All language subtitles for Environment_06

Hello and welcome to the next session.

So let's continue setting up our stuff here.

So we have the interior pretty much like

Well,

let's say as perfect as we as we can go for now.

And one thing that I want to do here is

I wanna.

Fix this guy.

And I think I will get rid of all the lights in here.

At least I will just like turn them off for now.

and then,

I'll have a look.

Materia here because he can see that we actually
do have some in missives here.

And let's just assume. This is most likely the
brightness.

So let's just see what we get when we start
cranking this up and this is perfect,

this is what we want.

And again, like this jukebox is probably glowing
a lot more.

So I kind of need to

See here. How much we want to push it.

Kind of think this is probably good enough.

I don't want it to be too bright, too.

One out.

And one of the beautiful things here again,

is that

We go to lighting only. We do actually get some
light from this.

Now we may want more.

We're

not yet entirely sure here.

So I'm going to do is we're going to select this.

I'm going to search for.

A missive,

I'll make this an emissive light source and just
make sure so it's like a stable as possible.

now,

what I will be doing is I will

turn some of these lights back on here.

Because I kind of want to want to know

what is actually happening.

What are they doing?

Because

Adam on the one hand, here might actually be
be needed in a good way.

So I think the ones that we will not turn on other
ones on the outside

here because this is something that we're going
to get from this.

So let's have this back on.

And

I definitely don't.

Like the shadow casting in here.

I will.

That's because of the screen less resolution of
my left screen here,

but I will increase the radius a bit. So now we
can see,

it's at least like getting getting softer here.

look like,

I think that's going to be, all right?

so,

Judging by all these values here.

Let's just see.

Honestly with this exposure like probably
something like this makes a lot more sense.

Let's reduce it a little bit.

I think this is sort of like,

a bit more of the ballpark when I reduce it
slightly,

because this is

Yeah.

I'm going to take this rectangular light here.

and this one is just like a nice little

floor highlight like this.

And this like this needs a little bit like time to to
get used to to work like this with Dyke,

these values blowing out this much and stuff.

It's something that feels at.

Little bit counterintuitive but you can see how it
really starts.

Tying all the things together.

so,

it is

not something that makes it feel too much out of
place.

But again, it can totally also be tweaked based
on taste.

So

I just think like this, it's kind of like a little bit
lacking,

but we can for now keep it like this.

Will be interesting though, too.

Just quickly check.

If we can find some cool references for this.

Just to get like an idea of how bright are they
usually? And how does it feel?

Because here you can see.

This is what it looks like during day.

So there we get the colors.

So during night we can like that during night but
during like artificial lighting,

we can see that. Okay. This is not very bright
here.

So, it is actually not that blown out based on
what I can see here.

So let's be,

let's be mindful about that.

And

cool.

So we have this now then

I just really feel like here should be more.

Something like this.

I just think like it, like, it just looks better.

So again like this is just like purely based on my
feel.

I do think that

So here we have obviously the bar lights.

So I think that I'm going to just move this over a
bit.

so, this is going to be like,

Sort of a door light here.

Just going to clean these up a little bit here.

That is so good.

Session.

So what I kind of want to try as if it's possible for
me to remove one here.

And then just space them out a bit better.

Maybe like this.

So now, the cool thing is we also hit her better
now.

So this is kind of like helping us as well.

However here.

I am.

It conflict that because like if I look at the
reference there's like a lot of

like more specialized lights here in the sort of
like the counter area.

And I just, I'm just thinking if there's anything.

That we could sort of do with this.

yeah, and we do not really have any other
meshes,

so,

What I would like to try is something different.

Let's take this guy here.

Let's duplicate it.

just,

It.

Small.

Now.

Let's have a look at this thing here.

The first thing that I'm going to do is I'm going to
hit browse and then I'm gonna

Replace this with the small version,

which doesn't really do anything,

but this fine. So we're going to do is I'm going to
delete these here.

All right.

And in case I like anyone is like wondering like
what all the noise and all that kind of stuff.

So,

I have to say that there are a lot of these type of
issues with Lumen were

like if I go in here you can see like I have the
quality pretty high.

