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All language subtitles for Leonard Part 6 1987 1080p WEB H264-DiMEPiECE_track3_[eng]

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These are the user uploaded subtitles that are being translated: 1 00:00:23,057 --> 00:00:24,748 [giggling] 2 00:00:37,347 --> 00:00:38,383 [squawks] 3 00:00:41,800 --> 00:00:43,043 [croaks] 4 00:00:47,599 --> 00:00:48,945 [rattling] 5 00:00:56,746 --> 00:00:57,712 [water bubbling] 6 00:00:57,816 --> 00:00:59,024 [burps] 7 00:01:04,098 --> 00:01:05,410 [trumpets] 8 00:01:10,898 --> 00:01:12,279 [whooping] 9 00:01:20,010 --> 00:01:21,184 [meowing] 10 00:01:28,122 --> 00:01:30,711 [laughing] 11 00:01:37,304 --> 00:01:38,650 [coughing] 12 00:01:56,840 --> 00:01:57,979 [growling] 13 00:02:02,570 --> 00:02:03,709 [barks] 14 00:02:05,228 --> 00:02:06,919 [car approaching] 15 00:02:35,603 --> 00:02:37,018 [explosion] 16 00:02:45,095 --> 00:02:46,994 THERE'S A LOGICAL EXPLANATION, 17 00:02:47,097 --> 00:02:50,480 WHY LEONARD PARKER FOUND HIMSELF FLYING THROUGH THE AIR. 18 00:02:50,584 --> 00:02:52,965 ONE, IN AN ARMORED PORSCHE, 19 00:02:53,069 --> 00:02:54,967 2, WEARING BALLET SLIPPERS, 20 00:02:55,071 --> 00:02:57,729 AND 3, ON THE BACK OF AN OSTRICH. 21 00:02:57,832 --> 00:03:01,111 ALL IN THE SPACE OF ONE WEEK IN SAN FRANCISCO. 22 00:03:01,215 --> 00:03:04,391 MR. PARKER, WHOM I HAVE THE HONOR TO SERVE, 23 00:03:04,494 --> 00:03:07,221 IS A MAN OF EXCEPTIONAL TALENTS, 24 00:03:07,325 --> 00:03:10,880 WHOSE 5 PREVIOUS ADVENTURES WOULD, I'M SURE, HAVE ENTHRALLED YOU, 25 00:03:10,983 --> 00:03:15,816 HAD THEY NOT BEEN CONFISCATED, IN THE INTERESTS OF WORLD SECURITY. 26 00:03:15,919 --> 00:03:18,577 IT ALL BEGAN UNDER THAT FAMOUS BRIDGE 27 00:03:18,681 --> 00:03:20,096 WITH A TEAM OF FROGMEN, 28 00:03:20,200 --> 00:03:22,754 NOT, I HASTEN TO ADD, ON OUR SIDE. 29 00:03:29,139 --> 00:03:31,349 [water bubbling] 30 00:03:38,666 --> 00:03:40,323 [water bubbling] 31 00:04:11,147 --> 00:04:13,011 [barking] 32 00:04:20,156 --> 00:04:24,160 QUINCY, THE WATER'S BEAUTIFUL. COME IN. 33 00:04:24,264 --> 00:04:25,472 COME IN. 34 00:04:32,513 --> 00:04:34,135 IT'S MAN RAY. 35 00:04:34,998 --> 00:04:36,206 QUELISH. 36 00:04:37,415 --> 00:04:38,519 [creaking] 37 00:04:38,623 --> 00:04:40,245 [barking] 38 00:04:47,114 --> 00:04:48,426 [barking] 39 00:04:48,529 --> 00:04:49,496 [growling] 40 00:04:50,497 --> 00:04:51,670 [squeaking] 41 00:04:52,809 --> 00:04:54,432 [barking] 42 00:05:10,827 --> 00:05:13,623 OH, QUINCY, STOP SPLASHING. 43 00:05:19,249 --> 00:05:20,285 [belching] 44 00:05:20,389 --> 00:05:21,424 [explosion] 45 00:05:21,528 --> 00:05:23,702 [laughing menacingly] 46 00:05:25,842 --> 00:05:28,673 THIS WAS, I BELIEVE, THE FIRST RECORDED INSTANCE, 47 00:05:28,776 --> 00:05:32,884 OF A C.I.A. AGENT BEING EATEN ALIVE BY A RAINBOW TROUT. 48 00:05:32,987 --> 00:05:34,610 AND WORSE WAS TO COME. 49 00:05:34,713 --> 00:05:36,301 [Jack] WE'VE LOST 8 AGENTS THIS MONTH. 50 00:05:36,405 --> 00:05:40,512 BUT HOW DO WE STRIKE BACK AGAINST FEROCIOUS FISH? 51 00:05:40,616 --> 00:05:42,203 WE BLOW 'EM OFF THE FACE OF THE EARTH. 52 00:05:42,307 --> 00:05:43,860 WE'VE GOT THE CAPABILITY. 53 00:05:43,964 --> 00:05:46,622 I HOPE YOU KNOW I SYMPATHIZE WITH THAT PASSION, JACK, 54 00:05:46,725 --> 00:05:48,244 BUT WE CAN'T. 55 00:05:48,348 --> 00:05:52,006 WE'VE GOT TO LEARN THEIR SECRET, AND TIME IS RUNNING OUT. 56 00:05:52,110 --> 00:05:53,836 ABOVE ALL, WE MUSTN'T PANIC. 57 00:05:53,939 --> 00:05:55,872 OH, YES, WE MUST. 58 00:05:55,976 --> 00:05:58,530 IF SAN FRANCISCO GOES, TOMORROW IT'LL BE OREGON. 59 00:05:58,634 --> 00:06:00,636 AND THEN, THE REST OF THE WORLD. 60 00:06:00,739 --> 00:06:03,708 IN MY LIFETIME, I'VE ONLY WORKED WITH ONE MAN 61 00:06:03,811 --> 00:06:06,676 WHO CAN MATCH THE BRUTALITY AND HEINOUS WIT 62 00:06:06,780 --> 00:06:10,370 THAT'S BEHIND THESE SORDID AND UNPATRIOTIC EXECUTIONS. 63 00:06:10,473 --> 00:06:12,337 MR. SNYDERBURN, YOU DON'T MEAN-- 64 00:06:12,441 --> 00:06:13,614 YES. 65 00:06:13,718 --> 00:06:16,237 HE RETIRED. HE'LL NEVER COME BACK. 66 00:06:16,341 --> 00:06:19,033 HE'LL COME BACK. I'LL SEND MONROE TO GET HIM. 67 00:06:22,312 --> 00:06:24,107 [people chattering] 68 00:06:39,675 --> 00:06:41,780 [man] MMM. THAT LOOKS WONDERFUL. 69 00:06:43,195 --> 00:06:44,852 [Monroe] LEONARD. 70 00:06:44,956 --> 00:06:47,303 [Frayn] RETIREMENT BORED MR. PARKER. 71 00:06:47,407 --> 00:06:50,755 AND HIS ENORMOUS WEALTH GAVE HIM LITTLE CONSOLATION. 72 00:06:50,858 --> 00:06:53,067 AS A DIVERSION, HE OPENED A RESTAURANT, 73 00:06:53,171 --> 00:06:55,863 WHICH NATURALLY BECAME SAN FRANCISCO'S FINEST. 74 00:06:55,967 --> 00:06:57,347 YES, MR. MONROE? 75 00:06:57,451 --> 00:06:58,832 I'M AFRAID IT ISN'T FRESH. 76 00:06:58,935 --> 00:07:00,074 UH, WHAT ISN'T FRESH, SIR? 77 00:07:00,178 --> 00:07:01,662 THE TROUT IS NOT FRESH. 78 00:07:01,766 --> 00:07:04,596 OH, BUT, SIR, WE--WE KEEP OUR FISH LIVE IN A TANK. 79 00:07:04,700 --> 00:07:08,082 OH. WELL, I DON'T SUPPOSE YOU'D SHOW ME THE TANK. 80 00:07:08,186 --> 00:07:10,568 OH, I'D BE HAPPY TO. FOLLOW ME. 81 00:07:13,467 --> 00:07:14,882 [people chattering] 82 00:07:21,441 --> 00:07:22,959 SO HERE IT IS. 83 00:07:25,755 --> 00:07:27,067 THIS IS NOT ABOUT TROUT. 84 00:07:27,170 --> 00:07:28,344 WOULD YOU PREFER THE FLOUNDER? 85 00:07:28,448 --> 00:07:30,311 DON'T GIVE ME THAT! 86 00:07:30,415 --> 00:07:33,453 I'VE BEEN WAITING A LONG TIME FOR THIS. 87 00:07:33,556 --> 00:07:36,076 DO YOU KNOW WHAT THIS IS GONNA DO FOR MY CAREER, 88 00:07:36,179 --> 00:07:39,079 ELIMINATING THE NUMBER ONE AGENT IN THE WESTERN WORLD? 89 00:07:39,182 --> 00:07:40,667 BUT I'M NOT THE NUMBER ONE AGENT. 90 00:07:40,770 --> 00:07:42,565 I RETIRED 7 YEARS AGO. 91 00:07:42,669 --> 00:07:44,912 YEAH, THAT'S NOT WHAT NICK SNYDERBURN SAYS. 92 00:07:45,016 --> 00:07:47,536 SNYDERBURN? NOW DON'T BE NERVOUS, NOW. 93 00:07:47,639 --> 00:07:49,745 OH, I'M NOT NERVOUS, YOU KNOW. 94 00:07:54,853 --> 00:07:56,786 AH, CREPES FLAMBE! 95 00:08:00,169 --> 00:08:01,515 [bullets ricocheting] 96 00:08:05,208 --> 00:08:07,072 MAKE SPAGHETTI, SCOTTY. 97 00:08:10,317 --> 00:08:12,146 [machine whirring] 98 00:08:15,909 --> 00:08:16,875 [gun firing] 99 00:08:16,979 --> 00:08:18,601 [glass shattering] 100 00:08:27,334 --> 00:08:28,335 AH. 101 00:08:31,407 --> 00:08:33,133 [metallic clanking] 102 00:08:35,791 --> 00:08:37,689 [chefs chattering] 103 00:08:38,552 --> 00:08:39,933 MORE BUTTER. 104 00:08:45,973 --> 00:08:47,457 [people chattering] 105 00:08:51,807 --> 00:08:53,774 [Leonard] GO EASY, MONROE. 106 00:08:57,398 --> 00:08:59,469 [bullets ricocheting] 107 00:09:03,888 --> 00:09:05,303 [ricocheting continues] 108 00:09:07,063 --> 00:09:08,478 [grunting] 109 00:09:27,290 --> 00:09:28,533 [door opening] 110 00:09:30,570 --> 00:09:33,089 LEONARD! GOOD TO SEE YOU! 111 00:09:33,193 --> 00:09:34,953 [thudding] WHY... 112 00:09:35,057 --> 00:09:36,852 WHY DID YOU SEND MONROE TO KILL ME? 113 00:09:39,371 --> 00:09:43,306 SUPPOSE MONROE HAD GOTTEN LUCKY AND KILLED ME. 114 00:09:43,410 --> 00:09:45,515 THEN YOU WOULDN'T HAVE BEEN RIGHT FOR THE JOB. 115 00:09:45,619 --> 00:09:46,965 SIT DOWN. 116 00:09:47,069 --> 00:09:48,070 [squelching] 117 00:09:50,728 --> 00:09:53,178 LEONARD, YOU KNOW JEFFERSON HERE. 118 00:09:56,665 --> 00:09:58,045 [squelching] 119 00:10:00,496 --> 00:10:02,567 AND, LIGHTS! 120 00:10:02,671 --> 00:10:05,501 [switches clicking] 121 00:10:05,605 --> 00:10:07,607 ALL TOGETHER AGAIN. WE CAN DO BETTER THAN THAT. 122 00:10:07,710 --> 00:10:09,609 [clicking] PUT THEM BACK ON. 123 00:10:09,712 --> 00:10:11,576 AND, LIGHTS! 124 00:10:14,234 --> 00:10:16,823 STIMOLA MEAT COMPANY, CADNA, ILLINOIS. 125 00:10:16,926 --> 00:10:19,066 [clicking] A GROUP OF HIGHLY TRAINED HOUSE CATS 126 00:10:19,170 --> 00:10:21,897 ASSAULTED ONE OF OUR AGENTS IN THE GRISTLE ROOM, 127 00:10:22,000 --> 00:10:24,244 COVERING HIM WITH FUR BALLS, 128 00:10:24,347 --> 00:10:26,729 KILLING HIM AND, UH, 129 00:10:26,833 --> 00:10:28,904 BURNING HIS I.R.S. RECORDS. 130 00:10:31,561 --> 00:10:33,702 MALFORD WILSON, VIRGINIA. 131 00:10:33,805 --> 00:10:36,912 HUSBAND AND WIFE TEAM, ASSAULTED ON STATE ROAD 306 132 00:10:37,015 --> 00:10:38,568 BY 18 SQUIRRELS, 133 00:10:40,432 --> 00:10:42,503 AND LEFT FOR DEAD, 134 00:10:42,607 --> 00:10:45,575 WHICH, OF COURSE, THEY WERE. 135 00:10:45,679 --> 00:10:48,889 WORST OF ALL, RIGHT IN THIS AREA, 136 00:10:48,993 --> 00:10:52,997 AN AS YET UNKNOWN NUMBER OF APPARENTLY FURIOUS GOPHERS, 137 00:10:53,100 --> 00:10:56,276 ATTACKED AND KILLED OUR UNDERCOVER COOK. 138 00:10:56,379 --> 00:10:59,037 THIS IS THE WORK OF A SINGLE, HEINOUS ORGANIZATION, 139 00:10:59,141 --> 00:11:02,351 UNDER THE DIRECTION OF A MANIACAL, AND SADISTIC WOMAN. 140 00:11:02,454 --> 00:11:05,492 SHE'S A VEGETARIAN, A FORMER ECOLOGIST, 141 00:11:05,595 --> 00:11:07,701 AND SHE'S BENT ON TAKING OVER THE WORLD. 142 00:11:07,805 --> 00:11:09,151 AND, LIGHTS! 143 00:11:09,254 --> 00:11:10,670 [clicking] 144 00:11:11,463 --> 00:11:12,602 [squelching] 145 00:11:14,087 --> 00:11:16,227 [Jack] THIS HEINOUS WOMAN HAS DEVELOPED A FORMULA 146 00:11:16,330 --> 00:11:19,437 WHICH CAN CONTROL THE VERY MIND OF EVERY ANIMAL, 147 00:11:19,540 --> 00:11:23,855 FISH, BIRD, REPTILE, AND INSECT ON THIS GLOBE. 148 00:11:23,959 --> 00:11:25,823 AND WE HAVE JUST LEARNT 149 00:11:25,926 --> 00:11:28,446 THAT IN THE NEXT 36 TO 72 HOURS, 150 00:11:28,549 --> 00:11:31,207 THIS PARAPSYCHOTIC TYRANT PLANS TO LAUNCH 151 00:11:31,311 --> 00:11:35,142 AN ALL-ANIMAL OFFENSIVE OF MAJOR PROPORTIONS AGAINST THE BAY AREA. 152 00:11:35,246 --> 00:11:36,868 [Snyderburn] LEONARD. 153 00:11:36,972 --> 00:11:38,663 YOU GOTTA COME BACK WITH US. 154 00:11:40,492 --> 00:11:42,494 [Frayn] MR. PARKER HAD ALWAYS EXPECTED 155 00:11:42,598 --> 00:11:46,602 THAT ONE DAY HE WOULD HEAR ONCE MORE THE CLARION CALL OF DUTY. 156 00:11:46,706 --> 00:11:49,778 BUT NEVER IN HIS WILDEST NIGHTMARES DID HE IMAGINE 157 00:11:49,881 --> 00:11:52,194 THAT HE'D BE ASKED TO PIT HIS RESOURCES 158 00:11:52,297 --> 00:11:56,854 AGAINST FEROCIOUS FELINES AND HOMICIDAL SQUIRRELS. 