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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,710 --> 00:00:08,460 * Let's keep this party rockin', keep this party poppin' * 2 00:00:08,500 --> 00:00:10,260 [ As Carson ] Hey, I'm Carson Daly. 3 00:00:10,300 --> 00:00:11,670 Welcome to "The Voice." 4 00:00:11,720 --> 00:00:13,010 * So turn it up * 5 00:00:13,050 --> 00:00:15,260 Look at how cute Niall is. Oh, my God. 6 00:00:15,300 --> 00:00:17,720 That was a good American accent. [ Chuckles ] 7 00:00:17,760 --> 00:00:18,930 Hey, I'm Carson Daly. 8 00:00:18,970 --> 00:00:20,310 I thought I do that. [ Laughter ] 9 00:00:20,350 --> 00:00:21,680 Let's kick it off. How about a quick hello 10 00:00:21,730 --> 00:00:24,310 to our four Playoff Pass artists right up here -- 11 00:00:24,350 --> 00:00:25,980 D.Smooth, Manasseh, 12 00:00:26,020 --> 00:00:28,020 Ryley Tate Wilson, and Mary Kate. 13 00:00:28,060 --> 00:00:29,820 Whoa-ho! Alright, alright, D.Smooth! 14 00:00:29,860 --> 00:00:31,690 As you know, they get to sit out this week 15 00:00:31,740 --> 00:00:34,030 because they were sent directly to the playoffs 16 00:00:34,070 --> 00:00:35,200 by their coaches. 17 00:00:35,240 --> 00:00:36,950 [ Cheers and applause ] 18 00:00:36,990 --> 00:00:40,660 Taking calls from America, our panel is standing by. 19 00:00:40,700 --> 00:00:42,120 [ Laughter ] 20 00:00:42,160 --> 00:00:44,620 I got a good feeling about your chances today. 21 00:00:44,660 --> 00:00:46,210 [ Laughs ] 22 00:00:46,250 --> 00:00:48,380 I think you're gonna stay. Yeah. 23 00:00:48,420 --> 00:00:50,210 Niall: Pretty chilled-out show, really, isn't it? 24 00:00:50,250 --> 00:00:51,710 Reba: Oh, my gosh, yeah. 25 00:00:51,760 --> 00:00:53,470 It's not, like, overproduced or -- Nope. 26 00:00:53,510 --> 00:00:54,920 I've really enjoyed it. And you know they can edit it 27 00:00:54,970 --> 00:00:56,720 and take out the bad stuff you say... Yeah, yeah. 28 00:00:56,760 --> 00:00:59,050 ...which -- hadn't said anything really stupid yet... 29 00:00:59,100 --> 00:01:00,470 Yeah, but I'm planning on it. ...which is good. 30 00:01:00,510 --> 00:01:02,350 Oh! [ Both laugh ] 31 00:01:02,390 --> 00:01:03,680 You want to show 'em, huh? Yeah. 32 00:01:03,730 --> 00:01:04,980 [ Laughs ] 33 00:01:05,020 --> 00:01:06,600 See, can you edit this one out? Yeah. [ Laughs ] 34 00:01:06,640 --> 00:01:09,310 Work around it. That's what Blake does for a living. 35 00:01:09,360 --> 00:01:11,610 [ Both laugh ] 36 00:01:11,650 --> 00:01:15,740 I got EJ, who I stole from Blake. 37 00:01:15,780 --> 00:01:17,740 I just couldn't watch a voice like that leave. 38 00:01:17,780 --> 00:01:19,280 Good for you. 39 00:01:19,320 --> 00:01:20,910 And then over here is Michael. I was the only one that turned. 40 00:01:20,950 --> 00:01:23,080 He's got a theatrical voice. Uh-huh. 41 00:01:23,120 --> 00:01:26,460 Now, they're all going, "Where were we that day?" You just heard something. 42 00:01:26,500 --> 00:01:28,580 And I was like, "Blake, you were drunk." [ Laughs ] 43 00:01:28,630 --> 00:01:30,420 That's why -- That's why you missed it. [ Both laugh ] 44 00:01:30,460 --> 00:01:33,590 I paired EJ and Michael B. because they're my two big, 45 00:01:33,630 --> 00:01:36,550 rangy, dramatic singers who can do it all. 46 00:01:36,590 --> 00:01:38,590 Come out! Michael: Okay. 47 00:01:38,640 --> 00:01:40,260 Here they are. Whoooooo! 48 00:01:40,300 --> 00:01:41,850 Hey, guys. 49 00:01:41,890 --> 00:01:45,020 Reba McEntire. I'm like, "Oh, my gosh, 50 00:01:45,060 --> 00:01:46,980 this is the one and only." 51 00:01:47,020 --> 00:01:48,770 I'm blind. Now I realize who it is. 52 00:01:48,810 --> 00:01:50,690 [ Exhales deeply ] Oh, my God! 53 00:01:50,730 --> 00:01:54,900 I was walking in like this, and once I realized who it was, 54 00:01:54,940 --> 00:01:56,320 I absolutely lost my mind. 55 00:01:56,360 --> 00:01:58,530 I'm from Oklahoma. She's like Oklahoma royalty. 56 00:01:58,570 --> 00:02:01,280 I love Reba McEntire. She's a star. 57 00:02:01,320 --> 00:02:02,990 Niall: Look what you're doing to these people, Reba. 58 00:02:03,030 --> 00:02:05,620 I know, right? I'm shaking like a leaf here beside you. 59 00:02:05,660 --> 00:02:07,580 [ Chuckles ] You're nervous, too. 60 00:02:07,620 --> 00:02:09,040 [ Chuckles ] Oh, baloney. 61 00:02:09,080 --> 00:02:11,080 So this is an alt-rock song 62 00:02:11,130 --> 00:02:13,170 by UK band Nothing But Thieves. 63 00:02:13,210 --> 00:02:14,630 The song's called "Trip Switch." 64 00:02:14,670 --> 00:02:16,300 It kind of is gonna hopefully show 65 00:02:16,340 --> 00:02:17,800 maybe a little bit more attitude 66 00:02:17,840 --> 00:02:19,630 and just a little bit more frontman vibes. 67 00:02:19,680 --> 00:02:21,430 Excellent. Now I'm excited to hear this. 68 00:02:21,470 --> 00:02:23,640 * Make a wish and I'll count to three * 69 00:02:23,680 --> 00:02:25,850 Niall: First of all, it's great to have EJ on Team Niall. 70 00:02:25,890 --> 00:02:27,310 That was a hell of a steal. 71 00:02:27,350 --> 00:02:29,060 * What do we do when the power's out? * 72 00:02:29,100 --> 00:02:32,690 EJ has sung Adele, some Smokey Robinson in the battles. 73 00:02:32,730 --> 00:02:35,070 He really changed it up this week, 74 00:02:35,110 --> 00:02:36,480 something I'm excited to see 75 00:02:36,530 --> 00:02:38,190 'cause half the reason why I got him on my team 76 00:02:38,240 --> 00:02:39,490 was for his stage presence, 77 00:02:39,530 --> 00:02:42,070 and I feel like this song you need it. 78 00:02:42,120 --> 00:02:45,990 * When the lights go down, down, down, down, down, down * 79 00:02:46,040 --> 00:02:47,200 Owww! 80 00:02:47,250 --> 00:02:51,500 * When the lights gooo, yeah * 81 00:02:51,540 --> 00:02:53,130 EJ: My band is Foreign Figures. 82 00:02:53,170 --> 00:02:56,920 Being the front man in the beginning was terrifying. 83 00:02:56,960 --> 00:02:59,970 But then I got more confidence to be like, 84 00:03:00,010 --> 00:03:02,890 "I deserve to be right here in the spotlight." 85 00:03:02,930 --> 00:03:06,770 We've opened for Smash Mouth, X Ambassadors, like, Kesha, 86 00:03:06,810 --> 00:03:09,390 but "The Voice" is my first opportunity 87 00:03:09,430 --> 00:03:13,900 to really take my solo career step forward. 88 00:03:13,940 --> 00:03:15,480 Yeah! 89 00:03:15,520 --> 00:03:17,650 Wow. Excellent! Super impressive. 90 00:03:17,690 --> 00:03:19,820 You nearly sounded like Matt Bellamy vibes. 91 00:03:19,860 --> 00:03:21,700 Dude, I love Muse. 92 00:03:21,740 --> 00:03:23,780 The performance side of it, you've definitely got that. 93 00:03:23,820 --> 00:03:25,700 When they've got the red light over the camera... 94 00:03:25,740 --> 00:03:27,040 Yeah. [ Chuckles ] ...he really comes alive. 95 00:03:27,080 --> 00:03:29,830 Just be mindful of that story. Tell that story. 96 00:03:29,870 --> 00:03:34,330 What's a way that you get into emotion in the storytelling? 97 00:03:34,380 --> 00:03:36,500 I see it in my mind. 98 00:03:36,540 --> 00:03:39,460 Whatever the story is, like, if it's "Fancy," 99 00:03:39,510 --> 00:03:42,380 I'm in that old house walking to the car. 100 00:03:42,430 --> 00:03:43,800 My mom's giving me away 101 00:03:43,840 --> 00:03:46,970 because she can't afford to feed me anymore. 102 00:03:47,010 --> 00:03:51,560 Every lyric, it's either this or it's like [growls] 103 00:03:51,600 --> 00:03:53,350 Yeah. If I have that story, 104 00:03:53,400 --> 00:03:57,190 whatever comes out of my mouth, hopefully you will feel that 105 00:03:57,230 --> 00:03:59,440 because it was so intensely felt by me. 106 00:03:59,480 --> 00:04:01,070 That's great advice. 107 00:04:01,110 --> 00:04:02,820 If you're not feeling it, 108 00:04:02,860 --> 00:04:04,570 how are you gonna make anyone else feel it? 109 00:04:04,610 --> 00:04:07,830 That advice really just flipped the switch and I was like, 110 00:04:07,870 --> 00:04:11,250 "I will remember that forever. I will never forget this moment." 111 00:04:11,290 --> 00:04:13,460 So what have you picked to sing today? 112 00:04:13,500 --> 00:04:15,040 "When You're Gone" by Shawn Mendes. 113 00:04:15,080 --> 00:04:17,540 And I chose this one because it's up-tempo, 114 00:04:17,590 --> 00:04:19,840 but it still has kind of a grieving message. 115 00:04:19,880 --> 00:04:22,760 I'm not necessarily grieving a relationship right now, 116 00:04:22,800 --> 00:04:25,590 but I totally am familiar with the feeling. 117 00:04:25,640 --> 00:04:27,010 I've been in relationships 118 00:04:27,050 --> 00:04:29,890 that I thought were gonna be end all, be all, 119 00:04:29,930 --> 00:04:33,440 and I definitely immediately think of those relationships 120 00:04:33,480 --> 00:04:34,940 when I do sing this song. 121 00:04:34,980 --> 00:04:37,810 But right now, I am beyond grateful. 122 00:04:37,860 --> 00:04:41,110 I met my boyfriend, Tevin, two and a half years ago. 123 00:04:41,150 --> 00:04:42,900 We clicked right away. 124 00:04:42,940 --> 00:04:44,450 We live together, and I mean, he's my best friend 125 00:04:44,490 --> 00:04:45,950 in the whole wide world. 126 00:04:45,990 --> 00:04:48,280 * Hold on, I don't wanna know what it's like... * 127 00:04:48,320 --> 00:04:49,700 Niall: Michael is a pop singer 128 00:04:49,740 --> 00:04:51,370 with unbelievable drama to his voice 129 00:04:51,410 --> 00:04:55,170 and can really sell a song, so this is gonna be exciting. 130 00:04:55,210 --> 00:04:56,790 * Hold on * 131 00:04:56,830 --> 00:04:59,090 He gets to show off all the different parts of his range, 132 00:04:59,130 --> 00:05:01,630 which is super important when you've got two minutes to show what you can do. 133 00:05:01,670 --> 00:05:03,470 Thank you. That's a workout, that one. 134 00:05:03,510 --> 00:05:05,340 It is. That's a lot of words. 135 00:05:05,380 --> 00:05:07,050 A ton of words. Yeah. 136 00:05:07,090 --> 00:05:09,600 I got a little emotional at the end, so it got sloppy, but... 137 00:05:09,640 --> 00:05:11,970 Oh, no, no, no. Thank you. 138 00:05:12,020 --> 00:05:16,060 I'll take sloppy and emotion over hitting every note 139 00:05:16,100 --> 00:05:17,480 because I could feel it. 140 00:05:17,520 --> 00:05:19,690 Honestly, you'd rather hear pitch and slop 141 00:05:19,730 --> 00:05:21,480 than something, someone that doesn't mean it. 142 00:05:21,520 --> 00:05:22,690 That was great. 143 00:05:22,730 --> 00:05:24,990 I think there's too much low octave. 144 00:05:25,030 --> 00:05:26,490 Oh, yeah. Personally. 145 00:05:26,530 --> 00:05:27,990 * Hold on * 146 00:05:28,030 --> 00:05:30,580 You're going from that range to -- * Hold on * 147 00:05:30,620 --> 00:05:33,910 in one move, and you haven't had time to ramp up to that. 148 00:05:33,950 --> 00:05:35,660 I get all psyched up there. 149 00:05:35,710 --> 00:05:39,130 How do you do a quick reset that's like...you got it? 150 00:05:39,170 --> 00:05:42,880 What I do is I touch my thumb and my forefinger. 151 00:05:42,920 --> 00:05:45,510 Whenever I hit a high note, that says, 152 00:05:45,550 --> 00:05:47,720 "You're gonna hit it right on." 153 00:05:47,760 --> 00:05:49,300 It's that positive thinking. 154 00:05:49,340 --> 00:05:52,890 Okay. Y-You're kind of tricking your subconscious 155 00:05:52,930 --> 00:05:55,140 because your subconscious drives the boat. 156 00:05:55,180 --> 00:05:57,190 I'm gonna do this the whole song. Yeah. 157 00:05:57,230 --> 00:05:58,650 [ Laughter ] 158 00:05:58,690 --> 00:06:00,690 That's a low note, I don't care. I'm doing this. 159 00:06:00,730 --> 00:06:02,190 [ Laughter ] Right. Exactly. 160 00:06:02,230 --> 00:06:05,690 Seeing Michael B. perform just made me a little nervous 161 00:06:05,740 --> 00:06:07,110 in a sense of like, 162 00:06:07,150 --> 00:06:09,860 "Man, the competition is so hot this season." 163 00:06:09,910 --> 00:06:13,330 I'm like, "I gotta step up my game if I want to go forward." 164 00:06:13,370 --> 00:06:14,540 So excited. Thank you so much. 165 00:06:14,580 --> 00:06:15,870 Nice to meet you both. 166 00:06:15,910 --> 00:06:18,160 Michael and EJ, the songs they selected 167 00:06:18,210 --> 00:06:19,500 were so different. 168 00:06:19,540 --> 00:06:21,000 I mean, what do you go for? 169 00:06:21,040 --> 00:06:22,340 That's gonna be tough. 170 00:06:22,380 --> 00:06:23,880 They're such good singers. 171 00:06:23,920 --> 00:06:25,510 Absolutely love it, and they're just cute as a button. 172 00:06:25,550 --> 00:06:27,340 We've got some nice people on our team. 173 00:06:27,380 --> 00:06:28,550 I don't know about the rest of them. 174 00:06:28,590 --> 00:06:30,510 [ Laughs ] 175 00:06:30,550 --> 00:06:33,350 [ Cheers and applause ] Come on, EJ! 176 00:06:33,390 --> 00:06:35,430 Kelly: I'm so excited! 177 00:06:35,470 --> 00:06:38,940 With "Trip Switch," here's EJ Michels. 178 00:06:41,520 --> 00:06:48,110 ** 179 00:06:48,150 --> 00:06:53,120 * Ooooooh-woaaah * 180 00:06:53,160 --> 00:06:56,660 * Sharing secrets with another world * 181 00:06:56,700 --> 00:06:59,250 * Rubbing shoulders with some unknown lovers * 182 00:06:59,290 --> 00:07:01,880 * Making waves through the universe * 183 00:07:01,920 --> 00:07:05,250 * Starting wars with anonymous brothers * 184 00:07:05,300 --> 00:07:10,010 * Trip switch, trip switch * 185 00:07:10,050 --> 00:07:12,840 * Make a wish and I'll count to three * 186 00:07:12,890 --> 00:07:15,600 * Press the button and we'll both be happy * 187 00:07:15,640 --> 00:07:18,100 * Sending signals is a dirty trick * 188 00:07:18,140 --> 00:07:21,440 * I get my love in a digital package * 189 00:07:21,480 --> 00:07:26,520 * Trip switch, trip switch * 190 00:07:26,570 --> 00:07:29,030 * What we do when the power's out? * 191 00:07:29,070 --> 00:07:31,780 * What do we do when the lights go * Alright. 192 00:07:31,820 --> 00:07:34,570 * What we do when the power's out? * 193 00:07:34,620 --> 00:07:36,870 * What do we do when the lights go * 194 00:07:36,910 --> 00:07:40,790 * Down, down, down, down, down, down * 195 00:07:40,830 --> 00:07:46,090 * When the lights go down, down, down, down, down, down * 196 00:07:46,130 --> 00:07:50,590 * When the lights goooooo, yeah * 197 00:07:50,630 --> 00:07:52,970 [ Cheers and applause ] 198 00:07:53,010 --> 00:07:56,970 * Ooooooh, they put out the lights * 199 00:07:57,010 --> 00:07:59,680 * They put out the lights * 200 00:07:59,720 --> 00:08:04,310 * They put out the lights, ohhh * 201 00:08:04,350 --> 00:08:06,940 * What we do when the power's out? * 202 00:08:06,980 --> 00:08:09,780 * What do we do when the lights go? * 203 00:08:09,820 --> 00:08:12,610 * What we do when the power's out? * 204 00:08:12,650 --> 00:08:15,070 * What do we do when the lights go * 205 00:08:15,120 --> 00:08:20,290 * Doooooown * 206 00:08:20,330 --> 00:08:25,830 * Heeeeeey, let's gooo * 207 00:08:25,880 --> 00:08:31,170 * Down, down, down, down, down, dooown, yeah * 208 00:08:31,210 --> 00:08:35,010 * Down, down, down, down, down, down * 209 00:08:35,050 --> 00:08:39,140 * When the lights go dooown? * 210 00:08:39,180 --> 00:08:40,520 [ Cheers and applause ] I liked that! 211 00:08:40,560 --> 00:08:42,980 I thought that was cool. 212 00:08:45,060 --> 00:08:46,860 Whoo! 213 00:08:46,900 --> 00:08:47,860 EJ! 214 00:08:47,900 --> 00:08:50,230 I have to go after that? 215 00:08:50,280 --> 00:08:52,030 That's a cool song. 216 00:08:53,490 --> 00:08:54,900 Come on! 217 00:08:55,740 --> 00:08:57,820 I love Michael B. 218 00:08:57,870 --> 00:08:59,620 Huge Michael B. fan. 219 00:08:59,660 --> 00:09:01,160 Wait till you hear this. 220 00:09:01,200 --> 00:09:03,200 Come on, Michael! 221 00:09:03,250 --> 00:09:05,670 Now with "When You're Gone," here's Michael B. 222 00:09:05,710 --> 00:09:08,920 [ Cheers and applause ] 223 00:09:11,090 --> 00:09:14,670 ** 224 00:09:14,720 --> 00:09:18,550 * You never know how good you have it * 225 00:09:18,600 --> 00:09:19,970 * No, no * 226 00:09:20,010 --> 00:09:21,810 * Until you're starin' at a picture * 227 00:09:21,850 --> 00:09:25,350 * Of the only one that matters * 228 00:09:25,390 --> 00:09:27,020 * Yeaaah * 229 00:09:27,060 --> 00:09:31,570 * I know what we're supposed to do * 230 00:09:31,610 --> 00:09:33,110 Wow. 231 00:09:33,150 --> 00:09:38,160 * It's hard for me to let go of you * 232 00:09:38,200 --> 00:09:41,580 * So I'm just tryna hold on, hold on * 233 00:09:41,620 --> 00:09:45,830 * I don't wanna know what it's like when you're gone * 234 00:09:45,870 --> 00:09:48,210 * I don't wanna move on * 235 00:09:48,250 --> 00:09:52,170 * I don't wanna know what it's like when you're gone for good * 236 00:09:52,210 --> 00:09:54,630 * You're slipping through my fingertips * 237 00:09:54,670 --> 00:09:57,630 * A little bit by a little bit * 238 00:09:57,680 --> 00:09:58,840 [ Cheers and applause ] 239 00:09:58,890 --> 00:10:00,930 * I never knew that loving you * 240 00:10:00,970 --> 00:10:04,270 * Was the happiest I've ever been * 241 00:10:04,310 --> 00:10:06,770 * No, no * Yeah, use that soul. 242 00:10:06,810 --> 00:10:09,440 * Starting to feel like you don't need me * 243 00:10:09,480 --> 00:10:12,770 * Wanna believe it's all for the better * 244 00:10:12,820 --> 00:10:17,400 * It's getting real, I'm missing you deeply * 245 00:10:17,450 --> 00:10:19,240 * I'm just tryna hold on * 246 00:10:19,280 --> 00:10:22,450 * Starting to feel like you don't need me * 247 00:10:22,490 --> 00:10:25,910 * Wanna believe it's all for the better * 248 00:10:25,950 --> 00:10:30,750 * It's getting real, I'm missing you deeply * 249 00:10:30,790 --> 00:10:34,050 * So I'm just tryna hold on, hold on * 250 00:10:34,090 --> 00:10:38,090 * I don't wanna know what it's like when you're gone * 251 00:10:38,130 --> 00:10:40,680 * I don't wanna move on * 252 00:10:40,720 --> 00:10:44,310 * I don't wanna knooow * 253 00:10:44,350 --> 00:10:46,890 * You're slipping through my fingertips * 254 00:10:46,930 --> 00:10:50,150 * A little bit by a little bit * 255 00:10:50,980 --> 00:10:53,060 * I never knew that loving you * 256 00:10:53,110 --> 00:10:56,690 * Was the happiest, oh, I've ever been * 257 00:10:56,740 --> 00:11:03,580 * Yeaaaaaah * 258 00:11:03,620 --> 00:11:06,950 * I'm just tryna hold on * 259 00:11:07,000 --> 00:11:09,660 * Yeah, yeah, yeaaah * 260 00:11:09,710 --> 00:11:11,330 There we go! 261 00:11:11,370 --> 00:11:14,710 * Hoooooold ooon * 262 00:11:14,750 --> 00:11:18,840 [ Cheers and applause ] 263 00:11:20,510 --> 00:11:21,840 Hard. 264 00:11:21,890 --> 00:11:23,600 Whoo-hoo-hoo! 265 00:11:23,640 --> 00:11:25,180 Wooow. 