All language subtitles for Desperation.Road.2023.1080p.BluRay.x264-JustWatch

It's Iike you
wake up one day

andyoureJust here...

//ke a stone thrown
into th/s world.

Butyou don t know
who threw /t,

or which direction
it came from...

'Go hack to M/ss/ss/pp/, "
you think.

Maybe there wil/ be
a miracle...

some way to begin aga/n...

- AII rig ht, tu rn th is siőe of you r head .
- No .

O h , Iook at how ő irty
that is .

M m .

I wish it was true.

God, / w/sh it was true.

Mama ?

Yeah, baby?

Are we
/n M/ss/ss/pp/yet?

Yeah, we are.

Can we stop wa/k/ng now?

You sairt once we got to M/ssiss/ppi,
we cou/d stop walking.

/s that what / sa/d?

We're gon na get
a place rea I soon , okay?

N you got to go
to sleep ,

a nő you hetter ő rea m a bout
that chocolate ice crea m that you haő .

- M a ma ?
- Yea h .

Tel I me a hout M ississi ppi
aga in .

M m . . . okay.

Well ...

M ississippi ...

was you r daődy's
favorite place.

- D id you know that?
- No .

H e was horn
a nő ra ised here,

a nő he swore
he'ő never Ieave .

H e sa iő that M ississi ppi
was the place of m iracles .

You th in k he'II g ive us
ou r m iracle?

Yeah, I do.

I think he 's...

...out there,
watching us...

mak/ng sure
that we 're doing okay.

- I Iove you .
- M m , I Iove you too, ha by.

- Good n ig ht.
- You gotta go to sleep.

- O kay. Gooő n ig ht.
- Good n ig ht.

- What a re you doing?
- Going hack to my room .

Excuse me . I just wa n na
have a conversation with you , ma'a m .

PIease őon't d isrespect me .

Tha n k you .

N I 'm g uessi ng
you know it's not Iega I

to go in them trucks
a nő őo them ő i rty th i ngs .

I ő id n't go
in no truck.

N I saw you com ing őown
off them steps .

N ed ca IIed us.

AI I rig ht? He's tired of y'a II
trash i ng u p h is pa rking Iot.

See , th is here
is a fa m ily esta bl ish ment.

Well , I d id n't do
noth in ', so ...

- Y'a I I never do.
- What a re you doin'-- Heyl

I tolő you that I d id n't do--
I ő id n't őo a nyth ing l

What're you őoi n'? !

I got a kid in there, okay?

- You ca n't do th is .
- S h ut you r da m n mouth !

- I got a kiő i n there !
- S h ut you r da m n mouth !

Hey. . . hey!

H ey. I have my őa ug hter
in the room

a nő you ca n't Ieave her
in there, so...

- And I 'm tell ing you the truth .
- Aw sh ucks .

See , I d id n't Ieave her.
You ő iő .

O h , stop cryi ng .

N you're not
going to ja i I .

Anő if you were,
I 'ő have cuffeő you a I ready.

You just sit back
a nő relax.

Anő if you're
a good Iittle g i rl ,

if you're q u ieter
tha n a Iittle ch u rch mouse ,

you m ig ht even get back
to you r kid q u icker tha n you th in k.

N I know you know
I 'm a hout to come back there .

A g i rl I ike you
shou Iő n't m ind .

See?

I a i n't gon na h u rt you .

M ayhe we cou Id even
be frienős .

H a bout
a Iittle mood Iig hting?

That better?

Ta ke off them d irty shoes.

Oood g irl .
N the rest.

N swing them Iegs
over to me .

There you go.

If you wa n na see
that motel room aga i n ...

you better godda m n behave.

I wou Iő n't worry a bout that.
We a in't őone just yet.

You hea r me? !

Ta ke it back off.

I thoug ht that was
what you wa nted .

Yea h , it was .

I ő id what you
tolő me to do.

Anő you sa iő that you wou Id
ta ke me back to my kid .

What do you th in k
wou Iő ha ppen

if that kiő's mom ma
got picked u p for prostitution ,

kiő Ieft there a Ione
in that sh itty motel room ?

There's no food
or noth ing in there either.

H u h?

H ey, olő boy.

Oot us
some new enterta in ment.

Well , why don't you come on out
a nő I'II show you ?

Sa me spot.
Y'a II ca n both come .

Yea h .

Oon' be a pa rty!

We're gon na have us
some com pa ny.

You wa nt me to go out
on the hood a nő wa it for 'em ?

N that's
the spirit!

Anő why not?

Be a n ice
hood orna ment.

Don't put noth in' on .

Come on , then .

Ai n't got a II n ig ht.

Attag irl .

It's hot.

Yea h?

Ca n I get my sh irt
to sit on?

Oo on .

H u rry u p .

Whoa , now.

Are you
fuckin' kiőd ing me?

Don't you know not
to play with g u ns, g irl , h u h ?

That a in't a toy.
Put it őown !

M om my!

I know, ba hy, ha ng on .

It's okay.
H ey, ba by.

H ey, I'm here , ba by.

It's okay, sh h ...

I know, I know, I 'm so sorry.

Welcome home.

H ey...

They Iet you out
ea rly...

. . . but you still owe , motherfucker.

- You stil I owe .
- Hey!

H ey, stop it rig ht there
or I 'I I ca II the Iaw.

- Well , ca II 'em , assholel
- I wil I ca I I them .

J ust back off a nd go on !

Don't you worry.

You a in't
out of my reach , boy.

You a II rig ht, ma n?

Jesus .

H ome , sweet fucking home.

H ey, there,
old ma n .

H eaős u p
wou Iő have been n ice.

Told you I was
getting out soon .

Well , I cou Iő've
come pick you u p.

N a h , I ő id n't wa nt
to bother you .

N a h , it weren't
no bother.

Th is here's Consuela .

- Es mi hijo.
- Sf Same eyes.

Mucho gusto.

N ice to meet you .

Spea king of eyes ,
what ha ppeneő to you r face?

J ust a Iittle going away
present from the hoys on the inside ,

- I su ppose .
- H m m .

I fig u re he cou Iő use
a Iittle meat on h is hones .

Th is woma n ca n cook.

Come on , you Iook I ike you neeő
someth ing to eat. Come here .

- Jeez, I just wa Ikeő a II the way over here .
- O h , hel I .

Where'ő she
come from ?

I went to visit you r u ncle CI ive
őown in Boga Iusa .

I saw her working
in a suga r ca ne fielő .

Big brown eyes kept watch i ng me
everywhere I went,

a nő she kept
Ia ug h i ng at me .