159 00:11:56,957 --> 00:11:59,408 THAT VERY MORNING, I HAD TAKEN A MESSAGE 160 00:11:59,511 --> 00:12:01,859 FROM THE PRESIDENT OF THE UNITED STATES 161 00:12:01,962 --> 00:12:05,552 ASKING MR. PARKER TO CALL BACK AS SOON AS POSSIBLE. 162 00:12:05,655 --> 00:12:09,659 THAT CALL AND THIS MEETING COULD HARDLY BE UNCONNECTED. 163 00:12:09,763 --> 00:12:12,214 FACED WITH THIS KIND OF PRESSURE, 164 00:12:12,317 --> 00:12:14,354 HOW COULD HE SAY NO? 165 00:12:14,457 --> 00:12:15,942 NO. 166 00:12:16,045 --> 00:12:17,322 WE NEED YOU, LEONARD. 167 00:12:17,426 --> 00:12:20,394 YOU DON'T NEED ME. YOU NEED THE A.S.P.C.A. 168 00:12:20,498 --> 00:12:23,673 WE'LL PAY YOUR REGULAR FEE. $6 MILLION. 169 00:12:23,777 --> 00:12:25,572 WHY DON'T YOU JUST BLOW HER UP? 170 00:12:25,675 --> 00:12:28,678 WELL, YOU KNOW THERE'S NOTHING I'D RATHER DO THAN THAT. BUT WE CAN'T. 171 00:12:28,782 --> 00:12:30,473 WHAT SHE'S GOT COULD BE USEFUL TO US. 172 00:12:30,577 --> 00:12:31,612 NO. 173 00:12:31,716 --> 00:12:33,476 BUT WHY NOT, DAMN IT? 174 00:12:33,580 --> 00:12:35,858 I HAVE MY REASONS. 175 00:12:35,962 --> 00:12:37,273 OH, YEAH. 176 00:12:38,585 --> 00:12:39,862 HIS WIFE. 177 00:12:42,658 --> 00:12:44,867 HE QUIT THIS ORGANIZATION, 178 00:12:44,971 --> 00:12:47,559 BECAUSE HE THOUGHT IT WOULD GET HIS WIFE BACK. 179 00:12:47,663 --> 00:12:49,389 BUT WHAT HAPPENED? 180 00:12:49,492 --> 00:12:51,978 SHE WON'T EVEN RETURN YOUR PHONE CALLS. 181 00:12:52,081 --> 00:12:53,496 SHE NEEDS TIME. 182 00:12:53,600 --> 00:12:55,636 IT'S BEEN 7 YEARS. 183 00:12:55,740 --> 00:12:58,053 7 YEARS, A LIFELESS DRUDGE. 184 00:12:58,156 --> 00:12:59,571 DID IT EVER OCCUR TO YOU 185 00:12:59,675 --> 00:13:02,160 THAT COMING BACK WITH US MIGHT JUST WIN HER BACK. 186 00:13:02,264 --> 00:13:03,299 [squelching] 187 00:13:03,403 --> 00:13:04,818 MONROE! 188 00:13:04,922 --> 00:13:08,995 YOU KNOW, LEONARD, MY DEAREST FRIEND, JUST LOOK AT YOU. 189 00:13:09,098 --> 00:13:11,963 IT'S NO WONDER THAT GORGEOUS AND VOLUPTUOUS CREATURE 190 00:13:12,067 --> 00:13:13,689 DOESN'T WANT YOU AROUND ANYMORE. 191 00:13:13,793 --> 00:13:14,966 THAT'S ENOUGH, SNYDERBURN. 192 00:13:15,070 --> 00:13:16,796 WELL, YOU'RE MY DEAREST FRIEND AND-- 193 00:13:16,899 --> 00:13:19,039 YOU'RE NOT REMOTELY MY DEAREST FRIEND. 194 00:13:19,143 --> 00:13:22,249 AND I HAVE A KIWI TART THAT DEMANDS MY IMMEDIATE ATTENTION. 195 00:13:22,353 --> 00:13:23,872 I KNEW IT. WE'RE ALL GONERS. 196 00:13:23,975 --> 00:13:25,632 [squelching] OH, SHUT UP, MADISON. 197 00:13:25,735 --> 00:13:27,945 [door slams] 198 00:13:28,048 --> 00:13:30,637 [Frayn] IT'S TRUE THAT MR. PARKER WOULD HAVE GIVEN EVERYTHING 199 00:13:30,740 --> 00:13:32,535 TO BE RECONCILED WITH HIS WIFE. 200 00:13:32,639 --> 00:13:34,917 HE EVEN GAVE UP THE SERVICE. 201 00:13:35,021 --> 00:13:37,057 HIS WIFE THOUGHT INTELLIGENCE WORK 202 00:13:37,161 --> 00:13:38,610 MEANT RUNNING AROUND THE WORLD, 203 00:13:38,714 --> 00:13:41,406 JUMPING INTO BED WITH A LOT OF BLONDE PEOPLE. 204 00:13:41,510 --> 00:13:42,822 SO HE GAVE IT UP, 205 00:13:42,925 --> 00:13:45,307 HOPING ONE DAY SHE WOULD RETURN. 206 00:13:45,410 --> 00:13:47,102 [Leonard sighing] DID SHE CALL? 207 00:13:47,205 --> 00:13:48,586 NO, SIR. SORRY, SIR. 208 00:13:48,689 --> 00:13:51,175 WELL, THAT'S ALL RIGHT, FRAYN. 209 00:13:51,278 --> 00:13:54,178 OH, I CAN SEE MY DAUGHTER'S HERE AGAIN. 210 00:13:54,281 --> 00:13:56,974 THAT'S NOT THE HALF OF IT, SIR. 211 00:13:57,077 --> 00:13:58,009 DADDY! 212 00:13:58,113 --> 00:13:59,286 HI, HONEY! 213 00:13:59,390 --> 00:14:00,909 [both laughing] 214 00:14:01,012 --> 00:14:03,635 OK, NOW WHAT ARE YOU AND YOUR MOTHER FIGHTING ABOUT? 215 00:14:03,739 --> 00:14:04,844 NOTHING. NOTHING. HUH? 216 00:14:04,947 --> 00:14:06,362 ALL RIGHT, NOW WHAT DID YOU DO? 217 00:14:06,466 --> 00:14:09,365 WELL, SHE STILL REFUSES TO ALLOW ME TO EXPRESS MYSELF. 218 00:14:09,469 --> 00:14:11,540 AND SHE MAY NOT EVEN COME TO THE OPENING NIGHT. HMM. 219 00:14:11,643 --> 00:14:13,783 BUT I KNOW YOU'LL BE THERE ON THURSDAY, RIGHT, DADDY? 220 00:14:13,887 --> 00:14:16,441 NO, YOUR FATHER WILL BE THERE BEFORE THE STAGEHANDS ARRIVE. 221 00:14:16,545 --> 00:14:17,753 SEE, I KNEW YOU WOULD. 222 00:14:17,857 --> 00:14:20,238 AND I AM SO EXCITED ABOUT THIS PLAY, DADDY. 223 00:14:20,342 --> 00:14:22,689 I JUST KNOW IT'S GONNA MAKE ME A STAR. 224 00:14:22,792 --> 00:14:24,691 AND DO YOU KNOW WHAT ELSE? 225 00:14:24,794 --> 00:14:27,452 HMM. YOU-YOU'RE GOING STEADY WITH THE LEADING MAN. 226 00:14:27,556 --> 00:14:28,729 THE DIRECTOR. 227 00:14:28,833 --> 00:14:30,248 AND DADDY, HE IS WONDERFUL, 228 00:14:30,352 --> 00:14:31,836 WONDERFUL, WONDERFUL. HE'S WONDERFUL? 229 00:14:31,940 --> 00:14:33,044 AND HE'S IN THE DRAWING ROOM. 230 00:14:33,148 --> 00:14:34,425 IN THE DRAWING ROOM. COME ON. 231 00:14:34,528 --> 00:14:36,185 LET ME INTRODUCE YOU TO HIM. OK. 232 00:14:36,289 --> 00:14:38,670 [Joan] MMM-HMM. WONDERFUL. 233 00:14:38,774 --> 00:14:42,743 DADDY, MEET GIORGIO FRANCOSI. 234 00:14:43,986 --> 00:14:45,436 CIAO,LEONARD. 235 00:14:48,439 --> 00:14:49,785 A PLEASURE. 236 00:14:51,683 --> 00:14:54,479 IS THIS WHAT YOU HAD A FIGHT WITH YOUR MOTHER ABOUT? 237 00:14:54,583 --> 00:14:55,584 DADDY. 238 00:14:55,687 --> 00:14:57,517 WELL, HE'S NOT STAYING HERE, EITHER. 239 00:14:57,620 --> 00:14:59,622 I'D NEVER BE SO PRESUMPTUOUS. 240 00:14:59,726 --> 00:15:02,453 I ONLY WANTED TO MEET THE FAMOUS FATHER, OF THE BRILLIANT WOMAN 241 00:15:02,556 --> 00:15:04,386 WHO STOLE NOT ONLY MY HEART 242 00:15:04,489 --> 00:15:07,078 BUT WHO'S ABOUT TO STEAL THE HEART OF ALL SAN FRANCISCO. 243 00:15:07,182 --> 00:15:13,188 BY FRIDAY MORNING, REZAZI BENZUR SHAHEED PARKER WILL BE A STAR. 244 00:15:13,291 --> 00:15:14,361 WHO IS THAT? 245 00:15:14,465 --> 00:15:16,087 THAT'S MY STAGE NAME. 246 00:15:16,191 --> 00:15:18,020 IN A FEW SHORT MONTHS, THIS WOMAN HAS GROWN 247 00:15:18,124 --> 00:15:20,643 FROM A CALLOW, INSENSITIVE CHILD TO A MATURE-- 248 00:15:20,747 --> 00:15:25,614 JOANIE, GET YOUR FATHER A SANDWICH AND SOMETHING COLD TO DRINK. 249 00:15:25,717 --> 00:15:27,133 NOW, PLEASE. 250 00:15:42,976 --> 00:15:45,806 WHAT IS THIS? UH, WHAT--WHAT-- WHAT'S GOING ON? 251 00:15:45,910 --> 00:15:48,361 WE'RE IN LOVE. WE'RE GOING TO GET MARRIED. 252 00:15:51,571 --> 00:15:53,228 THAT'S MY DAUGHTER. RIGHT. 253 00:15:53,331 --> 00:15:54,470 SHE'S 2O YEARS OLD. 254 00:15:54,574 --> 00:15:56,024 RIGHT. 255 00:15:56,127 --> 00:15:57,957 AND YOU'RE 65? 256 00:15:58,060 --> 00:15:59,303 66. 257 00:15:59,406 --> 00:16:01,615 I DON'T WANT A 66-YEAR-OLD SON-IN-LAW. 258 00:16:01,719 --> 00:16:02,823 YOU'RE ROBBING THE CRADLE. 259 00:16:02,927 --> 00:16:04,411 YOU BENT ON YOUR POINT OF VIEW? 260 00:16:04,515 --> 00:16:06,689 SOME SAY JOAN IS ROBBING THE GRAVE. 261 00:16:06,793 --> 00:16:08,139 [coughing] 262 00:16:12,247 --> 00:16:14,490 WELL, I'M NOT PAYING FOR THE WEDDING. 263 00:16:14,594 --> 00:16:17,666 HOW'S EVERYBODY DOING? HERE, DADDY. 264 00:16:17,769 --> 00:16:20,220 DADDY, LOOK AT THIS FACE. 265 00:16:21,497 --> 00:16:22,774 MY LITTLE CANNOLI. 266 00:16:22,878 --> 00:16:25,260 [speaking Italian] 267 00:16:25,363 --> 00:16:27,365 WHAT, UH, DID YOUR MOTHER SAY? 268 00:16:27,469 --> 00:16:29,850 [speaking Italian] 269 00:16:29,954 --> 00:16:32,060 YOU THINK I SHOULD I CALL HER? 270 00:16:32,163 --> 00:16:33,095 HMM? 271 00:16:33,199 --> 00:16:34,027 [bumping] 272 00:16:34,131 --> 00:16:35,304 FRAYN! 273 00:16:37,824 --> 00:16:39,446 GOOD NIGHT, UH, SERGIO. 274 00:16:39,550 --> 00:16:40,413 HUH? 275 00:16:40,516 --> 00:16:42,449 FATHER, IT'S GIORGIO. 276 00:16:42,553 --> 00:16:45,521 WHATEVER IT IS YOU BROUGHT IN HERE, 277 00:16:45,625 --> 00:16:47,006 GOOD NIGHT. 278 00:16:47,972 --> 00:16:49,249 CIAO. YES. 279 00:16:49,353 --> 00:16:50,664 LEONARDO. 280 00:16:51,907 --> 00:16:55,117 YOU STAY. YOU STAY! SIT DOWN. 281 00:16:56,360 --> 00:16:58,569 GOOD NIGHT, SOMETHING SPECIAL. 282 00:17:01,779 --> 00:17:02,918 [door closing] 283 00:17:03,022 --> 00:17:06,784 COULDN'T YOU HAVE FOUND SOMEBODY 45 YEARS OLD? 284 00:17:06,887 --> 00:17:09,718 THIS MAN IS OLD ENOUGH TO BE MY FATHER. 285 00:17:09,821 --> 00:17:11,823 MUST YOU INTERFERE IN MY LIFE, DADDY? 286 00:17:11,927 --> 00:17:13,756 YOU'RE JUST LIKE MOTHER. 287 00:17:13,860 --> 00:17:16,759 SHE DOESN'T BELIEVE THAT I REALLY WANT TO BE AN ACTRESS. 288 00:17:16,863 --> 00:17:20,073 AND BEING AN ACTRESS IS WHAT I INTEND TO DO WITH THE REST OF MY LIFE. 289 00:17:20,177 --> 00:17:22,041 WELL, YOU'LL HAVE TO FORGIVE YOUR MOTHER, 290 00:17:22,144 --> 00:17:23,594 BECAUSE A MONTH AGO, 291 00:17:23,697 --> 00:17:25,596 YOU WANTED TO BE A SCULPTOR FOR THE REST OF YOUR LIFE. 292 00:17:25,699 --> 00:17:27,149 A MONTH BEFORE THAT, 293 00:17:27,253 --> 00:17:29,048 YOU WANTED TO BE A BUDDHIST FOR THE REST OF YOUR LIFE. 294 00:17:29,151 --> 00:17:31,740 AND A MONTH BEFORE THAT, YOU BOUGHT, UH, LUGGAGE. 295 00:17:31,843 --> 00:17:33,535 THAT'S TRUE. 296 00:17:33,638 --> 00:17:35,502 AND NO OFFENSE, DADDY, 297 00:17:35,606 --> 00:17:38,057 BUT I JUST DON'T WANNA BE IN JUST THE RESTAURANT BUSINESS. 298 00:17:38,160 --> 00:17:39,437 I NEED TO EXPRESS MYSELF, 299 00:17:39,541 --> 00:17:43,269 AND I NEED TO EXPERIENCE LIFE AT ITS MOST RAW. 300 00:17:43,372 --> 00:17:45,788 MOTHER DOESN'T UNDERSTAND THIS. 301 00:17:45,892 --> 00:17:47,928 NOW YOU'RE GONNA HAVE A WEDDING, 302 00:17:48,032 --> 00:17:50,586 AND THEN MAYBE A WEEK LATER, 303 00:17:50,690 --> 00:17:54,245 I'M GONNA HAVE TO PAY FOR A FUNERAL. 304 00:17:54,349 --> 00:17:56,213 [Frayn] MEANWHILE, ACROSS THE CITY, 305 00:17:56,316 --> 00:17:59,008 ANOTHER FUNERAL WAS IMMINENT. 306 00:17:59,112 --> 00:18:02,391 OUTSIDE THE HEADQUARTERS OF INTERNATIONAL TUNA, 307 00:18:02,495 --> 00:18:06,775 C.I.A. OPERATIVE CHARLES POLK WAS KEEPING SURVEILLANCE. 308 00:18:09,329 --> 00:18:11,124 [electrical sparking] 309 00:18:15,749 --> 00:18:17,579 [alarm bell ringing] 310 00:18:20,513 --> 00:18:22,687 MEDUSA! MEDUSA! 