266 00:11:25,220 --> 00:11:29,640 EJ, you had an energy that felt personal, 267 00:11:29,680 --> 00:11:31,770 I do think because you were so into it, 268 00:11:31,810 --> 00:11:35,070 there were moments where the pitch wasn't all the way right, 269 00:11:35,110 --> 00:11:38,150 but you enjoying it so much gave us the feeling 270 00:11:38,190 --> 00:11:39,490 that we were looking for. 271 00:11:39,530 --> 00:11:41,530 Mikey B., I think the pitch was perfect, 272 00:11:41,570 --> 00:11:44,620 but it felt like the soul that I am attracted to 273 00:11:44,660 --> 00:11:46,200 and what you -- what you do -- The ache. 274 00:11:46,240 --> 00:11:47,700 Yeah, that wasn't there in the beginning, 275 00:11:47,740 --> 00:11:49,750 but then towards the end, you kind of just, like, 276 00:11:49,790 --> 00:11:51,290 let loose and the crowd got into it, 277 00:11:51,330 --> 00:11:52,870 everybody started standing up and cheering. 278 00:11:52,920 --> 00:11:55,920 I would lean towards my boy, Michael B. 279 00:11:55,960 --> 00:11:58,960 [ Cheers and applause ] Thank you. 280 00:11:59,010 --> 00:12:01,930 Michael B., I think this was a really great avenue for you. 281 00:12:01,970 --> 00:12:04,300 I would love to hear a record with songs like this on it. 282 00:12:04,340 --> 00:12:07,180 And you're like that dude that's sitting next to me in school, 283 00:12:07,220 --> 00:12:09,180 and then all of a sudden, I would find out 284 00:12:09,220 --> 00:12:10,770 that you're, like, this incredible singer, 285 00:12:10,810 --> 00:12:12,520 but you never talked to me the whole time. 286 00:12:12,560 --> 00:12:14,020 [ Laughter ] 287 00:12:14,060 --> 00:12:16,440 You seem like this, like, really quiet, just subdued guy, 288 00:12:16,480 --> 00:12:19,530 and then you have this, like, powerhouse voice. 289 00:12:19,570 --> 00:12:21,780 That alone is, like, captivating. 290 00:12:21,820 --> 00:12:23,570 [ Cheers and applause ] Thank you. 291 00:12:23,610 --> 00:12:25,070 EJ, I've never heard of that song, 292 00:12:25,120 --> 00:12:28,080 but I will be covering it shortly on a talk show near you. 293 00:12:28,120 --> 00:12:30,330 [ Laughter ] Yeah! 294 00:12:30,370 --> 00:12:34,370 That song is so cool, like, the whole vibe of it. 295 00:12:34,420 --> 00:12:38,090 It was such a smart decision for you as a performer 296 00:12:38,130 --> 00:12:41,090 and also, like, separates you from other singers 297 00:12:41,130 --> 00:12:42,300 in the competition. 298 00:12:42,340 --> 00:12:44,430 Thank you so much, Kelly. 299 00:12:44,470 --> 00:12:45,890 What's up, EJ? 300 00:12:45,930 --> 00:12:47,100 What's up, Blake? Good to see you, buddy. 301 00:12:47,140 --> 00:12:48,600 Yeah, good to see you. 302 00:12:48,640 --> 00:12:50,600 Anything that I didn't see in the blind auditions 303 00:12:50,640 --> 00:12:51,890 with your performance, 304 00:12:51,930 --> 00:12:54,270 I got to finally see an entire thing 305 00:12:54,310 --> 00:12:56,020 without making you do a battle, you know? 306 00:12:56,060 --> 00:12:58,400 It was huge. That was a huge performance. 307 00:12:58,440 --> 00:12:59,610 So good job. 308 00:12:59,650 --> 00:13:00,780 Thank you. 309 00:13:00,820 --> 00:13:02,240 [ Cheers and applause ] 310 00:13:02,280 --> 00:13:04,530 Michael, all I was really paying attention to 311 00:13:04,570 --> 00:13:07,740 was how exactly in the pocket it felt like you were. 312 00:13:07,780 --> 00:13:10,740 Man, I thought that was really solid all the way through, 313 00:13:10,790 --> 00:13:14,790 and because of the consistency, I'd probably go with Michael B. 314 00:13:14,830 --> 00:13:16,210 [ Cheers and applause ] 315 00:13:16,250 --> 00:13:18,790 Thank you, Coaches. Alright, Niall. 316 00:13:18,840 --> 00:13:20,300 Tough one coming up for you. 317 00:13:20,340 --> 00:13:21,800 Before you tell us who won the knockout, 318 00:13:21,840 --> 00:13:23,420 give us some thoughts. 319 00:13:23,470 --> 00:13:24,970 When you think about what EJ has done in this competition, 320 00:13:25,010 --> 00:13:29,890 Adele to Smokey Robinson to a UK indie rock band, 321 00:13:29,930 --> 00:13:32,310 that shows the diversity that he's capable of. 322 00:13:32,350 --> 00:13:33,810 Everything he puts his hand to, 323 00:13:33,850 --> 00:13:35,230 it seems to, you know, turn to gold. 324 00:13:35,270 --> 00:13:36,770 Thank you so much, Niall. 325 00:13:36,810 --> 00:13:39,060 Michael B., the last few weeks, you've just really shown 326 00:13:39,110 --> 00:13:41,610 what you're capable of and have become a dark horse, 327 00:13:41,650 --> 00:13:44,650 and Shawn will be absolutely over the moon 328 00:13:44,690 --> 00:13:45,820 with that version of it. 329 00:13:45,860 --> 00:13:47,240 [ Cheers and applause ] 330 00:13:47,280 --> 00:13:48,820 Um...God. 331 00:13:48,870 --> 00:13:51,450 Daly: Niall, tough one for you, but the time has come. 332 00:13:51,490 --> 00:13:53,290 Who is the winner of this knockout? 333 00:13:54,540 --> 00:13:55,660 Ooh. 334 00:13:55,710 --> 00:13:58,630 ** 335 00:13:58,670 --> 00:14:00,960 I guess I just have to go with what I see in the future 336 00:14:01,000 --> 00:14:04,170 and in my gut for the coming rounds 337 00:14:04,210 --> 00:14:06,840 and the bulletproof-ness of it. 338 00:14:06,880 --> 00:14:09,550 ** 339 00:14:09,590 --> 00:14:11,180 The winner of this knockout is Michael. 340 00:14:11,220 --> 00:14:13,180 [ Cheers and applause ] 341 00:14:13,220 --> 00:14:14,600 Daly: Michael, congratulations! 342 00:14:14,640 --> 00:14:18,520 You're moving on to the playoffs for Team Niall! 343 00:14:18,560 --> 00:14:20,860 Niall: Michael's always been the sleeping giant 344 00:14:20,900 --> 00:14:22,020 in this competition. 345 00:14:22,070 --> 00:14:23,530 His voice is unbelievable. 346 00:14:23,570 --> 00:14:25,690 I'm really excited for Michael in the playoffs. 347 00:14:25,740 --> 00:14:28,530 So much love. Give it up for EJ Michels one more time, ladies and gentlemen! 348 00:14:28,570 --> 00:14:30,120 Thank you, EJ! [ Cheers and applause ] 349 00:14:30,160 --> 00:14:31,910 Niall: Really tough to see EJ go. 350 00:14:31,950 --> 00:14:33,410 He put his heart on the line. 351 00:14:33,450 --> 00:14:35,160 The pairings are so tough in the knockouts. 352 00:14:35,200 --> 00:14:36,910 You're gonna lose a good singer. 353 00:14:36,960 --> 00:14:38,160 Daly: Coming up... Kelly: Reba McEnti-- 354 00:14:38,210 --> 00:14:39,710 Look at her, she -- [ Laughs ] 355 00:14:39,750 --> 00:14:42,670 ...Reba shocks the artists and whips them into shape... 356 00:14:42,710 --> 00:14:45,210 "When I let my guard down," I gotta see that pain. 357 00:14:45,260 --> 00:14:47,840 * I let my guard down * 358 00:14:47,880 --> 00:14:49,590 * And then you pulled the rug * 359 00:14:49,630 --> 00:14:52,010 Daly: ...leading to jaw-dropping performances... 360 00:14:52,050 --> 00:14:54,890 * I said blue moon of Kentucky * Yes! 361 00:14:54,930 --> 00:14:56,600 Daly: ...that impress our coaches. 362 00:14:56,640 --> 00:14:59,390 [ Chuckling ] Holy crap! That was crazy. 363 00:14:59,440 --> 00:15:00,350 You are a star. 364 00:15:00,400 --> 00:15:02,310 Daly: And later... Oh. 365 00:15:02,360 --> 00:15:05,150 ...two steals are up for grabs. 366 00:15:05,190 --> 00:15:08,650 Which artist will get Blake's last steal ever? 367 00:15:08,700 --> 00:15:10,990 Whoa! We got a steal! 368 00:15:16,750 --> 00:15:17,910 * This is "The Voice" * 369 00:15:17,950 --> 00:15:20,040 Daly: Welcome back to the knockouts. 370 00:15:20,080 --> 00:15:22,830 Man: So we're gonna do a quick little thing here with Niall. 371 00:15:22,880 --> 00:15:24,210 Play a little bit of his music. 372 00:15:24,250 --> 00:15:26,420 [ Cheers and applause ] 373 00:15:26,460 --> 00:15:27,960 Niall: I had a really cool moment today 374 00:15:28,010 --> 00:15:29,380 where I got to share a little short clip 375 00:15:29,420 --> 00:15:31,260 of my single "Heaven," which is out, 376 00:15:31,300 --> 00:15:33,550 and got the -- the crowd singing along. 377 00:15:33,600 --> 00:15:37,020 * God only knows where this could go * 378 00:15:37,060 --> 00:15:42,440 * And even if our love starts to grow out of control * I like this song! 379 00:15:42,480 --> 00:15:46,780 * And you and me go up in flames * 380 00:15:46,820 --> 00:15:49,070 * Heaven won't be the same * It was really cool. 381 00:15:49,110 --> 00:15:50,780 The audience knew every single word to it. 382 00:15:50,820 --> 00:15:52,740 Alright, cowboy, what'd you think? 383 00:15:52,780 --> 00:15:54,120 I love the song. 384 00:15:54,160 --> 00:15:55,580 Do you remember any of it? Yes, uh... 385 00:15:55,620 --> 00:15:58,040 * They're magically delicious * 386 00:15:58,080 --> 00:15:59,700 [ Laughter ] 387 00:15:59,750 --> 00:16:02,420 What? That was tough for me to take. 388 00:16:02,460 --> 00:16:03,790 [ Laughter ] 389 00:16:03,830 --> 00:16:05,540 Chance: So you're living in Nashville? Reba: Yeah. 390 00:16:05,590 --> 00:16:07,300 Were you raised there, or you moved there when -- Oklahoma. 391 00:16:07,340 --> 00:16:09,050 Okay. My great-grandmother's from Tulsa, 392 00:16:09,090 --> 00:16:10,380 but I've never made it there. 393 00:16:10,420 --> 00:16:12,340 We grew up on a working cattle ranch, 394 00:16:12,380 --> 00:16:14,300 bought cattle in the spring, sold them in the fall 395 00:16:14,340 --> 00:16:17,100 after we fattened them up for feeder cattle. 396 00:16:17,140 --> 00:16:18,850 That's crazy. I didn't even think about it, 397 00:16:18,890 --> 00:16:20,640 that there's cows that are bred 398 00:16:20,680 --> 00:16:23,480 specifically to get ate versus to produce... Yeah. 399 00:16:23,520 --> 00:16:25,360 ...produce. Milk or, yeah, produce. There you go. 400 00:16:25,400 --> 00:16:26,770 [ Chuckles ] Produce produce. 401 00:16:26,820 --> 00:16:28,230 [ Both laugh ] 402 00:16:28,270 --> 00:16:29,650 I'm really excited for these -- for these next two. 403 00:16:29,690 --> 00:16:32,490 I got Magnus and Jamar. 404 00:16:32,530 --> 00:16:34,990 Jamar is soulful. He's got a blues influence. 405 00:16:35,030 --> 00:16:37,080 He plays guitar, like, he's a little bit older, 406 00:16:37,120 --> 00:16:39,490 so he's got this old soul thing going for him. 407 00:16:39,540 --> 00:16:42,000 Magnus in the same way, he's a younger guy, 408 00:16:42,040 --> 00:16:43,670 but he's got a '70s soul, 409 00:16:43,710 --> 00:16:47,090 Curtis Mayfield, Donny Hathaway feel to him. Ooh, cool. 410 00:16:47,130 --> 00:16:49,670 I want you to see 'em. Magnus, Jamar. 411 00:16:49,710 --> 00:16:51,510 Come on down. 412 00:16:51,550 --> 00:16:52,840 What?! 413 00:16:52,880 --> 00:16:54,300 Wha-- [ Laughs ] 414 00:16:54,340 --> 00:16:55,720 We got Reba in this joint. 415 00:16:55,760 --> 00:16:56,970 Queen of Country. 416 00:16:57,010 --> 00:16:58,850 She's definitely a legend in the game. 417 00:16:58,890 --> 00:17:00,100 I need a hug. I need a hug. 418 00:17:00,140 --> 00:17:01,890 She gives some of the warmest hugs, 419 00:17:01,930 --> 00:17:03,440 I feel a real Southern hug. 420 00:17:03,480 --> 00:17:04,810 So what are you singing? 421 00:17:04,850 --> 00:17:07,060 I'm singing John Legend, "Ordinary People." 422 00:17:07,110 --> 00:17:09,690 Wonderful. That's the first song I learned how to play on piano. 423 00:17:09,730 --> 00:17:11,360 That's funny. It was one of my firsts, too. No kidding. 424 00:17:11,400 --> 00:17:13,820 I feel like young Black kids around our age, 425 00:17:13,860 --> 00:17:17,370 like, when this song came out, it changed the game. It did. 426 00:17:17,410 --> 00:17:20,700 I'm a gospel soul singer. John is such a beast. 427 00:17:20,740 --> 00:17:23,370 * Girl, I'm in love with you * 428 00:17:23,410 --> 00:17:25,620 Oh, wow. Magnus: He's been a light for my life. 429 00:17:25,670 --> 00:17:28,040 A lot of his songs are really inspirational for me. 430 00:17:28,080 --> 00:17:29,840 * ...infatuation phase * 431 00:17:29,880 --> 00:17:33,470 The journey for me, pursuing music has been up and down. 432 00:17:33,510 --> 00:17:35,220 I've definitely had to do some odd jobs, 433 00:17:35,260 --> 00:17:36,890 such as being a delivery driver, 434 00:17:36,930 --> 00:17:39,600 but I have my own personal concert in my car, 435 00:17:39,640 --> 00:17:41,510 so it's like while I'm delivering, 436 00:17:41,560 --> 00:17:43,980 I'm still practicing in my craft every day. 437 00:17:44,020 --> 00:17:47,810 * Slowwww * 438 00:17:47,850 --> 00:17:50,070 Wow. Right? Insane. 439 00:17:50,110 --> 00:17:51,570 Thank you. 440 00:17:51,610 --> 00:17:54,400 When you started, it was so rich and thick with your -- 441 00:17:54,440 --> 00:17:56,240 your voice, your vocal. Thank you. 442 00:17:56,280 --> 00:17:58,570 So full. Love it. 443 00:17:58,620 --> 00:18:00,160 And then when you hit that high note, 444 00:18:00,200 --> 00:18:01,370 I'm like, "Oh, my gosh." 445 00:18:01,410 --> 00:18:02,580 Yeah. [ Chuckles ] 446 00:18:02,620 --> 00:18:04,200 Oh, my gosh. He has the range. 447 00:18:04,250 --> 00:18:05,750 [ Laughs ] 448 00:18:05,790 --> 00:18:08,670 I think with, like, people of distinct tones like John Legend, 449 00:18:08,710 --> 00:18:10,590 like, you being able to put your spin on it 450 00:18:10,630 --> 00:18:12,750 and also all your choices and runs that you choose 451 00:18:12,800 --> 00:18:16,010 to make it your own song is super important. 452 00:18:16,050 --> 00:18:18,470 * I still put you first * 453 00:18:18,510 --> 00:18:21,390 Reba: Magnus did a great job of selecting that song. 454 00:18:21,430 --> 00:18:23,010 He had me right there. 455 00:18:23,060 --> 00:18:26,390 And he looked at Chance and me while he was singing 456 00:18:26,430 --> 00:18:31,310 because he was telling us about this and we believed him. 457 00:18:31,360 --> 00:18:34,900 You feel so comfortable, too. Your voice is so smooth. 458 00:18:34,940 --> 00:18:37,450 You ever see those chocolate commercials on television 459 00:18:37,490 --> 00:18:39,490 and it's like a river of chocolate? Just lay in that chocolate... 460 00:18:39,530 --> 00:18:43,450 That was just so smooth and just flowing like a river. 461 00:18:43,490 --> 00:18:45,120 Yeah, keep doing the same thing. 462 00:18:45,160 --> 00:18:46,620 [ Laughs ] 463 00:18:46,660 --> 00:18:49,540 Jamar: Magnus, we're brothers, but we're gonna fight. 464 00:18:49,580 --> 00:18:50,790 I want to go to playoffs badly. 465 00:18:50,830 --> 00:18:53,340 I'm quiet, but I'm a competitor. 466 00:18:53,380 --> 00:18:55,380 So we got Jamar with "Cruisin'." 467 00:18:55,420 --> 00:18:56,670 Yep. Smokey Robinson. 468 00:18:56,720 --> 00:18:58,510 That's my favorite, my mom's favorite. 469 00:18:58,550 --> 00:19:01,590 I mean, Smokey's been in our household for longer than me. 470 00:19:01,640 --> 00:19:05,270 This song actually represents my genre to a T. 471 00:19:05,310 --> 00:19:07,270 * Baby, let's cruise... * 472 00:19:07,310 --> 00:19:09,480 I'm all about telling love stories. 473 00:19:09,520 --> 00:19:10,980 When I perform this song, 474 00:19:11,020 --> 00:19:13,020 I'm definitely going to be thinking about my wife. 475 00:19:13,060 --> 00:19:14,690 She is so amazing. 476 00:19:14,730 --> 00:19:19,820 It's a perfect example of how I feel every day. I feel love. 477 00:19:19,860 --> 00:19:21,320 * Oooh * 478 00:19:21,360 --> 00:19:23,320 And I chose this song because I want to show the coaches 479 00:19:23,370 --> 00:19:26,240 that I'm the person that they would want to take to the playoffs. 480 00:19:26,290 --> 00:19:29,620 Great job. Great job. You got a great voice. [ Whistles ] 481 00:19:29,660 --> 00:19:30,710 Thank you. 482 00:19:30,750 --> 00:19:32,250 Chance, I don't know what you think, 483 00:19:32,290 --> 00:19:34,840 but it seemed like the band was loud 484 00:19:34,880 --> 00:19:36,920 all the way through at one level. 485 00:19:36,960 --> 00:19:39,220 Yeah. Maybe put some dynamics in it. 486 00:19:39,260 --> 00:19:40,590 Yeah, I would agree. 487 00:19:40,630 --> 00:19:43,850 'Cause at the beginning, it's real intimate. 488 00:19:43,890 --> 00:19:44,930 I agree totally. 489 00:19:44,970 --> 00:19:46,680 I mean, we could certainly do that. 490 00:19:46,720 --> 00:19:48,560 I think for anything, just to catch the tempo, 491 00:19:48,600 --> 00:19:50,190 even if it's a count-in from rhythm, 492 00:19:50,230 --> 00:19:53,020 like just so that he knows what BPM you guys are playing at 493 00:19:53,060 --> 00:19:54,980 then he could play and then you guys could join him. 494 00:19:55,020 --> 00:19:57,440 Messes things up a little bit. Yeah, jumbles it. 495 00:19:57,480 --> 00:20:00,110 * Don't be confused * 496 00:20:00,150 --> 00:20:02,950 Chance: Jamar is a cold dude, man. He's an instrumentalist. 497 00:20:02,990 --> 00:20:05,080 He's somebody that has a deep sense 498 00:20:05,120 --> 00:20:06,580 of knowledge of himself. 499 00:20:06,620 --> 00:20:09,040 One of my favorite things is when Jamar goes up 500 00:20:09,080 --> 00:20:10,330 into that higher octave 501 00:20:10,370 --> 00:20:12,210 and really sings in his head voice. 502 00:20:12,250 --> 00:20:13,790 * Ooooooh * 503 00:20:13,830 --> 00:20:16,590 It's very flowy, angelic feel to it. 504 00:20:16,630 --> 00:20:19,460 Lots better. Amazing. 505 00:20:19,510 --> 00:20:21,420 I really love your natural tone, 506 00:20:21,470 --> 00:20:24,390 and when you go into a space of feeling out a song... Yes, exactly. 507 00:20:24,430 --> 00:20:25,720 ...that's what, like, gives life to it 508 00:20:25,760 --> 00:20:27,850 and makes, you know, your ears perk up and stuff, 509 00:20:27,890 --> 00:20:29,600 so I would just say keep leaning into that. 510 00:20:29,640 --> 00:20:31,020 Way to go. Thank you so much. 511 00:20:31,060 --> 00:20:32,270 Thank you. Thank you. 512 00:20:32,310 --> 00:20:33,690 Magnus: Jamar is an amazing artist, 513 00:20:33,730 --> 00:20:35,400 but I want to make it to the playoffs bad. 514 00:20:35,440 --> 00:20:36,690 This is where my heart is, 515 00:20:36,730 --> 00:20:38,650 this is where my time and energy is. 516 00:20:38,690 --> 00:20:40,570 I'm gonna leave everything out on the stage. 