETTING AROUSED. 231 00:08:23,202 --> 00:08:24,000 "IT'S A CONSTELLATION!" DOJA CAT IS HERE, NOMINATED FOR 232 00:08:24,000 --> 00:08:30,000 "IT'S A CONSTELLATION!" DOJA CAT IS HERE, NOMINATED FOR 233 00:08:30,000 --> 00:08:30,610 "IT'S A CONSTELLATION!" DOJA CAT IS HERE, NOMINATED FOR 234 00:08:30,676 --> 00:08:32,845 "PAINT THE TOWN RED," A BANGER ABOUT HOW SHE DOESN'T CARE WHAT 235 00:08:32,912 --> 00:08:36,000 ANYONE THINKS ABOUT HER. 236 00:08:36,000 --> 00:08:39,785 ANYONE THINKS ABOUT HER. 237 00:08:39,852 --> 00:08:42,000 OVERLY, DOJA, WELL, GUESS WHAT? 238 00:08:42,000 --> 00:08:46,692 OVERLY, DOJA, WELL, GUESS WHAT? 239 00:08:46,759 --> 00:08:47,693 WE THINK YOU'RE REALLY GREAT. 240 00:08:47,760 --> 00:08:48,000 YEAH, I SAID WHAT I SAID. 241 00:08:48,000 --> 00:08:48,961 YEAH, I SAID WHAT I SAID. 242 00:08:49,028 --> 00:08:54,000 AND IT HASN'T JUST BEEN A GREAT YEAR FOR MUSIC, IT'S ALSO BEEN A 243 00:08:54,000 --> 00:08:55,134 AND IT HASN'T JUST BEEN A GREAT YEAR FOR MUSIC, IT'S ALSO BEEN A 244 00:08:55,201 --> 00:08:55,735 STRANGE ONE. 245 00:08:55,801 --> 00:08:57,904 IT HAS BEEN A STRANGE ONE. 246 00:08:57,970 --> 00:09:00,000 IS THAT LENNY KRAVITZ? 247 00:09:00,000 --> 00:09:00,339 IS THAT LENNY KRAVITZ? 248 00:09:00,406 --> 00:09:02,475 ARE YOU JUST SITTING LIKE YOU ARE NOT HERE? 249 00:09:02,541 --> 00:09:06,000 IT'S LENNY KRAVITZ! 250 00:09:06,000 --> 00:09:09,916 IT'S LENNY KRAVITZ! 251 00:09:09,982 --> 00:09:12,000 WE WERE TALKING ABOUT HOW AI MADE THIS A STRANGE YEAR IN 252 00:09:12,000 --> 00:09:14,820 WE WERE TALKING ABOUT HOW AI MADE THIS A STRANGE YEAR IN 253 00:09:14,887 --> 00:09:16,055 MUSIC. 254 00:09:16,122 --> 00:09:16,923 BECAUSE ON THE ONE HAND, IT'S GREAT THAT THE BEATLES COULD USE 255 00:09:16,989 --> 00:09:18,000 AI TO RELEASE A NEW SONG. 256 00:09:18,000 --> 00:09:18,991 AI TO RELEASE A NEW SONG. 257 00:09:19,058 --> 00:09:21,560 ON THE OTHER HAND, I HEARD AN AI VERSION OF ANDREA BOCCELLI 258 00:09:21,627 --> 00:09:24,000 SINGING "MY NECK, MY BACK." 259 00:09:24,000 --> 00:09:25,131 SINGING "MY NECK, MY BACK." 260 00:09:25,197 --> 00:09:30,000 AND LISTEN, IT WAS BEAUTIFUL, BUT IT WAS WRONG. 261 00:09:30,000 --> 00:09:30,336 AND LISTEN, IT WAS BEAUTIFUL, BUT IT WAS WRONG. 262 00:09:30,403 --> 00:09:31,570 [LAUGHTER] BUT IN TERMS OF HUMAN ARTISTS, 263 00:09:31,637 --> 00:09:36,000 NO ONE GOT MORE NOMINATIONS THIS YEAR THAN SZA. 264 00:09:36,000 --> 00:09:41,914 NO ONE GOT MORE NOMINATIONS THIS YEAR THAN SZA. 265 00:09:41,981 --> 00:09:42,000 [CHEERS AND APPLAUSE] AND TONIGHT, SHE'LL BE 266 00:09:42,000 --> 00:09:43,449 [CHEERS AND APPLAUSE] AND TONIGHT, SHE'LL BE 267 00:09:43,516 --> 00:09:46,218 PERFORMING THE YEAR'S MOST CATCHY SONG ABOUT A 268 00:09:46,285 --> 00:09:47,920 DOUBLE-HOMICIDE. 269 00:09:47,987 --> 00:09:48,000 I CANNOT WAIT! 270 00:09:48,000 --> 00:09:49,588 I CANNOT WAIT! 271 00:09:49,655 --> 00:09:52,925 AND SPEAKING OF KILLING IT, CAN WE ACKNOWLEDGE FOR A SECOND, 272 00:09:52,992 --> 00:09:54,000 WOMEN DOMINATED MUSIC THIS YEAR. 273 00:09:54,000 --> 00:09:55,761 WOMEN DOMINATED MUSIC THIS YEAR. 274 00:09:55,828 --> 00:10:00,000 IN FACT, SEVEN OF THE EIGHT ALBUM OF THE YEAR NOMINEES ARE 275 00:10:00,000 --> 00:10:01,934 IN FACT, SEVEN OF THE EIGHT ALBUM OF THE YEAR NOMINEES ARE 276 00:10:02,001 --> 00:10:02,868 WOMEN. 277 00:10:02,935 --> 00:10:05,705 SZA, OLIVIA RODRIGO, LANA DEL RAY, MILEY, 278 00:10:05,771 --> 00:10:06,000 JANELLE MONAE. 279 00:10:06,000 --> 00:10:08,941 JANELLE MONAE. 280 00:10:09,008 --> 00:10:12,000 THERE'S A BAND THAT'S CALLED BOYGENIUS -- IT'S THREE WOMEN. 281 00:10:12,000 --> 00:10:15,948 THERE'S A BAND THAT'S CALLED BOYGENIUS -- IT'S THREE WOMEN. 282 00:10:16,015 --> 00:10:17,450 THAT'S HOW GOOD A YEAR THIS WAS FOR WOMEN! 283 00:10:17,516 --> 00:10:18,000 AM I FORGETTING ANYONE? 284 00:10:18,000 --> 00:10:20,953 AM I FORGETTING ANYONE? 285 00:10:21,020 --> 00:10:21,454 OH, YEAH, JUST THE PERSON OF THE YEAR ACCORDING TO 286 00:10:21,821 --> 00:10:24,000 "TIME" MAGAZINE AND EVERYONE ELSE! 287 00:10:24,000 --> 00:10:24,957 "TIME" MAGAZINE AND EVERYONE ELSE! 288 00:10:25,024 --> 00:10:30,000 TAYLOR SWIFT IS GOING TO BE HERE, EVERYBODY! 289 00:10:30,000 --> 00:10:32,965 TAYLOR SWIFT IS GOING TO BE HERE, EVERYBODY! 290 00:10:33,032 --> 00:10:33,933 THERE SHE IS! 291 00:10:34,000 --> 00:10:36,000 I SAY THE NAMES, AND THEY POP OUT! 292 00:10:36,000 --> 00:10:41,140 I SAY THE NAMES, AND THEY POP OUT! 293 00:10:41,207 --> 00:10:42,000 TAYLOR SWIFT, EVERYBODY! 294 00:10:42,000 --> 00:10:48,000 TAYLOR SWIFT, EVERYBODY! 295 00:10:48,000 --> 00:10:48,180 TAYLOR SWIFT, EVERYBODY! 296 00:10:48,247 --> 00:10:49,315 JACK ANTONOFF, EVERYBODY! 297 00:10:49,382 --> 00:10:51,984 I'M GOING TO SAY THE PEOPLE AND THEN THEY WILL WALK IN. 298 00:10:52,051 --> 00:10:53,986 AS TAYLOR SWIFT MOVES AROUND THE ROOM, THE LOCAL ECONOMY AROUND 299 00:10:54,053 --> 00:10:55,888 HER IMPROVES. 300 00:10:55,955 --> 00:10:57,990 LOOK AT THAT. 301 00:10:58,057 --> 00:10:58,991 LIONEL RICHIE? 302 00:10:59,058 --> 00:11:00,000 NOW LIONEL WEALTHY! 303 00:11:00,000 --> 00:11:03,929 NOW LIONEL WEALTHY! 304 00:11:03,996 --> 00:11:06,000 BY THE WAY, I THINK IT'S SO COMPLAINING ABOUT THE CAMERAS- 305 00:11:06,000 --> 00:11:08,934 BY THE WAY, I THINK IT'S SO COMPLAINING ABOUT THE CAMERAS- 306 00:11:09,001 --> 00:11:10,803 CUTTING TO TAYLOR SWIFT. 307 00:11:10,870 --> 00:11:12,000 LIKE SHE'S CONTROLLING THE CAMERAS AT THE GAMES? 308 00:11:12,000 --> 00:11:13,939 LIKE SHE'S CONTROLLING THE CAMERAS AT THE GAMES? 309 00:11:14,006 --> 00:11:15,141 LET HER LIVE. 310 00:11:15,207 --> 00:11:17,943 IN FACT, ON BEHALF OF TAYLOR, I'M GOING TO GIVE HER A BREAK. 311 00:11:18,010 --> 00:11:23,949 EVERY TIME TAYLOR SWIFT IS MENTIONED, I'M GOING TO CUT TO 312 00:11:24,016 --> 00:11:24,950 SOMEONE WHO PLAYED FOOTBALL. 313 00:11:25,017 --> 00:11:26,952 THAT'S WHAT I WILL DO. 314 00:11:27,019 --> 00:11:28,054 JUST LIKE THAT. 315 00:11:28,120 --> 00:11:29,855 OOH, YOU LIKE THAT, TERRY CREWS? 316 00:11:29,922 --> 00:11:30,000 YOU BETTER FIX YOUR FACE, TERRY! 317 00:11:30,000 --> 00:11:34,260 YOU BETTER FIX YOUR FACE, TERRY! 318 00:11:34,326 --> 00:11:36,000 WE WILL WATCH YOU ALL NIGHT! 319 00:11:36,000 --> 00:11:36,695 WE WILL WATCH YOU ALL NIGHT! 320 00:11:36,762 --> 00:11:38,030 NO RELAXING FOR YOU! 321 00:11:38,097 --> 00:11:39,632 DO YOU WORK FOR THE CIA? 322 00:11:39,698 --> 00:11:41,901 OH, BY THE WAY, I CAN READ LIPS, TERRY! 323 00:11:41,967 --> 00:11:42,000 WATCH WHAT YOU SAY. 324 00:11:42,000 --> 00:11:44,336 WATCH WHAT YOU SAY. 325 00:11:44,403 --> 00:11:46,572 OH, ALSO, EVERYONE, PAY ATTENTION TO THIS. 326 00:11:46,639 --> 00:11:48,000 TAYLOR SWIFT IS ONE OF ONLY FOUR ARTISTS WHO HAS WON ALBUM OF THE 327 00:11:48,000 --> 00:11:52,978 TAYLOR SWIFT IS ONE OF ONLY FOUR ARTISTS WHO HAS WON ALBUM OF THE 328 00:11:53,045 --> 00:11:54,000 YEAR THREE TIMES.% THE OTHERS ARE FRANK SINATRA, 329 00:11:54,000 --> 00:11:55,981 YEAR THREE TIMES.% THE OTHERS ARE FRANK SINATRA, 330 00:11:56,048 --> 00:12:00,000 PAUL SIMON, AND STEVIE WONDER. 331 00:12:00,000 --> 00:12:00,786 PAUL SIMON, AND STEVIE WONDER. 332 00:12:00,853 --> 00:12:06,000 SO IF TAYLOR WINS TONIGHT, SHE WILL BECOME THE FIRST ARTIST 333 00:12:06,000 --> 00:12:07,026 SO IF TAYLOR WINS TONIGHT, SHE WILL BECOME THE FIRST ARTIST 334 00:12:07,093 --> 00:12:08,928 EVER TO WIN ALBUM OF THE YEAR FOUR TIMES. 335 00:12:08,994 --> 00:12:12,000 SO WE COULD SEE HISTORY MADE TONIGHT! 336 00:12:12,000 --> 00:12:12,398 SO WE COULD SEE HISTORY MADE TONIGHT! 337 00:12:12,465 --> 00:12:15,301 ALSO, IF YOU'RE INTO PERFORMANCES BY LIVING LEGENDS, 338 00:12:15,367 --> 00:12:16,469 THEN TONIGHT IS DEFINITELY YOUR NIGHT! 339 00:12:16,535 --> 00:12:18,000 BECAUSE WE'VE GOT A SPECIAL PERFORMANCE BY STEVIE WONDER. 340 00:12:18,000 --> 00:12:19,939 BECAUSE WE'VE GOT A SPECIAL PERFORMANCE BY STEVIE WONDER. 341 00:12:20,005 --> 00:12:22,174 BILLY JOEL IS GONNA BE PERFORMING HIS FIRST NEW SONG IN 342 00:12:22,241 --> 00:12:24,000 30 YEARS! 343 00:12:24,000 --> 00:12:26,445 30 YEARS! 344 00:12:26,512 --> 00:12:28,380 AND JONI MITCHELL IS PERFORMING AT THE GRAMMYS FOR THE FIRST 345 00:12:28,447 --> 00:12:30,000 TIE EVER! 346 00:12:30,000 --> 00:12:35,754 TIE EVER! 347 00:12:35,821 --> 00:12:36,000 EVER! 348 00:12:36,000 --> 00:12:36,155 EVER! 349 00:12:36,222 --> 00:12:36,655 EVER, PEOPLE! 350 00:12:36,722 --> 00:12:37,756 ARE YOU KIDDING ME? 351 00:12:37,823 --> 00:12:42,000 THAT'S RIGHT, THE GRAMMYS HAS EVERYONE, UNLIKE TIKTOK. 352 00:12:42,000 --> 00:12:42,695 THAT'S RIGHT, THE GRAMMYS HAS EVERYONE, UNLIKE TIKTOK. 353 00:12:42,761 --> 00:12:44,997 BECAUSE YOU SAW THAT, RIGHT? 354 00:12:45,064 --> 00:12:46,565 UNIVERSAL JUST PULLED ALL OF THEIR ARTISTS' MUSIC OFF TIKTOK. 355 00:12:46,632 --> 00:12:47,967 SO RIGHT NOW, THE CEO OF TIKTOK IS SITTING AT HOME EATING 356 00:12:48,033 --> 00:12:49,135 ICE CREAM, CRYING, SEEING ALL OF HIS EXES IN ONE ROOM. 357 00:12:49,201 --> 00:12:50,903 YOU KNOW WHAT? 358 00:12:50,970 --> 00:12:54,000 TIKTOK, SHAME ON YOU RIPPING OFF ALL THESE ARTISTS. 359 00:12:54,000 --> 00:12:57,710 TIKTOK, SHAME ON YOU RIPPING OFF ALL THESE ARTISTS. 360 00:12:57,776 --> 00:12:59,778 SHAME ON YOU! 361 00:12:59,845 --> 00:13:00,000 HOW DARE YOU DO THAT! 362 00:13:00,000 --> 00:13:03,516 HOW DARE YOU DO THAT! 363 00:13:03,582 --> 00:13:04,383 THAT'S SPOTIFY'S JOB! 364 00:13:04,450 --> 00:13:06,000 NOW, I MUST WARN YOU, THIS SHOW IS LIVE. 365 00:13:06,000 --> 00:13:09,054 NOW, I MUST WARN YOU, THIS SHOW IS LIVE. 366 00:13:09,121 --> 00:13:10,089 IN CASE YOU COULD NOT TELL. 367 00:13:10,156 --> 00:13:12,000 THIS SHOW IS LIVE. 368 00:13:12,000 --> 00:13:13,125 THIS SHOW IS LIVE. 369 00:13:13,192 --> 00:13:13,959 SO ANYTHING CAN HAPPEN. 370 00:13:14,026 --> 00:13:15,060 IT'S LIKE FLYING IN A BOEING AIRPLANE. 371 00:13:15,127 --> 00:13:18,000 ONE MINUTE, THERE'S A DOOR, NEXT MINUTE, WE'RE OUTSIDE. 372 00:13:18,000 --> 00:13:18,197 ONE MINUTE, THERE'S A DOOR, NEXT MINUTE, WE'RE OUTSIDE. 373 00:13:18,264 --> 00:13:21,066 AND MY JOB AS HOST TONIGHT IS TO KEEP THE GOOD VIBES GOING, AND 374 00:13:21,133 --> 00:13:22,334 MAKE SURE KATT WILILAMS DOESN'T SAY ANYTHING ABOUT ME AFTER THE 375 00:13:22,401 --> 00:13:24,000 SHOW! 376 00:13:24,000 --> 00:13:25,604 SHOW! 377 00:13:25,671 --> 00:13:28,974 AND THEN EVERYONE HAD A GOOD TIME! 378 00:13:29,041 --> 00:13:30,000 SO IF YOU'VE GOT ME, I'VE GOT YOU! 379 00:13:30,000 --> 00:13:32,111 SO IF YOU'VE GOT ME, I'VE GOT YOU! 380 00:13:32,178 --> 00:13:33,345 LET'S GET INTO IT! 381 00:13:33,412 --> 00:13:35,981 TO PRESENT OUR FIRST AWARD OF THE NIGHT IS A FIVE-TIME GRAMMY 382 00:13:36,048 --> 00:13:37,149 WINNER AND 34-TIME GRAMMY NOMINEE WHO'S HAD A HUGE IMPACT 383 00:13:37,216 --> 00:13:38,184 ON THE WORLD OF MUSIC. 384 00:13:38,250 --> 00:13:40,586 IN FACT, JUST THIS PAST THURSDAY, SHE RECEIVED THE 385 00:13:40,653 --> 00:13:41,687 IMPACT AWARD FROM THE RECORDING ACADEMY'S BLACK MUSIC 386 00:13:41,754 --> 00:13:42,000 COLLECTIVE. 387 00:13:42,000 --> 00:13:42,955 COLLECTIVE. 388 00:13:43,022 --> 00:13:45,958 SHE'S A TRAILBLAZER, AN INCREDIBLE TALENT, AND NOW SHE'S 389 00:13:46,025 --> 00:13:48,000 THE MAJORITY STAKEHOLDER IN CHRISTMAS. 390 00:13:48,000 --> 00:13:49,028 THE MAJORITY STAKEHOLDER IN CHRISTMAS. 391 00:13:49,094 --> 00:13:53,866 PLEASE WELCOME THE ONE AND ONLY MARIAH CAREY! 392 00:13:53,933 --> 00:13:54,000 ♪ ♪ 393 00:13:54,000 --> 00:13:56,302 ♪ ♪ 394 00:14:01,106 --> 00:14:06,000 ♪ ♪ [CHEERS AND APPLAUSE] 395 00:14:06,000 --> 00:14:10,349 ♪ ♪ [CHEERS AND APPLAUSE] 396 00:14:12,384 --> 00:14:18,000 ♪ ♪ >> THANK YOU, TREVOR. 397 00:14:18,000 --> 00:14:19,425 ♪ ♪ >> THANK YOU, TREVOR. 398 00:14:19,491 --> 00:14:22,294 THANK YOU, ALL. 399 00:14:22,361 --> 00:14:24,000 THE GIFTED ARTISTS IN OUR FIRST CATEGORY TONIGHT UNDERSTAND THE 400 00:14:24,000 --> 00:14:26,265 THE GIFTED ARTISTS IN OUR FIRST CATEGORY TONIGHT UNDERSTAND THE 401 00:14:26,332 --> 00:14:30,000 KIND OF TREMENDOUS IMPACT A GREAT PERFORMANCE CAN HAVE. 402 00:14:30,000 --> 00:14:30,002 KIND OF TREMENDOUS IMPACT A GREAT PERFORMANCE CAN HAVE. 403 00:14:30,069 --> 00:14:34,139 I ADMIRE ALL FIVE OF THE EXTRAORDINARY WOMEN NOMINATED 404 00:14:34,206 --> 00:14:36,000 THIS YEAR IN THIS CATEGORY -- AND YES, THIS YEAR, ALL FIVE 405 00:14:36,000 --> 00:14:38,978 THIS YEAR IN THIS CATEGORY -- AND YES, THIS YEAR, ALL FIVE 406 00:14:39,044 --> 00:14:42,000 NOMINEES ARE WOMEN. 407 00:14:42,000 --> 00:14:48,000 NOMINEES ARE WOMEN. 408 00:14:48,000 --> 00:14:50,623 NOMINEES ARE WOMEN. 409 00:14:50,689 --> 00:14:51,557 [LAUGHS] THESE ARE THE OUTSTANDING 410 00:14:51,624 --> 00:14:54,000 NOMINEES FOR BEST POP SOLO PERFORMANCE. 411 00:14:54,000 --> 00:14:58,264 NOMINEES FOR BEST POP SOLO PERFORMANCE. 412 00:14:58,330 --> 00:15:00,000 ♪ ♪ >> Announcer: "FLOWERS," 413 00:15:00,000 --> 00:15:05,037 ♪ ♪ >> Announcer: "FLOWERS," 414 00:15:05,104 --> 00:15:06,000 MILEY CYRUS. 415 00:15:06,000 --> 00:15:07,473 MILEY CYRUS. 416 00:15:07,539 --> 00:15:10,376 ♪ ♪ "PAINT THE TOWN RED," 417 00:15:10,442 --> 00:15:12,000 DOJA CAT. 418 00:15:12,000 --> 00:15:16,715 DOJA CAT. 419 00:15:16,782 --> 00:15:18,000 "WHAT WAS I MADE FOR?" FROM THE MOTION PICTURE 420 00:15:18,000 --> 00:15:18,684 "WHAT WAS I MADE FOR?" FROM THE MOTION PICTURE 421 00:15:18,751 --> 00:15:24,000 "BARBIE," BILLIE EILISH. 422 00:15:24,000 --> 00:15:24,323 "BARBIE," BILLIE EILISH. 423 00:15:24,390 --> 00:15:30,000 "VAMPIRE," OLIVIA RODRIGO. 424 00:15:30,000 --> 00:15:30,963 "VAMPIRE," OLIVIA RODRIGO. 425 00:15:31,030 --> 00:15:35,034 "ANTI-HERO," TAYLOR SWIFT. 426 00:15:46,245 --> 00:15:48,000 ♪ ♪ >> AND THE GRAMMY GOES TO... 427 00:15:48,000 --> 00:15:49,882 ♪ ♪ >> AND THE GRAMMY GOES TO... 428 00:15:49,948 --> 00:15:54,000 "FLOWERS," MILEY CYRUS. 429 00:15:54,000 --> 00:15:55,287 "FLOWERS," MILEY CYRUS. 430 00:15:55,354 --> 00:15:57,356 [CHEERS AND APPLAUSE] ♪ ♪ 431 00:16:11,704 --> 00:16:12,000 [CHEERS AND APPLAUSE] ♪ ♪ 432 00:16:12,000 --> 00:16:18,000 [CHEERS AND APPLAUSE] ♪ ♪ 433 00:16:18,000 --> 00:16:20,245 [CHEERS AND APPLAUSE] ♪ ♪ 434 00:16:20,312 --> 00:16:24,000 ♪ ♪ >> THIS MC IS GOING TO STAND BY 435 00:16:24,000 --> 00:16:30,000 ♪ ♪ >> THIS MC IS GOING TO STAND BY 436 00:16:30,000 --> 00:16:33,926 ♪ ♪ >> THIS MC IS GOING TO STAND BY 437 00:16:33,992 --> 00:16:36,000 THIS EMCEE, BECAUSE THIS IS JUST TOO ICONIC. 438 00:16:36,000 --> 00:16:37,696 THIS EMCEE, BECAUSE THIS IS JUST TOO ICONIC. 439 00:16:37,763 --> 00:16:40,265 OH, MY GOD, I JUST GOT STUCK IN THE RAIN AND TRAFFIC AND THOUGHT 440 00:16:40,332 --> 00:16:42,000 I WAS GOING TO MISS THIS MOMENT AND I COULD HAVE MISSED THE 441 00:16:42,000 --> 00:16:43,936 I WAS GOING TO MISS THIS MOMENT AND I COULD HAVE MISSED THE 442 00:16:44,002 --> 00:16:47,039 AWARD, THAT'S FINE, BUT NOT TO MARIAH CAREY! 443 00:16:47,106 --> 00:16:48,000 I JUST SAW YOU AT THE HOLLYWOOD BOWL AND IT WAS 444 00:16:48,000 --> 00:16:49,842 I JUST SAW YOU AT THE HOLLYWOOD BOWL AND IT WAS 445 00:16:49,908 --> 00:16:50,876 EVERYTHING. 446 00:16:50,943 --> 00:16:53,445 I GOT SAT IN MY LUCKY NUMBER 3 SEAT, SO THERE IS A 447 00:16:53,512 --> 00:16:54,000 STORY YOU WANT TO TELL THAT SUMS UP THIS MOMENT AND I WAS NOT 448 00:16:54,000 --> 00:16:56,048 STORY YOU WANT TO TELL THAT SUMS UP THIS MOMENT AND I WAS NOT 449 00:16:56,115 --> 00:16:58,717 GOING TO TELL IT, BUT NOW MARIAH IS HERE. 450 00:16:58,784 --> 00:17:00,000 SO THERE WAS A LITTLE BOY THAT ALLHE WANTED FOR HIS BIRTHDAY 451 00:17:00,000 --> 00:17:01,854 SO THERE WAS A LITTLE BOY THAT ALLHE WANTED FOR HIS BIRTHDAY 452 00:17:01,920 --> 00:17:05,290 WAS A BUTTERFLY AND SO HIS PARENTS GAVE HIM A BUTTERFLY 453 00:17:05,357 --> 00:17:06,000 NET, AND HE WAS SO EXCITED. 454 00:17:06,000 --> 00:17:06,658 NET, AND HE WAS SO EXCITED. 455 00:17:06,725 --> 00:17:10,062 HE WENT OUT IN THE SUN AND STARTED SWINGING AND SWINGING, 456 00:17:10,129 --> 00:17:12,000 BUT WITH NO LUCK HE SAT DOWN ON THE GROUND, HE FINALLY LET GO 457 00:17:12,000 --> 00:17:14,133 BUT WITH NO LUCK HE SAT DOWN ON THE GROUND, HE FINALLY LET GO 458 00:17:14,199 --> 00:17:17,102 AND HE SURRENDERED AND HE WAS OKAY THAT HE WAS NOT GOING TO 459 00:17:17,169 --> 00:17:18,000 CAPTURE THIS BEAUTIFUL BUTTERFLY. 460 00:17:18,000 --> 00:17:18,604 CAPTURE THIS BEAUTIFUL BUTTERFLY. 461 00:17:18,670 --> 00:17:22,641 AND RIGHT WHEN HE DID IS WHEN THE BUTTERFLY CAME AND LANDED 462 00:17:22,708 --> 00:17:24,000 RIGHT ON THE TIP OF HIS NOSE. 463 00:17:24,000 --> 00:17:24,910 RIGHT ON THE TIP OF HIS NOSE. 464 00:17:24,977 --> 00:17:30,000 AND THIS SONG "FLOWERS" IS MY BUTTERFLY. 465 00:17:30,000 --> 00:17:30,282 AND THIS SONG "FLOWERS" IS MY BUTTERFLY. 466 00:17:30,349 --> 00:17:30,582 THANK YOU. 467 00:17:30,649 --> 00:17:35,888 >> YES! 468 00:17:35,954 --> 00:17:36,000 ♪ I CAN BUY MYSELF FLOWERS ♪ ♪ WRITE MY NAME IN THE SAND ♪ 469 00:17:36,000 --> 00:17:39,958 ♪ I CAN BUY MYSELF FLOWERS ♪ ♪ WRITE MY NAME IN THE SAND ♪ 470 00:17:41,026 --> 00:17:42,000 >> Trevor: CONGRATULATIONS, MILEY CYRUS. 471 00:17:42,000 --> 00:17:43,929 >> Trevor: CONGRATULATIONS, MILEY CYRUS. 472 00:17:43,996 --> 00:17:45,364 TIME FOR SOME MORE GREAT MUSIC. 473 00:17:45,431 --> 00:17:48,000 OUR NEXT PERFORMER IS NOMINATED FOR BEST COUNTRY SOLO 474 00:17:48,000 --> 00:17:49,935 OUR NEXT PERFORMER IS NOMINATED FOR BEST COUNTRY SOLO 475 00:17:50,002 --> 00:17:51,804 PERFORMANCE, FOR A SONG ORIGINALLY SUNG BY ONE OF HIS 476 00:17:51,870 --> 00:17:52,438 HEROES. 477 00:17:52,504 --> 00:17:54,000 THIS IS LUKE COMBS. 478 00:17:54,000 --> 00:17:54,940 THIS IS LUKE COMBS. 479 00:17:55,007 --> 00:17:57,009 TAKE A LOOK. 480 00:18:05,517 --> 00:18:06,000 ♪ ♪ >> MY DAD HAD A 1988 FORD F-150 481 00:18:06,000 --> 00:18:08,887 ♪ ♪ >> MY DAD HAD A 1988 FORD F-150 482 00:18:08,954 --> 00:18:10,088 PICKUP TRUCK. 483 00:18:10,155 --> 00:18:12,000 IT HAD A CASSETTE PLAYER IN IT, AND MY DAD WOULD PLAY ME THE 484 00:18:12,000 --> 00:18:15,894 IT HAD A CASSETTE PLAYER IN IT, AND MY DAD WOULD PLAY ME THE 485 00:18:15,961 --> 00:18:18,000 TRACY CHAPMEN SELF-TITLED ALBUM, THAT SONG "FAST CAR" IT 486 00:18:18,000 --> 00:18:18,530 TRACY CHAPMEN SELF-TITLED ALBUM, THAT SONG "FAST CAR" IT 487 00:18:18,597 --> 00:18:20,599 WAS MY FAVORITE BEFORE HE KNEW WHAT A FAVORITE SONG WAS. 488 00:18:24,736 --> 00:18:26,905 THE IDEA TO DO "FAST CAR." 489 00:18:26,972 --> 00:18:28,707 I'VE BEEN PLAYING THAT SONG SINCE I COULD PLAY GUITAR. 490 00:18:28,774 --> 00:18:30,000 I JUST LOVE THAT SONG. 491 00:18:30,000 --> 00:18:30,909 I JUST LOVE THAT SONG. 492 00:18:30,976 --> 00:18:36,000 ♪ ♪ SO WHEN I WENT INTO THE STUDIO 493 00:18:36,000 --> 00:18:36,248 ♪ ♪ SO WHEN I WENT INTO THE STUDIO 494 00:18:36,315 --> 00:18:41,720 TO RECORD MY MOST RECENT RECORD, I WAS LIKE WHAT IF WE JUST DID 495 00:18:41,787 --> 00:18:42,000 THIS COVER OF "FAST CAR" JUST BECAUSE I WANT TO DO IT. 496 00:18:42,000 --> 00:18:44,556 THIS COVER OF "FAST CAR" JUST BECAUSE I WANT TO DO IT. 497 00:18:44,623 --> 00:18:48,000 I'M NOT DOING IT FOR ANYONE ELSE, JUST DOING IT FOR ME. 498 00:18:48,000 --> 00:18:50,462 I'M NOT DOING IT FOR ANYONE ELSE, JUST DOING IT FOR ME. 499 00:18:50,529 --> 00:18:52,664 TRACY HAS WRITTEN ONE OF THE BEST SONGS FOR A FEW 500 00:18:52,731 --> 00:18:53,398 GENERATIONS. 501 00:18:53,465 --> 00:18:54,000 YYOU HERE IT... 502 00:18:54,000 --> 00:19:00,000 YYOU HERE IT... 503 00:19:00,000 --> 00:19:01,440 YYOU HERE IT... 504 00:19:01,507 --> 00:19:05,277 IT'S ALREADY ICONIC BEFORE YOU HAVE HEARD THE WORDS. 505 00:19:05,344 --> 00:19:06,000 AS SOON AS YOU GET TO THE CHORUS AYE E I, YOU CAN FEEL IT. 506 00:19:06,000 --> 00:19:12,000 AS SOON AS YOU GET TO THE CHORUS AYE E I, YOU CAN FEEL IT. 507 00:19:12,000 --> 00:19:15,921 AS SOON AS YOU GET TO THE CHORUS AYE E I, YOU CAN FEEL IT. 508 00:19:15,988 --> 00:19:18,000 IT CAN BE FELT AND RELATED TO BUY ALL KINDS OF PEOPLE ALL 509 00:19:18,000 --> 00:19:18,790 IT CAN BE FELT AND RELATED TO BUY ALL KINDS OF PEOPLE ALL 510 00:19:18,857 --> 00:19:20,559 AROUND THE WORLD. 511 00:19:20,626 --> 00:19:24,000 ♪ ♪ SUCH AN ICON, AND ONE OF THE 512 00:19:24,000 --> 00:19:26,999 ♪ ♪ SUCH AN ICON, AND ONE OF THE 513 00:19:27,065 --> 00:19:29,968 GREATEST ARTISTS THAT I THINK ANY OF US WILL BE ALONG TO SEE. 514 00:19:30,035 --> 00:19:33,272 AND IT'S A FULL CIRCLE MOMENT FOR ME, JUST TO BE ASSOCIATED 515 00:19:33,338 --> 00:19:36,000 WITH HER AND ANY WAY IS SUPER HUMBLING FOR ME. 516 00:19:36,000 --> 00:19:37,376 WITH HER AND ANY WAY IS SUPER HUMBLING FOR ME. 517 00:19:37,442 --> 00:19:42,000 ♪ ♪ 518 00:19:42,000 --> 00:19:42,748 ♪ ♪ 519 00:19:59,231 --> 00:20:00,000 ♪ ♪ ♪ YOU GOT A FAST CAR ♪ 520 00:20:00,000 --> 00:20:01,466 ♪ ♪ ♪ YOU GOT A FAST CAR ♪ 521 00:20:01,533 --> 00:20:03,068 ♪ AND I WANT A TICKET TO ANYWHERE ♪ 522 00:20:03,135 --> 00:20:04,670 ♪ MAYBE WE MAKE A DEAL ♪ ♪ MAYBE TOGETHER WE CAN GET 523 00:20:04,736 --> 00:20:06,000 SOMEWHERE ♪ ♪ ANY PLACE IS BETTER ♪ 524 00:20:06,000 --> 00:20:10,943 SOMEWHERE ♪ ♪ ANY PLACE IS BETTER ♪ 525 00:20:11,009 --> 00:20:12,000 ♪ STARTIN' FROM ZERO, GOT NOTHIN' TO LOSE ♪ 526 00:20:12,000 --> 00:20:13,712 ♪ STARTIN' FROM ZERO, GOT NOTHIN' TO LOSE ♪ 527 00:20:13,779 --> 00:20:17,950 ♪ MAYBE WE'LL MAKE SOMETHING ♪ ♪ ME, MYSELF, I GOT NOTHIN' TO 528 00:20:18,016 --> 00:20:24,000 PROVE ♪ ♪ YOU GOT A FAST CAR ♪ 529 00:20:24,000 --> 00:20:30,000 PROVE ♪ ♪ YOU GOT A FAST CAR ♪ 530 00:20:30,000 --> 00:20:30,963 PROVE ♪ ♪ YOU GOT A FAST CAR ♪ 531 00:20:31,029 --> 00:20:33,565 ♪ AND I GOT A PLAN TO GET US OUT OF HERE ♪ 532 00:20:33,632 --> 00:20:36,000 ♪ I'VE BEEN WORKIN' AT THE CONVENIENCE STORE ♪ 533 00:20:36,000 --> 00:20:37,069 ♪ I'VE BEEN WORKIN' AT THE CONVENIENCE STORE ♪ 534 00:20:37,135 --> 00:20:40,872 ♪ MANAGED TO SAVE JUST A LITTLE BIT OF MONEY ♪ 535 00:20:40,939 --> 00:20:42,000 ♪ WON'T HAVE TO DRIVE TOO FAR ♪ ♪ JUST ACROSS THE BORDER AND 536 00:20:42,000 --> 00:20:43,642 ♪ WON'T HAVE TO DRIVE TOO FAR ♪ ♪ JUST ACROSS THE BORDER AND 537 00:20:43,709 --> 00:20:46,979 INTO THE CITY ♪ ♪ AND YOU AND I CAN BOTH GET 538 00:20:47,045 --> 00:20:48,000 JOBS ♪ ♪ FINALLY SEE WHAT IT MEANS TO 539 00:20:48,000 --> 00:20:50,949 JOBS ♪ ♪ FINALLY SEE WHAT IT MEANS TO 540 00:20:51,016 --> 00:20:54,000 BE LIVIN' ♪ ♪ SEE, MY OLD MAN'S GOT A 541 00:20:54,000 --> 00:20:59,391 BE LIVIN' ♪ ♪ SEE, MY OLD MAN'S GOT A 542 00:20:59,458 --> 00:21:00,000 PROBLEM ♪ ♪ HE LIVE IN THE BOTTLE, THAT'S 543 00:21:00,000 --> 00:21:03,128 PROBLEM ♪ ♪ HE LIVE IN THE BOTTLE, THAT'S 544 00:21:03,195 --> 00:21:04,196 THE WAY IT IS ♪ ♪ HE SAID HIS BODY'S TOO OLD FOR 545 00:21:04,262 --> 00:21:06,000 WORKING ♪ ♪ HIS BODY'S TOO YOUNG TO LOOK 546 00:21:06,000 --> 00:21:06,965 WORKING ♪ ♪ HIS BODY'S TOO YOUNG TO LOOK 547 00:21:07,032 --> 00:21:09,668 LIKE HIS ♪ ♪ SO MAMA WENT OFF AND LEFT 548 00:21:09,735 --> 00:21:12,000 HIM ♪ ♪ SHE WANTED MORE FROM LIFE THAN 549 00:21:12,000 --> 00:21:12,504 HIM ♪ ♪ SHE WANTED MORE FROM LIFE THAN 550 00:21:12,571 --> 00:21:16,041 HE COULD GIVE ♪ú♪ I SAID, "SOMEE CARE OF HIM" ♪ 551 00:21:16,108 --> 00:21:18,000 ♪ SO I QUIT SCHOOL AND THAT'S WHAT I DID ♪ 552 00:21:18,000 --> 00:21:24,000 ♪ SO I QUIT SCHOOL AND THAT'S WHAT I DID ♪ 553 00:21:24,000 --> 00:21:30,000 ♪ SO I QUIT SCHOOL AND THAT'S WHAT I DID ♪ 554 00:21:30,000 --> 00:21:30,989 ♪ SO I QUIT SCHOOL AND THAT'S WHAT I DID ♪ 555 00:21:31,056 --> 00:21:34,426 ♪ SO I QUIT SCHOOL AND THAT'S WHAT I DID ♪ 556 00:21:35,093 --> 00:21:36,000 ♪ YOU GOT A FAST CAR ♪ ♪ IS IT FAST ENOUGH SO WE CAN 557 00:21:36,000 --> 00:21:37,262 ♪ YOU GOT A FAST CAR ♪ ♪ IS IT FAST ENOUGH SO WE CAN 558 00:21:37,329 --> 00:21:39,731 FLY AWAY? ♪ ♪ STILL GOTTA MAKE A DECISION ♪ 559 00:21:39,798 --> 00:21:42,000 ♪ LEAVE TONIGHT OR LIVE AND DIE THIS WAY ♪ 560 00:21:42,000 --> 00:21:46,705 ♪ LEAVE TONIGHT OR LIVE AND DIE THIS WAY ♪ 561 00:21:46,772 --> 00:21:48,000 ♪ SO I REMEMBER WHEN WE WERE DRIVING, DRIVING IN YOUR CAR ♪ 562 00:21:48,000 --> 00:21:50,742 ♪ SO I REMEMBER WHEN WE WERE DRIVING, DRIVING IN YOUR CAR ♪ 563 00:21:50,809 --> 00:21:53,879 ♪ SPEED SO FAST, I FELT LIKE I WAS DRUNK ♪ 564 00:21:53,945 --> 00:21:54,000 ♪ CITY LIGHTS LAY OUT BEFORE US AND YOUR ARM FELT NICE WRAPPED 565 00:21:54,000 --> 00:21:57,816 ♪ CITY LIGHTS LAY OUT BEFORE US AND YOUR ARM FELT NICE WRAPPED 566 00:21:57,883 --> 00:22:00,000 AROUND MY SHOULDER ♪ ♪ AND I HAD A FEELING THAT I 567 00:22:00,000 --> 00:22:02,387 AROUND MY SHOULDER ♪ ♪ AND I HAD A FEELING THAT I 568 00:22:02,454 --> 00:22:06,000 BELONGED ♪ ♪ I HAD A FEELING I COULD BE 569 00:22:06,000 --> 00:22:07,092 BELONGED ♪ ♪ I HAD A FEELING I COULD BE 570 00:22:07,159 --> 00:22:09,161 SOMEONE, BE SOMEONE, BE SOMEONE ♪ 571 00:22:22,441 --> 00:22:24,000 ♪ YOU GOT A FAST CAR ♪ ♪ WE GO CRUISING, ENTERTAIN 572 00:22:24,000 --> 00:22:24,943 ♪ YOU GOT A FAST CAR ♪ ♪ WE GO CRUISING, ENTERTAIN 573 00:22:25,010 --> 00:22:26,978 OURSELVES ♪ ♪ YOU STILL AIN'T GOT A JOB ♪ 574 00:22:27,045 --> 00:22:30,000 ♪ SO I WORK IN THE MARKET AS A CHECKOUT GIRL ♪ 575 00:22:30,000 --> 00:22:30,082 ♪ SO I WORK IN THE MARKET AS A CHECKOUT GIRL ♪ 576 00:22:30,148 --> 00:22:34,219 ♪ I KNOW THINGS WILL GET BETTER ♪ 577 00:22:34,286 --> 00:22:35,987 ♪ YOU'LL FIND WORK AND I'LL GET PROMOTED ♪ 578 00:22:36,054 --> 00:22:37,789 ♪ AND WE'LL MOVE OUT OF THE SHELTER ♪ 579 00:22:37,856 --> 00:22:42,000 ♪ BUY A BIGGER HOUSE, LIVE IN THE SUBURBS ♪ 580 00:22:42,000 --> 00:22:48,000 ♪ BUY A BIGGER HOUSE, LIVE IN THE SUBURBS ♪ 581 00:22:48,000 --> 00:22:48,033 ♪ BUY A BIGGER HOUSE, LIVE IN THE SUBURBS ♪ 582 00:22:48,100 --> 00:22:51,336 ♪ SO I REMEMBER WHEN WE WERE DRIVING, DRIVING IN YOUR CAR ♪ 583 00:22:51,403 --> 00:22:54,000 ♪ SPEED SO FAST, I FELT LIKE I WAS DRUNK ♪ 584 00:22:54,000 --> 00:22:54,372 ♪ SPEED SO FAST, I FELT LIKE I WAS DRUNK ♪ 585 00:22:54,439 --> 00:22:58,009 ♪ CITY LIGHTS LAY OUT BEFORE US AND YOUR ARM FELT NICE WRAPPED 586 00:22:58,076 --> 00:23:00,000 AROUND MY SHOULDER ♪ ♪ AND I HAD A FEELING THAT I 587 00:23:00,000 --> 00:23:01,546 AROUND MY SHOULDER ♪ ♪ AND I HAD A FEELING THAT I 588 00:23:01,613 --> 00:23:05,951 BELONGED ♪ ♪ I HAD A FEELING I COULD BE 589 00:23:06,017 --> 00:23:12,000 SOMEONE, BE SOMEONE, BE SOMEONE ♪ 590 00:23:12,000 --> 00:23:12,023 SOMEONE, BE SOMEONE, BE SOMEONE ♪ 591 00:23:20,932 --> 00:23:24,000 ♪ YOU GOT A FAST CAR ♪ ♪ I GOT A JOB THAT PAYS ALL OUR 592 00:23:24,000 --> 00:23:24,770 ♪ YOU GOT A FAST CAR ♪ ♪ I GOT A JOB THAT PAYS ALL OUR 593 00:23:24,836 --> 00:23:28,940 BILLS ♪ ♪ YOU STAY OUT DRINKING LATE AT 594 00:23:29,007 --> 00:23:30,000 THE BAR ♪ ♪ SEE MORE OF YOUR FRIENDS THAN 595 00:23:30,000 --> 00:23:32,677 THE BAR ♪ ♪ SEE MORE OF YOUR FRIENDS THAN 596 00:23:32,744 --> 00:23:36,000 YOU DO YOUR KIDS ♪ ♪ I'D ALWAYS HOPED FOR BETTER ♪ 597 00:23:36,000 --> 00:23:36,281 YOU DO YOUR KIDS ♪ ♪ I'D ALWAYS HOPED FOR BETTER ♪ 598 00:23:36,348 --> 00:23:37,182 ♪ THOUGHT MAYBE TOGETHER YOU AND ME WOULD FIND IT ♪ 599 00:23:37,249 --> 00:23:38,450 ♪ I GOT NO PLANS, I AIN'T GOIN' NOWHERE ♪ 600 00:23:38,517 --> 00:23:42,000 ♪ TAKE YOUR FAST CAR AND KEEP ON DRIVING ♪ 601 00:23:42,000 --> 00:23:48,000 ♪ TAKE YOUR FAST CAR AND KEEP ON DRIVING ♪ 602 00:23:48,000 --> 00:23:48,426 ♪ TAKE YOUR FAST CAR AND KEEP ON DRIVING ♪ 603 00:23:48,493 --> 00:23:52,130 ♪ SO I REMEMBER WHEN WE WERE DRIVING, DRIVING IN YOUR CAR ♪ 604 00:23:52,197 --> 00:23:54,000 ♪ SPEED SO FAST, I FELT LIKE I WAS DRUNK ♪ 605 00:23:54,000 --> 00:23:56,968 ♪ SPEED SO FAST, I FELT LIKE I WAS DRUNK ♪ 606 00:23:57,035 --> 00:24:00,000 ♪ CITY LIGHTS LAY OUT BEFORE US AND YOUR ARM FELT NICE WRAPPED 607 00:24:00,000 --> 00:24:01,506 ♪ CITY LIGHTS LAY OUT BEFORE US AND YOUR ARM FELT NICE WRAPPED 608 00:24:01,573 --> 00:24:06,000 AROUND MY SHOULDER ♪ ♪ AND I HAD A FEELING THAT I 609 00:24:06,000 --> 00:24:06,244 AROUND MY SHOULDER ♪ ♪ AND I HAD A FEELING THAT I 610 00:24:06,311 --> 00:24:08,713 BELONGED ♪ ♪ I HAD A FEELING I COULD BE 611 00:24:08,780 --> 00:24:12,000 SOMEONE, BE SOMEONE, BE SOMEONE ♪ 612 00:24:12,000 --> 00:24:14,786 SOMEONE, BE SOMEONE, BE SOMEONE ♪ 613 00:24:24,229 --> 00:24:27,966 ♪ YOU GOT A FAST CAR ♪ ♪ IS IT FAST ENOUGH SO WE CAN 614 00:24:28,033 --> 00:24:30,000 FLY AWAY? ♪ ♪ WE GOTTA MAKE A DECISION ♪ 615 00:24:30,000 --> 00:24:33,939 FLY AWAY? ♪ ♪ WE GOTTA MAKE A DECISION ♪ 616 00:24:34,005 --> 00:24:36,000 ♪ LEAVE TONIGHT OR LIVE AND DIE THIS WAY ♪ 617 00:24:36,000 --> 00:24:42,000 ♪ LEAVE TONIGHT OR LIVE AND DIE THIS WAY ♪ 618 00:24:42,000 --> 00:24:42,113 ♪ LEAVE TONIGHT OR LIVE AND DIE THIS WAY ♪ 619 00:24:42,180 --> 00:24:48,000 ♪ ♪ [CHEERS AND APPLAUSE] 620 00:24:48,000 --> 00:24:54,000 ♪ ♪ [CHEERS AND APPLAUSE] 621 00:24:54,000 --> 00:24:57,062 ♪ ♪ [CHEERS AND APPLAUSE] 622 00:24:57,128 --> 00:25:00,000 ♪ ♪ [CHEERS AND APPLAUSE] 623 00:25:00,000 --> 00:25:03,068 ♪ ♪ [CHEERS AND APPLAUSE] 624 00:25:03,134 --> 00:25:05,937 >> Trevor: THAT'S RIGHT! 625 00:25:06,004 --> 00:25:06,905 THAT'S RIGHT! 626 00:25:06,972 --> 00:25:08,907 LUKE COMBS! 627 00:25:08,974 --> 00:25:11,209 AND WHAT A SURPRISE! 628 00:25:11,276 --> 00:25:12,000 THE LEGENDARY TRACY CHAPMAN, EVERYBODY! 629 00:25:12,000 --> 00:25:14,079 THE LEGENDARY TRACY CHAPMAN, EVERYBODY! 630 00:25:14,145 --> 00:25:16,181 THANK YOU SO MUCH FOR THAT! 631 00:25:16,248 --> 00:25:17,616 THANK YOU SO MUCH FOR THAT! 632 00:25:17,682 --> 00:25:18,000 WE'LL BE RIGHT BACK WITH PERFORMANCES BY SZA AND 633 00:25:18,000 --> 00:25:19,918 WE'LL BE RIGHT BACK WITH PERFORMANCES BY SZA AND 634 00:25:19,985 --> 00:25:21,920 BILLIE EILISH! 635 00:25:21,987 --> 00:25:22,988 MORE GRAMMYS AFTER THIS! 636 00:25:41,573 --> 00:25:42,000 ♪ ♪ >> Announcer: PLEASE WELCOME TWO 637 00:25:42,000 --> 00:25:42,674 ♪ ♪ >> Announcer: PLEASE WELCOME TWO 638 00:25:42,741 --> 00:25:44,009 LATIN GRAMMY AWARD WINNERS, CHRISTINA AGUILERA AND MALUMA. 639 00:25:54,152 --> 00:26:00,000 [CHEERS AND APPLAUSE] >> HOLA, MALUMA. 640 00:26:00,000 --> 00:26:00,892 [CHEERS AND APPLAUSE] >> HOLA, MALUMA. 641 00:26:00,959 --> 00:26:06,000 THE TWO OF US ARE PROUD TO STAND TOGETHER ON THE GRAMMY STAGE TO 642 00:26:06,000 --> 00:26:08,733 THE TWO OF US ARE PROUD TO STAND TOGETHER ON THE GRAMMY STAGE TO 643 00:26:08,800 --> 00:26:10,902 PRESENT AN AWARD THAT RECOGNIZES SOME OF THE MOST EXCITING LATIN 644 00:26:10,969 --> 00:26:12,000 MUSIC IN THE WORLD TODAY. 645 00:26:12,000 --> 00:26:12,637 MUSIC IN THE WORLD TODAY. 