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>>> LIVE FROM DOWNTOWN LOS
ANGELES, IT'S THE 72nd EMMY
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AWARDS.
PLEASE WELCOME YOUR HOST, JIMMY
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00:00:09,194 --> 00:00:09,694
KIMMEL!
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00:00:09,694 --> 00:00:10,195
[ CHEERS AND APPLAUSE ]
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♪
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00:00:24,843 --> 00:00:32,250
>> WELL, HELLO, AND WELCOME TO
THE PANDEMMYS.
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00:00:32,250 --> 00:00:34,586
IT'S GREAT TO FINALLY SEE PEOPLE
AGAIN.
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00:00:34,586 --> 00:00:38,189
THANK YOU FOR RISKING EVERYTHING
TO BE HERE.
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THANK ME FOR RISKING EVERYTHING
TO BE HERE.
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00:00:41,393 --> 00:00:44,062
YOU KNOW WHAT THEY SAY, YOU
CAN'T HAVE A VIRUS WITHOUT A
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00:00:44,062 --> 00:00:47,899
HOST. THE BIG QUESTION I THINK WE
SHOULD ANSWER IS WHY WOULD YOU
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00:00:47,899 --> 00:00:52,871
HAVE AN AWARDS SHOW IN THE
MIDDLE OF A PANDEMIC?
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00:00:52,871 --> 00:00:57,242
SERIOUSLY, I'M ASKING.
WHY ARE WE HAVING AN AWARDS SHOW
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00:00:57,242 --> 00:01:02,380
IN THE MIDDLE OF A PANDEMIC?
AND WHAT THE HELL AM I DOING
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00:01:02,380 --> 00:01:03,782
HERE?
THIS IS THE YEAR THEY DECIDE
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00:01:03,782 --> 00:01:08,253
THEY HAVE TO HAVE A HOST?
WHY IS A QUESTION I'VE BEEN
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00:01:08,253 --> 00:01:13,625
ASKED A LOT THIS WEEK.
AND I GET IT, IT MIGHT SEEM
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00:01:13,625 --> 00:01:17,495
FRIVOLOUS AND UNNECESSARY, BUT
YOU KNOW WHAT ELSE SEEMS
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00:01:17,495 --> 00:01:23,368
FRIVOLOUS AND UNNECESSARY?
DOING IT EVERY OTHER YEAR.
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00:01:23,368 --> 00:01:26,871
WHAT IS HAPPENING TONIGHT IS NOT
IMPORTANT.
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IT'S NOT GOING TO STOP COVID OR
PUT OUT THE FIRES, BUT IT'S FUN.
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AND RIGHT NOW, WE NEED FUN.
THIS HAS BEEN A MISERABLE YEAR.
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IT'S BEEN A YEAR OF DIVISION,
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INJUSTICE, DISEASE, ZOOM SCHOOL,
DISASTER, AND DEATH.
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WE'VE BEEN QUARANTINED AND
LOCKED DOWN, CONFINED TO OUR
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HOMES LIKE PRISONERS.
WHAT DID WE FIND IN THAT DARK
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AND LONELY TUNNEL?
WE FOUND A FRIEND WHO IS THERE
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FOR US 24 HOURS A DAY.
OUR OLD PAL, TELEVISION.
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00:02:03,608 --> 00:02:06,678
THAT'S RIGHT.
TELEVISION IS YOUR FRIEND, IT'S
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00:02:06,678 --> 00:02:10,715
YOUR BIG BROTHER, YOUR SISTER,
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00:02:10,715 --> 00:02:18,423
YOUR MAMA'S FAMILY, YOUR TWO
DADS, THREE SONS, CRAZY
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00:02:18,423 --> 00:02:23,461
EX‐GIRLFRIEND, EVEN YOUR DOG,
THE BOUNTY HUNTER.
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00:02:23,461 --> 00:02:31,269
TELEVISION IS THERE FOR YOU,
EVERY DAY OF YOUR 600‐POUND
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00:02:31,269 --> 00:02:33,938
LIFE.
THE WORLD MAY BE TERRIBLE, BUT
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TV HAS NEVER BEEN BETTER.
AND TONIGHT, WE ARE PAYING
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TRIBUTE TO THE GREAT SHOWS AND
THE HISTORY MAKING NOMINEES.
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HATS OFF TO THE TELEVISION
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VISIONARY NORMAN LEAR, THE
OLDEST WINNER EVER AT AGE 98.
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NORMAN DIDN'T GROW UP DREAMING
OF WINNING EMMYS.
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00:03:01,499 --> 00:03:05,069
IN FACT, TELEVISION WASN'T
SOMETHING PEOPLE HAD UNTIL HE
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00:03:05,069 --> 00:03:08,273
WAS A TEENAGER.
WHEN HE HWAS A BOY, HIS DREAM WS
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NOT TO GET KICKED TO DEATH BY A
HORSE. NORMAN, YOU ARE A MIRACLE.
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THE ONLY THING I'LL BE PRODUCING
WHEN I'M 98 IS PHLEGM.
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CONGRATULATIONS ARE ALSO IN
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00:03:20,852 --> 00:03:27,592
ORDER FOR A YOUNG UPSTART NAMED
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QUIBI, WHICH HAS TEN NOMINATIONS
THIS YEAR, INCLUDING DUMBEST
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THING TO EVER COST $1 BILLION.
THERE WERE SO MANY GREAT DRAMAS
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THIS YEAR, AND COMEDIES, TOO.
A LITTLE SHOW FROM OUR FRIENDLY
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NEIGHBORS UP NORTH IS UP FOR
EVERY EMMY.
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00:03:48,913 --> 00:03:53,785
15 NOMINATIONS FOR "SCHITT'S
CREEK."
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BY THE WAY, YOU'RE GOING TO BE
SEEING THAT LOGO A LOT.
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00:03:59,557 --> 00:04:04,796
IN ORDER TO MEET BROADCAST
STANDARDS, THE SENSORS HAVE
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00:04:04,796 --> 00:04:09,000
DECIDED EVERY TIME I SAY THAT,
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00:04:09,000 --> 00:04:14,672
WE'RE REQUIRED TO PUT "SCHITT'S
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00:04:14,672 --> 00:04:18,810
CREEK" ON THE SCREEN.
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00:04:18,810 --> 00:04:23,381
HBO CAN SHOW YOU A BLUE PENIS,
NO PROBLEM.
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00:04:23,381 --> 00:04:30,955
I CAN'T SAY THAT WORD.
AND SPEAKING OF BLUE
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00:04:30,955 --> 00:04:34,659
PENISES, "WATCHMEN" HAS 26
NOMINATIONS.
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00:04:34,659 --> 00:04:42,133
IT'S A SUPERHERO SHOW, VERY
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00:04:42,133 --> 00:04:45,670
REALISTIC EXCEPT FOR THE PART
WHERE ANYONE IN OKLAHOMA IS
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WEARING A MASK.
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00:04:47,739 --> 00:04:55,146
ISN'T "WATCHMEN" ALSO WHAT JERRY
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00:04:55,146 --> 00:05:01,986
FALWELL JR. WAS INTO?
HEY, WAS THAT ME? WAIT.
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00:05:01,986 --> 00:05:04,722
IF I'M DOWN THERE, HOW AM I UP
HERE?
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THAT WOULD MEAN THAT NO ONE IS
IN THE AUDIENCE.
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THAT WOULD MEAN THAT I'M UP HERE
ALL ALONE.
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JUST LIKE PROM NIGHT.
OF COURSE I'M HERE ALL ALONE.
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00:05:19,170 --> 00:05:20,872
OF COURSE WE DON'T HAVE AN
AUDIENCE.
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THIS ISN'T A MAGA RALLY, IT'S
THE EMMYS.
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INSTEAD OF A LIVE AUDIENCE, WE
TOOK A PAGE FROM BASEBALL AND
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00:05:29,547 --> 00:05:33,551
FILLED THE SEATS WITH CARDBOARD
CUTOUTS OF THE NOMINEES.
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WE HAVE REGINA, HUGH, JASON,
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MERYL ‐‐ WAIT A MINUTE.
GO BACK ONE. JASON? JASON?
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00:05:47,298 --> 00:05:50,301
I KNOW IT'S YOU.
I SAW YOUR EYES MOVING.
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00:05:50,301 --> 00:05:51,069
>> THEY DIDN'T MOVE.
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00:05:51,069 --> 00:05:52,870
>> YES, THEY DID MOVE.
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00:05:52,870 --> 00:05:55,673
>> MIND YOUR BUSINESS, KIMMEL.
BIG NIGHT FOR ME.
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00:05:55,673 --> 00:05:59,877
>> I KNOW IT'S A BIG NIGHT, BUT
YOU CAN'T BE IN HERE.
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00:05:59,877 --> 00:06:02,046
WE HAVE VERY STRICT SAFETY
PROTOCOLS.
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00:06:02,046 --> 00:06:05,783
>> I'M CLEAN, GUY.
I'M A BIG WASHER‐UPPER.
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00:06:05,783 --> 00:06:09,520
SMELL MY HANDS.
THEY'RE LIKE A GARDEN.
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00:06:09,520 --> 00:06:12,523
>> I'M SURE YOU'RE CLEAN.
WE JUST HAVE A LIMIT ON HOW MANY
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00:06:12,523 --> 00:06:15,927
PEOPLE WE CAN HAVE IN THE
BUILDING. YOU NEED TO GO.
84
00:06:15,927 --> 00:06:21,332
>> NO, I DON'T.
I HAVEN'T LEFT THE HOUSE FOR SIX
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00:06:21,332 --> 00:06:23,768
MONTHS.
I WANT TO BE HERE, I WANT TO EAT
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00:06:23,768 --> 00:06:26,437
SHRIMP WITH THE CAST OF "THE
CROWN."
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00:06:26,437 --> 00:06:29,974
I WANT MARIO LOPEZ TO ASK ME
ABOUT MY PANTS. LET'S GO.
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00:06:29,974 --> 00:06:33,578
>> YOU CAN STAY, AS LONG AS YOU
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00:06:33,578 --> 00:06:38,016
PROMISE TO LAUGH AT MY JOKES.
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00:06:38,016 --> 00:06:41,719
>> HUH. I'M OUT.
I'M GOING TO CALL A CAR.
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00:06:41,719 --> 00:06:44,856
>> YOU'RE NOMINATED, YOU KNOW.
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00:06:44,856 --> 00:06:49,627
>> I KNOW.
IF I WIN, GIVE IT TO CHEADLE.
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00:06:49,627 --> 00:06:51,496
>> WHEN WAS THAT PHOTO TAKEN?
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00:06:51,496 --> 00:06:54,499
>> IT'S TOUGH. I DON'T AGE.
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00:06:54,499 --> 00:06:58,002
>> LET'S GET GOING.
BUT FIRST, LET'S HAVE A STANDING
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00:06:58,002 --> 00:07:03,041
OVATION FOR ME.
97
00:07:03,041 --> 00:07:18,356
[ CHEERS AND APPLAUSE ]
98
00:07:18,356 --> 00:07:20,758
THANK YOU. IT'S TOO MUCH.
THANK YOU. ALL RIGHT.
99
00:07:20,758 --> 00:07:22,927
HERE'S HOW THE SHOW WILL WORK.
OR NOT.
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00:07:22,927 --> 00:07:26,230
WE'RE ATTEMPTING TO DO SOMETHING
THAT HAS NEVER BEEN ATTEMPTED
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00:07:26,230 --> 00:07:29,333
BEFORE. AND FOR GOOD REASON.
INSTEAD OF BRINGING THE NOMINEES
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00:07:29,333 --> 00:07:34,806
TO US, WE WENT TO THEM.
WE HAVE LIVE FEEDS TO AND FROM
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00:07:34,806 --> 00:07:37,275
MORE THAN 100 LOCATIONS AROUND
THE WORLD.
104
00:07:37,275 --> 00:07:43,014
YOU KNOW HOW HARD IT IS TO GET
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00:07:43,014 --> 00:07:47,485
YOUR PAIRENTS TO FACETIME?
MULTIPLY THAT A LOT.
106
00:07:47,485 --> 00:07:52,757
THIS IS WHERE THE MAGIC HAPPENS.
THIS IS THE NERVE CENTER.
107
00:07:52,757 --> 00:07:57,462
WE'VE TAKEN EVERY SAFETY
PRECAUTION, AND THESE ARE
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00:07:57,462 --> 00:07:58,930
TONIGHT'S NOMINEES.
HELLO, EVERYONE, AND
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00:07:58,930 --> 00:08:04,302
CONGRATULATIONS.
THEY'RE ALL STANDING BY.
110
00:08:04,302 --> 00:08:08,005
WE'VE BEEN WATCHING YOU FOR
WEEKS NOW, WITH CAMERAS AND
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00:08:08,005 --> 00:08:13,111
MICROPHONES IN YOUR HOMES.
HOW MANY OF YOU HAVE ALREADY
112
00:08:13,111 --> 00:08:15,780
STARTED DRINKING? SHOW OF HANDS.
VERY GOOD.
113
00:08:15,780 --> 00:08:21,786
I FEEL LIKE I'M IN A BEST BUY.
THIS IS WONDERFUL.
114
00:08:21,786 --> 00:08:24,388
SO HERE'S HOW THIS IS GONNA
HAPPEN.
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00:08:24,388 --> 00:08:25,590
IF YOU WIN, WE'LL HAVE A GUY
DRIVE TO YOUR HOUSE AND CHUCK
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00:08:25,590 --> 00:08:27,792
THE EMMY THROUGH YOUR WINDOW.
NO, WE WON'T DO THAT, BUT WE
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00:08:27,792 --> 00:08:31,562
WILL BE CONNECTED TO EVERYONE
THROUGHOUT THE SHOW, HOPEFULLY.
118
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THIS IS THE SHOW THAT WILL
FINALLY ANSWER THE QUESTION,
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00:08:38,336 --> 00:08:45,443
DOES ALAN ARKIN KNOW HOW TO USE
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00:08:45,443 --> 00:08:49,413
A WEBCAM?
WE DON'T HAVE AN ORCHESTRA THIS
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00:08:49,413 --> 00:08:55,620
YEAR, BUT D‐NICE IS SPINNING THE
HITS ALL NIGHT LONG.
122
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LET'S GIVE OUT SOME EMMY AWARDS.
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>> LET'S DO IT.
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>> YOU KNOW, NOT EVERYONE STAYED
AT HOME TONIGHT.
125
00:09:04,529 --> 00:09:06,864
HERE TO KICK THINGS OFF IN THE
FLESH, SHE IS MY FRIEND AND
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00:09:06,864 --> 00:09:11,702
YOURS. PLEASE WELCOME EMMY WINNER
JENNIFER ANISTON.
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>> THANKS, JIMMY.
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>> WHAT?
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>> I SAID, THANKS, JIMMY.
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>> WHAT?
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>> NEVER MIND.
132
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>> YES, I'D LOVE SOME WINE.
133
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>> NO, I SAID NEVER MIND.
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>> OH.
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00:09:26,818 --> 00:09:33,357
>> WHY ARE YOU STANDING SO FAR
AWAY FROM ME?
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00:09:33,357 --> 00:09:35,359
>> DR. FAUCI SAID 60 FEET, SO ‐‐
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00:09:35,359 --> 00:09:37,161
>> NO, HE SAID SIX FEET.
138
00:09:37,161 --> 00:09:40,598
>> THANK YOU, YOU ALSO HAVE SEXY
FEET.
139
00:09:40,598 --> 00:09:45,102
>> OH, GOD. OKAY.
HERE ARE THE NOMINEES FOR
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00:09:45,102 --> 00:09:48,105
OUTSTANDING LEAD ACTRESS IN A
COMEDY SERIES.
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00:09:48,105 --> 00:09:48,606
>> WHAT?
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>> OH, MY GOD.
143
00:09:51,375 --> 00:09:54,846
>> CATHERINE O'HARA, "SCHITT'S
144
00:09:54,846 --> 00:10:02,753
CREEK."
145
00:10:02,753 --> 00:10:08,226
>> LINDA CARDELLINI, "DEAD TO
ME."
146
00:10:08,226 --> 00:10:10,127
>> I WAS THERE IRONICALLY.
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>> THEY HAVE A COUPLE OF GOOD
SONGS.
148
00:10:16,067 --> 00:10:18,836
>> NAME ONE.
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00:10:18,836 --> 00:10:20,705
>> ISSA RAE, "INSECURE."
150
00:10:20,705 --> 00:10:25,076
>> WHAT UP, PAL?
HEY, BUDDY.
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00:10:25,076 --> 00:10:30,781
IT'S NOT A DOG.
152
00:10:30,781 --> 00:10:35,887
>> CHRISTINA APPLEGATE, "DEAD TO
ME."
153
00:10:35,887 --> 00:10:37,822
>> ARE YOU THE WINE SHERIFF?
154
00:10:37,822 --> 00:10:43,794
>> WHAT IS YOUR PROBLEM, LADY?
155
00:10:43,794 --> 00:10:49,233
>> TRACEE ELLIS ROSS,
"BLACK‐ISH."
156
00:10:49,233 --> 00:11:02,246
>> DAD IS GOING TO GET I
157
00:11:02,246 --> 00:11:02,813
INDIGESTION.
158
00:11:02,813 --> 00:11:04,849
>> RACHEL BROSNAHAN, "THE
MARVELOUS MRS. MAISEL."
159
00:11:04,849 --> 00:11:10,388
>> NOW THEY'RE HERE TO WATCH
THEIR DIVORCED DAUGHTER TELL
160
00:11:10,388 --> 00:11:14,959
JOKES ON STAGE AND IT WILL KILL
THEM, AND THEY WILL FINALLY HAVE
161
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WON.
162
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[ CHEERS AND APPLAUSE ]
163
00:11:18,462 --> 00:11:21,832
>> OKAY, NOW WE JUST NEED TO
164
00:11:21,832 --> 00:11:27,471
SANITIZE THE ENVELOPE.
I GOT IT HERE. I WILL SPRAY IT.
165
00:11:27,471 --> 00:11:27,905
A LOT.
166
00:11:27,905 --> 00:11:33,878
>> THAT'S A LOT.
THAT'S A LITTLE EXTREME, JIMMY.
167
00:11:33,878 --> 00:11:40,718
>> YOU NEVER KNOW WHERE THE
ACC ACC
168
00:11:40,718 --> 00:11:43,487
ACCOUNTANTS' HANDS HAVE BEEN.
NOW, INTO THE BASKET.
169
00:11:43,487 --> 00:11:48,926
LIGHT IT UP. WAIT FIVE SECONDS.
IF YOU GRAB THE FIRE
170
00:11:48,926 --> 00:11:49,393
EXTINGUISHER.
171
00:11:49,393 --> 00:11:50,661
>> OKAY, OH, GOSH.
172
00:11:50,661 --> 00:11:54,699
>> ONCE ALL THE GERMS HAVE BEEN
BURNED OFF ‐‐
173
00:11:54,699 --> 00:11:56,400
>> HERE WE GO.
174
00:11:56,400 --> 00:11:57,101
>> PERFECT.
175
00:11:57,101 --> 00:11:58,002
>> GOT IT.
176
00:11:58,002 --> 00:11:59,103
>> PERFECT.
177
00:11:59,103 --> 00:12:00,504
>> OKAY.
178
00:12:00,504 --> 00:12:01,572
>> AND ‐‐ OH.
179
00:12:01,572 --> 00:12:02,606
>> GOT IT.
180
00:12:02,606 --> 00:12:06,544
>> RIGHT? ALL RIGHT.
SANITIZED FOR YOUR PROTECTION.
181
00:12:06,544 --> 00:12:08,879
NOW, THIS IS EXCITING.
182
00:12:08,879 --> 00:12:09,880
>> PUT IT OUT.
183
00:12:09,880 --> 00:12:13,384
>> WE'RE DELIVERING THE EMMY
LIVE TO SOME OF THE WINNING
184
00:12:13,384 --> 00:12:17,421
NOMINEES IN THEIR HOMES.
THEY WILL BE GETTING THE
185
00:12:17,421 --> 00:12:19,890
TROPHIES IN THEIR HOUSES.
186
00:12:19,890 --> 00:12:22,159
>> WHAT? AT THEIR HOUSES?
187
00:12:22,159 --> 00:12:22,693
>> YEAH.
188
00:12:22,693 --> 00:12:24,795
>> BUT I'M HERE.
189
00:12:24,795 --> 00:12:28,432
>> OH. RIGHT.
YOU SHOULDN'T BE, BECAUSE YOU'RE
190
00:12:28,432 --> 00:12:30,668
NOMINATED.
BECAUSE YOU WON'T GET IT IF
191
00:12:30,668 --> 00:12:31,502
YOU'RE NOT AT HOME.
192
00:12:31,502 --> 00:12:37,908
>> JIMMY, WHAT ARE YOU TALKING
ABOUT? YOU ASKED ME TO COME HERE.
193
00:12:37,908 --> 00:12:41,312
>> ARE YOU SURE THAT WASN'T
JIMMY FALFALLON.
194
00:12:41,312 --> 00:12:47,618
>> YOU HAD BETTER GET HOME NOW.
IT'S ONLY NINE HOURS BEFORE YOUR
195
00:12:47,618 --> 00:12:49,754
CATEGORY.
TAKE FOUNTAIN, IT'S ALWAYS
196
00:12:49,754 --> 00:12:57,261
FASTER. AND THE EMMY GOES TO ‐‐
CATHERINE O'HARA, "SCHITT'S
197
00:12:57,261 --> 00:13:02,600
CREEK."
198
00:13:02,600 --> 00:13:03,067
♪
199
00:13:03,067 --> 00:13:19,116
[ CHEERS AND APPLAUSE ]
200
00:13:20,017 --> 00:13:25,990
>> OKAY, WE HAVE ‐‐ NO, HOW COOL
201
00:13:25,990 --> 00:13:32,696
IS IT THAT EUGENE HAS A
MICROPHONE IN HIS BEDROOM?
202
00:13:32,696 --> 00:13:37,902
THANK YOU FOR NOMINATING ME, AND
FOR TOPPING OFF THIS FUN EVENING
203
00:13:37,902 --> 00:13:44,508
WITH A TROPHY TREAT.
I'LL FOREVER BE GRATEFUL TO
204
00:13:44,508 --> 00:13:48,646
EUGENE AND DANIEL LEVY FOR
GIVING ME THE OPPORTUNITY TO
205
00:13:48,646 --> 00:13:54,952
PLAY A WOMAN OF A CERTAIN AGE,
MY AGE, WHO GETS TO BE FULLY HER
206
00:13:54,952 --> 00:13:57,488
RIDICULOUS SELF.
THEY GATHERED THE MOST
207
00:13:57,488 --> 00:14:01,559
FUN‐LOVING PEOPLE IN TORONTO,
AND LED US TO BE THE BEST WE CAN
208
00:14:01,559 --> 00:14:07,565
BE FOR EACH OTHER.
BUT I MUST PAY AN ESPECIALLY BIG
209
00:14:07,565 --> 00:14:12,736
TRIBUTE TO DEBRA HANSON, OUR
WARDROBE WHISPERER.
210
00:14:12,736 --> 00:14:18,342
AND MY MAKEUP ANGEL, AND TO OUR
211
00:14:18,342 --> 00:14:24,682
HAIR WRANGLER.
EVERY DAY, THEY MADE ME WHO I
212
00:14:24,682 --> 00:14:28,552
THOUGHT I WAS.
AND I WOULD BE AN UNGRATEFUL
213
00:14:28,552 --> 00:14:33,390
PERSON NOT TO SHARE IT WITH THEM.
I WISH YOU ALL A SOUND MIND AND
214
00:14:33,390 --> 00:14:36,994
A SOUND BODY.
AND THESE ARE THE STRANGEST OF
215
00:14:36,994 --> 00:14:41,532
DAYS.
MAY YOU HAVE AS MUCH JOY BEING
216
00:14:41,532 --> 00:14:45,503
HOLED UP IN A ROOM OR TWO WITH
YOUR FAMILY AS I HAD WITH MY
217
00:14:45,503 --> 00:14:50,541
DEAR ROSES. THANK YOU SO MUCH.
218
00:14:50,541 --> 00:14:57,481
[ CHEERS AND APPLAUSE ]
219
00:14:57,481 --> 00:15:01,986
>> THAT'S GOOD SPORTSMANSHIP
THERE.
220
00:15:01,986 --> 00:15:06,457
CONGRATULATIONS, CATHERINE.
WE'RE GOING TO GIVE OUT A LOT OF
221
00:15:06,457 --> 00:15:08,259
AWARDS ON THIS SHOW.
BUT WE'RE ALSO GOING TO GIVE
222
00:15:08,259 --> 00:15:10,294
BACK. FOR EVERY EMMY WE HAND OUT
TONIGHT, THE SHOW THAT WINS IT
223
00:15:10,294 --> 00:15:13,631
WILL DONATE $100,000 TO A GREAT
CHARITY THAT FEEDS CHILDREN WHO
224
00:15:13,631 --> 00:15:16,500
NEED IT ‐‐ NO KID HUNGRY.
OUR MISSION TONIGHT IS TO
225
00:15:16,500 --> 00:15:19,203
BANKRUPT POPTV.
THIS IS GOING TO BE FUN.
226
00:15:19,203 --> 00:15:21,906
WE HAVE SO MUCH TO COME.
WHICH OF YOUR FAVORITE STARS
227
00:15:21,906 --> 00:15:26,377
WILL GIVE A SPEECH THAT GOES ON
SO LONG WE HAVE TO MUTE THEM?
228
00:15:26,377 --> 00:15:27,611
WE'LL FIND OUT TOGETHER WHEN WE
COME BACK, LIVE FROM THE EMMY
229
00:15:27,611 --> 00:15:30,381
AWARDS.
230
00:15:40,157 --> 00:15:42,293
♪
231
00:15:42,293 --> 00:15:43,894
[ CHEERS AND APPLAUSE ]
232
00:15:43,894 --> 00:15:49,033
>>> WHAT'S UP, Y'ALL?
MY NAME IS D‐NICE, AKA CEO OF
233
00:15:49,033 --> 00:15:54,071
CLUB QUARANTINE, AND WE ARE HERE
TONIGHT AT THE EMMY AWARDS.
234
00:15:54,071 --> 00:15:58,342
I HOPE YOU ARE HAVING A GOOD
TIME. GOOD, BECAUSE I KNOW I AM.
235
00:15:58,342 --> 00:15:59,877
ONE OF THE LOGISTICAL CHALLENGES
WE FACED THIS YEAR IS HOW TO
236
00:15:59,877 --> 00:16:01,445
DELIVER THE EMMYS IN PERSON TO
THE WINNERS AROUND THE WORLD.
237
00:16:01,445 --> 00:16:04,481
THE SOLUTION ‐‐ THE TV ACADEMY
FOUNDATION GAVE US THEIR TOP
238
00:16:04,481 --> 00:16:08,052
INTERNS FROM THE CLASS OF
2020 TO DELIVER THE TROPHIES TO
239
00:16:08,052 --> 00:16:10,254
THE WINNERS IN ALL‐NEW K5s,
240
00:16:10,254 --> 00:16:16,961
PROVIDED BY KIA.
241
00:16:16,961 --> 00:16:17,494
♪
242
00:16:17,494 --> 00:16:23,567
>> MY EMMY INTERNS.
BEING SELECTED FOR THIS MISSION
243
00:16:23,567 --> 00:16:26,837
IS THE GREATEST HONOR OF YOUR
YOUNG LIVES.
244
00:16:26,837 --> 00:16:32,810
YOU WILL BE DRIVING TO OVER 100
HOUSES TO DELIVER THESE EMMYS.
245
00:16:32,810 --> 00:16:39,483
SHOULD YOU FAIL, I WILL DENY
EVER HAVING MET YOU.
246
00:16:39,483 --> 00:16:45,189
SHOULD YOU SUCCEED, IN TRUE
HOLLYWOOD FASHION, I'LL TAKE ALL
247
00:16:45,189 --> 00:16:46,457
OF THE CREDIT.
248
00:16:46,457 --> 00:16:51,262
>> HOW WILL WE REMAIN SOCIALLY
DISTANT?
249
00:16:51,262 --> 00:16:53,697
>> YOU'LL WEAR ONE OF THESE.
250
00:16:53,697 --> 00:16:56,033
>> CAN I READ THE SCRIPT?
251
00:16:56,033 --> 00:16:56,467
>> SECURITY?
252
00:16:56,467 --> 00:17:03,240
>> AND TO MAKE SURE YOU DELIVER
THESE EMMYS ON TIME, WE HAVE
253
00:17:03,240 --> 00:17:10,247
SPECIALLY TRAINED KIA DRIVERS IN
254
00:17:10,247 --> 00:17:12,149
THE NEW K5. GO, GO, GO!
255
00:17:12,149 --> 00:17:18,188
>> THIS IS GOING TO BE FUN.
256
00:17:18,188 --> 00:17:20,758
>> WHY ARE YOU GOING SO FAST?
257
00:17:20,758 --> 00:17:21,759
>> WAY TOO CLOSE!
258
00:17:21,759 --> 00:17:25,195
>> IS THERE A SECOND SEAT BELT?
259
00:17:25,195 --> 00:17:31,568
>> AH!
260
00:17:31,568 --> 00:17:32,002
>> WHOA!
261
00:17:32,002 --> 00:17:37,274
>> THANK GOD WE'RE HERE.
OH, MY GOD, WE'RE NOT THERE.
262
00:17:37,274 --> 00:17:47,117
>> AH!
263
00:17:47,117 --> 00:17:50,287
>> HONESTLY, THAT WASN'T SO BAD.
264
00:17:50,287 --> 00:17:53,957
>> WOW.
YOU GUYS TOTALLY CRUSHED THAT
265
00:17:53,957 --> 00:17:56,093
ONE.
WHAT ARE YOU CELEBRATING FOR?
266
00:17:56,093 --> 00:18:01,532
YOU STILL GOT 99 HOUSES TO GO.
