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1
00:00:04,790 --> 00:00:06,880
[ Cheers and applause ]
2
00:00:06,920 --> 00:00:09,460
[ Scatting ]
3
00:00:09,500 --> 00:00:11,170
Whoo!
4
00:00:12,550 --> 00:00:14,340
* He fills me up *
Yeah!
5
00:00:14,380 --> 00:00:16,010
* He fills me up *
6
00:00:16,050 --> 00:00:18,010
Daly: That is the sound
of a steal!
7
00:00:18,050 --> 00:00:20,680
Blake: The knockouts this year
are just next-level.
8
00:00:20,720 --> 00:00:23,180
**
9
00:00:23,230 --> 00:00:25,100
These are the last knockouts
10
00:00:25,150 --> 00:00:27,020
that I'll ever get
a chance to coach,
11
00:00:27,060 --> 00:00:29,150
and I am absolutely blown away
12
00:00:29,190 --> 00:00:31,030
because our Mega Mentor
this season
13
00:00:31,070 --> 00:00:33,900
is one of the greatest
country artists of all time.
14
00:00:33,950 --> 00:00:35,160
Oh, my God.
15
00:00:35,200 --> 00:00:36,360
She's a legend
in the industry.
16
00:00:36,410 --> 00:00:37,780
No.
[ Chuckles ]
17
00:00:37,820 --> 00:00:39,200
She has had her own TV show.
18
00:00:39,240 --> 00:00:40,410
Oh, my God!
19
00:00:40,450 --> 00:00:42,000
So the Mega Mentor
this season
20
00:00:42,040 --> 00:00:43,750
is [rolls tongue]
21
00:00:43,790 --> 00:00:45,750
Reba McEntire!
22
00:00:45,790 --> 00:00:49,210
* Here's your one chance, Fancy,
don't let me down *
23
00:00:49,250 --> 00:00:52,050
I see Reba McEntire,
and I faint.
24
00:00:52,090 --> 00:00:53,510
Oh, my gosh.
25
00:00:53,550 --> 00:00:56,010
She's been in film
and television and music.
26
00:00:56,050 --> 00:00:58,720
You really touched
my heart.
Thank you so much.
27
00:00:58,760 --> 00:01:00,640
Niall:
She is the queen of country.
28
00:01:00,680 --> 00:01:02,430
Blake:
She performed on Broadway.
29
00:01:02,470 --> 00:01:04,890
Kelly: She's won every award
you could possibly win.
30
00:01:04,930 --> 00:01:06,690
She's such a pioneer
for women in music,
31
00:01:06,730 --> 00:01:08,360
and I'm excited
for these performers
32
00:01:08,400 --> 00:01:09,650
to get to grow a little bit more
with her.
33
00:01:09,690 --> 00:01:12,400
* Ain't living lo-o-o-ng
like this *
34
00:01:12,440 --> 00:01:13,900
[ Laughs ]
That was pretty slick.
35
00:01:13,940 --> 00:01:16,280
Whatever the story is,
I see it in my mind.
36
00:01:16,320 --> 00:01:17,910
You just got, like,
advice from, like,
37
00:01:17,950 --> 00:01:19,620
one of the greatest artists
in the whole world.
I know.
38
00:01:19,660 --> 00:01:21,910
She's the ultimate storyteller,
hands down.
39
00:01:21,950 --> 00:01:25,660
You need to almost be
that brink of, "God, help me."
40
00:01:25,710 --> 00:01:27,710
If you do it that way,
we'll feel it.
41
00:01:27,750 --> 00:01:29,630
I'm getting goosebumps
even talking about it now.
42
00:01:29,670 --> 00:01:31,500
It's amazing
to be in her presence.
43
00:01:31,540 --> 00:01:33,420
I'm pretending that I don't have
to pee my pants right now, so...
44
00:01:33,460 --> 00:01:36,880
* Here's your one chance, Fancy,
don't let me down *
[ Laughter ]
45
00:01:36,930 --> 00:01:38,470
**
46
00:01:38,510 --> 00:01:40,970
Well, this is a full-circle
moment for me
47
00:01:41,010 --> 00:01:44,430
'cause you were my adviser
Season 1.
Uh-huh.
48
00:01:44,470 --> 00:01:46,600
Now it's my last season
49
00:01:46,640 --> 00:01:48,440
and you're mentoring me
one more time.
50
00:01:48,480 --> 00:01:50,980
What does that say
about our relationship?
51
00:01:51,020 --> 00:01:54,030
You brought me into this,
and now you're taking me out.
52
00:01:54,070 --> 00:01:55,900
[ Laughs ]
That's what it means.
53
00:01:55,940 --> 00:01:58,570
Oh, it's so much fun
to be back on "The Voice" again.
54
00:01:58,610 --> 00:02:01,780
It's always a lot of fun
to give advice
55
00:02:01,830 --> 00:02:04,950
because I study people
when they perform,
56
00:02:05,000 --> 00:02:08,960
and I want to be touched
when they're singing to me.
57
00:02:09,000 --> 00:02:10,330
Come on in
to my office here.
58
00:02:10,380 --> 00:02:12,880
I let Kelly use
this office of mine, too.
59
00:02:12,920 --> 00:02:16,670
Well, that was very nice of you
to let Kelly be a part.
60
00:02:16,720 --> 00:02:21,970
This world exposure
for these kids -- phenomenal.
61
00:02:22,010 --> 00:02:23,760
What an education.
62
00:02:23,810 --> 00:02:26,020
I mean, they get to work
with the greatest coaches.
63
00:02:26,060 --> 00:02:29,480
It's just an opportunity
and a chance of a lifetime.
64
00:02:29,520 --> 00:02:32,860
I'm -- I'm excited to see
who our Mega Mentor is, too.
65
00:02:32,900 --> 00:02:34,480
Who this person is...
66
00:02:34,520 --> 00:02:37,740
So, this is one of my steals,
a guy named NOIVAS.
67
00:02:37,780 --> 00:02:40,660
He's a Texas guy.
He's kind of a soul guy.
68
00:02:40,700 --> 00:02:44,120
And then I have Tasha,
who is also very soulful.
69
00:02:44,160 --> 00:02:48,370
And she can cover a lot of
different ground artistically.
Uh-huh.
70
00:02:48,410 --> 00:02:51,500
In the knockouts, artists
are picking their own songs
71
00:02:51,540 --> 00:02:54,460
and this is their chance to show
what lane they want to be in.
72
00:02:54,500 --> 00:02:56,800
Let's bring 'em out here
and see what happens.
Okay. Yeah, let's see.
73
00:02:56,840 --> 00:02:59,010
I hope these artists realize
how lucky they are.
74
00:02:59,050 --> 00:03:02,550
There's really nothing
that Reba hasn't done
75
00:03:02,590 --> 00:03:04,510
andhasn't done well.
76
00:03:04,550 --> 00:03:07,140
Oh, he's got
the cowboy hat on.
What?
77
00:03:07,180 --> 00:03:09,350
Get on out here.
[ Laughs ]
78
00:03:09,390 --> 00:03:11,480
Oh, my God.
79
00:03:11,520 --> 00:03:15,150
Reba McEntire --
the queen of country.
80
00:03:15,190 --> 00:03:17,110
I used to watch her show
back home.
81
00:03:17,150 --> 00:03:20,780
* A single mom
who works two jobs *
Reba: Hi. How you doing?
82
00:03:20,820 --> 00:03:23,450
* Who loves her kids
and never stops *
Hello, hello. How are you?
83
00:03:23,490 --> 00:03:25,200
Oh, my God! Reba!
So nice to meet you.
84
00:03:25,240 --> 00:03:26,870
Nice to meet you, too.
85
00:03:26,910 --> 00:03:27,870
I froze.
86
00:03:27,910 --> 00:03:30,040
I didn't believe
that she was real,
87
00:03:30,080 --> 00:03:31,370
and I started, like, crying.
88
00:03:31,410 --> 00:03:34,420
I had tears in my eyes.
She's a legend.
89
00:03:34,460 --> 00:03:36,380
I mean, it's Reba.
Oh, my God. I know.
90
00:03:36,420 --> 00:03:38,380
Like, oh, okay.
91
00:03:38,420 --> 00:03:39,590
[ Laughs ]
92
00:03:39,630 --> 00:03:41,260
So who's going first?
93
00:03:41,300 --> 00:03:42,630
I'm going first.
Alright. Okay.
94
00:03:42,680 --> 00:03:45,470
So, Reba, Chance
actually blocked Blake.
95
00:03:45,510 --> 00:03:47,510
[ Cheers and applause ]
96
00:03:47,560 --> 00:03:50,310
And so, during my battles,
he stole me.
Perfect.
97
00:03:50,350 --> 00:03:53,650
So I'm ready to do this.
He looks like me up there.
He's got his cowboy boots on.
98
00:03:53,690 --> 00:03:55,480
He's got his hat,
his mullet.
Look at that.
99
00:03:55,520 --> 00:03:57,570
For me to get
one of the last steals
100
00:03:57,610 --> 00:03:59,730
that Blake will ever give
on this show...
101
00:03:59,780 --> 00:04:02,530
I'm gonna take him.
...it's an absolute honor.
102
00:04:02,570 --> 00:04:04,410
I'm singing
"I Put a Spell on You"
103
00:04:04,450 --> 00:04:05,950
by
Screamin' Jay Hawkins.
104
00:04:05,990 --> 00:04:09,410
But I am doing both
Nina Simone's version
105
00:04:09,450 --> 00:04:12,160
and Annie Lennox.
Love her version.
106
00:04:12,210 --> 00:04:15,130
I'm also a girl dad,
so I love the feminine energy.
107
00:04:15,170 --> 00:04:17,750
Good deal.
So, I want to bring that
into this.
108
00:04:17,790 --> 00:04:18,590
Okay.
109
00:04:18,630 --> 00:04:25,470
* I put a spell on you *
110
00:04:25,510 --> 00:04:28,560
I am doing one of the most
iconic songs of all time.
111
00:04:28,600 --> 00:04:32,980
* I ain't lyin' *
112
00:04:33,020 --> 00:04:35,940
* You know I can't
stand it *
113
00:04:35,980 --> 00:04:37,400
* You've been
runnin' around *
114
00:04:37,440 --> 00:04:39,190
I grew up
listening to Nina Simone.
115
00:04:39,230 --> 00:04:41,690
I started to really study her.
116
00:04:41,740 --> 00:04:44,110
She immersed herself
into the music,
117
00:04:44,150 --> 00:04:47,490
and that was the challenge
that I wanted to try.
118
00:04:47,530 --> 00:04:50,790
Can I be that vessel
in this song
119
00:04:50,830 --> 00:04:53,000
and be able to touch everyone?
120
00:04:53,040 --> 00:04:56,250
I think it could move me
to the playoff rounds.
121
00:04:56,290 --> 00:04:59,790
[ Scatting ]
122
00:04:59,840 --> 00:05:00,800
Holy crap.
123
00:05:00,840 --> 00:05:02,210
* Miiiiiine *
124
00:05:02,260 --> 00:05:06,010
NOIVAS -- I had no idea
a guy would have the range,
125
00:05:06,050 --> 00:05:07,470
which is powerful.
126
00:05:07,510 --> 00:05:08,850
Man, I didn't expect that
from you.
127
00:05:08,890 --> 00:05:10,470
That's -- That's incredible.
Incredible.
128
00:05:10,510 --> 00:05:11,810
And you looked
right at me.
129
00:05:11,850 --> 00:05:14,560
You're not afraid
of eye contact. Loved it.
130
00:05:14,600 --> 00:05:16,640
NOIVAS kinda has it all.
I'm figuring that out.
131
00:05:16,690 --> 00:05:17,980
He's got stage presence.
132
00:05:18,020 --> 00:05:19,940
He's not afraid to mean
what he's singing,
133
00:05:19,980 --> 00:05:21,110
and that goes a long way.
134
00:05:21,150 --> 00:05:24,320
So you end with the big
head-voice thing,
135
00:05:24,360 --> 00:05:26,820
and then you went back
into chest voice,
136
00:05:26,860 --> 00:05:29,820
and the transition between
the two goes off the rails.
137
00:05:29,870 --> 00:05:32,990
Got you.
I can guarantee you
she's gonna come up here
138
00:05:33,040 --> 00:05:34,750
and everything's gonna
be put together.
139
00:05:34,790 --> 00:05:36,210
This is the best
of the best now.
140
00:05:36,250 --> 00:05:37,580
And -- And you're
one of them.
141
00:05:37,620 --> 00:05:39,580
I just don't want you
to leave any stone unturned.
142
00:05:39,630 --> 00:05:41,800
Yes, sir.
Blake: Each coach
only has one steal.
143
00:05:41,840 --> 00:05:44,010
That puts extra pressure
on these artists
144
00:05:44,050 --> 00:05:46,010
to bring their A-game
because we're going
145
00:05:46,050 --> 00:05:48,840
to the playoffs from here,
and that's a big step.
146
00:05:48,890 --> 00:05:50,510
Do you think it would be
more powerful
147
00:05:50,550 --> 00:05:52,760
to leave out
the last adlib singing?
148
00:05:52,810 --> 00:05:54,680
Oh, the * Ohhhh *
149
00:05:54,720 --> 00:05:56,520
Like, the outro?
End there and take the adoration
150
00:05:56,560 --> 00:05:57,890
that everybody's gonna be
giving you.
151
00:05:57,940 --> 00:05:59,350
This is an amazing
opportunity
152
00:05:59,400 --> 00:06:01,650
from, like,
the queen of country.
153
00:06:01,690 --> 00:06:02,820
Thank you. Thanks.
You know?
154
00:06:02,860 --> 00:06:05,110
What is some
of the best advice
155
00:06:05,150 --> 00:06:06,280
that you've received?
156
00:06:06,320 --> 00:06:08,660
A woman
named Mae Boren Axton
157
00:06:08,700 --> 00:06:12,030
always told me,
"Show up on time. Be prepared.
158
00:06:12,080 --> 00:06:14,580
Don't waste
anybody else's time."
Awesome.
159
00:06:14,620 --> 00:06:17,540
Two of country's biggest stars
160
00:06:17,580 --> 00:06:19,670
gave me some
really great advice.
161
00:06:19,710 --> 00:06:21,750
I'm definitely gonna
take advantage
162
00:06:21,790 --> 00:06:24,130
and knock out my knockout song.
163
00:06:24,170 --> 00:06:26,170
Good job.
That was amazing.
Thank you. Thank you.
164
00:06:26,210 --> 00:06:27,550
Tasha: I'm really nervous.
165
00:06:27,590 --> 00:06:30,010
NOIVAS' magic,
but I just want to show Blake
166
00:06:30,050 --> 00:06:31,640
that I am a storyteller.
167
00:06:31,680 --> 00:06:34,310
And I hope I get to continue
on his team.
168
00:06:34,350 --> 00:06:36,730
It would be incredible
if I made it to the playoffs.
169
00:06:36,770 --> 00:06:39,190
Maybe I should leave it
right here.
[ Laughs ]
170
00:06:39,230 --> 00:06:42,310
I'm singing
"Take Me to Church" by Hozier.
171
00:06:42,360 --> 00:06:43,310
I'm really excited.
172
00:06:43,360 --> 00:06:44,610
Hozier is so good
173
00:06:44,650 --> 00:06:45,900
with his songwriting
and his storytelling,
174
00:06:45,940 --> 00:06:47,570
and I just want
to be able to do that.
175
00:06:47,610 --> 00:06:49,070
It kind of reminds me
of my husband
176
00:06:49,110 --> 00:06:50,610
and singing it to him.
177
00:06:50,660 --> 00:06:53,030
* My lover's got humor *
178
00:06:53,070 --> 00:06:55,700
Moving from Pakistan
to the United States,
179
00:06:55,740 --> 00:06:57,250
it's a huge culture shock.
180
00:06:57,290 --> 00:07:00,000
* Amen *
181
00:07:00,040 --> 00:07:02,630
Western music
is not a big thing in Pakistan,
182
00:07:02,670 --> 00:07:05,300
and so I slowly just started
getting into more
183
00:07:05,340 --> 00:07:06,920
soul and gospel music.
184
00:07:06,960 --> 00:07:08,510
* Take me to church *
185
00:07:08,550 --> 00:07:12,010
* I'll worship like a dog
at the shrine of your lies *
186
00:07:12,050 --> 00:07:14,260
Having lived so many things
in my life,
187
00:07:14,300 --> 00:07:17,430
I'm able to just emote
the story of a song.
188
00:07:17,470 --> 00:07:20,730
And if everybody's feeling what
I'm feeling during that song,
189
00:07:20,770 --> 00:07:23,690
I'm gonna win this knockout,
hopefully.
190
00:07:23,730 --> 00:07:27,360
[ Vocalizing ]
191
00:07:27,400 --> 00:07:29,400
Whoo! Whoo!
192
00:07:29,440 --> 00:07:31,110
Thank you!
Yes.
193
00:07:31,150 --> 00:07:32,780
How did
that big voice come out
194
00:07:32,820 --> 00:07:35,370
of a little old bitty gal
like you?
[ Laughs ]
195
00:07:35,410 --> 00:07:36,910
Tasha is so cute.
196
00:07:36,950 --> 00:07:40,000
I thought she'll be
a little timid, but huge voice.
197
00:07:40,040 --> 00:07:42,960
Great range.
Just amazingly talented.
198
00:07:43,000 --> 00:07:45,380
My only concern
is the key.
199
00:07:45,420 --> 00:07:46,670
You're having
to get down there,
200
00:07:46,710 --> 00:07:48,800
and it just felt like
losing you a little bit.
201
00:07:48,840 --> 00:07:52,220
But the key you're in takes you
way up there, too, you know?
202
00:07:52,260 --> 00:07:53,550
Stratosphere.
203
00:07:53,590 --> 00:07:55,640
So it might just be
breathing.
Yeah.
204
00:07:55,680 --> 00:07:57,640
'Cause I've heard you hit
the low stuff before.
205
00:07:57,680 --> 00:07:59,220
This is a tough song.
206
00:07:59,270 --> 00:08:01,140
It's got the lowest of lows
and -- and highest of highs.
207
00:08:01,180 --> 00:08:03,730
But I do think this is
a good choice for Tasha
208
00:08:03,770 --> 00:08:05,690
to show
what she's capable of.
209
00:08:05,730 --> 00:08:07,190
How do you connect
with the audience
210
00:08:07,230 --> 00:08:09,110
and make them feel
what you are feeling?
211
00:08:09,150 --> 00:08:12,320
Reba: I've got a video
running in my mind of this song,
212
00:08:12,360 --> 00:08:14,990
so I'm telling the audience
the story as I see it.
213
00:08:15,030 --> 00:08:18,330
Got it.
Bring 'em on stage
with that eye contact
214
00:08:18,370 --> 00:08:21,660
so they think you're there
especially for them.
215
00:08:21,710 --> 00:08:23,830
Mm.
Garth stole that from Reba.
216
00:08:23,870 --> 00:08:27,840
[ Laughs ]
Copied you in every way.
217
00:08:27,880 --> 00:08:29,380
Well, this is an honor.
Well, come on up here.
218
00:08:29,420 --> 00:08:30,590
Oh, thank you.
219
00:08:30,630 --> 00:08:32,220
I can't hit a fourth
of the notes
220
00:08:32,260 --> 00:08:33,470
you guys have,
221
00:08:33,510 --> 00:08:36,010
so I was always giving more
222
00:08:36,050 --> 00:08:37,850
just to be friends
with the audience.
223
00:08:37,890 --> 00:08:39,220
Doing television
helped me with that
224
00:08:39,260 --> 00:08:41,980
'cause when you see somebody
on a sitcom,
225
00:08:42,020 --> 00:08:43,180
you think they're
your best friend
226
00:08:43,230 --> 00:08:45,020
because they were
in your living room.
227
00:08:45,060 --> 00:08:48,110
Doesn't matter if you're playing
for 12 people or 70,000.
228
00:08:48,150 --> 00:08:51,110
Make 'em feel like
you're so glad they're here.
229
00:08:51,150 --> 00:08:52,150
Great advice.
230
00:08:52,190 --> 00:08:53,570
They've got great ranges.
231
00:08:53,610 --> 00:08:56,490
I think what will help Blake
is how the audience react
232
00:08:56,530 --> 00:08:58,030
to each of them.
233
00:08:58,070 --> 00:09:00,660
I'm not gonna lie, Reba.
I follow you on TikTok.
234
00:09:00,700 --> 00:09:02,040
So...
Oh, no kidding?
235
00:09:02,080 --> 00:09:03,620
Blake: Tasha has been
one of my favorites
236
00:09:03,660 --> 00:09:05,120
from the beginning,
and then NOIVAS
237
00:09:05,170 --> 00:09:07,170
coming out of nowhere
with this massive talent --
238
00:09:07,210 --> 00:09:10,050
this may be the hardest decision
I have this season.
239
00:09:10,090 --> 00:09:11,710
I don't know
what I'm gonna do.
240
00:09:11,760 --> 00:09:14,220
He's incredible.
Oh, my gosh.
241
00:09:14,260 --> 00:09:15,300
He's on the radar now.
242
00:09:15,340 --> 00:09:16,590
He looked me in the eye.
243
00:09:16,630 --> 00:09:18,220
I can't even do it
with you right now.
