All language subtitles for Mad About You s02e10 a Wrap.eng

- Hey there.
- Hey. Finally made it.

- Where's Fran?
- She's in the ladies' room...

...changing her mascara
for the third time.

Was she crying again?

Man, she's got a lot
of water inside her head.

Be nice, she just got
her divorce papers.

- We know, we know.
- We know, we know.

- Hi.
- Hi. How are you?

I'm good.
This is good.

- I'll be fine.
- You will. You really, really will.

Aye, to think you and me
could be married.

- You and I.
- Aye.

Would you stop making such a big
deal out of it? So she cried a little.

No, no, no, Fran was not crying,
she was wailing.

- There's a big difference.
- No one heard her.

No one heard...?
The actors were distracted.

That's right, Jerry Orbach
gave me the finger.

You didn't see that?
This play didn't bother you?

No, I liked it.

Then the other guy...
I don't get that. What's that?

He's a constable
in the Irish countryside.

Why does he have
a French accent?

- It was a good accent.
- Lf you're in France, it's a good accent.

- This guy was not in France.
- Hi, doggy.

I'm starving.
You want a sandwich?

Doggy needs to go out.

Well, person needs
to have tuna fish.

Ten minutes for tuna fish,
then you.

We must find the road to Dublin.
The road to...

What the hell was that?

You know what,
that was a bad accent.

- What did I say?
- It's bothering me now.

I know. And a little thing like that,
it ruins the whole thing for me.

It's like at work today, Lou wants
me to cut three minutes of the film.

For him, it's no big deal,
it's three minutes.

But to me, once you take that out,
everything afterwards is... What?

- You're very cute.
- What?

You get so upset.

- That amuses you?
- No.

You're amused I'm upset?
That entertains you?

- No. No. No.
- It's a big joke to you?

I think it's great that
you care so much.

Of course I care.
Look, it's my work.

I never cared that
much about my work.

Sure you did. Every night
you came home, you were upset.

Because I was
working with idiots.

Well, so now you quit.
You're free.

There are more idiots out there.
Look at this.

What is that?

It's from Chapin, Baxter,
Chapin & Chapin.

God. I can't believe
these guys rejected me.

- Are you looking for another job?
- No.

So why would they reject you?
Just in case you were wondering?

They can't even write
a decent rejection letter.

Like when you break up
with someone...

You don't tell them the truth.
"You're not good in bed."

You say, "I need some time,"
and "I'm not sure"...

...then you let it fizzle out
like an Alka-Seltzer.

I understand.
Meanwhile, you promised...

...you were going to take
some time off.

Eventually, I have to go back to work.

Eventually... Okay, but you don't have
to do something that you hate.

Yes, I do. I'm a suit,
a corporate Sally.

You're a corporate Sally,
so you know what? Don't be.

- Easy for you to say.
- What? All right. Come here.

Say we had
a million dollars...

...and you didn't have to worry
about food or rent or anything.

We don't have a million dollars.

I made that part up.
But the rest is all true.

- Say you could do anything...
- What do you mean?

- You know, wildest dreams.
- Join the circus?

- You wanna join the circus?
- No, not really.

- So why are you bothering me?
- You're bothering me!

I'm 30 years old. There are
certain doors that are closed.

They're not closed. If you want
to stop yourself, that's fine.

But I'm saying you should do
whatever you wanna do.

- Really?
- Yeah. Check with me first...

...but otherwise, yeah.

I don't even know what I'd do.
I'm not gonna swim in the Olympics.

I'm never gonna dance
with Baryshnikov.

I forgot to tell you,
he called today.

This isn't funny. You have
something you love to do. I don't.

We'll find something you love.

And then, whatever you
want to try, try.

You're bothering me.
You're pressuring me.

I'm not pressuring you.
I'm offering you the luxury.

Just pick whatever it is that
would tickle your little heart.

I have nothing that
tickles my little heart.

All right.

- Can I ask one more question?
- What?

Is this still good?

One, one thousand, two, one thousand,
three, one thousand...

I get it, Lou. I get it.

And that's just three seconds.
Imagine 180 seconds.

The montage is too long.

But you know what?
I like it. I'm leaving it in.

- It's too long.
- Lou, the line.

Sorry.

I'm leaving it in.

Hitchcock sometimes would have
a montage seven minutes long.

And where is Hitchcock today?

Nickelodeon.

After Superman, before Dragnet,
can't miss it.

- Hello.
- Hi, Jamie.

- What are you doing here?
- I had lunch with Fran.

- I thought I'd bring you a sandwich.
- Aren't you a nice person?

- Who's Fran?
- A friend of ours.

She's going through a divorce.