646 00:26:12,704 --> 00:26:13,805 >> SI, CHRISTINA. 647 00:26:13,872 --> 00:26:16,975 AND I WOULD SAY IT'S SOME OF THE MOST EXCITING MUSIC IN ANY 648 00:26:17,042 --> 00:26:18,000 LANGUAGE, ANYWHERE ON EARTH TODAY. 649 00:26:18,000 --> 00:26:18,109 LANGUAGE, ANYWHERE ON EARTH TODAY. 650 00:26:18,176 --> 00:26:24,000 ESTOS SON LOS NOMINEES FOR BEST MUSICA URBANA ALBUM. 651 00:26:24,000 --> 00:26:30,000 ESTOS SON LOS NOMINEES FOR BEST MUSICA URBANA ALBUM. 652 00:26:30,000 --> 00:26:32,657 ESTOS SON LOS NOMINEES FOR BEST MUSICA URBANA ALBUM. 653 00:26:32,724 --> 00:26:33,658 ♪ ♪ >> Announcer: "SATURNO," 654 00:26:33,725 --> 00:26:36,000 RAUW ALEJANDRO. 655 00:26:36,000 --> 00:26:39,264 RAUW ALEJANDRO. 656 00:26:39,331 --> 00:26:40,532 >> Announcer: "MANANA SERA BONITO," 657 00:26:40,598 --> 00:26:42,000 KAROL G. 658 00:26:42,000 --> 00:26:42,200 KAROL G. 659 00:26:42,267 --> 00:26:43,401 >> ♪ QUE DEJE DE ESTAR TIRANDO ♪ 660 00:26:43,468 --> 00:26:44,803 ♪ QUE, AL MENO, YO TE TENIA BONITO ♪ 661 00:26:44,869 --> 00:26:46,571 >> Announcer: "DATA" TAINY. 662 00:26:46,638 --> 00:26:48,000 >> ♪ ESTA NUEVACITA, SALIO DEL DEALER ♪ 663 00:26:48,000 --> 00:26:48,173 >> ♪ ESTA NUEVACITA, SALIO DEL DEALER ♪ 664 00:26:48,239 --> 00:26:49,207 ♪ SE ROBA A FERXXO Y LE CAEN MILES ♪ 665 00:26:49,274 --> 00:26:51,276 ♪ YO SOY SU CONE, YO SOY SU DELEAR ♪ 666 00:26:56,214 --> 00:27:00,000 >> AND THE GRAMMY GOES TO... 667 00:27:00,000 --> 00:27:05,623 >> AND THE GRAMMY GOES TO... 668 00:27:05,690 --> 00:27:06,000 "MANANA SERA BONITO," KAROL G. 669 00:27:06,000 --> 00:27:08,693 "MANANA SERA BONITO," KAROL G. 670 00:27:43,161 --> 00:27:48,000 >> HI, EVERYBODY! 671 00:27:48,000 --> 00:27:48,033 >> HI, EVERYBODY! 672 00:27:48,099 --> 00:27:50,201 MY NAME IS KAROL G! 673 00:27:50,268 --> 00:27:51,436 AND I AM FROM COLOMBIA! 674 00:27:51,503 --> 00:27:54,000 AND THIS IS MY FIRST TIME AT GRAMMYS, AND MY FIRST TIME 675 00:27:54,000 --> 00:27:55,073 AND THIS IS MY FIRST TIME AT GRAMMYS, AND MY FIRST TIME 676 00:27:55,140 --> 00:27:59,210 HOLDING MY OWN GRAMMY. 677 00:27:59,277 --> 00:28:00,000 I'M SUPER HAPPY. 678 00:28:00,000 --> 00:28:00,311 I'M SUPER HAPPY. 679 00:28:00,378 --> 00:28:01,579 I'M SUPER NERVOUS. 680 00:28:01,646 --> 00:28:06,000 I'M SUPER EXCITED TO BE IN FRONT OF SO MANY LEGENDS THAT I ADMIRE 681 00:28:06,000 --> 00:28:06,151 I'M SUPER EXCITED TO BE IN FRONT OF SO MANY LEGENDS THAT I ADMIRE 682 00:28:06,217 --> 00:28:06,918 AND RESPECT. 683 00:28:06,985 --> 00:28:09,220 AND THIS IS SUCH A BEAUTIFUL THING. 684 00:28:09,287 --> 00:28:12,000 MY ALBUM HAS GIVEN ME THE BEST MEMORIES IN MY OWN LIFE, MY 685 00:28:12,000 --> 00:28:14,426 MY ALBUM HAS GIVEN ME THE BEST MEMORIES IN MY OWN LIFE, MY 686 00:28:14,492 --> 00:28:15,660 WHOLE LIFE. 687 00:28:15,727 --> 00:28:18,000 MY FANS THAT CAME AND ENJOYED MY ALBUM, THEY ARE THE MOTIVATION 688 00:28:18,000 --> 00:28:19,898 MY FANS THAT CAME AND ENJOYED MY ALBUM, THEY ARE THE MOTIVATION 689 00:28:19,964 --> 00:28:24,000 AND INSPIRATION AND ARE HERE WITH ME. 690 00:28:24,000 --> 00:28:24,636 AND INSPIRATION AND ARE HERE WITH ME. 691 00:28:24,702 --> 00:28:25,637 THANK YOU SO MUCH. 692 00:28:25,703 --> 00:28:30,000 I PROMISE YOU TO GIVE ME MY GLYOUMY BEST ALWAYS. 693 00:28:30,000 --> 00:28:31,810 I PROMISE YOU TO GIVE ME MY GLYOUMY BEST ALWAYS. 694 00:28:31,876 --> 00:28:36,000 SO THANK YOU SO MUCH ES LATINA! 695 00:28:36,000 --> 00:28:42,000 SO THANK YOU SO MUCH ES LATINA! 696 00:28:42,000 --> 00:28:46,024 SO THANK YOU SO MUCH ES LATINA! 697 00:28:46,091 --> 00:28:48,000 >> Trevor: CONGRATULATIONS, KAROL G 698 00:28:48,000 --> 00:28:52,297 >> Trevor: CONGRATULATIONS, KAROL G 699 00:28:52,363 --> 00:28:53,531 TIME FOR THIS YEAR'S LEADING GRAMMY NOMINEE. 700 00:28:53,598 --> 00:28:54,000 WITH NINE NOMINATIONS FOR HER ALBUM "SOS," AND SHE HAS ALREADY 701 00:28:54,000 --> 00:28:56,668 WITH NINE NOMINATIONS FOR HER ALBUM "SOS," AND SHE HAS ALREADY 702 00:28:56,734 --> 00:28:57,569 WON TWO GRAMMYS TODAY. 703 00:28:57,635 --> 00:29:00,000 THIS HAS BEEN A YEAR TO REMEMBER, FOR SZA. 704 00:29:00,000 --> 00:29:00,238 THIS HAS BEEN A YEAR TO REMEMBER, FOR SZA. 705 00:29:11,683 --> 00:29:12,000 ♪ ♪ >> I COULD NOT FIGURE OUT WHO I 706 00:29:12,000 --> 00:29:13,618 ♪ ♪ >> I COULD NOT FIGURE OUT WHO I 707 00:29:13,685 --> 00:29:14,619 WANTED TO BE ON THIS ALBUM, BECAUSE I HAD SO MANY POINTS TO 708 00:29:14,686 --> 00:29:15,954 PROVE. 709 00:29:16,020 --> 00:29:18,000 "SOS" TOOK ABOUT FIVE YEARS FOR ME TO PUT OUT. 710 00:29:18,000 --> 00:29:20,358 "SOS" TOOK ABOUT FIVE YEARS FOR ME TO PUT OUT. 711 00:29:20,425 --> 00:29:22,560 I CONSULTED ABOUT EVERY MOMENT OF THIS ALBUM. 712 00:29:22,627 --> 00:29:24,000 I NEVER FEEL NERVOUS IN THE OCEAN WHEN I AM SWIMMING IN THE 713 00:29:24,000 --> 00:29:25,897 I NEVER FEEL NERVOUS IN THE OCEAN WHEN I AM SWIMMING IN THE 714 00:29:25,964 --> 00:29:26,965 WATER. 715 00:29:27,031 --> 00:29:30,000 I LOVE TO THE ISOLATION, THE VASTNESS, THE EMPTINESS. 716 00:29:30,000 --> 00:29:31,136 I LOVE TO THE ISOLATION, THE VASTNESS, THE EMPTINESS. 717 00:29:31,202 --> 00:29:36,000 I DEFINITELY FEEL LIKE FEAR AND ANXIETY ARE A PART OF WHO I AM. 718 00:29:36,000 --> 00:29:39,177 I DEFINITELY FEEL LIKE FEAR AND ANXIETY ARE A PART OF WHO I AM. 719 00:29:39,244 --> 00:29:41,913 MY INTENSE YEAR IS PART OF THE REASON WHY I HAVE A LOT OF 720 00:29:41,980 --> 00:29:42,000 ENERGY ON STAGE. 721 00:29:42,000 --> 00:29:43,181 ENERGY ON STAGE. 722 00:29:43,248 --> 00:29:45,350 I GET TO LIKE A LEAP AROUND AND JUMP AROUND AND SCREAM AND SHAKE 723 00:29:45,416 --> 00:29:47,886 MY HEAD AND DO ALL OF THESE THINGS! 724 00:29:47,952 --> 00:29:48,000 ♪ ♪ MY BIGGEST THOUGHT IN MY HEAD 725 00:29:48,000 --> 00:29:54,000 ♪ ♪ MY BIGGEST THOUGHT IN MY HEAD 726 00:29:54,000 --> 00:29:57,228 ♪ ♪ MY BIGGEST THOUGHT IN MY HEAD 727 00:29:57,295 --> 00:30:00,000 EVERY NIGHT WAS AM I GOING TO DO THE SHOW? 728 00:30:00,000 --> 00:30:02,767 EVERY NIGHT WAS AM I GOING TO DO THE SHOW? 729 00:30:02,834 --> 00:30:05,570 MY PERSONAL PROBLEM IS TO GET OUT OF MY HEAD AND DECIDE WHAT 730 00:30:05,637 --> 00:30:06,000 PERSON I WANT TO BE AND NOT FEELING BAD ABOUT THAT. 731 00:30:06,000 --> 00:30:09,207 PERSON I WANT TO BE AND NOT FEELING BAD ABOUT THAT. 732 00:30:09,274 --> 00:30:12,000 THE HEIGHT THAT IT REACHED IT SO MUCH BIGGER THAN ANYTHING I 733 00:30:12,000 --> 00:30:12,911 THE HEIGHT THAT IT REACHED IT SO MUCH BIGGER THAN ANYTHING I 734 00:30:12,977 --> 00:30:14,345 COULD'VE IMAGINED FOR MYSELF. 735 00:30:14,412 --> 00:30:17,115 BEING THE KNOW BEING THE MOST NOMINATED PERSON AT THE GRAMMYS 736 00:30:17,182 --> 00:30:18,000 IS AMAZING. 737 00:30:18,000 --> 00:30:18,383 IS AMAZING. 738 00:30:18,449 --> 00:30:21,719 I GIVES TO CRY IMAGINING WHAT I WOULD SAY ON STAGE IF THAT EVER 739 00:30:21,786 --> 00:30:22,854 HAPPENED TO ME. 740 00:30:22,921 --> 00:30:24,000 BUT NOW IT REPRESENTS THE CULMINATION OF EVERYTHING THAT 741 00:30:24,000 --> 00:30:26,558 BUT NOW IT REPRESENTS THE CULMINATION OF EVERYTHING THAT 742 00:30:26,624 --> 00:30:29,327 HAS HAPPENED IN MY ENTIRE CAREER. 743 00:30:29,394 --> 00:30:30,000 ♪ ♪ 744 00:30:30,000 --> 00:30:32,230 ♪ ♪ 745 00:30:34,098 --> 00:30:36,000 ♪ ♪ ♪ I'LL TOUCH THAT FIRE FOR 746 00:30:36,000 --> 00:30:40,405 ♪ ♪ ♪ I'LL TOUCH THAT FIRE FOR 747 00:30:40,471 --> 00:30:41,639 YOU ♪ ♪ I DO THAT THREE, FOUR TIMES 748 00:30:41,706 --> 00:30:42,000 AGAIN, I TESTIFY FOR YOU ♪ ♪ I TOLD THAT LIE, I'D KILL THAT 749 00:30:42,000 --> 00:30:45,710 AGAIN, I TESTIFY FOR YOU ♪ ♪ I TOLD THAT LIE, I'D KILL THAT 750 00:30:45,777 --> 00:30:48,000 BITCH ♪ ♪ I DO WHAT ALL OF THEM AROUND 751 00:30:48,000 --> 00:30:48,012 BITCH ♪ ♪ I DO WHAT ALL OF THEM AROUND 752 00:30:48,079 --> 00:30:49,314 YOU SCARED TO DO, I'M NOT ♪ ♪ LONG AS YOU JUGGIN' OUT HERE 753 00:30:49,380 --> 00:30:54,000 FOR ME, I GOT IT ♪ ♪ MOBBIN', SCHEMIN', LOOTIN', 754 00:30:54,000 --> 00:30:55,720 FOR ME, I GOT IT ♪ ♪ MOBBIN', SCHEMIN', LOOTIN', 755 00:30:55,787 --> 00:30:59,090 HIDE YOUR BODIES ♪ ♪ LONG AS YOU DREAMIN' 'BOUT ME, 756 00:30:59,157 --> 00:31:00,000 AIN'T NO PROBLEM ♪ ♪ I DON'T GOT NOBODY, JUST WITH 757 00:31:00,000 --> 00:31:01,359 AIN'T NO PROBLEM ♪ ♪ I DON'T GOT NOBODY, JUST WITH 758 00:31:01,426 --> 00:31:04,062 YOU RIGHT NOW ♪ ♪ TELL THE TRUTH, I LOOK BETTER 759 00:31:04,128 --> 00:31:06,000 UNDER YOU ♪ ♪ I CAN'T LOSE WHEN I'M WITH 760 00:31:06,000 --> 00:31:07,198 UNDER YOU ♪ ♪ I CAN'T LOSE WHEN I'M WITH 761 00:31:07,265 --> 00:31:12,000 YOU ♪ ♪ HOW CAN I SNOOZE AND MISS THE 762 00:31:12,000 --> 00:31:15,106 YOU ♪ ♪ HOW CAN I SNOOZE AND MISS THE 763 00:31:15,173 --> 00:31:16,341 MOMENT? ♪ ♪ YOU JUST TOO IMPORTANT ♪ 764 00:31:16,407 --> 00:31:18,000 ♪ NOBODY DO BODY LIKE YOU DO ♪ ♪ I CAN'T LOSE WHEN I'M WITH 765 00:31:18,000 --> 00:31:24,000 ♪ NOBODY DO BODY LIKE YOU DO ♪ ♪ I CAN'T LOSE WHEN I'M WITH 766 00:31:24,000 --> 00:31:24,282 ♪ NOBODY DO BODY LIKE YOU DO ♪ ♪ I CAN'T LOSE WHEN I'M WITH 767 00:31:24,349 --> 00:31:29,087 YOU ♪ ♪ HOW CAN I SNOOZE AND MISS THE 768 00:31:29,153 --> 00:31:30,000 MOMENT? ♪ ♪ YOU JUST TOO IMPORTANT ♪ 769 00:31:30,000 --> 00:31:31,122 MOMENT? ♪ ♪ YOU JUST TOO IMPORTANT ♪ 770 00:31:31,189 --> 00:31:36,000 ♪ NOBODY DO BODY LIKE YOU DO ♪ ♪ I'M NOT BLAMING ON YOU TO 771 00:31:36,000 --> 00:31:42,000 ♪ NOBODY DO BODY LIKE YOU DO ♪ ♪ I'M NOT BLAMING ON YOU TO 772 00:31:42,000 --> 00:31:45,103 ♪ NOBODY DO BODY LIKE YOU DO ♪ ♪ I'M NOT BLAMING ON YOU TO 773 00:31:45,169 --> 00:31:46,704 MAKE ONE LYING ♪ ♪ I'M NOT FRIDAY AND ♪ 774 00:31:46,771 --> 00:31:47,739 ♪ THE ONE CRYING ♪ ♪ JUST TRYING TO DO EVERY 775 00:31:47,805 --> 00:31:48,000 THING ♪ ♪ AND I'M THE MAIN ONE ♪ 776 00:31:48,000 --> 00:31:51,676 THING ♪ ♪ AND I'M THE MAIN ONE ♪ 777 00:31:51,743 --> 00:31:54,000 ♪ YES, I'M THE MAIN ONE ♪ ♪ YOU BETTER BELIEVE IT ♪ 778 00:31:54,000 --> 00:31:56,281 ♪ YES, I'M THE MAIN ONE ♪ ♪ YOU BETTER BELIEVE IT ♪ 779 00:31:56,347 --> 00:32:00,000 ♪ I'M THE MAIN ONE CRYING ♪ UH OH! 780 00:32:00,000 --> 00:32:06,000 ♪ I'M THE MAIN ONE CRYING ♪ UH OH! 781 00:32:06,000 --> 00:32:11,229 ♪ I'M THE MAIN ONE CRYING ♪ UH OH! 782 00:32:11,296 --> 00:32:12,000 ♪ I'M THE MAIN ONE CRYING ♪ UH OH! 783 00:32:12,000 --> 00:32:13,231 ♪ I'M THE MAIN ONE CRYING ♪ UH OH! 784 00:32:13,298 --> 00:32:17,669 SHE MIGHT JUST GET IT! 785 00:32:17,735 --> 00:32:18,000 ♪ I MIGHT KILL MY EX, NOT THE BEST IDEA ♪ 786 00:32:18,000 --> 00:32:19,671 ♪ I MIGHT KILL MY EX, NOT THE BEST IDEA ♪ 787 00:32:19,737 --> 00:32:24,000 ♪ RATHER BE IN JAIL THAN ALONE ♪ ♪ I'M STILL A DROP FAN ♪ 788 00:32:24,000 --> 00:32:30,000 ♪ RATHER BE IN JAIL THAN ALONE ♪ ♪ I'M STILL A DROP FAN ♪ 789 00:32:30,000 --> 00:32:34,619 ♪ RATHER BE IN JAIL THAN ALONE ♪ ♪ I'M STILL A DROP FAN ♪ 790 00:32:34,686 --> 00:32:36,000 ♪ RATHER BE IN JAIL THAN ALONE ♪ ♪ I'M STILL A DROP FAN ♪ 791 00:32:36,000 --> 00:32:39,691 ♪ RATHER BE IN JAIL THAN ALONE ♪ ♪ I'M STILL A DROP FAN ♪ 792 00:32:39,757 --> 00:32:42,000 ♪ ♪ ♪ EVEN THOUGH I WAS SALTY ♪ 793 00:32:42,000 --> 00:32:45,697 ♪ ♪ ♪ EVEN THOUGH I WAS SALTY ♪ 794 00:32:45,763 --> 00:32:46,998 ♪ HATE TO SEE YOU WITH SOME OTHER BROAD ♪ 795 00:32:47,065 --> 00:32:48,000 ♪ KNOW YOU HAPPY HATE TO SEE YOU HAPPY ♪ 796 00:32:48,000 --> 00:32:48,333 ♪ KNOW YOU HAPPY HATE TO SEE YOU HAPPY ♪ 797 00:32:48,399 --> 00:32:50,335 ♪ IF I'M NOT THE ONE DRIVING I'M SO MATURE ♪ 798 00:32:50,401 --> 00:32:51,302 ♪ I'M SO MATURE ♪ ♪ I'M SO MATURE ♪ 799 00:32:51,369 --> 00:32:52,470 ♪ I GOT ME A THERAPIST TO TELL ME THERE'S ♪ 800 00:32:52,537 --> 00:32:54,000 ♪ OTHER MEN I DON'T WANT NONE ♪ ♪ I JUST WANT YOU IF ♪ 801 00:32:54,000 --> 00:32:54,105 ♪ OTHER MEN I DON'T WANT NONE ♪ ♪ I JUST WANT YOU IF ♪ 802 00:32:54,172 --> 00:32:57,008 ♪ I CAN'T HAVE YOU NO ONE SHOULD ♪ 803 00:32:57,075 --> 00:33:00,000 ♪ I MIGHT KILL MY EX, NOT THE BEST IDEA ♪ 804 00:33:00,000 --> 00:33:04,415 ♪ I MIGHT KILL MY EX, NOT THE BEST IDEA ♪ 805 00:33:04,482 --> 00:33:06,000 ♪ HIS NEW GIRLFRIEND'S NEXT, HOW'D I GET HERE? ♪ 806 00:33:06,000 --> 00:33:08,519 ♪ HIS NEW GIRLFRIEND'S NEXT, HOW'D I GET HERE? ♪ 807 00:33:08,586 --> 00:33:12,000 ♪ I MIGHT KILL MY EX, I STILL LOVE HIM THOUGH ♪ 808 00:33:12,000 --> 00:33:14,726 ♪ I MIGHT KILL MY EX, I STILL LOVE HIM THOUGH ♪ 809 00:33:14,792 --> 00:33:18,000 ♪ RATHER BE IN JAIL THAN ALONE ♪ ♪ I GET THE SENSE THAT IT'S A 810 00:33:18,000 --> 00:33:19,564 ♪ RATHER BE IN JAIL THAN ALONE ♪ ♪ I GET THE SENSE THAT IT'S A 811 00:33:19,630 --> 00:33:22,900 LOST CAUSE ♪ ♪ I GET THE SENSE THAT YOU MIGHT 812 00:33:22,967 --> 00:33:24,000 REALLY LOVE HER ♪ ♪ THE TEXT GON' BE EVIDENCE, 813 00:33:24,000 --> 00:33:25,069 REALLY LOVE HER ♪ ♪ THE TEXT GON' BE EVIDENCE, 814 00:33:25,136 --> 00:33:27,038 THIS TEXT IS EVIDENCE ♪ ♪ I TRIED TO RATION WITH YOU, NO 815 00:33:27,105 --> 00:33:29,640 MURDERS OR CRIMES OF PASSION, BUT DAMN ♪ 816 00:33:29,707 --> 00:33:30,000 ♪ YOU WAS OUT OF REACH ♪ ♪ YOU WAS AT THE FARMER'S MARKET 817 00:33:30,000 --> 00:33:32,410 ♪ YOU WAS OUT OF REACH ♪ ♪ YOU WAS AT THE FARMER'S MARKET 818 00:33:32,477 --> 00:33:35,046 WITH YOUR PERFECT PEACH ♪ ♪ NOW I'M IN THE BASEMENT, 819 00:33:35,113 --> 00:33:36,000 PLANNING HOME INVASION ♪ ♪ NOW YOU LAYING FACE-DOWN, GOT 820 00:33:36,000 --> 00:33:42,000 PLANNING HOME INVASION ♪ ♪ NOW YOU LAYING FACE-DOWN, GOT 821 00:33:42,000 --> 00:33:42,854 PLANNING HOME INVASION ♪ ♪ NOW YOU LAYING FACE-DOWN, GOT 822 00:33:42,920 --> 00:33:44,088 ME SINGING OVER A BEAT ♪ ♪ I'M SO MATURE, I'M SO MATURE ♪ 823 00:33:44,155 --> 00:33:45,223 ♪ I'M SO MATURE, I GOT ME A THERAPIST TO TELL ME THERE'S 824 00:33:45,289 --> 00:33:48,000 OTHER MEN ♪ ♪ I DON'T WANT NONE, I JUST WANT 825 00:33:48,000 --> 00:33:49,694 OTHER MEN ♪ ♪ I DON'T WANT NONE, I JUST WANT 826 00:33:49,761 --> 00:33:50,595 YOU ♪ ♪ IF I CAN'T HAVE YOU, NO ONE 827 00:33:50,661 --> 00:33:54,000 WILL ♪ ♪ I MIGHT KILL MY EX, NOT THE 828 00:33:54,000 --> 00:33:56,000 WILL ♪ ♪ I MIGHT KILL MY EX, NOT THE 829 00:33:56,067 --> 00:34:00,000 BEST IDEA ♪ ♪ HIS NEW GIRLFRIEND'S NEXT, 830 00:34:00,000 --> 00:34:03,574 BEST IDEA ♪ ♪ HIS NEW GIRLFRIEND'S NEXT, 831 00:34:03,641 --> 00:34:05,443 HOW'D I GET HERE? ♪ ♪ I MIGHT KILL MY EX, I STILL 832 00:34:05,510 --> 00:34:06,000 LOVE HIM THOUGH ♪ ♪ RATHER BE IN JAIL THAN ALONE ♪ 833 00:34:06,000 --> 00:34:12,000 LOVE HIM THOUGH ♪ ♪ RATHER BE IN JAIL THAN ALONE ♪ 834 00:34:12,000 --> 00:34:14,051 LOVE HIM THOUGH ♪ ♪ RATHER BE IN JAIL THAN ALONE ♪ 835 00:34:14,118 --> 00:34:18,000 ♪ I DID IT ALL FOR LOVE ♪ ♪ I DID IT ALL ON NO DRUGS ♪ 836 00:34:18,000 --> 00:34:19,991 ♪ I DID IT ALL FOR LOVE ♪ ♪ I DID IT ALL ON NO DRUGS ♪ 837 00:34:20,057 --> 00:34:24,000 ♪ I DID ALL OF THIS SOBER ♪ ♪ I DID IT ALL FOR US, OH ♪ 838 00:34:24,000 --> 00:34:25,830 ♪ I DID ALL OF THIS SOBER ♪ ♪ I DID IT ALL FOR US, OH ♪ 839 00:34:25,897 --> 00:34:29,767 ♪ I DID IT ALL FOR LOVE ♪ ♪ I DID IT ALL OF THIS ON NO 840 00:34:29,834 --> 00:34:30,000 DRUGS ♪ ♪ I DID ALL OF THIS SOBER ♪ 841 00:34:30,000 --> 00:34:33,204 DRUGS ♪ ♪ I DID ALL OF THIS SOBER ♪ 842 00:34:33,271 --> 00:34:36,000 ♪ DON'T YOU KNOW I DID IT ALL FOR US? ♪ 843 00:34:36,000 --> 00:34:37,008 ♪ DON'T YOU KNOW I DID IT ALL FOR US? ♪ 844 00:34:37,074 --> 00:34:42,000 ♪ UH, I JUST KILLED MY EX ♪ ♪ NOT THE BEST IDEA ♪ 845 00:34:42,000 --> 00:34:42,480 ♪ UH, I JUST KILLED MY EX ♪ ♪ NOT THE BEST IDEA ♪ 846 00:34:42,547 --> 00:34:48,000 ♪ KILLED HIS GIRLFRIEND NEXT, ♪ I JUST KILLED MY EX ♪ 847 00:34:48,000 --> 00:34:49,954 ♪ KILLED HIS GIRLFRIEND NEXT, ♪ I JUST KILLED MY EX ♪ 848 00:34:50,021 --> 00:34:53,991 ♪ I STILL LOVE HIM, THOUGH ♪ ♪ RATHER BE IN HELL THAN 849 00:34:54,058 --> 00:34:55,059 ALONE ♪ [CHEERS AND APPLAUSE] 850 00:35:12,076 --> 00:35:12,944 ♪ ♪ >> Announcer: UP NEXT: 851 00:35:13,010 --> 00:35:14,312 BILLIE EILISH SINGS HER ANTHEM FROM "BARBIE!" 852 00:35:14,378 --> 00:35:18,000 THEN MILEY CYRUS SINGS "FLOWERS" FOR THE FIRST TIME ON 853 00:35:18,000 --> 00:35:18,916 THEN MILEY CYRUS SINGS "FLOWERS" FOR THE FIRST TIME ON 854 00:35:18,983 --> 00:35:24,000 TELEVISION. 855 00:35:24,000 --> 00:35:25,957 TELEVISION. 856 00:35:26,023 --> 00:35:28,025 THE 66TH GRAMMY AWARDS IS SPONSORED BY MASTERCARD. 857 00:35:42,006 --> 00:35:42,673 ♪ ♪ >> Trevor: WELCOME BACK TO THE 858 00:35:42,740 --> 00:35:43,975 GRAMMYS LIVE AT CRYPTO.COM ARENA. 859 00:35:44,041 --> 00:35:48,000 THE ONLY THING CONNECTED TO CRYPTO THAT'S NOT IN PRISON YET. 860 00:35:48,000 --> 00:35:48,779 THE ONLY THING CONNECTED TO CRYPTO THAT'S NOT IN PRISON YET. 861 00:35:48,846 --> 00:35:54,000 I'M ACTUALLY SITTING HERE NOW WITH BILLIE EILISH AND FINNEAS' 862 00:35:54,000 --> 00:35:55,786 I'M ACTUALLY SITTING HERE NOW WITH BILLIE EILISH AND FINNEAS' 863 00:35:55,853 --> 00:35:57,755 MOM AND DAD! 864 00:35:57,822 --> 00:35:58,923 HOW AMAZING IS THAT? 865 00:35:58,990 --> 00:35:59,924 CONGRATULATIONS TO YOU FOR HAVING TWO INCREDIBLY BRILLIANT 866 00:35:59,991 --> 00:36:00,000 CHILDREN. 867 00:36:00,000 --> 00:36:01,726 CHILDREN. 868 00:36:01,792 --> 00:36:05,863 MY QUESTION IS, WHY DIDN'T YOU MAKE MORE? 869 00:36:05,930 --> 00:36:06,000 WHY STOP AT TWO? 870 00:36:06,000 --> 00:36:08,165 WHY STOP AT TWO? 871 00:36:08,232 --> 00:36:10,735 YOU ARE LEAVING GRAMMYS ON THE TABLE, PEOPLE! 872 00:36:10,801 --> 00:36:12,000 YOU HAVE THE PERFECT FORMULA! 873 00:36:12,000 --> 00:36:12,069 YOU HAVE THE PERFECT FORMULA! 874 00:36:12,136 --> 00:36:13,871 I'M JUST SAYING, THINK ABOUT IT. 875 00:36:13,938 --> 00:36:17,675 YOU HAVE A WINNING FORMULA, THINK ABOUT IT! 876 00:36:17,742 --> 00:36:18,000 WE ARE HERE TOGETHER AS PROUD PARENTS! 877 00:36:18,000 --> 00:36:19,844 WE ARE HERE TOGETHER AS PROUD PARENTS! 878 00:36:19,911 --> 00:36:22,947 AND I KNOW HOW EXCITED WE ARE FOR THIS NEXT PERFORMANCE! 879 00:36:23,014 --> 00:36:24,000 SINGING "WHAT WAS I MADE FOR?" WRITTEN FOR THE MOTION PICTURE 880 00:36:24,000 --> 00:36:24,482 SINGING "WHAT WAS I MADE FOR?" WRITTEN FOR THE MOTION PICTURE 881 00:36:24,549 --> 00:36:29,487 "BARBIE," PLEASE WELCOME BILLIE EILISH! 882 00:36:29,554 --> 00:36:30,000 [CHEERS AND APPLAUSE] ♪ ♪ 883 00:36:30,000 --> 00:36:36,000 [CHEERS AND APPLAUSE] ♪ ♪ 884 00:36:36,000 --> 00:36:42,000 [CHEERS AND APPLAUSE] ♪ ♪ 885 00:36:42,000 --> 00:36:42,667 [CHEERS AND APPLAUSE] ♪ ♪ 886 00:36:42,733 --> 00:36:48,000 ♪ I USED TO FLOAT, NOW I JUST FALL DOWN ♪ 887 00:36:48,000 --> 00:36:52,777 ♪ I USED TO FLOAT, NOW I JUST FALL DOWN ♪ 888 00:36:52,843 --> 00:36:54,000 ♪ I USED TO KNOW BUT I'M NOT SURE NOW ♪ 889 00:36:54,000 --> 00:36:57,949 ♪ I USED TO KNOW BUT I'M NOT SURE NOW ♪ 890 00:36:58,015 --> 00:37:00,000 ♪ WHAT I WAS MADE FOR ♪ ♪ WHAT WAS I MADE FOR? ♪ 891 00:37:00,000 --> 00:37:06,000 ♪ WHAT I WAS MADE FOR ♪ ♪ WHAT WAS I MADE FOR? ♪ 892 00:37:06,000 --> 00:37:09,927 ♪ WHAT I WAS MADE FOR ♪ ♪ WHAT WAS I MADE FOR? ♪ 893 00:37:09,994 --> 00:37:12,000 ♪ TAKIN' A DRIVE, I WAS AN IDEAL ♪ 894 00:37:12,000 --> 00:37:15,132 ♪ TAKIN' A DRIVE, I WAS AN IDEAL ♪ 895 00:37:15,199 --> 00:37:18,000 ♪ LOOKED SO ALIVE, TURNS OUT I'M NOT REAL ♪ 896 00:37:18,000 --> 00:37:21,706 ♪ LOOKED SO ALIVE, TURNS OUT I'M NOT REAL ♪ 897 00:37:21,772 --> 00:37:24,000 ♪ JUST SOMETHING YOU PAID FOR ♪ ♪ WHAT WAS I MADE FOR? ♪ 898 00:37:24,000 --> 00:37:30,000 ♪ JUST SOMETHING YOU PAID FOR ♪ ♪ WHAT WAS I MADE FOR? ♪ 899 00:37:30,000 --> 00:37:36,000 ♪ JUST SOMETHING YOU PAID FOR ♪ ♪ WHAT WAS I MADE FOR? ♪ 900 00:37:36,000 --> 00:37:36,354 ♪ JUST SOMETHING YOU PAID FOR ♪ ♪ WHAT WAS I MADE FOR? ♪ 901 00:37:36,420 --> 00:37:42,000 ♪ 'CAUSE I, I ♪ ♪ I DON'T KNOW HOW TO FEEL ♪ 902 00:37:42,000 --> 00:37:48,000 ♪ 'CAUSE I, I ♪ ♪ I DON'T KNOW HOW TO FEEL ♪ 903 00:37:48,000 --> 00:37:48,766 ♪ 'CAUSE I, I ♪ ♪ I DON'T KNOW HOW TO FEEL ♪ 904 00:37:48,833 --> 00:37:54,000 ♪ BUT I WANNA TRY ♪ ♪ I DON'T KNOW HOW TO FEEL ♪ 905 00:37:54,000 --> 00:37:59,377 ♪ BUT I WANNA TRY ♪ ♪ I DON'T KNOW HOW TO FEEL ♪ 906 00:37:59,443 --> 00:38:00,000 ♪ BUT SOMEDAY, I MIGHT ♪ ♪ SOMEDAY, I MIGHT ♪ 907 00:38:00,000 --> 00:38:06,000 ♪ BUT SOMEDAY, I MIGHT ♪ ♪ SOMEDAY, I MIGHT ♪ 908 00:38:06,000 --> 00:38:12,000 ♪ BUT SOMEDAY, I MIGHT ♪ ♪ SOMEDAY, I MIGHT ♪ 909 00:38:12,000 --> 00:38:14,325 ♪ BUT SOMEDAY, I MIGHT ♪ ♪ SOMEDAY, I MIGHT ♪ 910 00:38:14,392 --> 00:38:18,000 ♪ BUT SOMEDAY, I MIGHT ♪ ♪ SOMEDAY, I MIGHT ♪ 911 00:38:18,000 --> 00:38:22,099 ♪ BUT SOMEDAY, I MIGHT ♪ ♪ SOMEDAY, I MIGHT ♪ 912 00:38:22,900 --> 00:38:24,000 ♪ WHEN DID IT END? ALL THE ENJOYMENT ♪ 913 00:38:24,000 --> 00:38:29,573 ♪ WHEN DID IT END? ALL THE ENJOYMENT ♪ 914 00:38:29,640 --> 00:38:30,000 ♪ I'M SAD AGAIN, DON'T TELL MY BOYFRIEND ♪ 915 00:38:30,000 --> 00:38:35,546 ♪ I'M SAD AGAIN, DON'T TELL MY BOYFRIEND ♪ 916 00:38:35,613 --> 00:38:36,000 ♪ IT'S NOT WHAT HE'S MADE FOR ♪ ♪ WHAT WAS I MADE FOR? ♪ 917 00:38:36,000 --> 00:38:42,000 ♪ IT'S NOT WHAT HE'S MADE FOR ♪ ♪ WHAT WAS I MADE FOR? ♪ 918 00:38:42,000 --> 00:38:48,000 ♪ IT'S NOT WHAT HE'S MADE FOR ♪ ♪ WHAT WAS I MADE FOR? ♪ 919 00:38:48,000 --> 00:38:50,494 ♪ IT'S NOT WHAT HE'S MADE FOR ♪ ♪ WHAT WAS I MADE FOR? ♪ 920 00:38:50,561 --> 00:38:52,496 ♪ IT'S NOT WHAT HE'S MADE FOR ♪ ♪ WHAT WAS I MADE FOR? ♪ 921 00:38:52,563 --> 00:38:54,000 ♪ 'CAUSE I, 'CAUSE I ♪ ♪ I DON'T KNOW HOW TO FEEL ♪ 922 00:38:54,000 --> 00:38:57,535 ♪ 'CAUSE I, 'CAUSE I ♪ ♪ I DON'T KNOW HOW TO FEEL ♪ 923 00:38:57,601 --> 00:39:00,000 ♪ BUT I WANNA TRY ♪ ♪ I DON'T KNOW HOW TO FEEL ♪ 924 00:39:00,000 --> 00:39:06,000 ♪ BUT I WANNA TRY ♪ ♪ I DON'T KNOW HOW TO FEEL ♪ 925 00:39:06,000 --> 00:39:12,000 ♪ BUT I WANNA TRY ♪ ♪ I DON'T KNOW HOW TO FEEL ♪ 926 00:39:12,000 --> 00:39:12,483 ♪ BUT I WANNA TRY ♪ ♪ I DON'T KNOW HOW TO FEEL ♪ 927 00:39:12,550 --> 00:39:16,487 ♪ BUT I WANNA TRY ♪ ♪ I DON'T KNOW HOW TO FEEL ♪ 928 00:39:16,554 --> 00:39:18,000 ♪ BUT SOMEDAY I MIGHT ♪ ♪ SOMEDAY I MIGHT ♪ 929 00:39:18,000 --> 00:39:24,000 ♪ BUT SOMEDAY I MIGHT ♪ ♪ SOMEDAY I MIGHT ♪ 930 00:39:24,000 --> 00:39:30,000 ♪ BUT SOMEDAY I MIGHT ♪ ♪ SOMEDAY I MIGHT ♪ 931 00:39:30,000 --> 00:39:30,901 ♪ BUT SOMEDAY I MIGHT ♪ ♪ SOMEDAY I MIGHT ♪ 932 00:39:30,968 --> 00:39:36,000 ♪ THINK I FORGOT HOW TO BE HAPPY ♪ 933 00:39:36,000 --> 00:39:37,408 ♪ THINK I FORGOT HOW TO BE HAPPY ♪ 934 00:39:37,475 --> 00:39:42,000 ♪ SOMETHING I'M NOT, BUT SOMETHING I CAN BE ♪ 935 00:39:42,000 --> 00:39:44,115 ♪ SOMETHING I'M NOT, BUT SOMETHING I CAN BE ♪ 936 00:39:44,181 --> 00:39:48,000 ♪ SOMETHING I WAIT FOR ♪ ♪ SOMETHING I'M MADE FOR ♪ 937 00:39:48,000 --> 00:39:54,000 ♪ SOMETHING I WAIT FOR ♪ ♪ SOMETHING I'M MADE FOR ♪ 938 00:39:54,000 --> 00:39:59,063 ♪ SOMETHING I WAIT FOR ♪ ♪ SOMETHING I'M MADE FOR ♪ 939 00:39:59,130 --> 00:40:00,000 ♪ SOMETHING I WAIT FOR ♪ ♪ SOMETHING I'M MADE FOR ♪ 940 00:40:00,000 --> 00:40:01,298 ♪ SOMETHING I WAIT FOR ♪ ♪ SOMETHING I'M MADE FOR ♪ 941 00:40:01,365 --> 00:40:05,369 ♪ SOMETHING I'M MADE FOR ♪ [CHEERS AND APPLAUSE] 942 00:40:24,722 --> 00:40:27,792 [CHEERS AND APPLAUSE] >> Announcer: COMING UP, 943 00:40:27,858 --> 00:40:29,426 MILEY CYRUS DELIVERS "FLOWERS" FOR THE FIRST TIME ON 944 00:40:29,493 --> 00:40:30,000 TELEVISION, THE LEGENDARY JONI MITCHELL GIVES HER 945 00:40:30,000 --> 00:40:33,164 TELEVISION, THE LEGENDARY JONI MITCHELL GIVES HER 946 00:40:33,230 --> 00:40:36,000 FIRST-EVER GRAMMY PERFORMANCE. 947 00:40:36,000 --> 00:40:36,967 FIRST-EVER GRAMMY PERFORMANCE. 948 00:40:37,034 --> 00:40:39,036 AND STEVIE WONDER PAYS TRIBUTE TO TONY BENNETT. 949 00:40:40,004 --> 00:40:40,504 THIS IS CBS. 950 00:41:00,991 --> 00:41:01,926 ♪ ♪ >> Trevor: WELCOME BACK! 951 00:41:01,992 --> 00:41:02,927 THIS IS THE 66TH GRAMMY AWARDS! 952 00:41:02,993 --> 00:41:04,562 THAT'S RIGHT, 66TH. 953 00:41:04,628 --> 00:41:06,000 THAT'S RIGHT, MUSIC'S BIGGEST NIGHT IS STILL YOUNGER THAN 954 00:41:06,000 --> 00:41:06,931 THAT'S RIGHT, MUSIC'S BIGGEST NIGHT IS STILL YOUNGER THAN 955 00:41:06,997 --> 00:41:08,098 AMERICA'S NEXT PRESIDENT. 956 00:41:08,165 --> 00:41:12,000 AND NOW, PERFORMING HER GLOBAL SMASH HIT "FLOWERS" FROM THE 957 00:41:12,000 --> 00:41:13,938 AND NOW, PERFORMING HER GLOBAL SMASH HIT "FLOWERS" FROM THE 958 00:41:14,004 --> 00:41:15,039 GRAMMY NOMINATED ALBUM "ENDLESS SUMMER VACATION," FOR 959 00:41:15,105 --> 00:41:18,000 THE FIRST TIME EVER ON TELEVISION, SHE HAS ALREADY WON 960 00:41:18,000 --> 00:41:18,943 THE FIRST TIME EVER ON TELEVISION, SHE HAS ALREADY WON 961 00:41:19,009 --> 00:41:21,345 A GRAMMY TONIGHT! 962 00:41:21,412 --> 00:41:24,000 THIS IS MILEY CYRUS! 963 00:41:24,000 --> 00:41:24,415 THIS IS MILEY CYRUS! 964 00:41:33,023 --> 00:41:34,959 ♪ ♪ >> "ENDLESS SUMMER VACATION" IS 965 00:41:35,025 --> 00:41:36,000 DEFINED BY BATHING SUITS. 966 00:41:36,000 --> 00:41:38,929 DEFINED BY BATHING SUITS. 967 00:41:38,996 --> 00:41:42,000 WHENI WROTE "FLOWERS" PART OF THE MAGIC WAS THAT I HAD NO 968 00:41:42,000 --> 00:41:43,968 WHENI WROTE "FLOWERS" PART OF THE MAGIC WAS THAT I HAD NO 969 00:41:44,034 --> 00:41:45,669 EXPECTATIONS. 970 00:41:45,736 --> 00:41:48,000 I HAVE A HEALTHY RELATIONSHIP WITH SUCCESS AND NUMBERS AND 971 00:41:48,000 --> 00:41:48,072 I HAVE A HEALTHY RELATIONSHIP WITH SUCCESS AND NUMBERS AND 972 00:41:48,138 --> 00:41:54,000 KNOW EVEN THOUGH THEY MAY EXCITE ME, THEY DO NOT DEFINE ME. 973 00:41:54,000 --> 00:41:54,712 KNOW EVEN THOUGH THEY MAY EXCITE ME, THEY DO NOT DEFINE ME. 974 00:41:54,778 --> 00:41:59,750 ♪ ♪ WHEN I SEE OTHER PEOPLE DANCING 975 00:41:59,817 --> 00:42:00,000 TO "FLOWERS," THE WAY THAT I DANCED TO "FLOWERS." 976 00:42:00,000 --> 00:42:04,021 TO "FLOWERS," THE WAY THAT I DANCED TO "FLOWERS." 977 00:42:04,088 --> 00:42:06,000 IT MAKES ME SO HAPPY THAT I COULD CRY. 978 00:42:06,000 --> 00:42:10,094 IT MAKES ME SO HAPPY THAT I COULD CRY. 979 00:42:10,160 --> 00:42:12,000 WHAT DO YOU GUYS WANT TO REALLY KNOW? 980 00:42:12,000 --> 00:42:12,129 WHAT DO YOU GUYS WANT TO REALLY KNOW? 981 00:42:12,196 --> 00:42:13,030 YOU DON'T WANT TO KNOW THIS. 982 00:42:13,097 --> 00:42:15,866 DO YOU WANT TO KNOW WHAT CONDITIONER I USE? 983 00:42:15,933 --> 00:42:18,000 I JUST WANT TO BE THE ARTIST THAT MY IDOLS WOULD BE PROUD OF. 984 00:42:18,000 --> 00:42:21,872 I JUST WANT TO BE THE ARTIST THAT MY IDOLS WOULD BE PROUD OF. 985 00:42:21,939 --> 00:42:24,000 TINA, PATTY, DOLLY! 986 00:42:24,000 --> 00:42:30,000 TINA, PATTY, DOLLY! 987 00:42:30,000 --> 00:42:31,382 TINA, PATTY, DOLLY! 988 00:42:31,448 --> 00:42:34,818 CELINE. 989 00:42:34,885 --> 00:42:36,000 THE REASON I GET SO EXCITED IT'S BECAUSE I'VE ONLY SUNG IT LIVE 990 00:42:36,000 --> 00:42:38,756 THE REASON I GET SO EXCITED IT'S BECAUSE I'VE ONLY SUNG IT LIVE 991 00:42:38,822 --> 00:42:39,857 TWICE. 992 00:42:39,924 --> 00:42:42,000 I CAN WATCH A VIDEO OF ME PERFORMING AT THE GRAMMYS IS 993 00:42:42,000 --> 00:42:42,159 I CAN WATCH A VIDEO OF ME PERFORMING AT THE GRAMMYS IS 994 00:42:42,226 --> 00:42:43,727 ACTUALLY THE MOST HONEST ANSWER I CAN GIVE TO YOU. 995 00:42:43,794 --> 00:42:45,162 I THOUGHT ABOUT IT THIS MORNING. 996 00:42:45,229 --> 00:42:48,000 WHEN I WAS REHEARSING FOR THE GRAMMYS, I THOUGHT WHY AM I 997 00:42:48,000 --> 00:42:48,699 WHEN I WAS REHEARSING FOR THE GRAMMYS, I THOUGHT WHY AM I 998 00:42:48,766 --> 00:42:49,400 DOING THIS? 999 00:42:49,466 --> 00:42:52,736 AND I WAS LIKE OH, YEAH, FOR ME. 1000 00:42:52,803 --> 00:42:54,000 WHEN MY FUTURE SELF LOOKS BACK ON THIS MOMENT, SHE IS GOING TO 1001 00:42:54,000 --> 00:42:57,207 WHEN MY FUTURE SELF LOOKS BACK ON THIS MOMENT, SHE IS GOING TO 1002 00:42:57,274 --> 00:42:59,043 SAY "YOU LOOK GOOD." 1003 00:42:59,109 --> 00:43:00,000 ♪ ♪ ♪ WE WERE GOOD, WE WERE GOLD ♪ 1004 00:43:00,000 --> 00:43:05,215 ♪ ♪ ♪ WE WERE GOOD, WE WERE GOLD ♪ 1005 00:43:05,282 --> 00:43:06,000 ♪ KINDA DREAM THAT CAN'T BE SOLD ♪ 1006 00:43:06,000 --> 00:43:10,721 ♪ KINDA DREAM THAT CAN'T BE SOLD ♪ 1007 00:43:10,788 --> 00:43:12,000 ♪ WE WERE RIGHT 'TIL WE WEREN'T ♪ 1008 00:43:12,000 --> 00:43:15,292 ♪ WE WERE RIGHT 'TIL WE WEREN'T ♪ 1009 00:43:15,359 --> 00:43:18,000 ♪ BUILT A HOME AND WATCHED IT BURN ♪ 1010 00:43:18,000 --> 00:43:19,163 ♪ BUILT A HOME AND WATCHED IT BURN ♪ 1011 00:43:19,229 --> 00:43:21,899 ♪ MM, I DIDN'T WANNA LEAVE YOU ♪ ♪ I DIDN'T WANNA LIE ♪ 1012 00:43:21,966 --> 00:43:24,000 ♪ STARTED TO CRY, BUT THEN REMEMBERED I ♪ 1013 00:43:24,000 --> 00:43:28,172 ♪ STARTED TO CRY, BUT THEN REMEMBERED I ♪ 1014 00:43:28,238 --> 00:43:30,000 ♪ I CAN BUY MYSELF FLOWERS ♪ ♪ WRITE MY NAME IN THE SAND ♪ 1015 00:43:30,000 --> 00:43:36,000 ♪ I CAN BUY MYSELF FLOWERS ♪ ♪ WRITE MY NAME IN THE SAND ♪ 1016 00:43:36,000 --> 00:43:37,581 ♪ I CAN BUY MYSELF FLOWERS ♪ ♪ WRITE MY NAME IN THE SAND ♪ 1017 00:43:37,648 --> 00:43:40,484 WHY ARE YOU ACTING LIKE YOU DON'T KNOW THIS SONG? 1018 00:43:40,551 --> 00:43:42,000 ♪ TALK TO MYSELF FOR HOURS ♪ ♪ SAY THINGS YOU DON'T 1019 00:43:42,000 --> 00:43:42,586 ♪ TALK TO MYSELF FOR HOURS ♪ ♪ SAY THINGS YOU DON'T 1020 00:43:42,653 --> 00:43:48,000 UNDERSTAND ♪ ♪ I CAN TAKE MYSELF DANCING ♪ 1021 00:43:48,000 --> 00:43:50,961 UNDERSTAND ♪ ♪ I CAN TAKE MYSELF DANCING ♪ 1022 00:43:51,028 --> 00:43:54,000 ♪ AND I CAN HOLD MY OWN HAND ♪ ♪ YEAH, I CAN LOVE ME BETTER 1023 00:43:54,000 --> 00:43:56,233 ♪ AND I CAN HOLD MY OWN HAND ♪ ♪ YEAH, I CAN LOVE ME BETTER 1024 00:43:56,300 --> 00:44:00,000 THAN YOU CAN ♪ ♪ CAN LOVE ME BETTER ♪ 1025 00:44:00,000 --> 00:44:01,205 THAN YOU CAN ♪ ♪ CAN LOVE ME BETTER ♪ 1026 00:44:01,271 --> 00:44:06,000 ♪ I CAN LOVE ME BETTER, BABY ♪ ♪ CAN LOVE ME BETTER ♪ 1027 00:44:06,000 --> 00:44:07,011 ♪ I CAN LOVE ME BETTER, BABY ♪ ♪ CAN LOVE ME BETTER ♪ 1028 00:44:07,077 --> 00:44:09,480 ♪ I CAN LOVE ME BETTER, BABY ♪ ♪ PAINT MY NAILS CHERRY RED ♪ 1029 00:44:09,546 --> 00:44:12,000 ♪ MATCH THE ROSES THAT YOU LEFT ♪ 1030 00:44:12,000 --> 00:44:14,551 ♪ MATCH THE ROSES THAT YOU LEFT ♪ 1031 00:44:14,618 --> 00:44:18,000 ♪ NO REMORSE, NO REGRET ♪ ♪ I FORGIVE EVERY WORD YOU 1032 00:44:18,000 --> 00:44:19,590 ♪ NO REMORSE, NO REGRET ♪ ♪ I FORGIVE EVERY WORD YOU 1033 00:44:19,656 --> 00:44:24,000 SAID ♪ BUT DON'T FORGET. 1034 00:44:24,000 --> 00:44:26,130 SAID ♪ BUT DON'T FORGET. 