311 00:18:22,791 --> 00:18:24,758 GOVERNMENT AGENT ON PIER ONE. 312 00:18:24,862 --> 00:18:27,036 GOVERNMENT AGENT ON PIER ONE. 313 00:18:29,004 --> 00:18:32,111 WHO HAS THE NERVE TO CALL? 314 00:18:33,491 --> 00:18:35,183 [machine humming] 315 00:18:37,564 --> 00:18:39,048 KILL HIM. 316 00:18:39,152 --> 00:18:42,811 OF COURSE, MY BELOVED ANDY, KILL HIM. 317 00:18:46,194 --> 00:18:47,229 [squeaking] 318 00:18:47,333 --> 00:18:49,438 [dog howling] 319 00:18:51,268 --> 00:18:53,062 [crow cawing] 320 00:18:53,166 --> 00:18:54,443 [croaking] 321 00:19:00,587 --> 00:19:02,106 [dog howling] 322 00:19:20,676 --> 00:19:21,953 [croaking] 323 00:19:26,268 --> 00:19:27,614 [clicking] 324 00:19:28,891 --> 00:19:30,203 [creaking] 325 00:19:40,627 --> 00:19:41,663 [croaking] 326 00:19:45,839 --> 00:19:47,324 [croaking] 327 00:19:52,881 --> 00:19:54,158 QUELISH. 328 00:19:55,642 --> 00:19:58,921 [all croaking] 329 00:19:59,025 --> 00:20:00,820 [metallic clanking] 330 00:20:02,304 --> 00:20:04,444 [frogs croaking] 331 00:20:11,279 --> 00:20:13,142 [laughing maniacally] 332 00:20:22,151 --> 00:20:24,015 [Medusa laughing maniacally] 333 00:20:26,535 --> 00:20:27,605 [croaking] 334 00:20:42,655 --> 00:20:43,966 [Hurtby Peabo Bryson playing] 335 00:20:44,070 --> 00:20:46,935 ♪ I'M 336 00:20:47,038 --> 00:20:51,560 ♪ SO HURT 337 00:20:53,562 --> 00:20:58,187 ♪ TO THINK THAT YOU LIED 338 00:20:58,291 --> 00:20:59,568 ♪ LIED TO ME 339 00:20:59,672 --> 00:21:00,673 [knock on door] 340 00:21:00,776 --> 00:21:01,812 WHO IS IT? 341 00:21:01,915 --> 00:21:03,469 [Frayn] FRAYN, SIR. 342 00:21:03,572 --> 00:21:05,264 COME IN, FRAYN. 343 00:21:07,749 --> 00:21:11,339 ♪ DEEP DOWN INSIDE 344 00:21:11,442 --> 00:21:14,203 GOOD EVENING, SIR. HERE'S YOUR NIGHTCAP. 345 00:21:15,791 --> 00:21:17,137 [hoarsely] OH, THANK YOU. 346 00:21:17,241 --> 00:21:18,346 [sighing] 347 00:21:18,449 --> 00:21:20,244 MISS JOAN'S CERTAINLY A HANDFUL, SIR. 348 00:21:20,348 --> 00:21:21,763 [chuckling] 349 00:21:21,866 --> 00:21:25,560 I'M AFRAID SHE HAS A BIT OF HER MOTHER IN HER. 350 00:21:25,663 --> 00:21:27,009 I MISS HER. 351 00:21:27,113 --> 00:21:28,528 I KNOW, SIR. 352 00:21:30,599 --> 00:21:32,739 7 YEARS. 353 00:21:32,843 --> 00:21:35,984 YOU'VE JUST GOT TO STOP BEING SO HARD ON YOURSELF. 354 00:21:36,087 --> 00:21:37,468 [sighing] 355 00:21:37,572 --> 00:21:42,266 I HAVE NOT BEEN WITH A WOMAN SINCE MRS. PARKER LEFT ME. 356 00:21:42,370 --> 00:21:45,165 I'VE ALMOST FORGOTTEN WHAT IT'S LIKE TO BE WITH HER. 357 00:21:45,269 --> 00:21:47,961 OUT BECAUSE OF ONE SILLY MISTAKE. 358 00:21:48,065 --> 00:21:49,894 TERRIBLE PUNISHMENT, SIR, 359 00:21:49,998 --> 00:21:52,966 EVEN IF THE GIRL WAS ONLY 19. 360 00:21:53,070 --> 00:21:54,692 WE DIDN'T DO ANYTHING. 361 00:21:54,796 --> 00:21:56,107 BUT TO BE FAIR, SIR, 362 00:21:56,211 --> 00:21:57,695 MRS. PARKER DID FIND THE TWO OF YOU 363 00:21:57,799 --> 00:22:01,596 NAKED IN THE SAUNA, SWITCHING EACH OTHER WITH BIRCH LEAVES. 364 00:22:01,699 --> 00:22:03,977 I NEVER LAID A FINGER ON THAT GIRL. 365 00:22:04,081 --> 00:22:06,221 NO, SIR, WITH JUST THE BIRCH LEAVES. 366 00:22:06,325 --> 00:22:07,843 SIR, 367 00:22:07,947 --> 00:22:11,122 I-I-IS MISS JOAN REALLY SERIOUS ABOUT 368 00:22:11,226 --> 00:22:13,746 M-M-MARRYING THIS SERGIO PERSON, SIR? 369 00:22:13,849 --> 00:22:15,472 [chuckling] 370 00:22:15,575 --> 00:22:17,025 I DON'T THINK SO. 371 00:22:20,097 --> 00:22:22,099 YES. YES, SHE'S SERIOUS, 372 00:22:22,202 --> 00:22:24,584 AND I THINK I SHOULD TALK TO HER MOTHER ABOUT THIS. 373 00:22:24,688 --> 00:22:25,551 NOW, SIR? 374 00:22:25,654 --> 00:22:26,586 YES! 375 00:22:26,690 --> 00:22:28,105 IT'S 2:00 A.M. 376 00:22:28,208 --> 00:22:30,694 I COULDN'T THINK OF A BETTER EXCUSE. 377 00:22:35,008 --> 00:22:36,320 [dialing] 378 00:22:37,977 --> 00:22:40,566 ♪ NO, NO 379 00:22:43,223 --> 00:22:44,915 [telephone ringing] 380 00:22:49,885 --> 00:22:51,128 HELLO. 381 00:22:51,231 --> 00:22:53,199 UH, ALLISON? 382 00:22:53,302 --> 00:22:55,166 LISTEN, I WAS, UH, UH... 383 00:22:55,270 --> 00:22:59,757 I WANTED TO TALK TO YOU, ABOUT THIS SITUATION WITH JOAN AND THIS, UH, 384 00:22:59,861 --> 00:23:01,000 UH, SERGIO, UH, 385 00:23:01,103 --> 00:23:03,589 WELL, WHATEVER HIS NAME IS. 386 00:23:03,692 --> 00:23:06,419 UH, THIS ACTING AND... 387 00:23:06,523 --> 00:23:08,145 I--I--I MISS YOU. 388 00:23:08,248 --> 00:23:10,872 UH, AND I'M 389 00:23:10,975 --> 00:23:13,150 LOVING THE MEMORY OF... 390 00:23:13,253 --> 00:23:16,360 I'M GOING TO EXPLODE... 391 00:23:16,464 --> 00:23:20,744 AND, OR--OR--OR JUMP OFF OF A--A BUILDING. 392 00:23:20,847 --> 00:23:22,159 LEONARD. 393 00:23:22,262 --> 00:23:25,749 DINNER HERE TOMORROW NIGHT AT 9:00. 394 00:23:29,684 --> 00:23:32,203 DON'T--DON'T TOY WITH, DON'T TOY WITH ME NOW. 395 00:23:32,307 --> 00:23:34,171 AND, UH, UH, DON'T KID ME. 396 00:23:34,274 --> 00:23:36,622 TOMORROW NIGHT AT 9:00. 397 00:23:40,073 --> 00:23:43,214 ♪ NEVER HURT ME, OH 398 00:23:48,357 --> 00:23:49,669 SHE SAID YES. 399 00:23:49,773 --> 00:23:51,395 BRAVO, SIR! 400 00:23:52,948 --> 00:23:54,467 THANK YOU, SIR. 401 00:24:02,371 --> 00:24:03,890 BUT I HAVE NOTHING TO WEAR. 402 00:24:03,994 --> 00:24:05,271 ♪[Positive by Peabo Bryson playing] 403 00:24:05,374 --> 00:24:06,859 ♪ STOP FEELING SORRY 404 00:24:06,962 --> 00:24:09,171 ♪ OH, STOP FEELING SAD 405 00:24:09,275 --> 00:24:11,001 THIS ONE. 406 00:24:11,104 --> 00:24:14,349 ♪ YOU'VE GOT LOTS GOING FOR YOU 407 00:24:14,453 --> 00:24:16,351 ♪ SO DON'T FEEL SO BAD 408 00:24:16,455 --> 00:24:20,182 [Frayn] COME ON, HEAD UP! KEEP TALL! RELAX! FORWARD. 409 00:24:20,286 --> 00:24:21,529 DRIVE IT THROUGH! 410 00:24:21,632 --> 00:24:22,944 [Frayn yelling] 411 00:24:23,047 --> 00:24:26,395 COME ON, NOW! WE'VE GOT TO BE READY BY TONIGHT! 412 00:24:26,499 --> 00:24:27,811 DON'T GIVE UP! 413 00:24:27,914 --> 00:24:29,398 [panting] YOU ALL RIGHT, SIR? 414 00:24:29,502 --> 00:24:31,918 NEVER MIND! NEVER MIND! COME ON, GET BACK ON THAT MACHINE! 415 00:24:32,022 --> 00:24:33,748 ♪ JUST WHAT IT IS 416 00:24:33,851 --> 00:24:37,027 ♪ POSITIVE POSITIVE 417 00:24:37,130 --> 00:24:38,477 ♪ WITH THE LOVE THAT YOU GIVE 418 00:24:38,580 --> 00:24:40,686 THERE YOU GO. 419 00:24:40,789 --> 00:24:42,377 YOU'LL BE COMING IN 3 MONTHS? 420 00:24:42,481 --> 00:24:44,206 [chuckling] 421 00:24:44,310 --> 00:24:47,002 ♪ I CAN SEE HOW YOU FEEL 422 00:24:48,176 --> 00:24:49,729 [karate yell] 423 00:24:49,833 --> 00:24:52,111 ♪ EMOTION 424 00:24:52,214 --> 00:24:54,907 ♪ AND WHAT THEY REVEAL 425 00:24:55,010 --> 00:24:57,496 ♪ IT'S TIME FOR YOU TO MOVE ON UP 426 00:24:59,049 --> 00:25:01,430 ♪ TIME YOU HAD A CHANGE OF LUCK 427 00:25:03,191 --> 00:25:08,092 ♪ AND BE POSITIVE, POSITIVE 428 00:25:08,196 --> 00:25:10,163 ♪ YOU SHOULD KNOW JUST WHAT IT IS 429 00:25:10,267 --> 00:25:13,546 [Frayn] UP! DOWN! FEEL THAT BURN! 430 00:25:13,650 --> 00:25:16,135 FEEL THAT BURN! COME ON! 431 00:25:16,238 --> 00:25:18,344 TOMORROW NIGHT AT 9:00. 432 00:25:18,447 --> 00:25:20,864 ♪ WHOA-OH-OH 433 00:25:32,220 --> 00:25:34,015 [girls chattering] 434 00:25:34,118 --> 00:25:36,983 ♪ BEEN SUCH A LONG TIME 435 00:25:37,087 --> 00:25:38,951 ♪ WILL LOVE BE THE SAME? 436 00:25:41,056 --> 00:25:44,163 ♪ YOU'VE GOT TO BELIEVE 437 00:25:44,266 --> 00:25:45,716 ♪ IT CAN WORK AGAIN 438 00:25:45,820 --> 00:25:48,512 [Jane Fonda on T.V.] AND REACH! 1 AND 2. 439 00:25:48,616 --> 00:25:51,791 WELL, IT'S THE AEROBIC SECTION NOW. LET THOSE KNEES BEND. 440 00:25:51,895 --> 00:25:53,586 REACH, REACH. COME ON! 441 00:25:53,690 --> 00:25:55,484 [Fonda] REACH. THAT'S RIGHT, COME ON. 442 00:25:55,588 --> 00:25:57,417 COME ON, LEONARD, GET YOUR BACK INTO IT. 443 00:25:57,521 --> 00:25:59,834 GOD, YOU'RE LAZY! REACH! 444 00:25:59,937 --> 00:26:02,733 AND NOW RAISE UP, ONE. 445 00:26:02,837 --> 00:26:04,839 COME ON, SIR. WE CAN DO BETTER THAN THIS. 446 00:26:06,323 --> 00:26:09,153 COME ON! LIFT! LIFT! 447 00:26:09,257 --> 00:26:11,155 OH, COME ON, LEONARD, CAN'T YOU GET IT UP? 448 00:26:11,259 --> 00:26:12,674 [buzzing] 449 00:26:12,778 --> 00:26:15,021 LEONARD. PAY ATTENTION, LEONARD. 450 00:26:15,125 --> 00:26:17,403 LEONARD, THIS IS A DIAGRAM OF THE SPHERE. 451 00:26:17,506 --> 00:26:18,611 [electronic beeping] 452 00:26:18,715 --> 00:26:20,544 HOW'D HE GET ON THIS TAPE? 453 00:26:20,648 --> 00:26:22,615 [Snyderburn] IT'S THE NERVE CENTER OF THEIR OPERATION. 454 00:26:22,719 --> 00:26:24,962 IT CONTROLS THE ANIMALS' BEHAVIOR. 455 00:26:25,066 --> 00:26:27,413 THE SPHERE IS GUARDED NIGHT AND DAY BY UNKNOWN FORCES 456 00:26:27,516 --> 00:26:29,242 IN A ROOM WHICH I CALL B. 457 00:26:29,346 --> 00:26:32,591 YOU'LL ISOLATE AND RETRIEVE THE SPHERE AT THIS POINT B. 458 00:26:32,694 --> 00:26:34,696 WE NEED THIS SPHERE, LEONARD. YOU CAN DO IT. 459 00:26:34,800 --> 00:26:36,905 COME ON, YOU CAN DO IT. 460 00:26:37,009 --> 00:26:38,286 I THINK YOU CAN DO IT. 461 00:26:38,389 --> 00:26:41,461 [Frayn] IT'S ALL A QUESTION OF ATTITUDE, SIR. 462 00:26:41,565 --> 00:26:42,911 I'M NOT SURE YOU CAN DO THIS. 463 00:26:43,015 --> 00:26:45,224 ♪ POSITIVE 464 00:26:45,327 --> 00:26:48,296 ♪ YOU SHOULD KNOW JUST WHAT IT IS 465 00:26:48,399 --> 00:26:51,540 ♪ POSITIVE, POSITIVE 466 00:26:51,644 --> 00:26:56,442 ♪ WITH THE LOVE THAT YOU GIVE 467 00:26:56,545 --> 00:26:59,376 ♪ WHOA-OH-OH LOVE THAT YOU GIVE 468 00:26:59,479 --> 00:27:03,518 ♪ POSITIVE, POSITIVE 469 00:27:03,622 --> 00:27:05,727 ♪ YOU SHOULD KNOW JUST WHAT IT IS 470 00:27:05,831 --> 00:27:07,073 [gargling] 471 00:27:07,177 --> 00:27:12,078 ♪ POSITIVE, POSITIVE WITH OUR LOVE 472 00:27:12,182 --> 00:27:14,460 ♪ WE CAN'T MISS 473 00:27:14,563 --> 00:27:17,877 ♪ WHOA-OH-OH 474 00:27:19,638 --> 00:27:21,432 ♪ YEAH 475 00:27:21,536 --> 00:27:25,436 ♪ POSITIVE, POSITIVE 476 00:27:25,540 --> 00:27:28,681 ♪ YOU SHOULD BE 477 00:27:29,751 --> 00:27:31,270 ♪ JUST POSITIVE 478 00:27:31,373 --> 00:27:34,722 ♪ POSITIVE, POSITIVE 479 00:27:34,825 --> 00:27:36,827 ♪ WHOA-OH-OH 480 00:27:36,931 --> 00:27:38,587 ♪ POSITIVE 481 00:27:38,691 --> 00:27:40,348 ♪ POSITIVE 482 00:27:40,451 --> 00:27:42,764 THIS IS IT FOR TIES, SIR, BUT... 483 00:27:44,317 --> 00:27:46,526 ♪ WHOA-OH-OH 484 00:27:48,321 --> 00:27:49,633 ♪ POSITIVE 485 00:27:49,737 --> 00:27:51,186 ♪ BE POSITIVE 486 00:27:52,153 --> 00:27:53,672 ♪ POSITIVE 487 00:27:53,775 --> 00:27:55,328 ♪ BE POSITIVE 488 00:27:55,432 --> 00:27:57,089 ♪ THINK POSITIVE 489 00:27:57,192 --> 00:27:58,642 ♪ THINK POSITIVE 490 00:27:59,643 --> 00:28:01,921 [chiming] 491 00:28:16,418 --> 00:28:18,144 [car engine starting] 492 00:28:18,248 --> 00:28:21,113 [Frayn] IT WARMED MY HEART TO SEE MR. PARKER SO HAPPY. 