Using the ray tracing again,

because it just like really killed my performance
in the scene, which is not using nanite much.

So I have the quality quite High here. I do have
the quality quite High here.

This is just like

This is what it is.

Like there might be a bunch of like console
commands and like stuff like that,

but it's just,

it makes it a lot more expensive as well. So this
is just what we have to deal with right now.

And there are some of the solutions here which
is basically

be like changed the roughness values of the
material.

To to be less noisy.

So like you can see that it's better here on the
ceiling and there might

just be like a tiny little difference in the, in the
roughness.

So,

I actually know to be honest but like could be
could be this one.

So like if we look here at the roughness
multiplier

I have no idea which way it goes.

Okay,

so 1.5

Too.

So like you know now it's like it's definitely a lot
cleaner but

it also looks like significantly different. Well of
course,

So this is just a trade-off here.

And again,

this can be done based on taste.

So let's look at this light here.

So, one thing that I want to do is I want to scale
this down.

Maybe to 0.25.

So, this could be cool.

Okay.

Then.

Let's go in here and try to be slow because now
that we get so close to this all changes here.

So here we got our Spotlight and so there's one
reason also

why I moved the spotlight down because first of
all,

you can see how the police are only one-sided.

So if I move the light behind this,

it will not really create Shadow casting issues
because

the light will basically just shine through it.

So why did I move it?

The reason for that is over here.

We can see that there's a bit of volumetric cone
and The volumetric Cone.

If I move the light here,

it's going to look like really awkward.

Because what's basically going to happen is if I
just

Take a snip here.

Or not

second.

So, if I take a snip here, right?

So if the light is here,

then the angle of the light will kind of like be like
this

and this is what develop metrics will look like.

And this kind of weird because the light is
actually here.

So if I move the light up here then the angle will
hit more like this and that

way develop metrics are connecting to the
actual emissive shape.

So that is one of the reasons why I moved it a
little bit behind.

And now we obviously have scaled this. So we
need to change this a bit here.

Let's just wait for the autosave.

Okey-dokey.

So let's take this,

make it so we see it here.

So I'm going to like move this

and you'll see that. Now,

the cone for the volumetrics is connecting
differently.

For this. Now it's actually quite fine to just leave
it like this.

However, what's not fine is? I was supposed
radius is way too big.

Wrong thing.

So let's scale this down,

put it more in line with what we have here.

So now we have this thing here.

And what I want to do is I want to have a lot
more of these.

And I also feel like let's try and make this not as
warm.

So,

what I'm going to do is I'm actually going to go
with like maybe 4,500

And now you can see it is actually not cool. It is
still in the warn range for the color,

but it feels totally like it's a lot cooler because
it's the contrast to all the other colors.

So now let's kind of move this here

and then I'm going to turn on the snapping and I
have no idea what's going to happen.

So let's just try.

Hey and this is actually beautiful.

So let's do this.

Oops.

Let's just give some light to this stuff here.

I think this is kind of like enough.

I can see we're getting some really nice,

nice blue here from this

I'm going to select all these.

Well,

not this.

and what I'm going to do is,

just gonna

Copy them,

once more.

And let's see what happens if we copy down one
more time.

And this is actually not super bad.

So one cool thing that we can do now. So let's
leave this for.

Now we can always delete this and we will also
tweak the settings here.

But one thing that we can do is

I have a sequence here,

which is this one.

So I'm just going to open this

and this will make the characters snap into
Position here.

And now we've actually lost quite a bit of that
lighting.

And it does look really awkward.

so,

what I will do is

I will.

Take this.

And I will probably just like move her slightly.

So

Just,

let's see here.

And then we'll just move this guy away.

So this will just like, help us a lot here.

Because again, like when we have stuff like this,

we just need to make sure that we put the
characters properly into the sea.

So, now, our performance has started tanking as
well,

and that is Because all these lights.

They do a lot of stuff here.

So the first thing that we're going to do is

we're going to try and limit this of it here.

So, let's go here and do like 200.

And it hasn't really changed so much down here,
but we're basically just really limiting. Now,

the radius of these

So you can see that this way like not much is
happening here,

which is kind of, like not what we want.

