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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,667 --> 00:00:07,968 AND NOW, STAY TUNED 2 00:00:07,968 --> 00:00:09,534 TO OUR NEXT FEATURE, TROG. 3 00:00:09,534 --> 00:00:11,868 IT'S OVER? 4 00:00:11,868 --> 00:00:16,033 YEP. SEE HOW IT SAYS "THE END"? 5 00:00:16,033 --> 00:00:18,801 WHY DID YOU LET ME FALL ASLEEP? 6 00:00:18,801 --> 00:00:21,334 I DIDN'T LET YOU. YOU'RE A BIG GIRL. 7 00:00:21,334 --> 00:00:23,634 WHAT HAPPENED AFTER NIGEL CAME BACK FROM LISBON? 8 00:00:23,634 --> 00:00:24,734 OH, BOY, WAS HE MAD. 9 00:00:26,734 --> 00:00:29,000 AT ANNA OR CARLOS? 10 00:00:29,000 --> 00:00:31,834 I THINK PRETTY MUCH HE WAS JUST UPSET 11 00:00:31,834 --> 00:00:33,200 WITH THE WHOLE SITUATION. 12 00:00:33,200 --> 00:00:34,634 YOU FELL ASLEEP, TOO. 13 00:00:34,634 --> 00:00:36,934 YEAH, BUT ONLY 'CAUSE I WANTED TO BE WITH YOU. 14 00:00:50,033 --> 00:00:52,367 * TELL ME WHY * 15 00:00:52,367 --> 00:00:54,067 * I LOVE YOU LIKE I DO * 16 00:00:54,067 --> 00:00:55,968 * TELL ME WHO * 17 00:00:55,968 --> 00:00:58,567 * CAN STOP MY HEART AS MUCH AS YOU * 18 00:00:58,567 --> 00:01:00,133 * LET'S TAKE EACH OTHER'S HAND * 19 00:01:00,133 --> 00:01:01,434 * AS WE JUMP INTO * 20 00:01:01,434 --> 00:01:04,567 * THE FINAL FRONTIER * 21 00:01:04,567 --> 00:01:05,901 * I'M MAD ABOUT YOU, BABY ** 22 00:01:12,467 --> 00:01:14,300 I CAN'T BELIEVE THAT'S YOUR DINNER. 23 00:01:14,300 --> 00:01:16,400 I WAS SUPPOSED TO HAVE LUNCH WITH ALLISON, 24 00:01:16,400 --> 00:01:19,234 BUT SHE HAD A SQUASH GAME. 25 00:01:19,234 --> 00:01:20,434 I HAD THREE MEETINGS. 26 00:01:20,434 --> 00:01:22,067 SO I NEVER ATE. 27 00:01:22,067 --> 00:01:23,534 SHE PLAYS SQUASH? 28 00:01:23,534 --> 00:01:25,701 ALLISON, THE LADY FROM THE OFFICE? 29 00:01:25,701 --> 00:01:27,033 YEAH. WHY? 30 00:01:27,033 --> 00:01:27,934 SHE'S LIKE 60. 31 00:01:27,934 --> 00:01:29,267 ALLISON? NO. 32 00:01:29,267 --> 00:01:31,968 SHE'S LIKE 50-SOMETHING. 33 00:01:31,968 --> 00:01:34,734 THE POINT IS I NEVER GOT TO EAT LUNCH. 34 00:01:34,734 --> 00:01:36,000 SPANKY, SIT. 35 00:01:36,000 --> 00:01:37,467 SIT, FOR GOD'S SAKE. 36 00:01:37,467 --> 00:01:39,100 I LOOK LIKE AN IDIOT. 37 00:01:39,100 --> 00:01:40,667 JUST SIT. 38 00:01:40,667 --> 00:01:43,400 I LOVE THE DOGS IN THIS DOGGIE GROUP, 39 00:01:43,400 --> 00:01:45,300 THE OWNERS-- NOT SO MUCH. 40 00:01:45,300 --> 00:01:47,334 IT'S ONLY WHEN NAT GOES TO ACTING CLASS. 41 00:01:47,334 --> 00:01:49,567 MURRAY, WHAT DO YOU GOT THERE? 42 00:01:49,567 --> 00:01:51,234 [MAN] HOW ARE YOU THERE TONIGHT? 43 00:01:51,234 --> 00:01:53,834 OH, CORGI GUY. 44 00:01:53,834 --> 00:01:57,067 YOU REMEMBER LAST WEEK I WAS TALKING ABOUT DOG SALIVA? 45 00:01:57,067 --> 00:01:59,901 REMEMBER? IT'S WHY WE CAME BACK. 46 00:01:59,901 --> 00:02:02,133 I USED MISHA'S SALIVA TO CURE MY ATHLETE'S FOOT. 47 00:02:02,133 --> 00:02:03,234 IT WORKED. 48 00:02:03,234 --> 00:02:04,334 WELL, GOD BLESS. 49 00:02:07,033 --> 00:02:10,501 O.K., ARE WE THE ONLY NORMAL PEOPLE IN THIS GROUP? 50 00:02:10,501 --> 00:02:12,200 [JAMIE] THERE'S DOUG AND DIDI. 51 00:02:12,200 --> 00:02:14,100 I LIKE DOUG AND DIDI. 52 00:02:14,100 --> 00:02:17,067 WE ALWAYS THREATEN TO SEE THEM AND NEVER DO. 53 00:02:17,067 --> 00:02:19,567 WHAT DO YOU GUYS GIVE TO MURRAY? 54 00:02:19,567 --> 00:02:21,734 HE'S GOT THE GREATEST COAT. 55 00:02:21,734 --> 00:02:24,267 YOU KNOW, HE'S GOT A JACKET JUST LIKE THAT. 56 00:02:24,267 --> 00:02:26,234 I LIKE THESE PEOPLE. 57 00:02:26,234 --> 00:02:28,267 WE WERE SAYING WE KEEP THREATENING TO GET TOGETHER. 58 00:02:28,267 --> 00:02:29,701 WE WERE JUST SAYING THAT. 59 00:02:29,701 --> 00:02:32,434 THAT'S SO FUNNY. 60 00:02:32,434 --> 00:02:35,667 HEY, HOW WOULD YOU GUYS LIKE TO SEE HELLO, DOLLY!? 61 00:02:35,667 --> 00:02:36,868 WOW. THAT'S SPECIFIC. 62 00:02:36,868 --> 00:02:38,300 HONEY-- 63 00:02:38,300 --> 00:02:40,200 WE COULD EAT BEFORE THE SHOW-- 64 00:02:40,200 --> 00:02:41,400 HONEY? 65 00:02:41,400 --> 00:02:43,133 OR AFTER THE SHOW. 66 00:02:43,133 --> 00:02:44,267 IT'LL BE LIKE A THING. 67 00:02:44,267 --> 00:02:46,100 GREAT. 68 00:02:46,100 --> 00:02:47,501 GOOD. GOOD. 69 00:02:47,501 --> 00:02:49,067 DEEDS, LOOK AT THE TIME. 70 00:02:49,067 --> 00:02:50,834 I'VE GOT TO MAKE A CALL. 71 00:02:50,834 --> 00:02:52,734 WE HAVE A TIME THING. 72 00:02:52,734 --> 00:02:54,801 YEAH, BUT, UM, SATURDAY NIGHT SOUNDS GREAT. 73 00:02:54,801 --> 00:02:56,534 WE'LL SEE YOU TOMORROW. 74 00:02:56,534 --> 00:02:57,801 WE'LL FIGURE OUT ALL THE DETAILS. 75 00:02:57,801 --> 00:02:58,801 BYE. 76 00:02:58,801 --> 00:02:59,868 BYE. 77 00:02:59,868 --> 00:03:00,834 COME ON. 78 00:03:00,834 --> 00:03:02,434 SEE YA. 79 00:03:02,434 --> 00:03:03,801 WELL, THAT WAS PRETTY SIMPLE. 