1035 00:44:26,196 --> 00:44:28,265 ♪ OOH, I DIDN'T WANNA LEAVE YOU, BABY ♪ 1036 00:44:28,332 --> 00:44:30,000 ♪ I DIDN'T WANNA FIGHT ♪ ♪ STARTED TO CRY, BUT THEN 1037 00:44:30,000 --> 00:44:30,067 ♪ I DIDN'T WANNA FIGHT ♪ ♪ STARTED TO CRY, BUT THEN 1038 00:44:30,134 --> 00:44:35,406 REMEMBERED I ♪ ♪ I CAN BUY MYSELF FLOWERS ♪ 1039 00:44:35,472 --> 00:44:36,000 ♪ WRITE MY NAME IN THE SAND ♪ ♪ TALK TO MYSELF FOR HOURS, 1040 00:44:36,000 --> 00:44:39,243 ♪ WRITE MY NAME IN THE SAND ♪ ♪ TALK TO MYSELF FOR HOURS, 1041 00:44:39,309 --> 00:44:41,845 YEAH ♪ ♪ SAY THINGS YOU DON'T 1042 00:44:41,912 --> 00:44:42,000 UNDERSTAND ♪ ♪ I CAN TAKE MYSELF DANCING, 1043 00:44:42,000 --> 00:44:48,000 UNDERSTAND ♪ ♪ I CAN TAKE MYSELF DANCING, 1044 00:44:48,000 --> 00:44:50,120 UNDERSTAND ♪ ♪ I CAN TAKE MYSELF DANCING, 1045 00:44:50,187 --> 00:44:53,757 YEAH ♪ ♪ I CAN HOLD MY OWN HAND ♪ 1046 00:44:53,824 --> 00:44:54,000 ♪ YEAH, I CAN LOVE ME BETTER THAN YOU CAN ♪ 1047 00:44:54,000 --> 00:44:58,962 ♪ YEAH, I CAN LOVE ME BETTER THAN YOU CAN ♪ 1048 00:44:59,029 --> 00:45:00,000 ♪ CAN LOVE ME BETTER ♪ ♪ I CAN LOVE ME BETTER, BABY ♪ 1049 00:45:00,000 --> 00:45:01,799 ♪ CAN LOVE ME BETTER ♪ ♪ I CAN LOVE ME BETTER, BABY ♪ 1050 00:45:01,865 --> 00:45:05,702 ♪ CAN LOVE ME BETTER ♪ ♪ I CAN LOVE ME BETTER, BABY ♪ 1051 00:45:05,769 --> 00:45:06,000 ♪ CAN LOVE ME BETTER ♪ ♪ I CAN LOVE ME BETTER, BABY ♪ 1052 00:45:06,000 --> 00:45:10,340 ♪ CAN LOVE ME BETTER ♪ ♪ I CAN LOVE ME BETTER, BABY ♪ 1053 00:45:10,407 --> 00:45:12,000 ♪ CAN LOVE ME BETTER ♪ ♪ OH, I ♪ 1054 00:45:12,000 --> 00:45:14,178 ♪ CAN LOVE ME BETTER ♪ ♪ OH, I ♪ 1055 00:45:14,244 --> 00:45:17,915 ♪ I DIDN'T WANNA LEAVE YOU ♪ BUT HAD TO. 1056 00:45:17,981 --> 00:45:18,000 ♪ I DIDN'T WANNA FIGHT ♪ BUT WE DID. 1057 00:45:18,000 --> 00:45:20,217 ♪ I DIDN'T WANNA FIGHT ♪ BUT WE DID. 1058 00:45:20,284 --> 00:45:20,918 ♪ STARTED TO CRY, BUT THEN REMEMBERED I ♪ 1059 00:45:20,984 --> 00:45:24,000 I JUST WON MY FIRST GRAMMY! 1060 00:45:24,000 --> 00:45:24,855 I JUST WON MY FIRST GRAMMY! 1061 00:45:24,922 --> 00:45:26,457 [CHEERS AND APPLAUSE] ♪ I CAN BUY MYSELF FLOWERS ♪ 1062 00:45:26,523 --> 00:45:30,000 ♪ WRITE MY NAME IN THE SAND ♪ ♪ TALK TO MYSELF FOR HOURS ♪ 1063 00:45:30,000 --> 00:45:34,932 ♪ WRITE MY NAME IN THE SAND ♪ ♪ TALK TO MYSELF FOR HOURS ♪ 1064 00:45:34,998 --> 00:45:36,000 ♪ SAY THINGS YOU DON'T UNDERSTAND ♪ 1065 00:45:36,000 --> 00:45:39,903 ♪ SAY THINGS YOU DON'T UNDERSTAND ♪ 1066 00:45:39,970 --> 00:45:40,737 AND YOU NEVER WILL. 1067 00:45:40,804 --> 00:45:42,000 ♪ I CAN TAKE MYSELF DANCING, YEAH ♪ 1068 00:45:42,000 --> 00:45:42,306 ♪ I CAN TAKE MYSELF DANCING, YEAH ♪ 1069 00:45:42,372 --> 00:45:44,808 ♪ I CAN HOLD MY OWN HAND ♪ ♪ YEAH, I CAN LOVE ME BETTER 1070 00:45:44,875 --> 00:45:48,000 THAN ♪ ♪ YEAH, I CAN LOVE ME BETTER 1071 00:45:48,000 --> 00:45:53,217 THAN ♪ ♪ YEAH, I CAN LOVE ME BETTER 1072 00:45:53,283 --> 00:45:54,000 THAN YOU CAN ♪ ♪ CAN LOVE ME BETTER ♪ 1073 00:45:54,000 --> 00:45:55,853 THAN YOU CAN ♪ ♪ CAN LOVE ME BETTER ♪ 1074 00:45:55,919 --> 00:46:00,000 ♪ I CAN LOVE ME BETTER, BABY ♪ ♪ CAN LOVE ME BETTER ♪ 1075 00:46:00,000 --> 00:46:00,824 ♪ I CAN LOVE ME BETTER, BABY ♪ ♪ CAN LOVE ME BETTER ♪ 1076 00:46:00,891 --> 00:46:03,193 ♪ I CAN LOVE ME BETTER, BABY ♪ ♪ CAN LOVE ME BETTER ♪ 1077 00:46:03,260 --> 00:46:06,000 ♪ I CAN LOVE ME BETTER, BABY ♪ ♪ CAN LOVE ME BETTER ♪ 1078 00:46:06,000 --> 00:46:12,000 ♪ I CAN LOVE ME BETTER, BABY ♪ ♪ CAN LOVE ME BETTER ♪ 1079 00:46:12,000 --> 00:46:14,071 ♪ I CAN LOVE ME BETTER, BABY ♪ ♪ CAN LOVE ME BETTER ♪ 1080 00:46:14,138 --> 00:46:18,000 [CHEERS AND APPLAUSE] ♪ ♪ 1081 00:46:18,000 --> 00:46:23,614 [CHEERS AND APPLAUSE] ♪ ♪ 1082 00:46:23,680 --> 00:46:24,000 ♪ CAN LOVE ME BETTER ♪ ♪ CAN LOVE ME BETTER ♪ 1083 00:46:24,000 --> 00:46:27,151 ♪ CAN LOVE ME BETTER ♪ ♪ CAN LOVE ME BETTER ♪ 1084 00:46:27,217 --> 00:46:30,000 ♪ I CAN LOVE ME BETTER, BABY ♪ ♪ YOU LOVE ME BETTER ♪ 1085 00:46:30,000 --> 00:46:32,623 ♪ I CAN LOVE ME BETTER, BABY ♪ ♪ YOU LOVE ME BETTER ♪ 1086 00:46:32,689 --> 00:46:36,000 ♪ I CAN LOVE ME BETTER, BABY ♪ ♪ HE LOVED ME BETTER ♪ 1087 00:46:36,000 --> 00:46:38,795 ♪ I CAN LOVE ME BETTER, BABY ♪ ♪ HE LOVED ME BETTER ♪ 1088 00:46:38,862 --> 00:46:42,000 ♪ I CAN LOVE ME BETTER ♪ ♪ YOU LOVE ME BETTER ♪ 1089 00:46:42,000 --> 00:46:43,433 ♪ I CAN LOVE ME BETTER ♪ ♪ YOU LOVE ME BETTER ♪ 1090 00:46:43,500 --> 00:46:48,000 ♪ I CAN LOVE ME BETTER THEN HE CAN ♪ 1091 00:46:48,000 --> 00:46:53,243 ♪ I CAN LOVE ME BETTER THEN HE CAN ♪ 1092 00:46:53,310 --> 00:46:54,000 [CHEERS AND APPLAUSE] >> Trevor: THAT'S RIGHT! 1093 00:46:54,000 --> 00:47:00,000 [CHEERS AND APPLAUSE] >> Trevor: THAT'S RIGHT! 1094 00:47:00,000 --> 00:47:04,955 [CHEERS AND APPLAUSE] >> Trevor: THAT'S RIGHT! 1095 00:47:05,022 --> 00:47:05,455 MILEY CYRUS, EVERYBODY! 1096 00:47:05,522 --> 00:47:06,000 KEEP IT GOING! 1097 00:47:06,000 --> 00:47:07,558 KEEP IT GOING! 1098 00:47:07,624 --> 00:47:09,326 MILEY CYRUS! 1099 00:47:09,393 --> 00:47:11,028 THAT WAS SO BEAUTIFUL! 1100 00:47:11,094 --> 00:47:12,000 TALK ABOUT LIVE! 1101 00:47:12,000 --> 00:47:13,030 TALK ABOUT LIVE! 1102 00:47:13,096 --> 00:47:14,598 THANK YOU SO MUCH FOR REMINDING US WE CAN ALL BUY OURSELVES 1103 00:47:14,665 --> 00:47:15,832 FLOWERS. 1104 00:47:15,899 --> 00:47:16,500 I JUST WISH YOU REMINDED US TO WATER THEM, BECAUSE NOW I'VE GOT 1105 00:47:16,567 --> 00:47:18,000 A HOUSE FULL OF DEAD BEGONIAS. 1106 00:47:18,000 --> 00:47:19,102 A HOUSE FULL OF DEAD BEGONIAS. 1107 00:47:19,169 --> 00:47:20,370 BUT I STILL LOVE THE SONG. 1108 00:47:20,437 --> 00:47:21,538 STILL LOVE THE SONG. 1109 00:47:21,605 --> 00:47:24,000 BEFORE WE MOVE ON, A FEW BITS OF HOUSEKEEPING. 1110 00:47:24,000 --> 00:47:25,008 BEFORE WE MOVE ON, A FEW BITS OF HOUSEKEEPING. 1111 00:47:25,075 --> 00:47:26,210 PLEASE REMEMBER TO KEEP YOUR SPEECHES SHORT SO WE HAVE TIME 1112 00:47:26,276 --> 00:47:27,744 FOR EVERYONE. 1113 00:47:27,811 --> 00:47:30,000 WE'RE TRYING TO KEEP THE SHOW UNDER 10 HOURS. 1114 00:47:30,000 --> 00:47:32,482 WE'RE TRYING TO KEEP THE SHOW UNDER 10 HOURS. 1115 00:47:32,549 --> 00:47:35,118 AND IF YOU GO TOO LONG. 1116 00:47:35,185 --> 00:47:36,000 THERE ARE GOING TO BE CONSEQUENCES. 1117 00:47:36,000 --> 00:47:39,456 THERE ARE GOING TO BE CONSEQUENCES. 1118 00:47:39,523 --> 00:47:40,691 KELLY CLARKSON IS GOING TO COVER ONE OF YOUR SONGS BETTER THAN 1119 00:47:40,757 --> 00:47:42,000 YOU EVER COULD. 1120 00:47:42,000 --> 00:47:43,393 YOU EVER COULD. 1121 00:47:43,460 --> 00:47:45,729 SO LISTEN TO WHAT I AM SAYING. 1122 00:47:45,796 --> 00:47:46,997 ALSO, I KNOW EVERYONE IS EXCITED DR. DRE IS HERE. 1123 00:47:47,064 --> 00:47:47,998 BUT PLEASE, PEOPLE, STOP ASKING HIM FOR AN OZEMPIC PRESCRIPTION. 1124 00:47:48,065 --> 00:47:48,632 HE'S NOT THAT KIND OF DOCTOR! 1125 00:47:48,699 --> 00:47:50,901 HE HAS A PhD IN LITERATURE! 1126 00:47:50,968 --> 00:47:54,000 TO PRESENT OUR NEXT AWARD, I'M THRILLED TO WELCOME A GREAT 1127 00:47:54,000 --> 00:48:00,000 TO PRESENT OUR NEXT AWARD, I'M THRILLED TO WELCOME A GREAT 1128 00:48:00,000 --> 00:48:01,011 TO PRESENT OUR NEXT AWARD, I'M THRILLED TO WELCOME A GREAT 1129 00:48:01,078 --> 00:48:06,000 ARTIST AND SEVEN-TIME GRAMMY WINNER INCLUDING ONE TODAY, 1130 00:48:06,000 --> 00:48:08,752 ARTIST AND SEVEN-TIME GRAMMY WINNER INCLUDING ONE TODAY, 1131 00:48:08,819 --> 00:48:09,119 KACEY MUSGRAVES! 1132 00:48:09,186 --> 00:48:11,655 ♪ ♪ 1133 00:48:15,626 --> 00:48:18,000 ♪ ♪ >> TEN YEARS AGO, I CAME TO THE 1134 00:48:18,000 --> 00:48:22,833 ♪ ♪ >> TEN YEARS AGO, I CAME TO THE 1135 00:48:22,899 --> 00:48:24,000 GRAMMYS FOR THE FIRST TIME AND WAS HONORED TO WIN BEST COUNTRY 1136 00:48:24,000 --> 00:48:26,870 GRAMMYS FOR THE FIRST TIME AND WAS HONORED TO WIN BEST COUNTRY 1137 00:48:26,937 --> 00:48:28,905 ALBUM AND I'M ALSO HONORED TO BE HERE TONIGHT. 1138 00:48:28,972 --> 00:48:30,000 EACH OF THESE NOMINEES WOULD BE WINNING IN THIS CATEGORY FOR THE 1139 00:48:30,000 --> 00:48:30,974 EACH OF THESE NOMINEES WOULD BE WINNING IN THIS CATEGORY FOR THE 1140 00:48:31,041 --> 00:48:32,209 VERY FIRST TIME. 1141 00:48:32,276 --> 00:48:36,000 HERE THEY ARE. 1142 00:48:36,000 --> 00:48:38,215 HERE THEY ARE. 1143 00:48:38,282 --> 00:48:42,000 ♪ ♪ >> Announcer: "ROLLING UP THE 1144 00:48:42,000 --> 00:48:43,186 ♪ ♪ >> Announcer: "ROLLING UP THE 1145 00:48:43,253 --> 00:48:48,000 WELCOME MAT," KELSEA BALLERINI. 1146 00:48:48,000 --> 00:48:50,560 WELCOME MAT," KELSEA BALLERINI. 1147 00:48:50,627 --> 00:48:54,000 "BROTHERS OSBORNE," BROTHERS OSBORNE. 1148 00:48:54,000 --> 00:48:56,400 "BROTHERS OSBORNE," BROTHERS OSBORNE. 1149 00:48:56,466 --> 00:49:00,000 "ZACH BRYAN," ZACH BRYAN. 1150 00:49:00,000 --> 00:49:04,808 "ZACH BRYAN," ZACH BRYAN. 1151 00:49:04,875 --> 00:49:06,000 "RUSTIN' IN THE RAIN," TYLER CHILDERS. 1152 00:49:06,000 --> 00:49:09,980 "RUSTIN' IN THE RAIN," TYLER CHILDERS. 1153 00:49:10,047 --> 00:49:12,000 "BELL BOTTOM COUNTRY," LAINEY WILSON. 1154 00:49:12,000 --> 00:49:18,000 "BELL BOTTOM COUNTRY," LAINEY WILSON. 1155 00:49:18,000 --> 00:49:22,225 "BELL BOTTOM COUNTRY," LAINEY WILSON. 1156 00:49:22,292 --> 00:49:24,000 >> AND THE GRAMMY GOES TO... 1157 00:49:24,000 --> 00:49:30,000 >> AND THE GRAMMY GOES TO... 1158 00:49:30,000 --> 00:49:30,967 >> AND THE GRAMMY GOES TO... 1159 00:49:31,034 --> 00:49:36,000 LAINEY WILSON. 1160 00:49:36,000 --> 00:49:36,173 LAINEY WILSON. 1161 00:49:36,239 --> 00:49:42,000 [CHEERS AND APPLAUSE] ♪ ♪ 1162 00:49:42,000 --> 00:49:48,000 [CHEERS AND APPLAUSE] ♪ ♪ 1163 00:49:48,000 --> 00:49:48,985 [CHEERS AND APPLAUSE] ♪ ♪ 1164 00:49:50,954 --> 00:49:54,000 ♪ ♪ >> THIS IS ABSOLUTELY WILD, 1165 00:49:54,000 --> 00:50:00,000 ♪ ♪ >> THIS IS ABSOLUTELY WILD, 1166 00:50:00,000 --> 00:50:01,898 ♪ ♪ >> THIS IS ABSOLUTELY WILD, 1167 00:50:01,965 --> 00:50:06,000 THIS IS MY VERY FIRST GRAMMYS. 1168 00:50:06,000 --> 00:50:07,270 THIS IS MY VERY FIRST GRAMMYS. 1169 00:50:07,337 --> 00:50:10,340 [CHEERS AND APPLAUSE] THANK YOU SO MUCH TO MY 1170 00:50:10,407 --> 00:50:12,000 COLLABORATORS, JAY JOYCE, JASON, THE COWRITERS, THE MUSICIANS. 1171 00:50:12,000 --> 00:50:16,146 COLLABORATORS, JAY JOYCE, JASON, THE COWRITERS, THE MUSICIANS. 1172 00:50:16,213 --> 00:50:18,000 ANYONE WHO HAD ANYTHING TO DO WITH THIS RECORD, IT HAS TRULY 1173 00:50:18,000 --> 00:50:19,783 ANYONE WHO HAD ANYTHING TO DO WITH THIS RECORD, IT HAS TRULY 1174 00:50:19,850 --> 00:50:21,752 CHANGED MY LIFE. 1175 00:50:21,818 --> 00:50:24,000 I AM FROM A FARMING COMMUNITY IN NORTHEAST LOUISIANA. 1176 00:50:24,000 --> 00:50:25,322 I AM FROM A FARMING COMMUNITY IN NORTHEAST LOUISIANA. 1177 00:50:25,389 --> 00:50:30,000 A LITTLE TOWN OF 200 PEOPLE, AND I AM A FIFTH-GENERATION FARMER'S 1178 00:50:30,000 --> 00:50:34,731 A LITTLE TOWN OF 200 PEOPLE, AND I AM A FIFTH-GENERATION FARMER'S 1179 00:50:34,798 --> 00:50:36,000 DAUGHTER, AND I WOULD CONSIDER MYSELF A FARMER TOO. 1180 00:50:36,000 --> 00:50:37,567 DAUGHTER, AND I WOULD CONSIDER MYSELF A FARMER TOO. 1181 00:50:37,634 --> 00:50:39,936 AND EVERYONE I SURROUND MYSELF WITH, I THINK THEY ARE FARMERS 1182 00:50:40,003 --> 00:50:41,238 TOO, BUT THEY ARE STORIED FARMERS. 1183 00:50:41,304 --> 00:50:42,000 IT'S ABOUT GETTING UP EVERY SINGLE DAY AND PLANTING THOSE 1184 00:50:42,000 --> 00:50:45,242 IT'S ABOUT GETTING UP EVERY SINGLE DAY AND PLANTING THOSE 1185 00:50:45,308 --> 00:50:48,000 SEEDS AND WATERING THEM AND WATCHING THEM GROW. 1186 00:50:48,000 --> 00:50:48,011 SEEDS AND WATERING THEM AND WATCHING THEM GROW. 1187 00:50:48,078 --> 00:50:50,847 AND SOMETIMES WHEN YOU FIND THE RIGHT FARMING COMMUNITY, YOU CAN 1188 00:50:50,914 --> 00:50:54,000 HAVE A HARVEST OF A LIFETIME. 1189 00:50:54,000 --> 00:50:54,985 HAVE A HARVEST OF A LIFETIME. 1190 00:50:55,051 --> 00:50:56,987 AND I TRULY BELIEVE THAT. 1191 00:50:57,053 --> 00:50:59,956 AND I THINK THAT'S EXACTLY WHAT THIS IS TONIGHT. 1192 00:51:00,023 --> 00:51:01,091 GOD BLESS EVERY SINGLE ONE OF Y'ALL. 1193 00:51:01,158 --> 00:51:02,926 THANK YOU JESUS THANK YOU TO THE RECORDING COMMUNITY, AND 1194 00:51:02,993 --> 00:51:03,693 THANK YOU TO MY FANS. 1195 00:51:03,760 --> 00:51:06,000 I LOVE Y'ALL SO MUCH. 1196 00:51:06,000 --> 00:51:08,098 I LOVE Y'ALL SO MUCH. 1197 00:51:08,165 --> 00:51:12,000 [CHEERS AND APPLAUSE] >> Announcer: FOR YEAR-ROUND 1198 00:51:12,000 --> 00:51:14,938 [CHEERS AND APPLAUSE] >> Announcer: FOR YEAR-ROUND 1199 00:51:15,005 --> 00:51:17,707 ACCESS TO THE STORIES BEHIND MUSIC AND THE PEOPLE WHO SHAPE 1200 00:51:17,774 --> 00:51:18,000 CULTURE, VISIT Grammy.com, AND JOIN OUR GRAMMY INSIDER EMAIL 1201 00:51:18,000 --> 00:51:23,947 CULTURE, VISIT Grammy.com, AND JOIN OUR GRAMMY INSIDER EMAIL 1202 00:51:24,014 --> 00:51:25,415 COMMUNITY. 1203 00:51:25,482 --> 00:51:29,219 COMING UP, PERFORMANCES BY OLIVIA RODRIGO, BURNA BOY, 1204 00:51:29,286 --> 00:51:30,000 ANNIE LENNOX, TRAVIS SCOTT, JONI MITCHELL, AND 1205 00:51:30,000 --> 00:51:33,023 ANNIE LENNOX, TRAVIS SCOTT, JONI MITCHELL, AND 1206 00:51:33,089 --> 00:51:34,090 STEVIE WONDER. 1207 00:51:39,429 --> 00:51:40,430 AND JAY-Z RECEIVES THE GLOBAL IMPACT AWARD 1208 00:51:57,047 --> 00:51:59,249 >> Announcer: PLEASE WELCOME LAST YEAR'S RECORD OF THE YEAR 1209 00:51:59,316 --> 00:52:00,000 WINNER, LIZZO. 1210 00:52:00,000 --> 00:52:02,652 WINNER, LIZZO. 1211 00:52:02,719 --> 00:52:06,000 ♪ ♪ [CHEERS AND APPLAUSE] 1212 00:52:06,000 --> 00:52:09,759 ♪ ♪ [CHEERS AND APPLAUSE] 1213 00:52:11,761 --> 00:52:12,000 ♪ ♪ >> WHAT'S UP, EVERYBODY! 1214 00:52:12,000 --> 00:52:18,000 ♪ ♪ >> WHAT'S UP, EVERYBODY! 1215 00:52:18,000 --> 00:52:21,004 ♪ ♪ >> WHAT'S UP, EVERYBODY! 1216 00:52:21,071 --> 00:52:24,000 [CHEERS AND APPLAUSE] HERE'S A GRAMMY AWARD THAT'S 1217 00:52:24,000 --> 00:52:25,041 [CHEERS AND APPLAUSE] HERE'S A GRAMMY AWARD THAT'S 1218 00:52:25,108 --> 00:52:30,000 GONE TO THE ALL-TIME GREATS, FROM STEVIE WONDER TO PRINCE, 1219 00:52:30,000 --> 00:52:33,016 GONE TO THE ALL-TIME GREATS, FROM STEVIE WONDER TO PRINCE, 1220 00:52:33,083 --> 00:52:34,351 TO ALICIA KEYS TO BEYONCE. 1221 00:52:34,417 --> 00:52:36,000 THESE ARE OUR SOULFULLY GIFTED NOMINEES FOR BEST R&B SONG. 1222 00:52:36,000 --> 00:52:42,000 THESE ARE OUR SOULFULLY GIFTED NOMINEES FOR BEST R&B SONG. 1223 00:52:42,000 --> 00:52:48,000 THESE ARE OUR SOULFULLY GIFTED NOMINEES FOR BEST R&B SONG. 1224 00:52:48,000 --> 00:52:49,299 THESE ARE OUR SOULFULLY GIFTED NOMINEES FOR BEST R&B SONG. 1225 00:52:49,366 --> 00:52:50,967 THESE ARE OUR SOULFULLY GIFTED NOMINEES FOR BEST R&B SONG. 1226 00:52:51,034 --> 00:52:54,000 ♪ ♪ >> Announcer: "ANGEL," 1227 00:52:54,000 --> 00:52:58,975 ♪ ♪ >> Announcer: "ANGEL," 1228 00:52:59,042 --> 00:53:00,000 ♪ ♪ "BACK TO LOVE" 1229 00:53:00,000 --> 00:53:06,000 ♪ ♪ "BACK TO LOVE" 1230 00:53:06,000 --> 00:53:09,719 ♪ ♪ "BACK TO LOVE" 1231 00:53:09,786 --> 00:53:12,000 "ICU" ♪ ♪ 1232 00:53:12,000 --> 00:53:15,659 "ICU" ♪ ♪ 1233 00:53:15,725 --> 00:53:18,000 "ON MY MAMA" ♪ ♪ 1234 00:53:18,000 --> 00:53:20,997 "ON MY MAMA" ♪ ♪ 1235 00:53:21,064 --> 00:53:24,000 "SNOOZE" ♪ ♪ 1236 00:53:24,000 --> 00:53:25,068 "SNOOZE" ♪ ♪ 1237 00:53:32,075 --> 00:53:36,000 >> AND TO THE GRAMMY GOES TO "SNOOZE," 1238 00:53:36,000 --> 00:53:37,847 >> AND TO THE GRAMMY GOES TO "SNOOZE," 1239 00:53:37,914 --> 00:53:42,000 SZA. 1240 00:53:42,000 --> 00:53:44,988 SZA. 1241 00:53:45,055 --> 00:53:48,000 [CHEERS AND APPLAUSE] ♪ ♪ 1242 00:53:48,000 --> 00:53:51,361 [CHEERS AND APPLAUSE] ♪ ♪ 1243 00:53:53,229 --> 00:53:54,000 ♪ ♪ >> [SCREAMING] 1244 00:53:54,000 --> 00:54:00,000 ♪ ♪ >> [SCREAMING] 1245 00:54:00,000 --> 00:54:05,775 ♪ ♪ >> [SCREAMING] 1246 00:54:05,842 --> 00:54:06,000 ♪ ♪ [CHEERS AND APPLAUSE] 1247 00:54:06,000 --> 00:54:12,000 ♪ ♪ [CHEERS AND APPLAUSE] 1248 00:54:12,000 --> 00:54:18,000 ♪ ♪ [CHEERS AND APPLAUSE] 1249 00:54:18,000 --> 00:54:20,724 ♪ ♪ [CHEERS AND APPLAUSE] 1250 00:54:20,790 --> 00:54:23,493 ♪ ♪ [CHEERS AND APPLAUSE] 1251 00:54:23,560 --> 00:54:24,000 >> I'M SORRY. 1252 00:54:24,000 --> 00:54:30,000 >> I'M SORRY. 1253 00:54:30,000 --> 00:54:33,003 >> I'M SORRY. 1254 00:54:33,069 --> 00:54:35,672 I'M OUT OF BREATH, BECAUSE I WAS CHANGING, AND THEN I TOOK A SHOT 1255 00:54:35,739 --> 00:54:36,000 AND I RAN HERE. 1256 00:54:36,000 --> 00:54:40,677 AND I RAN HERE. 1257 00:54:40,744 --> 00:54:42,000 BUT LIZZO AND I HAVE BEEN FRIENDS SINCE 2013, WHEN WE WERE 1258 00:54:42,000 --> 00:54:45,015 BUT LIZZO AND I HAVE BEEN FRIENDS SINCE 2013, WHEN WE WERE 1259 00:54:45,081 --> 00:54:48,000 BOTH ON A TINY TOUR TOGETHER OPENING UP IN SMALL ROOMS FOR 1260 00:54:48,000 --> 00:54:50,687 BOTH ON A TINY TOUR TOGETHER OPENING UP IN SMALL ROOMS FOR 1261 00:54:50,754 --> 00:54:51,655 LIKE 100 PEOPLE. 1262 00:54:51,721 --> 00:54:54,000 AND TO BE ON THE STAGE WITH HER IS SO AMAZING. 1263 00:54:54,000 --> 00:54:54,758 AND TO BE ON THE STAGE WITH HER IS SO AMAZING. 1264 00:54:54,824 --> 00:54:55,959 I'M SO GRATEFUL. 1265 00:54:56,026 --> 00:55:00,000 I WOULD LIKE TO THANK MY PARENTS, MY MOM AND MY DAD. 1266 00:55:00,000 --> 00:55:04,000 I WOULD LIKE TO THANK MY PARENTS, MY MOM AND MY DAD. 1267 00:55:04,067 --> 00:55:06,000 GOD, ALL OF TDE, AND MY SIBLINGS AT TDE. 1268 00:55:06,000 --> 00:55:08,104 GOD, ALL OF TDE, AND MY SIBLINGS AT TDE. 1269 00:55:08,171 --> 00:55:11,074 TO MY GODPARENTS, TO MY NIECE! 1270 00:55:11,141 --> 00:55:11,975 I'M SORRY! 1271 00:55:12,042 --> 00:55:18,000 I'M JUST REALLY OVERWHELMED. 1272 00:55:18,000 --> 00:55:18,281 I'M JUST REALLY OVERWHELMED. 1273 00:55:18,348 --> 00:55:23,553 [CHEERS AND APPLAUSE] YOU DON'T REALLY UNDERSTAND, I 1274 00:55:23,620 --> 00:55:24,000 CAME REALLY, REALLY FAR AND I CAN'T BELIEVE THIS IS HAPPENING. 1275 00:55:24,000 --> 00:55:30,000 CAME REALLY, REALLY FAR AND I CAN'T BELIEVE THIS IS HAPPENING. 1276 00:55:30,000 --> 00:55:30,427 CAME REALLY, REALLY FAR AND I CAN'T BELIEVE THIS IS HAPPENING. 1277 00:55:30,493 --> 00:55:32,996 HI, TAYLOR. 1278 00:55:33,063 --> 00:55:33,797 [LAUGHTER] I LOVE YOU. 1279 00:55:33,863 --> 00:55:36,000 I'M JUST VERY GRATEFUL. 1280 00:55:36,000 --> 00:55:36,666 I'M JUST VERY GRATEFUL. 1281 00:55:36,733 --> 00:55:38,268 AND I AM NOT AN ATTRACTIVE CRIER. 1282 00:55:38,334 --> 00:55:42,000 HAVE A GOOD EVENING! 1283 00:55:42,000 --> 00:55:42,372 HAVE A GOOD EVENING! 1284 00:55:42,439 --> 00:55:48,000 ♪ ♪ [CHEERS AND APPLAUSE] 1285 00:55:48,000 --> 00:55:50,714 ♪ ♪ [CHEERS AND APPLAUSE] 1286 00:55:50,780 --> 00:55:53,116 >> Trevor: OH, MAN! 1287 00:55:53,183 --> 00:55:53,950 CONGRATULATIONS, SZA! 1288 00:55:54,017 --> 00:55:55,652 THAT IS SO AMAZING. 1289 00:55:55,719 --> 00:55:57,353 WHAT A BEAUTIFUL NIGHT. 1290 00:55:57,420 --> 00:56:00,000 GIVE IT UP FOR THE LEGENDARY BILLY JOEL! 1291 00:56:00,000 --> 00:56:01,658 GIVE IT UP FOR THE LEGENDARY BILLY JOEL! 1292 00:56:01,725 --> 00:56:03,960 JOINING US HERE TONIGHT. 1293 00:56:04,027 --> 00:56:06,000 HE WILL BE PERFORMING HIS FIRST NEW SINGLE. 1294 00:56:06,000 --> 00:56:10,400 HE WILL BE PERFORMING HIS FIRST NEW SINGLE. 1295 00:56:10,467 --> 00:56:12,000 AND WE WERE THINKING OF HOW SARAH HOW SERENDIPITOUS IT IS. 1296 00:56:12,000 --> 00:56:13,103 AND WE WERE THINKING OF HOW SARAH HOW SERENDIPITOUS IT IS. 1297 00:56:13,169 --> 00:56:17,974 BETWEEN THE TWO OF US, WE HAVE SOLD OUT MADISON SQUARE GARDEN 1298 00:56:18,041 --> 00:56:20,744 OVER 152 TIMES. 1299 00:56:20,810 --> 00:56:22,011 DO YOU KNOW HOW WHILE THAT IS? 1300 00:56:22,078 --> 00:56:24,000 HAVE YOU THOUGHT ABOUT IT? 1301 00:56:24,000 --> 00:56:24,981 HAVE YOU THOUGHT ABOUT IT? 1302 00:56:25,048 --> 00:56:27,984 >> HOW MANY OF THOSE DID YOU DO? 1303 00:56:28,051 --> 00:56:29,953 I KNOW WHAT WE WORK ON TOGETHER. 1304 00:56:30,019 --> 00:56:32,722 I KNOW WE PUT IN EQUAL EFFORT, BILLY. 1305 00:56:32,789 --> 00:56:34,991 THAT'S ALL THAT MATTERS. 1306 00:56:35,058 --> 00:56:35,759 I'M A GREAT MAN. 1307 00:56:35,825 --> 00:56:36,000 I DON'T COUNT THE THINGS. 1308 00:56:36,000 --> 00:56:36,860 I DON'T COUNT THE THINGS. 1309 00:56:36,926 --> 00:56:39,896 THANK YOU SO MUCH, BILLY JOEL. 1310 00:56:39,963 --> 00:56:42,000 TONIGHT, YOU'LL BE PERFORMING YOUR FIRST NEW SINGLE IN, LIKE, 1311 00:56:42,000 --> 00:56:42,932 TONIGHT, YOU'LL BE PERFORMING YOUR FIRST NEW SINGLE IN, LIKE, 1312 00:56:42,999 --> 00:56:44,167 THREE DECADES. 1313 00:56:44,234 --> 00:56:47,537 WE CAN'T WAIT FOR IT, IT'S GOING TO BE REALLY, REALLY SPECIAL. 1314 00:56:47,604 --> 00:56:48,000 BUT LET'S RETURN TO THE GRAMMY STAGE WITH THE THREE-TIME GRAMMY 1315 00:56:48,000 --> 00:56:51,374 BUT LET'S RETURN TO THE GRAMMY STAGE WITH THE THREE-TIME GRAMMY 1316 00:56:51,441 --> 00:56:54,000 AWARD WINNER WHO EARN SIX MORE NOMINATIONS INCLUDING ALBUM OF 1317 00:56:54,000 --> 00:56:55,345 AWARD WINNER WHO EARN SIX MORE NOMINATIONS INCLUDING ALBUM OF 1318 00:56:55,411 --> 00:56:57,680 THE YEAR AS WELL AS AS WELL AS RECORD OF THE YEAR AND SONG OF 1319 00:56:57,747 --> 00:57:00,000 THE YEAR FOR THE NUMBER SHE IS ABOUT TO PERFORM FOR US. 1320 00:57:00,000 --> 00:57:01,951 THE YEAR FOR THE NUMBER SHE IS ABOUT TO PERFORM FOR US. 1321 00:57:02,018 --> 00:57:04,020 GIVE IT UP FOR OLIVIA RODRIGO. 1322 00:57:06,222 --> 00:57:12,000 [CHEERS AND APPLAUSE] ♪ ♪ 1323 00:57:12,000 --> 00:57:15,465 [CHEERS AND APPLAUSE] ♪ ♪ 1324 00:57:24,040 --> 00:57:24,974 ♪ ♪ ♪ HATE TO GIVE THE 1325 00:57:25,041 --> 00:57:27,977 SATISFACTION, ASKING HOW YOU'RE DOING NOW ♪ 1326 00:57:28,044 --> 00:57:29,746 ♪ HOW'S THE CASTLE BUILT OFF PEOPLE YOU PRETEND TO CARE 1327 00:57:29,813 --> 00:57:30,000 ABOUT? ♪ ♪ JUST WHAT YOU WANTED ♪ 1328 00:57:30,000 --> 00:57:31,514 ABOUT? ♪ ♪ JUST WHAT YOU WANTED ♪ 1329 00:57:31,581 --> 00:57:36,000 ♪ LOOK AT YOU, COOL GUY, YOU GOT IT ♪ 1330 00:57:36,000 --> 00:57:37,987 ♪ LOOK AT YOU, COOL GUY, YOU GOT IT ♪ 1331 00:57:38,054 --> 00:57:41,090 ♪ I SEE THE PARTIES AND THE DIAMONDS SOMETIMES WHEN I CLOSE 1332 00:57:41,157 --> 00:57:42,000 MY EYES ♪ ♪ SIX MONTHS OF TORTURE YOU SOLD 1333 00:57:42,000 --> 00:57:44,093 MY EYES ♪ ♪ SIX MONTHS OF TORTURE YOU SOLD 1334 00:57:44,160 --> 00:57:48,000 AS SOME FORBIDDEN PARADISE ♪ ♪ GOTTA LAUGH AT THE STUPIDITY ♪ 1335 00:57:48,000 --> 00:57:51,000 AS SOME FORBIDDEN PARADISE ♪ ♪ GOTTA LAUGH AT THE STUPIDITY ♪ 1336 00:57:51,067 --> 00:57:54,000 ♪ 'CAUSE I'VE MADE SOME REAL BIG MISTAKES ♪ 1337 00:57:54,000 --> 00:57:54,404 ♪ 'CAUSE I'VE MADE SOME REAL BIG MISTAKES ♪ 1338 00:57:54,470 --> 00:57:58,274 ♪ BUT YOU MAKE THE WORST ONE LOOK FINE ♪ 1339 00:57:58,341 --> 00:58:00,000 ♪ I SHOULD'VE KNOWN IT WAS STRANGE ♪ 1340 00:58:00,000 --> 00:58:02,478 ♪ I SHOULD'VE KNOWN IT WAS STRANGE ♪ 1341 00:58:02,545 --> 00:58:06,000 ♪ YOU ONLY COME OUT AT NIGHT ♪ ♪ I USED TO THINK I WAS SMART ♪ 1342 00:58:06,000 --> 00:58:09,018 ♪ YOU ONLY COME OUT AT NIGHT ♪ ♪ I USED TO THINK I WAS SMART ♪ 1343 00:58:09,085 --> 00:58:12,000 ♪ BUT YOU MADE ME LOOK SO NAIVE ♪ 1344 00:58:12,000 --> 00:58:13,056 ♪ BUT YOU MADE ME LOOK SO NAIVE ♪ 1345 00:58:13,122 --> 00:58:16,426 ♪ THE WAY YOU SOLD ME FOR PARTS ♪ 1346 00:58:16,492 --> 00:58:18,000 ♪ AS YOU SUNK YOUR TEETH INTO ME, OH ♪ 1347 00:58:18,000 --> 00:58:22,432 ♪ AS YOU SUNK YOUR TEETH INTO ME, OH ♪ 1348 00:58:22,498 --> 00:58:24,000 ♪ BLOODSUCKER, DREAM CRUSHER ♪ ♪ BLEEDIN' ME DRY, LIKE A DAMN 1349 00:58:24,000 --> 00:58:26,836 ♪ BLOODSUCKER, DREAM CRUSHER ♪ ♪ BLEEDIN' ME DRY, LIKE A DAMN 1350 00:58:26,903 --> 00:58:30,000 VAMPIRE ♪ ♪ AND EVERY GIRL I EVER TALKED 1351 00:58:30,000 --> 00:58:33,409 VAMPIRE ♪ ♪ AND EVERY GIRL I EVER TALKED 1352 00:58:33,476 --> 00:58:35,979 TO TOLD ME YOU WERE BAD, BAD NEWS ♪ 1353 00:58:36,045 --> 00:58:38,414 ♪ YOU CALLED THEM CRAZY, GOD, I HATE THE WAY I CALLED THEM CRAZY 1354 00:58:38,481 --> 00:58:42,000 TOO ♪ ♪ YOU'RE SO CONVINCING ♪ 1355 00:58:42,000 --> 00:58:42,619 TOO ♪ ♪ YOU'RE SO CONVINCING ♪ 1356 00:58:42,685 --> 00:58:45,088 ♪ HOW DO YOU LIE WITHOUT FLINCHING? ♪ 1357 00:58:45,154 --> 00:58:48,000 ♪ OOH, WHAT A MESMERIZING, PARALYZING, TRAGIC LITTLE 1358 00:58:48,000 --> 00:58:48,825 ♪ OOH, WHAT A MESMERIZING, PARALYZING, TRAGIC LITTLE 1359 00:58:48,892 --> 00:58:50,360 THRILL ♪ ♪ CAN'T FIGURE OUT JUST HOW YOU 1360 00:58:50,426 --> 00:58:52,862 DO IT, AND GOD KNOWS I NEVER WILL ♪ 1361 00:58:52,929 --> 00:58:54,000 ♪ WENT FOR ME, AND NOT HER ♪ ♪ 'CAUSE GIRLS YOUR AGE KNOW 1362 00:58:54,000 --> 00:58:56,900 ♪ WENT FOR ME, AND NOT HER ♪ ♪ 'CAUSE GIRLS YOUR AGE KNOW 1363 00:58:56,966 --> 00:59:00,000 BETTER ♪ ♪ I'VE MADE SOME REAL BIG 1364 00:59:00,000 --> 00:59:00,336 BETTER ♪ ♪ I'VE MADE SOME REAL BIG 1365 00:59:00,403 --> 00:59:03,339 MISTAKES ♪ ♪ BUT YOU MAKE THE WORST ONE 1366 00:59:03,406 --> 00:59:06,000 LOOK FINE ♪ ♪ I SHOULD'VE KNOWN IT WAS 1367 00:59:06,000 --> 00:59:06,776 LOOK FINE ♪ ♪ I SHOULD'VE KNOWN IT WAS 1368 00:59:06,843 --> 00:59:12,000 STRANGE ♪ ♪ YOU ONLY COME OUT AT NIGHT ♪ 1369 00:59:12,000 --> 00:59:12,582 STRANGE ♪ ♪ YOU ONLY COME OUT AT NIGHT ♪ 1370 00:59:12,649 --> 00:59:17,820 ♪ I USED TO THINK I WAS SMART ♪ ♪ BUT YOU'VE MADE ME LOOK SO 1371 00:59:17,887 --> 00:59:18,000 NAIVE ♪ ♪ THE WAY YOU SOLD ME FOR 1372 00:59:18,000 --> 00:59:20,857 NAIVE ♪ ♪ THE WAY YOU SOLD ME FOR 1373 00:59:20,924 --> 00:59:24,000 PARTS ♪ ♪ AS YOU SUNK YOUR TEETH INTO 1374 00:59:24,000 --> 00:59:25,995 PARTS ♪ ♪ AS YOU SUNK YOUR TEETH INTO 1375 00:59:26,062 --> 00:59:30,000 ME, OH ♪ ♪ BLOODSUCKER, DREAM CRUSHER ♪ 1376 00:59:30,000 --> 00:59:33,269 ME, OH ♪ ♪ BLOODSUCKER, DREAM CRUSHER ♪ 1377 00:59:33,336 --> 00:59:36,000 ♪ BLEEDIN' ME DRY, LIKE A DAMN VAMPIRE ♪ 1378 00:59:36,000 --> 00:59:40,944 ♪ BLEEDIN' ME DRY, LIKE A DAMN VAMPIRE ♪ 1379 00:59:41,010 --> 00:59:42,000 ♪ YOU SAID IT WAS TRUE LOVE, BUT WOULDN'T THAT BE HARD? ♪ 1380 00:59:42,000 --> 00:59:44,747 ♪ YOU SAID IT WAS TRUE LOVE, BUT WOULDN'T THAT BE HARD? ♪ 1381 00:59:44,814 --> 00:59:47,150 ♪ YOU CAN'T LOVE ANYONE, 'CAUSE THAT WOULD MEAN YOU HAD A 1382 00:59:47,216 --> 00:59:48,000 HEART ♪ ♪ I TRIED YOU HELP YOU OUT, NOW 1383 00:59:48,000 --> 00:59:50,620 HEART ♪ ♪ I TRIED YOU HELP YOU OUT, NOW 1384 00:59:50,687 --> 00:59:53,256 I KNOW THAT I CAN'T ♪ ♪ 'CAUSE HOW YOU THINK'S THE 1385 00:59:53,323 --> 00:59:54,000 KIND OF THING I'LL NEVER UNDERSTAND ♪ 1386 00:59:54,000 --> 01:00:00,000 KIND OF THING I'LL NEVER UNDERSTAND ♪ 1387 01:00:00,000 --> 01:00:00,229 KIND OF THING I'LL NEVER UNDERSTAND ♪ 1388 01:00:00,296 --> 01:00:06,000 ♪ I'VE MADE SOME REAL BIG MISTAKES ♪ 1389 01:00:06,000 --> 01:00:06,002 ♪ I'VE MADE SOME REAL BIG MISTAKES ♪ 1390 01:00:06,069 --> 01:00:08,204 ♪ BUT YOU MAKE THE WORST ONE LOOK FINE ♪ 1391 01:00:08,271 --> 01:00:12,000 ♪ I SHOULD'VE KNOWN IT WAS STRANGE ♪ 1392 01:00:12,000 --> 01:00:12,842 ♪ I SHOULD'VE KNOWN IT WAS STRANGE ♪ 1393 01:00:12,909 --> 01:00:18,000 ♪ YOU ONLY COME OUT AT NIGHT ♪ ♪ I USED TO THINK I WAS SMART ♪ 1394 01:00:18,000 --> 01:00:18,948 ♪ YOU ONLY COME OUT AT NIGHT ♪ ♪ I USED TO THINK I WAS SMART ♪ 1395 01:00:19,015 --> 01:00:21,951 ♪ BUT YOU MADE ME LOOK SO NAIVE ♪ 1396 01:00:22,018 --> 01:00:24,000 ♪ THE WAY YOU SOLD ME FOR PARTS ♪ 1397 01:00:24,000 --> 01:00:25,588 ♪ THE WAY YOU SOLD ME FOR PARTS ♪ 1398 01:00:25,655 --> 01:00:28,358 ♪ AS YOU SUNK YOUR TEETH INTO ME, OH ♪ 1399 01:00:28,424 --> 01:00:30,000 ♪ BLOODSUCKER, DREAM CRUSHER ♪ ♪ BLEEDIN' ME DRY, LIKE A DAMN 1400 01:00:30,000 --> 01:00:33,963 ♪ BLOODSUCKER, DREAM CRUSHER ♪ ♪ BLEEDIN' ME DRY, LIKE A DAMN 1401 01:00:34,030 --> 01:00:36,000 VAMPIRE ♪ ♪ ♪ 1402 01:00:36,000 --> 01:00:37,033 VAMPIRE ♪ ♪ ♪ 1403 01:00:51,547 --> 01:00:54,000 [CHEERS AND APPLAUSE] ♪ ♪ 1404 01:00:54,000 --> 01:01:00,000 [CHEERS AND APPLAUSE] ♪ ♪ 1405 01:01:00,000 --> 01:01:00,923 [CHEERS AND APPLAUSE] ♪ ♪ 1406 01:01:00,990 --> 01:01:03,192 >> Announcer: UP NEXT, WE JOIN U2 FROM THE SPHERE IN LAS VEGAS% 1407 01:01:03,259 --> 01:01:06,000 THEN, STEVIE WONDER, ANNIE LENNOX, LENNY KRAVITZ, 1408 01:01:06,000 --> 01:01:08,931 THEN, STEVIE WONDER, ANNIE LENNOX, LENNY KRAVITZ, 1409 01:01:08,998 --> 01:01:12,000 JON BATISTE, OPRAH, AND FANTASIA BARRINO HONOR THE MUSIC 1410 01:01:12,000 --> 01:01:12,935 JON BATISTE, OPRAH, AND FANTASIA BARRINO HONOR THE MUSIC 1411 01:01:13,002 --> 01:01:14,203 LEGENDS WE LOST THIS PAST YEAR. 1412 01:01:14,270 --> 01:01:14,771 THIS IS CBS. 1413 01:01:26,015 --> 01:01:26,949 ♪ ♪ >> Trevor: WE'RE BACK AT THE 1414 01:01:27,016 --> 01:01:27,984 GRAMMYS. 1415 01:01:28,051 --> 01:01:29,519 WITH ALL THE STARS THAT WEREN'T ON EPSTEIN'S LIST. 1416 01:01:29,585 --> 01:01:30,000 OUR NEXT AWARD PRESENTATION IS PRETTY SPECIAL. 1417 01:01:30,000 --> 01:01:31,087 OUR NEXT AWARD PRESENTATION IS PRETTY SPECIAL. 1418 01:01:31,154 --> 01:01:36,000 WE ARE LEAVING LOS ANGELES FOR A MOMENT AND GOING TO LAS VEGAS, 1419 01:01:36,000 --> 01:01:36,159 WE ARE LEAVING LOS ANGELES FOR A MOMENT AND GOING TO LAS VEGAS, 1420 01:01:36,225 --> 01:01:38,361 AND THE VENUE EVERYBODY'S BEEN TALKING ABOUT THIS PAST YEAR. 1421 01:01:38,428 --> 01:01:42,000 NO TELEVISION CAMERAS HAVE EVER BEEN ALLOWED INSIDE UNTIL RIGHT 1422 01:01:42,000 --> 01:01:43,332 NO TELEVISION CAMERAS HAVE EVER BEEN ALLOWED INSIDE UNTIL RIGHT 1423 01:01:43,399 --> 01:01:44,567 NOW. 1424 01:01:44,634 --> 01:01:46,836 SO LET'S GO TO ONE OF THE MOST GROUNDBREAKING AND BELOVED BANDS 1425 01:01:46,903 --> 01:01:48,000 OF ALL TIME, U2, AT THE SPHERE. 1426 01:01:48,000 --> 01:01:54,000 OF ALL TIME, U2, AT THE SPHERE. 1427 01:01:54,000 --> 01:01:55,211 OF ALL TIME, U2, AT THE SPHERE. 1428 01:01:55,278 --> 01:02:00,000 [CHEERS AND APPLAUSE] ♪ ♪ 1429 01:02:00,000 --> 01:02:06,000 [CHEERS AND APPLAUSE] ♪ ♪ 1430 01:02:06,000 --> 01:02:06,189 [CHEERS AND APPLAUSE] ♪ ♪ 1431 01:02:06,255 --> 01:02:08,257 >> ATOMIC SADIE! 