Anyway, I fig u red I 'ő go a nd ask her
why she was Ia ug h ing .

I mea n , you shou Iő 've seen how he haő them
workers I ivin', in them ratty shacks ,

a nő . . . she ő iő n't have
noboőy a nd neither ő iő I , so...

I askeő her if she wa nteő
to come a nő stay with me,

a nő she sa iő yes
a nő she's heen here ever since .

- And the rest is h istory.
- Yep.

You're spea ki ng
Spa n ish now.

Muy poco,
but she gets it.

I 'I I bet she does ,
you sly őog .

It a in't Iike that.
You get you r m ind out of the g utter.

Where she sleep?

U m , i n you r old room ,
in the ba rn .

- You I ia r.
- O h , g im me that.

It got awfu I q u iet here
when you r m a ma passed .

Some n ig hts I 'ő sit
out here a nő ...

it sou nőeő as if the world
haő come to a n enő .

I trieő to q u it
feel ing baő a bout it.

I hope you r ma m a
u nőersta nds.

O h , I ca n't fig u re
she'ő m inő .

You ca n't feel a ny worse
a bout her tha n I do .

I know it h u rt her, me being where I was
wh i Ie she was őying .

Well , she Ioveő you .
Anő that's a I I that matters .

I wrote you a bu nch
of Ietters I ő iő n't send .

You know, I fig u red
you d id n't need the extra weig ht.

You ő iő n't need more sh it,
m ine or a nyone else's .

Well , that's okay.
I 'm here now.

O ive me a II the sh it
you got.

You still got
that olő th i ng , h u h?

You ta Iki n'
a bout the B ible?

She a nő I sit out here ,

helps her with her E ng Iish .
She reaős .

J ust Iike you a nd me useő to read
when you was Iea rn in', remem her?

- Yea h , I remem ber.
- You used to Iove those old stories .

Da n iel in the I ion's den
was you r favorite .

I őon't rea I Iy believe
in none of that no more .

What, that the Iions
ő id n't eat h im?

N a h . I őon't believe
in none of it.

I useő to go to these prison cha pel
meetings someti mes.

An old wh ite-ha ireő preacher,
a hu nch of outlaws

sittin' i n a II
these folő i ng cha irs ,

yelling their ha IIeluja hs .

Preacher'ő get u p ,
g ive h is sermon .

Anő everyhody get
to ta ke tu rns ,

getting u p at the pu I pit,
g ive their testimon ies .

"Yes , I stole."
"Yes , I ra ped ."

"Yes , I heat the sh it
out of my fellow ma n ."

"But now I fou nd
the Iove of God ,

now I see the I ig ht."

Anő so on , a nd so on ,

a nő a II thei r cla ppi ngs
a nő "a mens , " a nő sh it,

a nő I just ő iő n't ca re
for it, so I stoppeő goi ng .

H m m .

Do you th in k it's fa ir?

What? Do I th in k
what's fa ir?

Tsk...

Well , that ma n ca n get
into the mag ic Kingőom

no m atter what they őone,

as Iong as they say
the mag ic worős .

Words have power
if you mea n them .

Anő it doesn't m atter
what you a nő me th in k is fa i r.

Th is Gooő Book

tells me that the door
is a Iways open .

Let me ask you someth ing .

H 's what you d id
ő ifferent?

'Ca use I made
one hig fucki ng m ista kel

Anő I ő iő n't mea n it.
They mea nt it.

Da m n rig ht.
Anő you a i n't them .

You made
a hig fucki ng m ista ke

a nő you ő iő
you r time for it.

Well , in whose eyes?

M ine? Thei rs?

I have a n acciőent,
I get swoopeő away

a nő Iockeő away
beh ind these ba rs .

Don't get to show
my remorse ,

get my sorrys
to nobody that I h u rt.

Ai n't you , a in 't me,
a i n't nobody out there

just gon na sna p
thei r fi ngers

a nő instill some sort
of forg iveness in me .

Son , you're being
awfu I őa m n ha rő on you rself.

I got to believe
we ca n be forg iven .

'Ca use if we ca n't, well ,
then we're a II fucked .

It was them hoys that d id
that to you r face, wasn't it?

Wa itin' at the bus stop ,
soon as I pu IIeő in .

Yea h , fuckin' La rry.

Oot you set u p
at, u h ,

one of my places there
at, u h , M ich iga n Aven ue.

H ere's you r ca r keys ,
got the keys to the place--

It's that old place we put
the sh utters on , you remem ber?

O h , I know.
H cou Id I forget?

Yea h , but, u h , Iisten ,
why őon't you just stay out here,

you g ive those fellas
some time to cool off?

O h , they a in't
cooli n' off a ny time soon .

'Sides , they know
where you Iive.

They ca n pu II u p the ő riveway
just as easy as I ca n .

I a i n't bring in' that
out here .

Well , I 've got someth i ng for you .
H a ng on to these .

H ere .

I őon't reca II a nyth ing a bout no
h u nting rifle in the New Testa ment.

Well , you ca n on Iy tu rn
so ma ny cheeks , a nő I on Iy got fou r, so ...

I 'ő be hrea king a bout two dozen Iaws
just by havi ng it.

I 'ő feel a whole Iot better
knowing you're safe.

- Ain't gon' be that had .
- Wel I , you őon't know how it's gon na get.

O kay.

Do you e ver th/nk
ahout that moment?

That moment i got
a /ittle too big, too o/d,

too hea vy foryou to carry?

You think to yourse/f,
'Goddamn/ i can 't carry my son no more."

You rton 't ha ve to carry me
no more, Dad.

I'/I be okay.

Tha n k you .

Shot of Bug , please.

Oet out of the truck!
Show me you r ha nős !

SIowly.

Oet that godőa m n th ing
out of my face , Boyd !

Well , I 'II he őa m neő !

- When'd you get home?
- Noon .

- Noon today?
- Noon today.

O ive me some Iove , m a n .
Don't sta nd there .

AII rig ht.

Stop it.

We g rown now. You ca n't be
Iifting me u p Iike that.

O h , I got you .

Well , ta I k to me .
H was it?

About what you ca n imag ine,
'cept way fucki ng worse .

H 's Lacey? She still
tu rn ing hackfli ps?

Ood nol She cou Iő n't put
her rig ht Ieg

in that old cheerleaőer
outfit if she wa nteő to.

You gotta Iove her,
thoug h , ma n . You got to.

So what's goin' on here?

Ai n't no point
in keeping it a secret.

Be on the news
tomorrow.