80 00:03:03,801 --> 00:03:05,033 WHAT DID YOU JUST DO? 81 00:03:05,033 --> 00:03:07,067 WHAT? 82 00:03:07,067 --> 00:03:09,400 YOU OFFERED THEM THE TICKETS I PROMISED TO FRAN. 83 00:03:09,400 --> 00:03:10,801 NO, WE NEVER PROMISED. 84 00:03:10,801 --> 00:03:12,567 SHE'S THE ONE WHO WANTED TO GO. 85 00:03:12,567 --> 00:03:14,767 IT WAS HER IDEA. 86 00:03:14,767 --> 00:03:17,734 I GOT YOU NEW FRIENDS AND A DATE FOR SATURDAY NIGHT. 87 00:03:17,734 --> 00:03:19,934 WHAT ABOUT FRAN? 88 00:03:19,934 --> 00:03:21,801 WELL, I HANDLED THIS. YOU CAN HANDLE THAT. 89 00:03:21,801 --> 00:03:22,734 COME ON. 90 00:03:26,734 --> 00:03:27,667 [BUZZING] 91 00:03:29,767 --> 00:03:31,300 IS THAT ALMOST SHARP YET, 92 00:03:31,300 --> 00:03:33,167 OR DO I HAVE TO KILL YOU? 93 00:03:33,167 --> 00:03:35,033 YES, ALL DONE. SEE? 94 00:03:35,033 --> 00:03:36,767 ABOUT THE PLAY SATURDAY NIGHT-- 95 00:03:36,767 --> 00:03:38,734 I FORGOT TO TELL YOU. 96 00:03:38,734 --> 00:03:41,734 I DECIDED TO BRING LLOYD INSTEAD OF BOB. 97 00:03:41,734 --> 00:03:45,067 BOB JUST SEEMED A LITTLE TOO EXCITED ABOUT SEEING CAROL CHANNING. 98 00:03:45,067 --> 00:03:46,400 ACTUALLY, WE CAN'T GO. 99 00:03:46,400 --> 00:03:47,267 WE COULDN'T GET TICKETS. 100 00:03:47,267 --> 00:03:48,501 OH. 101 00:03:48,501 --> 00:03:50,133 YOU'RE UPSET? 102 00:03:50,133 --> 00:03:51,901 A LITTLE, BUT YOU COULDN'T GET 'EM. 103 00:03:51,901 --> 00:03:53,100 NO BIGGIE. 104 00:03:53,100 --> 00:03:56,100 GOOD. SEE, NO BIGGIE. 105 00:03:56,100 --> 00:03:58,701 DON'T YOU WANT TO KNOW WHY WE COULDN'T GET THEM? 106 00:03:58,701 --> 00:04:01,234 NOT REALLY. 107 00:04:01,234 --> 00:04:03,400 NOT EVEN THE LEAST BIT CURIOUS? 108 00:04:03,400 --> 00:04:05,501 NOT REALLY. 109 00:04:05,501 --> 00:04:06,934 O.K. 110 00:04:06,934 --> 00:04:08,367 IT'S A FUNNY STORY. 111 00:04:08,367 --> 00:04:09,701 THEY WERE SOLD OUT? 112 00:04:09,701 --> 00:04:11,067 SOLD OUT. 113 00:04:11,067 --> 00:04:13,133 HO HO. THAT IS FUNNY. 114 00:04:13,133 --> 00:04:14,767 I'M SURE YOU TRIED YOUR BEST. 115 00:04:14,767 --> 00:04:16,033 WE DID. 116 00:04:16,033 --> 00:04:18,801 I'M SURE YOU DID. 117 00:04:18,801 --> 00:04:21,734 LISTEN, I'M NOT BEING ENTIRELY HONEST ABOUT THE TICKETS. 118 00:04:21,734 --> 00:04:23,567 WHICH PART AREN'T YOU BEING HONEST ABOUT? 119 00:04:23,567 --> 00:04:25,234 THE ENTIRE PART. 120 00:04:25,234 --> 00:04:26,834 WE DID GET THE TICKETS. 121 00:04:26,834 --> 00:04:28,667 PAUL INVITED ANOTHER COUPLE. 122 00:04:28,667 --> 00:04:31,334 BEFORE I KNEW WHAT HAPPENED, IT WAS TOO LATE. 123 00:04:31,334 --> 00:04:33,367 I SHOULD'VE STOPPED HIM. 124 00:04:33,367 --> 00:04:35,467 I SHOULDN'T HAVE LIED. PLEASE DON'T HATE ME. 125 00:04:35,467 --> 00:04:36,767 IT'S O.K. I UNDERSTAND. 126 00:04:36,767 --> 00:04:38,167 THESE THINGS HAPPEN. 127 00:04:38,167 --> 00:04:39,167 REALLY? 128 00:04:39,167 --> 00:04:40,167 REALLY. 129 00:04:40,167 --> 00:04:41,868 REALLY? 130 00:04:41,868 --> 00:04:44,200 REALLY. WHY WOULD I LIE TO YOU? 131 00:04:44,200 --> 00:04:45,367 GOOD. 132 00:04:45,367 --> 00:04:47,167 I FEEL BETTER. 133 00:04:47,167 --> 00:04:48,767 YOU'RE THE BEST, FRAN. 134 00:04:48,767 --> 00:04:50,133 I LIED. 135 00:04:50,133 --> 00:04:51,901 I'M NOT O.K. WITH THIS. 136 00:04:51,901 --> 00:04:53,567 I'M SORRY. I SHOULDN'T HAVE LIED. 137 00:04:53,567 --> 00:04:55,667 I'M NOT UPSET THAT YOU LIED. 138 00:04:55,667 --> 00:04:57,801 I'M UPSET THAT YOU TOLD THE TRUTH. 139 00:04:57,801 --> 00:04:59,000 I SHOULDN'T HAVE TOLD THE TRUTH? 140 00:04:59,000 --> 00:05:00,634 EXACTLY. 141 00:05:00,634 --> 00:05:02,934 IF YOU'RE LYING TO SPARE MY FEELINGS, 142 00:05:02,934 --> 00:05:04,534 THEN FINISH WHAT YOU STARTED. 143 00:05:04,534 --> 00:05:06,834 YOU FEEL BETTER, I FEEL WORSE. 144 00:05:06,834 --> 00:05:08,501 YOU'RE ABSOLUTELY RIGHT. 145 00:05:08,501 --> 00:05:09,868 I WAS SELFISH. I SHOULD'VE LIED. 146 00:05:09,868 --> 00:05:11,834 I'M SO SORRY. 147 00:05:11,834 --> 00:05:12,801 DON'T WORRY. 148 00:05:12,801 --> 00:05:15,133 IT'S O.K. 149 00:05:15,133 --> 00:05:16,767 WE'RE REALLY O.K. WITH THIS? 150 00:05:16,767 --> 00:05:18,634 WE ARE SO O.K. ABOUT THIS. 151 00:05:18,634 --> 00:05:20,000 O.K. 152 00:05:23,167 --> 00:05:24,367 I HEAR CATS IS GOOD. 153 00:05:24,367 --> 00:05:25,334 SAW IT. 154 00:05:31,100 --> 00:05:33,033 YOU TWO ARE SO BAD. 155 00:05:33,033 --> 00:05:34,100 YOU'RE CHILDREN. 156 00:05:34,100 --> 00:05:36,200 IT WAS HIM. 157 00:05:36,200 --> 00:05:37,667 EXCUSE ME. WHO STARTED THROWING JUJUBES? 158 00:05:37,667 --> 00:05:39,834 THAT WAS YOU. 159 00:05:39,834 --> 00:05:41,567 BUT YOU ENCOURAGED IT. HE'S A BAD INFLUENCE. 160 00:05:41,567 --> 00:05:42,868 PAUL'S RIGHT. 161 00:05:42,868 --> 00:05:44,367 DOES ANYBODY WANT TO GET COFFEE? 