1432 01:02:08,324 --> 01:02:10,927 ♪ COME ALL YOU STARS FALL OUT OF THE SKY ♪ 1433 01:02:10,993 --> 01:02:12,000 ♪ COME ALL YOU ANGELS FORGETTING TO FLY ♪ 1434 01:02:12,000 --> 01:02:13,262 ♪ COME ALL YOU ANGELS FORGETTING TO FLY ♪ 1435 01:02:13,329 --> 01:02:18,000 ♪ COME ALL WHO FEEL WE'RE NOT ON OUR OWN ♪ 1436 01:02:18,000 --> 01:02:18,468 ♪ COME ALL WHO FEEL WE'RE NOT ON OUR OWN ♪ 1437 01:02:18,534 --> 01:02:21,971 ♪ ALL UFOS COME ON YOUR WAY HOME ♪ 1438 01:02:22,038 --> 01:02:23,873 ♪ ALONE, THAT'S NO WAY TO BE CARRYING ON ♪ 1439 01:02:23,940 --> 01:02:24,000 ♪ COME ON, WE'RE BETTING ON A FUTURE THAT'S LONG ♪ 1440 01:02:24,000 --> 01:02:27,009 ♪ COME ON, WE'RE BETTING ON A FUTURE THAT'S LONG ♪ 1441 01:02:27,076 --> 01:02:30,000 ♪ GONE, IN LOOK OF A SONG ♪ ♪ YOU JUST HAVE TO BE RIGHT ONE 1442 01:02:30,000 --> 01:02:31,881 ♪ GONE, IN LOOK OF A SONG ♪ ♪ YOU JUST HAVE TO BE RIGHT ONE 1443 01:02:31,948 --> 01:02:36,000 MORE TIME THEN YOU'RE WRONG ♪ ♪ ATOMIC CITY ♪ 1444 01:02:36,000 --> 01:02:36,652 MORE TIME THEN YOU'RE WRONG ♪ ♪ ATOMIC CITY ♪ 1445 01:02:36,719 --> 01:02:42,000 ♪ OH, OH ♪ ♪ ATOMIC CITY ♪ 1446 01:02:42,000 --> 01:02:44,127 ♪ OH, OH ♪ ♪ ATOMIC CITY ♪ 1447 01:02:44,193 --> 01:02:48,000 ♪ OH, OH ♪ ♪ I'M FREE ♪ 1448 01:02:48,000 --> 01:02:48,798 ♪ OH, OH ♪ ♪ I'M FREE ♪ 1449 01:02:48,865 --> 01:02:54,000 ♪ WHERE YOU ARE IS WHERE I'LL BE ♪ 1450 01:02:54,000 --> 01:02:54,937 ♪ WHERE YOU ARE IS WHERE I'LL BE ♪ 1451 01:02:55,004 --> 01:03:00,000 ♪ I'M FREE ♪ ♪ SO UNEXPECTEDLY ♪ 1452 01:03:00,000 --> 01:03:03,579 ♪ I'M FREE ♪ ♪ SO UNEXPECTEDLY ♪ 1453 01:03:03,646 --> 01:03:06,000 ♪ COME ALL WHO SERVE ABOVE AND BELOW ♪ 1454 01:03:06,000 --> 01:03:07,250 ♪ COME ALL WHO SERVE ABOVE AND BELOW ♪ 1455 01:03:07,316 --> 01:03:10,620 ♪ COME ALL BELIEVERS AND ALL WHO DON'T KNOW ♪ 1456 01:03:10,686 --> 01:03:12,000 ♪ COME QUICK, COME SOON, COMME CI, COMME ÇA ♪ 1457 01:03:12,000 --> 01:03:13,356 ♪ COME QUICK, COME SOON, COMME CI, COMME ÇA ♪ 1458 01:03:13,422 --> 01:03:17,927 ♪ LET ME DIVE INTO YOUR EYES AND BLAH BLAH BLAH ♪ 1459 01:03:17,994 --> 01:03:18,000 ♪ GUITAR, SHE PULLS THE STRINGS ET CETERA ♪ 1460 01:03:18,000 --> 01:03:20,129 ♪ GUITAR, SHE PULLS THE STRINGS ET CETERA ♪ 1461 01:03:20,196 --> 01:03:23,166 ♪ SINATRA SWINGS, A CHOIR SINGS ♪ 1462 01:03:23,232 --> 01:03:24,000 ♪ LOVE IS GOD AND GOD IS LOVE ♪ ♪ AND IF YOUR DREAMS DON'T SCARE 1463 01:03:24,000 --> 01:03:28,604 ♪ LOVE IS GOD AND GOD IS LOVE ♪ ♪ AND IF YOUR DREAMS DON'T SCARE 1464 01:03:28,671 --> 01:03:30,000 YOU, THEY'RE NOT BIG ENOUGH ♪ ♪ ATOMIC CITY ♪ 1465 01:03:30,000 --> 01:03:32,508 YOU, THEY'RE NOT BIG ENOUGH ♪ ♪ ATOMIC CITY ♪ 1466 01:03:32,575 --> 01:03:36,000 ♪ OH, OH ♪ ♪ ATOMIC CITY ♪ 1467 01:03:36,000 --> 01:03:40,283 ♪ OH, OH ♪ ♪ ATOMIC CITY ♪ 1468 01:03:40,349 --> 01:03:42,000 ♪ ATOMIC SUN FOR EVERYONE ♪ ♪ FOR EVERYONE ♪ 1469 01:03:42,000 --> 01:03:48,000 ♪ ATOMIC SUN FOR EVERYONE ♪ ♪ FOR EVERYONE ♪ 1470 01:03:48,000 --> 01:03:54,000 ♪ ATOMIC SUN FOR EVERYONE ♪ ♪ FOR EVERYONE ♪ 1471 01:03:54,000 --> 01:03:55,231 ♪ ATOMIC SUN FOR EVERYONE ♪ ♪ FOR EVERYONE ♪ 1472 01:03:55,298 --> 01:04:00,000 ♪ ATOMIC SUN FOR EVERYONE ♪ ♪ FOR EVERYONE ♪ 1473 01:04:00,000 --> 01:04:00,136 ♪ ATOMIC SUN FOR EVERYONE ♪ ♪ FOR EVERYONE ♪ 1474 01:04:13,115 --> 01:04:15,851 ♪ ♪ ♪ ROLL THE DICE ♪ 1475 01:04:15,918 --> 01:04:18,000 ♪ THAT'S ROULETTE ♪ ♪ THE BEAT HAS NOT STOPPED ♪ 1476 01:04:18,000 --> 01:04:24,000 ♪ THAT'S ROULETTE ♪ ♪ THE BEAT HAS NOT STOPPED ♪ 1477 01:04:24,000 --> 01:04:24,093 ♪ THAT'S ROULETTE ♪ ♪ THE BEAT HAS NOT STOPPED ♪ 1478 01:04:24,160 --> 01:04:30,000 ♪ SPEEDING YET ♪ HELLO, GRAMMYS! 1479 01:04:30,000 --> 01:04:31,000 ♪ SPEEDING YET ♪ HELLO, GRAMMYS! 1480 01:04:31,067 --> 01:04:35,004 THE NEXT CATEGORY IS POP VOCALS! 1481 01:04:35,071 --> 01:04:36,000 THESE PEOPLE ARE PRETTY ROCK 'N' ROLL TO ME! 1482 01:04:36,000 --> 01:04:38,841 THESE PEOPLE ARE PRETTY ROCK 'N' ROLL TO ME! 1483 01:04:38,908 --> 01:04:42,000 THESE ARE THE OUTSTANDING NOMINEES FOR BEST POP VOCAL 1484 01:04:42,000 --> 01:04:42,245 THESE ARE THE OUTSTANDING NOMINEES FOR BEST POP VOCAL 1485 01:04:42,311 --> 01:04:46,949 ALBUM. 1486 01:04:47,016 --> 01:04:48,000 >> Announcer: "CHEMISTRY," KELLY CLARKSON. 1487 01:04:48,000 --> 01:04:48,985 >> Announcer: "CHEMISTRY," KELLY CLARKSON. 1488 01:04:49,051 --> 01:04:51,887 "ENDLESS SUMMER VACATION," MILEY CYRUS. 1489 01:04:51,954 --> 01:04:54,000 "GUTS," OLIVIA RODRIGO. 1490 01:04:54,000 --> 01:04:55,157 "GUTS," OLIVIA RODRIGO. 1491 01:04:55,224 --> 01:04:58,060 "SUBTRACT," ED SHEERAN. 1492 01:04:58,127 --> 01:05:00,000 "MIDNIGHTS," TAYLOR SWIFT. 1493 01:05:00,000 --> 01:05:06,000 "MIDNIGHTS," TAYLOR SWIFT. 1494 01:05:06,000 --> 01:05:09,839 "MIDNIGHTS," TAYLOR SWIFT. 1495 01:05:09,905 --> 01:05:12,000 >> THANK YOU, THE EDGE. 1496 01:05:12,000 --> 01:05:13,542 >> THANK YOU, THE EDGE. 1497 01:05:13,609 --> 01:05:17,913 AND THE GRAMMY GOES TO... 1498 01:05:17,980 --> 01:05:18,000 TAYLOR SWIFT FOR "MIDNIGHTS." 1499 01:05:18,000 --> 01:05:20,416 TAYLOR SWIFT FOR "MIDNIGHTS." 1500 01:05:20,483 --> 01:05:24,000 ♪ ♪ [CHEERS AND APPLAUSE] 1501 01:05:24,000 --> 01:05:27,923 ♪ ♪ [CHEERS AND APPLAUSE] 1502 01:05:30,693 --> 01:05:36,000 ♪ ♪ [CHEERS AND APPLAUSE] 1503 01:05:36,000 --> 01:05:42,000 ♪ ♪ [CHEERS AND APPLAUSE] 1504 01:05:42,000 --> 01:05:42,138 ♪ ♪ [CHEERS AND APPLAUSE] 1505 01:05:46,709 --> 01:05:48,000 [CHEERS AND APPLAUSE] ♪ ♪ 1506 01:05:48,000 --> 01:05:54,000 [CHEERS AND APPLAUSE] ♪ ♪ 1507 01:05:54,000 --> 01:06:00,000 [CHEERS AND APPLAUSE] ♪ ♪ 1508 01:06:00,000 --> 01:06:01,590 [CHEERS AND APPLAUSE] ♪ ♪ 1509 01:06:01,657 --> 01:06:02,325 [CHEERS AND APPLAUSE] ♪ ♪ 1510 01:06:02,391 --> 01:06:06,000 >> OKAY, THIS IS MY 13TH GRAMMY. 1511 01:06:06,000 --> 01:06:06,529 >> OKAY, THIS IS MY 13TH GRAMMY. 1512 01:06:06,595 --> 01:06:08,030 [CHEERS AND APPLAUSE] WHICH IS MY LUCKY NUMBER. 1513 01:06:08,097 --> 01:06:12,000 I DON'T KNOW IF I'VE EVER TOLD YOU THAT. 1514 01:06:12,000 --> 01:06:12,401 I DON'T KNOW IF I'VE EVER TOLD YOU THAT. 1515 01:06:12,468 --> 01:06:14,970 I WANT TO SAY THANK YOU TO THE MEMBERS OF THE RECORDING ACADEMY 1516 01:06:15,037 --> 01:06:18,000 FOR VOTING THIS WAY, BUT I KNOW THAT THE WAY THAT THE RECORDING 1517 01:06:18,000 --> 01:06:20,843 FOR VOTING THIS WAY, BUT I KNOW THAT THE WAY THAT THE RECORDING 1518 01:06:20,910 --> 01:06:24,000 ACADEMY VOTED IS A DIRECT REFLECTION OF THE PASSION OF THE 1519 01:06:24,000 --> 01:06:25,881 ACADEMY VOTED IS A DIRECT REFLECTION OF THE PASSION OF THE 1520 01:06:25,948 --> 01:06:27,116 FANS. 1521 01:06:27,183 --> 01:06:30,000 SO I WANT TO SAY THANK YOU TO THE FANS BY TELLING YOU A SECRET 1522 01:06:30,000 --> 01:06:33,689 SO I WANT TO SAY THANK YOU TO THE FANS BY TELLING YOU A SECRET 1523 01:06:33,756 --> 01:06:36,000 THAT I HAVE BEEN KEEPING FROM YOU FOR THE LAST TWO YEARS, 1524 01:06:36,000 --> 01:06:40,930 THAT I HAVE BEEN KEEPING FROM YOU FOR THE LAST TWO YEARS, 1525 01:06:40,996 --> 01:06:42,000 WHICH IS THAT MY BRAND-NEW ALBUM COMES OUT APRIL 19TH IT'S CALLED 1526 01:06:42,000 --> 01:06:48,000 WHICH IS THAT MY BRAND-NEW ALBUM COMES OUT APRIL 19TH IT'S CALLED 1527 01:06:48,000 --> 01:06:49,939 WHICH IS THAT MY BRAND-NEW ALBUM COMES OUT APRIL 19TH IT'S CALLED 1528 01:06:50,005 --> 01:06:51,474 "THE TORTURED POET'S DEPARTMENT." 1529 01:06:51,540 --> 01:06:54,000 I'M GOING TO GO AND POST THE COVER RIGHT NOW BACKSTAGE. 1530 01:06:54,000 --> 01:06:55,945 I'M GOING TO GO AND POST THE COVER RIGHT NOW BACKSTAGE. 1531 01:06:56,011 --> 01:06:59,782 THANK YOU, I LOVE YOU! 1532 01:06:59,849 --> 01:07:00,000 THANK YOU! 1533 01:07:00,000 --> 01:07:06,000 THANK YOU! 1534 01:07:06,000 --> 01:07:11,761 THANK YOU! 1535 01:07:11,827 --> 01:07:12,000 [CHEERS AND APPLAUSE] >> Announcer: GET READY TO 1536 01:07:12,000 --> 01:07:12,762 [CHEERS AND APPLAUSE] >> Announcer: GET READY TO 1537 01:07:12,828 --> 01:07:16,899 CELEBRATE 20 YEARS OF MUSIC'S BIGGEST CAMP! 1538 01:07:16,966 --> 01:07:18,000 APPLICATIONS ARE NOW OPEN, AND HIGH SCHOOL STUDENTS NATIONWIDE 1539 01:07:18,000 --> 01:07:18,667 APPLICATIONS ARE NOW OPEN, AND HIGH SCHOOL STUDENTS NATIONWIDE 1540 01:07:18,734 --> 01:07:22,371 CAN APPLY. 1541 01:07:22,438 --> 01:07:23,939 LEARN MORE AT GrammyCamp.com. 1542 01:07:24,006 --> 01:07:26,909 UP NEXT, STEVIE WONDER, ANNIE LENNOX, LENNY KRAVITZ, 1543 01:07:26,976 --> 01:07:30,000 JON BATISTE, OPRAH, AND FANTASIA BARRINO HONOR THE MUSIC 1544 01:07:30,000 --> 01:07:31,480 JON BATISTE, OPRAH, AND FANTASIA BARRINO HONOR THE MUSIC 1545 01:07:31,547 --> 01:07:33,916 LEGENDS WE LOST THIS PAST YEAR. 1546 01:07:33,983 --> 01:07:35,518 THEN JAY-Z RECEIVES THE DR. DRE GLOBAL 1547 01:07:35,584 --> 01:07:36,000 IMPACT AWARD. 1548 01:07:36,000 --> 01:07:36,085 IMPACT AWARD. 1549 01:07:57,940 --> 01:08:00,000 >> Trevor: THE GRAMMYS IS A NIGHT TO CELEBRATE THE MUSIC 1550 01:08:00,000 --> 01:08:01,010 >> Trevor: THE GRAMMYS IS A NIGHT TO CELEBRATE THE MUSIC 1551 01:08:01,076 --> 01:08:02,745 THAT HAS MOVED US THIS PAST YEAR. 1552 01:08:02,812 --> 01:08:06,000 BUT IT IS ALSO A MOMENT TO LOOK BACK AND REMEMBER SOME OF THE 1553 01:08:06,000 --> 01:08:06,916 BUT IT IS ALSO A MOMENT TO LOOK BACK AND REMEMBER SOME OF THE 1554 01:08:06,982 --> 01:08:09,251 REMARKABLE PEOPLE WE HAVE LOST. 1555 01:08:09,318 --> 01:08:12,000 TO PAY TRIBUTE TO ONE OF MUSIC'S MOST LEGENDARY ICONS TONY 1556 01:08:12,000 --> 01:08:12,621 TO PAY TRIBUTE TO ONE OF MUSIC'S MOST LEGENDARY ICONS TONY 1557 01:08:12,688 --> 01:08:18,000 BENNETT, PLEASE WELCOME HIS BELOVED FRIEND STEVIE WONDER. 1558 01:08:18,000 --> 01:08:22,064 BENNETT, PLEASE WELCOME HIS BELOVED FRIEND STEVIE WONDER. 1559 01:08:22,131 --> 01:08:24,000 [CHEERS AND APPLAUSE] >> THANK YOU. 1560 01:08:24,000 --> 01:08:27,203 [CHEERS AND APPLAUSE] >> THANK YOU. 1561 01:08:27,269 --> 01:08:30,000 YOU KNOW, I REMEMBER TONY BENNETT SINGING "FOR ONCE IN MY 1562 01:08:30,000 --> 01:08:33,509 YOU KNOW, I REMEMBER TONY BENNETT SINGING "FOR ONCE IN MY 1563 01:08:33,576 --> 01:08:35,778 LIFE" WHEN I WAS LIKE 13 OR 14 YEARS OLD. 1564 01:08:35,845 --> 01:08:36,000 AND THEN I WENT IN THE STUDIO HENRY COSBY AND I SAID I HAVE AN 1565 01:08:36,000 --> 01:08:40,182 AND THEN I WENT IN THE STUDIO HENRY COSBY AND I SAID I HAVE AN 1566 01:08:40,249 --> 01:08:40,683 IDEA FOR A SONG. 1567 01:08:40,749 --> 01:08:42,000 I DID THE SONG. 1568 01:08:42,000 --> 01:08:42,351 I DID THE SONG. 1569 01:08:42,418 --> 01:08:47,256 THE WRITER SAID, WHAT ARE YOU DOING IN MY SONG? 1570 01:08:47,323 --> 01:08:48,000 BUT WHAT IS AMAZING IS I WAS ABLE TO ACTUALLY SING THE SONG 1571 01:08:48,000 --> 01:08:49,525 BUT WHAT IS AMAZING IS I WAS ABLE TO ACTUALLY SING THE SONG 1572 01:08:49,592 --> 01:08:53,195 WITH SOMEONE I INSPIRED FOR SO LONG. 1573 01:08:53,262 --> 01:08:54,000 NOT JUST BECAUSE OF HIS VOICE, WHICH WAS INCREDIBLE, BUT 1574 01:08:54,000 --> 01:08:57,433 NOT JUST BECAUSE OF HIS VOICE, WHICH WAS INCREDIBLE, BUT 1575 01:08:57,500 --> 01:09:00,000 BECAUSE OF HIS LOVE FOR ART, HIS LOVE FOR PEACE AND UNITY, HIS 1576 01:09:00,000 --> 01:09:01,871 BECAUSE OF HIS LOVE FOR ART, HIS LOVE FOR PEACE AND UNITY, HIS 1577 01:09:01,937 --> 01:09:03,038 LOVE FOR CIVIL RIGHTS. 1578 01:09:03,105 --> 01:09:06,000 YES, I REMEMBER AS A LITTLE BOY BEING IN PLACES WHERE MOST 1579 01:09:06,000 --> 01:09:06,175 YES, I REMEMBER AS A LITTLE BOY BEING IN PLACES WHERE MOST 1580 01:09:06,242 --> 01:09:12,000 PEOPLE WOULD NOT EVEN GO TO STAND FOR THE RIGHT OF FREEDOM 1581 01:09:12,000 --> 01:09:12,381 PEOPLE WOULD NOT EVEN GO TO STAND FOR THE RIGHT OF FREEDOM 1582 01:09:12,448 --> 01:09:13,215 FOR EVERYONE. 1583 01:09:13,282 --> 01:09:14,350 SO TONY, I'M GOING TO MISS YOU FOREVER. 1584 01:09:14,416 --> 01:09:18,000 I LOVE YOU ALWAYS, AND GOD BLESSED THAT GOD ALLOWED US TO 1585 01:09:18,000 --> 01:09:21,357 I LOVE YOU ALWAYS, AND GOD BLESSED THAT GOD ALLOWED US TO 1586 01:09:21,423 --> 01:09:24,000 HAVE YOU AND HAVE US IN THIS TIME AND SPACE IN OUR LIVES. 1587 01:09:24,000 --> 01:09:27,363 HAVE YOU AND HAVE US IN THIS TIME AND SPACE IN OUR LIVES. 1588 01:09:27,429 --> 01:09:30,000 YES. 1589 01:09:30,000 --> 01:09:32,668 YES. 1590 01:09:32,735 --> 01:09:36,000 ♪ FOR ONCE IN MY LIFE ♪ ♪ I HAVE SOMEONE WHO NEEDS ME ♪ 1591 01:09:36,000 --> 01:09:37,973 ♪ FOR ONCE IN MY LIFE ♪ ♪ I HAVE SOMEONE WHO NEEDS ME ♪ 1592 01:09:38,040 --> 01:09:42,000 ♪ SOMEONE I'VE NEEDED SO LONG ♪ ♪ FOR ONCE, UNAFRAID, I CAN GO 1593 01:09:42,000 --> 01:09:45,915 ♪ SOMEONE I'VE NEEDED SO LONG ♪ ♪ FOR ONCE, UNAFRAID, I CAN GO 1594 01:09:45,981 --> 01:09:48,000 WHERE LIFE LEADS ME ♪ ♪ AND SOMEHOW I KNOW I'LL BE 1595 01:09:48,000 --> 01:09:53,889 WHERE LIFE LEADS ME ♪ ♪ AND SOMEHOW I KNOW I'LL BE 1596 01:09:53,956 --> 01:09:54,000 STRONG ♪ ♪ FOR ONCE I CAN TOUCH WHAT MY 1597 01:09:54,000 --> 01:10:00,000 STRONG ♪ ♪ FOR ONCE I CAN TOUCH WHAT MY 1598 01:10:00,000 --> 01:10:03,232 STRONG ♪ ♪ FOR ONCE I CAN TOUCH WHAT MY 1599 01:10:03,299 --> 01:10:06,000 HEART USED TO DREAM OF ♪ ♪ LONG BEFORE I KNEW ♪ 1600 01:10:06,000 --> 01:10:12,000 HEART USED TO DREAM OF ♪ ♪ LONG BEFORE I KNEW ♪ 1601 01:10:12,000 --> 01:10:15,044 HEART USED TO DREAM OF ♪ ♪ LONG BEFORE I KNEW ♪ 1602 01:10:15,110 --> 01:10:18,000 ♪ SOMEONE WARM LIKE YOU ♪ ♪ WOULD MAKE MY DREAM COME 1603 01:10:18,000 --> 01:10:24,000 ♪ SOMEONE WARM LIKE YOU ♪ ♪ WOULD MAKE MY DREAM COME 1604 01:10:24,000 --> 01:10:27,089 ♪ SOMEONE WARM LIKE YOU ♪ ♪ WOULD MAKE MY DREAM COME 1605 01:10:27,156 --> 01:10:30,000 TRUE ♪ ♪ FOR ONCE IN MY LIFE I WON'T 1606 01:10:30,000 --> 01:10:36,000 TRUE ♪ ♪ FOR ONCE IN MY LIFE I WON'T 1607 01:10:36,000 --> 01:10:41,971 TRUE ♪ ♪ FOR ONCE IN MY LIFE I WON'T 1608 01:10:42,037 --> 01:10:45,407 ♪ FOR ONCE, I CAN SAY, "THIS IS MINE, YOU CAN'T TAKE IT" ♪ 1609 01:10:45,474 --> 01:10:48,000 ♪ AS LONG AS I KNOW I HAVE LOVE, I CAN MAKE IT ♪ 1610 01:10:48,000 --> 01:10:49,511 ♪ AS LONG AS I KNOW I HAVE LOVE, I CAN MAKE IT ♪ 1611 01:10:49,578 --> 01:10:54,000 ♪ FOR ONCE IN MY LIFE, I HAVE SOMEONE WHO NEEDS ME ♪ 1612 01:10:54,000 --> 01:11:00,000 ♪ FOR ONCE IN MY LIFE, I HAVE SOMEONE WHO NEEDS ME ♪ 1613 01:11:00,000 --> 01:11:04,460 ♪ FOR ONCE IN MY LIFE, I HAVE SOMEONE WHO NEEDS ME ♪ 1614 01:11:04,526 --> 01:11:06,000 ♪ FOR ONCE IN MY LIFE, I HAVE SOMEONE WHO NEEDS ME ♪ 1615 01:11:06,000 --> 01:11:10,232 ♪ FOR ONCE IN MY LIFE, I HAVE SOMEONE WHO NEEDS ME ♪ 1616 01:11:14,637 --> 01:11:18,000 ♪ FOR ONCE, I CAN SAY, "THIS IS MINE, YOU CAN'T TAKE IT, 1617 01:11:18,000 --> 01:11:18,374 ♪ FOR ONCE, I CAN SAY, "THIS IS MINE, YOU CAN'T TAKE IT, 1618 01:11:18,440 --> 01:11:24,000 STEVIE" ♪ ♪ AS LONG AS I KNOW I HAVE LOVE, 1619 01:11:24,000 --> 01:11:25,848 STEVIE" ♪ ♪ AS LONG AS I KNOW I HAVE LOVE, 1620 01:11:25,914 --> 01:11:30,000 I CAN MAKE IT ♪ ♪ FOR ONCE IN MY LIFE, I HAVE 1621 01:11:30,000 --> 01:11:36,000 I CAN MAKE IT ♪ ♪ FOR ONCE IN MY LIFE, I HAVE 1622 01:11:36,000 --> 01:11:39,628 I CAN MAKE IT ♪ ♪ FOR ONCE IN MY LIFE, I HAVE 1623 01:11:39,695 --> 01:11:42,000 SOMEONE WHO NEEDS ME ♪ STEVIE WONDER! 1624 01:11:42,000 --> 01:11:48,000 SOMEONE WHO NEEDS ME ♪ STEVIE WONDER! 1625 01:11:48,000 --> 01:11:50,105 SOMEONE WHO NEEDS ME ♪ STEVIE WONDER! 1626 01:11:50,172 --> 01:11:54,000 >> THE GREAT TONY BENNETT FOREVER! 1627 01:11:54,000 --> 01:11:54,476 >> THE GREAT TONY BENNETT FOREVER! 1628 01:11:54,543 --> 01:12:00,000 YES! 1629 01:12:00,000 --> 01:12:01,350 YES! 1630 01:12:01,417 --> 01:12:06,000 ♪ OUT OF THE TREE OF LIFE, I JUST PICKED ME A PLUM ♪ 1631 01:12:06,000 --> 01:12:09,591 ♪ OUT OF THE TREE OF LIFE, I JUST PICKED ME A PLUM ♪ 1632 01:12:09,658 --> 01:12:12,000 ♪ YOU CAME ALONG AND EVERYTHING STARTED TO HUM ♪ 1633 01:12:12,000 --> 01:12:17,366 ♪ YOU CAME ALONG AND EVERYTHING STARTED TO HUM ♪ 1634 01:12:17,433 --> 01:12:18,000 ♪ STILL IT'S A REAL GOOD, BET THE BEST IS YET TO COME ♪ 1635 01:12:18,000 --> 01:12:24,000 ♪ STILL IT'S A REAL GOOD, BET THE BEST IS YET TO COME ♪ 1636 01:12:24,000 --> 01:12:24,373 ♪ STILL IT'S A REAL GOOD, BET THE BEST IS YET TO COME ♪ 1637 01:12:24,440 --> 01:12:30,000 ♪ COME THE DAY YOU'RE MINE, I'M GONNA TEACH YOU TO FLY ♪ 1638 01:12:30,000 --> 01:12:33,515 ♪ COME THE DAY YOU'RE MINE, I'M GONNA TEACH YOU TO FLY ♪ 1639 01:12:33,582 --> 01:12:36,000 ♪ WE'VE ONLY TASTED THE WINE, WE'RE GONNA DRAIN THE CUP DRY ♪ 1640 01:12:36,000 --> 01:12:39,722 ♪ WE'VE ONLY TASTED THE WINE, WE'RE GONNA DRAIN THE CUP DRY ♪ 1641 01:12:39,788 --> 01:12:42,000 ♪ WAIT 'TIL YOUR CHARMS ARE RIGHT FOR THESE ARMS TO 1642 01:12:42,000 --> 01:12:44,026 ♪ WAIT 'TIL YOUR CHARMS ARE RIGHT FOR THESE ARMS TO 1643 01:12:44,093 --> 01:12:47,830 SURROUND ♪ ♪ YOU THINK YOU'VE FLOWN BEFORE, 1644 01:12:47,896 --> 01:12:48,000 BUT YOU AIN'T LEFT THE GROUND ♪ ♪ WAIT 'TIL YOU'RE LOCKED IN MY 1645 01:12:48,000 --> 01:12:54,000 BUT YOU AIN'T LEFT THE GROUND ♪ ♪ WAIT 'TIL YOU'RE LOCKED IN MY 1646 01:12:54,000 --> 01:12:55,471 BUT YOU AIN'T LEFT THE GROUND ♪ ♪ WAIT 'TIL YOU'RE LOCKED IN MY 1647 01:12:55,537 --> 01:13:00,000 EMBRACE ♪ ♪ WAIT 'TIL I DRAW YOU NEAR ♪ 1648 01:13:00,000 --> 01:13:01,009 EMBRACE ♪ ♪ WAIT 'TIL I DRAW YOU NEAR ♪ 1649 01:13:01,076 --> 01:13:04,613 ♪ WAIT 'TIL YOU SEE THAT SUNSHINE PLACE ♪ 1650 01:13:04,680 --> 01:13:06,000 ♪ AIN'T NOTHIN' LIKE IT HERE ♪ ♪ THE BEST IS YET TO COME, AND 1651 01:13:06,000 --> 01:13:12,000 ♪ AIN'T NOTHIN' LIKE IT HERE ♪ ♪ THE BEST IS YET TO COME, AND 1652 01:13:12,000 --> 01:13:14,123 ♪ AIN'T NOTHIN' LIKE IT HERE ♪ ♪ THE BEST IS YET TO COME, AND 1653 01:13:14,189 --> 01:13:18,000 BABE, WON'T IT BE FINE ♪ ♪ THE BEST IS YET TO COME ♪ 1654 01:13:18,000 --> 01:13:19,027 BABE, WON'T IT BE FINE ♪ ♪ THE BEST IS YET TO COME ♪ 1655 01:13:19,094 --> 01:13:24,000 ♪ COME THE DAY YOU'RE MINE ♪ ♪ COME THE DAY YOU'RE MINE ♪ 1656 01:13:24,000 --> 01:13:30,000 ♪ COME THE DAY YOU'RE MINE ♪ ♪ COME THE DAY YOU'RE MINE ♪ 1657 01:13:30,000 --> 01:13:30,105 ♪ COME THE DAY YOU'RE MINE ♪ ♪ COME THE DAY YOU'RE MINE ♪ 1658 01:13:30,172 --> 01:13:36,000 ♪ COME THE DAY YOU'RE MINE ♪ [CHEERS AND APPLAUSE] 1659 01:13:36,000 --> 01:13:42,000 ♪ COME THE DAY YOU'RE MINE ♪ [CHEERS AND APPLAUSE] 1660 01:13:42,000 --> 01:13:43,285 ♪ COME THE DAY YOU'RE MINE ♪ [CHEERS AND APPLAUSE] 1661 01:13:43,352 --> 01:13:47,156 THANK YOU! 1662 01:13:47,222 --> 01:13:48,000 ♪ ♪ ♪ COME MONDAY ♪ 1663 01:13:48,000 --> 01:13:54,000 ♪ ♪ ♪ COME MONDAY ♪ 1664 01:13:54,000 --> 01:14:00,000 ♪ ♪ ♪ COME MONDAY ♪ 1665 01:14:00,000 --> 01:14:00,669 ♪ ♪ ♪ COME MONDAY ♪ 1666 01:14:00,736 --> 01:14:06,000 ♪ I'LL BE HOLDING YOU TIGHT ♪ ♪ IT'S BEEN SEVEN HOURS AND 15 1667 01:14:06,000 --> 01:14:12,000 ♪ I'LL BE HOLDING YOU TIGHT ♪ ♪ IT'S BEEN SEVEN HOURS AND 15 1668 01:14:12,000 --> 01:14:12,314 ♪ I'LL BE HOLDING YOU TIGHT ♪ ♪ IT'S BEEN SEVEN HOURS AND 15 1669 01:14:12,381 --> 01:14:18,000 DAYS ♪ ♪ SINCE YOU TOOK YOUR LOVE 1670 01:14:18,000 --> 01:14:20,455 DAYS ♪ ♪ SINCE YOU TOOK YOUR LOVE 1671 01:14:20,522 --> 01:14:24,000 AWAY ♪ ♪ I GO OUT EVERY NIGHT AND SLEEP 1672 01:14:24,000 --> 01:14:26,495 AWAY ♪ ♪ I GO OUT EVERY NIGHT AND SLEEP 1673 01:14:26,562 --> 01:14:30,000 ALL DAY ♪ ♪ SINCE YOU TOOK YOUR LOVE 1674 01:14:30,000 --> 01:14:33,802 ALL DAY ♪ ♪ SINCE YOU TOOK YOUR LOVE 1675 01:14:33,869 --> 01:14:36,000 AWAY ♪ ♪ SINCE YOU BEEN GONE, I CAN DO 1676 01:14:36,000 --> 01:14:41,343 AWAY ♪ ♪ SINCE YOU BEEN GONE, I CAN DO 1677 01:14:41,410 --> 01:14:42,000 WHATEVER I WANT ♪ ♪ I CAN SEE WHOMEVER I CHOOSE ♪ 1678 01:14:42,000 --> 01:14:48,000 WHATEVER I WANT ♪ ♪ I CAN SEE WHOMEVER I CHOOSE ♪ 1679 01:14:48,000 --> 01:14:54,000 WHATEVER I WANT ♪ ♪ I CAN SEE WHOMEVER I CHOOSE ♪ 1680 01:14:54,000 --> 01:14:56,291 WHATEVER I WANT ♪ ♪ I CAN SEE WHOMEVER I CHOOSE ♪ 1681 01:14:56,358 --> 01:14:57,326 WHATEVER I WANT ♪ ♪ I CAN SEE WHOMEVER I CHOOSE ♪ 1682 01:14:57,392 --> 01:15:00,000 ♪ I CAN EAT MY DINNER IN A FANCY RESTAURANT ♪ 1683 01:15:00,000 --> 01:15:06,000 ♪ I CAN EAT MY DINNER IN A FANCY RESTAURANT ♪ 1684 01:15:06,000 --> 01:15:06,702 ♪ I CAN EAT MY DINNER IN A FANCY RESTAURANT ♪ 1685 01:15:06,768 --> 01:15:12,000 ♪ BUT NOTHING ♪ ♪ I SAID NOTHING CAN TAKE AWAY 1686 01:15:12,000 --> 01:15:13,475 ♪ BUT NOTHING ♪ ♪ I SAID NOTHING CAN TAKE AWAY 1687 01:15:13,542 --> 01:15:18,000 THESE BLUES ♪ ♪ 'CAUSE NOTHING COMPARES ♪ 1688 01:15:18,000 --> 01:15:18,080 THESE BLUES ♪ ♪ 'CAUSE NOTHING COMPARES ♪ 1689 01:15:18,146 --> 01:15:24,000 ♪ NOTHING COMPARES TO YOU ♪ ♪ ALL THE FLOWERS THAT YOU 1690 01:15:24,000 --> 01:15:28,590 ♪ NOTHING COMPARES TO YOU ♪ ♪ ALL THE FLOWERS THAT YOU 1691 01:15:28,657 --> 01:15:30,000 PLANTED MAMA ♪ ♪ IN THE BACK YARD ♪ 1692 01:15:30,000 --> 01:15:36,000 PLANTED MAMA ♪ ♪ IN THE BACK YARD ♪ 1693 01:15:36,000 --> 01:15:36,031 PLANTED MAMA ♪ ♪ IN THE BACK YARD ♪ 1694 01:15:36,098 --> 01:15:42,000 ♪ ALL DIED WHEN YOU WENT AWAY ♪ ♪ I KNOW THAT LIVING WITH YOU 1695 01:15:42,000 --> 01:15:48,000 ♪ ALL DIED WHEN YOU WENT AWAY ♪ ♪ I KNOW THAT LIVING WITH YOU 1696 01:15:48,000 --> 01:15:49,511 ♪ ALL DIED WHEN YOU WENT AWAY ♪ ♪ I KNOW THAT LIVING WITH YOU 1697 01:15:49,578 --> 01:15:54,000 BABY WAS SOMETIMES HARD ♪ ♪ BUT I'M WILLING TO GIVE IT 1698 01:15:54,000 --> 01:15:56,785 BABY WAS SOMETIMES HARD ♪ ♪ BUT I'M WILLING TO GIVE IT 1699 01:15:56,852 --> 01:16:00,000 ANOTHER TRY ♪ ♪ NOTHING COMPARES ♪ 1700 01:16:00,000 --> 01:16:06,000 ANOTHER TRY ♪ ♪ NOTHING COMPARES ♪ 1701 01:16:06,000 --> 01:16:08,363 ANOTHER TRY ♪ ♪ NOTHING COMPARES ♪ 1702 01:16:08,430 --> 01:16:12,000 ♪ NOTHING COMPARES TO YOU ♪ ♪ NOTHING COMPARES ♪ 1703 01:16:12,000 --> 01:16:18,000 ♪ NOTHING COMPARES TO YOU ♪ ♪ NOTHING COMPARES ♪ 1704 01:16:18,000 --> 01:16:19,207 ♪ NOTHING COMPARES TO YOU ♪ ♪ NOTHING COMPARES ♪ 1705 01:16:19,274 --> 01:16:24,000 ♪ NOTHING COMPARES TO YOU ♪ ARTISTS FIRST CEASE FIRE, IN THE 1706 01:16:24,000 --> 01:16:30,000 ♪ NOTHING COMPARES TO YOU ♪ ARTISTS FIRST CEASE FIRE, IN THE 1707 01:16:30,000 --> 01:16:30,585 ♪ NOTHING COMPARES TO YOU ♪ ARTISTS FIRST CEASE FIRE, IN THE 1708 01:16:30,652 --> 01:16:32,487 WORLD. 1709 01:16:32,554 --> 01:16:36,000 ♪ ♪ 1710 01:16:36,000 --> 01:16:36,959 ♪ ♪ 1711 01:16:39,094 --> 01:16:42,000 ♪ ♪ 1712 01:16:42,000 --> 01:16:48,000 ♪ ♪ 1713 01:16:48,000 --> 01:16:48,070 ♪ ♪ 1714 01:16:50,739 --> 01:16:54,000 ♪ ♪ 1715 01:16:54,000 --> 01:17:00,000 ♪ ♪ 1716 01:17:00,000 --> 01:17:01,416 ♪ ♪ 1717 01:17:03,518 --> 01:17:06,000 ♪ ♪ 1718 01:17:06,000 --> 01:17:12,000 ♪ ♪ 1719 01:17:12,000 --> 01:17:18,000 ♪ ♪ 1720 01:17:18,000 --> 01:17:18,400 ♪ ♪ 1721 01:17:18,467 --> 01:17:19,601 ♪ ♪ 1722 01:17:35,517 --> 01:17:36,000 [APPLAUSE] >> CLARENCE AVANT KNOWN TO 1723 01:17:36,000 --> 01:17:36,685 [APPLAUSE] >> CLARENCE AVANT KNOWN TO 1724 01:17:36,752 --> 01:17:40,589 GENERATIONS AS THE GRANDFATHER OF BLACK MUSIC AS THE LEGEND WHO 1725 01:17:40,655 --> 01:17:42,000 MADE OTHER LEGENDS HAVE BEEN. 1726 01:17:42,000 --> 01:17:46,528 MADE OTHER LEGENDS HAVE BEEN. 1727 01:17:46,595 --> 01:17:48,000 THROUGHOUT HIS REMARKABLE LIFE AS AN EXECUTIVE MANAGER, 1728 01:17:48,000 --> 01:17:49,031 THROUGHOUT HIS REMARKABLE LIFE AS AN EXECUTIVE MANAGER, 1729 01:17:49,097 --> 01:17:54,000 PRODUCER, AND FORCE OF NATURE, CLARENCE AVANT WAS A TRUSTED 1730 01:17:54,000 --> 01:17:56,204 PRODUCER, AND FORCE OF NATURE, CLARENCE AVANT WAS A TRUSTED 1731 01:17:56,271 --> 01:17:58,673 MENTOR AND BELIEVER IN THE LIKES OF QUINCY JONES AND 1732 01:17:58,740 --> 01:18:00,000 BILL WITHERS, TO NAME JUST A FEW WHOSE LIVES HE CHANGED FOREVER. 1733 01:18:00,000 --> 01:18:00,409 BILL WITHERS, TO NAME JUST A FEW WHOSE LIVES HE CHANGED FOREVER. 1734 01:18:00,475 --> 01:18:06,000 AS A MUSICAL FAMILY, WE MOURN THE LOSS OF OUR GODFATHER AND 1735 01:18:06,000 --> 01:18:08,750 AS A MUSICAL FAMILY, WE MOURN THE LOSS OF OUR GODFATHER AND 1736 01:18:11,219 --> 01:18:12,000 CELEBRATE THE INSPIRING LIFE HE SHARED WITH HIS BELOVED WIFE, 1737 01:18:12,000 --> 01:18:13,555 CELEBRATE THE INSPIRING LIFE HE SHARED WITH HIS BELOVED WIFE, 1738 01:18:13,622 --> 01:18:14,556 JACQUELINE. 1739 01:18:14,623 --> 01:18:16,124 JOINED BY TWO MORE OF CLARENCE AVANT'S PROTEGES, 1740 01:18:16,191 --> 01:18:18,000 JIMMY JAM AND TERRY LEWIS, AS WELL AS CORY HENRY AND 1741 01:18:18,000 --> 01:18:21,430 JIMMY JAM AND TERRY LEWIS, AS WELL AS CORY HENRY AND 1742 01:18:21,496 --> 01:18:24,000 ANN NESBY, PLEASE WELCOME JON BATISTE! 1743 01:18:24,000 --> 01:18:30,000 ANN NESBY, PLEASE WELCOME JON BATISTE! 1744 01:18:30,000 --> 01:18:31,373 ANN NESBY, PLEASE WELCOME JON BATISTE! 1745 01:18:31,440 --> 01:18:36,000 [CHEERS AND APPLAUSE] ♪ AIN'T NO SUNSHINE WHEN HE'S 1746 01:18:36,000 --> 01:18:42,000 [CHEERS AND APPLAUSE] ♪ AIN'T NO SUNSHINE WHEN HE'S 1747 01:18:42,000 --> 01:18:43,718 [CHEERS AND APPLAUSE] ♪ AIN'T NO SUNSHINE WHEN HE'S 1748 01:18:43,785 --> 01:18:48,000 GONE ♪ ♪ ONLY DARKNESS EVERY DAY ♪ 1749 01:18:48,000 --> 01:18:48,156 GONE ♪ ♪ ONLY DARKNESS EVERY DAY ♪ 1750 01:18:48,223 --> 01:18:53,462 ♪ AIN'T NO SUNSHINE WHEN HE'S GONE ♪ 1751 01:18:53,528 --> 01:18:54,000 ♪ AND THIS HOUSE JUST AIN'T NO HOME ♪ 1752 01:18:54,000 --> 01:19:00,000 ♪ AND THIS HOUSE JUST AIN'T NO HOME ♪ 1753 01:19:00,000 --> 01:19:00,535 ♪ AND THIS HOUSE JUST AIN'T NO HOME ♪ 1754 01:19:00,602 --> 01:19:06,000 ♪ ANYTIME HE GOES AWAY ♪ ♪ ANYTIME HE GOES AWAY ♪ 1755 01:19:06,000 --> 01:19:12,000 ♪ ANYTIME HE GOES AWAY ♪ ♪ ANYTIME HE GOES AWAY ♪ 1756 01:19:12,000 --> 01:19:15,484 ♪ ANYTIME HE GOES AWAY ♪ ♪ ANYTIME HE GOES AWAY ♪ 1757 01:19:15,550 --> 01:19:18,000 ♪ ANYTIME HE GOES AWAY ♪ ♪ ANYTIME HE GOES AWAY ♪ 1758 01:19:18,000 --> 01:19:21,556 ♪ ANYTIME HE GOES AWAY ♪ ♪ ANYTIME HE GOES AWAY ♪ 1759 01:19:21,623 --> 01:19:24,000 ♪ SOMETIMES IN OUR LIVES ♪ ♪ WE ALL HAVE PAIN ♪ 1760 01:19:24,000 --> 01:19:26,194 ♪ SOMETIMES IN OUR LIVES ♪ ♪ WE ALL HAVE PAIN ♪ 1761 01:19:26,261 --> 01:19:30,000 ♪ WE ALL HAVE SORROW ♪ ♪ BUT IF WE ARE WISE ♪ 1762 01:19:30,000 --> 01:19:36,000 ♪ WE ALL HAVE SORROW ♪ ♪ BUT IF WE ARE WISE ♪ 1763 01:19:36,000 --> 01:19:39,474 ♪ WE ALL HAVE SORROW ♪ ♪ BUT IF WE ARE WISE ♪ 1764 01:19:39,541 --> 01:19:42,000 ♪ WE KNOW THAT THERE'S ALWAYS TOMORROW ♪ 1765 01:19:42,000 --> 01:19:47,282 ♪ WE KNOW THAT THERE'S ALWAYS TOMORROW ♪ 1766 01:19:47,349 --> 01:19:48,000 ♪ LEAN ON ME ♪ ♪ WHEN YOU'RE NOT STRONG ♪ 1767 01:19:48,000 --> 01:19:52,888 ♪ LEAN ON ME ♪ ♪ WHEN YOU'RE NOT STRONG ♪ 1768 01:19:52,954 --> 01:19:54,000 ♪ AND I'LL BE YOUR FRIEND ♪ ♪ I'LL HELP YOU CARRY ON ♪ 1769 01:19:54,000 --> 01:20:00,000 ♪ AND I'LL BE YOUR FRIEND ♪ ♪ I'LL HELP YOU CARRY ON ♪ 1770 01:20:00,000 --> 01:20:02,898 ♪ AND I'LL BE YOUR FRIEND ♪ ♪ I'LL HELP YOU CARRY ON ♪ 1771 01:20:02,964 --> 01:20:06,000 ♪ FOR IT WON'T BE LONG ♪ STAND UP FOR THE ONES WE LOST! 1772 01:20:06,000 --> 01:20:10,005 ♪ FOR IT WON'T BE LONG ♪ STAND UP FOR THE ONES WE LOST! 1773 01:20:10,071 --> 01:20:12,000 THIS IS A CELEBRATION OF LIFE. 1774 01:20:12,000 --> 01:20:13,375 THIS IS A CELEBRATION OF LIFE. 1775 01:20:13,441 --> 01:20:18,000 ♪ TILL I'M GONNA NEED SOMEBODY WE ARE GONNA NEED SOMEBODY. 1776 01:20:18,000 --> 01:20:23,451 ♪ TILL I'M GONNA NEED SOMEBODY WE ARE GONNA NEED SOMEBODY. 1777 01:20:23,518 --> 01:20:24,000 THAT SOMEBODY MIGHT BE YOU. 1778 01:20:24,000 --> 01:20:24,486 THAT SOMEBODY MIGHT BE YOU. 1779 01:20:24,553 --> 01:20:30,000 ♪ WE'RE GONNA ALL NEED SOMEBODY ♪ 1780 01:20:30,000 --> 01:20:33,295 ♪ WE'RE GONNA ALL NEED SOMEBODY ♪ 1781 01:20:33,361 --> 01:20:36,000 ♪ Y'ALL SOMEBODY AS LONG AS YOU KEEP YOUR HEAD TO THE SKY ♪ 1782 01:20:36,000 --> 01:20:37,666 ♪ Y'ALL SOMEBODY AS LONG AS YOU KEEP YOUR HEAD TO THE SKY ♪ 1783 01:20:37,732 --> 01:20:42,000 ♪ WE CAN WIN ♪ ♪ AS LONG AS YOU KEEP YOUR HEAD 1784 01:20:42,000 --> 01:20:48,000 ♪ WE CAN WIN ♪ ♪ AS LONG AS YOU KEEP YOUR HEAD 1785 01:20:48,000 --> 01:20:52,614 ♪ WE CAN WIN ♪ ♪ AS LONG AS YOU KEEP YOUR HEAD 1786 01:20:52,681 --> 01:20:53,982 ♪ WE CAN WIN ♪ ♪ AS LONG AS YOU KEEP YOUR HEAD 1787 01:20:54,049 --> 01:20:59,621 KEEP YOUR HEAD UP TO THE SKY ♪ ♪ HEAD TO THE SKY ♪ 1788 01:20:59,688 --> 01:21:00,000 LET ME TELL YOU, WHATEVER YOU ARE GOING THROUGH RIGHT NOW, WE 1789 01:21:00,000 --> 01:21:05,660 LET ME TELL YOU, WHATEVER YOU ARE GOING THROUGH RIGHT NOW, WE 1790 01:21:05,727 --> 01:21:06,000 CAN WIN! 1791 01:21:06,000 --> 01:21:07,762 CAN WIN! 1792 01:21:07,829 --> 01:21:11,900 ♪ AS LONG AS YOU KEEP YOUR HEAD TO THE SKY ♪ 1793 01:21:11,967 --> 01:21:12,000 ♪ WE CAN WIN ♪ ♪ WE CAN WIN ♪ 1794 01:21:12,000 --> 01:21:15,937 ♪ WE CAN WIN ♪ ♪ WE CAN WIN ♪ 1795 01:21:16,004 --> 01:21:17,973 ♪ AS LONG AS YOU KEEP YOUR HEAD TO THE SKY ♪ 1796 01:21:18,039 --> 01:21:23,878 ♪ YOU CAN WIN ♪ ♪ YOU CAN WIN ♪ 1797 01:21:23,945 --> 01:21:24,000 ♪ AS LONG AS YOU KEEP YOUR HEAD TO THE SKY ♪ 1798 01:21:24,000 --> 01:21:30,000 ♪ AS LONG AS YOU KEEP YOUR HEAD TO THE SKY ♪ 1799 01:21:30,000 --> 01:21:36,000 ♪ AS LONG AS YOU KEEP YOUR HEAD TO THE SKY ♪ 1800 01:21:36,000 --> 01:21:36,758 ♪ AS LONG AS YOU KEEP YOUR HEAD TO THE SKY ♪ 1801 01:21:36,825 --> 01:21:42,000 THE JOY OF LIVING IS STILL AVAILABLE TO US! 1802 01:21:42,000 --> 01:21:44,399 THE JOY OF LIVING IS STILL AVAILABLE TO US! 1803 01:21:44,466 --> 01:21:48,000 THE LIGHT WILL ALWAYS COME OUT! 1804 01:21:48,000 --> 01:21:51,740 THE LIGHT WILL ALWAYS COME OUT! 1805 01:21:51,806 --> 01:21:54,000 ♪ AS LONG AS YOU KEEP YOUR HEAD TO THE SKY ♪ 1806 01:21:54,000 --> 01:22:00,000 ♪ AS LONG AS YOU KEEP YOUR HEAD TO THE SKY ♪ 1807 01:22:00,000 --> 01:22:03,385 ♪ AS LONG AS YOU KEEP YOUR HEAD TO THE SKY ♪ 1808 01:22:03,451 --> 01:22:06,000 ♪ ♪ [CHEERS AND APPLAUSE] 1809 01:22:06,000 --> 01:22:12,000 ♪ ♪ [CHEERS AND APPLAUSE] 1810 01:22:12,000 --> 01:22:18,000 ♪ ♪ [CHEERS AND APPLAUSE] 1811 01:22:18,000 --> 01:22:18,333 ♪ ♪ [CHEERS AND APPLAUSE] 1812 01:22:18,400 --> 01:22:20,101 ♪ ♪ [CHEERS AND APPLAUSE] 1813 01:22:20,168 --> 01:22:24,000 ♪ ♪ >> TINA TURNER WAS ALWAYS A 1814 01:22:24,000 --> 01:22:27,342 ♪ ♪ >> TINA TURNER WAS ALWAYS A 1815 01:22:27,409 --> 01:22:30,000 TOWERING FIGURE. 1816 01:22:30,000 --> 01:22:33,715 TOWERING FIGURE. 1817 01:22:33,782 --> 01:22:36,000 SHE IS OUR FOREVER GODDESS OF ROCK & ROLL, WHO INSPIRED 1818 01:22:36,000 --> 01:22:38,520 SHE IS OUR FOREVER GODDESS OF ROCK & ROLL, WHO INSPIRED 1819 01:22:38,586 --> 01:22:42,000 MILLIONS, A MOVING SYMBOL OF GRACE AND GRIT, SOUL AND POWER. 1820 01:22:42,000 --> 01:22:44,959 MILLIONS, A MOVING SYMBOL OF GRACE AND GRIT, SOUL AND POWER. 1821 01:22:45,026 --> 01:22:48,000 OUR LOVE AND RESPECT FOR TINA GREW AS WE WITNESSED HER BRAVELY 1822 01:22:48,000 --> 01:22:51,700 OUR LOVE AND RESPECT FOR TINA GREW AS WE WITNESSED HER BRAVELY 1823 01:22:51,766 --> 01:22:54,000 RECLAIM HER FREEDOM. 1824 01:22:54,000 --> 01:22:54,903 RECLAIM HER FREEDOM. 1825 01:22:54,969 --> 01:23:00,000 FROM THE MOMENT I MET TINA, FIRST AS A FAN, THEN LATER 1826 01:23:00,000 --> 01:23:02,277 FROM THE MOMENT I MET TINA, FIRST AS A FAN, THEN LATER 1827 01:23:02,344 --> 01:23:06,000 BLESSED TO BECOME HER FRIEND, SHE WAS A SPECIAL KIND OF 1828 01:23:06,000 --> 01:23:06,381 BLESSED TO BECOME HER FRIEND, SHE WAS A SPECIAL KIND OF 1829 01:23:06,448 --> 01:23:11,086 ROLE MODEL. 1830 01:23:11,152 --> 01:23:12,000 SHE USED TO SAY TO ME "OPRAH, YOU SHOULD DRESS UP FOR DINNER, 1831 01:23:12,000 --> 01:23:18,000 SHE USED TO SAY TO ME "OPRAH, YOU SHOULD DRESS UP FOR DINNER, 1832 01:23:18,000 --> 01:23:18,326 SHE USED TO SAY TO ME "OPRAH, YOU SHOULD DRESS UP FOR DINNER, 1833 01:23:18,393 --> 01:23:19,094 EVEN IF NO ONE ELSE IS THERE. 1834 01:23:19,160 --> 01:23:20,995 JUST SO YOU FEEL BEAUTIFUL TO YOU. 1835 01:23:21,062 --> 01:23:22,430 FOR YOURSELF." 