MOVE IT! NOW! GO, GO, GO, GO!
267
00:18:01,532 --> 00:18:04,068
>> AH!
268
00:18:04,068 --> 00:18:06,637
>> WELCOME BACK TO THE NO
PEOPLE'S CHOICE AWARDS.
269
00:18:06,637 --> 00:18:10,174
I'M JIMMY KIMMEL FROM EMMYS
MISSION CONTROL.
270
00:18:10,174 --> 00:18:13,077
YOU KNOW, THEY SAY THAT LAUGHTER
IS THE BEST MEDICINE, BUT THIS
271
00:18:13,077 --> 00:18:15,512
YEAR, WE LEARNED THAT IS
DEFINITELY NOT TRUE.
272
00:18:15,512 --> 00:18:21,218
IN FACT, LAUGHTER PROBABLY
SPREADS THE VIRUS MORE.
273
00:18:21,218 --> 00:18:22,419
SO STRAP ON YOUR MASKS, HERE ARE
THE NOMINEES FOR OUTSTANDING
274
00:18:22,419 --> 00:18:27,424
LEAD ACTOR IN A COMEDY SERIES.
275
00:18:27,424 --> 00:18:31,228
>> EUGENE LEVY, "SCHITT'S
CREEK."
276
00:18:31,228 --> 00:18:33,831
>> NOW, THAT'S A FRAMER.
277
00:18:33,831 --> 00:18:38,202
>> YOU JUST DELETED IT.
278
00:18:38,202 --> 00:18:41,638
>> DON CHEADLE, "BLACK MONDAY."
279
00:18:41,638 --> 00:18:47,211
>> NOW I KNOW YOU'RE LYING.
EVERYBODY HAS A ROUTINE TO "MY
280
00:18:47,211 --> 00:18:48,979
PREROGATIVE."
281
00:18:48,979 --> 00:18:54,418
♪
282
00:18:54,418 --> 00:18:59,623
>> TED DANSON, "THE GOOD PLACE."
283
00:18:59,623 --> 00:19:01,492
>> MICHAEL, WHAT ARE YOU DOING?
284
00:19:01,492 --> 00:19:03,761
>> I'M RETURNING MY DAMN ESSENCE
285
00:19:03,761 --> 00:19:10,401
TO THE DAMN FABRIC OF THE DAMN
UNIVERSE.
286
00:19:10,401 --> 00:19:12,436
>> RAMY YOUSSEF, "RAMY."
287
00:19:12,436 --> 00:19:17,474
>> WHEN I WAS A KID, THERE WAS
ALWAYS THIS SMALL PART OF ME
288
00:19:17,474 --> 00:19:21,812
THAT WISHED ONE OF MY PARENTS
COULD DIE, SO I COULD HAVE,
289
00:19:21,812 --> 00:19:22,146
LIKE, A THING.
290
00:19:22,146 --> 00:19:27,451
>> MICHAEL DOUGLAS, "THE
KOMINSKY METHOD."
291
00:19:27,451 --> 00:19:30,754
>> SHE GOT A GLIMPSE OF WHO YOU
REALLY ARE.
292
00:19:30,754 --> 00:19:34,725
YOU CAN'T DO THAT WITH WOMEN.
TRUST ME. IT'S NEVER GOOD.
293
00:19:34,725 --> 00:19:40,898
>> ANTHONY ANDERSON,
"BLACK‐ISH."
294
00:19:40,898 --> 00:19:43,534
>> WHAT THE HELL ARE YOU DOING?
295
00:19:43,534 --> 00:19:45,502
>> AH!
296
00:19:45,502 --> 00:19:49,440
>> CLOSE THE DOOR!
297
00:19:49,440 --> 00:19:56,146
>> OH, SWEET BLACK JESUS!
298
00:19:56,146 --> 00:20:02,019
>> AND THE EMMY GOES TO ‐‐
299
00:20:02,019 --> 00:20:06,023
EUGENE LEVY, "SCHITT'S CREEK."
300
00:20:06,023 --> 00:20:06,457
♪
301
00:20:06,457 --> 00:20:22,606
[ CHEERS AND APPLAUSE ]
302
00:20:32,249 --> 00:20:36,887
>> YOU SEE, I TOLD YOU I WAS
GOOD.
303
00:20:36,887 --> 00:20:42,693
I GUESS IT'S KIND OF IRONIC THAT
THE STRAIGHTEST ROLE I EVER
304
00:20:42,693 --> 00:20:46,263
PLAYED LANDS ME AN EMMY FOR A
COMEDY PERFORMANCE.
305
00:20:46,263 --> 00:20:52,035
SO NOW I SERIOUSLY HAVE TO
QUESTION JUST WHAT I'VE BEEN
306
00:20:52,035 --> 00:20:56,106
DOING FOR THE PAST 50 YEARS.
BUT THAT'S FOR ANOTHER TIME.
307
00:20:56,106 --> 00:21:01,912
I WANT TO THANK MY DARLING WIFE
OF 43 YEARS, DEB.
308
00:21:01,912 --> 00:21:06,817
FOR ALL THE LOVE, SUPPORT, AND
SAGE COUNSEL THROUGH THE YEARS.
309
00:21:06,817 --> 00:21:11,154
I LOVE YOU.
I WANT TO THANK OUR AMAZING
310
00:21:11,154 --> 00:21:15,359
PRODUCTION TEAM, TERRIFIC
WRITERS, AND EXCEPTIONALLY
311
00:21:15,359 --> 00:21:21,965
TALENTED CAST WHO I LOVED
WORKING WITH FOR SIX YEARS,
312
00:21:21,965 --> 00:21:29,506
INCLUDING MY DEAR FRIEND OF MANY
YEARS, CATHERINE O'HARA.
313
00:21:29,506 --> 00:21:32,643
WHO CAN EVIDENTLY MAKE ANYONE
LOOK GOOD.
314
00:21:32,643 --> 00:21:37,981
AND AS A DAD, WORKING WITH BOTH
MY KIDS, DANIEL AND SARAH.
315
00:21:37,981 --> 00:21:42,819
HI, HONEY.
SUCH A LJOY, LOVE YOU BOTH.
316
00:21:42,819 --> 00:21:43,687
COULD NOT BE PROUDER.
317
00:21:43,687 --> 00:21:52,829
THAT BRINGS ME TO MY MULTI EMMY
318
00:21:52,829 --> 00:21:58,001
NOMINATED PARTNER, DANIEL LEVY.
WHO TOOK OUR SHOW AND
319
00:21:58,001 --> 00:22:00,837
BRILLIANTLY GUIDED IT TO THIS
LITTLE EMMY PARTY TONIGHT.
320
00:22:00,837 --> 00:22:03,774
THANK YOU, SON.
THANK YOU, ACADEMY.
321
00:22:03,774 --> 00:22:09,947
AND TO MY FELLOW EMMY NOMINEES,
IT WAS AN HONOR TO BE IN YOUR
322
00:22:09,947 --> 00:22:10,714
COMPANY. THANK YOU. THANK YOU.
323
00:22:10,714 --> 00:22:17,888
[ CHEERS AND APPLAUSE ]
324
00:22:17,888 --> 00:22:23,961
>> WOW, THEY'RE GOING CRAZY IN
M IN CANADA.
325
00:22:23,961 --> 00:22:28,832
THERE'S CHAOS ON THE STREETS.
BEHIND EVERY GREAT SITCOM IS A
326
00:22:28,832 --> 00:22:34,771
ROOM FULL OF SWEATY WRITERS
ORDERING LUNCH.
327
00:22:34,771 --> 00:22:41,912
HERE TO PRESENT THE EMMY TO
THESE VERY PEOPLE, TRACEE ELLIS
328
00:22:41,912 --> 00:22:45,916
ROSS.
329
00:22:45,916 --> 00:22:47,150
>> SO I'M HERE TO PRESENT THE
EMMY FOR OUTSTANDING WRITER FOR
330
00:22:47,150 --> 00:22:48,819
A COMEDY SERIES, AND THANK YOU!
STAY SAFE.
331
00:22:48,819 --> 00:22:53,957
MAKE A PLAN FOR VOTING.
WEAR A MASK. AND GOOD NIGHT.
332
00:22:53,957 --> 00:22:58,195
>> WAIT, TRACEE, YOU FORGOT TO
PRESENT THE AWARD.
333
00:22:58,195 --> 00:23:03,834
>> NO, NO, NO.
I AGREED TO DRESS FOR THE
334
00:23:03,834 --> 00:23:05,802
OCCASION, AND COME SOMEWHERE
OTHER THAN MY HOME.
335
00:23:05,802 --> 00:23:09,239
AND I'VE DONE THAT.
IT WAS REALLY NICE.
336
00:23:09,239 --> 00:23:09,573
SO GOOD NIGHT.
337
00:23:09,573 --> 00:23:12,843
>> BUT IT'S AN AWARDS SHOW.
338
00:23:12,843 --> 00:23:17,648
>> YES, I KNOW THAT'S WHAT IT
IS. BUT JIMMY, PEOPLE ARE VERY
339
00:23:17,648 --> 00:23:20,050
FRAGILE RIGHT NOW.
AND I'M FRAGILE RIGHT NOW.
340
00:23:20,050 --> 00:23:24,121
SO ONCE AGAIN, I BID YOU GOOD
NIGHT.
341
00:23:24,121 --> 00:23:25,822
>> BUT YOU HAVE TO NAME A
WINNER. IT'S THE LAW.
342
00:23:25,822 --> 00:23:29,826
>> IT'S NOT THE LAW.
343
00:23:29,826 --> 00:23:33,597
>> IT'S NOT?
I THOUGHT IT WAS THE LAW. OKAY.
344
00:23:33,597 --> 00:23:38,368
>> DON'T YOU THINK THERE'S
ENOUGH, LIKE, DIVIDEDNESS IN
345
00:23:38,368 --> 00:23:42,839
THIS COUNTRY?
AREN'T WE TIRED OF PEOPLE
346
00:23:42,839 --> 00:23:46,576
PITTING EACH OTHER AGAINST EACH
OTHER? ISN'T IT SUBJECTIVE?
347
00:23:46,576 --> 00:23:48,845
WHAT IS THIS PRIZE STUFF, PRIZES?
348
00:23:48,845 --> 00:23:52,649
>> IF YOU DON'T READ THE WINNER,
YOU DON'T GET A GIFT BAG.
349
00:23:52,649 --> 00:23:54,785
>> OKAY.
HERE'S MY QUESTION.
350
00:23:54,785 --> 00:24:00,757
IS THERE A CENSUS FORM, AND IS
MY POLLING LOCATION IN THE GIFT
351
00:24:00,757 --> 00:24:08,398
BAG? AND A BEJEWELLED FACE MASK?
352
00:24:08,398 --> 00:24:08,965
>> YES, AND A SUGAR SCRUB.
353
00:24:08,965 --> 00:24:18,175
>> HERE ARE THE NOMINEES.
354
00:24:18,175 --> 00:24:22,112
>> DAVID WEST REED, "SCHITT'S
CREEK."
355
00:24:22,112 --> 00:24:24,848
>> DIDN'T WE MANAGE TO MAKE DO
HERE IN THIS ROOM OVER THE PAST
356
00:24:24,848 --> 00:24:25,649
FEW YEARS?
357
00:24:25,649 --> 00:24:32,222
>> YES.
IN THE SAME WAY ROGUE
358
00:24:32,222 --> 00:24:34,024
CRUSTACEANS ARE KNOWN TO MAKE DO.
359
00:24:34,024 --> 00:24:35,926
>> DANIEL LEVY, "SCHITT'S
CREEK."
360
00:24:35,926 --> 00:24:41,765
>> YOU'RE WEARING A WEDDING
DRESS, TO MY WEDDING.
361
00:24:41,765 --> 00:24:47,637
>> MICHAEL SHORE, "THE GOOD
PLACE".
362
00:24:47,637 --> 00:24:53,009
>> I WON'T EXACTLY KNOW WHAT'S
GOING TO HAPPEN.
363
00:24:53,009 --> 00:24:57,447
>> PAUL SIMS, "WHAT WE DO IN THE
SHADOWS."
364
00:24:57,447 --> 00:25:01,718
>> DID YOU MAKE A FART?
365
00:25:01,718 --> 00:25:04,187
>> STEPHANIE ROBINSON, "WHAT WE
366
00:25:04,187 --> 00:25:11,194
DO IN THE SHADOWS."
367
00:25:11,194 --> 00:25:13,296
>> WONDERFUL GAME.
368
00:25:13,296 --> 00:25:18,668
>> IT'S A SAFETY HAZARD.
369
00:25:18,668 --> 00:25:22,572
>> SAM JOHNSON AND CHRIS
370
00:25:22,572 --> 00:25:28,211
MARCIL, "WHAT WE DO IN THE
SHADOWS."
371
00:25:28,211 --> 00:25:33,016
♪ TELL US MR. HITLER, WHAT DO
372
00:25:33,016 --> 00:25:34,818
YOU HAVE PLANNED NEXT ♪
373
00:25:34,818 --> 00:25:35,252
♪
374
00:25:35,252 --> 00:25:38,588
>> BEFORE I READ THIS, YOU ARE
ALL LOVED AND FANTASTIC AND
375
00:25:38,588 --> 00:25:45,662
YOU'RE ALL WINNERS.
AND SO, THE EMMY GOES TO DANIEL
376
00:25:45,662 --> 00:25:46,163
LEVY, "SCHITT'S CREEK."
377
00:25:46,163 --> 00:25:46,596
♪
378
00:25:46,596 --> 00:25:58,608
[ CHEERS AND APPLAUSE ]
379
00:25:58,608 --> 00:26:00,911
>> HOLY COW.
OH, MY GOODNESS.
380
00:26:00,911 --> 00:26:05,749
THIS TENT IS ON FIRE. OKAY.
WRITERS DON'T GET AWARDS, WHAT
381
00:26:05,749 --> 00:26:08,785
IS THIS?
FIRST OF ALL, I WANT TO SAY
382
00:26:08,785 --> 00:26:12,756
THANK YOU TO MY DAD FOR GIVING
ME THE REINS TO THIS SHOW, EVEN
383
00:26:12,756 --> 00:26:16,960
THOUGH I DIDN'T HAVE ANY
EXPERIENCE IN A WRITER'S ROOM.
384
00:26:16,960 --> 00:26:21,097
IT FEELS LIKE A WILD CHOICE ON
YOUR PART, BUT I'M GRATEFUL FOR
385
00:26:21,097 --> 00:26:23,266
IT.
I WOULDN'T BE HERE IF IT WEREN'T
386
00:26:23,266 --> 00:26:26,503
FOR YOU.
THANK YOU TO MY TEAM, DAVID,
387
00:26:26,503 --> 00:26:32,142
MIKE, EVERY SINGLE WRITER THAT
SAT IN OUR WRITER'S ROOM AND
388
00:26:32,142 --> 00:26:39,850
OFFERED UP EMBARRASSING, DEEPLY
TRIGGERING THINGS SO THE ROSE
389
00:26:39,850 --> 00:26:45,021
FAMILY COULD BE WHAT THEY ARE.
GETTING TO TELL THOSE STORIES
390
00:26:45,021 --> 00:26:47,524
HAS BEEN THE GREATEST EXPERIENCE
OF MY LIFE.
391
00:26:47,524 --> 00:26:53,363
THANK YOU TO CDC AND POP FOR
BROADCASTING THESE STORIES
392
00:26:53,363 --> 00:26:55,699
WITHOUT HESITATION.
THANK YOU TO ALL THE FELLOW
393
00:26:55,699 --> 00:26:59,736
NOMINEES, IT WAS AN HONOR TO BE
NOMINATED ALONGSIDE YOU.
394
00:26:59,736 --> 00:27:04,841
AND I WANT TO RECOGNIZE ISSA RAE
395
00:27:04,841 --> 00:27:10,146
AND THE WRITERS ON "INSECURE."
THANK YOU FOR THIS TREMENDOUS
396
00:27:10,146 --> 00:27:17,587
HONOR. THANK YOU SO MUCH.
397
00:27:17,587 --> 00:27:18,088
[ CHEERS AND APPLAUSE ]
398
00:27:18,088 --> 00:27:18,622
♪
399
00:27:18,622 --> 00:27:22,459
>> WHEN WE COME BACK, THE EMMY
FOR OUTSTANDING DIRECTING IN A
400
00:27:22,459 --> 00:27:24,661
COMEDY SERIES.
PLUS, WE FIND OUT WHO TAKES HOME
401
00:27:24,661 --> 00:27:26,096
THE GOLDEN LADY FOR SUPPORTING
ACTOR IN A COMEDY SERIES.
402
00:27:26,096 --> 00:27:30,767
IT'S THE 2020 EMMYS, BABY, HERE
ON ABC.
403
00:27:30,767 --> 00:27:35,538
>> YOU ARE WATCHING THE 72nd
EMMY AWARDS ON ABC.
404
00:27:35,538 --> 00:27:39,276
AND NOW, FOR ANOTHER OUTSTANDING
PERFORMANCE, BROUGHT TO YOU BY
405
00:27:39,276 --> 00:27:42,818
THE ALL‐NEW KIA K5.
406
00:27:43,813 --> 00:27:48,818
♪
407
00:27:48,818 --> 00:27:53,256
>>> WELCOME BACK TO THE EMMY.
WE HAVE A LOT OF AWARDS TO GIVE
408
00:27:53,256 --> 00:27:55,725
OUT.
AND I INTEND TO DO THAT AS SOON
409
00:27:55,725 --> 00:28:03,333
AS I GET THE NEXT BATCH OF
ENVELOPES WHICH ARE DEFINITELY
410
00:28:03,333 --> 00:28:07,704
SUPPOSED TO BE HERE NOW.
YOU'RE THE POSTMAN?
411
00:28:07,704 --> 00:28:08,772
WHAT HAPPENED TO COLIN?
412
00:28:08,772 --> 00:28:13,476
>> I'M THE NEW MAILMAN.
413
00:28:13,476 --> 00:28:18,248
OLD MAILMAN HAVE UNFORTUNATE
ACCIDENT.
414
00:28:18,248 --> 00:28:18,682
>> I HOPE HE'S OKAY?
415
00:28:18,682 --> 00:28:19,349
>> HE IS NOT.
416
00:28:19,349 --> 00:28:21,084
>> WHAT'S YOUR NAME?
417
00:28:21,084 --> 00:28:21,685
>> DEREK.
418
00:28:21,685 --> 00:28:22,419
>> DEREK?
419
00:28:22,419 --> 00:28:23,987
>> YEAH, DEREK.
420
00:28:23,987 --> 00:28:26,890
>> WHERE ARE YOU FROM, DEREK?
421
00:28:26,890 --> 00:28:28,591
>> ST. PETERSBURG.
422
00:28:28,591 --> 00:28:29,159
>> RUSSIA?
423
00:28:29,159 --> 00:28:32,996
>> NO, FLORIDA.
I'M FROM SUNSHINE STATE, WHERE
424
00:28:32,996 --> 00:28:36,199
THE OLD PEOPLE DIE, AND THE
YOUNG PEOPLE WEAR THE TANK TOP.
425
00:28:36,199 --> 00:28:39,970
>> HOW LONG HAVE YOU BEEN
WORKING FOR THE POST OFFICE,
426
00:28:39,970 --> 00:28:40,437
DEREK?
427
00:28:40,437 --> 00:28:43,473
>> I START JUST BEFORE ELECTION,
2016.
428
00:28:43,473 --> 00:28:44,908
MAY I PLEASE TAKE YOUR BALLOT?
429
00:28:44,908 --> 00:28:49,512
>> I'M NOT READY TO VOTE.
I JUST NEED THE ENVELOPES.
430
00:28:49,512 --> 00:28:50,714
>> IT'S OKAY TO MAIL IN.
431
00:28:50,714 --> 00:28:54,718
>> I'LL DO THAT FROM MY HOUSE,
THANK YOU.
432
00:28:54,718 --> 00:28:56,853
>> IT'S SO SAFE.
YOU WILL NOT REGRET.
433
00:28:56,853 --> 00:29:00,156
>> WHAT IS YOUR LAST NAME,
DEREK?
434
00:29:00,156 --> 00:29:02,392
>> MAGIC JOHNSON.
435
00:29:02,392 --> 00:29:08,131
>> DEREK MAGIC JOHNSON?
OKAY. GIVE ME THE ENVELOPES.
436
00:29:08,131 --> 00:29:11,568
>> A LITTLE SOCIAL DISTANCE
WOULD BE APPRECIATED.
437
00:29:11,568 --> 00:29:14,771
IT'S JUST THE NAME OF ACTORS,
438
00:29:14,771 --> 00:29:19,609
EUGENE LEVY, REGINA KING.
439
00:29:19,609 --> 00:29:21,411
>> DON'T SAY ISTHE ACTORS.
440
00:29:21,411 --> 00:29:27,217
>> DON'T WORRY.
EVERYTHING IS OKAY AT THE USSPS.
441
00:29:27,217 --> 00:29:32,222
>> AND PLEASE THANK ALL THE MAIL
CARRIERS FOR EVERYTHING YOU DO
442
00:29:32,222 --> 00:29:32,555
FOR US.
443
00:29:32,555 --> 00:29:36,159
>> LISTEN, YOU ARE MANY WELCOME.
DON'T MENTION IT.
444
00:29:36,159 --> 00:29:36,760
>> OKAY.
445
00:29:36,760 --> 00:29:39,729
>> SERIOUSLY, DO NOT MENTION IT.
446
00:29:39,729 --> 00:29:42,198
>> OKAY.
HERE ARE THE NOMINEES FOR
447
00:29:42,198 --> 00:29:45,235
OUTSTANDING DIRECTING FOR A
COMEDY SERIES.
448
00:29:45,235 --> 00:29:48,538
>> AMY SHERMAN‐PALLADINO, "THE
MARVELOUS MRS. MAISEL."
449
00:29:48,538 --> 00:29:51,975
"IT'S COMEDY OR CABBAGE."
450
00:29:51,975 --> 00:29:54,611
>> I WILL KILL YOUR CHILDREN.
I WILL KILL THEM, DRESS UP IN
451
00:29:54,611 --> 00:30:00,650
YOUR CLOTHES, AND I WILL HAUNT
YOU.
452
00:30:00,650 --> 00:30:06,022
>> MATT SHAKMAN, "THE GREAT."
"PILOT."
453
00:30:06,022 --> 00:30:07,824
>> YOU DON'T TALK, MY LOVE.
454
00:30:07,824 --> 00:30:08,258
>> OF COURSE.
455
00:30:08,258 --> 00:30:13,563
>> JAMES BURROWS, "WILL &
GRACE." "WE LOVE LUCY."
456
00:30:13,563 --> 00:30:15,865
>> IT'S SO TASTY, TOO.
457
00:30:15,865 --> 00:30:21,204
>> RAMY YOUSSEF, "RAMY."
"MIAKHALIFA.MOV."
458
00:30:21,204 --> 00:30:23,606
>> TRUST ME, THIS MAN WAS
CHOSEN.
459
00:30:23,606 --> 00:30:30,113
HE'S THE LeBRON JAMES OF PRAYING.
460
00:30:30,113 --> 00:30:31,648
>> ANDREW CIVIDINO, DANIEL LEVY,
"SCHITT'S CREEK."
461
00:30:31,648 --> 00:30:32,482
"HAPPY ENDING."
462
00:30:32,482 --> 00:30:35,819
♪
463
00:30:35,819 --> 00:30:40,857
>> IS IT ME OR DO THEY LOOK LIKE
HUSBAND AND WIFE?
464
00:30:40,857 --> 00:30:41,424
>> KIND OF.
465
00:30:41,424 --> 00:30:42,192
>> GAIL MANCUSO, "MODERN
FAMILY."
466
00:30:42,192 --> 00:30:49,532
"FINALE PART 2."
467
00:30:49,532 --> 00:30:54,037
>> I DON'T WANT TO BE THE FIRST
PERSON TO LET GO. IT WAS AWFUL.
468
00:30:54,037 --> 00:31:00,443
>> DANIEL PALLADINO, "THE
MARVELOUS MRS. MAISEL."
469
00:31:00,443 --> 00:31:02,579
"MARVELOUS RADIO."
470
00:31:02,579 --> 00:31:04,447
>> HANDS. BELT BUCKLE.
471
00:31:04,447 --> 00:31:06,616
>> TUNA FISH.
472
00:31:06,616 --> 00:31:12,422
>> ALL RIGHT.
THE KEY MATCHUP TO WATCH HERE,
473
00:31:12,422 --> 00:31:14,157
AMY SHERMAN‐PALLADINO VERSUS HER
HUSBAND, DAN.
474
00:31:14,157 --> 00:31:16,426
WILL A MARRIAGE CRUMBLE BEFORE
OUR EYES?
475
00:31:16,426 --> 00:31:24,267
WE'RE ABOUT TO FIND OUT.
THE EMMY GOES TO ‐‐
476
00:31:24,267 --> 00:31:32,142
ANDREW CIVIDINO, DANIEL LEVY,
"SCHITT'S CREEK."
477
00:31:32,142 --> 00:31:32,575
♪
478
00:31:32,575 --> 00:31:44,420
[ CHEERS AND APPLAUSE ]
479
00:31:44,420 --> 00:31:47,790
>> ANDREW AND I MET IN FILM
SCHOOL.
480
00:31:47,790 --> 00:31:52,395
I DROPPED OUT, HE STAYED IN.
I DON'T KNOW WHAT THAT MESSAGE
481
00:31:52,395 --> 00:31:56,633
IS, BUT THIS IS A FEW CIRCLE
MOMENT, GO, GO, GO.
482
00:31:56,633 --> 00:32:01,938
>> I JUST TOUCHED MY FACE, SO
THIS IS TERRIBLE.
483
00:32:01,938 --> 00:32:08,878
THANK YOU TO POP, CBC, AND TO
484
00:32:08,878 --> 00:32:14,817
OUR UNFLAPPABLE D. O. P., AND I
WANT TO SAY A SPECIAL THANK YOU
485
00:32:14,817 --> 00:32:19,822
TO CATHERINE O'HARA AND EUGENE
LEVY, THEIR GRACE, THEIR GENIUS,
486
00:32:19,822 --> 00:32:26,629
AND THEIR GENEROSITY IS, IT
BUBBLES THROUGH THE ENTIRE SET.
487
00:32:26,629 --> 00:32:30,066
THEY'RE ROLE MODELS.
AND I WANT TO THANK DAN FOR
488
00:32:30,066 --> 00:32:33,903
INVITING ME INTO THE WORLD OF
"SCHITT'S CREEK," A WORLD THAT
489
00:32:33,903 --> 00:32:38,608
IS DRIVEN BY LOVE, AND I'M VERY
GRATEFUL THAT YOU LET ME INTO IT.
490
00:32:38,608 --> 00:32:39,075
THANK YOU.
491
00:32:39,075 --> 00:32:42,812
>> AND THANK YOU TO AN
INCREDIBLE CAST, WHO MADE IT SO,
492
00:32:42,812 --> 00:32:43,613
SO EASY TO DIRECT.
THANK YOU SO MUCH.
493
00:32:43,613 --> 00:32:52,121
[ CHEERS AND APPLAUSE ]
494
00:32:52,121 --> 00:32:57,727
>> YOU KNOW, WE'RE NOT JUST
CELEBRATING OURSELVES TONIGHT.
495
00:32:57,727 --> 00:33:02,365
WE'RE ALSO SHINING A LIGHT ON
DOCTORS, NURSES, TEACHERS,
496
00:33:02,365 --> 00:33:03,633
FARMERS, TRUCKERS ‐‐ PEOPLE WHO
DO SO MUCH TO KEEP THIS COUNTRY
497
00:33:03,633 --> 00:33:04,534
GOING.
TONIGHT, WE INVITED SOME OF
498
00:33:04,534 --> 00:33:07,503
THEM, OUR ESSENTIAL WORKERS, TO
BE PART OF THE SHOW AND HAND OUT
499
00:33:07,503 --> 00:33:13,176
AWARDS TO THOSE WHO ARE MUCH
LESS ESSENTIAL THAN THEY ARE.
500
00:33:13,176 --> 00:33:18,281
>> HEY, EVERYONE.
I'M CINDY AND I'M A U. S. HISTORY
501
00:33:18,281 --> 00:33:20,183
TEACHER.
I'M TEACHING HISTORY, LIVING
502
00:33:20,183 --> 00:33:23,219
THROUGH HISTORY, AND WHEN THE
PANDEMIC STARTED, I THOUGHT,
503
00:33:23,219 --> 00:33:25,888
HEY, I'LL SEE MY KIDS IN A WEEK
OR TWO.
504
00:33:25,888 --> 00:33:29,058
AND THEN THOSE WEEKS TURNED INTO
MONTHS.
505
00:33:29,058 --> 00:33:32,862
I CAN'T WAIT TO COME BACK TO
WORK JUST TO SEE THEIR FACES.
506
00:33:32,862 --> 00:33:37,100
SO TO MY FORMER AND CURRENT
STUDENTS, I LOVE YOU. I MISS YOU.
507
00:33:37,100 --> 00:33:41,804
AND TO THE NOMINEES FOR
OUTSTANDING SUPPORTING ACTORS IN
508
00:33:41,804 --> 00:33:44,474
A COMEDY SERIES, I LOVE Y'ALL,
TOO. GOOD LUCK.
509
00:33:44,474 --> 00:33:51,914
HERE ARE THE NOMINEES.
510
00:33:51,914 --> 00:33:52,949
>> ANDRE BRAUGHER, "BROOKLYN
NINE‐NINE."
511
00:33:52,949 --> 00:33:54,450
WILLIAM JACKSON HARPER, "THE
GOOD PLACE."
512
00:33:54,450 --> 00:34:00,189
ALAN ARKIN, "THE KOMINSKY
METHOD." STERLING K. BROWN, "THE
513
00:34:00,189 --> 00:34:01,491
MARVELOUS MRS. MAISEL."