517 00:20:40,610 --> 00:20:42,900 Wow, I'm just thrilled to death I got to meet you. 518 00:20:42,950 --> 00:20:44,530 Oh, come -- come on, now. Come on. 519 00:20:44,570 --> 00:20:46,320 I think this knockout round is gonna come down 520 00:20:46,370 --> 00:20:48,580 to who steps into themselves the most 521 00:20:48,620 --> 00:20:51,200 and presents themselves as their own artist 522 00:20:51,250 --> 00:20:55,290 and their own identity that needs to be in the show. 523 00:20:55,330 --> 00:20:56,790 I don't know what I'm gonna do. 524 00:20:56,840 --> 00:20:59,880 This just blows me away, so many talented people. 525 00:20:59,920 --> 00:21:01,420 Yeah, I know. It's crazy, right? 526 00:21:01,460 --> 00:21:02,630 [ Scoffs ] 527 00:21:02,670 --> 00:21:04,430 That's gonna be a tough decision. 528 00:21:04,470 --> 00:21:06,180 [ Cheers and applause ] 529 00:21:06,220 --> 00:21:08,760 It's gonna be good. 530 00:21:08,810 --> 00:21:11,810 With "Cruisin'," here's Jamar Langley. 531 00:21:11,850 --> 00:21:13,940 Kelly: Oh, man, this is gonna be hard, I think. 532 00:21:13,980 --> 00:21:16,270 Chance: I have no idea what I'm gonna do. 533 00:21:16,310 --> 00:21:24,570 ** 534 00:21:24,610 --> 00:21:32,200 * Baby, let's cruise away from heeere * 535 00:21:32,250 --> 00:21:34,910 [ Cheering ] 536 00:21:34,960 --> 00:21:44,720 * Don't be confused, the way is cleeear * 537 00:21:44,760 --> 00:21:50,640 * And if you want it, you got it forever * 538 00:21:50,680 --> 00:21:56,850 * This is not a one-night stand, nooo, ooooooh * 539 00:21:56,900 --> 00:21:58,360 God, he's good. 540 00:21:58,400 --> 00:22:02,820 * Let the music take your mind, your mind, your mind * 541 00:22:02,860 --> 00:22:07,820 * Just release and you will fiiind * 542 00:22:07,860 --> 00:22:14,370 * That you're gonna fly away, glad you're going my way * 543 00:22:14,410 --> 00:22:19,750 * I love it when we're cruisin' together * 544 00:22:20,880 --> 00:22:25,220 * And inch by inch, we get closer and closer * 545 00:22:25,260 --> 00:22:26,760 Come on! Come on, Jay! 546 00:22:26,800 --> 00:22:30,680 * To every little part of each otheeer * 547 00:22:30,720 --> 00:22:31,850 Whoo! 548 00:22:31,890 --> 00:22:33,850 * Baby, baby, baby, baby * Aah! 549 00:22:33,890 --> 00:22:38,520 * Let the music -- whoo! -- take your miiind * 550 00:22:38,560 --> 00:22:40,190 Whoo-hoo! 551 00:22:40,230 --> 00:22:42,190 * Just release, and you will find * Alright, J! 552 00:22:42,230 --> 00:22:47,240 * You will find that you're gonna fly away * 553 00:22:47,280 --> 00:22:50,700 * Glad you're going my way * 554 00:22:50,740 --> 00:22:55,540 * I love it when we're cruisin' together * 555 00:22:55,580 --> 00:22:58,250 * Music is made for loooooove * 556 00:22:58,290 --> 00:23:01,880 * Cruisin' is made for love * 557 00:23:01,920 --> 00:23:07,170 * I love it when we're cruising togetheeer * 558 00:23:07,220 --> 00:23:12,220 * Cruuuisin' * 559 00:23:12,260 --> 00:23:14,680 * We're gonna cruise now * 560 00:23:14,720 --> 00:23:17,310 Yeah! Alright, alright! 561 00:23:17,350 --> 00:23:18,600 That was sick. 562 00:23:18,640 --> 00:23:20,270 [ Cheers and applause ] 563 00:23:20,310 --> 00:23:21,730 That boy good! 564 00:23:21,770 --> 00:23:23,860 Oh, man, looks like Magnus 565 00:23:23,900 --> 00:23:26,480 don't be playing around, no. 566 00:23:33,280 --> 00:23:34,780 * This is "The Voice" * 567 00:23:34,830 --> 00:23:36,620 Daly: Welcome back. 568 00:23:36,660 --> 00:23:38,870 [ Cheers and applause ] 569 00:23:42,380 --> 00:23:45,840 Now singing "Ordinary People," here's Magnus. 570 00:23:47,420 --> 00:23:50,260 ** 571 00:23:50,300 --> 00:23:52,800 * Oh, oh, oh, oh * 572 00:23:52,840 --> 00:23:55,350 * Girl, I'm in love with you * 573 00:23:55,390 --> 00:23:57,850 * This ain't the honeymoon * 574 00:23:57,890 --> 00:24:01,390 * Past the infatuation phase * 575 00:24:01,440 --> 00:24:04,360 * I know I misbehaved * 576 00:24:04,400 --> 00:24:06,820 * And you made your mistakes * 577 00:24:06,860 --> 00:24:11,740 * And we both still got room left to grow * 578 00:24:11,780 --> 00:24:14,660 * And though love sometimes hurts * 579 00:24:14,700 --> 00:24:16,990 * I still put you first * 580 00:24:17,040 --> 00:24:19,160 * And we'll make this thing work * 581 00:24:19,200 --> 00:24:23,330 * But I think we should take it slow * 582 00:24:23,380 --> 00:24:26,840 * We're just ordinary people * 583 00:24:26,880 --> 00:24:28,090 Ooh. 584 00:24:28,130 --> 00:24:33,510 * We don't know which way to gooooo * 585 00:24:33,550 --> 00:24:36,470 * 'Cause we're ordinary people * 586 00:24:36,510 --> 00:24:38,470 * Yes, we are, baby * 587 00:24:38,520 --> 00:24:41,730 * Maybe we should take it slow * 588 00:24:41,770 --> 00:24:43,690 * Take it slow * 589 00:24:43,730 --> 00:24:45,900 * Maybe we'll live and learn * 590 00:24:45,940 --> 00:24:48,690 * Or maybe we'll crash and burn * 591 00:24:48,730 --> 00:24:50,280 * Maybe we'll stay * 592 00:24:50,320 --> 00:24:51,360 * Maybe we'll leave * 593 00:24:51,400 --> 00:24:53,530 * Maybe you'll return * 594 00:24:53,570 --> 00:24:56,490 * Maybe another fiiiiight * 595 00:24:56,530 --> 00:24:58,330 * Maybe we won't survive * 596 00:24:58,370 --> 00:25:01,290 * Maybe we'll grow, we never know * 597 00:25:01,330 --> 00:25:03,790 * Baby, you and I * 598 00:25:03,830 --> 00:25:07,920 * We're just ordinary people * 599 00:25:07,960 --> 00:25:14,010 * Oh, we don't know which way to goooooo * 600 00:25:14,050 --> 00:25:18,470 * 'Cause we're ordinary people * 601 00:25:18,510 --> 00:25:21,730 * Maybe we should take it slow * 602 00:25:21,770 --> 00:25:25,060 * Take it slow * 603 00:25:25,100 --> 00:25:28,110 * Oh * 604 00:25:28,150 --> 00:25:31,860 * This time we'll take it slow * 605 00:25:31,900 --> 00:25:37,740 * Take it slow, da-do-da-do-ba-doo-ba-doo * 606 00:25:37,780 --> 00:25:39,160 Come on! * This time * 607 00:25:39,200 --> 00:25:40,620 Saxophone solo. 608 00:25:40,660 --> 00:25:47,420 * Take it sloooooow * 609 00:25:47,460 --> 00:25:49,710 [ Cheers and applause ] 610 00:25:51,420 --> 00:25:52,420 Wow. 611 00:25:52,460 --> 00:25:53,550 What they gonna do? 612 00:25:53,590 --> 00:25:54,970 I don't know. 613 00:25:56,970 --> 00:25:59,010 Great job, Jamar. Great job, Magnus. 614 00:25:59,050 --> 00:26:00,560 I'm gonna start with Jamar. 615 00:26:00,600 --> 00:26:02,770 You can sing some baby-making music, man. 616 00:26:02,810 --> 00:26:03,850 [ Laughter ] Thank you. 617 00:26:03,890 --> 00:26:05,940 I was like, oh, my gosh. 618 00:26:05,980 --> 00:26:08,440 It was so cool. I love you playing the guitar. 619 00:26:08,480 --> 00:26:10,150 I know it's called "The Voice," 620 00:26:10,190 --> 00:26:12,940 but it actually enhances your vocal ability. Yeah. 621 00:26:12,980 --> 00:26:14,320 Do you ever perform without it, really? 622 00:26:14,360 --> 00:26:16,360 Yes, I do. It depends on the mood, so... 623 00:26:16,400 --> 00:26:17,660 [ Laughter ] Ooh. 624 00:26:17,700 --> 00:26:18,870 I'm gonna be up in the crowd, you know... 625 00:26:18,910 --> 00:26:20,370 Hey! Alright, Jamar. 626 00:26:20,410 --> 00:26:22,200 I'm gonna have to put the guitar down, so... 627 00:26:22,240 --> 00:26:23,040 Alright, Jamar. 628 00:26:23,080 --> 00:26:24,620 [ Laughter ] I see you. 629 00:26:24,660 --> 00:26:27,290 Magnus, you have such a beautiful voice. 630 00:26:27,330 --> 00:26:28,790 When you sing John Legend, 631 00:26:28,830 --> 00:26:30,710 first of all, I'm like a part of his street team. 632 00:26:30,750 --> 00:26:33,760 I'm like a stalker fan. Like, I love him. 633 00:26:33,800 --> 00:26:35,260 I just feel like it's maybe hard for you 634 00:26:35,300 --> 00:26:37,970 not to sound like an imitation of what he does. 635 00:26:38,010 --> 00:26:39,680 I'm gonna lean more towards Jamar 636 00:26:39,720 --> 00:26:40,970 just because I couldn't get 637 00:26:41,010 --> 00:26:42,970 the John Legend thing out of my head. 638 00:26:43,010 --> 00:26:44,770 But you're incredible. 639 00:26:44,810 --> 00:26:46,140 Thank you. Yes, you are, man. 640 00:26:46,180 --> 00:26:47,560 Thank you. 641 00:26:47,600 --> 00:26:49,770 Blake: Jamar, I love when you're playing the guitar. 642 00:26:49,810 --> 00:26:51,820 That's how I want to see you perform, man. 643 00:26:51,860 --> 00:26:53,360 You just have a thing when you're doing it 644 00:26:53,400 --> 00:26:55,400 and you're kind of lost in the moment, and it works. 645 00:26:55,440 --> 00:26:57,490 Thank you. And then on the flipside of that, 646 00:26:57,530 --> 00:27:00,120 Magnus, when he performs, has a big handful of something 647 00:27:00,160 --> 00:27:01,740 in his imagination. [ Laughter ] 648 00:27:01,780 --> 00:27:03,830 And he's like -- Niall: Yeah, like -- 649 00:27:03,870 --> 00:27:06,120 He's tickling it, and he's doing something. 650 00:27:06,160 --> 00:27:07,790 [ Laughter ] 651 00:27:07,830 --> 00:27:09,670 I may lean towards Magnus just because 652 00:27:09,710 --> 00:27:12,750 his voice is just huge, and I like how he gets out here 653 00:27:12,790 --> 00:27:14,840 and plays with the imaginary friend. 654 00:27:14,880 --> 00:27:16,300 Magnus: Thank you. 655 00:27:16,340 --> 00:27:17,590 [ Laughter, applause ] 656 00:27:17,630 --> 00:27:19,010 Niall: Gents, that was so cool. 657 00:27:19,050 --> 00:27:22,390 It's the mic, the guitar, and the song for Jamar. 658 00:27:22,430 --> 00:27:24,010 And he doesn't need anything else 659 00:27:24,060 --> 00:27:26,140 to portray the same sort of stage performance. 660 00:27:26,180 --> 00:27:29,310 Magnus, so round and big and powerful, 661 00:27:29,350 --> 00:27:31,650 but, like, I'm naturally attracted to someone 662 00:27:31,690 --> 00:27:32,940 that can tell a story. 663 00:27:32,980 --> 00:27:34,860 And for that reason, I'd go with Jamar. 664 00:27:34,900 --> 00:27:37,570 [ Applause ] Daly: Thank you, Coaches. 665 00:27:37,610 --> 00:27:40,030 Alright, Chance. This will be a tough one for you. 666 00:27:40,070 --> 00:27:41,700 Give us some thoughts on the knockout first. 667 00:27:41,740 --> 00:27:43,870 When I think about the idea of "The Voice" as like, 668 00:27:43,910 --> 00:27:46,700 it's not about what you see on stage, 669 00:27:46,750 --> 00:27:48,040 but really what you can hear. 670 00:27:48,080 --> 00:27:51,500 And Magnus has such like a specific identity 671 00:27:51,540 --> 00:27:53,130 as a vocalist that I love. 672 00:27:53,170 --> 00:27:55,380 And then, Jamar, you have the same thing 673 00:27:55,420 --> 00:27:57,840 in, like, a completely different wheelhouse. 674 00:27:57,880 --> 00:27:59,880 You were, like, wrestling with that song, 675 00:27:59,920 --> 00:28:01,260 not like you didn't know it. 676 00:28:01,300 --> 00:28:02,970 Just like, okay, this is what I'm gonna do. 677 00:28:03,010 --> 00:28:05,890 I'm having a very tough time making this decision, 678 00:28:05,930 --> 00:28:07,220 as you could tell. 679 00:28:07,270 --> 00:28:09,180 Daly: It's an impossible decision, but it is time. 680 00:28:09,230 --> 00:28:10,850 Chance, who's the winner of this knockout? 681 00:28:10,890 --> 00:28:15,230 ** 682 00:28:15,270 --> 00:28:18,400 This was incredibly difficult. 683 00:28:22,110 --> 00:28:24,240 Hey, can we go to commercial real quick? 684 00:28:24,280 --> 00:28:26,580 [ Laughter ] 685 00:28:26,620 --> 00:28:27,790 Come on, Carson. Throw it. 686 00:28:27,830 --> 00:28:29,160 He wants to go to a commercial break? 687 00:28:35,590 --> 00:28:36,750 * This is "The Voice" * 688 00:28:36,800 --> 00:28:39,130 Daly: Welcome back to the knockouts. 689 00:28:40,800 --> 00:28:42,510 Chance, who's the winner of this knockout? 690 00:28:42,550 --> 00:28:45,600 ** 691 00:28:45,640 --> 00:28:48,260 This was incredibly difficult. 692 00:28:48,310 --> 00:28:51,430 The winner of this knockout is... 693 00:28:51,480 --> 00:28:52,690 Jamar. 694 00:28:52,730 --> 00:28:55,020 Daly: Jamar, congratulations! 695 00:28:55,060 --> 00:28:56,770 You're moving on to the playoffs! 696 00:28:56,820 --> 00:29:00,490 Chance: Jamar is a very seasoned artist. 697 00:29:00,530 --> 00:29:04,450 He has this unspoken confidence when he's performing. 698 00:29:04,490 --> 00:29:07,240 I'm excited that he's gonna continue to show who he is. 699 00:29:07,280 --> 00:29:09,910 Coaches, let me remind you that Magnus is available to steal. 700 00:29:09,950 --> 00:29:12,620 Magnus, anything you want to say to your coach? 701 00:29:12,660 --> 00:29:14,000 I'm just happy to be here, 702 00:29:14,040 --> 00:29:15,210 and I'm blessed to have had you as a coach. 703 00:29:15,250 --> 00:29:16,540 And I just want to say thank you. 704 00:29:16,580 --> 00:29:18,040 Give it up, everybody, for Magnus! Amen. 705 00:29:18,090 --> 00:29:20,300 Good job, Magnus! [ Cheers and applause ] 706 00:29:20,340 --> 00:29:22,010 Blake: Magnus is an incredible artist. 707 00:29:22,050 --> 00:29:23,470 I just didn't use my steal 708 00:29:23,510 --> 00:29:25,680 because I've got my eye on somebody coming up. 709 00:29:25,720 --> 00:29:27,050 That was tough for me, man. 710 00:29:27,100 --> 00:29:28,510 Niall: This is the level it's at. 711 00:29:28,560 --> 00:29:29,600 When a singer like that -- 712 00:29:29,640 --> 00:29:31,180 Like, it's just nuts. 713 00:29:32,180 --> 00:29:33,730 The last time we did stuff like this 714 00:29:33,770 --> 00:29:36,690 was when we were hosting the "ACM Awards" together... Uh-huh. 715 00:29:36,730 --> 00:29:39,150 ...back in 1934. [ Laughs ] 716 00:29:39,190 --> 00:29:40,400 I was starting to think you hate me. 717 00:29:40,440 --> 00:29:42,900 I thought you'd totally got so big 718 00:29:42,940 --> 00:29:45,030 that you just lost my number. 719 00:29:45,070 --> 00:29:46,910 I have gotten so big, 720 00:29:46,950 --> 00:29:48,830 but now I want to spread the fame. 721 00:29:48,870 --> 00:29:50,120 So... You are so thoughtful. 722 00:29:50,160 --> 00:29:51,410 ...I figured you could use a little extra fame. 723 00:29:51,450 --> 00:29:53,660 Well, us Okies got to stay together. 724 00:29:53,710 --> 00:29:55,580 [ Laughs ] Okay. 725 00:29:55,620 --> 00:29:58,880 Alright. Let's bring out Grace, who is a country singer. 726 00:29:58,920 --> 00:30:00,050 She lives in Nashville now. 727 00:30:00,090 --> 00:30:01,340 I'm gonna have a panic attack. 728 00:30:01,380 --> 00:30:02,710 Oh, my God. I knew it. Neil. 729 00:30:02,760 --> 00:30:04,510 And then this is Neil, 730 00:30:04,550 --> 00:30:06,550 coming out here with her. Reba: Neil. Okay. 731 00:30:06,590 --> 00:30:09,260 Who I didn't recognize without a hat on, for a second there. What? 732 00:30:09,300 --> 00:30:13,350 Seeing Reba, it was like panic, excitement, panic. 733 00:30:13,390 --> 00:30:16,190 Like, I don't even know [laughs] to be honest with you. 734 00:30:16,230 --> 00:30:17,730 I don't know how to put it into words. 735 00:30:17,770 --> 00:30:19,230 Pulling out all the stops. Good to see you. 736 00:30:19,270 --> 00:30:21,690 She is a pop culture behemoth, really. 737 00:30:21,730 --> 00:30:25,150 And so, being in her presence is a life highlight. 738 00:30:25,200 --> 00:30:26,400 I think both of you guys 739 00:30:26,450 --> 00:30:28,660 are honed in on what lane you're in. 740 00:30:28,700 --> 00:30:31,700 And, man, that puts you way ahead of the competition. 741 00:30:31,740 --> 00:30:33,540 You gonna sing first? Yeah. 742 00:30:33,580 --> 00:30:34,830 Let's do this. 743 00:30:34,870 --> 00:30:36,540 Uh-oh. What are you singing today? 744 00:30:36,580 --> 00:30:38,630 Today, I'm singing "Here You Come Again" by Dolly Parton. 745 00:30:38,670 --> 00:30:40,380 You've been singing this for a long, long time? 746 00:30:40,420 --> 00:30:42,300 I've been singing this since I could sing. 747 00:30:42,340 --> 00:30:43,880 Aww, cute. Since noise could come out of my mouth. 748 00:30:43,920 --> 00:30:45,130 Grace: I love Dolly Parton. 749 00:30:45,170 --> 00:30:47,430 She is just this amazing, strong woman 750 00:30:47,470 --> 00:30:49,550 who has literally done it all. 751 00:30:49,590 --> 00:30:51,180 She has inspired me a lot. 752 00:30:51,220 --> 00:30:53,390 I am a songwriter in Nashville. 753 00:30:53,430 --> 00:30:56,230 Being younger, there was a lot of doubt just in, like, 754 00:30:56,270 --> 00:30:57,770 is this the right decision to make, 755 00:30:57,810 --> 00:31:00,900 especially moving and having your family go with you. 756 00:31:00,940 --> 00:31:02,320 We were traveling back and forth, 757 00:31:02,360 --> 00:31:03,940 Detroit to Nashville, Detroit to Nashville. 758 00:31:03,980 --> 00:31:05,190 So, I graduated high school, 759 00:31:05,240 --> 00:31:06,740 and then my family, we packed up, 760 00:31:06,780 --> 00:31:08,530 and my parents came to help support and everything. 761 00:31:08,570 --> 00:31:10,820 Kinda sounds familiar, making those trips. 762 00:31:10,870 --> 00:31:13,200 Except my family never moved there with me. Mine, neither. 763 00:31:13,240 --> 00:31:14,370 They were like, "Hey, good luck out there." 764 00:31:14,410 --> 00:31:15,580 Yeah. [ Laughter ] 765 00:31:15,620 --> 00:31:17,000 "Call when you can." 766 00:31:17,040 --> 00:31:19,080 My parents mean the world to me. 767 00:31:19,120 --> 00:31:23,130 We are just so glad that you are following your dreams. 768 00:31:23,170 --> 00:31:25,010 I'm sorry I'm crying. [ Laughs] 769 00:31:25,050 --> 00:31:26,340 Everything they've sacrificed for me, 770 00:31:26,380 --> 00:31:28,090 I just want to make sure it's all worth it. 771 00:31:28,130 --> 00:31:29,970 So, I put my all into it every time. 772 00:31:30,010 --> 00:31:33,260 * Here you come again * 773 00:31:33,300 --> 00:31:35,770 Blake: I love Grace's song choice 'cause it shows 774 00:31:35,810 --> 00:31:38,600 her tip of the hat to some of the old-school country. 775 00:31:38,640 --> 00:31:40,940 This gives Grace a chance to be playful 776 00:31:40,980 --> 00:31:42,110 and have fun on the stage -- 777 00:31:42,150 --> 00:31:45,650 * And here I goooo * 778 00:31:45,690 --> 00:31:46,900 Oh, I love that. 779 00:31:46,940 --> 00:31:47,940 ...and show a side of what she does 780 00:31:47,990 --> 00:31:49,320 that we haven't seen yet. 781 00:31:49,360 --> 00:31:51,160 I could listen to that all day. Reba: Uh-huh! 782 00:31:51,200 --> 00:31:53,370 The country version of a run that you do 783 00:31:53,410 --> 00:31:56,620 at the end of the phrases, it's just so pure. Little trills. 