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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,052 --> 00:00:07,359 >>> LIVE FROM DOWNTOWN LOS ANGELES, IT'S THE 72nd EMMY 2 00:00:07,359 --> 00:00:09,194 AWARDS. PLEASE WELCOME YOUR HOST, JIMMY 3 00:00:09,194 --> 00:00:09,694 KIMMEL! 4 00:00:09,694 --> 00:00:10,195 [ CHEERS AND APPLAUSE ] 5 00:00:10,195 --> 00:00:24,843 ♪ 6 00:00:24,843 --> 00:00:32,250 >> WELL, HELLO, AND WELCOME TO THE PANDEMMYS. 7 00:00:32,250 --> 00:00:34,586 IT'S GREAT TO FINALLY SEE PEOPLE AGAIN. 8 00:00:34,586 --> 00:00:38,189 THANK YOU FOR RISKING EVERYTHING TO BE HERE. 9 00:00:38,189 --> 00:00:41,393 THANK ME FOR RISKING EVERYTHING TO BE HERE. 10 00:00:41,393 --> 00:00:44,062 YOU KNOW WHAT THEY SAY, YOU CAN'T HAVE A VIRUS WITHOUT A 11 00:00:44,062 --> 00:00:47,899 HOST. THE BIG QUESTION I THINK WE SHOULD ANSWER IS WHY WOULD YOU 12 00:00:47,899 --> 00:00:52,871 HAVE AN AWARDS SHOW IN THE MIDDLE OF A PANDEMIC? 13 00:00:52,871 --> 00:00:57,242 SERIOUSLY, I'M ASKING. WHY ARE WE HAVING AN AWARDS SHOW 14 00:00:57,242 --> 00:01:02,380 IN THE MIDDLE OF A PANDEMIC? AND WHAT THE HELL AM I DOING 15 00:01:02,380 --> 00:01:03,782 HERE? THIS IS THE YEAR THEY DECIDE 16 00:01:03,782 --> 00:01:08,253 THEY HAVE TO HAVE A HOST? WHY IS A QUESTION I'VE BEEN 17 00:01:08,253 --> 00:01:13,625 ASKED A LOT THIS WEEK. AND I GET IT, IT MIGHT SEEM 18 00:01:13,625 --> 00:01:17,495 FRIVOLOUS AND UNNECESSARY, BUT YOU KNOW WHAT ELSE SEEMS 19 00:01:17,495 --> 00:01:23,368 FRIVOLOUS AND UNNECESSARY? DOING IT EVERY OTHER YEAR. 20 00:01:23,368 --> 00:01:26,871 WHAT IS HAPPENING TONIGHT IS NOT IMPORTANT. 21 00:01:26,871 --> 00:01:32,177 IT'S NOT GOING TO STOP COVID OR PUT OUT THE FIRES, BUT IT'S FUN. 22 00:01:32,177 --> 00:01:35,180 AND RIGHT NOW, WE NEED FUN. THIS HAS BEEN A MISERABLE YEAR. 23 00:01:35,180 --> 00:01:38,416 IT'S BEEN A YEAR OF DIVISION, 24 00:01:38,416 --> 00:01:44,622 INJUSTICE, DISEASE, ZOOM SCHOOL, DISASTER, AND DEATH. 25 00:01:44,622 --> 00:01:49,828 WE'VE BEEN QUARANTINED AND LOCKED DOWN, CONFINED TO OUR 26 00:01:49,828 --> 00:01:53,732 HOMES LIKE PRISONERS. WHAT DID WE FIND IN THAT DARK 27 00:01:53,732 --> 00:01:58,970 AND LONELY TUNNEL? WE FOUND A FRIEND WHO IS THERE 28 00:01:58,970 --> 00:02:03,608 FOR US 24 HOURS A DAY. OUR OLD PAL, TELEVISION. 29 00:02:03,608 --> 00:02:06,678 THAT'S RIGHT. TELEVISION IS YOUR FRIEND, IT'S 30 00:02:06,678 --> 00:02:10,715 YOUR BIG BROTHER, YOUR SISTER, 31 00:02:10,715 --> 00:02:18,423 YOUR MAMA'S FAMILY, YOUR TWO DADS, THREE SONS, CRAZY 32 00:02:18,423 --> 00:02:23,461 EX‐GIRLFRIEND, EVEN YOUR DOG, THE BOUNTY HUNTER. 33 00:02:23,461 --> 00:02:31,269 TELEVISION IS THERE FOR YOU, EVERY DAY OF YOUR 600‐POUND 34 00:02:31,269 --> 00:02:33,938 LIFE. THE WORLD MAY BE TERRIBLE, BUT 35 00:02:33,938 --> 00:02:37,075 TV HAS NEVER BEEN BETTER. AND TONIGHT, WE ARE PAYING 36 00:02:37,075 --> 00:02:41,613 TRIBUTE TO THE GREAT SHOWS AND THE HISTORY MAKING NOMINEES. 37 00:02:41,613 --> 00:02:49,854 HATS OFF TO THE TELEVISION 38 00:02:49,854 --> 00:02:56,795 VISIONARY NORMAN LEAR, THE OLDEST WINNER EVER AT AGE 98. 39 00:02:56,795 --> 00:03:01,499 NORMAN DIDN'T GROW UP DREAMING OF WINNING EMMYS. 40 00:03:01,499 --> 00:03:05,069 IN FACT, TELEVISION WASN'T SOMETHING PEOPLE HAD UNTIL HE 41 00:03:05,069 --> 00:03:08,273 WAS A TEENAGER. WHEN HE HWAS A BOY, HIS DREAM WS 42 00:03:08,273 --> 00:03:13,244 NOT TO GET KICKED TO DEATH BY A HORSE. NORMAN, YOU ARE A MIRACLE. 43 00:03:13,244 --> 00:03:19,184 THE ONLY THING I'LL BE PRODUCING WHEN I'M 98 IS PHLEGM. 44 00:03:19,184 --> 00:03:20,852 CONGRATULATIONS ARE ALSO IN 45 00:03:20,852 --> 00:03:27,592 ORDER FOR A YOUNG UPSTART NAMED 46 00:03:27,592 --> 00:03:33,698 QUIBI, WHICH HAS TEN NOMINATIONS THIS YEAR, INCLUDING DUMBEST 47 00:03:33,698 --> 00:03:39,838 THING TO EVER COST $1 BILLION. THERE WERE SO MANY GREAT DRAMAS 48 00:03:39,838 --> 00:03:44,542 THIS YEAR, AND COMEDIES, TOO. A LITTLE SHOW FROM OUR FRIENDLY 49 00:03:44,542 --> 00:03:48,913 NEIGHBORS UP NORTH IS UP FOR EVERY EMMY. 50 00:03:48,913 --> 00:03:53,785 15 NOMINATIONS FOR "SCHITT'S CREEK." 51 00:03:53,785 --> 00:03:59,557 BY THE WAY, YOU'RE GOING TO BE SEEING THAT LOGO A LOT. 52 00:03:59,557 --> 00:04:04,796 IN ORDER TO MEET BROADCAST STANDARDS, THE SENSORS HAVE 53 00:04:04,796 --> 00:04:09,000 DECIDED EVERY TIME I SAY THAT, 54 00:04:09,000 --> 00:04:14,672 WE'RE REQUIRED TO PUT "SCHITT'S 55 00:04:14,672 --> 00:04:18,810 CREEK" ON THE SCREEN. 56 00:04:18,810 --> 00:04:23,381 HBO CAN SHOW YOU A BLUE PENIS, NO PROBLEM. 57 00:04:23,381 --> 00:04:30,955 I CAN'T SAY THAT WORD. AND SPEAKING OF BLUE 58 00:04:30,955 --> 00:04:34,659 PENISES, "WATCHMEN" HAS 26 NOMINATIONS. 59 00:04:34,659 --> 00:04:42,133 IT'S A SUPERHERO SHOW, VERY 60 00:04:42,133 --> 00:04:45,670 REALISTIC EXCEPT FOR THE PART WHERE ANYONE IN OKLAHOMA IS 61 00:04:45,670 --> 00:04:47,739 WEARING A MASK. 62 00:04:47,739 --> 00:04:55,146 ISN'T "WATCHMEN" ALSO WHAT JERRY 63 00:04:55,146 --> 00:05:01,986 FALWELL JR. WAS INTO? HEY, WAS THAT ME? WAIT. 64 00:05:01,986 --> 00:05:04,722 IF I'M DOWN THERE, HOW AM I UP HERE? 65 00:05:04,722 --> 00:05:08,159 THAT WOULD MEAN THAT NO ONE IS IN THE AUDIENCE. 66 00:05:08,159 --> 00:05:15,133 THAT WOULD MEAN THAT I'M UP HERE ALL ALONE. 67 00:05:15,133 --> 00:05:19,170 JUST LIKE PROM NIGHT. OF COURSE I'M HERE ALL ALONE. 68 00:05:19,170 --> 00:05:20,872 OF COURSE WE DON'T HAVE AN AUDIENCE. 69 00:05:20,872 --> 00:05:25,977 THIS ISN'T A MAGA RALLY, IT'S THE EMMYS. 70 00:05:25,977 --> 00:05:29,547 INSTEAD OF A LIVE AUDIENCE, WE TOOK A PAGE FROM BASEBALL AND 71 00:05:29,547 --> 00:05:33,551 FILLED THE SEATS WITH CARDBOARD CUTOUTS OF THE NOMINEES. 72 00:05:33,551 --> 00:05:40,491 WE HAVE REGINA, HUGH, JASON, 73 00:05:40,491 --> 00:05:47,298 MERYL ‐‐ WAIT A MINUTE. GO BACK ONE. JASON? JASON? 74 00:05:47,298 --> 00:05:50,301 I KNOW IT'S YOU. I SAW YOUR EYES MOVING. 75 00:05:50,301 --> 00:05:51,069 >> THEY DIDN'T MOVE. 76 00:05:51,069 --> 00:05:52,870 >> YES, THEY DID MOVE. 77 00:05:52,870 --> 00:05:55,673 >> MIND YOUR BUSINESS, KIMMEL. BIG NIGHT FOR ME. 78 00:05:55,673 --> 00:05:59,877 >> I KNOW IT'S A BIG NIGHT, BUT YOU CAN'T BE IN HERE. 79 00:05:59,877 --> 00:06:02,046 WE HAVE VERY STRICT SAFETY PROTOCOLS. 80 00:06:02,046 --> 00:06:05,783 >> I'M CLEAN, GUY. I'M A BIG WASHER‐UPPER. 81 00:06:05,783 --> 00:06:09,520 SMELL MY HANDS. THEY'RE LIKE A GARDEN. 82 00:06:09,520 --> 00:06:12,523 >> I'M SURE YOU'RE CLEAN. WE JUST HAVE A LIMIT ON HOW MANY 83 00:06:12,523 --> 00:06:15,927 PEOPLE WE CAN HAVE IN THE BUILDING. YOU NEED TO GO. 84 00:06:15,927 --> 00:06:21,332 >> NO, I DON'T. I HAVEN'T LEFT THE HOUSE FOR SIX 85 00:06:21,332 --> 00:06:23,768 MONTHS. I WANT TO BE HERE, I WANT TO EAT 86 00:06:23,768 --> 00:06:26,437 SHRIMP WITH THE CAST OF "THE CROWN." 87 00:06:26,437 --> 00:06:29,974 I WANT MARIO LOPEZ TO ASK ME ABOUT MY PANTS. LET'S GO. 88 00:06:29,974 --> 00:06:33,578 >> YOU CAN STAY, AS LONG AS YOU 89 00:06:33,578 --> 00:06:38,016 PROMISE TO LAUGH AT MY JOKES. 90 00:06:38,016 --> 00:06:41,719 >> HUH. I'M OUT. I'M GOING TO CALL A CAR. 91 00:06:41,719 --> 00:06:44,856 >> YOU'RE NOMINATED, YOU KNOW. 92 00:06:44,856 --> 00:06:49,627 >> I KNOW. IF I WIN, GIVE IT TO CHEADLE. 93 00:06:49,627 --> 00:06:51,496 >> WHEN WAS THAT PHOTO TAKEN? 94 00:06:51,496 --> 00:06:54,499 >> IT'S TOUGH. I DON'T AGE. 95 00:06:54,499 --> 00:06:58,002 >> LET'S GET GOING. BUT FIRST, LET'S HAVE A STANDING 96 00:06:58,002 --> 00:07:03,041 OVATION FOR ME. 97 00:07:03,041 --> 00:07:18,356 [ CHEERS AND APPLAUSE ] 98 00:07:18,356 --> 00:07:20,758 THANK YOU. IT'S TOO MUCH. THANK YOU. ALL RIGHT. 99 00:07:20,758 --> 00:07:22,927 HERE'S HOW THE SHOW WILL WORK. OR NOT. 100 00:07:22,927 --> 00:07:26,230 WE'RE ATTEMPTING TO DO SOMETHING THAT HAS NEVER BEEN ATTEMPTED 101 00:07:26,230 --> 00:07:29,333 BEFORE. AND FOR GOOD REASON. INSTEAD OF BRINGING THE NOMINEES 102 00:07:29,333 --> 00:07:34,806 TO US, WE WENT TO THEM. WE HAVE LIVE FEEDS TO AND FROM 103 00:07:34,806 --> 00:07:37,275 MORE THAN 100 LOCATIONS AROUND THE WORLD. 104 00:07:37,275 --> 00:07:43,014 YOU KNOW HOW HARD IT IS TO GET 105 00:07:43,014 --> 00:07:47,485 YOUR PAIRENTS TO FACETIME? MULTIPLY THAT A LOT. 106 00:07:47,485 --> 00:07:52,757 THIS IS WHERE THE MAGIC HAPPENS. THIS IS THE NERVE CENTER. 107 00:07:52,757 --> 00:07:57,462 WE'VE TAKEN EVERY SAFETY PRECAUTION, AND THESE ARE 108 00:07:57,462 --> 00:07:58,930 TONIGHT'S NOMINEES. HELLO, EVERYONE, AND 109 00:07:58,930 --> 00:08:04,302 CONGRATULATIONS. THEY'RE ALL STANDING BY. 110 00:08:04,302 --> 00:08:08,005 WE'VE BEEN WATCHING YOU FOR WEEKS NOW, WITH CAMERAS AND 111 00:08:08,005 --> 00:08:13,111 MICROPHONES IN YOUR HOMES. HOW MANY OF YOU HAVE ALREADY 112 00:08:13,111 --> 00:08:15,780 STARTED DRINKING? SHOW OF HANDS. VERY GOOD. 113 00:08:15,780 --> 00:08:21,786 I FEEL LIKE I'M IN A BEST BUY. THIS IS WONDERFUL. 114 00:08:21,786 --> 00:08:24,388 SO HERE'S HOW THIS IS GONNA HAPPEN. 115 00:08:24,388 --> 00:08:25,590 IF YOU WIN, WE'LL HAVE A GUY DRIVE TO YOUR HOUSE AND CHUCK 116 00:08:25,590 --> 00:08:27,792 THE EMMY THROUGH YOUR WINDOW. NO, WE WON'T DO THAT, BUT WE 117 00:08:27,792 --> 00:08:31,562 WILL BE CONNECTED TO EVERYONE THROUGHOUT THE SHOW, HOPEFULLY. 118 00:08:31,562 --> 00:08:38,336 THIS IS THE SHOW THAT WILL FINALLY ANSWER THE QUESTION, 119 00:08:38,336 --> 00:08:45,443 DOES ALAN ARKIN KNOW HOW TO USE 120 00:08:45,443 --> 00:08:49,413 A WEBCAM? WE DON'T HAVE AN ORCHESTRA THIS 121 00:08:49,413 --> 00:08:55,620 YEAR, BUT D‐NICE IS SPINNING THE HITS ALL NIGHT LONG. 122 00:08:55,620 --> 00:08:58,856 LET'S GIVE OUT SOME EMMY AWARDS. 123 00:08:58,856 --> 00:09:03,394 >> LET'S DO IT. 124 00:09:03,394 --> 00:09:04,529 >> YOU KNOW, NOT EVERYONE STAYED AT HOME TONIGHT. 125 00:09:04,529 --> 00:09:06,864 HERE TO KICK THINGS OFF IN THE FLESH, SHE IS MY FRIEND AND 126 00:09:06,864 --> 00:09:11,702 YOURS. PLEASE WELCOME EMMY WINNER JENNIFER ANISTON. 127 00:09:11,702 --> 00:09:13,204 >> THANKS, JIMMY. 128 00:09:13,204 --> 00:09:13,838 >> WHAT? 129 00:09:13,838 --> 00:09:17,608 >> I SAID, THANKS, JIMMY. 130 00:09:17,608 --> 00:09:20,211 >> WHAT? 131 00:09:20,211 --> 00:09:21,212 >> NEVER MIND. 132 00:09:21,212 --> 00:09:23,381 >> YES, I'D LOVE SOME WINE. 133 00:09:23,381 --> 00:09:26,350 >> NO, I SAID NEVER MIND. 134 00:09:26,350 --> 00:09:26,818 >> OH. 135 00:09:26,818 --> 00:09:33,357 >> WHY ARE YOU STANDING SO FAR AWAY FROM ME? 136 00:09:33,357 --> 00:09:35,359 >> DR. FAUCI SAID 60 FEET, SO ‐‐ 137 00:09:35,359 --> 00:09:37,161 >> NO, HE SAID SIX FEET. 138 00:09:37,161 --> 00:09:40,598 >> THANK YOU, YOU ALSO HAVE SEXY FEET. 139 00:09:40,598 --> 00:09:45,102 >> OH, GOD. OKAY. HERE ARE THE NOMINEES FOR 140 00:09:45,102 --> 00:09:48,105 OUTSTANDING LEAD ACTRESS IN A COMEDY SERIES. 141 00:09:48,105 --> 00:09:48,606 >> WHAT? 142 00:09:48,606 --> 00:09:51,375 >> OH, MY GOD. 143 00:09:51,375 --> 00:09:54,846 >> CATHERINE O'HARA, "SCHITT'S 144 00:09:54,846 --> 00:10:02,753 CREEK." 145 00:10:02,753 --> 00:10:08,226 >> LINDA CARDELLINI, "DEAD TO ME." 146 00:10:08,226 --> 00:10:10,127 >> I WAS THERE IRONICALLY. 147 00:10:10,127 --> 00:10:16,067 >> THEY HAVE A COUPLE OF GOOD SONGS. 148 00:10:16,067 --> 00:10:18,836 >> NAME ONE. 149 00:10:18,836 --> 00:10:20,705 >> ISSA RAE, "INSECURE." 150 00:10:20,705 --> 00:10:25,076 >> WHAT UP, PAL? HEY, BUDDY. 151 00:10:25,076 --> 00:10:30,781 IT'S NOT A DOG. 152 00:10:30,781 --> 00:10:35,887 >> CHRISTINA APPLEGATE, "DEAD TO ME." 153 00:10:35,887 --> 00:10:37,822 >> ARE YOU THE WINE SHERIFF? 154 00:10:37,822 --> 00:10:43,794 >> WHAT IS YOUR PROBLEM, LADY? 155 00:10:43,794 --> 00:10:49,233 >> TRACEE ELLIS ROSS, "BLACK‐ISH." 156 00:10:49,233 --> 00:11:02,246 >> DAD IS GOING TO GET I 157 00:11:02,246 --> 00:11:02,813 INDIGESTION. 158 00:11:02,813 --> 00:11:04,849 >> RACHEL BROSNAHAN, "THE MARVELOUS MRS. MAISEL." 159 00:11:04,849 --> 00:11:10,388 >> NOW THEY'RE HERE TO WATCH THEIR DIVORCED DAUGHTER TELL 160 00:11:10,388 --> 00:11:14,959 JOKES ON STAGE AND IT WILL KILL THEM, AND THEY WILL FINALLY HAVE 161 00:11:14,959 --> 00:11:17,628 WON. 162 00:11:17,628 --> 00:11:18,462 [ CHEERS AND APPLAUSE ] 163 00:11:18,462 --> 00:11:21,832 >> OKAY, NOW WE JUST NEED TO 164 00:11:21,832 --> 00:11:27,471 SANITIZE THE ENVELOPE. I GOT IT HERE. I WILL SPRAY IT. 165 00:11:27,471 --> 00:11:27,905 A LOT. 166 00:11:27,905 --> 00:11:33,878 >> THAT'S A LOT. THAT'S A LITTLE EXTREME, JIMMY. 167 00:11:33,878 --> 00:11:40,718 >> YOU NEVER KNOW WHERE THE ACC ACC 168 00:11:40,718 --> 00:11:43,487 ACCOUNTANTS' HANDS HAVE BEEN. NOW, INTO THE BASKET. 169 00:11:43,487 --> 00:11:48,926 LIGHT IT UP. WAIT FIVE SECONDS. IF YOU GRAB THE FIRE 170 00:11:48,926 --> 00:11:49,393 EXTINGUISHER. 171 00:11:49,393 --> 00:11:50,661 >> OKAY, OH, GOSH. 172 00:11:50,661 --> 00:11:54,699 >> ONCE ALL THE GERMS HAVE BEEN BURNED OFF ‐‐ 173 00:11:54,699 --> 00:11:56,400 >> HERE WE GO. 174 00:11:56,400 --> 00:11:57,101 >> PERFECT. 175 00:11:57,101 --> 00:11:58,002 >> GOT IT. 176 00:11:58,002 --> 00:11:59,103 >> PERFECT. 177 00:11:59,103 --> 00:12:00,504 >> OKAY. 178 00:12:00,504 --> 00:12:01,572 >> AND ‐‐ OH. 179 00:12:01,572 --> 00:12:02,606 >> GOT IT. 180 00:12:02,606 --> 00:12:06,544 >> RIGHT? ALL RIGHT. SANITIZED FOR YOUR PROTECTION. 181 00:12:06,544 --> 00:12:08,879 NOW, THIS IS EXCITING. 182 00:12:08,879 --> 00:12:09,880 >> PUT IT OUT. 183 00:12:09,880 --> 00:12:13,384 >> WE'RE DELIVERING THE EMMY LIVE TO SOME OF THE WINNING 184 00:12:13,384 --> 00:12:17,421 NOMINEES IN THEIR HOMES. THEY WILL BE GETTING THE 185 00:12:17,421 --> 00:12:19,890 TROPHIES IN THEIR HOUSES. 186 00:12:19,890 --> 00:12:22,159 >> WHAT? AT THEIR HOUSES? 187 00:12:22,159 --> 00:12:22,693 >> YEAH. 188 00:12:22,693 --> 00:12:24,795 >> BUT I'M HERE. 189 00:12:24,795 --> 00:12:28,432 >> OH. RIGHT. YOU SHOULDN'T BE, BECAUSE YOU'RE 190 00:12:28,432 --> 00:12:30,668 NOMINATED. BECAUSE YOU WON'T GET IT IF 191 00:12:30,668 --> 00:12:31,502 YOU'RE NOT AT HOME. 192 00:12:31,502 --> 00:12:37,908 >> JIMMY, WHAT ARE YOU TALKING ABOUT? YOU ASKED ME TO COME HERE. 193 00:12:37,908 --> 00:12:41,312 >> ARE YOU SURE THAT WASN'T JIMMY FALFALLON. 194 00:12:41,312 --> 00:12:47,618 >> YOU HAD BETTER GET HOME NOW. IT'S ONLY NINE HOURS BEFORE YOUR 195 00:12:47,618 --> 00:12:49,754 CATEGORY. TAKE FOUNTAIN, IT'S ALWAYS 196 00:12:49,754 --> 00:12:57,261 FASTER. AND THE EMMY GOES TO ‐‐ CATHERINE O'HARA, "SCHITT'S 197 00:12:57,261 --> 00:13:02,600 CREEK." 198 00:13:02,600 --> 00:13:03,067 ♪ 199 00:13:03,067 --> 00:13:19,116 [ CHEERS AND APPLAUSE ] 200 00:13:20,017 --> 00:13:25,990 >> OKAY, WE HAVE ‐‐ NO, HOW COOL 201 00:13:25,990 --> 00:13:32,696 IS IT THAT EUGENE HAS A MICROPHONE IN HIS BEDROOM? 202 00:13:32,696 --> 00:13:37,902 THANK YOU FOR NOMINATING ME, AND FOR TOPPING OFF THIS FUN EVENING 203 00:13:37,902 --> 00:13:44,508 WITH A TROPHY TREAT. I'LL FOREVER BE GRATEFUL TO 204 00:13:44,508 --> 00:13:48,646 EUGENE AND DANIEL LEVY FOR GIVING ME THE OPPORTUNITY TO 205 00:13:48,646 --> 00:13:54,952 PLAY A WOMAN OF A CERTAIN AGE, MY AGE, WHO GETS TO BE FULLY HER 206 00:13:54,952 --> 00:13:57,488 RIDICULOUS SELF. THEY GATHERED THE MOST 207 00:13:57,488 --> 00:14:01,559 FUN‐LOVING PEOPLE IN TORONTO, AND LED US TO BE THE BEST WE CAN 208 00:14:01,559 --> 00:14:07,565 BE FOR EACH OTHER. BUT I MUST PAY AN ESPECIALLY BIG 209 00:14:07,565 --> 00:14:12,736 TRIBUTE TO DEBRA HANSON, OUR WARDROBE WHISPERER. 210 00:14:12,736 --> 00:14:18,342 AND MY MAKEUP ANGEL, AND TO OUR 211 00:14:18,342 --> 00:14:24,682 HAIR WRANGLER. EVERY DAY, THEY MADE ME WHO I 212 00:14:24,682 --> 00:14:28,552 THOUGHT I WAS. AND I WOULD BE AN UNGRATEFUL 213 00:14:28,552 --> 00:14:33,390 PERSON NOT TO SHARE IT WITH THEM. I WISH YOU ALL A SOUND MIND AND 214 00:14:33,390 --> 00:14:36,994 A SOUND BODY. AND THESE ARE THE STRANGEST OF 215 00:14:36,994 --> 00:14:41,532 DAYS. MAY YOU HAVE AS MUCH JOY BEING 216 00:14:41,532 --> 00:14:45,503 HOLED UP IN A ROOM OR TWO WITH YOUR FAMILY AS I HAD WITH MY 217 00:14:45,503 --> 00:14:50,541 DEAR ROSES. THANK YOU SO MUCH. 218 00:14:50,541 --> 00:14:57,481 [ CHEERS AND APPLAUSE ] 219 00:14:57,481 --> 00:15:01,986 >> THAT'S GOOD SPORTSMANSHIP THERE. 220 00:15:01,986 --> 00:15:06,457 CONGRATULATIONS, CATHERINE. WE'RE GOING TO GIVE OUT A LOT OF 221 00:15:06,457 --> 00:15:08,259 AWARDS ON THIS SHOW. BUT WE'RE ALSO GOING TO GIVE 222 00:15:08,259 --> 00:15:10,294 BACK. FOR EVERY EMMY WE HAND OUT TONIGHT, THE SHOW THAT WINS IT 223 00:15:10,294 --> 00:15:13,631 WILL DONATE $100,000 TO A GREAT CHARITY THAT FEEDS CHILDREN WHO 224 00:15:13,631 --> 00:15:16,500 NEED IT ‐‐ NO KID HUNGRY. OUR MISSION TONIGHT IS TO 225 00:15:16,500 --> 00:15:19,203 BANKRUPT POPTV. THIS IS GOING TO BE FUN. 226 00:15:19,203 --> 00:15:21,906 WE HAVE SO MUCH TO COME. WHICH OF YOUR FAVORITE STARS 227 00:15:21,906 --> 00:15:26,377 WILL GIVE A SPEECH THAT GOES ON SO LONG WE HAVE TO MUTE THEM? 228 00:15:26,377 --> 00:15:27,611 WE'LL FIND OUT TOGETHER WHEN WE COME BACK, LIVE FROM THE EMMY 229 00:15:27,611 --> 00:15:30,381 AWARDS. 230 00:15:40,157 --> 00:15:42,293 ♪ 231 00:15:42,293 --> 00:15:43,894 [ CHEERS AND APPLAUSE ] 232 00:15:43,894 --> 00:15:49,033 >>> WHAT'S UP, Y'ALL? MY NAME IS D‐NICE, AKA CEO OF 233 00:15:49,033 --> 00:15:54,071 CLUB QUARANTINE, AND WE ARE HERE TONIGHT AT THE EMMY AWARDS. 234 00:15:54,071 --> 00:15:58,342 I HOPE YOU ARE HAVING A GOOD TIME. GOOD, BECAUSE I KNOW I AM. 235 00:15:58,342 --> 00:15:59,877 ONE OF THE LOGISTICAL CHALLENGES WE FACED THIS YEAR IS HOW TO 236 00:15:59,877 --> 00:16:01,445 DELIVER THE EMMYS IN PERSON TO THE WINNERS AROUND THE WORLD. 237 00:16:01,445 --> 00:16:04,481 THE SOLUTION ‐‐ THE TV ACADEMY FOUNDATION GAVE US THEIR TOP 238 00:16:04,481 --> 00:16:08,052 INTERNS FROM THE CLASS OF 2020 TO DELIVER THE TROPHIES TO 239 00:16:08,052 --> 00:16:10,254 THE WINNERS IN ALL‐NEW K5s, 240 00:16:10,254 --> 00:16:16,961 PROVIDED BY KIA. 241 00:16:16,961 --> 00:16:17,494 ♪ 242 00:16:17,494 --> 00:16:23,567 >> MY EMMY INTERNS. BEING SELECTED FOR THIS MISSION 243 00:16:23,567 --> 00:16:26,837 IS THE GREATEST HONOR OF YOUR YOUNG LIVES. 244 00:16:26,837 --> 00:16:32,810 YOU WILL BE DRIVING TO OVER 100 HOUSES TO DELIVER THESE EMMYS. 