TONY SHALHOUB, "THE MARVELOUS
514
00:34:01,491 --> 00:34:06,429
MRS. MAISEL."
MAHERSHALA ALI, "RAMY."
515
00:34:06,429 --> 00:34:12,268
KENAN THOMPSON, "SATURDAY NIGHT
LIVE."
516
00:34:12,268 --> 00:34:15,104
DANIEL LEVY, "SCHITT'S CREEK."
517
00:34:15,104 --> 00:34:22,145
>> AND THE EMMY GOES TO ‐‐
DANIEL LEVY, "SCHITT'S CREEK."
518
00:34:22,145 --> 00:34:22,645
[ CHEERS AND APPLAUSE ]
519
00:34:22,645 --> 00:34:35,425
♪
520
00:34:35,425 --> 00:34:37,894
>> OH, NO.
OKAY, THE INTERNET IS ABOUT TO
521
00:34:37,894 --> 00:34:42,732
TURN ON ME. I'M SO SORRY.
OKAY, FIRST OF ALL, I WOULD NOT
522
00:34:42,732 --> 00:34:48,237
BE HERE IF IT WEREN'T FOR THE
523
00:34:48,237 --> 00:34:55,011
SIX‐YEAR MASTERCLASS LED BY TWO
BRILLIANT COMEDIC MINDS, MY DAD,
524
00:34:55,011 --> 00:34:58,748
EUGENE LEVY, AND THE MAGNIFICENT
525
00:34:58,748 --> 00:35:06,255
CATHERINE O'HARA.
THEY LED BY EXAMPLE, WITHOUT
526
00:35:06,255 --> 00:35:11,828
EGO, AND WITH EXCITEMENT.
AS ACTORS, WE WERE GIVEN THE
527
00:35:11,828 --> 00:35:15,064
SAFETY AND SECURITY TO TRY,
EXPERIMENT, AND GROW, BECAUSE OF
528
00:35:15,064 --> 00:35:19,302
YOU. SO THANK YOU.
529
00:35:19,302 --> 00:35:25,541
AND TO ANDY MURPHY, THANK YOU
530
00:35:25,541 --> 00:35:30,847
FOR YOUR UN UNBELIEVABLE WORK O
THIS SHOW.
531
00:35:30,847 --> 00:35:36,919
AND THANK YOU TO MY INCREDIBLE
TEAM, MICHAEL, KRISTEN, MEGAN,
532
00:35:36,919 --> 00:35:40,223
BRITT, EVERYBODY AT WME FOR
FIELDING CALLS WHEN I WAS GOING
533
00:35:40,223 --> 00:35:42,658
NUTS.
THIS IS A NIGHT TO REMEMBER, AND
534
00:35:42,658 --> 00:35:47,563
I CANNOT THANK THE ACADEMY
ENOUGH FOR THEIR GENEROSITY.
535
00:35:47,563 --> 00:35:52,168
THIS IS COMPLETELY OVERWHELMING.
AND I THANK YOU, THANK YOU,
536
00:35:52,168 --> 00:35:52,635
THANK YOU, THANK YOU.
537
00:35:52,635 --> 00:36:04,981
[ CHEERS AND APPLAUSE ]
538
00:36:04,981 --> 00:36:09,385
>> MULTITALENTED, FIERCELY
OUTSPOKEN, AND ARTIST ON THE
539
00:36:09,385 --> 00:36:13,156
RISE, ZENDAYA.
540
00:36:13,156 --> 00:36:13,723
[ APPLAUSE ]
541
00:36:13,723 --> 00:36:17,260
>> TELEVISION HAS THE POWER TO
INFLUENCE AND SHAPE OUR CULTURE.
542
00:36:17,260 --> 00:36:20,763
SOMETIMES IT CAN REFLECT WHO WE
ARE OR DISTORT IT.
543
00:36:20,763 --> 00:36:25,435
FAR TOO OFTEN, IT FALLS SHORT OF
IDEAL AND CHALLENGES US TO BE
544
00:36:25,435 --> 00:36:27,236
BETTER.
WHEN THE POTENTIAL OF TELEVISION
545
00:36:27,236 --> 00:36:32,775
IS UNLOCKED, IT FORCES US TO
RECOGNIZE THAT DESPITE OUR
546
00:36:32,775 --> 00:36:37,180
DIFFERENCES, WE SHARE AN
UNBREAKABLE HUMAN BOND.
547
00:36:37,180 --> 00:36:41,217
AND WHEN WE SEE THAT, OUR
DIFFERENCES CAN FADE AWAY.
548
00:36:41,217 --> 00:36:44,153
WHO DECIDES WHICH STORIES CAN BE
TOLD?
549
00:36:44,153 --> 00:36:49,225
TRUTH IN STORYTELLING HAS TO LIE
WITH THOSE WHO HAVE LIVED THOSE
550
00:36:49,225 --> 00:36:53,696
STORIES ON A DAILY BASIS.
TAKE A LOOK AT WHAT HAPPENS WHEN
551
00:36:53,696 --> 00:37:00,102
YOU TRY TO TELL ISSA RAE NO.
552
00:37:00,102 --> 00:37:04,674
>> MY FIRST HOLLYWOOD PICTURE
WAS KIND OF UNOFFICIAL.
553
00:37:04,674 --> 00:37:10,646
I HAVE THIS WEB SERIES, IT WAS
THE THIRD I HAD EVER MADE.
554
00:37:10,646 --> 00:37:18,621
THE EXECUTIVE WAS LIKE, YES, I
SAW YOUR SHOW. FUNNY STUFF.
555
00:37:18,621 --> 00:37:21,757
I WAS LIKE, UM, THANK YOU.
HE WAS LIKE, IT'S ABOUT THIS
556
00:37:21,757 --> 00:37:24,527
BLACK WOMAN AND HER BLACK WOMAN
PROBLEMS. HILARIOUS.
557
00:37:24,527 --> 00:37:29,799
I WAS LIKE, THAT'S NOT WHAT IT'S
ABOUT, BUT OKAY.
558
00:37:29,799 --> 00:37:33,669
HE WAS LIKE, THE BLACK AUDIENCE
WANTS TO SEE FAMILIAR FACES.
559
00:37:33,669 --> 00:37:35,705
YOU MIGHT NEED TO SWITCH UP THE
CHARACTERS.
560
00:37:35,705 --> 00:37:39,108
AND MIND YOU, HE'S THIS
EXECUTIVE WHO IS NOT BLACK
561
00:37:39,108 --> 00:37:41,611
TELLING ME WHAT BLACK PEOPLE
LIKE.
562
00:37:41,611 --> 00:37:47,016
AND IT JUST BECAME VERY CLEAR TO
ME THAT HE DIDN'T GET THE SHOW.
563
00:37:47,016 --> 00:37:51,621
AND I REMEMBER JUST FUMING IN
THAT MEETING, LIKE, WHY DOES HE
564
00:37:51,621 --> 00:37:54,457
GET TO TELL ME WHAT GETS TO BE
ON TV?
565
00:37:54,457 --> 00:37:58,194
WHY DOES HE GET TO TELL ME WHAT
PEOPLE LIKE ME LIKE TO SEE?
566
00:37:58,194 --> 00:38:03,132
WHEN I'M HERE, I'M TELLING YOU
WHAT I WANT TO SEE. I MADE IT.
567
00:38:03,132 --> 00:38:07,203
FOR ME THAT MOMENT WAS THE
MOTIVATION I NEEDED TO KEEP
568
00:38:07,203 --> 00:38:10,139
DOING WHAT I WAS DOING.
TO KIND OF BET ON MYSELF.
569
00:38:10,139 --> 00:38:14,410
THAT FUELED ME.
LIKE, OKAY, I'LL SHOW YOU.
570
00:38:14,410 --> 00:38:18,247
AND, YOU KNOW, ONE OF US GOT
FIRED AFTER THAT.
571
00:38:18,247 --> 00:38:19,515
♪
572
00:38:24,253 --> 00:38:27,321
♪
573
00:38:27,321 --> 00:38:32,192
>>> HI, I'M TIM LLOYD.
THE LOVE THAT I'VE RECEIVED FROM
574
00:38:32,192 --> 00:38:36,397
MY CUSTOMERS HAS BEEN AWESOME.
ESPECIALLY THE ONE THAT HAD A
575
00:38:36,397 --> 00:38:39,333
MASK MADE FOR ME.
IT WAS HANGING ON THE DOOR WHEN
576
00:38:39,333 --> 00:38:44,204
I MADE A DELIVERY, AND IT ALMOST
MADE ME CRY.
577
00:38:44,204 --> 00:38:47,341
I PULL UP, AND THEY SAY, WE'RE
JUST CHECKING ON YOU.
578
00:38:47,341 --> 00:38:50,477
THEY'VE BEEN AWESOME.
I LOVE BRINGING SMILES TO
579
00:38:50,477 --> 00:38:54,314
PEOPLE'S FACES.
MUCH LIKE THE NOMINEES FOR
580
00:38:54,314 --> 00:38:58,719
OUTSTANDING SUPPORTING ACTRESS
IN A COMEDY SERIES.
581
00:38:58,719 --> 00:39:03,457
>> BETTY GILPIN.
582
00:39:03,457 --> 00:39:10,697
DARCY CARDEN.
583
00:39:10,697 --> 00:39:18,472
ALEX BORSTEIN. KATE McKINNON.
584
00:39:18,472 --> 00:39:21,241
CECILY STRONG. ANNIE MURPHY.
585
00:39:21,241 --> 00:39:30,684
>> AND THE EMMY GOES TO ‐‐ ANNIE
586
00:39:30,684 --> 00:39:32,553
MURPHY, "SCHITT'S CREEK."
587
00:39:32,553 --> 00:39:33,053
[ CHEERS AND APPLAUSE ]
588
00:39:33,053 --> 00:39:45,432
♪
589
00:39:45,432 --> 00:39:47,000
>> OH, MY GOD.
590
00:39:47,000 --> 00:39:56,143
WOW, WOW, WOW.
591
00:39:56,143 --> 00:39:58,946
OH.
THE SIX YEARS I'VE SPENT WORKING
592
00:39:58,946 --> 00:40:01,982
ON THIS SHOW HAVE BEEN THE BEST
SIX YEARS OF MY ENTIRE LIFE.
593
00:40:01,982 --> 00:40:07,221
AND I'M SO, SO PROUD OF THE CAST
AND THE CREW AND THE WRITERS AND
594
00:40:07,221 --> 00:40:13,427
I CAN'T BELIEVE THAT EUGENE AND
CATHERINE ARE MY FRIENDS.
595
00:40:13,427 --> 00:40:19,433
AND I'M SO PROUD TO BE A PART OF
A SHOW THAT STANDS FOR LOVE AND
596
00:40:19,433 --> 00:40:27,141
KINDNESS AND INCLUSIVITY AND
597
00:40:27,141 --> 00:40:28,842
AC ACCEPTANCE.
WE NEED THOSE FOUR THINGS MORE
598
00:40:28,842 --> 00:40:32,179
THAN EVER RIGHT NOW.
AND HI TO MY FAMILY AND FRIENDS.
599
00:40:32,179 --> 00:40:36,116
I LOVE YOU SO MUCH.
THIS IS JUST REALLY, REALLY WILD.
600
00:40:36,116 --> 00:40:36,550
THANK YOU SO, SO MUCH.
601
00:40:36,550 --> 00:40:49,630
[ CHEERS AND APPLAUSE ]
602
00:40:49,630 --> 00:40:53,634
>> "SCHITT'S CREEK" HAS NOW WON
603
00:40:53,634 --> 00:40:58,639
17 EMMYS, TWO PEABODIES, AND I
604
00:40:58,639 --> 00:41:02,910
THINK A SOUL TRAIN AWARD.
CONGRATULATIONS.
605
00:41:02,910 --> 00:41:04,545
HERE WITH OUR NEXT AWARD, A MAN
WHO NEEDS NO INTRODUCTION, AND
606
00:41:04,545 --> 00:41:06,346
ALSO DOESN'T WANT ONE BECAUSE
HE'S A VERY PRIVATE PERSON.
607
00:41:06,346 --> 00:41:06,914
SAY HELLO TO JASON SUDEIKIS.
608
00:41:06,914 --> 00:41:10,551
♪
609
00:41:10,551 --> 00:41:13,387
>> THANK YOU.
THANK YOU, JIMMY.
610
00:41:13,387 --> 00:41:15,589
THE WINNER OF THIS EMMY CATEGORY
WILL TAKE ITS PLACE AMONG SOME
611
00:41:15,589 --> 00:41:22,596
TRULY LEGENDARY SHOWS.
612
00:41:22,596 --> 00:41:25,399
SHOWS LIKE "I LOVE LUCY" AND ‐‐
REALLY?
613
00:41:25,399 --> 00:41:28,569
THIS CAN'T WAIT FIVE MINUTES?
OKAY. SORRY, FOLKS, WE'RE LEGALLY
614
00:41:28,569 --> 00:41:31,171
OBLIGATED TO GET COVID TESTS
EVERY HOUR. ACADEMY POLICY.
615
00:41:31,171 --> 00:41:36,276
BUT DON'T WORRY, YOU WON'T EVEN
NOTICE SHE'S HERE.
616
00:41:36,276 --> 00:41:38,579
SO, ANY WAY, SOME TRULY
LEGENDARY SHOWS.
617
00:41:38,579 --> 00:41:44,084
"I LOVE LUCY," "ALL IN THE
618
00:41:44,084 --> 00:41:50,691
FAMILY," "EVERYBODY LOVES
RAYMOND," ‐‐ WOW, THAT'S DEEP.
619
00:41:50,691 --> 00:41:55,162
>> WHAT IS YOUR BIRTHDATE?
620
00:41:55,162 --> 00:41:57,231
>> I DON'T REMEMBER.
I THINK YOU DENTED MY BRAIN.
621
00:41:57,231 --> 00:42:02,102
ARE WE DONE? NO BIG DEAL.
ANYWAY, THE NOMINEES FOR
622
00:42:02,102 --> 00:42:04,504
OUTSTANDING COMEDY SERIES ARE ‐‐
623
00:42:04,504 --> 00:42:09,843
>> "CURB YOUR ENTHUSIASM".
624
00:42:09,843 --> 00:42:16,183
>> IT'S FUNNY HAS HELL.
I GAVE THEM AN EMMY‐WORTHY
625
00:42:16,183 --> 00:42:21,788
PERFORMANCE.
AND THIS BEAUTIFUL, SEXY BALD
626
00:42:21,788 --> 00:42:28,629
MAN. J.B. SMOOVE.
YEAH, LARRY, I'M STILL MAD YOU
627
00:42:28,629 --> 00:42:28,996
TRIPPED ME.
628
00:42:28,996 --> 00:42:35,369
>> IT'S SO NICE TO SEE A FEMALE
BUDDY MURDER SOAP OPERA COMEDY,
629
00:42:35,369 --> 00:42:41,808
THAT'S NOT THE SAME OLD, TIRED
FEMALE BUDDY MURDER SOAP OPERA
630
00:42:41,808 --> 00:42:45,812
COMEDY WE'VE ALL SEEN BEFORE.
LINDA, I'M SO PROUD OF YOU.
631
00:42:45,812 --> 00:42:47,247
I LOVE THE SHOW.
632
00:42:47,247 --> 00:42:52,719
>> I CAN'T SCREEN RECORD.
FORK! WE HAD ONE THING TO DO.
633
00:42:52,719 --> 00:42:54,688
THIS IS DARCY'S BIG NIGHT.
634
00:42:54,688 --> 00:42:59,293
>> ALL I WANTED TO SAY WAS
CONGRATULATIONS.
635
00:42:59,293 --> 00:43:03,063
SHE'S ONE OF OUR BEST FRIENDS.
636
00:43:03,063 --> 00:43:05,899
>> AND "THE GOOD PLACE" IS ‐‐ IT
IS WORKING.
637
00:43:05,899 --> 00:43:07,034
>> OH, FORK.
638
00:43:07,034 --> 00:43:13,507
>> WHO THE BEST? IT'S YOU.
BLACK GIRL MAGIC.
639
00:43:13,507 --> 00:43:21,081
MY GIRLS DO THEIR DUTY.
640
00:43:21,081 --> 00:43:25,852
THE IN AND OUT OF LOVE IS OH, SO
CUTE TO SEE.
641
00:43:25,852 --> 00:43:33,493
AND IN THE LOVE SCENES, THEY
SHOW THE BOY'S BOOTY.
642
00:43:33,493 --> 00:43:33,994
>> GAB?
643
00:43:33,994 --> 00:43:38,832
>> I GOT TO GO.
GO "INSECURE."
644
00:43:38,832 --> 00:43:46,440
>> I SEE IT'S ALAN ARKIN AND
MICHAEL DOUGLAS, TWO PEOPLE I
645
00:43:46,440 --> 00:43:48,575
WORKED WITH, WITH GREAT PLEASURE.
AND, YOU KNOW, THOSE TWO, I
646
00:43:48,575 --> 00:43:54,448
THINK THEY HAVE A VERY GOOD
FUTURE.
647
00:43:54,448 --> 00:44:06,326
>> A 1950s SOCIALITE, AND AN NFL
648
00:44:06,326 --> 00:44:11,298
PLAYER, WHAT DO THEY HAVE IN
COMEDY?
649
00:44:11,298 --> 00:44:16,970
THEY BOTH LOVE SACHS, OR SACKS.
650
00:44:16,970 --> 00:44:22,342
>> THEY NAME‐CHECKED ME.
AND I MET THE CAST BACKSTAGE AT
651
00:44:22,342 --> 00:44:26,413
A SHOW IN ITALY.
AND I FOUND OUT DANIEL LEVY WAS
652
00:44:26,413 --> 00:44:28,582
NAMED AFTER ONE OF MY SONGS.
653
00:44:28,582 --> 00:44:30,650
>> OUR FAVORITE SHOW, "WHAT WE
654
00:44:30,650 --> 00:44:37,290
DO IN THE SHADOWS" GOT NOMINATED
655
00:44:37,290 --> 00:44:41,395
FOR SO MANY EMMYS.
IT RECEIVED ONE, TWO, THREE,
656
00:44:41,395 --> 00:44:45,031
FOUR, FIVE, SIX, SEVEN, EIGHT,
657
00:44:45,031 --> 00:44:52,372
EIGHT NOMINATIONS!
658
00:44:52,372 --> 00:44:52,906
[ LAUGHTER ]
659
00:44:52,906 --> 00:44:53,473
[ APPLAUSE ]
660
00:44:53,473 --> 00:44:58,578
>> AND THE EMMY GOES TO ‐‐ WHEN
DO I GET THE RESULTS, BY THE WAY?
661
00:44:58,578 --> 00:44:59,913
>> THREE TO SIX WEEKS.
662
00:44:59,913 --> 00:45:04,718
>> VERY HELPFUL.
OKAY, THE EMMY GOES TO ‐‐
663
00:45:04,718 --> 00:45:05,118
"SCHITT'S CREEK"!
664
00:45:05,118 --> 00:45:06,319
[ CHEERS AND APPLAUSE ]
665
00:45:06,319 --> 00:45:22,402
♪
666
00:45:24,438 --> 00:45:30,343
>> OH, MY GOODNESS.
WE GET ONE OF THESE?
667
00:45:30,343 --> 00:45:37,050
OH, BOY.
OUR SHOW AT ITS CORE IS ABOUT
668
00:45:37,050 --> 00:45:44,024
THE TRANSFORMATIONAL EFFECTS OF
LOVE AND ACCEPTANCE.
669
00:45:44,024 --> 00:45:47,394
WE NEED IT NOW MORE THAN EVER
BEFORE.
670
00:45:47,394 --> 00:45:52,432
IF YOU HAVE NOT REGISTERED TO
VOTE, PLEASE DO SO, AND THEN GO
671
00:45:52,432 --> 00:45:56,036
OUT AND VOTE.
THAT'S THE ONLY WAY WE NEED LOVE
672
00:45:56,036 --> 00:46:00,006
AND ACCEPTANCE OUT THERE.
DAD, DO THE REST OF THE FUN
673
00:46:00,006 --> 00:46:02,142
STUFF, SORRY FOR MAKING THIS
POLITICAL.
674
00:46:02,142 --> 00:46:06,980
>> I WANT TO THANK OUR GOOD
FRIEND PETER, WHO WAS SO
675
00:46:06,980 --> 00:46:12,118
INSTRUMENTAL IN PUTTING THIS ALL
TOGETHER, AND GETTING US OFF THE
676
00:46:12,118 --> 00:46:14,888
GROUND. I WANT TO THANK SALLY AND
EVERYONE AT CBC.
677
00:46:14,888 --> 00:46:20,494
I WANT TO THANK THE CMF, BRAD
678
00:46:20,494 --> 00:46:26,867
SCHWARTZ AND POPTV, AND OUR DISTR
679
00:46:26,867 --> 00:46:30,971
DISTRIBUTOR, ITV, AND NETFLIX
FOR THE SPARK THAT SEEMED TO
680
00:46:30,971 --> 00:46:33,907
START EVERYTHING.
I ALSO WANT TO THANK ONCE AGAIN
681
00:46:33,907 --> 00:46:38,678
THIS YOUNG MAN, WHO TOOK OUR
FISH OUT OF WATER STORY ABOUT
682
00:46:38,678 --> 00:46:44,050
THE ROSE FAMILY AND TRANSFORMED
IT INTO A CELEBRATION OF
683
00:46:44,050 --> 00:46:49,689
INCLUSIVITY, A CASTIGATION OF
HOMOPHOBIA, AND A DECLARATION OF
684
00:46:49,689 --> 00:46:52,259
THE POWER OF LOVE.
THANK YOU, DANIEL.
685
00:46:52,259 --> 00:46:53,894
THANK YOU, ACADEMY, THANK YOU.
686
00:46:53,894 --> 00:46:56,296
>> AND THANK YOU TO A TREMENDOUS
CAST.
687
00:46:56,296 --> 00:47:02,102
WE'RE SO PROUD TO BE ACCEPTING
THIS AWARD WITH SO MANY OF OUR
688
00:47:02,102 --> 00:47:06,273
CAST AND CREW MEMBERS.
AND EVERYONE AT HOME, THIS IS
689
00:47:06,273 --> 00:47:08,775
FOR ALL OF YOU WHO SHOWED UP AND
DID IT 110%.
690
00:47:08,775 --> 00:47:13,346
I'M SO PROUD TO BE ABLE TO
ACCEPT THIS AWARD IN CANADA WITH
691
00:47:13,346 --> 00:47:18,218
OUR CANADIAN CAST AND CREW.
THANK YOU SO, SO, SO MUCH.
692
00:47:18,218 --> 00:47:24,891
[ CHEERS AND APPLAUSE ]
693
00:47:24,891 --> 00:47:29,963
>> I DON'T KNOW ABOUT YOU, BUT
I'VE HAD ENOUGH OF THIS CANADIAN
694
00:47:29,963 --> 00:47:37,304
STUFF.
THE KACANADIANS HAVE WON ALL TH
695
00:47:37,304 --> 00:47:40,874
STUFF TONIGHT.
"SCHITT'S CREEK" WON SEVEN ‐‐
696
00:47:40,874 --> 00:47:43,777
OH, THEY FELL JUST SHORT.
THIS IS A KILLER.
697
00:47:43,777 --> 00:47:50,116
IF THEY HAD WON ONE MORE EMMY,
698
00:47:50,116 --> 00:47:56,022
THEY WOULD HAVE BEEN ABLE TO
TRADE THEM IN FOR THIS, A
699
00:47:56,022 --> 00:47:58,758
STANLEY CUP.
BUT THEY DIDN'T, SO WE'LL KEEP
700
00:47:58,758 --> 00:48:02,162
IT HERE FOR ANOTHER 27 YEARS.
SORRY, CANADA.
701
00:48:02,162 --> 00:48:04,731
WE'LL BE BACK, WITH A MAGIC BOX.
> IT'S D‐NICE HERE WITH AN EMMY
702
00:48:04,731 --> 00:48:08,501
DELIVERY UPDATE, LIVE FROM THE
STAPLES CENTER. CHECK THIS OUT.
703
00:48:08,501 --> 00:48:10,704
FOR HEALTH AND SAFETY REASONS,
THE WINNERS AREN'T HERE TONIGHT,
704
00:48:10,704 --> 00:48:17,670
BUT THEY STILL NEED THEIR EMMYS,
SO KIA HAS PROVIDED US WITH NEW
705
00:48:17,670 --> 00:48:20,492
K5 CARS TO DELIVER EMMYS TO THE
WINNERS AT THEIR HOMES.
706
00:48:20,492 --> 00:48:25,686
AND RIGHT NOW, THEY'RE OUT ON
THE STREETS FOR DELIVERY.
707
00:48:25,686 --> 00:48:27,354
TRYING TO GET THEM TO THE
WINNERS. COME ON, LET'S GO.
708
00:48:27,354 --> 00:48:30,424
♪
709
00:48:33,058 --> 00:48:38,178
♪
710
00:48:38,178 --> 00:48:45,018
>>> TRUMP SHOULD HAVE BUILT THAT
WALL ON THE NORTHERN BORDER.
711
00:48:45,018 --> 00:48:48,955
HAS THE PRESIDENT TWEETED ABOUT
US YET?
712
00:48:48,955 --> 00:48:52,759
IT'S SUNDAY, HE'S PROBABLY AT
CHURCH.
713
00:48:52,759 --> 00:48:53,727
BECAUSE OF THE PANDEMIC, WE'RE
MIXING IT UP.
714
00:48:53,727 --> 00:48:55,328
THIS YEAR, WE HAD TO GET
CREATIVE ABOUT HOW TO GET THE
715
00:48:55,328 --> 00:48:56,363
TROPHIES TO THE WINNERS.
SO THE EMMYS RESEARCH AND
716
00:48:56,363 --> 00:48:57,898
DEVELOPMENT TEAM, WHICH IS A
DEDICATED GROUP OF SCIENTISTS
717
00:48:57,898 --> 00:49:00,133
WITH SPRAY TANS, CAME UP WITH
THIS BOX.
718
00:49:00,133 --> 00:49:04,137
EACH NOMINEE IN THIS CATEGORY,
WHICH INCLUDES ME, HAS ONE OF
719
00:49:04,137 --> 00:49:07,040
THESE BOXES.
ONLY THE WINNER'S BOX CONTAINS
720
00:49:07,040 --> 00:49:08,141
AN EMMY.
IT WILL BE OPENED BY REMOTE
721
00:49:08,141 --> 00:49:13,647
CONTROL AND AN EMMY WILL POP
OUT OF THE BOX.
722
00:49:13,647 --> 00:49:19,920
TREVOR, SAMANTHA, STEPHEN, JOHN,
DO YOU HAVE YOUR BOXES?
723
00:49:19,920 --> 00:49:28,128
BY THE WAY, ONLY ONE AMERICAN, I
724
00:49:28,128 --> 00:49:29,229
SEE YOU THERE, STEPHEN.
THE PRODUCERS HAVE ASSURED ME
725
00:49:29,229 --> 00:49:30,430
THAT THIS IS GOING TO WORK,
WHICH MEANS THIS IS NOT GOING TO
726
00:49:30,430 --> 00:49:37,404
WORK.
OUR NEXT PRESENTER, HE HAD THE
727
00:49:37,404 --> 00:49:42,242
FORESIGHT TO GROW A VIRUS BEARD
FOUR FULL YEARS BEFORE THE
728
00:49:42,242 --> 00:49:46,079
PANDEMIC.
PLEASE WELCOME THE PRIDE OF
729
00:49:46,079 --> 00:49:51,418
INDIANAPOLIS, DAVID LETTERMAN,
TO PRESENT THE EMMY FOR
730
00:49:51,418 --> 00:49:53,954
OUTSTANDING VARIETY TALK SERIES.
731
00:49:53,954 --> 00:49:54,454
>> GET OUT OF HERE!
732
00:49:54,454 --> 00:49:59,559
>> IT'S NOT ALBANY.
I SAID I WANTED TO GO TO NEWARK.
733
00:49:59,559 --> 00:50:01,728
WHY ARE YOU BEING MEAN TO ME?
734
00:50:01,728 --> 00:50:03,063
>> I HATE YOU!
735
00:50:03,063 --> 00:50:05,031
>> I HATE YOU.
736
00:50:05,031 --> 00:50:09,269
>> THANKS A LOT, UBER.
737
00:50:09,269 --> 00:50:17,110
HI, I'M DAVE LETTERMAN.
GUESS I'LL WAIT A SECOND FOR THE
738
00:50:17,110 --> 00:50:21,481
VIRTUAL APPLAUSE TO DIE DOWN.
HOW ABOUT A NICE HAND FOR JIMMY
739
00:50:21,481 --> 00:50:23,750
KIMMEL AND SHELLEY LONG.
I THINK THE KIDS ARE DOING A
740
00:50:23,750 --> 00:50:29,222
GREAT JOB. KEEP UP THE GOOD WORK.
BY THE WAY, REGIS, I CHECKED,
741
00:50:29,222 --> 00:50:34,528
YOU'RE IN THE MONTAGE, BUDDY.
THANK YOU, SIR.
742
00:50:34,528 --> 00:50:37,130
OH, THIS TUXEDO, THE LAST TIME I
743
00:50:37,130 --> 00:50:44,938
WORE IT WAS IN 1986, WHEN I
HOSTED THE EMMY.
744
00:50:44,938 --> 00:50:49,543
HERE'S WHAT I FOUND IN THE
POCKETS, JOKES FROM 1986.
745
00:50:49,543 --> 00:50:52,579
I'M GOING TO READ THEM, THEY'LL
BE A LOT OF FUN.
746
00:50:52,579 --> 00:50:56,049
>> YOU SUCK!
747
00:50:56,049 --> 00:51:02,656
>> 1986, SO MANY STARS, SO MUCH
COCAINE.
