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1
00:00:04,710 --> 00:00:08,460
* Let's keep this party rockin',
keep this party poppin' *
2
00:00:08,500 --> 00:00:10,260
[ As Carson ]
Hey, I'm Carson Daly.
3
00:00:10,300 --> 00:00:11,670
Welcome to "The Voice."
4
00:00:11,720 --> 00:00:13,010
* So turn it up *
5
00:00:13,050 --> 00:00:15,260
Look at how cute Niall is.
Oh, my God.
6
00:00:15,300 --> 00:00:17,720
That was a good
American accent.
[ Chuckles ]
7
00:00:17,760 --> 00:00:18,930
Hey,
I'm Carson Daly.
8
00:00:18,970 --> 00:00:20,310
I thought I do that.
[ Laughter ]
9
00:00:20,350 --> 00:00:21,680
Let's kick it off.
How about a quick hello
10
00:00:21,730 --> 00:00:24,310
to our four Playoff Pass
artists right up here --
11
00:00:24,350 --> 00:00:25,980
D.Smooth, Manasseh,
12
00:00:26,020 --> 00:00:28,020
Ryley Tate Wilson,
and Mary Kate.
13
00:00:28,060 --> 00:00:29,820
Whoa-ho!
Alright, alright, D.Smooth!
14
00:00:29,860 --> 00:00:31,690
As you know, they get
to sit out this week
15
00:00:31,740 --> 00:00:34,030
because they were sent
directly to the playoffs
16
00:00:34,070 --> 00:00:35,200
by their coaches.
17
00:00:35,240 --> 00:00:36,950
[ Cheers and applause ]
18
00:00:36,990 --> 00:00:40,660
Taking calls from America,
our panel is standing by.
19
00:00:40,700 --> 00:00:42,120
[ Laughter ]
20
00:00:42,160 --> 00:00:44,620
I got a good feeling
about your chances today.
21
00:00:44,660 --> 00:00:46,210
[ Laughs ]
22
00:00:46,250 --> 00:00:48,380
I think you're
gonna stay.
Yeah.
23
00:00:48,420 --> 00:00:50,210
Niall: Pretty chilled-out show,
really, isn't it?
24
00:00:50,250 --> 00:00:51,710
Reba:
Oh, my gosh, yeah.
25
00:00:51,760 --> 00:00:53,470
It's not, like,
overproduced or --
Nope.
26
00:00:53,510 --> 00:00:54,920
I've really enjoyed it.
And you know
they can edit it
27
00:00:54,970 --> 00:00:56,720
and take out
the bad stuff you say...
Yeah, yeah.
28
00:00:56,760 --> 00:00:59,050
...which -- hadn't said anything
really stupid yet...
29
00:00:59,100 --> 00:01:00,470
Yeah,
but I'm planning on it.
...which is good.
30
00:01:00,510 --> 00:01:02,350
Oh!
[ Both laugh ]
31
00:01:02,390 --> 00:01:03,680
You want to show 'em, huh?
Yeah.
32
00:01:03,730 --> 00:01:04,980
[ Laughs ]
33
00:01:05,020 --> 00:01:06,600
See, can you edit
this one out?
Yeah. [ Laughs ]
34
00:01:06,640 --> 00:01:09,310
Work around it.
That's what Blake
does for a living.
35
00:01:09,360 --> 00:01:11,610
[ Both laugh ]
36
00:01:11,650 --> 00:01:15,740
I got EJ,
who I stole from Blake.
37
00:01:15,780 --> 00:01:17,740
I just couldn't watch
a voice like that leave.
38
00:01:17,780 --> 00:01:19,280
Good for you.
39
00:01:19,320 --> 00:01:20,910
And then over here is Michael.
I was the only one that turned.
40
00:01:20,950 --> 00:01:23,080
He's got
a theatrical voice.
Uh-huh.
41
00:01:23,120 --> 00:01:26,460
Now, they're all going,
"Where were we that day?"
You just heard something.
42
00:01:26,500 --> 00:01:28,580
And I was like,
"Blake, you were drunk."
[ Laughs ]
43
00:01:28,630 --> 00:01:30,420
That's why --
That's why you missed it.
[ Both laugh ]
44
00:01:30,460 --> 00:01:33,590
I paired EJ and Michael B.
because they're my two big,
45
00:01:33,630 --> 00:01:36,550
rangy, dramatic singers
who can do it all.
46
00:01:36,590 --> 00:01:38,590
Come out!
Michael: Okay.
47
00:01:38,640 --> 00:01:40,260
Here they are.
Whoooooo!
48
00:01:40,300 --> 00:01:41,850
Hey, guys.
49
00:01:41,890 --> 00:01:45,020
Reba McEntire.
I'm like, "Oh, my gosh,
50
00:01:45,060 --> 00:01:46,980
this is the one and only."
51
00:01:47,020 --> 00:01:48,770
I'm blind.
Now I realize who it is.
52
00:01:48,810 --> 00:01:50,690
[ Exhales deeply ]
Oh, my God!
53
00:01:50,730 --> 00:01:54,900
I was walking in like this,
and once I realized who it was,
54
00:01:54,940 --> 00:01:56,320
I absolutely lost my mind.
55
00:01:56,360 --> 00:01:58,530
I'm from Oklahoma.
She's like Oklahoma royalty.
56
00:01:58,570 --> 00:02:01,280
I love Reba McEntire.
She's a star.
57
00:02:01,320 --> 00:02:02,990
Niall: Look what you're doing
to these people, Reba.
58
00:02:03,030 --> 00:02:05,620
I know, right?
I'm shaking like a leaf
here beside you.
59
00:02:05,660 --> 00:02:07,580
[ Chuckles ]
You're nervous, too.
60
00:02:07,620 --> 00:02:09,040
[ Chuckles ]
Oh, baloney.
61
00:02:09,080 --> 00:02:11,080
So this is
an alt-rock song
62
00:02:11,130 --> 00:02:13,170
by UK band
Nothing But Thieves.
63
00:02:13,210 --> 00:02:14,630
The song's called
"Trip Switch."
64
00:02:14,670 --> 00:02:16,300
It kind of is gonna
hopefully show
65
00:02:16,340 --> 00:02:17,800
maybe a little bit
more attitude
66
00:02:17,840 --> 00:02:19,630
and just a little bit
more frontman vibes.
67
00:02:19,680 --> 00:02:21,430
Excellent.
Now I'm excited
to hear this.
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00:02:21,470 --> 00:02:23,640
* Make a wish
and I'll count to three *
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00:02:23,680 --> 00:02:25,850
Niall: First of all, it's great
to have EJ on Team Niall.
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00:02:25,890 --> 00:02:27,310
That was a hell of a steal.
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00:02:27,350 --> 00:02:29,060
* What do we do
when the power's out? *
72
00:02:29,100 --> 00:02:32,690
EJ has sung Adele, some
Smokey Robinson in the battles.
73
00:02:32,730 --> 00:02:35,070
He really changed it up
this week,
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00:02:35,110 --> 00:02:36,480
something I'm excited to see
75
00:02:36,530 --> 00:02:38,190
'cause half the reason why
I got him on my team
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00:02:38,240 --> 00:02:39,490
was for his stage presence,
77
00:02:39,530 --> 00:02:42,070
and I feel like this song
you need it.
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00:02:42,120 --> 00:02:45,990
* When the lights go down, down,
down, down, down, down *
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00:02:46,040 --> 00:02:47,200
Owww!
80
00:02:47,250 --> 00:02:51,500
* When the lights
gooo, yeah *
81
00:02:51,540 --> 00:02:53,130
EJ:
My band is Foreign Figures.
82
00:02:53,170 --> 00:02:56,920
Being the front man
in the beginning was terrifying.
83
00:02:56,960 --> 00:02:59,970
But then I got more
confidence to be like,
84
00:03:00,010 --> 00:03:02,890
"I deserve to be right here
in the spotlight."
85
00:03:02,930 --> 00:03:06,770
We've opened for Smash Mouth,
X Ambassadors, like, Kesha,
86
00:03:06,810 --> 00:03:09,390
but "The Voice"
is my first opportunity
87
00:03:09,430 --> 00:03:13,900
to really take my solo career
step forward.
88
00:03:13,940 --> 00:03:15,480
Yeah!
89
00:03:15,520 --> 00:03:17,650
Wow. Excellent!
Super impressive.
90
00:03:17,690 --> 00:03:19,820
You nearly sounded
like Matt Bellamy vibes.
91
00:03:19,860 --> 00:03:21,700
Dude, I love Muse.
92
00:03:21,740 --> 00:03:23,780
The performance side of it,
you've definitely got that.
93
00:03:23,820 --> 00:03:25,700
When they've got the red light
over the camera...
94
00:03:25,740 --> 00:03:27,040
Yeah. [ Chuckles ]
...he really comes alive.
95
00:03:27,080 --> 00:03:29,830
Just be mindful of that story.
Tell that story.
96
00:03:29,870 --> 00:03:34,330
What's a way that you get into
emotion in the storytelling?
97
00:03:34,380 --> 00:03:36,500
I see it in my mind.
98
00:03:36,540 --> 00:03:39,460
Whatever the story is,
like, if it's "Fancy,"
99
00:03:39,510 --> 00:03:42,380
I'm in that old house
walking to the car.
100
00:03:42,430 --> 00:03:43,800
My mom's giving me away
101
00:03:43,840 --> 00:03:46,970
because she can't afford
to feed me anymore.
102
00:03:47,010 --> 00:03:51,560
Every lyric, it's either this
or it's like [growls]
103
00:03:51,600 --> 00:03:53,350
Yeah.
If I have that story,
104
00:03:53,400 --> 00:03:57,190
whatever comes out of my mouth,
hopefully you will feel that
105
00:03:57,230 --> 00:03:59,440
because it was
so intensely felt by me.
106
00:03:59,480 --> 00:04:01,070
That's great advice.
107
00:04:01,110 --> 00:04:02,820
If you're not feeling it,
108
00:04:02,860 --> 00:04:04,570
how are you gonna make
anyone else feel it?
109
00:04:04,610 --> 00:04:07,830
That advice really just flipped
the switch and I was like,
110
00:04:07,870 --> 00:04:11,250
"I will remember that forever. I
will never forget this moment."
111
00:04:11,290 --> 00:04:13,460
So what have you picked
to sing today?
112
00:04:13,500 --> 00:04:15,040
"When You're Gone"
by Shawn Mendes.
113
00:04:15,080 --> 00:04:17,540
And I chose this one
because it's up-tempo,
114
00:04:17,590 --> 00:04:19,840
but it still has kind of
a grieving message.
115
00:04:19,880 --> 00:04:22,760
I'm not necessarily grieving
a relationship right now,
116
00:04:22,800 --> 00:04:25,590
but I totally am familiar
with the feeling.
117
00:04:25,640 --> 00:04:27,010
I've been in relationships
118
00:04:27,050 --> 00:04:29,890
that I thought were gonna
be end all, be all,
119
00:04:29,930 --> 00:04:33,440
and I definitely immediately
think of those relationships
120
00:04:33,480 --> 00:04:34,940
when I do sing this song.
121
00:04:34,980 --> 00:04:37,810
But right now,
I am beyond grateful.
122
00:04:37,860 --> 00:04:41,110
I met my boyfriend, Tevin,
two and a half years ago.
123
00:04:41,150 --> 00:04:42,900
We clicked right away.
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00:04:42,940 --> 00:04:44,450
We live together, and I mean,
he's my best friend
125
00:04:44,490 --> 00:04:45,950
in the whole wide world.
126
00:04:45,990 --> 00:04:48,280
* Hold on, I don't wanna
know what it's like... *
127
00:04:48,320 --> 00:04:49,700
Niall:
Michael is a pop singer
128
00:04:49,740 --> 00:04:51,370
with unbelievable drama
to his voice
129
00:04:51,410 --> 00:04:55,170
and can really sell a song,
so this is gonna be exciting.
130
00:04:55,210 --> 00:04:56,790
* Hold on *
131
00:04:56,830 --> 00:04:59,090
He gets to show off all the
different parts of his range,
132
00:04:59,130 --> 00:05:01,630
which is super important
when you've got two minutes
to show what you can do.
133
00:05:01,670 --> 00:05:03,470
Thank you.
That's a workout,
that one.
134
00:05:03,510 --> 00:05:05,340
It is.
That's a lot of words.
135
00:05:05,380 --> 00:05:07,050
A ton of words.
Yeah.
136
00:05:07,090 --> 00:05:09,600
I got a little emotional at the
end, so it got sloppy, but...
137
00:05:09,640 --> 00:05:11,970
Oh, no, no, no.
Thank you.
138
00:05:12,020 --> 00:05:16,060
I'll take sloppy and emotion
over hitting every note
139
00:05:16,100 --> 00:05:17,480
because I could feel it.
140
00:05:17,520 --> 00:05:19,690
Honestly, you'd rather
hear pitch and slop
141
00:05:19,730 --> 00:05:21,480
than something, someone
that doesn't mean it.
142
00:05:21,520 --> 00:05:22,690
That was great.
143
00:05:22,730 --> 00:05:24,990
I think there's too much
low octave.
144
00:05:25,030 --> 00:05:26,490
Oh, yeah.
Personally.
145
00:05:26,530 --> 00:05:27,990
* Hold on *
146
00:05:28,030 --> 00:05:30,580
You're going from
that range to -- * Hold on *
147
00:05:30,620 --> 00:05:33,910
in one move, and you haven't
had time to ramp up to that.
148
00:05:33,950 --> 00:05:35,660
I get all
psyched up there.
149
00:05:35,710 --> 00:05:39,130
How do you do a quick reset
that's like...you got it?
150
00:05:39,170 --> 00:05:42,880
What I do is I touch my thumb
and my forefinger.
151
00:05:42,920 --> 00:05:45,510
Whenever I hit a high note,
that says,
152
00:05:45,550 --> 00:05:47,720
"You're gonna hit it
right on."
153
00:05:47,760 --> 00:05:49,300
It's that
positive thinking.
154
00:05:49,340 --> 00:05:52,890
Okay.
Y-You're kind of tricking
your subconscious
155
00:05:52,930 --> 00:05:55,140
because your subconscious
drives the boat.
156
00:05:55,180 --> 00:05:57,190
I'm gonna do this
the whole song.
Yeah.
157
00:05:57,230 --> 00:05:58,650
[ Laughter ]
158
00:05:58,690 --> 00:06:00,690
That's a low note, I don't care.
I'm doing this.
159
00:06:00,730 --> 00:06:02,190
[ Laughter ]
Right. Exactly.
160
00:06:02,230 --> 00:06:05,690
Seeing Michael B. perform
just made me a little nervous
161
00:06:05,740 --> 00:06:07,110
in a sense of like,
162
00:06:07,150 --> 00:06:09,860
"Man, the competition
is so hot this season."
163
00:06:09,910 --> 00:06:13,330
I'm like, "I gotta step up my
game if I want to go forward."
164
00:06:13,370 --> 00:06:14,540
So excited.
Thank you so much.
165
00:06:14,580 --> 00:06:15,870
Nice to meet you both.
166
00:06:15,910 --> 00:06:18,160
Michael and EJ,
the songs they selected
167
00:06:18,210 --> 00:06:19,500
were so different.
168
00:06:19,540 --> 00:06:21,000
I mean, what do you go for?
169
00:06:21,040 --> 00:06:22,340
That's gonna be tough.
170
00:06:22,380 --> 00:06:23,880
They're such
good singers.
171
00:06:23,920 --> 00:06:25,510
Absolutely love it, and they're
just cute as a button.
172
00:06:25,550 --> 00:06:27,340
We've got some nice people
on our team.
173
00:06:27,380 --> 00:06:28,550
I don't know
about the rest of them.
174
00:06:28,590 --> 00:06:30,510
[ Laughs ]
175
00:06:30,550 --> 00:06:33,350
[ Cheers and applause ]
Come on, EJ!
176
00:06:33,390 --> 00:06:35,430
Kelly:
I'm so excited!
177
00:06:35,470 --> 00:06:38,940
With "Trip Switch,"
here's EJ Michels.
178
00:06:41,520 --> 00:06:48,110
**
179
00:06:48,150 --> 00:06:53,120
* Ooooooh-woaaah *
180
00:06:53,160 --> 00:06:56,660
* Sharing secrets
with another world *
181
00:06:56,700 --> 00:06:59,250
* Rubbing shoulders
with some unknown lovers *
182
00:06:59,290 --> 00:07:01,880
* Making waves
through the universe *
183
00:07:01,920 --> 00:07:05,250
* Starting wars
with anonymous brothers *
184
00:07:05,300 --> 00:07:10,010
* Trip switch, trip switch *
185
00:07:10,050 --> 00:07:12,840
* Make a wish
and I'll count to three *
186
00:07:12,890 --> 00:07:15,600
* Press the button
and we'll both be happy *
187
00:07:15,640 --> 00:07:18,100
* Sending signals
is a dirty trick *
188
00:07:18,140 --> 00:07:21,440
* I get my love
in a digital package *
189
00:07:21,480 --> 00:07:26,520
* Trip switch, trip switch *
190
00:07:26,570 --> 00:07:29,030
* What we do
when the power's out? *
191
00:07:29,070 --> 00:07:31,780
* What do we do
when the lights go *
Alright.
192
00:07:31,820 --> 00:07:34,570
* What we do
when the power's out? *
193
00:07:34,620 --> 00:07:36,870
* What do we do
when the lights go *
194
00:07:36,910 --> 00:07:40,790
* Down, down, down,
down, down, down *
195
00:07:40,830 --> 00:07:46,090
* When the lights go down, down,
down, down, down, down *
196
00:07:46,130 --> 00:07:50,590
* When the lights
goooooo, yeah *
197
00:07:50,630 --> 00:07:52,970
[ Cheers and applause ]
198
00:07:53,010 --> 00:07:56,970
* Ooooooh, they put out
the lights *
199
00:07:57,010 --> 00:07:59,680
* They put out the lights *
200
00:07:59,720 --> 00:08:04,310
* They put out
the lights, ohhh *
201
00:08:04,350 --> 00:08:06,940
* What we do
when the power's out? *
202
00:08:06,980 --> 00:08:09,780
* What do we do
when the lights go? *
203
00:08:09,820 --> 00:08:12,610
* What we do
when the power's out? *
204
00:08:12,650 --> 00:08:15,070
* What do we do
when the lights go *
205
00:08:15,120 --> 00:08:20,290
* Doooooown *
206
00:08:20,330 --> 00:08:25,830
* Heeeeeey, let's gooo *
207
00:08:25,880 --> 00:08:31,170
* Down, down, down,
down, down, dooown, yeah *
208
00:08:31,210 --> 00:08:35,010
* Down, down, down,
down, down, down *
209
00:08:35,050 --> 00:08:39,140
* When the lights go dooown? *
210
00:08:39,180 --> 00:08:40,520
[ Cheers and applause ]
I liked that!
211
00:08:40,560 --> 00:08:42,980
I thought that was cool.
212
00:08:45,060 --> 00:08:46,860
Whoo!
213
00:08:46,900 --> 00:08:47,860
EJ!
214
00:08:47,900 --> 00:08:50,230
I have to go after that?
215
00:08:50,280 --> 00:08:52,030
That's a cool song.
216
00:08:53,490 --> 00:08:54,900
Come on!
217
00:08:55,740 --> 00:08:57,820
I love Michael B.
218
00:08:57,870 --> 00:08:59,620
Huge Michael B. fan.
219
00:08:59,660 --> 00:09:01,160
Wait till
you hear this.
220
00:09:01,200 --> 00:09:03,200
Come on, Michael!
221
00:09:03,250 --> 00:09:05,670
Now with "When You're Gone,"
here's Michael B.
222
00:09:05,710 --> 00:09:08,920
[ Cheers and applause ]
223
00:09:11,090 --> 00:09:14,670
**
224
00:09:14,720 --> 00:09:18,550
* You never know
how good you have it *
225
00:09:18,600 --> 00:09:19,970
* No, no *
226
00:09:20,010 --> 00:09:21,810
* Until you're starin'
at a picture *
227
00:09:21,850 --> 00:09:25,350
* Of the only one that matters *
228
00:09:25,390 --> 00:09:27,020
* Yeaaah *
229
00:09:27,060 --> 00:09:31,570
* I know what
we're supposed to do *
230
00:09:31,610 --> 00:09:33,110
Wow.
231
00:09:33,150 --> 00:09:38,160
* It's hard for me
to let go of you *
232
00:09:38,200 --> 00:09:41,580
* So I'm just tryna
hold on, hold on *
233
00:09:41,620 --> 00:09:45,830
* I don't wanna know what
it's like when you're gone *
234
00:09:45,870 --> 00:09:48,210
* I don't wanna move on *
235
00:09:48,250 --> 00:09:52,170
* I don't wanna know what it's
like when you're gone for good *
236
00:09:52,210 --> 00:09:54,630
* You're slipping
through my fingertips *
237
00:09:54,670 --> 00:09:57,630
* A little bit by a little bit *
238
00:09:57,680 --> 00:09:58,840
[ Cheers and applause ]
239
00:09:58,890 --> 00:10:00,930
* I never knew that loving you *
240
00:10:00,970 --> 00:10:04,270
* Was the happiest
I've ever been *
241
00:10:04,310 --> 00:10:06,770
* No, no *
Yeah, use that soul.
242
00:10:06,810 --> 00:10:09,440
* Starting to feel
like you don't need me *
243
00:10:09,480 --> 00:10:12,770
* Wanna believe
it's all for the better *
244
00:10:12,820 --> 00:10:17,400
* It's getting real,
I'm missing you deeply *
245
00:10:17,450 --> 00:10:19,240
* I'm just tryna hold on *
246
00:10:19,280 --> 00:10:22,450
* Starting to feel
like you don't need me *
247
00:10:22,490 --> 00:10:25,910
* Wanna believe
it's all for the better *
248
00:10:25,950 --> 00:10:30,750
* It's getting real,
I'm missing you deeply *
249
00:10:30,790 --> 00:10:34,050
* So I'm just tryna hold on,
hold on *
250
00:10:34,090 --> 00:10:38,090
* I don't wanna know what
it's like when you're gone *
251
00:10:38,130 --> 00:10:40,680
* I don't wanna move on *
252
00:10:40,720 --> 00:10:44,310
* I don't wanna knooow *
253
00:10:44,350 --> 00:10:46,890
* You're slipping
through my fingertips *
254
00:10:46,930 --> 00:10:50,150
* A little bit by a little bit *
255
00:10:50,980 --> 00:10:53,060
* I never knew that loving you *
256
00:10:53,110 --> 00:10:56,690
* Was the happiest, oh,
I've ever been *
257
00:10:56,740 --> 00:11:03,580
* Yeaaaaaah *
258
00:11:03,620 --> 00:11:06,950
* I'm just tryna hold on *
259
00:11:07,000 --> 00:11:09,660
* Yeah, yeah, yeaaah *
260
00:11:09,710 --> 00:11:11,330
There we go!
261
00:11:11,370 --> 00:11:14,710
* Hoooooold ooon *
262
00:11:14,750 --> 00:11:18,840
[ Cheers and applause ]
263
00:11:20,510 --> 00:11:21,840
Hard.
264
00:11:21,890 --> 00:11:23,600
Whoo-hoo-hoo!