245 00:16:32,810 --> 00:16:39,483 SHOULD YOU FAIL, I WILL DENY EVER HAVING MET YOU. 246 00:16:39,483 --> 00:16:45,189 SHOULD YOU SUCCEED, IN TRUE HOLLYWOOD FASHION, I'LL TAKE ALL 247 00:16:45,189 --> 00:16:46,457 OF THE CREDIT. 248 00:16:46,457 --> 00:16:51,262 >> HOW WILL WE REMAIN SOCIALLY DISTANT? 249 00:16:51,262 --> 00:16:53,697 >> YOU'LL WEAR ONE OF THESE. 250 00:16:53,697 --> 00:16:56,033 >> CAN I READ THE SCRIPT? 251 00:16:56,033 --> 00:16:56,467 >> SECURITY? 252 00:16:56,467 --> 00:17:03,240 >> AND TO MAKE SURE YOU DELIVER THESE EMMYS ON TIME, WE HAVE 253 00:17:03,240 --> 00:17:10,247 SPECIALLY TRAINED KIA DRIVERS IN 254 00:17:10,247 --> 00:17:12,149 THE NEW K5. GO, GO, GO! 255 00:17:12,149 --> 00:17:18,188 >> THIS IS GOING TO BE FUN. 256 00:17:18,188 --> 00:17:20,758 >> WHY ARE YOU GOING SO FAST? 257 00:17:20,758 --> 00:17:21,759 >> WAY TOO CLOSE! 258 00:17:21,759 --> 00:17:25,195 >> IS THERE A SECOND SEAT BELT? 259 00:17:25,195 --> 00:17:31,568 >> AH! 260 00:17:31,568 --> 00:17:32,002 >> WHOA! 261 00:17:32,002 --> 00:17:37,274 >> THANK GOD WE'RE HERE. OH, MY GOD, WE'RE NOT THERE. 262 00:17:37,274 --> 00:17:47,117 >> AH! 263 00:17:47,117 --> 00:17:50,287 >> HONESTLY, THAT WASN'T SO BAD. 264 00:17:50,287 --> 00:17:53,957 >> WOW. YOU GUYS TOTALLY CRUSHED THAT 265 00:17:53,957 --> 00:17:56,093 ONE. WHAT ARE YOU CELEBRATING FOR? 266 00:17:56,093 --> 00:18:01,532 YOU STILL GOT 99 HOUSES TO GO. MOVE IT! NOW! GO, GO, GO, GO! 267 00:18:01,532 --> 00:18:04,068 >> AH! 268 00:18:04,068 --> 00:18:06,637 >> WELCOME BACK TO THE NO PEOPLE'S CHOICE AWARDS. 269 00:18:06,637 --> 00:18:10,174 I'M JIMMY KIMMEL FROM EMMYS MISSION CONTROL. 270 00:18:10,174 --> 00:18:13,077 YOU KNOW, THEY SAY THAT LAUGHTER IS THE BEST MEDICINE, BUT THIS 271 00:18:13,077 --> 00:18:15,512 YEAR, WE LEARNED THAT IS DEFINITELY NOT TRUE. 272 00:18:15,512 --> 00:18:21,218 IN FACT, LAUGHTER PROBABLY SPREADS THE VIRUS MORE. 273 00:18:21,218 --> 00:18:22,419 SO STRAP ON YOUR MASKS, HERE ARE THE NOMINEES FOR OUTSTANDING 274 00:18:22,419 --> 00:18:27,424 LEAD ACTOR IN A COMEDY SERIES. 275 00:18:27,424 --> 00:18:31,228 >> EUGENE LEVY, "SCHITT'S CREEK." 276 00:18:31,228 --> 00:18:33,831 >> NOW, THAT'S A FRAMER. 277 00:18:33,831 --> 00:18:38,202 >> YOU JUST DELETED IT. 278 00:18:38,202 --> 00:18:41,638 >> DON CHEADLE, "BLACK MONDAY." 279 00:18:41,638 --> 00:18:47,211 >> NOW I KNOW YOU'RE LYING. EVERYBODY HAS A ROUTINE TO "MY 280 00:18:47,211 --> 00:18:48,979 PREROGATIVE." 281 00:18:48,979 --> 00:18:54,418 ♪ 282 00:18:54,418 --> 00:18:59,623 >> TED DANSON, "THE GOOD PLACE." 283 00:18:59,623 --> 00:19:01,492 >> MICHAEL, WHAT ARE YOU DOING? 284 00:19:01,492 --> 00:19:03,761 >> I'M RETURNING MY DAMN ESSENCE 285 00:19:03,761 --> 00:19:10,401 TO THE DAMN FABRIC OF THE DAMN UNIVERSE. 286 00:19:10,401 --> 00:19:12,436 >> RAMY YOUSSEF, "RAMY." 287 00:19:12,436 --> 00:19:17,474 >> WHEN I WAS A KID, THERE WAS ALWAYS THIS SMALL PART OF ME 288 00:19:17,474 --> 00:19:21,812 THAT WISHED ONE OF MY PARENTS COULD DIE, SO I COULD HAVE, 289 00:19:21,812 --> 00:19:22,146 LIKE, A THING. 290 00:19:22,146 --> 00:19:27,451 >> MICHAEL DOUGLAS, "THE KOMINSKY METHOD." 291 00:19:27,451 --> 00:19:30,754 >> SHE GOT A GLIMPSE OF WHO YOU REALLY ARE. 292 00:19:30,754 --> 00:19:34,725 YOU CAN'T DO THAT WITH WOMEN. TRUST ME. IT'S NEVER GOOD. 293 00:19:34,725 --> 00:19:40,898 >> ANTHONY ANDERSON, "BLACK‐ISH." 294 00:19:40,898 --> 00:19:43,534 >> WHAT THE HELL ARE YOU DOING? 295 00:19:43,534 --> 00:19:45,502 >> AH! 296 00:19:45,502 --> 00:19:49,440 >> CLOSE THE DOOR! 297 00:19:49,440 --> 00:19:56,146 >> OH, SWEET BLACK JESUS! 298 00:19:56,146 --> 00:20:02,019 >> AND THE EMMY GOES TO ‐‐ 299 00:20:02,019 --> 00:20:06,023 EUGENE LEVY, "SCHITT'S CREEK." 300 00:20:06,023 --> 00:20:06,457 ♪ 301 00:20:06,457 --> 00:20:22,606 [ CHEERS AND APPLAUSE ] 302 00:20:32,249 --> 00:20:36,887 >> YOU SEE, I TOLD YOU I WAS GOOD. 303 00:20:36,887 --> 00:20:42,693 I GUESS IT'S KIND OF IRONIC THAT THE STRAIGHTEST ROLE I EVER 304 00:20:42,693 --> 00:20:46,263 PLAYED LANDS ME AN EMMY FOR A COMEDY PERFORMANCE. 305 00:20:46,263 --> 00:20:52,035 SO NOW I SERIOUSLY HAVE TO QUESTION JUST WHAT I'VE BEEN 306 00:20:52,035 --> 00:20:56,106 DOING FOR THE PAST 50 YEARS. BUT THAT'S FOR ANOTHER TIME. 307 00:20:56,106 --> 00:21:01,912 I WANT TO THANK MY DARLING WIFE OF 43 YEARS, DEB. 308 00:21:01,912 --> 00:21:06,817 FOR ALL THE LOVE, SUPPORT, AND SAGE COUNSEL THROUGH THE YEARS. 309 00:21:06,817 --> 00:21:11,154 I LOVE YOU. I WANT TO THANK OUR AMAZING 310 00:21:11,154 --> 00:21:15,359 PRODUCTION TEAM, TERRIFIC WRITERS, AND EXCEPTIONALLY 311 00:21:15,359 --> 00:21:21,965 TALENTED CAST WHO I LOVED WORKING WITH FOR SIX YEARS, 312 00:21:21,965 --> 00:21:29,506 INCLUDING MY DEAR FRIEND OF MANY YEARS, CATHERINE O'HARA. 313 00:21:29,506 --> 00:21:32,643 WHO CAN EVIDENTLY MAKE ANYONE LOOK GOOD. 314 00:21:32,643 --> 00:21:37,981 AND AS A DAD, WORKING WITH BOTH MY KIDS, DANIEL AND SARAH. 315 00:21:37,981 --> 00:21:42,819 HI, HONEY. SUCH A LJOY, LOVE YOU BOTH. 316 00:21:42,819 --> 00:21:43,687 COULD NOT BE PROUDER. 317 00:21:43,687 --> 00:21:52,829 THAT BRINGS ME TO MY MULTI EMMY 318 00:21:52,829 --> 00:21:58,001 NOMINATED PARTNER, DANIEL LEVY. WHO TOOK OUR SHOW AND 319 00:21:58,001 --> 00:22:00,837 BRILLIANTLY GUIDED IT TO THIS LITTLE EMMY PARTY TONIGHT. 320 00:22:00,837 --> 00:22:03,774 THANK YOU, SON. THANK YOU, ACADEMY. 321 00:22:03,774 --> 00:22:09,947 AND TO MY FELLOW EMMY NOMINEES, IT WAS AN HONOR TO BE IN YOUR 322 00:22:09,947 --> 00:22:10,714 COMPANY. THANK YOU. THANK YOU. 323 00:22:10,714 --> 00:22:17,888 [ CHEERS AND APPLAUSE ] 324 00:22:17,888 --> 00:22:23,961 >> WOW, THEY'RE GOING CRAZY IN M IN CANADA. 325 00:22:23,961 --> 00:22:28,832 THERE'S CHAOS ON THE STREETS. BEHIND EVERY GREAT SITCOM IS A 326 00:22:28,832 --> 00:22:34,771 ROOM FULL OF SWEATY WRITERS ORDERING LUNCH. 327 00:22:34,771 --> 00:22:41,912 HERE TO PRESENT THE EMMY TO THESE VERY PEOPLE, TRACEE ELLIS 328 00:22:41,912 --> 00:22:45,916 ROSS. 329 00:22:45,916 --> 00:22:47,150 >> SO I'M HERE TO PRESENT THE EMMY FOR OUTSTANDING WRITER FOR 330 00:22:47,150 --> 00:22:48,819 A COMEDY SERIES, AND THANK YOU! STAY SAFE. 331 00:22:48,819 --> 00:22:53,957 MAKE A PLAN FOR VOTING. WEAR A MASK. AND GOOD NIGHT. 332 00:22:53,957 --> 00:22:58,195 >> WAIT, TRACEE, YOU FORGOT TO PRESENT THE AWARD. 333 00:22:58,195 --> 00:23:03,834 >> NO, NO, NO. I AGREED TO DRESS FOR THE 334 00:23:03,834 --> 00:23:05,802 OCCASION, AND COME SOMEWHERE OTHER THAN MY HOME. 335 00:23:05,802 --> 00:23:09,239 AND I'VE DONE THAT. IT WAS REALLY NICE. 336 00:23:09,239 --> 00:23:09,573 SO GOOD NIGHT. 337 00:23:09,573 --> 00:23:12,843 >> BUT IT'S AN AWARDS SHOW. 338 00:23:12,843 --> 00:23:17,648 >> YES, I KNOW THAT'S WHAT IT IS. BUT JIMMY, PEOPLE ARE VERY 339 00:23:17,648 --> 00:23:20,050 FRAGILE RIGHT NOW. AND I'M FRAGILE RIGHT NOW. 340 00:23:20,050 --> 00:23:24,121 SO ONCE AGAIN, I BID YOU GOOD NIGHT. 341 00:23:24,121 --> 00:23:25,822 >> BUT YOU HAVE TO NAME A WINNER. IT'S THE LAW. 342 00:23:25,822 --> 00:23:29,826 >> IT'S NOT THE LAW. 343 00:23:29,826 --> 00:23:33,597 >> IT'S NOT? I THOUGHT IT WAS THE LAW. OKAY. 344 00:23:33,597 --> 00:23:38,368 >> DON'T YOU THINK THERE'S ENOUGH, LIKE, DIVIDEDNESS IN 345 00:23:38,368 --> 00:23:42,839 THIS COUNTRY? AREN'T WE TIRED OF PEOPLE 346 00:23:42,839 --> 00:23:46,576 PITTING EACH OTHER AGAINST EACH OTHER? ISN'T IT SUBJECTIVE? 347 00:23:46,576 --> 00:23:48,845 WHAT IS THIS PRIZE STUFF, PRIZES? 348 00:23:48,845 --> 00:23:52,649 >> IF YOU DON'T READ THE WINNER, YOU DON'T GET A GIFT BAG. 349 00:23:52,649 --> 00:23:54,785 >> OKAY. HERE'S MY QUESTION. 350 00:23:54,785 --> 00:24:00,757 IS THERE A CENSUS FORM, AND IS MY POLLING LOCATION IN THE GIFT 351 00:24:00,757 --> 00:24:08,398 BAG? AND A BEJEWELLED FACE MASK? 352 00:24:08,398 --> 00:24:08,965 >> YES, AND A SUGAR SCRUB. 353 00:24:08,965 --> 00:24:18,175 >> HERE ARE THE NOMINEES. 354 00:24:18,175 --> 00:24:22,112 >> DAVID WEST REED, "SCHITT'S CREEK." 355 00:24:22,112 --> 00:24:24,848 >> DIDN'T WE MANAGE TO MAKE DO HERE IN THIS ROOM OVER THE PAST 356 00:24:24,848 --> 00:24:25,649 FEW YEARS? 357 00:24:25,649 --> 00:24:32,222 >> YES. IN THE SAME WAY ROGUE 358 00:24:32,222 --> 00:24:34,024 CRUSTACEANS ARE KNOWN TO MAKE DO. 359 00:24:34,024 --> 00:24:35,926 >> DANIEL LEVY, "SCHITT'S CREEK." 360 00:24:35,926 --> 00:24:41,765 >> YOU'RE WEARING A WEDDING DRESS, TO MY WEDDING. 361 00:24:41,765 --> 00:24:47,637 >> MICHAEL SHORE, "THE GOOD PLACE". 362 00:24:47,637 --> 00:24:53,009 >> I WON'T EXACTLY KNOW WHAT'S GOING TO HAPPEN. 363 00:24:53,009 --> 00:24:57,447 >> PAUL SIMS, "WHAT WE DO IN THE SHADOWS." 364 00:24:57,447 --> 00:25:01,718 >> DID YOU MAKE A FART? 365 00:25:01,718 --> 00:25:04,187 >> STEPHANIE ROBINSON, "WHAT WE 366 00:25:04,187 --> 00:25:11,194 DO IN THE SHADOWS." 367 00:25:11,194 --> 00:25:13,296 >> WONDERFUL GAME. 368 00:25:13,296 --> 00:25:18,668 >> IT'S A SAFETY HAZARD. 369 00:25:18,668 --> 00:25:22,572 >> SAM JOHNSON AND CHRIS 370 00:25:22,572 --> 00:25:28,211 MARCIL, "WHAT WE DO IN THE SHADOWS." 371 00:25:28,211 --> 00:25:33,016 ♪ TELL US MR. HITLER, WHAT DO 372 00:25:33,016 --> 00:25:34,818 YOU HAVE PLANNED NEXT ♪ 373 00:25:34,818 --> 00:25:35,252 ♪ 374 00:25:35,252 --> 00:25:38,588 >> BEFORE I READ THIS, YOU ARE ALL LOVED AND FANTASTIC AND 375 00:25:38,588 --> 00:25:45,662 YOU'RE ALL WINNERS. AND SO, THE EMMY GOES TO DANIEL 376 00:25:45,662 --> 00:25:46,163 LEVY, "SCHITT'S CREEK." 377 00:25:46,163 --> 00:25:46,596 ♪ 378 00:25:46,596 --> 00:25:58,608 [ CHEERS AND APPLAUSE ] 379 00:25:58,608 --> 00:26:00,911 >> HOLY COW. OH, MY GOODNESS. 380 00:26:00,911 --> 00:26:05,749 THIS TENT IS ON FIRE. OKAY. WRITERS DON'T GET AWARDS, WHAT 381 00:26:05,749 --> 00:26:08,785 IS THIS? FIRST OF ALL, I WANT TO SAY 382 00:26:08,785 --> 00:26:12,756 THANK YOU TO MY DAD FOR GIVING ME THE REINS TO THIS SHOW, EVEN 383 00:26:12,756 --> 00:26:16,960 THOUGH I DIDN'T HAVE ANY EXPERIENCE IN A WRITER'S ROOM. 384 00:26:16,960 --> 00:26:21,097 IT FEELS LIKE A WILD CHOICE ON YOUR PART, BUT I'M GRATEFUL FOR 385 00:26:21,097 --> 00:26:23,266 IT. I WOULDN'T BE HERE IF IT WEREN'T 386 00:26:23,266 --> 00:26:26,503 FOR YOU. THANK YOU TO MY TEAM, DAVID, 387 00:26:26,503 --> 00:26:32,142 MIKE, EVERY SINGLE WRITER THAT SAT IN OUR WRITER'S ROOM AND 388 00:26:32,142 --> 00:26:39,850 OFFERED UP EMBARRASSING, DEEPLY TRIGGERING THINGS SO THE ROSE 389 00:26:39,850 --> 00:26:45,021 FAMILY COULD BE WHAT THEY ARE. GETTING TO TELL THOSE STORIES 390 00:26:45,021 --> 00:26:47,524 HAS BEEN THE GREATEST EXPERIENCE OF MY LIFE. 391 00:26:47,524 --> 00:26:53,363 THANK YOU TO CDC AND POP FOR BROADCASTING THESE STORIES 392 00:26:53,363 --> 00:26:55,699 WITHOUT HESITATION. THANK YOU TO ALL THE FELLOW 393 00:26:55,699 --> 00:26:59,736 NOMINEES, IT WAS AN HONOR TO BE NOMINATED ALONGSIDE YOU. 394 00:26:59,736 --> 00:27:04,841 AND I WANT TO RECOGNIZE ISSA RAE 395 00:27:04,841 --> 00:27:10,146 AND THE WRITERS ON "INSECURE." THANK YOU FOR THIS TREMENDOUS 396 00:27:10,146 --> 00:27:17,587 HONOR. THANK YOU SO MUCH. 397 00:27:17,587 --> 00:27:18,088 [ CHEERS AND APPLAUSE ] 398 00:27:18,088 --> 00:27:18,622 ♪ 399 00:27:18,622 --> 00:27:22,459 >> WHEN WE COME BACK, THE EMMY FOR OUTSTANDING DIRECTING IN A 400 00:27:22,459 --> 00:27:24,661 COMEDY SERIES. PLUS, WE FIND OUT WHO TAKES HOME 401 00:27:24,661 --> 00:27:26,096 THE GOLDEN LADY FOR SUPPORTING ACTOR IN A COMEDY SERIES. 402 00:27:26,096 --> 00:27:30,767 IT'S THE 2020 EMMYS, BABY, HERE ON ABC. 403 00:27:30,767 --> 00:27:35,538 >> YOU ARE WATCHING THE 72nd EMMY AWARDS ON ABC. 404 00:27:35,538 --> 00:27:39,276 AND NOW, FOR ANOTHER OUTSTANDING PERFORMANCE, BROUGHT TO YOU BY 405 00:27:39,276 --> 00:27:42,818 THE ALL‐NEW KIA K5. 406 00:27:43,813 --> 00:27:48,818 ♪ 407 00:27:48,818 --> 00:27:53,256 >>> WELCOME BACK TO THE EMMY. WE HAVE A LOT OF AWARDS TO GIVE 408 00:27:53,256 --> 00:27:55,725 OUT. AND I INTEND TO DO THAT AS SOON 409 00:27:55,725 --> 00:28:03,333 AS I GET THE NEXT BATCH OF ENVELOPES WHICH ARE DEFINITELY 410 00:28:03,333 --> 00:28:07,704 SUPPOSED TO BE HERE NOW. YOU'RE THE POSTMAN? 411 00:28:07,704 --> 00:28:08,772 WHAT HAPPENED TO COLIN? 412 00:28:08,772 --> 00:28:13,476 >> I'M THE NEW MAILMAN. 413 00:28:13,476 --> 00:28:18,248 OLD MAILMAN HAVE UNFORTUNATE ACCIDENT. 414 00:28:18,248 --> 00:28:18,682 >> I HOPE HE'S OKAY? 415 00:28:18,682 --> 00:28:19,349 >> HE IS NOT. 416 00:28:19,349 --> 00:28:21,084 >> WHAT'S YOUR NAME? 417 00:28:21,084 --> 00:28:21,685 >> DEREK. 418 00:28:21,685 --> 00:28:22,419 >> DEREK? 419 00:28:22,419 --> 00:28:23,987 >> YEAH, DEREK. 420 00:28:23,987 --> 00:28:26,890 >> WHERE ARE YOU FROM, DEREK? 421 00:28:26,890 --> 00:28:28,591 >> ST. PETERSBURG. 422 00:28:28,591 --> 00:28:29,159 >> RUSSIA? 423 00:28:29,159 --> 00:28:32,996 >> NO, FLORIDA. I'M FROM SUNSHINE STATE, WHERE 424 00:28:32,996 --> 00:28:36,199 THE OLD PEOPLE DIE, AND THE YOUNG PEOPLE WEAR THE TANK TOP. 425 00:28:36,199 --> 00:28:39,970 >> HOW LONG HAVE YOU BEEN WORKING FOR THE POST OFFICE, 426 00:28:39,970 --> 00:28:40,437 DEREK? 427 00:28:40,437 --> 00:28:43,473 >> I START JUST BEFORE ELECTION, 2016. 428 00:28:43,473 --> 00:28:44,908 MAY I PLEASE TAKE YOUR BALLOT? 429 00:28:44,908 --> 00:28:49,512 >> I'M NOT READY TO VOTE. I JUST NEED THE ENVELOPES. 430 00:28:49,512 --> 00:28:50,714 >> IT'S OKAY TO MAIL IN. 431 00:28:50,714 --> 00:28:54,718 >> I'LL DO THAT FROM MY HOUSE, THANK YOU. 432 00:28:54,718 --> 00:28:56,853 >> IT'S SO SAFE. YOU WILL NOT REGRET. 433 00:28:56,853 --> 00:29:00,156 >> WHAT IS YOUR LAST NAME, DEREK? 434 00:29:00,156 --> 00:29:02,392 >> MAGIC JOHNSON. 435 00:29:02,392 --> 00:29:08,131 >> DEREK MAGIC JOHNSON? OKAY. GIVE ME THE ENVELOPES. 436 00:29:08,131 --> 00:29:11,568 >> A LITTLE SOCIAL DISTANCE WOULD BE APPRECIATED. 437 00:29:11,568 --> 00:29:14,771 IT'S JUST THE NAME OF ACTORS, 438 00:29:14,771 --> 00:29:19,609 EUGENE LEVY, REGINA KING. 439 00:29:19,609 --> 00:29:21,411 >> DON'T SAY ISTHE ACTORS. 440 00:29:21,411 --> 00:29:27,217 >> DON'T WORRY. EVERYTHING IS OKAY AT THE USSPS. 441 00:29:27,217 --> 00:29:32,222 >> AND PLEASE THANK ALL THE MAIL CARRIERS FOR EVERYTHING YOU DO 442 00:29:32,222 --> 00:29:32,555 FOR US. 443 00:29:32,555 --> 00:29:36,159 >> LISTEN, YOU ARE MANY WELCOME. DON'T MENTION IT. 444 00:29:36,159 --> 00:29:36,760 >> OKAY. 445 00:29:36,760 --> 00:29:39,729 >> SERIOUSLY, DO NOT MENTION IT. 446 00:29:39,729 --> 00:29:42,198 >> OKAY. HERE ARE THE NOMINEES FOR 447 00:29:42,198 --> 00:29:45,235 OUTSTANDING DIRECTING FOR A COMEDY SERIES. 448 00:29:45,235 --> 00:29:48,538 >> AMY SHERMAN‐PALLADINO, "THE MARVELOUS MRS. MAISEL." 449 00:29:48,538 --> 00:29:51,975 "IT'S COMEDY OR CABBAGE." 450 00:29:51,975 --> 00:29:54,611 >> I WILL KILL YOUR CHILDREN. I WILL KILL THEM, DRESS UP IN 451 00:29:54,611 --> 00:30:00,650 YOUR CLOTHES, AND I WILL HAUNT YOU. 452 00:30:00,650 --> 00:30:06,022 >> MATT SHAKMAN, "THE GREAT." "PILOT." 453 00:30:06,022 --> 00:30:07,824 >> YOU DON'T TALK, MY LOVE. 454 00:30:07,824 --> 00:30:08,258 >> OF COURSE. 455 00:30:08,258 --> 00:30:13,563 >> JAMES BURROWS, "WILL & GRACE." "WE LOVE LUCY." 456 00:30:13,563 --> 00:30:15,865 >> IT'S SO TASTY, TOO. 457 00:30:15,865 --> 00:30:21,204 >> RAMY YOUSSEF, "RAMY." "MIAKHALIFA.MOV." 458 00:30:21,204 --> 00:30:23,606 >> TRUST ME, THIS MAN WAS CHOSEN. 459 00:30:23,606 --> 00:30:30,113 HE'S THE LeBRON JAMES OF PRAYING. 460 00:30:30,113 --> 00:30:31,648 >> ANDREW CIVIDINO, DANIEL LEVY, "SCHITT'S CREEK." 461 00:30:31,648 --> 00:30:32,482 "HAPPY ENDING." 462 00:30:32,482 --> 00:30:35,819 ♪ 463 00:30:35,819 --> 00:30:40,857 >> IS IT ME OR DO THEY LOOK LIKE HUSBAND AND WIFE? 464 00:30:40,857 --> 00:30:41,424 >> KIND OF. 465 00:30:41,424 --> 00:30:42,192 >> GAIL MANCUSO, "MODERN FAMILY." 466 00:30:42,192 --> 00:30:49,532 "FINALE PART 2." 467 00:30:49,532 --> 00:30:54,037 >> I DON'T WANT TO BE THE FIRST PERSON TO LET GO. IT WAS AWFUL. 468 00:30:54,037 --> 00:31:00,443 >> DANIEL PALLADINO, "THE MARVELOUS MRS. MAISEL." 469 00:31:00,443 --> 00:31:02,579 "MARVELOUS RADIO." 470 00:31:02,579 --> 00:31:04,447 >> HANDS. BELT BUCKLE. 471 00:31:04,447 --> 00:31:06,616 >> TUNA FISH. 472 00:31:06,616 --> 00:31:12,422 >> ALL RIGHT. THE KEY MATCHUP TO WATCH HERE, 473 00:31:12,422 --> 00:31:14,157 AMY SHERMAN‐PALLADINO VERSUS HER HUSBAND, DAN. 474 00:31:14,157 --> 00:31:16,426 WILL A MARRIAGE CRUMBLE BEFORE OUR EYES? 475 00:31:16,426 --> 00:31:24,267 WE'RE ABOUT TO FIND OUT. THE EMMY GOES TO ‐‐ 476 00:31:24,267 --> 00:31:32,142 ANDREW CIVIDINO, DANIEL LEVY, "SCHITT'S CREEK." 477 00:31:32,142 --> 00:31:32,575 ♪ 478 00:31:32,575 --> 00:31:44,420 [ CHEERS AND APPLAUSE ] 479 00:31:44,420 --> 00:31:47,790 >> ANDREW AND I MET IN FILM SCHOOL. 480 00:31:47,790 --> 00:31:52,395 I DROPPED OUT, HE STAYED IN. I DON'T KNOW WHAT THAT MESSAGE 481 00:31:52,395 --> 00:31:56,633 IS, BUT THIS IS A FEW CIRCLE MOMENT, GO, GO, GO. 482 00:31:56,633 --> 00:32:01,938 >> I JUST TOUCHED MY FACE, SO THIS IS TERRIBLE. 483 00:32:01,938 --> 00:32:08,878 THANK YOU TO POP, CBC, AND TO 484 00:32:08,878 --> 00:32:14,817 OUR UNFLAPPABLE D. O. P., AND I WANT TO SAY A SPECIAL THANK YOU 485 00:32:14,817 --> 00:32:19,822 TO CATHERINE O'HARA AND EUGENE LEVY, THEIR GRACE, THEIR GENIUS, 486 00:32:19,822 --> 00:32:26,629 AND THEIR GENEROSITY IS, IT BUBBLES THROUGH THE ENTIRE SET. 487 00:32:26,629 --> 00:32:30,066 THEY'RE ROLE MODELS. AND I WANT TO THANK DAN FOR 488 00:32:30,066 --> 00:32:33,903 INVITING ME INTO THE WORLD OF "SCHITT'S CREEK," A WORLD THAT 489 00:32:33,903 --> 00:32:38,608 IS DRIVEN BY LOVE, AND I'M VERY GRATEFUL THAT YOU LET ME INTO IT. 490 00:32:38,608 --> 00:32:39,075 THANK YOU. 491 00:32:39,075 --> 00:32:42,812 >> AND THANK YOU TO AN INCREDIBLE CAST, WHO MADE IT SO, 492 00:32:42,812 --> 00:32:43,613 SO EASY TO DIRECT. THANK YOU SO MUCH. 493 00:32:43,613 --> 00:32:52,121 [ CHEERS AND APPLAUSE ] 494 00:32:52,121 --> 00:32:57,727 >> YOU KNOW, WE'RE NOT JUST CELEBRATING OURSELVES TONIGHT. 