748
00:51:02,656 --> 00:51:07,861
NEIL DIAMOND IS HERE TONIGHT,
WHERE DID YOU GO FOR THAT SPRAY
749
00:51:07,861 --> 00:51:14,000
TAN, CHERNOBYL? 1986.
750
00:51:14,000 --> 00:51:18,772
OLIVER NORTH AND ANGELA LANSBURY
751
00:51:18,772 --> 00:51:26,012
HAVE A NEW SHOW, TRADING ARMS
FOR HOSTAGES, SHE WROTE.
752
00:51:26,012 --> 00:51:30,750
I NEED THE ENVELOPE.
THANK YOU VERY MUCH.
753
00:51:30,750 --> 00:51:35,956
OKAY, THE NOMINEES ARE ‐‐
"FULL FRONTAL WITH SAMANTHA BEE."
754
00:51:35,956 --> 00:51:38,024
SAMANTHA BEE.
"JIMMY KIMMEL LIVE!"
755
00:51:38,024 --> 00:51:40,627
"LAST WEEK TONIGHT WITH JOHN
OLIVER."
756
00:51:40,627 --> 00:51:46,333
"THE DAILY SHOW WITH TREVOR
NOAH."
757
00:51:46,333 --> 00:51:51,438
aND "THE LATE SHOW WITH STEPHEN
COLBERT." AND THE EMMY GOES TO ‐‐
758
00:51:51,438 --> 00:51:53,974
"LAST WEEK TONIGHT WITH JOHN
OLIVER."
759
00:51:53,974 --> 00:51:59,879
CONGRATULATIONS, EVERYBODY.
GOOD NIGHT.
760
00:51:59,879 --> 00:52:01,982
♪
761
00:52:01,982 --> 00:52:07,954
[ CHEERS AND APPLAUSE ]
762
00:52:07,954 --> 00:52:09,222
>> THANK YOU.
THANK YOU SO MUCH.
763
00:52:09,222 --> 00:52:13,693
THANK YOU SO MUCH TO THE ACADEMY
FOR SENDING WHAT IS TECHNICALLY
764
00:52:13,693 --> 00:52:20,100
A SMALL BOMB TO MY HOUSE.
THE WAY THIS YEAR HAS GONE, I
765
00:52:20,100 --> 00:52:27,974
WOULDN'T HAVE BEEN SURPRISED IF
IT BLEW THIS ROOM UP AND CAUSED
766
00:52:27,974 --> 00:52:30,510
A SMALL WILDFIRE.
THANK YOU TO ALL OF OUR STAFF,
767
00:52:30,510 --> 00:52:35,949
IN FACT, ALL OF US AT THESE
768
00:52:35,949 --> 00:52:41,988
VARIETY SHOWS, WE'VE ALL BEEN
FORTUNATE NOT TO STOP DURING THE
769
00:52:41,988 --> 00:52:43,823
PANDEMIC.
WE'VE BEEN INCREDIBLY LUCKY, AND
770
00:52:43,823 --> 00:52:48,995
IT'S ONLY BECAUSE OF OUR STAFF
AND HOW HARD THEY'VE WORKED.
771
00:52:48,995 --> 00:52:55,669
NONE OF US ARE TECHNICALLY
GIFTED, AND THEY HAD TO TALK TO
772
00:52:55,669 --> 00:53:00,073
ME ACROSS ZOOM AS IF I WAS A
PASSENGER ON A PLANE WITH A
773
00:53:00,073 --> 00:53:05,045
PILOT WHO HAS JUST PASSED OUT.
CALMLY TRYING TO TALK ME THROUGH
774
00:53:05,045 --> 00:53:09,182
IT, THAT EVERYTHING WILL BE OKAY.
I'D LIKE TO THANK HBO,
775
00:53:09,182 --> 00:53:12,419
ESPECIALLY NINA.
I WANT TO THANK MY WIFE KATE, I
776
00:53:12,419 --> 00:53:16,790
LOVE YOU VERY MUCH.
SHE'S DONE MY MAKEUP, SHE'S KEPT
777
00:53:16,790 --> 00:53:19,759
A 4‐YEAR‐OLD AND A 2‐YEAR‐OLD
OUT OF THIS ROOM AS I'VE BEEN
778
00:53:19,759 --> 00:53:23,897
TRYING TO DO THE SHOW.
MY 4‐YEAR‐OLD AT ONE POINT DID
779
00:53:23,897 --> 00:53:28,368
BURST IN AND SAY, DAD, WHO ARE
YOU TALKING TO? I SAID, NOBODY.
780
00:53:28,368 --> 00:53:35,608
HE SAID, WHAT ARE YOU TALKING
ABOUT? I SAID, POLICE BRUTALITY.
781
00:53:35,608 --> 00:53:41,014
HE SAID, THAT DOESN'T SOUND FUN,
AND HE WAS RIGHT.
782
00:53:41,014 --> 00:53:47,020
THANK YOU TO MY STAFF.
I HAVEN'T SEEN YOU IN SIX MON
783
00:53:47,020 --> 00:53:51,758
MONTHS, I MISS YOU SO MUCH.
THANK YOU TO HBO, TO MY WIFE, TO
784
00:53:51,758 --> 00:53:55,128
ALL THE OTHER HOSTS AND THE
OTHER HOSTS' STAFF FOR WORKING
785
00:53:55,128 --> 00:53:59,833
SO HARD. THANKS A LOT.
GOOD NIGHT.
786
00:53:59,833 --> 00:54:06,439
[ APPLAUSE ]
787
00:54:06,439 --> 00:54:07,741
THIS IS VERY CREEPY.
788
00:54:07,741 --> 00:54:11,578
>> I SEE JOHN'S STAFF ALL THE
TIME.
789
00:54:11,578 --> 00:54:15,849
I'M JUST GOING TO CHECK MY BOX
TO MAKE SURE THERE WASN'T A
790
00:54:15,849 --> 00:54:19,152
MISTAKE. OH, LOOK AT THAT.
791
00:54:19,152 --> 00:54:25,925
PARTICIPATION AWARD.
AND YOUNG SHELDON, SEASONS ONE
792
00:54:25,925 --> 00:54:31,264
AND TWO ON DVD.
OH, BLU‐RAY, EVEN BETTER.
793
00:54:31,264 --> 00:54:35,802
CONGRATULATIONS TO JOHN OLIVER,
794
00:54:35,802 --> 00:54:41,407
I WILL BE REPORTING HIM TO
I.C.E. TOMORROW.
795
00:54:41,407 --> 00:54:43,076
THE NEXT EMMY IS FOR OUTSTANDING
LEAD ACTRESS IN A LIMITED SERIES
796
00:54:43,076 --> 00:54:44,210
OR MOVIE.
THIS CATEGORY HAS BEEN AROUND
797
00:54:44,210 --> 00:54:45,779
SINCE 1955, BUT THIS IS THE
FIRST YEAR THE WINNER WILL BE
798
00:54:45,779 --> 00:54:48,815
ABLE TO CELEBRATE WITH HER CATS.
HERE ARE THE NOMINEES.
799
00:54:48,815 --> 00:54:52,452
>> KERRY WASHINGTON.
800
00:54:52,452 --> 00:54:59,793
>> IT FELT LIKE EXACTLY HOW I
FELT. IT FELT LIKE THE END OF THE
801
00:54:59,793 --> 00:55:01,528
WORLD.
802
00:55:01,528 --> 00:55:04,631
>> CATE BLANCHETT.
803
00:55:04,631 --> 00:55:08,935
>> THEY SAY WOMEN ARE LIKE TEA
BAGS.
804
00:55:08,935 --> 00:55:13,606
YOU DON'T KNOW THEIR STRENGTH
UNTIL THEY GET INTO HARD WATER.
805
00:55:13,606 --> 00:55:18,578
>> OCTAVIA SPENCER.
806
00:55:18,578 --> 00:55:23,883
>> YOU ARE ALL ACCOMPLISHED
WOMEN WITH COLLEGE DEGREES.
807
00:55:23,883 --> 00:55:27,787
MOST OF YOU ARE SMARTER THAN
YOUR HUSBANDS.
808
00:55:27,787 --> 00:55:31,791
GO OUT THERE WHERE ALL THE
ACTION IS.
809
00:55:31,791 --> 00:55:32,425
>> REGINA KING.
810
00:55:32,425 --> 00:55:34,761
>> BECAUSE IF YOU KNOW
EVERYTHING THAT IS GOING TO
811
00:55:34,761 --> 00:55:38,665
HAPPEN, WHAT IS THERE TO BE
AFRAID OF? WHAT IS THERE TO RISK?
812
00:55:38,665 --> 00:55:43,736
I'M TAKING A RISK.
813
00:55:43,736 --> 00:55:47,740
>> SHIRA HAAS.
814
00:55:47,740 --> 00:55:55,748
♪
815
00:55:55,748 --> 00:56:00,620
[ APPLAUSE ]
816
00:56:00,620 --> 00:56:04,757
>> GREAT PERFORMANCES.
ONE OF YOU IS ABOUT TO RECEIVE A
817
00:56:04,757 --> 00:56:08,094
KNOCK ON YOUR DOOR.
COULD BE AN EMMY.
818
00:56:08,094 --> 00:56:14,400
COULD BE CHINESE FOOD.
THE EMMY GOES TO REGINA
819
00:56:14,400 --> 00:56:16,269
KING, "WATCHMEN."
820
00:56:16,269 --> 00:56:16,769
[ CHEERS AND APPLAUSE ]
821
00:56:16,769 --> 00:56:23,676
♪
822
00:56:23,676 --> 00:56:31,484
>> WOW.
823
00:56:31,484 --> 00:56:38,992
THIS ‐‐ THIS IS SO FREAKING
WEIRD.
824
00:56:38,992 --> 00:56:44,130
OH.
MY SISTERS, IT'S AN HONOR TO BE
825
00:56:44,130 --> 00:56:51,337
IN THIS CATEGORY WITH YOU.
I TRULY LOVE BEING A THESPIAN.
826
00:56:51,337 --> 00:56:55,808
THANK YOU, TELEVISION ACADEMY,
827
00:56:55,808 --> 00:57:01,915
FOR CHOOSING ME TO REPRESENT THE
THESPIAN COMMUNITY.
828
00:57:01,915 --> 00:57:07,587
DAMON, I LOVE YOU, BROTHER.
MAN, THANK YOU FOR YOUR
829
00:57:07,587 --> 00:57:11,691
BRILLIANT MIND.
THANK YOU FOR CHOOSING ALL OF US
830
00:57:11,691 --> 00:57:16,596
TO JOIN THIS JOURNEY AS YOU
STEPPED OUTSIDE OF YOUR COMFORT
831
00:57:16,596 --> 00:57:22,302
ZONE.
AND LED US ON A JOURNEY WHERE WE
832
00:57:22,302 --> 00:57:23,970
COULD BRING ART TO TRUTH TO
POWER.
833
00:57:23,970 --> 00:57:29,375
THE WRITING TEAM, STACEY, NICK,
834
00:57:29,375 --> 00:57:36,182
CLAIRE, LYLA, PETER, WARNER
BROTHERS, HBO.
835
00:57:36,182 --> 00:57:41,754
YOU GOT TO VOTE.
I WOULD BE REMISS NOT TO MENTION
836
00:57:41,754 --> 00:57:48,661
THAT, BEING A PART OF A SHOW
LIKE "WATCHMEN."
837
00:57:48,661 --> 00:57:54,567
HAVE A VOTING PLAN, VOTE UP THE
BALLOT, PLEASE.
838
00:57:54,567 --> 00:58:02,408
GO TO BALLOTPEDIA.COM, AND IT'S
VERY IMPORTANT. BE A GOOD HUMAN.
839
00:58:02,408 --> 00:58:04,143
REST IN POWER, RBG.
AND THANK YOU.
840
00:58:04,143 --> 00:58:07,447
[ CHEERS AND APPLAUSE ]
841
00:58:07,447 --> 00:58:13,386
♪
842
00:58:13,386 --> 00:58:15,421
>> ‐‐ IN A LIMITED SERIES OR
MOVIE, AND WAY, WAY MORE.
843
00:58:15,421 --> 00:58:18,291
IT'S THE EMMYS 2020 AND WE ARE
DOING IT. LET'S GO.
844
00:58:18,291 --> 00:58:18,691
♪
845
00:58:22,595 --> 00:58:26,566
♪
846
00:58:26,566 --> 00:58:27,900
>>> WE'RE BACK.
847
00:58:27,900 --> 00:58:35,141
HERE ARE THE NOMINEES FOR LEAD
ACTOR IN A LIMIT SERIES OR
848
00:58:35,141 --> 00:58:42,615
MOVIE.
849
00:58:42,615 --> 00:58:46,319
>> PAUL MESCAL, "NORMAL PEOPLE."
850
00:58:46,319 --> 00:58:46,953
>> I DON'T THINK PEOPLE LIKE ME.
851
00:58:46,953 --> 00:58:50,023
>> MARK RUFFALO, "I KNOW THIS
MUCH IS TRUE."
852
00:58:50,023 --> 00:58:56,662
>> THAT LOOKS GOOD, BUDDY.
853
00:58:56,662 --> 00:59:00,299
>> HUGH JACKMAN, "BAD
EDUCATION."
854
00:59:00,299 --> 00:59:06,372
>> SO WHAT HAPPENS WHEN OUR NEXT
BUDGET GOES UP FOR APPROVAL IN
855
00:59:06,372 --> 00:59:10,309
MAY?
THE ONE THAT GETS US TO FIRST,
856
00:59:10,309 --> 00:59:10,643
WHAT HAPPENS?
857
00:59:10,643 --> 00:59:14,313
>> JEREMY POPE, "HOLLYWOOD."
858
00:59:14,313 --> 00:59:19,452
>> I'M SORRY I FOUGHT YOU.
I WAS FIGHTING THEIR FIGHT.
859
00:59:19,452 --> 00:59:26,526
BUT NOW IT'S TIME TO FIGHT OURS.
860
00:59:26,526 --> 00:59:27,460
>> JEREMY IRONS, "WATCHMEN."
861
00:59:27,460 --> 00:59:34,801
>> ALL BEST WISHES AND
ENCOURAGEMENT.
862
00:59:34,801 --> 00:59:36,903
ADRIAN VOIGHT.
863
00:59:36,903 --> 00:59:42,075
[ CHEERS AND APPLAUSE ]
864
00:59:42,075 --> 00:59:48,648
>> AND THE EMMY GOES TO ‐‐ WELL,
865
00:59:48,648 --> 00:59:53,319
NOW WE KNOW WHO WOULD WIN A
BATTLE BETWEEN THE HULK AND
866
00:59:53,319 --> 00:59:58,491
WOLVERINE.
MARK RUFFALO, "I KNOW THIS MUCH
867
00:59:58,491 --> 01:00:00,393
IS TRUE."
868
01:00:00,393 --> 01:00:00,893
[ CHEERS AND APPLAUSE ]
869
01:00:00,893 --> 01:00:09,702
♪
870
01:00:09,702 --> 01:00:13,439
>> WOW. OKAY.
871
01:00:13,439 --> 01:00:21,414
TO BE WITH THESE GUYS, PAUL AND
HUGH AND JEREMY AND JEREMY, IT'S
872
01:00:21,414 --> 01:00:27,220
SUCH AN HONOR.
SUCH BEAUTIFUL PERFORMERS THIS
873
01:00:27,220 --> 01:00:31,891
YEAR AND BEAUTIFUL PEOPLE.
I WANT TO THANK HBO, I'M COMING
874
01:00:31,891 --> 01:00:36,863
TO YOU FROM ANCESTRAL LAND IN
UPSTATE NEW YORK.
875
01:00:36,863 --> 01:00:43,469
HBO, THE ACADEMY, THANK YOU SO
MUCH. DEREK, YOU DID SOMETHING
876
01:00:43,469 --> 01:00:45,738
BEAUTIFUL.
I COULDN'T HAVE DONE IT WITHOUT
877
01:00:45,738 --> 01:00:48,808
YOU.
IT WAS A GREAT COLLABORATION.
878
01:00:48,808 --> 01:00:54,247
YOU'RE MY BROTHER AND MY FRIEND.
THE REST OF THE CAST, YOU GAVE
879
01:00:54,247 --> 01:00:57,250
CAREER‐DEFINING PERFORMANCES.
YOU'RE THE BEST OF THE BEST.
880
01:00:57,250 --> 01:01:00,553
AND I BELIEVE THAT GREAT ACTING
HAPPENS BETWEEN PERFORMERS IN
881
01:01:00,553 --> 01:01:02,955
THE MOMENT.
I CAN'T BE UP HERE RIGHT NOW
882
01:01:02,955 --> 01:01:07,527
WITHOUT YOU BEING HERE.
THIS IS AS MUCH FOR YOU AS IT IS
883
01:01:07,527 --> 01:01:09,128
FOR ME.
I'M SENDING IT TO YOU FOR PART
884
01:01:09,128 --> 01:01:10,830
OF THE YEAR FOR THE REST OF MY
LIFE.
885
01:01:10,830 --> 01:01:13,499
THE CREW, WE HAD THE BEST CREW
IN THE WORLD.
886
01:01:13,499 --> 01:01:17,403
IT WAS A HARD SHOOT.
YOU CARRIED US EVERY DAY WITH
887
01:01:17,403 --> 01:01:21,140
GRIT, DETERMINATION, DIGNITY,
AND CLASS. YOU HELD ME UP.
888
01:01:21,140 --> 01:01:24,243
YOU KNOW WHAT I'M TALKING ABOUT.
I LOVE YOU.
889
01:01:24,243 --> 01:01:27,813
OUR STORY WAS ABOUT A MAN, IT'S
ABOUT FAMILY.
890
01:01:27,813 --> 01:01:31,317
IT'S ABOUT A MAN WHO IS FIGHTING
FOR HIS BROTHER WHO IS LIVING
891
01:01:31,317 --> 01:01:37,223
WITH MENTAL ILLNESS.
IT'S A STORY THAT IS COMMON
892
01:01:37,223 --> 01:01:38,891
THROUGHOUT SO MUCH OF THE WORLD
TODAY.
893
01:01:38,891 --> 01:01:43,229
AND IT ASKS A BIG QUESTION, HOW
ARE WE GOING TO DEAL AND HONOR
894
01:01:43,229 --> 01:01:47,099
AND TAKE CARE OF EACH OTHER AND
OUR MOST VULNERABLE PEOPLE?
895
01:01:47,099 --> 01:01:50,503
AND WE DO THAT WITH LOVE, AND WE
DO THAT WITH COMPASSION, AND BY
896
01:01:50,503 --> 01:01:55,107
FIGHTING FOR THEM.
AND THAT IS WHAT WE HAVE TO DO
897
01:01:55,107 --> 01:01:58,878
TODAY.
WE HAVE TO COME TOGETHER WITH
898
01:01:58,878 --> 01:02:03,349
LOVE, FOR EACH OTHER.
AND IF YOU HAVE PRIVILEGE, YOU
899
01:02:03,349 --> 01:02:06,953
HAVE TO FIGHT FOR THOSE WHO ARE
LESS FORTUNATE, AND MORE
900
01:02:06,953 --> 01:02:10,089
VULNERABLE.
AND THAT IS WHAT A GREAT ABOUT
901
01:02:10,089 --> 01:02:15,761
AMERICA, OUR DIVERSITY.
ONE THING I'VE LEARNED FROM MY
902
01:02:15,761 --> 01:02:19,699
WIFE AND CHILDREN, WE'RE
STRONGER TOGETHER WHEN WE LOVE
903
01:02:19,699 --> 01:02:23,369
EACH OTHER AND WE RESPECT EACH
OTHER'S DIVERSITY.
904
01:02:23,369 --> 01:02:26,472
AND SO WE HAVE A BIG, IMPORTANT
MOMENT AHEAD OF US.
905
01:02:26,472 --> 01:02:32,612
ARE WE GOING TO BE A COUNTRY OF
DIVISION AND HATRED, A COUNTRY
906
01:02:32,612 --> 01:02:37,016
ONLY FOR CERTAIN KIND OF PEOPLE,
OR ARE WE GOING TO BE ONE OF
907
01:02:37,016 --> 01:02:41,754
LOVE, STRENGTH, AND FIGHTING FOR
ALL OF US, WHO HAVE THE AMERICAN
908
01:02:41,754 --> 01:02:46,359
DREAM AND THE PURSUIT OF LIFE,
LIBERTY, LOVE, AND HAPPINESS, IN
909
01:02:46,359 --> 01:02:49,295
THIS GREAT COUNTRY OF OURS.
THAT'S WHAT WE'RE FACING RIGHT
910
01:02:49,295 --> 01:02:53,933
NOW. SO GET OUT AND VOTE, MAKE A
PLAN, AND VOTE FOR LOVE AND
911
01:02:53,933 --> 01:02:56,936
COMPASSION AND KINDNESS.
I LOVE YOU ALL.
912
01:02:56,936 --> 01:03:04,577
THANK YOU SO MUCH.
AND GOD BLESS YOU.
913
01:03:04,577 --> 01:03:09,682
[ CHEERS AND APPLAUSE ]
914
01:03:09,682 --> 01:03:12,585
>> THAT WAS NICE.
SHOULD WE HAND OUT ANOTHER ONE?
915
01:03:12,585 --> 01:03:16,255
LET'S DO IT.
NEXT TO PRESENT THE EMMY FOR
916
01:03:16,255 --> 01:03:18,624
OUTSTANDING WRITING FOR A
LIMITED SERIES OR MOVIE, PLEASE
917
01:03:18,624 --> 01:03:22,295
WELCOME RANDALL PARK.
918
01:03:22,295 --> 01:03:26,265
♪
919
01:03:26,265 --> 01:03:28,401
[ CHEERS AND APPLAUSE ]
920
01:03:28,401 --> 01:03:30,303
>> GOOD EVENING.
YOU KNOW, THIS YEAR HAS TAUGHT
921
01:03:30,303 --> 01:03:34,373
US MANY THINGS.
FOR INSTANCE, I LEARNED THAT THE
922
01:03:34,373 --> 01:03:40,946
COVID TRANSMISSION RATE BETWEEN
HUMANS AND ALPACAS IS VERY LOW.
923
01:03:40,946 --> 01:03:45,618
I ALSO LEARNED THAT WHEN YOU
READ AN EMAIL TOO QUICKLY, THE
924
01:03:45,618 --> 01:03:48,220
PHRASE, "YOU'RE PRESENTING WITH
AN ALPACA" LOOKS A LOT LIKE THE
925
01:03:48,220 --> 01:03:55,194
PHRASE, "YOU'RE PRESENTING WITH
AL PACINO."
926
01:03:55,194 --> 01:03:58,230
ANYWAY, HERE ARE THE NOMINEES
FOR OUTSTANDING WRITING FOR A
927
01:03:58,230 --> 01:04:00,533
LIMITED SERIES OR MOVIE.
928
01:04:00,533 --> 01:04:04,136
>> SALLY ROONEY, ALICE BIRCH.
"NORMAL PEOPLE," "EPISODE 3."
929
01:04:04,136 --> 01:04:10,242
>> SHE COMES OVER TO OUR HOUSE,
YOU HAVE SEX WITH HER, IS THAT
930
01:04:10,242 --> 01:04:12,611
IT?
DO YOU TALK TO HER IN SCHOOL, IN
931
01:04:12,611 --> 01:04:14,714
FRONT OF YOUR FRIENDS?
ARE YOU NICE TO HER?
932
01:04:14,714 --> 01:04:18,250
>> SUSANNAH GRANT, MICHAEL
CHABON, AYELET WALDMAN,
933
01:04:18,250 --> 01:04:20,453
"UNBELIEVABLE," "EPISODE 1."
934
01:04:20,453 --> 01:04:23,589
>> I'M PRETTY POSITIVE THAT IT
HAPPENED?
935
01:04:23,589 --> 01:04:28,461
>> PRETTY POSITIVE OR POSITIVE?
936
01:04:28,461 --> 01:04:34,166
>> MAYBE I BLAOCKED IT OUT.
937
01:04:34,166 --> 01:04:38,270
>> ANNA WINGER, "UNORTHODOX,"
"PART 1."
938
01:04:38,270 --> 01:04:40,439
>> DAMON LINDELOF, CORD
JEFFERSON, "WATCHMEN," "THIS
939
01:04:40,439 --> 01:04:43,642
EXTRAORDINARY BEING."
940
01:04:43,642 --> 01:04:46,512
>> YOU AIN'T GONNA GET JUSTICE
WITH A BADGE.
941
01:04:46,512 --> 01:04:48,547
YOU'RE GOING TO GET IT WITH THAT
HOOD.
942
01:04:48,547 --> 01:04:51,884
>> TANYA BARFIELD, "MRS.
AMERICA," "SHIRLEY."
943
01:04:51,884 --> 01:04:58,557
>> WHY AM I THE ONLY ONE AT THIS
CONVENTION THAT THINKS A BLACK
944
01:04:58,557 --> 01:05:01,460
WOMAN AS PRESIDENT IS WORTH THE
RUN?
945
01:05:01,460 --> 01:05:05,131
>> DO YOU WANT TO READ THE NAME?
NO, OKAY, I'LL DO IT.
946
01:05:05,131 --> 01:05:10,169
AND THE EMMY GOES TO ‐‐
947
01:05:10,169 --> 01:05:17,476
DAMON LINDELOF, CORD JEFFERSON,
"WATCHMEN."
948
01:05:17,476 --> 01:05:18,010
[ CHEERS AND APPLAUSE ]
949
01:05:18,010 --> 01:05:25,084
♪
950
01:05:25,084 --> 01:05:32,191
>> DAMON AND MY NAME IS ON THE
SCRIPT, BUT WE ALSO REALIZE THAT
951
01:05:32,191 --> 01:05:38,230
TV IS WRITTEN BY COMMITTEE.
WE WANT TO THANK ALL THE
952
01:05:38,230 --> 01:05:44,437
WRITERS.
THEY WORKED WITH US ON THE SHOW,
953
01:05:44,437 --> 01:05:49,608
AND MADE IT WHAT IT IS.
THANK YOU TO HBO AND WARNER
954
01:05:49,608 --> 01:05:55,815
BROTHERS FOR NOT BATTING AN E
955
01:05:55,815 --> 01:05:58,417
EYELASH FOR WHAT IS IN THE
SCRIPTS.
956
01:05:58,417 --> 01:06:02,988
AND THANK YOU TO REGINA, JOE,
DANIEL, WHO WERE ALL AMAZING IN
957
01:06:02,988 --> 01:06:04,557
THE EPISODE.
THANK YOU TO MY MOTHER, WHO
958
01:06:04,557 --> 01:06:10,095
WOULD GET A KICK OUT OF THIS.
THANK YOU TO MY FATHER, WHO IS
959
01:06:10,095 --> 01:06:14,733
MY DATE TONIGHT.
THANK YOU TO BABALOO FOR READING
960
01:06:14,733 --> 01:06:18,103
THE DRAFTS.
THANK YOU TO MY THERAPIST, IAN,
961
01:06:18,103 --> 01:06:21,974
I'M A DIFFERENT MAN THAN I WAS
TWO YEARS AGO.
962
01:06:21,974 --> 01:06:28,380
I LOVE YOU, YOU'VE CHANGED MY
LIFE IN MANY WAYS.
963
01:06:28,380 --> 01:06:31,150
THERAPY SHOULD BE FREE IN THIS
COUNTRY.
964
01:06:31,150 --> 01:06:35,221
AND WE WANT TO RECOGNIZE THE MEN
965
01:06:35,221 --> 01:06:41,994
AND WOMEN WHO DIED IN TULSA IN
1921.
966
01:06:41,994 --> 01:06:46,265
WE SHOULD NEVER FORGET THEM.
THANK YOU SO MUCH FOR THIS HONOR.
967
01:06:46,265 --> 01:06:46,665
I LOVE YOU.
968
01:06:46,665 --> 01:06:50,936
>> I LOVE YOU.
969
01:06:50,936 --> 01:06:51,437
[ CHEERS AND APPLAUSE ]
970
01:06:51,437 --> 01:06:52,538
♪
971
01:06:52,538 --> 01:06:55,674
>> ALL RIGHT, Y'ALL.
AFTER THIS BREAK, WE'LL BE
972
01:06:55,674 --> 01:06:56,775
HANDING OUT THE OUTSTANDING
DIRECTOR AND OUTSTANDING
973
01:06:56,775 --> 01:07:01,179
SUPPORTING ACTOR AND ACTRESS
EMMYS IN A LIMITED SERIES OR
974
01:07:01,179 --> 01:07:04,883
MOVIE, AND MORE TO COME, ON THE
EMMYS.
975
01:07:04,883 --> 01:07:06,818
♪
976
01:07:17,896 --> 01:07:21,900
>>> GREETINGS FROM THE
INTERNATIONAL SPACE STATION.
977
01:07:21,900 --> 01:07:25,337
I'M COMMANDER CHRIS CASSIDY.
WE'VE TAKEN SOCIAL DISTANCING TO
978
01:07:25,337 --> 01:07:29,374
THE NEXT LEVEL, ORBITING 250
MILES ABOVE THE EARTH.
979
01:07:29,374 --> 01:07:33,078
LIKE ON EARTH, TELEVISION IS OUR
FRIEND UP HERE ON THE STATION.
980
01:07:33,078 --> 01:07:37,649
WHEN I LOOK DOWN ON THE PLANET,
IT TRULY BRINGS HOME THE FACT
981
01:07:37,649 --> 01:07:40,885
THAT WE'RE ALL IN THIS TOGETHER.
WE SHOULD CHERISH THE THINGS WE
982
01:07:40,885 --> 01:07:42,120
HAVE IN COMMON, BECAUSE THERE'S
FAR MORE THAT UNITES US THAN
983
01:07:42,120 --> 01:07:46,157
DIVIDES US. FROM ALL OF US ON THE
INTERNATIONAL SPACE STATION,
984
01:07:46,157 --> 01:07:51,796
HAVE A GREAT EVENING.