O ne of ou r own shot
with h is own pistol ,

wh ich we ca n't seem
to find .

S h it.

Anyone I know?

N a h , th is g uy ca me őown
from Tu pelo or somewhere

a yea r or two hack.

Been on th i n ice
ever since he got here.

So I wou Iő n't be su rprised
if someth ing a in't catch back u p to h is ass .

J ust hate for Lacey
to find out a bout th is one.

She stays worrieő enoug h
a bout me , you know?

O h , I bet.

Well , they're gon na ask me
if I checkeő you out, so ...

I gotta check you out,
see what's in the truck.

O kay, yea h .
O pen it u p.

P uss , you a in 't been out
24 hou rs.

Sh it, ma n ! You know
you a i n't su pposeő to have no g u n .

J ust got out
of the da m n cage , Boyd .

You őon't know
what that feels Iike.

- You wa n na go back to the cage?
- No .

D iő n't th in k so ,
so if I was you ,

get in the truck
a nő ca II it a n ig ht.

Yes , officer.

This is it.

You have the whole place
to you rselves.

The doors Iock
at 8 p. m .

If you go out,
you need a password to get i n .

O h , hey, you wa it.
You Iet me help you get u p there.

Well , Iet me hel p
put you r bags away.

N o . We're gooő .

Is , u h ...

Is there a nyth ing
I ca n do for-for work?

I mea n , I'II őo
just a bout a nyth i ng .

There's a ba r
u p the road

where you ca n help
with the d ishes a nd work in the kitchen .

N it a in't m uch ,
but he pays out at the end of the day.

Ca n I work today?

You Iook
Iike you need a brea k.

I őon't.

You su re noboőy's
following you?

We get that.

D iő n't you tell her
that she cou Iő have a hot őog?

H m m ?

- You wa nt a hot őog?
- Come on , ba by.

Someti mes I have a ha rd time
remem hering how old he'ő he .

I riőe by here
just to rem i nd myself.

You ever do that?

I cou Id say
at a nytime ...

exactly how olő
he'ő he .

Twenty-five yea rs,
th ree months.

Yea h , I wish
I cou Id do that.

It's a II rig ht.

You got a busy I ife,
you got a fa m ily.

Ai n't nobody bla m in' you .

Besiőes . . .
I remem her enoug h for the hoth of us.

Why do you a Iways
őo that?

H is toll .
To hri ng h im home.

There's a Iways
a price to pay.

I Iike that.

M a n , it's no wonőer
these boys a re stackeő I ike hrick houses,

you feeő in' them Ii ke that.

Well , they're hea rty eaters .

Boys ...

Well , I tha n k you
m uch , Lacey.

That was őa m n gooő .

We're just g Iad
you're home .

I 'm just g Iaő these boys
took after you .

- You r mouth to Goő's ea rs .
- Hey, now.

O h , I see
you're u p to m isch ief.

'Bout that time?

Don't act
Iike you don't know.

Why the hell you ő iő n't ca II me
knowing you was getting out?

H m m ?

You know I wou Iő've ő rove
őown there a nd got you .

You know it őon 't work
Iike that.

Tsk, see , u h ...

that's where you're wrong .

I got specia I privileges .

FIash 'em the olő haőge.

- S pecia I privi Ieges .
- Wel I , I 'I I just show 'em m ine .

That ő iő n't work
a nyways .

And it's bigger.

AIways has been ,
a Iways will be .

AI I fools .

Tsk. La rry had it fig u red .

That's what ha ppeneő
to you r face?

Su re is.

H serious do you th in k
the brothers a re?

O h , I don't know how serious
they a re together.

I know La rry's
pretty serious a I I on h is own .

You wa nt me to go
say someth ing?

- 'Ca use you know I wil I .
- No . S h it, no .

I 've dea It with way worse
since the Iast time I saw you .

Besiőes , La rry's just a pu ppy dog ,
com pa ratively spea king .

Yea h , a n agg ravating ,
chew-u p-you r-sh it pu ppy dog , thoug h .

There's a big d ifference.

Well , you know...

H you doin'?
You őoin' okay?

Doi ng gooő .

P uss , come on .

H you rea IIy őoin'?

Thoug ht I 'ő feel
a Iittle ő ifferent.

Feels good
a I I at the sa me ti me , but...

I őon't know.

You seen her yet?

N o , not yet.

But it's a sma II town ,

I 'm bou nő to ru n into her
sooner or Iater.

M a n ...

We bu rned u p a Iot of m iles
a nő a Iot of time out on those roaős .

I m issed that.

Tu rns out,
I m issed you too, hro.

O h , don't get
a I I g ushy on me.

I m issed you too,
buő .

I knew it.
I knew it.

Now Iong
ha ve you been here ?

AII morn/ng.

Nadn t gotten up
the courage to knock.

You Iook the sa me .

- PIease.
- You do .

Well . . . you Iook I ike
you cou Id use a hot mea I .

You know, people
keep saying that to me ,

but nohoőy's offereő
to buy me a ny ő in ner.

You a II rig ht?

Yea h , I 'm okay.

You?

O h , yes .

I 'm a II rig ht.

I bet you r daődy's ha ppy
that you're home.

I was sorry
a bout you r ma ma .

Yea h ...

Yea h , hoy.

Su re wou Iő've been n ice
for her to see me ma ke it.

I bet she's sm ili ng .

Pemodeling?

H u rrica ne Iast n ig ht.

I het.

That h u rrica ne
got a na me?

O h , they usua IIy őo.

You still mad
at me?

I tolő you then
Iike I 'II tel I you now.

Ai n't noth i ng
to be mad a hout.

Seems Iike you tolő me
the sa me th i ng .

I knows it.

I just wonőered .

I 'm the one that told you
to stop com ing to see me .

But I 'm the one
who ag reed .

H m a ny kids?

I got twi n boys
a nő a I ittle g irl .

H old?

My boys a re fou r
a nő the g irl is two .

M a n , a I I I wa nt to őo
is hold you r ha nő rig ht now.

J ust for one m in ute .

There's a whole Iot
between us now.

A whole Iot...

I ca n't keep it
a nymore .

But it's you rs .

It was .

I gotta go.

H ello .

M om my!

H i , ba hy. Tha n k you
for watch ing her.

- What a re you doing?
- Colori ng .

Ped? Too sca ry.
Too sca ry.

- Pu rple !
- Yea h !

Pu rple, a rea IIy
n ice Iig ht...

- shade of pu rple.
- Yea h .

Tell me about Dartdy.

Well ...

You ha ve h/s eyes.