784 00:31:56,660 --> 00:31:58,790 The only thing I would say is there was one moment where 785 00:31:58,830 --> 00:32:01,330 you sang the word * Filling up my senses * 786 00:32:01,370 --> 00:32:03,380 and that fell just a little bit flat. 787 00:32:03,420 --> 00:32:05,460 Okay. I just felt like you just probably needed some more air 788 00:32:05,500 --> 00:32:07,340 to get up there. One other thing. 789 00:32:07,380 --> 00:32:09,220 Just play with the camera every once in a while. 790 00:32:09,260 --> 00:32:11,840 On a cute little moment, just kind of look over and go... 791 00:32:11,890 --> 00:32:13,470 A good friend of mine told me, 792 00:32:13,510 --> 00:32:17,220 "When you are singing and you smile, that comes through." 793 00:32:17,270 --> 00:32:19,180 It's like you're telling a story and you know, 794 00:32:19,230 --> 00:32:21,310 "Here you come again. Oh, my God." Yeah. 795 00:32:21,350 --> 00:32:23,360 That was Barry Manilow who told me that. Oh, really? 796 00:32:23,400 --> 00:32:24,980 I'm just gonna drop that name right there. 797 00:32:25,020 --> 00:32:26,400 Yeah, and it works. 798 00:32:26,440 --> 00:32:28,110 * You look into my eyes * 799 00:32:28,150 --> 00:32:30,360 I picked this song because it's different 800 00:32:30,400 --> 00:32:32,200 than the two songs that I've sang previously. 801 00:32:32,240 --> 00:32:34,570 I'm just gonna showcase more of a range. 802 00:32:34,620 --> 00:32:36,410 I'm not playing my guitar for this one, 803 00:32:36,450 --> 00:32:38,700 so I'm not gonna have a little safety net here. 804 00:32:38,750 --> 00:32:41,000 To make sure I win, we're gonna be cheesing. 805 00:32:41,040 --> 00:32:42,250 We're gonna be moving around. 806 00:32:42,290 --> 00:32:43,830 It's gonna be good. [ Laughs ] 807 00:32:43,880 --> 00:32:45,790 * And here I goooo * 808 00:32:45,840 --> 00:32:48,300 She was very timid on the first round. 809 00:32:48,340 --> 00:32:50,010 And the second time she sang it, 810 00:32:50,050 --> 00:32:52,010 she just let everything go 811 00:32:52,050 --> 00:32:53,300 and just sang her little heart out. 812 00:32:53,340 --> 00:32:55,010 Did you ever cover any Dolly songs? 813 00:32:55,050 --> 00:32:56,390 Yeah. "Hard Candy Christmas." 814 00:32:56,430 --> 00:32:57,970 Oh, yeah. She's a great gal. 815 00:32:58,010 --> 00:32:59,390 She'll love you singing her song. 816 00:32:59,430 --> 00:33:00,770 [ Laughs ] Thank you. 817 00:33:00,810 --> 00:33:02,060 Sounds so good, buddy. 818 00:33:02,100 --> 00:33:03,520 Smile, like Reba said. 819 00:33:03,560 --> 00:33:05,310 If you don't do what Reba says, trust me, I know... 820 00:33:05,360 --> 00:33:06,980 Oh, believe me. ...stuff happens. 821 00:33:07,020 --> 00:33:08,070 [ Laughs ] 822 00:33:08,110 --> 00:33:09,320 Neil: Being paired with Grace, 823 00:33:09,360 --> 00:33:11,190 it's gonna keep me on my toes. 824 00:33:11,240 --> 00:33:12,570 Now I know who I'm up against. 825 00:33:12,610 --> 00:33:14,320 I've gone through so much to get to this point, 826 00:33:14,360 --> 00:33:16,370 I just want to make it to the playoffs. 827 00:33:16,410 --> 00:33:18,120 Reba: So where are you from? I'm from St. Louis. 828 00:33:18,160 --> 00:33:21,410 St. Louis. And I'm singing a song by a St. Louis singer. 829 00:33:21,450 --> 00:33:23,210 "Takin' It to the Streets" by The Doobie Brothers. 830 00:33:23,250 --> 00:33:24,830 Oh, I love that song. 831 00:33:24,870 --> 00:33:27,630 * You don't know me, but I'm your brother * 832 00:33:27,670 --> 00:33:30,170 Neil: This song, it's almost like a gospel song 833 00:33:30,210 --> 00:33:31,760 disguised as a rock song. 834 00:33:31,800 --> 00:33:33,010 * You will find... * 835 00:33:33,050 --> 00:33:34,130 If the St. Louis sound is anything, 836 00:33:34,180 --> 00:33:35,720 it's those two things. 837 00:33:35,760 --> 00:33:39,350 And that is who I am and who I want to be as a performer. 838 00:33:39,390 --> 00:33:42,060 I've been working as a musician in St. Louis 839 00:33:42,100 --> 00:33:43,520 for the last decade. 840 00:33:43,560 --> 00:33:45,560 There's an amazing history of music 841 00:33:45,600 --> 00:33:48,020 from Chuck Berry to Michael McDonald, 842 00:33:48,060 --> 00:33:52,320 but I am super grateful to sing on the "Voice" stage. 843 00:33:52,360 --> 00:33:54,240 * Takin' it to the streets * 844 00:33:54,280 --> 00:33:57,570 Being here and all the performances so far 845 00:33:57,620 --> 00:34:00,660 have pushed me to be a better performer. 846 00:34:00,700 --> 00:34:03,910 Blake: Neil looks like he's having his own private party 847 00:34:03,960 --> 00:34:05,000 when he's performing. 848 00:34:05,040 --> 00:34:06,290 It's fun to see. 849 00:34:06,330 --> 00:34:07,670 This is a perfect song, 850 00:34:07,710 --> 00:34:09,250 especially coming out of the battles. 851 00:34:09,290 --> 00:34:11,420 He did so well with "Heard It Through the Grapevine" 852 00:34:11,460 --> 00:34:13,380 that this seems like the perfect next step for him. 853 00:34:13,420 --> 00:34:15,010 I couldn't look at you. I was too nervous, but... 854 00:34:15,050 --> 00:34:17,090 [ Laughing ] Oh! That sounded great. 855 00:34:17,140 --> 00:34:18,930 Do you have background vocals on this? 856 00:34:18,970 --> 00:34:21,430 Yeah, they'll be there. We will in the next pass. We can play him out. 857 00:34:21,470 --> 00:34:24,390 I think it'll help because I feel like on that second chorus, 858 00:34:24,430 --> 00:34:27,060 that's such a signature part of that record, 859 00:34:27,100 --> 00:34:28,520 I'm kind of on the edge of my seat. 860 00:34:28,560 --> 00:34:30,270 Like, what's he gonna do? You know what I mean? 861 00:34:30,320 --> 00:34:32,280 And I think knowing what the content of this song is, 862 00:34:32,320 --> 00:34:34,610 it's about this is the kind of lifestyle you live. 863 00:34:34,650 --> 00:34:37,530 I'm down here literally in the streets... Yeah. 864 00:34:37,570 --> 00:34:39,410 ...and so maybe it's not so playful. 865 00:34:39,450 --> 00:34:41,990 "I was raised here in this living hell." Yeah. 866 00:34:42,040 --> 00:34:45,460 That's kind of a somber message there. Right, right. Yeah. 867 00:34:45,500 --> 00:34:46,920 I don't think it has to be such a downer. 868 00:34:46,960 --> 00:34:49,380 No, I -- But it can be more, maybe, serious. 869 00:34:49,420 --> 00:34:51,130 Now, I think the second one, where it says, 870 00:34:51,170 --> 00:34:54,300 "Take this message to my brother," that's a hopefulness. 871 00:34:54,340 --> 00:34:55,510 Alright. Let's try it again. 872 00:34:55,550 --> 00:34:57,130 So, we do have some singers? Man: Yeah. 873 00:34:57,180 --> 00:34:59,220 Me and Reba were gonna jump in, but that's cool. [ Whistles ] 874 00:34:59,260 --> 00:35:01,140 We'll get you a couple mics right now, if you want. There you go. 875 00:35:01,180 --> 00:35:03,970 You're gonna owe her a lot more money if she sings, also. 876 00:35:04,020 --> 00:35:05,480 [ Laughter ] 877 00:35:05,520 --> 00:35:07,270 * I ain't blind and I don't like... * 878 00:35:07,310 --> 00:35:08,810 Grace: Neil is incredible. 879 00:35:08,850 --> 00:35:12,610 He brings every cell of his being to everything he sings. 880 00:35:12,650 --> 00:35:14,480 So I'm like, "Oh, I have to sing -- 881 00:35:14,530 --> 00:35:16,860 Wait a minute. [ Chuckles ] What are the rules again?" 882 00:35:16,900 --> 00:35:18,150 Uh-oh. 883 00:35:18,200 --> 00:35:19,450 I can't imagine that I'm gonna have 884 00:35:19,490 --> 00:35:21,570 a tougher decision than this one. 885 00:35:21,620 --> 00:35:23,830 I feel for ya. I know, but you already won. 886 00:35:23,870 --> 00:35:25,410 You got to meet Reba. I know. I was just saying that. 887 00:35:25,450 --> 00:35:27,080 [ Laughs ] I got to meet y'all. 888 00:35:27,120 --> 00:35:28,830 Blake: Neil and Grace -- that's gonna be a tough one for me. 889 00:35:28,870 --> 00:35:31,080 I just got to pick who's gonna embody the song the best. 890 00:35:31,130 --> 00:35:32,500 Reba: They're great. 891 00:35:32,540 --> 00:35:33,920 I wouldn't know which one to pick right now 892 00:35:33,960 --> 00:35:36,510 'cause they're kind of similar, but different. 893 00:35:36,550 --> 00:35:37,300 Yeah. 894 00:35:37,340 --> 00:35:38,760 [ Cheers and applause ] 895 00:35:38,800 --> 00:35:42,640 With "Here You Come Again," this is Grace West. 896 00:35:44,890 --> 00:35:49,690 ** 897 00:35:49,730 --> 00:35:52,730 * Here you come again * 898 00:35:53,730 --> 00:35:58,070 * Just when I'd begun to get myself together * 899 00:35:58,110 --> 00:36:00,450 * You waltz right in the door * 900 00:36:00,490 --> 00:36:02,620 * Just like you've done before * 901 00:36:02,660 --> 00:36:08,120 * And wrapped my heart 'round your little finger * 902 00:36:08,160 --> 00:36:11,080 * Here you come again * 903 00:36:12,000 --> 00:36:16,500 * Just when I'm about to make it work without you * 904 00:36:16,550 --> 00:36:18,720 * You look into my eyes * 905 00:36:18,760 --> 00:36:20,880 * And lie those pretty lies * 906 00:36:20,930 --> 00:36:25,720 * And pretty soon, I'm wondering how I came to doubt you * 907 00:36:25,760 --> 00:36:30,270 * All you've got to do is smile that smile * 908 00:36:30,310 --> 00:36:34,440 * And there go all my defenses * 909 00:36:34,480 --> 00:36:39,070 * Just leave it up to you and in a little while * 910 00:36:39,110 --> 00:36:44,740 * You're messing up my mind and filling up my senses * 911 00:36:44,780 --> 00:36:48,500 * Here you come again * 912 00:36:48,540 --> 00:36:52,870 * Looking better than a body has a right to * 913 00:36:52,920 --> 00:36:57,590 * And shaking me up so that all I really know * 914 00:36:57,630 --> 00:37:01,170 * Is here you come again * 915 00:37:01,220 --> 00:37:05,100 * And here I goooo * 916 00:37:05,140 --> 00:37:07,600 [ Cheers and applause ] 917 00:37:07,640 --> 00:37:10,310 * Here you come again * 918 00:37:11,230 --> 00:37:15,770 * Looking better than a body has a right to * 919 00:37:15,810 --> 00:37:20,490 * And shaking me up so that all I really know * 920 00:37:20,530 --> 00:37:23,740 * Is here you come again * 921 00:37:23,780 --> 00:37:28,740 * And here I goooooooo * 922 00:37:28,790 --> 00:37:33,460 * Here I gooooooooooo, whoa, oh * 923 00:37:33,500 --> 00:37:39,130 * Here I goooo, whoa, oh * 924 00:37:39,170 --> 00:37:42,010 [ Cheers and applause ] 925 00:37:45,300 --> 00:37:46,850 She's so good. Yeah. 926 00:37:46,890 --> 00:37:48,970 Oh, my God. I feel like I've heard that voice. 927 00:37:50,850 --> 00:37:52,390 Come on, Neil. 928 00:37:59,190 --> 00:38:00,400 * This is "The Voice" * 929 00:38:00,440 --> 00:38:01,530 Daly: Welcome back to the final night 930 00:38:01,570 --> 00:38:02,780 of the knockouts. 931 00:38:02,820 --> 00:38:04,860 [ Cheers and applause ] 932 00:38:04,900 --> 00:38:07,030 Now singing "Takin' It to the Streets," 933 00:38:07,070 --> 00:38:09,450 here is Neil Salsich. 934 00:38:09,490 --> 00:38:12,910 [ Cheers and applause ] 935 00:38:12,950 --> 00:38:20,050 ** 936 00:38:20,090 --> 00:38:26,550 * You don't know me, but I'm your brother * 937 00:38:26,590 --> 00:38:32,890 * I was raised here in this living hell * 938 00:38:32,930 --> 00:38:39,060 * You don't know my kind in your world * 939 00:38:39,110 --> 00:38:45,070 * Fairly soon, the time will tell * 940 00:38:45,110 --> 00:38:47,990 * You * 941 00:38:48,030 --> 00:38:52,450 * Telling me the things you're gonna do for me * 942 00:38:54,410 --> 00:38:57,750 * I ain't blind and I don't like what I think I see * 943 00:38:57,790 --> 00:38:59,500 * Takin' it to the streets * 944 00:38:59,540 --> 00:39:01,000 * Takin' it to the streets * 945 00:39:01,040 --> 00:39:02,750 * Takin' it to the streets * 946 00:39:02,800 --> 00:39:04,010 * No more need for running * 947 00:39:04,050 --> 00:39:06,050 * Takin' it to the streets * 948 00:39:06,090 --> 00:39:07,550 * Yeah, na-a * 949 00:39:07,590 --> 00:39:09,010 * Takin' it to the * 950 00:39:09,050 --> 00:39:11,220 ** 951 00:39:11,260 --> 00:39:17,730 * Take this message to my brother * 952 00:39:17,770 --> 00:39:22,190 * You will find him everywhere * 953 00:39:22,230 --> 00:39:23,980 There ya go. There ya go! 954 00:39:24,030 --> 00:39:30,530 * Wherever people live together * [ Laughs ] 955 00:39:30,570 --> 00:39:34,660 * Tied in poverty's despair * 956 00:39:35,620 --> 00:39:37,540 * Oh, you * 957 00:39:37,580 --> 00:39:39,210 Ay! 958 00:39:39,250 --> 00:39:45,340 * Telling me the things you're gonna do for me, yeah * 959 00:39:45,380 --> 00:39:48,930 * I ain't blind and I don't like what I think I see * 960 00:39:48,970 --> 00:39:50,640 * Takin' it to the streets * 961 00:39:50,680 --> 00:39:52,390 * Takin' it to the streets * 962 00:39:52,430 --> 00:39:53,930 * Takin' it to the streets * 963 00:39:53,970 --> 00:39:55,470 * No more need for running * 964 00:39:55,520 --> 00:39:57,310 * Takin' it to the streets * 965 00:39:57,350 --> 00:39:58,640 * Yeaah, now * 966 00:39:58,690 --> 00:40:00,560 * Takin' it to the streets * 967 00:40:00,600 --> 00:40:01,810 * Takin' it, takin' it * 968 00:40:01,860 --> 00:40:03,980 * Takin' it to the streets * 969 00:40:04,020 --> 00:40:04,940 [ Vocalizing ] 970 00:40:04,980 --> 00:40:06,440 * Takin' it to the streets * 971 00:40:06,480 --> 00:40:08,490 * Takin' it to the streets * 972 00:40:08,530 --> 00:40:10,410 * Takin' it to the streets * 973 00:40:10,450 --> 00:40:12,820 * Oooooh * 974 00:40:12,870 --> 00:40:14,240 Huh! 975 00:40:14,280 --> 00:40:16,200 [ Laughs ] Hey! 976 00:40:16,240 --> 00:40:17,660 I love him! 977 00:40:17,700 --> 00:40:20,370 [ Cheers and applause ] 978 00:40:20,420 --> 00:40:22,670 Whoo! Oh, that was so good. 979 00:40:22,710 --> 00:40:24,170 Oh, yeah! 980 00:40:24,210 --> 00:40:26,380 * Takin' it to the streets * 981 00:40:26,420 --> 00:40:28,050 [ Laughs ] Niall: Wow. Grace, Neil. 982 00:40:28,090 --> 00:40:30,010 Both of you absolutely smashed it. 983 00:40:30,050 --> 00:40:31,840 For Neil, the arrangement that you made 984 00:40:31,890 --> 00:40:33,470 and t-the changes you made towards the end especially, 985 00:40:33,510 --> 00:40:35,640 you really, really took it to a different level. 986 00:40:35,680 --> 00:40:37,600 And it's just such a solid voice. Thank you. Thank you, Niall. 987 00:40:37,640 --> 00:40:39,770 The minute I heard you sing, I was like, yeah, Neil's back. 988 00:40:39,810 --> 00:40:41,310 So that's a cool thing to have. 989 00:40:41,350 --> 00:40:43,520 And, Grace, unbelievable performance. Thank you. 990 00:40:43,560 --> 00:40:44,980 You've always been one of my favorites, 991 00:40:45,020 --> 00:40:47,360 and I'm really excited to hear you 992 00:40:47,400 --> 00:40:48,900 after this show, actually. 993 00:40:48,940 --> 00:40:50,360 In my eyes, you'd be one for the future, 994 00:40:50,400 --> 00:40:53,820 and that's why I would just lean towards Grace. 995 00:40:53,870 --> 00:40:55,660 [ Cheers and applause ] Thank you. 996 00:40:55,700 --> 00:40:57,870 Awesome performances on both sides. 997 00:40:57,910 --> 00:40:59,870 Grace, your tone is just super cool to me 998 00:40:59,910 --> 00:41:01,330 and has that Southern feel to it, 999 00:41:01,370 --> 00:41:04,080 and the pitch is always there, which is dope. 1000 00:41:04,130 --> 00:41:05,590 And then for Neil, 1001 00:41:05,630 --> 00:41:08,090 what I love is your stage presence, man. 1002 00:41:08,130 --> 00:41:10,510 It's really just so exciting. 1003 00:41:10,550 --> 00:41:14,050 And when you just do this thing that you do... [ Laughter ] 1004 00:41:14,090 --> 00:41:16,220 And you were like, "I want all of y'all to pick me." 1005 00:41:16,260 --> 00:41:18,390 And I was like, "This is convincing me." 1006 00:41:18,430 --> 00:41:20,270 I would go with Neil for sure. 1007 00:41:20,310 --> 00:41:21,810 [ Cheers and applause ] 1008 00:41:21,850 --> 00:41:23,900 We were having a good old time during your performance, Neil. 1009 00:41:23,940 --> 00:41:25,440 [ Laughs ] I love that song. 1010 00:41:25,480 --> 00:41:28,690 I love that you are the kind of versatile singer 1011 00:41:28,730 --> 00:41:30,900 that picks different genres of music, 1012 00:41:30,940 --> 00:41:32,490 and you have this energy about you. 1013 00:41:32,530 --> 00:41:36,870 When you sing, it's captivating, and your voice is crazy. 1014 00:41:36,910 --> 00:41:40,200 That control is the reason why this show exists. 1015 00:41:40,250 --> 00:41:42,910 Thank you. And, Grace, you are a star. 1016 00:41:42,960 --> 00:41:45,880 You have that kind of quality about your -- your tone. 1017 00:41:45,920 --> 00:41:48,290 I don't know that this was the best song 1018 00:41:48,340 --> 00:41:50,090 to showcase in this moment. 1019 00:41:50,130 --> 00:41:52,130 I think, Neil, like, with song selection, 1020 00:41:52,170 --> 00:41:53,880 I feel like you nailed it this time. 1021 00:41:53,930 --> 00:41:55,340 I would go with Neil. 1022 00:41:55,390 --> 00:41:57,220 Daly: Thank you, Coaches. 1023 00:41:57,260 --> 00:41:59,430 Alright, cowboy, this is a tough one for you, I know. Yeah. 1024 00:41:59,470 --> 00:42:02,270 We're down to the best of the best now, you know, 1025 00:42:02,310 --> 00:42:05,810 and this is the last time I'm going to have to do this. 1026 00:42:05,850 --> 00:42:06,940 The knockouts is one of the reasons 1027 00:42:06,980 --> 00:42:08,310 I'm quitting, by the way. 1028 00:42:08,360 --> 00:42:11,820 That's how much I hate the dadgum knockouts. 1029 00:42:11,860 --> 00:42:14,280 'Cause you guys both deserve to be here. 1030 00:42:14,320 --> 00:42:16,950 And hopefully you both will be here. 1031 00:42:16,990 --> 00:42:20,450 Buddy, tough choice, I know. Who won this knockout? 1032 00:42:20,490 --> 00:42:22,250 Um... 1033 00:42:22,290 --> 00:42:24,330 I'm gonna go out how I want to here. 1034 00:42:26,000 --> 00:42:28,540 And, uh, the winner of this knockout is Grace. 1035 00:42:28,590 --> 00:42:31,130 [ Cheers and applause ] Grace, congratulations. 1036 00:42:31,170 --> 00:42:33,720 You're moving on to the playoffs on Team Blake. 1037 00:42:33,760 --> 00:42:35,220 You killed it. Mm. 1038 00:42:35,260 --> 00:42:36,970 Blake: Grace and Neil was a tough decision for me. 1039 00:42:37,010 --> 00:42:38,470 I just ended up going with Grace 1040 00:42:38,510 --> 00:42:41,640 because she just has this old-school, country voice. 1041 00:42:41,680 --> 00:42:43,020 All the potential that she has 1042 00:42:43,060 --> 00:42:44,810 is still out there in front of her, 1043 00:42:44,850 --> 00:42:46,600 and I think she's gonna be a star in country music. 1044 00:42:46,640 --> 00:42:49,020 Daly: Coaches, let me remind you that Neil is available to steal. 