493 00:28:21,216 --> 00:28:23,253 HE'D WAITED 7 YEARS FOR THIS EVENING, 494 00:28:23,356 --> 00:28:25,496 SO HE'D LEFT NOTHING TO CHANCE. 495 00:28:25,600 --> 00:28:27,464 HE WAS WEARING THE PERFECT SUIT, 496 00:28:27,567 --> 00:28:29,190 CARRIED THE PERFECT FLOWERS, 497 00:28:29,293 --> 00:28:34,229 AND IF I DO SAY SO MYSELF, HAD CHOSEN THE PERFECT TIE. 498 00:28:34,333 --> 00:28:36,266 WHEN THEY'D SEPARATED, 499 00:28:36,369 --> 00:28:39,752 HE HAD MOVED AWAY AS FAR AS HE FELT HE POSSIBLY COULD. 500 00:28:39,856 --> 00:28:41,581 I LEFT HIM ALONE WITH HIS THOUGHTS 501 00:28:41,685 --> 00:28:44,757 DURING THE AGONIZING RIDE TO HER HOUSE. 502 00:28:52,075 --> 00:28:53,766 ALL THE BEST, SIR. 503 00:29:04,984 --> 00:29:06,434 [doorbell chiming] 504 00:29:08,505 --> 00:29:12,060 GOOD EVENING, SIR. MADAM IS EXPECTING YOU. 505 00:29:14,373 --> 00:29:17,376 THE STAFF AND I WOULD LIKE TO WISH YOU GOOD LUCK, SIR. 506 00:29:17,479 --> 00:29:18,584 THANK YOU. 507 00:29:18,687 --> 00:29:21,035 WALK THIS WAY, SIR. 508 00:29:21,138 --> 00:29:23,313 OH, SIR, HOW WE'VE ALL MISSED YOU. 509 00:29:23,416 --> 00:29:26,834 WELL, I'VE MISSED SEEING YOU, DUCHAMP. HOW HAVE YOU BEEN? 510 00:29:26,937 --> 00:29:30,216 MY OLD DOG, BRUTUS, PASSED AWAY. 511 00:29:30,320 --> 00:29:32,805 BEST DOG I EVER HAD. 512 00:29:32,909 --> 00:29:34,842 I'M SORRY TO HEAR THAT. 513 00:29:36,429 --> 00:29:40,606 MARCEL AND I HOPE TO SEE YOU AT BREAKFAST, SIR. 514 00:30:02,248 --> 00:30:03,594 [chuckling] 515 00:30:05,148 --> 00:30:09,635 I, UH, BOUGHT THESE, BUT I SEE YOU ALREADY HAVE SO... 516 00:30:11,913 --> 00:30:13,535 [door closing] 517 00:30:13,639 --> 00:30:17,643 UH, UH, I BOUGHT THESE FOR YOU, BUT YOU HAVE SO MANY. 518 00:30:17,746 --> 00:30:19,507 THANK YOU, LEONARD. 519 00:30:20,577 --> 00:30:23,235 YOU LOOK VERY HANDSOME TONIGHT. 520 00:30:23,338 --> 00:30:26,203 AND YOU LOOK MORE BEAUTIFUL THAN EVER. 521 00:30:26,307 --> 00:30:28,550 LEONARD, PLEASE. 522 00:30:28,654 --> 00:30:30,069 WHERE--WHERE DO YOU WANT ME TO SIT? 523 00:30:30,173 --> 00:30:32,761 AT THE HEAD OF THE TABLE, IN YOUR CHAIR. 524 00:30:32,865 --> 00:30:34,142 THANK YOU. 525 00:30:38,837 --> 00:30:40,700 [wheels squeaking] 526 00:30:44,463 --> 00:30:46,085 [cutlery rattling] 527 00:30:46,189 --> 00:30:48,432 THANK YOU, DUCHAMP, BUT I'LL SERVE SUPPER. 528 00:30:48,536 --> 00:30:53,921 AND, DUCHAMP, MR. PARKER AND I DO NOT WISH TO BE DISTURBED. 529 00:30:54,024 --> 00:30:55,370 YES, MA'AM. 530 00:31:02,826 --> 00:31:06,002 I AM SO HAPPY TO BE HERE. 531 00:31:06,105 --> 00:31:08,659 I'VE COUNTED THE MINUTES, TOO, LEONARD. 532 00:31:08,763 --> 00:31:11,662 I WAS SO EXCITED T0 SEE YOU TONIGHT. 533 00:31:11,766 --> 00:31:13,457 GOOD. 534 00:31:13,561 --> 00:31:15,183 THERE'S BEEN SO MUCH MISUNDERSTANDING BETWEEN US 535 00:31:15,287 --> 00:31:19,567 THAT SOMETIMES I FEEL WE'VE ALMOST BECOME STRANGERS. 536 00:31:19,670 --> 00:31:21,880 TONIGHT IS A WONDERFUL OPPORTUNITY 537 00:31:21,983 --> 00:31:23,812 TO REMEDY ALL THAT. 538 00:31:23,916 --> 00:31:25,676 YES. OH, YES. 539 00:31:28,403 --> 00:31:29,680 OH. 540 00:31:29,784 --> 00:31:30,889 IT'S ALL RIGHT. 541 00:31:30,992 --> 00:31:32,062 I'M SO SORRY. 542 00:31:32,166 --> 00:31:33,822 IT WILL COME OUT. 543 00:31:35,790 --> 00:31:38,897 I WAS HOPING THAT TONIGHT WE COULD PUT THE PAST BEHIND US. 544 00:31:39,000 --> 00:31:40,208 EXACTLY. 545 00:31:42,659 --> 00:31:44,764 YOU KNOW, LEONARD, 546 00:31:44,868 --> 00:31:49,390 I'VE NEVER LOVED ANYONE AS MUCH AS I LOVED YOU, 547 00:31:49,493 --> 00:31:51,910 AND IT WAS PAINFUL, 548 00:31:52,013 --> 00:31:55,810 EXTREMELY PAINFUL WHEN THAT INCIDENT OCCURRED. 549 00:32:07,373 --> 00:32:12,240 WELL, YEAH, IT WAS PAINFUL FOR ME AS WELL, 550 00:32:12,344 --> 00:32:14,691 BUT, I MEAN, THAT'S BEHIND US. THAT'S THE PAST. 551 00:32:14,794 --> 00:32:17,107 I MEAN, YOU SAID IT. THAT'S-- THAT'S WHAT YOU SAID. 552 00:32:17,211 --> 00:32:19,765 LEONARD, I KNOW WHAT I SAID, 553 00:32:19,868 --> 00:32:21,870 BUT I'M HAVING A LOT OF TROUBLE 554 00:32:21,974 --> 00:32:24,114 NOT REMEMBERING YOU WITH HER. 555 00:32:24,218 --> 00:32:28,187 EVERY TIME I SEE YOUR FACE, I SEE THAT 19-YEAR-OLD. 556 00:32:28,291 --> 00:32:29,568 I--I UNDERSTAND. 557 00:32:29,671 --> 00:32:31,811 YOU DON'T UNDERSTAND. 558 00:32:39,785 --> 00:32:41,614 I MADE YOUR FAVORITE. 559 00:32:52,660 --> 00:32:53,799 OH. 560 00:32:55,801 --> 00:32:56,871 OH. 561 00:33:00,426 --> 00:33:01,841 THANK YOU. 562 00:33:04,741 --> 00:33:06,398 CANCEL THE GRITS. 563 00:33:11,886 --> 00:33:14,164 [car door opening] 564 00:33:14,268 --> 00:33:15,821 [Frayn] SOMETHING TOLD ME AT A GLANCE 565 00:33:15,924 --> 00:33:18,997 THAT THE EVENING HAD NOT GONE WELL. 566 00:33:30,939 --> 00:33:32,700 WAS IT THE TIE, SIR? 567 00:33:34,288 --> 00:33:38,016 FRAYN, TAKE ME TO SEE NURSE CARVALHO. 568 00:33:38,119 --> 00:33:41,019 BUT WE NEVER SEE THE NURSE UNLESS WE'RE GOING TO WORK. 569 00:33:41,122 --> 00:33:43,228 NURSE CARVALHO. 570 00:33:43,331 --> 00:33:46,196 CERTAINLY, SIR. 571 00:33:46,300 --> 00:33:49,820 [Frayn] THIS LATEST PERSONAL DISASTER WAS AT LEAST SALVATION 572 00:33:49,924 --> 00:33:51,374 FOR THE WESTERN WORLD. 573 00:33:51,477 --> 00:33:55,688 AGENT LEONARD PARKER WAS RETURNING TO THE FIELD. 574 00:33:55,792 --> 00:33:57,449 BEFORE ANY ASSIGNMENT, 575 00:33:57,552 --> 00:34:00,555 MR. PARKER ALWAYS CONSULTED NURSE CARVALHO, 576 00:34:00,659 --> 00:34:02,730 [drums beating] AN ALBANIAN FORTUNETELLER, 577 00:34:02,833 --> 00:34:05,526 WHO NOW LIVED IN A TRAILER PARK IN OAKLAND. 578 00:34:05,629 --> 00:34:07,114 HE TRUSTED HER 579 00:34:07,217 --> 00:34:10,703 EVEN THOUGH HE NEVER UNDERSTOOD A SINGLE WORD SHE SAID. 580 00:34:10,807 --> 00:34:12,119 YES. 581 00:34:15,225 --> 00:34:16,502 [Leonard] HOW ARE YOU, NURSE? 582 00:34:16,606 --> 00:34:17,848 [nurse speaking foreign language] 583 00:34:17,952 --> 00:34:19,402 [both chuckling] 584 00:34:19,505 --> 00:34:21,369 IT'S BEEN A LONG TIME. 585 00:34:21,473 --> 00:34:23,613 [speaking foreign language] 586 00:34:23,716 --> 00:34:26,409 I'VE DECIDED TO GO BACK TO WORK. 587 00:34:26,512 --> 00:34:28,549 AND I WAS WONDERING IF YOU COULD YOU DO FOR ME 588 00:34:28,652 --> 00:34:33,243 THE WONDERFUL THING THAT YOU'VE ALWAYS DONE IN THE PAST? 589 00:34:33,347 --> 00:34:35,418 [speaking foreign language] 590 00:34:35,521 --> 00:34:36,660 GOOD. 591 00:34:49,949 --> 00:34:51,744 [speaking foreign language] 592 00:34:56,232 --> 00:34:58,096 [chanting] 593 00:35:03,549 --> 00:35:04,999 [children laughing] 594 00:35:06,207 --> 00:35:08,175 [shouting] 595 00:35:09,452 --> 00:35:10,936 [laughter continues] 596 00:35:14,526 --> 00:35:16,355 [both laughing] 597 00:35:16,459 --> 00:35:17,977 [speaking in foreign language] 598 00:35:18,081 --> 00:35:20,601 [chanting] 599 00:35:22,568 --> 00:35:24,329 [children laughing] 600 00:35:28,229 --> 00:35:29,644 [shouting] 601 00:35:37,618 --> 00:35:39,551 [speaking in foreign language] 602 00:35:46,661 --> 00:35:48,732 [dog howling in distance] 603 00:35:49,940 --> 00:35:52,011 [mumbling] 604 00:35:56,188 --> 00:35:58,397 ♪[Dance of the Sugarplum Fairies playing] 605 00:35:58,501 --> 00:36:01,159 TIPPY TIPPY TOE. TIPPY TIPPY TWIRL. 606 00:36:03,299 --> 00:36:05,404 [chanting] 607 00:36:10,029 --> 00:36:11,307 THANK YOU. 608 00:36:12,204 --> 00:36:13,688 I DON'T UNDERSTAND, 609 00:36:13,792 --> 00:36:18,383 BUT I IMAGINE EVENTUALLY EVERYTHING WILL BE CLEAR. 610 00:36:18,486 --> 00:36:19,694 QUELISH. 611 00:36:20,523 --> 00:36:21,627 QUELMISH. 612 00:36:21,731 --> 00:36:23,008 QUELISH. 613 00:36:27,806 --> 00:36:30,049 ♪[singing native song] 614 00:36:30,153 --> 00:36:32,569 [dog barking] 615 00:36:39,231 --> 00:36:40,301 HOW WAS SHE, SIR? 616 00:36:40,405 --> 00:36:42,061 [chuckling] STILL WEIRD. 617 00:36:42,165 --> 00:36:43,201 [drums continue beating] 618 00:37:01,978 --> 00:37:03,842 WHAT HAVE WE GOT, FRAYN? 619 00:37:03,945 --> 00:37:07,811 SOME OF THE MOST POWERFUL POCKET-SIZED WEAPONS AVAILABLE, SIR. 620 00:37:07,915 --> 00:37:09,882 AUSTRALIAN BOOMERANG KNIFE. 621 00:37:14,853 --> 00:37:17,338 SKY-LYNX COLLAPSIBLE BAZOOKA. 622 00:37:20,824 --> 00:37:22,723 3 WAFER-THIN GRENADES. 623 00:37:25,104 --> 00:37:26,209 [buzzing] 624 00:37:26,313 --> 00:37:29,592 HAIR CLIPPERS, SIR. YOU NEVER KNOW. 625 00:37:29,695 --> 00:37:31,835 THE WORLD'S SMALLEST CAMERA. 626 00:37:34,321 --> 00:37:36,254 TO ROUND OFF YOUR PERSONAL ARTILLERY, SIR, 627 00:37:36,357 --> 00:37:38,980 A PAIR OF UNDERARM, HEAT-SEEKING MISSILES. 628 00:37:39,084 --> 00:37:39,981 [clicking] 629 00:37:40,085 --> 00:37:41,880 [electronic beeping] 630 00:37:45,677 --> 00:37:46,850 TALK TO ME. 631 00:37:46,954 --> 00:37:48,714 "HALF A LEAGUE, HALF A LEAGUE 632 00:37:48,818 --> 00:37:50,613 "HALF A LEAGUE ONWARD 633 00:37:50,716 --> 00:37:54,582 INTO THE VALLEY OF DEATH RODE THE 600" 634 00:37:54,686 --> 00:37:57,378 "AND CRISPIN CRISPIAN SHALL NE'ER GO BY 635 00:37:57,482 --> 00:38:00,381 "FROM THIS DAY TO THE ENDING OF THE WORLD 636 00:38:00,485 --> 00:38:03,177 BUT WE IN IT SHALL BE REMEMBERED" 637 00:38:03,281 --> 00:38:05,075 "GRACE ME NO GRACE 638 00:38:05,179 --> 00:38:07,285 NOR UNCLE ME NO UNCLE" 639 00:38:07,388 --> 00:38:11,392 "DON'T FIRE UNTIL YOU SEE THE WHITES OF THEIR EYES." 640 00:38:11,496 --> 00:38:14,568 I'M DYING. EGYPT'S DYING. 641 00:38:14,671 --> 00:38:16,742 "WE SHALL FIGHT ON THE BEACHES. 642 00:38:16,846 --> 00:38:19,055 "WE SHALL FIGHT ON THE LANDING GROUNDS. 643 00:38:19,158 --> 00:38:20,919 "WE SHALL FIGHT IN THE FIELDS 644 00:38:21,022 --> 00:38:22,852 "AND IN THE STREETS. 645 00:38:22,955 --> 00:38:25,786 WE SHALL NEVER SURRENDER." 