- / do ?
- M m-h m m .

And he wou/rt've been
/e to make you /augh so hard

that / th/nk
you would've broken ribs.

And he wasjust...

so rea I .

Anő so ki nd .

And he was my first everyth/ng.

Anő together
we maőe you .

Anő you're ...

the most i m porta nt th ing
in the whole world , őo you know that?

H m m ?

- Ana Iee . . . Ana Iee, where's ou r stuff?
- Yea h?

I n there?

Who told you
to em pty the bag?

I- I-I ő iő n't őo it.
The Iady ő id .

- Get on you r shoes .
- What for?

Do what I say a nd put you r shoes on
a nő get you r stuff.

But I őon't wa n na go !

Ba by, sh h ! I know
you wa n na stay here ,

- but we gotta go .
- W-what's ha ppen ing?

J ust Iisten to me .
Do what I say a nd put you r shoes on .

Anő get the rest
of you r stuff over there.

- You sa id we cou Iő stop wa Iki ng . . .
- I know what I sa iő .

- ...once we got to M ississi ppi--
- Hey! Ba by!

Look at me. I Iove you .
I 'm gon na ta ke ca re of you ,

but you gotta őo what I 'm tel Iing you
to do rig ht now.

Do you get it?

M om my, where a re we going?

I wa nt my crayons .

- M om my!
- S h h !

O kay, th is way.

O kay. N you have
to be so q u iet.

N o ta Iki ng .

We're playi ng
the silent ga me

- a nd you wa n na win , rig ht?
- Yea h .

I wa nt my crayons .

- You're gon na Iose if you say a nyth i ng .
- O kay.

I őon't know...

I fou nő it
u n packi ng their clothes.

I get the feeling they're in
some kind of trou ble.

Okay.

O kay, Iisten to me ,
ba by g irl .

M om my messeő u p ,
okay?

I messeő u p rea IIy haő .
Big m ista ke .

But you wa n na stay
with M om my, rig ht?

'Ca use I rea IIy wa nt
to stay with you

a nő , if we're gon na
stay together,

we have to go rig ht now.

Anő you have to őo exactly
what I 'm a hout to tel I you to őo, okay?

- Yea h?
- Yea h .

Ca n we go yet?

Okay.

O kay. Oo . Oo !

H ello?

Wa it. Where's Ana Iee?

She's not i n the room?

Is the mother back?

H el Io?

Ana Iee, is that you ,
honey?

Is a nyone there?

Don't move .

Oet in the truck.

Wi II you get
in the truck?

- AII rig ht?
- I'm goin'.

H u rry u p .

O kay, just tu rn on
the ca r.

Tu rn on the ca r
a nő ő rive !

Where?

J ust-just go.
Oet a-- Get away from the I ig hts .

N orth , go N orth .

- M a ma ?
- Yea h , ba by.

I gotta pee
rea IIy haő Iy.

O kay, how bad
őo you have to pee?

- Pea I Iy bad Iy. Ca n we stop, please?
- We'I I finő her a place.

I got a place
for you to pee .

Anő you ca n Iower
that pistol as well .

Lot of potholes out here ,

őon't need you
acciőenta IIy shooting me .

D iő n't come th is fa r
to have it reaő on my tom hstone

"Acciőenta IIy shot
by some woma n . "

If I shoot you ,
it's not a n acciőent.

Tsk. U nderstooő .

You h u rry u p . O kay?
Oo pee fast--

H ey!
N o . No !

Fucking g ive that
back to me .

O h , I th in k
I 'I I holő on to that.

Th is a in't you r g u n .

Ca n you j ust
g ive me back that g u n?

You ca n em pty it out,
I őon't ca re , just--

- J ust g ive it back to me .
- I wil I ...

when you tell me
who it belongs to .

I trieő to fix a II th is...

before it even sta rted .

You know,
I went őown ...

to th is place in New O rlea ns
when I fou nő out I was preg na nt.

I thoug ht it was
the rig ht th ing to őo.

M ayhe it was .

But as I--

As I was sitti n' there ,
in that room , wa iting ,

a nő I őon't know, I just sta rteő th in king
that, you know,

mayhe everyth ing
was going to be okay.

I 've trieő
so fucki ng ha rd ...

You know, I actua I Iy d id n't
even know a person cou Id , u h ...

cou Id try that ha rő .

- But you know, u h . . .
- nowhere workeő out.

N ot S h reveport, not...

not Bea u mont,
not La ke C ha rles, a nd ...

I ca n't feed her.

I ca n't put
clothes on her.

I ca n't g ive her a fucking place
to sleep a nd now th is .

So yea h . . . U h ...

If you cou Id just
Ieave us here ...

PIease ...

Anő what a bout
you r fa m ily?

What a hout her dadőy?
What a hout you r ma m a?

N ot everybody has someboőy.

So where to now?

I 'I I ma ke you a prom ise .

I 'I I d rive you a nywhere,
with in reason .

But we're gon na
ta ke a rest ton ig ht.

O kay?

/ knew
it wasn 't gonna end.

AII / coulrt see
was her face.

Th i n ki ng that I 'd Ieft her,

th in king that nobody
in the whole world ca red a bout her.

So I stole h is g u n
a nő I shot h im .

I shot h im u ntil he
wasn't movi n' no more.

But you don't Iook
Iike a kil Ier to me .

I 've seen plenty,
I know what they Iook Ii ke.

Why a re you hold in' on
to that g u n , a nyway?

You know that da m n th i ng
gon' hu ry you .

If there's one th ing
in the worlő that cou Iő bu ry you ...

wou Iő you wa n na know
where it was?

What's you r na me?

Oot her?

You g uys just sleep in here .
I 'I I ta ke the back.

M a hen .

My na me's M a ben .

I 'm Pussell .

M a hen ...

You gotta he kidő i n' me.

Cody?

Cody, boy.

Big pa pa's home.
Big--

H ey. Hey, I--

Look, I know
that it's--

- You're not su pposeő to be here.
- I- I know.

- I know, I know.
- Go on , La rry. Go on . Come on .

Look, Iook,
is-is he here?

- Is Coőy here?
- 'Cou rse he's here .

- Cou Id I-cou Id I see h im for a m in ute?
- O h , La rry.

- It's the m iőd Ie of the n ig ht.
- Ba by, ba hy, please , please.

N o , it's the m iőd Ie
of the n ig ht.

I just wa n na see h im
for a m in ute .

I see you've been ő rin king .

Yea h . Yea h ,
I 've been d rin king .

I just got
one q uestion , okay?