1045 00:42:49,060 --> 00:42:52,110 Neil, anything you want to say to your coach? 1046 00:42:52,150 --> 00:42:54,820 It's just been a freaking blast, so thank you. 1047 00:42:54,860 --> 00:42:56,990 How about a big thank you to Neil Salsich, 1048 00:42:57,030 --> 00:42:57,990 ladies and gentlemen? 1049 00:42:58,030 --> 00:42:59,990 Thank you, Neil. Thank you. 1050 00:43:00,030 --> 00:43:01,160 [ Cheers and applause ] 1051 00:43:01,200 --> 00:43:03,700 Thank you all. Appreciate you. 1052 00:43:04,290 --> 00:43:05,870 Do it. 1053 00:43:06,870 --> 00:43:09,500 Daly: We got a steal! I knew it! 1054 00:43:09,540 --> 00:43:11,130 At the last second! 1055 00:43:11,170 --> 00:43:15,840 Kelly Clarkson wants to steal Neil Salsich. Whoo! 1056 00:43:15,880 --> 00:43:17,300 Kelly: I'm just excited to work with Neil. 1057 00:43:17,340 --> 00:43:18,550 He can sing anything. 1058 00:43:18,590 --> 00:43:20,100 I want you to sing some Billy Joel. 1059 00:43:20,140 --> 00:43:22,970 He's done just such different songs each round. 1060 00:43:23,010 --> 00:43:24,680 I think he's sneakily one of the best singers 1061 00:43:24,720 --> 00:43:26,850 in the competition. Chance: That was awesome. 1062 00:43:26,890 --> 00:43:28,270 I love him. That was fire. 1063 00:43:28,310 --> 00:43:30,270 That was so good. He makes me so happy. 1064 00:43:30,310 --> 00:43:32,070 Chance: I was really glad that Kelly stole him. 1065 00:43:32,110 --> 00:43:34,480 He's so funny. And he does his head... 1066 00:43:34,530 --> 00:43:35,490 and he points. 1067 00:43:35,530 --> 00:43:36,860 He's so cute. 1068 00:43:36,900 --> 00:43:38,910 He said, "You, you, you." 1069 00:43:38,950 --> 00:43:40,570 [ Laughter ] 1070 00:43:40,620 --> 00:43:42,120 I love him. 1071 00:43:48,580 --> 00:43:49,750 * This is "The Voice" * 1072 00:43:49,790 --> 00:43:50,920 Daly: Welcome back to the knockouts 1073 00:43:50,960 --> 00:43:52,540 at Universal Studios Hollywood. 1074 00:43:52,590 --> 00:43:54,920 Mary Kate: Team Blake, we're going to the playoffs. Whoo! 1075 00:43:54,960 --> 00:43:57,550 What are we talking about? Are we doing an interview? [ Laughs ] 1076 00:43:57,590 --> 00:43:58,930 Hi. How you doing, little buddy? 1077 00:43:58,970 --> 00:44:00,090 What do you think about -- 1078 00:44:00,140 --> 00:44:01,470 What's it like watching this stuff? 1079 00:44:01,510 --> 00:44:03,220 Honestly, I thought that I was gonna, like, 1080 00:44:03,260 --> 00:44:04,640 be, like, so, like, chill. 1081 00:44:04,680 --> 00:44:06,890 I'm stressed, like, I don't know how you guys 1082 00:44:06,930 --> 00:44:08,020 do this the whole time. 1083 00:44:08,060 --> 00:44:09,270 It's been fun, though. Cool. 1084 00:44:09,310 --> 00:44:10,940 I like watching you. You're funny. 1085 00:44:10,980 --> 00:44:12,730 Cool. You all look like you're on a telethon up there. 1086 00:44:12,770 --> 00:44:14,320 It's weird. Cool. 1087 00:44:14,360 --> 00:44:15,980 Thanks, Blake. I'll see you at the playoffs. 1088 00:44:16,030 --> 00:44:18,070 See you, big buddy. Alright, buddy. 1089 00:44:18,110 --> 00:44:20,700 He's my favorite. [ Laughs ] 1090 00:44:20,740 --> 00:44:22,870 Reba: Have you ever been to Oklahoma? Niall: Touring wise, yeah, yeah. 1091 00:44:22,910 --> 00:44:24,450 Played some of those sheds. 1092 00:44:24,490 --> 00:44:25,700 Niall's very bashful. 1093 00:44:25,740 --> 00:44:27,200 Not a state that I've spent a lot of time in. 1094 00:44:27,250 --> 00:44:28,790 You're always on the move. Yeah. 1095 00:44:28,830 --> 00:44:32,420 We see the airport, the hotel, and the venue. That's it. 1096 00:44:32,460 --> 00:44:36,090 I'm working with him to try to come out of his shell. 1097 00:44:36,130 --> 00:44:38,630 No, I'm kidding. He is a sweetheart. 1098 00:44:38,670 --> 00:44:40,380 We clicked immediately. 1099 00:44:40,430 --> 00:44:42,930 Alright, Reba, we got Jerome and Ross. 1100 00:44:42,970 --> 00:44:45,470 Alright, man. You feeling good? Ready to go? All good. Ready to go. 1101 00:44:45,510 --> 00:44:47,930 Jerome, he's a real gospel soul singer. 1102 00:44:47,970 --> 00:44:49,270 Love that. 1103 00:44:49,310 --> 00:44:50,980 And Ross, he's really good at this kind of, like, 1104 00:44:51,020 --> 00:44:53,400 soft rock, country twang. 1105 00:44:53,440 --> 00:44:55,940 Both of them are amazing. These pairings are horrible. 1106 00:44:55,980 --> 00:44:57,730 'Cause then again, I have to pick someone. 1107 00:44:57,780 --> 00:44:58,990 It's very hard. I feel for ya. 1108 00:44:59,030 --> 00:45:00,400 But that's why you're here. 1109 00:45:00,450 --> 00:45:01,860 And that's why I need your help. Oh. 1110 00:45:01,910 --> 00:45:03,990 I was afraid of that. [ Both laugh ] 1111 00:45:04,030 --> 00:45:05,830 Bring 'em out. Here we go. 1112 00:45:05,870 --> 00:45:07,660 Oh, my God. [ Laughs ] 1113 00:45:07,700 --> 00:45:09,750 Look at Ross. He nearly died. 1114 00:45:09,790 --> 00:45:12,540 Ross: Getting to see Reba, I kind of couldn't handle it. 1115 00:45:12,580 --> 00:45:15,000 One of my mom's heroes. One of my heroes. 1116 00:45:15,040 --> 00:45:18,510 It was Reba McEntire. [ Chuckles ] 1117 00:45:18,550 --> 00:45:20,380 Mom: No! Yeah. 1118 00:45:20,420 --> 00:45:22,010 It was... Oh, my God. [ Laughs] 1119 00:45:22,050 --> 00:45:23,470 ...insane. How are you? 1120 00:45:23,510 --> 00:45:25,180 Sorry, I'm probably shaking a lot. Aww. 1121 00:45:25,220 --> 00:45:26,850 This is Ross. Out of control. Hi. 1122 00:45:26,890 --> 00:45:28,850 It's wonderful to meet you. Nice to meet you, Ross. 1123 00:45:28,890 --> 00:45:30,810 I was visibly shaking. 1124 00:45:30,850 --> 00:45:33,020 Did she think you're a dork?[ Laughs] 1125 00:45:33,060 --> 00:45:34,230 Probably. 1126 00:45:34,270 --> 00:45:35,190 Let's do it! 1127 00:45:35,230 --> 00:45:37,020 I decided to choose 1128 00:45:37,070 --> 00:45:39,570 "Someone You Loved" by Lewis Capaldi. Oof. 1129 00:45:39,610 --> 00:45:41,570 Everything I've done so far is up-tempo, 1130 00:45:41,610 --> 00:45:43,610 so I just want to give something different. 1131 00:45:43,660 --> 00:45:47,080 * Sometimes I fall into your arms * 1132 00:45:47,120 --> 00:45:49,240 Niall: Lewis Capaldi is a good friend of mine. 1133 00:45:49,290 --> 00:45:50,790 He'd be delighted that his song's on this, actually. 1134 00:45:50,830 --> 00:45:53,920 We've seen a lot of big moments from Jerome so far. 1135 00:45:53,960 --> 00:45:56,630 So it's nice that he's taking a step back 1136 00:45:56,670 --> 00:45:59,250 and singing one of the biggest ballads of the last 20 years also. 1137 00:45:59,300 --> 00:46:02,090 * And you're not here to get me through it all * 1138 00:46:02,130 --> 00:46:04,760 When I first heard Jerome, I was fascinated 1139 00:46:04,800 --> 00:46:06,720 by the roundness of his voice. 1140 00:46:06,760 --> 00:46:09,060 If you say, "How are you supposed to sing 1141 00:46:09,100 --> 00:46:11,060 and hold your mouth open?" Jerome. 1142 00:46:11,100 --> 00:46:12,350 * Yeah * 1143 00:46:12,390 --> 00:46:14,600 20 years old and singing like that, 1144 00:46:14,640 --> 00:46:15,940 he's got a great talent. 1145 00:46:15,980 --> 00:46:18,110 Great sound. Oh, my gosh. Thank you. 1146 00:46:18,150 --> 00:46:19,650 The only note I would have, 1147 00:46:19,690 --> 00:46:21,860 I want to know that you did go through that. 1148 00:46:21,900 --> 00:46:23,280 I gotta see that pain. Right. 1149 00:46:23,320 --> 00:46:25,910 When I let my guard down, almost whisper 1150 00:46:25,950 --> 00:46:27,780 to help with the dynamics a little bit. 1151 00:46:27,820 --> 00:46:29,200 That's a tearjerker. 1152 00:46:29,240 --> 00:46:31,240 That hurt my heart when I heard those lyrics. 1153 00:46:31,290 --> 00:46:33,710 Jerome: I would like to stay on Team Niall 1154 00:46:33,750 --> 00:46:37,580 because this is the craziest life experience ever. 1155 00:46:37,630 --> 00:46:40,800 And honestly, it still hasn't hit me yet. [ Chuckles ] 1156 00:46:40,840 --> 00:46:44,010 Back home, I have struggled with the choice -- 1157 00:46:44,050 --> 00:46:46,720 dentistry or music. 1158 00:46:46,760 --> 00:46:48,550 I do little gigs here and there. 1159 00:46:48,600 --> 00:46:50,350 This is definitely one of the biggest stages 1160 00:46:50,390 --> 00:46:52,810 I have had the opportunity to be on. 1161 00:46:52,850 --> 00:46:55,890 Tapping into the vulnerable side has been a challenge, 1162 00:46:55,940 --> 00:46:58,270 but I've had a couple of heartbreaks, 1163 00:46:58,310 --> 00:47:00,610 so I have to break down the lyrics 1164 00:47:00,650 --> 00:47:02,980 and decipher what they mean to me. 1165 00:47:03,030 --> 00:47:05,570 When you're technically as good as you are, 1166 00:47:05,610 --> 00:47:07,110 I think there's a lot of concentration 1167 00:47:07,160 --> 00:47:08,370 that goes on notes. 1168 00:47:08,410 --> 00:47:10,080 The next progression for the coming days 1169 00:47:10,120 --> 00:47:12,160 is making sure that the emotion is attached 1170 00:47:12,200 --> 00:47:13,700 to the technical singing. 1171 00:47:13,750 --> 00:47:16,410 This is a song that comes from the pit of your stomach, 1172 00:47:16,460 --> 00:47:18,290 so I need Jerome to really sell that story 1173 00:47:18,330 --> 00:47:19,920 to the people at home, because if he does, 1174 00:47:19,960 --> 00:47:22,710 he's gonna set living rooms on fire all across America. 1175 00:47:22,750 --> 00:47:25,510 Have you gotten over the fact that this lady's here yet? 1176 00:47:25,550 --> 00:47:27,510 Are you actually ready to sing? That's not gonna happen 1177 00:47:27,550 --> 00:47:29,640 for a while. Thank you for that. 1178 00:47:29,680 --> 00:47:33,310 * I'm a fool to do your dirty work * 1179 00:47:33,350 --> 00:47:35,230 I'm singing "Dirty Work" by Steely Dan. 1180 00:47:35,270 --> 00:47:38,690 Cool. I know this song backwards, in Portuguese. 1181 00:47:38,730 --> 00:47:41,610 My dad used to play the album for me on repeat. 1182 00:47:41,650 --> 00:47:42,770 * I don't wanna... * 1183 00:47:42,820 --> 00:47:44,780 Ross: I remember being in my dad's office 1184 00:47:44,820 --> 00:47:47,900 and he'd have music bumpin' while he was working. 1185 00:47:47,950 --> 00:47:51,070 My childhood with my dad was relatively short-lived. 1186 00:47:51,120 --> 00:47:52,490 He passed when I was 12. 1187 00:47:52,530 --> 00:47:56,500 It, um... It was rough. 1188 00:47:56,540 --> 00:47:59,330 He laid the foundation for what a father should be. 1189 00:47:59,370 --> 00:48:02,170 He was coaching my baseball team when he had cancer, too. 1190 00:48:02,210 --> 00:48:05,210 [ Vocalizing ] 1191 00:48:05,260 --> 00:48:07,420 I think about him every day. 1192 00:48:07,470 --> 00:48:08,930 Yeah. This song, 1193 00:48:08,970 --> 00:48:11,510 as soon as I hear it, I'm sitting with him again. 1194 00:48:11,550 --> 00:48:13,430 I'm gonna do my best to do it justice. 1195 00:48:13,470 --> 00:48:15,430 And I think no matter what I do out there, 1196 00:48:15,470 --> 00:48:17,430 even if I go up there and totally blow it, 1197 00:48:17,480 --> 00:48:20,190 [laughs] he'd still be -- he'd still be proud. 1198 00:48:20,230 --> 00:48:22,190 * No more * 1199 00:48:22,230 --> 00:48:24,070 Reba: Ross, he's a great stylist. 1200 00:48:24,110 --> 00:48:26,690 If you hear Ross on the radio, 1201 00:48:26,740 --> 00:48:28,530 you'll know immediately that's him. 1202 00:48:28,570 --> 00:48:31,030 If I was a record executive, that's what I would look for. 1203 00:48:31,070 --> 00:48:34,280 Great job, great job. And good song selection. Thanks. Thank you. 1204 00:48:34,330 --> 00:48:36,200 Everybody wants to sing along with that. Yep. 1205 00:48:36,240 --> 00:48:37,540 Great. Yeah. It's a groove. 1206 00:48:37,580 --> 00:48:41,330 Ross' voice sounds almost studio-ready, live, 1207 00:48:41,370 --> 00:48:43,710 so I got to make sure that I perform my best. 1208 00:48:43,750 --> 00:48:45,460 I don't know if you could see, at the end of that 1209 00:48:45,500 --> 00:48:47,670 I was way out of breath. Timing is everything. 1210 00:48:47,710 --> 00:48:50,510 My diaphragm all the way up into my back here 1211 00:48:50,550 --> 00:48:52,430 fills up with air as much as I can. 1212 00:48:52,470 --> 00:48:54,430 Because if you don't have air pushing, 1213 00:48:54,470 --> 00:48:56,640 there's nothing that's gonna come out of those vocal cords. 1214 00:48:56,680 --> 00:48:59,730 Right. I always think of the note before I go near it. 1215 00:48:59,770 --> 00:49:01,270 Yeah. Then I just have to go and meet it. 1216 00:49:01,310 --> 00:49:02,690 This knockout is gonna come down 1217 00:49:02,730 --> 00:49:05,480 to whoever sells their individual song the best. 1218 00:49:05,520 --> 00:49:07,480 I'm gonna have to make a tough decision, obviously, 1219 00:49:07,530 --> 00:49:09,440 but just go out and nail it. 1220 00:49:09,490 --> 00:49:11,400 It's whoever really connects with the people 1221 00:49:11,450 --> 00:49:13,660 and connects with me that is gonna make their way 1222 00:49:13,700 --> 00:49:14,950 through to the playoffs. 1223 00:49:14,990 --> 00:49:16,660 [ Cheers and applause ] 1224 00:49:16,700 --> 00:49:18,040 Yeah, Ross! 1225 00:49:18,080 --> 00:49:19,660 Whoo! 1226 00:49:20,960 --> 00:49:24,130 Now singing "Dirty Work," here's Ross Clayton. 1227 00:49:24,170 --> 00:49:26,090 [ Cheers and applause ] 1228 00:49:26,130 --> 00:49:31,840 ** 1229 00:49:31,880 --> 00:49:37,430 ** 1230 00:49:37,470 --> 00:49:39,270 * Well, times are hard * 1231 00:49:39,310 --> 00:49:42,480 * And you're afraid to pay the fee * 1232 00:49:42,520 --> 00:49:45,980 * So you find yourself somebody * 1233 00:49:46,020 --> 00:49:50,740 * Who can do the job for free * 1234 00:49:50,780 --> 00:49:54,160 * When you need a little lovin' * 1235 00:49:54,200 --> 00:49:57,120 * 'Cause your man is out of town * 1236 00:49:57,160 --> 00:50:00,580 * Yeah, that's the time you get me runnin' * 1237 00:50:00,620 --> 00:50:06,290 * And you know I'll be around * 1238 00:50:06,330 --> 00:50:10,170 * I'm a fool to do your dirty work * 1239 00:50:10,210 --> 00:50:12,880 * Oh, yeah * 1240 00:50:12,920 --> 00:50:16,800 * I don't wanna do your dirty work * 1241 00:50:16,850 --> 00:50:19,430 * No more * 1242 00:50:19,470 --> 00:50:23,310 * I'm a fool to do your dirty work * 1243 00:50:23,350 --> 00:50:25,940 * Oh, yeah * 1244 00:50:27,730 --> 00:50:31,110 * Like the castle in its corner * 1245 00:50:31,150 --> 00:50:34,450 * In a medieval game * 1246 00:50:34,490 --> 00:50:37,660 * I foresee a terrible trouble * 1247 00:50:37,700 --> 00:50:43,460 * And I stay here just the same * 1248 00:50:43,500 --> 00:50:47,170 * I'm a fool to do your dirty work * 1249 00:50:47,210 --> 00:50:49,880 * Oh, yeah * 1250 00:50:49,920 --> 00:50:53,840 * I don't wanna do your dirty work * 1251 00:50:53,880 --> 00:50:56,380 * No more * 1252 00:50:56,430 --> 00:51:00,180 * I'm a fool to do your dirty work * 1253 00:51:00,220 --> 00:51:02,890 * Oh, yeah * 1254 00:51:02,930 --> 00:51:06,810 * I don't wanna do your dirty work * 1255 00:51:06,850 --> 00:51:08,310 * No more * 1256 00:51:08,360 --> 00:51:09,690 * No more * 1257 00:51:09,730 --> 00:51:13,440 * I'm a fool to do your dirty work * 1258 00:51:13,490 --> 00:51:15,030 * Oh, yeah * Yes, Ross! 1259 00:51:15,070 --> 00:51:19,370 * More * 1260 00:51:19,410 --> 00:51:22,580 [ Cheers and applause ] 1261 00:51:33,090 --> 00:51:34,300 * This is "The Voice" * 1262 00:51:34,340 --> 00:51:36,220 Daly: Welcome back to the knockouts. 1263 00:51:36,260 --> 00:51:39,840 [ Cheers and applause ] 1264 00:51:39,890 --> 00:51:43,890 With "Someone You Loved," here's Jerome Godwin III. 1265 00:51:44,470 --> 00:51:47,440 I don't know any thirds or seconds. 1266 00:51:47,480 --> 00:51:48,650 I'm a third. You are? 1267 00:51:48,690 --> 00:51:49,940 Nah. I'm not even a junior. 1268 00:51:49,980 --> 00:51:51,820 [ Laughs ] 1269 00:51:52,980 --> 00:51:56,950 ** 1270 00:51:56,990 --> 00:51:59,820 * I'm going under and this time I fear * 1271 00:51:59,860 --> 00:52:02,950 * There's no one to save me * 1272 00:52:02,990 --> 00:52:05,790 * Mm-mm * 1273 00:52:05,830 --> 00:52:11,330 * This all or nothing really got a way of driving me crazy * 1274 00:52:12,500 --> 00:52:15,210 * I need somebody to heal * 1275 00:52:15,260 --> 00:52:17,340 * Somebody to know * 1276 00:52:17,380 --> 00:52:19,470 * Somebody to have * 1277 00:52:19,510 --> 00:52:21,640 * Somebody to hold * 1278 00:52:21,680 --> 00:52:23,760 * It's easy to say * 1279 00:52:23,810 --> 00:52:25,970 * But it's never the same * 1280 00:52:26,020 --> 00:52:30,230 * I guess I kinda liked the way you numbed all the pain * 1281 00:52:30,270 --> 00:52:32,440 * Now the day bleeds * 1282 00:52:32,480 --> 00:52:34,570 * Into nightfall * 1283 00:52:34,610 --> 00:52:36,480 * And you're not here * 1284 00:52:36,530 --> 00:52:38,650 * To get me through it all * 1285 00:52:38,700 --> 00:52:40,820 * I let my guard down * 1286 00:52:40,860 --> 00:52:43,070 * Then you pulled the rug * 1287 00:52:43,120 --> 00:52:48,000 * I was getting kinda used to being someone you loved * 1288 00:52:48,910 --> 00:52:55,170 * And I tend to close my eyes when it hurts sometimes * 1289 00:52:55,210 --> 00:52:59,220 * I fall into your arms * 1290 00:52:59,260 --> 00:53:04,720 * I'll be safe in your sound till you come back around * 1291 00:53:04,760 --> 00:53:07,350 * Now the day bleeds * 1292 00:53:07,390 --> 00:53:09,680 * Into nightfall * 1293 00:53:09,730 --> 00:53:11,640 * And you're not here * Wow. 1294 00:53:11,690 --> 00:53:13,770 * To get me through it all * 1295 00:53:13,810 --> 00:53:16,270 * I let my guard down * 1296 00:53:16,320 --> 00:53:18,030 * Then you pulled the rug * 1297 00:53:18,070 --> 00:53:28,040 * I was getting kinda used to being someone you loooooved * 1298 00:53:28,080 --> 00:53:31,120 * Yeaah * 1299 00:53:31,160 --> 00:53:33,540 * I let my guard down * 1300 00:53:33,580 --> 00:53:35,290 * Then you pulled the rug * 1301 00:53:35,340 --> 00:53:44,550 * I was getting kinda used to being someone you loved * 1302 00:53:44,590 --> 00:53:48,600 [ Cheers and applause ] 1303 00:53:54,600 --> 00:53:56,560 I think they were both amazing performances. 