1836 01:23:22,497 --> 01:23:24,000 AND AS THOSE BIG WHEELS OF TIME KEEP ON TURNING, TINA'S VOICE 1837 01:23:24,000 --> 01:23:30,000 AND AS THOSE BIG WHEELS OF TIME KEEP ON TURNING, TINA'S VOICE 1838 01:23:30,000 --> 01:23:30,004 AND AS THOSE BIG WHEELS OF TIME KEEP ON TURNING, TINA'S VOICE 1839 01:23:30,071 --> 01:23:32,173 CONTINUES TO SPEAK TO US. 1840 01:23:32,240 --> 01:23:36,000 TONIGHT, TO HONOR TINA TURNER'S MEMORY WITH HER OWN EMPOWERING 1841 01:23:36,000 --> 01:23:40,215 TONIGHT, TO HONOR TINA TURNER'S MEMORY WITH HER OWN EMPOWERING 1842 01:23:40,281 --> 01:23:42,000 VOICE, JOINED BY ADAM BLACKSTONE, THIS IS 1843 01:23:42,000 --> 01:23:47,288 VOICE, JOINED BY ADAM BLACKSTONE, THIS IS 1844 01:23:47,355 --> 01:23:48,000 FANTASIA BARRINO. 1845 01:23:48,000 --> 01:23:51,159 FANTASIA BARRINO. 1846 01:23:51,226 --> 01:23:54,000 [CHEERS AND APPLAUSE] ♪ ♪ 1847 01:23:54,000 --> 01:23:59,334 [CHEERS AND APPLAUSE] ♪ ♪ 1848 01:23:59,401 --> 01:24:00,000 >> GRAMMYS, GET UP ON YOUR FEET! 1849 01:24:00,000 --> 01:24:05,373 >> GRAMMYS, GET UP ON YOUR FEET! 1850 01:24:05,440 --> 01:24:06,000 SO NOW I'M GOING TO INTRODUCE MYSELF! 1851 01:24:06,000 --> 01:24:12,000 SO NOW I'M GOING TO INTRODUCE MYSELF! 1852 01:24:12,000 --> 01:24:12,280 SO NOW I'M GOING TO INTRODUCE MYSELF! 1853 01:24:12,347 --> 01:24:18,000 ♪ I LEFT A GOOD JOB DOWN IN THE CITY ♪ 1854 01:24:18,000 --> 01:24:19,888 ♪ I LEFT A GOOD JOB DOWN IN THE CITY ♪ 1855 01:24:19,954 --> 01:24:24,000 ♪ WORKIN' FOR THE MAN EVERY NIGHT AND DAY ♪ 1856 01:24:24,000 --> 01:24:29,197 ♪ WORKIN' FOR THE MAN EVERY NIGHT AND DAY ♪ 1857 01:24:29,264 --> 01:24:30,000 ♪ BUT I NEVER LOST ONE MINUTE OF SLEEPIN' ♪ 1858 01:24:30,000 --> 01:24:34,702 ♪ BUT I NEVER LOST ONE MINUTE OF SLEEPIN' ♪ 1859 01:24:34,769 --> 01:24:36,000 ♪ 'CAUSE I WAS WORRYIN' 'BOUT THE WAY THAT THINGS MIGHT'VE 1860 01:24:36,000 --> 01:24:38,072 ♪ 'CAUSE I WAS WORRYIN' 'BOUT THE WAY THAT THINGS MIGHT'VE 1861 01:24:38,139 --> 01:24:42,000 BEEN, ADAM ♪ ♪ YOU KNOW THE BIG WHEEL KEEP ON 1862 01:24:42,000 --> 01:24:42,343 BEEN, ADAM ♪ ♪ YOU KNOW THE BIG WHEEL KEEP ON 1863 01:24:42,410 --> 01:24:48,000 TURNIN' ♪ ♪ AND THE PROUD MARY KEEP ON 1864 01:24:48,000 --> 01:24:52,320 TURNIN' ♪ ♪ AND THE PROUD MARY KEEP ON 1865 01:24:52,387 --> 01:24:53,888 BURNIN' ♪ ♪ AND WE'RE ROLLIN', ROLLIN', 1866 01:24:53,955 --> 01:24:54,000 YEAH ♪ ♪ ROLLIN' ON THE RIVER ♪ 1867 01:24:54,000 --> 01:24:59,794 YEAH ♪ ♪ ROLLIN' ON THE RIVER ♪ 1868 01:24:59,861 --> 01:25:00,000 ♪ ONE MORE TIME, SAID WE'RE ♪ ROLLIN', ROLLIN', YEAH ♪ 1869 01:25:00,000 --> 01:25:06,000 ♪ ONE MORE TIME, SAID WE'RE ♪ ROLLIN', ROLLIN', YEAH ♪ 1870 01:25:06,000 --> 01:25:10,104 ♪ ONE MORE TIME, SAID WE'RE ♪ ROLLIN', ROLLIN', YEAH ♪ 1871 01:25:10,171 --> 01:25:12,000 ♪ ROLLIN' ON THE RIVER ♪ ♪ ♪ 1872 01:25:12,000 --> 01:25:18,000 ♪ ROLLIN' ON THE RIVER ♪ ♪ ♪ 1873 01:25:18,000 --> 01:25:21,583 ♪ ROLLIN' ON THE RIVER ♪ ♪ ♪ 1874 01:25:21,649 --> 01:25:24,000 [CHEERS AND APPLAUSE] ♪ WELL, I LEFT A GOOD JOB IN THE 1875 01:25:24,000 --> 01:25:28,122 [CHEERS AND APPLAUSE] ♪ WELL, I LEFT A GOOD JOB IN THE 1876 01:25:28,189 --> 01:25:29,591 CITY ♪ ♪ WORKIN' FOR THE MAN EVERY 1877 01:25:29,657 --> 01:25:30,000 NIGHT AND DAY ♪ ♪ I NEVER LOST ONE MINUTE OF 1878 01:25:30,000 --> 01:25:31,926 NIGHT AND DAY ♪ ♪ I NEVER LOST ONE MINUTE OF 1879 01:25:31,993 --> 01:25:32,961 SLEEPIN' ♪ ♪ WORRYIN' 'BOUT THE WAY THINGS 1880 01:25:33,027 --> 01:25:36,000 MIGHT HAVE BEEN ♪ ♪ BIG WHEEL KEEP ON TURNIN' ♪ 1881 01:25:36,000 --> 01:25:36,931 MIGHT HAVE BEEN ♪ ♪ BIG WHEEL KEEP ON TURNIN' ♪ 1882 01:25:36,998 --> 01:25:42,000 ♪ PROUD MARY KEEP ON BURNIN' ♪ ♪ ROLLIN', ROLLIN' ♪ 1883 01:25:42,000 --> 01:25:42,036 ♪ PROUD MARY KEEP ON BURNIN' ♪ ♪ ROLLIN', ROLLIN' ♪ 1884 01:25:42,103 --> 01:25:48,000 ♪ ROLLIN' ON THE RIVER ♪ ♪ ROLLIN', SAY WE'RE ROLLIN' ♪ 1885 01:25:48,000 --> 01:25:48,543 ♪ ROLLIN' ON THE RIVER ♪ ♪ ROLLIN', SAY WE'RE ROLLIN' ♪ 1886 01:25:48,610 --> 01:25:51,980 ♪ ROLLIN' ON THE RIVER ♪ ♪ WE'RE UP, DO DO DO DO DO DO DO 1887 01:25:52,046 --> 01:25:54,000 DO DO DO DO ♪ YEAH, I NEED TO FIND A PRETTY 1888 01:25:54,000 --> 01:26:00,000 DO DO DO DO ♪ YEAH, I NEED TO FIND A PRETTY 1889 01:26:00,000 --> 01:26:06,000 DO DO DO DO ♪ YEAH, I NEED TO FIND A PRETTY 1890 01:26:06,000 --> 01:26:06,928 DO DO DO DO ♪ YEAH, I NEED TO FIND A PRETTY 1891 01:26:06,995 --> 01:26:08,696 DO DO DO DO ♪ YEAH, I NEED TO FIND A PRETTY 1892 01:26:08,763 --> 01:26:09,297 LADY! 1893 01:26:09,364 --> 01:26:11,466 THAT DOES NOT MIND MOVING! 1894 01:26:11,533 --> 01:26:12,000 WHAT ABOUT YOU? 1895 01:26:12,000 --> 01:26:13,301 WHAT ABOUT YOU? 1896 01:26:13,368 --> 01:26:15,436 I NEED A PRETTY LADY! 1897 01:26:15,503 --> 01:26:18,000 YOU! 1898 01:26:18,000 --> 01:26:19,274 YOU! 1899 01:26:19,340 --> 01:26:24,000 ONE MORE, COME ON! 1900 01:26:24,000 --> 01:26:26,147 ONE MORE, COME ON! 1901 01:26:26,214 --> 01:26:27,348 YOU. 1902 01:26:27,415 --> 01:26:30,000 NOW I NEED EVERY LADY IN THIS BUILDING TO MOVE YOUR FEET FOR 1903 01:26:30,000 --> 01:26:30,251 NOW I NEED EVERY LADY IN THIS BUILDING TO MOVE YOUR FEET FOR 1904 01:26:30,318 --> 01:26:32,020 TINA TURNER, OKAY. 1905 01:26:32,086 --> 01:26:35,256 ♪ BIG WHEEL KEEP ON TURNIN' ♪ ♪ PROUD MARY KEEP ON BURNIN' ♪ 1906 01:26:35,323 --> 01:26:36,000 ♪ ROLLIN', ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 1907 01:26:36,000 --> 01:26:40,028 ♪ ROLLIN', ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 1908 01:26:40,094 --> 01:26:42,000 ♪ SAY WE'RE ROLLIN', ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 1909 01:26:42,000 --> 01:26:47,535 ♪ SAY WE'RE ROLLIN', ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 1910 01:26:47,602 --> 01:26:48,000 ♪ SAY WE'RE ROLLIN', ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 1911 01:26:48,000 --> 01:26:51,873 ♪ SAY WE'RE ROLLIN', ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 1912 01:26:51,940 --> 01:26:54,000 ♪ SAY WE'RE ROLLIN', ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 1913 01:26:54,000 --> 01:27:00,000 ♪ SAY WE'RE ROLLIN', ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 1914 01:27:00,000 --> 01:27:00,848 ♪ SAY WE'RE ROLLIN', ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 1915 01:27:00,915 --> 01:27:03,885 ♪ ROLLIN', ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 1916 01:27:03,952 --> 01:27:06,000 ♪ ROLLIN', ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 1917 01:27:06,000 --> 01:27:08,957 ♪ ROLLIN', ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 1918 01:27:09,023 --> 01:27:12,000 ♪ ROLLIN', ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 1919 01:27:12,000 --> 01:27:14,629 ♪ ROLLIN', ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 1920 01:27:14,696 --> 01:27:16,698 ♪ ROLLIN', ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 1921 01:28:02,944 --> 01:28:04,879 >> Trevor: AND WE ARE BACK, EVERYBODY. 1922 01:28:04,946 --> 01:28:06,000 WE ARE BACK AT THE GRAMMYS. 1923 01:28:06,000 --> 01:28:07,248 WE ARE BACK AT THE GRAMMYS. 1924 01:28:07,315 --> 01:28:11,019 THE THING ABOUT SUCCESS IS, IT GIVES ONE AN OPPORTUNITY TO DO 1925 01:28:11,085 --> 01:28:12,000 SOMETHING BIGGER THAN ONESELF, HELP PEOPLE ONE HAS NEVER MET 1926 01:28:12,000 --> 01:28:15,757 SOMETHING BIGGER THAN ONESELF, HELP PEOPLE ONE HAS NEVER MET 1927 01:28:15,823 --> 01:28:18,000 BEFORE, AND IMPACT LIVES IN WAYS THAT ARE UNIMAGINABLE. 1928 01:28:18,000 --> 01:28:22,296 BEFORE, AND IMPACT LIVES IN WAYS THAT ARE UNIMAGINABLE. 1929 01:28:22,363 --> 01:28:24,000 THIS MAN HAS DONE EACTLY THAT THROUGH HIS WORK. 1930 01:28:24,000 --> 01:28:27,301 THIS MAN HAS DONE EACTLY THAT THROUGH HIS WORK. 1931 01:28:27,368 --> 01:28:30,000 EVEN AS A YOUNG MAN GROWING UP IN SOUTH AFRICA, I WAS 1932 01:28:30,000 --> 01:28:30,304 EVEN AS A YOUNG MAN GROWING UP IN SOUTH AFRICA, I WAS 1933 01:28:30,371 --> 01:28:31,739 ENCOURAGED BY SEEING HIM COME FROM A PLACE LIKE MARCIE PROJECT 1934 01:28:31,806 --> 01:28:36,000 AND END UP AS THE GREATEST IN THE WORLD. 1935 01:28:36,000 --> 01:28:38,312 AND END UP AS THE GREATEST IN THE WORLD. 1936 01:28:38,379 --> 01:28:40,848 THE CULTURE IS SO MUCH BETTER FOR HAVING YOU IN IT. 1937 01:28:40,915 --> 01:28:42,000 AND I'M EXTREMELY PRIVILEGED TO HAVE LIVED IN YOUR ERA. 1938 01:28:42,000 --> 01:28:48,000 AND I'M EXTREMELY PRIVILEGED TO HAVE LIVED IN YOUR ERA. 1939 01:28:48,000 --> 01:28:50,324 AND I'M EXTREMELY PRIVILEGED TO HAVE LIVED IN YOUR ERA. 1940 01:28:50,391 --> 01:28:53,327 >> IF YOU TAKE AWAY GENRES OF MUSIC, ROCK, COUNTRY, RAP, IN 1941 01:28:53,394 --> 01:28:54,000 TRUTH IT'S ABOUT THE SAME THING. 1942 01:28:54,000 --> 01:28:54,962 TRUTH IT'S ABOUT THE SAME THING. 1943 01:28:55,029 --> 01:29:00,000 IT'S ABOUT PASSION, IT'S ABOUT PAIN, IT'S ABOUT LOVE. 1944 01:29:00,000 --> 01:29:00,334 IT'S ABOUT PASSION, IT'S ABOUT PAIN, IT'S ABOUT LOVE. 1945 01:29:00,401 --> 01:29:06,000 >> Announcer: BORN AND RAISED IN BROOKLYN, NEW YORK, SEAN COREY 1946 01:29:06,000 --> 01:29:06,274 >> Announcer: BORN AND RAISED IN BROOKLYN, NEW YORK, SEAN COREY 1947 01:29:06,340 --> 01:29:07,408 CARTER HAS ALWAYS HAD A CLEAR UNDERSTANDING OF HIP-HOP'S 1948 01:29:07,475 --> 01:29:08,509 UNIVERSAL REACH, EARNING HIM MANY TITLES THROUGHOUT HIS 1949 01:29:08,576 --> 01:29:12,000 CAREER. 1950 01:29:12,000 --> 01:29:12,613 CAREER. 1951 01:29:12,680 --> 01:29:14,048 JAY-Z SINGLE HANDEDLY PUSHED RAP INTO ARENAS WHERE IT HAD BEEN 1952 01:29:14,115 --> 01:29:15,149 HISTORICALLY EXCLUDED. 1953 01:29:15,216 --> 01:29:16,417 AND TODAY, HE CONTINUES TO PERMEATE ALL ASPECTS OF POP 1954 01:29:16,484 --> 01:29:18,000 CULTURE FROM MUSIC STREAMING TO SPORTS TO ENTREPRENEURSHIP. 1955 01:29:18,000 --> 01:29:19,420 CULTURE FROM MUSIC STREAMING TO SPORTS TO ENTREPRENEURSHIP. 1956 01:29:19,487 --> 01:29:24,000 FORWARD THINKING HAS BEEN A CONSTANT IN HIS LEGACY. 1957 01:29:24,000 --> 01:29:27,962 FORWARD THINKING HAS BEEN A CONSTANT IN HIS LEGACY. 1958 01:29:28,029 --> 01:29:30,000 >> WE WERE TOLD THAT HIP-HOP WAS A FAD, AND NOT FOR ONE SECOND 1959 01:29:30,000 --> 01:29:35,470 >> WE WERE TOLD THAT HIP-HOP WAS A FAD, AND NOT FOR ONE SECOND 1960 01:29:35,536 --> 01:29:36,000 CHANGE MY CAUSE. 1961 01:29:36,000 --> 01:29:42,000 CHANGE MY CAUSE. 1962 01:29:42,000 --> 01:29:42,110 CHANGE MY CAUSE. 1963 01:29:42,176 --> 01:29:48,000 ♪ ♪ >> Trevor: IT'S NOW MY HONOR TO 1964 01:29:48,000 --> 01:29:49,517 ♪ ♪ >> Trevor: IT'S NOW MY HONOR TO 1965 01:29:49,584 --> 01:29:54,000 PRESENT THE DR. DRE GLOBAL IN THE PRESENCE OF DR. DRE 1966 01:29:54,000 --> 01:29:57,725 PRESENT THE DR. DRE GLOBAL IN THE PRESENCE OF DR. DRE 1967 01:29:57,792 --> 01:30:00,000 HIMSELF, BY THE WAY, TO THE ONE, THE ONLY, I MEAN, COME ON, 1968 01:30:00,000 --> 01:30:02,363 HIMSELF, BY THE WAY, TO THE ONE, THE ONLY, I MEAN, COME ON, 1969 01:30:02,430 --> 01:30:06,000 Y'ALL, YOU'RE GOING TO HAVE TO GET ON YOUR FEET! 1970 01:30:06,000 --> 01:30:07,602 Y'ALL, YOU'RE GOING TO HAVE TO GET ON YOUR FEET! 1971 01:30:07,668 --> 01:30:09,604 JAY-Z! 1972 01:30:09,670 --> 01:30:12,000 [CHEERS AND APPLAUSE] ♪ ♪ 1973 01:30:12,000 --> 01:30:18,000 [CHEERS AND APPLAUSE] ♪ ♪ 1974 01:30:18,000 --> 01:30:21,048 [CHEERS AND APPLAUSE] ♪ ♪ 1975 01:30:21,115 --> 01:30:24,000 ♪ ♪ 1976 01:30:24,000 --> 01:30:24,485 ♪ ♪ 1977 01:30:26,487 --> 01:30:30,000 ♪ ♪ 1978 01:30:30,000 --> 01:30:36,000 ♪ ♪ 1979 01:30:36,000 --> 01:30:41,369 ♪ ♪ 1980 01:30:41,435 --> 01:30:42,000 ♪ ♪ 1981 01:30:42,000 --> 01:30:42,570 ♪ ♪ 1982 01:30:44,672 --> 01:30:48,000 >> THANK YOU, THANK YOU, THANK YOU VERY MUCH. 1983 01:30:48,000 --> 01:30:51,078 >> THANK YOU, THANK YOU, THANK YOU VERY MUCH. 1984 01:30:51,145 --> 01:30:54,000 THIS IS A SIPPY CUP FOR BLU, BUT SHE HAS GROWN UP NOW. 1985 01:30:54,000 --> 01:30:58,753 THIS IS A SIPPY CUP FOR BLU, BUT SHE HAS GROWN UP NOW. 1986 01:30:58,820 --> 01:31:00,000 SHE DOES NOT HAVE SIPPY CUPS AND SHE HAS HER OWN GRAMMYS! 1987 01:31:00,000 --> 01:31:02,256 SHE DOES NOT HAVE SIPPY CUPS AND SHE HAS HER OWN GRAMMYS! 1988 01:31:02,323 --> 01:31:06,000 FIRST OF ALL, THANKS TO DR. DRE SOMEWHERE IN THE HOUSE, ANDRE 1989 01:31:06,000 --> 01:31:12,000 FIRST OF ALL, THANKS TO DR. DRE SOMEWHERE IN THE HOUSE, ANDRE 1990 01:31:12,000 --> 01:31:15,937 FIRST OF ALL, THANKS TO DR. DRE SOMEWHERE IN THE HOUSE, ANDRE 1991 01:31:16,003 --> 01:31:17,438 YOUNG, THANK YOU, SIR. 1992 01:31:17,505 --> 01:31:18,000 ALL OF THE DOORS YOU OPEN, SHOWING US THAT WE CAN BE 1993 01:31:18,000 --> 01:31:22,643 ALL OF THE DOORS YOU OPEN, SHOWING US THAT WE CAN BE 1994 01:31:22,710 --> 01:31:24,000 ROCK STARS, SENIOR ON THE ROLLING STONE, WHEN IT CAME OUT 1995 01:31:24,000 --> 01:31:26,914 ROCK STARS, SENIOR ON THE ROLLING STONE, WHEN IT CAME OUT 1996 01:31:26,981 --> 01:31:30,000 WEST, YOU TOOK IT TO A WHOLE 'NOTHER LEVEL, PUT US ON COVERS, 1997 01:31:30,000 --> 01:31:31,652 WEST, YOU TOOK IT TO A WHOLE 'NOTHER LEVEL, PUT US ON COVERS, 1998 01:31:31,719 --> 01:31:33,921 ROLLING STONE, PUT US AROUND THE WORLD. 1999 01:31:33,988 --> 01:31:36,000 ALL OF THE RECORDS YOU BROKE, SO THANK YOU FOR THIS! 2000 01:31:36,000 --> 01:31:38,860 ALL OF THE RECORDS YOU BROKE, SO THANK YOU FOR THIS! 2001 01:31:38,926 --> 01:31:41,262 HONORED TO ACCEPT IT. 2002 01:31:41,329 --> 01:31:42,000 HONORED TO ACCEPT IT, AND THANK YOU TO BLACK MUSIC 2003 01:31:42,000 --> 01:31:44,098 HONORED TO ACCEPT IT, AND THANK YOU TO BLACK MUSIC 2004 01:31:44,165 --> 01:31:48,000 COLLECTIVE FOR ALL THE WORK YOU GUYS DO. 2005 01:31:48,000 --> 01:31:54,000 COLLECTIVE FOR ALL THE WORK YOU GUYS DO. 2006 01:31:54,000 --> 01:31:54,041 COLLECTIVE FOR ALL THE WORK YOU GUYS DO. 2007 01:31:54,108 --> 01:31:58,880 SCHOLARSHIPS FOR YOUNG CREATIVE'S, AND HOPEFULLY, YOU 2008 01:31:58,946 --> 01:32:00,000 KNOW, I AM ADDING TO WHAT YOU GUYS ARE DOING UP HERE. 2009 01:32:00,000 --> 01:32:04,552 KNOW, I AM ADDING TO WHAT YOU GUYS ARE DOING UP HERE. 2010 01:32:04,619 --> 01:32:06,000 OBVIOUSLY, IT IS GREAT TO HAVE AN AWARD FOR SUCH AN ICON. 2011 01:32:06,000 --> 01:32:09,724 OBVIOUSLY, IT IS GREAT TO HAVE AN AWARD FOR SUCH AN ICON. 2012 01:32:09,790 --> 01:32:12,000 HOW FAR WE HAVE COME WITH WILL SMITH, THE FRESH 2013 01:32:12,000 --> 01:32:14,996 HOW FAR WE HAVE COME WITH WILL SMITH, THE FRESH 2014 01:32:15,062 --> 01:32:18,000 PRINCE WINNING THEIR FIRST GRAMMY IN '89, AND BOYCOTTING 2015 01:32:18,000 --> 01:32:19,000 PRINCE WINNING THEIR FIRST GRAMMY IN '89, AND BOYCOTTING 2016 01:32:19,066 --> 01:32:21,369 BECAUSE IT WAS NOT TELEVISED. 2017 01:32:21,435 --> 01:32:24,000 AND THEN THEY WENT TO LIKE A HOTEL AND WATCH THE GRAMMYS. 2018 01:32:24,000 --> 01:32:24,438 AND THEN THEY WENT TO LIKE A HOTEL AND WATCH THE GRAMMYS. 2019 01:32:24,505 --> 01:32:27,508 I DON'T EVEN UNDERSTAND. 2020 01:32:27,575 --> 01:32:30,000 IT WAS NOT A GREAT BOYCOTT. 2021 01:32:30,000 --> 01:32:31,412 IT WAS NOT A GREAT BOYCOTT. 2022 01:32:31,479 --> 01:32:36,000 [LAUGHTER] BUT THEN IN '98 I TOOK A PAGE 2023 01:32:36,000 --> 01:32:37,184 [LAUGHTER] BUT THEN IN '98 I TOOK A PAGE 2024 01:32:37,251 --> 01:32:42,000 OUT OF THEIR BOOK AND WAS NOMINATED FOR BEST RAP ALBUM. 2025 01:32:42,000 --> 01:32:42,490 OUT OF THEIR BOOK AND WAS NOMINATED FOR BEST RAP ALBUM. 2026 01:32:42,556 --> 01:32:47,094 AND DMX PUT OUT TWO, THEY WERE NOMINATED FOR NUMBER ONE, AND HE 2027 01:32:47,161 --> 01:32:48,000 WAS NOT NOMINATED AT ALL, SO I BOYCOTTED AND I WATCH THE 2028 01:32:48,000 --> 01:32:52,700 WAS NOT NOMINATED AT ALL, SO I BOYCOTTED AND I WATCH THE 2029 01:32:52,767 --> 01:32:53,701 GRAMMYS. 2030 01:32:53,768 --> 01:32:54,000 I'M JUST SAYING, WE WANT YOU ALL TO GET IT RIGHT. 2031 01:32:54,000 --> 01:32:55,303 I'M JUST SAYING, WE WANT YOU ALL TO GET IT RIGHT. 2032 01:32:55,369 --> 01:32:57,171 WE LOVE Y'ALL, WE LOVE Y'ALL. 2033 01:32:57,238 --> 01:32:59,173 WE WANT YOU TO GET IT RIGHT. 2034 01:32:59,240 --> 01:33:00,000 AT LEAST GET IT CLOSE TO RIGHTS. 2035 01:33:00,000 --> 01:33:01,375 AT LEAST GET IT CLOSE TO RIGHTS. 2036 01:33:01,442 --> 01:33:03,544 AND OBVIOUSLY, IT'S SUBJECTIVE. 2037 01:33:03,611 --> 01:33:06,000 YOU DON'T GOT TO CLAP AT EVERYTHING. 2038 01:33:06,000 --> 01:33:06,280 YOU DON'T GOT TO CLAP AT EVERYTHING. 2039 01:33:06,347 --> 01:33:08,816 [LAUGHTER] OBVIOUSLY ITS OBJECTIVE, BECAUSE 2040 01:33:08,883 --> 01:33:10,584 YOU KNOW, IT'S MUSIC. 2041 01:33:10,651 --> 01:33:12,000 AND ITS OPINION BASED, BUT SOME THINGS -- I DON'T WANT TO 2042 01:33:12,000 --> 01:33:17,725 AND ITS OPINION BASED, BUT SOME THINGS -- I DON'T WANT TO 2043 01:33:17,792 --> 01:33:18,000 EMBARRASS THIS YOUNG LADY, BUT SHE HAS MORE GRAMMYS THAN 2044 01:33:18,000 --> 01:33:21,929 EMBARRASS THIS YOUNG LADY, BUT SHE HAS MORE GRAMMYS THAN 2045 01:33:21,996 --> 01:33:23,230 ANYONE, NUMBER ONE ALBUM OF THE YEAR. 2046 01:33:23,297 --> 01:33:24,000 SO EVEN BY THAT OWN METRIC IT DOES NOT WORK. 2047 01:33:24,000 --> 01:33:26,567 SO EVEN BY THAT OWN METRIC IT DOES NOT WORK. 2048 01:33:26,634 --> 01:33:30,000 THINK ABOUT THAT, MOST GRAMMYS, NUBER ONE ALBUM OF THE YEAR, 2049 01:33:30,000 --> 01:33:31,339 THINK ABOUT THAT, MOST GRAMMYS, NUBER ONE ALBUM OF THE YEAR, 2050 01:33:31,405 --> 01:33:32,573 THAT DOES NOT WORK. 2051 01:33:32,640 --> 01:33:35,710 SOME OF YOU ARE GOING TO GO HOME TONIGHT AND FEEL LIKE YOU HAVE 2052 01:33:35,776 --> 01:33:36,000 BEEN ROBBED. 2053 01:33:36,000 --> 01:33:37,144 BEEN ROBBED. 2054 01:33:37,211 --> 01:33:38,946 SOME OF YOU MAY GET ROBBED. 2055 01:33:39,013 --> 01:33:39,947 [LAUGHTER] SOME OF YOU DON'T BELONG IN THE 2056 01:33:40,014 --> 01:33:42,000 CATEGORY. 2057 01:33:42,000 --> 01:33:43,651 CATEGORY. 2058 01:33:43,718 --> 01:33:44,652 OKAY, NO, NO. 2059 01:33:44,719 --> 01:33:48,000 WHEN I GET NERVOUS I TELL THE TRUTH. 2060 01:33:48,000 --> 01:33:49,757 WHEN I GET NERVOUS I TELL THE TRUTH. 2061 01:33:49,824 --> 01:33:51,659 [LAUGHTER] BUT OUTSIDE OF THAT. 2062 01:33:51,726 --> 01:33:54,000 OUTSIDE OF THAT, WE HAVE TO KEEP SHOWING UP. 2063 01:33:54,000 --> 01:33:54,328 OUTSIDE OF THAT, WE HAVE TO KEEP SHOWING UP. 2064 01:33:54,395 --> 01:33:57,965 AND FORGET THE GRAMMYS FOR A SECOND JUST IN LIFE -- AS MY 2065 01:33:58,032 --> 01:34:00,000 DAUGHTER SITS AND STARES AT ME AS NERVOUS AS I AM. 2066 01:34:00,000 --> 01:34:01,402 DAUGHTER SITS AND STARES AT ME AS NERVOUS AS I AM. 2067 01:34:01,469 --> 01:34:04,205 JUST IN LIFE, YOU HAVE TO KEEP SHOWING UP. 2068 01:34:04,271 --> 01:34:05,406 JUST KEEP SHOWING UP. 2069 01:34:05,473 --> 01:34:06,000 FORGET THE GRAMMYS. 2070 01:34:06,000 --> 01:34:06,574 FORGET THE GRAMMYS. 2071 01:34:06,640 --> 01:34:09,710 YOU HAVE TO KEEP SHOWING UP UNTIL THEY GIVE YOU ALL THOSE 2072 01:34:09,777 --> 01:34:12,000 ACCOLADES YOU FEEL YOU DESERVE, UNTIL THEY CALL YOU CHAIRMAN, 2073 01:34:12,000 --> 01:34:15,916 ACCOLADES YOU FEEL YOU DESERVE, UNTIL THEY CALL YOU CHAIRMAN, 2074 01:34:15,983 --> 01:34:17,184 UNTIL THEY CALL YOU A GENIUS, UNTIL THEY CALL YOU THE GREATEST 2075 01:34:17,251 --> 01:34:17,551 OF ALL TIME. 2076 01:34:17,618 --> 01:34:18,000 YOU FEEL ME? 2077 01:34:18,000 --> 01:34:19,587 YOU FEEL ME? 2078 01:34:19,653 --> 01:34:24,000 [CHEERS AND APPLAUSE] THANK YOU! 2079 01:34:24,000 --> 01:34:29,430 [CHEERS AND APPLAUSE] THANK YOU! 2080 01:34:29,497 --> 01:34:30,000 ♪ ♪ >> Trevor: CONGRATULATIONS, 2081 01:34:30,000 --> 01:34:31,432 ♪ ♪ >> Trevor: CONGRATULATIONS, 2082 01:34:31,499 --> 01:34:32,633 JAY-Z! 2083 01:34:32,700 --> 01:34:34,068 STILL TO COME, PERFORMANCES BY BURNA BOY AND BILLY JOEL, BUT 2084 01:34:34,135 --> 01:34:36,000 WE'RE ABOUT TO TAKE A COMMERCIAL BREAK. 2085 01:34:36,000 --> 01:34:37,938 WE'RE ABOUT TO TAKE A COMMERCIAL BREAK. 2086 01:34:38,005 --> 01:34:40,941 NOW THIS IS FUN. 2087 01:34:41,008 --> 01:34:42,000 COMING UP IN THIS BREAK, A SPECIAL PERFORMANCE BY SZA AT 2088 01:34:42,000 --> 01:34:42,109 COMING UP IN THIS BREAK, A SPECIAL PERFORMANCE BY SZA AT 2089 01:34:42,176 --> 01:34:44,178 GRAMMY HOUSE, PRESENTED BY MASTERCARD. 2090 01:35:00,961 --> 01:35:03,898 >> Announcer: EARLIER TODAY, THE GRAMMY FOR BEST ROCK 2091 01:35:03,964 --> 01:35:06,000 PERFORMANCE WAS WON BY BOYGENIUS. 2092 01:35:06,000 --> 01:35:06,434 PERFORMANCE WAS WON BY BOYGENIUS. 2093 01:35:06,500 --> 01:35:09,904 THE GRAMMY FOR BEST GOSPEL ALBUM WAS WON BY TYE TRIBBETT. 2094 01:35:09,970 --> 01:35:12,000 AND THE GRAMMY FOR BEST GLOBAL MUSIC ALBUM WAS WON 2095 01:35:12,000 --> 01:35:12,673 AND THE GRAMMY FOR BEST GLOBAL MUSIC ALBUM WAS WON 2096 01:35:12,740 --> 01:35:13,741 BY SHAKTI. 2097 01:35:19,213 --> 01:35:22,083 >> Trevor: WHAT DO YOU SAY? 2098 01:35:22,149 --> 01:35:23,350 YO, I AM HAVING THE TIME OF MY LIFE RIGHT NOW. 2099 01:35:23,417 --> 01:35:24,000 EVERY TABLE YOU SIT AT, YOU FIND PEOPLE FROM ALL OVER THE WORLD. 2100 01:35:24,000 --> 01:35:26,487 EVERY TABLE YOU SIT AT, YOU FIND PEOPLE FROM ALL OVER THE WORLD. 2101 01:35:26,554 --> 01:35:30,000 I AM SITTING WITH THE SON OF THE LEGENDARY BOB MARLEY. 2102 01:35:30,000 --> 01:35:30,624 I AM SITTING WITH THE SON OF THE LEGENDARY BOB MARLEY. 2103 01:35:30,691 --> 01:35:35,329 AND WE ARE JUST CHATTING ABOUT HOW HIS DAD'S BIOPIC IS COMING 2104 01:35:35,396 --> 01:35:36,000 OUT "ONE LOVE." 2105 01:35:36,000 --> 01:35:37,331 OUT "ONE LOVE." 2106 01:35:37,398 --> 01:35:42,000 AND BOB MARLEY IS PLAYED BY KINGSLEY BEN-ADIR WHO PLAYS HIS 2107 01:35:42,000 --> 01:35:47,541 AND BOB MARLEY IS PLAYED BY KINGSLEY BEN-ADIR WHO PLAYS HIS 2108 01:35:47,608 --> 01:35:48,000 FATHER, BOB MARLEY. 2109 01:35:48,000 --> 01:35:50,945 FATHER, BOB MARLEY. 2110 01:35:51,011 --> 01:35:54,000 TELL ME WHAT IT IS LIKE TO SEE YOUR FATHER'S LIFE PORTRAYED IN 2111 01:35:54,000 --> 01:35:55,416 TELL ME WHAT IT IS LIKE TO SEE YOUR FATHER'S LIFE PORTRAYED IN 2112 01:35:55,483 --> 01:35:56,383 THE MOVIE? 2113 01:35:56,450 --> 01:36:00,000 >> WE DON'T REALLY KNOW. 2114 01:36:00,000 --> 01:36:00,154 >> WE DON'T REALLY KNOW. 2115 01:36:00,221 --> 01:36:01,155 >> Trevor: HOW DOES IT FEEL? 2116 01:36:01,222 --> 01:36:03,757 >> FIRE. 2117 01:36:03,824 --> 01:36:06,000 >> Trevor: AND WHICH WE LOOK FORWARD TO IN THE MOVIE? 2118 01:36:06,000 --> 01:36:08,929 >> Trevor: AND WHICH WE LOOK FORWARD TO IN THE MOVIE? 2119 01:36:08,996 --> 01:36:11,298 >> EVERYTHING COOL. 2120 01:36:11,365 --> 01:36:12,000 >> Trevor: KINGSLEY, WHAT WOULD YOU ADD TO THAT? 2121 01:36:12,000 --> 01:36:12,666 >> Trevor: KINGSLEY, WHAT WOULD YOU ADD TO THAT? 2122 01:36:12,733 --> 01:36:15,002 >> I DID NOT UNDERSTAND WHAT YOU SAID. 2123 01:36:15,069 --> 01:36:18,000 >> Trevor: YOU ARE JUST GOING TO HAVE TO WATCH THE MOVIE. 2124 01:36:18,000 --> 01:36:19,306 >> Trevor: YOU ARE JUST GOING TO HAVE TO WATCH THE MOVIE. 2125 01:36:19,373 --> 01:36:21,275 NOW TO PRESENT THE AWARD FOR SONG OF THE YEAR, A LEGENDARY, 2126 01:36:21,342 --> 01:36:22,643 MULTI-GRAMMY-WINNING ARTIST WHO WON THIS AWARD FOR WRITING 2127 01:36:22,710 --> 01:36:24,000 "WE ARE THE WORLD" WITH MICHAEL JACKSON, A HISTORIC 2128 01:36:24,000 --> 01:36:24,011 "WE ARE THE WORLD" WITH MICHAEL JACKSON, A HISTORIC 2129 01:36:24,078 --> 01:36:27,848 MOMENT NOW CELEBRATED IN A NEW NETFLIX DOCUMENTARY CALLED 2130 01:36:27,915 --> 01:36:28,549 "THE GREATEST NIGHT IN POP." 2131 01:36:28,616 --> 01:36:30,000 PLEASE WELCOME LIONEL RICHIE! 2132 01:36:30,000 --> 01:36:33,454 PLEASE WELCOME LIONEL RICHIE! 2133 01:36:33,521 --> 01:36:36,000 ♪ ♪ [CHEERS AND APPLAUSE] 2134 01:36:36,000 --> 01:36:41,362 ♪ ♪ [CHEERS AND APPLAUSE] 2135 01:36:41,428 --> 01:36:42,000 ♪ ♪ >> THANK YOU, TREVOR! 2136 01:36:42,000 --> 01:36:45,866 ♪ ♪ >> THANK YOU, TREVOR! 2137 01:36:45,933 --> 01:36:47,034 THANK YOU VERY MUCH, EVERYBODY. 2138 01:36:47,101 --> 01:36:48,000 WINNING THE GRAMMY FOR SONG OF THE YEAR FOR WRITING 2139 01:36:48,000 --> 01:36:51,872 WINNING THE GRAMMY FOR SONG OF THE YEAR FOR WRITING 2140 01:36:51,939 --> 01:36:53,874 "WE ARE THE WORLD" WITH MY DEAR, DEAR FRIEND 2141 01:36:53,941 --> 01:36:54,000 MICHAEL JACKSON HOLDS A SPECIAL PLACE IN MY HEART FOREVER. 2142 01:36:54,000 --> 01:36:56,911 MICHAEL JACKSON HOLDS A SPECIAL PLACE IN MY HEART FOREVER. 2143 01:36:56,977 --> 01:37:00,000 AND IT MEANS THE WORLD TO ME TO PRESENT THIS GRAMMY AWARD 2144 01:37:00,000 --> 01:37:03,817 AND IT MEANS THE WORLD TO ME TO PRESENT THIS GRAMMY AWARD 2145 01:37:03,884 --> 01:37:05,686 HONORING THE ART OF SONGWRITING. 2146 01:37:05,753 --> 01:37:06,000 THESE ARE THIS YEAR'S OUTSTANDING NOMINEES FOR SONG OF 2147 01:37:06,000 --> 01:37:12,000 THESE ARE THIS YEAR'S OUTSTANDING NOMINEES FOR SONG OF 2148 01:37:12,000 --> 01:37:12,826 THESE ARE THIS YEAR'S OUTSTANDING NOMINEES FOR SONG OF 2149 01:37:12,893 --> 01:37:14,895 THE YEAR. 2150 01:37:25,206 --> 01:37:30,000 >> Announcer: "A&W," ♪ ♪ 2151 01:37:30,000 --> 01:37:32,646 >> Announcer: "A&W," ♪ ♪ 2152 01:37:32,713 --> 01:37:36,000 "ANTI-HERO" ♪ ♪ 2153 01:37:36,000 --> 01:37:36,850 "ANTI-HERO" ♪ ♪ 2154 01:37:36,917 --> 01:37:42,000 "BUTTERFLY." 2155 01:37:42,000 --> 01:37:43,257 "BUTTERFLY." 2156 01:37:43,324 --> 01:37:48,000 ♪ ♪ "DANCE THE NIGHT." 2157 01:37:48,000 --> 01:37:49,196 ♪ ♪ "DANCE THE NIGHT." 2158 01:37:49,263 --> 01:37:51,565 FROM "BARBIE" THE ALBUM. 2159 01:37:51,632 --> 01:37:54,000 ♪ ♪ "FLOWERS." 2160 01:37:54,000 --> 01:37:56,437 ♪ ♪ "FLOWERS." 2161 01:37:56,503 --> 01:38:00,000 ♪ ♪ "KILL BILL." 2162 01:38:00,000 --> 01:38:03,978 ♪ ♪ "KILL BILL." 2163 01:38:04,044 --> 01:38:06,000 ♪ ♪ "VAMPIRE." 2164 01:38:06,000 --> 01:38:08,782 ♪ ♪ "VAMPIRE." 2165 01:38:08,849 --> 01:38:12,000 ♪ ♪ "WHAT WAS I MADE FOR?" 2166 01:38:12,000 --> 01:38:17,791 ♪ ♪ "WHAT WAS I MADE FOR?" 2167 01:38:17,858 --> 01:38:18,000 FROM THE MOTION PICTURE "BARBIE." 2168 01:38:18,000 --> 01:38:24,000 FROM THE MOTION PICTURE "BARBIE." 2169 01:38:24,000 --> 01:38:26,900 FROM THE MOTION PICTURE "BARBIE." 2170 01:38:26,967 --> 01:38:30,000 ♪ ♪ >> WOW, WOW, WOW, ALL WIN! 2171 01:38:30,000 --> 01:38:33,907 ♪ ♪ >> WOW, WOW, WOW, ALL WIN! 2172 01:38:33,974 --> 01:38:34,908 BUT THERE HAS TO BE ONE. 2173 01:38:34,975 --> 01:38:36,000 AND THE GRAMMY GOES TO... 2174 01:38:36,000 --> 01:38:37,378 AND THE GRAMMY GOES TO... 2175 01:38:38,846 --> 01:38:41,615 [LAUGHS] -- 2176 01:38:41,682 --> 01:38:42,000 >> AND THE GRAMMY GOES TO... 2177 01:38:42,000 --> 01:38:44,785 >> AND THE GRAMMY GOES TO... 2178 01:38:44,852 --> 01:38:45,853 BILLIE EILISH. 2179 01:39:25,192 --> 01:39:30,000 [CHEERS AND APPLAUSE] NO, WHOOPS, YIKES. 2180 01:39:30,000 --> 01:39:35,102 [CHEERS AND APPLAUSE] NO, WHOOPS, YIKES. 2181 01:39:35,169 --> 01:39:36,000 DAMN, THAT STUPID, GUYS. 2182 01:39:36,000 --> 01:39:36,970 DAMN, THAT STUPID, GUYS. 2183 01:39:37,037 --> 01:39:37,905 I WAS LOOKING AT EVERYONE'S FACES AND I LEANED OVER AND I 2184 01:39:37,971 --> 01:39:39,840 WAS LIKE NOT A CHANCE! 2185 01:39:39,907 --> 01:39:42,000 I JUST WANT TO SAY EVERYONE IN THIS CATEGORY, LIKE -- 2186 01:39:42,000 --> 01:39:44,278 I JUST WANT TO SAY EVERYONE IN THIS CATEGORY, LIKE -- 2187 01:39:44,345 --> 01:39:48,000 THAT WAS A CRAZY LIST OF INCREDIBLE PEOPLE, INCREDIBLE 2188 01:39:48,000 --> 01:39:48,849 THAT WAS A CRAZY LIST OF INCREDIBLE PEOPLE, INCREDIBLE 2189 01:39:48,916 --> 01:39:50,284 ARTISTS, INCREDIBLE MUSIC! 2190 01:39:50,351 --> 01:39:54,000 I FEEL CRAZY RIGHT NOW. 2191 01:39:54,000 --> 01:39:55,289 I FEEL CRAZY RIGHT NOW. 2192 01:39:55,356 --> 01:39:56,357 DAMN, DUDE. 2193 01:39:56,423 --> 01:40:00,000 I AM SHOCKED OUT OF MY BALLS. 2194 01:40:00,000 --> 01:40:02,296 I AM SHOCKED OUT OF MY BALLS. 2195 01:40:02,363 --> 01:40:04,498 [LAUGHTER] THANK YOU TO THE MEMBERS OF THE 2196 01:40:04,565 --> 01:40:05,733 RECORDING ACADEMY. 2197 01:40:05,799 --> 01:40:06,000 THANK YOU TO MY BROTHER WHO IS MY BEST FRIEND IN THE WORLD AND 2198 01:40:06,000 --> 01:40:08,869 THANK YOU TO MY BROTHER WHO IS MY BEST FRIEND IN THE WORLD AND 2199 01:40:08,936 --> 01:40:12,000 MAKES ME THE PERSON I AM TODAY. 2200 01:40:12,000 --> 01:40:13,040 MAKES ME THE PERSON I AM TODAY. 2201 01:40:13,107 --> 01:40:18,000 THANK YOU TO GO TO GERWIG FOR MAKING THE BEST MOVIE OF THE 2202 01:40:18,000 --> 01:40:18,979 THANK YOU TO GO TO GERWIG FOR MAKING THE BEST MOVIE OF THE 2203 01:40:19,046 --> 01:40:23,417 YEAR. 2204 01:40:23,484 --> 01:40:24,000 >> THANK YOU FOR PAUL WALKER FOR HAVING MEETING WHERE HE SAID WE 2205 01:40:24,000 --> 01:40:27,888 >> THANK YOU FOR PAUL WALKER FOR HAVING MEETING WHERE HE SAID WE 2206 01:40:27,955 --> 01:40:29,623 SHOULD HAVE A SONG ON THE SOUNDTRACK AND HE WAS LIKE DO 2207 01:40:29,690 --> 01:40:30,000 YOU WANT TO BE ON THE "BARBIE" SOUNDTRACK. 2208 01:40:30,000 --> 01:40:34,294 YOU WANT TO BE ON THE "BARBIE" SOUNDTRACK. 2209 01:40:34,361 --> 01:40:35,529 WE ARE SO LUCKY. 2210 01:40:35,596 --> 01:40:36,000 WE CONTINUE TO BE DEEPLY, LED DEEPLY PRIVILEGED LUCKY PEOPLE. 2211 01:40:36,000 --> 01:40:39,333 WE CONTINUE TO BE DEEPLY, LED DEEPLY PRIVILEGED LUCKY PEOPLE. 2212 01:40:39,400 --> 01:40:41,969 IT'S HARD TO FEEL DESERVING EVER, BUT WE DEFINITELY DON'T 2213 01:40:42,035 --> 01:40:42,669 RIGHT NOW. 2214 01:40:42,736 --> 01:40:45,839 WE ARE VERY HUMBLE AND GRATEFUL. 2215 01:40:45,906 --> 01:40:48,000 >> CHELSEA, MICHELLE, MARK BRONSON, ANDREW WYATT, EVERYONE, 2216 01:40:48,000 --> 01:40:53,046 >> CHELSEA, MICHELLE, MARK BRONSON, ANDREW WYATT, EVERYONE, 2217 01:40:53,113 --> 01:40:54,000 THANK YOU SO MUCH. 2218 01:40:54,000 --> 01:40:54,214 THANK YOU SO MUCH. 2219 01:40:54,281 --> 01:40:58,552 I'M FORGETTING PEOPLE, MY MOM, MY DAD, I LOVE YOU, FRIENDS, 2220 01:40:58,619 --> 01:40:59,453 FANS, THIS IS SILLY. 2221 01:40:59,520 --> 01:41:00,000 I'M NOT SUPPOSED TO BE HERE. 2222 01:41:00,000 --> 01:41:01,855 I'M NOT SUPPOSED TO BE HERE. 2223 01:41:01,922 --> 01:41:05,392 THANK YOU FOR HAVING ME! 2224 01:41:05,459 --> 01:41:06,000 OKAY, BYE! 2225 01:41:06,000 --> 01:41:08,495 OKAY, BYE! 2226 01:41:08,562 --> 01:41:12,000 ♪ ♪ >> Trevor: CONGRATULATIONS 2227 01:41:12,000 --> 01:41:13,634 ♪ ♪ >> Trevor: CONGRATULATIONS 2228 01:41:13,700 --> 01:41:18,000 BILLIE AND FINNEAS FOR WINNING SONG OF THE YEAR. 2229 01:41:18,000 --> 01:41:19,306 BILLIE AND FINNEAS FOR WINNING SONG OF THE YEAR. 2230 01:41:19,373 --> 01:41:21,341 FOR WINNING SONG OF THE YEAR, AN AWARD FOR SONGWRITERS. 2231 01:41:21,408 --> 01:41:23,143 SPEAKING OF GREAT SONGS AND SONGWRITERS, IT'S TIME FOR A 2232 01:41:23,210 --> 01:41:24,000 PERFORMANCE FROM ONE OF THE GREATEST OF ALL TIME, 2233 01:41:24,000 --> 01:41:25,345 PERFORMANCE FROM ONE OF THE GREATEST OF ALL TIME, 2234 01:41:25,412 --> 01:41:26,513 JONI MITCHELL. 2235 01:41:26,580 --> 01:41:27,681 TODAY, JONI MITCHELL WON A NEW GRAMMY FOR BEST FOLK ALBUM. 