646 00:38:26,959 --> 00:38:30,377 "NOW IS THE WINTER OF OUR DISCONTENT 647 00:38:30,480 --> 00:38:35,416 MADE GLORIOUS SUMMER BY THIS SON OF YORK" 648 00:38:35,520 --> 00:38:39,558 PICK UP YOUR GUN, GET ON YOUR HORSE AND GET ON YOUR WAY. 649 00:38:39,662 --> 00:38:42,112 THE LATIN. DO THE LATIN. 650 00:38:43,424 --> 00:38:47,117 AMO, AMAS, AMAT, AMAMUS, AMATIS, AMANT. 651 00:38:47,221 --> 00:38:48,705 IS SHE READY? 652 00:38:49,603 --> 00:38:50,673 SIR. 653 00:38:50,776 --> 00:38:52,985 [garbled chattering on radio] 654 00:39:09,347 --> 00:39:10,727 [car door closing] 655 00:39:18,632 --> 00:39:20,565 [beeping] 656 00:39:26,087 --> 00:39:27,192 [whirring] 657 00:39:39,860 --> 00:39:41,758 [radio chattering continues] 658 00:39:48,972 --> 00:39:50,698 [machine humming] 659 00:39:53,839 --> 00:39:55,600 [tires screeching] 660 00:40:10,269 --> 00:40:12,410 [metallic clanking] 661 00:40:15,205 --> 00:40:16,793 [tires squealing] 662 00:40:22,420 --> 00:40:24,180 [machine whirring] 663 00:40:29,047 --> 00:40:30,013 [whooshing] 664 00:40:30,117 --> 00:40:31,705 [explosion] 665 00:40:34,121 --> 00:40:35,122 [firing] 666 00:40:43,751 --> 00:40:45,926 [Medusa laughing maniacally] 667 00:40:56,177 --> 00:40:57,385 KILL HIM! 668 00:40:57,489 --> 00:40:58,490 [belching] 669 00:40:58,594 --> 00:41:02,149 NOT YET, MY BELOVED ANDY. 670 00:41:02,252 --> 00:41:05,704 FOR THIS ONE, ONE WING AT A TIME, 671 00:41:07,050 --> 00:41:09,328 JUST LIKE A FLY. 672 00:41:09,432 --> 00:41:12,400 ♪[1812 Overture playing] 673 00:41:15,921 --> 00:41:17,371 [explosions] 674 00:41:42,430 --> 00:41:44,087 [missiles firing] 675 00:41:55,271 --> 00:41:56,721 THICK DOOR. 676 00:41:56,824 --> 00:41:58,377 [chuckling] 677 00:41:58,481 --> 00:41:59,482 [dog howling] 678 00:41:59,586 --> 00:42:01,001 NOW. 679 00:42:02,796 --> 00:42:04,970 LET HIM IN. 680 00:42:08,249 --> 00:42:09,527 [door rattling] 681 00:42:14,773 --> 00:42:16,119 [dog howling] 682 00:42:24,162 --> 00:42:25,819 [screeching] 683 00:42:32,204 --> 00:42:33,205 [dog barking] 684 00:42:39,418 --> 00:42:40,903 [anteater sniffing] 685 00:42:53,467 --> 00:42:55,469 WELCOME, LEONARD. 686 00:42:57,471 --> 00:42:58,990 WHO'S THAT? 687 00:42:59,093 --> 00:43:03,339 WOULD YOU LIKE TO WATCH THE SEAS PART, LEONARD? 688 00:43:03,442 --> 00:43:04,409 [laughing] 689 00:43:05,375 --> 00:43:06,514 NOT REALLY. 690 00:43:06,618 --> 00:43:09,794 DO YOU THINK I CAN PART THE SEAS, LEONARD? 691 00:43:09,897 --> 00:43:10,864 YEAH. 692 00:43:10,967 --> 00:43:12,555 PART THE SEAS, 693 00:43:12,659 --> 00:43:14,039 THRASH THE FIELDS, 694 00:43:14,143 --> 00:43:16,214 INFLAME THE SKIES? 695 00:43:16,317 --> 00:43:17,974 UH-HUH. 696 00:43:18,078 --> 00:43:23,221 WOULD YOU LIKE TO MEET MY VEGETARIANS, LEONARD? 697 00:43:23,324 --> 00:43:24,671 VEGETARIANS? 698 00:43:29,641 --> 00:43:31,022 VEGETARIANS. 699 00:43:34,715 --> 00:43:38,719 [Medusa] 13 PERFECT PHYSICAL SPECIMENS, 700 00:43:38,823 --> 00:43:41,584 TORN FROM THEIR MOTHERS' BREASTS AT BIRTH, 701 00:43:41,688 --> 00:43:45,553 REARED BY OCELOTS IN THE JUNGLES OF SUMATRA, 702 00:43:45,657 --> 00:43:49,972 PAMPERED BY SCREECHING THINGS 703 00:43:50,075 --> 00:43:51,559 THE WORLD OVER. 704 00:43:54,079 --> 00:43:56,772 NOT ONE SHRED OF MEAT 705 00:43:56,875 --> 00:44:01,017 HAS EVER PASSED THEIR PURE, VEGETARIAN LIPS. 706 00:44:02,778 --> 00:44:04,400 [tapping] 707 00:44:06,505 --> 00:44:08,024 [screeching] 708 00:44:09,232 --> 00:44:11,683 BRING ON THE DANCERS! 709 00:44:14,065 --> 00:44:15,756 ♪[music playing] 710 00:44:15,860 --> 00:44:17,102 DANCERS? 711 00:44:17,206 --> 00:44:18,207 [grunts] 712 00:44:32,877 --> 00:44:34,395 WOUND HIM. 713 00:44:34,499 --> 00:44:35,534 [laughing] 714 00:44:48,030 --> 00:44:49,134 KILL HIM! 715 00:45:07,083 --> 00:45:08,498 MANGO ME. 716 00:45:27,310 --> 00:45:29,416 [clattering] 717 00:45:31,729 --> 00:45:35,042 CLEVER, BUT DUMB. 718 00:45:35,146 --> 00:45:38,114 ♪[Dance of the Sugarplum Fairies playing] 719 00:45:48,021 --> 00:45:49,298 GRAPE ME. 720 00:46:01,275 --> 00:46:03,588 [Frayn] IT HAS NEVER PREVIOUSLY BEEN DISCLOSED 721 00:46:03,691 --> 00:46:06,764 THAT MIKHAIL BARYSHNIKOV'S DEFECTION TO THE WEST, 722 00:46:06,867 --> 00:46:09,732 OWED A GREAT DEAL TO THE EFFORTS OF MR. PARKER 723 00:46:09,836 --> 00:46:14,323 WHO'D WORKED UNDERCOVER WITH THE BOLSHOI BALLET IN MOSCOW FOR OVER 3 YEARS. 724 00:46:14,426 --> 00:46:16,083 AT THIS CRITICAL MOMENT, 725 00:46:16,187 --> 00:46:18,672 THIS EXPERIENCE WOULD PROVE MORE EFFECTIVE 726 00:46:18,776 --> 00:46:20,432 THAN HIS FIREPOWER. 727 00:46:30,028 --> 00:46:31,236 [groaning] 728 00:46:41,626 --> 00:46:43,145 [hair clipper buzzing] 729 00:46:43,248 --> 00:46:45,423 [clucking] 730 00:46:57,055 --> 00:46:59,782 TAKE THIS, LEONARD PARKER! 731 00:46:59,886 --> 00:47:00,852 [firing] 732 00:47:00,956 --> 00:47:02,267 [grunts] 733 00:47:08,964 --> 00:47:11,656 [Medusa] HE'S ESCAPED. YOU TWO, FOLLOW ME. 734 00:47:14,970 --> 00:47:16,834 [birds chirping] 735 00:47:28,569 --> 00:47:29,950 SHH! 736 00:47:36,094 --> 00:47:37,268 ANYONE COME BY HERE? 737 00:47:37,371 --> 00:47:38,510 NO. 738 00:48:00,463 --> 00:48:01,602 THANKS. 739 00:48:14,339 --> 00:48:16,514 [beeping] 740 00:48:24,556 --> 00:48:25,903 [buzzing] 741 00:48:27,318 --> 00:48:28,836 A QUEEN BEE. 742 00:48:28,940 --> 00:48:30,631 DRONES. 743 00:48:30,735 --> 00:48:33,876 ALL RIGHT, ALL RIGHT, LADY, 744 00:48:33,980 --> 00:48:36,810 YOU GET IN THERE AND SHOW 'EM YOUR GARTER. 745 00:48:36,914 --> 00:48:37,949 SCRAM! 746 00:48:38,053 --> 00:48:39,261 [bees buzzing] 747 00:48:39,364 --> 00:48:40,331 AHH! 748 00:48:45,405 --> 00:48:47,648 [bees buzzing] 749 00:48:47,752 --> 00:48:49,892 DON'T MIND IF I LOOK, DO YOU? 750 00:48:52,412 --> 00:48:54,897 BUZZ, BUZZ, BUZZ, BUZZ. 751 00:48:59,660 --> 00:49:02,318 LEAD THEM AWAY, LITTLE LADY. 752 00:49:05,597 --> 00:49:07,254 BEES! GET OFF! 753 00:49:14,952 --> 00:49:17,506 DON'T MIND ME. YOU GUYS KEEP DANCING. 754 00:49:23,961 --> 00:49:25,963 [man groaning] 755 00:49:30,243 --> 00:49:31,520 [groaning] 756 00:49:34,212 --> 00:49:35,903 ANYTHING BUT THE BOOMERANG KNIFE. 757 00:49:36,007 --> 00:49:37,181 [grunts] 758 00:49:41,254 --> 00:49:42,462 [grunts] 759 00:49:44,947 --> 00:49:47,294 WHATEVER YOU DO, SON, DON'T FALL ON THAT. 760 00:50:05,761 --> 00:50:07,556 THE SPHERE'S GONE. 761 00:50:09,868 --> 00:50:12,423 [groaning] 762 00:50:13,562 --> 00:50:15,633 [screaming] 763 00:50:16,806 --> 00:50:18,912 [car approaching] 764 00:50:19,809 --> 00:50:21,328 [tires screeching] 765 00:50:25,332 --> 00:50:27,231 I'M OUT OF SHAPE. 766 00:50:27,334 --> 00:50:29,095 NURSE CARVALHO CAME THROUGH, THOUGH. 767 00:50:29,198 --> 00:50:30,786 SNYDERBURN HAS HIS PRECIOUS SPHERE. 768 00:50:30,889 --> 00:50:32,132 SIR, YOU'RE BLEEDING! 769 00:50:32,236 --> 00:50:33,720 CAUGHT A BULLET. PREPARE FOR SURGERY. 770 00:50:33,823 --> 00:50:34,824 SIR. 771 00:50:41,659 --> 00:50:43,902 [groaning] 772 00:50:45,525 --> 00:50:46,905 SCALPEL. 773 00:50:48,114 --> 00:50:49,184 SCALPEL. 774 00:50:51,876 --> 00:50:53,050 CLAMP. 775 00:50:54,120 --> 00:50:55,673 CLAMP. 776 00:50:55,776 --> 00:50:57,675 [grunting] 777 00:50:57,778 --> 00:50:59,125 BELT. 778 00:51:00,574 --> 00:51:01,644 BELT. 779 00:51:02,818 --> 00:51:05,027 THE OTHER BELT. 780 00:51:05,131 --> 00:51:06,270 OTHER BELT. 781 00:51:06,373 --> 00:51:07,340 UH, YEAH. 782 00:51:10,377 --> 00:51:11,447 [popping] 783 00:51:24,564 --> 00:51:26,393 [Frayn] THE ADMINISTERING OF THE ANESTHETIC 784 00:51:26,497 --> 00:51:28,430 HAD TO BE PRECISE. 785 00:51:28,533 --> 00:51:31,295 IT WAS SCIENTIFICALLY CONTROLLED SO THAT THE NERVE ENDS WERE DEADENED 786 00:51:31,398 --> 00:51:34,021 WHILE MR. PARKER REMAINED CLEAR-HEADED AND CLINICAL 787 00:51:34,125 --> 00:51:36,645 WITH RAZOR-SHARP REFLEXES. 788 00:51:36,748 --> 00:51:39,165 HE PERFECTED IT TO A FINE ART. 789 00:51:39,268 --> 00:51:41,132 MEROSTEROPIN. 790 00:51:41,236 --> 00:51:42,789 PARDON, SIR? 791 00:51:42,892 --> 00:51:44,308 MEROSTEROPIN! 792 00:51:44,411 --> 00:51:46,068 OH! UH, YOU'VE GOT IT. 793 00:51:46,172 --> 00:51:47,518 [laughing] 794 00:51:47,621 --> 00:51:48,622 [sighs] 795 00:51:54,870 --> 00:51:56,354 [sobbing] 796 00:52:05,467 --> 00:52:08,090 DAD, ARE YOU IN THERE? 797 00:52:08,194 --> 00:52:09,367 WHO IS IT? 798 00:52:09,471 --> 00:52:11,300 [Joan] YOU'RE COMING TONIGHT, AREN'T YOU? 799 00:52:11,404 --> 00:52:12,370 TONIGHT? 800 00:52:12,474 --> 00:52:13,854 DADDY, YOU PROMISED, 801 00:52:13,958 --> 00:52:15,373 AND TONIGHT'S MY OPENING NIGHT. 802 00:52:15,477 --> 00:52:17,479 [Joan] THE CRITICS CAME TO LAST NIGHT'S PREVIEW, 803 00:52:17,582 --> 00:52:20,378 AND THEY THOUGHT THE SHOW WAS SIMPLY TERRIFIC. 804 00:52:20,482 --> 00:52:23,140 THE REVIEWS WERE FANTASTIC. LOOK. 805 00:52:27,040 --> 00:52:28,179 GO GET IT. 806 00:52:28,283 --> 00:52:29,870 WHAT DO YOU THINK, DADDY? 807 00:52:29,974 --> 00:52:32,701 [Leonard] IT'S, UH, UH, BEAUTIFUL, DEAR. GREAT! 808 00:52:32,804 --> 00:52:35,497 DADDY, YOU'RE NOT READING THEM. I CAN TELL. 809 00:52:35,600 --> 00:52:36,601 [Leonard] YEAH, YEAH. 810 00:52:36,705 --> 00:52:37,671 [Joan] LET ME HEAR YOU. 811 00:52:37,775 --> 00:52:38,879 [Leonard groaning] 812 00:52:41,192 --> 00:52:42,538 DAD? 813 00:52:43,643 --> 00:52:44,747 DAD? 814 00:52:46,024 --> 00:52:47,371 AH! 815 00:52:47,474 --> 00:52:50,063 ALONE AMONG THE ACTORS ON STAGE, 816 00:52:50,167 --> 00:52:52,169 REZAZI BENZUR SHAHEED-- 817 00:52:52,272 --> 00:52:53,515 OH, GOD! 818 00:52:53,618 --> 00:52:58,278 PARKER GIVES A SOULFUL, SHATTERING... 819 00:52:58,382 --> 00:52:59,521 [Leonard groaning] 820 00:52:59,624 --> 00:53:02,765 GUT WRENCHIN'... 821 00:53:02,869 --> 00:53:04,388 [groaning] 822 00:53:04,491 --> 00:53:05,527 PERFORMANCE. 823 00:53:05,630 --> 00:53:06,700 YOU OK, DADDY? 824 00:53:06,804 --> 00:53:07,874 [Leonard] YEAH. 825 00:53:07,977 --> 00:53:11,049 I'M TAKIN' A SHOWER. THE WATER'S HOT. 826 00:53:11,153 --> 00:53:12,568 OK, DAD. 827 00:53:14,881 --> 00:53:16,434 GOT IT. 828 00:53:16,538 --> 00:53:18,195 PLATINUM, SIR. 829 00:53:28,066 --> 00:53:31,380 THE OFFENSIVE WILL BEGIN ON SCHEDULE. 830 00:53:31,484 --> 00:53:32,554 HOW? 831 00:53:33,382 --> 00:53:35,729 HE STOLE THE SPHERE. 