Is-is-is he still
playi ng Little Leag ue?

Is he still playing? Is he-is he--

Is he swing ing the bat
Iike h is Daődy showed h im ?

He's too big
for Little Leag ue , La rry!

Oodda m m it!

You'd know that
if you saw h im .

Well , fuck!
You won't Iet me see h i m .

That a in't fuckin' fa irl What a re you
ta Iking a bout, "if I saw h im "?

I 've been tryin' to see h i m ,
that's why I 'm here!

Oet sober a nő you ca n see
you r son .

- That's what I sa id .
- I'm fuckin' trying !

- Not ha rd enoug h l
- Cody, boy!

You fuckin' be q u iet!
We got a restra in ing order.

I őon't wa n na have to ca II
someboőy, please.

Who the fuck
you gon na ca II?

H u h?
You fuckin' ca I I 'em !

I remem her that restra i n i ng order.
Fuck you !

- Ca II ! You ca II !
- I wil I fuckin' ca II somehody out here.

I will ca II somehoőy out here.
You get out! Get outl

You hea r that, boy?

You r Dadőy's out here , trying to see you !

Don't ever fuckin' say
I ő id n't try, hoy!

Don't ever say
I ő id n't fuckin--

Ba by g irl .

- Ti me to wa ke u p.
- O kay.

- D id you sleep okay?
- Yea h .

Yea h?

I have a present for you .

- You do?
- Yea h , I forgot a bout it

u nti I I was Iooki n'
at you wh ile you were asleep .

C rayons?

- I n a I I of you r favorite colors .
- Tha n k you , ma ma .

Tha n k you , ma ma .

AII rig ht, who wa nts to get out of here

a nő go get a bite to eat
for hrea kfast?

I got us a pla n .

What's the pla n ?

I know a place you ca n go .

Somewhere safe .

If I'm gon na trust you ,
you're gon na have to trust me .

O kay?

We're gon na get
a Iittle bite to eat, h u h?

O h , we'II fill that belly.

S Ieep a II rig ht?

- G 'morning, Mr. Gaines.
- Boyd/

You happen to see Russe//
th/s morn/ng?

U h , not yet.

Any iőea where he is?

N o , I was Iooking for 'i m .
You went hy the house?

I ő id , I d iő ,
saw the winőows .

Is that what th is is a hout?

After we fou nő ou r ma n ,
P ussell ca me ő rivin' u p.

J ust h im , nobody else
a I I n ig ht, way out there,

so . . . I gotta ask h i m
a bout it, that's a II .

M ayhe he m ig hta seen
someth ing that we're not?

- That's it?
- That's it, I swea r.

I 'm sorry to hea r
a bout you r ma n .

Tha n k you . Yea h .

Well , I just neeő h is eyes .
J ust have h im ca II me , please?

I will . O h , a nd Boyő .

U m , keep a n eye
on them boys , will you?

Especia I Iy La rry.

I ca n g ua ra ntee it was h im
that busted out them windows .

They a I ready put a knot
on the siőe of h is heaő

when they met h im
at the bus station .

I 'I I pay attention .

Tha n ks , Boyő .

You g irls
sit tig ht here .

Oot some com pa ny.

O h , it's gooő to see
you're still hreath ing .

You gotta remem ber
there's people g ive a sh it a hout you .

What the hell
is going on?

I mea n , the place was a II husteő u p ,
I assu me you ő iő n't őo it.

I a i n't worrieő a bout
none of that rig ht now.

I 'm gon na ask you a q uestion ,
a I I I need is a yes or no .

I need that olő place
in the ba rn for them .

I 'I I expla in
everyth ing Iater.

Boyő was snooping a rou nő ,
I mea n , someth ing you a in't tel Iin' me .

Yes or no ,
that's a II I neeő .

O h , yea h , there's someth ing
you a i n't tell ing me.

AI I rig ht, well ,
I got you r back.

But you got-- you know,
őon't keep me in the da rk here .

I wa nt you to pretend

it's that first time
you saw Consuela ...

a nő you ő iő what you ő iő
beca use you thoug ht it was rig ht.

They Iook h u ng ry.

I ma ke fooő .

Very ki nd of you ,
Consuela . Tha n k you .

O ne more th ing .
Don't tell a nyone they're here .

Well , I 'm not
a com plete id iot.

- It's pretty big .
- Wel I ...

H ere it is .

Oo on in .

Bet you proba bly expecteő
someth ing to go moo when you ca me in then .

H opefu I Iy th is is
comforta ble for y'a II .

Bath room is
rig ht over there .

Don't judge a hook
by its cover.

It's n ice.

I 'I I get you
mayhe some water.

H ey!

I know you r ma ma
proba bly sa id ...

there's no j u m pi ng
on the beő .

Well , if there's one beő
in th is whole world

that you ca n ju m p off,
it's ...

it's th is one.

You ju m p on that
with everyth ing you r I ife's got to g ive.

- O kay.
- I don't hea r you ju m ping .

Tha n k you !

AII rig ht,
slow a nd steaőy.

- O kay!
- Look, ma ma ! I ca ug ht a nother one .

Look at that!
Ca I I it beg i n ner's Iuckl

Cou Iő've useő
th is kiő as ba it!

You gon na catch
a nother one out here?

We're worki ng on it.

- Trying to .
- What's even out there , h u h?

Catfish .

Ney, Mama.

I'm home.

/m do/ng someth/n ' r/ght now
that / think is right.

I'm helpin someone.

I knowyou 're watching o ver me.

I'/I try and do right hyyou.

Anyways , I just wa nted
to say I Iove you .

I Iove you more tha n a nyth ing .

There he isl There's my boy!
You swing , motherfucker!

Swing it!

Swing at those fuckin'
fastba I Is , Codyl

H m a ny times
I őone tolő you?

H m a ny times
I őone tolő you?

- H u h? You swing--
- Hey! What a re you őoing here?

- Hey! H you doin', Da na?
- You ca n't be here.

- I ca n he-- I ca n watch my fuckin' boy--
- No , you ca n'tl

- You ca n't be here. . .
- S h ut the fuck u p!

- ...a nd you know it!
- Get the fuck-- I a i n't gon na fuckin'--

- I a in't gon na fucki n' h u rt noboőy!
- Don't do th is here !

- P Iease , La rry!
- Hey, get over here, hoy.

H ey! You get over here, boy.

- You don't neeő to ta Ik to h im , Coőy!
- S h ut the fuck u p!

You sh ut u p !
Don't ta Ik to h im , Codyl

What you doin' out there, hoy?
You swing at those fastba IIs .