2236 01:41:27,748 --> 01:41:28,549 TO INTRODUCE THIS ICON IS A GRAMMY AWARD WINNER WHO I KNOW 2237 01:41:28,615 --> 01:41:29,216 THIS HISTORIC MOMENT MEANS THE WORLD TO. 2238 01:41:29,283 --> 01:41:30,000 PLEASE WELCOME BRANDI CARLILE. 2239 01:41:30,000 --> 01:41:35,122 PLEASE WELCOME BRANDI CARLILE. 2240 01:41:35,189 --> 01:41:36,000 >> HI! 2241 01:41:36,000 --> 01:41:37,291 >> HI! 2242 01:41:37,357 --> 01:41:39,993 WHETHER WE KNOW IT OR NOT, ANY ONE OF US OUT HERE WHO EVER 2243 01:41:40,060 --> 01:41:42,000 DREAMED OF BECOMING A TRULY SELF-REVEALING SINGER SONGWRITER 2244 01:41:42,000 --> 01:41:42,796 DREAMED OF BECOMING A TRULY SELF-REVEALING SINGER SONGWRITER 2245 01:41:42,863 --> 01:41:48,000 DID IT STANDING ON THE SHOULDERS OF ONE JONI MITCHELL. 2246 01:41:48,000 --> 01:41:51,004 DID IT STANDING ON THE SHOULDERS OF ONE JONI MITCHELL. 2247 01:41:51,071 --> 01:41:54,000 JONI IS ONE OF THE MOST INFLUENTIAL AND EMOTIONALLY 2248 01:41:54,000 --> 01:41:56,310 JONI IS ONE OF THE MOST INFLUENTIAL AND EMOTIONALLY 2249 01:41:56,376 --> 01:41:58,045 GENEROUS CREATORS IN HUMAN HISTORY. 2250 01:41:58,111 --> 01:42:00,000 SHE REDEFINED THE VERY PURPOSE OF A SONG TO REFLECT THE 2251 01:42:00,000 --> 01:42:02,983 SHE REDEFINED THE VERY PURPOSE OF A SONG TO REFLECT THE 2252 01:42:03,050 --> 01:42:04,218 CONTENTS OF A PERSON'S SOUL. 2253 01:42:04,284 --> 01:42:06,000 BEFORE SHE TOOK THIS LEAP, THE POPULAR SONG WAS OBSERVATIONAL. 2254 01:42:06,000 --> 01:42:07,621 BEFORE SHE TOOK THIS LEAP, THE POPULAR SONG WAS OBSERVATIONAL. 2255 01:42:07,688 --> 01:42:12,000 BRILLIANT AND INFLUENTIAL, OF COURSE, BUT THE EXHILARATING 2256 01:42:12,000 --> 01:42:15,629 BRILLIANT AND INFLUENTIAL, OF COURSE, BUT THE EXHILARATING 2257 01:42:15,696 --> 01:42:18,000 RISK THAT WE ALL NOW TAKE BY TURNING OURSELVES INSIDE OUT FOR 2258 01:42:18,000 --> 01:42:20,434 RISK THAT WE ALL NOW TAKE BY TURNING OURSELVES INSIDE OUT FOR 2259 01:42:20,501 --> 01:42:22,703 ALL THE WORLD TO SEE, STARTED, AS FAR AS I CAN TELL, WITH 2260 01:42:22,769 --> 01:42:23,904 JONI MITCHELL DOING IT FIRST. 2261 01:42:23,971 --> 01:42:24,000 SHE'S LIKE THE FIRST PERSON TO STRIP DOWN AT A SKINNY DIPPING 2262 01:42:24,000 --> 01:42:29,510 SHE'S LIKE THE FIRST PERSON TO STRIP DOWN AT A SKINNY DIPPING 2263 01:42:29,576 --> 01:42:30,000 PARTY, TO TAKE THAT AWKWARD TERRIFYING LEAP -- BEFORE 2264 01:42:30,000 --> 01:42:34,481 PARTY, TO TAKE THAT AWKWARD TERRIFYING LEAP -- BEFORE 2265 01:42:34,548 --> 01:42:36,000 EVERYONE ELSE JOYFULLY FOLLOWS. 2266 01:42:36,000 --> 01:42:37,985 EVERYONE ELSE JOYFULLY FOLLOWS. 2267 01:42:38,051 --> 01:42:41,955 IN SOME WAYS, SHE DIDN'T HAVE A CHOICE BUT TO TAKE THESE LEAPS. 2268 01:42:42,022 --> 01:42:44,958 SHE WAS TOO PREOCCUPIED WITH BASIC SURVIVAL. 2269 01:42:45,025 --> 01:42:48,000 SURVIVING POVERTY, POLIO, AND AS OF 10 YEARS AGO, A NEAR FATAL 2270 01:42:48,000 --> 01:42:49,096 SURVIVING POVERTY, POLIO, AND AS OF 10 YEARS AGO, A NEAR FATAL 2271 01:42:49,162 --> 01:42:54,000 BRAIN ANEURYSM, SHE DIDN'T DWELL TOO MUCH ON HOW HER ART WAS 2272 01:42:54,000 --> 01:42:54,234 BRAIN ANEURYSM, SHE DIDN'T DWELL TOO MUCH ON HOW HER ART WAS 2273 01:42:54,301 --> 01:42:57,638 RECEIVED BECAUSE SHE WAS TOO BUSY RE-LEARNING TO SPEAK LET 2274 01:42:57,704 --> 01:42:58,972 ALONE SING. 2275 01:42:59,039 --> 01:43:00,000 SHE'S LEARNED TO WALK THREE TIMES. 2276 01:43:00,000 --> 01:43:03,677 SHE'S LEARNED TO WALK THREE TIMES. 2277 01:43:03,744 --> 01:43:06,000 JONI JUST TURNED 80, MY FRIENDS! 2278 01:43:06,000 --> 01:43:07,247 JONI JUST TURNED 80, MY FRIENDS! 2279 01:43:07,314 --> 01:43:11,218 BUT WE ALL KNOW SHE'S TIMELESS. 2280 01:43:11,285 --> 01:43:12,000 IF WE ARE SO LUCKY THAT HISTORY REMEMBERS ANY OF US, ONE THING I 2281 01:43:12,000 --> 01:43:15,188 IF WE ARE SO LUCKY THAT HISTORY REMEMBERS ANY OF US, ONE THING I 2282 01:43:15,255 --> 01:43:18,000 KNOW FOR SURE IS THAT IT WILL REMEMBER THAT WE LIVED IN THE 2283 01:43:18,000 --> 01:43:18,392 KNOW FOR SURE IS THAT IT WILL REMEMBER THAT WE LIVED IN THE 2284 01:43:18,458 --> 01:43:22,896 TIME OF JONI MITCHELL. 2285 01:43:22,963 --> 01:43:24,000 TODAY SHE JUST WON THE GRAMMY FOR 2286 01:43:24,000 --> 01:43:24,665 TODAY SHE JUST WON THE GRAMMY FOR 2287 01:43:24,731 --> 01:43:26,066 BEST FOLK ALBUM... 2288 01:43:26,133 --> 01:43:30,000 56 YEARS INTO HER SINGULAR CAREER. 2289 01:43:30,000 --> 01:43:35,642 56 YEARS INTO HER SINGULAR CAREER. 2290 01:43:35,709 --> 01:43:36,000 ACCOMPANIED BY LUCIUS, SISTA STRINGS, ALISON RUSSELL, 2291 01:43:36,000 --> 01:43:36,910 ACCOMPANIED BY LUCIUS, SISTA STRINGS, ALISON RUSSELL, 2292 01:43:36,977 --> 01:43:39,746 BLAKE MILLS, AND JACOB COLLIER, PLEASE WELCOME THE MATRIARCH OF 2293 01:43:39,813 --> 01:43:42,000 IMAGINATION, A TRUE RENAISSANCE WOMAN, MY HERO AND YOURS, 2294 01:43:42,000 --> 01:43:47,654 IMAGINATION, A TRUE RENAISSANCE WOMAN, MY HERO AND YOURS, 2295 01:43:47,721 --> 01:43:48,000 JONI MITCHELL. 2296 01:43:48,000 --> 01:43:51,725 JONI MITCHELL. 2297 01:44:05,672 --> 01:44:06,000 ♪ ♪ ♪ ROWS AND FLOWS OF ANGEL 2298 01:44:06,000 --> 01:44:12,000 ♪ ♪ ♪ ROWS AND FLOWS OF ANGEL 2299 01:44:12,000 --> 01:44:13,614 ♪ ♪ ♪ ROWS AND FLOWS OF ANGEL 2300 01:44:13,680 --> 01:44:17,618 HAIR ♪ ♪ AND ICE CREAM CASTLES IN THE 2301 01:44:17,684 --> 01:44:18,000 AIR ♪ ♪ AND FEATHER CANYONS 2302 01:44:18,000 --> 01:44:24,000 AIR ♪ ♪ AND FEATHER CANYONS 2303 01:44:24,000 --> 01:44:24,157 AIR ♪ ♪ AND FEATHER CANYONS 2304 01:44:24,224 --> 01:44:30,000 EVERYWHERE ♪ ♪ I LOOKED AT CLOUDS THAT WAY ♪ 2305 01:44:30,000 --> 01:44:36,000 EVERYWHERE ♪ ♪ I LOOKED AT CLOUDS THAT WAY ♪ 2306 01:44:36,000 --> 01:44:36,637 EVERYWHERE ♪ ♪ I LOOKED AT CLOUDS THAT WAY ♪ 2307 01:44:36,703 --> 01:44:42,000 ♪ BUT NOW THEY ONLY BLOCK THE SUN ♪ 2308 01:44:42,000 --> 01:44:43,276 ♪ BUT NOW THEY ONLY BLOCK THE SUN ♪ 2309 01:44:43,343 --> 01:44:48,000 ♪ THEY RAIN AND THEY SNOW ON EVERYONE ♪ 2310 01:44:48,000 --> 01:44:50,651 ♪ THEY RAIN AND THEY SNOW ON EVERYONE ♪ 2311 01:44:50,717 --> 01:44:54,000 ♪ SO MANY THINGS I WOULD HAVE DONE ♪ 2312 01:44:54,000 --> 01:44:57,491 ♪ SO MANY THINGS I WOULD HAVE DONE ♪ 2313 01:44:57,557 --> 01:45:00,000 ♪ BUT CLOUDS GOT IN MY WAY ♪ ♪ I'VE LOOKED AT CLOUDS FROM 2314 01:45:00,000 --> 01:45:04,898 ♪ BUT CLOUDS GOT IN MY WAY ♪ ♪ I'VE LOOKED AT CLOUDS FROM 2315 01:45:04,965 --> 01:45:06,000 BOTH SIDES NOW ♪ ♪ FROM UP AND DOWN AND STILL 2316 01:45:06,000 --> 01:45:12,000 BOTH SIDES NOW ♪ ♪ FROM UP AND DOWN AND STILL 2317 01:45:12,000 --> 01:45:12,973 BOTH SIDES NOW ♪ ♪ FROM UP AND DOWN AND STILL 2318 01:45:13,040 --> 01:45:18,000 SOMEHOW ♪ ♪ IT'S CLOUD ILLUSIONS I 2319 01:45:18,000 --> 01:45:20,313 SOMEHOW ♪ ♪ IT'S CLOUD ILLUSIONS I 2320 01:45:20,380 --> 01:45:24,000 RECALL ♪ ♪ I REALLY DON'T KNOW CLOUDS AT 2321 01:45:24,000 --> 01:45:30,000 RECALL ♪ ♪ I REALLY DON'T KNOW CLOUDS AT 2322 01:45:30,000 --> 01:45:30,624 RECALL ♪ ♪ I REALLY DON'T KNOW CLOUDS AT 2323 01:45:30,691 --> 01:45:36,000 ALL ♪ ♪ MOONS AND JUNES AND FERRIS 2324 01:45:36,000 --> 01:45:42,000 ALL ♪ ♪ MOONS AND JUNES AND FERRIS 2325 01:45:42,000 --> 01:45:45,572 ALL ♪ ♪ MOONS AND JUNES AND FERRIS 2326 01:45:45,639 --> 01:45:48,000 ALL ♪ ♪ MOONS AND JUNES AND FERRIS 2327 01:45:48,000 --> 01:45:50,277 ALL ♪ ♪ MOONS AND JUNES AND FERRIS 2328 01:45:50,343 --> 01:45:54,000 WHEELS ♪ ♪ THE DIZZY DANCING WAY THAT YOU 2329 01:45:54,000 --> 01:45:56,416 WHEELS ♪ ♪ THE DIZZY DANCING WAY THAT YOU 2330 01:45:56,483 --> 01:46:00,000 FEEL ♪ ♪ AS EVERY FAIRY TALE COMES 2331 01:46:00,000 --> 01:46:03,590 FEEL ♪ ♪ AS EVERY FAIRY TALE COMES 2332 01:46:03,657 --> 01:46:06,000 REAL ♪ ♪ I'VE LOOKED AT LOVE THAT WAY ♪ 2333 01:46:06,000 --> 01:46:12,000 REAL ♪ ♪ I'VE LOOKED AT LOVE THAT WAY ♪ 2334 01:46:12,000 --> 01:46:18,000 REAL ♪ ♪ I'VE LOOKED AT LOVE THAT WAY ♪ 2335 01:46:18,000 --> 01:46:18,538 REAL ♪ ♪ I'VE LOOKED AT LOVE THAT WAY ♪ 2336 01:46:18,605 --> 01:46:19,906 REAL ♪ ♪ I'VE LOOKED AT LOVE THAT WAY ♪ 2337 01:46:19,973 --> 01:46:22,008 ♪ BUT NOW IT'S JUST ANOTHER SHOW ♪ 2338 01:46:22,075 --> 01:46:24,000 ♪ AND YOU LEAVE 'EM LAUGHING WHEN YOU GO ♪ 2339 01:46:24,000 --> 01:46:30,000 ♪ AND YOU LEAVE 'EM LAUGHING WHEN YOU GO ♪ 2340 01:46:30,000 --> 01:46:31,918 ♪ AND YOU LEAVE 'EM LAUGHING WHEN YOU GO ♪ 2341 01:46:31,985 --> 01:46:36,000 ♪ AND IF YOU CARE, DON'T LET IT SHOW ♪ 2342 01:46:36,000 --> 01:46:39,192 ♪ AND IF YOU CARE, DON'T LET IT SHOW ♪ 2343 01:46:39,259 --> 01:46:42,000 ♪ DON'T GIVE YOURSELF AWAY ♪ ♪ I'VE LOOKED AT LOVE FROM BOTH 2344 01:46:42,000 --> 01:46:48,000 ♪ DON'T GIVE YOURSELF AWAY ♪ ♪ I'VE LOOKED AT LOVE FROM BOTH 2345 01:46:48,000 --> 01:46:48,602 ♪ DON'T GIVE YOURSELF AWAY ♪ ♪ I'VE LOOKED AT LOVE FROM BOTH 2346 01:46:48,668 --> 01:46:54,000 SIDES NOW ♪ ♪ FROM GIVE AND TAKE AND STILL 2347 01:46:54,000 --> 01:46:58,979 SIDES NOW ♪ ♪ FROM GIVE AND TAKE AND STILL 2348 01:46:59,045 --> 01:47:00,000 SOMEHOW ♪ ♪ IT'S LOVE'S ILLUSIONS THAT I 2349 01:47:00,000 --> 01:47:03,717 SOMEHOW ♪ ♪ IT'S LOVE'S ILLUSIONS THAT I 2350 01:47:03,784 --> 01:47:06,000 RECALL ♪ ♪ I REALLY DON'T KNOW LOVE ♪ 2351 01:47:06,000 --> 01:47:12,000 RECALL ♪ ♪ I REALLY DON'T KNOW LOVE ♪ 2352 01:47:12,000 --> 01:47:18,000 RECALL ♪ ♪ I REALLY DON'T KNOW LOVE ♪ 2353 01:47:18,000 --> 01:47:18,665 RECALL ♪ ♪ I REALLY DON'T KNOW LOVE ♪ 2354 01:47:18,732 --> 01:47:22,335 RECALL ♪ ♪ I REALLY DON'T KNOW LOVE ♪ 2355 01:47:22,402 --> 01:47:24,000 AT ALL ♪ [CHEERS AND APPLAUSE] 2356 01:47:24,000 --> 01:47:30,000 AT ALL ♪ [CHEERS AND APPLAUSE] 2357 01:47:30,000 --> 01:47:32,112 AT ALL ♪ [CHEERS AND APPLAUSE] 2358 01:47:32,179 --> 01:47:36,000 ♪ TEARS AND FEARS AND FEELING PROUD ♪ 2359 01:47:36,000 --> 01:47:37,918 ♪ TEARS AND FEARS AND FEELING PROUD ♪ 2360 01:47:37,984 --> 01:47:42,000 ♪ TO SAY, "I LOVE YOU" RIGHT OUT LOUD ♪ 2361 01:47:42,000 --> 01:47:44,791 ♪ TO SAY, "I LOVE YOU" RIGHT OUT LOUD ♪ 2362 01:47:44,858 --> 01:47:48,000 ♪ DREAMS AND SCHEMES AND CIRCUS CROWDS ♪ 2363 01:47:48,000 --> 01:47:54,000 ♪ DREAMS AND SCHEMES AND CIRCUS CROWDS ♪ 2364 01:47:54,000 --> 01:47:55,569 ♪ DREAMS AND SCHEMES AND CIRCUS CROWDS ♪ 2365 01:47:55,635 --> 01:48:00,000 ♪ I'VE LOOKED AT LIFE THAT WAY ♪ ♪ BUT NOW OLD FRIENDS 2366 01:48:00,000 --> 01:48:06,000 ♪ I'VE LOOKED AT LIFE THAT WAY ♪ ♪ BUT NOW OLD FRIENDS 2367 01:48:06,000 --> 01:48:07,948 ♪ I'VE LOOKED AT LIFE THAT WAY ♪ ♪ BUT NOW OLD FRIENDS 2368 01:48:08,014 --> 01:48:12,000 THEY'RE ACTING STRANGE ♪ ♪ AND THEY SHAKE THEIR HEADS AND 2369 01:48:12,000 --> 01:48:18,000 THEY'RE ACTING STRANGE ♪ ♪ AND THEY SHAKE THEIR HEADS AND 2370 01:48:18,000 --> 01:48:22,896 THEY'RE ACTING STRANGE ♪ ♪ AND THEY SHAKE THEIR HEADS AND 2371 01:48:22,963 --> 01:48:24,000 THEY'RE ACTING STRANGE ♪ ♪ AND THEY SHAKE THEIR HEADS AND 2372 01:48:24,000 --> 01:48:25,098 THEY'RE ACTING STRANGE ♪ ♪ AND THEY SHAKE THEIR HEADS AND 2373 01:48:28,969 --> 01:48:30,000 THEY SAY "JONI, YOU'VE CHANGED" ♪ 2374 01:48:30,000 --> 01:48:30,537 THEY SAY "JONI, YOU'VE CHANGED" ♪ 2375 01:48:30,604 --> 01:48:32,539 ♪ WELL SOMETHING'S LOST, BUT SOMETHING'S GAINED ♪ 2376 01:48:32,606 --> 01:48:35,508 ♪ IN LIVING EVERY DAY ♪ ♪ I'VE LOOKED AT LIFE FROM BOTH 2377 01:48:35,575 --> 01:48:36,000 SIDES NOW ♪ ♪ FROM WIN AND LOSE AND STILL 2378 01:48:36,000 --> 01:48:42,000 SIDES NOW ♪ ♪ FROM WIN AND LOSE AND STILL 2379 01:48:42,000 --> 01:48:45,685 SIDES NOW ♪ ♪ FROM WIN AND LOSE AND STILL 2380 01:48:45,752 --> 01:48:48,000 SOMEHOW ♪ ♪ IT'S LIFE'S ILLUSIONS I 2381 01:48:48,000 --> 01:48:51,858 SOMEHOW ♪ ♪ IT'S LIFE'S ILLUSIONS I 2382 01:48:51,925 --> 01:48:54,000 RECALL ♪ ♪ I REALLY DON'T KNOW LIFE AT 2383 01:48:54,000 --> 01:49:00,000 RECALL ♪ ♪ I REALLY DON'T KNOW LIFE AT 2384 01:49:00,000 --> 01:49:06,000 RECALL ♪ ♪ I REALLY DON'T KNOW LIFE AT 2385 01:49:06,000 --> 01:49:06,806 RECALL ♪ ♪ I REALLY DON'T KNOW LIFE AT 2386 01:49:06,873 --> 01:49:07,641 RECALL ♪ ♪ I REALLY DON'T KNOW LIFE AT 2387 01:49:07,707 --> 01:49:08,208 ALL ♪ [CHEERS AND APPLAUSE] 2388 01:49:20,654 --> 01:49:24,000 ♪ ♪ 2389 01:49:24,000 --> 01:49:25,425 ♪ ♪ 2390 01:49:29,963 --> 01:49:30,000 [CHEERS AND APPLAUSE] THANK YOU! 2391 01:49:30,000 --> 01:49:36,000 [CHEERS AND APPLAUSE] THANK YOU! 2392 01:49:36,000 --> 01:49:39,272 [CHEERS AND APPLAUSE] THANK YOU! 2393 01:49:39,339 --> 01:49:40,507 >> Trevor: THAT'S RIGHT, THAT'S RIGHT! 2394 01:49:40,573 --> 01:49:42,000 LADIES AND GENTLEMEN, THE ONE AND ONLY, THE INCOMPARABLE JONI 2395 01:49:42,000 --> 01:49:44,678 LADIES AND GENTLEMEN, THE ONE AND ONLY, THE INCOMPARABLE JONI 2396 01:49:44,744 --> 01:49:45,679 MITCHELL! 2397 01:49:45,745 --> 01:49:48,000 CONGRATULATIONS. 2398 01:49:48,000 --> 01:49:48,648 CONGRATULATIONS. 2399 01:49:48,715 --> 01:49:51,384 WE'LL BE BACK WITH MORE RIGHT AFTER THIS. 2400 01:49:51,451 --> 01:49:52,585 >> Announcer: GET ALL THE GRAMMY LOOKS AT HOME. 2401 01:49:52,652 --> 01:49:54,000 YOUR PURCHASE OF GRAMMY GEAR SUPPORTS THE RECORDING ACADEMY'S 2402 01:49:54,000 --> 01:49:57,624 YOUR PURCHASE OF GRAMMY GEAR SUPPORTS THE RECORDING ACADEMY'S 2403 01:49:57,691 --> 01:50:00,000 MISSION TO SERVE MUSIC CREATORS 365 DAYS A YEAR. 2404 01:50:00,000 --> 01:50:03,730 MISSION TO SERVE MUSIC CREATORS 365 DAYS A YEAR. 2405 01:50:03,797 --> 01:50:06,000 COMING UP: PERFORMANCES BY TRAVIS SCOTT, BURNA BOY WITH 2406 01:50:06,000 --> 01:50:06,633 COMING UP: PERFORMANCES BY TRAVIS SCOTT, BURNA BOY WITH 2407 01:50:06,700 --> 01:50:07,600 BRANDY AND 21 SAVAGE. 2408 01:50:07,667 --> 01:50:08,168 THEN, BILLY JOEL RETURNS TO THE GRAMMY STAGE. 2409 01:50:21,715 --> 01:50:22,649 ♪ ♪ >> Trevor: WELCOME BACK TO THE 2410 01:50:22,716 --> 01:50:23,850 GRAMMYS. 2411 01:50:23,917 --> 01:50:24,000 THIS LAST YEAR, HIP HOP TURNED 50, WHICH MEANS RAP IS FINALLY 2412 01:50:24,000 --> 01:50:24,818 THIS LAST YEAR, HIP HOP TURNED 50, WHICH MEANS RAP IS FINALLY 2413 01:50:24,884 --> 01:50:30,000 OLD ENOUGH TO SAY "TURN THAT LOUD MUSIC DOWN!" 2414 01:50:30,000 --> 01:50:32,726 OLD ENOUGH TO SAY "TURN THAT LOUD MUSIC DOWN!" 2415 01:50:32,792 --> 01:50:35,829 RIGHT NOW, IT'S TIME FOR ONE OF RAP'S MOST EXCITING STARS, A 2416 01:50:35,895 --> 01:50:36,000 10-TIME GRAMMY NOMINEE AND HIS ALBUM "UTOPIA" BECAME ONE OF THE 2417 01:50:36,000 --> 01:50:38,665 10-TIME GRAMMY NOMINEE AND HIS ALBUM "UTOPIA" BECAME ONE OF THE 2418 01:50:38,732 --> 01:50:41,668 BIGGEST ALBUMS OF THE YEAR. 2419 01:50:41,735 --> 01:50:42,000 THIS IS TRAVIS SCOTT! 2420 01:50:42,000 --> 01:50:43,136 THIS IS TRAVIS SCOTT! 2421 01:50:53,747 --> 01:50:54,000 ♪ ♪ >> "UTOPIA" IS MY NEW ADDITION. 2422 01:50:54,000 --> 01:50:57,517 ♪ ♪ >> "UTOPIA" IS MY NEW ADDITION. 2423 01:50:57,584 --> 01:51:00,000 AT THE THREE SONGS I AM PERFORMING ARE THE TRANSPORT 2424 01:51:00,000 --> 01:51:00,720 AT THE THREE SONGS I AM PERFORMING ARE THE TRANSPORT 2425 01:51:00,787 --> 01:51:04,891 PORTAL THAT WE ARE GOING THROUGH TO GET TO "UTOPIA." 2426 01:51:04,958 --> 01:51:06,000 ♪ ♪ IF YOU COULD HAVE A FEELING OF 2427 01:51:06,000 --> 01:51:10,263 ♪ ♪ IF YOU COULD HAVE A FEELING OF 2428 01:51:10,330 --> 01:51:12,000 UTOPIA FOR ONE SECOND, ONE MOMENT, ONE MINUTE, ONE HOUR, 2429 01:51:12,000 --> 01:51:14,734 UTOPIA FOR ONE SECOND, ONE MOMENT, ONE MINUTE, ONE HOUR, 2430 01:51:14,801 --> 01:51:18,000 IT'S COMMON EVERYTHING AROUND YOU IS MOVING AT 1,000 MILES AN 2431 01:51:18,000 --> 01:51:18,972 IT'S COMMON EVERYTHING AROUND YOU IS MOVING AT 1,000 MILES AN 2432 01:51:19,039 --> 01:51:20,006 HOUR. 2433 01:51:20,073 --> 01:51:22,809 AND THE ALBUM IS JUST MY TRIP TRYING TO FIND THAT. 2434 01:51:22,876 --> 01:51:24,000 I'M FROM HOUSTON, AND I GREW UP WHERE THERE WAS A LOT OF 2435 01:51:24,000 --> 01:51:27,847 I'M FROM HOUSTON, AND I GREW UP WHERE THERE WAS A LOT OF 2436 01:51:27,914 --> 01:51:30,000 FLATLAND, YOU HAD TO CREATE YOUR OWN IMAGINATION. 2437 01:51:30,000 --> 01:51:30,083 FLATLAND, YOU HAD TO CREATE YOUR OWN IMAGINATION. 2438 01:51:30,150 --> 01:51:33,019 GROWING UP MY IMAGINATION AND THE THINGS I WAS DOING HELP 2439 01:51:33,086 --> 01:51:36,000 INSPIRE ME TO CREATE THE MUSIC I WAS DOING AND JUST DREAMING OUT 2440 01:51:36,000 --> 01:51:38,191 INSPIRE ME TO CREATE THE MUSIC I WAS DOING AND JUST DREAMING OUT 2441 01:51:38,258 --> 01:51:39,159 THERE. 2442 01:51:39,225 --> 01:51:39,659 ♪ ♪ 2443 01:51:41,795 --> 01:51:42,000 ♪ ♪ I GO OFF THE ENERGY THAT THE 2444 01:51:42,000 --> 01:51:48,000 ♪ ♪ I GO OFF THE ENERGY THAT THE 2445 01:51:48,000 --> 01:51:53,006 ♪ ♪ I GO OFF THE ENERGY THAT THE 2446 01:51:53,073 --> 01:51:54,000 FANS GIVE ME EVERY NIGHT. 2447 01:51:54,000 --> 01:51:54,207 FANS GIVE ME EVERY NIGHT. 2448 01:51:54,274 --> 01:51:55,408 THEY COME OUT READY TO GO. 2449 01:51:55,475 --> 01:52:00,000 IT'S LIKE DON'T FORGET WHAT WE ARE OUT TO ACHIEVE WHEN PEOPLE 2450 01:52:00,000 --> 01:52:00,780 IT'S LIKE DON'T FORGET WHAT WE ARE OUT TO ACHIEVE WHEN PEOPLE 2451 01:52:00,847 --> 01:52:04,684 ARE TRYING TO ASPIRE TO MY FANS, I JUST WANT TO SAY THANK YOU. 2452 01:52:04,751 --> 01:52:06,000 I HAD ASPIRATIONS TO PERFORM AT THE GRAMMYS. 2453 01:52:06,000 --> 01:52:06,119 I HAD ASPIRATIONS TO PERFORM AT THE GRAMMYS. 2454 01:52:06,186 --> 01:52:10,090 BEING ABLE TO SHARE THAT WITH THE WORLD IS AMAZING. 2455 01:52:10,156 --> 01:52:12,000 ♪ ♪ ♪ ONE THOUSAND ON MY FEET ♪ 2456 01:52:12,000 --> 01:52:13,159 ♪ ♪ ♪ ONE THOUSAND ON MY FEET ♪ 2457 01:52:13,226 --> 01:52:18,000 ♪ STACKS SPREADED ON MY SEAT ♪ ♪ TEN THOUSAND ON MY EYES ♪ 2458 01:52:18,000 --> 01:52:18,631 ♪ STACKS SPREADED ON MY SEAT ♪ ♪ TEN THOUSAND ON MY EYES ♪ 2459 01:52:18,698 --> 01:52:20,700 ♪ ROLLIE POLLIE ON MY WRIST ♪ ♪ GOTTA MAKE A FLIGHT, BIG DAY, 2460 01:52:20,767 --> 01:52:24,000 SLUMMIN' ON FACETIME ♪ ♪ FIFTY K, WONDERIN' WHY I'M 2461 01:52:24,000 --> 01:52:24,637 SLUMMIN' ON FACETIME ♪ ♪ FIFTY K, WONDERIN' WHY I'M 2462 01:52:24,704 --> 01:52:27,674 STORMIN' OFF, NO RACE ♪ ♪ EMBOLDENED BY THE BLISS ♪ 2463 01:52:27,740 --> 01:52:30,000 ♪ I WAS SWORN IN BY A KISS ♪ ♪ LATE FROM THE COUNTRY CATERS ♪ 2464 01:52:30,000 --> 01:52:31,678 ♪ I WAS SWORN IN BY A KISS ♪ ♪ LATE FROM THE COUNTRY CATERS ♪ 2465 01:52:31,744 --> 01:52:34,747 ♪ NO PEACEMAKER, I SWEEP UP CASES ♪ 2466 01:52:34,814 --> 01:52:36,000 ♪ GOIN' ON A WALK WITH A NEW SUIT ARMOR ♪ 2467 01:52:36,000 --> 01:52:37,717 ♪ GOIN' ON A WALK WITH A NEW SUIT ARMOR ♪ 2468 01:52:37,784 --> 01:52:41,654 ♪ NEW SUIT DEAD, BOTTEGA, THAT'S ON IT ♪ 2469 01:52:41,721 --> 01:52:42,000 ♪ GIVE ME THE HEAT FROM THE SLEEP, THEN I HARM HER ♪ 2470 01:52:42,000 --> 01:52:42,922 ♪ GIVE ME THE HEAT FROM THE SLEEP, THEN I HARM HER ♪ 2471 01:52:42,989 --> 01:52:46,159 ♪ CUPID CREEP IN, SLEEP WITH A HUMMER ♪ 2472 01:52:46,226 --> 01:52:47,494 ♪ THREE TIME TO GET ME T-T-T'D ♪ ♪ STILL SAME PHONE, AT&T-T ♪ 2473 01:52:47,560 --> 01:52:48,000 ♪ STILL GIVIN' NEWS VERY VIVIDLY ♪ 2474 01:52:48,000 --> 01:52:53,666 ♪ STILL GIVIN' NEWS VERY VIVIDLY ♪ 2475 01:52:53,733 --> 01:52:54,000 ♪ BEEF IN THERE, A BEEF ♪ ♪ SMOKIN' ON SOME VICIOUS TYPE 2476 01:52:54,000 --> 01:52:54,601 ♪ BEEF IN THERE, A BEEF ♪ ♪ SMOKIN' ON SOME VICIOUS TYPE 2477 01:52:54,667 --> 01:52:56,669 OF ♪ ♪ I NEED NO BEEF, NO CHEESE ♪ 2478 01:52:56,736 --> 01:52:58,738 ♪ EVEN WHEN I EAT, THEY CHEAT ♪ ♪ EVERY TIME WE MEET, NAIVE ♪ 2479 01:53:18,691 --> 01:53:21,628 ♪ ♪ ♪ TELL ME, IS YOU STILL UP? ♪ 2480 01:53:21,694 --> 01:53:22,896 ♪ IT'S 5 AM AND I'M DRUNK RIGHT NOW ♪ 2481 01:53:22,962 --> 01:53:24,000 ♪ TELL ME, CAN WE STILL [...]? ♪ ♪ ONE OF ONE, I'M IN THE ZONE 2482 01:53:24,000 --> 01:53:25,632 ♪ TELL ME, CAN WE STILL [...]? ♪ ♪ ONE OF ONE, I'M IN THE ZONE 2483 01:53:25,698 --> 01:53:27,667 RIGHT NOW ♪ ♪ TELL ME, AM I STILL? ♪ 2484 01:53:27,734 --> 01:53:30,000 ♪ TELLIN' YOU JUST HOW I FEEL RIGHT NOW ♪ 2485 01:53:30,000 --> 01:53:30,603 ♪ TELLIN' YOU JUST HOW I FEEL RIGHT NOW ♪ 2486 01:53:30,670 --> 01:53:32,839 ♪ YOU SAID IT'S JUST THE DRUGS AND I KNOW ♪ 2487 01:53:32,906 --> 01:53:36,000 ♪ I KNOW, I KNOW, I KNOW, I KNOW, I KNOW, I KNOW ♪ 2488 01:53:36,000 --> 01:53:38,645 ♪ I KNOW, I KNOW, I KNOW, I KNOW, I KNOW, I KNOW ♪ 2489 01:53:38,711 --> 01:53:42,000 ♪ I LIED TOO, WAY BEFORE, BEFORE ♪ 2490 01:53:42,000 --> 01:53:42,348 ♪ I LIED TOO, WAY BEFORE, BEFORE ♪ 2491 01:53:42,415 --> 01:53:46,686 ♪ BEFORE I HAD YOU RIGHT INSIDE MY ARMS ♪ 2492 01:53:46,753 --> 01:53:48,000 ♪ BUT THEN AGAIN, I COULD BE DRUNK ♪ 2493 01:53:48,000 --> 01:53:51,124 ♪ BUT THEN AGAIN, I COULD BE DRUNK ♪ 2494 01:53:51,191 --> 01:53:54,000 ♪ ♪ 2495 01:53:54,000 --> 01:54:00,000 ♪ ♪ 2496 01:54:00,000 --> 01:54:06,000 ♪ ♪ 2497 01:54:06,000 --> 01:54:06,072 ♪ ♪ 2498 01:54:06,139 --> 01:54:07,273 ♪ ♪ 2499 01:54:11,010 --> 01:54:12,000 ♪ ♪ ♪ JUST COME OUTSIDE, FO THE 2500 01:54:12,000 --> 01:54:16,149 ♪ ♪ ♪ JUST COME OUTSIDE, FO THE 2501 01:54:16,216 --> 01:54:17,450 NIGHT ♪ ♪ TAKE YOUR TIME, GET YOUR 2502 01:54:17,517 --> 01:54:18,000 LIGHT ♪ ♪ SHAWTY GIANT, YEAH, YEAH ♪ 2503 01:54:18,000 --> 01:54:24,000 LIGHT ♪ ♪ SHAWTY GIANT, YEAH, YEAH ♪ 2504 01:54:24,000 --> 01:54:26,759 LIGHT ♪ ♪ SHAWTY GIANT, YEAH, YEAH ♪ 2505 01:54:26,826 --> 01:54:28,361 ♪ I BEEN OUT GEEKIN' ♪ ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ 2506 01:54:28,428 --> 01:54:30,000 ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ 2507 01:54:30,000 --> 01:54:35,401 ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ 2508 01:54:35,468 --> 01:54:36,000 ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ 2509 01:54:36,000 --> 01:54:40,406 ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ 2510 01:54:40,473 --> 01:54:42,000 ♪ THE CAREER'S MORE AT STAKE WHEN YOU IN YOUR PRIME ♪ 2511 01:54:42,000 --> 01:54:44,510 ♪ THE CAREER'S MORE AT STAKE WHEN YOU IN YOUR PRIME ♪ 2512 01:54:44,577 --> 01:54:46,813 ♪ THAT PAPER, BABY, MY FACE ON THE DOTTED LINE ♪ 2513 01:54:46,879 --> 01:54:48,000 ♪ I BEEN FLYIN' OUT OF TOWN FOR SOME PEACE OF MIND ♪ 2514 01:54:48,000 --> 01:54:50,883 ♪ I BEEN FLYIN' OUT OF TOWN FOR SOME PEACE OF MIND ♪ 2515 01:54:50,950 --> 01:54:53,086 ♪ IT'S LIKE ALWAYS THEY JUST WANT A PIECE OF MINE ♪ 2516 01:54:53,152 --> 01:54:54,000 ♪ I BEEN FOCUSED ON THE FUTURE, NEVER ON RIGHT NOW ♪ 2517 01:54:54,000 --> 01:54:57,557 ♪ I BEEN FOCUSED ON THE FUTURE, NEVER ON RIGHT NOW ♪ 2518 01:54:57,624 --> 01:54:59,559 ♪ BUT I'M SIPPIN', NOT KOMBUCHA, EITHER PINK OR BROWN ♪ 2519 01:54:59,626 --> 01:55:00,000 ♪ I'M THE ONE THAT INTRODUCED YOU TO THE YOU RIGHT NOW ♪ 2520 01:55:00,000 --> 01:55:06,000 ♪ I'M THE ONE THAT INTRODUCED YOU TO THE YOU RIGHT NOW ♪ 2521 01:55:06,000 --> 01:55:09,769 ♪ I'M THE ONE THAT INTRODUCED YOU TO THE YOU RIGHT NOW ♪ 2522 01:55:09,836 --> 01:55:12,000 ♪ OH, MY GOD, THAT BIT BITE ♪ ♪ BUT ALRIGHT, TRYNA VIBE ♪ 2523 01:55:12,000 --> 01:55:12,505 ♪ OH, MY GOD, THAT BIT BITE ♪ ♪ BUT ALRIGHT, TRYNA VIBE ♪ 2524 01:55:12,572 --> 01:55:18,000 ♪ IN THE NIGHT, COME ALIVE ♪ ♪ AIN'T ASLEEP, AIN'T A-, AIN'T 2525 01:55:18,000 --> 01:55:19,412 ♪ IN THE NIGHT, COME ALIVE ♪ ♪ AIN'T ASLEEP, AIN'T A-, AIN'T 2526 01:55:19,479 --> 01:55:24,000 ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ 2527 01:55:24,000 --> 01:55:25,451 ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ 2528 01:55:25,518 --> 01:55:30,000 ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ ♪ FE!N, FE!N, FE!N, FE!N ♪ 2529 01:55:30,000 --> 01:55:36,000 ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ ♪ FE!N, FE!N, FE!N, FE!N ♪ 2530 01:55:36,000 --> 01:55:38,464 ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ ♪ FE!N, FE!N, FE!N, FE!N ♪ 2531 01:55:38,531 --> 01:55:42,000 ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ ♪ YEAH, I JUST BEEN POPPIN' MY 2532 01:55:42,000 --> 01:55:47,774 ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ ♪ YEAH, I JUST BEEN POPPIN' MY 2533 01:55:47,840 --> 01:55:48,000 AND GETTIN' IT LIVE, HOLD UP ♪ 2534 01:55:48,000 --> 01:55:49,375 AND GETTIN' IT LIVE, HOLD UP ♪ 2535 01:55:49,442 --> 01:55:52,879 ♪ YEAH, YOU TRY TO COME WRONG 'BOUT THIS [...], WE POPPIN' 2536 01:55:52,945 --> 01:55:54,000 YOUR TIRES, HOLD UP ♪ ♪ UH, HUNDRED ROUND, WOAH, 2537 01:55:54,000 --> 01:55:54,314 YOUR TIRES, HOLD UP ♪ ♪ UH, HUNDRED ROUND, WOAH, 2538 01:55:54,380 --> 01:55:59,452 FEELIN' LIKE I'M ON TEN ♪ ♪ PLAYIN' BOTH SIDES WITH THESE 2539 01:55:59,519 --> 01:56:00,000 [...] ♪ ♪ SHAWTY, I'M [...] YOUR 2540 01:56:00,000 --> 01:56:02,055 [...] ♪ ♪ SHAWTY, I'M [...] YOUR 2541 01:56:02,121 --> 01:56:03,156 FRIEND ♪ ♪ I'VE BEEN GOIN' CRAZY, SHAWTY, 2542 01:56:03,222 --> 01:56:06,000 I'VE BEEN HANDLIN' THESE BANDS ♪ SHE JUST TRYNA GO ♪ 2543 01:56:06,000 --> 01:56:10,863 I'VE BEEN HANDLIN' THESE BANDS ♪ SHE JUST TRYNA GO ♪ 2544 01:56:10,930 --> 01:56:12,000 ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ 2545 01:56:12,000 --> 01:56:12,231 ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ 2546 01:56:12,298 --> 01:56:13,466 ♪ FE!N, FE!N, FE!N, FE!N, FE!N ♪ 2547 01:56:13,533 --> 01:56:18,000 ♪ FE!N, FE!N, FE!N, FE!N, FE!N, FE!N ♪ 2548 01:56:18,000 --> 01:56:20,273 ♪ FE!N, FE!N, FE!N, FE!N, FE!N, FE!N ♪ 2549 01:56:20,340 --> 01:56:21,607 [CHEERS AND APPLAUSE] ♪ ♪ 2550 01:56:21,674 --> 01:56:24,000 >> Announcer: STILL TO COME: BURNA BOY PERFORMS WITH BRANDY 2551 01:56:24,000 --> 01:56:24,077 >> Announcer: STILL TO COME: BURNA BOY PERFORMS WITH BRANDY 2552 01:56:24,143 --> 01:56:25,745 AND 21 SAVAGE, BILLY JOEL SINGS HIS NEW SONG FOR THE FIRST TIME 2553 01:56:25,812 --> 01:56:30,000 ANYWHERE, AND WHAT BELOVED GRAMMY WINNING LEGEND WILL TAKE 2554 01:56:30,000 --> 01:56:31,617 ANYWHERE, AND WHAT BELOVED GRAMMY WINNING LEGEND WILL TAKE 2555 01:56:31,684 --> 01:56:35,388 THE STAGE TO PRESENT THE AWARD FOR ALBUM OF THE YEAR? 2556 01:56:35,455 --> 01:56:35,788 THIS IS CBS. 2557 01:56:49,602 --> 01:56:50,770 >> Announcer: EARLIER TONIGHT, THE GRAMMY FOR BEST AMERICANA 2558 01:56:50,837 --> 01:56:54,000 ALBUM WAS WON BY JASON ISBELL AND THE 400 UNIT. 2559 01:56:54,000 --> 01:56:55,575 ALBUM WAS WON BY JASON ISBELL AND THE 400 UNIT. 2560 01:56:55,641 --> 01:56:58,978 THE GRAMMY FOR SONGWRITER OF THE YEAR (NON CLASSICAL) WAS WON 2561 01:56:59,045 --> 01:57:00,000 BY THERON THOMAS. 2562 01:57:00,000 --> 01:57:00,646 BY THERON THOMAS. 2563 01:57:00,713 --> 01:57:06,000 AND THE GRAMMY FOR BEST RAP ALBUM WAS WON BY KILLER MIKE. 2564 01:57:06,000 --> 01:57:08,588 AND THE GRAMMY FOR BEST RAP ALBUM WAS WON BY KILLER MIKE. 2565 01:57:08,654 --> 01:57:09,589 [CHEERS AND APPLAUSE] >> Trevor: WELCOME BACK TO THE 2566 01:57:09,655 --> 01:57:10,757 GRAMMY AWARDS. 2567 01:57:10,823 --> 01:57:12,000 THE RECORDING ACADEMY CEO HARVEY MASON JR. HAS WRITTEN OR 2568 01:57:12,000 --> 01:57:14,193 THE RECORDING ACADEMY CEO HARVEY MASON JR. HAS WRITTEN OR 2569 01:57:14,260 --> 01:57:17,630 PRODUCED MUSIC FOR EVERYONE FROM WHITNEY TO BEYONCE, 2570 01:57:17,697 --> 01:57:18,000 MICHAEL JACKSON TO THE JUSTINS -- TIMBERLAKE AND 2571 01:57:18,000 --> 01:57:21,667 MICHAEL JACKSON TO THE JUSTINS -- TIMBERLAKE AND 2572 01:57:21,734 --> 01:57:23,603 BIEBER. 2573 01:57:23,669 --> 01:57:24,000 ACADEMY IS LIKE YOUR SCIENCE 2574 01:57:24,000 --> 01:57:24,203 ACADEMY IS LIKE YOUR SCIENCE 2575 01:57:25,438 --> 01:57:27,473 HAVING HIM IN CHARGE OF THE ACADEMY IS LIKE YOUR SCIENCE 2576 01:57:27,540 --> 01:57:28,741 TEACHER BEING BILL NYE THE SCIENCE GUY. 2577 01:57:28,808 --> 01:57:30,000 PLEASE WELCOME HARVEY MASON JR.! 2578 01:57:30,000 --> 01:57:35,548 PLEASE WELCOME HARVEY MASON JR.! 2579 01:57:35,615 --> 01:57:36,000 [CHEERS AND APPLAUSE] ♪ ♪ 2580 01:57:36,000 --> 01:57:42,000 [CHEERS AND APPLAUSE] ♪ ♪ 2581 01:57:42,000 --> 01:57:44,424 [CHEERS AND APPLAUSE] ♪ ♪ 2582 01:57:44,490 --> 01:57:47,126 >> GOOD EVENING, EVERYONE. 2583 01:57:47,193 --> 01:57:48,000 IT'S AN INCREDIBLE PRIVILEGE TO LEAD THE RECORDING ACADEMY. 2584 01:57:48,000 --> 01:57:49,629 IT'S AN INCREDIBLE PRIVILEGE TO LEAD THE RECORDING ACADEMY. 2585 01:57:49,695 --> 01:57:53,266 AN ORGANIZATION THAT CELEBRATES MUSIC, BUT MORE IMPORTANTLY 2586 01:57:53,332 --> 01:57:54,000 SERVES MUSIC AND ALL THE PEOPLE WHO MAKE IT EVERY DAY OF THE 2587 01:57:54,000 --> 01:57:56,803 SERVES MUSIC AND ALL THE PEOPLE WHO MAKE IT EVERY DAY OF THE 2588 01:57:56,869 --> 01:57:57,603 YEAR. 2589 01:57:57,670 --> 01:57:59,539 TONIGHT IS A TRULY GLOBAL EVENT. 2590 01:57:59,605 --> 01:58:00,000 WE BEGIN THE SHOW WITH AN ARTIST WHO GREW UP IN KOSOVO AND 2591 01:58:00,000 --> 01:58:02,742 WE BEGIN THE SHOW WITH AN ARTIST WHO GREW UP IN KOSOVO AND 2592 01:58:02,809 --> 01:58:06,000 LONDON, THE AMAZING DUA LIPA. 2593 01:58:06,000 --> 01:58:08,748 LONDON, THE AMAZING DUA LIPA. 2594 01:58:08,815 --> 01:58:12,000 THE NEXT PERFORMANCE WILL BE UP FIRST ON THE GRAMMYS STAGE. 2595 01:58:12,000 --> 01:58:12,185 THE NEXT PERFORMANCE WILL BE UP FIRST ON THE GRAMMYS STAGE. 2596 01:58:12,251 --> 01:58:18,000 WE WILL SEE THE SUPERSTAR FROM NIGERIA BURNA BOY. 2597 01:58:18,000 --> 01:58:18,658 WE WILL SEE THE SUPERSTAR FROM NIGERIA BURNA BOY. 2598 01:58:18,724 --> 01:58:21,060 AND EARLIER WE PRESENTED GRAMMYS TWO WINNERS FROM AROUND THE 2599 01:58:21,127 --> 01:58:24,000 WORLD, ALL THE WHILE GUIDED THROUGH THIS EVENING BY OUR 2600 01:58:24,000 --> 01:58:26,199 WORLD, ALL THE WHILE GUIDED THROUGH THIS EVENING BY OUR 2601 01:58:26,265 --> 01:58:28,301 FANTASTIC SOUTH AFRICAN HOST. 2602 01:58:28,367 --> 01:58:30,000 TONIGHT WE CELEBRATE THE WORLD OF MUSIC. 2603 01:58:30,000 --> 01:58:31,871 TONIGHT WE CELEBRATE THE WORLD OF MUSIC. 2604 01:58:31,938 --> 01:58:35,908 EVERYONE OF US, NO MATTER WHERE WE ARE FROM IS UNITED BY THE 2605 01:58:35,975 --> 01:58:36,000 SHARED EXPERIENCE OF MUSIC. 2606 01:58:36,000 --> 01:58:37,844 SHARED EXPERIENCE OF MUSIC. 2607 01:58:37,910 --> 01:58:42,000 IT BRINGS US TOGETHER LIKE NOTHING ELSE CAN, AND THAT'S WHY 2608 01:58:42,000 --> 01:58:42,415 IT BRINGS US TOGETHER LIKE NOTHING ELSE CAN, AND THAT'S WHY 2609 01:58:42,482 --> 01:58:46,285 MUSIC MUST ALWAYS BE OUR SAFE SPACE. 2610 01:58:46,352 --> 01:58:48,000 WHEN THAT'S VIOLATED, IT STRIKES AT THE VERY CORE OF WHO WE ARE. 2611 01:58:48,000 --> 01:58:49,889 WHEN THAT'S VIOLATED, IT STRIKES AT THE VERY CORE OF WHO WE ARE. 2612 01:58:49,956 --> 01:58:54,000 WE FELT THAT AT THE CONCERT HALL IN PARIS. 2613 01:58:54,000 --> 01:58:55,928 WE FELT THAT AT THE CONCERT HALL IN PARIS. 2614 01:58:55,995 --> 01:59:00,000 WE FELT THAT AT THE MANCHESTER ARENA IN ENGLAND. 2615 01:59:00,000 --> 01:59:00,166 WE FELT THAT AT THE MANCHESTER ARENA IN ENGLAND. 