244
00:09:18,260 --> 00:09:20,560
I'm trying to --
I'm looking away.
[ Laughs ]
245
00:09:20,600 --> 00:09:22,310
[ Laughs ]
246
00:09:22,350 --> 00:09:23,600
[ Cheers and applause ]
247
00:09:23,640 --> 00:09:24,850
Daly: How about a quick
hello to our four
248
00:09:24,890 --> 00:09:26,600
Playoff Pass artists
right up here?
249
00:09:26,640 --> 00:09:30,150
D.Smooth, Ryley, Manasseh,
and Mary Kate.
250
00:09:30,190 --> 00:09:32,150
Alright, alright,
D.Smooth!
251
00:09:32,190 --> 00:09:33,610
Kelly!
They get to sit out
this week
252
00:09:33,650 --> 00:09:34,940
because they were sent directly
253
00:09:34,990 --> 00:09:36,280
to the playoffs
by their coaches.
254
00:09:36,320 --> 00:09:37,950
They're gonna be here
all night long.
255
00:09:37,990 --> 00:09:41,120
Let's kick it off.
The knockouts begin right now.
256
00:09:41,160 --> 00:09:42,330
Yeah!
257
00:09:42,370 --> 00:09:44,870
[ Cheers and applause ]
258
00:09:44,910 --> 00:09:48,790
Singing "I Put a Spell on You",
here's NOIVAS.
259
00:09:48,830 --> 00:09:51,040
I love this song.
260
00:09:53,460 --> 00:09:56,510
**
261
00:09:56,550 --> 00:10:03,560
* I put a spell on you *
262
00:10:03,600 --> 00:10:09,650
* Because you're mine *
263
00:10:11,270 --> 00:10:16,280
* You better stop
the things you do *
264
00:10:18,610 --> 00:10:23,030
* I tell you, I ain't lyin' *
265
00:10:23,080 --> 00:10:25,250
Come on, lyin'.
Come on, lyin'. Come on.
266
00:10:25,290 --> 00:10:28,670
* I ain't lyin' *
267
00:10:28,710 --> 00:10:31,630
* You know I can't stand it *
268
00:10:31,670 --> 00:10:33,090
* You've been runnin' around *
269
00:10:33,130 --> 00:10:36,090
* You know better, baby *
270
00:10:36,130 --> 00:10:38,930
* I can't stand it,
'cause you're putting me down *
271
00:10:38,970 --> 00:10:40,050
Hey!
272
00:10:40,090 --> 00:10:46,560
* Oh, I put a spell on you *
273
00:10:46,600 --> 00:10:48,640
**
274
00:10:48,690 --> 00:10:53,610
* Because you're mine *
275
00:10:53,650 --> 00:10:57,280
* Oh-oh-oh-oh-oh,
ohh-ohh-ohh *
276
00:10:57,320 --> 00:10:58,360
Yes!
277
00:10:59,200 --> 00:11:00,860
* You know I love you *
278
00:11:00,910 --> 00:11:03,830
* I love you, I love you *
279
00:11:03,870 --> 00:11:06,080
* I love you anyhow *
280
00:11:06,120 --> 00:11:10,210
* And I don't care
if you don't want me *
281
00:11:10,250 --> 00:11:13,040
* 'Cause I'm yours forever now *
282
00:11:13,080 --> 00:11:16,000
Oh!
* I put a spell on you *
283
00:11:16,050 --> 00:11:17,630
Ha-ha-ha-ha-ha-ha-ha.
284
00:11:17,670 --> 00:11:19,130
[ Laughs ]
285
00:11:19,170 --> 00:11:25,640
* Because you're miiiiiiine *
286
00:11:25,680 --> 00:11:28,020
[ Cheers and applause ]
287
00:11:28,060 --> 00:11:33,400
* Becaaaaaause *
288
00:11:33,440 --> 00:11:34,520
Whoo!
289
00:11:34,560 --> 00:11:37,530
[ Scatting ]
290
00:11:37,570 --> 00:11:38,650
Yeah!
291
00:11:38,690 --> 00:11:48,450
* You're miiiiiiiiiine *
292
00:11:48,500 --> 00:11:51,210
[ Cheers and applause ]
293
00:11:51,250 --> 00:11:52,290
You're mine.
294
00:11:52,330 --> 00:11:54,880
Yo, wait.
295
00:11:54,920 --> 00:11:57,630
Yo,
he's still on his knees!
296
00:11:57,670 --> 00:12:00,510
That boy a actor!
Geez!
297
00:12:00,550 --> 00:12:03,010
[ Cheers and applause ]
298
00:12:03,050 --> 00:12:04,890
Look at him,
going all the way back!
299
00:12:04,930 --> 00:12:06,550
[ Laughs ]
300
00:12:06,600 --> 00:12:07,890
Good job, man.
301
00:12:07,930 --> 00:12:09,810
[ Cheers and applause ]
302
00:12:09,850 --> 00:12:11,020
[ Sighs ]
303
00:12:11,060 --> 00:12:12,640
And now with
"Take Me to Church",
304
00:12:12,690 --> 00:12:14,810
here's Tasha Jessen.
305
00:12:14,850 --> 00:12:16,060
Mary Kate:
Come on, Tash!
306
00:12:16,110 --> 00:12:18,730
Ryley:
Come on, Tasha!
307
00:12:18,780 --> 00:12:22,860
**
308
00:12:22,900 --> 00:12:25,570
* My lover's got humor *
309
00:12:25,620 --> 00:12:28,370
* She's the giggle
at a funeral *
310
00:12:28,410 --> 00:12:31,290
* Knows everybody's
disapproval *
311
00:12:31,330 --> 00:12:34,080
* Should have
worshiped her sooner *
312
00:12:34,120 --> 00:12:37,000
* If the Heavens
ever did speak *
313
00:12:37,040 --> 00:12:39,800
* She's the last
true mouthpiece *
314
00:12:39,840 --> 00:12:42,800
* Every Sunday's
getting more bleak *
315
00:12:42,840 --> 00:12:45,260
* Fresh poison each week *
316
00:12:45,300 --> 00:12:48,970
* I was born sick,
but I love it *
317
00:12:49,010 --> 00:12:51,640
* Command me to be well *
318
00:12:51,680 --> 00:12:54,480
* A-A-A-A-A *
319
00:12:54,520 --> 00:12:57,360
* Amen *
320
00:12:57,400 --> 00:12:59,940
* Amen *
321
00:12:59,980 --> 00:13:03,610
* Amen *
322
00:13:03,650 --> 00:13:05,240
* Take me to church *
323
00:13:05,280 --> 00:13:08,700
* I'll worship like a dog
at the shrine of your lies *
324
00:13:08,740 --> 00:13:12,450
* I'll tell you my sins
so you can sharpen your knife *
325
00:13:12,500 --> 00:13:15,290
* Offer me
that deathless death *
326
00:13:15,330 --> 00:13:18,710
* Good God,
let me give you my life *
327
00:13:18,750 --> 00:13:26,800
* In the madness and soil
of that sad earthly scene *
328
00:13:26,840 --> 00:13:30,640
* Only then I am human *
Come on!
329
00:13:30,680 --> 00:13:34,060
* Only then I am clean *
330
00:13:34,100 --> 00:13:37,810
* And only then I am human *
331
00:13:37,850 --> 00:13:41,820
* And only then I am clean *
332
00:13:41,860 --> 00:13:43,150
Go, Tasha!
333
00:13:43,190 --> 00:13:44,780
* Take me to chuuuuuurch *
334
00:13:44,820 --> 00:13:47,910
* I'll worship like a dog
at the shrine of your lies *
335
00:13:47,950 --> 00:13:52,040
* I'll tell you my sins
so you can sharpen your knife *
336
00:13:52,080 --> 00:13:54,870
* Offer me
that deathless death *
337
00:13:54,910 --> 00:13:57,920
* Good God,
let me give you my life *
338
00:13:57,960 --> 00:13:59,500
* Take me to church *
339
00:13:59,540 --> 00:14:03,050
* I'll worship like a dog
at the shrine of your lies *
340
00:14:03,090 --> 00:14:07,050
* I'll tell you my sins
so you can sharpen your knife *
341
00:14:07,090 --> 00:14:09,640
* Offer me
that deathless death *
342
00:14:09,680 --> 00:14:13,010
* And Good God,
let me give you my life *
343
00:14:13,060 --> 00:14:19,940
* Take me to chuuuuuurch, ohh *
344
00:14:19,980 --> 00:14:21,860
[ Cheers and applause ]
345
00:14:21,900 --> 00:14:22,860
Damn!
346
00:14:22,900 --> 00:14:24,360
Great stuff.
347
00:14:27,650 --> 00:14:29,360
That was crazy.
348
00:14:29,410 --> 00:14:30,660
Both of you.
349
00:14:30,700 --> 00:14:33,660
[ Cheers and applause ]
350
00:14:34,450 --> 00:14:36,960
NOIVAS, you have got to pay
for a floor cleaning bill.
351
00:14:37,000 --> 00:14:38,540
[ Laughter ]
352
00:14:38,580 --> 00:14:40,710
You've just scraped up
that stage with that mic stand.
353
00:14:40,750 --> 00:14:43,340
That's beyond cleaning.
It's damaged.
Yeah.
354
00:14:43,380 --> 00:14:45,380
NOIVAS, every time,
you just bring it.
355
00:14:45,420 --> 00:14:48,970
Dude, you're impressive.
Wow. Appreciate it.
356
00:14:49,010 --> 00:14:52,680
Tasha, I remember turning
and losing.
357
00:14:52,720 --> 00:14:54,890
[ Laughter ]
I'm sorry.
358
00:14:54,930 --> 00:14:57,430
To take a huge song on
like that,
359
00:14:57,480 --> 00:14:59,270
and to take it
to another level,
360
00:14:59,310 --> 00:15:01,310
stuff that Hozier didn't even
manage to get on the record,
361
00:15:01,350 --> 00:15:04,400
he'd be very proud
of that rendition.
Thank you so much.
Thank you.
362
00:15:04,440 --> 00:15:06,230
Blakey boy,
you've been doing this
363
00:15:06,280 --> 00:15:07,570
for a very long time.
364
00:15:07,610 --> 00:15:10,740
Too long,
some would say.
[ Laughter ]
365
00:15:10,780 --> 00:15:12,910
But, um, I'd lean
towards Tasha.
366
00:15:12,950 --> 00:15:15,160
Okay.
Thank you so much.
367
00:15:15,200 --> 00:15:17,500
Tasha, what I'm really
impressed with is the control
368
00:15:17,540 --> 00:15:19,210
when you're in
that lower register.
369
00:15:19,250 --> 00:15:21,210
Yeah.
It was so fire
to just see you, like,
370
00:15:21,250 --> 00:15:23,420
hold in that space.
Thank you, Chance.
371
00:15:23,460 --> 00:15:25,590
NOIVAS,
you were on my team.
372
00:15:25,630 --> 00:15:28,090
I blocked you
from being on Blake's team,
373
00:15:28,130 --> 00:15:30,090
and you're like,
"You may not have loved me,
374
00:15:30,130 --> 00:15:31,760
but now you're mine,"
and I felt the lyrics
375
00:15:31,800 --> 00:15:33,090
coming towards me.
376
00:15:33,140 --> 00:15:35,350
[ Laughter ]
377
00:15:35,390 --> 00:15:37,640
It was teetering
in the diss record category,
378
00:15:37,680 --> 00:15:38,980
but I was like --
379
00:15:39,020 --> 00:15:40,770
But I just wanted
to let you know, like,
380
00:15:40,810 --> 00:15:42,350
I'm a fan.
381
00:15:42,400 --> 00:15:44,270
The icing on the cake
is that you will do something,
382
00:15:44,310 --> 00:15:47,360
like, swing the mic stand around
in the song, on your knees,
383
00:15:47,400 --> 00:15:48,940
which I thought
was so fire.
384
00:15:48,990 --> 00:15:51,650
I would probably
lean towards NOIVAS.
385
00:15:51,700 --> 00:15:53,780
Your height difference
is just incredible.
386
00:15:53,820 --> 00:15:58,540
It's literally like
if I'm standing next to Blake.
387
00:15:58,580 --> 00:16:00,330
NOIVAS, you, like,
totally embodied
388
00:16:00,370 --> 00:16:01,710
what the message
was about.
389
00:16:01,750 --> 00:16:03,290
We're all fans of you.
390
00:16:03,330 --> 00:16:04,830
Tasha, like,
you shocked me.
391
00:16:04,880 --> 00:16:07,840
Like, a whole other Tasha
came out in this performance.
392
00:16:07,880 --> 00:16:11,630
It sounded perfectly raw
and beautiful.
Thanks, Kelly.
393
00:16:11,680 --> 00:16:14,680
Blake, I think either one
you'd do great with.
394
00:16:14,720 --> 00:16:17,100
Thank you, Coaches.
395
00:16:17,140 --> 00:16:19,100
Alright, cowboy,
it comes down to you.
396
00:16:19,140 --> 00:16:20,350
Blake:
Just flip a coin here.
397
00:16:20,390 --> 00:16:23,060
It was that impressive
on both ends.
398
00:16:23,100 --> 00:16:24,770
NOIVAS, I thought
there was a chance
399
00:16:24,810 --> 00:16:27,820
that you took
the word knockouts literally.
400
00:16:27,860 --> 00:16:29,400
[ Laughter ]
401
00:16:29,440 --> 00:16:31,950
Got a little bit wild,
and it scared me,
402
00:16:31,990 --> 00:16:33,200
and I liked that,
yeah, yeah.
403
00:16:33,240 --> 00:16:34,490
[ Laughter ]
404
00:16:34,530 --> 00:16:37,330
Your talent is shocking,
and it's fearless.
405
00:16:37,370 --> 00:16:38,660
[ Cheers and applause ]
406
00:16:38,700 --> 00:16:41,250
And then, Tasha,
I'm never surprised by you
407
00:16:41,290 --> 00:16:42,620
because you got that
out of the way
408
00:16:42,660 --> 00:16:44,830
when you chose me
as your coach to begin with.
409
00:16:44,870 --> 00:16:49,130
Nobody was more surprised
than I was that you picked me.
I was.
410
00:16:49,170 --> 00:16:51,590
[ Laughter ]
411
00:16:51,630 --> 00:16:53,840
Sorry.
And so it's great
to have, you know,
412
00:16:53,880 --> 00:16:56,050
artists that come
and audition for this show
413
00:16:56,090 --> 00:16:57,510
that you wonder
how in the hell
414
00:16:57,550 --> 00:17:00,640
has this person
not already made it?
Yeah.
415
00:17:00,680 --> 00:17:02,180
Thank you, Blake.
416
00:17:02,230 --> 00:17:03,640
[ Applause ]
417
00:17:03,690 --> 00:17:05,560
Blake, who's the winner
of this knockout?
418
00:17:05,600 --> 00:17:10,940
**
419
00:17:10,980 --> 00:17:16,320
**
420
00:17:16,360 --> 00:17:18,410
Winner of this knockout
is NOIVAS.
421
00:17:18,450 --> 00:17:21,330
NOIVAS,
congratulations!
422
00:17:21,370 --> 00:17:23,200
You are moving on
to the playoffs!
423
00:17:23,250 --> 00:17:25,710
NOIVAS and Tasha has been
the toughest decision
424
00:17:25,750 --> 00:17:28,420
that I've had to make
so far this season.
425
00:17:28,460 --> 00:17:31,630
There was no way for me
to not pick NOIVAS.
Wow.
426
00:17:31,670 --> 00:17:34,470
The guy can sing circles
around anybody.
427
00:17:34,510 --> 00:17:36,510
Thank you, Blake.
Good job, brother.
Come here.
428
00:17:36,550 --> 00:17:38,260
But now I'm realizing
he can also
429
00:17:38,300 --> 00:17:39,800
outperform anybody on the show.
430
00:17:39,850 --> 00:17:41,430
I mean, I really think
this guy has a shot
431
00:17:41,470 --> 00:17:42,640
at winning this thing.
432
00:17:42,680 --> 00:17:44,390
So impressive, dude.
Thank you.
433
00:17:44,430 --> 00:17:46,850
See you next time.
Hey, you caught that.
434
00:17:46,900 --> 00:17:48,020
[ Laughter ]
435
00:17:48,060 --> 00:17:49,980
I was one of Blake's last
steals,
436
00:17:50,020 --> 00:17:52,530
and now I'm going
to the playoffs.
437
00:17:52,570 --> 00:17:53,990
I'm so grateful.
438
00:17:54,030 --> 00:17:56,610
Coach, let me remind you that
Tasha is available to steal.
439
00:17:56,650 --> 00:17:58,700
Tasha, anything you want
to say to your coach?
440
00:17:58,740 --> 00:18:01,280
Steal!
Tasha: Blake,
I've had so much fun.
441
00:18:01,330 --> 00:18:03,580
You call me your little buddy,
and I'm just so glad
442
00:18:03,620 --> 00:18:05,540
I got to have this experience
on your last season.
443
00:18:05,580 --> 00:18:07,710
Like, what an honor.
I'm just so grateful.
Love her.
444
00:18:07,750 --> 00:18:11,130
Give it up for Tasha Jessen,
ladies and gentlemen.
445
00:18:11,170 --> 00:18:12,460
Come on up, Tasha!
446
00:18:12,500 --> 00:18:14,800
There it is!
We got a steal!
447
00:18:14,840 --> 00:18:15,920
[ Cheers and applause ]
448
00:18:15,970 --> 00:18:18,640
Yes! Yes, yes, yes!
449
00:18:18,680 --> 00:18:21,100
Niall: I was gonna
get you at some point.
450
00:18:21,140 --> 00:18:23,520
Tasha, the one
that nearly got away.
451
00:18:23,560 --> 00:18:24,470
Group hug.
452
00:18:24,520 --> 00:18:26,390
[ Cheers and applause ]
453
00:18:26,430 --> 00:18:27,770
Both
my little buddies.
454
00:18:27,810 --> 00:18:30,560
After NOIVAS'
incredible performance,
455
00:18:30,610 --> 00:18:32,860
most people,
including this guy,
456
00:18:32,900 --> 00:18:34,480
would have absolutely
pooped their pants.
457
00:18:34,530 --> 00:18:37,150
Yeah, Tashy!
I love you, baby!
458
00:18:37,200 --> 00:18:38,450
But she smashed it.
459
00:18:38,490 --> 00:18:40,320
I was looking
for a big female voice,
460
00:18:40,370 --> 00:18:41,320
and I got one.
461
00:18:41,370 --> 00:18:43,030
NOIVAS is so fun.
462
00:18:43,080 --> 00:18:45,120
Chance: Yeah, yeah.
Niall:
That was intense.
463
00:18:45,160 --> 00:18:46,450
When he was just
walking out, though,
464
00:18:46,500 --> 00:18:47,870
he was like,
"I'm glad you caught that."
465
00:18:47,910 --> 00:18:49,670
Like, he was --
he was sending shots at me.
466
00:18:49,710 --> 00:18:51,000
He was like
Conor McGregor.
Oh, he was?
467
00:18:51,040 --> 00:18:52,710
Through his --
Through his song.
468
00:18:59,010 --> 00:19:00,340
* This is "The Voice" *
469
00:19:00,390 --> 00:19:02,890
Daly: Welcome back
to the knockouts premiere.
470
00:19:02,930 --> 00:19:06,350
Are you ready
for knockouts?
I'm knocking
myself out.
471
00:19:06,390 --> 00:19:08,060
No. The show.
Yes.
472
00:19:08,100 --> 00:19:10,310
So far, so good,
Chance.
Doing pretty well.
473
00:19:10,350 --> 00:19:11,980
Not bad
for the new guys.
I know.
474
00:19:12,020 --> 00:19:13,610
I think we've got
two of the better teams.
475
00:19:13,650 --> 00:19:15,530
I feel like these guys
are probably in here right now,
476
00:19:15,570 --> 00:19:16,740
like, trying to get
a game plan together.
477
00:19:16,780 --> 00:19:18,900
I feel like
between the two of us...
478
00:19:18,950 --> 00:19:20,530
Look at 'em.
[ Laughs ]
479
00:19:20,570 --> 00:19:22,200
Kelly: What's up, y'all?
Hey. We love y'all.
480
00:19:22,240 --> 00:19:23,370
What's up? Oh.
How's it going?
481
00:19:23,410 --> 00:19:24,740
How are you doing?
You alright?
482
00:19:24,780 --> 00:19:26,290
Yeah, no.
Just hanging out.
483
00:19:26,330 --> 00:19:28,540
We were just saying that
we're gonna win.
484
00:19:28,580 --> 00:19:30,710
It looks like
the piranhas won.
[ Laughs ]
485
00:19:30,750 --> 00:19:33,210
That's funny.
Well, you didn't let her
in anything, obviously.
486
00:19:33,250 --> 00:19:34,880
[ Laughter ]
487
00:19:34,920 --> 00:19:37,300
You were good at nothing
in high school.
[ Laughs ]
488
00:19:37,340 --> 00:19:39,670
Do you feel confident, though,
in your team for knockouts?
Chance:
I'm pretty excited.
489
00:19:39,720 --> 00:19:41,220
Yeah, I think it's good
that they got
490
00:19:41,260 --> 00:19:42,840
to pick their own songs,
you know?
491
00:19:42,890 --> 00:19:44,550
How do you feel about this
personally, Blake?