265
00:11:23,640 --> 00:11:25,180
Wooow.
266
00:11:25,220 --> 00:11:29,640
EJ, you had an energy
that felt personal,
267
00:11:29,680 --> 00:11:31,770
I do think because
you were so into it,
268
00:11:31,810 --> 00:11:35,070
there were moments where the
pitch wasn't all the way right,
269
00:11:35,110 --> 00:11:38,150
but you enjoying it so much
gave us the feeling
270
00:11:38,190 --> 00:11:39,490
that we were looking for.
271
00:11:39,530 --> 00:11:41,530
Mikey B., I think
the pitch was perfect,
272
00:11:41,570 --> 00:11:44,620
but it felt like the soul
that I am attracted to
273
00:11:44,660 --> 00:11:46,200
and what you --
what you do --
The ache.
274
00:11:46,240 --> 00:11:47,700
Yeah, that wasn't there
in the beginning,
275
00:11:47,740 --> 00:11:49,750
but then towards the end,
you kind of just, like,
276
00:11:49,790 --> 00:11:51,290
let loose and the crowd
got into it,
277
00:11:51,330 --> 00:11:52,870
everybody started
standing up and cheering.
278
00:11:52,920 --> 00:11:55,920
I would lean towards
my boy, Michael B.
279
00:11:55,960 --> 00:11:58,960
[ Cheers and applause ]
Thank you.
280
00:11:59,010 --> 00:12:01,930
Michael B., I think this was
a really great avenue for you.
281
00:12:01,970 --> 00:12:04,300
I would love to hear a record
with songs like this on it.
282
00:12:04,340 --> 00:12:07,180
And you're like that dude that's
sitting next to me in school,
283
00:12:07,220 --> 00:12:09,180
and then all of a sudden,
I would find out
284
00:12:09,220 --> 00:12:10,770
that you're, like,
this incredible singer,
285
00:12:10,810 --> 00:12:12,520
but you never talked
to me the whole time.
286
00:12:12,560 --> 00:12:14,020
[ Laughter ]
287
00:12:14,060 --> 00:12:16,440
You seem like this, like,
really quiet, just subdued guy,
288
00:12:16,480 --> 00:12:19,530
and then you have this,
like, powerhouse voice.
289
00:12:19,570 --> 00:12:21,780
That alone is, like,
captivating.
290
00:12:21,820 --> 00:12:23,570
[ Cheers and applause ]
Thank you.
291
00:12:23,610 --> 00:12:25,070
EJ, I've never heard
of that song,
292
00:12:25,120 --> 00:12:28,080
but I will be covering it
shortly on a talk show near you.
293
00:12:28,120 --> 00:12:30,330
[ Laughter ]
Yeah!
294
00:12:30,370 --> 00:12:34,370
That song is so cool,
like, the whole vibe of it.
295
00:12:34,420 --> 00:12:38,090
It was such a smart decision
for you as a performer
296
00:12:38,130 --> 00:12:41,090
and also, like, separates you
from other singers
297
00:12:41,130 --> 00:12:42,300
in the competition.
298
00:12:42,340 --> 00:12:44,430
Thank you
so much, Kelly.
299
00:12:44,470 --> 00:12:45,890
What's up, EJ?
300
00:12:45,930 --> 00:12:47,100
What's up, Blake?
Good to see you, buddy.
301
00:12:47,140 --> 00:12:48,600
Yeah,
good to see you.
302
00:12:48,640 --> 00:12:50,600
Anything that I didn't see
in the blind auditions
303
00:12:50,640 --> 00:12:51,890
with your performance,
304
00:12:51,930 --> 00:12:54,270
I got to finally see
an entire thing
305
00:12:54,310 --> 00:12:56,020
without making you
do a battle, you know?
306
00:12:56,060 --> 00:12:58,400
It was huge.
That was a huge performance.
307
00:12:58,440 --> 00:12:59,610
So good job.
308
00:12:59,650 --> 00:13:00,780
Thank you.
309
00:13:00,820 --> 00:13:02,240
[ Cheers and applause ]
310
00:13:02,280 --> 00:13:04,530
Michael, all I was really
paying attention to
311
00:13:04,570 --> 00:13:07,740
was how exactly in the pocket
it felt like you were.
312
00:13:07,780 --> 00:13:10,740
Man, I thought that was really
solid all the way through,
313
00:13:10,790 --> 00:13:14,790
and because of the consistency,
I'd probably go with Michael B.
314
00:13:14,830 --> 00:13:16,210
[ Cheers and applause ]
315
00:13:16,250 --> 00:13:18,790
Thank you, Coaches.
Alright, Niall.
316
00:13:18,840 --> 00:13:20,300
Tough one
coming up for you.
317
00:13:20,340 --> 00:13:21,800
Before you tell us
who won the knockout,
318
00:13:21,840 --> 00:13:23,420
give us some thoughts.
319
00:13:23,470 --> 00:13:24,970
When you think about what EJ
has done in this competition,
320
00:13:25,010 --> 00:13:29,890
Adele to Smokey Robinson
to a UK indie rock band,
321
00:13:29,930 --> 00:13:32,310
that shows the diversity
that he's capable of.
322
00:13:32,350 --> 00:13:33,810
Everything he puts
his hand to,
323
00:13:33,850 --> 00:13:35,230
it seems to, you know,
turn to gold.
324
00:13:35,270 --> 00:13:36,770
Thank you so much,
Niall.
325
00:13:36,810 --> 00:13:39,060
Michael B., the last few weeks,
you've just really shown
326
00:13:39,110 --> 00:13:41,610
what you're capable of
and have become a dark horse,
327
00:13:41,650 --> 00:13:44,650
and Shawn will be absolutely
over the moon
328
00:13:44,690 --> 00:13:45,820
with that version of it.
329
00:13:45,860 --> 00:13:47,240
[ Cheers and applause ]
330
00:13:47,280 --> 00:13:48,820
Um...God.
331
00:13:48,870 --> 00:13:51,450
Daly: Niall, tough one for you,
but the time has come.
332
00:13:51,490 --> 00:13:53,290
Who is the winner
of this knockout?
333
00:13:54,540 --> 00:13:55,660
Ooh.
334
00:13:55,710 --> 00:13:58,630
**
335
00:13:58,670 --> 00:14:00,960
I guess I just have to go
with what I see in the future
336
00:14:01,000 --> 00:14:04,170
and in my gut
for the coming rounds
337
00:14:04,210 --> 00:14:06,840
and the bulletproof-ness
of it.
338
00:14:06,880 --> 00:14:09,550
**
339
00:14:09,590 --> 00:14:11,180
The winner of this knockout
is Michael.
340
00:14:11,220 --> 00:14:13,180
[ Cheers and applause ]
341
00:14:13,220 --> 00:14:14,600
Daly:
Michael, congratulations!
342
00:14:14,640 --> 00:14:18,520
You're moving on to the playoffs
for Team Niall!
343
00:14:18,560 --> 00:14:20,860
Niall: Michael's always been
the sleeping giant
344
00:14:20,900 --> 00:14:22,020
in this competition.
345
00:14:22,070 --> 00:14:23,530
His voice is unbelievable.
346
00:14:23,570 --> 00:14:25,690
I'm really excited
for Michael in the playoffs.
347
00:14:25,740 --> 00:14:28,530
So much love.
Give it up for EJ Michels one
more time, ladies and gentlemen!
348
00:14:28,570 --> 00:14:30,120
Thank you, EJ!
[ Cheers and applause ]
349
00:14:30,160 --> 00:14:31,910
Niall:
Really tough to see EJ go.
350
00:14:31,950 --> 00:14:33,410
He put his heart on the line.
351
00:14:33,450 --> 00:14:35,160
The pairings are so tough
in the knockouts.
352
00:14:35,200 --> 00:14:36,910
You're gonna lose a good singer.
353
00:14:36,960 --> 00:14:38,160
Daly: Coming up...
Kelly: Reba McEnti--
354
00:14:38,210 --> 00:14:39,710
Look at her, she --
[ Laughs ]
355
00:14:39,750 --> 00:14:42,670
...Reba shocks the artists
and whips them into shape...
356
00:14:42,710 --> 00:14:45,210
"When I let my guard down,"
I gotta see that pain.
357
00:14:45,260 --> 00:14:47,840
* I let my guard down *
358
00:14:47,880 --> 00:14:49,590
* And then you pulled the rug *
359
00:14:49,630 --> 00:14:52,010
Daly: ...leading to
jaw-dropping performances...
360
00:14:52,050 --> 00:14:54,890
* I said blue moon of Kentucky *
Yes!
361
00:14:54,930 --> 00:14:56,600
Daly: ...that impress
our coaches.
362
00:14:56,640 --> 00:14:59,390
[ Chuckling ] Holy crap!
That was crazy.
363
00:14:59,440 --> 00:15:00,350
You are a star.
364
00:15:00,400 --> 00:15:02,310
Daly: And later...
Oh.
365
00:15:02,360 --> 00:15:05,150
...two steals are up for grabs.
366
00:15:05,190 --> 00:15:08,650
Which artist will get Blake's
last steal ever?
367
00:15:08,700 --> 00:15:10,990
Whoa! We got a steal!
368
00:15:16,750 --> 00:15:17,910
* This is "The Voice" *
369
00:15:17,950 --> 00:15:20,040
Daly: Welcome back
to the knockouts.
370
00:15:20,080 --> 00:15:22,830
Man: So we're gonna do a quick
little thing here with Niall.
371
00:15:22,880 --> 00:15:24,210
Play a little bit of his music.
372
00:15:24,250 --> 00:15:26,420
[ Cheers and applause ]
373
00:15:26,460 --> 00:15:27,960
Niall: I had a really
cool moment today
374
00:15:28,010 --> 00:15:29,380
where I got to share
a little short clip
375
00:15:29,420 --> 00:15:31,260
of my single "Heaven,"
which is out,
376
00:15:31,300 --> 00:15:33,550
and got the -- the crowd
singing along.
377
00:15:33,600 --> 00:15:37,020
* God only knows
where this could go *
378
00:15:37,060 --> 00:15:42,440
* And even if our love
starts to grow out of control *
I like this song!
379
00:15:42,480 --> 00:15:46,780
* And you and me
go up in flames *
380
00:15:46,820 --> 00:15:49,070
* Heaven won't be the same *
It was really cool.
381
00:15:49,110 --> 00:15:50,780
The audience knew
every single word to it.
382
00:15:50,820 --> 00:15:52,740
Alright, cowboy,
what'd you think?
383
00:15:52,780 --> 00:15:54,120
I love the song.
384
00:15:54,160 --> 00:15:55,580
Do you remember
any of it?
Yes, uh...
385
00:15:55,620 --> 00:15:58,040
* They're
magically delicious *
386
00:15:58,080 --> 00:15:59,700
[ Laughter ]
387
00:15:59,750 --> 00:16:02,420
What?
That was tough
for me to take.
388
00:16:02,460 --> 00:16:03,790
[ Laughter ]
389
00:16:03,830 --> 00:16:05,540
Chance: So you're living
in Nashville?
Reba: Yeah.
390
00:16:05,590 --> 00:16:07,300
Were you raised there,
or you moved there when --
Oklahoma.
391
00:16:07,340 --> 00:16:09,050
Okay. My great-grandmother's
from Tulsa,
392
00:16:09,090 --> 00:16:10,380
but I've never
made it there.
393
00:16:10,420 --> 00:16:12,340
We grew up on a working
cattle ranch,
394
00:16:12,380 --> 00:16:14,300
bought cattle in the spring,
sold them in the fall
395
00:16:14,340 --> 00:16:17,100
after we fattened them up
for feeder cattle.
396
00:16:17,140 --> 00:16:18,850
That's crazy.
I didn't even think about it,
397
00:16:18,890 --> 00:16:20,640
that there's cows
that are bred
398
00:16:20,680 --> 00:16:23,480
specifically to get ate
versus to produce...
Yeah.
399
00:16:23,520 --> 00:16:25,360
...produce.
Milk or, yeah, produce.
There you go.
400
00:16:25,400 --> 00:16:26,770
[ Chuckles ]
Produce produce.
401
00:16:26,820 --> 00:16:28,230
[ Both laugh ]
402
00:16:28,270 --> 00:16:29,650
I'm really excited for these --
for these next two.
403
00:16:29,690 --> 00:16:32,490
I got Magnus and Jamar.
404
00:16:32,530 --> 00:16:34,990
Jamar is soulful.
He's got a blues influence.
405
00:16:35,030 --> 00:16:37,080
He plays guitar, like,
he's a little bit older,
406
00:16:37,120 --> 00:16:39,490
so he's got this old soul
thing going for him.
407
00:16:39,540 --> 00:16:42,000
Magnus in the same way,
he's a younger guy,
408
00:16:42,040 --> 00:16:43,670
but he's got a '70s soul,
409
00:16:43,710 --> 00:16:47,090
Curtis Mayfield,
Donny Hathaway feel to him.
Ooh, cool.
410
00:16:47,130 --> 00:16:49,670
I want you to see 'em.
Magnus, Jamar.
411
00:16:49,710 --> 00:16:51,510
Come on down.
412
00:16:51,550 --> 00:16:52,840
What?!
413
00:16:52,880 --> 00:16:54,300
Wha-- [ Laughs ]
414
00:16:54,340 --> 00:16:55,720
We got Reba
in this joint.
415
00:16:55,760 --> 00:16:56,970
Queen of Country.
416
00:16:57,010 --> 00:16:58,850
She's definitely
a legend in the game.
417
00:16:58,890 --> 00:17:00,100
I need a hug.
I need a hug.
418
00:17:00,140 --> 00:17:01,890
She gives some
of the warmest hugs,
419
00:17:01,930 --> 00:17:03,440
I feel a real Southern hug.
420
00:17:03,480 --> 00:17:04,810
So what
are you singing?
421
00:17:04,850 --> 00:17:07,060
I'm singing John Legend,
"Ordinary People."
422
00:17:07,110 --> 00:17:09,690
Wonderful.
That's the first song I learned
how to play on piano.
423
00:17:09,730 --> 00:17:11,360
That's funny.
It was one of my firsts, too.
No kidding.
424
00:17:11,400 --> 00:17:13,820
I feel like young
Black kids around our age,
425
00:17:13,860 --> 00:17:17,370
like, when this song came out,
it changed the game.
It did.
426
00:17:17,410 --> 00:17:20,700
I'm a gospel soul singer.
John is such a beast.
427
00:17:20,740 --> 00:17:23,370
* Girl,
I'm in love with you *
428
00:17:23,410 --> 00:17:25,620
Oh, wow.
Magnus: He's been a light
for my life.
429
00:17:25,670 --> 00:17:28,040
A lot of his songs are really
inspirational for me.
430
00:17:28,080 --> 00:17:29,840
* ...infatuation phase *
431
00:17:29,880 --> 00:17:33,470
The journey for me, pursuing
music has been up and down.
432
00:17:33,510 --> 00:17:35,220
I've definitely had to do
some odd jobs,
433
00:17:35,260 --> 00:17:36,890
such as being a delivery driver,
434
00:17:36,930 --> 00:17:39,600
but I have my own personal
concert in my car,
435
00:17:39,640 --> 00:17:41,510
so it's like
while I'm delivering,
436
00:17:41,560 --> 00:17:43,980
I'm still practicing in my craft
every day.
437
00:17:44,020 --> 00:17:47,810
* Slowwww *
438
00:17:47,850 --> 00:17:50,070
Wow.
Right? Insane.
439
00:17:50,110 --> 00:17:51,570
Thank you.
440
00:17:51,610 --> 00:17:54,400
When you started, it was so rich
and thick with your --
441
00:17:54,440 --> 00:17:56,240
your voice, your vocal.
Thank you.
442
00:17:56,280 --> 00:17:58,570
So full. Love it.
443
00:17:58,620 --> 00:18:00,160
And then when you hit
that high note,
444
00:18:00,200 --> 00:18:01,370
I'm like, "Oh, my gosh."
445
00:18:01,410 --> 00:18:02,580
Yeah.
[ Chuckles ]
446
00:18:02,620 --> 00:18:04,200
Oh, my gosh.
He has the range.
447
00:18:04,250 --> 00:18:05,750
[ Laughs ]
448
00:18:05,790 --> 00:18:08,670
I think with, like, people of
distinct tones like John Legend,
449
00:18:08,710 --> 00:18:10,590
like, you being able
to put your spin on it
450
00:18:10,630 --> 00:18:12,750
and also all your choices
and runs that you choose
451
00:18:12,800 --> 00:18:16,010
to make it your own song
is super important.
452
00:18:16,050 --> 00:18:18,470
* I still put you first *
453
00:18:18,510 --> 00:18:21,390
Reba: Magnus did a great job
of selecting that song.
454
00:18:21,430 --> 00:18:23,010
He had me right there.
455
00:18:23,060 --> 00:18:26,390
And he looked at Chance and me
while he was singing
456
00:18:26,430 --> 00:18:31,310
because he was telling us
about this and we believed him.
457
00:18:31,360 --> 00:18:34,900
You feel so comfortable, too.
Your voice is so smooth.
458
00:18:34,940 --> 00:18:37,450
You ever see those chocolate
commercials on television
459
00:18:37,490 --> 00:18:39,490
and it's like a river
of chocolate?
Just lay
in that chocolate...
460
00:18:39,530 --> 00:18:43,450
That was just so smooth
and just flowing like a river.
461
00:18:43,490 --> 00:18:45,120
Yeah, keep doing
the same thing.
462
00:18:45,160 --> 00:18:46,620
[ Laughs ]
463
00:18:46,660 --> 00:18:49,540
Jamar: Magnus, we're brothers,
but we're gonna fight.
464
00:18:49,580 --> 00:18:50,790
I want to go
to playoffs badly.
465
00:18:50,830 --> 00:18:53,340
I'm quiet,
but I'm a competitor.
466
00:18:53,380 --> 00:18:55,380
So we got Jamar
with "Cruisin'."
467
00:18:55,420 --> 00:18:56,670
Yep.
Smokey Robinson.
468
00:18:56,720 --> 00:18:58,510
That's my favorite,
my mom's favorite.
469
00:18:58,550 --> 00:19:01,590
I mean, Smokey's been in our
household for longer than me.
470
00:19:01,640 --> 00:19:05,270
This song actually represents
my genre to a T.
471
00:19:05,310 --> 00:19:07,270
* Baby,
let's cruise... *
472
00:19:07,310 --> 00:19:09,480
I'm all about
telling love stories.
473
00:19:09,520 --> 00:19:10,980
When I perform this song,
474
00:19:11,020 --> 00:19:13,020
I'm definitely going to be
thinking about my wife.
475
00:19:13,060 --> 00:19:14,690
She is so amazing.
476
00:19:14,730 --> 00:19:19,820
It's a perfect example of how
I feel every day. I feel love.
477
00:19:19,860 --> 00:19:21,320
* Oooh *
478
00:19:21,360 --> 00:19:23,320
And I chose this song because
I want to show the coaches
479
00:19:23,370 --> 00:19:26,240
that I'm the person
that they would want to
take to the playoffs.
480
00:19:26,290 --> 00:19:29,620
Great job. Great job.
You got a great voice.
[ Whistles ]
481
00:19:29,660 --> 00:19:30,710
Thank you.
482
00:19:30,750 --> 00:19:32,250
Chance, I don't know
what you think,
483
00:19:32,290 --> 00:19:34,840
but it seemed
like the band was loud
484
00:19:34,880 --> 00:19:36,920
all the way through
at one level.
485
00:19:36,960 --> 00:19:39,220
Yeah.
Maybe put some
dynamics in it.
486
00:19:39,260 --> 00:19:40,590
Yeah, I would agree.
487
00:19:40,630 --> 00:19:43,850
'Cause at the beginning,
it's real intimate.
488
00:19:43,890 --> 00:19:44,930
I agree totally.
489
00:19:44,970 --> 00:19:46,680
I mean,
we could certainly do that.
490
00:19:46,720 --> 00:19:48,560
I think for anything,
just to catch the tempo,
491
00:19:48,600 --> 00:19:50,190
even if it's a count-in
from rhythm,
492
00:19:50,230 --> 00:19:53,020
like just so that he knows
what BPM you guys are playing at
493
00:19:53,060 --> 00:19:54,980
then he could play and then
you guys could join him.
494
00:19:55,020 --> 00:19:57,440
Messes things up
a little bit.
Yeah, jumbles it.
495
00:19:57,480 --> 00:20:00,110
* Don't be confused *
496
00:20:00,150 --> 00:20:02,950
Chance: Jamar is a cold dude,
man. He's an instrumentalist.
497
00:20:02,990 --> 00:20:05,080
He's somebody
that has a deep sense
498
00:20:05,120 --> 00:20:06,580
of knowledge of himself.
499
00:20:06,620 --> 00:20:09,040
One of my favorite things
is when Jamar goes up
500
00:20:09,080 --> 00:20:10,330
into that higher octave
501
00:20:10,370 --> 00:20:12,210
and really sings
in his head voice.
502
00:20:12,250 --> 00:20:13,790
* Ooooooh *
503
00:20:13,830 --> 00:20:16,590
It's very flowy,
angelic feel to it.
504
00:20:16,630 --> 00:20:19,460
Lots better.
Amazing.
505
00:20:19,510 --> 00:20:21,420
I really love
your natural tone,
506
00:20:21,470 --> 00:20:24,390
and when you go into a space
of feeling out a song...
Yes, exactly.
507
00:20:24,430 --> 00:20:25,720
...that's what, like,
gives life to it
508
00:20:25,760 --> 00:20:27,850
and makes, you know,
your ears perk up and stuff,
509
00:20:27,890 --> 00:20:29,600
so I would just say
keep leaning into that.
510
00:20:29,640 --> 00:20:31,020
Way to go.
Thank you so much.
511
00:20:31,060 --> 00:20:32,270
Thank you.
Thank you.
512
00:20:32,310 --> 00:20:33,690
Magnus:
Jamar is an amazing artist,
513
00:20:33,730 --> 00:20:35,400
but I want to make it
to the playoffs bad.
514
00:20:35,440 --> 00:20:36,690
This is where my heart is,
515
00:20:36,730 --> 00:20:38,650
this is where my time
and energy is.
516
00:20:38,690 --> 00:20:40,570
I'm gonna leave
everything out on the stage.
517
00:20:40,610 --> 00:20:42,900
Wow, I'm just thrilled
to death I got to meet you.
518
00:20:42,950 --> 00:20:44,530
Oh, come --
come on, now.
Come on.
519
00:20:44,570 --> 00:20:46,320
I think this knockout round
is gonna come down
520
00:20:46,370 --> 00:20:48,580
to who steps
into themselves the most
521
00:20:48,620 --> 00:20:51,200
and presents themselves
as their own artist
522
00:20:51,250 --> 00:20:55,290
and their own identity
that needs to be in the show.
523
00:20:55,330 --> 00:20:56,790
I don't know what I'm gonna do.
524
00:20:56,840 --> 00:20:59,880
This just blows me away,
so many talented people.
525
00:20:59,920 --> 00:21:01,420
Yeah, I know.
It's crazy, right?
526
00:21:01,460 --> 00:21:02,630
[ Scoffs ]
527
00:21:02,670 --> 00:21:04,430
That's gonna be
a tough decision.