162 00:05:44,367 --> 00:05:45,601 OH, DAMN. 163 00:05:45,601 --> 00:05:47,467 WE'D LOVE TO BUT... 164 00:05:47,467 --> 00:05:48,968 WE HAVE A TIME THING. 165 00:05:48,968 --> 00:05:50,701 WOW. AT THIS HOUR? 166 00:05:50,701 --> 00:05:52,834 HONEY, THEY GOT A TIME THING. 167 00:05:52,834 --> 00:05:54,534 BUT LET'S DO SOMETHING NEXT WEEK. 168 00:05:54,534 --> 00:05:55,567 HOW ABOUT THE R.E.M. CONCERT? 169 00:05:55,567 --> 00:05:56,734 OOH, HONEY. 170 00:05:56,734 --> 00:05:58,067 THEY'RE SOLD OUT. 171 00:05:58,067 --> 00:05:59,667 PAUL ALREADY HAS TICKETS. 172 00:05:59,667 --> 00:06:01,334 HOW? 173 00:06:01,334 --> 00:06:03,167 I DID A FILM WITH THE LIGHTING GUY. 174 00:06:03,167 --> 00:06:04,601 YOU GUYS ARE GREAT. 175 00:06:04,601 --> 00:06:06,100 WELL, THIS SOUNDS FANTASTIC. 176 00:06:06,100 --> 00:06:08,100 BUT ONLY IF IT'S OUR TREAT. 177 00:06:08,100 --> 00:06:09,601 DON'T BE SILLY. IT'S O.K. 178 00:06:09,601 --> 00:06:11,067 ALL RIGHT. LET US GET DINNER. 179 00:06:11,067 --> 00:06:12,567 BYE. 180 00:06:12,567 --> 00:06:14,300 BYE. 181 00:06:14,300 --> 00:06:15,734 WHAT DID YOU JUST DO? 182 00:06:15,734 --> 00:06:17,167 THEY'RE GREAT. 183 00:06:17,167 --> 00:06:18,701 WHY'D YOU PROMISE THEM R.E.M. TICKETS? 184 00:06:18,701 --> 00:06:20,234 THOSE ARE FOR IRA. 185 00:06:20,234 --> 00:06:21,400 THAT WASN'T FOR SURE. 186 00:06:21,400 --> 00:06:22,734 YEAH, THAT WAS FOR SURE. 187 00:06:22,734 --> 00:06:24,067 WE DID IT TO FRAN. 188 00:06:24,067 --> 00:06:25,801 FOR HELLO, DOLLY! 189 00:06:25,801 --> 00:06:27,067 YOU THINK THEY LIKED US? 190 00:06:27,067 --> 00:06:28,601 THEY LOVED US. 191 00:06:28,601 --> 00:06:29,968 IT WAS REALLY FUN. 192 00:06:29,968 --> 00:06:31,300 WHAT ABOUT IRA? 193 00:06:31,300 --> 00:06:32,434 I HANDLED THIS. YOU HANDLE THAT. 194 00:06:35,000 --> 00:06:37,667 YOU TOLD ME THAT YOU HAD THEM. 195 00:06:37,667 --> 00:06:38,901 NO. THAT GUY HAD THEM. 196 00:06:38,901 --> 00:06:40,267 YEAH. SO? 197 00:06:40,267 --> 00:06:41,801 THAT'S WHAT HE TELLS ME. 198 00:06:41,801 --> 00:06:43,868 THEN I GET THERE, DIFFERENT GUY. 199 00:06:43,868 --> 00:06:45,300 WHAT--DIFFERENT THAN ARTIE? 200 00:06:45,300 --> 00:06:46,767 YES. YEAH. 201 00:06:46,767 --> 00:06:48,167 ARE YOU TELLING ME THE TRUTH? 202 00:06:48,167 --> 00:06:50,734 YES. 203 00:06:50,734 --> 00:06:52,834 PAULIE, THERE IS NO DIFFERENT GUY THAN ARTIE. 204 00:06:52,834 --> 00:06:54,801 ARTIE IS ALWAYS THERE. 205 00:06:54,801 --> 00:06:57,467 HE'S 400 POUNDS. WHERE'S HE GOING TO GO? 206 00:06:57,467 --> 00:06:58,601 LUNCH? 207 00:07:00,901 --> 00:07:03,167 I SAID I WAS GOING TO GET THEM, 208 00:07:03,167 --> 00:07:05,400 DIDN'T I? 209 00:07:05,400 --> 00:07:08,534 I COULD'VE WALKED ACROSS THE STREET AND GOTTEN THEM. 210 00:07:08,534 --> 00:07:11,100 AND I'M TELLING YOU, ARTIE WAS NOT THERE. 211 00:07:11,100 --> 00:07:13,634 WHEN I TELL YOU I'M GETTING THE TICKETS, 212 00:07:13,634 --> 00:07:15,267 LET ME GET THE TICKETS. 213 00:07:15,267 --> 00:07:17,434 PLEASE. YOU GET THE TICKETS. 214 00:07:17,434 --> 00:07:19,501 I'M GOING TO GET THE TICKETS. 215 00:07:19,501 --> 00:07:21,467 YOU KNOW I FEEL TERRIBLE ABOUT THIS. 216 00:07:21,467 --> 00:07:23,000 I FEEL REALLY BAD. 217 00:07:23,000 --> 00:07:24,367 ALL RIGHT. ALL RIGHT. 218 00:07:24,367 --> 00:07:26,534 IT'S O.K. 219 00:07:26,534 --> 00:07:28,834 SO WHAT ARE WE GOING TO DO INSTEAD? 220 00:07:28,834 --> 00:07:30,400 INSTEAD? 221 00:07:30,400 --> 00:07:31,901 WE'RE NOT SEEING THE CONCERT. 222 00:07:31,901 --> 00:07:33,534 WE GOT TO DO SOMETHING ELSE. 223 00:07:33,534 --> 00:07:35,267 YOU AND ME? 224 00:07:35,267 --> 00:07:36,667 YES. 225 00:07:36,667 --> 00:07:37,701 SATURDAY NIGHT? 226 00:07:37,701 --> 00:07:39,901 YES. 227 00:07:39,901 --> 00:07:42,901 WELL, WE CAN'T DO ANYTHING THIS SATURDAY. 228 00:07:42,901 --> 00:07:45,200 WHY NOT? 229 00:07:45,200 --> 00:07:46,267 'CAUSE YOU'RE TOO MAD AT ME. 230 00:07:48,434 --> 00:07:49,901 AREN'T YOU? 231 00:07:55,000 --> 00:07:58,667 [DOUG] THAT WAS THE GREATEST CONCERT I'VE EVER SEEN. 232 00:07:58,667 --> 00:08:01,467 I LOVED R.E.M. BEFORE THEY WERE POPULAR. 233 00:08:01,467 --> 00:08:02,634 ALL RIGHT. 234 00:08:02,634 --> 00:08:04,033 WHAT--I DIDN'T? 235 00:08:04,033 --> 00:08:05,400 ANYBODY FOR COFFEE? 236 00:08:05,400 --> 00:08:06,667 LET ME HELP YOU. 237 00:08:06,667 --> 00:08:07,767 WE'LL GET IT. YOU SIT. 238 00:08:07,767 --> 00:08:09,334 SURE. 239 00:08:09,334 --> 00:08:10,601 YOU SHOULDN'T HAVE PUSHED. 240 00:08:10,601 --> 00:08:12,334 I DIDN'T PUSH. 241 00:08:12,334 --> 00:08:14,133 THEY DIDN'T WANT TO COME HERE. 242 00:08:14,133 --> 00:08:17,200 I WANTED TO SEE WHERE THEY LIVED. 243 00:08:17,200 --> 00:08:19,868 YOU WOULDN'T THINK THEY'D HAVE A COUCH LIKE THAT. 244 00:08:19,868 --> 00:08:21,767 WHY NOT? 245 00:08:21,767 --> 00:08:24,667 WELL, THEY SEEM SO MODERN AND SLEEK. 