495 00:32:57,727 --> 00:33:02,365 WE'RE ALSO SHINING A LIGHT ON DOCTORS, NURSES, TEACHERS, 496 00:33:02,365 --> 00:33:03,633 FARMERS, TRUCKERS ‐‐ PEOPLE WHO DO SO MUCH TO KEEP THIS COUNTRY 497 00:33:03,633 --> 00:33:04,534 GOING. TONIGHT, WE INVITED SOME OF 498 00:33:04,534 --> 00:33:07,503 THEM, OUR ESSENTIAL WORKERS, TO BE PART OF THE SHOW AND HAND OUT 499 00:33:07,503 --> 00:33:13,176 AWARDS TO THOSE WHO ARE MUCH LESS ESSENTIAL THAN THEY ARE. 500 00:33:13,176 --> 00:33:18,281 >> HEY, EVERYONE. I'M CINDY AND I'M A U. S. HISTORY 501 00:33:18,281 --> 00:33:20,183 TEACHER. I'M TEACHING HISTORY, LIVING 502 00:33:20,183 --> 00:33:23,219 THROUGH HISTORY, AND WHEN THE PANDEMIC STARTED, I THOUGHT, 503 00:33:23,219 --> 00:33:25,888 HEY, I'LL SEE MY KIDS IN A WEEK OR TWO. 504 00:33:25,888 --> 00:33:29,058 AND THEN THOSE WEEKS TURNED INTO MONTHS. 505 00:33:29,058 --> 00:33:32,862 I CAN'T WAIT TO COME BACK TO WORK JUST TO SEE THEIR FACES. 506 00:33:32,862 --> 00:33:37,100 SO TO MY FORMER AND CURRENT STUDENTS, I LOVE YOU. I MISS YOU. 507 00:33:37,100 --> 00:33:41,804 AND TO THE NOMINEES FOR OUTSTANDING SUPPORTING ACTORS IN 508 00:33:41,804 --> 00:33:44,474 A COMEDY SERIES, I LOVE Y'ALL, TOO. GOOD LUCK. 509 00:33:44,474 --> 00:33:51,914 HERE ARE THE NOMINEES. 510 00:33:51,914 --> 00:33:52,949 >> ANDRE BRAUGHER, "BROOKLYN NINE‐NINE." 511 00:33:52,949 --> 00:33:54,450 WILLIAM JACKSON HARPER, "THE GOOD PLACE." 512 00:33:54,450 --> 00:34:00,189 ALAN ARKIN, "THE KOMINSKY METHOD." STERLING K. BROWN, "THE 513 00:34:00,189 --> 00:34:01,491 MARVELOUS MRS. MAISEL." TONY SHALHOUB, "THE MARVELOUS 514 00:34:01,491 --> 00:34:06,429 MRS. MAISEL." MAHERSHALA ALI, "RAMY." 515 00:34:06,429 --> 00:34:12,268 KENAN THOMPSON, "SATURDAY NIGHT LIVE." 516 00:34:12,268 --> 00:34:15,104 DANIEL LEVY, "SCHITT'S CREEK." 517 00:34:15,104 --> 00:34:22,145 >> AND THE EMMY GOES TO ‐‐ DANIEL LEVY, "SCHITT'S CREEK." 518 00:34:22,145 --> 00:34:22,645 [ CHEERS AND APPLAUSE ] 519 00:34:22,645 --> 00:34:35,425 ♪ 520 00:34:35,425 --> 00:34:37,894 >> OH, NO. OKAY, THE INTERNET IS ABOUT TO 521 00:34:37,894 --> 00:34:42,732 TURN ON ME. I'M SO SORRY. OKAY, FIRST OF ALL, I WOULD NOT 522 00:34:42,732 --> 00:34:48,237 BE HERE IF IT WEREN'T FOR THE 523 00:34:48,237 --> 00:34:55,011 SIX‐YEAR MASTERCLASS LED BY TWO BRILLIANT COMEDIC MINDS, MY DAD, 524 00:34:55,011 --> 00:34:58,748 EUGENE LEVY, AND THE MAGNIFICENT 525 00:34:58,748 --> 00:35:06,255 CATHERINE O'HARA. THEY LED BY EXAMPLE, WITHOUT 526 00:35:06,255 --> 00:35:11,828 EGO, AND WITH EXCITEMENT. AS ACTORS, WE WERE GIVEN THE 527 00:35:11,828 --> 00:35:15,064 SAFETY AND SECURITY TO TRY, EXPERIMENT, AND GROW, BECAUSE OF 528 00:35:15,064 --> 00:35:19,302 YOU. SO THANK YOU. 529 00:35:19,302 --> 00:35:25,541 AND TO ANDY MURPHY, THANK YOU 530 00:35:25,541 --> 00:35:30,847 FOR YOUR UN UNBELIEVABLE WORK O THIS SHOW. 531 00:35:30,847 --> 00:35:36,919 AND THANK YOU TO MY INCREDIBLE TEAM, MICHAEL, KRISTEN, MEGAN, 532 00:35:36,919 --> 00:35:40,223 BRITT, EVERYBODY AT WME FOR FIELDING CALLS WHEN I WAS GOING 533 00:35:40,223 --> 00:35:42,658 NUTS. THIS IS A NIGHT TO REMEMBER, AND 534 00:35:42,658 --> 00:35:47,563 I CANNOT THANK THE ACADEMY ENOUGH FOR THEIR GENEROSITY. 535 00:35:47,563 --> 00:35:52,168 THIS IS COMPLETELY OVERWHELMING. AND I THANK YOU, THANK YOU, 536 00:35:52,168 --> 00:35:52,635 THANK YOU, THANK YOU. 537 00:35:52,635 --> 00:36:04,981 [ CHEERS AND APPLAUSE ] 538 00:36:04,981 --> 00:36:09,385 >> MULTITALENTED, FIERCELY OUTSPOKEN, AND ARTIST ON THE 539 00:36:09,385 --> 00:36:13,156 RISE, ZENDAYA. 540 00:36:13,156 --> 00:36:13,723 [ APPLAUSE ] 541 00:36:13,723 --> 00:36:17,260 >> TELEVISION HAS THE POWER TO INFLUENCE AND SHAPE OUR CULTURE. 542 00:36:17,260 --> 00:36:20,763 SOMETIMES IT CAN REFLECT WHO WE ARE OR DISTORT IT. 543 00:36:20,763 --> 00:36:25,435 FAR TOO OFTEN, IT FALLS SHORT OF IDEAL AND CHALLENGES US TO BE 544 00:36:25,435 --> 00:36:27,236 BETTER. WHEN THE POTENTIAL OF TELEVISION 545 00:36:27,236 --> 00:36:32,775 IS UNLOCKED, IT FORCES US TO RECOGNIZE THAT DESPITE OUR 546 00:36:32,775 --> 00:36:37,180 DIFFERENCES, WE SHARE AN UNBREAKABLE HUMAN BOND. 547 00:36:37,180 --> 00:36:41,217 AND WHEN WE SEE THAT, OUR DIFFERENCES CAN FADE AWAY. 548 00:36:41,217 --> 00:36:44,153 WHO DECIDES WHICH STORIES CAN BE TOLD? 549 00:36:44,153 --> 00:36:49,225 TRUTH IN STORYTELLING HAS TO LIE WITH THOSE WHO HAVE LIVED THOSE 550 00:36:49,225 --> 00:36:53,696 STORIES ON A DAILY BASIS. TAKE A LOOK AT WHAT HAPPENS WHEN 551 00:36:53,696 --> 00:37:00,102 YOU TRY TO TELL ISSA RAE NO. 552 00:37:00,102 --> 00:37:04,674 >> MY FIRST HOLLYWOOD PICTURE WAS KIND OF UNOFFICIAL. 553 00:37:04,674 --> 00:37:10,646 I HAVE THIS WEB SERIES, IT WAS THE THIRD I HAD EVER MADE. 554 00:37:10,646 --> 00:37:18,621 THE EXECUTIVE WAS LIKE, YES, I SAW YOUR SHOW. FUNNY STUFF. 555 00:37:18,621 --> 00:37:21,757 I WAS LIKE, UM, THANK YOU. HE WAS LIKE, IT'S ABOUT THIS 556 00:37:21,757 --> 00:37:24,527 BLACK WOMAN AND HER BLACK WOMAN PROBLEMS. HILARIOUS. 557 00:37:24,527 --> 00:37:29,799 I WAS LIKE, THAT'S NOT WHAT IT'S ABOUT, BUT OKAY. 558 00:37:29,799 --> 00:37:33,669 HE WAS LIKE, THE BLACK AUDIENCE WANTS TO SEE FAMILIAR FACES. 559 00:37:33,669 --> 00:37:35,705 YOU MIGHT NEED TO SWITCH UP THE CHARACTERS. 560 00:37:35,705 --> 00:37:39,108 AND MIND YOU, HE'S THIS EXECUTIVE WHO IS NOT BLACK 561 00:37:39,108 --> 00:37:41,611 TELLING ME WHAT BLACK PEOPLE LIKE. 562 00:37:41,611 --> 00:37:47,016 AND IT JUST BECAME VERY CLEAR TO ME THAT HE DIDN'T GET THE SHOW. 563 00:37:47,016 --> 00:37:51,621 AND I REMEMBER JUST FUMING IN THAT MEETING, LIKE, WHY DOES HE 564 00:37:51,621 --> 00:37:54,457 GET TO TELL ME WHAT GETS TO BE ON TV? 565 00:37:54,457 --> 00:37:58,194 WHY DOES HE GET TO TELL ME WHAT PEOPLE LIKE ME LIKE TO SEE? 566 00:37:58,194 --> 00:38:03,132 WHEN I'M HERE, I'M TELLING YOU WHAT I WANT TO SEE. I MADE IT. 567 00:38:03,132 --> 00:38:07,203 FOR ME THAT MOMENT WAS THE MOTIVATION I NEEDED TO KEEP 568 00:38:07,203 --> 00:38:10,139 DOING WHAT I WAS DOING. TO KIND OF BET ON MYSELF. 569 00:38:10,139 --> 00:38:14,410 THAT FUELED ME. LIKE, OKAY, I'LL SHOW YOU. 570 00:38:14,410 --> 00:38:18,247 AND, YOU KNOW, ONE OF US GOT FIRED AFTER THAT. 571 00:38:18,247 --> 00:38:19,515 ♪ 572 00:38:24,253 --> 00:38:27,321 ♪ 573 00:38:27,321 --> 00:38:32,192 >>> HI, I'M TIM LLOYD. THE LOVE THAT I'VE RECEIVED FROM 574 00:38:32,192 --> 00:38:36,397 MY CUSTOMERS HAS BEEN AWESOME. ESPECIALLY THE ONE THAT HAD A 575 00:38:36,397 --> 00:38:39,333 MASK MADE FOR ME. IT WAS HANGING ON THE DOOR WHEN 576 00:38:39,333 --> 00:38:44,204 I MADE A DELIVERY, AND IT ALMOST MADE ME CRY. 577 00:38:44,204 --> 00:38:47,341 I PULL UP, AND THEY SAY, WE'RE JUST CHECKING ON YOU. 578 00:38:47,341 --> 00:38:50,477 THEY'VE BEEN AWESOME. I LOVE BRINGING SMILES TO 579 00:38:50,477 --> 00:38:54,314 PEOPLE'S FACES. MUCH LIKE THE NOMINEES FOR 580 00:38:54,314 --> 00:38:58,719 OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES. 581 00:38:58,719 --> 00:39:03,457 >> BETTY GILPIN. 582 00:39:03,457 --> 00:39:10,697 DARCY CARDEN. 583 00:39:10,697 --> 00:39:18,472 ALEX BORSTEIN. KATE McKINNON. 584 00:39:18,472 --> 00:39:21,241 CECILY STRONG. ANNIE MURPHY. 585 00:39:21,241 --> 00:39:30,684 >> AND THE EMMY GOES TO ‐‐ ANNIE 586 00:39:30,684 --> 00:39:32,553 MURPHY, "SCHITT'S CREEK." 587 00:39:32,553 --> 00:39:33,053 [ CHEERS AND APPLAUSE ] 588 00:39:33,053 --> 00:39:45,432 ♪ 589 00:39:45,432 --> 00:39:47,000 >> OH, MY GOD. 590 00:39:47,000 --> 00:39:56,143 WOW, WOW, WOW. 591 00:39:56,143 --> 00:39:58,946 OH. THE SIX YEARS I'VE SPENT WORKING 592 00:39:58,946 --> 00:40:01,982 ON THIS SHOW HAVE BEEN THE BEST SIX YEARS OF MY ENTIRE LIFE. 593 00:40:01,982 --> 00:40:07,221 AND I'M SO, SO PROUD OF THE CAST AND THE CREW AND THE WRITERS AND 594 00:40:07,221 --> 00:40:13,427 I CAN'T BELIEVE THAT EUGENE AND CATHERINE ARE MY FRIENDS. 595 00:40:13,427 --> 00:40:19,433 AND I'M SO PROUD TO BE A PART OF A SHOW THAT STANDS FOR LOVE AND 596 00:40:19,433 --> 00:40:27,141 KINDNESS AND INCLUSIVITY AND 597 00:40:27,141 --> 00:40:28,842 AC ACCEPTANCE. WE NEED THOSE FOUR THINGS MORE 598 00:40:28,842 --> 00:40:32,179 THAN EVER RIGHT NOW. AND HI TO MY FAMILY AND FRIENDS. 599 00:40:32,179 --> 00:40:36,116 I LOVE YOU SO MUCH. THIS IS JUST REALLY, REALLY WILD. 600 00:40:36,116 --> 00:40:36,550 THANK YOU SO, SO MUCH. 601 00:40:36,550 --> 00:40:49,630 [ CHEERS AND APPLAUSE ] 602 00:40:49,630 --> 00:40:53,634 >> "SCHITT'S CREEK" HAS NOW WON 603 00:40:53,634 --> 00:40:58,639 17 EMMYS, TWO PEABODIES, AND I 604 00:40:58,639 --> 00:41:02,910 THINK A SOUL TRAIN AWARD. CONGRATULATIONS. 605 00:41:02,910 --> 00:41:04,545 HERE WITH OUR NEXT AWARD, A MAN WHO NEEDS NO INTRODUCTION, AND 606 00:41:04,545 --> 00:41:06,346 ALSO DOESN'T WANT ONE BECAUSE HE'S A VERY PRIVATE PERSON. 607 00:41:06,346 --> 00:41:06,914 SAY HELLO TO JASON SUDEIKIS. 608 00:41:06,914 --> 00:41:10,551 ♪ 609 00:41:10,551 --> 00:41:13,387 >> THANK YOU. THANK YOU, JIMMY. 610 00:41:13,387 --> 00:41:15,589 THE WINNER OF THIS EMMY CATEGORY WILL TAKE ITS PLACE AMONG SOME 611 00:41:15,589 --> 00:41:22,596 TRULY LEGENDARY SHOWS. 612 00:41:22,596 --> 00:41:25,399 SHOWS LIKE "I LOVE LUCY" AND ‐‐ REALLY? 613 00:41:25,399 --> 00:41:28,569 THIS CAN'T WAIT FIVE MINUTES? OKAY. SORRY, FOLKS, WE'RE LEGALLY 614 00:41:28,569 --> 00:41:31,171 OBLIGATED TO GET COVID TESTS EVERY HOUR. ACADEMY POLICY. 615 00:41:31,171 --> 00:41:36,276 BUT DON'T WORRY, YOU WON'T EVEN NOTICE SHE'S HERE. 616 00:41:36,276 --> 00:41:38,579 SO, ANY WAY, SOME TRULY LEGENDARY SHOWS. 617 00:41:38,579 --> 00:41:44,084 "I LOVE LUCY," "ALL IN THE 618 00:41:44,084 --> 00:41:50,691 FAMILY," "EVERYBODY LOVES RAYMOND," ‐‐ WOW, THAT'S DEEP. 619 00:41:50,691 --> 00:41:55,162 >> WHAT IS YOUR BIRTHDATE? 620 00:41:55,162 --> 00:41:57,231 >> I DON'T REMEMBER. I THINK YOU DENTED MY BRAIN. 621 00:41:57,231 --> 00:42:02,102 ARE WE DONE? NO BIG DEAL. ANYWAY, THE NOMINEES FOR 622 00:42:02,102 --> 00:42:04,504 OUTSTANDING COMEDY SERIES ARE ‐‐ 623 00:42:04,504 --> 00:42:09,843 >> "CURB YOUR ENTHUSIASM". 624 00:42:09,843 --> 00:42:16,183 >> IT'S FUNNY HAS HELL. I GAVE THEM AN EMMY‐WORTHY 625 00:42:16,183 --> 00:42:21,788 PERFORMANCE. AND THIS BEAUTIFUL, SEXY BALD 626 00:42:21,788 --> 00:42:28,629 MAN. J.B. SMOOVE. YEAH, LARRY, I'M STILL MAD YOU 627 00:42:28,629 --> 00:42:28,996 TRIPPED ME. 628 00:42:28,996 --> 00:42:35,369 >> IT'S SO NICE TO SEE A FEMALE BUDDY MURDER SOAP OPERA COMEDY, 629 00:42:35,369 --> 00:42:41,808 THAT'S NOT THE SAME OLD, TIRED FEMALE BUDDY MURDER SOAP OPERA 630 00:42:41,808 --> 00:42:45,812 COMEDY WE'VE ALL SEEN BEFORE. LINDA, I'M SO PROUD OF YOU. 631 00:42:45,812 --> 00:42:47,247 I LOVE THE SHOW. 632 00:42:47,247 --> 00:42:52,719 >> I CAN'T SCREEN RECORD. FORK! WE HAD ONE THING TO DO. 633 00:42:52,719 --> 00:42:54,688 THIS IS DARCY'S BIG NIGHT. 634 00:42:54,688 --> 00:42:59,293 >> ALL I WANTED TO SAY WAS CONGRATULATIONS. 635 00:42:59,293 --> 00:43:03,063 SHE'S ONE OF OUR BEST FRIENDS. 636 00:43:03,063 --> 00:43:05,899 >> AND "THE GOOD PLACE" IS ‐‐ IT IS WORKING. 637 00:43:05,899 --> 00:43:07,034 >> OH, FORK. 638 00:43:07,034 --> 00:43:13,507 >> WHO THE BEST? IT'S YOU. BLACK GIRL MAGIC. 639 00:43:13,507 --> 00:43:21,081 MY GIRLS DO THEIR DUTY. 640 00:43:21,081 --> 00:43:25,852 THE IN AND OUT OF LOVE IS OH, SO CUTE TO SEE. 641 00:43:25,852 --> 00:43:33,493 AND IN THE LOVE SCENES, THEY SHOW THE BOY'S BOOTY. 642 00:43:33,493 --> 00:43:33,994 >> GAB? 643 00:43:33,994 --> 00:43:38,832 >> I GOT TO GO. GO "INSECURE." 644 00:43:38,832 --> 00:43:46,440 >> I SEE IT'S ALAN ARKIN AND MICHAEL DOUGLAS, TWO PEOPLE I 645 00:43:46,440 --> 00:43:48,575 WORKED WITH, WITH GREAT PLEASURE. AND, YOU KNOW, THOSE TWO, I 646 00:43:48,575 --> 00:43:54,448 THINK THEY HAVE A VERY GOOD FUTURE. 647 00:43:54,448 --> 00:44:06,326 >> A 1950s SOCIALITE, AND AN NFL 648 00:44:06,326 --> 00:44:11,298 PLAYER, WHAT DO THEY HAVE IN COMEDY? 649 00:44:11,298 --> 00:44:16,970 THEY BOTH LOVE SACHS, OR SACKS. 650 00:44:16,970 --> 00:44:22,342 >> THEY NAME‐CHECKED ME. AND I MET THE CAST BACKSTAGE AT 651 00:44:22,342 --> 00:44:26,413 A SHOW IN ITALY. AND I FOUND OUT DANIEL LEVY WAS 652 00:44:26,413 --> 00:44:28,582 NAMED AFTER ONE OF MY SONGS. 653 00:44:28,582 --> 00:44:30,650 >> OUR FAVORITE SHOW, "WHAT WE 654 00:44:30,650 --> 00:44:37,290 DO IN THE SHADOWS" GOT NOMINATED 655 00:44:37,290 --> 00:44:41,395 FOR SO MANY EMMYS. IT RECEIVED ONE, TWO, THREE, 656 00:44:41,395 --> 00:44:45,031 FOUR, FIVE, SIX, SEVEN, EIGHT, 657 00:44:45,031 --> 00:44:52,372 EIGHT NOMINATIONS! 658 00:44:52,372 --> 00:44:52,906 [ LAUGHTER ] 659 00:44:52,906 --> 00:44:53,473 [ APPLAUSE ] 660 00:44:53,473 --> 00:44:58,578 >> AND THE EMMY GOES TO ‐‐ WHEN DO I GET THE RESULTS, BY THE WAY? 661 00:44:58,578 --> 00:44:59,913 >> THREE TO SIX WEEKS. 662 00:44:59,913 --> 00:45:04,718 >> VERY HELPFUL. OKAY, THE EMMY GOES TO ‐‐ 663 00:45:04,718 --> 00:45:05,118 "SCHITT'S CREEK"! 664 00:45:05,118 --> 00:45:06,319 [ CHEERS AND APPLAUSE ] 665 00:45:06,319 --> 00:45:22,402 ♪ 666 00:45:24,438 --> 00:45:30,343 >> OH, MY GOODNESS. WE GET ONE OF THESE? 667 00:45:30,343 --> 00:45:37,050 OH, BOY. OUR SHOW AT ITS CORE IS ABOUT 668 00:45:37,050 --> 00:45:44,024 THE TRANSFORMATIONAL EFFECTS OF LOVE AND ACCEPTANCE. 669 00:45:44,024 --> 00:45:47,394 WE NEED IT NOW MORE THAN EVER BEFORE. 670 00:45:47,394 --> 00:45:52,432 IF YOU HAVE NOT REGISTERED TO VOTE, PLEASE DO SO, AND THEN GO 671 00:45:52,432 --> 00:45:56,036 OUT AND VOTE. THAT'S THE ONLY WAY WE NEED LOVE 672 00:45:56,036 --> 00:46:00,006 AND ACCEPTANCE OUT THERE. DAD, DO THE REST OF THE FUN 673 00:46:00,006 --> 00:46:02,142 STUFF, SORRY FOR MAKING THIS POLITICAL. 674 00:46:02,142 --> 00:46:06,980 >> I WANT TO THANK OUR GOOD FRIEND PETER, WHO WAS SO 675 00:46:06,980 --> 00:46:12,118 INSTRUMENTAL IN PUTTING THIS ALL TOGETHER, AND GETTING US OFF THE 676 00:46:12,118 --> 00:46:14,888 GROUND. I WANT TO THANK SALLY AND EVERYONE AT CBC. 677 00:46:14,888 --> 00:46:20,494 I WANT TO THANK THE CMF, BRAD 678 00:46:20,494 --> 00:46:26,867 SCHWARTZ AND POPTV, AND OUR DISTR 679 00:46:26,867 --> 00:46:30,971 DISTRIBUTOR, ITV, AND NETFLIX FOR THE SPARK THAT SEEMED TO 680 00:46:30,971 --> 00:46:33,907 START EVERYTHING. I ALSO WANT TO THANK ONCE AGAIN 681 00:46:33,907 --> 00:46:38,678 THIS YOUNG MAN, WHO TOOK OUR FISH OUT OF WATER STORY ABOUT 682 00:46:38,678 --> 00:46:44,050 THE ROSE FAMILY AND TRANSFORMED IT INTO A CELEBRATION OF 683 00:46:44,050 --> 00:46:49,689 INCLUSIVITY, A CASTIGATION OF HOMOPHOBIA, AND A DECLARATION OF 684 00:46:49,689 --> 00:46:52,259 THE POWER OF LOVE. THANK YOU, DANIEL. 685 00:46:52,259 --> 00:46:53,894 THANK YOU, ACADEMY, THANK YOU. 686 00:46:53,894 --> 00:46:56,296 >> AND THANK YOU TO A TREMENDOUS CAST. 687 00:46:56,296 --> 00:47:02,102 WE'RE SO PROUD TO BE ACCEPTING THIS AWARD WITH SO MANY OF OUR 688 00:47:02,102 --> 00:47:06,273 CAST AND CREW MEMBERS. AND EVERYONE AT HOME, THIS IS 689 00:47:06,273 --> 00:47:08,775 FOR ALL OF YOU WHO SHOWED UP AND DID IT 110%. 690 00:47:08,775 --> 00:47:13,346 I'M SO PROUD TO BE ABLE TO ACCEPT THIS AWARD IN CANADA WITH 691 00:47:13,346 --> 00:47:18,218 OUR CANADIAN CAST AND CREW. THANK YOU SO, SO, SO MUCH. 692 00:47:18,218 --> 00:47:24,891 [ CHEERS AND APPLAUSE ] 693 00:47:24,891 --> 00:47:29,963 >> I DON'T KNOW ABOUT YOU, BUT I'VE HAD ENOUGH OF THIS CANADIAN 694 00:47:29,963 --> 00:47:37,304 STUFF. THE KACANADIANS HAVE WON ALL TH 695 00:47:37,304 --> 00:47:40,874 STUFF TONIGHT. "SCHITT'S CREEK" WON SEVEN ‐‐ 696 00:47:40,874 --> 00:47:43,777 OH, THEY FELL JUST SHORT. THIS IS A KILLER. 697 00:47:43,777 --> 00:47:50,116 IF THEY HAD WON ONE MORE EMMY, 698 00:47:50,116 --> 00:47:56,022 THEY WOULD HAVE BEEN ABLE TO TRADE THEM IN FOR THIS, A 699 00:47:56,022 --> 00:47:58,758 STANLEY CUP. BUT THEY DIDN'T, SO WE'LL KEEP 700 00:47:58,758 --> 00:48:02,162 IT HERE FOR ANOTHER 27 YEARS. SORRY, CANADA. 701 00:48:02,162 --> 00:48:04,731 WE'LL BE BACK, WITH A MAGIC BOX. > IT'S D‐NICE HERE WITH AN EMMY 702 00:48:04,731 --> 00:48:08,501 DELIVERY UPDATE, LIVE FROM THE STAPLES CENTER. CHECK THIS OUT. 703 00:48:08,501 --> 00:48:10,704 FOR HEALTH AND SAFETY REASONS, THE WINNERS AREN'T HERE TONIGHT, 704 00:48:10,704 --> 00:48:17,670 BUT THEY STILL NEED THEIR EMMYS, SO KIA HAS PROVIDED US WITH NEW 705 00:48:17,670 --> 00:48:20,492 K5 CARS TO DELIVER EMMYS TO THE WINNERS AT THEIR HOMES. 706 00:48:20,492 --> 00:48:25,686 AND RIGHT NOW, THEY'RE OUT ON THE STREETS FOR DELIVERY. 707 00:48:25,686 --> 00:48:27,354 TRYING TO GET THEM TO THE WINNERS. COME ON, LET'S GO. 708 00:48:27,354 --> 00:48:30,424 ♪ 709 00:48:33,058 --> 00:48:38,178 ♪ 710 00:48:38,178 --> 00:48:45,018 >>> TRUMP SHOULD HAVE BUILT THAT WALL ON THE NORTHERN BORDER. 711 00:48:45,018 --> 00:48:48,955 HAS THE PRESIDENT TWEETED ABOUT US YET? 712 00:48:48,955 --> 00:48:52,759 IT'S SUNDAY, HE'S PROBABLY AT CHURCH. 713 00:48:52,759 --> 00:48:53,727 BECAUSE OF THE PANDEMIC, WE'RE MIXING IT UP. 714 00:48:53,727 --> 00:48:55,328 THIS YEAR, WE HAD TO GET CREATIVE ABOUT HOW TO GET THE 715 00:48:55,328 --> 00:48:56,363 TROPHIES TO THE WINNERS. SO THE EMMYS RESEARCH AND 716 00:48:56,363 --> 00:48:57,898 DEVELOPMENT TEAM, WHICH IS A DEDICATED GROUP OF SCIENTISTS 717 00:48:57,898 --> 00:49:00,133 WITH SPRAY TANS, CAME UP WITH THIS BOX. 718 00:49:00,133 --> 00:49:04,137 EACH NOMINEE IN THIS CATEGORY, WHICH INCLUDES ME, HAS ONE OF 719 00:49:04,137 --> 00:49:07,040 THESE BOXES. ONLY THE WINNER'S BOX CONTAINS 720 00:49:07,040 --> 00:49:08,141 AN EMMY. IT WILL BE OPENED BY REMOTE 721 00:49:08,141 --> 00:49:13,647 CONTROL AND AN EMMY WILL POP OUT OF THE BOX. 722 00:49:13,647 --> 00:49:19,920 TREVOR, SAMANTHA, STEPHEN, JOHN, DO YOU HAVE YOUR BOXES? 723 00:49:19,920 --> 00:49:28,128 BY THE WAY, ONLY ONE AMERICAN, I 724 00:49:28,128 --> 00:49:29,229 SEE YOU THERE, STEPHEN. THE PRODUCERS HAVE ASSURED ME 725 00:49:29,229 --> 00:49:30,430 THAT THIS IS GOING TO WORK, WHICH MEANS THIS IS NOT GOING TO 726 00:49:30,430 --> 00:49:37,404 WORK. OUR NEXT PRESENTER, HE HAD THE 727 00:49:37,404 --> 00:49:42,242 FORESIGHT TO GROW A VIRUS BEARD FOUR FULL YEARS BEFORE THE 728 00:49:42,242 --> 00:49:46,079 PANDEMIC. PLEASE WELCOME THE PRIDE OF 729 00:49:46,079 --> 00:49:51,418 INDIANAPOLIS, DAVID LETTERMAN, TO PRESENT THE EMMY FOR 730 00:49:51,418 --> 00:49:53,954 OUTSTANDING VARIETY TALK SERIES. 731 00:49:53,954 --> 00:49:54,454 >> GET OUT OF HERE! 732 00:49:54,454 --> 00:49:59,559 >> IT'S NOT ALBANY. I SAID I WANTED TO GO TO NEWARK. 