528
00:21:04,470 --> 00:21:06,180
[ Cheers and applause ]
529
00:21:06,220 --> 00:21:08,760
It's gonna be good.
530
00:21:08,810 --> 00:21:11,810
With "Cruisin',"
here's Jamar Langley.
531
00:21:11,850 --> 00:21:13,940
Kelly: Oh, man,
this is gonna be hard, I think.
532
00:21:13,980 --> 00:21:16,270
Chance: I have no idea
what I'm gonna do.
533
00:21:16,310 --> 00:21:24,570
**
534
00:21:24,610 --> 00:21:32,200
* Baby, let's cruise
away from heeere *
535
00:21:32,250 --> 00:21:34,910
[ Cheering ]
536
00:21:34,960 --> 00:21:44,720
* Don't be confused,
the way is cleeear *
537
00:21:44,760 --> 00:21:50,640
* And if you want it,
you got it forever *
538
00:21:50,680 --> 00:21:56,850
* This is not a one-night stand,
nooo, ooooooh *
539
00:21:56,900 --> 00:21:58,360
God, he's good.
540
00:21:58,400 --> 00:22:02,820
* Let the music take your mind,
your mind, your mind *
541
00:22:02,860 --> 00:22:07,820
* Just release
and you will fiiind *
542
00:22:07,860 --> 00:22:14,370
* That you're gonna fly away,
glad you're going my way *
543
00:22:14,410 --> 00:22:19,750
* I love it when
we're cruisin' together *
544
00:22:20,880 --> 00:22:25,220
* And inch by inch,
we get closer and closer *
545
00:22:25,260 --> 00:22:26,760
Come on!
Come on, Jay!
546
00:22:26,800 --> 00:22:30,680
* To every little part
of each otheeer *
547
00:22:30,720 --> 00:22:31,850
Whoo!
548
00:22:31,890 --> 00:22:33,850
* Baby, baby, baby, baby *
Aah!
549
00:22:33,890 --> 00:22:38,520
* Let the music -- whoo! --
take your miiind *
550
00:22:38,560 --> 00:22:40,190
Whoo-hoo!
551
00:22:40,230 --> 00:22:42,190
* Just release,
and you will find *
Alright, J!
552
00:22:42,230 --> 00:22:47,240
* You will find that
you're gonna fly away *
553
00:22:47,280 --> 00:22:50,700
* Glad you're going my way *
554
00:22:50,740 --> 00:22:55,540
* I love it when
we're cruisin' together *
555
00:22:55,580 --> 00:22:58,250
* Music is made for loooooove *
556
00:22:58,290 --> 00:23:01,880
* Cruisin' is made for love *
557
00:23:01,920 --> 00:23:07,170
* I love it when
we're cruising togetheeer *
558
00:23:07,220 --> 00:23:12,220
* Cruuuisin' *
559
00:23:12,260 --> 00:23:14,680
* We're gonna cruise now *
560
00:23:14,720 --> 00:23:17,310
Yeah!
Alright, alright!
561
00:23:17,350 --> 00:23:18,600
That was sick.
562
00:23:18,640 --> 00:23:20,270
[ Cheers and applause ]
563
00:23:20,310 --> 00:23:21,730
That boy good!
564
00:23:21,770 --> 00:23:23,860
Oh, man, looks like Magnus
565
00:23:23,900 --> 00:23:26,480
don't be playing around, no.
566
00:23:33,280 --> 00:23:34,780
* This is "The Voice" *
567
00:23:34,830 --> 00:23:36,620
Daly: Welcome back.
568
00:23:36,660 --> 00:23:38,870
[ Cheers and applause ]
569
00:23:42,380 --> 00:23:45,840
Now singing "Ordinary People,"
here's Magnus.
570
00:23:47,420 --> 00:23:50,260
**
571
00:23:50,300 --> 00:23:52,800
* Oh, oh, oh, oh *
572
00:23:52,840 --> 00:23:55,350
* Girl, I'm in love with you *
573
00:23:55,390 --> 00:23:57,850
* This ain't the honeymoon *
574
00:23:57,890 --> 00:24:01,390
* Past the infatuation phase *
575
00:24:01,440 --> 00:24:04,360
* I know I misbehaved *
576
00:24:04,400 --> 00:24:06,820
* And you made your mistakes *
577
00:24:06,860 --> 00:24:11,740
* And we both still got room
left to grow *
578
00:24:11,780 --> 00:24:14,660
* And though love
sometimes hurts *
579
00:24:14,700 --> 00:24:16,990
* I still put you first *
580
00:24:17,040 --> 00:24:19,160
* And we'll make
this thing work *
581
00:24:19,200 --> 00:24:23,330
* But I think
we should take it slow *
582
00:24:23,380 --> 00:24:26,840
* We're just ordinary people *
583
00:24:26,880 --> 00:24:28,090
Ooh.
584
00:24:28,130 --> 00:24:33,510
* We don't know
which way to gooooo *
585
00:24:33,550 --> 00:24:36,470
* 'Cause we're ordinary people *
586
00:24:36,510 --> 00:24:38,470
* Yes, we are, baby *
587
00:24:38,520 --> 00:24:41,730
* Maybe we should take it slow *
588
00:24:41,770 --> 00:24:43,690
* Take it slow *
589
00:24:43,730 --> 00:24:45,900
* Maybe we'll live and learn *
590
00:24:45,940 --> 00:24:48,690
* Or maybe
we'll crash and burn *
591
00:24:48,730 --> 00:24:50,280
* Maybe we'll stay *
592
00:24:50,320 --> 00:24:51,360
* Maybe we'll leave *
593
00:24:51,400 --> 00:24:53,530
* Maybe you'll return *
594
00:24:53,570 --> 00:24:56,490
* Maybe another fiiiiight *
595
00:24:56,530 --> 00:24:58,330
* Maybe we won't survive *
596
00:24:58,370 --> 00:25:01,290
* Maybe we'll grow,
we never know *
597
00:25:01,330 --> 00:25:03,790
* Baby, you and I *
598
00:25:03,830 --> 00:25:07,920
* We're just ordinary people *
599
00:25:07,960 --> 00:25:14,010
* Oh, we don't know
which way to goooooo *
600
00:25:14,050 --> 00:25:18,470
* 'Cause we're ordinary people *
601
00:25:18,510 --> 00:25:21,730
* Maybe we should take it slow *
602
00:25:21,770 --> 00:25:25,060
* Take it slow *
603
00:25:25,100 --> 00:25:28,110
* Oh *
604
00:25:28,150 --> 00:25:31,860
* This time we'll take it slow *
605
00:25:31,900 --> 00:25:37,740
* Take it slow,
da-do-da-do-ba-doo-ba-doo *
606
00:25:37,780 --> 00:25:39,160
Come on!
* This time *
607
00:25:39,200 --> 00:25:40,620
Saxophone solo.
608
00:25:40,660 --> 00:25:47,420
* Take it sloooooow *
609
00:25:47,460 --> 00:25:49,710
[ Cheers and applause ]
610
00:25:51,420 --> 00:25:52,420
Wow.
611
00:25:52,460 --> 00:25:53,550
What they gonna do?
612
00:25:53,590 --> 00:25:54,970
I don't know.
613
00:25:56,970 --> 00:25:59,010
Great job, Jamar.
Great job, Magnus.
614
00:25:59,050 --> 00:26:00,560
I'm gonna start
with Jamar.
615
00:26:00,600 --> 00:26:02,770
You can sing
some baby-making music, man.
616
00:26:02,810 --> 00:26:03,850
[ Laughter ]
Thank you.
617
00:26:03,890 --> 00:26:05,940
I was like, oh, my gosh.
618
00:26:05,980 --> 00:26:08,440
It was so cool.
I love you playing the guitar.
619
00:26:08,480 --> 00:26:10,150
I know it's called
"The Voice,"
620
00:26:10,190 --> 00:26:12,940
but it actually enhances
your vocal ability.
Yeah.
621
00:26:12,980 --> 00:26:14,320
Do you ever
perform without it, really?
622
00:26:14,360 --> 00:26:16,360
Yes, I do.
It depends on the mood, so...
623
00:26:16,400 --> 00:26:17,660
[ Laughter ]
Ooh.
624
00:26:17,700 --> 00:26:18,870
I'm gonna be up
in the crowd, you know...
625
00:26:18,910 --> 00:26:20,370
Hey! Alright, Jamar.
626
00:26:20,410 --> 00:26:22,200
I'm gonna have to put the guitar
down, so...
627
00:26:22,240 --> 00:26:23,040
Alright, Jamar.
628
00:26:23,080 --> 00:26:24,620
[ Laughter ]
I see you.
629
00:26:24,660 --> 00:26:27,290
Magnus, you have
such a beautiful voice.
630
00:26:27,330 --> 00:26:28,790
When you sing John Legend,
631
00:26:28,830 --> 00:26:30,710
first of all, I'm like
a part of his street team.
632
00:26:30,750 --> 00:26:33,760
I'm like a stalker fan.
Like, I love him.
633
00:26:33,800 --> 00:26:35,260
I just feel like
it's maybe hard for you
634
00:26:35,300 --> 00:26:37,970
not to sound like
an imitation of what he does.
635
00:26:38,010 --> 00:26:39,680
I'm gonna lean
more towards Jamar
636
00:26:39,720 --> 00:26:40,970
just because
I couldn't get
637
00:26:41,010 --> 00:26:42,970
the John Legend thing
out of my head.
638
00:26:43,010 --> 00:26:44,770
But you're incredible.
639
00:26:44,810 --> 00:26:46,140
Thank you.
Yes, you are, man.
640
00:26:46,180 --> 00:26:47,560
Thank you.
641
00:26:47,600 --> 00:26:49,770
Blake: Jamar, I love when
you're playing the guitar.
642
00:26:49,810 --> 00:26:51,820
That's how I want
to see you perform, man.
643
00:26:51,860 --> 00:26:53,360
You just have a thing
when you're doing it
644
00:26:53,400 --> 00:26:55,400
and you're kind of lost
in the moment, and it works.
645
00:26:55,440 --> 00:26:57,490
Thank you.
And then on the flipside
of that,
646
00:26:57,530 --> 00:27:00,120
Magnus, when he performs,
has a big handful of something
647
00:27:00,160 --> 00:27:01,740
in his imagination.
[ Laughter ]
648
00:27:01,780 --> 00:27:03,830
And he's like --
Niall: Yeah, like --
649
00:27:03,870 --> 00:27:06,120
He's tickling it,
and he's doing something.
650
00:27:06,160 --> 00:27:07,790
[ Laughter ]
651
00:27:07,830 --> 00:27:09,670
I may lean towards Magnus
just because
652
00:27:09,710 --> 00:27:12,750
his voice is just huge,
and I like how he gets out here
653
00:27:12,790 --> 00:27:14,840
and plays
with the imaginary friend.
654
00:27:14,880 --> 00:27:16,300
Magnus: Thank you.
655
00:27:16,340 --> 00:27:17,590
[ Laughter, applause ]
656
00:27:17,630 --> 00:27:19,010
Niall:
Gents, that was so cool.
657
00:27:19,050 --> 00:27:22,390
It's the mic, the guitar,
and the song for Jamar.
658
00:27:22,430 --> 00:27:24,010
And he doesn't need
anything else
659
00:27:24,060 --> 00:27:26,140
to portray the same sort of
stage performance.
660
00:27:26,180 --> 00:27:29,310
Magnus, so round
and big and powerful,
661
00:27:29,350 --> 00:27:31,650
but, like, I'm naturally
attracted to someone
662
00:27:31,690 --> 00:27:32,940
that can tell a story.
663
00:27:32,980 --> 00:27:34,860
And for that reason,
I'd go with Jamar.
664
00:27:34,900 --> 00:27:37,570
[ Applause ]
Daly: Thank you, Coaches.
665
00:27:37,610 --> 00:27:40,030
Alright, Chance. This will be
a tough one for you.
666
00:27:40,070 --> 00:27:41,700
Give us some thoughts
on the knockout first.
667
00:27:41,740 --> 00:27:43,870
When I think about the idea
of "The Voice" as like,
668
00:27:43,910 --> 00:27:46,700
it's not about
what you see on stage,
669
00:27:46,750 --> 00:27:48,040
but really what you can hear.
670
00:27:48,080 --> 00:27:51,500
And Magnus has such like
a specific identity
671
00:27:51,540 --> 00:27:53,130
as a vocalist that I love.
672
00:27:53,170 --> 00:27:55,380
And then, Jamar,
you have the same thing
673
00:27:55,420 --> 00:27:57,840
in, like, a completely
different wheelhouse.
674
00:27:57,880 --> 00:27:59,880
You were, like, wrestling
with that song,
675
00:27:59,920 --> 00:28:01,260
not like you didn't know it.
676
00:28:01,300 --> 00:28:02,970
Just like, okay,
this is what I'm gonna do.
677
00:28:03,010 --> 00:28:05,890
I'm having a very tough time
making this decision,
678
00:28:05,930 --> 00:28:07,220
as you could tell.
679
00:28:07,270 --> 00:28:09,180
Daly: It's an impossible
decision, but it is time.
680
00:28:09,230 --> 00:28:10,850
Chance, who's the winner
of this knockout?
681
00:28:10,890 --> 00:28:15,230
**
682
00:28:15,270 --> 00:28:18,400
This was
incredibly difficult.
683
00:28:22,110 --> 00:28:24,240
Hey, can we go
to commercial real quick?
684
00:28:24,280 --> 00:28:26,580
[ Laughter ]
685
00:28:26,620 --> 00:28:27,790
Come on, Carson.
Throw it.
686
00:28:27,830 --> 00:28:29,160
He wants to go to
a commercial break?
687
00:28:35,590 --> 00:28:36,750
* This is "The Voice" *
688
00:28:36,800 --> 00:28:39,130
Daly: Welcome back
to the knockouts.
689
00:28:40,800 --> 00:28:42,510
Chance, who's the winner
of this knockout?
690
00:28:42,550 --> 00:28:45,600
**
691
00:28:45,640 --> 00:28:48,260
This was
incredibly difficult.
692
00:28:48,310 --> 00:28:51,430
The winner
of this knockout is...
693
00:28:51,480 --> 00:28:52,690
Jamar.
694
00:28:52,730 --> 00:28:55,020
Daly:
Jamar, congratulations!
695
00:28:55,060 --> 00:28:56,770
You're moving on
to the playoffs!
696
00:28:56,820 --> 00:29:00,490
Chance:
Jamar is a very seasoned artist.
697
00:29:00,530 --> 00:29:04,450
He has this unspoken confidence
when he's performing.
698
00:29:04,490 --> 00:29:07,240
I'm excited that he's gonna
continue to show who he is.
699
00:29:07,280 --> 00:29:09,910
Coaches, let me remind you that
Magnus is available to steal.
700
00:29:09,950 --> 00:29:12,620
Magnus, anything you want
to say to your coach?
701
00:29:12,660 --> 00:29:14,000
I'm just happy
to be here,
702
00:29:14,040 --> 00:29:15,210
and I'm blessed to have
had you as a coach.
703
00:29:15,250 --> 00:29:16,540
And I just want to say
thank you.
704
00:29:16,580 --> 00:29:18,040
Give it up, everybody,
for Magnus!
Amen.
705
00:29:18,090 --> 00:29:20,300
Good job, Magnus!
[ Cheers and applause ]
706
00:29:20,340 --> 00:29:22,010
Blake: Magnus is
an incredible artist.
707
00:29:22,050 --> 00:29:23,470
I just didn't use my steal
708
00:29:23,510 --> 00:29:25,680
because I've got my eye
on somebody coming up.
709
00:29:25,720 --> 00:29:27,050
That was tough for me,
man.
710
00:29:27,100 --> 00:29:28,510
Niall:
This is the level it's at.
711
00:29:28,560 --> 00:29:29,600
When a singer like that --
712
00:29:29,640 --> 00:29:31,180
Like, it's just nuts.
713
00:29:32,180 --> 00:29:33,730
The last time
we did stuff like this
714
00:29:33,770 --> 00:29:36,690
was when we were hosting
the "ACM Awards" together...
Uh-huh.
715
00:29:36,730 --> 00:29:39,150
...back in 1934.
[ Laughs ]
716
00:29:39,190 --> 00:29:40,400
I was starting to think
you hate me.
717
00:29:40,440 --> 00:29:42,900
I thought you'd
totally got so big
718
00:29:42,940 --> 00:29:45,030
that you just
lost my number.
719
00:29:45,070 --> 00:29:46,910
I have gotten so big,
720
00:29:46,950 --> 00:29:48,830
but now I want
to spread the fame.
721
00:29:48,870 --> 00:29:50,120
So...
You are so thoughtful.
722
00:29:50,160 --> 00:29:51,410
...I figured you could use
a little extra fame.
723
00:29:51,450 --> 00:29:53,660
Well, us Okies
got to stay together.
724
00:29:53,710 --> 00:29:55,580
[ Laughs ] Okay.
725
00:29:55,620 --> 00:29:58,880
Alright. Let's bring out Grace,
who is a country singer.
726
00:29:58,920 --> 00:30:00,050
She lives in Nashville now.
727
00:30:00,090 --> 00:30:01,340
I'm gonna have
a panic attack.
728
00:30:01,380 --> 00:30:02,710
Oh, my God.
I knew it.
Neil.
729
00:30:02,760 --> 00:30:04,510
And then this is Neil,
730
00:30:04,550 --> 00:30:06,550
coming out here
with her.
Reba: Neil. Okay.
731
00:30:06,590 --> 00:30:09,260
Who I didn't recognize without
a hat on, for a second there.
What?
732
00:30:09,300 --> 00:30:13,350
Seeing Reba, it was
like panic, excitement, panic.
733
00:30:13,390 --> 00:30:16,190
Like, I don't even know [laughs]
to be honest with you.
734
00:30:16,230 --> 00:30:17,730
I don't know how to
put it into words.
735
00:30:17,770 --> 00:30:19,230
Pulling out
all the stops.
Good to see you.
736
00:30:19,270 --> 00:30:21,690
She is a pop culture behemoth,
really.
737
00:30:21,730 --> 00:30:25,150
And so, being in her presence
is a life highlight.
738
00:30:25,200 --> 00:30:26,400
I think both of you guys
739
00:30:26,450 --> 00:30:28,660
are honed in
on what lane you're in.
740
00:30:28,700 --> 00:30:31,700
And, man, that puts you way
ahead of the competition.
741
00:30:31,740 --> 00:30:33,540
You gonna sing first?
Yeah.
742
00:30:33,580 --> 00:30:34,830
Let's do this.
743
00:30:34,870 --> 00:30:36,540
Uh-oh.
What are you singing today?
744
00:30:36,580 --> 00:30:38,630
Today, I'm singing "Here You
Come Again" by Dolly Parton.
745
00:30:38,670 --> 00:30:40,380
You've been singing this
for a long, long time?
746
00:30:40,420 --> 00:30:42,300
I've been singing this
since I could sing.
747
00:30:42,340 --> 00:30:43,880
Aww, cute.
Since noise could
come out of my mouth.
748
00:30:43,920 --> 00:30:45,130
Grace: I love Dolly Parton.
749
00:30:45,170 --> 00:30:47,430
She is just this amazing,
strong woman
750
00:30:47,470 --> 00:30:49,550
who has literally
done it all.
751
00:30:49,590 --> 00:30:51,180
She has inspired me a lot.
752
00:30:51,220 --> 00:30:53,390
I am a songwriter in Nashville.
753
00:30:53,430 --> 00:30:56,230
Being younger, there was
a lot of doubt just in, like,
754
00:30:56,270 --> 00:30:57,770
is this the right decision
to make,
755
00:30:57,810 --> 00:31:00,900
especially moving and having
your family go with you.
756
00:31:00,940 --> 00:31:02,320
We were traveling
back and forth,
757
00:31:02,360 --> 00:31:03,940
Detroit to Nashville,
Detroit to Nashville.
758
00:31:03,980 --> 00:31:05,190
So,
I graduated high school,
759
00:31:05,240 --> 00:31:06,740
and then my family,
we packed up,
760
00:31:06,780 --> 00:31:08,530
and my parents came
to help support and everything.
761
00:31:08,570 --> 00:31:10,820
Kinda sounds familiar,
making those trips.
762
00:31:10,870 --> 00:31:13,200
Except my family never
moved there with me.
Mine, neither.
763
00:31:13,240 --> 00:31:14,370
They were like,
"Hey, good luck out there."
764
00:31:14,410 --> 00:31:15,580
Yeah.
[ Laughter ]
765
00:31:15,620 --> 00:31:17,000
"Call when you can."
766
00:31:17,040 --> 00:31:19,080
My parents mean the world
to me.
767
00:31:19,120 --> 00:31:23,130
We are just so glad that
you are following your dreams.
768
00:31:23,170 --> 00:31:25,010
I'm sorry I'm crying.
[ Laughs]
769
00:31:25,050 --> 00:31:26,340
Everything they've
sacrificed for me,
770
00:31:26,380 --> 00:31:28,090
I just want to make sure
it's all worth it.
771
00:31:28,130 --> 00:31:29,970
So, I put my all into it
every time.
772
00:31:30,010 --> 00:31:33,260
* Here you come again *
773
00:31:33,300 --> 00:31:35,770
Blake: I love Grace's
song choice 'cause it shows
774
00:31:35,810 --> 00:31:38,600
her tip of the hat to some of
the old-school country.
775
00:31:38,640 --> 00:31:40,940
This gives Grace
a chance to be playful
776
00:31:40,980 --> 00:31:42,110
and have fun on the stage --
777
00:31:42,150 --> 00:31:45,650
* And here I goooo *
778
00:31:45,690 --> 00:31:46,900
Oh, I love that.
779
00:31:46,940 --> 00:31:47,940
...and show a side
of what she does
780
00:31:47,990 --> 00:31:49,320
that we haven't seen yet.
781
00:31:49,360 --> 00:31:51,160
I could listen
to that all day.
Reba: Uh-huh!
782
00:31:51,200 --> 00:31:53,370
The country version of a run
that you do
783
00:31:53,410 --> 00:31:56,620
at the end of the phrases,
it's just so pure.
Little trills.
784
00:31:56,660 --> 00:31:58,790
The only thing I would say
is there was one moment where
785
00:31:58,830 --> 00:32:01,330
you sang the word
* Filling up my senses *
786
00:32:01,370 --> 00:32:03,380
and that fell just
a little bit flat.
787
00:32:03,420 --> 00:32:05,460
Okay.
I just felt like you just
probably needed some more air
788
00:32:05,500 --> 00:32:07,340
to get up there.
One other thing.
789
00:32:07,380 --> 00:32:09,220
Just play with the camera
every once in a while.
790
00:32:09,260 --> 00:32:11,840
On a cute little moment,
just kind of look over and go...
791
00:32:11,890 --> 00:32:13,470
A good friend of mine
told me,
792
00:32:13,510 --> 00:32:17,220
"When you are singing and you
smile, that comes through."
793
00:32:17,270 --> 00:32:19,180
It's like you're telling
a story and you know,
794
00:32:19,230 --> 00:32:21,310
"Here you come again.
Oh, my God."
Yeah.
795
00:32:21,350 --> 00:32:23,360
That was Barry Manilow
who told me that.