AND LET'S GET BACK TO THE SHOW.
985
01:07:51,796 --> 01:07:55,633
>> HE OBVIOUSLY HAS NO IDEA WHAT
IS GOING ON DOWN HERE RIGHT NOW.
986
01:07:55,633 --> 01:07:58,069
TAKE US WITH YOU.
SOME OF OUR NOMINEES ARE
987
01:07:58,069 --> 01:08:00,138
WATCHING THE SHOW TOGETHER
TONIGHT, INCLUDING KERRY
988
01:08:00,138 --> 01:08:03,274
WASHINGTON AND HER FELLOW
NOMINEE REESE WITHERSPOON.
989
01:08:03,274 --> 01:08:05,910
HI, REESE. HI, KERRY.
990
01:08:05,910 --> 01:08:10,482
>> HI, JIMMY.
991
01:08:10,482 --> 01:08:14,419
>> WOW, IT'S A BIG PARTY.
WHAT'S WITH THE GLASSES AND THE
992
01:08:14,419 --> 01:08:14,986
DECORATIONS?
993
01:08:14,986 --> 01:08:17,055
>> WE'RE HAVING A NEW YEAR'S EVE
PARTY.
994
01:08:17,055 --> 01:08:17,555
>> WHY?
995
01:08:17,555 --> 01:08:19,557
>> BECAUSE WE'RE READY FOR THIS
YEAR TO BE OVER.
996
01:08:19,557 --> 01:08:24,329
>> YOU CAN DO THAT?
YOU CAN JUST END THE YEAR?
997
01:08:24,329 --> 01:08:25,497
>> OF COURSE.
WE'RE EMMY NOMINATED TELEVISION
998
01:08:25,497 --> 01:08:31,536
PRODUCERS.
999
01:08:31,536 --> 01:08:35,373
>> OKAY, VERY INTERESTING.
IT LOOKS LIKE A GREAT PARTY.
1000
01:08:35,373 --> 01:08:37,475
>> WE'RE GOING TO GET STARTED.
1001
01:08:37,475 --> 01:08:37,876
>> 10, 9, 8, 7 ‐‐
1002
01:08:37,876 --> 01:08:43,715
>> IT'S NOT EVEN MIDNIGHT.
1003
01:08:43,715 --> 01:08:45,283
>> 6, 5, 4, 3 ‐‐
1004
01:08:45,283 --> 01:08:46,084
>> NOBODY EVEN KNOWS WHAT DAY IT
IS.
1005
01:08:46,084 --> 01:08:47,886
>> 2, 1!
1006
01:08:47,886 --> 01:08:48,386
[ CHEERS AND APPLAUSE ]
1007
01:08:48,386 --> 01:08:49,587
♪
1008
01:08:49,587 --> 01:08:52,590
>> HAPPY NEW YEAR, GUYS.
1009
01:08:52,590 --> 01:08:53,625
>> I WISH I COULD KISS YOU.
1010
01:08:53,625 --> 01:08:55,193
>> I WISH I COULD KISS YOU GUYS,
TOO.
1011
01:08:55,193 --> 01:08:59,998
>> WE DON'T WANT THAT.
THANK YOU.
1012
01:08:59,998 --> 01:09:01,499
>> ALL RIGHT.
IT'S GOING TO BE A GREAT NEW
1013
01:09:01,499 --> 01:09:05,570
YEAR.
1014
01:09:05,570 --> 01:09:05,970
>> IT ALREADY HAS.
1015
01:09:05,970 --> 01:09:09,841
>> OUR NEXT EMMY CATEGORY,
OUTSTANDING DIRECTING FOR A
1016
01:09:09,841 --> 01:09:12,377
LIMITED SERIES OR MOVIE.
1017
01:09:12,377 --> 01:09:16,014
>> LYNN SHELTON, "LITTLE FIRES
EVERYWHERE," "FIND A WAY."
1018
01:09:16,014 --> 01:09:21,820
LENNY ABRAHAMSON, "NORMAL
PEOPLE," "EPISODE 5."
1019
01:09:21,820 --> 01:09:25,490
MARIA SCHRADER, "UNORTHODOX."
STEPHEN WILLIAMS, "WATCHMEN,"
1020
01:09:25,490 --> 01:09:27,525
"THIS EXTRAORDINARY BEING."
NICOLE KASSELL, "WATCHMEN,"
1021
01:09:27,525 --> 01:09:31,429
"IT'S SUMMER AND WE'RE RUNNING
OUT OF ICE."
1022
01:09:31,429 --> 01:09:33,097
STEPH GREEN, "WATCHMEN," "LITTLE
FEAR OF LIGHTNING."
1023
01:09:33,097 --> 01:09:41,739
[ APPLAUSE ]
1024
01:09:41,739 --> 01:09:49,347
>> AND THE EMMY GOES TO ‐‐
MARIA SCHRADER, "UNORTHODOX."
1025
01:09:49,347 --> 01:09:49,848
[ CHEERS AND APPLAUSE ]
1026
01:09:49,848 --> 01:10:01,526
♪
1027
01:10:01,526 --> 01:10:05,730
>> THIS IS SO INCREDIBLE!
THIS IS SO UNEXPECTED.
1028
01:10:05,730 --> 01:10:09,734
IT'S BEEN SO INCREDIBLE ALREADY,
THESE PAST FEW MONTHS WHEN WE'VE
1029
01:10:09,734 --> 01:10:13,304
ALL BEEN IN THE LOCKDOWN, AND
SEEING OUR SHOW TRAVELING THE
1030
01:10:13,304 --> 01:10:16,441
WORLD.
AND THEN BEING NOMINATED FOR THE
1031
01:10:16,441 --> 01:10:19,477
EMMYS ALREADY FELT LIKE A
CORONATION.
1032
01:10:19,477 --> 01:10:25,617
BUT NOW, THIS, I ‐‐ I'M
SPEECHLESS. SPEECHLESS.
1033
01:10:25,617 --> 01:10:29,721
I THANK THE ACADEMY OF
1034
01:10:29,721 --> 01:10:34,692
TELEVISION, AND I OF COURSE
FIRST OF ALL THANK MY PARTNERS.
1035
01:10:34,692 --> 01:10:37,529
THE CREATORS OF THE SHOW, FOR
INVITING AND TRUSTING ME TO
1036
01:10:37,529 --> 01:10:42,000
DIRECT IT.
I WANT TO THANK NETFLIX AND
1037
01:10:42,000 --> 01:10:47,672
RACHEL, WHO IS ALSO IN THIS
ROOM, FOR PICKING IT UP AND
1038
01:10:47,672 --> 01:10:50,074
TRUSTING IT AND GIVING SO MUCH
KNOWLEDGE AND SUPPORT.
1039
01:10:50,074 --> 01:10:55,446
AND OF COURSE ALL THE TEAM.
AND I WANT TO MENTION JUST A FEW
1040
01:10:55,446 --> 01:11:01,553
OF THEM WHO HELPED TO SHAPE THE
SHOW.
1041
01:11:01,553 --> 01:11:05,723
AND MAKE IT BECOME WHAT IT IS.
1042
01:11:05,723 --> 01:11:13,197
AND THIS IS THE DIRECTOR OF
PHOTOGRAPHY, THE PRODUCTION
1043
01:11:13,197 --> 01:11:16,868
DESIGNER, THE EDITORS, AND
THEY'VE BEEN SO BEAUTIFUL, LIKE
1044
01:11:16,868 --> 01:11:19,604
THE WHOLE TEAM.
AND OF COURSE, THE ACTORS.
1045
01:11:19,604 --> 01:11:23,107
THANK YOU, THANK YOU, THANK YOU
FOR LETTING ME HAVE SUCH AN
1046
01:11:23,107 --> 01:11:28,846
INTIMATE CONTACT AND WORK WITH
YOU.
1047
01:11:28,846 --> 01:11:33,551
IT'S BEEN ADVENTUROUS, POWERFUL,
AND AT THE SAME TIME DELICATE.
1048
01:11:33,551 --> 01:11:34,185
THANK YOU, THANK YOU, THANK YOU.
1049
01:11:34,185 --> 01:11:41,359
[ CHEERS AND APPLAUSE ]
1050
01:11:41,359 --> 01:11:43,528
>> I'M CAROLINE NELSON.
I'M A SHEPHERD AND RANCHER IN
1051
01:11:43,528 --> 01:11:49,534
MONTANA.
I'VE ALWAYS KNOWN FARMERS AND
1052
01:11:49,534 --> 01:11:53,605
RANCHERS ARE TOUGH, BUT IT'S
NEVER BEEN MORE EVIDENT THAN IN
1053
01:11:53,605 --> 01:12:00,078
THE PANDEMIC.
AND I THINK IF EVERYBODY KNEW
1054
01:12:00,078 --> 01:12:05,316
THE FARMER THAT RAISED THEIR
FOOD, THE WORLD WOULD BE A
1055
01:12:05,316 --> 01:12:07,518
LITTLE BIT OF A HAPPIER PLACE.
I'M SO HONORED TO BE
1056
01:12:07,518 --> 01:12:11,589
REPRESENTING FARMERS AND
RANCHERS TONIGHT AS I PRESENT
1057
01:12:11,589 --> 01:12:13,491
THE NOMINEES FOR OUTSTANDING
SUPPORTING ACTOR IN A LIMITED
1058
01:12:13,491 --> 01:12:17,629
SERIES OR MOVIE.
1059
01:12:17,629 --> 01:12:21,566
>> DYLAN McDERMOTT, "HOLLYWOOD."
JIM PARSONS, "HOLLYWOOD."
1060
01:12:21,566 --> 01:12:26,137
TITUSS BURGESS, "UNBREAKABLE
KIMMY SCHMIDT: KIMMY VS. THE
1061
01:12:26,137 --> 01:12:29,874
REVEREND." YAHYA ABDUL‐MATEEN II,
"WATCHMEN."
1062
01:12:29,874 --> 01:12:33,578
JOVAN ADEPO, "WATCHMEN."
LOUIS GOSSETT JR., "WATCHMEN."
1063
01:12:33,578 --> 01:12:37,448
[ APPLAUSE ]
1064
01:12:37,448 --> 01:12:40,752
>> AND THE EMMY GOES TO ‐‐
YAHYA ABDUL‐MATEEN II,
1065
01:12:40,752 --> 01:12:43,488
"WATCHMEN."
1066
01:12:43,488 --> 01:12:45,590
[ APPLAUSE ]
1067
01:12:45,590 --> 01:12:55,400
♪
1068
01:12:55,400 --> 01:13:00,004
>> OH, MAN.
MAN, THANK YOU SO MUCH TO THE
1069
01:13:00,004 --> 01:13:04,208
ACADEMY.
I'M SO EXCITED RIGHT NOW.
1070
01:13:04,208 --> 01:13:07,412
I WANT TO GIVE ‐‐ SAY THANK YOU
FIRST OFF TO MY MAMA AND MY
1071
01:13:07,412 --> 01:13:13,584
DADDY. MAN, I'M SURPRISED.
1072
01:13:13,584 --> 01:13:19,424
TO MY SIBLINGS, MY SQUAD, I LOVE
Y'ALL SO MUCH.
1073
01:13:19,424 --> 01:13:26,064
I WANT TO GIVE A BIG SHOUT‐OUT
TO ALL THE WEST OAKLAND, ALL THE
1074
01:13:26,064 --> 01:13:31,369
NEW ORLEANS PEOPLE, I LOVE Y'ALL
SO MUCH.
1075
01:13:31,369 --> 01:13:33,504
THANK YOU SO MUCH TO HBO, TO
DAMON, FOR YOUR WORDS AND
1076
01:13:33,504 --> 01:13:35,540
CREATIVITY.
THANK YOU TO NICKY FOR TAKING
1077
01:13:35,540 --> 01:13:41,145
CARE OF ME.
REGINA, FOR BEING THE BEST.
1078
01:13:41,145 --> 01:13:43,481
"WATCHMEN" WAS A STORY ABOUT
1079
01:13:43,481 --> 01:13:51,089
TRAUMA, AND THE LASTING SCARS OF
1080
01:13:51,089 --> 01:13:55,293
WHITE DOMESTIC TERRORISM, POLICE
CORRUPTION AND BRUTALITY.
1081
01:13:55,293 --> 01:14:01,499
BUT IT WAS ALSO A STORY OF A GOD
WHO CAME DOWN TO EARTH TO
1082
01:14:01,499 --> 01:14:08,406
RECIPROCATE TO A BLACK WOMAN ALL
THE LOVE SHE DESERVED.
1083
01:14:08,406 --> 01:14:14,545
AND HE DID ALL OF THAT IN THE
BODY OF A BLACK MAN, AND I'M SO
1084
01:14:14,545 --> 01:14:19,383
PROUD TO HAVE BEEN ABLE TO WALK
INTO THOSE SHOES.
1085
01:14:19,383 --> 01:14:23,354
I DEDICATE THIS TO ALL THE
PEOPLE IN MY LIFE, MY EARLY
1086
01:14:23,354 --> 01:14:24,222
INVESTORS.
I LOVE YOU, I APPRECIATE YOU,
1087
01:14:24,222 --> 01:14:26,491
AND THIS IS FOR YOU. THANK YOU.
1088
01:14:26,491 --> 01:14:35,833
[ APPLAUSE ]
1089
01:14:35,833 --> 01:14:37,435
>> MANY OF US HAVE BEEN COOPED
UP AT HOME FOR MONTHS NOW.
1090
01:14:37,435 --> 01:14:42,607
WE'VE ALL BEEN PASSING THIS
QUARANTIME IN OUR OWN WAYS, SO
1091
01:14:42,607 --> 01:14:44,175
WE ASKED SOME OF OUR FAVORITE TV
STARS TO SHARE WHAT THEY'VE BEEN
1092
01:14:44,175 --> 01:14:49,313
UP TO SINCE EVERYTHING WENT TO
HELL.
1093
01:14:49,313 --> 01:14:53,451
>> WHAT HAVE I BEEN DOING IN
QUARANTINE?
1094
01:14:53,451 --> 01:14:57,455
♪
1095
01:14:57,455 --> 01:15:01,325
RIDING MY BIKE.
1096
01:15:01,325 --> 01:15:07,298
>> I'VE BEEN LIVING INSIDE MY
GARDEN SHED TO AVOID MY FAMILY.
1097
01:15:07,298 --> 01:15:09,433
>> WHAT?
YOU THOUGHT THESE THINGS PRUNED
1098
01:15:09,433 --> 01:15:17,041
THEMSELVES?
1099
01:15:17,041 --> 01:15:18,209
>> MOST ACTORS BENEFITED FROM
THE FACT THAT WE SHOULD BE
1100
01:15:18,209 --> 01:15:25,383
WEARING A MASK.
THEY GO OUTSIDE, AND NO ONE
1101
01:15:25,383 --> 01:15:27,985
RECOGNIZES THEM AT ALL.
BUT FOR ME, IT'S THE OPPOSITE.
1102
01:15:27,985 --> 01:15:28,519
OH, IT'S THE GOOD DOCTOR.
1103
01:15:28,519 --> 01:15:30,087
>> I'VE BEEN MAKING WINE IN MY
BATHROOM TOILET. IT'S NOT GOOD.
1104
01:15:30,087 --> 01:15:31,122
>> JUST BEEN WIPING DOWN
GROCERIES.
1105
01:15:31,122 --> 01:15:33,457
>> RICK, CAN'T YOU DO SOMETHING
ABOUT THIS?
1106
01:15:33,457 --> 01:15:36,327
>> WHY WOULD I.
YOU KNOW HOW MUCH MONEY WE'VE
1107
01:15:36,327 --> 01:15:37,295
BEEN SAVING ON MOUTH ANIMATION?
1108
01:15:37,295 --> 01:15:41,399
>> WHAT HAVE I BEEN DOING?
MORE LIKE, WHO HAVE I BEEN DOING.
1109
01:15:41,399 --> 01:15:49,273
JUST KIDDING, I'M MARRIED.
1110
01:15:49,273 --> 01:15:50,408
BUT WE TOTALLY DID IT.
1111
01:15:50,408 --> 01:15:57,415
>> I'VE BEEN WORKING ON MY
GARDEN.
1112
01:15:57,415 --> 01:16:01,252
LOOKS BEAUTIFUL.
1113
01:16:01,252 --> 01:16:03,955
>> JUST TRYING TO GET TO KNOW
MYSELF IN A WAY, BECAUSE A LOT
1114
01:16:03,955 --> 01:16:09,527
OF PEOPLE SAY, HEY, YOU'RE A
REAL [ BLEEP ].
1115
01:16:09,527 --> 01:16:13,231
AND I'M LIKE, THAT'S NOT A SIDE
OF MYSELF THAT I KNOW.
1116
01:16:13,231 --> 01:16:17,368
I'M GOING TO GET TO KNOW THAT.
AND TURNS OUT THEY WERE RIGHT.
1117
01:16:17,368 --> 01:16:20,104
I'M A GRADE‐"A" [ BLEEP ].
1118
01:16:20,104 --> 01:16:25,343
>> WHEN I GET NERVOUS, I DO
EMBROIDERY.
1119
01:16:25,343 --> 01:16:29,380
>> TEN MORE SECONDS.
KEEP HOLDING.
1120
01:16:29,380 --> 01:16:37,221
YOU'RE DOING GREAT, LADIES.
1121
01:16:37,221 --> 01:16:41,559
>> I GAVE UP SKYDIVING AND QUIT
MY CLASS IN ALLIGATOR WRESTLING.
1122
01:16:41,559 --> 01:16:45,363
BUT THAT IS PRETTY MUCH IT.
1123
01:16:45,363 --> 01:16:49,233
>> I'VE BEEN IMPRISONED BECAUSE
1124
01:16:49,233 --> 01:16:57,308
OF CAROLE [ BLEEP ] BASKIN.
1125
01:16:57,308 --> 01:17:00,811
>> IF YOU'VE BEEN WITH US FROM
THE BEGINNING, YOU KNOW THAT I
1126
01:17:00,811 --> 01:17:03,314
AM D‐NICE.
AND IF YOU HAVEN'T, LET ME
1127
01:17:03,314 --> 01:17:06,783
INTRODUCE MYSELF, MY NAME IS
D‐NICE.
1128
01:17:06,783 --> 01:17:10,720
I'LL SEE YOU WHEN WE COME BACK.
EMMYS 2020, HERE ON ABC.
1129
01:17:10,720 --> 01:17:11,254
♪
1130
01:17:11,254 --> 01:17:13,556
[ CHEERS AND APPLAUSE ]
1131
01:17:28,171 --> 01:17:30,474
♪
1132
01:17:30,474 --> 01:17:34,378
>>> COMING AT YOU, A PROUD TRUCK
1133
01:17:34,378 --> 01:17:39,917
DRIVER AND ESSENTIAL WORKER.
I'M A THIRD GENERATION LADY
1134
01:17:39,917 --> 01:17:41,052
TRUCK DRIVER, AND ESPECIALLY
DURING THIS PANDEMIC, THE
1135
01:17:41,052 --> 01:17:45,656
COMMUNITY DEPENDS ON US TO
CONTINUE BRINGING THE NEEDS.
1136
01:17:45,656 --> 01:17:50,494
SO LET US TRUCK DRIVERS OUT HERE
KNOW THAT WE'RE APPRECIATED.
1137
01:17:50,494 --> 01:17:54,432
A PAT ON THE BACK, OR A
THUMBS‐UP GOES A LONG WAYS.
1138
01:17:54,432 --> 01:17:58,336
WE'VE CONTINUED GOING DURING THE
PANDEMIC AND WE WILL KEEP GOING
1139
01:17:58,336 --> 01:18:02,406
AFTER.
1140
01:18:02,406 --> 01:18:07,011
I'M PROUD TO ANNOUNCE THE
NOMINEES FOR OUTSTANDING
1141
01:18:07,011 --> 01:18:08,446
SUPPORTING ACTRESS IN A LIMITED
SERIES OR MOVIE.
1142
01:18:08,446 --> 01:18:10,414
>> HOLLAND TAYLOR, "HOLLYWOOD."
1143
01:18:10,414 --> 01:18:12,216
>> UZO ADUBA, "MRS. AMERICA."
1144
01:18:12,216 --> 01:18:16,520
>> MARGO MARTINDALE, "MRS.
AMERICA."
1145
01:18:16,520 --> 01:18:18,022
>> TRACEY ULLMAN, "MRS.
AMERICA."
1146
01:18:18,022 --> 01:18:19,523
>> TONI COLLETTE,
"UNBELIEVABLE."
1147
01:18:19,523 --> 01:18:21,092
>> JEAN SMART, "WATCHMEN."
1148
01:18:21,092 --> 01:18:25,262
[ APPLAUSE ]
1149
01:18:25,262 --> 01:18:28,966
>> WILL THE EMMY GO TO UZO,
TONI, MARGO, HOLLAND, TRACEY OR
1150
01:18:28,966 --> 01:18:38,009
JEAN?
1151
01:18:38,009 --> 01:18:41,846
THAT'S NOT TRACEY ULLMAN.
WAIT, WHO IS ‐‐ IS THAT TRACY
1152
01:18:41,846 --> 01:18:42,346
MORGAN?
1153
01:18:42,346 --> 01:18:42,980
>> YEAH.
OF COURSE IT'S ME, JIMBO, WHO
1154
01:18:42,980 --> 01:18:46,384
ELSE HAS A 2 MILLION‐GALLON
SHARK TANK IN HIS MUD ROOM?
1155
01:18:46,384 --> 01:18:52,323
>> I DIDN'T SEE THAT.
YOU'RE IN TRACEY ULLMAN'S SPOT.
1156
01:18:52,323 --> 01:18:53,858
>> I KNOW.
SHE CALLED ME AND ASKED ME TO
1157
01:18:53,858 --> 01:18:54,925
FILL IN.
US TRACYS STICK TOGETHER.
1158
01:18:54,925 --> 01:18:56,460
>> YOU DO?
1159
01:18:56,460 --> 01:18:57,228
>> WE DO.
YOU REMEMBER DICK TRACY?
1160
01:18:57,228 --> 01:19:02,366
>> YES.
1161
01:19:02,366 --> 01:19:04,702
>> I HAD HIS BACK, TOO.
I HAD HIS BACK, TOO.
1162
01:19:04,702 --> 01:19:10,341
>> YOU DID?
1163
01:19:10,341 --> 01:19:12,543
>> AND I COVERED THE ENTIRE EAST
COAST LEG OF A TRACY CHAPMAN
1164
01:19:12,543 --> 01:19:13,010
TOUR BACK IN '88, TOO.
1165
01:19:13,010 --> 01:19:16,347
>> I DIDN'T KNOW THAT.
1166
01:19:16,347 --> 01:19:22,386
>> NOW YOU KNOW.
AND IF TRACY ULLMAN WINS THAT
1167
01:19:22,386 --> 01:19:24,622
EMMY, I'M TAKING IT.
I'M GOING TO BE THE BEST
1168
01:19:24,622 --> 01:19:29,994
SUPPORTING ACTRESS IN A LIMITED
SERIES. ME.
1169
01:19:29,994 --> 01:19:34,865
>> GOOD LUCK TO YOU.
AND GOOD LUCK TO ALL NOMINEES.
1170
01:19:34,865 --> 01:19:36,467
AND THE EMMY GOES TO ‐‐
UZO ADUBA, "MRS. AMERICA."
1171
01:19:36,467 --> 01:19:38,002
[ APPLAUSE ]
1172
01:19:38,002 --> 01:19:45,810
>> WOW. WOW. WOW.
1173
01:19:45,810 --> 01:19:52,349
WOW. OKAY. WOW. MOM, I WON.
1174
01:19:52,349 --> 01:19:57,354
OH, MY GOSH.
I JUST WANT TO SAY, THANK YOU,
1175
01:19:57,354 --> 01:19:59,423
WOW, THANK YOU VERY, VERY MUCH
TO THE ACADEMY.
1176
01:19:59,423 --> 01:20:04,128
I WANT TO SAY A HUGE THANK YOU
TO THE WOMEN THAT I WORKED WITH
1177
01:20:04,128 --> 01:20:07,231
ON "MRS. AMERICA," ACROSS THE
BOARD.
1178
01:20:07,231 --> 01:20:10,267
ALONG WITH THE WOMEN HERE IN
1179
01:20:10,267 --> 01:20:19,176
THIS CATEGORY.
1180
01:20:19,176 --> 01:20:20,978
MARGO, TRACEY, JEAN, HOLLAND,
TONI.
1181
01:20:20,978 --> 01:20:22,446
I LOVE YOU, YOU'RE EXCEPTIONAL.
I WANT TO SAY A TREMENDOUS THANK
1182
01:20:22,446 --> 01:20:30,321
YOU TO FX, OUR PRODUCERS,
1183
01:20:30,321 --> 01:20:33,824
STACEY, COCO, TO DAVI, TONYA, TO
RYAN AND ANNA, AND EVERYONE WHO
1184
01:20:33,824 --> 01:20:38,329
JUST CAME TOGETHER TO TELL THIS
BRILLIANT STORY.
1185
01:20:38,329 --> 01:20:46,237
AND I WANT TO SAY LASTLY, THANK
1186
01:20:46,237 --> 01:20:50,407
YOU, I WANT TO THANK MY FRIENDS,
MY FAMILY, MY MOM, MOST
1187
01:20:50,407 --> 01:20:56,714
ESPECIALLY, WITHOUT WHOM I WOULD
NOT BE HERE, AND MY TEAM.
1188
01:20:56,714 --> 01:21:00,885
THANK YOU BEYOND WORDS.
I LOVE YOU ALL, YOU GUYS.
1189
01:21:00,885 --> 01:21:04,388
YOU CARRIED ME AND LIFTED ME.
I AM BEYOND GRATEFUL.
1190
01:21:04,388 --> 01:21:08,726
THANK YOU SO MUCH, AND LET'S GO
CHANGE THE WORLD.
1191
01:21:08,726 --> 01:21:09,860
GOD BLESS YOU ALL.
THANK YOU VERY, VERY, VERY, VERY
1192
01:21:09,860 --> 01:21:13,330
MUCH. WOW. YEAH.
1193
01:21:13,330 --> 01:21:13,898
[ APPLAUSE ]
1194
01:21:13,898 --> 01:21:18,235
WOW! OH, MY GOD.
1195
01:21:18,235 --> 01:21:25,843
MOMMY? MOMMY!
1196
01:21:25,843 --> 01:21:26,877
>> MOMMY.
OUR NEXT PRESENTER IS SOMEONE
1197
01:21:26,877 --> 01:21:30,080
I'M PROUD TO CALL MY FRIEND,
EVEN THOUGH HE'S REPEATEDLY
1198
01:21:30,080 --> 01:21:32,650
ASKED ME TO STOP DOING THAT.
PLEASE WELCOME NINE‐TIME EMMY
1199
01:21:32,650 --> 01:21:34,251
NOMINEE, ANTHONY ANDERSON.
1200
01:21:34,251 --> 01:21:35,819
♪
1201
01:21:35,819 --> 01:21:46,230
[ APPLAUSE ]
1202
01:21:46,230 --> 01:21:49,266
>> ALL RIGHT.
J.K., BEFORE WE ANNOUNCE THE
1203
01:21:49,266 --> 01:21:50,334
NOMINEES, I HAVE A FEW THINGS
THAT I'D LIKE TO SAY.
1204
01:21:50,334 --> 01:21:52,236
>> YOU DO?
1205
01:21:52,236 --> 01:21:53,971
>> YES, I DO.
1206
01:21:53,971 --> 01:21:58,142
>> BUT IN REHEARSAL, WE
DECIDED ‐‐
1207
01:21:58,142 --> 01:22:02,213
>> WE HAVE A RECORD NUMBER OF
BLACK EMMY NOMINEES THIS YEAR,
1208
01:22:02,213 --> 01:22:03,914
WHICH IS GREAT.
THIS IS THE PART WHERE THE WHITE
1209
01:22:03,914 --> 01:22:04,448
PEOPLE START TO APPLAUD.
1210
01:22:04,448 --> 01:22:08,586
>> OH.
1211
01:22:08,586 --> 01:22:09,119
>> AND NOD.
1212
01:22:09,119 --> 01:22:10,254
>> OH.
1213
01:22:10,254 --> 01:22:16,961
>> THANK YOU, JIMMY.
THIS EMMYS WOULD HAVE BEEN NBA
1214
01:22:16,961 --> 01:22:19,997
ALL‐STAR WEEKEND AND WAKANDA ALL
WRAPPED IN ONE.
1215
01:22:19,997 --> 01:22:25,236
THIS WAS SUPPOSED TO BE THE
BLACKEST EMMYS EVER.
1216
01:22:25,236 --> 01:22:26,370
Y'ALL WOULDN'T HAVE BEEN ABLE TO
HANDLE HOW BLACK IT WAS
1217
01:22:26,370 --> 01:22:30,174
GONNA BE.
BUT BECAUSE OF COVID, WE CAN'T
1218
01:22:30,174 --> 01:22:33,577
EVEN GET IN THE DAMN BUILDING.
1219
01:22:33,577 --> 01:22:34,144
>> WELL, THANK YOU, ANTHONY.
1220
01:22:34,144 --> 01:22:40,251
>> THESE EMMYS WOULD HAVE BEEN
SO BLACK, LIKE HOT SAUCE IN YOUR
1221
01:22:40,251 --> 01:22:42,553
PURSE BLACK.
HOWARD UNIVERSITY HOMECOMING
1222
01:22:42,553 --> 01:22:49,360
BLACK.
IT WOULD HAVE BEEN, YOU FIT THE
1223
01:22:49,360 --> 01:22:49,860
DESCRIPTION, BLACK.
1224
01:22:49,860 --> 01:22:51,362
>> THAT DOES SOUND GREAT, AND I
WISH WE'D ‐‐
1225
01:22:51,362 --> 01:22:57,001
>> WE WOULD HAVE HAD SPEECHES
QUOTING OUR GREAT POETS LIKE
1226
01:22:57,001 --> 01:23:02,106
MAYA ANGELOU, LANGSTON HUGHES,
CARDI B.