1304 00:53:56,610 --> 00:53:58,570 To me, I think Ross kind of edged it out 1305 00:53:58,610 --> 00:54:00,990 because I could tell that song means a lot to you. 1306 00:54:01,030 --> 00:54:02,900 And, Jerome, I felt like you were kind of 1307 00:54:02,950 --> 00:54:05,530 trying to find your place in the song a little bit more. 1308 00:54:05,570 --> 00:54:07,580 If I had to advise my homie Niall, 1309 00:54:07,620 --> 00:54:09,580 I'm leaning a little bit towards Ross. 1310 00:54:09,620 --> 00:54:10,790 [ Applause ] 1311 00:54:10,830 --> 00:54:12,620 Kelly: I loved both performances. 1312 00:54:12,660 --> 00:54:14,750 Ross, like, you continue to just blow me away. 1313 00:54:14,790 --> 00:54:16,580 Your vocals are so effortless. 1314 00:54:16,630 --> 00:54:20,130 It's like a conversation with people, which is so cool. 1315 00:54:20,170 --> 00:54:21,920 Jerome, it was almost like you had a wall up. 1316 00:54:21,970 --> 00:54:23,930 Like, sometimes I feel a song so much 1317 00:54:23,970 --> 00:54:25,800 I have to go dead inside [laughs] 1318 00:54:25,840 --> 00:54:27,300 'cause I don't want to ball. 1319 00:54:27,350 --> 00:54:28,930 Dead inside. Yeah. 1320 00:54:28,970 --> 00:54:31,270 But, like, your vocals are incredible. 1321 00:54:31,310 --> 00:54:32,730 I love the song selection. 1322 00:54:32,770 --> 00:54:36,150 I feel like you're a perfect singer for this show. 1323 00:54:36,190 --> 00:54:37,770 [ Cheers and applause ] 1324 00:54:37,810 --> 00:54:39,400 Blake: The difference for me, I think, is Jerome, 1325 00:54:39,440 --> 00:54:42,190 it just felt like you were putting the song together still 1326 00:54:42,240 --> 00:54:45,280 versus Ross came right out singing this song 1327 00:54:45,320 --> 00:54:47,780 like he's halfway through a concert already. 1328 00:54:47,820 --> 00:54:49,740 And I love that Oklahoma twang 1329 00:54:49,780 --> 00:54:51,040 that you naturally have in there. 1330 00:54:51,080 --> 00:54:53,790 That's great tone, so I'd lean towards Ross 1331 00:54:53,830 --> 00:54:55,620 if it was me, little buddy. Niall: Okay. 1332 00:54:55,670 --> 00:54:57,960 Daly: Thank you, Coaches. 1333 00:54:58,000 --> 00:54:59,460 Alright, Niall, it all comes down to you. 1334 00:54:59,500 --> 00:55:00,670 Before we find out the winner, 1335 00:55:00,710 --> 00:55:02,210 give us your thoughts on the knockout. 1336 00:55:02,260 --> 00:55:04,010 These decisions are -- I've said it every single time 1337 00:55:04,050 --> 00:55:05,760 I've had to do it -- it's horrible. 1338 00:55:05,800 --> 00:55:08,010 Jerome, I thought you really put everything into it. 1339 00:55:08,050 --> 00:55:10,100 It did get a little bit pitchy in the first verse, 1340 00:55:10,140 --> 00:55:11,970 and that's usually where you're the most solid, 1341 00:55:12,020 --> 00:55:13,480 is in that lower register. 1342 00:55:13,520 --> 00:55:15,480 And I think it knocked your confidence a little bit. 1343 00:55:15,520 --> 00:55:17,900 But you're an incredible singer, there's no doubt about it. 1344 00:55:17,940 --> 00:55:19,560 Thank you. 1345 00:55:19,610 --> 00:55:21,270 Ross, unbelievable. 1346 00:55:21,320 --> 00:55:22,780 You got a four-chair turn 1347 00:55:22,820 --> 00:55:24,900 in the blind audition for a reason, obviously. 1348 00:55:24,940 --> 00:55:26,820 And you just have that tone that cuts through. 1349 00:55:26,860 --> 00:55:27,990 Like, as Blake said, it felt like 1350 00:55:28,030 --> 00:55:29,240 we were in the middle of a gig. 1351 00:55:29,280 --> 00:55:31,240 And I know for a fact that there's more 1352 00:55:31,280 --> 00:55:32,660 in your back pocket. 1353 00:55:32,700 --> 00:55:34,000 Oh, God, I can't believe 1354 00:55:34,040 --> 00:55:35,830 that I still have to make these decisions. 1355 00:55:35,870 --> 00:55:37,460 When is American voting gonna get involved? 1356 00:55:37,500 --> 00:55:39,130 [ Laughter ] It's a tough one, Niall. 1357 00:55:39,170 --> 00:55:41,340 Who is the winner of this knockout? 1358 00:55:41,380 --> 00:55:43,210 ** 1359 00:55:43,250 --> 00:55:48,050 Uh, I think the winner of this knockout is... 1360 00:55:48,090 --> 00:55:48,840 Ross. 1361 00:55:48,890 --> 00:55:49,970 Ross, congratulations. 1362 00:55:50,010 --> 00:55:51,850 You're moving on to the playoffs. 1363 00:55:51,890 --> 00:55:53,810 Ross, I love how pure his voice is. 1364 00:55:53,850 --> 00:55:55,350 He's got this rocky tone. 1365 00:55:55,390 --> 00:55:57,190 I get the feeling that Ross could win this thing. 1366 00:55:57,230 --> 00:55:58,850 Jerome Godwin III. 1367 00:55:58,900 --> 00:56:00,480 Sad to see Jerome go. 1368 00:56:00,520 --> 00:56:02,230 He's an unbelievable singer, 1369 00:56:02,270 --> 00:56:06,190 but I just had to make a tough decision in the moment. 1370 00:56:06,240 --> 00:56:07,780 That Ross guy is good. 1371 00:56:07,820 --> 00:56:09,490 I think Ross is just bulletproof. 1372 00:56:09,530 --> 00:56:11,740 Daly: Still to come... * Don't blame it on the sunshine * 1373 00:56:11,780 --> 00:56:14,290 * Sunshine * * Don't blame it on the moonlight * 1374 00:56:14,330 --> 00:56:16,830 * Don't blame it on the good times * 1375 00:56:16,870 --> 00:56:19,420 * Blame it on the boogie * 1376 00:56:20,080 --> 00:56:21,670 Yes! You did it! Whoa! 1377 00:56:21,710 --> 00:56:23,250 Daly: We got a steal! 1378 00:56:23,290 --> 00:56:24,880 You're my last steal. 1379 00:56:24,920 --> 00:56:26,550 My last steal ever. 1380 00:56:26,590 --> 00:56:28,630 Ah! I'm so happy! 1381 00:56:35,430 --> 00:56:36,600 * This is "The Voice" * 1382 00:56:36,640 --> 00:56:38,850 Daly: Welcome back to "The Voice." 1383 00:56:38,890 --> 00:56:40,770 Madi: You were stolen, and you're now on Team Chance. 1384 00:56:40,810 --> 00:56:42,610 I know. I'm so happy. Welcome. 1385 00:56:42,650 --> 00:56:43,690 Thank you! Welcome to Team Chance! 1386 00:56:43,730 --> 00:56:44,940 I'm happy to be here. 1387 00:56:44,980 --> 00:56:46,740 Tiana is actually new to my team. 1388 00:56:46,780 --> 00:56:48,150 Daly: We got a steal! 1389 00:56:48,190 --> 00:56:50,160 I stole her from Team Niall. Yeah! 1390 00:56:50,200 --> 00:56:52,910 Sorelle is actually a trio. 1391 00:56:52,950 --> 00:56:54,910 They're a three-part super harmonic group. 1392 00:56:54,950 --> 00:56:56,290 Ana: We're more like modern pop. 1393 00:56:56,330 --> 00:56:58,460 Okay, I'm kind of like a pop-R&B artist, 1394 00:56:58,500 --> 00:57:00,960 so I think that's why he'd want to pair us. 1395 00:57:01,000 --> 00:57:02,080 Are they related? 1396 00:57:02,130 --> 00:57:03,460 They are. They're three sisters. 1397 00:57:03,500 --> 00:57:04,790 Oh, cool. Isn't that cool? 1398 00:57:04,840 --> 00:57:05,960 Love that. They're fire, right? Yeah. 1399 00:57:06,000 --> 00:57:07,300 Nothing like blood harmony. 1400 00:57:07,340 --> 00:57:08,590 Yeah. Blood harmony. 1401 00:57:08,630 --> 00:57:09,760 Yeah. We got this. Let's go. 1402 00:57:09,800 --> 00:57:11,300 Girl power! 1403 00:57:11,340 --> 00:57:12,930 [ Laughs ] 1404 00:57:14,390 --> 00:57:15,350 Hey, guys. 1405 00:57:15,390 --> 00:57:16,350 Hi! Hi! Hi! 1406 00:57:16,390 --> 00:57:17,930 Ooh, man. 1407 00:57:17,970 --> 00:57:21,770 You walk in, and there's Reba McEntire. 1408 00:57:21,810 --> 00:57:23,440 Like what? Craziness. Like what? 1409 00:57:23,480 --> 00:57:24,440 How are ya? 1410 00:57:24,480 --> 00:57:26,020 Ana: She is a legend. 1411 00:57:26,070 --> 00:57:28,940 So to see her literally made my heart stop. 1412 00:57:28,990 --> 00:57:30,570 How are you guys doing? 1413 00:57:30,610 --> 00:57:31,570 Doing great. How are you? 1414 00:57:31,610 --> 00:57:32,780 I'm wonderful. 1415 00:57:32,820 --> 00:57:34,120 I'm so glad to have you on my team. 1416 00:57:34,160 --> 00:57:35,410 Thank you for stealing me. 1417 00:57:35,450 --> 00:57:37,330 I think that you have a lot to show, man. 1418 00:57:37,370 --> 00:57:39,000 I'm excited to see what you do in this competition. Thank you. 1419 00:57:39,040 --> 00:57:40,830 I'm excited to see what you think of the song. 1420 00:57:40,870 --> 00:57:42,920 Battles, I did, like, such a big song. 1421 00:57:42,960 --> 00:57:44,330 I did "Girls Just Want to Have Fun." 1422 00:57:44,380 --> 00:57:45,880 Uh-huh. So, I wanted to strip it down 1423 00:57:45,920 --> 00:57:47,840 and do something a little slower. 1424 00:57:47,880 --> 00:57:51,380 * You, you're loving how I move you * 1425 00:57:51,420 --> 00:57:54,220 Tiana: I'm singing "God is a Woman" by Ariana Grande. 1426 00:57:54,260 --> 00:57:56,100 I kind of changed the arrangement to make it 1427 00:57:56,140 --> 00:57:57,890 a little more acoustic, 1428 00:57:57,930 --> 00:58:00,100 slow it down just a little bit. 1429 00:58:00,140 --> 00:58:02,850 "God is a woman" -- that statement is so powerful to me. 1430 00:58:02,890 --> 00:58:05,480 I grew up in a house with a single mom. 1431 00:58:05,520 --> 00:58:09,030 She had four kids, and she did it all on her own. 1432 00:58:09,070 --> 00:58:11,070 * You'll believe God is a woman * 1433 00:58:11,110 --> 00:58:14,700 She made miracles happen, and I look up to her so much. 1434 00:58:14,740 --> 00:58:16,530 So, it's a very personal choice. 1435 00:58:16,570 --> 00:58:19,660 * When you try to come for me, I keep on flourishing, yeah * 1436 00:58:19,700 --> 00:58:21,710 Chance: This is my first time really getting to sit down with Tiana, 1437 00:58:21,750 --> 00:58:23,040 and the first thing that I'm noticing 1438 00:58:23,080 --> 00:58:26,040 is that she has a very distinct vocal 1439 00:58:26,080 --> 00:58:29,090 and that it's got an angelic sense to it. 1440 00:58:29,130 --> 00:58:31,090 * You love it how * On a technical level, 1441 00:58:31,130 --> 00:58:33,380 her talent is -- is undeniable. 1442 00:58:33,430 --> 00:58:36,260 * When all is said and done, you'll believe... * 1443 00:58:36,300 --> 00:58:37,720 Madi: When we were watching Tiana perform, 1444 00:58:37,760 --> 00:58:39,220 I think we were all in amazement. 1445 00:58:39,260 --> 00:58:40,890 Our jaws were dropped. Yeah. 1446 00:58:40,930 --> 00:58:42,560 Ana: But this is a competition, 1447 00:58:42,600 --> 00:58:44,060 so we are here to fight, 1448 00:58:44,100 --> 00:58:47,310 and we are here to earn our spot into the playoffs. 1449 00:58:47,360 --> 00:58:48,820 [ Music ends ] [ Applause ] 1450 00:58:48,860 --> 00:58:50,690 Beautiful. Thank you. 1451 00:58:50,730 --> 00:58:51,940 Beautiful. 1452 00:58:51,990 --> 00:58:53,400 You're obviously a very talented singer. 1453 00:58:53,450 --> 00:58:55,450 Thank you. I feel like, with this song, 1454 00:58:55,490 --> 00:58:57,820 I just want you to show what the song means to you. 1455 00:58:57,870 --> 00:59:00,240 Okay. Feeling is a lot of what music is... 1456 00:59:00,290 --> 00:59:02,250 Definitely. ...and so just -- just maybe reading the lyrics 1457 00:59:02,290 --> 00:59:03,750 and, like, making it mean to you 1458 00:59:03,790 --> 00:59:05,080 what it means in this moment. 1459 00:59:05,120 --> 00:59:07,250 Tell a story. Like -- Exactly. 1460 00:59:07,290 --> 00:59:09,130 This is my first time working with Chance, 1461 00:59:09,170 --> 00:59:12,710 and I want him to see that I'm a valuable asset. 1462 00:59:12,760 --> 00:59:13,760 Great job. 1463 00:59:13,800 --> 00:59:14,760 It's going to be harder 1464 00:59:14,800 --> 00:59:16,050 going up against a trio, 1465 00:59:16,090 --> 00:59:18,390 but Tiana, she's just incredible. 1466 00:59:18,430 --> 00:59:20,760 It was really good. I totally love her singing. 1467 00:59:20,810 --> 00:59:22,600 Three sisters singing together. 1468 00:59:22,640 --> 00:59:25,190 I'm a part also of a singing group. Yeah. 1469 00:59:25,230 --> 00:59:27,520 My older brother, my little sister, and I, 1470 00:59:27,560 --> 00:59:29,230 we were the Singing McEntires. 1471 00:59:29,270 --> 00:59:30,770 How'd y'all get y'all's name? 1472 00:59:30,820 --> 00:59:31,980 So, we're Italian. Reba: Uh-huh. 1473 00:59:32,030 --> 00:59:33,740 So, Sorelle is "sisters" in Italian. 1474 00:59:33,780 --> 00:59:35,280 I love that. Oh! 1475 00:59:35,320 --> 00:59:37,110 You picked "Blame It on the Boogie" by the Jacksons? 1476 00:59:37,160 --> 00:59:38,660 Oh, yeah. Yes. We did. 1477 00:59:38,700 --> 00:59:40,120 Chance: That's a great choice. This was -- This was 1478 00:59:40,160 --> 00:59:41,790 one of our favorite songs growing up, 1479 00:59:41,830 --> 00:59:43,290 so we're super excited. 1480 00:59:43,330 --> 00:59:44,120 I love that. 1481 00:59:44,160 --> 00:59:45,410 I love the plaid theme, too. 1482 00:59:45,460 --> 00:59:46,960 Oh, thank you. Thank you. So cute. 1483 00:59:47,000 --> 00:59:48,000 We always like to coordinate some kind of way. 1484 00:59:48,040 --> 00:59:49,250 I love it. [ Laughter ] 1485 00:59:49,290 --> 00:59:50,840 * My baby's always dancin' * 1486 00:59:50,880 --> 00:59:53,510 * And it wouldn't be a bad thing * 1487 00:59:53,550 --> 00:59:55,470 Madi: Growing up, we actually had a karaoke machine. 1488 00:59:55,510 --> 00:59:58,930 Our constant go-to song was "Blame It on the Boogie," 1489 00:59:58,970 --> 01:00:00,350 and we would all, like, pass the mic around, 1490 01:00:00,390 --> 01:00:01,680 and then we'd have our feet. Awesome. 1491 01:00:01,720 --> 01:00:02,680 We'd be like * I just * 1492 01:00:02,720 --> 01:00:03,810 * I just can't * 1493 01:00:03,850 --> 01:00:05,480 * I just can't control my feet * 1494 01:00:05,520 --> 01:00:09,980 We really love upbeat, high-energy, catchy choruses. 1495 01:00:10,020 --> 01:00:11,230 * This magic music grooves me * 1496 01:00:11,270 --> 01:00:13,230 We are putting our own little spin on it 1497 01:00:13,270 --> 01:00:15,190 to show exactly who Sorelle is. 1498 01:00:15,240 --> 01:00:16,490 We really want to show the coaches 1499 01:00:16,530 --> 01:00:18,990 that we have the ability to fill up arenas. 1500 01:00:19,030 --> 01:00:20,950 * Don't blame it on the good times * 1501 01:00:20,990 --> 01:00:22,410 * Blame it on the boogie * 1502 01:00:22,450 --> 01:00:26,370 The girls got up on stage and were cute as a button. 1503 01:00:26,410 --> 01:00:28,210 They did the little dance routines 1504 01:00:28,250 --> 01:00:30,170 and -- and taking turns singing, 1505 01:00:30,210 --> 01:00:31,750 and then that three-part harmony, 1506 01:00:31,790 --> 01:00:34,170 which I absolutely love. 1507 01:00:34,210 --> 01:00:35,760 I just fell in love with them. 1508 01:00:35,800 --> 01:00:36,920 * Whoa-oh-oh * 1509 01:00:36,970 --> 01:00:39,590 Oh, my God. Insane, right? 1510 01:00:39,630 --> 01:00:40,840 Wow. 1511 01:00:40,890 --> 01:00:42,180 Love it. Love it. Thank you. 1512 01:00:42,220 --> 01:00:45,020 Not only was the three-part harmony so good, 1513 01:00:45,060 --> 01:00:46,060 but the dance moves. 1514 01:00:46,100 --> 01:00:47,520 Oh, my gosh. 1515 01:00:47,560 --> 01:00:49,770 Every time you guys get on stage, you guys smash it. 1516 01:00:49,810 --> 01:00:51,270 It's so dope. Aww, thank you. 1517 01:00:51,310 --> 01:00:52,690 That's what I was going to say. Chance: Right? 1518 01:00:52,730 --> 01:00:55,110 But I think the one thing that I would give notes on 1519 01:00:55,150 --> 01:00:56,860 is maybe the lyric splits, a little bit. 1520 01:00:56,900 --> 01:01:00,070 We go straight for the harmony within, like, that first verse. 1521 01:01:00,110 --> 01:01:02,200 Uh-huh. And I think it sounds the best 1522 01:01:02,240 --> 01:01:03,410 when you guys have the splits, 1523 01:01:03,450 --> 01:01:05,370 where two of you guys are doing harms 1524 01:01:05,410 --> 01:01:07,540 and one person is doing the lead vocal. Okay. 1525 01:01:07,580 --> 01:01:10,210 Yeah. But the performance is A-1 to me. 1526 01:01:10,250 --> 01:01:12,000 Did you have anything? I don't, at all. 1527 01:01:12,040 --> 01:01:13,210 Right? It's so good, right? 1528 01:01:13,250 --> 01:01:14,790 I'm just totally entertained. 1529 01:01:14,840 --> 01:01:17,420 Pitch is great. You've got great interaction. 1530 01:01:17,460 --> 01:01:18,720 Thank you. Thank you. Thank you. 1531 01:01:18,760 --> 01:01:21,510 Sorelle, their vocals are amazing. 1532 01:01:21,550 --> 01:01:22,550 You want to come back up? 1533 01:01:22,590 --> 01:01:24,050 Tiana: In my head, I'm like, "Okay, 1534 01:01:24,100 --> 01:01:25,680 I need to make sure my vocals are on point." 1535 01:01:25,720 --> 01:01:27,680 It was so beautiful. 1536 01:01:27,720 --> 01:01:28,810 Amazingly talented. 1537 01:01:28,850 --> 01:01:29,890 Oh, I got to have one more hug. 1538 01:01:29,930 --> 01:01:30,890 Aww. [ Laughter ] 1539 01:01:30,940 --> 01:01:32,980 Sorelle was a total package. 1540 01:01:33,020 --> 01:01:34,560 You just wanted more. 1541 01:01:34,610 --> 01:01:35,400 You're wonderful. 1542 01:01:35,440 --> 01:01:37,400 But Tiana has a great voice. 1543 01:01:37,440 --> 01:01:40,400 If she amped it up with emotion, with feeling, 1544 01:01:40,450 --> 01:01:43,280 then she might just blow the audience out of the water. 1545 01:01:43,320 --> 01:01:44,700 See you in the knockouts. 1546 01:01:44,740 --> 01:01:46,620 We'll see on that night of the performance. 1547 01:01:46,660 --> 01:01:48,200 Oh, my gosh. 1548 01:01:48,240 --> 01:01:50,460 So different and so good. Yeah. 1549 01:01:50,500 --> 01:01:51,830 Good luck, buddy. [ Laughs ] 1550 01:01:51,870 --> 01:01:53,000 Nah, it's gonna be tough. 1551 01:01:53,040 --> 01:01:54,250 [ Cheers and applause ] 1552 01:01:54,290 --> 01:01:55,540 I'm so looking forward to this. 1553 01:01:55,590 --> 01:01:56,800 It's gonna be sick. 1554 01:01:56,840 --> 01:02:00,050 With "Blame It on the Boogie," here is Sorelle. 