Oh, really?
796
00:32:23,400 --> 00:32:24,980
I'm just gonna drop
that name right there.
797
00:32:25,020 --> 00:32:26,400
Yeah, and it works.
798
00:32:26,440 --> 00:32:28,110
* You look into my eyes *
799
00:32:28,150 --> 00:32:30,360
I picked this song
because it's different
800
00:32:30,400 --> 00:32:32,200
than the two songs
that I've sang previously.
801
00:32:32,240 --> 00:32:34,570
I'm just gonna showcase
more of a range.
802
00:32:34,620 --> 00:32:36,410
I'm not playing my guitar
for this one,
803
00:32:36,450 --> 00:32:38,700
so I'm not gonna have
a little safety net here.
804
00:32:38,750 --> 00:32:41,000
To make sure I win,
we're gonna be cheesing.
805
00:32:41,040 --> 00:32:42,250
We're gonna be moving around.
806
00:32:42,290 --> 00:32:43,830
It's gonna be good.
[ Laughs ]
807
00:32:43,880 --> 00:32:45,790
* And here I goooo *
808
00:32:45,840 --> 00:32:48,300
She was very timid
on the first round.
809
00:32:48,340 --> 00:32:50,010
And the second time
she sang it,
810
00:32:50,050 --> 00:32:52,010
she just let everything go
811
00:32:52,050 --> 00:32:53,300
and just sang
her little heart out.
812
00:32:53,340 --> 00:32:55,010
Did you ever cover
any Dolly songs?
813
00:32:55,050 --> 00:32:56,390
Yeah.
"Hard Candy Christmas."
814
00:32:56,430 --> 00:32:57,970
Oh, yeah.
She's a great gal.
815
00:32:58,010 --> 00:32:59,390
She'll love you
singing her song.
816
00:32:59,430 --> 00:33:00,770
[ Laughs ]
Thank you.
817
00:33:00,810 --> 00:33:02,060
Sounds so good, buddy.
818
00:33:02,100 --> 00:33:03,520
Smile, like Reba said.
819
00:33:03,560 --> 00:33:05,310
If you don't do what Reba says,
trust me, I know...
820
00:33:05,360 --> 00:33:06,980
Oh, believe me.
...stuff happens.
821
00:33:07,020 --> 00:33:08,070
[ Laughs ]
822
00:33:08,110 --> 00:33:09,320
Neil:
Being paired with Grace,
823
00:33:09,360 --> 00:33:11,190
it's gonna keep me
on my toes.
824
00:33:11,240 --> 00:33:12,570
Now I know who I'm up against.
825
00:33:12,610 --> 00:33:14,320
I've gone through so much
to get to this point,
826
00:33:14,360 --> 00:33:16,370
I just want to make it
to the playoffs.
827
00:33:16,410 --> 00:33:18,120
Reba: So where
are you from?
I'm from St. Louis.
828
00:33:18,160 --> 00:33:21,410
St. Louis.
And I'm singing a song
by a St. Louis singer.
829
00:33:21,450 --> 00:33:23,210
"Takin' It to the Streets"
by The Doobie Brothers.
830
00:33:23,250 --> 00:33:24,830
Oh, I love that song.
831
00:33:24,870 --> 00:33:27,630
* You don't know me,
but I'm your brother *
832
00:33:27,670 --> 00:33:30,170
Neil: This song, it's almost
like a gospel song
833
00:33:30,210 --> 00:33:31,760
disguised as a rock song.
834
00:33:31,800 --> 00:33:33,010
* You will find... *
835
00:33:33,050 --> 00:33:34,130
If the St. Louis sound
is anything,
836
00:33:34,180 --> 00:33:35,720
it's those two things.
837
00:33:35,760 --> 00:33:39,350
And that is who I am and who
I want to be as a performer.
838
00:33:39,390 --> 00:33:42,060
I've been working
as a musician in St. Louis
839
00:33:42,100 --> 00:33:43,520
for the last decade.
840
00:33:43,560 --> 00:33:45,560
There's an amazing
history of music
841
00:33:45,600 --> 00:33:48,020
from Chuck Berry
to Michael McDonald,
842
00:33:48,060 --> 00:33:52,320
but I am super grateful
to sing on the "Voice" stage.
843
00:33:52,360 --> 00:33:54,240
* Takin' it
to the streets *
844
00:33:54,280 --> 00:33:57,570
Being here and all
the performances so far
845
00:33:57,620 --> 00:34:00,660
have pushed me
to be a better performer.
846
00:34:00,700 --> 00:34:03,910
Blake: Neil looks like he's
having his own private party
847
00:34:03,960 --> 00:34:05,000
when he's performing.
848
00:34:05,040 --> 00:34:06,290
It's fun to see.
849
00:34:06,330 --> 00:34:07,670
This is a perfect song,
850
00:34:07,710 --> 00:34:09,250
especially coming out
of the battles.
851
00:34:09,290 --> 00:34:11,420
He did so well with
"Heard It Through the Grapevine"
852
00:34:11,460 --> 00:34:13,380
that this seems like
the perfect next step for him.
853
00:34:13,420 --> 00:34:15,010
I couldn't look at you.
I was too nervous, but...
854
00:34:15,050 --> 00:34:17,090
[ Laughing ] Oh!
That sounded great.
855
00:34:17,140 --> 00:34:18,930
Do you have background vocals
on this?
856
00:34:18,970 --> 00:34:21,430
Yeah, they'll be there.
We will in the next pass.
We can play him out.
857
00:34:21,470 --> 00:34:24,390
I think it'll help
because I feel like
on that second chorus,
858
00:34:24,430 --> 00:34:27,060
that's such a signature part
of that record,
859
00:34:27,100 --> 00:34:28,520
I'm kind of
on the edge of my seat.
860
00:34:28,560 --> 00:34:30,270
Like, what's he gonna do?
You know what I mean?
861
00:34:30,320 --> 00:34:32,280
And I think knowing what
the content of this song is,
862
00:34:32,320 --> 00:34:34,610
it's about this is
the kind of lifestyle you live.
863
00:34:34,650 --> 00:34:37,530
I'm down here literally
in the streets...
Yeah.
864
00:34:37,570 --> 00:34:39,410
...and so maybe
it's not so playful.
865
00:34:39,450 --> 00:34:41,990
"I was raised here
in this living hell."
Yeah.
866
00:34:42,040 --> 00:34:45,460
That's kind of
a somber message there.
Right, right. Yeah.
867
00:34:45,500 --> 00:34:46,920
I don't think
it has to be such a downer.
868
00:34:46,960 --> 00:34:49,380
No, I --
But it can be
more, maybe, serious.
869
00:34:49,420 --> 00:34:51,130
Now, I think the second one,
where it says,
870
00:34:51,170 --> 00:34:54,300
"Take this message to my
brother," that's a hopefulness.
871
00:34:54,340 --> 00:34:55,510
Alright.
Let's try it again.
872
00:34:55,550 --> 00:34:57,130
So, we do have
some singers?
Man: Yeah.
873
00:34:57,180 --> 00:34:59,220
Me and Reba were gonna jump in,
but that's cool.
[ Whistles ]
874
00:34:59,260 --> 00:35:01,140
We'll get you a couple mics
right now, if you want.
There you go.
875
00:35:01,180 --> 00:35:03,970
You're gonna owe her a lot more
money if she sings, also.
876
00:35:04,020 --> 00:35:05,480
[ Laughter ]
877
00:35:05,520 --> 00:35:07,270
* I ain't blind
and I don't like... *
878
00:35:07,310 --> 00:35:08,810
Grace:
Neil is incredible.
879
00:35:08,850 --> 00:35:12,610
He brings every cell of his
being to everything he sings.
880
00:35:12,650 --> 00:35:14,480
So I'm like,
"Oh, I have to sing --
881
00:35:14,530 --> 00:35:16,860
Wait a minute. [ Chuckles ]
What are the rules again?"
882
00:35:16,900 --> 00:35:18,150
Uh-oh.
883
00:35:18,200 --> 00:35:19,450
I can't imagine
that I'm gonna have
884
00:35:19,490 --> 00:35:21,570
a tougher decision
than this one.
885
00:35:21,620 --> 00:35:23,830
I feel for ya.
I know,
but you already won.
886
00:35:23,870 --> 00:35:25,410
You got to meet Reba.
I know.
I was just saying that.
887
00:35:25,450 --> 00:35:27,080
[ Laughs ]
I got to meet y'all.
888
00:35:27,120 --> 00:35:28,830
Blake: Neil and Grace -- that's
gonna be a tough one for me.
889
00:35:28,870 --> 00:35:31,080
I just got to pick who's gonna
embody the song the best.
890
00:35:31,130 --> 00:35:32,500
Reba: They're great.
891
00:35:32,540 --> 00:35:33,920
I wouldn't know which one
to pick right now
892
00:35:33,960 --> 00:35:36,510
'cause they're kind of similar,
but different.
893
00:35:36,550 --> 00:35:37,300
Yeah.
894
00:35:37,340 --> 00:35:38,760
[ Cheers and applause ]
895
00:35:38,800 --> 00:35:42,640
With "Here You Come Again,"
this is Grace West.
896
00:35:44,890 --> 00:35:49,690
**
897
00:35:49,730 --> 00:35:52,730
* Here you come again *
898
00:35:53,730 --> 00:35:58,070
* Just when I'd begun
to get myself together *
899
00:35:58,110 --> 00:36:00,450
* You waltz right in the door *
900
00:36:00,490 --> 00:36:02,620
* Just like you've done before *
901
00:36:02,660 --> 00:36:08,120
* And wrapped my heart
'round your little finger *
902
00:36:08,160 --> 00:36:11,080
* Here you come again *
903
00:36:12,000 --> 00:36:16,500
* Just when I'm about
to make it work without you *
904
00:36:16,550 --> 00:36:18,720
* You look into my eyes *
905
00:36:18,760 --> 00:36:20,880
* And lie those pretty lies *
906
00:36:20,930 --> 00:36:25,720
* And pretty soon, I'm wondering
how I came to doubt you *
907
00:36:25,760 --> 00:36:30,270
* All you've got to do
is smile that smile *
908
00:36:30,310 --> 00:36:34,440
* And there go all my defenses *
909
00:36:34,480 --> 00:36:39,070
* Just leave it up to you
and in a little while *
910
00:36:39,110 --> 00:36:44,740
* You're messing up my mind
and filling up my senses *
911
00:36:44,780 --> 00:36:48,500
* Here you come again *
912
00:36:48,540 --> 00:36:52,870
* Looking better
than a body has a right to *
913
00:36:52,920 --> 00:36:57,590
* And shaking me up so
that all I really know *
914
00:36:57,630 --> 00:37:01,170
* Is here you come again *
915
00:37:01,220 --> 00:37:05,100
* And here I goooo *
916
00:37:05,140 --> 00:37:07,600
[ Cheers and applause ]
917
00:37:07,640 --> 00:37:10,310
* Here you come again *
918
00:37:11,230 --> 00:37:15,770
* Looking better
than a body has a right to *
919
00:37:15,810 --> 00:37:20,490
* And shaking me up so
that all I really know *
920
00:37:20,530 --> 00:37:23,740
* Is here you come again *
921
00:37:23,780 --> 00:37:28,740
* And here I goooooooo *
922
00:37:28,790 --> 00:37:33,460
* Here I gooooooooooo,
whoa, oh *
923
00:37:33,500 --> 00:37:39,130
* Here I goooo, whoa, oh *
924
00:37:39,170 --> 00:37:42,010
[ Cheers and applause ]
925
00:37:45,300 --> 00:37:46,850
She's so good.
Yeah.
926
00:37:46,890 --> 00:37:48,970
Oh, my God. I feel like
I've heard that voice.
927
00:37:50,850 --> 00:37:52,390
Come on, Neil.
928
00:37:59,190 --> 00:38:00,400
* This is "The Voice" *
929
00:38:00,440 --> 00:38:01,530
Daly: Welcome back
to the final night
930
00:38:01,570 --> 00:38:02,780
of the knockouts.
931
00:38:02,820 --> 00:38:04,860
[ Cheers and applause ]
932
00:38:04,900 --> 00:38:07,030
Now singing
"Takin' It to the Streets,"
933
00:38:07,070 --> 00:38:09,450
here is Neil Salsich.
934
00:38:09,490 --> 00:38:12,910
[ Cheers and applause ]
935
00:38:12,950 --> 00:38:20,050
**
936
00:38:20,090 --> 00:38:26,550
* You don't know me,
but I'm your brother *
937
00:38:26,590 --> 00:38:32,890
* I was raised here
in this living hell *
938
00:38:32,930 --> 00:38:39,060
* You don't know my kind
in your world *
939
00:38:39,110 --> 00:38:45,070
* Fairly soon,
the time will tell *
940
00:38:45,110 --> 00:38:47,990
* You *
941
00:38:48,030 --> 00:38:52,450
* Telling me the things
you're gonna do for me *
942
00:38:54,410 --> 00:38:57,750
* I ain't blind and I don't like
what I think I see *
943
00:38:57,790 --> 00:38:59,500
* Takin' it to the streets *
944
00:38:59,540 --> 00:39:01,000
* Takin' it to the streets *
945
00:39:01,040 --> 00:39:02,750
* Takin' it to the streets *
946
00:39:02,800 --> 00:39:04,010
* No more need for running *
947
00:39:04,050 --> 00:39:06,050
* Takin' it to the streets *
948
00:39:06,090 --> 00:39:07,550
* Yeah, na-a *
949
00:39:07,590 --> 00:39:09,010
* Takin' it to the *
950
00:39:09,050 --> 00:39:11,220
**
951
00:39:11,260 --> 00:39:17,730
* Take this message
to my brother *
952
00:39:17,770 --> 00:39:22,190
* You will find him everywhere *
953
00:39:22,230 --> 00:39:23,980
There ya go.
There ya go!
954
00:39:24,030 --> 00:39:30,530
* Wherever people
live together *
[ Laughs ]
955
00:39:30,570 --> 00:39:34,660
* Tied in poverty's despair *
956
00:39:35,620 --> 00:39:37,540
* Oh, you *
957
00:39:37,580 --> 00:39:39,210
Ay!
958
00:39:39,250 --> 00:39:45,340
* Telling me the things
you're gonna do for me, yeah *
959
00:39:45,380 --> 00:39:48,930
* I ain't blind and I don't like
what I think I see *
960
00:39:48,970 --> 00:39:50,640
* Takin' it to the streets *
961
00:39:50,680 --> 00:39:52,390
* Takin' it to the streets *
962
00:39:52,430 --> 00:39:53,930
* Takin' it to the streets *
963
00:39:53,970 --> 00:39:55,470
* No more need for running *
964
00:39:55,520 --> 00:39:57,310
* Takin' it to the streets *
965
00:39:57,350 --> 00:39:58,640
* Yeaah, now *
966
00:39:58,690 --> 00:40:00,560
* Takin' it to the streets *
967
00:40:00,600 --> 00:40:01,810
* Takin' it, takin' it *
968
00:40:01,860 --> 00:40:03,980
* Takin' it to the streets *
969
00:40:04,020 --> 00:40:04,940
[ Vocalizing ]
970
00:40:04,980 --> 00:40:06,440
* Takin' it to the streets *
971
00:40:06,480 --> 00:40:08,490
* Takin' it to the streets *
972
00:40:08,530 --> 00:40:10,410
* Takin' it to the streets *
973
00:40:10,450 --> 00:40:12,820
* Oooooh *
974
00:40:12,870 --> 00:40:14,240
Huh!
975
00:40:14,280 --> 00:40:16,200
[ Laughs ]
Hey!
976
00:40:16,240 --> 00:40:17,660
I love him!
977
00:40:17,700 --> 00:40:20,370
[ Cheers and applause ]
978
00:40:20,420 --> 00:40:22,670
Whoo!
Oh, that was so good.
979
00:40:22,710 --> 00:40:24,170
Oh, yeah!
980
00:40:24,210 --> 00:40:26,380
* Takin' it
to the streets *
981
00:40:26,420 --> 00:40:28,050
[ Laughs ]
Niall: Wow. Grace, Neil.
982
00:40:28,090 --> 00:40:30,010
Both of you
absolutely smashed it.
983
00:40:30,050 --> 00:40:31,840
For Neil, the arrangement
that you made
984
00:40:31,890 --> 00:40:33,470
and t-the changes you made
towards the end especially,
985
00:40:33,510 --> 00:40:35,640
you really, really
took it to a different level.
986
00:40:35,680 --> 00:40:37,600
And it's just
such a solid voice.
Thank you.
Thank you, Niall.
987
00:40:37,640 --> 00:40:39,770
The minute I heard you sing,
I was like, yeah, Neil's back.
988
00:40:39,810 --> 00:40:41,310
So that's a cool thing
to have.
989
00:40:41,350 --> 00:40:43,520
And, Grace,
unbelievable performance.
Thank you.
990
00:40:43,560 --> 00:40:44,980
You've always been
one of my favorites,
991
00:40:45,020 --> 00:40:47,360
and I'm really excited
to hear you
992
00:40:47,400 --> 00:40:48,900
after this show,
actually.
993
00:40:48,940 --> 00:40:50,360
In my eyes,
you'd be one for the future,
994
00:40:50,400 --> 00:40:53,820
and that's why I would
just lean towards Grace.
995
00:40:53,870 --> 00:40:55,660
[ Cheers and applause ]
Thank you.
996
00:40:55,700 --> 00:40:57,870
Awesome performances
on both sides.
997
00:40:57,910 --> 00:40:59,870
Grace, your tone
is just super cool to me
998
00:40:59,910 --> 00:41:01,330
and has that
Southern feel to it,
999
00:41:01,370 --> 00:41:04,080
and the pitch is always there,
which is dope.
1000
00:41:04,130 --> 00:41:05,590
And then for Neil,
1001
00:41:05,630 --> 00:41:08,090
what I love
is your stage presence, man.
1002
00:41:08,130 --> 00:41:10,510
It's really
just so exciting.
1003
00:41:10,550 --> 00:41:14,050
And when you just
do this thing that you do...
[ Laughter ]
1004
00:41:14,090 --> 00:41:16,220
And you were like, "I want
all of y'all to pick me."
1005
00:41:16,260 --> 00:41:18,390
And I was like,
"This is convincing me."
1006
00:41:18,430 --> 00:41:20,270
I would go with Neil
for sure.
1007
00:41:20,310 --> 00:41:21,810
[ Cheers and applause ]
1008
00:41:21,850 --> 00:41:23,900
We were having a good old time
during your performance, Neil.
1009
00:41:23,940 --> 00:41:25,440
[ Laughs ]
I love that song.
1010
00:41:25,480 --> 00:41:28,690
I love that you are
the kind of versatile singer
1011
00:41:28,730 --> 00:41:30,900
that picks different
genres of music,
1012
00:41:30,940 --> 00:41:32,490
and you have this energy
about you.
1013
00:41:32,530 --> 00:41:36,870
When you sing, it's captivating,
and your voice is crazy.
1014
00:41:36,910 --> 00:41:40,200
That control is the reason
why this show exists.
1015
00:41:40,250 --> 00:41:42,910
Thank you.
And, Grace,
you are a star.
1016
00:41:42,960 --> 00:41:45,880
You have that kind of quality
about your -- your tone.
1017
00:41:45,920 --> 00:41:48,290
I don't know that this
was the best song
1018
00:41:48,340 --> 00:41:50,090
to showcase in this moment.
1019
00:41:50,130 --> 00:41:52,130
I think, Neil, like,
with song selection,
1020
00:41:52,170 --> 00:41:53,880
I feel like you nailed it
this time.
1021
00:41:53,930 --> 00:41:55,340
I would go with Neil.
1022
00:41:55,390 --> 00:41:57,220
Daly: Thank you, Coaches.
1023
00:41:57,260 --> 00:41:59,430
Alright, cowboy, this is
a tough one for you, I know.
Yeah.
1024
00:41:59,470 --> 00:42:02,270
We're down to the best
of the best now, you know,
1025
00:42:02,310 --> 00:42:05,810
and this is the last time
I'm going to have to do this.
1026
00:42:05,850 --> 00:42:06,940
The knockouts
is one of the reasons
1027
00:42:06,980 --> 00:42:08,310
I'm quitting,
by the way.
1028
00:42:08,360 --> 00:42:11,820
That's how much I hate
the dadgum knockouts.
1029
00:42:11,860 --> 00:42:14,280
'Cause you guys
both deserve to be here.
1030
00:42:14,320 --> 00:42:16,950
And hopefully you both
will be here.
1031
00:42:16,990 --> 00:42:20,450
Buddy, tough choice, I know.
Who won this knockout?
1032
00:42:20,490 --> 00:42:22,250
Um...
1033
00:42:22,290 --> 00:42:24,330
I'm gonna go out
how I want to here.
1034
00:42:26,000 --> 00:42:28,540
And, uh, the winner
of this knockout is Grace.
1035
00:42:28,590 --> 00:42:31,130
[ Cheers and applause ]
Grace, congratulations.
1036
00:42:31,170 --> 00:42:33,720
You're moving on to the playoffs
on Team Blake.
1037
00:42:33,760 --> 00:42:35,220
You killed it. Mm.
1038
00:42:35,260 --> 00:42:36,970
Blake: Grace and Neil
was a tough decision for me.
1039
00:42:37,010 --> 00:42:38,470
I just ended up going with Grace
1040
00:42:38,510 --> 00:42:41,640
because she just has
this old-school, country voice.
1041
00:42:41,680 --> 00:42:43,020
All the potential that she has
1042
00:42:43,060 --> 00:42:44,810
is still out there
in front of her,
1043
00:42:44,850 --> 00:42:46,600
and I think she's gonna be
a star in country music.
1044
00:42:46,640 --> 00:42:49,020
Daly: Coaches, let me remind you
that Neil is available to steal.
1045
00:42:49,060 --> 00:42:52,110
Neil, anything you want
to say to your coach?
1046
00:42:52,150 --> 00:42:54,820
It's just been a freaking blast,
so thank you.
1047
00:42:54,860 --> 00:42:56,990
How about a big thank you
to Neil Salsich,
1048
00:42:57,030 --> 00:42:57,990
ladies and gentlemen?
1049
00:42:58,030 --> 00:42:59,990
Thank you, Neil.
Thank you.
1050
00:43:00,030 --> 00:43:01,160
[ Cheers and applause ]
1051
00:43:01,200 --> 00:43:03,700
Thank you all.
Appreciate you.
1052
00:43:04,290 --> 00:43:05,870
Do it.
1053
00:43:06,870 --> 00:43:09,500
Daly: We got a steal!
I knew it!
1054
00:43:09,540 --> 00:43:11,130
At the last second!
1055
00:43:11,170 --> 00:43:15,840
Kelly Clarkson wants to steal
Neil Salsich.
Whoo!
1056
00:43:15,880 --> 00:43:17,300
Kelly: I'm just excited
to work with Neil.
1057
00:43:17,340 --> 00:43:18,550
He can sing anything.
1058
00:43:18,590 --> 00:43:20,100
I want you to sing
some Billy Joel.
1059
00:43:20,140 --> 00:43:22,970
He's done just such
different songs each round.
1060
00:43:23,010 --> 00:43:24,680
I think he's sneakily
one of the best singers
1061
00:43:24,720 --> 00:43:26,850
in the competition.