- Tragic.
- How's she doing today?

She's better, except for this
brief crying jag during dessert.

Something about reminding her
of the way Mark proposed.

Do you know, I once had a friend...
Okay, it was me.

I wanted to propose
to this very nice girl...

...so I took her to dinner and
slipped the ring into her dessert.

How romantic.

Unfortunately,
she swallowed the thing...

...cut a hole in her trachea
about yay long.

- That's terrible.
- Yeah.

Coffee?

I'll have a cup
with a little milk.

Great. I'll get it. Won't be long.
I'll be back in under a minute.

- One, one thousand, two...
- All right, all right, I get it.

If Lou asks, you love
long montages.

You love long montages.

Just say that after me.
You love long montages.

- Lou's single, isn't he?
- You're not supposed to say that.

- Do you think Fran would like him?
- No.

Let's go out to dinner,
just the four of us.

- Listen to me. No.
- Hey, she's my best friend.

Then do her a favor.

A social thing would really
boost her confidence.

A social thing? You know,
you're a funny individual.

I tell you you should
do anything you want...

...that's what you come up with?
Lou and Fran?

I'm warming up. Her life
is easier to fix than mine.

Fine. Even if we did,
why would we have to be there?

Because first dates
are very awkward.

Yeah, right. So who
wants to watch that?

You're being very difficult.

I'm not. I don't even know if Lou
would be interested in Fran.

- For all I know, I think Lou is gay.
- I'm not gay.

Fran's the one
who's separated, right?

- Yeah.
- I'll go out with her. I want to.

- John Goodman.
- Yeah.

- Mick Jagger.
- Mick Jagger still?

- In a second.
- Wow. Okay, that's two.

And... Joe Namath.

You wanna sleep
with Joe Namath?

Only because it would
make Mark dive off a bridge.

- Your turn.
- Okay. Well, Bruce Springsteen.

Tom Brokaw. I know.

- Yannick Noah.
- Who's that?

- The tennis player.
- No.

This gorgeous, black...

...sweater that I think would
look so good with that.

Talking about clothes,
there's a big surprise.

- What?
- You just know us so well.

Well, Lou's gonna be here
any second.

The screening's been
over 20 minutes.

- Who's he screening?
- They're screening Paul's film.

- That's good.
- Well, we'll see if it's good.

There he is.
Lou. Over here.

Fran, Lou.
Lou Bonaparte.

No relation.

- Nice to meet you.
- Look. Chairs.

So, Lou, Lou, what did they say?
Did they like it?

- I don't know.
- What do you mean you don't know?

They made me leave.
Said I was hovering. I hover.

While you were hovering, did you get
an impression that they liked it?

- I don't know.
- Come on, guys, let's order.

- Thank you.
- What are you getting?

- Ziti is what?
- Tubes.

I'm gonna get the nice,
juicy slab of prime rib.

- We're playing racquetball later.
- That's later.

Did you know that in 10 ounces
of meat, two ounces are blood?

I'm torn. I'm torn between
the chicken and the trout.

Incidentally, that was my favorite
story growing up:

The Chicken and the Trout.

- You get trout, I'll get chicken.
- That's why you're smart.

- Okay, how are you doing?
- Good.

- Good. Are you ready?
- I think so. Ladies?

I'll have the prime rib.

And is there any way that
I could get half a dinner salad?

What do you mean, like, half?

- Yes.
- I'll see if they can make that.

Also, I don't have a napkin.

- Do you want one?
- No.

I just don't understand how long it
takes them to watch a one-hour movie.

Why don't they just call?

So, Lou, Paul tells me that you
were valedictorian at Amherst.

You said that?
That's sweet.

Yes, four years
of business school.

- Me too.
- And I was also on the tumbling team.

- How did you get into producing?
- Well, first I became an accountant.

Which, you know, would follow
straight into producing.

Like, "How did you
become an astronaut?"

"Well, I taught volleyball."

So, just like that,
you just changed careers?

- Yes, it was time.
- God, that's great.

- Why's that great?
- You wouldn't understand.

- Why wouldn't I?
- Because you're lucky.

You've always known
what you wanted to do.

Okay.

Wait. What is this?

That's the Fisherman's Platter.

- We didn't order this.
- Are you table 14?

We just don't know.

That's them, that's them.
Everybody:

Hello. It's Avery.

- Avery? That's Cinegroup.
- I bet they loved it.

- This is great.
- Tell me.

- The connection's like a bell.
- Give me the phone, please.

Avery? Hi, it's Paul.

What did you think of the film?

Great. Well, good,
I liked that too.

- What did you think of the montage?
- Paul.

- In the middle there?
- Paul.

- Right after the cabby sequence.
- Paul! I cut it.