733 00:49:59,559 --> 00:50:01,728 WHY ARE YOU BEING MEAN TO ME? 734 00:50:01,728 --> 00:50:03,063 >> I HATE YOU! 735 00:50:03,063 --> 00:50:05,031 >> I HATE YOU. 736 00:50:05,031 --> 00:50:09,269 >> THANKS A LOT, UBER. 737 00:50:09,269 --> 00:50:17,110 HI, I'M DAVE LETTERMAN. GUESS I'LL WAIT A SECOND FOR THE 738 00:50:17,110 --> 00:50:21,481 VIRTUAL APPLAUSE TO DIE DOWN. HOW ABOUT A NICE HAND FOR JIMMY 739 00:50:21,481 --> 00:50:23,750 KIMMEL AND SHELLEY LONG. I THINK THE KIDS ARE DOING A 740 00:50:23,750 --> 00:50:29,222 GREAT JOB. KEEP UP THE GOOD WORK. BY THE WAY, REGIS, I CHECKED, 741 00:50:29,222 --> 00:50:34,528 YOU'RE IN THE MONTAGE, BUDDY. THANK YOU, SIR. 742 00:50:34,528 --> 00:50:37,130 OH, THIS TUXEDO, THE LAST TIME I 743 00:50:37,130 --> 00:50:44,938 WORE IT WAS IN 1986, WHEN I HOSTED THE EMMY. 744 00:50:44,938 --> 00:50:49,543 HERE'S WHAT I FOUND IN THE POCKETS, JOKES FROM 1986. 745 00:50:49,543 --> 00:50:52,579 I'M GOING TO READ THEM, THEY'LL BE A LOT OF FUN. 746 00:50:52,579 --> 00:50:56,049 >> YOU SUCK! 747 00:50:56,049 --> 00:51:02,656 >> 1986, SO MANY STARS, SO MUCH COCAINE. 748 00:51:02,656 --> 00:51:07,861 NEIL DIAMOND IS HERE TONIGHT, WHERE DID YOU GO FOR THAT SPRAY 749 00:51:07,861 --> 00:51:14,000 TAN, CHERNOBYL? 1986. 750 00:51:14,000 --> 00:51:18,772 OLIVER NORTH AND ANGELA LANSBURY 751 00:51:18,772 --> 00:51:26,012 HAVE A NEW SHOW, TRADING ARMS FOR HOSTAGES, SHE WROTE. 752 00:51:26,012 --> 00:51:30,750 I NEED THE ENVELOPE. THANK YOU VERY MUCH. 753 00:51:30,750 --> 00:51:35,956 OKAY, THE NOMINEES ARE ‐‐ "FULL FRONTAL WITH SAMANTHA BEE." 754 00:51:35,956 --> 00:51:38,024 SAMANTHA BEE. "JIMMY KIMMEL LIVE!" 755 00:51:38,024 --> 00:51:40,627 "LAST WEEK TONIGHT WITH JOHN OLIVER." 756 00:51:40,627 --> 00:51:46,333 "THE DAILY SHOW WITH TREVOR NOAH." 757 00:51:46,333 --> 00:51:51,438 aND "THE LATE SHOW WITH STEPHEN COLBERT." AND THE EMMY GOES TO ‐‐ 758 00:51:51,438 --> 00:51:53,974 "LAST WEEK TONIGHT WITH JOHN OLIVER." 759 00:51:53,974 --> 00:51:59,879 CONGRATULATIONS, EVERYBODY. GOOD NIGHT. 760 00:51:59,879 --> 00:52:01,982 ♪ 761 00:52:01,982 --> 00:52:07,954 [ CHEERS AND APPLAUSE ] 762 00:52:07,954 --> 00:52:09,222 >> THANK YOU. THANK YOU SO MUCH. 763 00:52:09,222 --> 00:52:13,693 THANK YOU SO MUCH TO THE ACADEMY FOR SENDING WHAT IS TECHNICALLY 764 00:52:13,693 --> 00:52:20,100 A SMALL BOMB TO MY HOUSE. THE WAY THIS YEAR HAS GONE, I 765 00:52:20,100 --> 00:52:27,974 WOULDN'T HAVE BEEN SURPRISED IF IT BLEW THIS ROOM UP AND CAUSED 766 00:52:27,974 --> 00:52:30,510 A SMALL WILDFIRE. THANK YOU TO ALL OF OUR STAFF, 767 00:52:30,510 --> 00:52:35,949 IN FACT, ALL OF US AT THESE 768 00:52:35,949 --> 00:52:41,988 VARIETY SHOWS, WE'VE ALL BEEN FORTUNATE NOT TO STOP DURING THE 769 00:52:41,988 --> 00:52:43,823 PANDEMIC. WE'VE BEEN INCREDIBLY LUCKY, AND 770 00:52:43,823 --> 00:52:48,995 IT'S ONLY BECAUSE OF OUR STAFF AND HOW HARD THEY'VE WORKED. 771 00:52:48,995 --> 00:52:55,669 NONE OF US ARE TECHNICALLY GIFTED, AND THEY HAD TO TALK TO 772 00:52:55,669 --> 00:53:00,073 ME ACROSS ZOOM AS IF I WAS A PASSENGER ON A PLANE WITH A 773 00:53:00,073 --> 00:53:05,045 PILOT WHO HAS JUST PASSED OUT. CALMLY TRYING TO TALK ME THROUGH 774 00:53:05,045 --> 00:53:09,182 IT, THAT EVERYTHING WILL BE OKAY. I'D LIKE TO THANK HBO, 775 00:53:09,182 --> 00:53:12,419 ESPECIALLY NINA. I WANT TO THANK MY WIFE KATE, I 776 00:53:12,419 --> 00:53:16,790 LOVE YOU VERY MUCH. SHE'S DONE MY MAKEUP, SHE'S KEPT 777 00:53:16,790 --> 00:53:19,759 A 4‐YEAR‐OLD AND A 2‐YEAR‐OLD OUT OF THIS ROOM AS I'VE BEEN 778 00:53:19,759 --> 00:53:23,897 TRYING TO DO THE SHOW. MY 4‐YEAR‐OLD AT ONE POINT DID 779 00:53:23,897 --> 00:53:28,368 BURST IN AND SAY, DAD, WHO ARE YOU TALKING TO? I SAID, NOBODY. 780 00:53:28,368 --> 00:53:35,608 HE SAID, WHAT ARE YOU TALKING ABOUT? I SAID, POLICE BRUTALITY. 781 00:53:35,608 --> 00:53:41,014 HE SAID, THAT DOESN'T SOUND FUN, AND HE WAS RIGHT. 782 00:53:41,014 --> 00:53:47,020 THANK YOU TO MY STAFF. I HAVEN'T SEEN YOU IN SIX MON 783 00:53:47,020 --> 00:53:51,758 MONTHS, I MISS YOU SO MUCH. THANK YOU TO HBO, TO MY WIFE, TO 784 00:53:51,758 --> 00:53:55,128 ALL THE OTHER HOSTS AND THE OTHER HOSTS' STAFF FOR WORKING 785 00:53:55,128 --> 00:53:59,833 SO HARD. THANKS A LOT. GOOD NIGHT. 786 00:53:59,833 --> 00:54:06,439 [ APPLAUSE ] 787 00:54:06,439 --> 00:54:07,741 THIS IS VERY CREEPY. 788 00:54:07,741 --> 00:54:11,578 >> I SEE JOHN'S STAFF ALL THE TIME. 789 00:54:11,578 --> 00:54:15,849 I'M JUST GOING TO CHECK MY BOX TO MAKE SURE THERE WASN'T A 790 00:54:15,849 --> 00:54:19,152 MISTAKE. OH, LOOK AT THAT. 791 00:54:19,152 --> 00:54:25,925 PARTICIPATION AWARD. AND YOUNG SHELDON, SEASONS ONE 792 00:54:25,925 --> 00:54:31,264 AND TWO ON DVD. OH, BLU‐RAY, EVEN BETTER. 793 00:54:31,264 --> 00:54:35,802 CONGRATULATIONS TO JOHN OLIVER, 794 00:54:35,802 --> 00:54:41,407 I WILL BE REPORTING HIM TO I.C.E. TOMORROW. 795 00:54:41,407 --> 00:54:43,076 THE NEXT EMMY IS FOR OUTSTANDING LEAD ACTRESS IN A LIMITED SERIES 796 00:54:43,076 --> 00:54:44,210 OR MOVIE. THIS CATEGORY HAS BEEN AROUND 797 00:54:44,210 --> 00:54:45,779 SINCE 1955, BUT THIS IS THE FIRST YEAR THE WINNER WILL BE 798 00:54:45,779 --> 00:54:48,815 ABLE TO CELEBRATE WITH HER CATS. HERE ARE THE NOMINEES. 799 00:54:48,815 --> 00:54:52,452 >> KERRY WASHINGTON. 800 00:54:52,452 --> 00:54:59,793 >> IT FELT LIKE EXACTLY HOW I FELT. IT FELT LIKE THE END OF THE 801 00:54:59,793 --> 00:55:01,528 WORLD. 802 00:55:01,528 --> 00:55:04,631 >> CATE BLANCHETT. 803 00:55:04,631 --> 00:55:08,935 >> THEY SAY WOMEN ARE LIKE TEA BAGS. 804 00:55:08,935 --> 00:55:13,606 YOU DON'T KNOW THEIR STRENGTH UNTIL THEY GET INTO HARD WATER. 805 00:55:13,606 --> 00:55:18,578 >> OCTAVIA SPENCER. 806 00:55:18,578 --> 00:55:23,883 >> YOU ARE ALL ACCOMPLISHED WOMEN WITH COLLEGE DEGREES. 807 00:55:23,883 --> 00:55:27,787 MOST OF YOU ARE SMARTER THAN YOUR HUSBANDS. 808 00:55:27,787 --> 00:55:31,791 GO OUT THERE WHERE ALL THE ACTION IS. 809 00:55:31,791 --> 00:55:32,425 >> REGINA KING. 810 00:55:32,425 --> 00:55:34,761 >> BECAUSE IF YOU KNOW EVERYTHING THAT IS GOING TO 811 00:55:34,761 --> 00:55:38,665 HAPPEN, WHAT IS THERE TO BE AFRAID OF? WHAT IS THERE TO RISK? 812 00:55:38,665 --> 00:55:43,736 I'M TAKING A RISK. 813 00:55:43,736 --> 00:55:47,740 >> SHIRA HAAS. 814 00:55:47,740 --> 00:55:55,748 ♪ 815 00:55:55,748 --> 00:56:00,620 [ APPLAUSE ] 816 00:56:00,620 --> 00:56:04,757 >> GREAT PERFORMANCES. ONE OF YOU IS ABOUT TO RECEIVE A 817 00:56:04,757 --> 00:56:08,094 KNOCK ON YOUR DOOR. COULD BE AN EMMY. 818 00:56:08,094 --> 00:56:14,400 COULD BE CHINESE FOOD. THE EMMY GOES TO REGINA 819 00:56:14,400 --> 00:56:16,269 KING, "WATCHMEN." 820 00:56:16,269 --> 00:56:16,769 [ CHEERS AND APPLAUSE ] 821 00:56:16,769 --> 00:56:23,676 ♪ 822 00:56:23,676 --> 00:56:31,484 >> WOW. 823 00:56:31,484 --> 00:56:38,992 THIS ‐‐ THIS IS SO FREAKING WEIRD. 824 00:56:38,992 --> 00:56:44,130 OH. MY SISTERS, IT'S AN HONOR TO BE 825 00:56:44,130 --> 00:56:51,337 IN THIS CATEGORY WITH YOU. I TRULY LOVE BEING A THESPIAN. 826 00:56:51,337 --> 00:56:55,808 THANK YOU, TELEVISION ACADEMY, 827 00:56:55,808 --> 00:57:01,915 FOR CHOOSING ME TO REPRESENT THE THESPIAN COMMUNITY. 828 00:57:01,915 --> 00:57:07,587 DAMON, I LOVE YOU, BROTHER. MAN, THANK YOU FOR YOUR 829 00:57:07,587 --> 00:57:11,691 BRILLIANT MIND. THANK YOU FOR CHOOSING ALL OF US 830 00:57:11,691 --> 00:57:16,596 TO JOIN THIS JOURNEY AS YOU STEPPED OUTSIDE OF YOUR COMFORT 831 00:57:16,596 --> 00:57:22,302 ZONE. AND LED US ON A JOURNEY WHERE WE 832 00:57:22,302 --> 00:57:23,970 COULD BRING ART TO TRUTH TO POWER. 833 00:57:23,970 --> 00:57:29,375 THE WRITING TEAM, STACEY, NICK, 834 00:57:29,375 --> 00:57:36,182 CLAIRE, LYLA, PETER, WARNER BROTHERS, HBO. 835 00:57:36,182 --> 00:57:41,754 YOU GOT TO VOTE. I WOULD BE REMISS NOT TO MENTION 836 00:57:41,754 --> 00:57:48,661 THAT, BEING A PART OF A SHOW LIKE "WATCHMEN." 837 00:57:48,661 --> 00:57:54,567 HAVE A VOTING PLAN, VOTE UP THE BALLOT, PLEASE. 838 00:57:54,567 --> 00:58:02,408 GO TO BALLOTPEDIA.COM, AND IT'S VERY IMPORTANT. BE A GOOD HUMAN. 839 00:58:02,408 --> 00:58:04,143 REST IN POWER, RBG. AND THANK YOU. 840 00:58:04,143 --> 00:58:07,447 [ CHEERS AND APPLAUSE ] 841 00:58:07,447 --> 00:58:13,386 ♪ 842 00:58:13,386 --> 00:58:15,421 >> ‐‐ IN A LIMITED SERIES OR MOVIE, AND WAY, WAY MORE. 843 00:58:15,421 --> 00:58:18,291 IT'S THE EMMYS 2020 AND WE ARE DOING IT. LET'S GO. 844 00:58:18,291 --> 00:58:18,691 ♪ 845 00:58:22,595 --> 00:58:26,566 ♪ 846 00:58:26,566 --> 00:58:27,900 >>> WE'RE BACK. 847 00:58:27,900 --> 00:58:35,141 HERE ARE THE NOMINEES FOR LEAD ACTOR IN A LIMIT SERIES OR 848 00:58:35,141 --> 00:58:42,615 MOVIE. 849 00:58:42,615 --> 00:58:46,319 >> PAUL MESCAL, "NORMAL PEOPLE." 850 00:58:46,319 --> 00:58:46,953 >> I DON'T THINK PEOPLE LIKE ME. 851 00:58:46,953 --> 00:58:50,023 >> MARK RUFFALO, "I KNOW THIS MUCH IS TRUE." 852 00:58:50,023 --> 00:58:56,662 >> THAT LOOKS GOOD, BUDDY. 853 00:58:56,662 --> 00:59:00,299 >> HUGH JACKMAN, "BAD EDUCATION." 854 00:59:00,299 --> 00:59:06,372 >> SO WHAT HAPPENS WHEN OUR NEXT BUDGET GOES UP FOR APPROVAL IN 855 00:59:06,372 --> 00:59:10,309 MAY? THE ONE THAT GETS US TO FIRST, 856 00:59:10,309 --> 00:59:10,643 WHAT HAPPENS? 857 00:59:10,643 --> 00:59:14,313 >> JEREMY POPE, "HOLLYWOOD." 858 00:59:14,313 --> 00:59:19,452 >> I'M SORRY I FOUGHT YOU. I WAS FIGHTING THEIR FIGHT. 859 00:59:19,452 --> 00:59:26,526 BUT NOW IT'S TIME TO FIGHT OURS. 860 00:59:26,526 --> 00:59:27,460 >> JEREMY IRONS, "WATCHMEN." 861 00:59:27,460 --> 00:59:34,801 >> ALL BEST WISHES AND ENCOURAGEMENT. 862 00:59:34,801 --> 00:59:36,903 ADRIAN VOIGHT. 863 00:59:36,903 --> 00:59:42,075 [ CHEERS AND APPLAUSE ] 864 00:59:42,075 --> 00:59:48,648 >> AND THE EMMY GOES TO ‐‐ WELL, 865 00:59:48,648 --> 00:59:53,319 NOW WE KNOW WHO WOULD WIN A BATTLE BETWEEN THE HULK AND 866 00:59:53,319 --> 00:59:58,491 WOLVERINE. MARK RUFFALO, "I KNOW THIS MUCH 867 00:59:58,491 --> 01:00:00,393 IS TRUE." 868 01:00:00,393 --> 01:00:00,893 [ CHEERS AND APPLAUSE ] 869 01:00:00,893 --> 01:00:09,702 ♪ 870 01:00:09,702 --> 01:00:13,439 >> WOW. OKAY. 871 01:00:13,439 --> 01:00:21,414 TO BE WITH THESE GUYS, PAUL AND HUGH AND JEREMY AND JEREMY, IT'S 872 01:00:21,414 --> 01:00:27,220 SUCH AN HONOR. SUCH BEAUTIFUL PERFORMERS THIS 873 01:00:27,220 --> 01:00:31,891 YEAR AND BEAUTIFUL PEOPLE. I WANT TO THANK HBO, I'M COMING 874 01:00:31,891 --> 01:00:36,863 TO YOU FROM ANCESTRAL LAND IN UPSTATE NEW YORK. 875 01:00:36,863 --> 01:00:43,469 HBO, THE ACADEMY, THANK YOU SO MUCH. DEREK, YOU DID SOMETHING 876 01:00:43,469 --> 01:00:45,738 BEAUTIFUL. I COULDN'T HAVE DONE IT WITHOUT 877 01:00:45,738 --> 01:00:48,808 YOU. IT WAS A GREAT COLLABORATION. 878 01:00:48,808 --> 01:00:54,247 YOU'RE MY BROTHER AND MY FRIEND. THE REST OF THE CAST, YOU GAVE 879 01:00:54,247 --> 01:00:57,250 CAREER‐DEFINING PERFORMANCES. YOU'RE THE BEST OF THE BEST. 880 01:00:57,250 --> 01:01:00,553 AND I BELIEVE THAT GREAT ACTING HAPPENS BETWEEN PERFORMERS IN 881 01:01:00,553 --> 01:01:02,955 THE MOMENT. I CAN'T BE UP HERE RIGHT NOW 882 01:01:02,955 --> 01:01:07,527 WITHOUT YOU BEING HERE. THIS IS AS MUCH FOR YOU AS IT IS 883 01:01:07,527 --> 01:01:09,128 FOR ME. I'M SENDING IT TO YOU FOR PART 884 01:01:09,128 --> 01:01:10,830 OF THE YEAR FOR THE REST OF MY LIFE. 885 01:01:10,830 --> 01:01:13,499 THE CREW, WE HAD THE BEST CREW IN THE WORLD. 886 01:01:13,499 --> 01:01:17,403 IT WAS A HARD SHOOT. YOU CARRIED US EVERY DAY WITH 887 01:01:17,403 --> 01:01:21,140 GRIT, DETERMINATION, DIGNITY, AND CLASS. YOU HELD ME UP. 888 01:01:21,140 --> 01:01:24,243 YOU KNOW WHAT I'M TALKING ABOUT. I LOVE YOU. 889 01:01:24,243 --> 01:01:27,813 OUR STORY WAS ABOUT A MAN, IT'S ABOUT FAMILY. 890 01:01:27,813 --> 01:01:31,317 IT'S ABOUT A MAN WHO IS FIGHTING FOR HIS BROTHER WHO IS LIVING 891 01:01:31,317 --> 01:01:37,223 WITH MENTAL ILLNESS. IT'S A STORY THAT IS COMMON 892 01:01:37,223 --> 01:01:38,891 THROUGHOUT SO MUCH OF THE WORLD TODAY. 893 01:01:38,891 --> 01:01:43,229 AND IT ASKS A BIG QUESTION, HOW ARE WE GOING TO DEAL AND HONOR 894 01:01:43,229 --> 01:01:47,099 AND TAKE CARE OF EACH OTHER AND OUR MOST VULNERABLE PEOPLE? 895 01:01:47,099 --> 01:01:50,503 AND WE DO THAT WITH LOVE, AND WE DO THAT WITH COMPASSION, AND BY 896 01:01:50,503 --> 01:01:55,107 FIGHTING FOR THEM. AND THAT IS WHAT WE HAVE TO DO 897 01:01:55,107 --> 01:01:58,878 TODAY. WE HAVE TO COME TOGETHER WITH 898 01:01:58,878 --> 01:02:03,349 LOVE, FOR EACH OTHER. AND IF YOU HAVE PRIVILEGE, YOU 899 01:02:03,349 --> 01:02:06,953 HAVE TO FIGHT FOR THOSE WHO ARE LESS FORTUNATE, AND MORE 900 01:02:06,953 --> 01:02:10,089 VULNERABLE. AND THAT IS WHAT A GREAT ABOUT 901 01:02:10,089 --> 01:02:15,761 AMERICA, OUR DIVERSITY. ONE THING I'VE LEARNED FROM MY 902 01:02:15,761 --> 01:02:19,699 WIFE AND CHILDREN, WE'RE STRONGER TOGETHER WHEN WE LOVE 903 01:02:19,699 --> 01:02:23,369 EACH OTHER AND WE RESPECT EACH OTHER'S DIVERSITY. 904 01:02:23,369 --> 01:02:26,472 AND SO WE HAVE A BIG, IMPORTANT MOMENT AHEAD OF US. 905 01:02:26,472 --> 01:02:32,612 ARE WE GOING TO BE A COUNTRY OF DIVISION AND HATRED, A COUNTRY 906 01:02:32,612 --> 01:02:37,016 ONLY FOR CERTAIN KIND OF PEOPLE, OR ARE WE GOING TO BE ONE OF 907 01:02:37,016 --> 01:02:41,754 LOVE, STRENGTH, AND FIGHTING FOR ALL OF US, WHO HAVE THE AMERICAN 908 01:02:41,754 --> 01:02:46,359 DREAM AND THE PURSUIT OF LIFE, LIBERTY, LOVE, AND HAPPINESS, IN 909 01:02:46,359 --> 01:02:49,295 THIS GREAT COUNTRY OF OURS. THAT'S WHAT WE'RE FACING RIGHT 910 01:02:49,295 --> 01:02:53,933 NOW. SO GET OUT AND VOTE, MAKE A PLAN, AND VOTE FOR LOVE AND 911 01:02:53,933 --> 01:02:56,936 COMPASSION AND KINDNESS. I LOVE YOU ALL. 912 01:02:56,936 --> 01:03:04,577 THANK YOU SO MUCH. AND GOD BLESS YOU. 913 01:03:04,577 --> 01:03:09,682 [ CHEERS AND APPLAUSE ] 914 01:03:09,682 --> 01:03:12,585 >> THAT WAS NICE. SHOULD WE HAND OUT ANOTHER ONE? 915 01:03:12,585 --> 01:03:16,255 LET'S DO IT. NEXT TO PRESENT THE EMMY FOR 916 01:03:16,255 --> 01:03:18,624 OUTSTANDING WRITING FOR A LIMITED SERIES OR MOVIE, PLEASE 917 01:03:18,624 --> 01:03:22,295 WELCOME RANDALL PARK. 918 01:03:22,295 --> 01:03:26,265 ♪ 919 01:03:26,265 --> 01:03:28,401 [ CHEERS AND APPLAUSE ] 920 01:03:28,401 --> 01:03:30,303 >> GOOD EVENING. YOU KNOW, THIS YEAR HAS TAUGHT 921 01:03:30,303 --> 01:03:34,373 US MANY THINGS. FOR INSTANCE, I LEARNED THAT THE 922 01:03:34,373 --> 01:03:40,946 COVID TRANSMISSION RATE BETWEEN HUMANS AND ALPACAS IS VERY LOW. 923 01:03:40,946 --> 01:03:45,618 I ALSO LEARNED THAT WHEN YOU READ AN EMAIL TOO QUICKLY, THE 924 01:03:45,618 --> 01:03:48,220 PHRASE, "YOU'RE PRESENTING WITH AN ALPACA" LOOKS A LOT LIKE THE 925 01:03:48,220 --> 01:03:55,194 PHRASE, "YOU'RE PRESENTING WITH AL PACINO." 926 01:03:55,194 --> 01:03:58,230 ANYWAY, HERE ARE THE NOMINEES FOR OUTSTANDING WRITING FOR A 927 01:03:58,230 --> 01:04:00,533 LIMITED SERIES OR MOVIE. 928 01:04:00,533 --> 01:04:04,136 >> SALLY ROONEY, ALICE BIRCH. "NORMAL PEOPLE," "EPISODE 3." 929 01:04:04,136 --> 01:04:10,242 >> SHE COMES OVER TO OUR HOUSE, YOU HAVE SEX WITH HER, IS THAT 930 01:04:10,242 --> 01:04:12,611 IT? DO YOU TALK TO HER IN SCHOOL, IN 931 01:04:12,611 --> 01:04:14,714 FRONT OF YOUR FRIENDS? ARE YOU NICE TO HER? 932 01:04:14,714 --> 01:04:18,250 >> SUSANNAH GRANT, MICHAEL CHABON, AYELET WALDMAN, 933 01:04:18,250 --> 01:04:20,453 "UNBELIEVABLE," "EPISODE 1." 934 01:04:20,453 --> 01:04:23,589 >> I'M PRETTY POSITIVE THAT IT HAPPENED? 935 01:04:23,589 --> 01:04:28,461 >> PRETTY POSITIVE OR POSITIVE? 936 01:04:28,461 --> 01:04:34,166 >> MAYBE I BLAOCKED IT OUT. 937 01:04:34,166 --> 01:04:38,270 >> ANNA WINGER, "UNORTHODOX," "PART 1." 938 01:04:38,270 --> 01:04:40,439 >> DAMON LINDELOF, CORD JEFFERSON, "WATCHMEN," "THIS 939 01:04:40,439 --> 01:04:43,642 EXTRAORDINARY BEING." 940 01:04:43,642 --> 01:04:46,512 >> YOU AIN'T GONNA GET JUSTICE WITH A BADGE. 941 01:04:46,512 --> 01:04:48,547 YOU'RE GOING TO GET IT WITH THAT HOOD. 942 01:04:48,547 --> 01:04:51,884 >> TANYA BARFIELD, "MRS. AMERICA," "SHIRLEY." 943 01:04:51,884 --> 01:04:58,557 >> WHY AM I THE ONLY ONE AT THIS CONVENTION THAT THINKS A BLACK 944 01:04:58,557 --> 01:05:01,460 WOMAN AS PRESIDENT IS WORTH THE RUN? 945 01:05:01,460 --> 01:05:05,131 >> DO YOU WANT TO READ THE NAME? NO, OKAY, I'LL DO IT. 946 01:05:05,131 --> 01:05:10,169 AND THE EMMY GOES TO ‐‐ 947 01:05:10,169 --> 01:05:17,476 DAMON LINDELOF, CORD JEFFERSON, "WATCHMEN." 948 01:05:17,476 --> 01:05:18,010 [ CHEERS AND APPLAUSE ] 949 01:05:18,010 --> 01:05:25,084 ♪ 950 01:05:25,084 --> 01:05:32,191 >> DAMON AND MY NAME IS ON THE SCRIPT, BUT WE ALSO REALIZE THAT 951 01:05:32,191 --> 01:05:38,230 TV IS WRITTEN BY COMMITTEE. WE WANT TO THANK ALL THE 952 01:05:38,230 --> 01:05:44,437 WRITERS. THEY WORKED WITH US ON THE SHOW, 953 01:05:44,437 --> 01:05:49,608 AND MADE IT WHAT IT IS. THANK YOU TO HBO AND WARNER 954 01:05:49,608 --> 01:05:55,815 BROTHERS FOR NOT BATTING AN E 955 01:05:55,815 --> 01:05:58,417 EYELASH FOR WHAT IS IN THE SCRIPTS. 956 01:05:58,417 --> 01:06:02,988 AND THANK YOU TO REGINA, JOE, DANIEL, WHO WERE ALL AMAZING IN 957 01:06:02,988 --> 01:06:04,557 THE EPISODE. THANK YOU TO MY MOTHER, WHO 958 01:06:04,557 --> 01:06:10,095 WOULD GET A KICK OUT OF THIS. THANK YOU TO MY FATHER, WHO IS 959 01:06:10,095 --> 01:06:14,733 MY DATE TONIGHT. THANK YOU TO BABALOO FOR READING 960 01:06:14,733 --> 01:06:18,103 THE DRAFTS. THANK YOU TO MY THERAPIST, IAN, 961 01:06:18,103 --> 01:06:21,974 I'M A DIFFERENT MAN THAN I WAS TWO YEARS AGO. 962 01:06:21,974 --> 01:06:28,380 I LOVE YOU, YOU'VE CHANGED MY LIFE IN MANY WAYS. 963 01:06:28,380 --> 01:06:31,150 THERAPY SHOULD BE FREE IN THIS COUNTRY. 964 01:06:31,150 --> 01:06:35,221 AND WE WANT TO RECOGNIZE THE MEN 965 01:06:35,221 --> 01:06:41,994 AND WOMEN WHO DIED IN TULSA IN 1921. 966 01:06:41,994 --> 01:06:46,265 WE SHOULD NEVER FORGET THEM. THANK YOU SO MUCH FOR THIS HONOR. 967 01:06:46,265 --> 01:06:46,665 I LOVE YOU. 968 01:06:46,665 --> 01:06:50,936 >> I LOVE YOU. 969 01:06:50,936 --> 01:06:51,437 [ CHEERS AND APPLAUSE ] 970 01:06:51,437 --> 01:06:52,538 ♪ 971 01:06:52,538 --> 01:06:55,674 >> ALL RIGHT, Y'ALL. AFTER THIS BREAK, WE'LL BE 972 01:06:55,674 --> 01:06:56,775 HANDING OUT THE OUTSTANDING DIRECTOR AND OUTSTANDING 973 01:06:56,775 --> 01:07:01,179 SUPPORTING ACTOR AND ACTRESS EMMYS IN A LIMITED SERIES OR 974 01:07:01,179 --> 01:07:04,883 MOVIE, AND MORE TO COME, ON THE EMMYS. 