2616 01:59:00,233 --> 01:59:04,470 WE FELT THAT AT THE ROOT 91 HARVEST MUSIC FESTIVAL IN 2617 01:59:04,537 --> 01:59:05,872 LAS VEGAS. 2618 01:59:05,938 --> 01:59:06,000 AND ON OCTOBER 7TH, WE FELT THAT AGAIN WHEN WE HEARD THE TRAGIC 2619 01:59:06,000 --> 01:59:10,076 AND ON OCTOBER 7TH, WE FELT THAT AGAIN WHEN WE HEARD THE TRAGIC 2620 01:59:10,142 --> 01:59:12,000 NEWS FROM THE SUPERNOVA MUSIC FESTIVAL FOR A LOVE THAT OVER 2621 01:59:12,000 --> 01:59:14,347 NEWS FROM THE SUPERNOVA MUSIC FESTIVAL FOR A LOVE THAT OVER 2622 01:59:14,413 --> 01:59:16,649 360 MUSIC FANS LOST THEIR LIVES. 2623 01:59:16,716 --> 01:59:18,000 AND ANOTHER 40 WERE KIDNAPPED. 2624 01:59:18,000 --> 01:59:20,286 AND ANOTHER 40 WERE KIDNAPPED. 2625 01:59:20,353 --> 01:59:24,000 THAT DAY AND ALL THE TRAGIC DAYS THAT HAVE FOLLOWED HAVE BEEN 2626 01:59:24,000 --> 01:59:24,223 THAT DAY AND ALL THE TRAGIC DAYS THAT HAVE FOLLOWED HAVE BEEN 2627 01:59:24,290 --> 01:59:29,028 AWFUL FOR THE WORLD TO BEAR AS WE MOURN THE LOSS OF ALL 2628 01:59:29,095 --> 01:59:30,000 INNOCENT LIVES. 2629 01:59:30,000 --> 01:59:31,030 INNOCENT LIVES. 2630 01:59:31,097 --> 01:59:34,100 WE LIVE IN A WORLD DIVIDED BY SO MUCH. 2631 01:59:34,166 --> 01:59:35,968 AND MAYBE MUSIC CAN'T SOLVE EVERYTHING. 2632 01:59:36,035 --> 01:59:42,000 BUT LET US ALL AGREE, MUSIC MUST REMAIN THE COMMON GROUND UPON 2633 01:59:42,000 --> 01:59:42,808 BUT LET US ALL AGREE, MUSIC MUST REMAIN THE COMMON GROUND UPON 2634 01:59:42,875 --> 01:59:45,778 WHICH WE ALL STAND TOGETHER IN PEACE AND HARMONY. 2635 01:59:45,845 --> 01:59:48,000 BECAUSE MUSIC HAS ALWAYS BEEN ONE OF HUMANITY'S GREATEST 2636 01:59:48,000 --> 01:59:49,115 BECAUSE MUSIC HAS ALWAYS BEEN ONE OF HUMANITY'S GREATEST 2637 01:59:49,181 --> 01:59:50,683 CONNECTORS. 2638 01:59:50,750 --> 01:59:54,000 THINK ABOUT IT HEARD EVERY SONG WE ARE HONORING OR HEARING 2639 01:59:54,000 --> 01:59:57,924 THINK ABOUT IT HEARD EVERY SONG WE ARE HONORING OR HEARING 2640 01:59:57,990 --> 01:59:59,058 NO MATTER WHERE THEY WERE FROM OR WHAT THEY BELIEVED, IT 2641 01:59:59,125 --> 02:00:00,000 CONNECTED THEM TO OTHERS WHO WERE MOVED IN THE SAME WAY. 2642 02:00:00,000 --> 02:00:03,930 CONNECTED THEM TO OTHERS WHO WERE MOVED IN THE SAME WAY. 2643 02:00:03,996 --> 02:00:06,000 TAKE THIS STRING QUARTET, AS INDIVIDUALS THEY SOUND REALLY 2644 02:00:06,000 --> 02:00:08,000 TAKE THIS STRING QUARTET, AS INDIVIDUALS THEY SOUND REALLY 2645 02:00:08,067 --> 02:00:09,135 GOOD. 2646 02:00:09,201 --> 02:00:11,070 BUT TOGETHER, THEY ACHIEVE SOMETHING BEAUTIFUL THEY COULD 2647 02:00:11,137 --> 02:00:12,000 NEVER DO A PART. 2648 02:00:12,000 --> 02:00:13,873 NEVER DO A PART. 2649 02:00:13,940 --> 02:00:16,709 THESE MUSICIANS OF PALESTINIAN, IT'S REALLY COMING AND ARAB 2650 02:00:16,776 --> 02:00:18,000 DISSENT ARE HERE PLAYING TOGETHER. 2651 02:00:18,000 --> 02:00:21,647 DISSENT ARE HERE PLAYING TOGETHER. 2652 02:00:21,714 --> 02:00:24,000 NOW IS THE TIME FOR US, FOR HUMANITY TO PLAY TOGETHER, TO 2653 02:00:24,000 --> 02:00:27,353 NOW IS THE TIME FOR US, FOR HUMANITY TO PLAY TOGETHER, TO 2654 02:00:27,420 --> 02:00:29,422 COME TOGETHER WITH EMPATHY AND WITH LOVE, THANK YOU. 2655 02:00:56,816 --> 02:00:59,752 GRAMMYS, WHICH, SADLY IS NOT AN AWARD SHOW CELEBRATING THE 2656 02:00:59,819 --> 02:01:00,000 WORLD'S BEST GRANDMOTHERS. 2657 02:01:00,000 --> 02:01:02,755 WORLD'S BEST GRANDMOTHERS. 2658 02:01:02,822 --> 02:01:05,758 YOU KNOW, THERE IS NO DENYING OVER THE PAST FEW YEARS 2659 02:01:05,825 --> 02:01:06,000 AFROBEATS HAS SWEPT THE WORLD. 2660 02:01:06,000 --> 02:01:12,000 AFROBEATS HAS SWEPT THE WORLD. 2661 02:01:12,000 --> 02:01:12,465 AFROBEATS HAS SWEPT THE WORLD. 2662 02:01:12,531 --> 02:01:18,000 SHOUT OUT TO TYLER, CONGRATULATIONS ON YOUR GRAMMY. 2663 02:01:18,000 --> 02:01:20,873 SHOUT OUT TO TYLER, CONGRATULATIONS ON YOUR GRAMMY. 2664 02:01:20,940 --> 02:01:24,000 I WOULD GET AFROBEATS FROM MY MOM EVERY TIME I CAME HOME PAST 2665 02:01:24,000 --> 02:01:26,779 I WOULD GET AFROBEATS FROM MY MOM EVERY TIME I CAME HOME PAST 2666 02:01:26,846 --> 02:01:28,014 MY CURFEW. 2667 02:01:28,080 --> 02:01:30,000 IT'S NOT NEW FOR ME. 2668 02:01:30,000 --> 02:01:30,783 IT'S NOT NEW FOR ME. 2669 02:01:30,850 --> 02:01:33,953 BUT TONIGHT YOU ARE IN FOR A GREAT TREAT. 2670 02:01:34,020 --> 02:01:35,755 JOINED BY BRANDY AND 21 SAVAGE, HE'S A GRAMMY WINNING SENSATION 2671 02:01:35,821 --> 02:01:36,000 ORIGINALLY FROM NIGERIA, PLEASE WELCOME BURNA BOY! 2672 02:01:36,000 --> 02:01:42,000 ORIGINALLY FROM NIGERIA, PLEASE WELCOME BURNA BOY! 2673 02:01:42,000 --> 02:01:43,896 ORIGINALLY FROM NIGERIA, PLEASE WELCOME BURNA BOY! 2674 02:01:43,963 --> 02:01:48,000 ♪ ♪ ♪ MM GBA BI MA GBA BE ♪ 2675 02:01:48,000 --> 02:01:50,936 ♪ ♪ ♪ MM GBA BI MA GBA BE ♪ 2676 02:01:51,003 --> 02:01:54,000 ♪ O LO JONA O TUN TO LO ♪ GRAMMYS, HOW ARE YOU FEELING 2677 02:01:54,000 --> 02:02:00,000 ♪ O LO JONA O TUN TO LO ♪ GRAMMYS, HOW ARE YOU FEELING 2678 02:02:00,000 --> 02:02:03,015 ♪ O LO JONA O TUN TO LO ♪ GRAMMYS, HOW ARE YOU FEELING 2679 02:02:03,082 --> 02:02:04,016 TONIGHT! 2680 02:02:04,083 --> 02:02:06,000 I NEED YOU TO GET OUT OF YOUR SEATS IMMEDIATELY! 2681 02:02:06,000 --> 02:02:06,552 I NEED YOU TO GET OUT OF YOUR SEATS IMMEDIATELY! 2682 02:02:06,619 --> 02:02:12,000 ♪ ♪ ♪ FAR HMMM ♪ 2683 02:02:12,000 --> 02:02:15,361 ♪ ♪ ♪ FAR HMMM ♪ 2684 02:02:15,428 --> 02:02:16,429 ♪ AND E NO PASS THROUGH ♪ ♪ MURI TALA, HMMM ♪ 2685 02:02:16,495 --> 02:02:17,630 ♪ NO CARRY ME FOR MIND ♪ ♪ MMM ♪ 2686 02:02:17,697 --> 02:02:18,000 ♪ I STEP IN THE NAME OF LOVE ♪ ♪ OH WHOA ♪ 2687 02:02:18,000 --> 02:02:21,600 ♪ I STEP IN THE NAME OF LOVE ♪ ♪ OH WHOA ♪ 2688 02:02:21,667 --> 02:02:24,000 ♪ WHOA OH BUT NOW A ♪ ♪ DAYS OH ♪ 2689 02:02:24,000 --> 02:02:28,240 ♪ WHOA OH BUT NOW A ♪ ♪ DAYS OH ♪ 2690 02:02:28,307 --> 02:02:29,508 ♪ OH TELL THEM WHAT THEY LIKE TO ♪ 2691 02:02:29,575 --> 02:02:30,000 ♪ HEAR ♪ ♪ OH, OH ♪ 2692 02:02:30,000 --> 02:02:30,943 ♪ HEAR ♪ ♪ OH, OH ♪ 2693 02:02:31,010 --> 02:02:36,000 ♪ OH SHOCK DEM AS ♪ ♪ DEM SEE ME ANI MI ♪ 2694 02:02:36,000 --> 02:02:36,549 ♪ OH SHOCK DEM AS ♪ ♪ DEM SEE ME ANI MI ♪ 2695 02:02:36,615 --> 02:02:40,653 ♪ O GBA WAJU WOLE MO FE GBA GBE WO ♪ 2696 02:02:40,720 --> 02:02:42,000 ♪ GBE WO ♪ ♪ GBA WAJU WOLE MO FE GBA WO ♪ 2697 02:02:42,000 --> 02:02:42,021 ♪ GBE WO ♪ ♪ GBA WAJU WOLE MO FE GBA WO ♪ 2698 02:02:42,088 --> 02:02:43,122 ♪ GBE WO ♪ ♪ AH, E NO GO ♪ 2699 02:02:43,189 --> 02:02:48,000 ♪ TIRE ME AH ♪ ♪ AH, NOTHING WE NEVER SEE ♪ 2700 02:02:48,000 --> 02:02:51,330 ♪ TIRE ME AH ♪ ♪ AH, NOTHING WE NEVER SEE ♪ 2701 02:02:51,397 --> 02:02:54,000 ♪ NO DEY FARA SI PERSON ♪ ♪ T'OBA WU K'O BE ♪ 2702 02:02:54,000 --> 02:02:55,634 ♪ NO DEY FARA SI PERSON ♪ ♪ T'OBA WU K'O BE ♪ 2703 02:02:55,701 --> 02:02:57,570 ♪ ♪ ♪ GIRLS INNA MY CRIB ZERO ♪ 2704 02:02:57,636 --> 02:03:00,000 ♪ SNAP CHAT ZERO INSTAGRAM ♪ ♪ POSTING UP THE VIBE MY ♪ 2705 02:03:00,000 --> 02:03:06,000 ♪ SNAP CHAT ZERO INSTAGRAM ♪ ♪ POSTING UP THE VIBE MY ♪ 2706 02:03:06,000 --> 02:03:07,646 ♪ SNAP CHAT ZERO INSTAGRAM ♪ ♪ POSTING UP THE VIBE MY ♪ 2707 02:03:07,713 --> 02:03:09,014 ♪ START ♪ ♪ O YE KE ♪ 2708 02:03:09,081 --> 02:03:11,717 ♪ DA MO, O YE KE ♪ ♪ JE LO, O YE KE ♪ 2709 02:03:11,784 --> 02:03:12,000 ♪ JO WO O YE KE ♪ ♪ AH, O YE KE EH ♪ 2710 02:03:12,000 --> 02:03:15,454 ♪ JO WO O YE KE ♪ ♪ AH, O YE KE EH ♪ 2711 02:03:15,521 --> 02:03:18,000 ♪ ♪ ♪ OOH, I'M JUST TRYNG TO BE 2712 02:03:18,000 --> 02:03:18,691 ♪ ♪ ♪ OOH, I'M JUST TRYNG TO BE 2713 02:03:18,758 --> 02:03:24,000 ME ♪ ♪ DOING WHAT I GOTTA DO ♪ 2714 02:03:24,000 --> 02:03:27,767 ME ♪ ♪ DOING WHAT I GOTTA DO ♪ 2715 02:03:27,833 --> 02:03:30,000 ♪ SOME PEOPLE THINK THAT I >> CLAP YOUR HANDS! 2716 02:03:30,000 --> 02:03:32,538 ♪ SOME PEOPLE THINK THAT I >> CLAP YOUR HANDS! 2717 02:03:32,605 --> 02:03:34,540 ♪ ♪ SITTIN' ON TOP OF THE WORLD ♪ 2718 02:03:34,607 --> 02:03:36,000 ♪ FEEL MY THUG PASSION ♪ ♪ GIVE YOU WHAT YOU ASK FOR ♪ 2719 02:03:36,000 --> 02:03:38,577 ♪ FEEL MY THUG PASSION ♪ ♪ GIVE YOU WHAT YOU ASK FOR ♪ 2720 02:03:38,644 --> 02:03:39,779 ♪ SO TELL ME IF YOU WANT ACTION ♪ 2721 02:03:39,845 --> 02:03:41,547 ♪ UNTIL THE LIGHTS BACK ON ♪ ♪ I GET THE ONE WE GONE LAST 2722 02:03:41,614 --> 02:03:42,000 LONG ♪ ♪ IN AN 11 ROOM MANSION ♪ 2723 02:03:42,000 --> 02:03:44,350 LONG ♪ ♪ IN AN 11 ROOM MANSION ♪ 2724 02:03:44,416 --> 02:03:46,819 ♪ PURE LIKE WATER WHERE DEY FOR NYLON ♪ 2725 02:03:46,886 --> 02:03:48,000 ♪ I PULL UP HIGH FASHION EVERY LIGHT FLASHING ANYWAY ♪ 2726 02:03:48,000 --> 02:03:51,891 ♪ I PULL UP HIGH FASHION EVERY LIGHT FLASHING ANYWAY ♪ 2727 02:03:51,957 --> 02:03:53,159 ♪ WE CAN GO AHEAD AND JUST HEAD OUT ♪ 2728 02:03:53,225 --> 02:03:54,000 ♪ WE CAN GO AHEAD AND JUST HEAD OUT ♪ 2729 02:03:54,000 --> 02:03:54,794 ♪ WE CAN GO AHEAD AND JUST HEAD OUT ♪ 2730 02:03:54,860 --> 02:03:56,462 ♪ AND CHILL UP IN MY VILLA ♪ ♪ TOGETHER THE WHOLE NIGHT ♪ 2731 02:03:56,529 --> 02:03:57,530 ♪ JUST GET IN THE DROP-TOP, TAKE THE HEAD OUT ♪ 2732 02:03:57,596 --> 02:04:00,000 ♪ AND CRUISE WITH YOUR HEAD OUTSIDE ♪ 2733 02:04:00,000 --> 02:04:01,934 ♪ AND CRUISE WITH YOUR HEAD OUTSIDE ♪ 2734 02:04:02,001 --> 02:04:03,302 ♪ I CAN HELP YOU ON ANYBODY YOU EVER HATED ♪ 2735 02:04:03,369 --> 02:04:04,770 ♪ PUT YOU IN BAGUETTES, GOT YOU FEELIN' LIKE YOU MADE IT ♪ 2736 02:04:04,837 --> 02:04:06,000 ♪ EVERYTHING ADVANCED, NOTHING THAT I DO IS BASIC ♪ 2737 02:04:06,000 --> 02:04:08,207 ♪ EVERYTHING ADVANCED, NOTHING THAT I DO IS BASIC ♪ 2738 02:04:08,274 --> 02:04:09,475 ♪ ME AND ROLLS ROYCE ON A FIRST-NAME BASIS ♪ 2739 02:04:09,542 --> 02:04:11,377 ♪ LIQUOR WITH NO CHASER ♪ ♪ ONLY GIVE HER HUNDREDS, 'CAUSE 2740 02:04:11,443 --> 02:04:12,000 SHE HATE SEEIN' NEW FACES ♪ ♪ KNOW SHE ONE OF MINE BY THE 2741 02:04:12,000 --> 02:04:13,345 SHE HATE SEEIN' NEW FACES ♪ ♪ KNOW SHE ONE OF MINE BY THE 2742 02:04:13,412 --> 02:04:18,000 STONES IN THE BRACELET ♪ ♪ LOVE MONEY, SEE HER OUT 2743 02:04:18,000 --> 02:04:24,000 STONES IN THE BRACELET ♪ ♪ LOVE MONEY, SEE HER OUT 2744 02:04:24,000 --> 02:04:25,057 STONES IN THE BRACELET ♪ ♪ LOVE MONEY, SEE HER OUT 2745 02:04:25,124 --> 02:04:26,058 ♪ GO, GO AHEAD, IT'S YOUR TIME, BABY ♪ 2746 02:04:26,125 --> 02:04:27,426 ♪ IT'S YOUR TIME, BABY, GET WILD, BABY ♪ 2747 02:04:27,493 --> 02:04:28,661 ♪ THAT'S THE DIFFERENCE WHEN YOU'RE MY BABY ♪ 2748 02:04:28,727 --> 02:04:29,895 ♪ THAT'S HOW IT IS WHEN YOU'RE ♪ ♪ HER BODY MAKE ME STOP THE 2749 02:04:29,962 --> 02:04:30,000 WORLD ♪ ♪ GO, GO AHEAD, IT'S YOUR TIME, 2750 02:04:30,000 --> 02:04:35,167 WORLD ♪ ♪ GO, GO AHEAD, IT'S YOUR TIME, 2751 02:04:35,234 --> 02:04:36,000 BABY ♪ ♪ TOP OF THE WORLD ♪ 2752 02:04:36,000 --> 02:04:42,000 BABY ♪ ♪ TOP OF THE WORLD ♪ 2753 02:04:42,000 --> 02:04:44,276 BABY ♪ ♪ TOP OF THE WORLD ♪ 2754 02:04:44,343 --> 02:04:48,000 ♪ ♪ [CHEERS AND APPLAUSE] 2755 02:04:48,000 --> 02:04:51,517 ♪ ♪ [CHEERS AND APPLAUSE] 2756 02:04:51,584 --> 02:04:53,285 >> Trevor: THAT'S RIGHT! 2757 02:04:53,352 --> 02:04:54,000 THAT'S RIGHT, EVERYBODY, BURNA BOY, 21 SAVAGE, AND 2758 02:04:54,000 --> 02:04:55,721 THAT'S RIGHT, EVERYBODY, BURNA BOY, 21 SAVAGE, AND 2759 02:04:55,788 --> 02:04:57,122 OF COURSE BRANDY! 2760 02:04:57,189 --> 02:05:00,000 I WANT TO MAKE A FEW SPECIAL ACKNOWLEDGMENTS. 2761 02:05:00,000 --> 02:05:01,660 I WANT TO MAKE A FEW SPECIAL ACKNOWLEDGMENTS. 2762 02:05:01,727 --> 02:05:06,000 OUR MUSIC EDUCATOR AWARD GOES TO ANNIE RAY, ORCHESTRA DIRECTOR OF 2763 02:05:06,000 --> 02:05:11,737 OUR MUSIC EDUCATOR AWARD GOES TO ANNIE RAY, ORCHESTRA DIRECTOR OF 2764 02:05:11,804 --> 02:05:12,000 ANNANDALE HIGH SCHOOL IN ANNANDALE, VIRGINIA. 2765 02:05:12,000 --> 02:05:14,807 ANNANDALE HIGH SCHOOL IN ANNANDALE, VIRGINIA. 2766 02:05:14,874 --> 02:05:17,743 CONGRATULATIONS, ANNIE. 2767 02:05:17,810 --> 02:05:18,000 [CHEERS AND APPLAUSE] THE RECORDING ACADEMY'S INDUSTRY 2768 02:05:18,000 --> 02:05:19,278 [CHEERS AND APPLAUSE] THE RECORDING ACADEMY'S INDUSTRY 2769 02:05:19,345 --> 02:05:24,000 ICON IS JON PLATT, SONY MUSIC PUBLISHING CHAIRMAN AND CEO. 2770 02:05:24,000 --> 02:05:27,753 ICON IS JON PLATT, SONY MUSIC PUBLISHING CHAIRMAN AND CEO. 2771 02:05:27,820 --> 02:05:29,154 BEST SONG OF SOCIAL CHANGE GOES TO K'NAAN, STEVE McEWAN, AND 2772 02:05:29,221 --> 02:05:30,000 GERALD EATON FOR "REFUGEE," A TRIBUTE TO REFUGEES AROUND THE 2773 02:05:30,000 --> 02:05:30,522 GERALD EATON FOR "REFUGEE," A TRIBUTE TO REFUGEES AROUND THE 2774 02:05:30,589 --> 02:05:36,000 WORLD. 2775 02:05:36,000 --> 02:05:36,428 WORLD. 2776 02:05:36,495 --> 02:05:40,466 AND I WANT TO ACKNOWLEDGE JACK ANTONOFF, THIS YEAR'S PRODUCER 2777 02:05:40,532 --> 02:05:42,000 OF THE YEAR, NONCLASSICAL. 2778 02:05:42,000 --> 02:05:44,069 OF THE YEAR, NONCLASSICAL. 2779 02:05:44,136 --> 02:05:46,805 CONGRATULATIONS! 2780 02:05:46,872 --> 02:05:48,000 AND THIS IS A REALLY SPECIAL ONE! 2781 02:05:48,000 --> 02:05:51,343 AND THIS IS A REALLY SPECIAL ONE! 2782 02:05:51,410 --> 02:05:54,000 LET'S HEAR IT FOR JON BON JOVI, OUR MUSICARES PERSON OF THE 2783 02:05:54,000 --> 02:05:57,750 LET'S HEAR IT FOR JON BON JOVI, OUR MUSICARES PERSON OF THE 2784 02:05:57,816 --> 02:05:58,984 YEAR! 2785 02:05:59,051 --> 02:06:00,000 AND RIGHT NOW, I'M HONORED TO I WANT TO GIVE A SPECIAL THANKS 2786 02:06:00,000 --> 02:06:01,720 AND RIGHT NOW, I'M HONORED TO I WANT TO GIVE A SPECIAL THANKS 2787 02:06:01,787 --> 02:06:06,000 TO THE MAN WHO HAS BEEN HEAD FOR 26 YEARS, OUR ETERNAL THANKS TO 2788 02:06:06,000 --> 02:06:09,295 TO THE MAN WHO HAS BEEN HEAD FOR 26 YEARS, OUR ETERNAL THANKS TO 2789 02:06:09,361 --> 02:06:09,762 YOU, JACK! 2790 02:06:09,828 --> 02:06:12,000 WE APPRECIATE YOU. 2791 02:06:12,000 --> 02:06:13,432 WE APPRECIATE YOU. 2792 02:06:13,499 --> 02:06:16,735 I'M HONORED TO INTRODUCE LAST YEAR'S WINNER FOR BEST NEW 2793 02:06:16,802 --> 02:06:18,000 ARTIST, AN EXTRAORDINARY JAZZ PERFORMANCE. 2794 02:06:18,000 --> 02:06:20,873 ARTIST, AN EXTRAORDINARY JAZZ PERFORMANCE. 2795 02:06:20,940 --> 02:06:24,000 PLEASE WELCOME THE AMAZING SAMARA JOY. 2796 02:06:24,000 --> 02:06:24,710 PLEASE WELCOME THE AMAZING SAMARA JOY. 2797 02:06:24,777 --> 02:06:27,713 ♪ ♪ 2798 02:06:43,829 --> 02:06:45,764 ♪ ♪ >> ONE YEAR AGO TODAY, I WAS 2799 02:06:45,831 --> 02:06:48,000 TOTALLY SURPRISED AND COMPLETELY THRILLED WHEN OLIVIA RODRIGO 2800 02:06:48,000 --> 02:06:49,535 TOTALLY SURPRISED AND COMPLETELY THRILLED WHEN OLIVIA RODRIGO 2801 02:06:49,601 --> 02:06:51,904 CALLED MY NAME AS BEST NEW ARTIST. 2802 02:06:51,971 --> 02:06:53,405 AND NOW, IN A BEAUTIFUL RECENT GRAMMY TRADITION, I GET TO PASS 2803 02:06:53,472 --> 02:06:54,000 ON THIS GREAT HONOR TO ANY OF THIS YEAR'S EIGHT VERY ECLECTIC 2804 02:06:54,000 --> 02:06:57,176 ON THIS GREAT HONOR TO ANY OF THIS YEAR'S EIGHT VERY ECLECTIC 2805 02:06:57,242 --> 02:07:00,000 AND EXTREMELY WORTHY NOMINEES FOR BEST NEW ARTIST. 2806 02:07:00,000 --> 02:07:06,000 AND EXTREMELY WORTHY NOMINEES FOR BEST NEW ARTIST. 2807 02:07:06,000 --> 02:07:06,919 AND EXTREMELY WORTHY NOMINEES FOR BEST NEW ARTIST. 2808 02:07:06,986 --> 02:07:12,000 ♪ ♪ >> Announcer: GRACIE ABRAMS. 2809 02:07:12,000 --> 02:07:18,000 ♪ ♪ >> Announcer: GRACIE ABRAMS. 2810 02:07:18,000 --> 02:07:19,732 ♪ ♪ >> Announcer: GRACIE ABRAMS. 2811 02:07:19,798 --> 02:07:24,000 ♪ ♪ FRED AGAIN. 2812 02:07:24,000 --> 02:07:26,238 ♪ ♪ FRED AGAIN. 2813 02:07:26,305 --> 02:07:30,000 ♪ ♪ ICE SPICE. 2814 02:07:30,000 --> 02:07:32,378 ♪ ♪ ICE SPICE. 2815 02:07:32,444 --> 02:07:36,000 ♪ ♪ JELLY ROLL. 2816 02:07:36,000 --> 02:07:37,983 ♪ ♪ JELLY ROLL. 2817 02:07:38,050 --> 02:07:42,000 ♪ ♪ COCO JONES. 2818 02:07:42,000 --> 02:07:43,956 ♪ ♪ COCO JONES. 2819 02:07:44,023 --> 02:07:48,000 ♪ ♪ NOAH KAHAN. 2820 02:07:48,000 --> 02:07:50,796 ♪ ♪ NOAH KAHAN. 2821 02:07:50,863 --> 02:07:54,000 ♪ ♪ VICTORIA MONET. 2822 02:07:54,000 --> 02:07:59,004 ♪ ♪ VICTORIA MONET. 2823 02:07:59,071 --> 02:08:00,000 ♪ ♪ THE WAR AND TREATY. 2824 02:08:00,000 --> 02:08:06,000 ♪ ♪ THE WAR AND TREATY. 2825 02:08:06,000 --> 02:08:06,245 ♪ ♪ THE WAR AND TREATY. 2826 02:08:06,311 --> 02:08:12,000 ♪ ♪ >> AND THE GRAMMY GOES TO... 2827 02:08:12,000 --> 02:08:18,000 ♪ ♪ >> AND THE GRAMMY GOES TO... 2828 02:08:18,000 --> 02:08:21,226 ♪ ♪ >> AND THE GRAMMY GOES TO... 2829 02:08:21,293 --> 02:08:24,000 VICTORIA MONET. 2830 02:08:24,000 --> 02:08:25,030 VICTORIA MONET. 2831 02:08:25,097 --> 02:08:29,435 [CHEERS AND APPLAUSE] ♪ ♪ 2832 02:08:32,071 --> 02:08:36,000 [CHEERS AND APPLAUSE] ♪ ♪ 2833 02:08:36,000 --> 02:08:42,000 [CHEERS AND APPLAUSE] ♪ ♪ 2834 02:08:42,000 --> 02:08:46,952 [CHEERS AND APPLAUSE] ♪ ♪ 2835 02:08:47,019 --> 02:08:48,000 [CHEERS AND APPLAUSE] ♪ ♪ 2836 02:08:48,000 --> 02:08:48,620 [CHEERS AND APPLAUSE] ♪ ♪ 2837 02:08:54,126 --> 02:09:00,000 ♪ ♪ [CHEERS AND APPLAUSE] 2838 02:09:00,000 --> 02:09:06,000 ♪ ♪ [CHEERS AND APPLAUSE] 2839 02:09:06,000 --> 02:09:09,007 ♪ ♪ [CHEERS AND APPLAUSE] 2840 02:09:09,074 --> 02:09:12,000 ♪ ♪ [CHEERS AND APPLAUSE] 2841 02:09:12,000 --> 02:09:15,781 ♪ ♪ [CHEERS AND APPLAUSE] 2842 02:09:15,848 --> 02:09:18,000 THANK YOU TO THAT CHAMPAGNE SERVERS TONIGHT. 2843 02:09:18,000 --> 02:09:18,183 THANK YOU TO THAT CHAMPAGNE SERVERS TONIGHT. 2844 02:09:18,250 --> 02:09:19,718 THAT'S MY FIRST THANK YOU. 2845 02:09:19,785 --> 02:09:23,789 TO THE RECORDING ACADEMY, THE VOTING MEMBERS, THIS IS BECAUSE 2846 02:09:23,856 --> 02:09:24,000 YOU PRESSED THAT BUTTON AND YOUR EMAILS. 2847 02:09:24,000 --> 02:09:25,991 YOU PRESSED THAT BUTTON AND YOUR EMAILS. 2848 02:09:26,058 --> 02:09:27,559 THANK YOU SO MUCH. 2849 02:09:27,626 --> 02:09:29,161 THANK YOU TO MY MOM. 2850 02:09:29,228 --> 02:09:30,000 A SINGLE MOM RAISING THIS REALLY BAD GIRL. 2851 02:09:30,000 --> 02:09:32,631 A SINGLE MOM RAISING THIS REALLY BAD GIRL. 2852 02:09:32,698 --> 02:09:34,233 THANK YOU SO MUCH. 2853 02:09:34,299 --> 02:09:36,000 I JUST WANT TO SAY TO EVERYBODY WHO HAS A DREAM, I WANT YOU TO 2854 02:09:36,000 --> 02:09:37,636 I JUST WANT TO SAY TO EVERYBODY WHO HAS A DREAM, I WANT YOU TO 2855 02:09:37,703 --> 02:09:41,373 LOOK AT THIS AS AN EXAMPLE. 2856 02:09:41,440 --> 02:09:42,000 THANK YOU, GOD. 2857 02:09:42,000 --> 02:09:46,345 THANK YOU, GOD. 2858 02:09:46,411 --> 02:09:48,000 [CHEERS AND APPLAUSE] THIS AWARD WAS A 15-YEAR 2859 02:09:48,000 --> 02:09:50,682 [CHEERS AND APPLAUSE] THIS AWARD WAS A 15-YEAR 2860 02:09:50,749 --> 02:09:51,884 PURSUIT. 2861 02:09:51,950 --> 02:09:54,000 I MOVE TO L.A. AND 2009, AND I LIKE TO ALIKE AND MYSELF TO A 2862 02:09:54,000 --> 02:09:57,689 I MOVE TO L.A. AND 2009, AND I LIKE TO ALIKE AND MYSELF TO A 2863 02:09:57,756 --> 02:10:00,000 PLANT WHO WAS PLANTED, AND YOU CAN LOOK AT THE MUSIC INDUSTRY 2864 02:10:00,000 --> 02:10:03,529 PLANT WHO WAS PLANTED, AND YOU CAN LOOK AT THE MUSIC INDUSTRY 2865 02:10:03,595 --> 02:10:04,796 AS SOIL. 2866 02:10:04,863 --> 02:10:06,000 IT CAN BE LOOKED AT AS DIRTY OR A SOURCE OF NUTRIENTS AND WATER. 2867 02:10:06,000 --> 02:10:09,067 IT CAN BE LOOKED AT AS DIRTY OR A SOURCE OF NUTRIENTS AND WATER. 2868 02:10:09,134 --> 02:10:12,000 AND MY ROOTS HAVE BEEN GROWING UNDERNEATH GROUND ON THE FOR SO 2869 02:10:12,000 --> 02:10:13,906 AND MY ROOTS HAVE BEEN GROWING UNDERNEATH GROUND ON THE FOR SO 2870 02:10:13,972 --> 02:10:15,073 LONG. 2871 02:10:15,140 --> 02:10:18,000 AND I FEEL LIKE TODAY I AM SPROUTING, FINALLY ABOVE GROUND. 2872 02:10:18,000 --> 02:10:20,312 AND I FEEL LIKE TODAY I AM SPROUTING, FINALLY ABOVE GROUND. 2873 02:10:20,379 --> 02:10:24,000 SO I WOULD LIKE TO THANK MY TEAM OF VISIONARIES WHO COULD SEE 2874 02:10:24,000 --> 02:10:24,116 SO I WOULD LIKE TO THANK MY TEAM OF VISIONARIES WHO COULD SEE 2875 02:10:24,183 --> 02:10:29,288 THROUGH THAT SOIL. 2876 02:10:29,354 --> 02:10:30,000 RACHELLE, THANK YOU SO MUCH. 2877 02:10:30,000 --> 02:10:32,057 RACHELLE, THANK YOU SO MUCH. 2878 02:10:32,124 --> 02:10:34,159 I JUST WANT TO TELL A SHORT STORY. 2879 02:10:34,226 --> 02:10:36,000 I KNOW THIS LOT IS ONE MINUTE, SO I WILL HURRY UP. 2880 02:10:36,000 --> 02:10:36,695 I KNOW THIS LOT IS ONE MINUTE, SO I WILL HURRY UP. 2881 02:10:36,762 --> 02:10:39,131 THERE WAS A BINDER I MADE TO TAKE THIS REALLY IMPORTANT 2882 02:10:39,198 --> 02:10:42,000 MEETING AT A LABEL, AND I THOUGHT I WAS GOING TO BE SIGNED 2883 02:10:42,000 --> 02:10:43,535 MEETING AT A LABEL, AND I THOUGHT I WAS GOING TO BE SIGNED 2884 02:10:43,602 --> 02:10:46,238 AND IT WAS AN INDEPENDENT ARTIST WITH NO TEAM. 2885 02:10:46,305 --> 02:10:48,000 AND I THOUGHT MAYBE MY MUSIC WOULD STAND FOR ITSELF, BUT THAT 2886 02:10:48,000 --> 02:10:50,842 AND I THOUGHT MAYBE MY MUSIC WOULD STAND FOR ITSELF, BUT THAT 2887 02:10:50,909 --> 02:10:54,000 BINDER LEFT COLLECTING DUST IN AN OFFICE AT A LABEL, AND 2888 02:10:54,000 --> 02:10:57,115 BINDER LEFT COLLECTING DUST IN AN OFFICE AT A LABEL, AND 2889 02:10:57,182 --> 02:11:00,000 RACHELLE FOUND THAT BINDER AND DECIDED IT TAKE A CHANCE, LEAVE 2890 02:11:00,000 --> 02:11:00,719 RACHELLE FOUND THAT BINDER AND DECIDED IT TAKE A CHANCE, LEAVE 2891 02:11:00,786 --> 02:11:03,655 THAT LABEL, AND BE MY MANAGER. 2892 02:11:03,722 --> 02:11:05,857 SO THANK YOU SO MUCH FOR SEEING ME. 2893 02:11:05,924 --> 02:11:06,000 THANK YOU. 2894 02:11:06,000 --> 02:11:07,125 THANK YOU. 2895 02:11:07,192 --> 02:11:10,295 I WOULD LIKE TO THANK ALL OF THE OTHER NOMINEES IN THE CATEGORY, 2896 02:11:10,362 --> 02:11:11,129 BECAUSE BEST IS SUBJECTIVE. 2897 02:11:11,196 --> 02:11:12,000 WE VOTED FOR IT. 2898 02:11:12,000 --> 02:11:12,264 WE VOTED FOR IT. 2899 02:11:12,331 --> 02:11:14,199 I THINK WE ARE ALL THE BEST. 2900 02:11:14,266 --> 02:11:18,000 WHEN YOU LOOK AT WHAT BEST MEANS INTROSPECTIVELY, I WOULD LIKE TO 2901 02:11:18,000 --> 02:11:19,538 WHEN YOU LOOK AT WHAT BEST MEANS INTROSPECTIVELY, I WOULD LIKE TO 2902 02:11:19,605 --> 02:11:21,907 SAY THAT THAT IS WHAT RANKS TRUE. 2903 02:11:21,974 --> 02:11:24,000 LET ME JUST MAKE A SONG. 2904 02:11:24,000 --> 02:11:24,376 LET ME JUST MAKE A SONG. 2905 02:11:24,443 --> 02:11:25,477 THAT'S WHAT RINGS TRUE. 2906 02:11:25,544 --> 02:11:28,013 AND WE ARE ALL THE BEST VERSIONS OF OURSELVES TONIGHT. 2907 02:11:28,080 --> 02:11:30,000 THANK YOU TO THE RECORDING ACADEMY AND EVERY COLLABORATOR. 2908 02:11:30,000 --> 02:11:33,719 THANK YOU TO THE RECORDING ACADEMY AND EVERY COLLABORATOR. 2909 02:11:33,785 --> 02:11:35,621 THANK YOU DEB, THANK YOU, EVERYBODY. 2910 02:11:35,687 --> 02:11:36,000 THANK YOU. 2911 02:11:36,000 --> 02:11:36,488 THANK YOU. 2912 02:11:36,555 --> 02:11:39,124 IF I KNOW YOU, THANK YOU. 2913 02:11:39,191 --> 02:11:42,000 ♪ ♪ >> Announcer: MUSICARES IS A 2914 02:11:42,000 --> 02:11:42,494 ♪ ♪ >> Announcer: MUSICARES IS A 2915 02:11:42,561 --> 02:11:44,029 SAFETY NET FOR THE MUSIC COMMUNITY IN TIMES OF NEED, 2916 02:11:44,096 --> 02:11:48,000 PROVIDING CRISIS RELIEF, PREVENTATIVE CARE, AND MORE. 2917 02:11:48,000 --> 02:11:52,971 PROVIDING CRISIS RELIEF, PREVENTATIVE CARE, AND MORE. 2918 02:11:53,038 --> 02:11:54,000 JOIN OUR MISSION AND DONATE AT MusiCares.org. 2919 02:11:54,000 --> 02:11:57,976 JOIN OUR MISSION AND DONATE AT MusiCares.org. 2920 02:11:58,043 --> 02:12:00,000 COMING UP, BILLY JOEL PERFORMS HIS FIRST NEW SONG IN DECADES, A 2921 02:12:00,000 --> 02:12:02,914 COMING UP, BILLY JOEL PERFORMS HIS FIRST NEW SONG IN DECADES, A 2922 02:12:02,981 --> 02:12:05,117 MOTHER-IN-LAW AND HER SON-IN-LAW PRESENT RECORD OF THE YEAR AND 2923 02:12:05,183 --> 02:12:06,000 ONE OF THE GREATEST VOICES OF ALL TIME HANDS OUT THE GRAMMY 2924 02:12:06,000 --> 02:12:07,452 ONE OF THE GREATEST VOICES OF ALL TIME HANDS OUT THE GRAMMY 2925 02:12:07,519 --> 02:12:08,520 FOR ALBUM OF THE YEAR. 2926 02:12:17,562 --> 02:12:18,000 >> Announcer: FROM HOSTING THE FIRST-EVER GRAMMY AWARDS TO NOW, 2927 02:12:18,000 --> 02:12:20,999 >> Announcer: FROM HOSTING THE FIRST-EVER GRAMMY AWARDS TO NOW, 2928 02:12:21,066 --> 02:12:23,935 HILTON IS PROUD TO BE A PART OF MUSIC'S BIGGEST MOMENTS. 2929 02:12:24,002 --> 02:12:24,936 HILTON. 2930 02:12:25,003 --> 02:12:25,937 FOR THE STAY. 2931 02:12:26,004 --> 02:12:29,007 OFFICIAL HOTEL PARTNER OF THE GRAMMY AWARDS. 2932 02:12:29,074 --> 02:12:30,000 CONGRATULATIONS TO ALL THE RECORDING ACADEMY'S SPECIAL 2933 02:12:30,000 --> 02:12:30,275 CONGRATULATIONS TO ALL THE RECORDING ACADEMY'S SPECIAL 2934 02:12:30,342 --> 02:12:33,945 MERIT NOMINEES. 2935 02:12:34,012 --> 02:12:36,000 THIS YEAR'S TECHNICAL GRAMMY SPECIAL MERIT AWARD HONOREES ARE 2936 02:12:36,000 --> 02:12:39,251 THIS YEAR'S TECHNICAL GRAMMY SPECIAL MERIT AWARD HONOREES ARE 2937 02:12:39,318 --> 02:12:41,820 TOM KOBAYASHI AND TOM SCOTT, WHO MET AT LUCASFILMS' SKYWALKER 2938 02:12:41,887 --> 02:12:42,000 SOUND AND WENT ON TO LAUNCH THE ENTERTAINMENT DIGITAL NETWORK, 2939 02:12:42,000 --> 02:12:46,958 SOUND AND WENT ON TO LAUNCH THE ENTERTAINMENT DIGITAL NETWORK, 2940 02:12:47,025 --> 02:12:48,000 ALSO KNOWN AS "EDNET," CONNECTING RECORDING STUDIOS 2941 02:12:48,000 --> 02:12:49,428 ALSO KNOWN AS "EDNET," CONNECTING RECORDING STUDIOS 2942 02:12:49,494 --> 02:12:52,964 AROUND THE WORLD. 2943 02:12:53,031 --> 02:12:54,000 OUR NEW LIFETIME ACHIEVEMENT GRAMMY HONOREES ARE 2944 02:12:54,000 --> 02:12:55,967 OUR NEW LIFETIME ACHIEVEMENT GRAMMY HONOREES ARE 2945 02:12:56,034 --> 02:12:57,836 GROUNDBREAKING PERFORMANCE ARTIST AND COMPOSER 2946 02:12:57,903 --> 02:13:00,000 LAURIE ANDERSON, BELOVED GOSPEL VOCAL GROUP THE CLARK SISTERS, 2947 02:13:00,000 --> 02:13:01,973 LAURIE ANDERSON, BELOVED GOSPEL VOCAL GROUP THE CLARK SISTERS, 2948 02:13:02,040 --> 02:13:06,000 LEGENDARY GRAMMY-WINNING VOCALIST GLADYS KNIGHT, WEST 2949 02:13:06,000 --> 02:13:06,978 LEGENDARY GRAMMY-WINNING VOCALIST GLADYS KNIGHT, WEST 2950 02:13:07,045 --> 02:13:09,848 COAST RAP SENSATIONS N.W.A, SUPERSTAR VOCALIST AND 2951 02:13:09,915 --> 02:13:12,000 SONGWRITER DONNA SUMMER AND COUNTRY MUSIC ICON 2952 02:13:12,000 --> 02:13:13,919 SONGWRITER DONNA SUMMER AND COUNTRY MUSIC ICON 2953 02:13:13,985 --> 02:13:16,922 TAMMY WYNETTE. 2954 02:13:16,988 --> 02:13:18,000 THE ACADEMY'S TRUSTEES AWARD HONOREES ARE 2955 02:13:18,000 --> 02:13:19,291 THE ACADEMY'S TRUSTEES AWARD HONOREES ARE 2956 02:13:19,358 --> 02:13:22,194 BRITISH INVASION ARTIST TURNED A&R EXECUTIVE, ARTIST MANAGER 2957 02:13:22,260 --> 02:13:24,000 AND TWO-TIME PRODUCER OF THE YEAR PETER ASHER, ICONIC MUSIC 2958 02:13:24,000 --> 02:13:27,466 AND TWO-TIME PRODUCER OF THE YEAR PETER ASHER, ICONIC MUSIC 2959 02:13:27,532 --> 02:13:30,000 AND ENTERTAINMENT ATTORNEY JOEL KATZ, AND PIONEERING 2960 02:13:30,000 --> 02:13:31,103 AND ENTERTAINMENT ATTORNEY JOEL KATZ, AND PIONEERING 2961 02:13:31,169 --> 02:13:36,000 HIP HOP FOUNDER DJ KOOL HERC. 2962 02:13:36,000 --> 02:13:36,708 HIP HOP FOUNDER DJ KOOL HERC. 2963 02:13:36,775 --> 02:13:42,000 >> Trevor: CONGRATULATIONS TO ALL OF THIS YEAR'S HONOREES! 2964 02:13:42,000 --> 02:13:43,448 >> Trevor: CONGRATULATIONS TO ALL OF THIS YEAR'S HONOREES! 2965 02:13:43,515 --> 02:13:46,451 ALL RIGHT, WELL, GRAMMY PRESENTERS ARE ALWAYS 2966 02:13:46,518 --> 02:13:47,753 ASKING ME, "TREVOR, CAN I PLEASE PRESENT THIS GRAMMY AWARD 2967 02:13:47,819 --> 02:13:48,000 ALONGSIDE MY MOTHER-IN-LAW?" AND MY ANSWER IS ALWAYS NO, 2968 02:13:48,000 --> 02:13:50,255 ALONGSIDE MY MOTHER-IN-LAW?" AND MY ANSWER IS ALWAYS NO, 2969 02:13:50,322 --> 02:13:52,124 UNTIL RIGHT NOW. 2970 02:13:52,190 --> 02:13:54,000 PLEASE WELCOME MARK RONSON AND HIS MOTHER-IN-LAW, MERYL STREEP! 2971 02:13:54,000 --> 02:13:54,192 PLEASE WELCOME MARK RONSON AND HIS MOTHER-IN-LAW, MERYL STREEP! 2972 02:14:13,044 --> 02:14:18,000 >> I AM SO UNBELIEVABLY HONORED TO BE HERE TONIGHT WITH YOU TO 2973 02:14:18,000 --> 02:14:18,917 >> I AM SO UNBELIEVABLY HONORED TO BE HERE TONIGHT WITH YOU TO 2974 02:14:18,984 --> 02:14:24,000 PRESENT THE MOST IMPORTANT AWARD THE YEAR! 2975 02:14:24,000 --> 02:14:25,924 PRESENT THE MOST IMPORTANT AWARD THE YEAR! 2976 02:14:25,991 --> 02:14:29,861 >> NO, NO, SORRY, IT'S FOR BEST RECORD OF THE YEAR. 2977 02:14:29,928 --> 02:14:30,000 >> THAT'S WHAT I SAID. 2978 02:14:30,000 --> 02:14:35,934 >> THAT'S WHAT I SAID. 2979 02:14:36,001 --> 02:14:36,935 A RECORD IS AN ALBUM, RIGHT? 2980 02:14:37,002 --> 02:14:37,936 >> IT CAN BE, YES, BUT THIS IS DIFFERENT. 2981 02:14:38,003 --> 02:14:40,572 THIS IS JUST FOR ONE RECORD. 2982 02:14:40,639 --> 02:14:42,000 >> HOW MANY SONGS ARE ON A RECORD ALBUM? 2983 02:14:42,000 --> 02:14:43,074 >> HOW MANY SONGS ARE ON A RECORD ALBUM? 2984 02:14:43,141 --> 02:14:43,942 >> WELL, ON THIS, ONE... 2985 02:14:44,009 --> 02:14:48,000 >> SO IT'S THE SINGLE, THE BEST SINGLE. 2986 02:14:48,000 --> 02:14:48,113 >> SO IT'S THE SINGLE, THE BEST SINGLE. 2987 02:14:48,180 --> 02:14:50,682 THE BEST SINGLE OF THIS YEAR. 2988 02:14:50,749 --> 02:14:54,000 WAIT, BUT THEY ALREADY GAVE OUT THE BEST SONG? 2989 02:14:54,000 --> 02:14:55,120 WAIT, BUT THEY ALREADY GAVE OUT THE BEST SONG? 2990 02:14:55,187 --> 02:14:58,056 YEAH, THAT'S A SONGWRITER'S AWARD. 2991 02:14:58,123 --> 02:14:59,991 THAT'S A TOTALLY DIFFERENT THING. 2992 02:15:00,058 --> 02:15:01,726 >> THAT'S THE ONE YOU LOST. 2993 02:15:01,793 --> 02:15:04,596 >> THANK YOU. 2994 02:15:04,663 --> 02:15:06,000 >> BUT YOU DID WIN THIS. 2995 02:15:06,000 --> 02:15:07,098 >> BUT YOU DID WIN THIS. 2996 02:15:07,165 --> 02:15:08,433 YOU WON THE BEST RECORD. 2997 02:15:08,500 --> 02:15:09,768 >> TWICE. 2998 02:15:09,835 --> 02:15:12,000 >> SO WHAT IS IT? 2999 02:15:12,000 --> 02:15:12,938 >> SO WHAT IS IT? 3000 02:15:13,004 --> 02:15:15,040 >> IT'S A REALLY IMPORTANT AWARD. 3001 02:15:15,106 --> 02:15:18,000 AND IT RECOGNIZES ALL OF THE PEOPLE THAT GO INTO A GREAT 3002 02:15:18,000 --> 02:15:19,878 AND IT RECOGNIZES ALL OF THE PEOPLE THAT GO INTO A GREAT 3003 02:15:19,945 --> 02:15:20,912 RECORD. 3004 02:15:20,979 --> 02:15:21,546 THE PRODUCTION, ENGINEERING, WRITINGS, AND ARTIST'S 3005 02:15:21,613 --> 02:15:24,000 CONTRIBUTION, ALL TOGETHER. 3006 02:15:24,000 --> 02:15:25,717 CONTRIBUTION, ALL TOGETHER. 3007 02:15:25,784 --> 02:15:27,686 >> IT'S THE EVERYTHING AWARD. 3008 02:15:27,752 --> 02:15:29,120 IT'S THE BEST. 3009 02:15:29,187 --> 02:15:30,000 AND THE NOMINEES FOR RECORD OF THE YEAR ARE... 3010 02:15:30,000 --> 02:15:31,857 AND THE NOMINEES FOR RECORD OF THE YEAR ARE... 3011 02:15:31,923 --> 02:15:35,293 ♪ ♪ >> Anouncer: "WORSHIP," 3012 02:15:35,360 --> 02:15:36,000 JON BATISTE. 3013 02:15:36,000 --> 02:15:41,433 JON BATISTE. 3014 02:15:41,500 --> 02:15:42,000 "NOT STRONG ENOUGH," BOYGENIUS. 