I'm gonna call you right back.
What? You cut it?

I told you I thought it was too long.
Three minutes for a montage.

- You cut my film?
- Honey.

- What the hell is that?
- I'm the producer.

You're an accountant and a tumbler.
You're a tumbling accountant.

- Could I talk to you?
- No, you can't...

- Please.
- What are you doing?

Please, don't do this.

- He cut my film.
- I know you're upset, I understand.

But you don't have to ruin
the whole evening.

Is this The Dating Game?
My evening's shot.

I know how you feel.

No, you don't. This would be like
if somebody took your...

I don't know. Somebody ruined
something that you had.

God, you see that?
I don't have a thing.

I don't have a thing for you
to make a stupid analogy for.

We'll get you a thing, okay?

- Meanwhile, he screwed up my thing.
- I know. I feel terrible.

You know what I wanna do?
I just wanna...

- What?
- What do I wanna do?

I wanna, you know, just...

See, I'm not violent.
That's my problem.

Hi. Table for two?

- We're from there.
- Okay.

You know what he is? He's a
phone-toting, plaid pant-wearing...

...film-cutting, backstabbing
son of a bitch.

Do you think he liked Fran?

- I don't think you're listening to me.
- Try to calm down.

I won't calm down.
I had a deal with Lou. He broke it.

- Okay, be angrier.
- How would you like it?

Say you had a dress you really loved,
and Lou comes up and rips the dress.

- How would you feel?
- It's a dress.

- You didn't make that dress.
- How do you know? I've got free time.

Maybe that's something
I should do. I'm good with clothes.

Can we finish with me first?

I worked my ass off on that film,
and he comes in and he ruins it.

Maybe three minutes
won't make that much difference.

Why don't they cut off the last
three minutes of Citizen Kane?

Gee, that would be
a nice movie then, huh?

Would you like cinnamon toast?

No, because I can't vent
if I have toast in my mouth.

- I'll make us some.
- Know what it is with Lou?

He's nice, he's sweet. Then suddenly,
he's not so nice, he's not so sweet.

I'll make you such yummy toast,
you won't know what to do.

- I don't want toast.
- You love cinnamon toast.

- I'm too angry.
- Why don't you do something?

- L... What?
- Fix it.

Fix what? I don't even have it.
They have it.

- Who?
- Who? Cinegroup.

Well, steal it back.

Good idea.
That's what I'll do.

- I'll sneak into a building, I'll be a thief.
- It's your film.

- I know.
- So?

So what? I'm not a thief.
I can't, you know.

Remember when they
sent us two TV Guides?

- You couldn't live with it.
- Couldn't live with it. I can't.

I don't know what...
I don't have the stomach to steal.

- Call Ira.
- Call Ira. That's a good idea.

Just call Ira.
Ira, that's a good idea.

- Let me do the talking.
- I'll be quiet.

- Good.
- I won't say a word.

Perfect.

What if he wants to know
why I'm being so quiet?

He's a security guard.

A lot of times, these guys
used to be cops.

Pauly, we're doing this for you.

I don't want you to crumble
like you did that time at the A&P.

You were the one
who made me steal.

I didn't even want
a Charleston Chew.

- Building's closed.
- All right.

No, no. Look.

We're just going down
to the vault to grab a film.

- The building's closed.
- Building's closed.

Wait, wait, wait.

- Excuse me, do you know who this is?
- No.

This is the man that made the film
New York at Night. All right?

Cinegroup produced it.
He's gotta go get it.

- You got a pass?
- A pass? A pass?

A pass? No.

But the guy, what's his name,
told us to come get the film.

- Who?
- Who?

- Who?
- Who? The guy. What's his name.

I had lunch with him today.
He gave me his card.

The president of the company.
The president of the company.

- His name!
- Oh, Avery.

Avery. Avery.

I don't know anything about it.

Ah, jeez. How could
he not notify security?

That's what I'd like to know.
They think we're psychic down here.

I mean, they expect us to know.
We don't know. I don't know.

That really, really sucks.
That's unfair to you, isn't it?

- Yes, it is.
- You said it.

I'm gonna wake Avery up right now.
I'm gonna call him and tell him.

- I wouldn't do that.
- No, it's his fault.

Why should this poor man
be put on the spot?

What's that fat slob's number?

Hold it. Mr. Avery is not fat.

He doesn't mean fat. He says fat
in the sense of fatness of mind.

In that he's complacent or unthinking.

Here's $20.

Careful getting on
the elevator, sir.

Thank you, and may I say that you
are a credit to your badge, Bob.

Well, thank you very much,
Mr. Mantle.

- 21-6, 21-7, 11-0.
- You were great, James.