975 01:07:04,883 --> 01:07:06,818 ♪ 976 01:07:17,896 --> 01:07:21,900 >>> GREETINGS FROM THE INTERNATIONAL SPACE STATION. 977 01:07:21,900 --> 01:07:25,337 I'M COMMANDER CHRIS CASSIDY. WE'VE TAKEN SOCIAL DISTANCING TO 978 01:07:25,337 --> 01:07:29,374 THE NEXT LEVEL, ORBITING 250 MILES ABOVE THE EARTH. 979 01:07:29,374 --> 01:07:33,078 LIKE ON EARTH, TELEVISION IS OUR FRIEND UP HERE ON THE STATION. 980 01:07:33,078 --> 01:07:37,649 WHEN I LOOK DOWN ON THE PLANET, IT TRULY BRINGS HOME THE FACT 981 01:07:37,649 --> 01:07:40,885 THAT WE'RE ALL IN THIS TOGETHER. WE SHOULD CHERISH THE THINGS WE 982 01:07:40,885 --> 01:07:42,120 HAVE IN COMMON, BECAUSE THERE'S FAR MORE THAT UNITES US THAN 983 01:07:42,120 --> 01:07:46,157 DIVIDES US. FROM ALL OF US ON THE INTERNATIONAL SPACE STATION, 984 01:07:46,157 --> 01:07:51,796 HAVE A GREAT EVENING. AND LET'S GET BACK TO THE SHOW. 985 01:07:51,796 --> 01:07:55,633 >> HE OBVIOUSLY HAS NO IDEA WHAT IS GOING ON DOWN HERE RIGHT NOW. 986 01:07:55,633 --> 01:07:58,069 TAKE US WITH YOU. SOME OF OUR NOMINEES ARE 987 01:07:58,069 --> 01:08:00,138 WATCHING THE SHOW TOGETHER TONIGHT, INCLUDING KERRY 988 01:08:00,138 --> 01:08:03,274 WASHINGTON AND HER FELLOW NOMINEE REESE WITHERSPOON. 989 01:08:03,274 --> 01:08:05,910 HI, REESE. HI, KERRY. 990 01:08:05,910 --> 01:08:10,482 >> HI, JIMMY. 991 01:08:10,482 --> 01:08:14,419 >> WOW, IT'S A BIG PARTY. WHAT'S WITH THE GLASSES AND THE 992 01:08:14,419 --> 01:08:14,986 DECORATIONS? 993 01:08:14,986 --> 01:08:17,055 >> WE'RE HAVING A NEW YEAR'S EVE PARTY. 994 01:08:17,055 --> 01:08:17,555 >> WHY? 995 01:08:17,555 --> 01:08:19,557 >> BECAUSE WE'RE READY FOR THIS YEAR TO BE OVER. 996 01:08:19,557 --> 01:08:24,329 >> YOU CAN DO THAT? YOU CAN JUST END THE YEAR? 997 01:08:24,329 --> 01:08:25,497 >> OF COURSE. WE'RE EMMY NOMINATED TELEVISION 998 01:08:25,497 --> 01:08:31,536 PRODUCERS. 999 01:08:31,536 --> 01:08:35,373 >> OKAY, VERY INTERESTING. IT LOOKS LIKE A GREAT PARTY. 1000 01:08:35,373 --> 01:08:37,475 >> WE'RE GOING TO GET STARTED. 1001 01:08:37,475 --> 01:08:37,876 >> 10, 9, 8, 7 ‐‐ 1002 01:08:37,876 --> 01:08:43,715 >> IT'S NOT EVEN MIDNIGHT. 1003 01:08:43,715 --> 01:08:45,283 >> 6, 5, 4, 3 ‐‐ 1004 01:08:45,283 --> 01:08:46,084 >> NOBODY EVEN KNOWS WHAT DAY IT IS. 1005 01:08:46,084 --> 01:08:47,886 >> 2, 1! 1006 01:08:47,886 --> 01:08:48,386 [ CHEERS AND APPLAUSE ] 1007 01:08:48,386 --> 01:08:49,587 ♪ 1008 01:08:49,587 --> 01:08:52,590 >> HAPPY NEW YEAR, GUYS. 1009 01:08:52,590 --> 01:08:53,625 >> I WISH I COULD KISS YOU. 1010 01:08:53,625 --> 01:08:55,193 >> I WISH I COULD KISS YOU GUYS, TOO. 1011 01:08:55,193 --> 01:08:59,998 >> WE DON'T WANT THAT. THANK YOU. 1012 01:08:59,998 --> 01:09:01,499 >> ALL RIGHT. IT'S GOING TO BE A GREAT NEW 1013 01:09:01,499 --> 01:09:05,570 YEAR. 1014 01:09:05,570 --> 01:09:05,970 >> IT ALREADY HAS. 1015 01:09:05,970 --> 01:09:09,841 >> OUR NEXT EMMY CATEGORY, OUTSTANDING DIRECTING FOR A 1016 01:09:09,841 --> 01:09:12,377 LIMITED SERIES OR MOVIE. 1017 01:09:12,377 --> 01:09:16,014 >> LYNN SHELTON, "LITTLE FIRES EVERYWHERE," "FIND A WAY." 1018 01:09:16,014 --> 01:09:21,820 LENNY ABRAHAMSON, "NORMAL PEOPLE," "EPISODE 5." 1019 01:09:21,820 --> 01:09:25,490 MARIA SCHRADER, "UNORTHODOX." STEPHEN WILLIAMS, "WATCHMEN," 1020 01:09:25,490 --> 01:09:27,525 "THIS EXTRAORDINARY BEING." NICOLE KASSELL, "WATCHMEN," 1021 01:09:27,525 --> 01:09:31,429 "IT'S SUMMER AND WE'RE RUNNING OUT OF ICE." 1022 01:09:31,429 --> 01:09:33,097 STEPH GREEN, "WATCHMEN," "LITTLE FEAR OF LIGHTNING." 1023 01:09:33,097 --> 01:09:41,739 [ APPLAUSE ] 1024 01:09:41,739 --> 01:09:49,347 >> AND THE EMMY GOES TO ‐‐ MARIA SCHRADER, "UNORTHODOX." 1025 01:09:49,347 --> 01:09:49,848 [ CHEERS AND APPLAUSE ] 1026 01:09:49,848 --> 01:10:01,526 ♪ 1027 01:10:01,526 --> 01:10:05,730 >> THIS IS SO INCREDIBLE! THIS IS SO UNEXPECTED. 1028 01:10:05,730 --> 01:10:09,734 IT'S BEEN SO INCREDIBLE ALREADY, THESE PAST FEW MONTHS WHEN WE'VE 1029 01:10:09,734 --> 01:10:13,304 ALL BEEN IN THE LOCKDOWN, AND SEEING OUR SHOW TRAVELING THE 1030 01:10:13,304 --> 01:10:16,441 WORLD. AND THEN BEING NOMINATED FOR THE 1031 01:10:16,441 --> 01:10:19,477 EMMYS ALREADY FELT LIKE A CORONATION. 1032 01:10:19,477 --> 01:10:25,617 BUT NOW, THIS, I ‐‐ I'M SPEECHLESS. SPEECHLESS. 1033 01:10:25,617 --> 01:10:29,721 I THANK THE ACADEMY OF 1034 01:10:29,721 --> 01:10:34,692 TELEVISION, AND I OF COURSE FIRST OF ALL THANK MY PARTNERS. 1035 01:10:34,692 --> 01:10:37,529 THE CREATORS OF THE SHOW, FOR INVITING AND TRUSTING ME TO 1036 01:10:37,529 --> 01:10:42,000 DIRECT IT. I WANT TO THANK NETFLIX AND 1037 01:10:42,000 --> 01:10:47,672 RACHEL, WHO IS ALSO IN THIS ROOM, FOR PICKING IT UP AND 1038 01:10:47,672 --> 01:10:50,074 TRUSTING IT AND GIVING SO MUCH KNOWLEDGE AND SUPPORT. 1039 01:10:50,074 --> 01:10:55,446 AND OF COURSE ALL THE TEAM. AND I WANT TO MENTION JUST A FEW 1040 01:10:55,446 --> 01:11:01,553 OF THEM WHO HELPED TO SHAPE THE SHOW. 1041 01:11:01,553 --> 01:11:05,723 AND MAKE IT BECOME WHAT IT IS. 1042 01:11:05,723 --> 01:11:13,197 AND THIS IS THE DIRECTOR OF PHOTOGRAPHY, THE PRODUCTION 1043 01:11:13,197 --> 01:11:16,868 DESIGNER, THE EDITORS, AND THEY'VE BEEN SO BEAUTIFUL, LIKE 1044 01:11:16,868 --> 01:11:19,604 THE WHOLE TEAM. AND OF COURSE, THE ACTORS. 1045 01:11:19,604 --> 01:11:23,107 THANK YOU, THANK YOU, THANK YOU FOR LETTING ME HAVE SUCH AN 1046 01:11:23,107 --> 01:11:28,846 INTIMATE CONTACT AND WORK WITH YOU. 1047 01:11:28,846 --> 01:11:33,551 IT'S BEEN ADVENTUROUS, POWERFUL, AND AT THE SAME TIME DELICATE. 1048 01:11:33,551 --> 01:11:34,185 THANK YOU, THANK YOU, THANK YOU. 1049 01:11:34,185 --> 01:11:41,359 [ CHEERS AND APPLAUSE ] 1050 01:11:41,359 --> 01:11:43,528 >> I'M CAROLINE NELSON. I'M A SHEPHERD AND RANCHER IN 1051 01:11:43,528 --> 01:11:49,534 MONTANA. I'VE ALWAYS KNOWN FARMERS AND 1052 01:11:49,534 --> 01:11:53,605 RANCHERS ARE TOUGH, BUT IT'S NEVER BEEN MORE EVIDENT THAN IN 1053 01:11:53,605 --> 01:12:00,078 THE PANDEMIC. AND I THINK IF EVERYBODY KNEW 1054 01:12:00,078 --> 01:12:05,316 THE FARMER THAT RAISED THEIR FOOD, THE WORLD WOULD BE A 1055 01:12:05,316 --> 01:12:07,518 LITTLE BIT OF A HAPPIER PLACE. I'M SO HONORED TO BE 1056 01:12:07,518 --> 01:12:11,589 REPRESENTING FARMERS AND RANCHERS TONIGHT AS I PRESENT 1057 01:12:11,589 --> 01:12:13,491 THE NOMINEES FOR OUTSTANDING SUPPORTING ACTOR IN A LIMITED 1058 01:12:13,491 --> 01:12:17,629 SERIES OR MOVIE. 1059 01:12:17,629 --> 01:12:21,566 >> DYLAN McDERMOTT, "HOLLYWOOD." JIM PARSONS, "HOLLYWOOD." 1060 01:12:21,566 --> 01:12:26,137 TITUSS BURGESS, "UNBREAKABLE KIMMY SCHMIDT: KIMMY VS. THE 1061 01:12:26,137 --> 01:12:29,874 REVEREND." YAHYA ABDUL‐MATEEN II, "WATCHMEN." 1062 01:12:29,874 --> 01:12:33,578 JOVAN ADEPO, "WATCHMEN." LOUIS GOSSETT JR., "WATCHMEN." 1063 01:12:33,578 --> 01:12:37,448 [ APPLAUSE ] 1064 01:12:37,448 --> 01:12:40,752 >> AND THE EMMY GOES TO ‐‐ YAHYA ABDUL‐MATEEN II, 1065 01:12:40,752 --> 01:12:43,488 "WATCHMEN." 1066 01:12:43,488 --> 01:12:45,590 [ APPLAUSE ] 1067 01:12:45,590 --> 01:12:55,400 ♪ 1068 01:12:55,400 --> 01:13:00,004 >> OH, MAN. MAN, THANK YOU SO MUCH TO THE 1069 01:13:00,004 --> 01:13:04,208 ACADEMY. I'M SO EXCITED RIGHT NOW. 1070 01:13:04,208 --> 01:13:07,412 I WANT TO GIVE ‐‐ SAY THANK YOU FIRST OFF TO MY MAMA AND MY 1071 01:13:07,412 --> 01:13:13,584 DADDY. MAN, I'M SURPRISED. 1072 01:13:13,584 --> 01:13:19,424 TO MY SIBLINGS, MY SQUAD, I LOVE Y'ALL SO MUCH. 1073 01:13:19,424 --> 01:13:26,064 I WANT TO GIVE A BIG SHOUT‐OUT TO ALL THE WEST OAKLAND, ALL THE 1074 01:13:26,064 --> 01:13:31,369 NEW ORLEANS PEOPLE, I LOVE Y'ALL SO MUCH. 1075 01:13:31,369 --> 01:13:33,504 THANK YOU SO MUCH TO HBO, TO DAMON, FOR YOUR WORDS AND 1076 01:13:33,504 --> 01:13:35,540 CREATIVITY. THANK YOU TO NICKY FOR TAKING 1077 01:13:35,540 --> 01:13:41,145 CARE OF ME. REGINA, FOR BEING THE BEST. 1078 01:13:41,145 --> 01:13:43,481 "WATCHMEN" WAS A STORY ABOUT 1079 01:13:43,481 --> 01:13:51,089 TRAUMA, AND THE LASTING SCARS OF 1080 01:13:51,089 --> 01:13:55,293 WHITE DOMESTIC TERRORISM, POLICE CORRUPTION AND BRUTALITY. 1081 01:13:55,293 --> 01:14:01,499 BUT IT WAS ALSO A STORY OF A GOD WHO CAME DOWN TO EARTH TO 1082 01:14:01,499 --> 01:14:08,406 RECIPROCATE TO A BLACK WOMAN ALL THE LOVE SHE DESERVED. 1083 01:14:08,406 --> 01:14:14,545 AND HE DID ALL OF THAT IN THE BODY OF A BLACK MAN, AND I'M SO 1084 01:14:14,545 --> 01:14:19,383 PROUD TO HAVE BEEN ABLE TO WALK INTO THOSE SHOES. 1085 01:14:19,383 --> 01:14:23,354 I DEDICATE THIS TO ALL THE PEOPLE IN MY LIFE, MY EARLY 1086 01:14:23,354 --> 01:14:24,222 INVESTORS. I LOVE YOU, I APPRECIATE YOU, 1087 01:14:24,222 --> 01:14:26,491 AND THIS IS FOR YOU. THANK YOU. 1088 01:14:26,491 --> 01:14:35,833 [ APPLAUSE ] 1089 01:14:35,833 --> 01:14:37,435 >> MANY OF US HAVE BEEN COOPED UP AT HOME FOR MONTHS NOW. 1090 01:14:37,435 --> 01:14:42,607 WE'VE ALL BEEN PASSING THIS QUARANTIME IN OUR OWN WAYS, SO 1091 01:14:42,607 --> 01:14:44,175 WE ASKED SOME OF OUR FAVORITE TV STARS TO SHARE WHAT THEY'VE BEEN 1092 01:14:44,175 --> 01:14:49,313 UP TO SINCE EVERYTHING WENT TO HELL. 1093 01:14:49,313 --> 01:14:53,451 >> WHAT HAVE I BEEN DOING IN QUARANTINE? 1094 01:14:53,451 --> 01:14:57,455 ♪ 1095 01:14:57,455 --> 01:15:01,325 RIDING MY BIKE. 1096 01:15:01,325 --> 01:15:07,298 >> I'VE BEEN LIVING INSIDE MY GARDEN SHED TO AVOID MY FAMILY. 1097 01:15:07,298 --> 01:15:09,433 >> WHAT? YOU THOUGHT THESE THINGS PRUNED 1098 01:15:09,433 --> 01:15:17,041 THEMSELVES? 1099 01:15:17,041 --> 01:15:18,209 >> MOST ACTORS BENEFITED FROM THE FACT THAT WE SHOULD BE 1100 01:15:18,209 --> 01:15:25,383 WEARING A MASK. THEY GO OUTSIDE, AND NO ONE 1101 01:15:25,383 --> 01:15:27,985 RECOGNIZES THEM AT ALL. BUT FOR ME, IT'S THE OPPOSITE. 1102 01:15:27,985 --> 01:15:28,519 OH, IT'S THE GOOD DOCTOR. 1103 01:15:28,519 --> 01:15:30,087 >> I'VE BEEN MAKING WINE IN MY BATHROOM TOILET. IT'S NOT GOOD. 1104 01:15:30,087 --> 01:15:31,122 >> JUST BEEN WIPING DOWN GROCERIES. 1105 01:15:31,122 --> 01:15:33,457 >> RICK, CAN'T YOU DO SOMETHING ABOUT THIS? 1106 01:15:33,457 --> 01:15:36,327 >> WHY WOULD I. YOU KNOW HOW MUCH MONEY WE'VE 1107 01:15:36,327 --> 01:15:37,295 BEEN SAVING ON MOUTH ANIMATION? 1108 01:15:37,295 --> 01:15:41,399 >> WHAT HAVE I BEEN DOING? MORE LIKE, WHO HAVE I BEEN DOING. 1109 01:15:41,399 --> 01:15:49,273 JUST KIDDING, I'M MARRIED. 1110 01:15:49,273 --> 01:15:50,408 BUT WE TOTALLY DID IT. 1111 01:15:50,408 --> 01:15:57,415 >> I'VE BEEN WORKING ON MY GARDEN. 1112 01:15:57,415 --> 01:16:01,252 LOOKS BEAUTIFUL. 1113 01:16:01,252 --> 01:16:03,955 >> JUST TRYING TO GET TO KNOW MYSELF IN A WAY, BECAUSE A LOT 1114 01:16:03,955 --> 01:16:09,527 OF PEOPLE SAY, HEY, YOU'RE A REAL [ BLEEP ]. 1115 01:16:09,527 --> 01:16:13,231 AND I'M LIKE, THAT'S NOT A SIDE OF MYSELF THAT I KNOW. 1116 01:16:13,231 --> 01:16:17,368 I'M GOING TO GET TO KNOW THAT. AND TURNS OUT THEY WERE RIGHT. 1117 01:16:17,368 --> 01:16:20,104 I'M A GRADE‐"A" [ BLEEP ]. 1118 01:16:20,104 --> 01:16:25,343 >> WHEN I GET NERVOUS, I DO EMBROIDERY. 1119 01:16:25,343 --> 01:16:29,380 >> TEN MORE SECONDS. KEEP HOLDING. 1120 01:16:29,380 --> 01:16:37,221 YOU'RE DOING GREAT, LADIES. 1121 01:16:37,221 --> 01:16:41,559 >> I GAVE UP SKYDIVING AND QUIT MY CLASS IN ALLIGATOR WRESTLING. 1122 01:16:41,559 --> 01:16:45,363 BUT THAT IS PRETTY MUCH IT. 1123 01:16:45,363 --> 01:16:49,233 >> I'VE BEEN IMPRISONED BECAUSE 1124 01:16:49,233 --> 01:16:57,308 OF CAROLE [ BLEEP ] BASKIN. 1125 01:16:57,308 --> 01:17:00,811 >> IF YOU'VE BEEN WITH US FROM THE BEGINNING, YOU KNOW THAT I 1126 01:17:00,811 --> 01:17:03,314 AM D‐NICE. AND IF YOU HAVEN'T, LET ME 1127 01:17:03,314 --> 01:17:06,783 INTRODUCE MYSELF, MY NAME IS D‐NICE. 1128 01:17:06,783 --> 01:17:10,720 I'LL SEE YOU WHEN WE COME BACK. EMMYS 2020, HERE ON ABC. 1129 01:17:10,720 --> 01:17:11,254 ♪ 1130 01:17:11,254 --> 01:17:13,556 [ CHEERS AND APPLAUSE ] 1131 01:17:28,171 --> 01:17:30,474 ♪ 1132 01:17:30,474 --> 01:17:34,378 >>> COMING AT YOU, A PROUD TRUCK 1133 01:17:34,378 --> 01:17:39,917 DRIVER AND ESSENTIAL WORKER. I'M A THIRD GENERATION LADY 1134 01:17:39,917 --> 01:17:41,052 TRUCK DRIVER, AND ESPECIALLY DURING THIS PANDEMIC, THE 1135 01:17:41,052 --> 01:17:45,656 COMMUNITY DEPENDS ON US TO CONTINUE BRINGING THE NEEDS. 1136 01:17:45,656 --> 01:17:50,494 SO LET US TRUCK DRIVERS OUT HERE KNOW THAT WE'RE APPRECIATED. 1137 01:17:50,494 --> 01:17:54,432 A PAT ON THE BACK, OR A THUMBS‐UP GOES A LONG WAYS. 1138 01:17:54,432 --> 01:17:58,336 WE'VE CONTINUED GOING DURING THE PANDEMIC AND WE WILL KEEP GOING 1139 01:17:58,336 --> 01:18:02,406 AFTER. 1140 01:18:02,406 --> 01:18:07,011 I'M PROUD TO ANNOUNCE THE NOMINEES FOR OUTSTANDING 1141 01:18:07,011 --> 01:18:08,446 SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE. 1142 01:18:08,446 --> 01:18:10,414 >> HOLLAND TAYLOR, "HOLLYWOOD." 1143 01:18:10,414 --> 01:18:12,216 >> UZO ADUBA, "MRS. AMERICA." 1144 01:18:12,216 --> 01:18:16,520 >> MARGO MARTINDALE, "MRS. AMERICA." 1145 01:18:16,520 --> 01:18:18,022 >> TRACEY ULLMAN, "MRS. AMERICA." 1146 01:18:18,022 --> 01:18:19,523 >> TONI COLLETTE, "UNBELIEVABLE." 1147 01:18:19,523 --> 01:18:21,092 >> JEAN SMART, "WATCHMEN." 1148 01:18:21,092 --> 01:18:25,262 [ APPLAUSE ] 1149 01:18:25,262 --> 01:18:28,966 >> WILL THE EMMY GO TO UZO, TONI, MARGO, HOLLAND, TRACEY OR 1150 01:18:28,966 --> 01:18:38,009 JEAN? 1151 01:18:38,009 --> 01:18:41,846 THAT'S NOT TRACEY ULLMAN. WAIT, WHO IS ‐‐ IS THAT TRACY 1152 01:18:41,846 --> 01:18:42,346 MORGAN? 1153 01:18:42,346 --> 01:18:42,980 >> YEAH. OF COURSE IT'S ME, JIMBO, WHO 1154 01:18:42,980 --> 01:18:46,384 ELSE HAS A 2 MILLION‐GALLON SHARK TANK IN HIS MUD ROOM? 1155 01:18:46,384 --> 01:18:52,323 >> I DIDN'T SEE THAT. YOU'RE IN TRACEY ULLMAN'S SPOT. 1156 01:18:52,323 --> 01:18:53,858 >> I KNOW. SHE CALLED ME AND ASKED ME TO 1157 01:18:53,858 --> 01:18:54,925 FILL IN. US TRACYS STICK TOGETHER. 1158 01:18:54,925 --> 01:18:56,460 >> YOU DO? 1159 01:18:56,460 --> 01:18:57,228 >> WE DO. YOU REMEMBER DICK TRACY? 1160 01:18:57,228 --> 01:19:02,366 >> YES. 1161 01:19:02,366 --> 01:19:04,702 >> I HAD HIS BACK, TOO. I HAD HIS BACK, TOO. 1162 01:19:04,702 --> 01:19:10,341 >> YOU DID? 1163 01:19:10,341 --> 01:19:12,543 >> AND I COVERED THE ENTIRE EAST COAST LEG OF A TRACY CHAPMAN 1164 01:19:12,543 --> 01:19:13,010 TOUR BACK IN '88, TOO. 1165 01:19:13,010 --> 01:19:16,347 >> I DIDN'T KNOW THAT. 1166 01:19:16,347 --> 01:19:22,386 >> NOW YOU KNOW. AND IF TRACY ULLMAN WINS THAT 1167 01:19:22,386 --> 01:19:24,622 EMMY, I'M TAKING IT. I'M GOING TO BE THE BEST 1168 01:19:24,622 --> 01:19:29,994 SUPPORTING ACTRESS IN A LIMITED SERIES. ME. 1169 01:19:29,994 --> 01:19:34,865 >> GOOD LUCK TO YOU. AND GOOD LUCK TO ALL NOMINEES. 1170 01:19:34,865 --> 01:19:36,467 AND THE EMMY GOES TO ‐‐ UZO ADUBA, "MRS. AMERICA." 1171 01:19:36,467 --> 01:19:38,002 [ APPLAUSE ] 1172 01:19:38,002 --> 01:19:45,810 >> WOW. WOW. WOW. 1173 01:19:45,810 --> 01:19:52,349 WOW. OKAY. WOW. MOM, I WON. 1174 01:19:52,349 --> 01:19:57,354 OH, MY GOSH. I JUST WANT TO SAY, THANK YOU, 1175 01:19:57,354 --> 01:19:59,423 WOW, THANK YOU VERY, VERY MUCH TO THE ACADEMY. 1176 01:19:59,423 --> 01:20:04,128 I WANT TO SAY A HUGE THANK YOU TO THE WOMEN THAT I WORKED WITH 1177 01:20:04,128 --> 01:20:07,231 ON "MRS. AMERICA," ACROSS THE BOARD. 1178 01:20:07,231 --> 01:20:10,267 ALONG WITH THE WOMEN HERE IN 1179 01:20:10,267 --> 01:20:19,176 THIS CATEGORY. 1180 01:20:19,176 --> 01:20:20,978 MARGO, TRACEY, JEAN, HOLLAND, TONI. 1181 01:20:20,978 --> 01:20:22,446 I LOVE YOU, YOU'RE EXCEPTIONAL. I WANT TO SAY A TREMENDOUS THANK 1182 01:20:22,446 --> 01:20:30,321 YOU TO FX, OUR PRODUCERS, 1183 01:20:30,321 --> 01:20:33,824 STACEY, COCO, TO DAVI, TONYA, TO RYAN AND ANNA, AND EVERYONE WHO 1184 01:20:33,824 --> 01:20:38,329 JUST CAME TOGETHER TO TELL THIS BRILLIANT STORY. 1185 01:20:38,329 --> 01:20:46,237 AND I WANT TO SAY LASTLY, THANK 1186 01:20:46,237 --> 01:20:50,407 YOU, I WANT TO THANK MY FRIENDS, MY FAMILY, MY MOM, MOST 1187 01:20:50,407 --> 01:20:56,714 ESPECIALLY, WITHOUT WHOM I WOULD NOT BE HERE, AND MY TEAM. 1188 01:20:56,714 --> 01:21:00,885 THANK YOU BEYOND WORDS. I LOVE YOU ALL, YOU GUYS. 1189 01:21:00,885 --> 01:21:04,388 YOU CARRIED ME AND LIFTED ME. I AM BEYOND GRATEFUL. 1190 01:21:04,388 --> 01:21:08,726 THANK YOU SO MUCH, AND LET'S GO CHANGE THE WORLD. 1191 01:21:08,726 --> 01:21:09,860 GOD BLESS YOU ALL. THANK YOU VERY, VERY, VERY, VERY 1192 01:21:09,860 --> 01:21:13,330 MUCH. WOW. YEAH. 1193 01:21:13,330 --> 01:21:13,898 [ APPLAUSE ] 1194 01:21:13,898 --> 01:21:18,235 WOW! OH, MY GOD. 1195 01:21:18,235 --> 01:21:25,843 MOMMY? MOMMY! 1196 01:21:25,843 --> 01:21:26,877 >> MOMMY. OUR NEXT PRESENTER IS SOMEONE 1197 01:21:26,877 --> 01:21:30,080 I'M PROUD TO CALL MY FRIEND, EVEN THOUGH HE'S REPEATEDLY 1198 01:21:30,080 --> 01:21:32,650 ASKED ME TO STOP DOING THAT. PLEASE WELCOME NINE‐TIME EMMY 1199 01:21:32,650 --> 01:21:34,251 NOMINEE, ANTHONY ANDERSON. 1200 01:21:34,251 --> 01:21:35,819 ♪ 1201 01:21:35,819 --> 01:21:46,230 [ APPLAUSE ] 1202 01:21:46,230 --> 01:21:49,266 >> ALL RIGHT. J.K., BEFORE WE ANNOUNCE THE 1203 01:21:49,266 --> 01:21:50,334 NOMINEES, I HAVE A FEW THINGS THAT I'D LIKE TO SAY. 1204 01:21:50,334 --> 01:21:52,236 >> YOU DO? 1205 01:21:52,236 --> 01:21:53,971 >> YES, I DO. 1206 01:21:53,971 --> 01:21:58,142 >> BUT IN REHEARSAL, WE DECIDED ‐‐ 1207 01:21:58,142 --> 01:22:02,213 >> WE HAVE A RECORD NUMBER OF BLACK EMMY NOMINEES THIS YEAR, 1208 01:22:02,213 --> 01:22:03,914 WHICH IS GREAT. THIS IS THE PART WHERE THE WHITE 1209 01:22:03,914 --> 01:22:04,448 PEOPLE START TO APPLAUD. 1210 01:22:04,448 --> 01:22:08,586 >> OH. 1211 01:22:08,586 --> 01:22:09,119 >> AND NOD. 1212 01:22:09,119 --> 01:22:10,254 >> OH. 1213 01:22:10,254 --> 01:22:16,961 >> THANK YOU, JIMMY. THIS EMMYS WOULD HAVE BEEN NBA 1214 01:22:16,961 --> 01:22:19,997 ALL‐STAR WEEKEND AND WAKANDA ALL WRAPPED IN ONE. 1215 01:22:19,997 --> 01:22:25,236 THIS WAS SUPPOSED TO BE THE BLACKEST EMMYS EVER. 1216 01:22:25,236 --> 01:22:26,370 Y'ALL WOULDN'T HAVE BEEN ABLE TO HANDLE HOW BLACK IT WAS 1217 01:22:26,370 --> 01:22:30,174 GONNA BE. BUT BECAUSE OF COVID, WE CAN'T 1218 01:22:30,174 --> 01:22:33,577 EVEN GET IN THE DAMN BUILDING. 