246 00:08:24,667 --> 00:08:27,467 WHAT ARE THEY GOING TO HAVE-- A GLASS COUCH? 247 00:08:27,467 --> 00:08:29,567 DON'T BE SNOOPING. 248 00:08:29,567 --> 00:08:32,467 I'M NOT SNOOPING. I'M LOOKING AT FAMILY PHOTOS. 249 00:08:32,467 --> 00:08:34,767 HEY, I DON'T KNOW IF YOU NOTICED. 250 00:08:34,767 --> 00:08:36,067 ALL THESE PEOPLE ARE BLACK. 251 00:08:38,901 --> 00:08:41,167 THERE'S PROBABLY SOME EXPLANATION FOR THAT. 252 00:08:41,167 --> 00:08:43,400 MAYBE THEY'RE SUBLETTING FROM THEM. 253 00:08:43,400 --> 00:08:45,000 THAT'S PROBABLY IT, FOR DOUG'S JOB. 254 00:08:45,000 --> 00:08:46,667 WHAT DOES HE DO AGAIN? 255 00:08:46,667 --> 00:08:48,033 I DON'T KNOW. 256 00:08:48,033 --> 00:08:50,734 THAT'S REALLY FUNNY. 257 00:08:50,734 --> 00:08:51,934 THEY'RE FRIENDS. 258 00:08:51,934 --> 00:08:53,834 ALL WE KNOW IS THEIR NAMES. 259 00:08:53,834 --> 00:08:55,367 ACTUALLY, THEIR FIRST NAMES. 260 00:08:55,367 --> 00:08:56,567 NO, THAT'S NOT TRUE. 261 00:08:56,567 --> 00:08:58,467 WHAT IS IT? 262 00:08:58,467 --> 00:08:59,734 IT'S WITH AN "S". "S". 263 00:08:59,734 --> 00:09:00,834 UH, SMITH? 264 00:09:00,834 --> 00:09:02,868 IT'S SMITH? 265 00:09:02,868 --> 00:09:04,267 UH, "A." WITH AN "A." 266 00:09:04,267 --> 00:09:05,567 APPLE--APPLE. 267 00:09:05,567 --> 00:09:06,734 A-APPLESMITH. 268 00:09:08,234 --> 00:09:09,434 "Z?" 269 00:09:09,434 --> 00:09:11,234 "Z?" ZWYNN? 270 00:09:11,234 --> 00:09:13,334 ZARBOW? 271 00:09:13,334 --> 00:09:14,467 MAUPASSANT? 272 00:09:14,467 --> 00:09:15,267 IT'S SOMETHING. 273 00:09:15,267 --> 00:09:16,801 LIKE WHAT? 274 00:09:16,801 --> 00:09:18,601 SOMETHING--SOMETHING WITH A "J." 275 00:09:18,601 --> 00:09:20,167 JOHNSON? 276 00:09:20,167 --> 00:09:21,601 JIPSON? 277 00:09:21,601 --> 00:09:22,934 JETSON? 278 00:09:22,934 --> 00:09:25,133 THEY'RE THE JETSONS? 279 00:09:25,133 --> 00:09:26,367 THEY'RE THE JETSONS. 280 00:09:26,367 --> 00:09:28,200 I KNOW. I FORGOT. 281 00:09:28,200 --> 00:09:30,100 DID YOU FORGET, OR WE NEVER KNEW? 282 00:09:30,100 --> 00:09:31,534 HERE WE GO. MAIL. 283 00:09:31,534 --> 00:09:32,501 ADDRESSED TO... 284 00:09:32,501 --> 00:09:33,434 SOMEBODY ELSE. 285 00:09:33,434 --> 00:09:34,767 NOT THEM. 286 00:09:34,767 --> 00:09:36,033 NOPE. NOT ONE PIECE HERE. 287 00:09:36,033 --> 00:09:37,834 SOMEBODY. 288 00:09:37,834 --> 00:09:38,834 THOMAS AND PATRICIA STADLER. 289 00:09:40,868 --> 00:09:41,767 SOMETHING IS WRONG. 290 00:09:43,234 --> 00:09:45,133 MAYBE THEY'RE SPIES. 291 00:09:45,133 --> 00:09:47,501 MAYBE THEY'RE NOT REALLY MARRIED. 292 00:09:47,501 --> 00:09:48,834 THAT'S IT. THEY'RE BACHELOR SPIES. 293 00:09:48,834 --> 00:09:51,567 I HAVE A BAD FEELING IN MY STOMACH. 294 00:09:51,567 --> 00:09:53,200 QUEASY OR YOU GOT CRAMPS? 295 00:09:53,200 --> 00:09:55,067 IT'S MORE IN THE QUEASY WORLD. 296 00:09:55,067 --> 00:09:56,667 ARE YOU GOING TO VOMIT? 297 00:09:56,667 --> 00:09:59,234 IF YOU VOMIT IN FRONT OF ME, 298 00:09:59,234 --> 00:10:01,767 I VOMIT RIGHT ALONG WITH YOU. 299 00:10:01,767 --> 00:10:04,334 THEY'RE MAKING COFFEE FOR A VERY LONG TIME. 300 00:10:04,334 --> 00:10:05,934 SWEETIE, THAT'S HOW LONG IT TAKES. 301 00:10:05,934 --> 00:10:07,801 I WANT TO GO. 302 00:10:07,801 --> 00:10:10,033 WAIT A SECOND, SWEETIE. WE CAN'T JUST GO. 303 00:10:10,033 --> 00:10:11,567 SORRY THAT TOOK SO LONG. 304 00:10:11,567 --> 00:10:13,567 IS SOMETHING WRONG? 305 00:10:13,567 --> 00:10:14,667 NO. NO. EVERYTHING'S ALL RIGHT. 306 00:10:14,667 --> 00:10:17,067 UM, WELL, YEAH. 307 00:10:17,067 --> 00:10:18,934 YOU HAVE TO BE STRAIGHT WITH US. 308 00:10:18,934 --> 00:10:20,667 SOMETHING ISN'T RIGHT. 309 00:10:20,667 --> 00:10:22,968 I'M GOING TO ASK YOU ONE QUESTION. 310 00:10:22,968 --> 00:10:25,968 IF THE ANSWER'S YES, WE'LL LEAVE AND NEVER SAY A WORD. 311 00:10:25,968 --> 00:10:27,133 DID YOU KILL THE STADLERS? 312 00:10:27,133 --> 00:10:28,834 HA HA HA. 313 00:10:28,834 --> 00:10:30,267 NO. 314 00:10:30,267 --> 00:10:31,934 WE DECIDED IT WAS THAT, 315 00:10:31,934 --> 00:10:33,033 OR YOU'RE HAVING AN AFFAIR. 316 00:10:33,033 --> 00:10:33,934 ACTUALLY... 317 00:10:33,934 --> 00:10:35,033 WE ARE. 318 00:10:35,033 --> 00:10:36,067 OH. 319 00:10:36,067 --> 00:10:37,067 OH, O.K. 320 00:10:37,067 --> 00:10:38,000 WELL, GOOD. 321 00:10:45,267 --> 00:10:46,968 I KNEW IT. 322 00:10:46,968 --> 00:10:48,534 WELL, I KNEW NOTHING. 323 00:10:48,534 --> 00:10:50,367 I KNEW IT THE MINUTE WE MET. 324 00:10:50,367 --> 00:10:51,901 HOW? 325 00:10:51,901 --> 00:10:53,801 I DIDN'T KNOW, BUT I KNEW. 326 00:10:53,801 --> 00:10:55,133 WELL, I KNEW NOTHING. 327 00:10:55,133 --> 00:10:56,200 I'M SHOCKED. 328 00:10:56,200 --> 00:10:57,334 I'M STUNNED. 329 00:10:57,334 --> 00:10:59,701 I'M FLUMMOXED. 