Chance:
That was awesome.
1062
00:43:26,890 --> 00:43:28,270
I love him.
That was fire.
1063
00:43:28,310 --> 00:43:30,270
That was so good.
He makes me so happy.
1064
00:43:30,310 --> 00:43:32,070
Chance: I was really glad
that Kelly stole him.
1065
00:43:32,110 --> 00:43:34,480
He's so funny.
And he does his head...
1066
00:43:34,530 --> 00:43:35,490
and he points.
1067
00:43:35,530 --> 00:43:36,860
He's so cute.
1068
00:43:36,900 --> 00:43:38,910
He said,
"You, you, you."
1069
00:43:38,950 --> 00:43:40,570
[ Laughter ]
1070
00:43:40,620 --> 00:43:42,120
I love him.
1071
00:43:48,580 --> 00:43:49,750
* This is "The Voice" *
1072
00:43:49,790 --> 00:43:50,920
Daly: Welcome back
to the knockouts
1073
00:43:50,960 --> 00:43:52,540
at Universal Studios Hollywood.
1074
00:43:52,590 --> 00:43:54,920
Mary Kate: Team Blake, we're
going to the playoffs. Whoo!
1075
00:43:54,960 --> 00:43:57,550
What are we talking about?
Are we doing an interview?
[ Laughs ]
1076
00:43:57,590 --> 00:43:58,930
Hi.
How you doing,
little buddy?
1077
00:43:58,970 --> 00:44:00,090
What do you think about --
1078
00:44:00,140 --> 00:44:01,470
What's it like
watching this stuff?
1079
00:44:01,510 --> 00:44:03,220
Honestly, I thought that
I was gonna, like,
1080
00:44:03,260 --> 00:44:04,640
be, like,
so, like, chill.
1081
00:44:04,680 --> 00:44:06,890
I'm stressed, like,
I don't know how you guys
1082
00:44:06,930 --> 00:44:08,020
do this the whole time.
1083
00:44:08,060 --> 00:44:09,270
It's been fun, though.
Cool.
1084
00:44:09,310 --> 00:44:10,940
I like watching you.
You're funny.
1085
00:44:10,980 --> 00:44:12,730
Cool. You all look like
you're on a telethon up there.
1086
00:44:12,770 --> 00:44:14,320
It's weird. Cool.
1087
00:44:14,360 --> 00:44:15,980
Thanks, Blake.
I'll see you
at the playoffs.
1088
00:44:16,030 --> 00:44:18,070
See you, big buddy.
Alright, buddy.
1089
00:44:18,110 --> 00:44:20,700
He's my favorite.
[ Laughs ]
1090
00:44:20,740 --> 00:44:22,870
Reba: Have you ever been
to Oklahoma?
Niall:
Touring wise, yeah, yeah.
1091
00:44:22,910 --> 00:44:24,450
Played some
of those sheds.
1092
00:44:24,490 --> 00:44:25,700
Niall's very bashful.
1093
00:44:25,740 --> 00:44:27,200
Not a state that I've spent
a lot of time in.
1094
00:44:27,250 --> 00:44:28,790
You're always on the move.
Yeah.
1095
00:44:28,830 --> 00:44:32,420
We see the airport, the hotel,
and the venue. That's it.
1096
00:44:32,460 --> 00:44:36,090
I'm working with him
to try to come out of his shell.
1097
00:44:36,130 --> 00:44:38,630
No, I'm kidding.
He is a sweetheart.
1098
00:44:38,670 --> 00:44:40,380
We clicked immediately.
1099
00:44:40,430 --> 00:44:42,930
Alright, Reba,
we got Jerome and Ross.
1100
00:44:42,970 --> 00:44:45,470
Alright, man. You feeling good?
Ready to go?
All good.
Ready to go.
1101
00:44:45,510 --> 00:44:47,930
Jerome, he's a real gospel
soul singer.
1102
00:44:47,970 --> 00:44:49,270
Love that.
1103
00:44:49,310 --> 00:44:50,980
And Ross, he's really good
at this kind of, like,
1104
00:44:51,020 --> 00:44:53,400
soft rock,
country twang.
1105
00:44:53,440 --> 00:44:55,940
Both of them are amazing.
These pairings are horrible.
1106
00:44:55,980 --> 00:44:57,730
'Cause then again,
I have to pick someone.
1107
00:44:57,780 --> 00:44:58,990
It's very hard.
I feel for ya.
1108
00:44:59,030 --> 00:45:00,400
But that's why
you're here.
1109
00:45:00,450 --> 00:45:01,860
And that's why
I need your help.
Oh.
1110
00:45:01,910 --> 00:45:03,990
I was afraid of that.
[ Both laugh ]
1111
00:45:04,030 --> 00:45:05,830
Bring 'em out.
Here we go.
1112
00:45:05,870 --> 00:45:07,660
Oh, my God.
[ Laughs ]
1113
00:45:07,700 --> 00:45:09,750
Look at Ross.
He nearly died.
1114
00:45:09,790 --> 00:45:12,540
Ross: Getting to see Reba,
I kind of couldn't handle it.
1115
00:45:12,580 --> 00:45:15,000
One of my mom's heroes.
One of my heroes.
1116
00:45:15,040 --> 00:45:18,510
It was Reba McEntire.
[ Chuckles ]
1117
00:45:18,550 --> 00:45:20,380
Mom: No!
Yeah.
1118
00:45:20,420 --> 00:45:22,010
It was...
Oh, my God.
[ Laughs]
1119
00:45:22,050 --> 00:45:23,470
...insane.
How are you?
1120
00:45:23,510 --> 00:45:25,180
Sorry, I'm probably
shaking a lot.
Aww.
1121
00:45:25,220 --> 00:45:26,850
This is Ross.
Out of control. Hi.
1122
00:45:26,890 --> 00:45:28,850
It's wonderful
to meet you.
Nice to meet you, Ross.
1123
00:45:28,890 --> 00:45:30,810
I was visibly shaking.
1124
00:45:30,850 --> 00:45:33,020
Did she think
you're a dork?[ Laughs]
1125
00:45:33,060 --> 00:45:34,230
Probably.
1126
00:45:34,270 --> 00:45:35,190
Let's do it!
1127
00:45:35,230 --> 00:45:37,020
I decided to choose
1128
00:45:37,070 --> 00:45:39,570
"Someone You Loved"
by Lewis Capaldi.
Oof.
1129
00:45:39,610 --> 00:45:41,570
Everything I've done
so far is up-tempo,
1130
00:45:41,610 --> 00:45:43,610
so I just want
to give something different.
1131
00:45:43,660 --> 00:45:47,080
* Sometimes I fall
into your arms *
1132
00:45:47,120 --> 00:45:49,240
Niall: Lewis Capaldi
is a good friend of mine.
1133
00:45:49,290 --> 00:45:50,790
He'd be delighted that his
song's on this, actually.
1134
00:45:50,830 --> 00:45:53,920
We've seen a lot of big moments
from Jerome so far.
1135
00:45:53,960 --> 00:45:56,630
So it's nice that
he's taking a step back
1136
00:45:56,670 --> 00:45:59,250
and singing one of the
biggest ballads of
the last 20 years also.
1137
00:45:59,300 --> 00:46:02,090
* And you're not here
to get me through it all *
1138
00:46:02,130 --> 00:46:04,760
When I first heard Jerome,
I was fascinated
1139
00:46:04,800 --> 00:46:06,720
by the roundness of his voice.
1140
00:46:06,760 --> 00:46:09,060
If you say,
"How are you supposed to sing
1141
00:46:09,100 --> 00:46:11,060
and hold your mouth open?"
Jerome.
1142
00:46:11,100 --> 00:46:12,350
* Yeah *
1143
00:46:12,390 --> 00:46:14,600
20 years old
and singing like that,
1144
00:46:14,640 --> 00:46:15,940
he's got a great talent.
1145
00:46:15,980 --> 00:46:18,110
Great sound.
Oh, my gosh.
Thank you.
1146
00:46:18,150 --> 00:46:19,650
The only note I would have,
1147
00:46:19,690 --> 00:46:21,860
I want to know
that you did go through that.
1148
00:46:21,900 --> 00:46:23,280
I gotta see that pain.
Right.
1149
00:46:23,320 --> 00:46:25,910
When I let my guard down,
almost whisper
1150
00:46:25,950 --> 00:46:27,780
to help with the dynamics
a little bit.
1151
00:46:27,820 --> 00:46:29,200
That's a tearjerker.
1152
00:46:29,240 --> 00:46:31,240
That hurt my heart
when I heard those lyrics.
1153
00:46:31,290 --> 00:46:33,710
Jerome: I would like to stay
on Team Niall
1154
00:46:33,750 --> 00:46:37,580
because this is the craziest
life experience ever.
1155
00:46:37,630 --> 00:46:40,800
And honestly, it still hasn't
hit me yet. [ Chuckles ]
1156
00:46:40,840 --> 00:46:44,010
Back home, I have struggled
with the choice --
1157
00:46:44,050 --> 00:46:46,720
dentistry or music.
1158
00:46:46,760 --> 00:46:48,550
I do little gigs here and there.
1159
00:46:48,600 --> 00:46:50,350
This is definitely
one of the biggest stages
1160
00:46:50,390 --> 00:46:52,810
I have had
the opportunity to be on.
1161
00:46:52,850 --> 00:46:55,890
Tapping into the vulnerable side
has been a challenge,
1162
00:46:55,940 --> 00:46:58,270
but I've had
a couple of heartbreaks,
1163
00:46:58,310 --> 00:47:00,610
so I have to break down
the lyrics
1164
00:47:00,650 --> 00:47:02,980
and decipher
what they mean to me.
1165
00:47:03,030 --> 00:47:05,570
When you're technically
as good as you are,
1166
00:47:05,610 --> 00:47:07,110
I think there's a lot
of concentration
1167
00:47:07,160 --> 00:47:08,370
that goes on notes.
1168
00:47:08,410 --> 00:47:10,080
The next progression
for the coming days
1169
00:47:10,120 --> 00:47:12,160
is making sure
that the emotion is attached
1170
00:47:12,200 --> 00:47:13,700
to the technical singing.
1171
00:47:13,750 --> 00:47:16,410
This is a song that comes
from the pit of your stomach,
1172
00:47:16,460 --> 00:47:18,290
so I need Jerome
to really sell that story
1173
00:47:18,330 --> 00:47:19,920
to the people at home,
because if he does,
1174
00:47:19,960 --> 00:47:22,710
he's gonna set living rooms
on fire all across America.
1175
00:47:22,750 --> 00:47:25,510
Have you gotten over the fact
that this lady's here yet?
1176
00:47:25,550 --> 00:47:27,510
Are you actually ready to sing?
That's not gonna happen
1177
00:47:27,550 --> 00:47:29,640
for a while.
Thank you for that.
1178
00:47:29,680 --> 00:47:33,310
* I'm a fool
to do your dirty work *
1179
00:47:33,350 --> 00:47:35,230
I'm singing "Dirty Work"
by Steely Dan.
1180
00:47:35,270 --> 00:47:38,690
Cool.
I know this song backwards,
in Portuguese.
1181
00:47:38,730 --> 00:47:41,610
My dad used to play
the album for me on repeat.
1182
00:47:41,650 --> 00:47:42,770
* I don't wanna... *
1183
00:47:42,820 --> 00:47:44,780
Ross: I remember being
in my dad's office
1184
00:47:44,820 --> 00:47:47,900
and he'd have music bumpin'
while he was working.
1185
00:47:47,950 --> 00:47:51,070
My childhood with my dad
was relatively short-lived.
1186
00:47:51,120 --> 00:47:52,490
He passed when I was 12.
1187
00:47:52,530 --> 00:47:56,500
It, um...
It was rough.
1188
00:47:56,540 --> 00:47:59,330
He laid the foundation
for what a father should be.
1189
00:47:59,370 --> 00:48:02,170
He was coaching my baseball team
when he had cancer, too.
1190
00:48:02,210 --> 00:48:05,210
[ Vocalizing ]
1191
00:48:05,260 --> 00:48:07,420
I think about him
every day.
1192
00:48:07,470 --> 00:48:08,930
Yeah.
This song,
1193
00:48:08,970 --> 00:48:11,510
as soon as I hear it,
I'm sitting with him again.
1194
00:48:11,550 --> 00:48:13,430
I'm gonna do my best
to do it justice.
1195
00:48:13,470 --> 00:48:15,430
And I think no matter
what I do out there,
1196
00:48:15,470 --> 00:48:17,430
even if I go up there
and totally blow it,
1197
00:48:17,480 --> 00:48:20,190
[laughs] he'd still be --
he'd still be proud.
1198
00:48:20,230 --> 00:48:22,190
* No more *
1199
00:48:22,230 --> 00:48:24,070
Reba:
Ross, he's a great stylist.
1200
00:48:24,110 --> 00:48:26,690
If you hear Ross on the radio,
1201
00:48:26,740 --> 00:48:28,530
you'll know immediately
that's him.
1202
00:48:28,570 --> 00:48:31,030
If I was a record executive,
that's what I would look for.
1203
00:48:31,070 --> 00:48:34,280
Great job, great job.
And good song selection.
Thanks.
Thank you.
1204
00:48:34,330 --> 00:48:36,200
Everybody wants to sing
along with that.
Yep.
1205
00:48:36,240 --> 00:48:37,540
Great.
Yeah. It's a groove.
1206
00:48:37,580 --> 00:48:41,330
Ross' voice sounds almost
studio-ready, live,
1207
00:48:41,370 --> 00:48:43,710
so I got to make sure
that I perform my best.
1208
00:48:43,750 --> 00:48:45,460
I don't know if you could see,
at the end of that
1209
00:48:45,500 --> 00:48:47,670
I was way out of breath.
Timing is everything.
1210
00:48:47,710 --> 00:48:50,510
My diaphragm all the way up
into my back here
1211
00:48:50,550 --> 00:48:52,430
fills up with air
as much as I can.
1212
00:48:52,470 --> 00:48:54,430
Because if you
don't have air pushing,
1213
00:48:54,470 --> 00:48:56,640
there's nothing that's gonna
come out of those vocal cords.
1214
00:48:56,680 --> 00:48:59,730
Right.
I always think of the note
before I go near it.
1215
00:48:59,770 --> 00:49:01,270
Yeah.
Then I just have to go
and meet it.
1216
00:49:01,310 --> 00:49:02,690
This knockout
is gonna come down
1217
00:49:02,730 --> 00:49:05,480
to whoever sells
their individual song the best.
1218
00:49:05,520 --> 00:49:07,480
I'm gonna have to make
a tough decision, obviously,
1219
00:49:07,530 --> 00:49:09,440
but just go out
and nail it.
1220
00:49:09,490 --> 00:49:11,400
It's whoever really connects
with the people
1221
00:49:11,450 --> 00:49:13,660
and connects with me
that is gonna make their way
1222
00:49:13,700 --> 00:49:14,950
through to the playoffs.
1223
00:49:14,990 --> 00:49:16,660
[ Cheers and applause ]
1224
00:49:16,700 --> 00:49:18,040
Yeah, Ross!
1225
00:49:18,080 --> 00:49:19,660
Whoo!
1226
00:49:20,960 --> 00:49:24,130
Now singing "Dirty Work,"
here's Ross Clayton.
1227
00:49:24,170 --> 00:49:26,090
[ Cheers and applause ]
1228
00:49:26,130 --> 00:49:31,840
**
1229
00:49:31,880 --> 00:49:37,430
**
1230
00:49:37,470 --> 00:49:39,270
* Well, times are hard *
1231
00:49:39,310 --> 00:49:42,480
* And you're afraid
to pay the fee *
1232
00:49:42,520 --> 00:49:45,980
* So you find yourself
somebody *
1233
00:49:46,020 --> 00:49:50,740
* Who can do the job for free *
1234
00:49:50,780 --> 00:49:54,160
* When you need
a little lovin' *
1235
00:49:54,200 --> 00:49:57,120
* 'Cause your man
is out of town *
1236
00:49:57,160 --> 00:50:00,580
* Yeah, that's the time
you get me runnin' *
1237
00:50:00,620 --> 00:50:06,290
* And you know I'll be around *
1238
00:50:06,330 --> 00:50:10,170
* I'm a fool
to do your dirty work *
1239
00:50:10,210 --> 00:50:12,880
* Oh, yeah *
1240
00:50:12,920 --> 00:50:16,800
* I don't wanna do
your dirty work *
1241
00:50:16,850 --> 00:50:19,430
* No more *
1242
00:50:19,470 --> 00:50:23,310
* I'm a fool
to do your dirty work *
1243
00:50:23,350 --> 00:50:25,940
* Oh, yeah *
1244
00:50:27,730 --> 00:50:31,110
* Like the castle
in its corner *
1245
00:50:31,150 --> 00:50:34,450
* In a medieval game *
1246
00:50:34,490 --> 00:50:37,660
* I foresee a terrible trouble *
1247
00:50:37,700 --> 00:50:43,460
* And I stay here
just the same *
1248
00:50:43,500 --> 00:50:47,170
* I'm a fool
to do your dirty work *
1249
00:50:47,210 --> 00:50:49,880
* Oh, yeah *
1250
00:50:49,920 --> 00:50:53,840
* I don't wanna do
your dirty work *
1251
00:50:53,880 --> 00:50:56,380
* No more *
1252
00:50:56,430 --> 00:51:00,180
* I'm a fool
to do your dirty work *
1253
00:51:00,220 --> 00:51:02,890
* Oh, yeah *
1254
00:51:02,930 --> 00:51:06,810
* I don't wanna
do your dirty work *
1255
00:51:06,850 --> 00:51:08,310
* No more *
1256
00:51:08,360 --> 00:51:09,690
* No more *
1257
00:51:09,730 --> 00:51:13,440
* I'm a fool
to do your dirty work *
1258
00:51:13,490 --> 00:51:15,030
* Oh, yeah *
Yes, Ross!
1259
00:51:15,070 --> 00:51:19,370
* More *
1260
00:51:19,410 --> 00:51:22,580
[ Cheers and applause ]
1261
00:51:33,090 --> 00:51:34,300
* This is "The Voice" *
1262
00:51:34,340 --> 00:51:36,220
Daly: Welcome back
to the knockouts.
1263
00:51:36,260 --> 00:51:39,840
[ Cheers and applause ]
1264
00:51:39,890 --> 00:51:43,890
With "Someone You Loved,"
here's Jerome Godwin III.
1265
00:51:44,470 --> 00:51:47,440
I don't know any
thirds or seconds.
1266
00:51:47,480 --> 00:51:48,650
I'm a third.
You are?
1267
00:51:48,690 --> 00:51:49,940
Nah.
I'm not even a junior.
1268
00:51:49,980 --> 00:51:51,820
[ Laughs ]
1269
00:51:52,980 --> 00:51:56,950
**
1270
00:51:56,990 --> 00:51:59,820
* I'm going under
and this time I fear *
1271
00:51:59,860 --> 00:52:02,950
* There's no one to save me *
1272
00:52:02,990 --> 00:52:05,790
* Mm-mm *
1273
00:52:05,830 --> 00:52:11,330
* This all or nothing really
got a way of driving me crazy *
1274
00:52:12,500 --> 00:52:15,210
* I need somebody to heal *
1275
00:52:15,260 --> 00:52:17,340
* Somebody to know *
1276
00:52:17,380 --> 00:52:19,470
* Somebody to have *
1277
00:52:19,510 --> 00:52:21,640
* Somebody to hold *
1278
00:52:21,680 --> 00:52:23,760
* It's easy to say *
1279
00:52:23,810 --> 00:52:25,970
* But it's never the same *
1280
00:52:26,020 --> 00:52:30,230
* I guess I kinda liked the way
you numbed all the pain *
1281
00:52:30,270 --> 00:52:32,440
* Now the day bleeds *
1282
00:52:32,480 --> 00:52:34,570
* Into nightfall *
1283
00:52:34,610 --> 00:52:36,480
* And you're not here *
1284
00:52:36,530 --> 00:52:38,650
* To get me through it all *
1285
00:52:38,700 --> 00:52:40,820
* I let my guard down *
1286
00:52:40,860 --> 00:52:43,070
* Then you pulled the rug *
1287
00:52:43,120 --> 00:52:48,000
* I was getting kinda used
to being someone you loved *
1288
00:52:48,910 --> 00:52:55,170
* And I tend to close my eyes
when it hurts sometimes *
1289
00:52:55,210 --> 00:52:59,220
* I fall into your arms *
1290
00:52:59,260 --> 00:53:04,720
* I'll be safe in your sound
till you come back around *
1291
00:53:04,760 --> 00:53:07,350
* Now the day bleeds *
1292
00:53:07,390 --> 00:53:09,680
* Into nightfall *
1293
00:53:09,730 --> 00:53:11,640
* And you're not here *
Wow.
1294
00:53:11,690 --> 00:53:13,770
* To get me through it all *
1295
00:53:13,810 --> 00:53:16,270
* I let my guard down *
1296
00:53:16,320 --> 00:53:18,030
* Then you pulled the rug *
1297
00:53:18,070 --> 00:53:28,040
* I was getting kinda used
to being someone you loooooved *
1298
00:53:28,080 --> 00:53:31,120
* Yeaah *
1299
00:53:31,160 --> 00:53:33,540
* I let my guard down *
1300
00:53:33,580 --> 00:53:35,290
* Then you pulled the rug *
1301
00:53:35,340 --> 00:53:44,550
* I was getting kinda used
to being someone you loved *
1302
00:53:44,590 --> 00:53:48,600
[ Cheers and applause ]
1303
00:53:54,600 --> 00:53:56,560
I think they were both
amazing performances.
1304
00:53:56,610 --> 00:53:58,570
To me, I think Ross
kind of edged it out
1305
00:53:58,610 --> 00:54:00,990
because I could tell
that song means a lot to you.
1306
00:54:01,030 --> 00:54:02,900
And, Jerome, I felt like
you were kind of
1307
00:54:02,950 --> 00:54:05,530
trying to find your place
in the song a little bit more.
1308
00:54:05,570 --> 00:54:07,580
If I had to advise
my homie Niall,
1309
00:54:07,620 --> 00:54:09,580
I'm leaning a little bit
towards Ross.
1310
00:54:09,620 --> 00:54:10,790
[ Applause ]
1311
00:54:10,830 --> 00:54:12,620
Kelly: I loved
both performances.
1312
00:54:12,660 --> 00:54:14,750
Ross, like, you continue
to just blow me away.
1313
00:54:14,790 --> 00:54:16,580
Your vocals
are so effortless.
1314
00:54:16,630 --> 00:54:20,130
It's like a conversation
with people, which is so cool.
1315
00:54:20,170 --> 00:54:21,920
Jerome, it was almost like
you had a wall up.
1316
00:54:21,970 --> 00:54:23,930
Like, sometimes I feel
a song so much
1317
00:54:23,970 --> 00:54:25,800
I have to go dead inside
[laughs]
1318
00:54:25,840 --> 00:54:27,300
'cause I don't
want to ball.
1319
00:54:27,350 --> 00:54:28,930
Dead inside.
Yeah.
1320
00:54:28,970 --> 00:54:31,270
But, like, your vocals
are incredible.