1219 01:22:33,577 --> 01:22:34,144 >> WELL, THANK YOU, ANTHONY. 1220 01:22:34,144 --> 01:22:40,251 >> THESE EMMYS WOULD HAVE BEEN SO BLACK, LIKE HOT SAUCE IN YOUR 1221 01:22:40,251 --> 01:22:42,553 PURSE BLACK. HOWARD UNIVERSITY HOMECOMING 1222 01:22:42,553 --> 01:22:49,360 BLACK. IT WOULD HAVE BEEN, YOU FIT THE 1223 01:22:49,360 --> 01:22:49,860 DESCRIPTION, BLACK. 1224 01:22:49,860 --> 01:22:51,362 >> THAT DOES SOUND GREAT, AND I WISH WE'D ‐‐ 1225 01:22:51,362 --> 01:22:57,001 >> WE WOULD HAVE HAD SPEECHES QUOTING OUR GREAT POETS LIKE 1226 01:22:57,001 --> 01:23:02,106 MAYA ANGELOU, LANGSTON HUGHES, CARDI B. 1227 01:23:02,106 --> 01:23:07,378 "WAP," JIMMY. I'M TALKING ABOUT THAT WAP, WAP. 1228 01:23:07,378 --> 01:23:10,147 >> OH, THE SONG. TOTALLY. RIGHT. 1229 01:23:10,147 --> 01:23:14,184 >> BUT INSTEAD OF THAT SEXY MELANATED ENERGY, HERE I AM, 1230 01:23:14,184 --> 01:23:17,154 ALONE IN A STERILIZED GREEN ROOM, TRYING NOT TO SNEEZE ON A 1231 01:23:17,154 --> 01:23:22,159 LLAMA. WHAT A DAMN SHAME. 1232 01:23:22,159 --> 01:23:24,428 >> IT WAS ACTUALLY AN ALPACA. 1233 01:23:24,428 --> 01:23:26,130 >> DON'T WHITE‐SPLAIN IT TO ME, JIMMY. 1234 01:23:26,130 --> 01:23:32,236 IT SHOULD HAVE BEEN A PIT BULL. BUT NO, NOT TONIGHT. 1235 01:23:32,236 --> 01:23:34,505 THIS ISN'T WHAT IT SHOULD HAVE BEEN. BUT YOU KNOW WHAT? 1236 01:23:34,505 --> 01:23:37,608 I'M STILL ROOTING FOR EVERYBODY BLACK. 1237 01:23:37,608 --> 01:23:42,146 BECAUSE BLACK STORIES, BLACK PERFORMANCES, AND BLACK LIVES 1238 01:23:42,146 --> 01:23:44,682 MATTER. SAY IT WITH ME, JIMMY. 1239 01:23:44,682 --> 01:23:46,116 >> Both: BLACK LIVES MATTER. 1240 01:23:46,116 --> 01:23:47,384 >> LOUDER, JIMMY. 1241 01:23:47,384 --> 01:23:50,154 >> Both: BLACK LIVES MATTER. 1242 01:23:50,154 --> 01:23:52,056 >> LOUDER, JIMMY. SAY IT SO THAT MIKE PENCE CAN 1243 01:23:52,056 --> 01:23:52,556 HEAR IT. 1244 01:23:52,556 --> 01:23:55,759 >> Both: BLACK LIVES MATTER. 1245 01:23:55,759 --> 01:23:59,296 >> THAT'S RIGHT. AND BECAUSE BLACK LIVES MATTER, 1246 01:23:59,296 --> 01:24:02,399 BLACK PEOPLE WILL STAY HOME TONIGHT. TO BE SAFE. 1247 01:24:02,399 --> 01:24:04,501 WHICH IS FINE, BECAUSE GUESS WHAT? 1248 01:24:04,501 --> 01:24:09,707 Y'ALL DON'T KNOW HOW TO LIGHT US ANYWAY. 1249 01:24:09,707 --> 01:24:11,775 JIMMY, I'M GLAD I GOT THAT OFF MY CHEST. 1250 01:24:11,775 --> 01:24:14,144 >> I AM, TOO. I'M GLAD YOU DID. 1251 01:24:14,144 --> 01:24:20,684 >> I'M APPRECIATIVE YOU GAVE ME A SAFE SPACE. 1252 01:24:20,684 --> 01:24:23,520 >> IT'S MY PLEASURE. YOU KNOW THAT. 1253 01:24:23,520 --> 01:24:29,827 >> COULD YOU SCOOT OVER SO I CAN STAND ON THE STAR? 1254 01:24:29,827 --> 01:24:34,031 HERE ARE THE NOMINEES FOR LIMITED SERIES. 1255 01:24:34,031 --> 01:24:35,999 >> "UNORTHODOX." 1256 01:24:35,999 --> 01:24:37,701 >> I COME FROM A COMMUNITY WHERE WOMEN ARE NOT ALLOWED TO SING IN 1257 01:24:37,701 --> 01:24:38,068 PUBLIC. 1258 01:24:38,068 --> 01:24:39,136 >> WHY NOT? 1259 01:24:39,136 --> 01:24:42,339 >> A WOMAN PERFORMING LOUDLY AMONG MEN IS CONSIDERED TO BE 1260 01:24:42,339 --> 01:24:44,875 IMMODEST. 1261 01:24:44,875 --> 01:24:49,079 >> "WATCHMEN." 1262 01:24:49,079 --> 01:24:49,580 >> ANGER. 1263 01:24:49,580 --> 01:24:54,051 >> THAT'S WHAT I WOULD HAVE THOUGHT, TOO. BUT IT WASN'T. 1264 01:24:54,051 --> 01:24:58,088 IT WAS FEAR. 1265 01:24:58,088 --> 01:24:58,989 >> "UNBELIEVABLE." 1266 01:24:58,989 --> 01:25:04,128 >> I MEAN, WE HAVE FOUR DIFFERENT VERSIONS. TIED, UNTIED. 1267 01:25:04,128 --> 01:25:04,728 >> I DIALED WITH MY HANDS. 1268 01:25:04,728 --> 01:25:08,298 >> WHY DID YOU TELL CONNOR YOU USED YOUR TOES? 1269 01:25:08,298 --> 01:25:08,699 >> "MRS. AMERICA." 1270 01:25:08,699 --> 01:25:10,401 >> YOU JUST ANNOUNCED. 1271 01:25:10,401 --> 01:25:12,569 >> I DIDN'T GET ANYWHERE IN MY LIFE WAITING ON SOMEBODY'S 1272 01:25:12,569 --> 01:25:18,842 PERMISSION. 1273 01:25:18,842 --> 01:25:22,045 IF HE CAN'T SUPPORT ME, GET OUT OF MY WAY. 1274 01:25:22,045 --> 01:25:23,247 >> "LITTLE FIRES EVERYWHERE." 1275 01:25:23,247 --> 01:25:26,016 >> HE REALLY DOESN'T LEAVE A BABY ALONE IN THE COLD. 1276 01:25:26,016 --> 01:25:30,087 >> YOU DIDN'T MAKE GOOD CHOICES. YOU HAD GOOD CHOICES. 1277 01:25:30,087 --> 01:25:33,724 OPTIONS THAT BEING RICH AND WHITE AND ENTITLED GAVE YOU. 1278 01:25:33,724 --> 01:25:39,430 [ APPLAUSE ] 1279 01:25:39,430 --> 01:25:44,568 >> AND THE EMMY GOES TO ‐‐ 1280 01:25:44,568 --> 01:25:49,973 "WATCHMEN"! 1281 01:25:49,973 --> 01:25:52,176 [ APPLAUSE ] 1282 01:25:52,176 --> 01:26:04,154 ♪ 1283 01:26:04,154 --> 01:26:08,592 >> WE ALL TESTED, I SWEAR. THANK YOU TO THE ACADEMY FOR 1284 01:26:08,592 --> 01:26:13,964 THIS INCREDIBLE RECOGNITION, TO 1285 01:26:13,964 --> 01:26:21,939 OUR FELLOW NOMINEES, TO ALAN MOORE, DAVE GIBBONS, TA‐NEHISI 1286 01:26:21,939 --> 01:26:23,173 COATES, TO HBO AND WARNER BROTHERS, TO OUR PARTNERS, 1287 01:26:23,173 --> 01:26:25,709 SPOUSES, AND CHILDREN, WHO TOLERATED OUR ABSENCE AND 1288 01:26:25,709 --> 01:26:27,878 ENABLED OUR PRESENCE. THANK YOU TO EVERY PERSON WHO 1289 01:26:27,878 --> 01:26:33,951 INVESTED NINE HOURS OF THEIR LIFE INTO "WATCHMEN." 1290 01:26:33,951 --> 01:26:40,357 I KNEW THIS WAS NEVER MY STORY TO TELL. 1291 01:26:40,357 --> 01:26:41,959 THE ONLY REASON I'M STANDING HERE NOW IS BECAUSE OF THE 1292 01:26:41,959 --> 01:26:44,862 PEOPLE STANDING BESIDE ME. I WANT TO THANK THE PEOPLE 1293 01:26:44,862 --> 01:26:46,029 STANDING BESIDES ME, ZOOMING AND ZAPPING IN FROM AROUND THE 1294 01:26:46,029 --> 01:26:47,397 WORLD. THEY TOLD THEIR STORIES, AND I'M 1295 01:26:47,397 --> 01:26:50,234 HONORED TO BE ABLE TO ACCEPT ON THEIR BEHALF. 1296 01:26:50,234 --> 01:26:54,505 HISTORY IS MYSTERY, IT'S BROKEN INTO A MILLION PUZZLE PIECES. 1297 01:26:54,505 --> 01:26:58,375 AND MANY ARE MISSING. WE KNOW WHERE THEY ARE BUT WE 1298 01:26:58,375 --> 01:27:01,211 DON'T SEEK THEM OUT BECAUSE WE KNOW FINDING THEM WILL HURT. 1299 01:27:01,211 --> 01:27:02,513 SOMETIMES WE CAUSED THAT HURT, MAYBE WE EVEN BENEFITED FROM IT. 1300 01:27:02,513 --> 01:27:06,183 BUT WE HAVE TO NAME IT BEFORE WE CAN REPAIR IT. 1301 01:27:06,183 --> 01:27:09,620 BE CAREFUL, BE CLUMSY, RUN HOT, STAY COOL. 1302 01:27:09,620 --> 01:27:13,857 BE THE BULL IN THE CHINA SHOP, PICK UP WHAT YOU BROKE AND GLUE 1303 01:27:13,857 --> 01:27:14,825 IT BACK TOGETHER. DON'T STOP UNTIL IT'S GREAT. 1304 01:27:14,825 --> 01:27:21,865 AFFIRM. IT'S NEVER GREAT ENOUGH. DISSENT. BE CONSISTENT. 1305 01:27:21,865 --> 01:27:25,702 EMBRACE PARADOX, AND STOP WORRYING ABOUT GETTING CANCELLED. 1306 01:27:25,702 --> 01:27:29,206 AND ASK YOURSELF WHAT YOU'RE DOING TO GET RENEWED. 1307 01:27:29,206 --> 01:27:30,474 WE DEDICATE THIS AWARD TO THE VICTIMS AND SURVIVORS OF THE 1308 01:27:30,474 --> 01:27:37,548 TULSA MASSACRE OF 1921. THE FIRES THAT DESTROYED BLACK 1309 01:27:37,548 --> 01:27:44,988 WALL STREET STILL BURN TODAY. THE ONLY WAY TO PUT THEM OUT IS 1310 01:27:44,988 --> 01:27:46,123 TO FIGHT THEM TOGETHER. STAY SAFE, GOD BLESS, AND THANK 1311 01:27:46,123 --> 01:27:47,090 YOU FOR THIS. I'M GOING TO GO THROW UP. 1312 01:27:47,090 --> 01:27:50,761 ♪ 1313 01:27:50,761 --> 01:27:51,261 [ CHEERS AND APPLAUSE ] 1314 01:27:51,261 --> 01:27:58,435 >> PLEASE WELCOME TONY AND EMMY AWARD WINNING ACTRESS CYNTHIA 1315 01:27:58,435 --> 01:27:58,902 ERIVO. 1316 01:27:58,902 --> 01:28:01,638 [ APPLAUSE ] 1317 01:28:01,638 --> 01:28:04,341 >> WHEN WE DON'T SEE OURSELVES ON TELEVISION, WE START TO FEEL 1318 01:28:04,341 --> 01:28:07,945 INVISIBLE. WHEN WE DO SEE OURSELVES, IT 1319 01:28:07,945 --> 01:28:10,147 REMINDS US THAT WE ARE INVINCIBLE. 1320 01:28:10,147 --> 01:28:13,884 OUR STORIES MAY SEEM UNIQUE TO SOME, BUT THEY RESONATE WITH 1321 01:28:13,884 --> 01:28:17,287 MANY. OUR STORIES ARE YOUR STORIES. 1322 01:28:17,287 --> 01:28:21,892 TELEVISION ACTS AS A MIRROR TO OUR SOCIETY. TO OUR WORLD. 1323 01:28:21,892 --> 01:28:25,629 WE DESERVE TO SEE OUR OWN REFLECTION. 1324 01:28:25,629 --> 01:28:28,065 LENA WAITHE IS AN UNSTOPPABLE CREATIVE FORCE WHO IS COMMITTED 1325 01:28:28,065 --> 01:28:31,301 TO MAKING SURE THAT WE ALL SEE OURSELVES REFLECTED EVEN WHEN 1326 01:28:31,301 --> 01:28:33,737 THE WORLD IS DETERMINED TO MAKE US DISAPPEAR. 1327 01:28:33,737 --> 01:28:41,745 ♪ 1328 01:28:41,745 --> 01:28:44,915 >> PEOPLE ARE GIVEN PURPOSE IN THIS LIFE. 1329 01:28:44,915 --> 01:28:49,720 AND MINE WAS TO TELL STORIES. IT'S A WAY TO CONNECT AND A WAY 1330 01:28:49,720 --> 01:28:53,290 TO HELP OTHER PEOPLE SEE THEMSELVES. 1331 01:28:53,290 --> 01:28:57,861 GROWING UP, I WATCHED A TON OF TV. I THINK I WAS RAISED IN A 1332 01:28:57,861 --> 01:29:01,765 THREE‐PARENT HOUSEHOLD. MY MOTHER, GRANDMOTHER, AND THE 1333 01:29:01,765 --> 01:29:08,338 TELEVISION. I REMEMBER WATCHING "A DIFFERENT 1334 01:29:08,338 --> 01:29:12,476 WORLD," AND A VERY, YOU KNOW, YOUNG JADA PINKETT SAID HER NAME. 1335 01:29:12,476 --> 01:29:15,078 SHE SAID MY NAME IS LENA JAMES. I'M WATCHING IT WITH MY FAMILY, 1336 01:29:15,078 --> 01:29:22,352 THEY ALL GASPED AT THE SAME TIME. THAT WAS A MOMENT THAT THE 1337 01:29:22,352 --> 01:29:26,089 UNIVERSE SPOKE TO ME, YES, YOU, I'M TALKING TO YOU, LENA. 1338 01:29:26,089 --> 01:29:32,329 I JUST REALLY FELT SEEN IN A WAY THAT I HADN'T EVER FELT SEEN 1339 01:29:32,329 --> 01:29:37,467 BEFORE. I STILL THINK THERE'S A LOT MORE 1340 01:29:37,467 --> 01:29:39,036 TERRITORY TO BE COVERED IN TERMS OF INTERSECTIONALITY WITH 1341 01:29:39,036 --> 01:29:44,274 BLACKNESS AND QUEERNESS. WE NEED TO CONTINUE TO TELL 1342 01:29:44,274 --> 01:29:46,343 STORIES THAT DON'T NECESSARILY LOOK LIKE OUR LIVES. 1343 01:29:46,343 --> 01:29:53,183 THAT'S THE ONLY WAY WE'RE GOING TO CONTINUE TO GROW AS A SOCIETY. 1344 01:29:53,183 --> 01:29:55,752 EVEN IF I GET SOMETHING WRONG OR SOMEBODY DOESN'T LIKE THE WAY I 1345 01:29:55,752 --> 01:29:58,889 DO SOMETHING, I RESERVE THE RIGHT TO DO IT MY WAY. 1346 01:29:58,889 --> 01:30:06,697 WE'VE AT LEAST EARNED THE RIGHTS TO TELL OUR STORIES THE WAY WE 1347 01:30:06,697 --> 01:30:07,764 SEE FIT. 1348 01:30:07,764 --> 01:30:09,232 >> ON FRIDAY, WE LOST A GREAT AMERICAN. 1349 01:30:09,232 --> 01:30:10,834 RUTH BADER GINSBURG WAS A COMPASSIONATE AND TIRELESS 1350 01:30:10,834 --> 01:30:15,505 CHAMPION OF EQUALITY AND JUSTICE. SHE SAID HER LEGACY WAS TO MAKE 1351 01:30:15,505 --> 01:30:21,945 LIFE A LITTLE BETTER FOR PEOPLE LESS FORTUNATE THAN SHE. 1352 01:30:21,945 --> 01:30:24,381 SOUNDS LIKE PRETTY GOOD WORDS TO LIVE BY, TO ME. 1353 01:30:24,381 --> 01:30:30,654 WE LOST MANY BELOVED LUMINARIES THIS YEAR. 1354 01:30:30,654 --> 01:30:31,922 IT'S TIME TO HONOR AND REMEMBER THOSE WHO MADE AN INDELIBLE MARK 1355 01:30:31,922 --> 01:30:40,030 ON ALL OF US. 1356 01:30:40,030 --> 01:30:44,434 HERE TO PAY MUSICAL TRIBUTE TO ALL OF THEM, PLEASE WELCOME HER. 1357 01:30:44,434 --> 01:30:44,868 ♪ 1358 01:30:44,868 --> 01:30:45,669 >> I WANT PEOPLE TO ENJOY WHAT I DO. 1359 01:30:45,669 --> 01:30:49,706 AND UNDERSTAND WHAT I'M DOING. IT'S FOR THEIR ENJOYMENT. 1360 01:30:49,706 --> 01:30:53,643 AND THAT'S ALL I CAN ASK FOR. 1361 01:30:53,643 --> 01:30:57,714 ♪ IT'S BEEN SEVEN HOURS AND 13 1362 01:30:57,714 --> 01:31:00,150 DAYS ♪ 1363 01:31:00,150 --> 01:31:00,717 ♪ SINCE YOU TOOK YOUR LOVE 1364 01:31:00,717 --> 01:31:08,458 AWAY ♪ 1365 01:31:08,458 --> 01:31:09,693 ♪ I GO OUT EVERY NIGHT AND SLEEP 1366 01:31:09,693 --> 01:31:15,699 ALL DAY ♪ 1367 01:31:15,699 --> 01:31:16,266 ♪ SINCE YOU TOOK YOUR LOVE 1368 01:31:16,266 --> 01:31:24,574 AWAY ♪ 1369 01:31:24,574 --> 01:31:25,208 ♪ SINCE YOU'VE BEEN GONE I CAN 1370 01:31:25,208 --> 01:31:30,847 DO WHATEVER I WANT ♪ 1371 01:31:30,847 --> 01:31:39,990 ♪ I CAN SEE WHOEVER I CHOOSE 1372 01:31:39,990 --> 01:31:41,658 ♪ I CAN EAT MY DINNER IN A FANCY 1373 01:31:41,658 --> 01:31:45,662 RESTAURANT ♪ 1374 01:31:45,662 --> 01:31:49,566 ♪ BUT NOTHING NOTHING CAN TAKE 1375 01:31:49,566 --> 01:31:53,603 AWAY THESE BLUES ♪ 1376 01:31:53,603 --> 01:32:01,578 ♪ BECAUSE NOTHING COMPARES 1377 01:32:01,578 --> 01:32:07,317 NOTHING COMPARES TO YOU ♪ 1378 01:32:07,317 --> 01:32:13,657 ♪ IT'S BEEN SO LONELY WITHOUT 1379 01:32:13,657 --> 01:32:14,090 YOU HERE ♪ 1380 01:32:14,090 --> 01:32:21,331 ♪ I'M LIKE A BIRD WITHOUT SONG 1381 01:32:21,331 --> 01:32:21,998 ♪ NOTHING CAN STOP THESE LONELY 1382 01:32:21,998 --> 01:32:27,904 TEARS ♪ 1383 01:32:27,904 --> 01:32:29,539 ♪ FROM FALLING OH NO TELL ME 1384 01:32:29,539 --> 01:32:36,980 BABY TELL ME WHERE I WENT WRONG ♪ 1385 01:32:36,980 --> 01:32:39,049 ♪ I CAN PUT MY ARMS AROUND 1386 01:32:39,049 --> 01:32:43,753 EVERYONE I SEE ♪ 1387 01:32:43,753 --> 01:32:44,821 ♪ SO THAT THEY'D ONLY REMIND ME 1388 01:32:44,821 --> 01:32:53,129 OF YOU ♪ 1389 01:32:53,129 --> 01:32:55,165 ♪ I WENT TO THE DOCTOR GUESS 1390 01:32:55,165 --> 01:32:59,870 WHAT HE TOLD ME GUESS WHAT HE TOLD ME ♪ 1391 01:32:59,870 --> 01:33:01,938 ♪ HE SAID TRY TO HAVE FUN NO 1392 01:33:01,938 --> 01:33:06,643 MATTER WHAT YOU DO BUT HE'S A FOOL ♪ 1393 01:33:06,643 --> 01:33:12,916 ♪ BECAUSE NOTHING COMPARES NO 1394 01:33:12,916 --> 01:33:25,562 NOTHING COMPARES TO YOU ♪ 1395 01:33:25,562 --> 01:33:29,499 ♪ OH OH OH 1396 01:33:29,499 --> 01:33:32,669 ♪ 1397 01:33:32,669 --> 01:33:36,840 >> IS THAT SUPPOSED TO BE AN IMPLIED THREAT OF SOME SORT? 1398 01:33:36,840 --> 01:33:39,843 BECAUSE IF IT IS, I'M JUST AS TOUGH AS YOU. 1399 01:33:39,843 --> 01:33:45,548 MAYBE TOUGHER. 1400 01:33:45,548 --> 01:33:53,523 ♪ 1401 01:33:53,523 --> 01:34:05,502 ♪ NOTHING COMPARES TO YOU 1402 01:34:05,502 --> 01:34:08,104 ♪ NOTHING COMPARES NOTHING 1403 01:34:08,104 --> 01:34:09,773 COMPARES TO YOU ♪ 1404 01:34:09,773 --> 01:34:13,443 >> PURPOSE CROSSES DISCIPLINES. PURPOSE IS AN ESSENTIAL ELEMENT 1405 01:34:13,443 --> 01:34:16,046 OF YOU. IT'S THE REASON YOU'RE ON THE 1406 01:34:16,046 --> 01:34:20,684 PLANET AT THIS PARTICULAR TIME IN HISTORY. 1407 01:34:20,684 --> 01:34:25,488 THE STRUGGLES ALONG THE WAY ARE ONLY MEANT TO SHAPE YOU FOR YOUR 1408 01:34:25,488 --> 01:34:28,304 PURPOSE. 1409 01:34:28,304 --> 01:34:30,273 ♪ NOTHING COMPARES TO YOU 1410 01:34:30,273 --> 01:34:35,879 ♪ 1411 01:34:56,766 --> 01:34:59,103 ♪ 1412 01:34:59,103 --> 01:35:01,272 >>> THOSE ARE NOT STATUES. THERE ARE THE ACCOUNTANTS FROM 1413 01:35:01,272 --> 01:35:05,277 ERNST AND YOUNG. THEY LICK ALL THE ENVELOPES. 1414 01:35:05,277 --> 01:35:09,882 SOMETIMES THEY LICK THE STATUES, TOO. THEY'RE WEIRD. 1415 01:35:09,882 --> 01:35:14,687 WE HAVE MUCH MORE ON THE WAY. BUT FIRST, I WANT TO CHECK IN 1416 01:35:14,687 --> 01:35:21,994 AND SEE IF JENNIFER ANISTON IS HOME. OH, HI, JEN. 1417 01:35:21,994 --> 01:35:22,461 >> HI. 1418 01:35:22,461 --> 01:35:25,131 >> YOUR CATEGORY IS COMING UP, I WANTED TO MAKE SURE YOU WERE 1419 01:35:25,131 --> 01:35:25,598 THERE. 1420 01:35:25,598 --> 01:35:29,335 >> YES, I BARELY MADE IT. BUT WE'RE HERE. 1421 01:35:29,335 --> 01:35:31,403 >> OH. 1422 01:35:31,403 --> 01:35:36,041 >> HEY, JIMMY. COURTENEY COX, YOU'RE THERE? 1423 01:35:36,041 --> 01:35:37,510 >> OF COURSE I AM. WE LIVE TOGETHER. 1424 01:35:37,510 --> 01:35:42,815 >> YOU DO? 1425 01:35:42,815 --> 01:35:49,054 >> YEAH, WE'VE BEEN ROOMMATES SINCE 1994. 1426 01:35:49,054 --> 01:35:49,488 >> IS THIS LIVE TV? 1427 01:35:49,488 --> 01:35:55,761 >> UNBELIEVABLE. LISA KUDROW, YOU LIVE THERE, TOO? 1428 01:35:55,761 --> 01:35:59,532 >> YEAH. WHERE ELSE WOULD I LIVE? 1429 01:35:59,532 --> 01:36:03,702 >> I DON'T KNOW, WITH YOUR FAMILY, MAYBE? 1430 01:36:03,702 --> 01:36:05,804 >> YEAH, LOTS OF PEOPLE LIVE WITH THEIR FAMILIES. 1431 01:36:05,804 --> 01:36:09,241 >> SO FUNNY. 1432 01:36:09,241 --> 01:36:12,511 >> LOOK WHO IT IS. THE HOST WITH THE MOST. RUDENESS. 1433 01:36:12,511 --> 01:36:13,012 >> OH. 1434 01:36:13,012 --> 01:36:18,217 >> ARE YOU CALLING TO KICK ME OUT OF MY OWN HOUSE TOO, CREEP? 1435 01:36:18,217 --> 01:36:22,421 >> BATEMAN ALSO LIVES IN YOUR HOUSE? 1436 01:36:22,421 --> 01:36:25,024 >> JUST UNTIL HE GOES OFF TO COLLEGE. 1437 01:36:25,024 --> 01:36:28,661 BY THE WAY, YOU GUYS ARE KILLING IT. THIS IS SO GREAT. 1438 01:36:28,661 --> 01:36:30,763 >> THANK YOU. THANK YOU FOR BEING THERE, AND 1439 01:36:30,763 --> 01:36:33,933 WATCHING ALL TOGETHER. I APPRECIATE THE SUPPORT. 1440 01:36:33,933 --> 01:36:37,236 IT'S SO NICE THAT YOU GUYS ARE GATHERED AROUND THE MONITOR, 1441 01:36:37,236 --> 01:36:41,207 WATCHING THE SHOW. AND THANKS AGAIN FOR COMING 1442 01:36:41,207 --> 01:36:44,843 EARLIER ‐‐ WHAT? OH. OKAY. 1443 01:36:44,843 --> 01:36:45,344 >> DINNER IS READY. 1444 01:36:45,344 --> 01:36:48,981 >> OH. DINNER IS READY. 1445 01:36:48,981 --> 01:36:49,415 >> WE'RE DVR‐ING IT. 1446 01:36:49,415 --> 01:36:52,718 >> OKAY, THANKS. WITHOUT OUR NEXT CATEGORY, WE 1447 01:36:52,718 --> 01:36:57,489 WOULD NEVER KNOW WHO IS THE TOP CHEF OR WHAT BRET MICHAELS LOOKS 1448 01:36:57,489 --> 01:36:59,925 LIKE AS A BANANA. WE WOULD BE LOST. 1449 01:36:59,925 --> 01:37:05,197 HERE ARE THE NOMINEES FOR OUTSTANDING COMPETITION PROGRAM. 1450 01:37:05,197 --> 01:37:09,201 >> "NAILED IT!" "RuPAUL'S DRAG RACE." "TOP CHEF." 1451 01:37:09,201 --> 01:37:16,642 "THE MASKED SINGER." "THE VOICE." 1452 01:37:16,642 --> 01:37:19,712 >> PAST LOSERS OF THIS CATEGORY HAVE GONE ON TO BECOME THE 1453 01:37:19,712 --> 01:37:23,882 PRESIDENT OF THE UNITED STATES. AND THE EMMY GOES TO ‐‐ 1454 01:37:23,882 --> 01:37:24,950 "RuPAUL'S DRAG RACE." 1455 01:37:24,950 --> 01:37:27,052 [ APPLAUSE ] 1456 01:37:27,052 --> 01:37:33,158 ♪ 1457 01:37:33,158 --> 01:37:39,932 >> THANK YOU SO MUCH! OOH! OH, MY GOODNESS. 1458 01:37:39,932 --> 01:37:44,770 THANK YOU SO MUCH. THAT IS SO VERY KIND OF YOU. 1459 01:37:44,770 --> 01:37:47,940 THANK THE ACADEMY FOR THIS BEAUTIFUL HONOR. 1460 01:37:47,940 --> 01:37:52,611 WE LOVE MAKING TELEVISION, IT'S AN HONOR TO MAKE TELEVISION. 1461 01:37:52,611 --> 01:37:57,116 AND ALL THE KIDS GET TO TELL THEIR STORIES ON OUR SHOW. 1462 01:37:57,116 --> 01:38:01,553 AND IT'S BEAUTIFUL. AND A SPECIAL THANK YOU TO THE 1463 01:38:01,553 --> 01:38:05,090 VIEWER, AND A SPECIAL NOTE TO THE VIEWER. 