832 00:53:35,833 --> 00:53:37,214 AND TONIGHT, 833 00:53:37,904 --> 00:53:39,561 HE WILL RETURN IT. 834 00:53:41,010 --> 00:53:42,011 [snickers] 835 00:53:44,290 --> 00:53:46,533 GOOD EVENING, AUNTS. 836 00:53:46,637 --> 00:53:48,432 THIS IS RACHEL, 837 00:53:48,535 --> 00:53:52,677 THE WOMAN I WANT TO SPEND THE REST OF MY LIFE WITH, 838 00:53:52,781 --> 00:53:55,922 WHAT LITTLE OF IT THERE IS LEFT. 839 00:53:56,025 --> 00:53:58,476 COME ALONG, HYLAH JANE. 840 00:53:58,580 --> 00:54:01,928 [snoring] WE MUST LEAVE THESE 2 NUBILES ALONE. 841 00:54:02,031 --> 00:54:04,171 [Hylah Jane] HURRY, GERTA, HURRY. 842 00:54:04,275 --> 00:54:07,796 HEPATITIS, TERRIBLY CONTAGIOUS. 843 00:54:10,626 --> 00:54:13,836 [Joan] SO THIS IS WHERE YOU'VE GONE 844 00:54:13,940 --> 00:54:19,325 AND CAUGHT YOUR DEADLY AND INSISTENT HEPATITIS. 845 00:54:19,428 --> 00:54:21,706 SEEIN' YOU HERE WITH YOUR FAMILY 846 00:54:21,810 --> 00:54:25,262 AND THE WOODED PLANKS OF YOUR EVERGREEN CHILDHOOD, 847 00:54:25,365 --> 00:54:29,127 I'M FORCED TO PICTURE YOU AS A LITTLE BOY, 848 00:54:29,231 --> 00:54:31,268 THE MAN AND POET I LOVE. 849 00:54:31,371 --> 00:54:33,994 I SEE YOU AS I LOVE TO SEE YOU, 850 00:54:34,098 --> 00:54:38,136 WITH YOUR BRAWNY HAIR ACROSS YOUR WEARY BROW, 851 00:54:38,240 --> 00:54:40,449 AND MY ARM A-CLING 852 00:54:40,553 --> 00:54:44,384 TO YOUR FEVERED, SWAMPY CHEST. 853 00:54:44,488 --> 00:54:47,732 [Joan] MY LOVE, MY SINFUL LUST, 854 00:54:47,836 --> 00:54:49,665 MY UNKEPT LIFE, 855 00:54:49,769 --> 00:54:53,669 YOUR NEVER-ENDING SONG. 856 00:54:53,773 --> 00:54:55,671 OH, JAMIE, I CRAVE YOU. 857 00:54:55,775 --> 00:54:57,466 I CRAVE YOU AS I SEE YOU 858 00:54:57,570 --> 00:55:01,194 EACH MORN OF OUR FOND, ILLICIT LOVE. 859 00:55:02,333 --> 00:55:04,956 [audience applauding] 860 00:55:07,821 --> 00:55:09,927 [man whistling] 861 00:55:12,895 --> 00:55:14,000 [inaudible] 862 00:55:14,794 --> 00:55:16,209 THAT'S MY DAUGHTER. 863 00:55:24,321 --> 00:55:25,701 [people chattering] 864 00:55:27,013 --> 00:55:29,153 [people laughing] 865 00:55:30,499 --> 00:55:34,089 [man] WELL, IT'S OK, YOU KNOW. 866 00:55:34,192 --> 00:55:36,160 NOT ONLY THAT, BUT MY PARENTS ARE HERE. 867 00:55:36,263 --> 00:55:38,645 YOU KNOW, JOAN, IT WAS MORE THAN THAT YOU HAD YOUR CLOTHES OFF. 868 00:55:38,749 --> 00:55:41,407 YOU WERE SPIRITUALLY NAKED OUT THERE TONIGHT. 869 00:55:41,510 --> 00:55:43,788 [Joan] I'M SO GLAD YOU CAME. 870 00:55:43,892 --> 00:55:45,238 DADDY. 871 00:55:45,342 --> 00:55:46,653 [Joan] EVERYBODY, THESE ARE MY PARENTS, 872 00:55:46,757 --> 00:55:49,104 MR. AND MRS. PARKER. I'D LIKE YOU ALL TO SAY HELLO. 873 00:55:49,207 --> 00:55:50,692 HI. HI. 874 00:55:50,795 --> 00:55:52,383 DID YOU LIKE IT? 875 00:55:53,522 --> 00:55:55,282 WHAT DID YOU THINK? 876 00:55:55,386 --> 00:55:56,698 [people chattering] 877 00:55:57,699 --> 00:56:01,806 WELL, IT WAS DIFFERENT. 878 00:56:01,910 --> 00:56:03,912 PARKER, YOU WERE MARVELOUS TONIGHT! 879 00:56:04,015 --> 00:56:05,120 [Joan] OH! 880 00:56:05,223 --> 00:56:07,881 MAY I SEE YOU OUTSIDE FOR A WHILE, PLEASE? 881 00:56:07,985 --> 00:56:10,056 OF COURSE, LEONARD. 882 00:56:10,159 --> 00:56:12,161 [Joan] BYE, DAD. 883 00:56:12,265 --> 00:56:14,405 WHAT'S THE MATTER WITH HIM? 884 00:56:16,994 --> 00:56:18,340 I DON'T KNOW, IT'S JUST THAT... 885 00:56:18,444 --> 00:56:19,859 OH! WHAT A GREAT FUTURE. 886 00:56:19,962 --> 00:56:21,619 LET ME ASK YOU A QUESTION. 887 00:56:21,723 --> 00:56:24,035 LEONARD, I KNOW. THE 2ND ACT DOESN'T QUITE WORK. 888 00:56:24,139 --> 00:56:26,175 I'M NOT TALKIN' ABOUT-- I'M TALKIN' ABOUT MY DAUGHTER! 889 00:56:26,279 --> 00:56:28,074 EVEN SHE CAN'T HELP THAT 2ND ACT. 890 00:56:28,177 --> 00:56:30,248 I'M NOT TALKIN' ABOUT SAVIN' THE 2ND ACT! 891 00:56:30,352 --> 00:56:31,767 I'M TALKIN' ABOUT SAVIN' YOUR LIFE! 892 00:56:31,871 --> 00:56:34,045 [Joan] GIORGIO! 893 00:56:34,149 --> 00:56:35,115 CIAO. 894 00:56:35,219 --> 00:56:36,220 [bumping] 895 00:56:39,844 --> 00:56:41,121 LEONARD, LEONARD, 896 00:56:41,225 --> 00:56:43,330 WHY DON'T YOU GO IN THERE AND TALK TO JOAN RIGHT NOW? 897 00:56:43,434 --> 00:56:47,265 PLEASE, DEAR, PLEASE DON'T ASK ME TO TALK, ESPECIALLY TO HER. 898 00:56:47,369 --> 00:56:48,819 PLEASE. 899 00:56:49,889 --> 00:56:51,718 ALL RIGHT. I WILL. 900 00:56:56,551 --> 00:56:57,655 [thumping] 901 00:57:06,457 --> 00:57:08,735 [Frayn] WHEN YOU'VE SURVIVED VICIOUS VEGETARIANS 902 00:57:08,839 --> 00:57:11,013 AND TAKEN A BULLET FROM YOUR SHOULDER, 903 00:57:11,117 --> 00:57:12,394 YOU DON'T NEED YOUR DAUGHTER 904 00:57:12,498 --> 00:57:14,223 FLAUNTING HER FULL FRONTAL CHARMS 905 00:57:14,327 --> 00:57:16,294 TO AN AUDIENCE OF STRANGERS. 906 00:57:16,398 --> 00:57:19,228 IT WAS TIME TO ASSERT HIS PARENTAL AUTHORITY. 907 00:57:31,827 --> 00:57:33,208 [mumbling] 908 00:57:33,311 --> 00:57:34,623 THEY'VE GOT MOM! 909 00:57:34,727 --> 00:57:37,557 A WEIRD GUY WITH RED HAIR TOOK HER AWAY. 910 00:57:37,661 --> 00:57:39,145 [Joan sobbing] 911 00:57:39,248 --> 00:57:41,458 DON'T WORRY. I'LL GET HER BACK. 912 00:57:43,494 --> 00:57:46,186 THEY GOT MRS. PARKER. WE GOT TO GET THE SPHERE. 913 00:57:49,362 --> 00:57:50,708 PUT THE FOOT TO THE GAS. 914 00:57:54,160 --> 00:57:56,887 THERE'S GOT TO BE A SIMPLE WAY TO MAKE THIS THING WORK. 915 00:57:56,990 --> 00:57:58,647 I NEED THAT SPHERE. 916 00:57:58,751 --> 00:58:01,616 ONE COULD RULE THE WORLD WITH THIS THING. 917 00:58:05,861 --> 00:58:07,414 [beeping] 918 00:58:07,518 --> 00:58:09,244 IT ISN'T ENOUGH 919 00:58:09,347 --> 00:58:11,695 WE HAVE TO STOP HER FROM CONTROLLING THE ANIMALS. 920 00:58:11,798 --> 00:58:14,732 HE WANTS TO CONTROL THE ANIMALS. 921 00:58:14,836 --> 00:58:16,044 IT'S NOT ON, SIR. 922 00:58:16,147 --> 00:58:17,770 NO. 923 00:58:17,873 --> 00:58:20,773 I KNEW WE WOULD NEVER GET THIS TO WORK. 924 00:58:20,876 --> 00:58:22,533 HOW'S EVERYTHING GOING, TEAM? 925 00:58:22,637 --> 00:58:25,536 LEONARD, WE CAN'T STILL FIGURE OUT HOW TO GET THIS THING TO WORK. 926 00:58:25,640 --> 00:58:27,607 OH, REALLY? 927 00:58:27,711 --> 00:58:29,747 THE RED LIQUID NEUTRALIZES THE ANIMAL'S PARASYMPATHETIC SYSTEM, 928 00:58:29,851 --> 00:58:32,854 LEAVING THE BRAIN PAN FLACCID AND OPEN TO ENCRYPTION, 929 00:58:32,957 --> 00:58:35,546 BUT THE PUZZLE IS HOW DID THIS WOMAN ACTIVATE THEM? 930 00:58:35,650 --> 00:58:37,375 [Leonard] MAYBE YOU HAVE THE WRONG RABBIT. 931 00:58:37,479 --> 00:58:39,792 I KNEW WE GOT THE WRONG RABBIT. 932 00:58:40,931 --> 00:58:43,968 LET'S TAKE A LOOK. FRAYN? 933 00:58:51,528 --> 00:58:53,115 UH-HUH. 934 00:58:53,219 --> 00:58:54,669 [Leonard] MAYBE IT'S THIS ONE. 935 00:58:54,772 --> 00:58:57,085 COME HERE, FELLA. LET'S TAKE A LOOK. 936 00:58:57,188 --> 00:58:59,087 UH, YOU ALL STEP OVER THERE. 937 00:58:59,190 --> 00:59:00,778 NOW STEP OVER THERE. 938 00:59:00,882 --> 00:59:02,159 AND LET'S SEE. 939 00:59:02,262 --> 00:59:03,988 ALL RIGHT. LET'S TAKE A LOOK HERE. 940 00:59:04,092 --> 00:59:05,818 NOW, DID YOU GIVE IT THE LIQUID? 941 00:59:05,921 --> 00:59:06,888 [Jack] SURE. 942 00:59:06,991 --> 00:59:08,130 AND IT'S ALL ACTIVATED THERE? 943 00:59:08,234 --> 00:59:09,994 WELL, I THINK THE ONLY THING MISSING HERE 944 00:59:10,098 --> 00:59:12,100 IS TO SAY THE WORD QUELISH! 945 00:59:14,620 --> 00:59:17,554 [all screaming] 946 00:59:17,657 --> 00:59:20,349 NOW, LET'S SEE MEDUSA AND GET BACK MRS. PARKER. 947 00:59:22,697 --> 00:59:23,698 [groaning] 948 00:59:35,710 --> 00:59:37,021 [beeping] 949 00:59:40,093 --> 00:59:41,232 OPEN THAT THING UP. 950 00:59:41,336 --> 00:59:42,579 IN HERE, SIR? 951 00:59:46,928 --> 00:59:49,724 SHE MUST BE PLANNING TO DILUTE THAT CONCENTRATION 952 00:59:49,827 --> 00:59:52,830 AND PUMP IT INTO THE ENTIRE BAY AREA. 953 00:59:52,934 --> 00:59:55,419 LOOKS LIKE DISHWASHING LIQUID. 954 00:59:55,522 --> 00:59:56,765 [beeping continues] 955 01:00:04,393 --> 01:00:05,774 [car engine revving] 956 01:00:11,262 --> 01:00:12,919 [tires screeching] 957 01:00:15,163 --> 01:00:16,854 A PERFECT MATCH, SIR. 958 01:00:21,514 --> 01:00:23,309 [horn honks] 959 01:00:23,412 --> 01:00:25,483 [tires screeching] 960 01:00:27,382 --> 01:00:29,453 [man on T.V.] WATCH OUT! BANDIT ON YOUR 6! 961 01:00:29,556 --> 01:00:31,904 HE'S CLOSING FAST! 962 01:00:34,872 --> 01:00:36,771 [honking] 963 01:00:56,618 --> 01:00:57,757 [tires screeching] 964 01:01:04,764 --> 01:01:06,904 THEY KIDNAPPED MY WIFE. THIS--THIS WOMAN. 965 01:01:07,008 --> 01:01:08,630 YEAH, YEAH, YEAH. 966 01:01:09,458 --> 01:01:10,597 [car honking] 967 01:01:12,738 --> 01:01:13,980 [tires screeching] 968 01:01:28,270 --> 01:01:30,825 [nurse chanting] 969 01:01:30,928 --> 01:01:32,343 WHAT IS IT? WHAT IS IT? 970 01:01:32,447 --> 01:01:34,000 [chanting] 971 01:01:35,277 --> 01:01:36,451 WHAT IS IT? 972 01:01:36,554 --> 01:01:38,729 GO, GO AHEAD. I TRUST YOU. 973 01:01:38,833 --> 01:01:39,937 [horns honking] 974 01:01:40,041 --> 01:01:41,214 [tires screeching] 975 01:01:41,318 --> 01:01:43,320 [gibbering] 976 01:01:55,263 --> 01:01:56,298 OH! 977 01:02:14,316 --> 01:02:15,352 [speaking foreign language] 978 01:02:15,455 --> 01:02:16,491 BUTTER? 979 01:02:16,594 --> 01:02:17,803 [speaking foreign language] 980 01:02:33,577 --> 01:02:35,406 MEAT PATTIES? 981 01:02:35,510 --> 01:02:36,614 WHATEVER YOU SAY. 982 01:02:36,718 --> 01:02:38,478 LET THEM THAW. LET THEM THAW. 983 01:02:38,582 --> 01:02:40,170 LET THEM THAW. 984 01:02:40,273 --> 01:02:41,447 [tires screeching] 985 01:02:51,181 --> 01:02:53,114 OOH! OOH! 986 01:02:53,217 --> 01:02:54,563 WHAT'S THIS FOR? 987 01:02:56,531 --> 01:02:57,808 [tires screeching] 988 01:03:02,537 --> 01:03:03,745 AH! FRAYN. 989 01:03:08,750 --> 01:03:10,545 ARRIVEDERCI. 990 01:03:17,517 --> 01:03:19,174 OH, FRAYNIE. 991 01:03:27,665 --> 01:03:30,289 I GOT YOUR BALL, NOW LET ME IN. 992 01:03:31,462 --> 01:03:32,705 [whooshing] 993 01:03:32,809 --> 01:03:33,810 [screeches] 994 01:03:35,673 --> 01:03:36,951 [beeping] 995 01:03:38,159 --> 01:03:39,919 [screeching] 996 01:03:46,201 --> 01:03:48,617 WELCOME BACK, LEONARD. 997 01:03:50,102 --> 01:03:52,104 MAY I HAVE MY WIFE BACK, PLEASE? 998 01:03:52,207 --> 01:03:55,141 [Medusa] NOT SO FAST. THE SPHERE. 