1227
01:23:02,106 --> 01:23:07,378
"WAP," JIMMY.
I'M TALKING ABOUT THAT WAP, WAP.
1228
01:23:07,378 --> 01:23:10,147
>> OH, THE SONG. TOTALLY.
RIGHT.
1229
01:23:10,147 --> 01:23:14,184
>> BUT INSTEAD OF THAT SEXY
MELANATED ENERGY, HERE I AM,
1230
01:23:14,184 --> 01:23:17,154
ALONE IN A STERILIZED GREEN
ROOM, TRYING NOT TO SNEEZE ON A
1231
01:23:17,154 --> 01:23:22,159
LLAMA. WHAT A DAMN SHAME.
1232
01:23:22,159 --> 01:23:24,428
>> IT WAS ACTUALLY AN ALPACA.
1233
01:23:24,428 --> 01:23:26,130
>> DON'T WHITE‐SPLAIN IT TO ME,
JIMMY.
1234
01:23:26,130 --> 01:23:32,236
IT SHOULD HAVE BEEN A PIT BULL.
BUT NO, NOT TONIGHT.
1235
01:23:32,236 --> 01:23:34,505
THIS ISN'T WHAT IT SHOULD HAVE
BEEN. BUT YOU KNOW WHAT?
1236
01:23:34,505 --> 01:23:37,608
I'M STILL ROOTING FOR EVERYBODY
BLACK.
1237
01:23:37,608 --> 01:23:42,146
BECAUSE BLACK STORIES, BLACK
PERFORMANCES, AND BLACK LIVES
1238
01:23:42,146 --> 01:23:44,682
MATTER. SAY IT WITH ME, JIMMY.
1239
01:23:44,682 --> 01:23:46,116
>> Both: BLACK LIVES MATTER.
1240
01:23:46,116 --> 01:23:47,384
>> LOUDER, JIMMY.
1241
01:23:47,384 --> 01:23:50,154
>> Both: BLACK LIVES MATTER.
1242
01:23:50,154 --> 01:23:52,056
>> LOUDER, JIMMY.
SAY IT SO THAT MIKE PENCE CAN
1243
01:23:52,056 --> 01:23:52,556
HEAR IT.
1244
01:23:52,556 --> 01:23:55,759
>> Both: BLACK LIVES MATTER.
1245
01:23:55,759 --> 01:23:59,296
>> THAT'S RIGHT.
AND BECAUSE BLACK LIVES MATTER,
1246
01:23:59,296 --> 01:24:02,399
BLACK PEOPLE WILL STAY HOME
TONIGHT. TO BE SAFE.
1247
01:24:02,399 --> 01:24:04,501
WHICH IS FINE, BECAUSE GUESS
WHAT?
1248
01:24:04,501 --> 01:24:09,707
Y'ALL DON'T KNOW HOW TO LIGHT US
ANYWAY.
1249
01:24:09,707 --> 01:24:11,775
JIMMY, I'M GLAD I GOT THAT OFF
MY CHEST.
1250
01:24:11,775 --> 01:24:14,144
>> I AM, TOO.
I'M GLAD YOU DID.
1251
01:24:14,144 --> 01:24:20,684
>> I'M APPRECIATIVE YOU GAVE ME
A SAFE SPACE.
1252
01:24:20,684 --> 01:24:23,520
>> IT'S MY PLEASURE.
YOU KNOW THAT.
1253
01:24:23,520 --> 01:24:29,827
>> COULD YOU SCOOT OVER SO I CAN
STAND ON THE STAR?
1254
01:24:29,827 --> 01:24:34,031
HERE ARE THE NOMINEES FOR
LIMITED SERIES.
1255
01:24:34,031 --> 01:24:35,999
>> "UNORTHODOX."
1256
01:24:35,999 --> 01:24:37,701
>> I COME FROM A COMMUNITY WHERE
WOMEN ARE NOT ALLOWED TO SING IN
1257
01:24:37,701 --> 01:24:38,068
PUBLIC.
1258
01:24:38,068 --> 01:24:39,136
>> WHY NOT?
1259
01:24:39,136 --> 01:24:42,339
>> A WOMAN PERFORMING LOUDLY
AMONG MEN IS CONSIDERED TO BE
1260
01:24:42,339 --> 01:24:44,875
IMMODEST.
1261
01:24:44,875 --> 01:24:49,079
>> "WATCHMEN."
1262
01:24:49,079 --> 01:24:49,580
>> ANGER.
1263
01:24:49,580 --> 01:24:54,051
>> THAT'S WHAT I WOULD HAVE
THOUGHT, TOO. BUT IT WASN'T.
1264
01:24:54,051 --> 01:24:58,088
IT WAS FEAR.
1265
01:24:58,088 --> 01:24:58,989
>> "UNBELIEVABLE."
1266
01:24:58,989 --> 01:25:04,128
>> I MEAN, WE HAVE FOUR
DIFFERENT VERSIONS. TIED, UNTIED.
1267
01:25:04,128 --> 01:25:04,728
>> I DIALED WITH MY HANDS.
1268
01:25:04,728 --> 01:25:08,298
>> WHY DID YOU TELL CONNOR YOU
USED YOUR TOES?
1269
01:25:08,298 --> 01:25:08,699
>> "MRS. AMERICA."
1270
01:25:08,699 --> 01:25:10,401
>> YOU JUST ANNOUNCED.
1271
01:25:10,401 --> 01:25:12,569
>> I DIDN'T GET ANYWHERE IN MY
LIFE WAITING ON SOMEBODY'S
1272
01:25:12,569 --> 01:25:18,842
PERMISSION.
1273
01:25:18,842 --> 01:25:22,045
IF HE CAN'T SUPPORT ME, GET OUT
OF MY WAY.
1274
01:25:22,045 --> 01:25:23,247
>> "LITTLE FIRES EVERYWHERE."
1275
01:25:23,247 --> 01:25:26,016
>> HE REALLY DOESN'T LEAVE A
BABY ALONE IN THE COLD.
1276
01:25:26,016 --> 01:25:30,087
>> YOU DIDN'T MAKE GOOD CHOICES.
YOU HAD GOOD CHOICES.
1277
01:25:30,087 --> 01:25:33,724
OPTIONS THAT BEING RICH AND
WHITE AND ENTITLED GAVE YOU.
1278
01:25:33,724 --> 01:25:39,430
[ APPLAUSE ]
1279
01:25:39,430 --> 01:25:44,568
>> AND THE EMMY GOES TO ‐‐
1280
01:25:44,568 --> 01:25:49,973
"WATCHMEN"!
1281
01:25:49,973 --> 01:25:52,176
[ APPLAUSE ]
1282
01:25:52,176 --> 01:26:04,154
♪
1283
01:26:04,154 --> 01:26:08,592
>> WE ALL TESTED, I SWEAR.
THANK YOU TO THE ACADEMY FOR
1284
01:26:08,592 --> 01:26:13,964
THIS INCREDIBLE RECOGNITION, TO
1285
01:26:13,964 --> 01:26:21,939
OUR FELLOW NOMINEES, TO ALAN
MOORE, DAVE GIBBONS, TA‐NEHISI
1286
01:26:21,939 --> 01:26:23,173
COATES, TO HBO AND WARNER
BROTHERS, TO OUR PARTNERS,
1287
01:26:23,173 --> 01:26:25,709
SPOUSES, AND CHILDREN, WHO
TOLERATED OUR ABSENCE AND
1288
01:26:25,709 --> 01:26:27,878
ENABLED OUR PRESENCE.
THANK YOU TO EVERY PERSON WHO
1289
01:26:27,878 --> 01:26:33,951
INVESTED NINE HOURS OF THEIR
LIFE INTO "WATCHMEN."
1290
01:26:33,951 --> 01:26:40,357
I KNEW THIS WAS NEVER MY STORY
TO TELL.
1291
01:26:40,357 --> 01:26:41,959
THE ONLY REASON I'M STANDING
HERE NOW IS BECAUSE OF THE
1292
01:26:41,959 --> 01:26:44,862
PEOPLE STANDING BESIDE ME.
I WANT TO THANK THE PEOPLE
1293
01:26:44,862 --> 01:26:46,029
STANDING BESIDES ME, ZOOMING AND
ZAPPING IN FROM AROUND THE
1294
01:26:46,029 --> 01:26:47,397
WORLD.
THEY TOLD THEIR STORIES, AND I'M
1295
01:26:47,397 --> 01:26:50,234
HONORED TO BE ABLE TO ACCEPT ON
THEIR BEHALF.
1296
01:26:50,234 --> 01:26:54,505
HISTORY IS MYSTERY, IT'S BROKEN
INTO A MILLION PUZZLE PIECES.
1297
01:26:54,505 --> 01:26:58,375
AND MANY ARE MISSING.
WE KNOW WHERE THEY ARE BUT WE
1298
01:26:58,375 --> 01:27:01,211
DON'T SEEK THEM OUT BECAUSE WE
KNOW FINDING THEM WILL HURT.
1299
01:27:01,211 --> 01:27:02,513
SOMETIMES WE CAUSED THAT HURT,
MAYBE WE EVEN BENEFITED FROM IT.
1300
01:27:02,513 --> 01:27:06,183
BUT WE HAVE TO NAME IT BEFORE WE
CAN REPAIR IT.
1301
01:27:06,183 --> 01:27:09,620
BE CAREFUL, BE CLUMSY, RUN HOT,
STAY COOL.
1302
01:27:09,620 --> 01:27:13,857
BE THE BULL IN THE CHINA SHOP,
PICK UP WHAT YOU BROKE AND GLUE
1303
01:27:13,857 --> 01:27:14,825
IT BACK TOGETHER.
DON'T STOP UNTIL IT'S GREAT.
1304
01:27:14,825 --> 01:27:21,865
AFFIRM. IT'S NEVER GREAT ENOUGH.
DISSENT. BE CONSISTENT.
1305
01:27:21,865 --> 01:27:25,702
EMBRACE PARADOX, AND STOP
WORRYING ABOUT GETTING CANCELLED.
1306
01:27:25,702 --> 01:27:29,206
AND ASK YOURSELF WHAT YOU'RE
DOING TO GET RENEWED.
1307
01:27:29,206 --> 01:27:30,474
WE DEDICATE THIS AWARD TO THE
VICTIMS AND SURVIVORS OF THE
1308
01:27:30,474 --> 01:27:37,548
TULSA MASSACRE OF 1921.
THE FIRES THAT DESTROYED BLACK
1309
01:27:37,548 --> 01:27:44,988
WALL STREET STILL BURN TODAY.
THE ONLY WAY TO PUT THEM OUT IS
1310
01:27:44,988 --> 01:27:46,123
TO FIGHT THEM TOGETHER.
STAY SAFE, GOD BLESS, AND THANK
1311
01:27:46,123 --> 01:27:47,090
YOU FOR THIS.
I'M GOING TO GO THROW UP.
1312
01:27:47,090 --> 01:27:50,761
♪
1313
01:27:50,761 --> 01:27:51,261
[ CHEERS AND APPLAUSE ]
1314
01:27:51,261 --> 01:27:58,435
>> PLEASE WELCOME TONY AND EMMY
AWARD WINNING ACTRESS CYNTHIA
1315
01:27:58,435 --> 01:27:58,902
ERIVO.
1316
01:27:58,902 --> 01:28:01,638
[ APPLAUSE ]
1317
01:28:01,638 --> 01:28:04,341
>> WHEN WE DON'T SEE OURSELVES
ON TELEVISION, WE START TO FEEL
1318
01:28:04,341 --> 01:28:07,945
INVISIBLE.
WHEN WE DO SEE OURSELVES, IT
1319
01:28:07,945 --> 01:28:10,147
REMINDS US THAT WE ARE
INVINCIBLE.
1320
01:28:10,147 --> 01:28:13,884
OUR STORIES MAY SEEM UNIQUE TO
SOME, BUT THEY RESONATE WITH
1321
01:28:13,884 --> 01:28:17,287
MANY.
OUR STORIES ARE YOUR STORIES.
1322
01:28:17,287 --> 01:28:21,892
TELEVISION ACTS AS A MIRROR TO
OUR SOCIETY. TO OUR WORLD.
1323
01:28:21,892 --> 01:28:25,629
WE DESERVE TO SEE OUR OWN
REFLECTION.
1324
01:28:25,629 --> 01:28:28,065
LENA WAITHE IS AN UNSTOPPABLE
CREATIVE FORCE WHO IS COMMITTED
1325
01:28:28,065 --> 01:28:31,301
TO MAKING SURE THAT WE ALL SEE
OURSELVES REFLECTED EVEN WHEN
1326
01:28:31,301 --> 01:28:33,737
THE WORLD IS DETERMINED TO MAKE
US DISAPPEAR.
1327
01:28:33,737 --> 01:28:41,745
♪
1328
01:28:41,745 --> 01:28:44,915
>> PEOPLE ARE GIVEN PURPOSE IN
THIS LIFE.
1329
01:28:44,915 --> 01:28:49,720
AND MINE WAS TO TELL STORIES.
IT'S A WAY TO CONNECT AND A WAY
1330
01:28:49,720 --> 01:28:53,290
TO HELP OTHER PEOPLE SEE
THEMSELVES.
1331
01:28:53,290 --> 01:28:57,861
GROWING UP, I WATCHED A TON OF
TV. I THINK I WAS RAISED IN A
1332
01:28:57,861 --> 01:29:01,765
THREE‐PARENT HOUSEHOLD.
MY MOTHER, GRANDMOTHER, AND THE
1333
01:29:01,765 --> 01:29:08,338
TELEVISION.
I REMEMBER WATCHING "A DIFFERENT
1334
01:29:08,338 --> 01:29:12,476
WORLD," AND A VERY, YOU KNOW,
YOUNG JADA PINKETT SAID HER NAME.
1335
01:29:12,476 --> 01:29:15,078
SHE SAID MY NAME IS LENA JAMES.
I'M WATCHING IT WITH MY FAMILY,
1336
01:29:15,078 --> 01:29:22,352
THEY ALL GASPED AT THE SAME TIME.
THAT WAS A MOMENT THAT THE
1337
01:29:22,352 --> 01:29:26,089
UNIVERSE SPOKE TO ME, YES, YOU,
I'M TALKING TO YOU, LENA.
1338
01:29:26,089 --> 01:29:32,329
I JUST REALLY FELT SEEN IN A WAY
THAT I HADN'T EVER FELT SEEN
1339
01:29:32,329 --> 01:29:37,467
BEFORE.
I STILL THINK THERE'S A LOT MORE
1340
01:29:37,467 --> 01:29:39,036
TERRITORY TO BE COVERED IN TERMS
OF INTERSECTIONALITY WITH
1341
01:29:39,036 --> 01:29:44,274
BLACKNESS AND QUEERNESS.
WE NEED TO CONTINUE TO TELL
1342
01:29:44,274 --> 01:29:46,343
STORIES THAT DON'T NECESSARILY
LOOK LIKE OUR LIVES.
1343
01:29:46,343 --> 01:29:53,183
THAT'S THE ONLY WAY WE'RE GOING
TO CONTINUE TO GROW AS A SOCIETY.
1344
01:29:53,183 --> 01:29:55,752
EVEN IF I GET SOMETHING WRONG OR
SOMEBODY DOESN'T LIKE THE WAY I
1345
01:29:55,752 --> 01:29:58,889
DO SOMETHING, I RESERVE THE
RIGHT TO DO IT MY WAY.
1346
01:29:58,889 --> 01:30:06,697
WE'VE AT LEAST EARNED THE RIGHTS
TO TELL OUR STORIES THE WAY WE
1347
01:30:06,697 --> 01:30:07,764
SEE FIT.
1348
01:30:07,764 --> 01:30:09,232
>> ON FRIDAY, WE LOST A GREAT
AMERICAN.
1349
01:30:09,232 --> 01:30:10,834
RUTH BADER GINSBURG WAS A
COMPASSIONATE AND TIRELESS
1350
01:30:10,834 --> 01:30:15,505
CHAMPION OF EQUALITY AND JUSTICE.
SHE SAID HER LEGACY WAS TO MAKE
1351
01:30:15,505 --> 01:30:21,945
LIFE A LITTLE BETTER FOR PEOPLE
LESS FORTUNATE THAN SHE.
1352
01:30:21,945 --> 01:30:24,381
SOUNDS LIKE PRETTY GOOD WORDS TO
LIVE BY, TO ME.
1353
01:30:24,381 --> 01:30:30,654
WE LOST MANY BELOVED LUMINARIES
THIS YEAR.
1354
01:30:30,654 --> 01:30:31,922
IT'S TIME TO HONOR AND REMEMBER
THOSE WHO MADE AN INDELIBLE MARK
1355
01:30:31,922 --> 01:30:40,030
ON ALL OF US.
1356
01:30:40,030 --> 01:30:44,434
HERE TO PAY MUSICAL TRIBUTE TO
ALL OF THEM, PLEASE WELCOME HER.
1357
01:30:44,434 --> 01:30:44,868
♪
1358
01:30:44,868 --> 01:30:45,669
>> I WANT PEOPLE TO ENJOY WHAT I
DO.
1359
01:30:45,669 --> 01:30:49,706
AND UNDERSTAND WHAT I'M DOING.
IT'S FOR THEIR ENJOYMENT.
1360
01:30:49,706 --> 01:30:53,643
AND THAT'S ALL I CAN ASK FOR.
1361
01:30:53,643 --> 01:30:57,714
♪ IT'S BEEN SEVEN HOURS AND 13
1362
01:30:57,714 --> 01:31:00,150
DAYS ♪
1363
01:31:00,150 --> 01:31:00,717
♪ SINCE YOU TOOK YOUR LOVE
1364
01:31:00,717 --> 01:31:08,458
AWAY ♪
1365
01:31:08,458 --> 01:31:09,693
♪ I GO OUT EVERY NIGHT AND SLEEP
1366
01:31:09,693 --> 01:31:15,699
ALL DAY ♪
1367
01:31:15,699 --> 01:31:16,266
♪ SINCE YOU TOOK YOUR LOVE
1368
01:31:16,266 --> 01:31:24,574
AWAY ♪
1369
01:31:24,574 --> 01:31:25,208
♪ SINCE YOU'VE BEEN GONE I CAN
1370
01:31:25,208 --> 01:31:30,847
DO WHATEVER I WANT ♪
1371
01:31:30,847 --> 01:31:39,990
♪ I CAN SEE WHOEVER I CHOOSE
1372
01:31:39,990 --> 01:31:41,658
♪ I CAN EAT MY DINNER IN A FANCY
1373
01:31:41,658 --> 01:31:45,662
RESTAURANT ♪
1374
01:31:45,662 --> 01:31:49,566
♪ BUT NOTHING NOTHING CAN TAKE
1375
01:31:49,566 --> 01:31:53,603
AWAY THESE BLUES ♪
1376
01:31:53,603 --> 01:32:01,578
♪ BECAUSE NOTHING COMPARES
1377
01:32:01,578 --> 01:32:07,317
NOTHING COMPARES TO YOU ♪
1378
01:32:07,317 --> 01:32:13,657
♪ IT'S BEEN SO LONELY WITHOUT
1379
01:32:13,657 --> 01:32:14,090
YOU HERE ♪
1380
01:32:14,090 --> 01:32:21,331
♪ I'M LIKE A BIRD WITHOUT SONG
1381
01:32:21,331 --> 01:32:21,998
♪ NOTHING CAN STOP THESE LONELY
1382
01:32:21,998 --> 01:32:27,904
TEARS ♪
1383
01:32:27,904 --> 01:32:29,539
♪ FROM FALLING OH NO TELL ME
1384
01:32:29,539 --> 01:32:36,980
BABY TELL ME WHERE I WENT WRONG ♪
1385
01:32:36,980 --> 01:32:39,049
♪ I CAN PUT MY ARMS AROUND
1386
01:32:39,049 --> 01:32:43,753
EVERYONE I SEE ♪
1387
01:32:43,753 --> 01:32:44,821
♪ SO THAT THEY'D ONLY REMIND ME
1388
01:32:44,821 --> 01:32:53,129
OF YOU ♪
1389
01:32:53,129 --> 01:32:55,165
♪ I WENT TO THE DOCTOR GUESS
1390
01:32:55,165 --> 01:32:59,870
WHAT HE TOLD ME GUESS WHAT HE
TOLD ME ♪
1391
01:32:59,870 --> 01:33:01,938
♪ HE SAID TRY TO HAVE FUN NO
1392
01:33:01,938 --> 01:33:06,643
MATTER WHAT YOU DO BUT HE'S A
FOOL ♪
1393
01:33:06,643 --> 01:33:12,916
♪ BECAUSE NOTHING COMPARES NO
1394
01:33:12,916 --> 01:33:25,562
NOTHING COMPARES TO YOU ♪
1395
01:33:25,562 --> 01:33:29,499
♪ OH OH OH
1396
01:33:29,499 --> 01:33:32,669
♪
1397
01:33:32,669 --> 01:33:36,840
>> IS THAT SUPPOSED TO BE AN
IMPLIED THREAT OF SOME SORT?
1398
01:33:36,840 --> 01:33:39,843
BECAUSE IF IT IS, I'M JUST AS
TOUGH AS YOU.
1399
01:33:39,843 --> 01:33:45,548
MAYBE TOUGHER.
1400
01:33:45,548 --> 01:33:53,523
♪
1401
01:33:53,523 --> 01:34:05,502
♪ NOTHING COMPARES TO YOU
1402
01:34:05,502 --> 01:34:08,104
♪ NOTHING COMPARES NOTHING
1403
01:34:08,104 --> 01:34:09,773
COMPARES TO YOU ♪
1404
01:34:09,773 --> 01:34:13,443
>> PURPOSE CROSSES DISCIPLINES.
PURPOSE IS AN ESSENTIAL ELEMENT
1405
01:34:13,443 --> 01:34:16,046
OF YOU.
IT'S THE REASON YOU'RE ON THE
1406
01:34:16,046 --> 01:34:20,684
PLANET AT THIS PARTICULAR TIME
IN HISTORY.
1407
01:34:20,684 --> 01:34:25,488
THE STRUGGLES ALONG THE WAY ARE
ONLY MEANT TO SHAPE YOU FOR YOUR
1408
01:34:25,488 --> 01:34:28,304
PURPOSE.
1409
01:34:28,304 --> 01:34:30,273
♪ NOTHING COMPARES TO YOU
1410
01:34:30,273 --> 01:34:35,879
♪
1411
01:34:56,766 --> 01:34:59,103
♪
1412
01:34:59,103 --> 01:35:01,272
>>> THOSE ARE NOT STATUES.
THERE ARE THE ACCOUNTANTS FROM
1413
01:35:01,272 --> 01:35:05,277
ERNST AND YOUNG.
THEY LICK ALL THE ENVELOPES.
1414
01:35:05,277 --> 01:35:09,882
SOMETIMES THEY LICK THE STATUES,
TOO. THEY'RE WEIRD.
1415
01:35:09,882 --> 01:35:14,687
WE HAVE MUCH MORE ON THE WAY.
BUT FIRST, I WANT TO CHECK IN
1416
01:35:14,687 --> 01:35:21,994
AND SEE IF JENNIFER ANISTON IS
HOME. OH, HI, JEN.
1417
01:35:21,994 --> 01:35:22,461
>> HI.
1418
01:35:22,461 --> 01:35:25,131
>> YOUR CATEGORY IS COMING UP, I
WANTED TO MAKE SURE YOU WERE
1419
01:35:25,131 --> 01:35:25,598
THERE.
1420
01:35:25,598 --> 01:35:29,335
>> YES, I BARELY MADE IT.
BUT WE'RE HERE.
1421
01:35:29,335 --> 01:35:31,403
>> OH.
1422
01:35:31,403 --> 01:35:36,041
>> HEY, JIMMY.
COURTENEY COX, YOU'RE THERE?
1423
01:35:36,041 --> 01:35:37,510
>> OF COURSE I AM.
WE LIVE TOGETHER.
1424
01:35:37,510 --> 01:35:42,815
>> YOU DO?
1425
01:35:42,815 --> 01:35:49,054
>> YEAH, WE'VE BEEN ROOMMATES
SINCE 1994.
1426
01:35:49,054 --> 01:35:49,488
>> IS THIS LIVE TV?
1427
01:35:49,488 --> 01:35:55,761
>> UNBELIEVABLE.
LISA KUDROW, YOU LIVE THERE, TOO?
1428
01:35:55,761 --> 01:35:59,532
>> YEAH.
WHERE ELSE WOULD I LIVE?
1429
01:35:59,532 --> 01:36:03,702
>> I DON'T KNOW, WITH YOUR
FAMILY, MAYBE?
1430
01:36:03,702 --> 01:36:05,804
>> YEAH, LOTS OF PEOPLE LIVE
WITH THEIR FAMILIES.
1431
01:36:05,804 --> 01:36:09,241
>> SO FUNNY.
1432
01:36:09,241 --> 01:36:12,511
>> LOOK WHO IT IS.
THE HOST WITH THE MOST. RUDENESS.
1433
01:36:12,511 --> 01:36:13,012
>> OH.
1434
01:36:13,012 --> 01:36:18,217
>> ARE YOU CALLING TO KICK ME
OUT OF MY OWN HOUSE TOO, CREEP?
1435
01:36:18,217 --> 01:36:22,421
>> BATEMAN ALSO LIVES IN YOUR
HOUSE?
1436
01:36:22,421 --> 01:36:25,024
>> JUST UNTIL HE GOES OFF TO
COLLEGE.
1437
01:36:25,024 --> 01:36:28,661
BY THE WAY, YOU GUYS ARE KILLING
IT. THIS IS SO GREAT.
1438
01:36:28,661 --> 01:36:30,763
>> THANK YOU.
THANK YOU FOR BEING THERE, AND
1439
01:36:30,763 --> 01:36:33,933
WATCHING ALL TOGETHER.
I APPRECIATE THE SUPPORT.
1440
01:36:33,933 --> 01:36:37,236
IT'S SO NICE THAT YOU GUYS ARE
GATHERED AROUND THE MONITOR,
1441
01:36:37,236 --> 01:36:41,207
WATCHING THE SHOW.
AND THANKS AGAIN FOR COMING
1442
01:36:41,207 --> 01:36:44,843
EARLIER ‐‐ WHAT? OH. OKAY.
1443
01:36:44,843 --> 01:36:45,344
>> DINNER IS READY.
1444
01:36:45,344 --> 01:36:48,981
>> OH. DINNER IS READY.
1445
01:36:48,981 --> 01:36:49,415
>> WE'RE DVR‐ING IT.
1446
01:36:49,415 --> 01:36:52,718
>> OKAY, THANKS.
WITHOUT OUR NEXT CATEGORY, WE
1447
01:36:52,718 --> 01:36:57,489
WOULD NEVER KNOW WHO IS THE TOP
CHEF OR WHAT BRET MICHAELS LOOKS
1448
01:36:57,489 --> 01:36:59,925
LIKE AS A BANANA.
WE WOULD BE LOST.
1449
01:36:59,925 --> 01:37:05,197
HERE ARE THE NOMINEES FOR
OUTSTANDING COMPETITION PROGRAM.
1450
01:37:05,197 --> 01:37:09,201
>> "NAILED IT!"
"RuPAUL'S DRAG RACE." "TOP CHEF."
1451
01:37:09,201 --> 01:37:16,642
"THE MASKED SINGER." "THE VOICE."
1452
01:37:16,642 --> 01:37:19,712
>> PAST LOSERS OF THIS CATEGORY
HAVE GONE ON TO BECOME THE
1453
01:37:19,712 --> 01:37:23,882
PRESIDENT OF THE UNITED STATES.
AND THE EMMY GOES TO ‐‐
1454
01:37:23,882 --> 01:37:24,950
"RuPAUL'S DRAG RACE."
1455
01:37:24,950 --> 01:37:27,052
[ APPLAUSE ]
1456
01:37:27,052 --> 01:37:33,158
♪
1457
01:37:33,158 --> 01:37:39,932
>> THANK YOU SO MUCH! OOH!
OH, MY GOODNESS.
1458
01:37:39,932 --> 01:37:44,770
THANK YOU SO MUCH.
THAT IS SO VERY KIND OF YOU.
1459
01:37:44,770 --> 01:37:47,940
THANK THE ACADEMY FOR THIS
BEAUTIFUL HONOR.
1460
01:37:47,940 --> 01:37:52,611
WE LOVE MAKING TELEVISION, IT'S
AN HONOR TO MAKE TELEVISION.
1461
01:37:52,611 --> 01:37:57,116
AND ALL THE KIDS GET TO TELL
THEIR STORIES ON OUR SHOW.
1462
01:37:57,116 --> 01:38:01,553
AND IT'S BEAUTIFUL.
AND A SPECIAL THANK YOU TO THE
1463
01:38:01,553 --> 01:38:05,090
VIEWER, AND A SPECIAL NOTE TO
THE VIEWER.
1464
01:38:05,090 --> 01:38:07,626
KIDDO, I KNOW HOW YOU FEEL RIGHT
NOW.
1465
01:38:07,626 --> 01:38:13,465
JUST KNOW THAT YOU ARE LOVED,
AND DON'T GIVE UP ON LOVE.
1466
01:38:13,465 --> 01:38:17,102
BELIEVE IN LOVE, AND THE POWER
OF LOVE, OKAY? THANK YOU SO MUCH.
1467
01:38:17,102 --> 01:38:19,438
THANK YOU. I LOVE IT!
1468
01:38:19,438 --> 01:38:29,048
[ APPLAUSE ]
1469
01:38:29,048 --> 01:38:30,182
>> AND NOW, PLEASE WELCOME THE
CHAIRMAN AND CEO OF THE
1470
01:38:30,182 --> 01:38:37,089
TELEVISION ACADEMY, FRANK
SHERMAN.