492
00:19:44,600 --> 00:19:46,560
Mm, I'm just ready
for the knockouts.
493
00:19:46,600 --> 00:19:47,850
You guys ready?
Last knockout.
494
00:19:47,890 --> 00:19:49,560
You ready, America?
495
00:19:49,600 --> 00:19:51,940
Let's go knock it out!
Great segue. Come on.
496
00:19:51,980 --> 00:19:53,560
**
497
00:19:53,610 --> 00:19:55,070
Kelly: You're gonna have fun.
Niall's really fun.
498
00:19:55,110 --> 00:19:56,650
Reba: Oh, my gosh.
I've been --
Chance is hilarious.
499
00:19:56,690 --> 00:19:58,030
I've been sitting by him
this season.
500
00:19:58,070 --> 00:19:59,570
He's maybe my favorite person
to sit next to.
501
00:19:59,610 --> 00:20:01,240
He's funny.
Oh, great.
Can't wait.
502
00:20:01,280 --> 00:20:02,570
Kelly:
I've known Reba, actually,
503
00:20:02,610 --> 00:20:03,950
since the beginning
of my career.
504
00:20:03,990 --> 00:20:05,620
I got to sing with her
in Vegas 20 years ago.
505
00:20:05,660 --> 00:20:07,870
I'm really happy
for Blake being his last season.
506
00:20:07,910 --> 00:20:09,500
It's just been
a really good vibe.
507
00:20:09,540 --> 00:20:10,910
Oh, that's nice.
Yeah.
508
00:20:10,960 --> 00:20:12,620
And also,
I've been able to work with her
509
00:20:12,670 --> 00:20:14,830
and tour with her
and learn from her.
510
00:20:14,880 --> 00:20:17,460
She can offer these artists
a wealth of knowledge --
511
00:20:17,500 --> 00:20:19,630
singing, writing,
being on stage.
512
00:20:19,670 --> 00:20:21,300
And I love that
all these artists are gonna get
513
00:20:21,340 --> 00:20:22,970
that same
kind of experience today.
514
00:20:23,010 --> 00:20:26,760
What's up?
Reba McEntire!
Oh, my goodness.
515
00:20:26,810 --> 00:20:28,770
Wow.
516
00:20:28,810 --> 00:20:30,930
Everyone in Texas loves Reba.
517
00:20:30,980 --> 00:20:32,940
My hometown is going
to freak out.
518
00:20:32,980 --> 00:20:35,610
This is the raddest Mega Mentor
we've ever had.
519
00:20:35,650 --> 00:20:37,770
Aww, now.
Amazing.
520
00:20:37,820 --> 00:20:39,780
I paired Ali and Marcos together
521
00:20:39,820 --> 00:20:42,030
because I find them both
to be incredibly soulful.
522
00:20:42,070 --> 00:20:45,120
So I'll be singing "Best Part"
by Daniel Caesar and H.E.R.
523
00:20:45,160 --> 00:20:47,780
Yeah.
And my favorite love story
to sing about is my parents.
524
00:20:47,830 --> 00:20:51,370
* It's the sweetest thing,
ohh *
525
00:20:51,410 --> 00:20:52,750
Ow!
526
00:20:52,790 --> 00:20:55,380
* And it don't change *
527
00:20:55,420 --> 00:20:57,460
My dad was a drummer.
My mom was a singer.
528
00:20:57,500 --> 00:21:00,420
And from there, they just
fell in love. [ Laughs ]
529
00:21:00,460 --> 00:21:02,510
* Won't you
give yourself to me *
530
00:21:02,550 --> 00:21:04,930
* Give it all *
531
00:21:04,970 --> 00:21:06,470
I would not be here
without my parents.
532
00:21:06,510 --> 00:21:09,100
They believed in me,
even at my lowest points.
533
00:21:09,140 --> 00:21:10,520
I do hope that one day
534
00:21:10,560 --> 00:21:12,060
I-I do fall in love
the way that they did.
535
00:21:12,100 --> 00:21:13,310
* If you love me,
won't you... *
536
00:21:13,350 --> 00:21:14,810
It's always been a dream of mine
537
00:21:14,850 --> 00:21:17,810
to be at least
one person's inspiration.
538
00:21:17,860 --> 00:21:20,860
Being deaf has always
been a challenge,
539
00:21:20,900 --> 00:21:24,570
so it would be an honor
to be able to be that person
540
00:21:24,610 --> 00:21:26,320
for those that are like me.
541
00:21:26,360 --> 00:21:32,660
* Won't you
loooooooove *
542
00:21:32,700 --> 00:21:34,710
It's incredible.
Wow.
543
00:21:34,750 --> 00:21:36,500
[ Chuckles ] Thank you.
But just try
something different.
544
00:21:36,540 --> 00:21:38,170
Just in this -- this
repetitive spot.
545
00:21:38,210 --> 00:21:40,300
Yeah.
* If you love me,
won't you say something? *
546
00:21:40,340 --> 00:21:41,590
You -- You say it
over and over.
547
00:21:41,630 --> 00:21:42,840
Just 'cause
it's a competition,
548
00:21:42,880 --> 00:21:44,420
do something just
a little different
549
00:21:44,470 --> 00:21:46,050
than the vibe
that's already there.
Okay.
550
00:21:46,090 --> 00:21:48,640
When you're singing the lyrics,
live 'em.
551
00:21:48,680 --> 00:21:51,060
If you love me,
say something.
Got it.
552
00:21:51,100 --> 00:21:53,600
Yeah.
Dab blame it,
do it now.
553
00:21:53,640 --> 00:21:55,020
'Cause you deserve it.
Suggest heavily.
554
00:21:55,060 --> 00:21:57,100
Suggest heavily.
[ Laughs ]
Suggest heavily.
555
00:21:57,150 --> 00:21:58,520
Got it.
556
00:21:58,560 --> 00:22:00,860
Kelly: Cool thing about Ali is,
as an artist,
557
00:22:00,900 --> 00:22:02,780
it's like she hears
and feels the music
558
00:22:02,820 --> 00:22:04,990
differently than all of us.
559
00:22:05,030 --> 00:22:06,070
She just stands out.
560
00:22:06,110 --> 00:22:08,030
So I'm singing
"Jesus, Take the Wheel",
561
00:22:08,070 --> 00:22:08,990
by Carrie Underwood.
562
00:22:09,030 --> 00:22:10,490
I have always
had a very strong
563
00:22:10,530 --> 00:22:12,160
relationship with God...
Love.
564
00:22:12,200 --> 00:22:13,700
...and despite being told
565
00:22:13,750 --> 00:22:16,040
that I wasn't worthy
of that relationship,
566
00:22:16,080 --> 00:22:17,710
I still have always
had one anyway.
567
00:22:17,750 --> 00:22:19,460
Great. Love that.
Oh, my gosh.
I love that.
568
00:22:19,500 --> 00:22:20,880
That's a great
testimony.
569
00:22:20,920 --> 00:22:23,090
* Going home to see
her mama and her daddy *
570
00:22:23,130 --> 00:22:25,800
* With the baby
in the backseat *
571
00:22:25,840 --> 00:22:28,890
Marcos: I'm Texas born
and raised, so country is in me.
572
00:22:28,930 --> 00:22:30,930
"Jesus, Take the Wheel"
is about
573
00:22:30,970 --> 00:22:33,970
giving the steering wheel
over to God.
574
00:22:34,020 --> 00:22:35,930
Music was my dream
my whole life.
575
00:22:35,980 --> 00:22:40,400
And when I came out,
I lost the support of my family,
576
00:22:40,440 --> 00:22:42,190
and I left music.
577
00:22:42,230 --> 00:22:43,860
I felt like it was
a part of an old life
578
00:22:43,900 --> 00:22:45,530
that I wasn't allowed
to live anymore.
579
00:22:45,570 --> 00:22:48,150
* She was so scared *
580
00:22:48,200 --> 00:22:51,320
Kelly has definitely given me
the confidence
581
00:22:51,370 --> 00:22:53,910
to reboot this whole dream.
582
00:22:53,950 --> 00:22:57,160
* Oh, Jesus,
take the wheel *
583
00:22:57,210 --> 00:23:00,330
Ali: Marcos has that fire in him
whenever he's singing.
584
00:23:00,380 --> 00:23:03,040
And he definitely brought his
A-game. And I'm like, "Alright."
585
00:23:03,090 --> 00:23:05,710
To make it to the playoffs,
I gotta bring mine, too.
586
00:23:05,760 --> 00:23:08,380
* ...on *
587
00:23:08,430 --> 00:23:11,010
* Jesus,
take the wheel *
588
00:23:11,050 --> 00:23:13,470
You can even pause longer.
Just take a breath.
589
00:23:13,510 --> 00:23:17,640
* Jesus,
take...the wheel *
590
00:23:17,680 --> 00:23:19,270
Everything is wonderful.
591
00:23:19,310 --> 00:23:22,150
But I didn't feel it
because you weren't letting me.
592
00:23:22,190 --> 00:23:25,360
You're in a really
desperate time in your life,
593
00:23:25,400 --> 00:23:29,610
and you need to almost to be
to that brink of "God, help me."
594
00:23:29,650 --> 00:23:31,950
If you do it that way,
we'll feel it.
595
00:23:31,990 --> 00:23:35,240
Having Reba connect with me
on a deeper level,
596
00:23:35,290 --> 00:23:38,160
it made me emotional, but I was
fighting back the tears.
597
00:23:38,200 --> 00:23:39,330
[ Laughs ]
598
00:23:39,370 --> 00:23:41,330
Make it more of, like,
a storyteller
599
00:23:41,370 --> 00:23:42,920
and like you're broken
600
00:23:42,960 --> 00:23:44,880
'cause you're asking Jesus
to take the wheel
601
00:23:44,920 --> 00:23:46,670
'cause the load is
too much.
602
00:23:46,710 --> 00:23:49,220
Reba, she's the ultimate
storyteller, hands down,
603
00:23:49,260 --> 00:23:52,640
and she knows how to really
break those walls down.
604
00:23:52,680 --> 00:23:54,760
That's why she's so powerful
as a Mega Mentor,
605
00:23:54,800 --> 00:23:56,060
and I knew she'd be
really good at this.
606
00:23:56,100 --> 00:23:58,100
Really lean into
the storyteller in you.
607
00:23:58,140 --> 00:23:59,140
That is who I am.
608
00:23:59,180 --> 00:24:00,270
It's just gonna come down
609
00:24:00,310 --> 00:24:02,520
to whoever is comfortable
in the moment
610
00:24:02,560 --> 00:24:04,360
and just be the vessel
for the message.
611
00:24:04,400 --> 00:24:05,650
That's what always wins
with me.
612
00:24:05,690 --> 00:24:07,110
You just got, like,
advice from, like,
613
00:24:07,150 --> 00:24:08,440
one of the greatest artists
in the whole world, so...
614
00:24:08,490 --> 00:24:09,820
I know. So epic.
615
00:24:09,860 --> 00:24:11,530
I've totally enjoyed this.
Y'all are great.
616
00:24:11,570 --> 00:24:12,740
Good luck
to both of you.
617
00:24:12,780 --> 00:24:13,990
Thank you so much.
Yeah.
618
00:24:14,030 --> 00:24:15,370
[ Cheers and applause ]
You got this.
619
00:24:15,410 --> 00:24:17,290
I love you. I love you.
I love you. I love you.
620
00:24:17,330 --> 00:24:19,290
I can't wait for this.
Me, too.
621
00:24:19,330 --> 00:24:21,710
With "Best Part", here's Ali.
622
00:24:23,460 --> 00:24:27,210
**
623
00:24:27,250 --> 00:24:30,760
[ Vocalizing ]
624
00:24:30,800 --> 00:24:32,930
* You don't know, babe *
625
00:24:34,050 --> 00:24:38,810
* When you hold me
and kiss me slowly *
626
00:24:38,850 --> 00:24:43,650
* It's the sweetest thing,
ohhhhh *
627
00:24:43,690 --> 00:24:45,560
* And it don't change *
628
00:24:45,610 --> 00:24:46,690
Yeah!
629
00:24:46,730 --> 00:24:50,030
* If I had it my way, yeah *
630
00:24:50,070 --> 00:24:55,450
* You would know
that you are, no *
631
00:24:55,490 --> 00:24:58,540
* You're the coffee
that I need in the morning *
632
00:24:58,580 --> 00:25:01,750
* You're my sunshine in the rain
when it's pouring *
633
00:25:01,790 --> 00:25:04,210
* Won't you give yourself
to me? *
634
00:25:04,250 --> 00:25:06,840
* Give it all *
635
00:25:06,880 --> 00:25:08,840
* I just want to see *
636
00:25:08,880 --> 00:25:15,050
* I just want to see
how beautiful you are *
637
00:25:15,090 --> 00:25:18,470
* You know that I see it *
638
00:25:18,510 --> 00:25:21,600
* I know you're a star *
639
00:25:21,640 --> 00:25:28,110
* Where you go, I'll follow,
no matter how far *
640
00:25:28,150 --> 00:25:34,900
* If life is a movie,
oh, you're the best part *
641
00:25:34,950 --> 00:25:37,990
* Oh-oh-oh-oh-oh *
642
00:25:38,030 --> 00:25:41,040
* You're the best part *
643
00:25:41,080 --> 00:25:45,330
* Oh-oh-oh-oh, yeah *
644
00:25:45,370 --> 00:25:46,750
Whoa!
645
00:25:46,790 --> 00:25:49,590
* If you love me,
won't you say something? *
646
00:25:49,630 --> 00:25:51,550
* If you love me, won't you? *
647
00:25:51,590 --> 00:25:56,430
* Ooh, if you love me,
won't you say something? *
648
00:25:56,470 --> 00:25:58,010
* If you love me, won't you? *
649
00:25:58,050 --> 00:26:04,270
* Lo-o-o-o-ve, ooh, oh *
650
00:26:04,310 --> 00:26:06,270
* Lo-o-o-o-o-o-ve *
651
00:26:06,310 --> 00:26:07,650
Dang!
652
00:26:07,690 --> 00:26:17,160
* Oh, if you love me,
won't you lo-o-o-o-o-o-ve *
653
00:26:17,200 --> 00:26:18,950
[ Cheers and applause ]
Yeah!
654
00:26:18,990 --> 00:26:20,660
Whoo!
655
00:26:22,160 --> 00:26:25,080
Whoo!
656
00:26:25,120 --> 00:26:26,120
You got this.
657
00:26:26,160 --> 00:26:27,670
You got this.
You did so good.
658
00:26:27,710 --> 00:26:29,750
Come on, Marcos!
Yeah!
659
00:26:29,790 --> 00:26:31,880
[ Cheers and applause ]
660
00:26:38,510 --> 00:26:39,680
* This is "The Voice" *
661
00:26:39,720 --> 00:26:41,930
Daly: Welcome back
to the knockouts.
662
00:26:41,970 --> 00:26:43,140
[ Cheers and applause ]
663
00:26:43,180 --> 00:26:45,180
Go, Marcos!
Go, Marcos!
664
00:26:45,230 --> 00:26:46,690
Yeah, Marcos!
665
00:26:46,730 --> 00:26:48,520
Now with
"Jesus, Take the Wheel",
666
00:26:48,560 --> 00:26:50,360
here's Marcos Covos.
667
00:26:50,400 --> 00:26:52,360
Come on, Marcos!
668
00:26:55,740 --> 00:27:01,120
**
669
00:27:01,160 --> 00:27:04,290
* She was driving last Friday
on her way to Cincinnati *
670
00:27:04,330 --> 00:27:08,290
* On a snow-white
Christmas Eve *
671
00:27:08,330 --> 00:27:10,920
* Going home to see
her mama and her daddy *
672
00:27:10,960 --> 00:27:14,000
* With the baby
in the back seat *
673
00:27:14,050 --> 00:27:17,510
* 50 miles to go,
and she was running low *
674
00:27:17,550 --> 00:27:20,010
* On faith and gasoline *
675
00:27:20,050 --> 00:27:23,220
* It'd been a long, hard year *
676
00:27:23,260 --> 00:27:26,770
* She had a lot on her mind,
and she didn't pay attention *
677
00:27:26,810 --> 00:27:29,310
* She was going way too fast *
678
00:27:30,480 --> 00:27:32,940
* Before she knew it,
she was spinning *
679
00:27:32,980 --> 00:27:35,570
* On a thin black
sheet of glass *
680
00:27:35,610 --> 00:27:39,820
* She saw both their lives flash
before her eyes *
681
00:27:39,860 --> 00:27:42,450
* She didn't even have time
to cry *
682
00:27:42,490 --> 00:27:45,330
* She was so scared *
683
00:27:45,370 --> 00:27:50,540
* She threw her hands up
in the air *
684
00:27:50,580 --> 00:27:53,840
* Jesus, take the wheel *
685
00:27:53,880 --> 00:27:56,920
* Take it from my hands *
686
00:27:56,960 --> 00:28:01,930
* I can't do this on my own *
687
00:28:01,970 --> 00:28:04,760
* I'm letting go *
688
00:28:04,800 --> 00:28:07,600
* Give me one more chance *
689
00:28:07,640 --> 00:28:19,190
* Save me from this road
I'm o-o-o-o-o-o-o-on *
690
00:28:19,240 --> 00:28:21,110
[ Cheers and applause ]
691
00:28:21,150 --> 00:28:25,370
* Jesus, take...the wheel *
692
00:28:26,910 --> 00:28:29,660
* Mmm *
693
00:28:29,700 --> 00:28:31,000
[ Cheers and applause ]
694
00:28:31,040 --> 00:28:32,540
[ Speaks indistinctly ]
695
00:28:35,460 --> 00:28:36,920
You did so amazing.
696
00:28:36,960 --> 00:28:38,630
You did, too.
697
00:28:38,670 --> 00:28:39,880
Blake:
I'll start with Ali.
698
00:28:39,920 --> 00:28:41,170
Am I saying
the name right?
699
00:28:41,220 --> 00:28:42,760
Is it Ali?
Yeah. Okay.
Ali. Mm-hmm.
700
00:28:42,800 --> 00:28:44,640
You looked at me like,
"Don't say the name like that."
701
00:28:44,680 --> 00:28:46,470
I just don't like
when you talk.
Okay.
702
00:28:46,510 --> 00:28:48,430
[ Laughter ]
703
00:28:48,470 --> 00:28:51,640
You're so special in the way
that you deliver a song.
704
00:28:51,690 --> 00:28:54,850
You really nail
your intention every time.
705
00:28:54,900 --> 00:28:56,520
Great job.
My gosh. Yeah.
Thank you.
706
00:28:56,560 --> 00:28:58,020
[ Cheers and applause ]
707
00:28:58,070 --> 00:29:00,280
Marcos, there might have been
a little too much
708
00:29:00,320 --> 00:29:02,360
in runs and stuff,
just for my taste.
709
00:29:02,400 --> 00:29:05,370
For that reason,
I'd be going with Ali.
710
00:29:05,410 --> 00:29:06,950
Okay.
711
00:29:06,990 --> 00:29:08,490
Niall: Marcos,
you're always in control.
712
00:29:08,540 --> 00:29:10,160
The low register
and the high stuff,
713
00:29:10,200 --> 00:29:12,870
you always seem to find a way
to make a song work.
714
00:29:12,910 --> 00:29:15,170
And, Ali, every time
you turn up here,
715
00:29:15,210 --> 00:29:17,130
they never feel like
anyone else's songs.
716
00:29:17,170 --> 00:29:18,500
They always just
feel like yours.
717
00:29:18,550 --> 00:29:20,090
We know exactly
who you are as an artist
718
00:29:20,130 --> 00:29:21,840
and the style
that you bring to the stage.
719
00:29:21,880 --> 00:29:23,380
Thank you.
Thank you.
720
00:29:23,430 --> 00:29:26,680
Ali, you're an amazing,
amazing vocalist.
721
00:29:26,720 --> 00:29:28,970
It shines through every time
you get on stage.
722
00:29:29,010 --> 00:29:31,430
It just feels like somebody
that's in control
723
00:29:31,470 --> 00:29:34,850
and has a grasp of what
they're trying to convey.
724
00:29:34,890 --> 00:29:37,440
I think, Marcos, the same thing
could be said about you.
725
00:29:37,480 --> 00:29:40,530
I think the beginning of the
song was a little bit shaky,
726
00:29:40,570 --> 00:29:43,150
but towards the end of it,
you were very much in control.
727
00:29:43,190 --> 00:29:44,950
And I just love moments
like that.
728
00:29:44,990 --> 00:29:46,410
Both of you guys
729
00:29:46,450 --> 00:29:49,870
gave very memorable performances
in "Voice" history.
730
00:29:49,910 --> 00:29:51,040
Thank you.
Daly: Thank you, Coaches.
731
00:29:51,080 --> 00:29:52,660
[ Cheers and applause ]
732
00:29:52,700 --> 00:29:55,210
Alright, Kel, this is not gonna
be an easy one for you.
733
00:29:55,250 --> 00:29:56,250
Kelly:
First of all, Marcos,
734
00:29:56,290 --> 00:29:57,420
you did have
some pitchy moments,
735
00:29:57,460 --> 00:29:59,000
but you sang
the hell out of it, man.
736
00:29:59,040 --> 00:30:01,300
Your voice is just crazy,
and I'm in love with it.