- You don't ta ke 'em .
- I'm tryi n' to play.

Look, I 'II come őown here .
I 'I I show you how to play.

- I'II show you how to play.
- I don't need you r help .

That's not
what it Iooks I ike , boy.

H ey. . . hey!

- Hey!
- I a i n't ta Ikin' to you !

You a in't ta I kin' to me?

You a in't ta I kin' to me? !

You a in't ta I kin' to me? !
You a in't ta I kin' to me? !

H u h?

I 'm you r godőa m n father,
motherfucker!

What kind of boy őon't ta Ik
to h is own goőda m n father? l

What kind of fucki n' boy őon't--
what, motherfucker?

What? S it the fuck őown !

You ug Iy-ass , sorry-ass motherfuckers .

- O h , you gon' done ca IIeő them aga in?
- Yea h , I d iő .

You stay rig ht the fuck there.

What, you th in k I was gon' h it
you with th is? -

- You th i n k I was gon' h it you with th is?
- I fucki n' know it.

- La rryl
- Fuck you , Jay.

Fuck you , Jay. You don't neeő
to come őown here--

- Come on , th in k a bout that. . .
- Come on , come on ...

Da m m it, La rry!

I 'm you r godőa m n fatherl

You're my boyl

Don't fuckin' I isten
to her.

- S he'II ru i n you r fuckin' I ife , son l
- Come on , enoug h l

She'I I ru in
you r fuckin' Iife !

What a re we
őoing here?

Try not to Iook at me
when I tell you th is .

I was in a n a rg u ment one n ig ht
'bout my relationsh ip .

Done some wrongs,
beat myse/f up pretty bad over it.

Driving arounrt on back roads,

started dr/nk/n '...

Drinkin a /ot,
feelin 'pretty good...

Just drivin the night away.

AII ofa sudden,
I get turned arounrt.

Got Iost on the way and...

sta rted going pretty fast.

AI I of a suőden ,
I come u p over th is h i II .

There was a truck rig ht
in the m idő Ie of the road ,

Iig hts off.

H i .

I 'm cold .

Let me get you
my jacket.

Hey! H ey!

Jason l

I cou Id n't sla m
on the bra kes fast enoug h .

Next thing / know,
my who/e Ieft s/de 's a// crushed up...

- Jason l
-. . . someone 's scream/ng. . .

Jason !

H el pl P Iease hel p mel

And that's
when I /eft that truck...

poor sou/ that was insirte.

H ad a feeli ng you m ig ht know
what I 'm ta I king a bout here .

Thoug ht you were in ja i I .

Oot out a few days ago.

I hateő you .

O h , my Goő , I hated you .
I hateő you so fucki n' m uch .

I useő to pray
every n ig ht...

that somebody
was heatin' you ,

hold in' you őown ...

I useő to pray for hou rs .

Anő one day,
I just got ti reő of it.

I got ti reő of it,
I got ti reő of...

Oot too tireő
to hate you ...

a nymore .

But then , I was
a Iong way from here ...

ru n n i ng on fu mes .

Trying to save
my own Iife ...

save Ana Iee's ...

Anő you ...

you ...

ő id n't matter.

At a II .

H old is Ana Iee, M a hen ?

H old
őo you th i n k she is?

M a hen , I 've been prayi ng
that wasn't the case.

I swea r to Ooő , I've heen praying
that wasn't the case.

La rry a nd Wa It know?
They know a bout her?

Don't see
how they wou Iő .

- Goőda m n , I'm sorry.
- No , don't...

I ő id n't get to tell you then ,
so I'm sayin' it now that I 'm--

- I'm sorry.
- No !

- I'm sayin' I'm sorry--
- No , you don't get to a polog ize

'ca use it don't cha nge
noth ing .

It m ig ht ma ke you feel
better, hut it don't cha nge noth ing .

It őon't ma ke me feel
a ny better--

Do not fuckin'
say it aga i n l

We gotta th row th is .

You th in k you ca n pay for that
with a splash?

I a I ready pa id for it.

The on Iy person I owe
is that boy

a nő I'II be paying
for that soon enoug h .

Sh it, I believe
everyth ing you say.

Anő I'm g Iaő
you shot that asshole .

I őon't know
who he was , but...

I ca n see h im in my m i nő .
Sh it, I ...

Been m a ny times
I wisheő I had a g u n

to shoot whoever
haő a holő on me.

Been m a ny times
Ood hea rd you r prayers

a nő H e ...

H e őa m n su re a nswered to you ,
be su re He's u p there.

H e hea rd me that ti me.

N ot no other time .

Let me ask you ...

Why weren't you
in the truck?

I g uess so...

so we ca n he
sta nd ing here ...

rig ht now.

Well , I 'II tell you
one th ing ...

They're gon na have to kill me
before I go back to prison .

I know
you a I ready kil Ied once

when the world
haő you hy the th roat...

I 'I I do the sa me őa m n th ing
before I go back.

You hea r me?

Wa it, u m . . . wa it.

I 'I I do it.

Wi pe it down .

What a re you
őoing here , bud?

You know me.
Wa itin' .

- Where you been?
- O ut at M itchel I's .

Tel I you I ca me out there
Iooki n' for you?

- Wel I . . . fou nő me.
- I have now.

You know I 've been h u nti n'
for you for a cou ple of days , rig ht?

Why don't you j ust
tell me what you wa nt?

We got
a őead cop, P uss .

Between you a nd me, you're the on Iy person
to be seen a nywhere nea r h im .

N that don't mea n noth i ng
other tha n we neeő to ta Ik to you ,

but then when I come Iookin' for you ,
it ta kes me two őays to find you .

- So what?
- So where you been at?

Com in ' over here ea rly i n the morn i ng ,
Iate at n ig ht.

M itchel I don't know.

You need to stop
going out there.

Then tell me what's goi ng on ,
beca use you r na me is not the on Iy na me

that's been com in'
across my őesk.

What's that?

You őon't remem her M a ben?

Why shou Iő I ?

Beca use it's the na me
of that ga I

that was with J ason
the n ig ht that he d ied .

Fig u red a na me Ii ke that
tieő to a n ig ht Ii ke that, it m ig ht stick.

I trieő to forget a II that.
Why a re you showi ng me th is?

A woma n na meő M a ben ca me i nto
the shelter őowntown with a I ittle g irl .

The Iady working there sa id
she fou nő a pistol on her

before she took off ru n n i ng .

N I know the Iast na me
is maőe u p,

but it's rea I Iy ha rd
to ma ke u p a na me Ii ke M a hen .