330 00:10:59,701 --> 00:11:01,200 ALL THE SIGNS WERE THERE-- 331 00:11:01,200 --> 00:11:02,734 THEY ALWAYS LEFT BY MIDNIGHT, 332 00:11:02,734 --> 00:11:05,234 THEY NEVER ARRIVE IN THE SAME CAR, 333 00:11:05,234 --> 00:11:07,767 DIDI ONLY GAVE ME HER VOICE MAIL NUMBER. 334 00:11:07,767 --> 00:11:09,200 RIGHT. AND THINK ABOUT IT. 335 00:11:09,200 --> 00:11:11,234 HE ALWAYS ORDERED THE WINE. 336 00:11:11,234 --> 00:11:13,000 IT DOESN'T REALLY MEAN ANYTHING. 337 00:11:13,000 --> 00:11:15,400 YOU HAD ALL THAT GOOD STUFF. 338 00:11:15,400 --> 00:11:17,067 THAT'S WHY THEY DIDN'T LAUGH 339 00:11:17,067 --> 00:11:18,968 WHEN YOU MADE THAT SCARLET LETTER JOKE. 340 00:11:18,968 --> 00:11:21,167 YOU LAUGHED. 341 00:11:21,167 --> 00:11:22,501 I'M NOT CARRYING THEIR SHAME. 342 00:11:22,501 --> 00:11:23,868 I CAN LAUGH AT ADULTERY. 343 00:11:23,868 --> 00:11:25,734 IT COSTS ME NOTHING. 344 00:11:25,734 --> 00:11:27,367 BUT THEM, I DON'T-- 345 00:11:27,367 --> 00:11:30,267 THEY SEEMED LIKE A REGULAR MARRIED COUPLE. 346 00:11:30,267 --> 00:11:32,100 THEY'RE JUST MARRIED TO OTHER PEOPLE. 347 00:11:32,100 --> 00:11:33,701 THIS IS SO INCONCEIVABLE TO ME. 348 00:11:33,701 --> 00:11:34,767 WHY? 349 00:11:34,767 --> 00:11:36,334 IT JUST-- 350 00:11:36,334 --> 00:11:38,834 THAT WOULD NEVER HAPPEN TO YOU AND ME. 351 00:11:38,834 --> 00:11:40,334 WHAT MAKES US DIFFERENT FROM OTHERS? 352 00:11:40,334 --> 00:11:42,434 [DOOR BUZZER] 353 00:11:42,434 --> 00:11:45,467 FIRST OF ALL, TO BE THAT DECEPTIVE AND THAT CALCULATING, 354 00:11:45,467 --> 00:11:47,167 YOU KNOW THE ENERGY THAT TAKES? 355 00:11:47,167 --> 00:11:49,467 WHO HAS THAT KIND OF TIME? 356 00:11:49,467 --> 00:11:51,868 PERSONALLY, I KNOW I COULD NEVER LIE LIKE THAT. 357 00:11:51,868 --> 00:11:53,167 YOU KNOW SOMETHING? 358 00:11:53,167 --> 00:11:54,834 I AM SHOCKED. 359 00:11:54,834 --> 00:11:56,267 WHAT ARE YOU DOING HERE? 360 00:11:56,267 --> 00:11:58,267 I HOPE YOU ENJOYED THE CONCERT. 361 00:11:58,267 --> 00:12:00,100 WHAT CONCERT? 362 00:12:00,100 --> 00:12:01,467 PAULIE, I KNOW WHAT HAPPENED. 363 00:12:01,467 --> 00:12:02,400 IRA, WE DIDN'T GO. 364 00:12:02,400 --> 00:12:04,000 YOU, TOO. 365 00:12:04,000 --> 00:12:06,801 NO, THAT'S TRUE. WE DIDN'T. 366 00:12:06,801 --> 00:12:09,834 I WAS THERE, PAULIE. I WENT TO THE CONCERT. 367 00:12:09,834 --> 00:12:11,868 I SCALPED ONE TICKET FOR MYSELF, 368 00:12:11,868 --> 00:12:13,868 DOUBLE FACE VALUE, TERRIBLE SEAT. 369 00:12:13,868 --> 00:12:16,534 YOU KNOW, WAY UPSTAIRS UP BEHIND THE STAGE, JUST AWFUL. 370 00:12:16,534 --> 00:12:17,400 WHAT'S THAT? 371 00:12:17,400 --> 00:12:18,367 NOODLES. 372 00:12:18,367 --> 00:12:19,868 OH. 373 00:12:19,868 --> 00:12:22,300 THIS GUY LENT ME HIS BINOCULARS, 374 00:12:22,300 --> 00:12:25,100 WHERE I SPIED YOU AND YOUR LITTLE FRIENDS DANCING 375 00:12:25,100 --> 00:12:27,634 ALL OUT OF RHYTHM, FOURTH ROW, CENTER. 376 00:12:27,634 --> 00:12:29,200 THAT WAS NOT A RHYTHM. 377 00:12:29,200 --> 00:12:30,901 IT WAS A SYNCOPATION THING. 378 00:12:30,901 --> 00:12:32,434 WELL, GOOD. 379 00:12:32,434 --> 00:12:34,400 LISTEN, YOU ENJOY YOUR NEW FRIENDS. 380 00:12:34,400 --> 00:12:36,434 IT'S NOT WHAT YOU THINK IT IS. 381 00:12:36,434 --> 00:12:37,767 PAULIE, DON'T WASTE MY TIME. 382 00:12:37,767 --> 00:12:40,434 DO WHAT YOU WANT TO DO. 383 00:12:40,434 --> 00:12:43,167 IF YOU DON'T WANT TO GO WITH ME, THAT'S FINE. 384 00:12:43,167 --> 00:12:45,767 BUT TO DITCH ME AND THEN TO LIE... 385 00:12:45,767 --> 00:12:46,934 SHAME ON YOU. 386 00:12:46,934 --> 00:12:47,968 I SHOULD-- 387 00:12:47,968 --> 00:12:48,801 I THINK. 388 00:12:56,100 --> 00:12:57,300 HERE YOU GO. 389 00:12:57,300 --> 00:12:58,267 THANK YOU. 390 00:12:58,267 --> 00:13:00,133 I GOT IT. 391 00:13:00,133 --> 00:13:02,100 NO, HE'S NOT PAYING FOR ME. 392 00:13:02,100 --> 00:13:04,734 SO THAT'S WHAT YOU CAME UP WITH. 393 00:13:04,734 --> 00:13:07,033 FAT ARTIE WENT TO LUNCH. 394 00:13:07,033 --> 00:13:08,200 THAT'S THE BEST THAT YOU COULD DO? 395 00:13:08,200 --> 00:13:10,434 I KNOW. CAN I EXPLAIN? 396 00:13:10,434 --> 00:13:11,501 'CAUSE THERE IS AN EXPLANATION. 397 00:13:11,501 --> 00:13:13,234 I BELIEVED YOU. 398 00:13:13,234 --> 00:13:14,601 I SHOULD'VE KNOWN BETTER. 399 00:13:14,601 --> 00:13:16,501 ARTIE AND I GO WAY BACK. 400 00:13:16,501 --> 00:13:18,567 THIS GUY LIVES IN THAT CHAIR. 401 00:13:18,567 --> 00:13:20,334 FAT ARTIE DOESN'T GOES TO LUNCH. 402 00:13:20,334 --> 00:13:22,100 LUNCH COMES TO FAT ARTIE. 403 00:13:22,100 --> 00:13:23,501 BUT THERE'S AN EXPLANATION. 404 00:13:23,501 --> 00:13:25,634 CAN I EXPLAIN, PLEASE? 405 00:13:25,634 --> 00:13:26,834 [DOOR BUZZER] 406 00:13:29,968 --> 00:13:31,300 HI. 407 00:13:31,300 --> 00:13:32,701 HI. YOU MUST BE JAMIE. 