1321
00:54:31,310 --> 00:54:32,730
I love the song
selection.
1322
00:54:32,770 --> 00:54:36,150
I feel like you're
a perfect singer for this show.
1323
00:54:36,190 --> 00:54:37,770
[ Cheers and applause ]
1324
00:54:37,810 --> 00:54:39,400
Blake: The difference for me,
I think, is Jerome,
1325
00:54:39,440 --> 00:54:42,190
it just felt like you were
putting the song together still
1326
00:54:42,240 --> 00:54:45,280
versus Ross came right out
singing this song
1327
00:54:45,320 --> 00:54:47,780
like he's halfway
through a concert already.
1328
00:54:47,820 --> 00:54:49,740
And I love that
Oklahoma twang
1329
00:54:49,780 --> 00:54:51,040
that you naturally have
in there.
1330
00:54:51,080 --> 00:54:53,790
That's great tone,
so I'd lean towards Ross
1331
00:54:53,830 --> 00:54:55,620
if it was me,
little buddy.
Niall: Okay.
1332
00:54:55,670 --> 00:54:57,960
Daly: Thank you, Coaches.
1333
00:54:58,000 --> 00:54:59,460
Alright, Niall,
it all comes down to you.
1334
00:54:59,500 --> 00:55:00,670
Before we find out the winner,
1335
00:55:00,710 --> 00:55:02,210
give us your thoughts
on the knockout.
1336
00:55:02,260 --> 00:55:04,010
These decisions are --
I've said it every single time
1337
00:55:04,050 --> 00:55:05,760
I've had to do it --
it's horrible.
1338
00:55:05,800 --> 00:55:08,010
Jerome, I thought you really
put everything into it.
1339
00:55:08,050 --> 00:55:10,100
It did get a little bit pitchy
in the first verse,
1340
00:55:10,140 --> 00:55:11,970
and that's usually where
you're the most solid,
1341
00:55:12,020 --> 00:55:13,480
is in that lower register.
1342
00:55:13,520 --> 00:55:15,480
And I think it knocked
your confidence a little bit.
1343
00:55:15,520 --> 00:55:17,900
But you're an incredible singer,
there's no doubt about it.
1344
00:55:17,940 --> 00:55:19,560
Thank you.
1345
00:55:19,610 --> 00:55:21,270
Ross, unbelievable.
1346
00:55:21,320 --> 00:55:22,780
You got a four-chair turn
1347
00:55:22,820 --> 00:55:24,900
in the blind audition
for a reason, obviously.
1348
00:55:24,940 --> 00:55:26,820
And you just have that tone
that cuts through.
1349
00:55:26,860 --> 00:55:27,990
Like, as Blake said,
it felt like
1350
00:55:28,030 --> 00:55:29,240
we were in the middle of a gig.
1351
00:55:29,280 --> 00:55:31,240
And I know for a fact
that there's more
1352
00:55:31,280 --> 00:55:32,660
in your back pocket.
1353
00:55:32,700 --> 00:55:34,000
Oh, God, I can't believe
1354
00:55:34,040 --> 00:55:35,830
that I still have to
make these decisions.
1355
00:55:35,870 --> 00:55:37,460
When is American voting
gonna get involved?
1356
00:55:37,500 --> 00:55:39,130
[ Laughter ]
It's a tough one, Niall.
1357
00:55:39,170 --> 00:55:41,340
Who is the winner
of this knockout?
1358
00:55:41,380 --> 00:55:43,210
**
1359
00:55:43,250 --> 00:55:48,050
Uh, I think the winner
of this knockout is...
1360
00:55:48,090 --> 00:55:48,840
Ross.
1361
00:55:48,890 --> 00:55:49,970
Ross, congratulations.
1362
00:55:50,010 --> 00:55:51,850
You're moving on
to the playoffs.
1363
00:55:51,890 --> 00:55:53,810
Ross, I love
how pure his voice is.
1364
00:55:53,850 --> 00:55:55,350
He's got this rocky tone.
1365
00:55:55,390 --> 00:55:57,190
I get the feeling that
Ross could win this thing.
1366
00:55:57,230 --> 00:55:58,850
Jerome Godwin III.
1367
00:55:58,900 --> 00:56:00,480
Sad to see Jerome go.
1368
00:56:00,520 --> 00:56:02,230
He's an unbelievable singer,
1369
00:56:02,270 --> 00:56:06,190
but I just had to make
a tough decision in the moment.
1370
00:56:06,240 --> 00:56:07,780
That Ross guy is good.
1371
00:56:07,820 --> 00:56:09,490
I think Ross
is just bulletproof.
1372
00:56:09,530 --> 00:56:11,740
Daly: Still to come...
* Don't blame it
on the sunshine *
1373
00:56:11,780 --> 00:56:14,290
* Sunshine *
* Don't blame it
on the moonlight *
1374
00:56:14,330 --> 00:56:16,830
* Don't blame it
on the good times *
1375
00:56:16,870 --> 00:56:19,420
* Blame it on the boogie *
1376
00:56:20,080 --> 00:56:21,670
Yes! You did it!
Whoa!
1377
00:56:21,710 --> 00:56:23,250
Daly: We got a steal!
1378
00:56:23,290 --> 00:56:24,880
You're my last steal.
1379
00:56:24,920 --> 00:56:26,550
My last steal ever.
1380
00:56:26,590 --> 00:56:28,630
Ah! I'm so happy!
1381
00:56:35,430 --> 00:56:36,600
* This is "The Voice" *
1382
00:56:36,640 --> 00:56:38,850
Daly:
Welcome back to "The Voice."
1383
00:56:38,890 --> 00:56:40,770
Madi: You were stolen,
and you're now on Team Chance.
1384
00:56:40,810 --> 00:56:42,610
I know.
I'm so happy.
Welcome.
1385
00:56:42,650 --> 00:56:43,690
Thank you!
Welcome
to Team Chance!
1386
00:56:43,730 --> 00:56:44,940
I'm happy to be here.
1387
00:56:44,980 --> 00:56:46,740
Tiana is actually
new to my team.
1388
00:56:46,780 --> 00:56:48,150
Daly: We got a steal!
1389
00:56:48,190 --> 00:56:50,160
I stole her
from Team Niall.
Yeah!
1390
00:56:50,200 --> 00:56:52,910
Sorelle
is actually a trio.
1391
00:56:52,950 --> 00:56:54,910
They're a three-part
super harmonic group.
1392
00:56:54,950 --> 00:56:56,290
Ana: We're more
like modern pop.
1393
00:56:56,330 --> 00:56:58,460
Okay, I'm kind of like
a pop-R&B artist,
1394
00:56:58,500 --> 00:57:00,960
so I think that's why
he'd want to pair us.
1395
00:57:01,000 --> 00:57:02,080
Are they related?
1396
00:57:02,130 --> 00:57:03,460
They are.
They're three sisters.
1397
00:57:03,500 --> 00:57:04,790
Oh, cool.
Isn't that cool?
1398
00:57:04,840 --> 00:57:05,960
Love that.
They're fire, right?
Yeah.
1399
00:57:06,000 --> 00:57:07,300
Nothing
like blood harmony.
1400
00:57:07,340 --> 00:57:08,590
Yeah. Blood harmony.
1401
00:57:08,630 --> 00:57:09,760
Yeah.
We got this.
Let's go.
1402
00:57:09,800 --> 00:57:11,300
Girl power!
1403
00:57:11,340 --> 00:57:12,930
[ Laughs ]
1404
00:57:14,390 --> 00:57:15,350
Hey, guys.
1405
00:57:15,390 --> 00:57:16,350
Hi!
Hi!
Hi!
1406
00:57:16,390 --> 00:57:17,930
Ooh, man.
1407
00:57:17,970 --> 00:57:21,770
You walk in,
and there's Reba McEntire.
1408
00:57:21,810 --> 00:57:23,440
Like what?
Craziness.
Like what?
1409
00:57:23,480 --> 00:57:24,440
How are ya?
1410
00:57:24,480 --> 00:57:26,020
Ana:
She is a legend.
1411
00:57:26,070 --> 00:57:28,940
So to see her
literally made my heart stop.
1412
00:57:28,990 --> 00:57:30,570
How are you guys doing?
1413
00:57:30,610 --> 00:57:31,570
Doing great.
How are you?
1414
00:57:31,610 --> 00:57:32,780
I'm wonderful.
1415
00:57:32,820 --> 00:57:34,120
I'm so glad to have you
on my team.
1416
00:57:34,160 --> 00:57:35,410
Thank you
for stealing me.
1417
00:57:35,450 --> 00:57:37,330
I think that you have
a lot to show, man.
1418
00:57:37,370 --> 00:57:39,000
I'm excited to see what you do
in this competition.
Thank you.
1419
00:57:39,040 --> 00:57:40,830
I'm excited to see what
you think of the song.
1420
00:57:40,870 --> 00:57:42,920
Battles, I did, like,
such a big song.
1421
00:57:42,960 --> 00:57:44,330
I did "Girls Just
Want to Have Fun."
1422
00:57:44,380 --> 00:57:45,880
Uh-huh.
So, I wanted to
strip it down
1423
00:57:45,920 --> 00:57:47,840
and do something
a little slower.
1424
00:57:47,880 --> 00:57:51,380
* You, you're loving
how I move you *
1425
00:57:51,420 --> 00:57:54,220
Tiana:
I'm singing "God is a Woman"
by Ariana Grande.
1426
00:57:54,260 --> 00:57:56,100
I kind of changed
the arrangement to make it
1427
00:57:56,140 --> 00:57:57,890
a little more acoustic,
1428
00:57:57,930 --> 00:58:00,100
slow it down just a little bit.
1429
00:58:00,140 --> 00:58:02,850
"God is a woman" -- that
statement is so powerful to me.
1430
00:58:02,890 --> 00:58:05,480
I grew up in a house
with a single mom.
1431
00:58:05,520 --> 00:58:09,030
She had four kids,
and she did it all on her own.
1432
00:58:09,070 --> 00:58:11,070
* You'll believe
God is a woman *
1433
00:58:11,110 --> 00:58:14,700
She made miracles happen,
and I look up to her so much.
1434
00:58:14,740 --> 00:58:16,530
So,
it's a very personal choice.
1435
00:58:16,570 --> 00:58:19,660
* When you try to come for me,
I keep on flourishing, yeah *
1436
00:58:19,700 --> 00:58:21,710
Chance:
This is my first time really
getting to sit down with Tiana,
1437
00:58:21,750 --> 00:58:23,040
and the first thing
that I'm noticing
1438
00:58:23,080 --> 00:58:26,040
is that she has
a very distinct vocal
1439
00:58:26,080 --> 00:58:29,090
and that it's got
an angelic sense to it.
1440
00:58:29,130 --> 00:58:31,090
* You love it how *
On a technical level,
1441
00:58:31,130 --> 00:58:33,380
her talent is -- is undeniable.
1442
00:58:33,430 --> 00:58:36,260
* When all is said and done,
you'll believe... *
1443
00:58:36,300 --> 00:58:37,720
Madi: When we were watching
Tiana perform,
1444
00:58:37,760 --> 00:58:39,220
I think we were all
in amazement.
1445
00:58:39,260 --> 00:58:40,890
Our jaws were dropped.
Yeah.
1446
00:58:40,930 --> 00:58:42,560
Ana: But this is
a competition,
1447
00:58:42,600 --> 00:58:44,060
so we are here to fight,
1448
00:58:44,100 --> 00:58:47,310
and we are here to earn our spot
into the playoffs.
1449
00:58:47,360 --> 00:58:48,820
[ Music ends ]
[ Applause ]
1450
00:58:48,860 --> 00:58:50,690
Beautiful.
Thank you.
1451
00:58:50,730 --> 00:58:51,940
Beautiful.
1452
00:58:51,990 --> 00:58:53,400
You're obviously
a very talented singer.
1453
00:58:53,450 --> 00:58:55,450
Thank you.
I feel like,
with this song,
1454
00:58:55,490 --> 00:58:57,820
I just want you to show
what the song means to you.
1455
00:58:57,870 --> 00:59:00,240
Okay.
Feeling is a lot of
what music is...
1456
00:59:00,290 --> 00:59:02,250
Definitely.
...and so just -- just maybe
reading the lyrics
1457
00:59:02,290 --> 00:59:03,750
and, like, making it
mean to you
1458
00:59:03,790 --> 00:59:05,080
what it means
in this moment.
1459
00:59:05,120 --> 00:59:07,250
Tell a story.
Like -- Exactly.
1460
00:59:07,290 --> 00:59:09,130
This is my first time
working with Chance,
1461
00:59:09,170 --> 00:59:12,710
and I want him to see
that I'm a valuable asset.
1462
00:59:12,760 --> 00:59:13,760
Great job.
1463
00:59:13,800 --> 00:59:14,760
It's going to be harder
1464
00:59:14,800 --> 00:59:16,050
going up against a trio,
1465
00:59:16,090 --> 00:59:18,390
but Tiana,
she's just incredible.
1466
00:59:18,430 --> 00:59:20,760
It was really good.
I totally love her singing.
1467
00:59:20,810 --> 00:59:22,600
Three sisters singing together.
1468
00:59:22,640 --> 00:59:25,190
I'm a part also
of a singing group.
Yeah.
1469
00:59:25,230 --> 00:59:27,520
My older brother,
my little sister, and I,
1470
00:59:27,560 --> 00:59:29,230
we were the Singing McEntires.
1471
00:59:29,270 --> 00:59:30,770
How'd y'all get
y'all's name?
1472
00:59:30,820 --> 00:59:31,980
So, we're Italian.
Reba: Uh-huh.
1473
00:59:32,030 --> 00:59:33,740
So, Sorelle
is "sisters" in Italian.
1474
00:59:33,780 --> 00:59:35,280
I love that.
Oh!
1475
00:59:35,320 --> 00:59:37,110
You picked "Blame It on
the Boogie" by the Jacksons?
1476
00:59:37,160 --> 00:59:38,660
Oh, yeah.
Yes.
We did.
1477
00:59:38,700 --> 00:59:40,120
Chance:
That's a great choice.
This was -- This was
1478
00:59:40,160 --> 00:59:41,790
one of our favorite songs
growing up,
1479
00:59:41,830 --> 00:59:43,290
so we're super excited.
1480
00:59:43,330 --> 00:59:44,120
I love that.
1481
00:59:44,160 --> 00:59:45,410
I love the plaid theme, too.
1482
00:59:45,460 --> 00:59:46,960
Oh, thank you.
Thank you.
So cute.
1483
00:59:47,000 --> 00:59:48,000
We always like to coordinate
some kind of way.
1484
00:59:48,040 --> 00:59:49,250
I love it.
[ Laughter ]
1485
00:59:49,290 --> 00:59:50,840
* My baby's
always dancin' *
1486
00:59:50,880 --> 00:59:53,510
* And it wouldn't be
a bad thing *
1487
00:59:53,550 --> 00:59:55,470
Madi: Growing up, we actually
had a karaoke machine.
1488
00:59:55,510 --> 00:59:58,930
Our constant go-to song was
"Blame It on the Boogie,"
1489
00:59:58,970 --> 01:00:00,350
and we would all, like,
pass the mic around,
1490
01:00:00,390 --> 01:00:01,680
and then we'd have our feet.
Awesome.
1491
01:00:01,720 --> 01:00:02,680
We'd be like * I just *
1492
01:00:02,720 --> 01:00:03,810
* I just can't *
1493
01:00:03,850 --> 01:00:05,480
* I just can't control my feet *
1494
01:00:05,520 --> 01:00:09,980
We really love upbeat,
high-energy, catchy choruses.
1495
01:00:10,020 --> 01:00:11,230
* This magic music grooves me *
1496
01:00:11,270 --> 01:00:13,230
We are putting
our own little spin on it
1497
01:00:13,270 --> 01:00:15,190
to show exactly
who Sorelle is.
1498
01:00:15,240 --> 01:00:16,490
We really want to show
the coaches
1499
01:00:16,530 --> 01:00:18,990
that we have the ability
to fill up arenas.
1500
01:00:19,030 --> 01:00:20,950
* Don't blame it
on the good times *
1501
01:00:20,990 --> 01:00:22,410
* Blame it on the boogie *
1502
01:00:22,450 --> 01:00:26,370
The girls got up on stage
and were cute as a button.
1503
01:00:26,410 --> 01:00:28,210
They did
the little dance routines
1504
01:00:28,250 --> 01:00:30,170
and -- and taking turns singing,
1505
01:00:30,210 --> 01:00:31,750
and then that
three-part harmony,
1506
01:00:31,790 --> 01:00:34,170
which I absolutely love.
1507
01:00:34,210 --> 01:00:35,760
I just fell in love with them.
1508
01:00:35,800 --> 01:00:36,920
* Whoa-oh-oh *
1509
01:00:36,970 --> 01:00:39,590
Oh, my God.
Insane, right?
1510
01:00:39,630 --> 01:00:40,840
Wow.
1511
01:00:40,890 --> 01:00:42,180
Love it.
Love it.
Thank you.
1512
01:00:42,220 --> 01:00:45,020
Not only was the three-part
harmony so good,
1513
01:00:45,060 --> 01:00:46,060
but the dance moves.
1514
01:00:46,100 --> 01:00:47,520
Oh, my gosh.
1515
01:00:47,560 --> 01:00:49,770
Every time you guys
get on stage, you guys smash it.
1516
01:00:49,810 --> 01:00:51,270
It's so dope.
Aww, thank you.
1517
01:00:51,310 --> 01:00:52,690
That's what I was
going to say.
Chance: Right?
1518
01:00:52,730 --> 01:00:55,110
But I think the one thing
that I would give notes on
1519
01:00:55,150 --> 01:00:56,860
is maybe the lyric splits,
a little bit.
1520
01:00:56,900 --> 01:01:00,070
We go straight for the harmony
within, like, that first verse.
1521
01:01:00,110 --> 01:01:02,200
Uh-huh.
And I think
it sounds the best
1522
01:01:02,240 --> 01:01:03,410
when you guys
have the splits,
1523
01:01:03,450 --> 01:01:05,370
where two of you guys
are doing harms
1524
01:01:05,410 --> 01:01:07,540
and one person
is doing the lead vocal.
Okay.
1525
01:01:07,580 --> 01:01:10,210
Yeah.
But the performance
is A-1 to me.
1526
01:01:10,250 --> 01:01:12,000
Did you have anything?
I don't, at all.
1527
01:01:12,040 --> 01:01:13,210
Right?
It's so good, right?
1528
01:01:13,250 --> 01:01:14,790
I'm just
totally entertained.
1529
01:01:14,840 --> 01:01:17,420
Pitch is great.
You've got great interaction.
1530
01:01:17,460 --> 01:01:18,720
Thank you.
Thank you.
Thank you.
1531
01:01:18,760 --> 01:01:21,510
Sorelle,
their vocals are amazing.
1532
01:01:21,550 --> 01:01:22,550
You want to come back up?
1533
01:01:22,590 --> 01:01:24,050
Tiana:
In my head, I'm like, "Okay,
1534
01:01:24,100 --> 01:01:25,680
I need to make sure
my vocals are on point."
1535
01:01:25,720 --> 01:01:27,680
It was so beautiful.
1536
01:01:27,720 --> 01:01:28,810
Amazingly talented.
1537
01:01:28,850 --> 01:01:29,890
Oh, I got to have
one more hug.
1538
01:01:29,930 --> 01:01:30,890
Aww.
[ Laughter ]
1539
01:01:30,940 --> 01:01:32,980
Sorelle was a total package.
1540
01:01:33,020 --> 01:01:34,560
You just wanted more.
1541
01:01:34,610 --> 01:01:35,400
You're wonderful.
1542
01:01:35,440 --> 01:01:37,400
But Tiana has a great voice.
1543
01:01:37,440 --> 01:01:40,400
If she amped it up
with emotion, with feeling,
1544
01:01:40,450 --> 01:01:43,280
then she might just blow
the audience out of the water.
1545
01:01:43,320 --> 01:01:44,700
See you in the knockouts.
1546
01:01:44,740 --> 01:01:46,620
We'll see on that night
of the performance.
1547
01:01:46,660 --> 01:01:48,200
Oh, my gosh.
1548
01:01:48,240 --> 01:01:50,460
So different
and so good.
Yeah.
1549
01:01:50,500 --> 01:01:51,830
Good luck, buddy.
[ Laughs ]
1550
01:01:51,870 --> 01:01:53,000
Nah, it's gonna be tough.
1551
01:01:53,040 --> 01:01:54,250
[ Cheers and applause ]
1552
01:01:54,290 --> 01:01:55,540
I'm so looking forward
to this.
1553
01:01:55,590 --> 01:01:56,800
It's gonna be sick.
1554
01:01:56,840 --> 01:02:00,050
With "Blame It on the Boogie,"
here is Sorelle.
1555
01:02:00,090 --> 01:02:02,090
[ Cheers and applause ]
1556
01:02:02,130 --> 01:02:06,680
**
1557
01:02:06,720 --> 01:02:09,970
* Hee, hee, yeah *
1558
01:02:10,020 --> 01:02:11,230
-Hey!
-Whoo!
1559
01:02:11,270 --> 01:02:13,310
* My baby's always
dancin' *
1560
01:02:13,350 --> 01:02:15,440
* And it wouldn't be
a bad thing *
1561
01:02:15,480 --> 01:02:19,440
* But I don't get no lovin',
and that's no lie *
1562
01:02:19,480 --> 01:02:21,820
* We spent the night
in Frisco *
1563
01:02:21,860 --> 01:02:23,820
* At every kind of disco *
1564
01:02:23,860 --> 01:02:27,410
* From that night
I kissed our love goodbye *
1565
01:02:27,450 --> 01:02:29,330
* Don't blame it
on the sunshine *
1566
01:02:29,370 --> 01:02:31,370
* Don't blame it
on the moonlight *
1567
01:02:31,410 --> 01:02:33,790
* Don't blame it
on the good times *
1568
01:02:33,830 --> 01:02:35,580
* Blame it on the boogie *
1569
01:02:35,630 --> 01:02:37,750
* Don't blame it
on the sunshine *
1570
01:02:37,790 --> 01:02:39,670
* Don't blame it
on the moonlight *
1571
01:02:39,710 --> 01:02:42,220
* Don't blame it
on the good times *
1572
01:02:42,260 --> 01:02:44,340
* Blame it on the boogie *
1573
01:02:45,220 --> 01:02:46,010
* I just can't, I just can't *
1574
01:02:47,010 --> 01:02:49,010
* I just can't control my feet *
1575
01:02:49,640 --> 01:02:50,140
* I can't, no *
1576
01:02:51,180 --> 01:02:52,980
* I just can't control my feet *
1577
01:02:53,020 --> 01:02:55,150
* This magic music
grooves me *
1578
01:02:55,190 --> 01:02:56,650
* That dirty rhythm
moves me *
1579
01:02:56,690 --> 01:02:59,440
Yeah!