11-0 twice.
I shut you out twice.

You're a great racquetball player.

- I don't even play that much.
- You want a brownie?

No. If I were to play for, like,
three or four hours every day...

...I'd be fantastic!

Why would you want to play
for three or four hours a day?

- Because I like it.
- Yeah, but if you played it that much...

...you'd get sick of it.

Maybe I should join the pro tour.

The pro racquetball tour?

Well, they have
a pro bowling tour, right?

That's what you wanna do
with your life?

Whack some little ball
around a room?

Well, what else am I going to do?

I'm sick of sitting around
doing nothing with my life.

- You're not doing nothing with your life.
- Well, it feels like I am.

Don't you want to have kids?

- That's something completely different.
- It's great.

I mean, I know it's hard and
it's painful and it's aggravating...

...but you're gonna love it.

It's just like being married,
only they don't leave you so fast.

Fran, I am not ready for that.

You're sure there's no such thing
as a pro racquetball tour?

- Have a brownie.
- I'm an athlete.

You're not an athlete.
You're 30 years old.

You're just trying
to figure out the next 30.

Oh, my God.
These are unbelievable.

We should go into business
and sell these.

Sell them to who,
the place we bought them from?

We could make them with walnuts.

They have them with walnuts.

It's not fair. All the good careers
are taken.

Here we go.
Put back the montage.

Now we got a perfect film.

Pauly, whatever happened
to that film you got...

...of Fran and Jamie
at Jones Beach...

...smearing lotion
all over each other?

- You're a sick person, you know that?
- Well, you filmed it.

I filmed it, yeah, yeah,
but you remembered.

- Hey.
- Hi.

- You're up already?
- No, still.

- How did it go?
- Great.

I got in. I changed it.
I got out.

Good for you.

Yeah, well, I'm a felon now,
but I feel better.

- What's all this?
- It's my old college stuff.

- How come?
- I think I've decided what I want to do.

Well, all right.

"New Haven, by Jamie Stemple."
What is this?

It's either a short story
or a novel I couldn't finish.

- Since when?
- Freshman year. I got a D on it.

Ouch, that ain't right.
Nobody gives my wife a D.

It's all right.
She's dead now.

But I really want you
to read it.

I would love to read this.

This is just a first draft.
There's a million things wrong with it.

I'd just turned 18 and I was obsessed
with this idea of driving at night.

I'm gonna take that out.

Basically, it's the story
of this girl named Evelyn...

...but she's called Debbie
on a couple of pages.

And the first paragraph
is wildly, wildly long.

But that's okay,
I know how to fix that.

You know, you seem tired.
I'm gonna put this back.

- Well, I liked what I saw.
- It's not important.

You just said
it's what you want to do.

If you'd come home 20 minutes earlier,
I was gonna be a silversmith.

Sorry I missed that one.

Look at this. This is freshman year,
first semester.

Creative Writing:
Fiction of Loss and Love.

In four years, I had two majors
and seven boyfriends.

- Wow. You were busy.
- I was so passionate.

- I was interested in everything.
- And everybody.

I wanna go back to school.

- You kidding?
- No, I'm not kidding.

I think about it all the time. And then
I just convince myself I'm crazy.

- Tell me I'm not crazy.
- No, no, no, you're not crazy.

You know, you're always
saying, "You only live once."

Yeah, well, I got that from my parents.
I don't really know what it means.

I need to find something that
I love as much as I love you.

- Do it.
- It's gonna cost a lot of money.

- It's all right, we'll handle it.
- How?

Well, you'll get
a basketball scholarship.

Listen to me.
This is a life decision here.

- So it's made.
- What if it's the wrong decision?

- We made it together.
- No, listen to me right now.

I'm gonna be just as busy
and obsessive...

...and crazed as I was
when I was working...

...but I won't be making any money.

- It's okay. Will you be happy?
- Yes. I really think yes.

Okay. Then... Because if you're happy,
I'm happy. That's the deal.

- Are you sure?
- Yeah.

Well, you know, sure as a person
like me could be.

Thank you.

Listen, and how many married men
get to sleep with a pretty college girl?

I love you.

Baby, I'm the greatest.

Lou, what do you mean
you changed the credits?

No, I just wanna have a blank screen,
and the names go by.

I know people like
the thing at the end there...

...but it's distracting.

They can't watch the names
if you have all the things...

Here's what you do.
Lou, you're killing me.

Try this. Lou? Show the guy
on the phone, all right?

Then you have the sound
of the racetrack, the hand...

...and then the stupid horse
with the wings.

That'll work.

Repair and Synchronization by
Easy Subtitles Synchronizer 1.0.0.0