But what we'll do is we're going to start
expanding this.

Into something that I will call like the sweet spot
here.

Which is probably going to be around here.

As we are.

Too low here once. See?

Okay,

so definitely want to hit these.

so, what now,

what I'm actually thinking is

I think I want to delete.

Let's roll just to save like some performance as
well.

And this is looking weird.

So we will move these a bit

and this is also like a thing, right?

Where

it's always a little bit, like,

Something you have to figure out how you want
to do it properly.

so,

we could

Actually, let's do something way different.

Let's do one of the

most done things in the games industry.

Will copy this.

Why do we not see the light here?

Because usually you see the light.

And then you can just turn it off here.

This is interesting.

Anyways,

I'm just going to create

another duplicate and I'm lazy.

So like I just created duplicate so I can have the

Sizes,

and all that and place like

off.

and,

I will replace.

This one.

With the ceiling light off, when I open the ceiling
light off and I will turn this one off.

So, now what I'm doing is I'm basically just
having a basically,

a mesh version here that doesn't actually have
the light.

And it also doesn't have the volumetrics of
course.

However, we do get quite some, some good
density here.

So I would argue that,

there's not necessarily a real problem here.

So if you look at it like this, it doesn't really feel
like something's missing at all.

so,

what I'm going to do now is

I'm gonna select my mesh here.

I'm going to browse for the emissive.

I'm duplicating it here.

just call it, like,

Small lamp.

Oh,

all right.

And I'm going to make this more like like this.

So this is probably more like the 4500 K that we
had.

Let's apply this here.

so now,

I can see that.

We also just have something that looks a bit like

different in the way it glows.

Let's save all this.

All right.

Just boosted this a little bit.

and I'm actually thinking about also,

Making the spotlight a little bit brighter.

so, I increase it from 400 to 800,

Because the reason why I'm doing this, is that
you can see how these lights here.

Like adding soft like Ambience.

But also here,

this is kind of like this is the counter, right?

So here you want that,

it stands out. It's like she can be seen as
someone who's there for you.

So these areas are usually a lot more well-lit and
a lot more neutral.

And also a really important thing is

They're making the food here,

right?

So there's a lot that has to happen here where
you kind of want to see what you're doing.

So that is usually how this works.

I will reduce the volumetrics a little bit on this
one here.

You can see, I cranked it a lot and the reason for
that is is because I wanted to have overall.

Like it didn't want to alter the volumetric fuck
globally as to have this really,

really Smoky or thick in here.

I just like one or two to touch this more.

on a how I want this to feel like base so this is a
good way of doing it is it's

just like altering develop metrics scattering in
here so you don't have to

basically make this like super foggy because like
you

can see like here I'm running the default
Extinction.

So if I would put this to like 10 like, yeah, cool.

Will we get all this right?

But it's kind of like not really what we want.

It kind of looks like cheap as well.

So this is one of the things that I feel like it's
really important. Generally speaking.

It's like when you when you do you things like
be subtle

about the the stuff that Use don't do like too
much.

This is like something that I see so many times
and is sort of like a classic beginner mistake.

That stuff is like dung like too much and not
when

it actually really hits with like the proper feel.

So I just opened this one here as well to Hanging
one. And I'm going to adjust the volumetric,

scattering, a little bit here as well to just give it
a bit more so let's see.

So we can see it just like adds a little bit in here.

It's not like super in your face.

So I really kind of start liking this.

Let's see. How does our dude? Look over here.

So he looks well-lit and he Blends in.

So one thing that is a little bit off here for me as
an artist just like the Flexion Fidelity with Lumen

is not always the best especially when it comes
to mirror like reflection. And you can see,

he does have a little bit of a thing in his eye.

But we can also see like

It is not as cinematic as it could be. Even though
it like I mean this looks good.

Like this does not look drawing or misplaced or
like anything.

But like if we would want this to be just a tiny
little bit more cinematic,

we would actually need to fake light. It there
there is no,

no, no way around it.

And and so this would be perfectly fine for like
gameplay.

Like for gameplay, this dude looks good,

but like for a cinema,

Like,

you would definitely.

Like to do do more right?