1471
01:38:37,089 --> 01:38:44,330
>> GOOD EVENING, EVERYONE.
TELEVISION AND ITS STORIES HAVE
1472
01:38:44,330 --> 01:38:45,264
BECOME AN INTRICATE PART OF OUR
LIVES.
1473
01:38:45,264 --> 01:38:49,034
TELEVISION IS NO LONGER JUST A
REFLECTION OF THE CULTURE, BUT
1474
01:38:49,034 --> 01:38:52,504
AN INVALUABLE PART OF THE
CULTURE.
1475
01:38:52,504 --> 01:38:54,106
IN THE MIDST OF AN UNPRECEDENTED
GLOBAL HEALTH CRISIS, THE ENTIRE
1476
01:38:54,106 --> 01:39:01,714
WORLD HAS BEEN FORCED TO SPEND
MUCH MORE TIME AT HOME THAN EVER
1477
01:39:01,714 --> 01:39:03,982
THOUGHT POSSIBLE, QUALITY
TELEVISION SHOWS HAVE BECOME A
1478
01:39:03,982 --> 01:39:08,687
FORM OF CURRENCY.
WE'RE LOOKING FOR A NEW SHOW TO
1479
01:39:08,687 --> 01:39:11,390
GET LOST IN OR TO LEARN FROM.
AND WE CAN SHARE THE SHOWS AND
1480
01:39:11,390 --> 01:39:15,060
CONNECT OVER THE STORIES.
AND THAT CONNECTION IS PRICELESS
1481
01:39:15,060 --> 01:39:19,565
TODAY.
TELEVISION HAS ALWAYS BEEN THE
1482
01:39:19,565 --> 01:39:21,734
MEDIUM THAT HELPED US UNDERSTAND
EACH OTHER, THE STRUGGLES, THE
1483
01:39:21,734 --> 01:39:28,540
JOYS, AND THE HEARTACHE.
I SEE HOW THAT OPENS OUR EYES
1484
01:39:28,540 --> 01:39:34,113
AND HOPEFULLY BRINGS US TOGETHER
AS A PEOPLE.
1485
01:39:34,113 --> 01:39:36,181
WE CAN OPEN PORTALS INTO EACH
OTHER'S WORLDS, HEAR EACH
1486
01:39:36,181 --> 01:39:43,589
OTHER'S VOICES, AND SEE OTHER
PERSPECTIVES MORE CLEARLY.
1487
01:39:43,589 --> 01:39:49,294
AND FEW HAVE DONE MORE TO
WIDEN THE SCOPE OF TELEVISION
1488
01:39:49,294 --> 01:39:51,163
THAN TYLER PERRY.
THE GOVERNOR'S AWARD WAS CHOSEN
1489
01:39:51,163 --> 01:39:57,002
BY THE TELEVISION ACADEMY BOARD,
A GROUP OF INDUSTRY
1490
01:39:57,002 --> 01:40:01,039
PROFESSIONALS WHO DEDICATE THEIR
TIME TO FOSTER EXCELLENCE IN
1491
01:40:01,039 --> 01:40:02,241
TELEVISION.
IT'S ONLY GIVEN OUT WHEN THERE
1492
01:40:02,241 --> 01:40:07,579
IS A RECIPIENT WHO HAS EXCEEDED
THE HIGH STANDARDS OF OUR MEDIUM.
1493
01:40:07,579 --> 01:40:10,983
AND HONORING MR. PERRY ARE CHRIS
ROCK AND OPRAH WINFREY.
1494
01:40:10,983 --> 01:40:12,985
>> IN LIFE, WE ARE GIVEN NO
1495
01:40:12,985 --> 01:40:19,858
GUARANTEES, AND IT TAKES
EXTRAORDINARY GRIT AND
1496
01:40:19,858 --> 01:40:23,061
DEDICATION TO NAVIGATE THE ROUGH
1497
01:40:23,061 --> 01:40:31,603
TERRAIN THAT LIFE CAN GIVE YOU,
1498
01:40:31,603 --> 01:40:32,971
AND STILL HAVE THE INTERNAL
FORTITUDE TO BELIEVE IN YOURSELF.
1499
01:40:32,971 --> 01:40:34,506
MY FRIEND, TYLER PERRY, HAS DONE
JUST THAT, AGAINST ALL ODDS.
1500
01:40:34,506 --> 01:40:40,946
HE'S A MAN OF DEEP FAITH.
HE'S A VISIONARY WHO IS LED BY
1501
01:40:40,946 --> 01:40:47,986
UNWAVERING PASSION, AND A
BUSINESSMAN WHO BET ON HIMSELF,
1502
01:40:47,986 --> 01:40:49,188
AND BY DOING SO SHOWED THE WORLD
THERE'S A DIFFERENT PATH TO
1503
01:40:49,188 --> 01:40:53,025
ULTIMATE SUCCESS.
TYLER IS THIS YEAR'S RECIPIENT
1504
01:40:53,025 --> 01:40:57,930
OF THE GOVERNOR'S AWARD, BECAUSE
HE DREAMED THE IMPOSSIBLE DREAM.
1505
01:40:57,930 --> 01:41:02,100
HE BEARED THE UNBEARABLE SORROW,
AND FOUGHT THE UNBEATABLE FOE,
1506
01:41:02,100 --> 01:41:06,271
TO RUN WHERE THE BRAVE DARE NOT
GO.
1507
01:41:06,271 --> 01:41:09,374
HE'S DONE WHAT NO ONE BEFORE HAS
ACCOMPLISHED, TO MAKE IT IN
1508
01:41:09,374 --> 01:41:15,581
HOLLYWOOD AS AN OUTSIDER.
KNOWING THE TRADITIONAL
1509
01:41:15,581 --> 01:41:19,485
HOLLYWOOD WAY WASN'T FOR HIM, HE
CARVED HIS OWN PATH.
1510
01:41:19,485 --> 01:41:24,456
>> HE WROTE A PLAY.
INVESTED HIS OWN MONEY IN IT.
1511
01:41:24,456 --> 01:41:24,923
AND IT FLOPPED, HARD.
1512
01:41:24,923 --> 01:41:28,961
>> I THOUGHT 1,200 PEOPLE WOULD
SHOW UP, AND ONLY 30 DID.
1513
01:41:28,961 --> 01:41:32,965
>> IT LASTED A WEEKEND.
THEN HE LIVED IN A CAR, WHICH
1514
01:41:32,965 --> 01:41:39,838
SUCKS, BECAUSE TYLER IS 6'5",
AND HIS CAR WAS A GEO METRO.
1515
01:41:39,838 --> 01:41:44,409
>> LIVING THAT CAN BE A MIGHTY
MOTIVATOR.
1516
01:41:44,409 --> 01:41:45,611
AND A MOTIVATED TYLER PERRY
WOULD SOON FIND SUCCESS ON HIS
1517
01:41:45,611 --> 01:41:46,945
OWN TERMS.
1518
01:41:46,945 --> 01:41:50,249
>> AND OF COURSE, HOLLYWOOD
WELCOMED AN INDEPENDENT BLACK
1519
01:41:50,249 --> 01:41:55,254
MAN WITH OPEN ARMS.
WAIT, I MISREAD THAT.
1520
01:41:55,254 --> 01:42:00,893
HOLLYWOOD SAW HIM AS A FAD AND
DIDN'T DO [ BLEEP ] TO HELP HIM.
1521
01:42:00,893 --> 01:42:04,963
HE IS BOTH TALENTED AND CRAZY,
FINANCING HIS OWN FILMS, RACKING
1522
01:42:04,963 --> 01:42:07,499
UP HIT AFTER HIT.
IN THE HOOD, THEY SAY I GOT
1523
01:42:07,499 --> 01:42:11,803
RECEIPTS. AND TYLER HAD RECEIPTS.
1524
01:42:11,803 --> 01:42:16,608
>> AND WE DID A FILM, BECAUSE
TYLER ENSURED THAT BLACK PEOPLE
1525
01:42:16,608 --> 01:42:20,145
WOULD BE REPRESENTED IN FRONT OF
AND BEHIND THE CAMERA.
1526
01:42:20,145 --> 01:42:22,748
>> HIS SETS FELT LIKE
WATCHING "BLACK PANTHER."
1527
01:42:22,748 --> 01:42:25,150
THERE WERE BLACK PEOPLE
EVERYWHERE.
1528
01:42:25,150 --> 01:42:32,190
AND AFTER HE AMASSED $1 BILLION
1529
01:42:32,190 --> 01:42:36,895
AT THE NORTH AMERICAN BOX
OFFICE, HE TURNED HIS EYE TO
1530
01:42:36,895 --> 01:42:38,397
TELEVISION.
1531
01:42:38,397 --> 01:42:44,336
>> AND JUST LIKE HIS FILMS,
TYLER PERRY DID TV HIS WAY.
1532
01:42:44,336 --> 01:42:48,874
HE CREATED A WHOLE NEW BUSINESS
MODEL, GETTING TBS TO PURCHASE
1533
01:42:48,874 --> 01:42:56,815
100 EPISODES OF "HOUSE OF
PAYNE" IN A DEAL WORTH $200
1534
01:42:56,815 --> 01:42:59,418
MILLION.
1535
01:42:59,418 --> 01:43:03,589
>> HE SHOT THREE TO FOUR
EPISODES IN A WEEK.
1536
01:43:03,589 --> 01:43:07,392
>> THE MAN THAT ALWAYS FOUND A
WAY TO MAKE A WAY.
1537
01:43:07,392 --> 01:43:12,864
FOREVER INNOVATING, HE DECIDED
TO MAKE HIS OWN WAY IN ATLANTA,
1538
01:43:12,864 --> 01:43:16,835
GEORGIA.
HE PURCHASED 330 ACRES OF LAND
1539
01:43:16,835 --> 01:43:18,203
AND CREATED TYLER PERRY STUDIOS.
1540
01:43:18,203 --> 01:43:23,442
>> AND THE DUDE WHO WAS ONCE
HOMELESS, ALWAYS KEPT THE TOUGH
1541
01:43:23,442 --> 01:43:27,546
TIMES IN MIND AND REACHED BACK
TO THOSE IN NEED.
1542
01:43:27,546 --> 01:43:31,416
HIS PHILANTHROPY SAYS HE'S STILL
CONNECTED TO HIS FELLOW MAN.
1543
01:43:31,416 --> 01:43:34,853
>> HE'S A GAME CHANGER WHO BUILT
A SUCCESSFUL EMPIRE WHILE
1544
01:43:34,853 --> 01:43:40,559
IGNORING EVERY CONVENTIONAL NORM.
HE IS A MAVERICK.
1545
01:43:40,559 --> 01:43:44,763
AN INNOVATOR.
HE'S MY BROTHER, AND THIS YEAR'S
1546
01:43:44,763 --> 01:43:50,469
GOVERNOR'S AWARD RECIPIENT,
TYLER PERRY.
1547
01:43:50,469 --> 01:43:52,804
♪
1548
01:43:52,804 --> 01:44:04,750
[ APPLAUSE ]
1549
01:44:04,750 --> 01:44:07,452
>> I WANT TO SAY A VERY SPECIAL
THANK YOU TO THE TELEVISION
1550
01:44:07,452 --> 01:44:14,926
ACADEMY.
TO THE BOARD OF GOVERNORS, TO
1551
01:44:14,926 --> 01:44:16,795
TIM, ARI, MATT, TO EVERYBODY AT
TYLER PERRY STUDIOS AND MY
1552
01:44:16,795 --> 01:44:24,336
FOUNDATION. THIS IS AMAZING.
I DIDN'T EXPECT TO FEEL THIS WAY.
1553
01:44:24,336 --> 01:44:28,473
WHEN I WAS ABOUT 19, I LEFT HOME
AND MY GRANDMOTHER GAVE ME A
1554
01:44:28,473 --> 01:44:31,343
QUILT THAT SHE HAD MADE.
AND THIS QUILT WAS SOMETHING
1555
01:44:31,343 --> 01:44:32,711
THAT I DIDN'T REALLY CARE FOR.
IT HAD ALL THESE DIFFERENT
1556
01:44:32,711 --> 01:44:37,282
COLORS AND PATCHES IN IT.
I WAS EMBARRASSED BY IT.
1557
01:44:37,282 --> 01:44:40,552
I PUT NO VALUE IN IT AT ALL.
WHEN THE DOG GOT WET, I DRIED
1558
01:44:40,552 --> 01:44:46,191
HIM OFF WITH IT.
WHEN I CHANGED THE CAR OIL, I
1559
01:44:46,191 --> 01:44:49,327
LAID IT ON THE GROUND.
I HAD NO RESPECT FOR THIS QUILT.
1560
01:44:49,327 --> 01:44:56,735
MANY YEARS LATER, I WAS WALKING
PAST A FANCY ANTIQUE STORE, AND
1561
01:44:56,735 --> 01:45:00,706
THERE IN THE WINDOW WAS A QUILT.
IT WAS JUST LIKE THE ONE SHE HAD
1562
01:45:00,706 --> 01:45:06,511
GIVEN ME.
AND AN ATTENDANT SAID, THIS WAS
1563
01:45:06,511 --> 01:45:10,682
MADE BY AN AFRICAN‐AMERICAN
WOMAN WHO WAS A FORMER SLAVE.
1564
01:45:10,682 --> 01:45:14,853
EACH PATCH REPRESENTED A PART OF
HER LIFE.
1565
01:45:14,853 --> 01:45:16,688
ONE WAS FROM THE DRESS SHE WAS
WEARING WHEN SHE FOUND OUT SHE
1566
01:45:16,688 --> 01:45:23,829
WAS FREE, ANOTHER WAS FROM HER
WEDDING DRESS WHEN SHE JUMPED
1567
01:45:23,829 --> 01:45:25,363
THE BROOM.
AND AS I WAS HEARING THIS STORY,
1568
01:45:25,363 --> 01:45:28,700
I BECAME SO EMBARRASSED.
HERE I WAS, A PERSON WHO PRIDES
1569
01:45:28,700 --> 01:45:30,502
MYSELF ON CELEBRATING OUR
HERITAGE AND CULTURE, AND I
1570
01:45:30,502 --> 01:45:34,639
DIDN'T EVEN RECOGNIZE THE VALUE
IN MY GRANDMOTHER'S QUILT.
1571
01:45:34,639 --> 01:45:36,675
I DISMISSED HER WORK AND HER
STORY BECAUSE IT DIDN'T LOOK
1572
01:45:36,675 --> 01:45:40,979
LIKE WHAT I THOUGHT IT SHOULD.
NOW, WHETHER WE KNOW IT OR NOT,
1573
01:45:40,979 --> 01:45:46,084
WE ARE ALL SEWING OUR OWN QUILTS
WITH OUR THOUGHTS AND BEHAVIORS,
1574
01:45:46,084 --> 01:45:48,653
OUR EXPERIENCES AND OUR MEMORIES.
1575
01:45:48,653 --> 01:45:52,724
LIKE IN MY OWN QUILT, WHEN I WAS
ABOUT 10 YEARS OLD, I REMEMBER
1576
01:45:52,724 --> 01:45:59,231
MY FATHER STANDING AT THE DOOR.
I WAS WONDERING WHY HE STOOD
1577
01:45:59,231 --> 01:46:01,700
THERE SO LONG.
HE WAS FRUSTRATED AND WALKED
1578
01:46:01,700 --> 01:46:03,268
AWAY.
MY MOTHER SAID HE WAS WAITING
1579
01:46:03,268 --> 01:46:06,872
FOR THE MAN TO PAY HIM AND HE
NEVER DID.
1580
01:46:06,872 --> 01:46:08,640
THEY NEEDED THE MONEY AT THE
TIME.
1581
01:46:08,640 --> 01:46:12,644
SHE SAID, DON'T YOU EVER STAND
BY A DOOR WAITING FOR WHITE
1582
01:46:12,644 --> 01:46:14,479
FOLKS TO DO NOTHING FOR YOU.
NOW, YOU HAVE TO UNDERSTAND.
1583
01:46:14,479 --> 01:46:16,615
MY MOTHER WASN'T A RACIST.
BUT IN HER QUILT, SHE COULDN'T
1584
01:46:16,615 --> 01:46:19,184
IMAGINE A WORLD WHERE HER SON
WAS NOT WAITING BY THE DOOR FOR
1585
01:46:19,184 --> 01:46:23,421
SOMEONE.
SHE COULDN'T IMAGINE ME ACTUALLY
1586
01:46:23,421 --> 01:46:28,527
BUILDING MY OWN DOOR AND HOLDING
IT OPEN FOR THOUSANDS OF PEOPLE.
1587
01:46:28,527 --> 01:46:31,296
SHE COULDN'T IMAGINE ME OWNING
LAND THAT WAS ONCE A CONFEDERATE
1588
01:46:31,296 --> 01:46:36,635
ARMY BASE.
WHERE THEY PLOTTED AND PLANNED
1589
01:46:36,635 --> 01:46:40,605
ON HOW TO KEEP BLACKS ENSLAVED.
1590
01:46:40,605 --> 01:46:49,281
NOW, ON THAT LAND, BLACK, WHITE,
1591
01:46:49,281 --> 01:46:50,515
GAY, STRAIGHT, LESBIAN,
TRANSGENDER, EX‐CONS, ALL COMING
1592
01:46:50,515 --> 01:46:56,121
TOGETHER TO ADD PATCHES TO A
1593
01:46:56,121 --> 01:47:00,592
QUILT THAT REPRESENTS DIVERSITY
AT ITS BEST.
1594
01:47:00,592 --> 01:47:04,663
I STAND HERE TONIGHT TO SAY
THANK YOU TO ALL OF THE PEOPLE
1595
01:47:04,663 --> 01:47:09,267
WHO ARE CELEBRATING AND KNOW THE
VALUE OF EVERY PATCH AND EVERY
1596
01:47:09,267 --> 01:47:12,304
STORY AND EVERY COLOR THAT MAKES
UP THIS QUILT THAT IS OUR
1597
01:47:12,304 --> 01:47:16,474
BUSINESS.
THIS QUILT THAT IS OUR LIVES.
1598
01:47:16,474 --> 01:47:19,010
THIS QUILT THAT IS AMERICA.
BECAUSE IN MY GRANDMOTHER'S
1599
01:47:19,010 --> 01:47:20,245
QUILT, THERE WERE NO PATCHES
THAT REPRESENTED BLACK PEOPLE ON
1600
01:47:20,245 --> 01:47:25,183
TELEVISION.
BUT IN MY QUILT, HER GRANDSON IS
1601
01:47:25,183 --> 01:47:31,549
BEING CELEBRATED BY THE
TELEVISION ACADEMY.
1602
01:47:31,549 --> 01:47:34,285
I THANK YOU FOR THIS.
GOD BLESS YOU. THANK YOU.
1603
01:47:34,285 --> 01:47:39,390
[ APPLAUSE ]
1604
01:47:39,390 --> 01:47:39,791
♪
1605
01:47:56,658 --> 01:47:59,099
♪
1606
01:47:59,099 --> 01:48:00,467
>>> WELCOME BACK TO THE EMMYS.
AND BY THE WAY, DON'T COMPLAIN
1607
01:48:00,467 --> 01:48:02,435
ABOUT HOW LONG THE SHOW IS.
THE LAKERS GAME IS OVER.
1608
01:48:02,435 --> 01:48:07,073
WHAT ELSE DO YOU HAVE TO DO?
PLAY CANDYLAND WITH THE KIDS FOR
1609
01:48:07,073 --> 01:48:10,277
THE 9,000th TIME?
WE'VE GOT YOU RIGHT WHERE WE
1610
01:48:10,277 --> 01:48:12,379
WANT YOU, YOU SON OF A BITCH.
OUR NEXT AWARD IS FOR
1611
01:48:12,379 --> 01:48:15,081
OUTSTANDING LEAD ACTOR IN A
DRAMA SERIES.
1612
01:48:15,081 --> 01:48:19,119
AND HERE ARE THE NOMINEES.
1613
01:48:19,119 --> 01:48:23,390
>> BRIAN COX, "SUCCESSION."
JEREMY STRONG, "SUCCESSION."
1614
01:48:23,390 --> 01:48:27,427
JASON BATEMAN, "OZARK."
STERLING K. BROWN, "THIS IS US."
1615
01:48:27,427 --> 01:48:35,068
BILLY PORTER, "POSE."
STEVE CARELL, "THE MORNING SHOW."
1616
01:48:35,068 --> 01:48:41,007
>> AND THE EMMY GOES TO ‐‐
JEREMY STRONG, "SUCCESSION."
1617
01:48:41,007 --> 01:48:41,575
[ APPLAUSE ]
1618
01:48:41,575 --> 01:48:49,683
♪
1619
01:48:49,683 --> 01:48:55,055
>> OH, MAN.
1620
01:48:55,055 --> 01:49:01,661
THANK YOU SO MUCH.
1621
01:49:01,661 --> 01:49:07,033
THANK YOU TO THE ACADEMY, THANK
YOU TO HBO.
1622
01:49:07,033 --> 01:49:13,640
WOW.
1623
01:49:13,640 --> 01:49:17,510
I GOT TO THANK SOME PEOPLE WHO
HAVE BEEN THERE FOR ME AND
1624
01:49:17,510 --> 01:49:20,647
BELIEVED IN ME.
1625
01:49:20,647 --> 01:49:25,652
WHEN SOMETHING LIKE THIS FELT
1626
01:49:25,652 --> 01:49:33,126
BASICALLY IMPOSSIBLE.
MEREDITH, MAX, SCOTT, PAUL,
1627
01:49:33,126 --> 01:49:39,399
EMILY, MARA, STEVE, MY MOM, MY
DAD, MY BROTHER ADAM, MY WIFE
1628
01:49:39,399 --> 01:49:43,003
EMMA.
1629
01:49:43,003 --> 01:49:50,377
FRANK, FRANCINE.
I READ A POEM BY STEVEN DUNN
1630
01:49:50,377 --> 01:49:55,048
THAT SAID, ALL I EVER WANTED WAS
1631
01:49:55,048 --> 01:50:01,588
A BOOK SO GOOD I'D BE FINISHING
IT FOR THE REST OF MY LIFE.
1632
01:50:01,588 --> 01:50:06,426
THIS JOB IS THAT FOR ME.
JESSE ARMSTRONG, I OWE THIS TO
1633
01:50:06,426 --> 01:50:09,529
YOU. BRIAN COX, I SHARE THIS WITH
YOU.
1634
01:50:09,529 --> 01:50:17,871
THANK YOU SO MUCH.
1635
01:50:17,871 --> 01:50:18,939
[ APPLAUSE ]
1636
01:50:18,939 --> 01:50:25,211
♪
1637
01:50:25,211 --> 01:50:26,947
>> WE'VE GOT MORE JIMMY AND MORE
AWARDS COMING UP.
1638
01:50:26,947 --> 01:50:30,917
AND SPEAKING OF AWARDS,
TONIGHT'S WINNERS ARE GETTING
1639
01:50:30,917 --> 01:50:32,485
THEIR EMMYS DELIVERED IN THE NEW
K5s, PROVIDED BY KIA.
1640
01:50:32,485 --> 01:50:36,656
IN FACT, THEY'RE MAKING THE
FINAL STOPS OF THE NIGHT.
1641
01:50:36,656 --> 01:50:40,202
KEEP WATCHING, IT'S THE EMMYS,
2020, BABY.
1642
01:50:40,202 --> 01:50:40,965
♪
1643
01:50:42,938 --> 01:50:46,508
♪
1644
01:50:46,508 --> 01:50:48,343
>>> WE'RE BUSTING A LOT OF MOVES
HERE.
1645
01:50:48,343 --> 01:50:51,279
EACH OF THE WOMEN IN OUR NEXT
CATEGORY IS AN EXTRAORDINARY
1646
01:50:51,279 --> 01:50:54,983
TALENT.
AND THIS YEAR, INSTEAD OF BEING
1647
01:50:54,983 --> 01:51:00,121
JUDGED ON THEIR HAIRSTYLE OR
WHAT THEY WEAR, THEY WILL BE
1648
01:51:00,121 --> 01:51:03,258
JUDGED ON WHAT KIND OF LIVING
ROOM FURNITURE THEY HAVE.
1649
01:51:03,258 --> 01:51:06,995
OUR NOMINEES FOR OUTSTANDING
LEAD ACTRESS IN A DRAMA SERIES.
1650
01:51:06,995 --> 01:51:11,032
>> ZENDAYA, "EUPHORIA."
LAURA LINNEY, "OZARK."
1651
01:51:11,032 --> 01:51:17,272
JODIE COMER, "KILLING EVE."
OLIVIA COLMAN, "THE CROWN."
1652
01:51:17,272 --> 01:51:19,007
SANDRA OH, "KILLING EVE."
JENNIFER ANISTON, "THE MORNING
1653
01:51:19,007 --> 01:51:28,350
SHOW."
1654
01:51:28,350 --> 01:51:32,354
>> AND THE EMMY GOES TO ‐‐
ZENDAYA, "EUPHORIA."
1655
01:51:32,354 --> 01:51:36,324
[ CHEERS AND APPLAUSE ]
1656
01:51:36,324 --> 01:51:52,307
♪
1657
01:51:56,845 --> 01:52:04,185
>> I'M REALLY, REALLY NERVOUS.
OKAY. OKAY. OH, GOSH.
1658
01:52:04,185 --> 01:52:04,819
I JUST WANT TO SAY THANK YOU TO
1659
01:52:04,819 --> 01:52:13,061
THE TV ACADEMY, AND ALL THE
1660
01:52:13,061 --> 01:52:18,767
OTHER INCREDIBLE WOMEN IN THIS
CATEGORY, I ADMIRE YOU ALL.
1661
01:52:18,767 --> 01:52:20,235
THIS IS CRAZY.
THANK YOU, HBO AND A24 FOR YOUR
1662
01:52:20,235 --> 01:52:21,870
SUPPORT.
THANK YOU TO MY FAMILY AND MY
1663
01:52:21,870 --> 01:52:24,239
TEAM.
TO THE INCREDIBLE CAST AND CREW
1664
01:52:24,239 --> 01:52:30,779
OF "EUPHORIA."
I'M SO LUCKY TO WORK WITH YOU
1665
01:52:30,779 --> 01:52:32,514
AND I'M INSPIRED BY EVERYTHING
YOU DO.
1666
01:52:32,514 --> 01:52:36,284
AND SAM, I APPRECIATE YOU SO
MUCH.
1667
01:52:36,284 --> 01:52:43,058
I'M SO GRATEFUL YOU TRUSTED ME
WITH YOUR STORY, RU.
1668
01:52:43,058 --> 01:52:50,365
I HOPE I CAN CONTINUE TO DO YOU
PROUD.
1669
01:52:50,365 --> 01:52:51,599
AND I KNOW THIS IS A WEIRD TIME
TO BE CELEBRATING, BUT THERE IS
1670
01:52:51,599 --> 01:52:53,468
HOPE IN THE YOUNG PEOPLE OUT
THERE. I KNOW OUR TV SHOW DOESN'T
1671
01:52:53,468 --> 01:52:54,803
ALWAYS FEEL LIKE A GREAT EXAMPLE
OF THAT, BUT THERE IS HOPE IN
1672
01:52:54,803 --> 01:52:58,139
THE YOUNG PEOPLE.
AND TO MY PEERS OUT THERE DOING
1673
01:52:58,139 --> 01:53:01,443
THE WORK IN THE STREETS, I SEE
YOU, I ADMIRE YOU, AND I THANK
1674
01:53:01,443 --> 01:53:08,249
YOU. AND THANK YOU SO, SO MUCH.
THIS IS ‐‐ WHOA, OKAY. THANK YOU.
1675
01:53:08,249 --> 01:53:24,165
[ CHEERS AND APPLAUSE ]
1676
01:53:24,165 --> 01:53:28,203
>> WOW. HOW HOW ABOUT THAT.
SHE'S YOUNGER THAN BABY YODA,
1677
01:53:28,203 --> 01:53:36,177
AND HAS AN EMMY.
1678
01:53:36,177 --> 01:53:37,579
YOU KNOW OUR NEXT PRESENTER HAS
A LITTLE SOMETHING FOR THE NERDS.
1679
01:53:37,579 --> 01:53:40,181
HERE TO PRESENT THE EMMY FOR
OUTSTANDING WRITING FOR A DRAMA
1680
01:53:40,181 --> 01:53:48,189
SERIES IS LAVERNE COX.
1681
01:53:48,189 --> 01:53:52,227
>> GOOD EVENING, EVERYONE.
I'M LIVING PROOF OF THE AMERICAN
1682
01:53:52,227 --> 01:53:58,032
DREAM, THAT ANYONE IN THIS
COUNTRY CAN LOSE THE EMMY FOUR
1683
01:53:58,032 --> 01:54:04,406
YEARS IN THE SAME CATEGORY, AND
YET SOMEHOW END UP ON THIS STAGE
1684
01:54:04,406 --> 01:54:12,280
PRESENTING AN AWARD TO SOMEBODY
WHO PROBABLY ‐‐ WHAT HAPPENS TO
1685
01:54:12,280 --> 01:54:15,950
AN AMERICAN DREAM DEFERRED?
DOES IT SHRIVEL UP LIKE A RAISIN
1686
01:54:15,950 --> 01:54:21,656
IN THE SUN?
STICK TO THE SCRIPT, LAVERNE.
1687
01:54:21,656 --> 01:54:26,594
STICK TO THE SCRIPT.
AND NOW HERE'S THE NOMINEES FOR
1688
01:54:26,594 --> 01:54:27,128
WRITING IN A DRAMA SERIES.
1689
01:54:27,128 --> 01:54:28,963
>> PETER MORGAN, "THE CROWN."
"ABERFAN."
1690
01:54:28,963 --> 01:54:30,498
>> JESSE ARMSTRONG,
"SUCCESSION."
1691
01:54:30,498 --> 01:54:32,066
"THIS IS NOT FOR TEARS."