737
00:30:01,340 --> 00:30:03,340
So I'm so proud
that you're Team Kelly.
738
00:30:03,380 --> 00:30:06,260
Ali, you move us,
like, so deeply.
739
00:30:06,300 --> 00:30:08,800
Even at the end of the song,
you were like, "Yeah!"
740
00:30:08,850 --> 00:30:10,640
[ Laughs ]
It was so good.
741
00:30:10,680 --> 00:30:14,680
I love both of you for
completely different reasons.
742
00:30:14,730 --> 00:30:15,810
Kelly,
the time has come.
743
00:30:15,850 --> 00:30:17,400
Who is the winner
of this knockout?
744
00:30:17,440 --> 00:30:19,940
**
745
00:30:19,980 --> 00:30:21,860
Such a bummer.
Um...
746
00:30:21,900 --> 00:30:25,240
**
747
00:30:25,280 --> 00:30:27,280
The winner of this knockout
is Ali.
748
00:30:27,320 --> 00:30:28,870
Ali, congratulations!
749
00:30:28,910 --> 00:30:32,080
You're moving on
to the playoffs!
750
00:30:33,040 --> 00:30:34,830
I won't. Thank you.
751
00:30:34,870 --> 00:30:38,580
I love Marcos, but I had to pick
Ali just because every time,
752
00:30:38,630 --> 00:30:40,880
she delivers,
even in a subtle way.
753
00:30:40,920 --> 00:30:43,090
She has no choice
but to sing,
754
00:30:43,130 --> 00:30:45,970
and that's such
a beautiful gift.
755
00:30:46,010 --> 00:30:47,090
Kelly: Oh, my God!
756
00:30:47,130 --> 00:30:48,550
Thank you.
You did so great.
757
00:30:48,590 --> 00:30:49,510
Thank you so much.
758
00:30:49,550 --> 00:30:51,600
I'm so grateful
and so blessed
759
00:30:51,640 --> 00:30:53,430
to be able to have
this kind of opportunity
760
00:30:53,470 --> 00:30:56,600
and just do what I love to do
and show the entire world.
761
00:30:56,640 --> 00:31:00,610
Daly: Give it up one more time
for Marcos Covos!
762
00:31:00,650 --> 00:31:02,110
Great job, Marcos.
763
00:31:02,150 --> 00:31:03,110
Chance:
This is the knockouts.
764
00:31:03,150 --> 00:31:04,480
The talent level is so high,
765
00:31:04,530 --> 00:31:06,280
everybody's, like,
coming with their A-game.
766
00:31:06,320 --> 00:31:07,400
You only get one steal.
767
00:31:07,450 --> 00:31:08,660
And I'm just looking to see
768
00:31:08,700 --> 00:31:11,200
who's gonna show up
and show out.
769
00:31:11,240 --> 00:31:12,700
Daly: Still to come...
770
00:31:12,740 --> 00:31:14,870
If I really get into it,
they're gonna get into it.
771
00:31:14,910 --> 00:31:17,500
Tell us what you're thinking
in this with your face.
772
00:31:17,540 --> 00:31:19,580
Daly: ...Reba continues
to share her wisdom...
773
00:31:19,620 --> 00:31:21,920
I'm having a hard time
understanding your words.
774
00:31:21,960 --> 00:31:23,420
[ Gasps ] Yeah.
Niall: Keep those words
separate.
775
00:31:23,460 --> 00:31:26,010
* When we were together *
776
00:31:26,050 --> 00:31:27,630
Oh, I like that.
777
00:31:27,670 --> 00:31:30,930
Daly: ...bringing the artists'
performances to new heights.
778
00:31:30,970 --> 00:31:33,760
* Anymo-o-o-o-o-re *
779
00:31:33,810 --> 00:31:34,810
What?!
780
00:31:34,850 --> 00:31:36,390
It's my coaching.
781
00:31:42,860 --> 00:31:43,860
* This is "The Voice" *
782
00:31:43,900 --> 00:31:45,860
Daly: Welcome back.
783
00:31:45,900 --> 00:31:47,110
Niall:
Ryley Tate Wilson.
784
00:31:47,150 --> 00:31:48,950
Hey, what's up, Niall?
What's up, bud?
785
00:31:48,990 --> 00:31:50,570
How you doing?
Good to see you.
786
00:31:50,610 --> 00:31:52,320
You guys up there
are really annoying today.
[ Laughs ]
787
00:31:52,370 --> 00:31:54,450
You're being like --
They're just so smug.
788
00:31:54,490 --> 00:31:55,870
I'm just --
Just sat there,
just like,
789
00:31:55,910 --> 00:31:57,250
"Yeah, we're not
knocking out.
790
00:31:57,290 --> 00:31:58,410
We're going straight
to the playoffs."
791
00:31:58,460 --> 00:32:00,170
I'm just trying
to be relaxed.
792
00:32:00,210 --> 00:32:01,670
I'm not trying --
not trying to be mean.
No, you deserve it.
793
00:32:01,710 --> 00:32:03,170
That's why you got
the Playoff Pass.
794
00:32:03,210 --> 00:32:04,630
They invented it
for people like you.
795
00:32:04,670 --> 00:32:06,550
Got it.
This guy --
Ryley Tate Wilson.
796
00:32:06,590 --> 00:32:08,380
Remember the name,
people.
797
00:32:08,420 --> 00:32:09,800
Someone told me
you play golf.
798
00:32:09,840 --> 00:32:11,130
Reba: I play really good
after one beer.
799
00:32:11,180 --> 00:32:12,550
[ Laughs ] Really?
800
00:32:12,590 --> 00:32:14,510
I'm Tiger Woods-level
at two beers.
Really?
801
00:32:14,550 --> 00:32:15,810
Yeah.
What happens at three?
802
00:32:15,850 --> 00:32:16,970
I better quit.
803
00:32:17,020 --> 00:32:18,430
[ Laughter ]
804
00:32:18,480 --> 00:32:20,270
Niall: To work
with Reba McEntire,
805
00:32:20,310 --> 00:32:21,730
the queen of country music --
806
00:32:21,770 --> 00:32:23,230
I'm getting goosebumps
even talking about it now.
807
00:32:23,270 --> 00:32:24,610
It's amazing
to be in her presence.
808
00:32:24,650 --> 00:32:26,320
Well, the next time
I'm down in Nashville --
809
00:32:26,360 --> 00:32:27,690
Let's go play.
100%.
810
00:32:27,730 --> 00:32:29,530
She's an absolute legend,
811
00:32:29,570 --> 00:32:34,410
and she could pass on her wisdom
not only to my team, but to me.
812
00:32:34,450 --> 00:32:36,490
And you don't get
to do that every day.
813
00:32:36,530 --> 00:32:39,660
Alright, Reba.
Gina, she's really shy.
814
00:32:39,700 --> 00:32:41,370
Aww.
You're going to have
to tell her to...
815
00:32:41,410 --> 00:32:43,170
Speak up?
Speak up?
[ Laughs ]
Yeah.
816
00:32:43,210 --> 00:32:44,460
And then she sings,
817
00:32:44,500 --> 00:32:46,040
and it's like a different person
comes out.
818
00:32:46,090 --> 00:32:47,250
Oh.
It's really cool.
819
00:32:47,300 --> 00:32:48,550
And then Kate's
kinda got, like,
820
00:32:48,590 --> 00:32:51,300
that jazzy
kind of Amy Winehouse-y vibe.
821
00:32:51,340 --> 00:32:52,590
Let's see
what they've got.
822
00:32:52,630 --> 00:32:53,640
Okay.
823
00:32:54,640 --> 00:32:55,390
Here they are.
824
00:32:55,430 --> 00:32:56,850
I paired Gina and Kate
825
00:32:56,890 --> 00:32:59,770
because they're my two female
character singers.
826
00:32:59,810 --> 00:33:00,770
Hello.
Hi, ladies.
827
00:33:00,810 --> 00:33:02,770
Hi!
Look who I've got.
828
00:33:02,810 --> 00:33:03,810
Oh, my God.
829
00:33:03,850 --> 00:33:05,770
I saw the red hair,
and I said --
830
00:33:05,810 --> 00:33:07,610
Please, please. It's Reba.
831
00:33:07,650 --> 00:33:08,650
How are you?
832
00:33:08,690 --> 00:33:10,400
Gina:
I did not expect Reba
833
00:33:10,440 --> 00:33:12,820
to be in the room
with Niall.
834
00:33:12,860 --> 00:33:14,610
I was very starstruck.
835
00:33:14,660 --> 00:33:16,910
I'm gonna sing
"Somebody That I Used to Know."
836
00:33:16,950 --> 00:33:18,120
I'm really close
with my dad.
837
00:33:18,160 --> 00:33:19,660
Love my dad.
Oh, that's nice.
838
00:33:19,700 --> 00:33:21,960
And he was a deejay,
and it was, like,
839
00:33:22,000 --> 00:33:23,290
a song
that we always loved.
840
00:33:23,330 --> 00:33:24,460
Wonderful.
841
00:33:24,500 --> 00:33:26,040
Gina:
My dad was a single dad,
842
00:33:26,080 --> 00:33:31,420
and I feel like it's hard
sometimes to be able to tell him
843
00:33:31,460 --> 00:33:33,800
how much I appreciate
and love him.
844
00:33:33,840 --> 00:33:36,720
So, music is one of the ways
that I can do that.
845
00:33:36,760 --> 00:33:38,350
You always
make me proud,
846
00:33:38,390 --> 00:33:40,270
and I think it's gonna
go fantastic.
847
00:33:40,310 --> 00:33:42,520
Thanks, Dad.
You're pretty awesome.
848
00:33:42,560 --> 00:33:44,730
Well, you're right.
She's very soft-spoken.
Yeah.
849
00:33:44,770 --> 00:33:47,610
Niall told me about Gina
being very soft-spoken.
850
00:33:47,650 --> 00:33:48,980
And then he said,
"Wait till she sings."
851
00:33:49,020 --> 00:33:55,360
* Somebody that you used
to kno-o-o-o-o-o-w *
852
00:33:55,410 --> 00:33:57,570
And he was right --
a powerhouse.
853
00:33:57,620 --> 00:34:00,950
* ...that we were nothin',
and I don't even need... *
854
00:34:00,990 --> 00:34:04,410
She was very in her little world
when she was singing.
855
00:34:04,460 --> 00:34:05,500
And then she'd do this...
856
00:34:05,540 --> 00:34:07,040
* ...change your number *
857
00:34:07,080 --> 00:34:08,460
"Oh, yeah, she's into it."
858
00:34:08,500 --> 00:34:10,500
It was just cute as a button.
859
00:34:10,550 --> 00:34:11,380
Whoo!
860
00:34:11,420 --> 00:34:12,670
Very good.
Kate: Whoo-hoo!
861
00:34:12,710 --> 00:34:14,470
And that sass that you've got
this week.
862
00:34:14,510 --> 00:34:15,840
Really?
I wasn't expecting that.
863
00:34:15,880 --> 00:34:17,340
Excellent.
Thank you.
864
00:34:17,390 --> 00:34:19,300
I'm having a hard time
understanding your words.
865
00:34:19,350 --> 00:34:22,470
[ Gasps ] Yeah?
If you put -- right between
your two teeth, like that,
866
00:34:22,520 --> 00:34:24,020
and you say,
"A-E-I-O-U,"
867
00:34:24,060 --> 00:34:26,440
for some reason, it brings
it all out to the front.
868
00:34:26,480 --> 00:34:27,520
Okay.
And you can understand.
869
00:34:27,560 --> 00:34:29,020
And keep those words
separate.
870
00:34:29,060 --> 00:34:31,230
It's very easy to go
* Now and then, I think about *
871
00:34:31,270 --> 00:34:32,480
Mm-hmm. Yeah.
You know what I mean?
872
00:34:32,530 --> 00:34:34,150
So, give yourself
a bit of space.
873
00:34:34,190 --> 00:34:35,610
Oh, I like that.
I like that.
874
00:34:35,650 --> 00:34:39,030
* Now and then, I think of
when we were together *
875
00:34:39,070 --> 00:34:40,530
Not staccato.
Well done.
876
00:34:40,580 --> 00:34:42,620
From her first audition
to right now,
877
00:34:42,660 --> 00:34:43,700
it's like
a different human.
[ Laughs ]
878
00:34:43,750 --> 00:34:45,540
Gina, she's completely grown.
879
00:34:45,580 --> 00:34:48,210
She just needs to take
that confidence and go for it.
880
00:34:48,250 --> 00:34:50,340
Come on, Kate.
Get up here.
881
00:34:50,380 --> 00:34:53,380
I wish you guys liked
each other. [ Laughs ]
882
00:34:53,420 --> 00:34:54,460
Too much hatred
going on here.
883
00:34:54,510 --> 00:34:56,300
I know.
It's just awful.
884
00:34:56,340 --> 00:34:58,050
[ Laughs ]
885
00:34:58,090 --> 00:35:00,100
Oh, back to the guitar.
886
00:35:00,140 --> 00:35:01,100
It is my baby.
887
00:35:01,140 --> 00:35:02,350
What are you singing?
888
00:35:02,390 --> 00:35:03,810
I'm singing "Call Me"
by Blondie.
889
00:35:03,850 --> 00:35:04,970
Let's hear it.
890
00:35:05,020 --> 00:35:08,730
* Color me your color,
darling *
891
00:35:08,770 --> 00:35:12,020
Whoo!
* I know who you are *
892
00:35:12,070 --> 00:35:17,070
As a kid, I played
music video games all the time,
893
00:35:17,110 --> 00:35:19,410
and that was one of the songs
where I was like,
894
00:35:19,450 --> 00:35:21,120
"Someday, it's gonna be me."
895
00:35:21,160 --> 00:35:23,580
* Call me on the line *
896
00:35:23,620 --> 00:35:25,080
I'm doing a jazzier take,
897
00:35:25,120 --> 00:35:27,750
which is something I try
to embody in my artistry.
898
00:35:27,790 --> 00:35:29,580
* Call me on the line *
899
00:35:29,620 --> 00:35:30,790
Gina: Seeing Kate rehearse,
900
00:35:30,830 --> 00:35:34,050
she's just this amazing,
big personality.
901
00:35:34,090 --> 00:35:36,970
So, hopefully I can also
bring some stage presence.
902
00:35:37,010 --> 00:35:39,880
It's a really big goal
to get to the playoffs.
903
00:35:39,930 --> 00:35:43,260
Kate's stage presence
is really good.
904
00:35:43,300 --> 00:35:45,270
Gina is more timid.
905
00:35:45,310 --> 00:35:47,810
When she does get
more experience on stage,
906
00:35:47,850 --> 00:35:49,480
Gina's gonna be
a powerhouse.
907
00:35:49,520 --> 00:35:51,150
Right now, Kate's got it.
908
00:35:51,190 --> 00:35:53,480
* Call me *
Mm.
909
00:35:53,520 --> 00:35:55,570
Very good.
Thank you.
910
00:35:55,610 --> 00:35:57,320
My favorite parts
are when it's chill.
Yep.
911
00:35:57,360 --> 00:35:58,570
Don't stay with
* Call me! *
912
00:35:58,610 --> 00:36:00,110
With the shouty.
* La di da da *
913
00:36:00,160 --> 00:36:02,370
Yep.
Towards the end,
it gets a bit crashy for me.
914
00:36:02,410 --> 00:36:04,280
I wonder, is there a way
of toning it back?
915
00:36:04,330 --> 00:36:06,370
Trade out the crashing
for more, like, toms
or something like that?
916
00:36:06,410 --> 00:36:08,460
Yeah, maybe.
[ Imitates drums ]
Yeah, yeah, yeah, yeah.
917
00:36:08,500 --> 00:36:11,040
That could be cool.
So we can hear more
of that jazziness.
918
00:36:11,080 --> 00:36:12,420
Want to come back up,
Gina?
919
00:36:12,460 --> 00:36:14,130
Return to me.
Are you happy?
920
00:36:14,170 --> 00:36:15,500
I'm thrilled to pieces.
921
00:36:15,550 --> 00:36:17,760
I asked a billionaire
one time,
922
00:36:17,800 --> 00:36:21,130
I said, "What is the best piece
of advice you can give me?"
923
00:36:21,180 --> 00:36:23,300
He said, "Have fun."
Mm-hmm.
924
00:36:23,350 --> 00:36:25,810
So, I hope you're having fun
and getting to meet people
925
00:36:25,850 --> 00:36:28,770
that you're gonna
remain friends with forever.
926
00:36:28,810 --> 00:36:30,980
Oh, that makes
my heart happy.
927
00:36:31,020 --> 00:36:32,100
You're the best, ladies.
928
00:36:32,150 --> 00:36:33,900
Playoffs are one step away,
929
00:36:33,940 --> 00:36:36,400
and I thought the battles
were hard on decisions.
930
00:36:36,440 --> 00:36:38,360
This is even harder.
931
00:36:38,400 --> 00:36:40,240
[ Cheers and applause ]
932
00:36:40,280 --> 00:36:41,240
So cute.
933
00:36:41,280 --> 00:36:42,570
Come on, Gina!
934
00:36:43,530 --> 00:36:44,990
With "Somebody That
I Used to Know",
935
00:36:45,030 --> 00:36:46,330
here is Gina Miles.
936
00:36:46,370 --> 00:36:47,830
Whoo-whoo-whoo!
937
00:36:50,250 --> 00:36:54,080
**
938
00:36:54,130 --> 00:36:59,880
* Now and then, I think
of when we were together *
939
00:37:01,260 --> 00:37:07,180
* Like when you said you felt
so happy, you could die *
940
00:37:07,220 --> 00:37:09,020
* Mm *
941
00:37:09,060 --> 00:37:12,600
* Told myself that you were
right for me *
942
00:37:12,640 --> 00:37:16,190
* But felt so lonely
in your company *
943
00:37:16,230 --> 00:37:21,990
* That was love, and it's
an ache I still remember *
944
00:37:24,030 --> 00:37:27,700
* But you didn't have to
cut me off *
945
00:37:27,740 --> 00:37:29,540
* Make out
like it never happened *
946
00:37:29,580 --> 00:37:31,710
* And that we were nothing *
947
00:37:31,750 --> 00:37:34,170
* And I don't even
need your love *
948
00:37:34,210 --> 00:37:36,250
* But you treat me
like a stranger *
949
00:37:36,290 --> 00:37:38,840
* And that feels so rough *
950
00:37:38,880 --> 00:37:42,090
* No, you didn't have to
stoop so low *
951
00:37:42,130 --> 00:37:44,550
* Have your friends
collect your records *
952
00:37:44,590 --> 00:37:46,340
* And then change your number *
953
00:37:46,390 --> 00:37:49,350
* I guess that I don't
need that, though *
954
00:37:49,390 --> 00:37:53,690
* Now you're just somebody
that I used to know *
955
00:37:53,730 --> 00:37:56,020
[ Cheers and applause ]
956
00:37:56,060 --> 00:37:59,190
* I don't want to
live that way *
957
00:37:59,230 --> 00:38:03,150
* Reading into
every word you say *
958
00:38:03,190 --> 00:38:05,570
* You said that
you could let it go *
959
00:38:05,610 --> 00:38:07,240
* And I wouldn't catch you *
960
00:38:07,280 --> 00:38:14,080
* Hung up on somebody that you
used to kno-o-o-o-o-w *
961
00:38:14,120 --> 00:38:16,000
* Make out
like it never happened *
962
00:38:16,040 --> 00:38:18,130
* And that we were nothing *
963
00:38:18,170 --> 00:38:20,920
* And I don't even
need your love *
964
00:38:20,960 --> 00:38:24,130
* You treat me like a stranger
and that feels so rough *
965
00:38:25,300 --> 00:38:28,930
* No, you didn't have to
stoop so low *
966
00:38:28,970 --> 00:38:31,010
* Have your friends
collect your records *
967
00:38:31,060 --> 00:38:32,970
* And then change your number *
968
00:38:33,020 --> 00:38:36,020
* I guess that I don't
need that, though *
969
00:38:36,060 --> 00:38:42,650
* Now you're just somebody
that I used to kno-o-o-o-o-w *
970
00:38:42,690 --> 00:38:48,070
* Oh, now you're just somebody
that I used to kno-o-o-w *
971
00:38:48,110 --> 00:38:51,410
[ Cheers and applause ]
Yeah! Alright, Gina!
972
00:38:51,450 --> 00:38:52,950
Yes, Gina!
973
00:38:52,990 --> 00:38:54,540
That's my girl!
974
00:38:54,580 --> 00:38:55,910
I liked that.
975
00:38:57,170 --> 00:38:58,710
That was cool.
976
00:38:58,750 --> 00:39:01,170
[ Cheers and applause ]
977
00:39:11,350 --> 00:39:12,510
* This is "The Voice" *
978
00:39:12,560 --> 00:39:14,720
Daly:
Welcome back to "The Voice."
979
00:39:14,770 --> 00:39:17,020
[ Cheers and applause ]
980
00:39:18,270 --> 00:39:22,940
Now singing "Call Me",
here's Kate Cosentino.
981
00:39:24,190 --> 00:39:26,740
Come on, Katie!
Alright, Kate!