408 00:13:32,701 --> 00:13:34,033 IS THIS A BAD TIME? 409 00:13:34,033 --> 00:13:35,167 I DON'T KNOW. 410 00:13:35,167 --> 00:13:37,033 WHO ARE YOU? 411 00:13:37,033 --> 00:13:39,133 ONE DRINK AND I FORGET MY OWN NAME. 412 00:13:39,133 --> 00:13:40,534 I'M ALLISON. 413 00:13:40,534 --> 00:13:42,968 I WORK WITH PAUL, YOUR HUSBAND. 414 00:13:42,968 --> 00:13:44,767 THE FILMMAKER? 415 00:13:44,767 --> 00:13:46,901 ALLISON, THE LADY FROM THE OFFICE? 416 00:13:46,901 --> 00:13:49,067 YOU ARE JAMIE, RIGHT? 417 00:13:49,067 --> 00:13:51,334 I HAVE HEARD SO MUCH ABOUT YOU. 418 00:13:51,334 --> 00:13:52,767 ME, TOO. COME IN. 419 00:13:52,767 --> 00:13:54,834 I WAS ON MY WAY HOME. 420 00:13:54,834 --> 00:13:56,834 I WANTED TO DROP THIS OFF. 421 00:13:56,834 --> 00:13:57,934 IS PAUL HERE? 422 00:13:57,934 --> 00:13:59,367 HE'S OUT. 423 00:13:59,367 --> 00:14:01,167 WHAT DID YOU SAY YOUR NAME WAS AGAIN? 424 00:14:01,167 --> 00:14:02,501 ALLISON. 425 00:14:02,501 --> 00:14:04,734 I GOT CONFUSED 426 00:14:04,734 --> 00:14:07,200 BECAUSE PAUL'S BOSS IS ALSO NAMED ALLISON. 427 00:14:07,200 --> 00:14:08,667 I AM PAUL'S BOSS. 428 00:14:08,667 --> 00:14:11,367 I AM ALLISON. 429 00:14:14,067 --> 00:14:15,534 YOU KNOW, MY FRIENDS CALL ME ALLISON. 430 00:14:18,234 --> 00:14:21,000 WELL, IT WAS REALLY NICE TO MEET YOU. 431 00:14:21,000 --> 00:14:22,834 AND, UH... 432 00:14:22,834 --> 00:14:24,033 TELL PAUL THAT I STOPPED BY. 433 00:14:25,334 --> 00:14:26,267 ALLISON. 434 00:14:31,167 --> 00:14:35,167 I DON'T WHY I DIDN'T SAY THIS UP FRONT TO YOU. 435 00:14:35,167 --> 00:14:37,901 THESE ARE JAMIE'S FRIENDS THAT FLEW IN FROM OUT OF TOWN. 436 00:14:37,901 --> 00:14:39,334 PAULIE, WHAT ARE YOU DOING? 437 00:14:39,334 --> 00:14:41,100 WHAT IS THE MATTER WITH YOU? 438 00:14:41,100 --> 00:14:43,000 YOU'RE LYING AGAIN. 439 00:14:43,000 --> 00:14:45,601 FRANNIE TOLD ME ABOUT YOU AND YOUR CHEATING FRIENDS. 440 00:14:45,601 --> 00:14:47,501 WHAT IS THE MATTER WITH YOU? 441 00:14:47,501 --> 00:14:49,067 YOU'RE RIGHT. I CAN'T LIE. 442 00:14:49,067 --> 00:14:51,400 I THOUGHT I'D GIVE IT ONE MORE SHOT. 443 00:14:51,400 --> 00:14:53,501 I CAN'T DO IT. I'M A BAD LIAR. 444 00:14:53,501 --> 00:14:54,968 YOU'RE THE WORST. 445 00:14:54,968 --> 00:14:56,133 BOY, YOU KNOW WHY? 446 00:14:56,133 --> 00:14:58,567 YOU GOT TO STICK TO IT. 447 00:14:58,567 --> 00:15:01,767 THAT'S THE KEY TO A GOOD LIE-- COMMITMENT. 448 00:15:01,767 --> 00:15:03,934 THAT'S WHAT YOU NEED FOR RELATIONSHIPS AND FOR LYING. 449 00:15:03,934 --> 00:15:05,834 AND A GOOD POACHED EGG. 450 00:15:05,834 --> 00:15:08,434 LISTEN, WHAT I DID WAS WRONG, AND I'M SORRY. 451 00:15:08,434 --> 00:15:10,367 I'M SORRY I HURT YOUR FEELINGS. 452 00:15:10,367 --> 00:15:12,133 YOU KNOW WHAT YOU MEAN TO ME, RIGHT? 453 00:15:12,133 --> 00:15:13,601 I LOVE YOU. 454 00:15:13,601 --> 00:15:14,534 HEY, I LOVE YOU! 455 00:15:20,267 --> 00:15:22,100 MAYBE WE SHOULD GET A BOOTH. 456 00:15:27,567 --> 00:15:28,834 YOU KNOW WHO I AM? 457 00:15:28,834 --> 00:15:30,601 I'M A U.N. PEACE KEEPER, BABE. 458 00:15:30,601 --> 00:15:34,300 I AM BOUTROS- BOUTROS-GOLLY BUCHMAN. 459 00:15:34,300 --> 00:15:35,834 SO YOU CLEARED IT UP WITH IRA? 460 00:15:35,834 --> 00:15:37,234 I DID. 461 00:15:37,234 --> 00:15:38,334 WE SAT DOWN. 462 00:15:38,334 --> 00:15:40,234 I WAS HONEST AND FORTHRIGHT. 463 00:15:40,234 --> 00:15:42,501 I'M AN IMPRESSIVE YOUNG MAN. 464 00:15:42,501 --> 00:15:44,701 WHY DIDN'T YOU TELL ME ALLISON WAS GORGEOUS? 465 00:15:44,701 --> 00:15:46,367 WHAT? 466 00:15:46,367 --> 00:15:48,100 ALLISON? 467 00:15:48,100 --> 00:15:49,033 ALLISON, MY BOSS ALLISON? 468 00:15:49,033 --> 00:15:50,767 YEAH. SHE CAME BY 469 00:15:50,767 --> 00:15:52,634 AND DROPPED OFF THIS TAPE FOR YOU. 470 00:15:52,634 --> 00:15:54,100 SHE-- 471 00:15:54,100 --> 00:15:55,434 THIS IS THAT PENGUIN FOOTAGE. 472 00:15:55,434 --> 00:15:56,934 THIS IS UNBELIEVABLE. 473 00:15:56,934 --> 00:15:59,767 O.K. HOLD ON A SECOND, BOUTROS. 474 00:15:59,767 --> 00:16:01,100 WHAT? 475 00:16:01,100 --> 00:16:02,834 WHY DID YOU LIE TO ME? 476 00:16:02,834 --> 00:16:04,200 ABOUT WHAT? 477 00:16:04,200 --> 00:16:06,501 ABOUT THE LADY FROM THE OFFICE? 478 00:16:06,501 --> 00:16:08,334 THAT'S NOT A LIE. 479 00:16:08,334 --> 00:16:09,467 THAT'S HER. THAT'S TRUE. 480 00:16:09,467 --> 00:16:10,501 PAUL, SHE'S STUNNING. 481 00:16:10,501 --> 00:16:12,934 BOY, DO I KNOW YOU? 482 00:16:12,934 --> 00:16:14,300 I KNOW YOU SO WELL. 483 00:16:14,300 --> 00:16:15,634 REALLY? 484 00:16:15,634 --> 00:16:18,133 THAT'S EXACTLY WHY I NEVER SAID ANYTHING ABOUT HER. 485 00:16:18,133 --> 00:16:20,167 I KNEW YOU'D GET UPSET. 