1692
01:54:32,066 --> 01:54:36,738
>> GORDON SMITH, "BETTER CALL
SAUL." "BAGMAN."
1693
01:54:36,738 --> 01:54:39,874
>> THOMAS SCHNAUZ, "BETTER CALL
SAUL." "BAD CHOICE ROAD."
1694
01:54:39,874 --> 01:54:42,777
>> MIKI JOHNSON, "OZARK."
"FIRE PINK."
1695
01:54:42,777 --> 01:54:46,114
>> JOHN SHIBAN, "OZARK."
"BOSS FIGHT."
1696
01:54:46,114 --> 01:54:48,149
>> CHRIS MUNDY, "OZARK."
"ALL IN."
1697
01:54:48,149 --> 01:54:54,756
[ APPLAUSE ]
1698
01:54:54,756 --> 01:55:00,762
>> AND THE EMMY GOES TO ‐‐
JESSE ARMSTRONG, "SUCCESSION."
1699
01:55:00,762 --> 01:55:04,098
[ APPLAUSE ]
1700
01:55:04,098 --> 01:55:09,537
♪
1701
01:55:09,537 --> 01:55:16,077
>> THANK YOU VERY MUCH.
THIS IS SO WEIRD TO BE HERE IN
1702
01:55:16,077 --> 01:55:17,979
LONDON, AND ACCEPTING THIS.
I LOVE WRITING FOR THIS SHOW SO
1703
01:55:17,979 --> 01:55:24,152
VERY MUCH.
AND FOR THIS AMAZING CAST, AND
1704
01:55:24,152 --> 01:55:28,089
WITH THIS AMAZING CREW, PROBABLY
300 PEOPLE TAKE THE EPISODE FROM
1705
01:55:28,089 --> 01:55:31,459
SCRIPT TO ON SCREEN.
AND I'M GOING TO THANK EVERY
1706
01:55:31,459 --> 01:55:35,029
SINGLE ONE OF THEM.
BECAUSE THAT'S POLITE.
1707
01:55:35,029 --> 01:55:39,234
AND WE'RE HERE IN LONDON, AND
YOU CAN'T STOP US.
1708
01:55:39,234 --> 01:55:46,774
NO, I WOULD LIKE TO SAY THANKS
TO SAM, MY OLD WRITING PARTNER.
1709
01:55:46,774 --> 01:55:48,042
WHO I'VE DONE SO MUCH WITH.
1710
01:55:48,042 --> 01:55:58,820
RICHARD, K. C., FRANNY, NORA,
1711
01:55:58,820 --> 01:56:00,755
ADAM, KEVIN, SCOTT, AND I'D LIKE
TO SAY THANKS TO ALL THE WRITERS
1712
01:56:00,755 --> 01:56:04,659
ON "SUCCESSION," ESPECIALLY THE
ONES WHO WROTE ON THIS SEASON
1713
01:56:04,659 --> 01:56:12,066
WITH ME.
1714
01:56:12,066 --> 01:56:16,604
I WANT TO THANK TEDDY, JOHN,
LUCY, GEORGIA, WILL, AND SUSAN.
1715
01:56:16,604 --> 01:56:17,005
THANK YOU SO MUCH.
1716
01:56:17,005 --> 01:56:25,880
[ APPLAUSE ]
1717
01:56:25,880 --> 01:56:28,616
>> LOOKS LIKE THEY WERE HAVING
AN INTERVENTION FOR JESSE THERE.
1718
01:56:28,616 --> 01:56:31,085
THE GREAT OSCAR AND EMMY
AWARD‐WINNING DIRECTOR STEVEN
1719
01:56:31,085 --> 01:56:34,589
SPIELBERG ONCE SAID, “I DON'T
DREAM AT NIGHT. I DREAM AT DAY.
1720
01:56:34,589 --> 01:56:38,927
I DREAM ALL DAY.
I'M DREAMING FOR A LIVING.”
1721
01:56:38,927 --> 01:56:42,564
IN ANY OTHER INDUSTRY, THAT
WOULD GET YOU FIRED FOR CAUSE.
1722
01:56:42,564 --> 01:56:47,201
BUT IN HOLLYWOOD, IT MAKES YOU A
NOMINEE FOR OUTSTANDING
1723
01:56:47,201 --> 01:56:47,969
DIRECTING FOR A DRAMA SERIES.
1724
01:56:47,969 --> 01:56:51,873
>> BENJAMIN CARON, "THE CROWN."
"ABERFAN."
1725
01:56:51,873 --> 01:56:54,676
JESSICA HOBBS, "THE CROWN."
"CRI DE COEUR."
1726
01:56:54,676 --> 01:56:58,146
LESLI LINKA GLATTER, "HOMELAND."
"PRISONERS OF WAR."
1727
01:56:58,146 --> 01:57:03,384
MIMI LEDER, "THE MORNING SHOW."
"THE INTERVIEW."
1728
01:57:03,384 --> 01:57:06,688
ALIK SAKHAROV, "OZARK."
"FIRE PINK."
1729
01:57:06,688 --> 01:57:10,158
BEN SEMANOFF, "OZARK."
"SU CASA ES MI CASA."
1730
01:57:10,158 --> 01:57:14,362
ANDRIJ PAREKH, "SUCCESSION."
"HUNTING."
1731
01:57:14,362 --> 01:57:15,897
MARK MYLOD, "SUCCESSION."
"THIS IS NOT FOR TEARS."
1732
01:57:15,897 --> 01:57:21,736
[ APPLAUSE ]
1733
01:57:21,736 --> 01:57:27,308
>> AND THE EMMY GOES TO ‐‐
ANDRIJ PAREKH, "SUCCESSION."
1734
01:57:27,308 --> 01:57:27,876
[ APPLAUSE ]
1735
01:57:27,876 --> 01:57:36,017
♪
1736
01:57:36,017 --> 01:57:40,021
>> MAN, I AM DEEPLY HONORED AND
NOT THE LEAST BIT HUMBLED BY
1737
01:57:40,021 --> 01:57:42,724
THIS AWARD.
THIS IS ON MY BIRTHDAY, SO THANK
1738
01:57:42,724 --> 01:57:49,364
YOU. I WANT TO THANK HBO, AND THE
ENTIRE CAST, THE SHOW HAS BEEN
1739
01:57:49,364 --> 01:57:57,005
SUCH A PROFESSIONAL DREAM.
I WANT TO THANK MY WIFE AND
1740
01:57:57,005 --> 01:58:00,108
DAUGHTER, WHO PUT UP WITH MY
ARTISTIC PURSUITS.
1741
01:58:00,108 --> 01:58:05,613
AND MY MOM AND DAD AND BROTHER.
1742
01:58:05,613 --> 01:58:11,019
I WANT TO DEDICATE THIS EMMY TO
1743
01:58:11,019 --> 01:58:18,793
ALL THE KIDS WHOSE NAME IS
1744
01:58:18,793 --> 01:58:20,361
DIFFICULT TO PRONOUNCE.
THIS IS PROOF THAT YOU BELONG.
1745
01:58:20,361 --> 01:58:23,364
AND THIS EMMY IS OURS.
THANK YOU GUYS.
1746
01:58:23,364 --> 01:58:23,898
♪
1747
01:58:23,898 --> 01:58:29,262
[ APPLAUSE ]
1748
01:58:42,550 --> 01:58:47,010
♪
1749
01:58:47,010 --> 01:58:49,712
>>> HEY, THERE.
1750
01:58:49,712 --> 01:58:50,980
>> MY BROTHER AND I ARE PROUD TO
BE ESSENTIAL WORKERS DURING THE
1751
01:58:50,980 --> 01:58:53,550
PANDEMIC.
1752
01:58:53,550 --> 01:58:57,153
>> BEING A DOCTOR CAN BE A
LITTLE BIT STRESSFUL.
1753
01:58:57,153 --> 01:59:02,725
AND WITH EVERYBODY WEARING
MASKS, IT'S HARD TO TELL WHETHER
1754
01:59:02,725 --> 01:59:03,860
EVERYBODY IS SMILING ANYMORE.
BUT WEAR MASKS, DO SOCIAL
1755
01:59:03,860 --> 01:59:09,799
DISTANCING, AND PAY ATTENTION TO
YOUR MENTAL HEALTH.
1756
01:59:09,799 --> 01:59:15,905
>> DON'T FORGET TO KICK BACK AND
WATCH SOME GREAT TV.
1757
01:59:15,905 --> 01:59:17,474
>> YOU CAN START BY WATCHING THE
AMAZING PERFORMANCES BY THESE
1758
01:59:17,474 --> 01:59:19,075
NOMINEES FOR OUTSTANDING
SUPPORTING ACTOR IN A DRAMA
1759
01:59:19,075 --> 01:59:19,576
SERIES.
1760
01:59:19,576 --> 01:59:21,111
>> GIANCARLO ESPOSITO, "BETTER
CALL SAUL."
1761
01:59:21,111 --> 01:59:22,045
BRADLEY WHITFORD, "THE
HANDMAID'S TALE."
1762
01:59:22,045 --> 01:59:25,315
BILLY CRUDUP, "THE MORNING SHOW."
MARK DUPLASS, "THE MORNING
1763
01:59:25,315 --> 01:59:30,887
SHOW."
NICHOLAS BRAUN, "SUCCESSION."
1764
01:59:30,887 --> 01:59:34,858
KIERAN CULKIN, "SUCCESSION."
MATTHEW MACFADYEN, "SUCCESSION."
1765
01:59:34,858 --> 01:59:38,828
JEFFREY WRIGHT, “WESTWORLD.”
1766
01:59:38,828 --> 01:59:45,235
>> AND THE EMMY GOES TO ‐‐
BILLY CRUDUP, "THE MORNING SHOW."
1767
01:59:45,235 --> 01:59:46,836
>> OH, WOW.
1768
01:59:46,836 --> 01:59:50,807
[ APPLAUSE ]
1769
01:59:50,807 --> 01:59:51,241
♪
1770
01:59:51,241 --> 01:59:57,580
>> THIS IS A PRETTY INCREDIBLE
EXPERIENCE.
1771
01:59:57,580 --> 01:59:58,848
THANKS A LOT TO THE ACADEMY AND
OBVIOUSLY THE FELLOW ACTORS IN
1772
01:59:58,848 --> 02:00:06,356
THE CATEGORY.
IT'S SOME OF THE BEST ACTORS
1773
02:00:06,356 --> 02:00:10,860
THAT I'M FAMILIAR WITH AND HAVE
BEEN FOR A LONG TIME.
1774
02:00:10,860 --> 02:00:18,668
I KNEW THE SECOND I GOT THIS
PART, IT WOULD BE SOMETHING I
1775
02:00:18,668 --> 02:00:20,203
WOULD BE FORTUNATE ABOUT.
I'VE TRIED TO THANK EVERYONE
1776
02:00:20,203 --> 02:00:22,372
INVOLVED IN THIS PROJECT, AND
EVERYONE IN MY LIFE, IF I
1777
02:00:22,372 --> 02:00:27,377
HAVEN'T, PLEASE CALL ME AND YELL
AT ME.
1778
02:00:27,377 --> 02:00:31,514
BECAUSE I'VE BEEN MEANING TO.
IT'S TAKEN AN ARMY OF SUPPORT.
1779
02:00:31,514 --> 02:00:38,721
I'M INCREDIBLY GRATEFUL.
NOT THE LEAST OF WHICH TO
1780
02:00:38,721 --> 02:00:45,762
EVERYBODY AT APPLE, YOU GAVE ME
A WONDERFUL OPPORTUNITY.
1781
02:00:45,762 --> 02:00:50,800
AND I'M GLAD TO HAVE DELIVERED
SOMETHING FOR YOU.
1782
02:00:50,800 --> 02:00:58,608
AND TO THE YOUNG PEOPLE IN MY
LIFE, MY GLORIOUS SON WILL, MY
1783
02:00:58,608 --> 02:00:59,642
NEPHEWS, ASH, ALL MY
GODCHILDREN, SASHA AND KAI,
1784
02:00:59,642 --> 02:01:06,649
PLEASE SAVE US. SORRY TO ASK.
1785
02:01:06,649 --> 02:01:09,786
BUT THANKS IN ADVANCE FOR ALL OF
YOUR HELP.
1786
02:01:09,786 --> 02:01:10,320
I LOVE YOU, AND THANK YOU.
1787
02:01:10,320 --> 02:01:14,724
[ APPLAUSE ]
1788
02:01:14,724 --> 02:01:15,158
>> LOVE YOU, BILLY.
1789
02:01:15,158 --> 02:01:19,429
>> WOW.
1790
02:01:19,429 --> 02:01:22,131
>> HE SAID THAT HE WANTED TO DO
THE SHOW, HE TOLD ME HE WASN'T
1791
02:01:22,131 --> 02:01:26,703
SURE ABOUT IT.
I THINK HE DID IT FOR THE MONEY.
1792
02:01:26,703 --> 02:01:31,040
OH, HI. OUR NEXT ESSENTIAL
WORKER/PRESENTER IS A NURSE FROM
1793
02:01:31,040 --> 02:01:37,614
NEW YORK CITY.
WHICH WOULD BE A GREAT SHOW FOR
1794
02:01:37,614 --> 02:01:38,948
YOU. TO HAND OUT THE EMMY FOR
OUTSTANDING SUPPORTING ACTRESS
1795
02:01:38,948 --> 02:01:41,851
IN A DRAMA SERIES, KATIE DUKE.
1796
02:01:41,851 --> 02:01:43,019
>> I'M KATIE DUKE, I'M A
NURSE‐PRACTITIONER IN NEW YORK
1797
02:01:43,019 --> 02:01:50,126
CITY.
WHEN THE PANDEMIC FIRST HIT, I
1798
02:01:50,126 --> 02:01:55,698
WOKE UP AND HAD CRIPPLING BODY
ACHES. I KNEW I HAD COVID.
1799
02:01:55,698 --> 02:01:59,902
I FELT SO ALONE, MY FAMILY AND
FRIENDS CAN'T SEE ME.
1800
02:01:59,902 --> 02:02:06,776
AND I'M IN AN ISOLATION ROOM ON
OXYGEN, I'M GETTING STEROIDS.
1801
02:02:06,776 --> 02:02:11,180
I HAVE COVID PNEUMONIA.
I FELT SCARED, AND I'M NOT
1802
02:02:11,180 --> 02:02:14,717
ASHAMED TO ADMIT THAT.
I WAS TERRIFIED.
1803
02:02:14,717 --> 02:02:15,918
WHEN I RETURNED TO WORK, I
RETURNED WITH A WHOLE NEW SET OF
1804
02:02:15,918 --> 02:02:23,526
EYES.
I WAS REMINDED HOW SPECIAL LIFE
1805
02:02:23,526 --> 02:02:27,764
IS. AND I'M INCREDIBLY EXCITED TO
PRESENT THE NOMINEES FOR
1806
02:02:27,764 --> 02:02:29,265
OUTSTANDING SUPPORTING ACTRESS
IN A DRAMA SERIES.
1807
02:02:29,265 --> 02:02:30,933
>> LAURA DERN, "BIG LITTLE
LIES."
1808
02:02:30,933 --> 02:02:35,038
MERYL STREEP, "BIG LITTLE LIES."
HELENA BONHAM CARTER, "THE
1809
02:02:35,038 --> 02:02:39,809
CROWN."
SAMIRA WILEY, "THE HANDMAID'S
1810
02:02:39,809 --> 02:02:45,848
TALE." FIONA SHAW, "KILLING EVE."
JULIA GARNER, "OZARK."
1811
02:02:45,848 --> 02:02:50,653
SARAH SNOOK, "SUCCESSION."
THANDIE NEWTON, "WESTWORLD."
1812
02:02:50,653 --> 02:02:51,220
[ APPLAUSE ]
1813
02:02:51,220 --> 02:02:56,292
>> AND THE EMMY GOES TO ‐‐
JULIA GARNER, "OZARK."
1814
02:02:56,292 --> 02:03:00,530
[ APPLAUSE ]
1815
02:03:00,530 --> 02:03:06,269
>> OH. OH, MY GOSH.
1816
02:03:06,269 --> 02:03:10,707
WOW. FIRST, I AM SHOCKED, TO BE
1817
02:03:10,707 --> 02:03:15,311
HONEST.
I WANT TO SHOW GRATITUDE TO ALL
1818
02:03:15,311 --> 02:03:21,451
THE WOMEN IN THIS CATEGORY.
YOU ARE THE REASON WHY I'M
1819
02:03:21,451 --> 02:03:25,054
ACTING IN THE FIRST PLACE.
SO THANK YOU.
1820
02:03:25,054 --> 02:03:27,690
THANK YOU TO THE TELEVISION
ACADEMY FOR THIS AWARD.
1821
02:03:27,690 --> 02:03:32,328
AND THANK YOU TO CHRIS AND
EVERYBODY IN THE WRITER'S ROOM.
1822
02:03:32,328 --> 02:03:35,965
AND JUST SETTING THE TONE
FOR "OZARK."
1823
02:03:35,965 --> 02:03:42,605
THANK YOU JASON AND LAURA.
LAURA, I LOVE YOU SO MUCH.
1824
02:03:42,605 --> 02:03:46,609
JUST FOR BRINGING ME UNDER YOUR
WINGS, TEACHING ME TO BE A
1825
02:03:46,609 --> 02:03:51,748
BETTER ACTOR AND PERSON.
AND NETFLIX, AND EVERYONE.
1826
02:03:51,748 --> 02:03:53,950
THANK YOU SO MUCH.
LET'S TRY TO MAKE THE WORLD
1827
02:03:53,950 --> 02:03:55,118
BETTER.
THERE WILL BE A LIGHT AT THE END
1828
02:03:55,118 --> 02:03:57,954
OF THIS TUNNEL.
THANK YOU SO MUCH.
1829
02:03:57,954 --> 02:04:02,225
I LOVE YOU ALL.
THANK YOU, THANK YOU, THANK YOU.
1830
02:04:02,225 --> 02:04:04,827
TO MY HUSBAND AND MY FAMILY.
THANK YOU, I LOVE YOU.
1831
02:04:04,827 --> 02:04:06,596
[ APPLAUSE ]
1832
02:04:06,596 --> 02:04:12,168
♪
1833
02:04:12,168 --> 02:04:15,705
>> PLEASE WELCOME ACTRESS AND
ACTIVIST YARA SHAHIDI.
1834
02:04:15,705 --> 02:04:21,711
[ APPLAUSE ]
1835
02:04:21,711 --> 02:04:25,748
>> THE STORIES WE TELL ON TV
SHAPE HOW WE SEE OURSELVES AND
1836
02:04:25,748 --> 02:04:27,283
OTHERS.
AND HOW WE ARE SEEN CAN MANY
1837
02:04:27,283 --> 02:04:30,453
TIMES DETERMINE HOW WE ARE
TREATED.
1838
02:04:30,453 --> 02:04:33,656
THE DREAM OF TELEVISION IS THE
FREEDOM TO LIVE OUTSIDE OF BOXES
1839
02:04:33,656 --> 02:04:37,627
AND ASSUMPTIONS.
WE CONTINUE TO STRIVE FOR A MORE
1840
02:04:37,627 --> 02:04:42,532
COMPLETE DEFINITION OF
INCLUSIVITY.
1841
02:04:42,532 --> 02:04:45,501
IN THIS PIECE, AMERICA FERRERA
REMINDS US THAT WHEN TV HAS MORE
1842
02:04:45,501 --> 02:04:46,035
VOICES, IT'S JUST BETTER.
1843
02:04:46,035 --> 02:04:54,544
♪
1844
02:04:54,544 --> 02:05:00,650
>> I WAS 16 YEARS OLD WHEN I GOT
MY VERY FIRST AUDITION.
1845
02:05:00,650 --> 02:05:02,785
AND I WAS THIS LITTLE, BROWN,
CHUBBY VALLEY GIRL WHO SPOKE,
1846
02:05:02,785 --> 02:05:08,391
YOU KNOW, LIKE A VALLEY GIRL.
I WALKED IN, DID MY AUDITION.
1847
02:05:08,391 --> 02:05:10,059
THE CASTING DIRECTOR LOOKED AT
ME AND SHE WAS LIKE, THAT'S
1848
02:05:10,059 --> 02:05:15,598
GREAT.
1849
02:05:15,598 --> 02:05:22,538
CAN YOU DO THAT AGAIN, BUT THIS
TIME SOUND MORE LATINA.
1850
02:05:22,538 --> 02:05:25,708
UM, SO, LIKE, DO YOU WANT ME TO
DO THIS IN SPANISH?
1851
02:05:25,708 --> 02:05:29,812
SHE WAS LIKE, NO, NO, NO, DO IT
IN ENGLISH.
1852
02:05:29,812 --> 02:05:33,649
BUT JUST, YOU KNOW, LIKE, SOUND
MORE LATINA. I AM A LATINA.
1853
02:05:33,649 --> 02:05:37,620
AND THIS IS WHAT I SOUND LIKE.
AND SHE LOOKED AT ME AND WAS
1854
02:05:37,620 --> 02:05:41,757
LIKE, OKAY, SWEETIE, THANK YOU.
BYE.
1855
02:05:41,757 --> 02:05:42,959
I TOLD MY FAMILY, AND THEY SAID,
THEY WANTED YOU TO SPEAK IN
1856
02:05:42,959 --> 02:05:50,066
BROKEN ENGLISH.
WHAT DID YOU THINK WAS GOING TO
1857
02:05:50,066 --> 02:05:51,567
HAPPEN?
THEY WERE GOING TO HAVE YOU
1858
02:05:51,567 --> 02:05:55,805
STARRING IN THE NEXT ROLE MEANT
FOR JULIA ROBERTS?
1859
02:05:55,805 --> 02:06:03,546
AND I WAS LIKE, YEAH, THAT IS
WHAT I THOUGHT.
1860
02:06:03,546 --> 02:06:07,049
THAT REALIZATION HAS FUELED ME
TO CREATE MORE OPPORTUNITY FOR
1861
02:06:07,049 --> 02:06:09,619
LITTLE BROWN GIRLS TO FULFILL
THEIR TALENT AND THEIR DREAM.
1862
02:06:09,619 --> 02:06:10,753
♪
1863
02:06:16,225 --> 02:06:16,659
♪
1864
02:06:16,659 --> 02:06:17,884
[ APPLAUSE ]
1865
02:06:17,884 --> 02:06:20,721
>>> OKAY, YOU'VE BEEN VERY
PATIENT. THANK YOU FOR WATCHING.
1866
02:06:20,721 --> 02:06:24,224
THIS IS THE BIG ONE, THE LAST
AWARD OF THE NIGHT.
1867
02:06:24,224 --> 02:06:26,560
IN MY EXPERIENCE, THIS IS WHERE
THINGS SOMETIMES GO ASKEW.
1868
02:06:26,560 --> 02:06:32,065
OUR FINAL PRESENTER IS ONE OF
OUR FINEST ACTORS AND ONE OF THE
1869
02:06:32,065 --> 02:06:34,167
FEW ACTORS TO HAVE WORKED WITH
O.J. AND OLAF.
1870
02:06:34,167 --> 02:06:38,305
HERE TO PRESENT THE EMMY FOR
OUTSTANDING DRAMA SERIES,
1871
02:06:38,305 --> 02:06:41,108
TWO‐TIME EMMY WINNER AND DOUBLE
1872
02:06:41,108 --> 02:06:46,813
NOMINEE TONIGHT, STERLING K.
BROWN.
1873
02:06:46,813 --> 02:06:50,417
♪
1874
02:06:50,417 --> 02:06:56,490
>> WHOO! OH, WOW.
I DID NOT SEE THIS COMING.
1875
02:06:56,490 --> 02:07:00,694
THEY TOLD US "SUCCESSION" WAS A
SHOE‐IN.
1876
02:07:00,694 --> 02:07:04,698
FOR US TO WIN BEST DRAMA IN AN
UNBELIEVABLY LOADED SEASON, I'M
1877
02:07:04,698 --> 02:07:06,333
BLOWN AWAY.
AND THEY SAID NETWORK TELEVISION
1878
02:07:06,333 --> 02:07:11,404
WAS DEAD. OKAY.
1879
02:07:11,404 --> 02:07:14,574
TO OUR PARTNERS AT DISNEY AND
1880
02:07:14,574 --> 02:07:21,515
NBC, BACK UP THE BRINKS TRUCKS,
YOU CHEAPSKATES.
1881
02:07:21,515 --> 02:07:24,851
WE WON BEST DRAMA, AND WE NEED
RAISES.
1882
02:07:24,851 --> 02:07:28,755
BECAUSE THIS RIGHT HERE, THIS
1883
02:07:28,755 --> 02:07:33,226
RIGHT HERE IS AN ENVELOPE.
1884
02:07:33,226 --> 02:07:40,700
WHY DO I HAVE AN ENVELOPE?
I'M PRESENTING?
1885
02:07:40,700 --> 02:07:49,342
WE WEREN'T EVEN NOMINATED?
1886
02:07:49,342 --> 02:07:55,949
I WILL BE AT WORK TOMORROW,
HAPPILY, ON TIME, AND WITHOUT
1887
02:07:55,949 --> 02:07:57,626
COMPLAINT.
THIS IS STILL A HUGE HONOR.
1888
02:07:57,626 --> 02:08:02,393
HERE ARE THE NOMINEES FOR
OUTSTANDING DRAMA SERIES.
1889
02:08:02,393 --> 02:08:09,167
>> "THE HANDMAID'S TALE."
"BETTER CALL SAUL."
1890
02:08:09,167 --> 02:08:14,906
"KILLING EVE." "SUCCESSION."
"THE CROWN." "THE MANDALORIAN."
1891
02:08:14,906 --> 02:08:19,343
"OZARK." "STRANGER THINGS."
1892
02:08:19,343 --> 02:08:24,315
[ APPLAUSE ]
1893
02:08:24,315 --> 02:08:27,952
>> THAT WAS EMBARRASSING.
THE EMMY FOR OUTSTANDING DRAMA
1894
02:08:27,952 --> 02:08:33,524
SERIES GOES TO ‐‐
1895
02:08:33,524 --> 02:08:37,395
"SUCCESSION."
1896
02:08:37,395 --> 02:08:37,829
♪
1897
02:08:37,829 --> 02:08:46,771
[ APPLAUSE ]
1898
02:08:46,771 --> 02:08:52,643
>> THANK YOU VERY MUCH INDEED.
THIS IS SO VERY ‐‐ SUCH A VERY
1899
02:08:52,643 --> 02:08:57,248
NICE MOMENT.
AND IT'S VERY SAD NOT TO BE WITH
1900
02:08:57,248 --> 02:09:02,987
THE CAST AND SOME OF THE CREW,
TO SHARE IT WITH YOU ALL TONIGHT.
1901
02:09:02,987 --> 02:09:09,794
BUT THIS IS A WONDERFUL
ACHIEVEMENT FOR THE WHOLE GROUP.
1902
02:09:09,794 --> 02:09:16,334
ROOM SERVICE ‐‐ JUST, YEAH,
PROBABLY.
1903
02:09:16,334 --> 02:09:21,072
BUT FOR BEING ROBBED OF THE
OPPORTUNITY TO SPEND THIS TIME
1904
02:09:21,072 --> 02:09:25,676
WITH OUR PEERS AND WITH THE CAST
AND CREW, I THINK I'D LIKE TO DO
1905
02:09:25,676 --> 02:09:29,580
A COUPLE OF UN‐THANK YOUS.
UN‐THANK YOU TO THE VIRUS FOR
1906
02:09:29,580 --> 02:09:34,652
KEEPING US APART.
UN‐THANK YOU TO PRESIDENT TRUMP
1907
02:09:34,652 --> 02:09:40,258
FOR HIS CRUMMY AND UNCOORDINATED
RESPONSE.
1908
02:09:40,258 --> 02:09:45,329
UN‐THANK YOU TO BORIS JOHNSON
FOR THE SAME THING IN OUR
1909
02:09:45,329 --> 02:09:48,366
COUNTRY.
UN‐THANK YOU TO THE NATIONALISTS
1910
02:09:48,366 --> 02:09:52,436
AND QUASI‐NATIONALISTS.
1911
02:09:52,436 --> 02:09:57,375
SO, UN‐THANK YOU.
1912
02:09:57,375 --> 02:10:06,517
[ APPLAUSE ]
1913
02:10:06,517 --> 02:10:09,320
>> I DON'T THINK WE EVER HAD
UN‐THANK YOUS BEFORE.
1914
02:10:09,320 --> 02:10:10,321
THAT'S OUR SHOW.
BEFORE WE GO, I'D LIKE TO
1915
02:10:10,321 --> 02:10:13,958
ANNOUNCE THAT WE RAISED
$2.3 MILLION FOR NO KID HUNGRY,
1916
02:10:13,958 --> 02:10:18,629
AND THE TELEVISION ACADEMY IS
ADDING AN ADDITIONAL $500,000 ON
1917
02:10:18,629 --> 02:10:24,835
TOP OF THAT, FOR A TOTAL OF
$2.8 MILLION TONIGHT.
1918
02:10:24,835 --> 02:10:27,838
YOU CAN DONATE TOO.
1919
02:10:27,838 --> 02:10:31,017
GO TO NOKIDHUNGRY.ORG/EMMYS.
CONGRATULATIONS TO ALL THE
1920
02:10:31,017 --> 02:10:34,913
WINNERS TONIGHT AND ALL THE
NOMINEES, I'LL SEE YOU GUYS AT
1921
02:10:34,913 --> 02:10:43,834
THE SAD ZOOM AFTERPARTY.
MEETING ID 459 956 7155.
1922
02:10:43,834 --> 02:10:46,223
STAY SAFE.
1923
02:10:46,223 --> 02:10:48,844
PLEASE VOTE.
1924
02:10:48,844 --> 02:10:50,929
AND BABA BOOEY.
1925
02:10:50,929 --> 02:10:53,030
[ APPLAUSE ]
1926
02:10:53,030 --> 02:10:56,734
♪
157280
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