982
00:39:28,110 --> 00:39:33,620
* Color me your color, baby *
983
00:39:33,660 --> 00:39:38,370
* Color me your car *
984
00:39:38,420 --> 00:39:43,880
* Color me your color, darling *
985
00:39:43,920 --> 00:39:48,380
* I know who you are *
986
00:39:48,430 --> 00:39:52,970
* Come up off your color chart *
987
00:39:53,010 --> 00:40:00,190
* I know where
you're coming fr-o-o-o-om *
988
00:40:00,230 --> 00:40:02,650
**
989
00:40:02,690 --> 00:40:05,570
* Call me on the line *
990
00:40:05,610 --> 00:40:09,450
* You can call me any, anytime *
991
00:40:09,490 --> 00:40:12,240
* Call me, I'll arrive *
992
00:40:12,280 --> 00:40:16,160
* You can call me
any day or night *
993
00:40:16,200 --> 00:40:17,410
* Call me *
994
00:40:17,450 --> 00:40:23,420
**
995
00:40:23,460 --> 00:40:25,250
* Ooh, ooh, ooh, ooh, ooh *
996
00:40:25,300 --> 00:40:30,010
* He speaks in languages
of love *
997
00:40:30,050 --> 00:40:32,050
* Ooh, ooh, ooh, ooh, ooh *
998
00:40:32,090 --> 00:40:36,640
* Amore, chiamami, chiamami *
999
00:40:36,680 --> 00:40:38,850
* Ooh, ooh, ooh, ooh, ooh *
1000
00:40:38,890 --> 00:40:42,560
* Appelle-moi mon cheri,
appelle-moi *
1001
00:40:42,600 --> 00:40:48,740
* Any time, any place,
anywhere, any way *
1002
00:40:48,780 --> 00:40:55,450
* Any time, any place,
anywhere, any da-a-a-a-a-a-y *
1003
00:40:55,490 --> 00:40:58,660
* Call me, my love *
1004
00:40:58,700 --> 00:41:02,620
* You can call me any, anytime *
1005
00:41:02,670 --> 00:41:05,420
* Call me, I'll arrive *
1006
00:41:05,460 --> 00:41:09,460
* You can call me
for some overtime *
1007
00:41:09,510 --> 00:41:11,010
* Call me *
1008
00:41:11,050 --> 00:41:16,100
* Call me for your lover's
lover's alibi *
1009
00:41:16,140 --> 00:41:22,850
* Call me-e-e-e-e-e-e *
1010
00:41:22,890 --> 00:41:24,190
* Call me *
1011
00:41:24,230 --> 00:41:26,860
**
1012
00:41:26,900 --> 00:41:31,820
* Color me your color, baby *
1013
00:41:31,860 --> 00:41:37,530
* Color me your car *
1014
00:41:37,580 --> 00:41:39,330
That was cool.
1015
00:41:39,370 --> 00:41:42,410
[ Cheers and applause ]
[ Laughs ]
1016
00:41:42,460 --> 00:41:45,250
That was crazy.
Cool.
1017
00:41:46,540 --> 00:41:47,670
I don't know, man.
1018
00:41:47,710 --> 00:41:49,500
That was insane.
1019
00:41:49,550 --> 00:41:52,670
Whoa, Gina.
That was so cool.
1020
00:41:52,720 --> 00:41:54,220
I love that song.
1021
00:41:54,260 --> 00:41:56,590
That song came out when I was
in high school, and --
1022
00:41:56,640 --> 00:41:57,760
Me, too.
[ Laughs ]
1023
00:41:57,800 --> 00:41:58,970
[ Laughter ]
1024
00:41:59,010 --> 00:42:00,470
The way that
you interpreted it,
1025
00:42:00,520 --> 00:42:03,600
like, kept your identity alive
through the whole thing,
1026
00:42:03,640 --> 00:42:05,350
which I-I can always respect.
1027
00:42:05,400 --> 00:42:07,020
Kate, I know that song.
1028
00:42:07,060 --> 00:42:08,400
I've probably, like,
heard that song,
1029
00:42:08,440 --> 00:42:10,110
on, like, a skateboard
video game or something.
1030
00:42:10,150 --> 00:42:11,990
You weren't in high school
when that one came out.
1031
00:42:12,030 --> 00:42:13,360
You weren't born.
1032
00:42:13,400 --> 00:42:14,570
Were you in high school
when that song came out?
1033
00:42:14,610 --> 00:42:15,820
Probably.
Yeah.
1034
00:42:15,860 --> 00:42:17,070
[ Laughter ]
1035
00:42:17,120 --> 00:42:19,280
I loved the incorporation
of the guitar.
1036
00:42:19,330 --> 00:42:21,040
I felt like you were
just controlling,
1037
00:42:21,080 --> 00:42:22,370
like, the whole room.
1038
00:42:22,410 --> 00:42:23,500
It felt intimate,
1039
00:42:23,540 --> 00:42:25,170
but it kept
getting bigger and bigger.
1040
00:42:25,210 --> 00:42:26,880
And you really surprised me.
1041
00:42:26,920 --> 00:42:28,630
I thought that was, like,
your best performance.
1042
00:42:28,670 --> 00:42:30,630
Thanks.
[ Cheers and applause ]
1043
00:42:30,670 --> 00:42:32,210
Gina, I got, like,
1044
00:42:32,260 --> 00:42:34,510
Florence + the Machine vibes
from you.
Yep.
1045
00:42:34,550 --> 00:42:36,470
Thank you.
What you did with it
was so cool.
1046
00:42:36,510 --> 00:42:40,220
Your vocal breaks, like going
all angelic but painful.
1047
00:42:40,260 --> 00:42:42,520
You could feel the ache
in your voice.
1048
00:42:42,560 --> 00:42:43,890
I loved this performance.
1049
00:42:43,930 --> 00:42:46,850
Kate, this is, like,
the lane for you.
1050
00:42:46,900 --> 00:42:48,900
What you did
in the beginning and end
1051
00:42:48,940 --> 00:42:51,190
let me know
who you were as an artist.
1052
00:42:51,230 --> 00:42:53,230
You're just very
rock 'n' roll.
1053
00:42:53,280 --> 00:42:54,150
Thank you.
1054
00:42:54,190 --> 00:42:55,400
I mean,
here's the thing.
1055
00:42:55,450 --> 00:42:58,370
If I were to base it
on the whole time,
1056
00:42:58,410 --> 00:42:59,740
I would go with Gina.
1057
00:42:59,780 --> 00:43:00,910
[ Cheers and applause ]
1058
00:43:00,950 --> 00:43:02,290
Kate, I feel like this
1059
00:43:02,330 --> 00:43:05,580
is the first time
I've ever actually seen you.
1060
00:43:05,620 --> 00:43:07,250
Like,
that was incredible
1061
00:43:07,290 --> 00:43:09,880
because it was just so weird
and out there,
1062
00:43:09,920 --> 00:43:11,710
and you just sounded
so good.
1063
00:43:11,750 --> 00:43:13,920
Thank you.
And, Gina, every time
you come out here, it's great.
1064
00:43:13,960 --> 00:43:15,380
Tonight was great.
1065
00:43:15,420 --> 00:43:17,760
Kate just took it
to the next level.
1066
00:43:17,800 --> 00:43:19,840
I'd be going with Kate
if it was me.
1067
00:43:19,890 --> 00:43:21,430
Thank you, Coaches.
1068
00:43:21,470 --> 00:43:23,350
Alright, Niall, another
tough decision here.
1069
00:43:23,390 --> 00:43:25,270
Kate, you were amazing
today.
1070
00:43:25,310 --> 00:43:27,940
Like, when you sing in that
jazzy tone and play the guitar,
1071
00:43:27,980 --> 00:43:29,940
it reminds me
of your first audition.
1072
00:43:29,980 --> 00:43:31,190
You know, you're
a quirky character,
1073
00:43:31,230 --> 00:43:32,980
and that's why
everyone loves you.
1074
00:43:33,020 --> 00:43:36,030
Gina, belief
has been your thing.
1075
00:43:36,070 --> 00:43:38,910
And I think the longer
this competition has gone on,
1076
00:43:38,950 --> 00:43:40,320
the more confident
you've got in yourself.
1077
00:43:40,370 --> 00:43:41,990
I wouldn't have picked
that song for you,
1078
00:43:42,030 --> 00:43:45,290
but I think you
absolutely nailed it.
1079
00:43:45,330 --> 00:43:47,290
And that's why these
knockout pairings are horrible,
1080
00:43:47,330 --> 00:43:49,460
'cause I have to put two people
I really love against each other
1081
00:43:49,500 --> 00:43:51,790
and then have to stand here
and make a decision.
1082
00:43:51,840 --> 00:43:52,960
Niall, the time has come.
1083
00:43:53,000 --> 00:43:54,420
Who is the winner
of this knockout?
1084
00:43:54,460 --> 00:43:58,800
**
1085
00:43:58,840 --> 00:44:01,180
I just have this, like,
gut feeling.
1086
00:44:03,390 --> 00:44:04,640
Ugh.
1087
00:44:04,680 --> 00:44:06,390
The winner of the knockout...
1088
00:44:13,690 --> 00:44:14,860
* This is "The Voice" *
1089
00:44:14,900 --> 00:44:17,320
Daly: Welcome back
to the knockouts.
1090
00:44:17,360 --> 00:44:19,360
Niall, who is the winner
of this knockout?
1091
00:44:19,400 --> 00:44:23,160
**
1092
00:44:23,200 --> 00:44:24,740
The winner of the knockout
is Gina.
1093
00:44:24,780 --> 00:44:27,330
Gina, congratulations!
1094
00:44:27,370 --> 00:44:30,330
Niall: Kate and Gina --
I really struggled with it.
1095
00:44:30,370 --> 00:44:31,830
Gina is just so consistent.
1096
00:44:31,880 --> 00:44:35,630
The playoffs is Gina's chance
now to step forward
1097
00:44:35,670 --> 00:44:37,260
and just trust in her ability.
1098
00:44:37,300 --> 00:44:39,010
She's an unbelievable talent.
1099
00:44:39,050 --> 00:44:40,720
Niall's been here for me
since day one
1100
00:44:40,760 --> 00:44:42,140
and always in my corner.
1101
00:44:42,180 --> 00:44:45,100
Yay, Team Niall! Ahh!
1102
00:44:45,140 --> 00:44:47,390
Kate, anything you want
to say to your coach?
1103
00:44:47,430 --> 00:44:51,060
Thanks for letting me show
the goofy person that I am
1104
00:44:51,100 --> 00:44:53,150
and giving me the chance
to show it on stage.
1105
00:44:53,190 --> 00:44:54,440
Thank you.
Give it up
one more time
1106
00:44:54,480 --> 00:44:56,610
for Kate Cosentino,
ladies and gentlemen.
1107
00:44:56,650 --> 00:44:58,230
[ Cheers and applause ]
1108
00:44:58,280 --> 00:45:01,360
The talent level at this stage
is just off the scale.
1109
00:45:01,400 --> 00:45:05,580
It's so hard to see really,
really gifted people leave.
1110
00:45:05,620 --> 00:45:07,200
Oh, that sucked.
I'm sorry, Niall.
1111
00:45:07,240 --> 00:45:08,620
Oh, I hate this.
I get it, though.
1112
00:45:08,660 --> 00:45:11,250
Like, consistently,
I think Gina has been better.
1113
00:45:11,290 --> 00:45:13,120
She's still so good.
1114
00:45:13,960 --> 00:45:16,540
[ Knock on door ]
1115
00:45:16,590 --> 00:45:17,710
Hi!
Reba!
1116
00:45:17,750 --> 00:45:18,920
[ Laughs ]
Yo.
1117
00:45:18,960 --> 00:45:21,260
Reba, she's a legend
in the industry,
1118
00:45:21,300 --> 00:45:22,930
Grammy Award-winning artist.
1119
00:45:22,970 --> 00:45:24,470
Kelly told me
all about you.
1120
00:45:24,510 --> 00:45:26,010
Kelly told -- What did --
What did she say?
1121
00:45:26,050 --> 00:45:28,010
She said she loves you.
Oh, I love Kelly.
1122
00:45:28,060 --> 00:45:30,600
Her being a top-tier artist
for so long
1123
00:45:30,640 --> 00:45:34,440
and -- and having
so many experiences
1124
00:45:34,480 --> 00:45:36,650
is something
that we could all grow from.
1125
00:45:36,690 --> 00:45:38,270
We have Ray.
1126
00:45:38,320 --> 00:45:41,280
He's got, like, a new,
contemporary R&B sound to him.
1127
00:45:41,320 --> 00:45:45,280
And then, Nariyella -- a very
big voice, very charismatic.
1128
00:45:45,320 --> 00:45:48,080
I put Nariyella and Ray
together
1129
00:45:48,120 --> 00:45:49,950
specifically
so that I could see,
1130
00:45:50,000 --> 00:45:52,660
you know, who stands
in their own identity the best.
1131
00:45:52,710 --> 00:45:55,500
Not Reba. She's an icon.
I know. I'm shook.
1132
00:45:55,540 --> 00:45:57,630
Nariyella: Reba,
she's won several Grammys.
1133
00:45:57,670 --> 00:46:00,010
She's been nominated
for a Golden Globe.
1134
00:46:00,050 --> 00:46:01,760
I love your hair.
Thank you.
1135
00:46:01,800 --> 00:46:03,430
Oh, my gosh.
We're both rocking
the red today.
1136
00:46:03,470 --> 00:46:04,300
Yes.
1137
00:46:04,340 --> 00:46:05,300
It was just an honor
1138
00:46:05,340 --> 00:46:06,640
to be in her presence.
1139
00:46:06,680 --> 00:46:07,760
So, I am singing
1140
00:46:07,800 --> 00:46:09,810
"Bust Your Windows"
by Jazmine Sullivan.
1141
00:46:09,850 --> 00:46:11,180
Reba: Ooh, okay.
1142
00:46:11,220 --> 00:46:15,060
* I bust the windows
out your car *
1143
00:46:15,100 --> 00:46:17,310
Nariyella:
I just love Jazmine Sullivan.
1144
00:46:17,360 --> 00:46:18,900
I look up to her
not only as a vocalist,
1145
00:46:18,940 --> 00:46:21,820
but as another Black woman
out here, making it happen.
1146
00:46:21,860 --> 00:46:26,320
* I'm glad I did it
'cause you had to learn *
1147
00:46:26,360 --> 00:46:29,410
I can relate to being
so heartbroken that I was like,
1148
00:46:29,450 --> 00:46:30,990
"Look, I'm ready
to make you feel
1149
00:46:31,040 --> 00:46:32,370
the same hurt that I feel."
1150
00:46:32,410 --> 00:46:34,580
It's not gonna make me
feel that much better,
1151
00:46:34,620 --> 00:46:37,460
but, shoot, it helped
a little bit, you know?
1152
00:46:37,500 --> 00:46:40,090
* You don't know pain *
1153
00:46:40,130 --> 00:46:42,880
I'm more
of a powerhouse vocalist,
1154
00:46:42,920 --> 00:46:45,840
so Jazmine Sullivan
is definitely a go-to artist.
1155
00:46:45,880 --> 00:46:48,390
Your singing's
incredible.
Yeah.
Thank you.
1156
00:46:48,430 --> 00:46:50,140
Would you feel good
about doing the next one
1157
00:46:50,180 --> 00:46:52,970
with just the microphone
without the stand?
With no stand? Yeah.
1158
00:46:53,020 --> 00:46:54,180
Yeah.
1159
00:46:54,230 --> 00:46:56,480
That person that
you're singing about,
1160
00:46:56,520 --> 00:46:57,850
you turn
into that character.
1161
00:46:57,900 --> 00:47:00,360
You said it.
Come in there
looking sassy,
1162
00:47:00,400 --> 00:47:03,690
and you've done something
to pay him back.
Okay.
1163
00:47:03,740 --> 00:47:06,530
You have, like, the
technical skill of a vocalist.
1164
00:47:06,570 --> 00:47:08,570
Whatever you can pull
from the lyrics is gonna,
1165
00:47:08,620 --> 00:47:10,450
like, carry
the song even further.
1166
00:47:10,490 --> 00:47:13,870
Nari absolutely knows
who she is as an artist,
1167
00:47:13,910 --> 00:47:17,040
and she's going to work hard
to get to that next level.
1168
00:47:17,080 --> 00:47:18,170
Alright, Ray.
You ready?
1169
00:47:18,210 --> 00:47:20,210
Come on, Ray.
Ray. Let's go.
1170
00:47:20,250 --> 00:47:22,380
Ray: Nariyella is
a four-chair turn.
1171
00:47:22,420 --> 00:47:23,880
You know, it kind of
makes me an underdog,
1172
00:47:23,920 --> 00:47:26,130
but I have a history
of beating four-chair turns.
1173
00:47:26,170 --> 00:47:27,590
Ray is moving on.
1174
00:47:27,630 --> 00:47:29,300
Ray: I want to make it
to the playoffs,
1175
00:47:29,340 --> 00:47:30,970
so I'm planning on winning
this, too. [ Chuckles ]
1176
00:47:31,010 --> 00:47:32,640
So, what you singing
for us?
1177
00:47:32,680 --> 00:47:34,720
I'm singing "Lately"
by Stevie Wonder.
1178
00:47:34,770 --> 00:47:36,100
Why'd you pick that song?
1179
00:47:36,140 --> 00:47:38,560
The way he writes his songs
is mind-blowing to me.
1180
00:47:38,600 --> 00:47:40,520
* Lately, I have had... *
1181
00:47:40,560 --> 00:47:41,820
Ray:
When I found this song,
1182
00:47:41,860 --> 00:47:44,150
I had actually just went
through a breakup,
1183
00:47:44,190 --> 00:47:45,360
and this song was just, like,
1184
00:47:45,400 --> 00:47:46,860
perfectly describing
that for me.
1185
00:47:46,900 --> 00:47:49,070
My younger brother was, like,
huge support for me.
1186
00:47:49,110 --> 00:47:52,030
He actually flew out
to Arizona from Gary, Indiana,
1187
00:47:52,080 --> 00:47:53,160
to help me get through that.
1188
00:47:53,200 --> 00:47:54,410
I moved out on my own,
1189
00:47:54,450 --> 00:47:55,540
all the way across the country.
1190
00:47:55,580 --> 00:47:56,580
So, to have my brother there,
1191
00:47:56,620 --> 00:47:58,250
it felt like a piece of home.
1192
00:47:58,290 --> 00:47:59,710
* Yeah *
1193
00:47:59,750 --> 00:48:02,630
This song, it's not, like,
super crazy vocally,
1194
00:48:02,670 --> 00:48:05,590
but I think the passion that's
gonna be put into the song
1195
00:48:05,630 --> 00:48:07,260
is gonna make
a lot of difference.
1196
00:48:07,300 --> 00:48:09,630
* Goodbye *
1197
00:48:09,680 --> 00:48:11,390
You got
a smooth voice.
1198
00:48:11,430 --> 00:48:12,800
Great choice
of song, man.
1199
00:48:12,850 --> 00:48:14,560
The thing that I was really
wanting to work on
1200
00:48:14,600 --> 00:48:16,520
was being a communicator
and a storyteller.
1201
00:48:16,560 --> 00:48:19,270
When I'm singing a song,
if I really get into it,
1202
00:48:19,310 --> 00:48:20,980
they're gonna
get into it.
1203
00:48:21,020 --> 00:48:23,110
And if I'm just
phoning it in,
1204
00:48:23,150 --> 00:48:26,030
they're gonna be looking at me
like, "Why do I care?"
1205
00:48:26,070 --> 00:48:29,360
So, tell us what you're thinking
in this, with your face.
1206
00:48:29,400 --> 00:48:31,610
* Goodbye *
1207
00:48:31,660 --> 00:48:34,330
Ray is
a singer/songwriter.
1208
00:48:34,370 --> 00:48:35,990
He pays attention to lyrics,
1209
00:48:36,040 --> 00:48:39,540
bring songs to life through
understanding human experience.
1210
00:48:39,580 --> 00:48:42,790
And I hope he shows off
his intentionality and control.
1211
00:48:42,830 --> 00:48:45,250
Even though some people have
never heard that Stevie record,
1212
00:48:45,300 --> 00:48:47,420
they'll be like,
"I felt it."
1213
00:48:47,460 --> 00:48:49,510
Same thing with the Jazmine
record. Like, I felt it.
1214
00:48:49,550 --> 00:48:52,050
Y'all are just great
communicators in that.
1215
00:48:52,090 --> 00:48:54,510
Nari, you want to
come back on stage?
Yes, please.
1216
00:48:54,550 --> 00:48:55,970
It's gonna be
a tough decision.
1217
00:48:56,010 --> 00:48:57,310
They're both so different.
1218
00:48:57,350 --> 00:48:58,520
It's just gonna come down
1219
00:48:58,560 --> 00:49:01,640
to what Chance needs
for his team.
1220
00:49:01,690 --> 00:49:03,900
* This is "The Voice" *
1221
00:49:03,940 --> 00:49:05,020
[ Cheers and applause ]
1222
00:49:05,070 --> 00:49:06,190
Here we go.
1223
00:49:06,230 --> 00:49:07,980
These are both great songs.
Yeah.
1224
00:49:08,030 --> 00:49:11,150
With "Bust Your Windows",
here is Nariyella.