And that could be like a whatever light source
you want to have here.

so, it catches be like,

Something, where are you?

Go in.

I need to get rid of this.

So now you can see how he already has this
better highlights on his eyes and of course,

this looks like really bad so that's not what you
going to do.

So are you going to do? Is we kind of like create
a sort of like more soft version of this, right?

We're we're trying to to figure out

how to properly light the man in a way that does
not look too offensive.

And then, of course, we have the thing where it
like,

this looks already so much better

and we have some more specula interaction
here.

Probably need to like,

move this a bit and then one of the most crucial
things as we need to match.

Color to because otherwise it's going to just
look so fake.

So I think we were 2,700.

So now if we have this, right? Like, of course,
it's doing quite something,

but it also doesn't really feel out of place,

right? It just doesn't feel too bad and this way
our character,

She gets like a lot more.

Interaction here. That that kind of works.

So if I were to,

I don't know,

just take this thing.

And go in here.

Sorry this, of course.

It's like trying to frame the man.

So this could actually work and again we don't
have anything from the outside right now,

so that's totally like lacking but also one
important thing here,

if like a lot of these characters shots are often
done with like completely different lenses.

So probably like, more like something like this.

and you can see how that actually,

kind of works pretty well,

especially with like a nice

Stuff like this.

So we could hike. You know,

he could put could be arguing here.

With someone.

And this does look really nice, right?

We could also now go into our rectangular light
and now that we're off the thing,

we could also be like more creative potentially
with our area light here,

right? So, we could do something more like this
or we could actually change the color here.

So this is totally something. Now,

the skin is a little bit more natural and this is
what they do in movies, right?

They do light shots like this.

And if you would go out of the camera,

you would see this.

And you would see that.

It does not really match the scene anymore, but
this is just what they do for movies, right?

So

there's absolutely nothing wrong with doing
something like this and you See

that of course we are getting something rather
nice like nice soft Shadows.

Like everything just looks kind of good here.

So

I'd say that this is a great shot to be honest and
because it is we will just keep it

I so,

but let's just take the light here and turn it off.

So, one thing that we need to do as well as.

So we have these values all done here, right?

So,

now what we need to do is we need to also look
at our exteriors here

because we can see that. Yeah,

this is not really flying yet.

A curious. Are these the same?

They?

Kinda seem like it.

So I'm just gonna

this is probably just going to be read,

so which is going to do that.

Just give it a go red, one,

and Siro, and Siro.

And based on the other one,

we had 5,000 emissive.

And here we are definitely having some issues
with the

with the downscaling.

But this is good.

And while we're at it,

we actually gonna go and do the same thing to
our beautiful gas.

Station.

So and you may ask now, why does this kick and
quite a bit more than this?

And that is because the bright colors they do.

Sort of like hit more like when a color is more
saturated like red and blue and stuff,

like it actually becomes like perceptively darker.

Or not only perceptively but it just like it's sort of
like has a darkening effect.

so,

You probably don't need to to have the same
exact intensities.

As the other one.

So, let's do.

sorry, I'm just doing this off-screen right now,

but just setting like 4,000 here

and

Let's see how much we want.

I think 3000 is probably like nice.

Whoops.

So and then we do it for the other one. Which is
this? The flickering version?

So, let's save this.

So, we got this.

Then we also have this beautiful.

Neon sign here.

which also,

We need to see that is the green one.

Okay,

so let's see how much we do here.

4000 on that one.

4000, and that one that actually does look pretty
good.

And we can again see the beauty of lumen here.

So this is completely just the Lumen emissive,
lighting hitting it off.

We're getting some pretty good, like indirect
Shadows here like,

I, this is just insane. I, I wish we would have That
stuff like this back in the day.

Then let's look at this guy here.

So why is the ceiling light off? Is there one that
is on?

Let's have a look here.

So there is a non material but they are all not
using this.

Let's do this quickly.

Let's go into the light here.

and then I have the

on material.

which,

Is also too dark but that's fine. So let's open this
one.

Give this some power here.

Which is actually quite insane because you can
see

how this is already kind of doing some stuff
here.

So I don't want this to be warm at all.

I want this to be on the cool side of things.