* The devil's gotten to me *
1580
01:02:59,480 --> 01:03:01,280
* Through this dance *
1581
01:03:01,320 --> 01:03:03,450
* I'm full
of funky fever *
1582
01:03:03,490 --> 01:03:05,490
* The fire burns inside me *
1583
01:03:05,530 --> 01:03:09,870
* Boogie's got me
in a super trance *
1584
01:03:09,910 --> 01:03:11,200
* Sunshine *
1585
01:03:12,000 --> 01:03:13,250
* Moonlight *
1586
01:03:14,120 --> 01:03:15,370
* Good times *
1587
01:03:16,170 --> 01:03:17,170
* Boogie *
1588
01:03:17,210 --> 01:03:18,340
* Uh, uh, uh,
uh, uh *
1589
01:03:19,250 --> 01:03:19,630
* Ooooooh *
1590
01:03:21,590 --> 01:03:22,170
* Do-be-do-be-do-do *
1591
01:03:22,920 --> 01:03:24,420
* Good times *
1592
01:03:24,470 --> 01:03:27,340
* Boo, boo, boo, boogie *
1593
01:03:28,510 --> 01:03:28,930
* Sunshine *
1594
01:03:29,760 --> 01:03:30,810
* You just wanna *
1595
01:03:30,850 --> 01:03:32,810
* Good times *
1596
01:03:33,810 --> 01:03:34,810
* Don't you blame it
on the sunshine *
1597
01:03:36,230 --> 01:03:38,310
* Don't blame it
on the moonlight *
1598
01:03:38,360 --> 01:03:40,360
* Don't blame it
on the good times *
1599
01:03:40,400 --> 01:03:41,900
* Blame it on the boogie *
1600
01:03:41,940 --> 01:03:43,820
* Oooooh *
* Don't blame it
on the sunshine *
1601
01:03:43,860 --> 01:03:45,110
* Sunshine *
1602
01:03:45,150 --> 01:03:46,110
* Don't blame it
on the moonlight *
1603
01:03:47,240 --> 01:03:48,200
* Don't blame it
on the good times *
1604
01:03:49,160 --> 01:03:51,790
* Blame it on the boogie *
1605
01:03:51,830 --> 01:03:53,750
**
1606
01:03:53,790 --> 01:03:54,910
* Boogie *
1607
01:03:54,950 --> 01:03:57,170
* Whoa-oh-oh *
1608
01:03:57,210 --> 01:04:00,460
[ Cheers and applause ]
1609
01:04:03,670 --> 01:04:05,220
Oh, my God.
I got me
a little Jackson 5.
1610
01:04:05,260 --> 01:04:06,970
Yeah.
[ Laughs ]
1611
01:04:07,010 --> 01:04:09,300
[ Cheers and applause
continue ]
1612
01:04:15,930 --> 01:04:17,140
* This is "The Voice" *
1613
01:04:17,190 --> 01:04:19,480
Daly: Welcome back.
1614
01:04:19,520 --> 01:04:21,190
Chance:
Go, Tiana!
1615
01:04:22,320 --> 01:04:23,730
Come on, Tiana!
1616
01:04:23,780 --> 01:04:27,280
Now with "God is a Woman,"
here's Tiana Goss.
1617
01:04:28,030 --> 01:04:31,240
**
1618
01:04:31,280 --> 01:04:35,290
* You, you're loving
how I move you *
1619
01:04:35,330 --> 01:04:39,170
* You're loving
how I touch you, my one *
1620
01:04:39,210 --> 01:04:44,340
* When all is said and done,
you'll believe God is a woman *
1621
01:04:44,380 --> 01:04:48,470
* And I, I feel it
after midnight *
1622
01:04:48,510 --> 01:04:52,640
* A feeling
that you can't fight, my one *
1623
01:04:52,680 --> 01:04:54,560
* It lingers when we're done *
1624
01:04:54,600 --> 01:04:59,350
* You'll believe
God is a woman *
1625
01:05:00,480 --> 01:05:03,020
* I don't wanna waste no time,
yeah *
1626
01:05:03,820 --> 01:05:06,940
* You ain't got
a one-track mind, yeah *
1627
01:05:06,990 --> 01:05:10,070
* Have it any way you like,
yeah *
1628
01:05:10,110 --> 01:05:13,660
* And I can tell that you know
I know how I want it *
1629
01:05:13,700 --> 01:05:17,000
* Ain't nobody else can relate *
1630
01:05:17,040 --> 01:05:20,500
* Boy, I like
that you ain't afraid *
1631
01:05:20,540 --> 01:05:23,500
* Baby, lay me down
and let's pray *
1632
01:05:23,540 --> 01:05:26,960
* I'm tellin' you the way
I like it, how I want it *
1633
01:05:27,710 --> 01:05:31,090
* And I can be all the things
you told me not to be *
1634
01:05:31,130 --> 01:05:33,220
* When you try to come for me,
I keep on flourishing, yeah *
1635
01:05:33,260 --> 01:05:34,680
Yeah!
Hey!
1636
01:05:34,720 --> 01:05:37,180
* And he see the universe
when I'm in company *
1637
01:05:37,220 --> 01:05:39,560
* It's all in me *
1638
01:05:39,600 --> 01:05:47,440
* You, you, you're lovin'
how I touch you, my one *
1639
01:05:47,480 --> 01:05:52,530
* When all is said and done,
you'll believe God is a woman *
1640
01:05:52,570 --> 01:05:56,870
* And I-I-I-I *
1641
01:05:56,910 --> 01:06:01,080
* A feeling that
you can't fight, my one *
1642
01:06:01,120 --> 01:06:02,830
* It lingers when we're done *
1643
01:06:02,870 --> 01:06:05,420
* You'll believe
God is a woman *
1644
01:06:05,460 --> 01:06:08,710
* You'll believe God *
1645
01:06:08,760 --> 01:06:14,510
* You'll believe Gooooood *
1646
01:06:14,550 --> 01:06:16,300
* It lingers when we're done *
1647
01:06:16,350 --> 01:06:21,890
* You'll believe
God is a woman *
1648
01:06:21,940 --> 01:06:23,900
[ Cheers and applause ]
1649
01:06:23,940 --> 01:06:33,240
**
1650
01:06:33,280 --> 01:06:34,410
What's up, ladies?
1651
01:06:34,450 --> 01:06:35,910
Hi!
Hi!
Hi!
1652
01:06:35,950 --> 01:06:38,990
Tiana, you just have a very
tender way of singing
1653
01:06:39,040 --> 01:06:41,960
and the effortless, little
ethereal runs that you have,
1654
01:06:42,000 --> 01:06:43,920
it's so cool.
1655
01:06:43,960 --> 01:06:45,130
And, Sorelle,
1656
01:06:45,170 --> 01:06:47,170
I would have never
picked this song for you.
1657
01:06:47,210 --> 01:06:48,420
[ Laughter ]
1658
01:06:48,460 --> 01:06:49,710
I was like -- I saw this,
I looked over,
1659
01:06:49,750 --> 01:06:50,920
and I was like,
"I love this song."
1660
01:06:50,960 --> 01:06:52,260
He was like,
"It's going to be crazy."
1661
01:06:52,300 --> 01:06:54,260
And I was like, "It so is."
1662
01:06:54,300 --> 01:06:55,550
[ Cheers and applause ]
1663
01:06:55,590 --> 01:06:57,640
Blake: This is tough,
because, Tiana,
1664
01:06:57,680 --> 01:07:00,060
you're great,
and you sounded great today.
1665
01:07:00,100 --> 01:07:03,270
And that's rare, for someone
to always be that consistent
1666
01:07:03,310 --> 01:07:04,640
and be as great as you are.
1667
01:07:04,690 --> 01:07:07,610
It's just not as rare
as Sorelle.
1668
01:07:07,650 --> 01:07:10,780
They sound literally like
they've been auto-tuned
1669
01:07:10,820 --> 01:07:12,490
as they're singing live,
you know?
1670
01:07:12,530 --> 01:07:15,860
It's like it's almost impossible
to sound that perfect.
1671
01:07:15,910 --> 01:07:18,410
Because of just
the uniqueness of it,
1672
01:07:18,450 --> 01:07:19,740
I would have to go
with Sorelle.
1673
01:07:19,780 --> 01:07:21,450
Thank you.
Thank you.
Thank you.
1674
01:07:21,490 --> 01:07:23,620
Sorelle, it's the shock factor
every time.
1675
01:07:23,660 --> 01:07:26,290
Like, that is hours and hours
of standing in a bedroom
1676
01:07:26,330 --> 01:07:27,960
going like this
to each other.
1677
01:07:28,000 --> 01:07:28,960
Oh, yeah.
Yes.
1678
01:07:29,000 --> 01:07:31,130
* Ooh *
Lots of mirror work.
1679
01:07:31,170 --> 01:07:32,460
Exactly.
Yeah.
1680
01:07:32,510 --> 01:07:34,800
And, Tiana, we have our history,
and it was...
1681
01:07:34,840 --> 01:07:37,720
[ Chuckles ] And I've got
a whole lot of love for you.
1682
01:07:37,760 --> 01:07:39,800
You always sound pure
and sweet,
1683
01:07:39,850 --> 01:07:42,810
and that's why
I've always been a big fan.
1684
01:07:42,850 --> 01:07:44,310
And I'm glad you're still here.
1685
01:07:44,350 --> 01:07:45,310
[ Cheers and applause ]
1686
01:07:45,350 --> 01:07:46,690
Thank you, Coaches.
1687
01:07:47,850 --> 01:07:50,230
Alright, Chance. It all comes
down to you, buddy.
1688
01:07:50,270 --> 01:07:51,650
Chance:
I'll start with Tiana.
1689
01:07:51,690 --> 01:07:53,990
I thought that you've
always performed well,
1690
01:07:54,030 --> 01:07:55,740
and I feel like the song
is to your style,
1691
01:07:55,780 --> 01:07:58,700
and I feel like you
slowing it down made us,
1692
01:07:58,740 --> 01:08:01,580
as an audience, able to
interpret the lyrics better.
1693
01:08:01,620 --> 01:08:03,910
You're an awesomely
talented vocalist.
1694
01:08:03,950 --> 01:08:06,670
Sorelle, you guys' skill
with harmonics
1695
01:08:06,710 --> 01:08:08,630
and the way that you guys
gel together so well
1696
01:08:08,670 --> 01:08:11,710
is, like, something that
this show doesn't really have.
1697
01:08:11,750 --> 01:08:13,460
And it just shows
that y'all are, like,
1698
01:08:13,510 --> 01:08:15,510
willing to go the extra mile
1699
01:08:15,550 --> 01:08:17,180
and try new stuff
to make stuff work,
1700
01:08:17,220 --> 01:08:18,760
which is awesome to me.
1701
01:08:18,800 --> 01:08:20,390
Thank you.
Thank you.
Thank you so much.
1702
01:08:20,430 --> 01:08:21,680
Thank you.
1703
01:08:21,720 --> 01:08:23,680
Daly: Chance,
it's a tough decision,
1704
01:08:23,720 --> 01:08:25,390
but the time has come.
1705
01:08:25,430 --> 01:08:27,640
Who is the winner
of this knockout?
1706
01:08:31,110 --> 01:08:32,980
It is a tough decision.
1707
01:08:34,730 --> 01:08:37,150
The winner of
this knockout is...
1708
01:08:39,740 --> 01:08:40,660
Sorelle.
1709
01:08:40,700 --> 01:08:42,280
Daly:
Sorelle, congratulations!
1710
01:08:42,330 --> 01:08:44,240
You are moving on
to the playoffs
1711
01:08:44,290 --> 01:08:46,370
for Team Chance.
1712
01:08:46,410 --> 01:08:48,210
[ Cheers and applause ]
1713
01:08:48,250 --> 01:08:51,210
Chance: Sorelle completely
blew me away.
1714
01:08:51,250 --> 01:08:52,880
Great stuff, yet again.
1715
01:08:52,920 --> 01:08:55,170
They have beautiful blends,
and they have a stage presence
1716
01:08:55,210 --> 01:08:58,800
that sucks the audience in
every time they get up there.
1717
01:08:58,840 --> 01:09:00,930
Give it up one more time
for Tiana Goss,
1718
01:09:00,970 --> 01:09:02,970
ladies and gentlemen.
1719
01:09:03,010 --> 01:09:05,890
Niall: Sad to see Tiana go.
She's an amazing girl.
1720
01:09:05,930 --> 01:09:10,230
I just think she came up against
the beast that is Sorelle today.
1721
01:09:10,270 --> 01:09:13,110
They're so good, by the way.
Sorelle.
They're so different.
1722
01:09:13,150 --> 01:09:15,570
They're unlike anything
we have in the competition.
1723
01:09:15,610 --> 01:09:18,240
And Chance has got Sorelle
in his back pocket,
1724
01:09:18,280 --> 01:09:19,990
and that could be dangerous.
1725
01:09:26,290 --> 01:09:27,450
* This is "The Voice" *
1726
01:09:27,500 --> 01:09:30,250
Daly: Welcome back
to the knockouts.
1727
01:09:30,290 --> 01:09:32,670
We've had amazing people
on here as Mega Mentors,
1728
01:09:32,710 --> 01:09:35,000
but I don't know anybody
that's conquered
1729
01:09:35,050 --> 01:09:36,760
as much as you have
in a career.
1730
01:09:36,800 --> 01:09:38,380
Or were you saying
I've been around longer
1731
01:09:38,420 --> 01:09:39,720
than all the rest
of them? [ Laughs ]
No!
1732
01:09:39,760 --> 01:09:40,930
I'm saying
you've conquered
1733
01:09:40,970 --> 01:09:43,180
TV, movies, Broadway.
I'm old, girl!
1734
01:09:43,220 --> 01:09:44,430
You've done everything.
1735
01:09:44,470 --> 01:09:45,850
Man:
We're rolling, guys.
1736
01:09:45,890 --> 01:09:47,390
Holly: Why do you think Kelly
put us together?
1737
01:09:47,430 --> 01:09:49,480
I have no idea, 'cause we do
totally different genres, so...
1738
01:09:49,520 --> 01:09:50,940
I think it's going
to be fun.
1739
01:09:50,980 --> 01:09:53,150
Kelly: Holly and Rachel are both
really powerful singers.
1740
01:09:53,190 --> 01:09:54,810
I wanted to put them
against each other
1741
01:09:54,860 --> 01:09:56,150
because I wanted them
to hear each other singing,
1742
01:09:56,190 --> 01:09:57,650
and I wanted
to raise their A-game.
1743
01:09:57,690 --> 01:09:58,820
You want to meet them?
You bet. Let's do it.
1744
01:09:58,860 --> 01:09:59,860
Alright.
You didn't have a choice.
1745
01:09:59,900 --> 01:10:01,200
So... [ Laughs ]
[ Laughs ]
1746
01:10:01,240 --> 01:10:02,320
Come on out, y'all!
1747
01:10:02,360 --> 01:10:03,490
What's up?
1748
01:10:03,530 --> 01:10:04,620
Reba McEntire!
Look at her.
1749
01:10:04,660 --> 01:10:06,240
She -- [ Laughs ]
1750
01:10:06,280 --> 01:10:08,450
Aw.
Holly, you have
to come out here.
1751
01:10:08,500 --> 01:10:09,830
[ Laughs ]
1752
01:10:09,870 --> 01:10:12,420
I'm tearing up
right now.
[ Laughs ]
1753
01:10:12,460 --> 01:10:13,880
Holly: I literally cried
when I saw
1754
01:10:13,920 --> 01:10:15,670
that Reba was the Mega Mentor.
1755
01:10:15,710 --> 01:10:17,960
My family is absolutely
obsessed with her.
1756
01:10:18,000 --> 01:10:19,710
Rachel.
I would love to follow
1757
01:10:19,760 --> 01:10:20,840
in Reba's footsteps.
1758
01:10:20,880 --> 01:10:22,510
She's absolutely the queen
1759
01:10:22,550 --> 01:10:23,890
of country music.
[ Chuckles ]
1760
01:10:23,930 --> 01:10:26,300
I just thought it would be
an incredible thing
1761
01:10:26,350 --> 01:10:28,770
for y'all to get to, like,
learn from the greatest.
1762
01:10:28,810 --> 01:10:30,060
And she did her homework.
1763
01:10:30,100 --> 01:10:31,560
She's already heard
a little bit of y'all.
1764
01:10:31,600 --> 01:10:33,270
I did.
I watched the battle rounds.
1765
01:10:33,310 --> 01:10:34,770
Big fan already.
1766
01:10:34,810 --> 01:10:36,020
I can't wait to hear
what you're going to do today.
1767
01:10:36,060 --> 01:10:37,730
I'm singing
"Blue Moon of Kentucky,"
1768
01:10:37,770 --> 01:10:39,280
the LeAnn Rimes version.
1769
01:10:39,320 --> 01:10:42,030
Pink boots are starting,
so I'm going to own this.
1770
01:10:42,070 --> 01:10:43,950
I love LeAnn Rimes.
I did not know this song.
1771
01:10:43,990 --> 01:10:47,030
Okay. Alright. So, let's
back it up a little bit.
1772
01:10:47,080 --> 01:10:48,370
Patsy Cline.
I am. Patsy --
1773
01:10:48,410 --> 01:10:50,370
Oh!
Why'd you pick this song?
1774
01:10:50,410 --> 01:10:51,870
I grew up doing bluegrass.
1775
01:10:51,910 --> 01:10:53,460
This is, like, one of
the first songs that I ever,
1776
01:10:53,500 --> 01:10:54,790
like, learned how to sing.
1777
01:10:54,830 --> 01:10:57,090
* I said blue moon of Kentucky *
1778
01:10:57,130 --> 01:10:58,710
Holly: I just got up
with the house band,
1779
01:10:58,750 --> 01:11:00,380
told them what key
I wanted to do it in,
1780
01:11:00,420 --> 01:11:01,510
and we sang it.
1781
01:11:01,550 --> 01:11:02,880
* Shine on the one that... *
1782
01:11:02,920 --> 01:11:04,720
I get to yodel in it,
which is really fun.
1783
01:11:04,760 --> 01:11:06,720
* Blue *
1784
01:11:06,760 --> 01:11:08,760
When my mom heard me yodel
for the first time,
1785
01:11:08,810 --> 01:11:10,140
she was a little shocked.
1786
01:11:10,180 --> 01:11:11,730
It kind of just became
a thing after that.
1787
01:11:11,770 --> 01:11:13,060
A really cool party trick.
1788
01:11:13,100 --> 01:11:14,560
* Love said goodbye *
1789
01:11:14,600 --> 01:11:16,310
Yes!
* I said blue moon *
1790
01:11:16,350 --> 01:11:19,190
The last two songs that I've
done so far are new country.
1791
01:11:19,230 --> 01:11:21,690
So it's going to be
a different type of moment
1792
01:11:21,740 --> 01:11:23,490
than what I've been showing.
1793
01:11:23,530 --> 01:11:27,410
[ Vocalizing ]
1794
01:11:27,450 --> 01:11:29,660
What?!
[ Laughing ]
1795
01:11:29,700 --> 01:11:31,580
Reba: Holy smokes.
Whoo!
1796
01:11:31,620 --> 01:11:34,120
Rachel: Holly's knockout song
is so cool. [ Laughs ]
1797
01:11:34,160 --> 01:11:36,830
She's got great tone.
She's got great vibrato.
1798
01:11:36,880 --> 01:11:38,750
Insane singer.
[ Laughs ]
1799
01:11:38,790 --> 01:11:39,960
Okay with that ending.
1800
01:11:40,000 --> 01:11:41,420
Reba: Yeah.
I see you.
1801
01:11:41,460 --> 01:11:43,170
That ending
was incredible.
[ Laughing ]
1802
01:11:43,210 --> 01:11:44,880
Thank you.
I couldn't move.
I was mesmerized.
1803
01:11:44,920 --> 01:11:46,590
Reba: In country music,
Patsy Cline --
1804
01:11:46,630 --> 01:11:47,930
that's the ultimate.
1805
01:11:47,970 --> 01:11:50,430
Holly took the song
to different places
1806
01:11:50,470 --> 01:11:51,770
that I'd never heard before.
1807
01:11:51,810 --> 01:11:53,310
I definitely think
she has star qualities.
1808
01:11:53,350 --> 01:11:54,810
My only thing is,
I just wouldn't go soft
1809
01:11:54,850 --> 01:11:55,810
on that "love."
1810
01:11:55,850 --> 01:11:57,480
* Love said goodbye *
1811
01:11:57,520 --> 01:12:00,150
You got that. Don't you
look at me like that.
Girl.
1812
01:12:00,190 --> 01:12:02,230
I don't know if I can do that
in my chest voice.
1813
01:12:02,280 --> 01:12:04,110
Are you serious?
Do you know --
1814
01:12:04,150 --> 01:12:05,740
* Love *
Yeah, I guess I can.
1815
01:12:05,780 --> 01:12:08,110
Yes!
You got that for days.
1816
01:12:08,160 --> 01:12:09,450
Let me introduce you
to yourself.
1817
01:12:09,490 --> 01:12:10,830
Somebody get a mirror.
1818
01:12:10,870 --> 01:12:12,580
Holly: I'm super happy
that Kelly pushed me
1819
01:12:12,620 --> 01:12:14,080
outside of my comfort zone.
1820
01:12:14,120 --> 01:12:15,910
I'm actually proud of myself,
because this round,
1821
01:12:15,960 --> 01:12:17,750
I got past the starstruck-ness
1822
01:12:17,790 --> 01:12:19,500
and I spoke to her,
and it was great.
1823
01:12:19,540 --> 01:12:22,090
Reba: The one thing
that I was missing, though,
1824
01:12:22,130 --> 01:12:24,840
at the * I said blue moon *
1825
01:12:24,880 --> 01:12:26,380
the little yodel...
* Moon *
1826
01:12:26,420 --> 01:12:28,090
...maybe do it
on the second chorus.
1827
01:12:28,130 --> 01:12:31,220
* I said blue moon
of Kentucky *
1828
01:12:31,260 --> 01:12:32,310
Yes!
Okay.
1829
01:12:32,350 --> 01:12:34,600
Yeah.
Don't just do
a boring moon.
1830
01:12:34,640 --> 01:12:35,980
Also, at the very end...
Yeah, yeah.
1831
01:12:36,020 --> 01:12:37,890
...when they stop...
Mm-hmm.
1832
01:12:37,940 --> 01:12:39,730
...bring your mic down.
Okay.
1833
01:12:39,770 --> 01:12:44,780
* Shine on the one that's gone
and left me blue *
1834
01:12:44,820 --> 01:12:45,900
Yeah.
Yeah.
1835
01:12:45,940 --> 01:12:47,280
Just get a little
sassy with it.
1836
01:12:47,320 --> 01:12:48,740
'Cause you're like,
"Yeah, you think I'm done,
1837
01:12:48,780 --> 01:12:50,320
but I'm about
to kill it."
[ Laughs ]
1838
01:12:50,370 --> 01:12:52,280
I need to channel
my inner Kelly Clarkson.
[ Laughs ]
1839
01:12:52,330 --> 01:12:56,330
Holly is a competitor, y'all.
She came to play with this song.
1840
01:12:56,370 --> 01:12:57,620
Come on, Miss Rachel.
1841
01:12:57,660 --> 01:12:59,580
I love Fleetwood Mac.
I definitely know this song.
1842
01:12:59,620 --> 01:13:02,500
I mean, I look like
a member right now, so.