1225
00:49:11,200 --> 00:49:14,240
[ Cheers and applause ]
1226
00:49:14,280 --> 00:49:18,750
**
1227
00:49:18,790 --> 00:49:23,170
* I bust the windows
out your car *
1228
00:49:23,210 --> 00:49:27,800
* And, no, it didn't
mend my broken heart *
1229
00:49:27,840 --> 00:49:32,130
* I'll probably always
have these ugly scars *
1230
00:49:32,180 --> 00:49:36,680
* But right now,
I don't care about that part *
1231
00:49:36,720 --> 00:49:40,930
* I bust the windows
out your car *
1232
00:49:40,980 --> 00:49:45,690
* After I saw you laying
next to her *
1233
00:49:45,730 --> 00:49:49,860
* I didn't wanna,
but I took my turn *
1234
00:49:49,900 --> 00:49:56,530
* I'm glad I did it
'cause you had to learn *
1235
00:49:56,570 --> 00:49:58,910
* Ooooh, ohhhhh *
1236
00:49:58,950 --> 00:50:03,160
* I must admit it helped
a little bit *
1237
00:50:03,210 --> 00:50:07,710
* To think of how you'd feel
when you saw it *
1238
00:50:07,750 --> 00:50:12,380
* I didn't know that I had
that much strength *
1239
00:50:12,420 --> 00:50:16,800
* But I'm glad you'll see
what happens when *
1240
00:50:16,850 --> 00:50:21,060
* You see, you can't just play
with people's feelings *
1241
00:50:21,100 --> 00:50:25,520
* Tell them you love 'em
and don't mean it *
1242
00:50:25,560 --> 00:50:29,820
* You'll probably say
that it was juvenile *
1243
00:50:29,860 --> 00:50:33,700
* But I think that
I deserve to smile *
1244
00:50:33,740 --> 00:50:36,610
* I bust the windows
on out your car *
1245
00:50:36,660 --> 00:50:40,160
* But it don't compare
to my broken heart *
1246
00:50:40,200 --> 00:50:42,250
Come on!
1247
00:50:42,290 --> 00:50:45,540
* After what you did to me *
1248
00:50:45,580 --> 00:50:48,790
* Best believe I ain't sorry *
1249
00:50:48,840 --> 00:50:53,420
* I bust the windows
out your car *
1250
00:50:53,470 --> 00:50:56,300
[ Cheers and applause ]
1251
00:50:58,470 --> 00:51:00,470
[ Laughs ]
1252
00:51:01,770 --> 00:51:03,310
Come on, Ray!
1253
00:51:03,350 --> 00:51:06,690
Mary Kate: Come on, Ray!
1254
00:51:14,150 --> 00:51:15,490
* This is "The Voice" *
1255
00:51:15,530 --> 00:51:17,110
Daly: Welcome back
to the knockouts
1256
00:51:17,160 --> 00:51:18,450
at Universal Studios Hollywood.
1257
00:51:18,490 --> 00:51:19,700
Come on, Ray!
1258
00:51:19,740 --> 00:51:22,790
Now singing "Lately",
here's Ray Uriel.
1259
00:51:22,830 --> 00:51:25,120
[ Applause ]
1260
00:51:25,160 --> 00:51:26,460
**
1261
00:51:26,500 --> 00:51:28,580
Oh, yes.
I love this song.
1262
00:51:28,630 --> 00:51:33,840
* Oooooh, yeah *
1263
00:51:33,880 --> 00:51:40,510
* Lately, I have had
the strangest feeling *
1264
00:51:40,550 --> 00:51:46,730
* With no vivid reason
here to find *
1265
00:51:46,770 --> 00:51:52,190
* Yet the thought
of losing you's been handing *
1266
00:51:52,230 --> 00:51:56,190
* 'Round my mind *
1267
00:51:56,240 --> 00:51:59,700
* My mind *
1268
00:51:59,740 --> 00:52:02,990
* Well, I'm a man
of many wishes *
1269
00:52:03,030 --> 00:52:06,750
* Hope my premonition misses *
1270
00:52:06,790 --> 00:52:11,880
* But what I really feel
my eyes won't let me hide *
1271
00:52:11,920 --> 00:52:21,800
* 'Cause they always
start to cry *
1272
00:52:21,850 --> 00:52:24,810
[ Cheers and applause ]
1273
00:52:24,850 --> 00:52:34,320
* 'Cause this time
could mean goodbye *
1274
00:52:34,360 --> 00:52:38,490
* Goodbye *
1275
00:52:38,530 --> 00:52:41,450
* Oh,
I'm a man of many wishes *
1276
00:52:41,490 --> 00:52:42,700
Yeah!
1277
00:52:42,740 --> 00:52:45,740
* Hope my premonition misses *
1278
00:52:45,790 --> 00:52:50,830
* But what I really feel
my eyes won't let me hide *
1279
00:52:50,870 --> 00:53:01,470
* 'Cause they always
start to cry *
1280
00:53:01,510 --> 00:53:03,970
**
1281
00:53:04,010 --> 00:53:16,820
* 'Cause this time
could mean goodbye *
1282
00:53:17,610 --> 00:53:21,450
* Good *
1283
00:53:21,490 --> 00:53:24,030
* Goodbye *
1284
00:53:24,070 --> 00:53:26,120
Whoo!
1285
00:53:26,160 --> 00:53:28,290
[ Cheers and applause ]
1286
00:53:28,330 --> 00:53:30,290
Oh, my gosh.
1287
00:53:30,330 --> 00:53:33,920
**
1288
00:53:33,960 --> 00:53:36,250
Yeah, man!
Good job, Ray!
Good job, Ray!
1289
00:53:36,290 --> 00:53:37,920
Oh, yeah.
1290
00:53:37,960 --> 00:53:40,170
Whoo.
Kelly: Nariyella,
I want to start with you.
1291
00:53:40,220 --> 00:53:42,840
I think that you're so gifted
to get up there
1292
00:53:42,880 --> 00:53:44,680
and almost act it out
as you're singing it.
1293
00:53:44,720 --> 00:53:46,970
It's so captivating.
I love it.
1294
00:53:47,010 --> 00:53:47,890
Thank you.
1295
00:53:47,930 --> 00:53:50,480
Ray,
that was so tasteful.
1296
00:53:50,520 --> 00:53:51,940
And the runs
were beautiful.
1297
00:53:51,980 --> 00:53:53,310
And before
y'all got out here,
1298
00:53:53,350 --> 00:53:55,060
I thought I was definitely
gonna go with Nariyella,
1299
00:53:55,110 --> 00:53:58,360
but it's hard for anybody to
beat that song, so I'd go Ray.
1300
00:53:58,400 --> 00:54:01,440
Thank you.
I thought I was gonna
go Nariyella, too.
1301
00:54:01,490 --> 00:54:03,240
And I do think that you had
a good performance.
1302
00:54:03,280 --> 00:54:05,910
I feel like today there's
something holding you back.
1303
00:54:05,950 --> 00:54:08,830
And in Ray, there's something
so '90s about your performance.
1304
00:54:08,870 --> 00:54:11,620
Yeah.
I'd be going with Ray,
if it was me.
1305
00:54:11,660 --> 00:54:14,960
Ray, there's some huge male
voices in this competition,
1306
00:54:15,000 --> 00:54:16,960
and I feel like you'd slide in
under the radar
1307
00:54:17,000 --> 00:54:18,800
because of how slick
everything is.
1308
00:54:18,840 --> 00:54:20,510
And, Nariyella,
your voice is, you know,
1309
00:54:20,550 --> 00:54:22,170
arguably the best
in this competition.
1310
00:54:22,220 --> 00:54:23,760
I think I'd just
lean towards Nariyella.
1311
00:54:23,800 --> 00:54:25,970
Thanks, Niall.
Daly: Thank you, Coaches.
1312
00:54:26,010 --> 00:54:27,800
Alright, buddy,
give us some thoughts first
1313
00:54:27,850 --> 00:54:29,510
and then tell us
who won the knockout.
1314
00:54:29,560 --> 00:54:31,930
Ray, you did go bigger
in certain moments on this song.
1315
00:54:31,980 --> 00:54:33,850
And this song is, like,
has a lot of movement,
1316
00:54:33,890 --> 00:54:35,150
so I know that's difficult.
1317
00:54:35,190 --> 00:54:36,980
You really smashed it.
Thank you.
1318
00:54:37,020 --> 00:54:40,400
Nari, I think everybody
knows you for the ability
1319
00:54:40,440 --> 00:54:41,820
to, like, go big on songs.
1320
00:54:41,860 --> 00:54:43,990
But I like that you
focused a lot more
1321
00:54:44,030 --> 00:54:45,860
on the attitude of the record.
1322
00:54:45,910 --> 00:54:47,120
If I'm going straight off
the voice
1323
00:54:47,160 --> 00:54:49,080
and what you guys
have done previously,
1324
00:54:49,120 --> 00:54:50,870
Nari would be
the right way to go.
1325
00:54:50,910 --> 00:54:54,040
But I think Ray had
the most compelling performance.
1326
00:54:54,080 --> 00:54:55,710
It's tough for me
to do this.
1327
00:54:55,750 --> 00:54:57,420
Chance, who is the winner
of this knockout?
1328
00:54:57,460 --> 00:55:01,760
**
1329
00:55:01,800 --> 00:55:02,920
This is very tough.
1330
00:55:02,960 --> 00:55:04,550
The winner
of this knockout...
1331
00:55:04,590 --> 00:55:07,050
**
1332
00:55:07,090 --> 00:55:08,220
...is Ray.
1333
00:55:09,470 --> 00:55:11,770
Daly: Ray,
congratulations.
1334
00:55:11,810 --> 00:55:13,310
Chance: It's the knockout round
for a reason.
1335
00:55:13,350 --> 00:55:15,850
It's who can give a knockout
performance in that moment.
1336
00:55:15,890 --> 00:55:17,100
And Ray really did that.
1337
00:55:17,150 --> 00:55:18,940
No, great stuff, man.
Thank you, man.
1338
00:55:18,980 --> 00:55:20,900
He really showed us his ability
to kind of shapeshift
1339
00:55:20,940 --> 00:55:22,570
and take on different songs.
1340
00:55:22,610 --> 00:55:25,860
And I look forward to seeing
some of his takes on some more,
1341
00:55:25,900 --> 00:55:27,200
like, contemporary work.
1342
00:55:27,240 --> 00:55:28,870
You know, Chance was
a one-chair turn for me.
1343
00:55:28,910 --> 00:55:30,580
He really believed in me,
and I feel like, you know,
1344
00:55:30,620 --> 00:55:33,200
I've been coming out here week
after week and just showing him
1345
00:55:33,240 --> 00:55:35,080
that, like, you know,
he didn't make the wrong choice.
1346
00:55:35,120 --> 00:55:37,000
Daly: Nariyella, anything you
want to say to Chance?
1347
00:55:37,040 --> 00:55:39,880
I'm just grateful to have
been able to work with you.
1348
00:55:39,920 --> 00:55:41,420
This is
just the beginning.
1349
00:55:41,460 --> 00:55:42,750
[ Cheers and applause ]
1350
00:55:42,800 --> 00:55:44,170
Niall:
If I had a second steal,
1351
00:55:44,210 --> 00:55:46,170
I would have went Nariyella
all day long.
1352
00:55:46,220 --> 00:55:48,180
Any song that she sings
could be on her record.
1353
00:55:48,220 --> 00:55:50,430
And that's a sign
of a true artist.
1354
00:55:50,470 --> 00:55:52,260
Ray was amazing.
Right?
1355
00:55:52,310 --> 00:55:53,970
God.
That's not easy.
1356
00:55:54,020 --> 00:55:57,140
Daly: Still to come...
* By myself anymore *
1357
00:55:57,190 --> 00:55:58,560
Holy crap.
1358
00:55:58,600 --> 00:56:00,770
Daly: ...the artists blow
Reba and our coaches away...
1359
00:56:00,810 --> 00:56:02,570
Did my toupee
fly off just then?
1360
00:56:02,610 --> 00:56:03,980
Thank you.
1361
00:56:04,030 --> 00:56:07,280
Daly: ...leading to steal-worthy
performances.
1362
00:56:07,320 --> 00:56:09,030
It's a double steal!
1363
00:56:09,070 --> 00:56:11,200
[ Cheers and applause ]
1364
00:56:17,500 --> 00:56:18,710
* This is "The Voice" *
1365
00:56:18,750 --> 00:56:20,540
Daly: Welcome back to
the knockouts.
1366
00:56:20,580 --> 00:56:25,170
* 'Cause I got friends
in low places *
1367
00:56:25,210 --> 00:56:30,340
* Where the whiskey drowns
and the beer chases *
1368
00:56:30,390 --> 00:56:33,010
* My blues away *
1369
00:56:33,050 --> 00:56:35,180
Come on and sing,
* And I'll be okay *
1370
00:56:35,220 --> 00:56:38,270
[ Laughter ]
* I'll be okay *
1371
00:56:38,310 --> 00:56:39,810
[ Laughs ]
1372
00:56:39,850 --> 00:56:41,190
Niall: * O-ro,
the rattlin' bog *
1373
00:56:41,230 --> 00:56:42,940
* The bog down
in the valley-o *
1374
00:56:42,980 --> 00:56:44,730
* O-ro,
the rattlin' bog *
1375
00:56:44,770 --> 00:56:46,230
* The bog
down in the valley-o *
1376
00:56:46,280 --> 00:56:48,070
* And in that bog
there was a hole *
1377
00:56:48,110 --> 00:56:50,110
* A rare hole,
a rattlin' hole *
1378
00:56:50,160 --> 00:56:51,030
[ Laughs ]
1379
00:56:51,070 --> 00:56:52,740
I'm Irish.
Do you want to be?
1380
00:56:52,780 --> 00:56:54,240
[ Laughter ]
1381
00:56:54,280 --> 00:56:56,540
Alright,
so check this out.
1382
00:56:56,580 --> 00:56:58,040
This is Season 1.
1383
00:56:58,080 --> 00:57:00,250
Reba: Do you sing at home?
I do. All the time.
1384
00:57:00,290 --> 00:57:01,750
In front of people?
Oh, my God, it's Xenia.
1385
00:57:01,790 --> 00:57:03,210
Oh, I remember her.
1386
00:57:03,250 --> 00:57:05,250
Blake: Reba was the person
that I looked to the most
1387
00:57:05,300 --> 00:57:08,300
as I was trying to make it
in country music.
1388
00:57:08,340 --> 00:57:11,050
Look at us.
We look like babies.
[ Laughs ]
1389
00:57:11,090 --> 00:57:13,180
Oh, my God. [ Laughs ]
Oh, my God. Who's that?
1390
00:57:13,220 --> 00:57:16,890
After all these years, it's just
fun to have a buddy here.
1391
00:57:16,930 --> 00:57:18,770
Oh, my God. I can't.
This is embarrassing.
1392
00:57:18,810 --> 00:57:20,140
No, it's cute.
1393
00:57:20,190 --> 00:57:21,900
It's embarrassing.
Stop it.
1394
00:57:21,940 --> 00:57:23,900
[ Laughs ]
1395
00:57:23,940 --> 00:57:26,320
So this pairing
is Kylee and Walker.
1396
00:57:26,360 --> 00:57:29,190
Because they have so much
character in their voices.
1397
00:57:29,240 --> 00:57:30,740
Bring 'em on.
1398
00:57:30,780 --> 00:57:32,570
Oh. [ Giggles ]
1399
00:57:32,610 --> 00:57:33,820
Oh, my gosh.
1400
00:57:33,870 --> 00:57:35,120
Hi.
Oh, my God.
1401
00:57:35,160 --> 00:57:36,410
I, like,
can't even look.
1402
00:57:36,450 --> 00:57:38,160
Do you always get
this kind of response
1403
00:57:38,200 --> 00:57:39,580
when they walk out
to see you?
1404
00:57:39,620 --> 00:57:41,330
Not to see me. No.
Hi.
1405
00:57:41,370 --> 00:57:44,920
Kylee: To, like, see
Reba McEntire in real life...
How are you?
1406
00:57:44,960 --> 00:57:47,090
...the country legend,
the queen of country,
1407
00:57:47,130 --> 00:57:48,340
the country everything,
1408
00:57:48,380 --> 00:57:50,010
it took the breath
out of my lungs.
1409
00:57:50,050 --> 00:57:51,380
It's great to meet you.
I'm Kylee.
1410
00:57:51,420 --> 00:57:52,720
Hi, Kylee, I'm Reba.
Nice to meet you.
1411
00:57:52,760 --> 00:57:54,470
Girl, I know you are.
[ Laughs ]
1412
00:57:54,510 --> 00:57:56,510
Never in my wildest dreams
did I imagine
1413
00:57:56,550 --> 00:57:58,890
I would be face-to-face
with Reba McEntire.
1414
00:57:58,930 --> 00:58:00,140
Hi, Walker.
Nice to meet you.
1415
00:58:00,180 --> 00:58:01,940
And I was like, Reba,
I love you.
1416
00:58:01,980 --> 00:58:04,150
[ Laughs ] I really do.
1417
00:58:04,190 --> 00:58:06,020
Kylee, what are you gonna
be singing for us?
1418
00:58:06,060 --> 00:58:08,150
I'm singing "All By Myself"
by Eric Carmen.
1419
00:58:08,190 --> 00:58:09,480
I'm doing
Celine Dion's version.
1420
00:58:09,530 --> 00:58:10,780
Okay, great.
1421
00:58:10,820 --> 00:58:13,150
I've always felt kind of
like the outcast.
1422
00:58:13,200 --> 00:58:15,280
Outcast?
Everybody loves you.
But I'm just excited.
1423
00:58:15,320 --> 00:58:17,200
You sound like my parents.
Okay.
1424
00:58:17,240 --> 00:58:21,410
* All by myself *
1425
00:58:21,450 --> 00:58:24,460
Kylee: I never fit super cleanly
into my groups of friends
1426
00:58:24,500 --> 00:58:26,380
in middle school and high school
and even college.
1427
00:58:26,420 --> 00:58:28,250
* Sometimes
I feel so insecure *
1428
00:58:28,290 --> 00:58:31,210
Feeling like you're lonely,
it's hard to, like, speak that.
1429
00:58:31,260 --> 00:58:33,550
And singing a song like this
is definitely healing.
1430
00:58:33,590 --> 00:58:35,090
* And obscure *
1431
00:58:35,140 --> 00:58:37,100
Coming on "The Voice",
being around other musicians,
1432
00:58:37,140 --> 00:58:38,560
I feel included and loved,
1433
00:58:38,600 --> 00:58:41,770
and it's really
stretching me as a person
1434
00:58:41,810 --> 00:58:42,980
and as a musician.
1435
00:58:43,020 --> 00:58:47,400
* All by myself *
1436
00:58:47,440 --> 00:58:51,190
When Kylee came on,
she was real cute, real shy,
1437
00:58:51,230 --> 00:58:52,610
and I thought, "Well,
1438
00:58:52,650 --> 00:58:54,900
she's gonna have a little
bitty voice probably."
1439
00:58:54,950 --> 00:58:55,910
Wrong.
1440
00:58:55,950 --> 00:58:59,950
* Anymore *
1441
00:58:59,990 --> 00:59:01,410
Holy crap.
1442
00:59:01,450 --> 00:59:03,460
Did my toupee
fly off just now?
1443
00:59:03,500 --> 00:59:04,960
Thank you.
1444
00:59:05,000 --> 00:59:06,000
Oh, my God.
1445
00:59:06,040 --> 00:59:07,580
That was so good.
1446
00:59:07,630 --> 00:59:08,840
Thank you so much.
1447
00:59:08,880 --> 00:59:10,550
You really touched my heart.
1448
00:59:10,590 --> 00:59:12,130
That's the biggest thing...
Thank you so much.
1449
00:59:12,170 --> 00:59:15,180
...is to capture somebody
in the audience
1450
00:59:15,220 --> 00:59:17,180
to where they're sobbing
or laughing.
1451
00:59:17,220 --> 00:59:20,510
Get some emotion out of them,
and you did it for me.
1452
00:59:20,560 --> 00:59:22,850
Kylee definitely
has a connection to this song.
1453
00:59:22,890 --> 00:59:24,430
She made Reba cry.
1454
00:59:24,480 --> 00:59:28,020
So that tells you the effect
that this song has on people
1455
00:59:28,060 --> 00:59:29,520
when they hear Kylee singing it.
1456
00:59:29,560 --> 00:59:31,940
Reba: The only thing I would
play with on this song
1457
00:59:31,980 --> 00:59:34,530
is to be totally still.
Okay.
1458
00:59:34,570 --> 00:59:36,320
When you watch an actor
sometimes,
1459
00:59:36,360 --> 00:59:38,820
the better they perform
is when they're still
1460
00:59:38,870 --> 00:59:40,370
and it all comes from here.
Mm-hmm.
1461
00:59:40,410 --> 00:59:42,700
What you're doing vocally is...
Mind blowing.
1462
00:59:42,740 --> 00:59:44,000
...so I would
play it simple
1463
00:59:44,040 --> 00:59:45,500
and then just blow
their faces off.
1464
00:59:45,540 --> 00:59:48,710
Literally
melt faces off.
[ Laughs ]
1465
00:59:48,750 --> 00:59:50,540
She's bitten off a lot here.
1466
00:59:50,590 --> 00:59:52,130
Good job.
Thanks.
1467
00:59:52,170 --> 00:59:55,670
It's important for Kylee to step
out and get on people's radar.