1464 01:38:05,090 --> 01:38:07,626 KIDDO, I KNOW HOW YOU FEEL RIGHT NOW. 1465 01:38:07,626 --> 01:38:13,465 JUST KNOW THAT YOU ARE LOVED, AND DON'T GIVE UP ON LOVE. 1466 01:38:13,465 --> 01:38:17,102 BELIEVE IN LOVE, AND THE POWER OF LOVE, OKAY? THANK YOU SO MUCH. 1467 01:38:17,102 --> 01:38:19,438 THANK YOU. I LOVE IT! 1468 01:38:19,438 --> 01:38:29,048 [ APPLAUSE ] 1469 01:38:29,048 --> 01:38:30,182 >> AND NOW, PLEASE WELCOME THE CHAIRMAN AND CEO OF THE 1470 01:38:30,182 --> 01:38:37,089 TELEVISION ACADEMY, FRANK SHERMAN. 1471 01:38:37,089 --> 01:38:44,330 >> GOOD EVENING, EVERYONE. TELEVISION AND ITS STORIES HAVE 1472 01:38:44,330 --> 01:38:45,264 BECOME AN INTRICATE PART OF OUR LIVES. 1473 01:38:45,264 --> 01:38:49,034 TELEVISION IS NO LONGER JUST A REFLECTION OF THE CULTURE, BUT 1474 01:38:49,034 --> 01:38:52,504 AN INVALUABLE PART OF THE CULTURE. 1475 01:38:52,504 --> 01:38:54,106 IN THE MIDST OF AN UNPRECEDENTED GLOBAL HEALTH CRISIS, THE ENTIRE 1476 01:38:54,106 --> 01:39:01,714 WORLD HAS BEEN FORCED TO SPEND MUCH MORE TIME AT HOME THAN EVER 1477 01:39:01,714 --> 01:39:03,982 THOUGHT POSSIBLE, QUALITY TELEVISION SHOWS HAVE BECOME A 1478 01:39:03,982 --> 01:39:08,687 FORM OF CURRENCY. WE'RE LOOKING FOR A NEW SHOW TO 1479 01:39:08,687 --> 01:39:11,390 GET LOST IN OR TO LEARN FROM. AND WE CAN SHARE THE SHOWS AND 1480 01:39:11,390 --> 01:39:15,060 CONNECT OVER THE STORIES. AND THAT CONNECTION IS PRICELESS 1481 01:39:15,060 --> 01:39:19,565 TODAY. TELEVISION HAS ALWAYS BEEN THE 1482 01:39:19,565 --> 01:39:21,734 MEDIUM THAT HELPED US UNDERSTAND EACH OTHER, THE STRUGGLES, THE 1483 01:39:21,734 --> 01:39:28,540 JOYS, AND THE HEARTACHE. I SEE HOW THAT OPENS OUR EYES 1484 01:39:28,540 --> 01:39:34,113 AND HOPEFULLY BRINGS US TOGETHER AS A PEOPLE. 1485 01:39:34,113 --> 01:39:36,181 WE CAN OPEN PORTALS INTO EACH OTHER'S WORLDS, HEAR EACH 1486 01:39:36,181 --> 01:39:43,589 OTHER'S VOICES, AND SEE OTHER PERSPECTIVES MORE CLEARLY. 1487 01:39:43,589 --> 01:39:49,294 AND FEW HAVE DONE MORE TO WIDEN THE SCOPE OF TELEVISION 1488 01:39:49,294 --> 01:39:51,163 THAN TYLER PERRY. THE GOVERNOR'S AWARD WAS CHOSEN 1489 01:39:51,163 --> 01:39:57,002 BY THE TELEVISION ACADEMY BOARD, A GROUP OF INDUSTRY 1490 01:39:57,002 --> 01:40:01,039 PROFESSIONALS WHO DEDICATE THEIR TIME TO FOSTER EXCELLENCE IN 1491 01:40:01,039 --> 01:40:02,241 TELEVISION. IT'S ONLY GIVEN OUT WHEN THERE 1492 01:40:02,241 --> 01:40:07,579 IS A RECIPIENT WHO HAS EXCEEDED THE HIGH STANDARDS OF OUR MEDIUM. 1493 01:40:07,579 --> 01:40:10,983 AND HONORING MR. PERRY ARE CHRIS ROCK AND OPRAH WINFREY. 1494 01:40:10,983 --> 01:40:12,985 >> IN LIFE, WE ARE GIVEN NO 1495 01:40:12,985 --> 01:40:19,858 GUARANTEES, AND IT TAKES EXTRAORDINARY GRIT AND 1496 01:40:19,858 --> 01:40:23,061 DEDICATION TO NAVIGATE THE ROUGH 1497 01:40:23,061 --> 01:40:31,603 TERRAIN THAT LIFE CAN GIVE YOU, 1498 01:40:31,603 --> 01:40:32,971 AND STILL HAVE THE INTERNAL FORTITUDE TO BELIEVE IN YOURSELF. 1499 01:40:32,971 --> 01:40:34,506 MY FRIEND, TYLER PERRY, HAS DONE JUST THAT, AGAINST ALL ODDS. 1500 01:40:34,506 --> 01:40:40,946 HE'S A MAN OF DEEP FAITH. HE'S A VISIONARY WHO IS LED BY 1501 01:40:40,946 --> 01:40:47,986 UNWAVERING PASSION, AND A BUSINESSMAN WHO BET ON HIMSELF, 1502 01:40:47,986 --> 01:40:49,188 AND BY DOING SO SHOWED THE WORLD THERE'S A DIFFERENT PATH TO 1503 01:40:49,188 --> 01:40:53,025 ULTIMATE SUCCESS. TYLER IS THIS YEAR'S RECIPIENT 1504 01:40:53,025 --> 01:40:57,930 OF THE GOVERNOR'S AWARD, BECAUSE HE DREAMED THE IMPOSSIBLE DREAM. 1505 01:40:57,930 --> 01:41:02,100 HE BEARED THE UNBEARABLE SORROW, AND FOUGHT THE UNBEATABLE FOE, 1506 01:41:02,100 --> 01:41:06,271 TO RUN WHERE THE BRAVE DARE NOT GO. 1507 01:41:06,271 --> 01:41:09,374 HE'S DONE WHAT NO ONE BEFORE HAS ACCOMPLISHED, TO MAKE IT IN 1508 01:41:09,374 --> 01:41:15,581 HOLLYWOOD AS AN OUTSIDER. KNOWING THE TRADITIONAL 1509 01:41:15,581 --> 01:41:19,485 HOLLYWOOD WAY WASN'T FOR HIM, HE CARVED HIS OWN PATH. 1510 01:41:19,485 --> 01:41:24,456 >> HE WROTE A PLAY. INVESTED HIS OWN MONEY IN IT. 1511 01:41:24,456 --> 01:41:24,923 AND IT FLOPPED, HARD. 1512 01:41:24,923 --> 01:41:28,961 >> I THOUGHT 1,200 PEOPLE WOULD SHOW UP, AND ONLY 30 DID. 1513 01:41:28,961 --> 01:41:32,965 >> IT LASTED A WEEKEND. THEN HE LIVED IN A CAR, WHICH 1514 01:41:32,965 --> 01:41:39,838 SUCKS, BECAUSE TYLER IS 6'5", AND HIS CAR WAS A GEO METRO. 1515 01:41:39,838 --> 01:41:44,409 >> LIVING THAT CAN BE A MIGHTY MOTIVATOR. 1516 01:41:44,409 --> 01:41:45,611 AND A MOTIVATED TYLER PERRY WOULD SOON FIND SUCCESS ON HIS 1517 01:41:45,611 --> 01:41:46,945 OWN TERMS. 1518 01:41:46,945 --> 01:41:50,249 >> AND OF COURSE, HOLLYWOOD WELCOMED AN INDEPENDENT BLACK 1519 01:41:50,249 --> 01:41:55,254 MAN WITH OPEN ARMS. WAIT, I MISREAD THAT. 1520 01:41:55,254 --> 01:42:00,893 HOLLYWOOD SAW HIM AS A FAD AND DIDN'T DO [ BLEEP ] TO HELP HIM. 1521 01:42:00,893 --> 01:42:04,963 HE IS BOTH TALENTED AND CRAZY, FINANCING HIS OWN FILMS, RACKING 1522 01:42:04,963 --> 01:42:07,499 UP HIT AFTER HIT. IN THE HOOD, THEY SAY I GOT 1523 01:42:07,499 --> 01:42:11,803 RECEIPTS. AND TYLER HAD RECEIPTS. 1524 01:42:11,803 --> 01:42:16,608 >> AND WE DID A FILM, BECAUSE TYLER ENSURED THAT BLACK PEOPLE 1525 01:42:16,608 --> 01:42:20,145 WOULD BE REPRESENTED IN FRONT OF AND BEHIND THE CAMERA. 1526 01:42:20,145 --> 01:42:22,748 >> HIS SETS FELT LIKE WATCHING "BLACK PANTHER." 1527 01:42:22,748 --> 01:42:25,150 THERE WERE BLACK PEOPLE EVERYWHERE. 1528 01:42:25,150 --> 01:42:32,190 AND AFTER HE AMASSED $1 BILLION 1529 01:42:32,190 --> 01:42:36,895 AT THE NORTH AMERICAN BOX OFFICE, HE TURNED HIS EYE TO 1530 01:42:36,895 --> 01:42:38,397 TELEVISION. 1531 01:42:38,397 --> 01:42:44,336 >> AND JUST LIKE HIS FILMS, TYLER PERRY DID TV HIS WAY. 1532 01:42:44,336 --> 01:42:48,874 HE CREATED A WHOLE NEW BUSINESS MODEL, GETTING TBS TO PURCHASE 1533 01:42:48,874 --> 01:42:56,815 100 EPISODES OF "HOUSE OF PAYNE" IN A DEAL WORTH $200 1534 01:42:56,815 --> 01:42:59,418 MILLION. 1535 01:42:59,418 --> 01:43:03,589 >> HE SHOT THREE TO FOUR EPISODES IN A WEEK. 1536 01:43:03,589 --> 01:43:07,392 >> THE MAN THAT ALWAYS FOUND A WAY TO MAKE A WAY. 1537 01:43:07,392 --> 01:43:12,864 FOREVER INNOVATING, HE DECIDED TO MAKE HIS OWN WAY IN ATLANTA, 1538 01:43:12,864 --> 01:43:16,835 GEORGIA. HE PURCHASED 330 ACRES OF LAND 1539 01:43:16,835 --> 01:43:18,203 AND CREATED TYLER PERRY STUDIOS. 1540 01:43:18,203 --> 01:43:23,442 >> AND THE DUDE WHO WAS ONCE HOMELESS, ALWAYS KEPT THE TOUGH 1541 01:43:23,442 --> 01:43:27,546 TIMES IN MIND AND REACHED BACK TO THOSE IN NEED. 1542 01:43:27,546 --> 01:43:31,416 HIS PHILANTHROPY SAYS HE'S STILL CONNECTED TO HIS FELLOW MAN. 1543 01:43:31,416 --> 01:43:34,853 >> HE'S A GAME CHANGER WHO BUILT A SUCCESSFUL EMPIRE WHILE 1544 01:43:34,853 --> 01:43:40,559 IGNORING EVERY CONVENTIONAL NORM. HE IS A MAVERICK. 1545 01:43:40,559 --> 01:43:44,763 AN INNOVATOR. HE'S MY BROTHER, AND THIS YEAR'S 1546 01:43:44,763 --> 01:43:50,469 GOVERNOR'S AWARD RECIPIENT, TYLER PERRY. 1547 01:43:50,469 --> 01:43:52,804 ♪ 1548 01:43:52,804 --> 01:44:04,750 [ APPLAUSE ] 1549 01:44:04,750 --> 01:44:07,452 >> I WANT TO SAY A VERY SPECIAL THANK YOU TO THE TELEVISION 1550 01:44:07,452 --> 01:44:14,926 ACADEMY. TO THE BOARD OF GOVERNORS, TO 1551 01:44:14,926 --> 01:44:16,795 TIM, ARI, MATT, TO EVERYBODY AT TYLER PERRY STUDIOS AND MY 1552 01:44:16,795 --> 01:44:24,336 FOUNDATION. THIS IS AMAZING. I DIDN'T EXPECT TO FEEL THIS WAY. 1553 01:44:24,336 --> 01:44:28,473 WHEN I WAS ABOUT 19, I LEFT HOME AND MY GRANDMOTHER GAVE ME A 1554 01:44:28,473 --> 01:44:31,343 QUILT THAT SHE HAD MADE. AND THIS QUILT WAS SOMETHING 1555 01:44:31,343 --> 01:44:32,711 THAT I DIDN'T REALLY CARE FOR. IT HAD ALL THESE DIFFERENT 1556 01:44:32,711 --> 01:44:37,282 COLORS AND PATCHES IN IT. I WAS EMBARRASSED BY IT. 1557 01:44:37,282 --> 01:44:40,552 I PUT NO VALUE IN IT AT ALL. WHEN THE DOG GOT WET, I DRIED 1558 01:44:40,552 --> 01:44:46,191 HIM OFF WITH IT. WHEN I CHANGED THE CAR OIL, I 1559 01:44:46,191 --> 01:44:49,327 LAID IT ON THE GROUND. I HAD NO RESPECT FOR THIS QUILT. 1560 01:44:49,327 --> 01:44:56,735 MANY YEARS LATER, I WAS WALKING PAST A FANCY ANTIQUE STORE, AND 1561 01:44:56,735 --> 01:45:00,706 THERE IN THE WINDOW WAS A QUILT. IT WAS JUST LIKE THE ONE SHE HAD 1562 01:45:00,706 --> 01:45:06,511 GIVEN ME. AND AN ATTENDANT SAID, THIS WAS 1563 01:45:06,511 --> 01:45:10,682 MADE BY AN AFRICAN‐AMERICAN WOMAN WHO WAS A FORMER SLAVE. 1564 01:45:10,682 --> 01:45:14,853 EACH PATCH REPRESENTED A PART OF HER LIFE. 1565 01:45:14,853 --> 01:45:16,688 ONE WAS FROM THE DRESS SHE WAS WEARING WHEN SHE FOUND OUT SHE 1566 01:45:16,688 --> 01:45:23,829 WAS FREE, ANOTHER WAS FROM HER WEDDING DRESS WHEN SHE JUMPED 1567 01:45:23,829 --> 01:45:25,363 THE BROOM. AND AS I WAS HEARING THIS STORY, 1568 01:45:25,363 --> 01:45:28,700 I BECAME SO EMBARRASSED. HERE I WAS, A PERSON WHO PRIDES 1569 01:45:28,700 --> 01:45:30,502 MYSELF ON CELEBRATING OUR HERITAGE AND CULTURE, AND I 1570 01:45:30,502 --> 01:45:34,639 DIDN'T EVEN RECOGNIZE THE VALUE IN MY GRANDMOTHER'S QUILT. 1571 01:45:34,639 --> 01:45:36,675 I DISMISSED HER WORK AND HER STORY BECAUSE IT DIDN'T LOOK 1572 01:45:36,675 --> 01:45:40,979 LIKE WHAT I THOUGHT IT SHOULD. NOW, WHETHER WE KNOW IT OR NOT, 1573 01:45:40,979 --> 01:45:46,084 WE ARE ALL SEWING OUR OWN QUILTS WITH OUR THOUGHTS AND BEHAVIORS, 1574 01:45:46,084 --> 01:45:48,653 OUR EXPERIENCES AND OUR MEMORIES. 1575 01:45:48,653 --> 01:45:52,724 LIKE IN MY OWN QUILT, WHEN I WAS ABOUT 10 YEARS OLD, I REMEMBER 1576 01:45:52,724 --> 01:45:59,231 MY FATHER STANDING AT THE DOOR. I WAS WONDERING WHY HE STOOD 1577 01:45:59,231 --> 01:46:01,700 THERE SO LONG. HE WAS FRUSTRATED AND WALKED 1578 01:46:01,700 --> 01:46:03,268 AWAY. MY MOTHER SAID HE WAS WAITING 1579 01:46:03,268 --> 01:46:06,872 FOR THE MAN TO PAY HIM AND HE NEVER DID. 1580 01:46:06,872 --> 01:46:08,640 THEY NEEDED THE MONEY AT THE TIME. 1581 01:46:08,640 --> 01:46:12,644 SHE SAID, DON'T YOU EVER STAND BY A DOOR WAITING FOR WHITE 1582 01:46:12,644 --> 01:46:14,479 FOLKS TO DO NOTHING FOR YOU. NOW, YOU HAVE TO UNDERSTAND. 1583 01:46:14,479 --> 01:46:16,615 MY MOTHER WASN'T A RACIST. BUT IN HER QUILT, SHE COULDN'T 1584 01:46:16,615 --> 01:46:19,184 IMAGINE A WORLD WHERE HER SON WAS NOT WAITING BY THE DOOR FOR 1585 01:46:19,184 --> 01:46:23,421 SOMEONE. SHE COULDN'T IMAGINE ME ACTUALLY 1586 01:46:23,421 --> 01:46:28,527 BUILDING MY OWN DOOR AND HOLDING IT OPEN FOR THOUSANDS OF PEOPLE. 1587 01:46:28,527 --> 01:46:31,296 SHE COULDN'T IMAGINE ME OWNING LAND THAT WAS ONCE A CONFEDERATE 1588 01:46:31,296 --> 01:46:36,635 ARMY BASE. WHERE THEY PLOTTED AND PLANNED 1589 01:46:36,635 --> 01:46:40,605 ON HOW TO KEEP BLACKS ENSLAVED. 1590 01:46:40,605 --> 01:46:49,281 NOW, ON THAT LAND, BLACK, WHITE, 1591 01:46:49,281 --> 01:46:50,515 GAY, STRAIGHT, LESBIAN, TRANSGENDER, EX‐CONS, ALL COMING 1592 01:46:50,515 --> 01:46:56,121 TOGETHER TO ADD PATCHES TO A 1593 01:46:56,121 --> 01:47:00,592 QUILT THAT REPRESENTS DIVERSITY AT ITS BEST. 1594 01:47:00,592 --> 01:47:04,663 I STAND HERE TONIGHT TO SAY THANK YOU TO ALL OF THE PEOPLE 1595 01:47:04,663 --> 01:47:09,267 WHO ARE CELEBRATING AND KNOW THE VALUE OF EVERY PATCH AND EVERY 1596 01:47:09,267 --> 01:47:12,304 STORY AND EVERY COLOR THAT MAKES UP THIS QUILT THAT IS OUR 1597 01:47:12,304 --> 01:47:16,474 BUSINESS. THIS QUILT THAT IS OUR LIVES. 1598 01:47:16,474 --> 01:47:19,010 THIS QUILT THAT IS AMERICA. BECAUSE IN MY GRANDMOTHER'S 1599 01:47:19,010 --> 01:47:20,245 QUILT, THERE WERE NO PATCHES THAT REPRESENTED BLACK PEOPLE ON 1600 01:47:20,245 --> 01:47:25,183 TELEVISION. BUT IN MY QUILT, HER GRANDSON IS 1601 01:47:25,183 --> 01:47:31,549 BEING CELEBRATED BY THE TELEVISION ACADEMY. 1602 01:47:31,549 --> 01:47:34,285 I THANK YOU FOR THIS. GOD BLESS YOU. THANK YOU. 1603 01:47:34,285 --> 01:47:39,390 [ APPLAUSE ] 1604 01:47:39,390 --> 01:47:39,791 ♪ 1605 01:47:56,658 --> 01:47:59,099 ♪ 1606 01:47:59,099 --> 01:48:00,467 >>> WELCOME BACK TO THE EMMYS. AND BY THE WAY, DON'T COMPLAIN 1607 01:48:00,467 --> 01:48:02,435 ABOUT HOW LONG THE SHOW IS. THE LAKERS GAME IS OVER. 1608 01:48:02,435 --> 01:48:07,073 WHAT ELSE DO YOU HAVE TO DO? PLAY CANDYLAND WITH THE KIDS FOR 1609 01:48:07,073 --> 01:48:10,277 THE 9,000th TIME? WE'VE GOT YOU RIGHT WHERE WE 1610 01:48:10,277 --> 01:48:12,379 WANT YOU, YOU SON OF A BITCH. OUR NEXT AWARD IS FOR 1611 01:48:12,379 --> 01:48:15,081 OUTSTANDING LEAD ACTOR IN A DRAMA SERIES. 1612 01:48:15,081 --> 01:48:19,119 AND HERE ARE THE NOMINEES. 1613 01:48:19,119 --> 01:48:23,390 >> BRIAN COX, "SUCCESSION." JEREMY STRONG, "SUCCESSION." 1614 01:48:23,390 --> 01:48:27,427 JASON BATEMAN, "OZARK." STERLING K. BROWN, "THIS IS US." 1615 01:48:27,427 --> 01:48:35,068 BILLY PORTER, "POSE." STEVE CARELL, "THE MORNING SHOW." 1616 01:48:35,068 --> 01:48:41,007 >> AND THE EMMY GOES TO ‐‐ JEREMY STRONG, "SUCCESSION." 1617 01:48:41,007 --> 01:48:41,575 [ APPLAUSE ] 1618 01:48:41,575 --> 01:48:49,683 ♪ 1619 01:48:49,683 --> 01:48:55,055 >> OH, MAN. 1620 01:48:55,055 --> 01:49:01,661 THANK YOU SO MUCH. 1621 01:49:01,661 --> 01:49:07,033 THANK YOU TO THE ACADEMY, THANK YOU TO HBO. 1622 01:49:07,033 --> 01:49:13,640 WOW. 1623 01:49:13,640 --> 01:49:17,510 I GOT TO THANK SOME PEOPLE WHO HAVE BEEN THERE FOR ME AND 1624 01:49:17,510 --> 01:49:20,647 BELIEVED IN ME. 1625 01:49:20,647 --> 01:49:25,652 WHEN SOMETHING LIKE THIS FELT 1626 01:49:25,652 --> 01:49:33,126 BASICALLY IMPOSSIBLE. MEREDITH, MAX, SCOTT, PAUL, 1627 01:49:33,126 --> 01:49:39,399 EMILY, MARA, STEVE, MY MOM, MY DAD, MY BROTHER ADAM, MY WIFE 1628 01:49:39,399 --> 01:49:43,003 EMMA. 1629 01:49:43,003 --> 01:49:50,377 FRANK, FRANCINE. I READ A POEM BY STEVEN DUNN 1630 01:49:50,377 --> 01:49:55,048 THAT SAID, ALL I EVER WANTED WAS 1631 01:49:55,048 --> 01:50:01,588 A BOOK SO GOOD I'D BE FINISHING IT FOR THE REST OF MY LIFE. 1632 01:50:01,588 --> 01:50:06,426 THIS JOB IS THAT FOR ME. JESSE ARMSTRONG, I OWE THIS TO 1633 01:50:06,426 --> 01:50:09,529 YOU. BRIAN COX, I SHARE THIS WITH YOU. 1634 01:50:09,529 --> 01:50:17,871 THANK YOU SO MUCH. 1635 01:50:17,871 --> 01:50:18,939 [ APPLAUSE ] 1636 01:50:18,939 --> 01:50:25,211 ♪ 1637 01:50:25,211 --> 01:50:26,947 >> WE'VE GOT MORE JIMMY AND MORE AWARDS COMING UP. 1638 01:50:26,947 --> 01:50:30,917 AND SPEAKING OF AWARDS, TONIGHT'S WINNERS ARE GETTING 1639 01:50:30,917 --> 01:50:32,485 THEIR EMMYS DELIVERED IN THE NEW K5s, PROVIDED BY KIA. 1640 01:50:32,485 --> 01:50:36,656 IN FACT, THEY'RE MAKING THE FINAL STOPS OF THE NIGHT. 1641 01:50:36,656 --> 01:50:40,202 KEEP WATCHING, IT'S THE EMMYS, 2020, BABY. 1642 01:50:40,202 --> 01:50:40,965 ♪ 1643 01:50:42,938 --> 01:50:46,508 ♪ 1644 01:50:46,508 --> 01:50:48,343 >>> WE'RE BUSTING A LOT OF MOVES HERE. 1645 01:50:48,343 --> 01:50:51,279 EACH OF THE WOMEN IN OUR NEXT CATEGORY IS AN EXTRAORDINARY 1646 01:50:51,279 --> 01:50:54,983 TALENT. AND THIS YEAR, INSTEAD OF BEING 1647 01:50:54,983 --> 01:51:00,121 JUDGED ON THEIR HAIRSTYLE OR WHAT THEY WEAR, THEY WILL BE 1648 01:51:00,121 --> 01:51:03,258 JUDGED ON WHAT KIND OF LIVING ROOM FURNITURE THEY HAVE. 1649 01:51:03,258 --> 01:51:06,995 OUR NOMINEES FOR OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES. 1650 01:51:06,995 --> 01:51:11,032 >> ZENDAYA, "EUPHORIA." LAURA LINNEY, "OZARK." 1651 01:51:11,032 --> 01:51:17,272 JODIE COMER, "KILLING EVE." OLIVIA COLMAN, "THE CROWN." 1652 01:51:17,272 --> 01:51:19,007 SANDRA OH, "KILLING EVE." JENNIFER ANISTON, "THE MORNING 1653 01:51:19,007 --> 01:51:28,350 SHOW." 1654 01:51:28,350 --> 01:51:32,354 >> AND THE EMMY GOES TO ‐‐ ZENDAYA, "EUPHORIA." 1655 01:51:32,354 --> 01:51:36,324 [ CHEERS AND APPLAUSE ] 1656 01:51:36,324 --> 01:51:52,307 ♪ 1657 01:51:56,845 --> 01:52:04,185 >> I'M REALLY, REALLY NERVOUS. OKAY. OKAY. OH, GOSH. 1658 01:52:04,185 --> 01:52:04,819 I JUST WANT TO SAY THANK YOU TO 1659 01:52:04,819 --> 01:52:13,061 THE TV ACADEMY, AND ALL THE 1660 01:52:13,061 --> 01:52:18,767 OTHER INCREDIBLE WOMEN IN THIS CATEGORY, I ADMIRE YOU ALL. 1661 01:52:18,767 --> 01:52:20,235 THIS IS CRAZY. THANK YOU, HBO AND A24 FOR YOUR 1662 01:52:20,235 --> 01:52:21,870 SUPPORT. THANK YOU TO MY FAMILY AND MY 1663 01:52:21,870 --> 01:52:24,239 TEAM. TO THE INCREDIBLE CAST AND CREW 1664 01:52:24,239 --> 01:52:30,779 OF "EUPHORIA." I'M SO LUCKY TO WORK WITH YOU 1665 01:52:30,779 --> 01:52:32,514 AND I'M INSPIRED BY EVERYTHING YOU DO. 1666 01:52:32,514 --> 01:52:36,284 AND SAM, I APPRECIATE YOU SO MUCH. 1667 01:52:36,284 --> 01:52:43,058 I'M SO GRATEFUL YOU TRUSTED ME WITH YOUR STORY, RU. 1668 01:52:43,058 --> 01:52:50,365 I HOPE I CAN CONTINUE TO DO YOU PROUD. 1669 01:52:50,365 --> 01:52:51,599 AND I KNOW THIS IS A WEIRD TIME TO BE CELEBRATING, BUT THERE IS 1670 01:52:51,599 --> 01:52:53,468 HOPE IN THE YOUNG PEOPLE OUT THERE. I KNOW OUR TV SHOW DOESN'T 1671 01:52:53,468 --> 01:52:54,803 ALWAYS FEEL LIKE A GREAT EXAMPLE OF THAT, BUT THERE IS HOPE IN 1672 01:52:54,803 --> 01:52:58,139 THE YOUNG PEOPLE. AND TO MY PEERS OUT THERE DOING 1673 01:52:58,139 --> 01:53:01,443 THE WORK IN THE STREETS, I SEE YOU, I ADMIRE YOU, AND I THANK 1674 01:53:01,443 --> 01:53:08,249 YOU. AND THANK YOU SO, SO MUCH. THIS IS ‐‐ WHOA, OKAY. THANK YOU. 1675 01:53:08,249 --> 01:53:24,165 [ CHEERS AND APPLAUSE ] 1676 01:53:24,165 --> 01:53:28,203 >> WOW. HOW HOW ABOUT THAT. SHE'S YOUNGER THAN BABY YODA, 1677 01:53:28,203 --> 01:53:36,177 AND HAS AN EMMY. 1678 01:53:36,177 --> 01:53:37,579 YOU KNOW OUR NEXT PRESENTER HAS A LITTLE SOMETHING FOR THE NERDS. 1679 01:53:37,579 --> 01:53:40,181 HERE TO PRESENT THE EMMY FOR OUTSTANDING WRITING FOR A DRAMA 1680 01:53:40,181 --> 01:53:48,189 SERIES IS LAVERNE COX. 1681 01:53:48,189 --> 01:53:52,227 >> GOOD EVENING, EVERYONE. I'M LIVING PROOF OF THE AMERICAN 1682 01:53:52,227 --> 01:53:58,032 DREAM, THAT ANYONE IN THIS COUNTRY CAN LOSE THE EMMY FOUR 1683 01:53:58,032 --> 01:54:04,406 YEARS IN THE SAME CATEGORY, AND YET SOMEHOW END UP ON THIS STAGE 1684 01:54:04,406 --> 01:54:12,280 PRESENTING AN AWARD TO SOMEBODY WHO PROBABLY ‐‐ WHAT HAPPENS TO 1685 01:54:12,280 --> 01:54:15,950 AN AMERICAN DREAM DEFERRED? DOES IT SHRIVEL UP LIKE A RAISIN 1686 01:54:15,950 --> 01:54:21,656 IN THE SUN? STICK TO THE SCRIPT, LAVERNE. 1687 01:54:21,656 --> 01:54:26,594 STICK TO THE SCRIPT. AND NOW HERE'S THE NOMINEES FOR 1688 01:54:26,594 --> 01:54:27,128 WRITING IN A DRAMA SERIES. 1689 01:54:27,128 --> 01:54:28,963 >> PETER MORGAN, "THE CROWN." "ABERFAN." 