Sort of like this.

And then what we will do is we will go into the
blueprint here again.

and we're going to add a

Wrecked light.

There we go.

and,

I'm gonna.

This is interesting.

Is it to unitless this is like because I just saw this
value of 5000,

I was like that is very uncommon so it can see
here that apparently when I added via the

blueprint and I didn't know that but I just noticed
you need

to switch it because it spawns as a unitless
slide.

So

Going to make this rather bright for now.

And then I think this is the right rotation here.

So now what I kind of want is I want this to
resemble the shape, right?

So I'm going to move this down here.

So I see something

and then we gotta go and move this down like
this and then we

make it long.

Sorry cat was clawing into my leg here for
a second. For some reason,

So, let's do this.

I'm just,

This.

so,

now, what we gotta do, is, we gotta also like
reflect that with our light color,

to a certain degree here,

Hello.

Yeah, sometimes it's just thinking about
something.

And I have these like little hiccups / lags here
but I think it should be

Should be fine in a second.

Or not.

All right here. Back after the crash.

I just had to like fix this again

and

I am making these lights here really, really
bright.

Because if we assume that this would be night
and we would expose this properly,

this is kind of like what we would get.

So if you look at like

Is the gas station. Light stay are actually really
bright.

Because obviously the gas station,

gas station needs to have proper lighting during
the night, so people see what they're doing.

So if we look at this here,

We can see depending on the exposure.

We get a lot of Bloom from these lights here.

Stuff like this is so cool.

I really I really like this.

But you can see that there is a lot of like, of
course,

there are like small gas stations like this to wear.

And again here you see it also depending on the
camera exposure,

you see how the light source is super bright?

But then the actual lighting is not always super
bright.

But you see that?

To make these things look really good.

They need to be

really blown out.

so, that's kind of what we have here,

but I think we And make the rectangular lights a
bit less

intense because we do have the problem here
again.

So in this is like a thing that is a little bit
unfortunate.

Since we do have lighting coming from the
emissive as well.

We basically get like double the lighting to a
certain degree.

So like if I would let's say I turned the emissive
off.

It does remove quite a bit.

So

it is

a bit unfortunate. Sometimes we don't see it that
much now but like it is a bit unfortunate.

So

I will do.

Let's see.

So this is all I miss of lighting, right? So we just
want to compliment this a bit.

So now I'm running, 2500 lumens.

but since these are rectangular lights,

this is actually a lot brighter than 2500 Lumen
and we can't

really do much against this because it's just the
way that

that lumens are are calculated with the
rectangular lights.

So there's sadly not so much that we can do
here.

This looks like the decal Shader is broken.

But yeah, not our concern right now.

So

this is kind of like what we what we have here.

This is like pretty cool our diner.

And obviously what I also kind of want to do

is I want to add some

volumetric scattering here.

Well, maybe not this much.

Maybe.

This much.

So the thing is,

none of this right now,

really matters much because this is not really
the scenario that we're having.

So we're going to fix that.

But first sorry, yeah,

first we're going to just quickly add lights to to
this thing.

so,

I just want to

Make sure that I have everything saved.

I think it did crash before because I had many
many of these windows open here and

every window here is sort of like a viewport, it
like eats up rendering resources.

So make sure that

You always.

Clean up.

The windows are not

cool size. I'm just gonna Purse here.

all right,

and now I'm just going to quickly

add it on the here.

So, add a spotlight.

Good here.

Compile this

And let's set this to Lumen.

Let's set this to something warm again. Maybe
let's do 3,500. Let's see how we like that.

And in our intensity,

just going to set it to this for now.

There we go.

And we need a bit more spread here.

Just going to move this over so I can see better.

I think this is kind of, all right?

And then there's this other lamp here, which is
probably this one.

Let's just add this here.

I'm just going to again,

move this

wrong axis.

This is where we gotta go.

So, for now we'll have this.

And I do think I'm going to make it a little bit less
intense.

Well, like this.

so,

Let's say for this.

and then,

We're going to end the session with this one and
I'm going to look at how we

how we going to utilize this set up with all the
other stuff that we've done.

So,

thank you so much for watching and see you in
the next session.