1468
00:59:55,720 --> 00:59:58,340
Did you know that Walker
in another lifetime
1469
00:59:58,390 --> 01:00:00,510
was a member
of The Kentucky Headhunters?
1470
01:00:00,550 --> 01:00:02,390
[ Laughs ]
Look at him. Come on.
1471
01:00:02,430 --> 01:00:04,220
Tell me he wouldn't
fit in in that band.
1472
01:00:04,270 --> 01:00:06,270
He's a lot better-looking.
[ Laughter ]
1473
01:00:06,310 --> 01:00:07,520
Are y'all both
from Oklahoma?
1474
01:00:07,560 --> 01:00:08,560
Yeah.
Same part.
1475
01:00:08,600 --> 01:00:10,310
Like, literally
the next county over
1476
01:00:10,360 --> 01:00:11,730
is where she was born
and raised.
1477
01:00:11,770 --> 01:00:15,240
And I know people who knew Reba
before she was Reba.
1478
01:00:15,280 --> 01:00:18,490
And she made it, so it was like,
this can really happen.
1479
01:00:18,530 --> 01:00:20,370
Well, what
are you singing for us?
1480
01:00:20,410 --> 01:00:22,160
I'm singing
"Ain't Living Long Like This"
1481
01:00:22,200 --> 01:00:23,740
originally by Waylon.
1482
01:00:23,790 --> 01:00:26,660
Love that song.
I relate to it
as just a wild kid.
1483
01:00:26,710 --> 01:00:28,120
Love it.
1484
01:00:28,160 --> 01:00:29,580
Walker:
The opening line is...
1485
01:00:29,620 --> 01:00:32,500
* I look for trouble
and I found it, son *
1486
01:00:32,540 --> 01:00:35,340
And that was pretty much
us as kids.
1487
01:00:35,380 --> 01:00:38,220
I lived in a town, the city
limits were a square mile.
1488
01:00:38,260 --> 01:00:39,590
There's not much to do.
1489
01:00:39,630 --> 01:00:41,090
Yeah, we got in trouble.
1490
01:00:41,140 --> 01:00:45,220
It was never bad, but it
wasn't never good, either.
1491
01:00:45,270 --> 01:00:46,850
* Can I, baby? *
1492
01:00:46,890 --> 01:00:49,390
This song is honky-tonk history.
1493
01:00:49,440 --> 01:00:52,360
It's like, almost country,
almost rock, almost blues,
1494
01:00:52,400 --> 01:00:54,570
somewhere in the middle,
and that's where my voice is.
1495
01:00:54,610 --> 01:00:57,780
* I live with Angel,
she's a roadhouse queen *
1496
01:00:57,820 --> 01:00:59,110
* Makes Texas Ruby... *
1497
01:00:59,150 --> 01:01:00,530
Reba: Walker had a little
swagger to him,
1498
01:01:00,570 --> 01:01:02,990
and I loved the gravel
in his voice.
1499
01:01:03,030 --> 01:01:05,160
It's really cool, really sexy.
1500
01:01:05,200 --> 01:01:07,290
* I'm at the bottom
of the jailhouse... *
1501
01:01:07,330 --> 01:01:08,910
Watching Walker perform
definitely puts a little
1502
01:01:08,960 --> 01:01:10,500
fire under my feet.
1503
01:01:10,540 --> 01:01:12,790
There it is.
Reba: Very good.
Thank y'all.
1504
01:01:12,830 --> 01:01:16,210
When you smile,
it reminds me of Patrick Swayze.
1505
01:01:16,250 --> 01:01:18,010
[ Laughs ]
Oh, my goodness.
1506
01:01:18,050 --> 01:01:20,430
The only thing
that I would say is,
1507
01:01:20,470 --> 01:01:23,470
* Can't live at all *
that note is the highest note
1508
01:01:23,510 --> 01:01:25,100
I think that you have
in the song,
1509
01:01:25,140 --> 01:01:28,180
and you just keep going back
to that same spot.
Mm-hmm.
1510
01:01:28,220 --> 01:01:30,520
If there's one extra gear
you can find --
1511
01:01:30,560 --> 01:01:33,400
* Ain't living lo-o-o-ng
like this *
1512
01:01:33,440 --> 01:01:34,900
I could probably do that.
Waylon did that.
1513
01:01:34,940 --> 01:01:36,270
He did, didn't he?
1514
01:01:36,320 --> 01:01:37,940
That was pretty slick.
Thanks.
1515
01:01:37,980 --> 01:01:41,700
And even though this is kind of
a rocked-up version of the song,
1516
01:01:41,740 --> 01:01:44,660
Walker is showing that he does
have a country side.
1517
01:01:44,700 --> 01:01:46,830
At this point
in the competition, it's tough,
1518
01:01:46,870 --> 01:01:49,700
and he's gonna have to show us
what he's capable of vocally.
1519
01:01:49,750 --> 01:01:51,460
Great job for both of you.
1520
01:01:51,500 --> 01:01:53,170
I'm just happy
we got to meet you.
Yeah.
1521
01:01:53,210 --> 01:01:55,290
I'm telling you.
Aww, listen at you.
1522
01:01:55,340 --> 01:01:57,460
Reba: Kylee and Walker
are in two different lanes,
1523
01:01:57,500 --> 01:01:59,090
maybe two different
interstates.
1524
01:01:59,130 --> 01:02:00,340
They're just great.
1525
01:02:00,380 --> 01:02:02,180
I would not want to be
in his position.
1526
01:02:02,220 --> 01:02:04,050
I'm wondering if
the first time I ever met you
1527
01:02:04,090 --> 01:02:06,180
was when you guys
did the grand opening
1528
01:02:06,220 --> 01:02:07,680
of the Starstruck
building.
1529
01:02:07,720 --> 01:02:10,060
That was '96 is
when we built it.
1530
01:02:10,100 --> 01:02:11,810
I may have
shook your hand.
1531
01:02:11,850 --> 01:02:13,230
I remember it vividly.
1532
01:02:13,270 --> 01:02:15,980
[ Laughs ]
1533
01:02:16,020 --> 01:02:18,530
[ Cheers and applause ]
1534
01:02:18,570 --> 01:02:19,860
Go, Kylee!
1535
01:02:19,900 --> 01:02:24,070
With "All By Myself",
here's Kylee Dayne.
1536
01:02:24,740 --> 01:02:26,660
Alright, Ky-Ky!
1537
01:02:26,700 --> 01:02:30,120
**
1538
01:02:30,160 --> 01:02:33,120
* When I was young *
1539
01:02:33,160 --> 01:02:38,380
* I never needed anyone *
1540
01:02:38,420 --> 01:02:43,970
* And making love
was just for fun *
1541
01:02:44,010 --> 01:02:46,890
* Those days are gone *
1542
01:02:46,930 --> 01:02:54,020
**
1543
01:02:54,060 --> 01:02:59,690
* All by myself *
1544
01:02:59,730 --> 01:03:06,070
* Don't wanna be
all by myself *
1545
01:03:06,110 --> 01:03:09,080
* Anymore *
1546
01:03:09,120 --> 01:03:11,750
* Hard to be sure *
1547
01:03:11,790 --> 01:03:16,080
Oh, my God!
I didn't know she had that.
* Sometimes I feel so insecure *
1548
01:03:16,120 --> 01:03:17,880
**
1549
01:03:17,920 --> 01:03:22,510
* And love's so distant
and obscure *
1550
01:03:22,550 --> 01:03:26,890
* Remains the cure *
1551
01:03:26,930 --> 01:03:29,680
* Ohhhh *
1552
01:03:29,720 --> 01:03:35,190
* All by myself *
1553
01:03:35,230 --> 01:03:41,400
* Don't wanna be
all by myself *
1554
01:03:41,440 --> 01:03:44,740
* Anymore *
1555
01:03:44,780 --> 01:03:50,370
* All by myself *
1556
01:03:50,410 --> 01:03:57,120
* Don't wanna live
all by myself *
1557
01:03:57,170 --> 01:04:04,800
* Anymo-o-o-o-o-o-o-re *
1558
01:04:04,840 --> 01:04:08,130
* Ohh-oh-ohh *
1559
01:04:08,180 --> 01:04:12,310
* By myself *
1560
01:04:12,350 --> 01:04:22,360
* I don't wanna be by myself,
by myself anymo-o-o-o-o-o-re *
1561
01:04:23,820 --> 01:04:25,030
[ Niall laughs ]
1562
01:04:25,070 --> 01:04:27,320
[ Cheers and applause ]
1563
01:04:27,360 --> 01:04:29,450
What?!
Pretty good.
1564
01:04:29,490 --> 01:04:31,160
Where did that
come from?
1565
01:04:31,200 --> 01:04:32,330
That's my coaching.
1566
01:04:32,370 --> 01:04:33,990
Oh, you did that?
Well done.
1567
01:04:34,040 --> 01:04:35,540
You're welcome.
1568
01:04:35,580 --> 01:04:37,660
Yes!
1569
01:04:37,710 --> 01:04:39,250
Come on, Walker!
1570
01:04:46,050 --> 01:04:47,470
* This is "The Voice" *
1571
01:04:47,510 --> 01:04:49,380
Daly: Welcome back
to night one of the knockouts.
1572
01:04:49,430 --> 01:04:52,890
[ Cheers and applause ]
1573
01:04:52,930 --> 01:04:55,270
Daly: Now singing
"I Ain't Living Long Like This",
1574
01:04:55,310 --> 01:04:57,770
here's Walker Wilson.
1575
01:05:00,270 --> 01:05:09,030
**
1576
01:05:09,070 --> 01:05:12,570
* I look for trouble
and I found it, son *
1577
01:05:12,620 --> 01:05:15,830
* Straight down the barrel
of a law man's gun *
1578
01:05:15,870 --> 01:05:19,250
* I tried to run,
but I don't think I can *
1579
01:05:19,290 --> 01:05:22,250
* You make one move
and you're a dead man, friend *
1580
01:05:22,290 --> 01:05:25,840
* Ain't livin' long like this *
1581
01:05:25,880 --> 01:05:28,720
**
1582
01:05:28,760 --> 01:05:34,390
* Can't live at all like this,
can I, baby? *
1583
01:05:34,430 --> 01:05:36,770
**
1584
01:05:36,810 --> 01:05:40,270
* He slipped the handcuffs on
behind my back *
1585
01:05:40,310 --> 01:05:43,020
* Then left me reeling
on a steel reel rack *
1586
01:05:43,060 --> 01:05:47,980
* They got 'em all
in the jailhouse, baby, yeah *
1587
01:05:48,030 --> 01:05:49,740
**
1588
01:05:49,780 --> 01:05:55,030
* Ain't livin' long like this,
am I, baby? *
1589
01:05:55,080 --> 01:05:57,660
**
1590
01:05:57,700 --> 01:06:01,000
* You know the story
'bout the jailhouse rock? *
1591
01:06:01,040 --> 01:06:03,830
* Don't want to do it,
just don't get caught *
1592
01:06:03,880 --> 01:06:08,670
* They got 'em all
in the jailhouse, baby, yeah *
1593
01:06:08,710 --> 01:06:10,630
**
1594
01:06:10,670 --> 01:06:16,140
* Ain't livin' long like this,
am I, baby? *
1595
01:06:17,350 --> 01:06:24,150
* Can't live at a-a-all like
this, can I, baby? *
1596
01:06:24,190 --> 01:06:25,560
Yah!
1597
01:06:25,610 --> 01:06:30,150
[ Cheers and applause ]
1598
01:06:30,190 --> 01:06:31,740
Blake: Yeah!
1599
01:06:31,780 --> 01:06:34,030
**
1600
01:06:34,070 --> 01:06:35,780
He did a "Yah!"
1601
01:06:35,820 --> 01:06:37,080
Yah!
1602
01:06:37,120 --> 01:06:38,490
**
1603
01:06:38,540 --> 01:06:40,830
Come on, Kylee.
Yeah, Walker!
1604
01:06:40,870 --> 01:06:43,500
My heart's pounding.
Yeah.
1605
01:06:43,540 --> 01:06:44,830
That was impressive.
1606
01:06:44,870 --> 01:06:46,540
Um, two completely
different ways
1607
01:06:46,580 --> 01:06:49,050
to rip the roof off the joint.
1608
01:06:49,090 --> 01:06:50,670
Walker, dude,
I felt like that was
1609
01:06:50,710 --> 01:06:52,170
in your wheelhouse
right there.
1610
01:06:52,220 --> 01:06:54,590
Every time you come out here,
you're fully committed
1611
01:06:54,630 --> 01:06:56,510
to getting the -- a good vibe
going in the room.
1612
01:06:56,550 --> 01:06:57,720
Kylee...
Thank you, Niall.
1613
01:06:57,760 --> 01:06:59,640
...I thought
you absolutely nailed it.
1614
01:06:59,680 --> 01:07:02,270
You really got in there
and you just kept going,
1615
01:07:02,310 --> 01:07:03,810
and it was incredible.
1616
01:07:03,850 --> 01:07:05,690
Walker, you're
technically skilled
1617
01:07:05,730 --> 01:07:07,940
in a way where, like,
your pitch is always perfect.
1618
01:07:07,980 --> 01:07:09,570
And, yeah, you just felt
comfortable up there.
1619
01:07:09,610 --> 01:07:12,440
For Kylee, you completely
blew me away.
1620
01:07:12,490 --> 01:07:15,160
That was so raw to me.
Thank you so much.
1621
01:07:15,200 --> 01:07:17,160
There were moments
where it got a little pitchy,
1622
01:07:17,200 --> 01:07:19,780
but, like, what I respect
the most out of performers
1623
01:07:19,830 --> 01:07:22,950
is when they're so in tune
with what they're doing
1624
01:07:23,000 --> 01:07:25,120
that they don't let those
kinda things derail them.
1625
01:07:25,170 --> 01:07:26,620
Like, you kept going.
1626
01:07:26,670 --> 01:07:28,670
And then the last note
that you hit was right on.
1627
01:07:28,710 --> 01:07:30,170
And if I had to lean
one way or the other,
1628
01:07:30,210 --> 01:07:33,130
I would suggest Kylee
as the winner of this.
1629
01:07:34,840 --> 01:07:36,890
Kelly: Walker,
I love this sound for you.
1630
01:07:36,930 --> 01:07:39,850
This is, like,
where you are on fire.
1631
01:07:39,890 --> 01:07:41,850
I love this lane for you.
It was perfect.
1632
01:07:41,890 --> 01:07:44,020
Thank you, Kelly.
Now we'll get to you, ma'am.
1633
01:07:44,060 --> 01:07:45,270
[ Laughter ]
1634
01:07:45,310 --> 01:07:47,730
You showed not only that
you could, like, conquer
1635
01:07:47,770 --> 01:07:49,560
a Celine Dion song,
1636
01:07:49,610 --> 01:07:51,860
your little Mariah
riffs in there,
1637
01:07:51,900 --> 01:07:53,780
like,
you're 20 years old.
1638
01:07:53,820 --> 01:07:55,490
[ Cheers and applause ]
1639
01:07:55,530 --> 01:07:57,240
The fact that you're
that kind of bold singer
1640
01:07:57,280 --> 01:07:59,070
shows that you want
to win, one,
1641
01:07:59,120 --> 01:08:02,040
and, two, shows that you're
capable of doing that.
1642
01:08:02,080 --> 01:08:05,580
Mm-hmm.
Thank you so much.
Oh, my God.
1643
01:08:05,620 --> 01:08:07,250
Daly: Thank you, Coaches.
1644
01:08:07,290 --> 01:08:08,960
Alright, Blake,
it comes down to you, buddy.
1645
01:08:09,000 --> 01:08:10,750
I've been dreading
this knockout
1646
01:08:10,790 --> 01:08:13,510
because you guys
are so much alike.
1647
01:08:13,550 --> 01:08:15,420
Just kidding.
[ Laughter ]
1648
01:08:15,470 --> 01:08:18,640
This is tough because it is two
completely different lanes.
1649
01:08:18,680 --> 01:08:21,470
Walker, it's probably
a little easier
1650
01:08:21,510 --> 01:08:24,100
to define
what it is that you do.
1651
01:08:24,140 --> 01:08:27,060
And Kylee, she's
a singer/songwriter artist.
1652
01:08:27,100 --> 01:08:29,270
That can kill
a diva pop ballad.
1653
01:08:29,310 --> 01:08:32,400
Yeah, but that is like one
small little part
1654
01:08:32,440 --> 01:08:33,780
of what
you're capable of.
1655
01:08:33,820 --> 01:08:35,940
But because you guys
are so different
1656
01:08:35,990 --> 01:08:37,700
and you're both
just so good,
1657
01:08:37,740 --> 01:08:39,780
I just kinda got
to base this off
1658
01:08:39,820 --> 01:08:41,450
what happens
in the moment.
1659
01:08:41,490 --> 01:08:43,120
Blake, who's the winner
of this knockout?
1660
01:08:43,160 --> 01:08:45,000
Um...
1661
01:08:45,040 --> 01:08:47,620
**
1662
01:08:47,660 --> 01:08:49,290
Winner of this knockout
is Kylee.
1663
01:08:49,330 --> 01:08:51,710
Kylee, congratulations!
1664
01:08:51,750 --> 01:08:53,550
Blake: I had to pick Kylee.
1665
01:08:53,590 --> 01:08:55,170
She sang the hell
out of the song.
1666
01:08:55,210 --> 01:08:57,470
You want somebody who's willing
to lay it all out there
1667
01:08:57,510 --> 01:08:58,880
and swing for the fence
like that.
1668
01:08:58,930 --> 01:09:00,430
Yeah, Ky!
1669
01:09:00,470 --> 01:09:02,890
I'm so grateful for Blake to
push me through to the playoffs.
1670
01:09:02,930 --> 01:09:04,680
I'm just excited to show him
what else I can do.
1671
01:09:04,720 --> 01:09:06,220
Daly: Walker, anything
you want to say to Blake?
1672
01:09:06,270 --> 01:09:08,560
Thank you, dude.
I wouldn't be here without you.
1673
01:09:08,600 --> 01:09:10,060
And to be able to do
what I love,
1674
01:09:10,100 --> 01:09:11,810
can't nobody take
that away from me.
1675
01:09:11,860 --> 01:09:13,650
And that's -- that's how
I'm going home.
1676
01:09:13,690 --> 01:09:16,740
Give it up for Walker Wilson,
ladies and gentlemen.
1677
01:09:16,780 --> 01:09:17,820
Blake: It never gets easier,
1678
01:09:17,860 --> 01:09:19,400
watching talented people
go home.
1679
01:09:19,450 --> 01:09:22,200
But we all want to take the best
team we can to the playoffs.
1680
01:09:22,240 --> 01:09:24,620
Kelly: Kylee -- I didn't know
that she had that.
1681
01:09:24,660 --> 01:09:27,200
She's great.
Yeah, I know.
1682
01:09:27,250 --> 01:09:28,660
I didn't know, either,
by the way.
Why are you being weird?
1683
01:09:28,710 --> 01:09:29,960
No, no, because
I was agreeing with you.
1684
01:09:30,000 --> 01:09:31,420
I didn't know, either,
until she --
1685
01:09:31,460 --> 01:09:33,250
You're not used to
that feeling?
[ Laughter ]
1686
01:09:33,290 --> 01:09:35,800
I told Chance that's one --
one coaching session with me.
1687
01:09:35,840 --> 01:09:37,340
Oh, my God.
One.
1688
01:09:37,380 --> 01:09:39,840
She -- She --
He said she didn't
even speak English
1689
01:09:39,880 --> 01:09:42,090
when they first met.
[ Laughter ]
1690
01:09:48,390 --> 01:09:49,560
* This is "The Voice" *
1691
01:09:49,600 --> 01:09:51,390
Daly:
Welcome back to "The Voice."
1692
01:09:51,440 --> 01:09:53,860
Reba: You've got a great team.
Great team.
Kelly: I love my team.
1693
01:09:53,900 --> 01:09:55,400
Well, speaking of team,
we have Cait.
Who we got?
1694
01:09:55,440 --> 01:09:58,070
She's got a really great voice.
It's an incredible range.
1695
01:09:58,110 --> 01:10:00,740
And then, also, I've actually
never worked with Kala before.
1696
01:10:01,360 --> 01:10:04,240
I turned for her in the blinds,
but Niall blocked me.
1697
01:10:05,490 --> 01:10:06,830
That is a steal!
1698
01:10:06,870 --> 01:10:08,910
I stole her from Niall's team
in the battles.
1699
01:10:08,950 --> 01:10:09,910
She's incredible.
1700
01:10:09,950 --> 01:10:11,250
Excellent.
Yeah.
1701
01:10:11,290 --> 01:10:12,250
What's up, y'all?
1702
01:10:12,290 --> 01:10:14,040
Reba -- Look at them.
[ Laughter ]
1703
01:10:14,080 --> 01:10:17,000
Reba McEntire!
[ Mimics air horn ]
1704
01:10:17,050 --> 01:10:18,340
Oh, my gosh.
1705
01:10:18,380 --> 01:10:23,220
I see Reba McEntire standing
there, and I faint.
1706
01:10:23,260 --> 01:10:24,930
Oh, my gosh.
1707
01:10:24,970 --> 01:10:27,260
She's been in film
and television and music.