[ Laughs ]
1843
01:13:02,540 --> 01:13:05,170
* Rhiannon rings like a bell
through the night *
1844
01:13:05,210 --> 01:13:07,670
Rachel: I'm singing "Rhiannon"
by Fleetwood Mac,
1845
01:13:07,720 --> 01:13:10,220
which is 100%
inspired by my mom.
1846
01:13:10,260 --> 01:13:12,010
* All your life
you've never... *
1847
01:13:12,050 --> 01:13:13,850
I grew up
around the band scene.
1848
01:13:13,890 --> 01:13:15,350
My mom was the lead singer.
1849
01:13:15,390 --> 01:13:18,310
She always had very
Stevie Nicks vibes on stage.
1850
01:13:18,350 --> 01:13:20,350
"Rhiannon"
is one of the first songs
1851
01:13:20,400 --> 01:13:21,900
that I heard my mom do.
1852
01:13:21,940 --> 01:13:25,110
* Will you ever win? *
1853
01:13:25,150 --> 01:13:27,990
Here I am on NBC "The Voice"
singing the same song.
1854
01:13:28,030 --> 01:13:29,400
Who'd have thunk?
[ Laughs ]
1855
01:13:29,450 --> 01:13:31,360
* Rhiannon *
1856
01:13:31,410 --> 01:13:33,700
Rachel is the dark horse
for me on my team.
1857
01:13:33,740 --> 01:13:36,490
Like, I loved her
in the blinds.
1858
01:13:36,540 --> 01:13:39,410
I fell madly in love with her
in the battles.
1859
01:13:39,460 --> 01:13:42,040
She's got so much more room,
I can even hear, to grow.
1860
01:13:42,080 --> 01:13:43,960
So that's exciting
to work with as a coach.
1861
01:13:44,000 --> 01:13:45,550
[ Music ends ]
1862
01:13:45,590 --> 01:13:47,710
That was so cool!
1863
01:13:47,760 --> 01:13:49,220
Very good.
1864
01:13:49,260 --> 01:13:51,090
You have magical eyes,
by the way.
1865
01:13:51,130 --> 01:13:52,550
I do? [ Laughs ]
Yeah.
1866
01:13:52,590 --> 01:13:55,810
I love the way
you do your mic.
Oh, thank you.
1867
01:13:55,850 --> 01:13:58,220
Yeah, you caress it
and you talk to it.
1868
01:13:58,270 --> 01:13:59,640
Yeah.
So that's really good.
1869
01:13:59,680 --> 01:14:01,730
Just a natural
storyteller, man.
Yeah.
1870
01:14:01,770 --> 01:14:03,360
I love that you
changed it up.
1871
01:14:03,400 --> 01:14:05,480
What is your melody on
the * All your life *?
1872
01:14:05,520 --> 01:14:08,110
* All your life
you've never seen *
1873
01:14:08,150 --> 01:14:09,940
* All your life
you've never *
1874
01:14:09,990 --> 01:14:11,950
Like, go into that little break
with the "you."
1875
01:14:11,990 --> 01:14:14,910
'Cause those breaks
in your voice are so cool
1876
01:14:14,950 --> 01:14:16,330
and make you special.
1877
01:14:16,370 --> 01:14:17,870
That's the coolest thing
about Stevie.
1878
01:14:17,910 --> 01:14:19,750
The melody just kind of goes
wherever she wants,
1879
01:14:19,790 --> 01:14:21,620
and, like, I want you to feel
that freedom, and you've got it.
1880
01:14:21,670 --> 01:14:23,630
You were totally moving with it,
and it's, like,
1881
01:14:23,670 --> 01:14:25,130
got to be that vibe.
Okay. Yeah.
1882
01:14:25,170 --> 01:14:26,750
That's it.
That was so magical.
1883
01:14:26,800 --> 01:14:28,340
Thank you. [ Laughs ]
Yeah.
1884
01:14:28,380 --> 01:14:31,550
I think Rachel's voice
is absolutely beautiful.
1885
01:14:31,590 --> 01:14:32,800
Come on up here, Holly.
1886
01:14:32,840 --> 01:14:34,340
She has super cool vibes.
1887
01:14:34,390 --> 01:14:37,100
She's just an incredible artist,
and it's really an honor
1888
01:14:37,140 --> 01:14:39,270
to be her opponent
in the knockouts.
1889
01:14:39,310 --> 01:14:41,390
This will probably
be my toughest one,
1890
01:14:41,430 --> 01:14:46,400
but I would be shocked [Laughs]
if one of you weren't stolen.
1891
01:14:46,440 --> 01:14:47,570
Y'all just have fun.
1892
01:14:47,610 --> 01:14:49,320
Reba: After working
with all four teams,
1893
01:14:49,360 --> 01:14:52,200
it is mind-boggling
how many talented people
1894
01:14:52,240 --> 01:14:53,700
y'all have here
at "The Voice."
1895
01:14:53,740 --> 01:14:54,950
Best of luck.
1896
01:14:54,990 --> 01:14:58,790
It's a shame
you can only pick one.
1897
01:14:58,830 --> 01:15:00,200
[ Cheers and applause ]
1898
01:15:00,250 --> 01:15:02,000
Yeah!
1899
01:15:03,120 --> 01:15:04,620
Got the puffy sleeves.
1900
01:15:04,670 --> 01:15:06,920
I'm going to do that
for the next round.
1901
01:15:06,960 --> 01:15:08,460
[ Laughs ]
1902
01:15:08,500 --> 01:15:12,510
With "Blue Moon of Kentucky,"
here's Holly Brand.
1903
01:15:12,550 --> 01:15:15,680
[ Cheers and applause ]
1904
01:15:16,510 --> 01:15:26,190
* I said blue moon of Kentucky *
Whoa!
1905
01:15:26,230 --> 01:15:31,990
* Keep on shinin' *
Go ahead.
1906
01:15:32,030 --> 01:15:38,030
* Shine on the one that's gone *
1907
01:15:38,070 --> 01:15:43,120
* And left me blue *
1908
01:15:43,160 --> 01:15:45,370
Yes!
Yeah!
1909
01:15:45,420 --> 01:15:48,670
* I said blue moon of Kentucky *
1910
01:15:48,710 --> 01:15:51,590
* Keep on shinin' *
1911
01:15:51,630 --> 01:15:56,680
* Shine on the one that's gone
and left me blue *
1912
01:15:56,720 --> 01:15:59,800
* I said blue moon of Kentucky *
1913
01:15:59,850 --> 01:16:02,680
* Keep on shinin' *
Hey!
1914
01:16:02,720 --> 01:16:07,560
* Shine on the one that's gone
and left me blue *
1915
01:16:07,600 --> 01:16:11,900
* Well, it was on
one moonlit night *
1916
01:16:11,940 --> 01:16:14,740
* Stars shinin' bright *
1917
01:16:14,780 --> 01:16:17,360
* Whispered all night *
1918
01:16:17,410 --> 01:16:19,200
* Love said goodbye *
Whoa!
1919
01:16:19,240 --> 01:16:22,040
* I said blue moon of Kentucky *
1920
01:16:22,080 --> 01:16:24,870
* Keep on shinin' *
1921
01:16:24,910 --> 01:16:30,090
* Shine on the one that's gone
and left me blue *
1922
01:16:30,130 --> 01:16:34,130
* Well, it was on
one lonely night *
1923
01:16:34,170 --> 01:16:36,930
* Stars shinin' bright *
I know.
1924
01:16:36,970 --> 01:16:39,800
* Whispered all night *
1925
01:16:39,840 --> 01:16:41,300
* Love said goodbye *
1926
01:16:41,350 --> 01:16:44,270
Yeah!
* I said blue moon of Kentucky *
1927
01:16:44,310 --> 01:16:47,390
* Keep on shinin' *
1928
01:16:47,440 --> 01:16:53,020
* Shine on the one that's gone
and left me blue *
1929
01:16:53,070 --> 01:16:56,320
* Shine on the one that's gone *
1930
01:16:56,360 --> 01:17:04,950
* And left me blue *
1931
01:17:05,000 --> 01:17:06,160
**
1932
01:17:06,200 --> 01:17:09,290
[ Vocalizing ]
1933
01:17:09,330 --> 01:17:10,380
Whoo!
1934
01:17:10,420 --> 01:17:13,460
[ Cheers and applause ]
Yeah!
1935
01:17:13,500 --> 01:17:15,670
[ Laughs ] Holy crap!
Whistle note.
1936
01:17:15,710 --> 01:17:17,340
That was crazy.
1937
01:17:17,380 --> 01:17:19,090
-That was insane!
-Okay!
1938
01:17:19,130 --> 01:17:20,890
-Whoo!
-You better sing, girl!
1939
01:17:20,930 --> 01:17:22,680
Rachel: You did so good.
[ Laughs ]
1940
01:17:22,720 --> 01:17:24,390
Holly: You got it!
1941
01:17:30,810 --> 01:17:32,610
* This is "The Voice" *
1942
01:17:32,650 --> 01:17:34,190
Daly: Welcome back.
1943
01:17:34,230 --> 01:17:35,860
[ Cheers and applause ]
1944
01:17:35,900 --> 01:17:37,690
Come on, Rachel!
1945
01:17:37,740 --> 01:17:39,320
Come on, Rachel!
1946
01:17:39,360 --> 01:17:40,490
Chance:
Oh, I turned for her.
1947
01:17:40,530 --> 01:17:42,070
I turned
for both of them.
1948
01:17:42,120 --> 01:17:44,080
Come on, Rachel.
You got this.
1949
01:17:44,120 --> 01:17:48,500
Now with "Rhiannon,"
here is Rachel Christine.
1950
01:17:48,540 --> 01:17:55,880
**
1951
01:17:55,920 --> 01:17:59,420
* Rhiannon rings like a bell
through the night *
1952
01:17:59,470 --> 01:18:03,680
* And wouldn't you love
to love her? *
1953
01:18:03,720 --> 01:18:06,600
* Takes to the sky
like a bird in flight *
1954
01:18:06,640 --> 01:18:10,980
* And who will be her lover? *
1955
01:18:11,020 --> 01:18:14,060
* All your life
you've never seen *
Whoo!
1956
01:18:14,110 --> 01:18:18,530
* A woman taken by the wind *
1957
01:18:18,570 --> 01:18:22,200
* Would you stay
if she promised you heaven? *
1958
01:18:22,240 --> 01:18:26,120
* Will you ever win? *
1959
01:18:26,160 --> 01:18:28,870
* She is like a cat
in the dark *
1960
01:18:28,910 --> 01:18:33,290
* And then, baby,
she's your darkness *
Hey!
1961
01:18:33,330 --> 01:18:36,500
* She rules her life
like a fine skylark *
1962
01:18:36,540 --> 01:18:40,550
* When the sky is starless *
1963
01:18:40,590 --> 01:18:43,590
* All your life
you've never seen *
1964
01:18:43,640 --> 01:18:47,930
* A woman taken by the wind *
1965
01:18:47,970 --> 01:18:51,850
* Would you stay
if she promised you heaven? *
1966
01:18:51,890 --> 01:18:55,230
* Will you ever win? *
1967
01:18:55,270 --> 01:19:00,150
* Will you ever win? *
1968
01:19:00,190 --> 01:19:02,400
**
1969
01:19:02,450 --> 01:19:08,280
* Rhiannon *
1970
01:19:09,200 --> 01:19:13,120
Whoo!
* All your life
you've never seen *
1971
01:19:13,160 --> 01:19:17,670
* A woman taken by the wind *
1972
01:19:17,710 --> 01:19:21,380
* Would you stay if
she promised you heaven? *
1973
01:19:21,420 --> 01:19:24,180
* Will you ever win? *
1974
01:19:24,220 --> 01:19:32,140
* I said, will you ever win? *
1975
01:19:32,180 --> 01:19:38,020
* Rhiannon *
Hey!
1976
01:19:38,060 --> 01:19:39,400
[ Cheers and applause ]
1977
01:19:39,440 --> 01:19:45,610
* Rhiannon *
1978
01:19:45,660 --> 01:19:47,120
[ Cheers and applause ]
Oh! Whoa!
1979
01:19:47,160 --> 01:19:50,700
Whoo!
1980
01:19:50,740 --> 01:19:52,120
Whoo!
1981
01:19:52,160 --> 01:19:53,290
Yee-haw!
1982
01:19:53,330 --> 01:19:55,000
My team is so good!
1983
01:19:55,040 --> 01:19:56,790
Yeah, it's pretty crazy.
1984
01:19:56,830 --> 01:19:58,340
Blake: Yeah, you guys
both did great.
1985
01:19:58,380 --> 01:20:00,300
What's not awesome
is knockout rounds.
1986
01:20:00,340 --> 01:20:03,340
They suck!
[ Laughs ]
1987
01:20:03,380 --> 01:20:05,380
Holly, you have
a great yodel
1988
01:20:05,430 --> 01:20:07,800
and really have awesome
control of it.
1989
01:20:07,840 --> 01:20:10,560
Rachel, I felt like after what
Holly came out here and did,
1990
01:20:10,600 --> 01:20:11,810
I mean,
I was just like,
1991
01:20:11,850 --> 01:20:13,350
"And now she's
going to do Rihanna?"
1992
01:20:13,390 --> 01:20:15,890
Like, what?
But you did an awesome job.
1993
01:20:15,940 --> 01:20:18,190
I mean, you really sang
the crap out of it...
Rachel: Thank you so much.
1994
01:20:18,230 --> 01:20:20,980
...and finding some notes that
are different than the record.
Thank you.
1995
01:20:21,020 --> 01:20:24,150
Absolutely nothing
but an awesome performance.
1996
01:20:24,190 --> 01:20:25,490
Thank you.
1997
01:20:25,530 --> 01:20:27,450
Chance: I think, Rachel,
you did a great job
1998
01:20:27,490 --> 01:20:29,320
of coming back
onto my radar.
1999
01:20:29,370 --> 01:20:31,240
I had never heard
this song before.
2000
01:20:31,280 --> 01:20:32,990
I have heard of Rihanna.
2001
01:20:33,040 --> 01:20:34,160
He said it weird
down there.
2002
01:20:34,200 --> 01:20:35,370
Didn't he say Rihanna?
2003
01:20:35,410 --> 01:20:36,540
Yeah, it sounded
like he said Rihanna,
2004
01:20:36,580 --> 01:20:38,170
but he meant
"Rhiannon," yeah.
2005
01:20:38,210 --> 01:20:40,340
Well,
two different things, so...
2006
01:20:40,380 --> 01:20:43,170
[ Laughter ]
2007
01:20:43,210 --> 01:20:44,670
Great performance, Rachel.
Thank you.
2008
01:20:44,710 --> 01:20:46,510
Holly, you completely
blew me away.
2009
01:20:46,550 --> 01:20:47,840
You started off
a cappella.
2010
01:20:47,880 --> 01:20:49,550
You have to have
perfect pitch to, like,
2011
01:20:49,590 --> 01:20:52,220
start like that and stay in it
throughout the song.
2012
01:20:52,260 --> 01:20:53,520
And, yeah, the whistle note
at the end
2013
01:20:53,560 --> 01:20:55,890
was just like
a crazy cherry on top.
2014
01:20:55,930 --> 01:20:58,440
You had already, like,
killed the whole thing,
2015
01:20:58,480 --> 01:20:59,900
and it was just like,
2016
01:20:59,940 --> 01:21:02,270
"He's dead already,"
you know what I mean? So...
2017
01:21:02,320 --> 01:21:04,110
But cool moment, man.
Thank you.
2018
01:21:04,150 --> 01:21:07,650
Rachel, "Rhiannon" is one of
my favorite songs of all time,
2019
01:21:07,700 --> 01:21:10,370
and your ability to change
things up was really impressive.
2020
01:21:10,410 --> 01:21:12,700
You smashed it out of the park.
It was -- It was bulletproof.
2021
01:21:12,740 --> 01:21:15,370
It was really good.
Thank you so much.
2022
01:21:15,410 --> 01:21:18,420
And, Holly, I've been a fan
since day one,
2023
01:21:18,460 --> 01:21:21,210
and I think we got to see
what Holly Brand is about.
2024
01:21:21,250 --> 01:21:23,550
Even down to the outfit
and the sparkly boots and --
2025
01:21:23,590 --> 01:21:24,960
The puffy sleeves.
Yeah.
2026
01:21:25,010 --> 01:21:27,340
I would look like Rob Gronkowski
if I wore them.
2027
01:21:27,380 --> 01:21:28,550
[ Laughter ]
2028
01:21:28,590 --> 01:21:30,050
That whistle tone
at the end,
2029
01:21:30,090 --> 01:21:31,550
don't think people realize
how hard that is to do.
2030
01:21:31,590 --> 01:21:32,760
Just leaning towards Holly
2031
01:21:32,800 --> 01:21:35,350
just for the uniqueness
of things.
2032
01:21:35,390 --> 01:21:36,890
Thank you, Coaches.
2033
01:21:36,930 --> 01:21:38,770
Alright, Kel,
it comes down to you.
Oh, man.
2034
01:21:38,810 --> 01:21:40,770
Give us some thoughts before you
tell us who won the knockout.
2035
01:21:40,810 --> 01:21:42,520
You both picked
perfect songs.
2036
01:21:42,560 --> 01:21:43,900
Holly,
doing the whistle note
2037
01:21:43,940 --> 01:21:45,610
and how you incorporated it
somehow into a --
2038
01:21:45,650 --> 01:21:46,860
like, a Patsy Cline hit...
[ Laughs ]
2039
01:21:46,900 --> 01:21:48,570
I was like,
"That's incredible."
2040
01:21:48,610 --> 01:21:50,360
You were like,
"I don't know if I can belt
2041
01:21:50,410 --> 01:21:51,700
to that one point,"
and you did it,
2042
01:21:51,740 --> 01:21:53,070
and it was,
like, killer.
2043
01:21:53,120 --> 01:21:55,740
So thank you for doing that
and trusting yourself.
2044
01:21:55,790 --> 01:21:59,870
Rachel, you remind me so much
of me when I was younger.
2045
01:21:59,910 --> 01:22:03,080
To come after someone
singing whistle notes
2046
01:22:03,130 --> 01:22:04,710
and the crowd
is like, "Ahh!"
2047
01:22:04,750 --> 01:22:07,050
and then you have to start out
so mysterious
2048
01:22:07,090 --> 01:22:08,470
and all Stevie Nicks, like,
2049
01:22:08,510 --> 01:22:10,840
I don't know that everyone
sitting here could do that
2050
01:22:10,880 --> 01:22:13,510
and not feel a little shaken,
you know?
2051
01:22:13,550 --> 01:22:16,850
You're just a really
incredibly gifted singer.
2052
01:22:16,890 --> 01:22:18,180
Thank you so much.
2053
01:22:18,220 --> 01:22:19,770
[ Cheers and applause ]
2054
01:22:19,810 --> 01:22:22,270
Sorry, buddy.
This is a tough one.
2055
01:22:22,310 --> 01:22:24,610
Who is the winner
of this knockout?
2056
01:22:24,650 --> 01:22:27,150
I need y'all to know
this is my toughest one.
2057
01:22:27,190 --> 01:22:31,280
Musically speaking,
you're both my lane, and...
2058
01:22:31,320 --> 01:22:34,950
**
2059
01:22:34,990 --> 01:22:36,790
Kel?
2060
01:22:36,830 --> 01:22:39,540
**
2061
01:22:39,580 --> 01:22:41,460
The winner of this knockout
is Holly.
2062
01:22:41,500 --> 01:22:42,620
Holly, congratulations!
2063
01:22:42,670 --> 01:22:45,630
You're moving on
to the playoffs!
2064
01:22:45,670 --> 01:22:47,880
She's like a country girl
that hits, like,
2065
01:22:47,920 --> 01:22:50,630
Minnie Riperton,
Mariah whistle notes?
2066
01:22:50,670 --> 01:22:51,720
What?
2067
01:22:51,760 --> 01:22:53,510
Thank you so much.
You killed it.
2068
01:22:53,550 --> 01:22:54,970
I think she just stands out.
2069
01:22:55,010 --> 01:22:56,890
I would be afraid of her
in the finale
2070
01:22:56,930 --> 01:22:59,060
if I were all the other singers.
[ Chuckles ]
2071
01:22:59,100 --> 01:23:02,100
Coaches, let me remind you that
Rachel's available to steal.
2072
01:23:02,140 --> 01:23:03,730
Oh.
Rachel -- Oh!
2073
01:23:03,770 --> 01:23:05,900
Kelly: He did it! He did it!
We got a steal,
2074
01:23:05,940 --> 01:23:08,650
immediately, from Blake Shelton!
Did you do it? Did you do it?
Oh, my God! I love you!
2075
01:23:08,690 --> 01:23:10,490
The last steal that
Blake Shelton will ever have
2076
01:23:10,530 --> 01:23:12,200
was from my team.
2077
01:23:12,240 --> 01:23:13,280
I'm going to remember that.
2078
01:23:13,320 --> 01:23:15,410
Ah, I'm so happy!
2079
01:23:15,450 --> 01:23:16,870
That is the last steal
2080
01:23:16,910 --> 01:23:19,660
of the Blake Shelton
"Voice" career right there.
2081
01:23:19,700 --> 01:23:22,000
Yeah.
Oh, my God.
2082
01:23:22,040 --> 01:23:23,160
That's right.
2083
01:23:23,210 --> 01:23:24,620
I think, in a moment
like that,
2084
01:23:24,670 --> 01:23:27,540
I mean, what Holly did was --
it was flashy,
2085
01:23:27,590 --> 01:23:28,800
and it's undeniable.
2086
01:23:28,840 --> 01:23:30,760
And now you get
to show everybody
2087
01:23:30,800 --> 01:23:33,840
that you can do something
just as incredible.
2088
01:23:33,880 --> 01:23:35,180
Thank you.
[ Chuckles ]
2089
01:23:35,220 --> 01:23:38,300
You're my last steal.
My last steal ever.
2090
01:23:38,350 --> 01:23:40,220
[ Cheers and applause ]
2091
01:23:40,270 --> 01:23:42,180
Daly: Go meet your new coach!
2092
01:23:42,230 --> 01:23:45,850
Blake:
I'm so happy I stole Rachel.
She sang flawlessly.
2093
01:23:45,900 --> 01:23:48,310
I just think she's
a very diverse vocalist,
2094
01:23:48,360 --> 01:23:49,440
and I need that on my team.
2095
01:23:49,480 --> 01:23:52,240
I love you!
That was so awesome!
2096
01:23:52,280 --> 01:23:53,820
Rachel: I never thought that
Blake would save me
2097
01:23:53,860 --> 01:23:55,410
because I don't do
any country music.
2098
01:23:55,450 --> 01:23:56,820
So that meant the world.
2099
01:23:56,870 --> 01:23:58,530
And to hear that it was
his last save, like,
2100
01:23:58,580 --> 01:24:00,540
that's a --
I'm putting that on a résumé.
2101
01:24:00,580 --> 01:24:02,500
Sorry,
I'm very flustered right now.
2102
01:24:02,540 --> 01:24:04,120
[ Laughs ]
Welcome to Team Blake.
2103
01:24:04,160 --> 01:24:05,120
Thank you.
2104
01:24:05,170 --> 01:24:15,090
**
2105
01:24:15,130 --> 01:24:25,100
**
2106
01:24:25,140 --> 01:24:35,110
**
158971
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