Tel I me
where you've been at.

Look, you proba bly
just m issed me.

Been out at M itchell's .

La rry's come by here , busteő out
a I I my goőőa m n windows a nd doors,

I a i n't j ust gon na sit a rou nő here wa itin'
for h is ass to show u p .

O kay.

You őon't m i nd if I ask
M itchel I , őo you?

I just wa n na clea r you r na me ,
so the depa rtment Iays off me .

Of cou rse, go a heaő .
J ust ca I I 'im first.

Don't just go
showing u p out there .

Feel Iike enoug h bu rden
as it is .

AI I rig ht, I hea r you .
I hea r you .

You know I hate aski ng
you these th i ngs , rig ht?

Yea h , whatever
you say, bud .

Love you .

I 'I I pay you hack
for that ba il .

That's what you sa iő
Iast time .

- Hey, come here.
- What? What? l

- D ude, what ha ppeneő , ma n?
- It don't matter.

- No , it. . . it does.
- What's the matter, motherfucker?

I 'm worried a hout you .

Look, it's j--
it's j ust us , ma n .

We're a II that's Ieft,
őo you hea r me?

It őon't--
It a in't gon' hri ng h im back.

You gotta Iet h im go , La rry.
It a in't gon na hri ng h im back.

You fuckin' one of them now.
You're one of them now.

Don't say that sh it, ma n .

- Fuck you , ma n .
- Come on , m a n .

Don't say that sh it, d ude .

- Get the fuck out of here !
- Hey, you gotta ca I m őown !

You never had my hack,
motherfucker!

Oet the fuck out of here!

Come on , ma n l

- Pussy-ass motherfucker.
- Get hack over here , ma n .

Ta I k to mel
I 'm you r hrother!

Fuckin' a II there is

is out here, ta Iki n' to myself.

J ust out here ,
ta Ikin' to myself.

Cody on first...

Jason on seconő ,
Wa It's on th irő .

What's he do--
he's ca I Iin' itl

H e's ca IIi n' it, y'a II .

Swings ...

FIy fucki n' ba II !

It's out of here !

H e's ca IIi n' it, playing
to the fuckin' crowd .

H e's ma ki ng h is way.

H e's ma ki ng ...

- Hey! ¿ Qué pasb ?
- O h , sh it, Iadyl

- I was j ust Iooking for M itchell .
-Ráre/e.

- Usted no puede estar acá.
- O kay. Pelax.

- Pelax!
- Váyase. Fuera de acá ya.

Settle őown , okay?
Settle őown , I 'm Ieaving .

- Voy a //amar a /a polic/a.
- I a m the da m n pol ice .

H you doin', Boyd?

I mea n , I wasn't
pla n n i n' on sel Iin ',

but, u h , feel free
to have a Iook a rou nd .

Knockeő on the front door first.
D iő n't hea r a nyth i ng .

Thoug ht I hea rő you out back,
so I went Iooking for you .

Well , you were on the ba II , Deputy.
Everyth ing a I I rig ht?

I just need to know

if P ussel I stayed here
with you the n ig ht before Iast.

- Yea h , he ő iő .
- AII n ig ht?

Well , I d id n't set u p
a I I n ig ht watch ing h im snore or noth ing ,

but, u h , as fa r as I know,
he was here .

O kay, good . Anyone else
ca n attest to that?

Well , u m ,
you m usta seen 'im .

Yes , I ca n .

You spea k E ng Iish . O kay.

Yea h , she'I I do that. . .
sometimes .

AI I rig ht.
Tha n k you .

H ave a n ice őay,
Deputy.

Sh it.

You're Iyin' to me
a bout where you've been .

You r whole fa m ily is !

What I ca n 't
u nőersta nd is why.

It őon't matter what I say.
You got some big iőea .

Ca I I it a big idea ,
ca II it whatever you wa nt.

I 'm here so you ca n ta Ik
to me , m a n . M e !

Without ta Iking
to nobody else ,

but you're not ma king it
easy on me.

N when I get
to that office,

I 'm gon na tell a bout not being a ble
to find you

a nő a bout th is woma n na med M a hen ,
who has a pistol on her,

beca use you 're Ieavi ng me
no da m n choice.

J ust beca use you ő iő n't see me
Iay down in hed

őon't mea n
I ő id n't sleep in it.

P ussell , there's ways
of getti ng to whatever it is

you seem to be
őa ncing a rou nő , ma n .

Ta I k to mel

Then put the cuffs on me .

O r get the hell out of here .

N ot u ntil you a nswer me
Iike I wa nt.

AI I rig ht.

You őon't wa n na Ieave?
I will .

Wa n na a rrest me?
Arrest me .

Oet the hell out
of my őa m n house.

Where's M itchell?

Yea h , you a nő me
got to ta I k.

Boyő was back here
snoopi n' a rou nő--

H e see M a hen or Ana Iee?

- Very close.
- What ő iő you ca II her?

You hea rd me.

You're gonna ha ve to go.

We're not ta Iki ng
a bout forever here, M a ben .

- We're ta I king a bout
a cou ple of weeks, okay? - Yea h .

Yea h .

J ust a--

J ust a cou ple of weeks .

H ey, I don't see
a ny other way a rou nd it.

Been Iivi n' that way
for a wh ile.

We'II just sit out here.

Let the su n go őown .

I boug ht you a bus ticket.

There's one heaő ing out
Iate ton ig ht.

It'II ta ke you to M em ph is ,
you just get off wherever you feel .

I got you money too ,
it's j ust a II over at the house .

N o . I don't need
you r money.

I know you don't.

I őon't need you
to g ive me noth in' .

I know I don't have to .

Seems Iike you a nd I ...

we're tied together
by some sort of invisible rope,

a nő it's a Iways been there .

It a in't Ietti n' us go.

That g irl's gon na he
őa m n fi ne sitti n' here .

You gotta get out of here ,
you gotta be safe.

You gotta he safe for you ,
you gotta be safe for her.

Anő I prom ise you

I a i n't gon na Iet
a őa m n th ing ha ppen to her.

I prom ise you .

I prom ise you .

J ust a Iittle bru ise .

Pu II it.

Come on , motherfucker.

You fuckin' pussy.

It's gon na h u rt.

It's gon na fuckin' h u rt.

We'I I ta ke
good ca re of her, őon't you worry.

You wa n na wa ke u p Ana Iee ,

say gooő bye to her
before we ta ke off?

I fuckin' told her
I 'ő never Ieave her

a nő here I go ,
Ieavi ng her.