1555 01:02:00,090 --> 01:02:02,090 [ Cheers and applause ] 1556 01:02:02,130 --> 01:02:06,680 ** 1557 01:02:06,720 --> 01:02:09,970 * Hee, hee, yeah * 1558 01:02:10,020 --> 01:02:11,230 -Hey! -Whoo! 1559 01:02:11,270 --> 01:02:13,310 * My baby's always dancin' * 1560 01:02:13,350 --> 01:02:15,440 * And it wouldn't be a bad thing * 1561 01:02:15,480 --> 01:02:19,440 * But I don't get no lovin', and that's no lie * 1562 01:02:19,480 --> 01:02:21,820 * We spent the night in Frisco * 1563 01:02:21,860 --> 01:02:23,820 * At every kind of disco * 1564 01:02:23,860 --> 01:02:27,410 * From that night I kissed our love goodbye * 1565 01:02:27,450 --> 01:02:29,330 * Don't blame it on the sunshine * 1566 01:02:29,370 --> 01:02:31,370 * Don't blame it on the moonlight * 1567 01:02:31,410 --> 01:02:33,790 * Don't blame it on the good times * 1568 01:02:33,830 --> 01:02:35,580 * Blame it on the boogie * 1569 01:02:35,630 --> 01:02:37,750 * Don't blame it on the sunshine * 1570 01:02:37,790 --> 01:02:39,670 * Don't blame it on the moonlight * 1571 01:02:39,710 --> 01:02:42,220 * Don't blame it on the good times * 1572 01:02:42,260 --> 01:02:44,340 * Blame it on the boogie * 1573 01:02:45,220 --> 01:02:46,010 * I just can't, I just can't * 1574 01:02:47,010 --> 01:02:49,010 * I just can't control my feet * 1575 01:02:49,640 --> 01:02:50,140 * I can't, no * 1576 01:02:51,180 --> 01:02:52,980 * I just can't control my feet * 1577 01:02:53,020 --> 01:02:55,150 * This magic music grooves me * 1578 01:02:55,190 --> 01:02:56,650 * That dirty rhythm moves me * 1579 01:02:56,690 --> 01:02:59,440 Yeah! * The devil's gotten to me * 1580 01:02:59,480 --> 01:03:01,280 * Through this dance * 1581 01:03:01,320 --> 01:03:03,450 * I'm full of funky fever * 1582 01:03:03,490 --> 01:03:05,490 * The fire burns inside me * 1583 01:03:05,530 --> 01:03:09,870 * Boogie's got me in a super trance * 1584 01:03:09,910 --> 01:03:11,200 * Sunshine * 1585 01:03:12,000 --> 01:03:13,250 * Moonlight * 1586 01:03:14,120 --> 01:03:15,370 * Good times * 1587 01:03:16,170 --> 01:03:17,170 * Boogie * 1588 01:03:17,210 --> 01:03:18,340 * Uh, uh, uh, uh, uh * 1589 01:03:19,250 --> 01:03:19,630 * Ooooooh * 1590 01:03:21,590 --> 01:03:22,170 * Do-be-do-be-do-do * 1591 01:03:22,920 --> 01:03:24,420 * Good times * 1592 01:03:24,470 --> 01:03:27,340 * Boo, boo, boo, boogie * 1593 01:03:28,510 --> 01:03:28,930 * Sunshine * 1594 01:03:29,760 --> 01:03:30,810 * You just wanna * 1595 01:03:30,850 --> 01:03:32,810 * Good times * 1596 01:03:33,810 --> 01:03:34,810 * Don't you blame it on the sunshine * 1597 01:03:36,230 --> 01:03:38,310 * Don't blame it on the moonlight * 1598 01:03:38,360 --> 01:03:40,360 * Don't blame it on the good times * 1599 01:03:40,400 --> 01:03:41,900 * Blame it on the boogie * 1600 01:03:41,940 --> 01:03:43,820 * Oooooh * * Don't blame it on the sunshine * 1601 01:03:43,860 --> 01:03:45,110 * Sunshine * 1602 01:03:45,150 --> 01:03:46,110 * Don't blame it on the moonlight * 1603 01:03:47,240 --> 01:03:48,200 * Don't blame it on the good times * 1604 01:03:49,160 --> 01:03:51,790 * Blame it on the boogie * 1605 01:03:51,830 --> 01:03:53,750 ** 1606 01:03:53,790 --> 01:03:54,910 * Boogie * 1607 01:03:54,950 --> 01:03:57,170 * Whoa-oh-oh * 1608 01:03:57,210 --> 01:04:00,460 [ Cheers and applause ] 1609 01:04:03,670 --> 01:04:05,220 Oh, my God. I got me a little Jackson 5. 1610 01:04:05,260 --> 01:04:06,970 Yeah. [ Laughs ] 1611 01:04:07,010 --> 01:04:09,300 [ Cheers and applause continue ] 1612 01:04:15,930 --> 01:04:17,140 * This is "The Voice" * 1613 01:04:17,190 --> 01:04:19,480 Daly: Welcome back. 1614 01:04:19,520 --> 01:04:21,190 Chance: Go, Tiana! 1615 01:04:22,320 --> 01:04:23,730 Come on, Tiana! 1616 01:04:23,780 --> 01:04:27,280 Now with "God is a Woman," here's Tiana Goss. 1617 01:04:28,030 --> 01:04:31,240 ** 1618 01:04:31,280 --> 01:04:35,290 * You, you're loving how I move you * 1619 01:04:35,330 --> 01:04:39,170 * You're loving how I touch you, my one * 1620 01:04:39,210 --> 01:04:44,340 * When all is said and done, you'll believe God is a woman * 1621 01:04:44,380 --> 01:04:48,470 * And I, I feel it after midnight * 1622 01:04:48,510 --> 01:04:52,640 * A feeling that you can't fight, my one * 1623 01:04:52,680 --> 01:04:54,560 * It lingers when we're done * 1624 01:04:54,600 --> 01:04:59,350 * You'll believe God is a woman * 1625 01:05:00,480 --> 01:05:03,020 * I don't wanna waste no time, yeah * 1626 01:05:03,820 --> 01:05:06,940 * You ain't got a one-track mind, yeah * 1627 01:05:06,990 --> 01:05:10,070 * Have it any way you like, yeah * 1628 01:05:10,110 --> 01:05:13,660 * And I can tell that you know I know how I want it * 1629 01:05:13,700 --> 01:05:17,000 * Ain't nobody else can relate * 1630 01:05:17,040 --> 01:05:20,500 * Boy, I like that you ain't afraid * 1631 01:05:20,540 --> 01:05:23,500 * Baby, lay me down and let's pray * 1632 01:05:23,540 --> 01:05:26,960 * I'm tellin' you the way I like it, how I want it * 1633 01:05:27,710 --> 01:05:31,090 * And I can be all the things you told me not to be * 1634 01:05:31,130 --> 01:05:33,220 * When you try to come for me, I keep on flourishing, yeah * 1635 01:05:33,260 --> 01:05:34,680 Yeah! Hey! 1636 01:05:34,720 --> 01:05:37,180 * And he see the universe when I'm in company * 1637 01:05:37,220 --> 01:05:39,560 * It's all in me * 1638 01:05:39,600 --> 01:05:47,440 * You, you, you're lovin' how I touch you, my one * 1639 01:05:47,480 --> 01:05:52,530 * When all is said and done, you'll believe God is a woman * 1640 01:05:52,570 --> 01:05:56,870 * And I-I-I-I * 1641 01:05:56,910 --> 01:06:01,080 * A feeling that you can't fight, my one * 1642 01:06:01,120 --> 01:06:02,830 * It lingers when we're done * 1643 01:06:02,870 --> 01:06:05,420 * You'll believe God is a woman * 1644 01:06:05,460 --> 01:06:08,710 * You'll believe God * 1645 01:06:08,760 --> 01:06:14,510 * You'll believe Gooooood * 1646 01:06:14,550 --> 01:06:16,300 * It lingers when we're done * 1647 01:06:16,350 --> 01:06:21,890 * You'll believe God is a woman * 1648 01:06:21,940 --> 01:06:23,900 [ Cheers and applause ] 1649 01:06:23,940 --> 01:06:33,240 ** 1650 01:06:33,280 --> 01:06:34,410 What's up, ladies? 1651 01:06:34,450 --> 01:06:35,910 Hi! Hi! Hi! 1652 01:06:35,950 --> 01:06:38,990 Tiana, you just have a very tender way of singing 1653 01:06:39,040 --> 01:06:41,960 and the effortless, little ethereal runs that you have, 1654 01:06:42,000 --> 01:06:43,920 it's so cool. 1655 01:06:43,960 --> 01:06:45,130 And, Sorelle, 1656 01:06:45,170 --> 01:06:47,170 I would have never picked this song for you. 1657 01:06:47,210 --> 01:06:48,420 [ Laughter ] 1658 01:06:48,460 --> 01:06:49,710 I was like -- I saw this, I looked over, 1659 01:06:49,750 --> 01:06:50,920 and I was like, "I love this song." 1660 01:06:50,960 --> 01:06:52,260 He was like, "It's going to be crazy." 1661 01:06:52,300 --> 01:06:54,260 And I was like, "It so is." 1662 01:06:54,300 --> 01:06:55,550 [ Cheers and applause ] 1663 01:06:55,590 --> 01:06:57,640 Blake: This is tough, because, Tiana, 1664 01:06:57,680 --> 01:07:00,060 you're great, and you sounded great today. 1665 01:07:00,100 --> 01:07:03,270 And that's rare, for someone to always be that consistent 1666 01:07:03,310 --> 01:07:04,640 and be as great as you are. 1667 01:07:04,690 --> 01:07:07,610 It's just not as rare as Sorelle. 1668 01:07:07,650 --> 01:07:10,780 They sound literally like they've been auto-tuned 1669 01:07:10,820 --> 01:07:12,490 as they're singing live, you know? 1670 01:07:12,530 --> 01:07:15,860 It's like it's almost impossible to sound that perfect. 1671 01:07:15,910 --> 01:07:18,410 Because of just the uniqueness of it, 1672 01:07:18,450 --> 01:07:19,740 I would have to go with Sorelle. 1673 01:07:19,780 --> 01:07:21,450 Thank you. Thank you. Thank you. 1674 01:07:21,490 --> 01:07:23,620 Sorelle, it's the shock factor every time. 1675 01:07:23,660 --> 01:07:26,290 Like, that is hours and hours of standing in a bedroom 1676 01:07:26,330 --> 01:07:27,960 going like this to each other. 1677 01:07:28,000 --> 01:07:28,960 Oh, yeah. Yes. 1678 01:07:29,000 --> 01:07:31,130 * Ooh * Lots of mirror work. 1679 01:07:31,170 --> 01:07:32,460 Exactly. Yeah. 1680 01:07:32,510 --> 01:07:34,800 And, Tiana, we have our history, and it was... 1681 01:07:34,840 --> 01:07:37,720 [ Chuckles ] And I've got a whole lot of love for you. 1682 01:07:37,760 --> 01:07:39,800 You always sound pure and sweet, 1683 01:07:39,850 --> 01:07:42,810 and that's why I've always been a big fan. 1684 01:07:42,850 --> 01:07:44,310 And I'm glad you're still here. 1685 01:07:44,350 --> 01:07:45,310 [ Cheers and applause ] 1686 01:07:45,350 --> 01:07:46,690 Thank you, Coaches. 1687 01:07:47,850 --> 01:07:50,230 Alright, Chance. It all comes down to you, buddy. 1688 01:07:50,270 --> 01:07:51,650 Chance: I'll start with Tiana. 1689 01:07:51,690 --> 01:07:53,990 I thought that you've always performed well, 1690 01:07:54,030 --> 01:07:55,740 and I feel like the song is to your style, 1691 01:07:55,780 --> 01:07:58,700 and I feel like you slowing it down made us, 1692 01:07:58,740 --> 01:08:01,580 as an audience, able to interpret the lyrics better. 1693 01:08:01,620 --> 01:08:03,910 You're an awesomely talented vocalist. 1694 01:08:03,950 --> 01:08:06,670 Sorelle, you guys' skill with harmonics 1695 01:08:06,710 --> 01:08:08,630 and the way that you guys gel together so well 1696 01:08:08,670 --> 01:08:11,710 is, like, something that this show doesn't really have. 1697 01:08:11,750 --> 01:08:13,460 And it just shows that y'all are, like, 1698 01:08:13,510 --> 01:08:15,510 willing to go the extra mile 1699 01:08:15,550 --> 01:08:17,180 and try new stuff to make stuff work, 1700 01:08:17,220 --> 01:08:18,760 which is awesome to me. 1701 01:08:18,800 --> 01:08:20,390 Thank you. Thank you. Thank you so much. 1702 01:08:20,430 --> 01:08:21,680 Thank you. 1703 01:08:21,720 --> 01:08:23,680 Daly: Chance, it's a tough decision, 1704 01:08:23,720 --> 01:08:25,390 but the time has come. 1705 01:08:25,430 --> 01:08:27,640 Who is the winner of this knockout? 1706 01:08:31,110 --> 01:08:32,980 It is a tough decision. 1707 01:08:34,730 --> 01:08:37,150 The winner of this knockout is... 1708 01:08:39,740 --> 01:08:40,660 Sorelle. 1709 01:08:40,700 --> 01:08:42,280 Daly: Sorelle, congratulations! 1710 01:08:42,330 --> 01:08:44,240 You are moving on to the playoffs 1711 01:08:44,290 --> 01:08:46,370 for Team Chance. 1712 01:08:46,410 --> 01:08:48,210 [ Cheers and applause ] 1713 01:08:48,250 --> 01:08:51,210 Chance: Sorelle completely blew me away. 1714 01:08:51,250 --> 01:08:52,880 Great stuff, yet again. 1715 01:08:52,920 --> 01:08:55,170 They have beautiful blends, and they have a stage presence 1716 01:08:55,210 --> 01:08:58,800 that sucks the audience in every time they get up there. 1717 01:08:58,840 --> 01:09:00,930 Give it up one more time for Tiana Goss, 1718 01:09:00,970 --> 01:09:02,970 ladies and gentlemen. 1719 01:09:03,010 --> 01:09:05,890 Niall: Sad to see Tiana go. She's an amazing girl. 1720 01:09:05,930 --> 01:09:10,230 I just think she came up against the beast that is Sorelle today. 1721 01:09:10,270 --> 01:09:13,110 They're so good, by the way. Sorelle. They're so different. 1722 01:09:13,150 --> 01:09:15,570 They're unlike anything we have in the competition. 1723 01:09:15,610 --> 01:09:18,240 And Chance has got Sorelle in his back pocket, 1724 01:09:18,280 --> 01:09:19,990 and that could be dangerous. 1725 01:09:26,290 --> 01:09:27,450 * This is "The Voice" * 1726 01:09:27,500 --> 01:09:30,250 Daly: Welcome back to the knockouts. 1727 01:09:30,290 --> 01:09:32,670 We've had amazing people on here as Mega Mentors, 1728 01:09:32,710 --> 01:09:35,000 but I don't know anybody that's conquered 1729 01:09:35,050 --> 01:09:36,760 as much as you have in a career. 1730 01:09:36,800 --> 01:09:38,380 Or were you saying I've been around longer 1731 01:09:38,420 --> 01:09:39,720 than all the rest of them? [ Laughs ] No! 1732 01:09:39,760 --> 01:09:40,930 I'm saying you've conquered 1733 01:09:40,970 --> 01:09:43,180 TV, movies, Broadway. I'm old, girl! 1734 01:09:43,220 --> 01:09:44,430 You've done everything. 1735 01:09:44,470 --> 01:09:45,850 Man: We're rolling, guys. 1736 01:09:45,890 --> 01:09:47,390 Holly: Why do you think Kelly put us together? 1737 01:09:47,430 --> 01:09:49,480 I have no idea, 'cause we do totally different genres, so... 1738 01:09:49,520 --> 01:09:50,940 I think it's going to be fun. 1739 01:09:50,980 --> 01:09:53,150 Kelly: Holly and Rachel are both really powerful singers. 1740 01:09:53,190 --> 01:09:54,810 I wanted to put them against each other 1741 01:09:54,860 --> 01:09:56,150 because I wanted them to hear each other singing, 1742 01:09:56,190 --> 01:09:57,650 and I wanted to raise their A-game. 1743 01:09:57,690 --> 01:09:58,820 You want to meet them? You bet. Let's do it. 1744 01:09:58,860 --> 01:09:59,860 Alright. You didn't have a choice. 1745 01:09:59,900 --> 01:10:01,200 So... [ Laughs ] [ Laughs ] 1746 01:10:01,240 --> 01:10:02,320 Come on out, y'all! 1747 01:10:02,360 --> 01:10:03,490 What's up? 1748 01:10:03,530 --> 01:10:04,620 Reba McEntire! Look at her. 1749 01:10:04,660 --> 01:10:06,240 She -- [ Laughs ] 1750 01:10:06,280 --> 01:10:08,450 Aw. Holly, you have to come out here. 1751 01:10:08,500 --> 01:10:09,830 [ Laughs ] 1752 01:10:09,870 --> 01:10:12,420 I'm tearing up right now. [ Laughs ] 1753 01:10:12,460 --> 01:10:13,880 Holly: I literally cried when I saw 1754 01:10:13,920 --> 01:10:15,670 that Reba was the Mega Mentor. 1755 01:10:15,710 --> 01:10:17,960 My family is absolutely obsessed with her. 1756 01:10:18,000 --> 01:10:19,710 Rachel. I would love to follow 1757 01:10:19,760 --> 01:10:20,840 in Reba's footsteps. 1758 01:10:20,880 --> 01:10:22,510 She's absolutely the queen 1759 01:10:22,550 --> 01:10:23,890 of country music. [ Chuckles ] 1760 01:10:23,930 --> 01:10:26,300 I just thought it would be an incredible thing 1761 01:10:26,350 --> 01:10:28,770 for y'all to get to, like, learn from the greatest. 1762 01:10:28,810 --> 01:10:30,060 And she did her homework. 1763 01:10:30,100 --> 01:10:31,560 She's already heard a little bit of y'all. 1764 01:10:31,600 --> 01:10:33,270 I did. I watched the battle rounds. 1765 01:10:33,310 --> 01:10:34,770 Big fan already. 1766 01:10:34,810 --> 01:10:36,020 I can't wait to hear what you're going to do today. 1767 01:10:36,060 --> 01:10:37,730 I'm singing "Blue Moon of Kentucky," 1768 01:10:37,770 --> 01:10:39,280 the LeAnn Rimes version. 1769 01:10:39,320 --> 01:10:42,030 Pink boots are starting, so I'm going to own this. 1770 01:10:42,070 --> 01:10:43,950 I love LeAnn Rimes. I did not know this song. 1771 01:10:43,990 --> 01:10:47,030 Okay. Alright. So, let's back it up a little bit. 1772 01:10:47,080 --> 01:10:48,370 Patsy Cline. I am. Patsy -- 1773 01:10:48,410 --> 01:10:50,370 Oh! Why'd you pick this song? 1774 01:10:50,410 --> 01:10:51,870 I grew up doing bluegrass. 1775 01:10:51,910 --> 01:10:53,460 This is, like, one of the first songs that I ever, 1776 01:10:53,500 --> 01:10:54,790 like, learned how to sing. 1777 01:10:54,830 --> 01:10:57,090 * I said blue moon of Kentucky * 1778 01:10:57,130 --> 01:10:58,710 Holly: I just got up with the house band, 1779 01:10:58,750 --> 01:11:00,380 told them what key I wanted to do it in, 1780 01:11:00,420 --> 01:11:01,510 and we sang it. 1781 01:11:01,550 --> 01:11:02,880 * Shine on the one that... * 1782 01:11:02,920 --> 01:11:04,720 I get to yodel in it, which is really fun. 1783 01:11:04,760 --> 01:11:06,720 * Blue * 1784 01:11:06,760 --> 01:11:08,760 When my mom heard me yodel for the first time, 1785 01:11:08,810 --> 01:11:10,140 she was a little shocked. 1786 01:11:10,180 --> 01:11:11,730 It kind of just became a thing after that. 1787 01:11:11,770 --> 01:11:13,060 A really cool party trick. 1788 01:11:13,100 --> 01:11:14,560 * Love said goodbye * 1789 01:11:14,600 --> 01:11:16,310 Yes! * I said blue moon * 1790 01:11:16,350 --> 01:11:19,190 The last two songs that I've done so far are new country. 1791 01:11:19,230 --> 01:11:21,690 So it's going to be a different type of moment 1792 01:11:21,740 --> 01:11:23,490 than what I've been showing. 1793 01:11:23,530 --> 01:11:27,410 [ Vocalizing ] 1794 01:11:27,450 --> 01:11:29,660 What?! [ Laughing ] 1795 01:11:29,700 --> 01:11:31,580 Reba: Holy smokes. Whoo! 1796 01:11:31,620 --> 01:11:34,120 Rachel: Holly's knockout song is so cool. [ Laughs ] 1797 01:11:34,160 --> 01:11:36,830 She's got great tone. She's got great vibrato. 1798 01:11:36,880 --> 01:11:38,750 Insane singer. [ Laughs ] 1799 01:11:38,790 --> 01:11:39,960 Okay with that ending. 1800 01:11:40,000 --> 01:11:41,420 Reba: Yeah. I see you. 1801 01:11:41,460 --> 01:11:43,170 That ending was incredible. [ Laughing ] 1802 01:11:43,210 --> 01:11:44,880 Thank you. I couldn't move. I was mesmerized. 1803 01:11:44,920 --> 01:11:46,590 Reba: In country music, Patsy Cline -- 1804 01:11:46,630 --> 01:11:47,930 that's the ultimate. 1805 01:11:47,970 --> 01:11:50,430 Holly took the song to different places 1806 01:11:50,470 --> 01:11:51,770 that I'd never heard before. 1807 01:11:51,810 --> 01:11:53,310 I definitely think she has star qualities. 1808 01:11:53,350 --> 01:11:54,810 My only thing is, I just wouldn't go soft 1809 01:11:54,850 --> 01:11:55,810 on that "love." 1810 01:11:55,850 --> 01:11:57,480 * Love said goodbye * 1811 01:11:57,520 --> 01:12:00,150 You got that. Don't you look at me like that. Girl. 1812 01:12:00,190 --> 01:12:02,230 I don't know if I can do that in my chest voice. 1813 01:12:02,280 --> 01:12:04,110 Are you serious? Do you know -- 1814 01:12:04,150 --> 01:12:05,740 * Love * Yeah, I guess I can. 1815 01:12:05,780 --> 01:12:08,110 Yes! You got that for days. 1816 01:12:08,160 --> 01:12:09,450 Let me introduce you to yourself. 1817 01:12:09,490 --> 01:12:10,830 Somebody get a mirror. 1818 01:12:10,870 --> 01:12:12,580 Holly: I'm super happy that Kelly pushed me 1819 01:12:12,620 --> 01:12:14,080 outside of my comfort zone. 1820 01:12:14,120 --> 01:12:15,910 I'm actually proud of myself, because this round, 1821 01:12:15,960 --> 01:12:17,750 I got past the starstruck-ness 1822 01:12:17,790 --> 01:12:19,500 and I spoke to her, and it was great. 1823 01:12:19,540 --> 01:12:22,090 Reba: The one thing that I was missing, though, 1824 01:12:22,130 --> 01:12:24,840 at the * I said blue moon * 1825 01:12:24,880 --> 01:12:26,380 the little yodel... * Moon * 1826 01:12:26,420 --> 01:12:28,090 ...maybe do it on the second chorus. 1827 01:12:28,130 --> 01:12:31,220 * I said blue moon of Kentucky * 1828 01:12:31,260 --> 01:12:32,310 Yes! Okay. 1829 01:12:32,350 --> 01:12:34,600 Yeah. Don't just do a boring moon. 1830 01:12:34,640 --> 01:12:35,980 Also, at the very end... Yeah, yeah. 1831 01:12:36,020 --> 01:12:37,890 ...when they stop... Mm-hmm. 1832 01:12:37,940 --> 01:12:39,730 ...bring your mic down. Okay. 1833 01:12:39,770 --> 01:12:44,780 * Shine on the one that's gone and left me blue * 1834 01:12:44,820 --> 01:12:45,900 Yeah. Yeah. 1835 01:12:45,940 --> 01:12:47,280 Just get a little sassy with it. 1836 01:12:47,320 --> 01:12:48,740 'Cause you're like, "Yeah, you think I'm done, 1837 01:12:48,780 --> 01:12:50,320 but I'm about to kill it." [ Laughs ] 1838 01:12:50,370 --> 01:12:52,280 I need to channel my inner Kelly Clarkson. [ Laughs ] 1839 01:12:52,330 --> 01:12:56,330 Holly is a competitor, y'all. She came to play with this song. 1840 01:12:56,370 --> 01:12:57,620 Come on, Miss Rachel. 