999 01:03:56,418 --> 01:03:57,799 [beeping] 1000 01:04:02,666 --> 01:04:04,841 WHERE IS SHE? I WANT MY WIFE BACK. 1001 01:04:04,944 --> 01:04:08,775 [Medusa] WHATEVER YOU SAY, LEONARD PARKER. 1002 01:04:08,879 --> 01:04:10,225 [Allison] LEONARD! 1003 01:04:10,329 --> 01:04:12,055 [Leonard] ALLISON! 1004 01:04:17,577 --> 01:04:19,856 WHERE IS SHE? 1005 01:04:19,959 --> 01:04:21,927 [Allison] LEONARD! 1006 01:04:22,030 --> 01:04:23,583 [Allison] LEONARD! 1007 01:04:24,688 --> 01:04:27,311 IT'S A SIMPLE HOLOGRAM. 1008 01:04:27,415 --> 01:04:29,796 I WANT MY WIFE BACK! 1009 01:04:29,900 --> 01:04:31,729 SO WHAT ELSE IS NEW, LEONARD? 1010 01:04:31,833 --> 01:04:34,594 YOU TOLD ME IF I BROUGHT YOU THE SPHERE, 1011 01:04:34,698 --> 01:04:36,286 YOU'D GIVE ME MY WIFE BACK! 1012 01:04:36,389 --> 01:04:37,908 [Medusa] I LIED. 1013 01:04:38,012 --> 01:04:41,015 THE COUPLE THAT SPIES TOGETHER, 1014 01:04:41,118 --> 01:04:43,431 [guns cocking] DIES TOGETHER. 1015 01:04:43,534 --> 01:04:45,812 MY WIFE IS NO SPY! 1016 01:04:45,916 --> 01:04:48,677 I NEEDED A RHYME. QUIET! 1017 01:04:48,781 --> 01:04:50,610 [beeping] 1018 01:04:50,714 --> 01:04:54,614 SO YOU THOUGHT YOU COULD FOOL MEDUSA JOHNSON 1019 01:04:54,718 --> 01:04:59,585 BY PUTTING DISHWASHING LIQUID INTO MY SPHERE. 1020 01:04:59,688 --> 01:05:00,862 SO? 1021 01:05:00,966 --> 01:05:03,658 SO THAT WAS WHAT WAS IN IT IN THE FIRST PLACE, 1022 01:05:03,761 --> 01:05:05,763 YOU RESTAURANT SPAZ. 1023 01:05:05,867 --> 01:05:08,974 IT'S NOT THE LIQUID THAT MAKES THE MAGIC. 1024 01:05:09,077 --> 01:05:12,943 IT'S THE MOLYBDENUM CHROMIUM CATALYST. 1025 01:05:13,047 --> 01:05:14,738 I COULD PUT YOO-HOO IN THIS THING, 1026 01:05:14,841 --> 01:05:16,913 AND IT WOULD WORK. 1027 01:05:17,016 --> 01:05:20,123 AND YOU CALL YOURSELF A COLLEGE GRADUATE. 1028 01:05:21,676 --> 01:05:24,058 TAKE HIM TO ANNEX 3. 1029 01:05:24,161 --> 01:05:25,231 KILL HIM. 1030 01:05:25,335 --> 01:05:26,439 [belching] 1031 01:05:26,543 --> 01:05:29,097 KEEP YOUR EYES OPEN, LEONARD. 1032 01:05:29,201 --> 01:05:33,515 PAY ATTENTION TO YOUR LAST MOMENTS ON EARTH. 1033 01:05:33,619 --> 01:05:36,656 THIS, I HOPE, WILL BE THE DARKEST NIGHT 1034 01:05:36,760 --> 01:05:39,487 OF YOUR CRIMINALLY INSENSITIVE EXISTENCE. 1035 01:05:39,590 --> 01:05:40,522 HI. 1036 01:05:40,626 --> 01:05:41,834 HANDS OFF! 1037 01:05:43,284 --> 01:05:44,975 [sheep bleating] 1038 01:05:45,079 --> 01:05:46,701 [Leonard] WHAT HAVE YOU DONE TO THESE ANIMALS? 1039 01:05:46,804 --> 01:05:49,635 I HAVE DONE THE UNTHINKABLE. 1040 01:05:49,738 --> 01:05:51,706 TOLD THE ANIMALS THE TRUTH, 1041 01:05:51,809 --> 01:05:55,261 THAT THEY HAVE BEEN EXPLOITED AND TORMENTED BY MAN 1042 01:05:55,365 --> 01:05:57,436 FOR 2 MILLION YEARS. 1043 01:05:57,539 --> 01:05:59,610 IN LESS THAN 15 MINUTES, 1044 01:05:59,714 --> 01:06:02,682 I WILL SWITCH ON THESE DISTRIBUTION PUMPS. 1045 01:06:02,786 --> 01:06:04,857 THE CONTENTS OF THE VATS UPSTAIRS 1046 01:06:04,961 --> 01:06:08,619 WILL FLOW INTO EVERY SINGLE WATERWAY IN THE BAY AREA. 1047 01:06:08,723 --> 01:06:12,002 THE ANIMAL KINGDOM WILL BE LIBERATED, 1048 01:06:12,106 --> 01:06:14,591 AND THE WORLD WILL SHUDDER. 1049 01:06:14,694 --> 01:06:16,593 [Leonard] WHO'S PAYING FOR ALL THIS? 1050 01:06:16,696 --> 01:06:19,423 I DIDN'T HAVE BACKING FROM ANY GOVERNMENTS OR BIG BUSINESSES. 1051 01:06:19,527 --> 01:06:22,530 NO. THEY ALL THOUGHT I WAS INSANE. 1052 01:06:22,633 --> 01:06:24,670 I DID IT ALL MYSELF. 1053 01:06:24,773 --> 01:06:26,879 A SELF-MADE WOMAN. 1054 01:06:26,983 --> 01:06:28,950 ALL I HAD TO START UP WITH 1055 01:06:29,054 --> 01:06:31,090 WAS POOR ANDY'S DISABILITY INSURANCE, 1056 01:06:31,194 --> 01:06:32,643 BUT IT WAS ENOUGH. 1057 01:06:32,747 --> 01:06:34,162 NOW, MARCH. 1058 01:06:34,266 --> 01:06:35,405 LEONARD! 1059 01:06:37,579 --> 01:06:38,787 DARLING, ARE YOU ALL RIGHT? 1060 01:06:38,891 --> 01:06:40,168 I'M ALL RIGHT. I'M ALL RIGHT. 1061 01:06:40,272 --> 01:06:42,067 W-WHAT'S GOING ON? 1062 01:06:42,170 --> 01:06:45,208 [Leonard] KEEP ME, BUT RELEASE HER. SHE'S INNOCENT. 1063 01:06:45,311 --> 01:06:48,004 NO ONE RELATED TO YOU IS INNOCENT. 1064 01:06:48,107 --> 01:06:50,178 WHAT'S THAT SUPPOSED TO MEAN? 1065 01:06:50,282 --> 01:06:51,455 KILL HIM. 1066 01:06:52,387 --> 01:06:56,288 YOU'RE RIGHT, AS ALWAYS, ANDY. 1067 01:06:56,391 --> 01:06:58,152 GOOD-BYE, LEONARD. 1068 01:06:59,912 --> 01:07:02,466 AND TACKY-TACKY WIFEY. 1069 01:07:04,606 --> 01:07:08,403 THE OFFENSIVE WILL START IMMEDIATELY. 1070 01:07:08,507 --> 01:07:09,887 [Medusa laughing] 1071 01:07:11,958 --> 01:07:13,270 DID YOU POUR THAT FOOD ON ME 1072 01:07:13,374 --> 01:07:15,617 BECAUSE YOU LOVE ME OR HATE ME? 1073 01:07:15,721 --> 01:07:17,274 DID YOU POUR THAT FOOD ON ME 1074 01:07:17,378 --> 01:07:19,725 BECAUSE YOU LOVE ME OR HATE ME? 1075 01:07:19,828 --> 01:07:21,382 BOTH. 1076 01:07:21,485 --> 01:07:23,487 [squealing] 1077 01:07:23,591 --> 01:07:24,764 LEONARD. 1078 01:07:28,216 --> 01:07:29,493 WHAT'S THAT? 1079 01:07:29,597 --> 01:07:31,150 [Allison screaming] 1080 01:07:37,432 --> 01:07:39,020 WHERE'S YOUR RUBBER BANDS, FELLAS? 1081 01:07:45,820 --> 01:07:47,615 [beeping] 1082 01:07:49,479 --> 01:07:52,516 IN 5 MINUTES AND 32 SECONDS, 1083 01:07:52,620 --> 01:07:55,519 ALL OF NORTHERN CALIFORNIA WILL BE OURS. 1084 01:07:55,623 --> 01:07:56,555 [laughing] 1085 01:07:56,658 --> 01:07:58,902 NOT OURS. MINE! 1086 01:08:00,179 --> 01:08:01,594 RIGHT. 1087 01:08:01,698 --> 01:08:02,699 PIEDMONT? 1088 01:08:02,802 --> 01:08:03,872 [Jack] OPERATIONAL! 1089 01:08:03,976 --> 01:08:04,942 OAKLAND? 1090 01:08:05,046 --> 01:08:06,082 ON LINE! 1091 01:08:06,185 --> 01:08:07,117 SAN JOSE? 1092 01:08:07,221 --> 01:08:08,187 STANDING BY. 1093 01:08:08,291 --> 01:08:09,292 BERKELEY? 1094 01:08:09,395 --> 01:08:10,707 READY TO GO. 1095 01:08:11,397 --> 01:08:12,571 FEED ME. 1096 01:08:13,572 --> 01:08:16,230 [Allison screaming] 1097 01:08:16,333 --> 01:08:19,302 GET OFF! GET OFF! SHOO! SHOO! 1098 01:08:20,751 --> 01:08:22,995 [Leonard] GET OUT OF HERE. 1099 01:08:23,099 --> 01:08:24,445 [Leonard] HEY! GET! 1100 01:08:24,548 --> 01:08:25,929 [blowing] 1101 01:08:26,032 --> 01:08:28,828 [Allison] LEONARD! LEONARD! THERE ARE MORE COMING! 1102 01:08:28,932 --> 01:08:32,798 [Allison] LEONARD, PLEASE! WELL, DO SOMETHING, LEONARD! 1103 01:08:34,696 --> 01:08:35,697 [Allison screaming] 1104 01:08:35,801 --> 01:08:37,251 [Allison] LEONARD! 1105 01:08:37,354 --> 01:08:38,838 [Leonard] BITE! BITE! 1106 01:08:38,942 --> 01:08:41,393 LEONARD! GET THEM OFF! 1107 01:08:43,326 --> 01:08:45,328 LEONARD! 1108 01:08:48,745 --> 01:08:49,815 [screaming] 1109 01:08:49,918 --> 01:08:52,300 CUT THE WIRE! 1110 01:08:52,404 --> 01:08:54,130 CUT IT! 1111 01:08:54,233 --> 01:08:57,029 LEONARD! THERE ARE MORE COMING! 1112 01:08:57,133 --> 01:08:58,306 WHAT'S THAT, LEONARD? 1113 01:08:58,410 --> 01:09:00,584 MELTED BUTTER. 1114 01:09:00,688 --> 01:09:03,104 MELTED BUTTER? 1115 01:09:03,208 --> 01:09:05,141 MELTED BUTTER. 1116 01:09:05,244 --> 01:09:07,246 YES, MELTED BUTTER! 1117 01:09:07,350 --> 01:09:08,868 AND IF YOU DON'T CUT THE WIRES, 1118 01:09:08,972 --> 01:09:10,698 I'M GOING TO THERMIDOR YOU. 1119 01:09:12,458 --> 01:09:15,116 MELTED BUTTER! PULL! 1120 01:09:15,220 --> 01:09:17,877 MELTED BUTTER! PULL! 1121 01:09:17,981 --> 01:09:19,396 GET BACK! GET BACK! 1122 01:09:19,500 --> 01:09:20,570 BUTTER! 1123 01:09:20,673 --> 01:09:21,881 MELTED BUTTER! 1124 01:09:21,985 --> 01:09:23,331 MELTED BUTTER! 1125 01:09:23,435 --> 01:09:24,539 MELTED BUTTER! 1126 01:09:24,643 --> 01:09:27,439 MELTED BUTTER! MELTED BUTTER! 1127 01:09:27,542 --> 01:09:29,061 MELTED BUTTER! 1128 01:09:29,165 --> 01:09:31,339 ARMADILLOS AWAITING ACTIVATION. 1129 01:09:31,443 --> 01:09:33,790 RATS MASSING IN DOWNTOWN SEWER. 1130 01:09:33,893 --> 01:09:35,309 PUMP 3. 1131 01:09:36,482 --> 01:09:39,002 [Medusa] GENERATOR 2. 1132 01:09:39,105 --> 01:09:41,142 [Leonard] COME ON, HONEY. COME ON! 1133 01:09:41,246 --> 01:09:42,247 [groaning] 1134 01:09:42,350 --> 01:09:44,180 NOW LET'S GO HOME. COME ON. 1135 01:09:45,664 --> 01:09:49,115 NOW WE GOT TO FIND WHICH WAY'S OUT OF HERE. 1136 01:09:49,219 --> 01:09:51,532 BUT SURELY YOU'VE GOT TO GET THAT SPHERE. 1137 01:09:51,635 --> 01:09:53,085 NO, I DON'T, EITHER. 1138 01:09:53,189 --> 01:09:54,811 LEONARD PARKER! 1139 01:09:54,914 --> 01:09:57,020 IF YOU DON'T GET THE SPHERE AND SAVE THE WORLD 1140 01:09:57,123 --> 01:10:00,023 AND STOP MEDUSA, YOU CAN FORGET ABOUT EVER SEEING ME AGAIN. 1141 01:10:00,126 --> 01:10:04,407 IF I SAVE THE WORLD, WILL YOU MOVE BACK IN WITH ME? 1142 01:10:04,510 --> 01:10:06,892 YOU SAVE THE WORLD AND I'LL THINK ABOUT IT. 1143 01:10:06,995 --> 01:10:08,134 ALL RIGHT! 1144 01:10:08,238 --> 01:10:10,206 LET'S GO SAVE THE WORLD. 1145 01:10:11,621 --> 01:10:13,243 [beeping] 1146 01:10:13,347 --> 01:10:14,865 [man] COUNTDOWN CONTINUES. 1147 01:10:14,969 --> 01:10:17,213 ALL PERSONNEL TO THEIR STATIONS. 1148 01:10:17,316 --> 01:10:19,284 ALL PERSONNEL TO THEIR STATIONS. 1149 01:10:19,387 --> 01:10:21,596 UNBELIEVABLE! 1150 01:10:21,700 --> 01:10:23,564 CATERPILLARS ON THE MARCH IN SACRAMENTO. 1151 01:10:23,667 --> 01:10:25,980 POSSUMS IN PIEDMONT AWAITING ORDERS. 1152 01:10:26,083 --> 01:10:27,637 MOVE IT! 1153 01:10:27,740 --> 01:10:30,778 QUELISH COUNTDOWN CONTINUES. 1154 01:10:30,881 --> 01:10:32,435 [neighing] 1155 01:10:34,713 --> 01:10:35,990 [grunting] 1156 01:10:37,888 --> 01:10:39,925 [man] BIRDS ALOFT AND TRACKING. 1157 01:10:41,375 --> 01:10:44,067 0127. NUMBER 12 PRESSURING. 1158 01:10:46,414 --> 01:10:48,485 QUELISH IN 20 SECONDS. 1159 01:10:48,589 --> 01:10:50,418 [man] 5 SECONDS NOW. 1160 01:10:55,147 --> 01:10:56,942 IF YOU'RE GOING TO BE IN THE SPY BUSINESS, 1161 01:10:57,045 --> 01:10:59,220 YOU GOT TO LEARN TO GET READY A BIT QUICKER. 1162 01:11:01,705 --> 01:11:03,397 [horse neighs] 1163 01:11:03,500 --> 01:11:05,053 [Leonard] COME ON, ALLISON! 1164 01:11:05,157 --> 01:11:07,055 [man] 16, 15... 1165 01:11:07,159 --> 01:11:08,643 BANANA ME. 1166 01:11:08,747 --> 01:11:12,095 ...13, 12, 11... 1167 01:11:12,198 --> 01:11:14,994 QUELISH IN 10 SECONDS. 