3015 02:15:42,000 --> 02:15:47,939 "NOT STRONG ENOUGH," BOYGENIUS. 3016 02:15:48,006 --> 02:15:48,940 ♪ ♪ "FLOWERS," 3017 02:15:49,007 --> 02:15:50,876 MILEY CYRUS. 3018 02:15:50,942 --> 02:15:52,444 ♪ ♪ "WHAT WAS I MADE FOR?" 3019 02:15:52,511 --> 02:15:54,000 FROM THE MOTION PICTURE "BARBIE," 3020 02:15:54,000 --> 02:15:54,946 FROM THE MOTION PICTURE "BARBIE," 3021 02:15:55,013 --> 02:15:56,948 BILLIE EILISH. 3022 02:15:57,015 --> 02:15:58,416 ♪ ♪ "ON MY MAMA," 3023 02:15:58,483 --> 02:16:00,000 VICTORIA MONET. 3024 02:16:00,000 --> 02:16:00,752 VICTORIA MONET. 3025 02:16:00,819 --> 02:16:01,686 "VAMPIRE," ♪ ♪ 3026 02:16:01,753 --> 02:16:04,489 OLIVIA RODRIGO. 3027 02:16:04,556 --> 02:16:06,000 ♪ ♪ "ANTI-HERO," 3028 02:16:06,000 --> 02:16:06,157 ♪ ♪ "ANTI-HERO," 3029 02:16:06,224 --> 02:16:08,326 TAYLOR SWIFT. 3030 02:16:08,393 --> 02:16:09,227 ♪ ♪ "KILL BILL," 3031 02:16:09,294 --> 02:16:12,000 SZA. 3032 02:16:12,000 --> 02:16:15,800 SZA. 3033 02:16:15,867 --> 02:16:18,000 ♪ ♪ >> AND THE GRAMMY GOES TO... 3034 02:16:18,000 --> 02:16:19,337 ♪ ♪ >> AND THE GRAMMY GOES TO... 3035 02:16:19,404 --> 02:16:23,708 "FLOWERS," MILEY CYRUS. 3036 02:16:23,775 --> 02:16:24,000 [CHEERS AND APPLAUSE] ♪ ♪ 3037 02:16:24,000 --> 02:16:30,000 [CHEERS AND APPLAUSE] ♪ ♪ 3038 02:16:30,000 --> 02:16:30,282 [CHEERS AND APPLAUSE] ♪ ♪ 3039 02:16:32,984 --> 02:16:36,000 [CHEERS AND APPLAUSE] ♪ ♪ 3040 02:16:36,000 --> 02:16:42,000 [CHEERS AND APPLAUSE] ♪ ♪ 3041 02:16:42,000 --> 02:16:42,561 [CHEERS AND APPLAUSE] ♪ ♪ 3042 02:16:42,627 --> 02:16:42,894 ♪ ♪ 3043 02:16:47,532 --> 02:16:48,000 [CHEERS AND APPLAUSE] ♪ ♪ 3044 02:16:48,000 --> 02:16:54,000 [CHEERS AND APPLAUSE] ♪ ♪ 3045 02:16:54,000 --> 02:17:00,000 [CHEERS AND APPLAUSE] ♪ ♪ 3046 02:17:00,000 --> 02:17:01,246 [CHEERS AND APPLAUSE] ♪ ♪ 3047 02:17:03,214 --> 02:17:06,000 ♪ ♪ >> I DON'T! 3048 02:17:06,000 --> 02:17:12,000 ♪ ♪ >> I DON'T! 3049 02:17:12,000 --> 02:17:16,328 ♪ ♪ >> I DON'T! 3050 02:17:16,394 --> 02:17:17,862 DO YOU WANT TO TALK? 3051 02:17:17,929 --> 02:17:18,000 DO YOU WANT ME TO TALK? 3052 02:17:18,000 --> 02:17:20,198 DO YOU WANT ME TO TALK? 3053 02:17:20,265 --> 02:17:22,767 CAN YOU HOLD THIS? 3054 02:17:22,834 --> 02:17:23,301 ALL RIGHT. 3055 02:17:23,368 --> 02:17:24,000 THANK YOU ALL SO MUCH. 3056 02:17:24,000 --> 02:17:27,906 THANK YOU ALL SO MUCH. 3057 02:17:27,973 --> 02:17:28,974 THIS AWARD IS AMAZING. 3058 02:17:29,040 --> 02:17:30,000 BUT I REALLY HOPE THAT IT DOES NOT CHANGE ANYTHING. 3059 02:17:30,000 --> 02:17:33,011 BUT I REALLY HOPE THAT IT DOES NOT CHANGE ANYTHING. 3060 02:17:33,078 --> 02:17:36,000 BECAUSE MY LIFE WAS BEAUTIFUL YESTERDAY. 3061 02:17:36,000 --> 02:17:37,148 BECAUSE MY LIFE WAS BEAUTIFUL YESTERDAY. 3062 02:17:37,215 --> 02:17:42,000 NOT EVERYONE IN THE WORLD WILL GET A GRAMMY, BUT EVERYONE IN 3063 02:17:42,000 --> 02:17:42,387 NOT EVERYONE IN THE WORLD WILL GET A GRAMMY, BUT EVERYONE IN 3064 02:17:42,454 --> 02:17:46,024 THIS WORLD A SPECTACULAR, SO PLEASE DON'T THINK THAT THIS IS 3065 02:17:46,091 --> 02:17:46,958 IMPORTANT. 3066 02:17:47,025 --> 02:17:48,000 EVEN THOUGH IT'S VERY IMPORTANT, RIGHT, GUYS? 3067 02:17:48,000 --> 02:17:48,793 EVEN THOUGH IT'S VERY IMPORTANT, RIGHT, GUYS? 3068 02:17:48,860 --> 02:17:52,330 WE ARE VERY EXCITED. 3069 02:17:52,397 --> 02:17:54,000 I WANT TO THANK EVERYONE WHO IS STANDING ON THE STAGE. 3070 02:17:54,000 --> 02:17:55,934 I WANT TO THANK EVERYONE WHO IS STANDING ON THE STAGE. 3071 02:17:56,001 --> 02:17:58,937 TOM, TYLER, MICHAEL, GREG. 3072 02:17:59,004 --> 02:18:00,000 OUR TEAMS, CRUSH, COLUMBIA. 3073 02:18:00,000 --> 02:18:00,138 OUR TEAMS, CRUSH, COLUMBIA. 3074 02:18:00,205 --> 02:18:04,075 MY MOMMY, MY SISTER, MY LOVE. 3075 02:18:04,142 --> 02:18:06,000 MY MAIN GAZE, BECAUSE LOOK HOW GOOD I LOOK. 3076 02:18:06,000 --> 02:18:09,781 MY MAIN GAZE, BECAUSE LOOK HOW GOOD I LOOK. 3077 02:18:09,848 --> 02:18:12,000 YOUR WIFE, YOUR FIANCE, ALL THE PEOPLE THAT WE LOVE. 3078 02:18:12,000 --> 02:18:12,717 YOUR WIFE, YOUR FIANCE, ALL THE PEOPLE THAT WE LOVE. 3079 02:18:12,784 --> 02:18:13,852 THANK YOU ALL SO MUCH. 3080 02:18:13,918 --> 02:18:18,000 I DON'T THINK I FORGOT ANYONE, BUT I MIGHT HAVE FORGOTTEN 3081 02:18:18,000 --> 02:18:18,890 I DON'T THINK I FORGOT ANYONE, BUT I MIGHT HAVE FORGOTTEN 3082 02:18:18,957 --> 02:18:19,457 UNDERWEAR. 3083 02:18:20,458 --> 02:18:20,959 BYE. 3084 02:18:21,960 --> 02:18:24,000 ♪ ♪ >> Trevor: OKAY! 3085 02:18:24,000 --> 02:18:27,732 ♪ ♪ >> Trevor: OKAY! 3086 02:18:27,799 --> 02:18:28,800 WELL! 3087 02:18:28,867 --> 02:18:30,000 TIME FOR WHAT SO MANY HAVE BEEN WAITING FOR. 3088 02:18:30,000 --> 02:18:30,001 TIME FOR WHAT SO MANY HAVE BEEN WAITING FOR. 3089 02:18:30,068 --> 02:18:32,003 WHEN I SAY WAITING, I MEAN 30 YEARS. 3090 02:18:32,070 --> 02:18:36,000 BECAUSE TONIGHT IS THE RETURN OF THE PIANO MAN. 3091 02:18:36,000 --> 02:18:39,711 BECAUSE TONIGHT IS THE RETURN OF THE PIANO MAN. 3092 02:18:39,778 --> 02:18:42,000 [CHEERS AND APPLAUSE] >> HE IS ONE OF THE BEST SELLING 3093 02:18:42,000 --> 02:18:48,000 [CHEERS AND APPLAUSE] >> HE IS ONE OF THE BEST SELLING 3094 02:18:48,000 --> 02:18:53,091 [CHEERS AND APPLAUSE] >> HE IS ONE OF THE BEST SELLING 3095 02:18:53,158 --> 02:18:54,000 ARTISTS OF ALL TIME. 3096 02:18:54,000 --> 02:18:55,927 ARTISTS OF ALL TIME. 3097 02:18:55,994 --> 02:18:58,663 160 MILLION RECORDS SOLD. 3098 02:18:58,730 --> 02:18:59,664 33 TOP 40 HITS. 3099 02:18:59,731 --> 02:19:00,000 HE SOLD OUT MADISON SQUARE GARDEN OVER 100 3100 02:19:00,000 --> 02:19:02,033 HE SOLD OUT MADISON SQUARE GARDEN OVER 100 3101 02:19:02,100 --> 02:19:06,000 TIMES FOR 22 YEARS, BILLY DELIVERED HIT AFTER HIT. 3102 02:19:06,000 --> 02:19:07,305 TIMES FOR 22 YEARS, BILLY DELIVERED HIT AFTER HIT. 3103 02:19:07,372 --> 02:19:11,876 AND THEN HE JUST STOPPED. 3104 02:19:11,943 --> 02:19:12,000 ♪ ♪ SPEAK OF THE LAST TIME I WROTE A 3105 02:19:12,000 --> 02:19:14,679 ♪ ♪ SPEAK OF THE LAST TIME I WROTE A 3106 02:19:14,746 --> 02:19:17,315 SONG, IT HAS TO BE 30 YEARS AGO. 3107 02:19:17,382 --> 02:19:18,000 AND A LOT OF PEOPLE HAVE ASKED ME, WHY DID YOU STOP WRITING? 3108 02:19:18,000 --> 02:19:21,086 AND A LOT OF PEOPLE HAVE ASKED ME, WHY DID YOU STOP WRITING? 3109 02:19:21,152 --> 02:19:22,454 IT'S BECAUSE I DID NOT WANT TO. 3110 02:19:22,520 --> 02:19:24,000 SOME PEOPLE MAYBE HAVE A GREAT TIME WITH IT. 3111 02:19:24,000 --> 02:19:25,690 SOME PEOPLE MAYBE HAVE A GREAT TIME WITH IT. 3112 02:19:25,757 --> 02:19:27,425 I KIND OF SUFFER FROM SONGWRITING. 3113 02:19:27,492 --> 02:19:30,000 >> YOU CAN'T BE BILLY JOEL AND BE DONE. 3114 02:19:30,000 --> 02:19:30,662 >> YOU CAN'T BE BILLY JOEL AND BE DONE. 3115 02:19:30,729 --> 02:19:36,000 YOU JUST NEED TO FIND THE MAGIC AGAIN. 3116 02:19:36,000 --> 02:19:36,267 YOU JUST NEED TO FIND THE MAGIC AGAIN. 3117 02:19:36,334 --> 02:19:39,337 >> I'M FREDDY WEXLER, AND I LOVE BILLY JOEL. 3118 02:19:39,404 --> 02:19:42,000 FOR MY 35TH BIRTHDAY, MY WIFE MADE IT HER MISSION TO TRY TO 3119 02:19:42,000 --> 02:19:43,842 FOR MY 35TH BIRTHDAY, MY WIFE MADE IT HER MISSION TO TRY TO 3120 02:19:43,908 --> 02:19:47,645 MEET BILLY JOEL, AND EVENTUALLY SHE MET A DOCTOR WHO KNEW 3121 02:19:47,712 --> 02:19:48,000 ANOTHER DOCTOR WHO ONCE KNEW BILLY JOEL. 3122 02:19:48,000 --> 02:19:50,248 ANOTHER DOCTOR WHO ONCE KNEW BILLY JOEL. 3123 02:19:50,315 --> 02:19:51,549 SOMEHOW HE MET ME. 3124 02:19:51,616 --> 02:19:54,000 AND WE WOULD HAVE LUNCH AND MEET THIS KID AND IT WOULD BE THAT. 3125 02:19:54,000 --> 02:19:54,753 AND WE WOULD HAVE LUNCH AND MEET THIS KID AND IT WOULD BE THAT. 3126 02:19:54,819 --> 02:19:58,223 WHEN I GOT THERE, IT WAS CLEAR THAT HE HAD NO INTENTION OF 3127 02:19:58,289 --> 02:19:59,257 SPENDING ANY TIME WITH ME. 3128 02:19:59,324 --> 02:20:00,000 HE ORDERED CLAMS ON THE HALF SHELL AND A BLT TO GO. 3129 02:20:00,000 --> 02:20:03,194 HE ORDERED CLAMS ON THE HALF SHELL AND A BLT TO GO. 3130 02:20:03,261 --> 02:20:04,329 >> THEY HAVE GREAT CLAMS. 3131 02:20:04,395 --> 02:20:06,000 >> A TEN MINUTE LUNCH TURN TO TWO AND HALF HOURS, AND WE 3132 02:20:06,000 --> 02:20:08,700 >> A TEN MINUTE LUNCH TURN TO TWO AND HALF HOURS, AND WE 3133 02:20:08,767 --> 02:20:09,934 BECAME UNLIKELY FRIENDS. 3134 02:20:10,001 --> 02:20:12,000 >> AND AS TIME WENT ON, HE GOT ME THINKING ABOUT WRITING A SONG 3135 02:20:12,000 --> 02:20:14,305 >> AND AS TIME WENT ON, HE GOT ME THINKING ABOUT WRITING A SONG 3136 02:20:14,372 --> 02:20:15,140 A RECORDING. 3137 02:20:15,206 --> 02:20:16,908 IT TOOK HIM A WHILE TO TALK ME INTO IT. 3138 02:20:16,975 --> 02:20:18,000 >> IT TOOK TWO YEARS. 3139 02:20:18,000 --> 02:20:18,576 >> IT TOOK TWO YEARS. 3140 02:20:18,643 --> 02:20:20,478 >> YOU WANT ME TO TRY TO SING THIS? 3141 02:20:20,545 --> 02:20:23,314 >> I DON'T THINK I WAS RELENTLESS. 3142 02:20:23,381 --> 02:20:24,000 >> I WAS RELENTLESS. 3143 02:20:24,000 --> 02:20:24,516 >> I WAS RELENTLESS. 3144 02:20:24,582 --> 02:20:28,520 >> AND I DID A RECORDING AND I LISTEN BACK AND I DID NOT HATE 3145 02:20:28,586 --> 02:20:29,821 MY VOICE, WHICH I USUALLY DO. 3146 02:20:29,888 --> 02:20:30,000 WHEN I GO OUT IN THE STUDIO AND I SING AND I LISTEN I'M LIKE OH, 3147 02:20:30,000 --> 02:20:34,425 WHEN I GO OUT IN THE STUDIO AND I SING AND I LISTEN I'M LIKE OH, 3148 02:20:34,492 --> 02:20:36,000 IT'S ME AGAIN. 3149 02:20:36,000 --> 02:20:37,328 IT'S ME AGAIN. 3150 02:20:37,395 --> 02:20:40,165 SO THIS IS ACTUALLY THE FIRST TIME I AM DOING IT IN 30 YEARS. 3151 02:20:40,231 --> 02:20:42,000 THE WHOLE POINT OF DOING WHAT I DO IS BECAUSE IT WAS SO MUCH FUN 3152 02:20:42,000 --> 02:20:44,836 THE WHOLE POINT OF DOING WHAT I DO IS BECAUSE IT WAS SO MUCH FUN 3153 02:20:44,903 --> 02:20:48,000 TO DO AND I FIRST STARTED, I KIND OF LOSS THAT AFTER A WHILE. 3154 02:20:48,000 --> 02:20:49,474 TO DO AND I FIRST STARTED, I KIND OF LOSS THAT AFTER A WHILE. 3155 02:20:49,541 --> 02:20:52,377 FREDDIE GOT ME TO FIND THE JOY I IT AGAIN. 3156 02:20:52,443 --> 02:20:54,000 ♪ ♪ [CHEERS AND APPLAUSE] 3157 02:20:54,000 --> 02:21:00,000 ♪ ♪ [CHEERS AND APPLAUSE] 3158 02:21:00,000 --> 02:21:02,253 ♪ ♪ [CHEERS AND APPLAUSE] 3159 02:21:02,320 --> 02:21:06,000 ♪ ♪ ♪ PLEASE OPEN THE DOOR ♪ 3160 02:21:06,000 --> 02:21:12,000 ♪ ♪ ♪ PLEASE OPEN THE DOOR ♪ 3161 02:21:12,000 --> 02:21:17,202 ♪ ♪ ♪ PLEASE OPEN THE DOOR ♪ 3162 02:21:17,268 --> 02:21:18,000 ♪ ♪ ♪ PLEASE OPEN THE DOOR ♪ 3163 02:21:18,000 --> 02:21:20,572 ♪ ♪ ♪ PLEASE OPEN THE DOOR ♪ 3164 02:21:20,638 --> 02:21:24,000 ♪ NOTHING IS DIFFERENT, WE'VE BEEN HERE BEFORE ♪ 3165 02:21:24,000 --> 02:21:26,644 ♪ NOTHING IS DIFFERENT, WE'VE BEEN HERE BEFORE ♪ 3166 02:21:26,711 --> 02:21:30,000 ♪ PACING THESE HALLS ♪ ♪ TRYING TO TALK OVER THE 3167 02:21:30,000 --> 02:21:32,884 ♪ PACING THESE HALLS ♪ ♪ TRYING TO TALK OVER THE 3168 02:21:32,951 --> 02:21:36,000 SILENCE ♪ ♪ AND PRIDE STICKS OUT ITS 3169 02:21:36,000 --> 02:21:39,157 SILENCE ♪ ♪ AND PRIDE STICKS OUT ITS 3170 02:21:39,224 --> 02:21:42,000 TONGUE ♪ ♪ LAUGHS AT THE PORTRAIT THAT 3171 02:21:42,000 --> 02:21:44,429 TONGUE ♪ ♪ LAUGHS AT THE PORTRAIT THAT 3172 02:21:44,495 --> 02:21:46,664 WE'VE BECOME ♪ ♪ STUCK IN A FRAME, UNABLE TO 3173 02:21:46,731 --> 02:21:48,000 CHANGE ♪ ♪ I WAS WRONG ♪ 3174 02:21:48,000 --> 02:21:54,000 CHANGE ♪ ♪ I WAS WRONG ♪ 3175 02:21:54,000 --> 02:21:55,440 CHANGE ♪ ♪ I WAS WRONG ♪ 3176 02:21:55,506 --> 02:21:59,744 ♪ I'M LATE, BUT I'M HERE RIGHT NOW ♪ 3177 02:21:59,811 --> 02:22:00,000 ♪ THOUGH I USED TO BE ROMANTIC ♪ ♪ I FORGOT SOMEHOW ♪ 3178 02:22:00,000 --> 02:22:06,000 ♪ THOUGH I USED TO BE ROMANTIC ♪ ♪ I FORGOT SOMEHOW ♪ 3179 02:22:06,000 --> 02:22:10,622 ♪ THOUGH I USED TO BE ROMANTIC ♪ ♪ I FORGOT SOMEHOW ♪ 3180 02:22:10,688 --> 02:22:12,000 ♪ TIME CAN MAKE YOU BLIND ♪ ♪ BUT I SEE YOU NOW ♪ 3181 02:22:12,000 --> 02:22:18,000 ♪ TIME CAN MAKE YOU BLIND ♪ ♪ BUT I SEE YOU NOW ♪ 3182 02:22:18,000 --> 02:22:18,930 ♪ TIME CAN MAKE YOU BLIND ♪ ♪ BUT I SEE YOU NOW ♪ 3183 02:22:18,997 --> 02:22:22,000 ♪ AS WE'RE LAYING IN THE DARKNESS ♪ 3184 02:22:22,066 --> 02:22:24,000 ♪ DID I WAIT TOO LONG ♪ ♪ TO TURN THE LIGHTS BACK ON? ♪ 3185 02:22:24,000 --> 02:22:30,000 ♪ DID I WAIT TOO LONG ♪ ♪ TO TURN THE LIGHTS BACK ON? ♪ 3186 02:22:30,000 --> 02:22:36,000 ♪ DID I WAIT TOO LONG ♪ ♪ TO TURN THE LIGHTS BACK ON? ♪ 3187 02:22:36,000 --> 02:22:36,948 ♪ DID I WAIT TOO LONG ♪ ♪ TO TURN THE LIGHTS BACK ON? ♪ 3188 02:22:37,015 --> 02:22:38,216 ♪ DID I WAIT TOO LONG ♪ ♪ TO TURN THE LIGHTS BACK ON? ♪ 3189 02:22:38,283 --> 02:22:42,000 ♪ HERE, STUCK ON A HILL ♪ ♪ OUTSIDERS INSIDE THE HOME THAT 3190 02:22:42,000 --> 02:22:44,255 ♪ HERE, STUCK ON A HILL ♪ ♪ OUTSIDERS INSIDE THE HOME THAT 3191 02:22:44,322 --> 02:22:48,000 WE BUILT ♪ ♪ THE COLD SETTLES IN ♪ 3192 02:22:48,000 --> 02:22:48,793 WE BUILT ♪ ♪ THE COLD SETTLES IN ♪ 3193 02:22:48,860 --> 02:22:53,965 ♪ IT'S BEEN A LONG WINTER OF INDIFFERENCE ♪ 3194 02:22:54,032 --> 02:22:58,303 ♪ AND MAYBE YOU LOVE ME, MAYBE YOU DON'T ♪ 3195 02:22:58,369 --> 02:23:00,000 ♪ MAYBE YOU'LL LEARN TO, MAYBE YOU WON'T ♪ 3196 02:23:00,000 --> 02:23:02,607 ♪ MAYBE YOU'LL LEARN TO, MAYBE YOU WON'T ♪ 3197 02:23:02,674 --> 02:23:06,000 ♪ YOU'VE HAD ENOUGH, BUT I WON'T GIVE UP ♪ 3198 02:23:06,000 --> 02:23:07,378 ♪ YOU'VE HAD ENOUGH, BUT I WON'T GIVE UP ♪ 3199 02:23:07,445 --> 02:23:12,000 ♪ ON YOU ♪ ♪ I'M LATE, BUT I'M HERE RIGHT 3200 02:23:12,000 --> 02:23:14,552 ♪ ON YOU ♪ ♪ I'M LATE, BUT I'M HERE RIGHT 3201 02:23:14,619 --> 02:23:18,000 NOW ♪ ♪ AND I'M TRYIN' TO FIND THE 3202 02:23:18,000 --> 02:23:20,058 NOW ♪ ♪ AND I'M TRYIN' TO FIND THE 3203 02:23:20,124 --> 02:23:24,000 MAGIC ♪ ♪ THAT WE LOST SOMEHOW ♪ 3204 02:23:24,000 --> 02:23:30,000 MAGIC ♪ ♪ THAT WE LOST SOMEHOW ♪ 3205 02:23:30,000 --> 02:23:30,001 MAGIC ♪ ♪ THAT WE LOST SOMEHOW ♪ 3206 02:23:30,068 --> 02:23:34,505 ♪ MAYBE I WAS BLIND ♪ ♪ BUT I SEE YOU NOW ♪ 3207 02:23:34,572 --> 02:23:36,000 ♪ AS WE'RE LAYING IN THE DARKNESS ♪ 3208 02:23:36,000 --> 02:23:40,812 ♪ AS WE'RE LAYING IN THE DARKNESS ♪ 3209 02:23:40,878 --> 02:23:42,000 ♪ DID I WAIT TOO LONG ♪ ♪ TO TURN THE LIGHTS BACK ON? ♪ 3210 02:23:42,000 --> 02:23:48,000 ♪ DID I WAIT TOO LONG ♪ ♪ TO TURN THE LIGHTS BACK ON? ♪ 3211 02:23:48,000 --> 02:23:54,000 ♪ DID I WAIT TOO LONG ♪ ♪ TO TURN THE LIGHTS BACK ON? ♪ 3212 02:23:54,000 --> 02:23:55,760 ♪ DID I WAIT TOO LONG ♪ ♪ TO TURN THE LIGHTS BACK ON? ♪ 3213 02:23:55,827 --> 02:23:58,763 ♪ DID I WAIT TOO LONG ♪ ♪ TO TURN THE LIGHTS BACK ON? ♪ 3214 02:23:58,830 --> 02:24:00,000 ♪ ♪ ♪ I'M LATE, BUT I'M HERE RIGHT 3215 02:24:00,000 --> 02:24:06,000 ♪ ♪ ♪ I'M LATE, BUT I'M HERE RIGHT 3216 02:24:06,000 --> 02:24:06,604 ♪ ♪ ♪ I'M LATE, BUT I'M HERE RIGHT 3217 02:24:06,671 --> 02:24:10,942 NOW ♪ ♪ IS THERE STILL TIME FOR 3218 02:24:11,009 --> 02:24:12,000 FORGIVENESS? ♪ ♪ WON'T YOU TELL ME HOW? ♪ 3219 02:24:12,000 --> 02:24:16,381 FORGIVENESS? ♪ ♪ WON'T YOU TELL ME HOW? ♪ 3220 02:24:16,447 --> 02:24:18,000 ♪ I CAN'T READ YOUR MIND ♪ ♪ BUT I SEE YOU NOW ♪ 3221 02:24:18,000 --> 02:24:24,000 ♪ I CAN'T READ YOUR MIND ♪ ♪ BUT I SEE YOU NOW ♪ 3222 02:24:24,000 --> 02:24:29,193 ♪ I CAN'T READ YOUR MIND ♪ ♪ BUT I SEE YOU NOW ♪ 3223 02:24:29,260 --> 02:24:30,000 ♪ AS WE'RE LAYIN' IN THE DARKNESS ♪ 3224 02:24:30,000 --> 02:24:33,998 ♪ AS WE'RE LAYIN' IN THE DARKNESS ♪ 3225 02:24:34,065 --> 02:24:36,000 ♪ DID I WAIT TOO LONG ♪ ♪ TO TURN THE LIGHTS BACK ON? ♪ 3226 02:24:36,000 --> 02:24:42,000 ♪ DID I WAIT TOO LONG ♪ ♪ TO TURN THE LIGHTS BACK ON? ♪ 3227 02:24:42,000 --> 02:24:43,574 ♪ DID I WAIT TOO LONG ♪ ♪ TO TURN THE LIGHTS BACK ON? ♪ 3228 02:24:43,641 --> 02:24:48,000 ♪ I'M HERE RIGHT NOW ♪ ♪ YES, I'M HERE RIGHT NOW ♪ 3229 02:24:48,000 --> 02:24:54,000 ♪ I'M HERE RIGHT NOW ♪ ♪ YES, I'M HERE RIGHT NOW ♪ 3230 02:24:54,000 --> 02:24:57,388 ♪ I'M HERE RIGHT NOW ♪ ♪ YES, I'M HERE RIGHT NOW ♪ 3231 02:24:57,455 --> 02:25:00,000 ♪ I'M LOOKING FOR FORGIVENESS ♪ ♪ I CAN SEE AS WE'RE LAYING IN 3232 02:25:00,000 --> 02:25:01,059 ♪ I'M LOOKING FOR FORGIVENESS ♪ ♪ I CAN SEE AS WE'RE LAYING IN 3233 02:25:01,125 --> 02:25:05,763 THE DARKNESS ♪ ♪ AS WE'RE LAYING IN THE 3234 02:25:05,830 --> 02:25:06,000 DARKNESS ♪ ♪ DID I WAIT TOO LONG ♪ 3235 02:25:06,000 --> 02:25:12,000 DARKNESS ♪ ♪ DID I WAIT TOO LONG ♪ 3236 02:25:12,000 --> 02:25:12,804 DARKNESS ♪ ♪ DID I WAIT TOO LONG ♪ 3237 02:25:12,870 --> 02:25:14,806 ♪ TO TURN THE LIGHTS BACK ON? ♪ [CHEERS AND APPLAUSE] 3238 02:25:32,056 --> 02:25:33,925 >> Trevor: THAT'S RIGHT, Y'ALL. 3239 02:25:33,991 --> 02:25:36,000 BILLY JOEL, EVERYBODY! 3240 02:25:36,000 --> 02:25:36,194 BILLY JOEL, EVERYBODY! 3241 02:25:36,260 --> 02:25:36,694 BILLY JOEL! 3242 02:25:36,761 --> 02:25:37,228 HOW GREAT WAS THAT? 3243 02:25:37,295 --> 02:25:40,264 IT WAS WORTH THE WAIT! 3244 02:25:40,331 --> 02:25:42,000 FROM ONE ICON TO ANOTHER, SHE'S A FIVE-TIME GRAMMY WINNER AND 3245 02:25:42,000 --> 02:25:48,000 FROM ONE ICON TO ANOTHER, SHE'S A FIVE-TIME GRAMMY WINNER AND 3246 02:25:48,000 --> 02:25:48,940 FROM ONE ICON TO ANOTHER, SHE'S A FIVE-TIME GRAMMY WINNER AND 3247 02:25:49,006 --> 02:25:50,608 ONE OF THE GREAT VOICES IN THE WORLD. 3248 02:25:50,675 --> 02:25:54,000 WHAT AN HONOR TO WELCOME THE ONE , THE ONLY CELINE DION! 3249 02:25:54,000 --> 02:25:54,679 WHAT AN HONOR TO WELCOME THE ONE , THE ONLY CELINE DION! 3250 02:26:26,777 --> 02:26:30,000 [CHEERS AND APPLAUSE] >> THANK YOU, ALL! 3251 02:26:30,000 --> 02:26:34,919 [CHEERS AND APPLAUSE] >> THANK YOU, ALL! 3252 02:26:34,986 --> 02:26:36,000 I LOVE YOU RIGHT BACK. 3253 02:26:36,000 --> 02:26:41,192 I LOVE YOU RIGHT BACK. 3254 02:26:41,259 --> 02:26:42,000 [LAUGHS] YOU LOOK BEAUTIFUL. 3255 02:26:42,000 --> 02:26:47,932 [LAUGHS] YOU LOOK BEAUTIFUL. 3256 02:26:47,999 --> 02:26:48,000 WHEN I SAY I'M HAPPY TO BE HERE, I REALLY MEAN IT FROM MY HEART. 3257 02:26:48,000 --> 02:26:54,000 WHEN I SAY I'M HAPPY TO BE HERE, I REALLY MEAN IT FROM MY HEART. 3258 02:26:54,000 --> 02:27:00,000 WHEN I SAY I'M HAPPY TO BE HERE, I REALLY MEAN IT FROM MY HEART. 3259 02:27:00,000 --> 02:27:00,778 WHEN I SAY I'M HAPPY TO BE HERE, I REALLY MEAN IT FROM MY HEART. 3260 02:27:00,845 --> 02:27:06,000 [CHEERS AND APPLAUSE] THOSE WHO HAVE BEEN BLESSED 3261 02:27:06,000 --> 02:27:06,884 [CHEERS AND APPLAUSE] THOSE WHO HAVE BEEN BLESSED 3262 02:27:06,951 --> 02:27:11,956 ENOUGH TO BE HERE AT THE GRAMMY AWARDS MUST NEVER TAKE 3263 02:27:12,023 --> 02:27:17,929 FOR GRANTED THE TREMENDOUS LOVE AND JOY THAT MUSIC BRINGS TO OUR 3264 02:27:17,995 --> 02:27:18,000 LIVES AND TO PEOPLE ALL AROUND THE WORLD. 3265 02:27:18,000 --> 02:27:24,000 LIVES AND TO PEOPLE ALL AROUND THE WORLD. 3266 02:27:24,000 --> 02:27:24,101 LIVES AND TO PEOPLE ALL AROUND THE WORLD. 3267 02:27:24,168 --> 02:27:30,000 [CHEERS AND APPLAUSE] AND NOW IT GIVES ME GREAT JOY TO 3268 02:27:30,000 --> 02:27:30,708 [CHEERS AND APPLAUSE] AND NOW IT GIVES ME GREAT JOY TO 3269 02:27:30,775 --> 02:27:36,000 PRESENT A GRAMMY AWARD THAT TWO LEGENDS DIANA ROSS AND STING 3270 02:27:36,000 --> 02:27:37,448 PRESENT A GRAMMY AWARD THAT TWO LEGENDS DIANA ROSS AND STING 3271 02:27:37,515 --> 02:27:42,000 PRESENTED TO ME 27 YEARS AGO. 3272 02:27:42,000 --> 02:27:48,000 PRESENTED TO ME 27 YEARS AGO. 3273 02:27:48,000 --> 02:27:48,392 PRESENTED TO ME 27 YEARS AGO. 3274 02:27:48,459 --> 02:27:51,028 [CHEERS AND APPLAUSE] THESE ARE THE OUTSTANDING 3275 02:27:51,095 --> 02:27:54,000 NOMINEES FOR ALBUM OF THE YEAR. 3276 02:27:54,000 --> 02:28:00,000 NOMINEES FOR ALBUM OF THE YEAR. 3277 02:28:00,000 --> 02:28:04,108 NOMINEES FOR ALBUM OF THE YEAR. 3278 02:28:04,175 --> 02:28:05,343 >> Announcer: "WORLD MUSIC RADIO," 3279 02:28:05,409 --> 02:28:06,000 JON BATISTE. 3280 02:28:06,000 --> 02:28:07,478 JON BATISTE. 3281 02:28:07,545 --> 02:28:08,679 ♪ ♪ "THE RECORD," 3282 02:28:08,746 --> 02:28:11,249 BOYGENIUS. 3283 02:28:11,315 --> 02:28:12,000 ♪ ♪ "ENDLESS SUMMER VACATION," 3284 02:28:12,000 --> 02:28:12,550 ♪ ♪ "ENDLESS SUMMER VACATION," 3285 02:28:12,617 --> 02:28:14,652 MILEY CYRUS. 3286 02:28:14,719 --> 02:28:16,621 ♪ ♪ "DID YOU KNOW THAT THERE'S A 3287 02:28:16,687 --> 02:28:18,000 TUNNEL UNDER OCEAN BLVD," LANA DEL RAY. 3288 02:28:18,000 --> 02:28:20,524 TUNNEL UNDER OCEAN BLVD," LANA DEL RAY. 3289 02:28:20,591 --> 02:28:21,259 ♪ ♪ "THE AGE OF PLEASURE," 3290 02:28:21,325 --> 02:28:24,000 JANELLE MONAE. 3291 02:28:24,000 --> 02:28:26,397 JANELLE MONAE. 3292 02:28:26,464 --> 02:28:28,566 ♪ ♪ "GUTS," 3293 02:28:28,633 --> 02:28:30,000 OLIVIA RODRIGO. 3294 02:28:30,000 --> 02:28:32,403 OLIVIA RODRIGO. 3295 02:28:32,470 --> 02:28:34,238 ♪ ♪ "MIDNIGHTS," 3296 02:28:34,305 --> 02:28:35,406 TAYLOR SWIFT. 3297 02:28:35,473 --> 02:28:35,873 ♪ ♪ "SOS," 3298 02:28:35,940 --> 02:28:36,000 SZA. 3299 02:28:36,000 --> 02:28:36,941 SZA. 3300 02:28:47,485 --> 02:28:48,000 ♪ ♪ >> YES, AND THE GRAMMY GOES 3301 02:28:48,000 --> 02:28:50,421 ♪ ♪ >> YES, AND THE GRAMMY GOES 3302 02:28:50,488 --> 02:28:51,489 TO... 3303 02:29:02,333 --> 02:29:04,769 TAYLOR SWIFT. 3304 02:29:04,835 --> 02:29:06,000 [CHEERS AND APPLAUSE] ♪ ♪ 3305 02:29:06,000 --> 02:29:12,000 [CHEERS AND APPLAUSE] ♪ ♪ 3306 02:29:12,000 --> 02:29:18,000 [CHEERS AND APPLAUSE] ♪ ♪ 3307 02:29:18,000 --> 02:29:19,717 [CHEERS AND APPLAUSE] ♪ ♪ 3308 02:29:19,784 --> 02:29:23,521 [CHEERS AND APPLAUSE] ♪ ♪ 3309 02:29:26,624 --> 02:29:30,000 [CHEERS AND APPLAUSE] ♪ ♪ 3310 02:29:30,000 --> 02:29:36,000 [CHEERS AND APPLAUSE] ♪ ♪ 3311 02:29:36,000 --> 02:29:41,505 [CHEERS AND APPLAUSE] ♪ ♪ 3312 02:29:41,572 --> 02:29:42,000 [CHEERS AND APPLAUSE] ♪ ♪ 3313 02:29:42,000 --> 02:29:43,174 [CHEERS AND APPLAUSE] ♪ ♪ 3314 02:29:46,243 --> 02:29:48,000 ♪ ♪ 3315 02:29:48,000 --> 02:29:52,483 ♪ ♪ 3316 02:30:07,465 --> 02:30:09,467 OH, GOD! 3317 02:30:09,533 --> 02:30:12,000 NO! 3318 02:30:12,000 --> 02:30:13,037 NO! 3319 02:30:13,104 --> 02:30:18,000 I DON'T KNOW, MAN. 3320 02:30:18,000 --> 02:30:21,846 I DON'T KNOW, MAN. 3321 02:30:21,912 --> 02:30:24,000 GUYS, I FEEL SO ALONE. 3322 02:30:24,000 --> 02:30:25,049 GUYS, I FEEL SO ALONE. 3323 02:30:25,116 --> 02:30:27,118 OH, MY GOD. 3324 02:30:27,184 --> 02:30:28,219 OKAY. 3325 02:30:28,285 --> 02:30:30,000 >> TAYLOR, WE ARE ALWAYS RIGHT HERE. 3326 02:30:30,000 --> 02:30:33,958 >> TAYLOR, WE ARE ALWAYS RIGHT HERE. 3327 02:30:34,024 --> 02:30:35,259 >> I WANT TO SAY. 3328 02:30:35,326 --> 02:30:36,000 I GET TO WORK WITH ONE OF MY BEST FRIENDS WHO IS NOT ONLY ONE 3329 02:30:36,000 --> 02:30:38,896 I GET TO WORK WITH ONE OF MY BEST FRIENDS WHO IS NOT ONLY ONE 3330 02:30:38,963 --> 02:30:42,000 OF MY BEST FRIENDS, BUT ALSO A ONCE IN A GENERATION PRODUCER 3331 02:30:42,000 --> 02:30:43,934 OF MY BEST FRIENDS, BUT ALSO A ONCE IN A GENERATION PRODUCER 3332 02:30:44,001 --> 02:30:44,402 THAT'S JACK ANTONOFF. 3333 02:30:44,468 --> 02:30:47,872 I'M SO LUCKY. 3334 02:30:47,938 --> 02:30:48,000 AND MY ENGINEER, I WANT TO SAY THANK YOU TO SAM DO, SOUND WAVE. 3335 02:30:48,000 --> 02:30:54,000 AND MY ENGINEER, I WANT TO SAY THANK YOU TO SAM DO, SOUND WAVE. 3336 02:30:54,000 --> 02:30:58,916 AND MY ENGINEER, I WANT TO SAY THANK YOU TO SAM DO, SOUND WAVE. 3337 02:30:58,983 --> 02:31:00,000 LANA DEL REY WHO IS HIDING, BUT I THINK SO MANY FEMALE ARTISTS 3338 02:31:00,000 --> 02:31:04,722 LANA DEL REY WHO IS HIDING, BUT I THINK SO MANY FEMALE ARTISTS 3339 02:31:04,789 --> 02:31:06,000 WOULD NOT BE WHERE THEY ARE OR HAVE THE INSPIRATION WITHOUT THE 3340 02:31:06,000 --> 02:31:08,893 WOULD NOT BE WHERE THEY ARE OR HAVE THE INSPIRATION WITHOUT THE 3341 02:31:08,959 --> 02:31:10,027 WORK SHE HAS DONE. 3342 02:31:10,094 --> 02:31:12,000 SHE IS A LEGACY ARTIST, A LEGEND IN HER PRIME RIGHT NOW. 3343 02:31:12,000 --> 02:31:13,330 SHE IS A LEGACY ARTIST, A LEGEND IN HER PRIME RIGHT NOW. 3344 02:31:13,397 --> 02:31:16,367 I'M SO LUCKY TO KNOW YOU WENT TO BE YOUR FRIEND. 3345 02:31:16,434 --> 02:31:18,000 I WOULD LOVE TO TELL YOU THAT THIS IS THE BEST MOMENT IN MY 3346 02:31:18,000 --> 02:31:19,036 I WOULD LOVE TO TELL YOU THAT THIS IS THE BEST MOMENT IN MY 3347 02:31:19,103 --> 02:31:24,000 LIFE, BUT I FEEL THIS HAPPY WHEN I FINISH A SONG OR WHEN I 3348 02:31:24,000 --> 02:31:24,041 LIFE, BUT I FEEL THIS HAPPY WHEN I FINISH A SONG OR WHEN I 3349 02:31:24,108 --> 02:31:28,712 CRACKED THE CODE TO A BRIDGE THAT I LOVE, OR WHEN I AM 3350 02:31:28,779 --> 02:31:30,000 SHORT-LISTING A MUSIC VIDEO, OR WHEN I AM REHEARSING WITH MY 3351 02:31:30,000 --> 02:31:31,749 SHORT-LISTING A MUSIC VIDEO, OR WHEN I AM REHEARSING WITH MY 3352 02:31:31,816 --> 02:31:36,000 DANCERS OR MY BAND OR GETTING READY TO GO TO TOKYO TO PLAY A 3353 02:31:36,000 --> 02:31:37,054 DANCERS OR MY BAND OR GETTING READY TO GO TO TOKYO TO PLAY A 3354 02:31:37,121 --> 02:31:37,955 SHOW. 3355 02:31:38,022 --> 02:31:39,690 FOR ME, THE AWARD IS THE WORK. 3356 02:31:39,757 --> 02:31:42,000 ALL THEY WANT TO DO IS KEEP BEING ABLE TO DO THIS. 3357 02:31:42,000 --> 02:31:42,293 ALL THEY WANT TO DO IS KEEP BEING ABLE TO DO THIS. 3358 02:31:42,359 --> 02:31:43,527 I LOVE IT SO MUCH. 3359 02:31:43,594 --> 02:31:46,297 IT MAKES ME SO HAPPY. 3360 02:31:46,363 --> 02:31:48,000 IT MAKES ME UNBELIEVABLY BLOWN AWAY THAT IT MAKES SOME PEOPLE 3361 02:31:48,000 --> 02:31:49,767 IT MAKES ME UNBELIEVABLY BLOWN AWAY THAT IT MAKES SOME PEOPLE 3362 02:31:49,834 --> 02:31:51,569 HAPPY WHO VOTED FOR THIS AWARD TOO. 3363 02:31:51,635 --> 02:31:54,000 ALL THEY WANT TO DO IS KEEP DOING THIS. 3364 02:31:54,000 --> 02:31:54,138 ALL THEY WANT TO DO IS KEEP DOING THIS. 3365 02:31:54,205 --> 02:31:57,475 SO THANK YOU SO MUCH FOR GIVING ME THE OPPORTUNITY TO DO WHAT I% 3366 02:31:57,541 --> 02:32:00,000 LOVE SO MUCH! 3367 02:32:00,000 --> 02:32:02,213 LOVE SO MUCH! 3368 02:32:02,279 --> 02:32:02,680 MIND BLOWN! 3369 02:32:02,746 --> 02:32:04,748 THANK YOU SO MUCH! 3370 02:32:04,815 --> 02:32:06,000 >> Trevor: LADIES AND GENTLEMEN, CONGRATULATIONS, 3371 02:32:06,000 --> 02:32:09,220 >> Trevor: LADIES AND GENTLEMEN, CONGRATULATIONS, 3372 02:32:09,286 --> 02:32:10,120 TAYLOR SWIFT! 3373 02:32:10,187 --> 02:32:12,000 NOT JUST ON THE AWARD, BUT MAKING HISTORY! 3374 02:32:12,000 --> 02:32:14,091 NOT JUST ON THE AWARD, BUT MAKING HISTORY! 3375 02:32:14,158 --> 02:32:17,728 THE FIRST PERSON WIN ALBUM OF THE YEAR FOUR TIMES, LADIES AND 3376 02:32:17,795 --> 02:32:18,000 GENTLEMEN! 3377 02:32:18,000 --> 02:32:18,596 GENTLEMEN! 3378 02:32:18,662 --> 02:32:21,499 THANK YOU SO MUCH FOR JOINING US TONIGHT. 3379 02:32:21,565 --> 02:32:23,501 THANK YOU FOR BEING HERE AND TUNING IN. 3380 02:32:23,567 --> 02:32:24,000 WE LOVE YOU. 3381 02:32:24,000 --> 02:32:26,270 WE LOVE YOU. 3382 02:32:26,337 --> 02:32:30,000 TO PLAY US OUT, STAY ON YOUR FEET, HAVE SOME FUN. 3383 02:32:30,000 --> 02:32:30,641 TO PLAY US OUT, STAY ON YOUR FEET, HAVE SOME FUN. 3384 02:32:30,708 --> 02:32:35,646 GIVE IT UP ONE MORE TIME FOR BILLY JOEL! 3385 02:32:35,713 --> 02:32:36,000 [CHEERS AND APPLAUSE] ♪ ♪ 3386 02:32:36,000 --> 02:32:40,918 [CHEERS AND APPLAUSE] ♪ ♪ 3387 02:32:40,985 --> 02:32:42,000 ♪ FRIDAY NIGHT I CRASHED YOUR PARTY ♪ 3388 02:32:42,000 --> 02:32:44,388 ♪ FRIDAY NIGHT I CRASHED YOUR PARTY ♪ 3389 02:32:44,455 --> 02:32:48,000 ♪ SATURDAY I SAID, "I'M SORRY" ♪ ♪ SUNDAY CAME AND TRASHED ME OUT 3390 02:32:48,000 --> 02:32:49,693 ♪ SATURDAY I SAID, "I'M SORRY" ♪ ♪ SUNDAY CAME AND TRASHED ME OUT 3391 02:32:49,760 --> 02:32:54,000 AGAIN ♪ ♪ I WAS ONLY HAVING FUN ♪ 3392 02:32:54,000 --> 02:32:55,599 AGAIN ♪ ♪ I WAS ONLY HAVING FUN ♪ 3393 02:32:55,666 --> 02:33:00,000 ♪ WASN'T HURTING ANYONE ♪ ♪ AND WE ALL ENJOYED THE WEEKEND 3394 02:33:00,000 --> 02:33:03,974 ♪ WASN'T HURTING ANYONE ♪ ♪ AND WE ALL ENJOYED THE WEEKEND 3395 02:33:04,041 --> 02:33:06,000 FOR A CHANGE ♪ ♪ I'VE BEEN STRANDED IN THE 3396 02:33:06,000 --> 02:33:09,213 FOR A CHANGE ♪ ♪ I'VE BEEN STRANDED IN THE 3397 02:33:09,280 --> 02:33:12,000 COMBAT ZONE ♪ ♪ I WALKED THROUGH BEDFORD STUY 3398 02:33:12,000 --> 02:33:12,616 COMBAT ZONE ♪ ♪ I WALKED THROUGH BEDFORD STUY 3399 02:33:12,683 --> 02:33:17,988 ALONE ♪ ♪ EVEN RODE MY MOTORCYCLE IN THE 3400 02:33:18,055 --> 02:33:21,258 RAIN ♪ ♪ AND YOU TOLD ME NOT TO DRIVE ♪ 3401 02:33:21,325 --> 02:33:24,000 ♪ BUT I MADE IT HOME ALIVE ♪ ♪ SO YOU SAID THAT ONLY PROVES 3402 02:33:24,000 --> 02:33:30,000 ♪ BUT I MADE IT HOME ALIVE ♪ ♪ SO YOU SAID THAT ONLY PROVES 3403 02:33:30,000 --> 02:33:33,103 ♪ BUT I MADE IT HOME ALIVE ♪ ♪ SO YOU SAID THAT ONLY PROVES 3404 02:33:33,170 --> 02:33:36,000 THAT I'M INSANE ♪ ♪ YOU MAY BE RIGHT ♪ 3405 02:33:36,000 --> 02:33:39,109 THAT I'M INSANE ♪ ♪ YOU MAY BE RIGHT ♪ 3406 02:33:39,176 --> 02:33:42,000 ♪ I MAY BE CRAZY ♪ ♪ OH, BUT IT JUST MAY BE A 3407 02:33:42,000 --> 02:33:46,317 ♪ I MAY BE CRAZY ♪ ♪ OH, BUT IT JUST MAY BE A 3408 02:33:46,383 --> 02:33:48,000 LUNATIC YOU'RE LOOKING FOR ♪ ♪ TURN OUT THE LIGHT ♪ 3409 02:33:48,000 --> 02:33:51,755 LUNATIC YOU'RE LOOKING FOR ♪ ♪ TURN OUT THE LIGHT ♪ 3410 02:33:51,822 --> 02:33:54,000 ♪ DON'T TRY TO SAVE ME ♪ ♪ YOU MAY BE WRONG FOR ALL I 3411 02:33:54,000 --> 02:33:57,127 ♪ DON'T TRY TO SAVE ME ♪ ♪ YOU MAY BE WRONG FOR ALL I 3412 02:33:57,194 --> 02:33:59,196 KNOW ♪ ♪ BUT YOU MAY BE RIGHT ♪ 3413 02:34:06,837 --> 02:34:12,000 ♪ ♪ 3414 02:34:12,000 --> 02:34:18,000 ♪ ♪ 3415 02:34:18,000 --> 02:34:21,719 ♪ ♪ 3416 02:34:21,785 --> 02:34:23,420 ♪ ♪ 3417 02:34:25,255 --> 02:34:30,000 ♪ ♪ ♪ YOU MAY BE RIGHT ♪ 3418 02:34:30,000 --> 02:34:33,097 ♪ ♪ ♪ YOU MAY BE RIGHT ♪ 3419 02:34:33,163 --> 02:34:36,000 ♪ I MAY BE CRAZY ♪ ♪ OH, BUT IT JUST MAY BE A 3420 02:34:36,000 --> 02:34:37,968 ♪ I MAY BE CRAZY ♪ ♪ OH, BUT IT JUST MAY BE A 3421 02:34:38,035 --> 02:34:42,000 LUNATIC YOU'RE LOOKING FOR ♪ ♪ TURN OUT THE LIGHT ♪ 3422 02:34:42,000 --> 02:34:42,940 LUNATIC YOU'RE LOOKING FOR ♪ ♪ TURN OUT THE LIGHT ♪ 3423 02:34:43,007 --> 02:34:44,441 ♪ DON'T TRY TO SAVE ME ♪ ♪ YOU MAY BE WRONG FOR ALL I 3424 02:34:44,508 --> 02:34:48,000 KNOW ♪ ♪ BUT YU MAY BE RIGHT ♪ 3425 02:34:48,000 --> 02:34:54,000 KNOW ♪ ♪ BUT YU MAY BE RIGHT ♪ 3426 02:34:54,000 --> 02:34:54,952 KNOW ♪ ♪ BUT YU MAY BE RIGHT ♪ 3427 02:34:55,019 --> 02:35:00,000 ♪ ♪ ♪ YOU MAY BE WRONG BUT YOU MAY 3428 02:35:00,000 --> 02:35:00,858 ♪ ♪ ♪ YOU MAY BE WRONG BUT YOU MAY 3429 02:35:00,924 --> 02:35:02,092 BE RIGHT ♪ ♪ YOU MAY BE WRONG BUT YOU MAY 3430 02:35:02,159 --> 02:35:05,229 BE RIGHT ♪ ♪ YOU MAY BE WRONG BUT YOU MAY 3431 02:35:05,295 --> 02:35:06,000 BE RIGHT ♪ ♪ ♪ 3432 02:35:06,000 --> 02:35:07,297 BE RIGHT ♪ ♪ ♪ 272263

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