486 00:16:20,167 --> 00:16:21,400 SO YOU LIED. 487 00:16:21,400 --> 00:16:22,901 THAT'S NOT A LIE. 488 00:16:22,901 --> 00:16:24,267 I WAS PROTECTING YOU. 489 00:16:24,267 --> 00:16:26,100 YOU WERE PROTECTING ME? 490 00:16:26,100 --> 00:16:28,033 IF I CAME HOME AND SAID, 491 00:16:28,033 --> 00:16:30,801 "I GOT A GREAT NEW JOB. 492 00:16:30,801 --> 00:16:33,934 THE PERSON I'M WORKING WITH IS A BEAUTIFUL, GORGEOUS WOMAN," 493 00:16:33,934 --> 00:16:35,434 WHAT WOULD YOU HAVE SAID? 494 00:16:35,434 --> 00:16:37,934 YOU NEVER GAVE ME THE CHANCE. 495 00:16:37,934 --> 00:16:40,334 I'LL TELL YOU WHAT YOU'D SAY. 496 00:16:40,334 --> 00:16:42,267 YOU'D SAY, "WHY ARE YOU TELLING ME THIS? 497 00:16:42,267 --> 00:16:44,634 "DO I NEED TO KNOW 498 00:16:44,634 --> 00:16:47,067 THAT YOU'RE WORKING WITH A BEAUTIFUL, GORGEOUS WOMAN?" 499 00:16:47,067 --> 00:16:50,868 I WOULD LIKE TO PUNCH YOU SO HARD RIGHT NOW. 500 00:16:50,868 --> 00:16:52,234 MAYBE LATER. 501 00:16:52,234 --> 00:16:53,334 FIRST, JUST TELL I'M WRONG. 502 00:16:53,334 --> 00:16:55,467 YOU ARE SO WRONG! 503 00:16:55,467 --> 00:16:57,968 YOU THINK I'M SO FRAGILE, SO VULNERABLE 504 00:16:57,968 --> 00:16:59,400 THAT I'M THREATENED BY AN ATTRACTIVE WOMAN? 505 00:16:59,400 --> 00:17:00,701 I DON'T. 506 00:17:00,701 --> 00:17:02,200 AND I KNOW THAT. 507 00:17:02,200 --> 00:17:03,467 THAT'S RIGHT. 508 00:17:03,467 --> 00:17:05,434 O.K. SO YOU'RE WORKING LATE. 509 00:17:05,434 --> 00:17:08,067 YOU TELL ME IT'S YOU AND THIS LADY FROM THE OFFICE. 510 00:17:08,067 --> 00:17:09,100 THAT'S HER? 511 00:17:09,100 --> 00:17:11,667 YES. 512 00:17:11,667 --> 00:17:14,133 THAT'S VERY INTERESTING. 513 00:17:14,133 --> 00:17:16,334 OOH, I HATE WHERE YOU'RE GOING WITH THIS. 514 00:17:16,334 --> 00:17:18,667 DO YOU KNOW HOW INSULTING THAT IS? 515 00:17:18,667 --> 00:17:20,267 OH, I'M INSULTING YOU? 516 00:17:20,267 --> 00:17:21,601 EXCUSE ME. 517 00:17:21,601 --> 00:17:23,767 DO YOU THINK I'M SO SHALLOW 518 00:17:23,767 --> 00:17:25,901 I CAN'T WORK WITHOUT IT BEING SEXUAL? 519 00:17:25,901 --> 00:17:26,734 WELL, I'D HOPE NOT. 520 00:17:26,734 --> 00:17:28,133 THANK YOU. 521 00:17:28,133 --> 00:17:29,834 WHY WOULD YOU LIE? 522 00:17:29,834 --> 00:17:32,200 YOU KNOW WHAT? THIS IS JUST NUTTY. 523 00:17:32,200 --> 00:17:34,334 DO YOU NEED TO HEAR I'M SORRY? 524 00:17:34,334 --> 00:17:35,934 WELL, ARE YOU? 525 00:17:35,934 --> 00:17:38,267 I'M SORRY IF YOU'RE UPSET. 526 00:17:38,267 --> 00:17:39,300 YOU'RE SORRY IF I'M UPSET? 527 00:17:41,267 --> 00:17:42,968 WELL, THAT'S GREAT. 528 00:17:42,968 --> 00:17:44,734 I'LL PUT CLOTHES IN THE DRYER. 529 00:17:44,734 --> 00:17:46,334 I HAVE TO WATCH THIS TAPE. 530 00:17:46,334 --> 00:17:48,334 GOOD LUCK. 531 00:17:48,334 --> 00:17:50,734 EXPLORER CHANNEL. 532 00:17:50,734 --> 00:17:52,434 IF THEY SENT A MESSENGER, 533 00:17:52,434 --> 00:17:53,634 I WOULDN'T HAVE THESE PROBLEMS. 534 00:17:58,367 --> 00:17:59,734 WHAT'S ANOTHER WORD FOR "PILLAGE" 535 00:17:59,734 --> 00:18:00,834 THAT'S NOT SO GLOOMY? 536 00:18:00,834 --> 00:18:03,234 TRY "PLUNDER." 537 00:18:03,234 --> 00:18:04,267 YOU KNOW WHAT'S UPSETTING? 538 00:18:04,267 --> 00:18:07,200 UH, STEPPING IN GUM. 539 00:18:07,200 --> 00:18:09,634 HE ACTS HUMBLE WHILE HE'S TELLING YOU THAT YOU'RE WRONG. 540 00:18:09,634 --> 00:18:11,000 WELL, HE'S THE MAYOR. 541 00:18:11,000 --> 00:18:12,300 I'M TALKING ABOUT PAUL. 542 00:18:12,300 --> 00:18:13,601 WE WERE FINISHED WITH THAT. 543 00:18:13,601 --> 00:18:16,801 WE ARE. WE TOTALLY ARE. 544 00:18:16,801 --> 00:18:18,834 HE'S JUST SO FRUSTRATING TO ARGUE WITH. 545 00:18:18,834 --> 00:18:21,501 JAMIE, DARLING, SIT DOWN. 546 00:18:21,501 --> 00:18:24,901 IT IS TIME YOU GOT YOUR MIND OFF OF THIS 547 00:18:24,901 --> 00:18:25,934 AND ONTO SOMETHING MORE PRODUCTIVE. 548 00:18:25,934 --> 00:18:27,467 LIKE WHAT? 549 00:18:27,467 --> 00:18:29,934 HOW ABOUT THROWING YOURSELF INTO WORK? 550 00:18:29,934 --> 00:18:31,968 AND YOU KNOW WHAT ELSE? 551 00:18:31,968 --> 00:18:33,567 JAMIE, LISTEN TO ME. 552 00:18:33,567 --> 00:18:36,067 DWELLING ON THIS ISN'T GOING TO HELP. 553 00:18:36,067 --> 00:18:38,968 YOU HAVE TO LET GO OF YOUR ANGER 554 00:18:38,968 --> 00:18:41,934 TO FIND MATURE RESOLUTIONS TO THE SOURCE OF THAT ANGER. 555 00:18:41,934 --> 00:18:43,801 JUST LET IT GO, 556 00:18:43,801 --> 00:18:44,834 AND YOU'LL FEEL MUCH BETTER. 557 00:18:44,834 --> 00:18:47,734 I'LL TRY. 558 00:18:47,734 --> 00:18:50,901 YOU SCREWED ME OUT OF THOSE TICKETS FOR HELLO, DOLLY!, 559 00:18:50,901 --> 00:18:52,567 AND I GOT OVER THAT, RIGHT? 560 00:18:52,567 --> 00:18:54,501 YEAH. 561 00:18:54,501 --> 00:18:56,701 AND NOW I'M FINE WITH IT. 562 00:18:56,701 --> 00:18:58,400 YOU'RE A BIGGER PERSON THAN I. 563 00:18:58,400 --> 00:19:00,634 THAT'S TRUE. 564 00:19:00,634 --> 00:19:04,534 OH, BY THE WAY, I GOT FOUR TICKETS TO SEE STING, 565 00:19:04,534 --> 00:19:05,267 AND YOU'RE NOT INVITED. 