1168 01:11:15,098 --> 01:11:17,376 9, 8, 7, 1169 01:11:17,480 --> 01:11:20,414 6, 5, 1170 01:11:20,517 --> 01:11:22,139 QUELISH, 3, 1171 01:11:22,243 --> 01:11:25,211 QUELISH, 2, 1172 01:11:25,315 --> 01:11:26,282 [crashing] 1173 01:11:33,392 --> 01:11:35,187 [grunting] 1174 01:11:35,291 --> 01:11:37,672 EMERGENCY PROCEDURE. RELEASE PUMP 5! 1175 01:11:37,776 --> 01:11:39,571 RELEASE PUMP 5! 1176 01:11:39,674 --> 01:11:42,850 KILL HIM, MY BEAUTIFUL VEGETARIANS. 1177 01:11:42,953 --> 01:11:43,989 [grunting] 1178 01:11:44,092 --> 01:11:45,473 KILL HIM! 1179 01:11:45,577 --> 01:11:48,338 AND YOU, YOU GIVE ME MY SPHERE! 1180 01:11:51,893 --> 01:11:54,033 SPHERE! 1181 01:11:54,137 --> 01:11:55,138 AH! 1182 01:11:55,241 --> 01:11:57,278 GO FREE THE ANIMALS. 1183 01:11:59,073 --> 01:12:00,557 [man] STOP HER! GET HER! 1184 01:12:03,388 --> 01:12:04,630 "NO MEAT." 1185 01:12:07,771 --> 01:12:08,876 HA! 1186 01:12:10,740 --> 01:12:12,120 MEAT! 1187 01:12:12,224 --> 01:12:13,225 [all] MEAT! 1188 01:12:13,329 --> 01:12:16,159 100 PERCENT PURE BEEF! 1189 01:12:16,262 --> 01:12:17,402 [all] BEEF! 1190 01:12:17,505 --> 01:12:18,851 PORK. 1191 01:12:18,955 --> 01:12:20,266 [grunts] 1192 01:12:20,370 --> 01:12:21,406 HA! 1193 01:12:22,717 --> 01:12:24,340 [man groaning] 1194 01:12:30,449 --> 01:12:32,486 MORE LOVELY MEAT? 1195 01:12:41,322 --> 01:12:44,049 [sheep bleating] 1196 01:12:47,328 --> 01:12:49,399 [dogs barking] 1197 01:12:49,503 --> 01:12:51,159 [pigs snorting] 1198 01:12:53,507 --> 01:12:55,440 [droning] 1199 01:12:55,543 --> 01:12:56,510 [quacking] 1200 01:13:00,341 --> 01:13:01,377 [croaking] 1201 01:13:03,033 --> 01:13:04,103 [cows mooing] 1202 01:13:04,207 --> 01:13:05,415 [horses neighing] 1203 01:13:09,454 --> 01:13:10,420 [twittering] 1204 01:13:11,801 --> 01:13:13,389 NO! DON'T BURGER ME! 1205 01:13:13,492 --> 01:13:14,528 [grunting] 1206 01:13:14,631 --> 01:13:16,771 I'M NOT AFRAID OF A LITTLE MEAT. 1207 01:13:16,875 --> 01:13:17,876 [beeping] 1208 01:13:21,327 --> 01:13:22,432 [laughing] 1209 01:13:28,749 --> 01:13:29,715 [explosion] 1210 01:13:37,171 --> 01:13:38,552 NO MORE MEAT! 1211 01:13:38,655 --> 01:13:39,829 MEAT! MEAT! 1212 01:13:39,932 --> 01:13:40,933 MEAT! 1213 01:13:43,971 --> 01:13:45,800 [explosion] 1214 01:13:56,811 --> 01:13:58,399 [people shouting] 1215 01:14:08,444 --> 01:14:09,755 [neighing] 1216 01:14:11,550 --> 01:14:13,069 [dogs barking] 1217 01:14:13,172 --> 01:14:14,139 [whimpering] 1218 01:14:17,107 --> 01:14:18,454 [cows mooing] 1219 01:14:26,462 --> 01:14:27,808 [beeping] 1220 01:14:34,815 --> 01:14:36,610 [machine gun firing] 1221 01:14:44,997 --> 01:14:47,034 DEATH TO ALL MANKIND. 1222 01:14:52,280 --> 01:14:53,903 [beeping] 1223 01:15:02,601 --> 01:15:05,224 WHEN YOU'RE FINISHED DRINKING ALL THAT, 1224 01:15:05,328 --> 01:15:07,813 YOU'LL DEFINITELY NEED A COUPLE OF THESE. 1225 01:15:11,368 --> 01:15:12,611 [bubbling] 1226 01:15:48,509 --> 01:15:49,786 [people screaming] 1227 01:15:55,102 --> 01:15:57,276 [people screaming] 1228 01:16:00,348 --> 01:16:01,418 [explosion] 1229 01:16:06,147 --> 01:16:07,770 [screaming] 1230 01:16:11,636 --> 01:16:13,258 [horses neighing] 1231 01:16:14,431 --> 01:16:15,571 MOTHER! 1232 01:16:15,674 --> 01:16:17,158 MOM! 1233 01:16:17,262 --> 01:16:18,574 [Allison] YES, SWEETHEART. 1234 01:16:18,677 --> 01:16:19,885 WHERE'S DADDY? 1235 01:16:19,989 --> 01:16:21,197 [explosion] 1236 01:16:28,687 --> 01:16:29,826 [squawks] 1237 01:16:37,213 --> 01:16:38,835 COME ON, BOY. WE'RE TOGETHER. 1238 01:16:41,010 --> 01:16:42,149 [people clamoring] 1239 01:17:01,720 --> 01:17:04,412 PLEASE STAND BACK. THIS BUILDING'S GOING TO BLOW. 1240 01:17:19,669 --> 01:17:20,946 [siren wailing] 1241 01:17:21,050 --> 01:17:22,223 BYE-BYE. 1242 01:17:25,295 --> 01:17:26,849 GET RID OF THIS, WILL YOU? 1243 01:17:44,383 --> 01:17:46,075 YOU'LL NEVER WORK IN THIS TOWN AGAIN. 1244 01:17:46,178 --> 01:17:48,905 WELL, THAT DEPENDS ON WHAT MY WIFE AND DAUGHTER HAVE TO SAY. 1245 01:17:49,009 --> 01:17:50,769 WE'RE GOING HOME. 1246 01:18:04,369 --> 01:18:05,715 [people chattering] 1247 01:18:12,584 --> 01:18:13,723 [people clapping] 1248 01:18:22,939 --> 01:18:24,700 [Frayn] THAT WAS THE END OF THE STORY, 1249 01:18:24,803 --> 01:18:27,254 APART FROM AN ISOLATED INCIDENT IN OREGON 1250 01:18:27,357 --> 01:18:29,532 WHEN A LUMBERJACK WAS BRUTALLY ASSAULTED 1251 01:18:29,635 --> 01:18:31,707 BY A MALICIOUS MOLE. 1252 01:18:31,810 --> 01:18:35,020 MR. PARKER'S DAUGHTER HAPPILY LEFT THE THEATRE 1253 01:18:35,124 --> 01:18:39,438 AND IS NOW WITH GREENPEACE PICKETING TOXIC WASTE DUMPS. 1254 01:18:39,542 --> 01:18:41,406 MR. AND MRS. PARKER 1255 01:18:41,509 --> 01:18:43,926 CELEBRATED THEIR RECONCILIATION 1256 01:18:44,029 --> 01:18:46,238 IN A MOST APPROPRIATE FASHION. 1257 01:18:51,312 --> 01:18:52,797 I LOVE YOU. 1258 01:18:55,040 --> 01:18:56,352 TONIGHT? 1259 01:18:58,457 --> 01:18:59,838 TONIGHT. 1260 01:18:59,942 --> 01:19:01,219 LET'S EAT. 1261 01:19:01,322 --> 01:19:02,530 LET'S EAT. 1262 01:19:02,634 --> 01:19:03,911 LET'S EAT! 1263 01:19:05,223 --> 01:19:06,293 MMM. 1264 01:19:07,087 --> 01:19:08,329 NO, NO. 1265 01:19:08,433 --> 01:19:12,161 TONIGHT MRS. PARKER WILL SERVE HER HUSBAND SUPPER. 1266 01:19:12,264 --> 01:19:14,715 [waiter] AS YOU WISH, MONSIEUR. 1267 01:19:26,762 --> 01:19:28,039 DO IT. 1268 01:19:28,798 --> 01:19:30,731 [chuckling] 1269 01:19:36,702 --> 01:19:41,362 ♪ YEAH, YEAH 1270 01:19:41,466 --> 01:19:43,468 ♪ WHOA 1271 01:19:44,434 --> 01:19:46,057 [laughing] 1272 01:19:49,715 --> 01:19:52,546 ♪ LIVING AGAINST THE GRAIN 1273 01:19:52,649 --> 01:19:55,929 ♪ TWO HEARTS SHARING ONE PAIN 1274 01:19:56,032 --> 01:20:01,969 ♪ BUT THANKS TO LOVE WE GOT BY 1275 01:20:02,073 --> 01:20:06,111 ♪ I COULDN'T LET MY FEELINGS SHOW 1276 01:20:06,215 --> 01:20:08,631 ♪ COULDN'T LET YOU EVER KNOW 1277 01:20:08,734 --> 01:20:11,358 ♪ THAT THE END THAT SEEMED SO REAL 1278 01:20:11,461 --> 01:20:14,948 ♪ WAS JUST A LIE 1279 01:20:15,051 --> 01:20:18,537 ♪ ALL THE THINGS I DID FOR LOVE 1280 01:20:18,641 --> 01:20:21,920 ♪ HAVE TURNED OUT SO WRONG 1281 01:20:22,024 --> 01:20:24,509 ♪ NO MATTER WHAT I TRY 1282 01:20:24,612 --> 01:20:29,100 ♪ NOW JUST MAGNIFIES THE LIE 1283 01:20:31,205 --> 01:20:36,003 ♪ I JUST CAN'T LIVE WITHOUT YOU 1284 01:20:37,763 --> 01:20:40,525 ♪ THERE'S JUST NO ME 1285 01:20:40,628 --> 01:20:44,149 ♪ WITHOUT YOU, NO 1286 01:20:44,253 --> 01:20:49,189 ♪ I'D BE SO LOST WITHOUT YOU 1287 01:20:49,292 --> 01:20:50,776 [laughing] 1288 01:20:50,880 --> 01:20:56,817 ♪ I NEED MY ARMS AROUND YOU 1289 01:20:56,921 --> 01:21:00,234 ♪ SO GLAD WE FOUND OUT IN TIME 1290 01:21:00,338 --> 01:21:03,582 ♪ TRUE LOVE IS HARD TO FIND 1291 01:21:03,686 --> 01:21:07,759 ♪ THIS TIME WE'RE GONNA GET IT RIGHT 1292 01:21:07,863 --> 01:21:10,072 ♪ WE'RE HOLDING ON TIGHT 1293 01:21:10,175 --> 01:21:13,489 ♪ I WON'T BE MISLED AGAIN 1294 01:21:13,592 --> 01:21:16,630 ♪ THIS TIME THE GOOD GUYS ARE GONNA WIN 1295 01:21:16,733 --> 01:21:20,737 ♪ OUR LOVE COMES SO NATURALLY 1296 01:21:20,841 --> 01:21:23,223 ♪ WE WERE MEANT TO BE 1297 01:21:23,326 --> 01:21:26,088 ♪ PRETENDING NOT TO CARE 1298 01:21:26,191 --> 01:21:29,194 ♪ WAS THE HARDEST THING TO FAKE 1299 01:21:29,298 --> 01:21:32,646 ♪ AND BEING WITHOUT YOUR LOVE 1300 01:21:32,749 --> 01:21:36,857 ♪ IS MORE THAN I CAN TAKE 1301 01:21:38,514 --> 01:21:43,450 ♪ I JUST CAN'T LIVE WITHOUT YOU 1302 01:21:44,969 --> 01:21:47,833 ♪ THERE'S JUST NO ME 1303 01:21:47,937 --> 01:21:51,423 ♪ WITHOUT YOU, NO 1304 01:21:51,527 --> 01:21:56,463 ♪ I'D BE SO LOST WITHOUT YOU 1305 01:21:58,154 --> 01:22:03,194 ♪ I NEED MY ARMS AROUND YOU 1306 01:22:04,850 --> 01:22:09,269 ♪ NOBODY THOUGHT WE COULD MAKE IT, NO 1307 01:22:10,822 --> 01:22:12,341 ♪ THEY DIDN'T THINK 1308 01:22:12,444 --> 01:22:15,206 ♪ OUR LOVE WOULD HAVE THE STRENGTH TO TAKE IT 1309 01:22:15,309 --> 01:22:17,725 ♪ OH, NO, OH 1310 01:22:17,829 --> 01:22:19,900 ♪ THE LESSON'S BEEN HARD TO LEARN 1311 01:22:20,004 --> 01:22:23,973 ♪ BUT WE PASSED EVERY TEST 1312 01:22:24,077 --> 01:22:27,252 ♪ AFTER ALL THAT WE'VE BEEN THROUGH 1313 01:22:27,356 --> 01:22:30,393 ♪ OUR LOVE IS STILL STANDING, BABY 1314 01:22:30,497 --> 01:22:32,913 ♪ OUR LOVE IS STILL STANDING 1315 01:22:33,017 --> 01:22:36,330 ♪ YES, IT'S STILL STANDING UP 1316 01:23:03,875 --> 01:23:08,811 ♪ I JUST CAN'T LIVE WITHOUT YOU 1317 01:23:10,468 --> 01:23:13,436 ♪ THERE'S JUST NO ME 1318 01:23:13,540 --> 01:23:16,853 ♪ WITHOUT YOU, NO 1319 01:23:16,957 --> 01:23:21,927 ♪ I'D BE SO LOST WITHOUT YOU 1320 01:23:23,584 --> 01:23:28,486 ♪ I NEED MY ARMS AROUND YOU 1321 01:23:30,419 --> 01:23:31,696 ♪ OH, YES 1322 01:23:31,799 --> 01:23:35,803 ♪ I JUST CAN'T LIVE, NO 1323 01:23:36,770 --> 01:23:40,153 ♪ THERE'S JUST NO ME 1324 01:23:40,256 --> 01:23:43,363 ♪ NO ME WITHOUT YOU, BABY 1325 01:23:44,433 --> 01:23:46,745 ♪ I'D BE SO LOST 1326 01:23:46,849 --> 01:23:50,301 ♪ I'D BE SO LOST 1327 01:23:50,404 --> 01:23:52,165 ♪ OH, OH, YEAH 1328 01:23:52,268 --> 01:23:54,926 ♪ I NEED MY ARMS AROUND YOU 1329 01:23:55,030 --> 01:23:57,791 ♪ JUST CAN'T LIVE MY LIFE WITHOUT YOU, BABY 1330 01:23:57,894 --> 01:23:59,586 ♪ JUST CAN'T LIVE 1331 01:24:01,726 --> 01:24:04,798 ♪ NO 1332 01:24:04,901 --> 01:24:07,663 ♪ NO 1333 01:24:07,766 --> 01:24:09,458 ♪ WITHOUT YOU, NO 1334 01:24:11,253 --> 01:24:13,151 ♪ HOLD ON TIGHT 1335 01:24:14,497 --> 01:24:18,053 ♪ HOLD ON TIGHT 1336 01:24:18,156 --> 01:24:19,778 ♪ CAN'T LIVE 1337 01:24:21,539 --> 01:24:22,988 ♪ CAN'T LIVE 1338 01:24:24,197 --> 01:24:26,440 ♪ OH, NO, BABY 1339 01:24:26,544 --> 01:24:27,579 ♪ BABY 1340 01:24:27,683 --> 01:24:29,823 ♪ I MISS YOU, BABY 1341 01:24:31,549 --> 01:24:36,036 ♪ WHOA, WHOA 1342 01:24:36,140 --> 01:24:39,246 ♪ THERE'S JUST NO ME 1343 01:24:39,350 --> 01:24:42,801 ♪ WITHOUT YOU, BABY 1344 01:24:42,905 --> 01:24:45,010 ♪ I NEED MY 1345 01:24:45,114 --> 01:24:49,049 ♪ WHOA, ARMS AROUND YOU 1346 01:24:49,153 --> 01:24:52,397 ♪ I REALLY NEED YOU 1347 01:24:52,501 --> 01:24:55,814 ♪ I'VE BEEN MISSING YOU, BABY 1348 01:24:55,918 --> 01:24:59,508 ♪ CAN'T LIVE WITHOUT YOU 1349 01:24:59,611 --> 01:25:02,856 ♪ WITHOUT YOU 88526