1690 01:54:28,963 --> 01:54:30,498 >> JESSE ARMSTRONG, "SUCCESSION." 1691 01:54:30,498 --> 01:54:32,066 "THIS IS NOT FOR TEARS." 1692 01:54:32,066 --> 01:54:36,738 >> GORDON SMITH, "BETTER CALL SAUL." "BAGMAN." 1693 01:54:36,738 --> 01:54:39,874 >> THOMAS SCHNAUZ, "BETTER CALL SAUL." "BAD CHOICE ROAD." 1694 01:54:39,874 --> 01:54:42,777 >> MIKI JOHNSON, "OZARK." "FIRE PINK." 1695 01:54:42,777 --> 01:54:46,114 >> JOHN SHIBAN, "OZARK." "BOSS FIGHT." 1696 01:54:46,114 --> 01:54:48,149 >> CHRIS MUNDY, "OZARK." "ALL IN." 1697 01:54:48,149 --> 01:54:54,756 [ APPLAUSE ] 1698 01:54:54,756 --> 01:55:00,762 >> AND THE EMMY GOES TO ‐‐ JESSE ARMSTRONG, "SUCCESSION." 1699 01:55:00,762 --> 01:55:04,098 [ APPLAUSE ] 1700 01:55:04,098 --> 01:55:09,537 ♪ 1701 01:55:09,537 --> 01:55:16,077 >> THANK YOU VERY MUCH. THIS IS SO WEIRD TO BE HERE IN 1702 01:55:16,077 --> 01:55:17,979 LONDON, AND ACCEPTING THIS. I LOVE WRITING FOR THIS SHOW SO 1703 01:55:17,979 --> 01:55:24,152 VERY MUCH. AND FOR THIS AMAZING CAST, AND 1704 01:55:24,152 --> 01:55:28,089 WITH THIS AMAZING CREW, PROBABLY 300 PEOPLE TAKE THE EPISODE FROM 1705 01:55:28,089 --> 01:55:31,459 SCRIPT TO ON SCREEN. AND I'M GOING TO THANK EVERY 1706 01:55:31,459 --> 01:55:35,029 SINGLE ONE OF THEM. BECAUSE THAT'S POLITE. 1707 01:55:35,029 --> 01:55:39,234 AND WE'RE HERE IN LONDON, AND YOU CAN'T STOP US. 1708 01:55:39,234 --> 01:55:46,774 NO, I WOULD LIKE TO SAY THANKS TO SAM, MY OLD WRITING PARTNER. 1709 01:55:46,774 --> 01:55:48,042 WHO I'VE DONE SO MUCH WITH. 1710 01:55:48,042 --> 01:55:58,820 RICHARD, K. C., FRANNY, NORA, 1711 01:55:58,820 --> 01:56:00,755 ADAM, KEVIN, SCOTT, AND I'D LIKE TO SAY THANKS TO ALL THE WRITERS 1712 01:56:00,755 --> 01:56:04,659 ON "SUCCESSION," ESPECIALLY THE ONES WHO WROTE ON THIS SEASON 1713 01:56:04,659 --> 01:56:12,066 WITH ME. 1714 01:56:12,066 --> 01:56:16,604 I WANT TO THANK TEDDY, JOHN, LUCY, GEORGIA, WILL, AND SUSAN. 1715 01:56:16,604 --> 01:56:17,005 THANK YOU SO MUCH. 1716 01:56:17,005 --> 01:56:25,880 [ APPLAUSE ] 1717 01:56:25,880 --> 01:56:28,616 >> LOOKS LIKE THEY WERE HAVING AN INTERVENTION FOR JESSE THERE. 1718 01:56:28,616 --> 01:56:31,085 THE GREAT OSCAR AND EMMY AWARD‐WINNING DIRECTOR STEVEN 1719 01:56:31,085 --> 01:56:34,589 SPIELBERG ONCE SAID, “I DON'T DREAM AT NIGHT. I DREAM AT DAY. 1720 01:56:34,589 --> 01:56:38,927 I DREAM ALL DAY. I'M DREAMING FOR A LIVING.” 1721 01:56:38,927 --> 01:56:42,564 IN ANY OTHER INDUSTRY, THAT WOULD GET YOU FIRED FOR CAUSE. 1722 01:56:42,564 --> 01:56:47,201 BUT IN HOLLYWOOD, IT MAKES YOU A NOMINEE FOR OUTSTANDING 1723 01:56:47,201 --> 01:56:47,969 DIRECTING FOR A DRAMA SERIES. 1724 01:56:47,969 --> 01:56:51,873 >> BENJAMIN CARON, "THE CROWN." "ABERFAN." 1725 01:56:51,873 --> 01:56:54,676 JESSICA HOBBS, "THE CROWN." "CRI DE COEUR." 1726 01:56:54,676 --> 01:56:58,146 LESLI LINKA GLATTER, "HOMELAND." "PRISONERS OF WAR." 1727 01:56:58,146 --> 01:57:03,384 MIMI LEDER, "THE MORNING SHOW." "THE INTERVIEW." 1728 01:57:03,384 --> 01:57:06,688 ALIK SAKHAROV, "OZARK." "FIRE PINK." 1729 01:57:06,688 --> 01:57:10,158 BEN SEMANOFF, "OZARK." "SU CASA ES MI CASA." 1730 01:57:10,158 --> 01:57:14,362 ANDRIJ PAREKH, "SUCCESSION." "HUNTING." 1731 01:57:14,362 --> 01:57:15,897 MARK MYLOD, "SUCCESSION." "THIS IS NOT FOR TEARS." 1732 01:57:15,897 --> 01:57:21,736 [ APPLAUSE ] 1733 01:57:21,736 --> 01:57:27,308 >> AND THE EMMY GOES TO ‐‐ ANDRIJ PAREKH, "SUCCESSION." 1734 01:57:27,308 --> 01:57:27,876 [ APPLAUSE ] 1735 01:57:27,876 --> 01:57:36,017 ♪ 1736 01:57:36,017 --> 01:57:40,021 >> MAN, I AM DEEPLY HONORED AND NOT THE LEAST BIT HUMBLED BY 1737 01:57:40,021 --> 01:57:42,724 THIS AWARD. THIS IS ON MY BIRTHDAY, SO THANK 1738 01:57:42,724 --> 01:57:49,364 YOU. I WANT TO THANK HBO, AND THE ENTIRE CAST, THE SHOW HAS BEEN 1739 01:57:49,364 --> 01:57:57,005 SUCH A PROFESSIONAL DREAM. I WANT TO THANK MY WIFE AND 1740 01:57:57,005 --> 01:58:00,108 DAUGHTER, WHO PUT UP WITH MY ARTISTIC PURSUITS. 1741 01:58:00,108 --> 01:58:05,613 AND MY MOM AND DAD AND BROTHER. 1742 01:58:05,613 --> 01:58:11,019 I WANT TO DEDICATE THIS EMMY TO 1743 01:58:11,019 --> 01:58:18,793 ALL THE KIDS WHOSE NAME IS 1744 01:58:18,793 --> 01:58:20,361 DIFFICULT TO PRONOUNCE. THIS IS PROOF THAT YOU BELONG. 1745 01:58:20,361 --> 01:58:23,364 AND THIS EMMY IS OURS. THANK YOU GUYS. 1746 01:58:23,364 --> 01:58:23,898 ♪ 1747 01:58:23,898 --> 01:58:29,262 [ APPLAUSE ] 1748 01:58:42,550 --> 01:58:47,010 ♪ 1749 01:58:47,010 --> 01:58:49,712 >>> HEY, THERE. 1750 01:58:49,712 --> 01:58:50,980 >> MY BROTHER AND I ARE PROUD TO BE ESSENTIAL WORKERS DURING THE 1751 01:58:50,980 --> 01:58:53,550 PANDEMIC. 1752 01:58:53,550 --> 01:58:57,153 >> BEING A DOCTOR CAN BE A LITTLE BIT STRESSFUL. 1753 01:58:57,153 --> 01:59:02,725 AND WITH EVERYBODY WEARING MASKS, IT'S HARD TO TELL WHETHER 1754 01:59:02,725 --> 01:59:03,860 EVERYBODY IS SMILING ANYMORE. BUT WEAR MASKS, DO SOCIAL 1755 01:59:03,860 --> 01:59:09,799 DISTANCING, AND PAY ATTENTION TO YOUR MENTAL HEALTH. 1756 01:59:09,799 --> 01:59:15,905 >> DON'T FORGET TO KICK BACK AND WATCH SOME GREAT TV. 1757 01:59:15,905 --> 01:59:17,474 >> YOU CAN START BY WATCHING THE AMAZING PERFORMANCES BY THESE 1758 01:59:17,474 --> 01:59:19,075 NOMINEES FOR OUTSTANDING SUPPORTING ACTOR IN A DRAMA 1759 01:59:19,075 --> 01:59:19,576 SERIES. 1760 01:59:19,576 --> 01:59:21,111 >> GIANCARLO ESPOSITO, "BETTER CALL SAUL." 1761 01:59:21,111 --> 01:59:22,045 BRADLEY WHITFORD, "THE HANDMAID'S TALE." 1762 01:59:22,045 --> 01:59:25,315 BILLY CRUDUP, "THE MORNING SHOW." MARK DUPLASS, "THE MORNING 1763 01:59:25,315 --> 01:59:30,887 SHOW." NICHOLAS BRAUN, "SUCCESSION." 1764 01:59:30,887 --> 01:59:34,858 KIERAN CULKIN, "SUCCESSION." MATTHEW MACFADYEN, "SUCCESSION." 1765 01:59:34,858 --> 01:59:38,828 JEFFREY WRIGHT, “WESTWORLD.” 1766 01:59:38,828 --> 01:59:45,235 >> AND THE EMMY GOES TO ‐‐ BILLY CRUDUP, "THE MORNING SHOW." 1767 01:59:45,235 --> 01:59:46,836 >> OH, WOW. 1768 01:59:46,836 --> 01:59:50,807 [ APPLAUSE ] 1769 01:59:50,807 --> 01:59:51,241 ♪ 1770 01:59:51,241 --> 01:59:57,580 >> THIS IS A PRETTY INCREDIBLE EXPERIENCE. 1771 01:59:57,580 --> 01:59:58,848 THANKS A LOT TO THE ACADEMY AND OBVIOUSLY THE FELLOW ACTORS IN 1772 01:59:58,848 --> 02:00:06,356 THE CATEGORY. IT'S SOME OF THE BEST ACTORS 1773 02:00:06,356 --> 02:00:10,860 THAT I'M FAMILIAR WITH AND HAVE BEEN FOR A LONG TIME. 1774 02:00:10,860 --> 02:00:18,668 I KNEW THE SECOND I GOT THIS PART, IT WOULD BE SOMETHING I 1775 02:00:18,668 --> 02:00:20,203 WOULD BE FORTUNATE ABOUT. I'VE TRIED TO THANK EVERYONE 1776 02:00:20,203 --> 02:00:22,372 INVOLVED IN THIS PROJECT, AND EVERYONE IN MY LIFE, IF I 1777 02:00:22,372 --> 02:00:27,377 HAVEN'T, PLEASE CALL ME AND YELL AT ME. 1778 02:00:27,377 --> 02:00:31,514 BECAUSE I'VE BEEN MEANING TO. IT'S TAKEN AN ARMY OF SUPPORT. 1779 02:00:31,514 --> 02:00:38,721 I'M INCREDIBLY GRATEFUL. NOT THE LEAST OF WHICH TO 1780 02:00:38,721 --> 02:00:45,762 EVERYBODY AT APPLE, YOU GAVE ME A WONDERFUL OPPORTUNITY. 1781 02:00:45,762 --> 02:00:50,800 AND I'M GLAD TO HAVE DELIVERED SOMETHING FOR YOU. 1782 02:00:50,800 --> 02:00:58,608 AND TO THE YOUNG PEOPLE IN MY LIFE, MY GLORIOUS SON WILL, MY 1783 02:00:58,608 --> 02:00:59,642 NEPHEWS, ASH, ALL MY GODCHILDREN, SASHA AND KAI, 1784 02:00:59,642 --> 02:01:06,649 PLEASE SAVE US. SORRY TO ASK. 1785 02:01:06,649 --> 02:01:09,786 BUT THANKS IN ADVANCE FOR ALL OF YOUR HELP. 1786 02:01:09,786 --> 02:01:10,320 I LOVE YOU, AND THANK YOU. 1787 02:01:10,320 --> 02:01:14,724 [ APPLAUSE ] 1788 02:01:14,724 --> 02:01:15,158 >> LOVE YOU, BILLY. 1789 02:01:15,158 --> 02:01:19,429 >> WOW. 1790 02:01:19,429 --> 02:01:22,131 >> HE SAID THAT HE WANTED TO DO THE SHOW, HE TOLD ME HE WASN'T 1791 02:01:22,131 --> 02:01:26,703 SURE ABOUT IT. I THINK HE DID IT FOR THE MONEY. 1792 02:01:26,703 --> 02:01:31,040 OH, HI. OUR NEXT ESSENTIAL WORKER/PRESENTER IS A NURSE FROM 1793 02:01:31,040 --> 02:01:37,614 NEW YORK CITY. WHICH WOULD BE A GREAT SHOW FOR 1794 02:01:37,614 --> 02:01:38,948 YOU. TO HAND OUT THE EMMY FOR OUTSTANDING SUPPORTING ACTRESS 1795 02:01:38,948 --> 02:01:41,851 IN A DRAMA SERIES, KATIE DUKE. 1796 02:01:41,851 --> 02:01:43,019 >> I'M KATIE DUKE, I'M A NURSE‐PRACTITIONER IN NEW YORK 1797 02:01:43,019 --> 02:01:50,126 CITY. WHEN THE PANDEMIC FIRST HIT, I 1798 02:01:50,126 --> 02:01:55,698 WOKE UP AND HAD CRIPPLING BODY ACHES. I KNEW I HAD COVID. 1799 02:01:55,698 --> 02:01:59,902 I FELT SO ALONE, MY FAMILY AND FRIENDS CAN'T SEE ME. 1800 02:01:59,902 --> 02:02:06,776 AND I'M IN AN ISOLATION ROOM ON OXYGEN, I'M GETTING STEROIDS. 1801 02:02:06,776 --> 02:02:11,180 I HAVE COVID PNEUMONIA. I FELT SCARED, AND I'M NOT 1802 02:02:11,180 --> 02:02:14,717 ASHAMED TO ADMIT THAT. I WAS TERRIFIED. 1803 02:02:14,717 --> 02:02:15,918 WHEN I RETURNED TO WORK, I RETURNED WITH A WHOLE NEW SET OF 1804 02:02:15,918 --> 02:02:23,526 EYES. I WAS REMINDED HOW SPECIAL LIFE 1805 02:02:23,526 --> 02:02:27,764 IS. AND I'M INCREDIBLY EXCITED TO PRESENT THE NOMINEES FOR 1806 02:02:27,764 --> 02:02:29,265 OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES. 1807 02:02:29,265 --> 02:02:30,933 >> LAURA DERN, "BIG LITTLE LIES." 1808 02:02:30,933 --> 02:02:35,038 MERYL STREEP, "BIG LITTLE LIES." HELENA BONHAM CARTER, "THE 1809 02:02:35,038 --> 02:02:39,809 CROWN." SAMIRA WILEY, "THE HANDMAID'S 1810 02:02:39,809 --> 02:02:45,848 TALE." FIONA SHAW, "KILLING EVE." JULIA GARNER, "OZARK." 1811 02:02:45,848 --> 02:02:50,653 SARAH SNOOK, "SUCCESSION." THANDIE NEWTON, "WESTWORLD." 1812 02:02:50,653 --> 02:02:51,220 [ APPLAUSE ] 1813 02:02:51,220 --> 02:02:56,292 >> AND THE EMMY GOES TO ‐‐ JULIA GARNER, "OZARK." 1814 02:02:56,292 --> 02:03:00,530 [ APPLAUSE ] 1815 02:03:00,530 --> 02:03:06,269 >> OH. OH, MY GOSH. 1816 02:03:06,269 --> 02:03:10,707 WOW. FIRST, I AM SHOCKED, TO BE 1817 02:03:10,707 --> 02:03:15,311 HONEST. I WANT TO SHOW GRATITUDE TO ALL 1818 02:03:15,311 --> 02:03:21,451 THE WOMEN IN THIS CATEGORY. YOU ARE THE REASON WHY I'M 1819 02:03:21,451 --> 02:03:25,054 ACTING IN THE FIRST PLACE. SO THANK YOU. 1820 02:03:25,054 --> 02:03:27,690 THANK YOU TO THE TELEVISION ACADEMY FOR THIS AWARD. 1821 02:03:27,690 --> 02:03:32,328 AND THANK YOU TO CHRIS AND EVERYBODY IN THE WRITER'S ROOM. 1822 02:03:32,328 --> 02:03:35,965 AND JUST SETTING THE TONE FOR "OZARK." 1823 02:03:35,965 --> 02:03:42,605 THANK YOU JASON AND LAURA. LAURA, I LOVE YOU SO MUCH. 1824 02:03:42,605 --> 02:03:46,609 JUST FOR BRINGING ME UNDER YOUR WINGS, TEACHING ME TO BE A 1825 02:03:46,609 --> 02:03:51,748 BETTER ACTOR AND PERSON. AND NETFLIX, AND EVERYONE. 1826 02:03:51,748 --> 02:03:53,950 THANK YOU SO MUCH. LET'S TRY TO MAKE THE WORLD 1827 02:03:53,950 --> 02:03:55,118 BETTER. THERE WILL BE A LIGHT AT THE END 1828 02:03:55,118 --> 02:03:57,954 OF THIS TUNNEL. THANK YOU SO MUCH. 1829 02:03:57,954 --> 02:04:02,225 I LOVE YOU ALL. THANK YOU, THANK YOU, THANK YOU. 1830 02:04:02,225 --> 02:04:04,827 TO MY HUSBAND AND MY FAMILY. THANK YOU, I LOVE YOU. 1831 02:04:04,827 --> 02:04:06,596 [ APPLAUSE ] 1832 02:04:06,596 --> 02:04:12,168 ♪ 1833 02:04:12,168 --> 02:04:15,705 >> PLEASE WELCOME ACTRESS AND ACTIVIST YARA SHAHIDI. 1834 02:04:15,705 --> 02:04:21,711 [ APPLAUSE ] 1835 02:04:21,711 --> 02:04:25,748 >> THE STORIES WE TELL ON TV SHAPE HOW WE SEE OURSELVES AND 1836 02:04:25,748 --> 02:04:27,283 OTHERS. AND HOW WE ARE SEEN CAN MANY 1837 02:04:27,283 --> 02:04:30,453 TIMES DETERMINE HOW WE ARE TREATED. 1838 02:04:30,453 --> 02:04:33,656 THE DREAM OF TELEVISION IS THE FREEDOM TO LIVE OUTSIDE OF BOXES 1839 02:04:33,656 --> 02:04:37,627 AND ASSUMPTIONS. WE CONTINUE TO STRIVE FOR A MORE 1840 02:04:37,627 --> 02:04:42,532 COMPLETE DEFINITION OF INCLUSIVITY. 1841 02:04:42,532 --> 02:04:45,501 IN THIS PIECE, AMERICA FERRERA REMINDS US THAT WHEN TV HAS MORE 1842 02:04:45,501 --> 02:04:46,035 VOICES, IT'S JUST BETTER. 1843 02:04:46,035 --> 02:04:54,544 ♪ 1844 02:04:54,544 --> 02:05:00,650 >> I WAS 16 YEARS OLD WHEN I GOT MY VERY FIRST AUDITION. 1845 02:05:00,650 --> 02:05:02,785 AND I WAS THIS LITTLE, BROWN, CHUBBY VALLEY GIRL WHO SPOKE, 1846 02:05:02,785 --> 02:05:08,391 YOU KNOW, LIKE A VALLEY GIRL. I WALKED IN, DID MY AUDITION. 1847 02:05:08,391 --> 02:05:10,059 THE CASTING DIRECTOR LOOKED AT ME AND SHE WAS LIKE, THAT'S 1848 02:05:10,059 --> 02:05:15,598 GREAT. 1849 02:05:15,598 --> 02:05:22,538 CAN YOU DO THAT AGAIN, BUT THIS TIME SOUND MORE LATINA. 1850 02:05:22,538 --> 02:05:25,708 UM, SO, LIKE, DO YOU WANT ME TO DO THIS IN SPANISH? 1851 02:05:25,708 --> 02:05:29,812 SHE WAS LIKE, NO, NO, NO, DO IT IN ENGLISH. 1852 02:05:29,812 --> 02:05:33,649 BUT JUST, YOU KNOW, LIKE, SOUND MORE LATINA. I AM A LATINA. 1853 02:05:33,649 --> 02:05:37,620 AND THIS IS WHAT I SOUND LIKE. AND SHE LOOKED AT ME AND WAS 1854 02:05:37,620 --> 02:05:41,757 LIKE, OKAY, SWEETIE, THANK YOU. BYE. 1855 02:05:41,757 --> 02:05:42,959 I TOLD MY FAMILY, AND THEY SAID, THEY WANTED YOU TO SPEAK IN 1856 02:05:42,959 --> 02:05:50,066 BROKEN ENGLISH. WHAT DID YOU THINK WAS GOING TO 1857 02:05:50,066 --> 02:05:51,567 HAPPEN? THEY WERE GOING TO HAVE YOU 1858 02:05:51,567 --> 02:05:55,805 STARRING IN THE NEXT ROLE MEANT FOR JULIA ROBERTS? 1859 02:05:55,805 --> 02:06:03,546 AND I WAS LIKE, YEAH, THAT IS WHAT I THOUGHT. 1860 02:06:03,546 --> 02:06:07,049 THAT REALIZATION HAS FUELED ME TO CREATE MORE OPPORTUNITY FOR 1861 02:06:07,049 --> 02:06:09,619 LITTLE BROWN GIRLS TO FULFILL THEIR TALENT AND THEIR DREAM. 1862 02:06:09,619 --> 02:06:10,753 ♪ 1863 02:06:16,225 --> 02:06:16,659 ♪ 1864 02:06:16,659 --> 02:06:17,884 [ APPLAUSE ] 1865 02:06:17,884 --> 02:06:20,721 >>> OKAY, YOU'VE BEEN VERY PATIENT. THANK YOU FOR WATCHING. 1866 02:06:20,721 --> 02:06:24,224 THIS IS THE BIG ONE, THE LAST AWARD OF THE NIGHT. 1867 02:06:24,224 --> 02:06:26,560 IN MY EXPERIENCE, THIS IS WHERE THINGS SOMETIMES GO ASKEW. 1868 02:06:26,560 --> 02:06:32,065 OUR FINAL PRESENTER IS ONE OF OUR FINEST ACTORS AND ONE OF THE 1869 02:06:32,065 --> 02:06:34,167 FEW ACTORS TO HAVE WORKED WITH O.J. AND OLAF. 1870 02:06:34,167 --> 02:06:38,305 HERE TO PRESENT THE EMMY FOR OUTSTANDING DRAMA SERIES, 1871 02:06:38,305 --> 02:06:41,108 TWO‐TIME EMMY WINNER AND DOUBLE 1872 02:06:41,108 --> 02:06:46,813 NOMINEE TONIGHT, STERLING K. BROWN. 1873 02:06:46,813 --> 02:06:50,417 ♪ 1874 02:06:50,417 --> 02:06:56,490 >> WHOO! OH, WOW. I DID NOT SEE THIS COMING. 1875 02:06:56,490 --> 02:07:00,694 THEY TOLD US "SUCCESSION" WAS A SHOE‐IN. 1876 02:07:00,694 --> 02:07:04,698 FOR US TO WIN BEST DRAMA IN AN UNBELIEVABLY LOADED SEASON, I'M 1877 02:07:04,698 --> 02:07:06,333 BLOWN AWAY. AND THEY SAID NETWORK TELEVISION 1878 02:07:06,333 --> 02:07:11,404 WAS DEAD. OKAY. 1879 02:07:11,404 --> 02:07:14,574 TO OUR PARTNERS AT DISNEY AND 1880 02:07:14,574 --> 02:07:21,515 NBC, BACK UP THE BRINKS TRUCKS, YOU CHEAPSKATES. 1881 02:07:21,515 --> 02:07:24,851 WE WON BEST DRAMA, AND WE NEED RAISES. 1882 02:07:24,851 --> 02:07:28,755 BECAUSE THIS RIGHT HERE, THIS 1883 02:07:28,755 --> 02:07:33,226 RIGHT HERE IS AN ENVELOPE. 1884 02:07:33,226 --> 02:07:40,700 WHY DO I HAVE AN ENVELOPE? I'M PRESENTING? 1885 02:07:40,700 --> 02:07:49,342 WE WEREN'T EVEN NOMINATED? 1886 02:07:49,342 --> 02:07:55,949 I WILL BE AT WORK TOMORROW, HAPPILY, ON TIME, AND WITHOUT 1887 02:07:55,949 --> 02:07:57,626 COMPLAINT. THIS IS STILL A HUGE HONOR. 1888 02:07:57,626 --> 02:08:02,393 HERE ARE THE NOMINEES FOR OUTSTANDING DRAMA SERIES. 1889 02:08:02,393 --> 02:08:09,167 >> "THE HANDMAID'S TALE." "BETTER CALL SAUL." 1890 02:08:09,167 --> 02:08:14,906 "KILLING EVE." "SUCCESSION." "THE CROWN." "THE MANDALORIAN." 1891 02:08:14,906 --> 02:08:19,343 "OZARK." "STRANGER THINGS." 1892 02:08:19,343 --> 02:08:24,315 [ APPLAUSE ] 1893 02:08:24,315 --> 02:08:27,952 >> THAT WAS EMBARRASSING. THE EMMY FOR OUTSTANDING DRAMA 1894 02:08:27,952 --> 02:08:33,524 SERIES GOES TO ‐‐ 1895 02:08:33,524 --> 02:08:37,395 "SUCCESSION." 1896 02:08:37,395 --> 02:08:37,829 ♪ 1897 02:08:37,829 --> 02:08:46,771 [ APPLAUSE ] 1898 02:08:46,771 --> 02:08:52,643 >> THANK YOU VERY MUCH INDEED. THIS IS SO VERY ‐‐ SUCH A VERY 1899 02:08:52,643 --> 02:08:57,248 NICE MOMENT. AND IT'S VERY SAD NOT TO BE WITH 1900 02:08:57,248 --> 02:09:02,987 THE CAST AND SOME OF THE CREW, TO SHARE IT WITH YOU ALL TONIGHT. 1901 02:09:02,987 --> 02:09:09,794 BUT THIS IS A WONDERFUL ACHIEVEMENT FOR THE WHOLE GROUP. 1902 02:09:09,794 --> 02:09:16,334 ROOM SERVICE ‐‐ JUST, YEAH, PROBABLY. 1903 02:09:16,334 --> 02:09:21,072 BUT FOR BEING ROBBED OF THE OPPORTUNITY TO SPEND THIS TIME 1904 02:09:21,072 --> 02:09:25,676 WITH OUR PEERS AND WITH THE CAST AND CREW, I THINK I'D LIKE TO DO 1905 02:09:25,676 --> 02:09:29,580 A COUPLE OF UN‐THANK YOUS. UN‐THANK YOU TO THE VIRUS FOR 1906 02:09:29,580 --> 02:09:34,652 KEEPING US APART. UN‐THANK YOU TO PRESIDENT TRUMP 1907 02:09:34,652 --> 02:09:40,258 FOR HIS CRUMMY AND UNCOORDINATED RESPONSE. 1908 02:09:40,258 --> 02:09:45,329 UN‐THANK YOU TO BORIS JOHNSON FOR THE SAME THING IN OUR 1909 02:09:45,329 --> 02:09:48,366 COUNTRY. UN‐THANK YOU TO THE NATIONALISTS 1910 02:09:48,366 --> 02:09:52,436 AND QUASI‐NATIONALISTS. 1911 02:09:52,436 --> 02:09:57,375 SO, UN‐THANK YOU. 1912 02:09:57,375 --> 02:10:06,517 [ APPLAUSE ] 1913 02:10:06,517 --> 02:10:09,320 >> I DON'T THINK WE EVER HAD UN‐THANK YOUS BEFORE. 1914 02:10:09,320 --> 02:10:10,321 THAT'S OUR SHOW. BEFORE WE GO, I'D LIKE TO 1915 02:10:10,321 --> 02:10:13,958 ANNOUNCE THAT WE RAISED $2.3 MILLION FOR NO KID HUNGRY, 1916 02:10:13,958 --> 02:10:18,629 AND THE TELEVISION ACADEMY IS ADDING AN ADDITIONAL $500,000 ON 1917 02:10:18,629 --> 02:10:24,835 TOP OF THAT, FOR A TOTAL OF $2.8 MILLION TONIGHT. 1918 02:10:24,835 --> 02:10:27,838 YOU CAN DONATE TOO. 1919 02:10:27,838 --> 02:10:31,017 GO TO NOKIDHUNGRY.ORG/EMMYS. CONGRATULATIONS TO ALL THE 1920 02:10:31,017 --> 02:10:34,913 WINNERS TONIGHT AND ALL THE NOMINEES, I'LL SEE YOU GUYS AT 1921 02:10:34,913 --> 02:10:43,834 THE SAD ZOOM AFTERPARTY. MEETING ID 459 956 7155. 1922 02:10:43,834 --> 02:10:46,223 STAY SAFE. 1923 02:10:46,223 --> 02:10:48,844 PLEASE VOTE. 1924 02:10:48,844 --> 02:10:50,929 AND BABA BOOEY. 1925 02:10:50,929 --> 02:10:53,030 [ APPLAUSE ] 1926 02:10:53,030 --> 02:10:56,734 ♪ 157280

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