566 00:19:10,634 --> 00:19:14,334 NO. REALLY. IT'S A THEORY THAT I'VE HAD FOR A LONG TIME, 567 00:19:14,334 --> 00:19:16,667 BUT MY DOG IS A FEMALE, 568 00:19:16,667 --> 00:19:18,167 SO I'VE NEVER PROVED IT. 569 00:19:18,167 --> 00:19:20,334 WHAT I WOULD LIKE TO DO, 570 00:19:20,334 --> 00:19:22,567 IF IT'S ALL RIGHT WITH YOU, 571 00:19:22,567 --> 00:19:25,667 I WOULD LIKE TO LOOSELY CUP YOUR DOG'S TESTICLES. 572 00:19:25,667 --> 00:19:28,334 THIS IS WHAT I'M SAYING TO YOU... 573 00:19:28,334 --> 00:19:30,234 NO. 574 00:19:30,234 --> 00:19:31,634 WHY NOT? 575 00:19:31,634 --> 00:19:33,734 WHAT--DOES IT THREATEN YOU? 576 00:19:33,734 --> 00:19:35,767 NO, IT DOESN'T THREATEN ME. 577 00:19:35,767 --> 00:19:38,467 I JUST DON'T WANT YOU TOUCHING MY DOG'S TESTICLES. 578 00:19:38,467 --> 00:19:40,300 I'M JUST PROVING A THEORY. 579 00:19:40,300 --> 00:19:41,334 WELL, PROVE IT SOMEWHERE ELSE. 580 00:19:41,334 --> 00:19:42,267 HEY. 581 00:19:42,267 --> 00:19:44,300 HI. 582 00:19:44,300 --> 00:19:45,701 YOU STILL MAD? 583 00:19:45,701 --> 00:19:48,767 A LITTLE. 584 00:19:48,767 --> 00:19:51,100 WOULD YOU EXCUSE US, PLEASE? 585 00:19:51,100 --> 00:19:53,934 I'LL BE OVER THERE IF YOU CHANGE YOUR MIND. 586 00:19:53,934 --> 00:19:57,000 LISTEN, UM, COME HERE. 587 00:19:57,000 --> 00:19:59,467 IT'S NEVER EASY TO ADMIT A MISTAKE, 588 00:19:59,467 --> 00:20:00,434 AND UH... 589 00:20:00,434 --> 00:20:01,834 AND? 590 00:20:01,834 --> 00:20:03,834 I GOT TO TELL YOU, 591 00:20:03,834 --> 00:20:06,334 IT PAINS ME TO SAY IT BUT... 592 00:20:06,334 --> 00:20:07,400 I JUST THINK YOU'RE WRONG. 593 00:20:07,400 --> 00:20:08,334 REALLY? 594 00:20:08,334 --> 00:20:09,767 YEAH. 595 00:20:09,767 --> 00:20:12,033 I WAS THINKING THE SAME THING. 596 00:20:12,033 --> 00:20:14,033 WELL, THE DIFFERENCE IS I'M RIGHT. 597 00:20:14,033 --> 00:20:16,734 AH, WELL, THAT IS A BIG DIFFERENCE. 598 00:20:16,734 --> 00:20:18,467 SOMEHOW IN YOUR MIND, 599 00:20:18,467 --> 00:20:20,534 YOU'VE TAKEN THIS ALLISON THING 600 00:20:20,534 --> 00:20:23,033 AND THIS GIGANTIC DOUG AND DIDI THING, 601 00:20:23,033 --> 00:20:25,000 AND YOU'VE MADE THEM THE SAME THING. 602 00:20:25,000 --> 00:20:27,000 NOT THE SAME THING-- 603 00:20:27,000 --> 00:20:29,467 ONE THING POTENTIALLY LEADING TO THE OTHER THING. 604 00:20:29,467 --> 00:20:31,334 I'M SAYING IT'S NEVER GOING TO HAPPEN. 605 00:20:31,334 --> 00:20:32,968 AND THAT'S WHAT SCARES ME. 606 00:20:32,968 --> 00:20:34,501 YOU CAN'T ADMIT IT'S POSSIBLE. 607 00:20:34,501 --> 00:20:35,534 BECAUSE THAT'S NOT A POSSIBILITY. 608 00:20:35,534 --> 00:20:37,567 IT COULD NOT HAPPEN. 609 00:20:37,567 --> 00:20:40,534 TWICE A WEEK, I'LL GET UP 45 MINUTES EARLIER 610 00:20:40,534 --> 00:20:43,300 SO I CAN GO GRAB A CAPPUCCINO WITH SOMEBODY? 611 00:20:43,300 --> 00:20:46,267 THEN I TELL YOU I'M GOING TO WORK, 612 00:20:46,267 --> 00:20:48,400 BUT REALLY, I'M GOING TO CHECK INTO A HOTEL 613 00:20:48,400 --> 00:20:50,334 UNDER AN ASSUMED NAME? 614 00:20:50,334 --> 00:20:52,133 I'LL GET THE MAIL FIRST 615 00:20:52,133 --> 00:20:54,400 SO YOU DON'T SEE THE BILL? 616 00:20:54,400 --> 00:20:57,133 I'LL START SHOWERING IN THE MIDDLE OF THE DAY 617 00:20:57,133 --> 00:21:00,400 SO I DON'T SMELL LIKE HER WHEN I COME HOME? 618 00:21:00,400 --> 00:21:03,133 THEN I'LL HAVE LONG DINNERS OUT IN QUEENS 619 00:21:03,133 --> 00:21:05,400 IN SOMEPLACE WHERE NOBODY RECOGNIZES US. 620 00:21:05,400 --> 00:21:08,834 THEN I'LL START CALLING YOU FROM HER PLACE AT NIGHT 621 00:21:08,834 --> 00:21:12,200 AND SAY, "HONEY, DON'T WAIT UP FOR ME TONIGHT 622 00:21:12,200 --> 00:21:15,834 BECAUSE I'M GOING TO BE WORKING LATE WITH THE LADY IN THE OFFICE." 623 00:21:15,834 --> 00:21:17,100 O.K. IT'S POSSIBLE. 624 00:21:17,100 --> 00:21:19,100 O.K. THANK YOU. 625 00:21:19,100 --> 00:21:20,200 WHAT? 626 00:21:20,200 --> 00:21:21,167 REALLY. 627 00:21:21,167 --> 00:21:22,634 THANK YOU. 628 00:21:22,634 --> 00:21:24,567 THAT'S ALL I WANTED TO HEAR. 629 00:21:24,567 --> 00:21:26,601 WELL, THERE IT IS. YOU GOT IT, O.K.? 630 00:21:26,601 --> 00:21:28,200 THERE IT IS. 631 00:21:30,367 --> 00:21:32,601 NOW YOU CAN SAY THE OTHER PART. 632 00:21:32,601 --> 00:21:34,300 WHAT OTHER PART? 633 00:21:34,300 --> 00:21:35,701 THE PART YOU WANTED TO SAY. 634 00:21:35,701 --> 00:21:37,133 IT'S SAFE TO SAY THAT. 635 00:21:37,133 --> 00:21:38,834 I WANT YOU TO SAY IT. 636 00:21:38,834 --> 00:21:40,133 HOW IT'LL NEVER HAPPEN TO US? 637 00:21:40,133 --> 00:21:42,167 YES. 638 00:21:42,167 --> 00:21:45,801 IT WILL NEVER HAPPEN TO US. 639 00:21:45,801 --> 00:21:47,801 YOU'RE RIGHT. 640 00:21:47,801 --> 00:21:51,234 IT'S NEVER GOING TO HAPPEN TO US. 641 00:21:58,634 --> 00:22:00,701 JUST WHAT I WAS SAYING IN THE FIRST PLACE. 642 00:22:00,751 --> 00:22:05,301 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 41648

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