1841 01:12:57,660 --> 01:12:59,580 I love Fleetwood Mac. I definitely know this song. 1842 01:12:59,620 --> 01:13:02,500 I mean, I look like a member right now, so. [ Laughs ] 1843 01:13:02,540 --> 01:13:05,170 * Rhiannon rings like a bell through the night * 1844 01:13:05,210 --> 01:13:07,670 Rachel: I'm singing "Rhiannon" by Fleetwood Mac, 1845 01:13:07,720 --> 01:13:10,220 which is 100% inspired by my mom. 1846 01:13:10,260 --> 01:13:12,010 * All your life you've never... * 1847 01:13:12,050 --> 01:13:13,850 I grew up around the band scene. 1848 01:13:13,890 --> 01:13:15,350 My mom was the lead singer. 1849 01:13:15,390 --> 01:13:18,310 She always had very Stevie Nicks vibes on stage. 1850 01:13:18,350 --> 01:13:20,350 "Rhiannon" is one of the first songs 1851 01:13:20,400 --> 01:13:21,900 that I heard my mom do. 1852 01:13:21,940 --> 01:13:25,110 * Will you ever win? * 1853 01:13:25,150 --> 01:13:27,990 Here I am on NBC "The Voice" singing the same song. 1854 01:13:28,030 --> 01:13:29,400 Who'd have thunk? [ Laughs ] 1855 01:13:29,450 --> 01:13:31,360 * Rhiannon * 1856 01:13:31,410 --> 01:13:33,700 Rachel is the dark horse for me on my team. 1857 01:13:33,740 --> 01:13:36,490 Like, I loved her in the blinds. 1858 01:13:36,540 --> 01:13:39,410 I fell madly in love with her in the battles. 1859 01:13:39,460 --> 01:13:42,040 She's got so much more room, I can even hear, to grow. 1860 01:13:42,080 --> 01:13:43,960 So that's exciting to work with as a coach. 1861 01:13:44,000 --> 01:13:45,550 [ Music ends ] 1862 01:13:45,590 --> 01:13:47,710 That was so cool! 1863 01:13:47,760 --> 01:13:49,220 Very good. 1864 01:13:49,260 --> 01:13:51,090 You have magical eyes, by the way. 1865 01:13:51,130 --> 01:13:52,550 I do? [ Laughs ] Yeah. 1866 01:13:52,590 --> 01:13:55,810 I love the way you do your mic. Oh, thank you. 1867 01:13:55,850 --> 01:13:58,220 Yeah, you caress it and you talk to it. 1868 01:13:58,270 --> 01:13:59,640 Yeah. So that's really good. 1869 01:13:59,680 --> 01:14:01,730 Just a natural storyteller, man. Yeah. 1870 01:14:01,770 --> 01:14:03,360 I love that you changed it up. 1871 01:14:03,400 --> 01:14:05,480 What is your melody on the * All your life *? 1872 01:14:05,520 --> 01:14:08,110 * All your life you've never seen * 1873 01:14:08,150 --> 01:14:09,940 * All your life you've never * 1874 01:14:09,990 --> 01:14:11,950 Like, go into that little break with the "you." 1875 01:14:11,990 --> 01:14:14,910 'Cause those breaks in your voice are so cool 1876 01:14:14,950 --> 01:14:16,330 and make you special. 1877 01:14:16,370 --> 01:14:17,870 That's the coolest thing about Stevie. 1878 01:14:17,910 --> 01:14:19,750 The melody just kind of goes wherever she wants, 1879 01:14:19,790 --> 01:14:21,620 and, like, I want you to feel that freedom, and you've got it. 1880 01:14:21,670 --> 01:14:23,630 You were totally moving with it, and it's, like, 1881 01:14:23,670 --> 01:14:25,130 got to be that vibe. Okay. Yeah. 1882 01:14:25,170 --> 01:14:26,750 That's it. That was so magical. 1883 01:14:26,800 --> 01:14:28,340 Thank you. [ Laughs ] Yeah. 1884 01:14:28,380 --> 01:14:31,550 I think Rachel's voice is absolutely beautiful. 1885 01:14:31,590 --> 01:14:32,800 Come on up here, Holly. 1886 01:14:32,840 --> 01:14:34,340 She has super cool vibes. 1887 01:14:34,390 --> 01:14:37,100 She's just an incredible artist, and it's really an honor 1888 01:14:37,140 --> 01:14:39,270 to be her opponent in the knockouts. 1889 01:14:39,310 --> 01:14:41,390 This will probably be my toughest one, 1890 01:14:41,430 --> 01:14:46,400 but I would be shocked [Laughs] if one of you weren't stolen. 1891 01:14:46,440 --> 01:14:47,570 Y'all just have fun. 1892 01:14:47,610 --> 01:14:49,320 Reba: After working with all four teams, 1893 01:14:49,360 --> 01:14:52,200 it is mind-boggling how many talented people 1894 01:14:52,240 --> 01:14:53,700 y'all have here at "The Voice." 1895 01:14:53,740 --> 01:14:54,950 Best of luck. 1896 01:14:54,990 --> 01:14:58,790 It's a shame you can only pick one. 1897 01:14:58,830 --> 01:15:00,200 [ Cheers and applause ] 1898 01:15:00,250 --> 01:15:02,000 Yeah! 1899 01:15:03,120 --> 01:15:04,620 Got the puffy sleeves. 1900 01:15:04,670 --> 01:15:06,920 I'm going to do that for the next round. 1901 01:15:06,960 --> 01:15:08,460 [ Laughs ] 1902 01:15:08,500 --> 01:15:12,510 With "Blue Moon of Kentucky," here's Holly Brand. 1903 01:15:12,550 --> 01:15:15,680 [ Cheers and applause ] 1904 01:15:16,510 --> 01:15:26,190 * I said blue moon of Kentucky * Whoa! 1905 01:15:26,230 --> 01:15:31,990 * Keep on shinin' * Go ahead. 1906 01:15:32,030 --> 01:15:38,030 * Shine on the one that's gone * 1907 01:15:38,070 --> 01:15:43,120 * And left me blue * 1908 01:15:43,160 --> 01:15:45,370 Yes! Yeah! 1909 01:15:45,420 --> 01:15:48,670 * I said blue moon of Kentucky * 1910 01:15:48,710 --> 01:15:51,590 * Keep on shinin' * 1911 01:15:51,630 --> 01:15:56,680 * Shine on the one that's gone and left me blue * 1912 01:15:56,720 --> 01:15:59,800 * I said blue moon of Kentucky * 1913 01:15:59,850 --> 01:16:02,680 * Keep on shinin' * Hey! 1914 01:16:02,720 --> 01:16:07,560 * Shine on the one that's gone and left me blue * 1915 01:16:07,600 --> 01:16:11,900 * Well, it was on one moonlit night * 1916 01:16:11,940 --> 01:16:14,740 * Stars shinin' bright * 1917 01:16:14,780 --> 01:16:17,360 * Whispered all night * 1918 01:16:17,410 --> 01:16:19,200 * Love said goodbye * Whoa! 1919 01:16:19,240 --> 01:16:22,040 * I said blue moon of Kentucky * 1920 01:16:22,080 --> 01:16:24,870 * Keep on shinin' * 1921 01:16:24,910 --> 01:16:30,090 * Shine on the one that's gone and left me blue * 1922 01:16:30,130 --> 01:16:34,130 * Well, it was on one lonely night * 1923 01:16:34,170 --> 01:16:36,930 * Stars shinin' bright * I know. 1924 01:16:36,970 --> 01:16:39,800 * Whispered all night * 1925 01:16:39,840 --> 01:16:41,300 * Love said goodbye * 1926 01:16:41,350 --> 01:16:44,270 Yeah! * I said blue moon of Kentucky * 1927 01:16:44,310 --> 01:16:47,390 * Keep on shinin' * 1928 01:16:47,440 --> 01:16:53,020 * Shine on the one that's gone and left me blue * 1929 01:16:53,070 --> 01:16:56,320 * Shine on the one that's gone * 1930 01:16:56,360 --> 01:17:04,950 * And left me blue * 1931 01:17:05,000 --> 01:17:06,160 ** 1932 01:17:06,200 --> 01:17:09,290 [ Vocalizing ] 1933 01:17:09,330 --> 01:17:10,380 Whoo! 1934 01:17:10,420 --> 01:17:13,460 [ Cheers and applause ] Yeah! 1935 01:17:13,500 --> 01:17:15,670 [ Laughs ] Holy crap! Whistle note. 1936 01:17:15,710 --> 01:17:17,340 That was crazy. 1937 01:17:17,380 --> 01:17:19,090 -That was insane! -Okay! 1938 01:17:19,130 --> 01:17:20,890 -Whoo! -You better sing, girl! 1939 01:17:20,930 --> 01:17:22,680 Rachel: You did so good. [ Laughs ] 1940 01:17:22,720 --> 01:17:24,390 Holly: You got it! 1941 01:17:30,810 --> 01:17:32,610 * This is "The Voice" * 1942 01:17:32,650 --> 01:17:34,190 Daly: Welcome back. 1943 01:17:34,230 --> 01:17:35,860 [ Cheers and applause ] 1944 01:17:35,900 --> 01:17:37,690 Come on, Rachel! 1945 01:17:37,740 --> 01:17:39,320 Come on, Rachel! 1946 01:17:39,360 --> 01:17:40,490 Chance: Oh, I turned for her. 1947 01:17:40,530 --> 01:17:42,070 I turned for both of them. 1948 01:17:42,120 --> 01:17:44,080 Come on, Rachel. You got this. 1949 01:17:44,120 --> 01:17:48,500 Now with "Rhiannon," here is Rachel Christine. 1950 01:17:48,540 --> 01:17:55,880 ** 1951 01:17:55,920 --> 01:17:59,420 * Rhiannon rings like a bell through the night * 1952 01:17:59,470 --> 01:18:03,680 * And wouldn't you love to love her? * 1953 01:18:03,720 --> 01:18:06,600 * Takes to the sky like a bird in flight * 1954 01:18:06,640 --> 01:18:10,980 * And who will be her lover? * 1955 01:18:11,020 --> 01:18:14,060 * All your life you've never seen * Whoo! 1956 01:18:14,110 --> 01:18:18,530 * A woman taken by the wind * 1957 01:18:18,570 --> 01:18:22,200 * Would you stay if she promised you heaven? * 1958 01:18:22,240 --> 01:18:26,120 * Will you ever win? * 1959 01:18:26,160 --> 01:18:28,870 * She is like a cat in the dark * 1960 01:18:28,910 --> 01:18:33,290 * And then, baby, she's your darkness * Hey! 1961 01:18:33,330 --> 01:18:36,500 * She rules her life like a fine skylark * 1962 01:18:36,540 --> 01:18:40,550 * When the sky is starless * 1963 01:18:40,590 --> 01:18:43,590 * All your life you've never seen * 1964 01:18:43,640 --> 01:18:47,930 * A woman taken by the wind * 1965 01:18:47,970 --> 01:18:51,850 * Would you stay if she promised you heaven? * 1966 01:18:51,890 --> 01:18:55,230 * Will you ever win? * 1967 01:18:55,270 --> 01:19:00,150 * Will you ever win? * 1968 01:19:00,190 --> 01:19:02,400 ** 1969 01:19:02,450 --> 01:19:08,280 * Rhiannon * 1970 01:19:09,200 --> 01:19:13,120 Whoo! * All your life you've never seen * 1971 01:19:13,160 --> 01:19:17,670 * A woman taken by the wind * 1972 01:19:17,710 --> 01:19:21,380 * Would you stay if she promised you heaven? * 1973 01:19:21,420 --> 01:19:24,180 * Will you ever win? * 1974 01:19:24,220 --> 01:19:32,140 * I said, will you ever win? * 1975 01:19:32,180 --> 01:19:38,020 * Rhiannon * Hey! 1976 01:19:38,060 --> 01:19:39,400 [ Cheers and applause ] 1977 01:19:39,440 --> 01:19:45,610 * Rhiannon * 1978 01:19:45,660 --> 01:19:47,120 [ Cheers and applause ] Oh! Whoa! 1979 01:19:47,160 --> 01:19:50,700 Whoo! 1980 01:19:50,740 --> 01:19:52,120 Whoo! 1981 01:19:52,160 --> 01:19:53,290 Yee-haw! 1982 01:19:53,330 --> 01:19:55,000 My team is so good! 1983 01:19:55,040 --> 01:19:56,790 Yeah, it's pretty crazy. 1984 01:19:56,830 --> 01:19:58,340 Blake: Yeah, you guys both did great. 1985 01:19:58,380 --> 01:20:00,300 What's not awesome is knockout rounds. 1986 01:20:00,340 --> 01:20:03,340 They suck! [ Laughs ] 1987 01:20:03,380 --> 01:20:05,380 Holly, you have a great yodel 1988 01:20:05,430 --> 01:20:07,800 and really have awesome control of it. 1989 01:20:07,840 --> 01:20:10,560 Rachel, I felt like after what Holly came out here and did, 1990 01:20:10,600 --> 01:20:11,810 I mean, I was just like, 1991 01:20:11,850 --> 01:20:13,350 "And now she's going to do Rihanna?" 1992 01:20:13,390 --> 01:20:15,890 Like, what? But you did an awesome job. 1993 01:20:15,940 --> 01:20:18,190 I mean, you really sang the crap out of it... Rachel: Thank you so much. 1994 01:20:18,230 --> 01:20:20,980 ...and finding some notes that are different than the record. Thank you. 1995 01:20:21,020 --> 01:20:24,150 Absolutely nothing but an awesome performance. 1996 01:20:24,190 --> 01:20:25,490 Thank you. 1997 01:20:25,530 --> 01:20:27,450 Chance: I think, Rachel, you did a great job 1998 01:20:27,490 --> 01:20:29,320 of coming back onto my radar. 1999 01:20:29,370 --> 01:20:31,240 I had never heard this song before. 2000 01:20:31,280 --> 01:20:32,990 I have heard of Rihanna. 2001 01:20:33,040 --> 01:20:34,160 He said it weird down there. 2002 01:20:34,200 --> 01:20:35,370 Didn't he say Rihanna? 2003 01:20:35,410 --> 01:20:36,540 Yeah, it sounded like he said Rihanna, 2004 01:20:36,580 --> 01:20:38,170 but he meant "Rhiannon," yeah. 2005 01:20:38,210 --> 01:20:40,340 Well, two different things, so... 2006 01:20:40,380 --> 01:20:43,170 [ Laughter ] 2007 01:20:43,210 --> 01:20:44,670 Great performance, Rachel. Thank you. 2008 01:20:44,710 --> 01:20:46,510 Holly, you completely blew me away. 2009 01:20:46,550 --> 01:20:47,840 You started off a cappella. 2010 01:20:47,880 --> 01:20:49,550 You have to have perfect pitch to, like, 2011 01:20:49,590 --> 01:20:52,220 start like that and stay in it throughout the song. 2012 01:20:52,260 --> 01:20:53,520 And, yeah, the whistle note at the end 2013 01:20:53,560 --> 01:20:55,890 was just like a crazy cherry on top. 2014 01:20:55,930 --> 01:20:58,440 You had already, like, killed the whole thing, 2015 01:20:58,480 --> 01:20:59,900 and it was just like, 2016 01:20:59,940 --> 01:21:02,270 "He's dead already," you know what I mean? So... 2017 01:21:02,320 --> 01:21:04,110 But cool moment, man. Thank you. 2018 01:21:04,150 --> 01:21:07,650 Rachel, "Rhiannon" is one of my favorite songs of all time, 2019 01:21:07,700 --> 01:21:10,370 and your ability to change things up was really impressive. 2020 01:21:10,410 --> 01:21:12,700 You smashed it out of the park. It was -- It was bulletproof. 2021 01:21:12,740 --> 01:21:15,370 It was really good. Thank you so much. 2022 01:21:15,410 --> 01:21:18,420 And, Holly, I've been a fan since day one, 2023 01:21:18,460 --> 01:21:21,210 and I think we got to see what Holly Brand is about. 2024 01:21:21,250 --> 01:21:23,550 Even down to the outfit and the sparkly boots and -- 2025 01:21:23,590 --> 01:21:24,960 The puffy sleeves. Yeah. 2026 01:21:25,010 --> 01:21:27,340 I would look like Rob Gronkowski if I wore them. 2027 01:21:27,380 --> 01:21:28,550 [ Laughter ] 2028 01:21:28,590 --> 01:21:30,050 That whistle tone at the end, 2029 01:21:30,090 --> 01:21:31,550 don't think people realize how hard that is to do. 2030 01:21:31,590 --> 01:21:32,760 Just leaning towards Holly 2031 01:21:32,800 --> 01:21:35,350 just for the uniqueness of things. 2032 01:21:35,390 --> 01:21:36,890 Thank you, Coaches. 2033 01:21:36,930 --> 01:21:38,770 Alright, Kel, it comes down to you. Oh, man. 2034 01:21:38,810 --> 01:21:40,770 Give us some thoughts before you tell us who won the knockout. 2035 01:21:40,810 --> 01:21:42,520 You both picked perfect songs. 2036 01:21:42,560 --> 01:21:43,900 Holly, doing the whistle note 2037 01:21:43,940 --> 01:21:45,610 and how you incorporated it somehow into a -- 2038 01:21:45,650 --> 01:21:46,860 like, a Patsy Cline hit... [ Laughs ] 2039 01:21:46,900 --> 01:21:48,570 I was like, "That's incredible." 2040 01:21:48,610 --> 01:21:50,360 You were like, "I don't know if I can belt 2041 01:21:50,410 --> 01:21:51,700 to that one point," and you did it, 2042 01:21:51,740 --> 01:21:53,070 and it was, like, killer. 2043 01:21:53,120 --> 01:21:55,740 So thank you for doing that and trusting yourself. 2044 01:21:55,790 --> 01:21:59,870 Rachel, you remind me so much of me when I was younger. 2045 01:21:59,910 --> 01:22:03,080 To come after someone singing whistle notes 2046 01:22:03,130 --> 01:22:04,710 and the crowd is like, "Ahh!" 2047 01:22:04,750 --> 01:22:07,050 and then you have to start out so mysterious 2048 01:22:07,090 --> 01:22:08,470 and all Stevie Nicks, like, 2049 01:22:08,510 --> 01:22:10,840 I don't know that everyone sitting here could do that 2050 01:22:10,880 --> 01:22:13,510 and not feel a little shaken, you know? 2051 01:22:13,550 --> 01:22:16,850 You're just a really incredibly gifted singer. 2052 01:22:16,890 --> 01:22:18,180 Thank you so much. 2053 01:22:18,220 --> 01:22:19,770 [ Cheers and applause ] 2054 01:22:19,810 --> 01:22:22,270 Sorry, buddy. This is a tough one. 2055 01:22:22,310 --> 01:22:24,610 Who is the winner of this knockout? 2056 01:22:24,650 --> 01:22:27,150 I need y'all to know this is my toughest one. 2057 01:22:27,190 --> 01:22:31,280 Musically speaking, you're both my lane, and... 2058 01:22:31,320 --> 01:22:34,950 ** 2059 01:22:34,990 --> 01:22:36,790 Kel? 2060 01:22:36,830 --> 01:22:39,540 ** 2061 01:22:39,580 --> 01:22:41,460 The winner of this knockout is Holly. 2062 01:22:41,500 --> 01:22:42,620 Holly, congratulations! 2063 01:22:42,670 --> 01:22:45,630 You're moving on to the playoffs! 2064 01:22:45,670 --> 01:22:47,880 She's like a country girl that hits, like, 2065 01:22:47,920 --> 01:22:50,630 Minnie Riperton, Mariah whistle notes? 2066 01:22:50,670 --> 01:22:51,720 What? 2067 01:22:51,760 --> 01:22:53,510 Thank you so much. You killed it. 2068 01:22:53,550 --> 01:22:54,970 I think she just stands out. 2069 01:22:55,010 --> 01:22:56,890 I would be afraid of her in the finale 2070 01:22:56,930 --> 01:22:59,060 if I were all the other singers. [ Chuckles ] 2071 01:22:59,100 --> 01:23:02,100 Coaches, let me remind you that Rachel's available to steal. 2072 01:23:02,140 --> 01:23:03,730 Oh. Rachel -- Oh! 2073 01:23:03,770 --> 01:23:05,900 Kelly: He did it! He did it! We got a steal, 2074 01:23:05,940 --> 01:23:08,650 immediately, from Blake Shelton! Did you do it? Did you do it? Oh, my God! I love you! 2075 01:23:08,690 --> 01:23:10,490 The last steal that Blake Shelton will ever have 2076 01:23:10,530 --> 01:23:12,200 was from my team. 2077 01:23:12,240 --> 01:23:13,280 I'm going to remember that. 2078 01:23:13,320 --> 01:23:15,410 Ah, I'm so happy! 2079 01:23:15,450 --> 01:23:16,870 That is the last steal 2080 01:23:16,910 --> 01:23:19,660 of the Blake Shelton "Voice" career right there. 2081 01:23:19,700 --> 01:23:22,000 Yeah. Oh, my God. 2082 01:23:22,040 --> 01:23:23,160 That's right. 2083 01:23:23,210 --> 01:23:24,620 I think, in a moment like that, 2084 01:23:24,670 --> 01:23:27,540 I mean, what Holly did was -- it was flashy, 2085 01:23:27,590 --> 01:23:28,800 and it's undeniable. 2086 01:23:28,840 --> 01:23:30,760 And now you get to show everybody 2087 01:23:30,800 --> 01:23:33,840 that you can do something just as incredible. 2088 01:23:33,880 --> 01:23:35,180 Thank you. [ Chuckles ] 2089 01:23:35,220 --> 01:23:38,300 You're my last steal. My last steal ever. 2090 01:23:38,350 --> 01:23:40,220 [ Cheers and applause ] 2091 01:23:40,270 --> 01:23:42,180 Daly: Go meet your new coach! 2092 01:23:42,230 --> 01:23:45,850 Blake: I'm so happy I stole Rachel. She sang flawlessly. 2093 01:23:45,900 --> 01:23:48,310 I just think she's a very diverse vocalist, 2094 01:23:48,360 --> 01:23:49,440 and I need that on my team. 2095 01:23:49,480 --> 01:23:52,240 I love you! That was so awesome! 2096 01:23:52,280 --> 01:23:53,820 Rachel: I never thought that Blake would save me 2097 01:23:53,860 --> 01:23:55,410 because I don't do any country music. 2098 01:23:55,450 --> 01:23:56,820 So that meant the world. 2099 01:23:56,870 --> 01:23:58,530 And to hear that it was his last save, like, 2100 01:23:58,580 --> 01:24:00,540 that's a -- I'm putting that on a résumé. 2101 01:24:00,580 --> 01:24:02,500 Sorry, I'm very flustered right now. 2102 01:24:02,540 --> 01:24:04,120 [ Laughs ] Welcome to Team Blake. 2103 01:24:04,160 --> 01:24:05,120 Thank you. 2104 01:24:05,170 --> 01:24:15,090 ** 2105 01:24:15,130 --> 01:24:25,100 ** 2106 01:24:25,140 --> 01:24:35,110 ** 158971

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