Every sing Ie fuckin' th ing
I 've done wrong ,

I 've broug ht őown
on that Iittle g irl .

H ey, I ife's a wh i rlwind .
We're a II ca ug ht u p in it.

You're a good ma ma .

H el I , a nyone ca n see how m uch
you Iove that I ittle g irl ,

you Iove her so baő ,
it h u rts .

Anő if it d id n't h u rt,
you wou Iő n't he őoing it rig ht.

That h u rt never goes away,
it őoesn't matter how olő they get.

J ust do the best you ca n
for rig ht now,

a nő you őon 't worry
a bout tomorrow u nti I it comes .

You're doing
the rig ht th ing .

- Ta ke ca re of her.
- O h , yea h .

Coast's clea r.

I 've got everyth ing
reaőy here .

Oot you a bu nch of su pplies .

Ca n I use you r hath room?

Su re, őown the ha II .

M a hen !

- That's a II you've got?
- Yea h !

M otherfucker!

You kil Ied the wrong one .
You a in't fucking perfect.

You shou Iő've kil Ied me.

It's over now, hoy.

I 've been wa itin'
seven fuckin' yea rs for th is .

You okay, son?

Da m m it, La rry,
I 'm sorry.

Why don't you sit down , son?
I 'I I ca II you a n a m hu Ia nce .

M a hen !

M a hen !

Oodda m m it, M itchell !

I tolő you to stay
the hell out of th is sh it.

You ca n da m n me Iater.

We gotta get her
the hell outta here.

Da m n , I knew
he'ő őo someth ing wrong .

Ca refu I there .

Be safe, son .

Get homel

- Get riő of that fuckin' g u n !
- Yea h , yea h .

Come here , boy.

Cody...

Cody, boy...

Cody...

Cody!

Jesus C h rist, La rry...

- Where is my son?
- What ha ppeneő to you?

- Who d id th is to you?
- Where is he?

- La rry. . .
- M om , what the fuck's goi ng on?

- Go ca I I g 11 !
- Why is he here?

- Dad , why the fuck a re you here?
- Ca II 011 !

Why? What's going on ?

- Is he fucki n' bleeő i ng ?
Why a re you hleeő ing? - Oo ca II g 11 , Cody!

- He neeős hel p !
- Go ca I I l

Come here , boy. . .
Let me touch my son .

La rry,
őon't move , please. Okay?

- Try not to move , La rry--
- Get the fuck away from me.

Goőda m m it. H ey, I isten .

Stay rig ht there,
okay? Don't move !

- I m ma get you hel p. . .
- You a II d iő th is to me.

You a II ő id it.
You a II ő id it.

- H ey, you ca n't gol
- Daő , what a re you őoi ng?

Dad , stop !
Where a re you going?

You ca n't d rive I ike that,
La rry! Come on l

O h , sh it, he's ő riving l
H e's ő riving l

PIease h u rry!

H el pl

Somehoőy help !

Somehoőy help us !

M a hen . . . we're here .

- What ha ppeneő?
- S he-- she fell . S he...

h it her heaő .
H er head fli pped back.

I hea rd you r aőd ress
on the wire . S hots fi reő?

H el I yea h ,
shots fireő .

What the hell ha ppeneő?

Wa Ikeő in my place,
La rry was there .

H ad a woma n with me ,

he h it her over the head
with a crowha r th in kin' it was me .

H im a nd I got into it,

I got a holő of my rifle
a nő I shot 'i m .

Who is she , Puss?

You know goőda m n well
who she is .

P uss , you gotta tel I me.

What the hell you got
to do with a I I th is?

I 'I I expla in
everyth ing to you .

You gotta prom ise me you a in't gon na
Iisten to me Ii ke a Iawma n .

What do you wa nt me
to I isten to you Iike?

I wa nt you to I isten to me
Iike you're you ...

a nő I'm me.

O kay. O kay.

The p/sto/
you're /ooking for /s over in the Iake.

Same one Maben he/rt on me

when / wa/ked out
of the Armarti//o a few nights ago.

Thats when she got to ta/k/n '
ahout how some deputy

marte her do e verything
that he wantert her to do,

even ca//ed
his godrtamnert friends a/ong

to come ha ve a go at her too.

N ext th i ng she knew, he was down ,
őead , a nő she kept on ru n n in',

kept on ru n n i n' stra ig ht
u nti I she ra n into me .

Why the hell ő iő n't you
a nő her just both come stra ig ht to me?

N obody wou Iő've believeő her
a nő you know it, Boyd .

She'da Iost the kid .

Anő I'I I be godőa m neő ,
but I believe everyth ing she says .

My roaő 's the road
that broug ht us a II here ,

Ied by what ha nő ,
I őon't know.

But here we a re,
a nő I a in't Ietti n' th is go.

Sh it, I 'm on Iy tel Iing you
a I I th is so you know

when I ask you
just Ieave her a Ione .

I a i n't tel Iin' you ,
I 'm aski n' you .

J ust Iet it fa II .

Let it fa I I?

J ust Iet it fa II .

Do you know who's at my house
rig ht now?

Yes , I őo.

Anő őo you know what the boys
at Pa rch ma n wou Id őo to a sheriff's őeputy?

H u h? It'ő ma ke you r time
Iook Ii ke su m mer ca m p.

Where's the proof,
P ussell?

What does that
Iook Ii ke to you?

The days are s/

They get that way when you 're wait/ng
on something to happen

thatyou hope never w/I/.

You can t he/p hut wonder
if tortay is the rtay...

theyl/ he sittin there,

then here they come,
over that hi//,

down the rtriveway,
//ghts f/ashing,

sirens cal//ng outyour name.

Russe/I to/d me
about th/s rtream

ofbeing hack on the inside,

ahout how the //ght
was always grey,

and there was always
this voice ca//ing out...

Just some cry,

echoing through
an empty prison...

and he ne ver knew
what he was supposed to do.

/fhe was supposed
to be help/ng /t, or...

if/t was there to he/p him.

Sometimes / think it was me
he was hearing...

/ don t guess there s no way
ofknowing what's com/ng.

Never has been.
Never w/I/ he.

But, for once,

I'm not afraid.

And when the daylight fades,

and /t seems okay
to breathe a Iittle...

that ///ght

gives her this Iong shadow,

//ke her arms are spread out.

As /fshe 's say/ng,

"Come here
and /et me ho/dyou. . ."

I don 't know...

Get-- get u p! Oet u p! H ere , sta nd u p .

Maybe there is
such a thing as a m/rac/e.

I got you .

AII / know for certa/n...

she 's mine.