1708
01:10:27,310 --> 01:10:29,770
She has done everything
that there is to do
1709
01:10:29,810 --> 01:10:31,560
in the entertainment industry
1710
01:10:31,600 --> 01:10:34,150
and is still so kind
and so humble.
1711
01:10:34,190 --> 01:10:36,150
Well, I'm really excited
to hear y'all sing.
1712
01:10:36,190 --> 01:10:37,980
Kelly:
I paired Kala and Cait
1713
01:10:38,020 --> 01:10:40,530
because Cait is one of the
strong front-runners on my team
1714
01:10:40,570 --> 01:10:41,990
and Carla is a steal.
1715
01:10:42,030 --> 01:10:43,280
So I'm like,
I'm gonna put you against
1716
01:10:43,320 --> 01:10:45,160
one of the better people
on my team
1717
01:10:45,200 --> 01:10:47,030
'cause I want to see if you're
gonna rise to the occasion.
1718
01:10:47,080 --> 01:10:48,660
Whitney Houston.
This is a great one.
1719
01:10:48,700 --> 01:10:49,740
Why this song?
1720
01:10:49,790 --> 01:10:51,540
A lot of
my nuance in my tone
1721
01:10:51,580 --> 01:10:52,960
comes from studying Whitney.
1722
01:10:53,000 --> 01:10:54,960
I'm singing
"All The Man That I Need."
1723
01:10:55,000 --> 01:10:58,380
Now that I've got a little bit
of love under my wings...
1724
01:10:58,420 --> 01:11:00,210
Yeah.
...that really makes me
be able to,
1725
01:11:00,260 --> 01:11:02,840
like, give my soul
when I sing it.
1726
01:11:03,720 --> 01:11:07,800
* He fills me up *
1727
01:11:07,850 --> 01:11:09,640
* He gives me love *
1728
01:11:09,680 --> 01:11:11,810
I'm finally experiencing
the love
1729
01:11:11,850 --> 01:11:14,020
that she's
talking about in this song.
1730
01:11:14,060 --> 01:11:17,860
My boyfriend Cameron has been
such a great support system.
1731
01:11:17,900 --> 01:11:20,150
I could not have
a better partner
1732
01:11:20,190 --> 01:11:22,940
to be with me
for this entire process.
1733
01:11:22,990 --> 01:11:25,450
Hi, my love.
I'm doing this song for you.
1734
01:11:25,490 --> 01:11:28,320
Babe, you're gonna
kill it out there.
1735
01:11:28,370 --> 01:11:29,660
I love you.
1736
01:11:29,700 --> 01:11:32,830
* I need *
1737
01:11:32,870 --> 01:11:35,170
Wow, wow, wow, wow, wow.
1738
01:11:35,210 --> 01:11:36,420
Oh, my God.
1739
01:11:36,460 --> 01:11:38,630
And I liked you taking
the mic off the stand.
1740
01:11:38,670 --> 01:11:40,250
That was really cool.
Thank you.
1741
01:11:40,300 --> 01:11:42,800
My only thing,
it's a little sharp.
1742
01:11:42,840 --> 01:11:44,470
* He fills me up *
1743
01:11:44,510 --> 01:11:47,680
Either throw it or add
a little bit of vibrato.
1744
01:11:47,720 --> 01:11:50,390
Or hold it.
It gets so big with the band
1745
01:11:50,430 --> 01:11:53,180
that sometimes it's hard
to find the center, right?
Mm-hmm. Yeah.
1746
01:11:53,220 --> 01:11:55,480
For Cait to pick
a Whitney Houston song,
1747
01:11:55,520 --> 01:11:57,230
I thought, she's brave.
1748
01:11:58,230 --> 01:12:01,690
I was blown away
not only with her vocals,
1749
01:12:01,730 --> 01:12:02,900
but her stage presence.
1750
01:12:02,940 --> 01:12:05,530
I know she's going to blossom.
1751
01:12:05,570 --> 01:12:07,360
I love how sweet
and intense you are.
Lunch. Yeah.
1752
01:12:07,410 --> 01:12:10,280
Yeah, it was just --
Golly wow.
1753
01:12:10,330 --> 01:12:12,120
I love that she was like,
"Well, let's go to lunch.
1754
01:12:12,160 --> 01:12:14,620
I don't have any notes."
[ Laughter ]
1755
01:12:14,660 --> 01:12:16,460
I love Cait.
1756
01:12:16,500 --> 01:12:18,420
Gorgeous.
Oh. Stop.
1757
01:12:18,460 --> 01:12:21,800
But I'm a little bit
intimidated because I don't have
1758
01:12:21,840 --> 01:12:23,710
a lot of professional experience
under my belt.
1759
01:12:23,760 --> 01:12:25,800
Alright, Kala, it's my first
time to get to work with you.
Hi!
1760
01:12:25,840 --> 01:12:27,720
I'm so excited.
Why did you pick this song?
1761
01:12:27,760 --> 01:12:29,340
It's traditionally
a relationship song,
1762
01:12:29,390 --> 01:12:32,010
but for me, it's more about
my relationship with music,
1763
01:12:32,060 --> 01:12:33,720
wanting to give it
everything that I have
1764
01:12:33,770 --> 01:12:35,140
and being here
is really scary.
1765
01:12:35,180 --> 01:12:37,020
It shouldn't be.
You belong here.
1766
01:12:37,060 --> 01:12:38,980
* And I'd give up
forever... *
1767
01:12:39,020 --> 01:12:41,770
I am choosing to sing "Iris"
by Goo Goo Dolls.
1768
01:12:41,820 --> 01:12:45,400
This song, at its core, is just
about wanting something so much
1769
01:12:45,440 --> 01:12:47,780
that you're willing
to give up anything
1770
01:12:47,820 --> 01:12:49,410
and everything to have it.
1771
01:12:49,450 --> 01:12:51,570
Yeah.
* I'll ever be,
and I don't want... *
1772
01:12:51,620 --> 01:12:53,790
I'm trying to convince Kelly
1773
01:12:53,830 --> 01:12:55,660
I should be there
in the playoffs.
1774
01:12:55,700 --> 01:13:01,420
* Ohhh, and I don't want
the world to see me *
1775
01:13:01,460 --> 01:13:02,840
Yeah!
1776
01:13:02,880 --> 01:13:05,090
I was working for a PR agency,
1777
01:13:05,130 --> 01:13:07,760
and if I want
to make music my career,
1778
01:13:07,800 --> 01:13:10,970
I have to put aside
my career in PR.
1779
01:13:11,010 --> 01:13:13,560
It's worth it to know
that I'm having this
1780
01:13:13,600 --> 01:13:14,760
once-in-a-lifetime opportunity
1781
01:13:14,810 --> 01:13:16,140
to pursue
what I've always wanted.
1782
01:13:16,180 --> 01:13:17,430
* When everything's
made...*
1783
01:13:17,480 --> 01:13:18,980
Reba: When Kala first came on,
I thought,
1784
01:13:19,020 --> 01:13:22,520
wow, the emotion
that she showed, I got chills.
1785
01:13:22,560 --> 01:13:26,530
Kelly cried, and that's what
you want from a performer.
1786
01:13:26,570 --> 01:13:28,150
Wow. Whew.
1787
01:13:28,190 --> 01:13:30,160
I felt your pain on that.
That was so good.
1788
01:13:30,200 --> 01:13:32,780
I'm, like, crying.
Oh, my God.
1789
01:13:32,820 --> 01:13:34,740
You tell a great story
when you sing.
1790
01:13:34,780 --> 01:13:35,950
Oh, I appreciate
that so much.
1791
01:13:35,990 --> 01:13:38,080
I love all your choices.
1792
01:13:38,120 --> 01:13:41,120
I'm gonna push you
to make a couple more choices.
1793
01:13:41,170 --> 01:13:43,210
Any kind of
just deviation
1794
01:13:43,250 --> 01:13:45,210
to where it's able
to give that ache.
1795
01:13:45,250 --> 01:13:48,920
* And you can't fight the tears
that ain't coming *
1796
01:13:48,970 --> 01:13:51,470
Like, just get
a little bit hurt, you know,
1797
01:13:51,510 --> 01:13:54,010
with the intensity
of your head voice.
Yeah.
1798
01:13:54,050 --> 01:13:55,680
Kelly:
Kala surprised me most.
1799
01:13:55,720 --> 01:13:59,480
She can make you cry, um,
after the first three notes.
1800
01:13:59,520 --> 01:14:00,640
That's rare.
1801
01:14:00,690 --> 01:14:01,770
You guys, great job.
1802
01:14:01,810 --> 01:14:03,480
I'm probably
gonna cry, like,
1803
01:14:03,520 --> 01:14:05,270
this is gonna be horrible to
pick between you two.
You should.
1804
01:14:05,320 --> 01:14:06,820
Yeah, you will.
I know!
1805
01:14:06,860 --> 01:14:08,820
Kelly: Cait chose a song,
you know, by Whitney Houston,
1806
01:14:08,860 --> 01:14:11,150
which is, like, one of
the greatest vocalists
in all the lands.
1807
01:14:11,200 --> 01:14:13,870
But I will say
I have all the faith in her
1808
01:14:13,910 --> 01:14:15,870
because she has the range.
1809
01:14:15,910 --> 01:14:18,370
That's gonna be my hardest
knockout on who to choose.
1810
01:14:18,410 --> 01:14:20,710
Reba: Those two,
I still have chills.
1811
01:14:20,750 --> 01:14:22,500
I don't know
about those two.
1812
01:14:22,540 --> 01:14:23,330
That's gonna be tough.
1813
01:14:23,380 --> 01:14:25,920
Thanks.
Yeah. [ Laughs ]
1814
01:14:25,960 --> 01:14:29,210
[ Cheers and applause ]
1815
01:14:34,220 --> 01:14:35,800
Singing
"All The Man That I Need",
1816
01:14:35,850 --> 01:14:38,100
here's Cait Martin.
1817
01:14:44,100 --> 01:14:49,320
[ Vocalizing ]
1818
01:14:49,360 --> 01:14:55,240
* I used to cry myself
to sleep at night *
1819
01:14:55,280 --> 01:15:02,500
* But that was all
before he came *
1820
01:15:02,540 --> 01:15:07,710
* I thought love had to hurt
to turn out right *
1821
01:15:07,750 --> 01:15:14,340
* But now he's here,
it's not the same *
1822
01:15:14,380 --> 01:15:20,140
* It's not the same *
1823
01:15:20,180 --> 01:15:23,350
* He fills me up *
1824
01:15:23,390 --> 01:15:26,520
* He gives me love *
1825
01:15:27,560 --> 01:15:32,360
* More love
than I've ever seen *
1826
01:15:32,400 --> 01:15:36,030
* He's all I've got *
1827
01:15:36,070 --> 01:15:39,370
* He's all I've got
in this world *
1828
01:15:39,410 --> 01:15:40,540
Ooh!
1829
01:15:40,580 --> 01:15:47,960
* But he's all the man
that I need *
1830
01:15:48,000 --> 01:15:50,460
[ Cheers and applause ]
1831
01:15:50,500 --> 01:15:55,720
* And in the evening
when the moon is high *
1832
01:15:55,760 --> 01:16:02,270
* He holds me close
and won't let go *
1833
01:16:02,310 --> 01:16:07,270
* He won't let go *
1834
01:16:07,310 --> 01:16:09,770
* He fills me up *
Yeah!
1835
01:16:09,810 --> 01:16:11,270
* He fills me up *
1836
01:16:11,320 --> 01:16:13,990
* He gives me love *
1837
01:16:14,030 --> 01:16:15,450
Whoo!
1838
01:16:15,490 --> 01:16:20,280
* More love than
I've ever seen *
1839
01:16:20,330 --> 01:16:21,120
Yeah!
1840
01:16:21,160 --> 01:16:22,660
* He's all that I've got *
1841
01:16:22,700 --> 01:16:24,370
* He's all I've got *
1842
01:16:24,410 --> 01:16:27,790
* He's all I've got
in this world *
1843
01:16:27,830 --> 01:16:30,460
* But he is all the man *
1844
01:16:30,500 --> 01:16:35,840
* All the ma-a-a-a-a-a-a-n *
1845
01:16:35,880 --> 01:16:37,630
Hey!
1846
01:16:38,300 --> 01:16:41,810
* That I, I need *
1847
01:16:41,850 --> 01:16:43,220
Oh!
1848
01:16:43,260 --> 01:16:45,640
You gotta sing!
1849
01:16:45,680 --> 01:16:48,140
[ Cheers and applause ]
1850
01:16:48,190 --> 01:16:49,850
Chance: Oh!
Yeah.
1851
01:16:49,900 --> 01:16:51,480
That was crazy.
I know.
1852
01:16:51,520 --> 01:16:53,480
She's got that Whitney tone.
I know.
1853
01:16:53,530 --> 01:16:55,240
Oh, man.
1854
01:17:01,870 --> 01:17:03,030
* This is "The Voice" *
1855
01:17:03,080 --> 01:17:04,330
Daly: Welcome back.
1856
01:17:04,370 --> 01:17:07,870
[ Cheers and applause ]
1857
01:17:07,910 --> 01:17:09,040
Come on, Kala!
1858
01:17:09,080 --> 01:17:11,290
Come on, Kala!
Come on, Kala!
1859
01:17:13,170 --> 01:17:16,050
Now with "Iris",
here's Kala Banham.
1860
01:17:16,090 --> 01:17:19,470
[ Cheers and applause ]
1861
01:17:19,510 --> 01:17:24,760
**
1862
01:17:24,810 --> 01:17:29,390
* And I'd give up forever
to touch you *
1863
01:17:29,440 --> 01:17:33,940
* 'Cause I know that
you feel me somehow *
1864
01:17:33,980 --> 01:17:38,400
* You're the closest to Heaven
that I'll ever be *
1865
01:17:38,450 --> 01:17:43,370
* And I don't want to go home
right now *
1866
01:17:43,410 --> 01:17:47,790
* And all I can taste
is this moment *
1867
01:17:47,830 --> 01:17:52,420
* And all I can breathe
is your life *
1868
01:17:52,460 --> 01:17:56,550
* 'Cause sooner or later,
it's over *
1869
01:17:56,590 --> 01:18:00,430
* I just don't wanna miss you
tonight *
1870
01:18:00,470 --> 01:18:01,680
Yeah!
1871
01:18:01,720 --> 01:18:05,600
* And I don't want the world
to see me *
1872
01:18:05,640 --> 01:18:10,440
* 'Cause I don't think
that they'd understand *
1873
01:18:10,480 --> 01:18:14,770
* When everything's made
to be broken *
1874
01:18:14,810 --> 01:18:19,610
* I just want you to know
who I am *
1875
01:18:19,650 --> 01:18:23,990
* And you can't fight the tears
that ain't coming *
1876
01:18:24,030 --> 01:18:28,540
* Or a moment of truth
in your lies *
1877
01:18:28,580 --> 01:18:32,830
* When everything
feels like the movies *
1878
01:18:32,870 --> 01:18:39,840
* Yeah, you bleed just to know
you're ali-i-i-i-i-ve *
1879
01:18:39,880 --> 01:18:44,390
* And I don't want the world
to see me *
1880
01:18:44,430 --> 01:18:49,220
* 'Cause I don't think
that they'd understand *
1881
01:18:49,270 --> 01:18:53,400
* When everything's made
to be broken *
1882
01:18:53,440 --> 01:18:57,820
* I just want you to know
who I am *
1883
01:18:57,860 --> 01:19:02,610
* I just want you to know
who I am *
1884
01:19:02,650 --> 01:19:07,580
* I just want you to know
who I am *
1885
01:19:07,620 --> 01:19:14,790
* I just want you to know
who I am *
1886
01:19:14,830 --> 01:19:16,840
Damn, girl.
1887
01:19:16,880 --> 01:19:19,800
[ Cheers and applause ]
1888
01:19:19,840 --> 01:19:23,550
Come on, girl!
Yes! Come on!
There you go, Kala.
1889
01:19:25,140 --> 01:19:26,510
Oh, man.
1890
01:19:26,550 --> 01:19:28,810
Wow, look. Everybody's giddy
over here. Look at this.
1891
01:19:28,850 --> 01:19:31,310
I'm so angry, you both
did such a great job!
1892
01:19:31,350 --> 01:19:32,850
[ Laughter ]
1893
01:19:32,890 --> 01:19:34,770
Well, I'll throw in
my two cents,
1894
01:19:34,810 --> 01:19:38,360
which is not going to matter
to Kelly of all people.
[ Laughter ]
1895
01:19:38,400 --> 01:19:39,690
I'll start with Cait.
1896
01:19:39,730 --> 01:19:41,610
There was a lot
of sharp notes in that.
1897
01:19:41,650 --> 01:19:43,490
I don't know
if that's just nerves,
1898
01:19:43,530 --> 01:19:46,410
but, Kala, that was a very
passionate performance,
1899
01:19:46,450 --> 01:19:48,410
a lot of emotion in there,
a lot of dynamics,
1900
01:19:48,450 --> 01:19:50,370
so I'd be going
with -- with Kala.
1901
01:19:50,410 --> 01:19:51,870
Thank you.
1902
01:19:51,910 --> 01:19:53,410
Niall: Oh, my God.
1903
01:19:53,460 --> 01:19:55,290
Any person that takes on
a Whitney song,
1904
01:19:55,330 --> 01:19:56,620
you're already scared,
1905
01:19:56,670 --> 01:19:58,170
but you absolutely smashed it,
I thought.
1906
01:19:58,210 --> 01:20:01,630
Kala, your storytelling ability
is just insane,
1907
01:20:01,670 --> 01:20:04,380
and that's what I lean towards,
so Kala for me.
1908
01:20:04,420 --> 01:20:06,840
[ Cheers and applause ]
Thank you.
1909
01:20:06,890 --> 01:20:09,390
Kala, I've been trying to get
you on my team this whole show,
1910
01:20:09,430 --> 01:20:11,220
but I just want
to emphasize the fact
1911
01:20:11,260 --> 01:20:12,970
that Cait just smashed that.
1912
01:20:13,020 --> 01:20:14,430
It was spot-on Whitney.
1913
01:20:14,480 --> 01:20:15,770
I'm trying so hard
not to curse.
1914
01:20:15,810 --> 01:20:17,980
I'm just so, like, floored.
[ Laughter ]
1915
01:20:18,020 --> 01:20:22,190
Who took that round by the
throat is Cait all the way.
1916
01:20:22,230 --> 01:20:24,400
Thank you.
Daly: Thank you, Coaches.
1917
01:20:24,440 --> 01:20:26,240
Oh, man!
1918
01:20:26,280 --> 01:20:27,740
Alright, Kel,
it all comes down to you.
1919
01:20:27,780 --> 01:20:29,570
You're like two
different ninjas.
1920
01:20:29,620 --> 01:20:31,660
One of you, just right in the
face, just knocked 'em out,
1921
01:20:31,700 --> 01:20:34,410
and then one of you,
just sneakily from afar,
was like a sniper.
1922
01:20:34,450 --> 01:20:36,250
[ Laughter ]
1923
01:20:36,290 --> 01:20:38,790
Cait, I'm with Chance.
I thought you killed it.
1924
01:20:38,830 --> 01:20:40,380
I thought
it was incredible.
1925
01:20:40,420 --> 01:20:41,840
[ Cheers and applause ]
1926
01:20:41,880 --> 01:20:44,800
Like, not many people could
have done what you just did.
1927
01:20:44,840 --> 01:20:48,340
And, Kala, you're, like,
one of my favorite storytellers
1928
01:20:48,390 --> 01:20:49,930
I've ever worked with.
Thank you so much.
1929
01:20:49,970 --> 01:20:53,470
You gave me goosebumps.
You totally made me tear up.
1930
01:20:53,520 --> 01:20:55,560
You don't deserve to go home,
either one of you.
1931
01:20:55,600 --> 01:20:57,100
Kelly, the time has come.
1932
01:20:57,140 --> 01:20:59,440
Who is the winner
of this knockout?
1933
01:20:59,480 --> 01:21:03,360
**
1934
01:21:03,400 --> 01:21:04,780
Oh, man.
1935
01:21:04,820 --> 01:21:06,030
You're both
different singers,
1936
01:21:06,070 --> 01:21:08,820
but you both impress
the hell out of me.
1937
01:21:08,860 --> 01:21:11,950
**
1938
01:21:11,990 --> 01:21:13,450
The winner of the knockout
is Cait.
1939
01:21:13,490 --> 01:21:15,750
Cait, congratulations!
1940
01:21:15,790 --> 01:21:17,080
You're moving on
to the playoffs!
1941
01:21:17,120 --> 01:21:18,960
Kelly: Cait came out here,
she killed it.
1942
01:21:19,000 --> 01:21:21,750
She loves big, huge songs,
she loves the challenge of it,
1943
01:21:21,790 --> 01:21:23,460
and she loves tackling it
in her own way,
1944
01:21:23,500 --> 01:21:25,460
and that is what
this competition is about.
1945
01:21:25,510 --> 01:21:28,680
Oh, my God. You killed it.
Killed it.
1946
01:21:28,720 --> 01:21:32,300
And she is not only one of the
strongest singers on my team,
1947
01:21:32,350 --> 01:21:33,760
but in the competition.
1948
01:21:33,810 --> 01:21:35,930
Cait: Getting the chance
to go to the playoffs
1949
01:21:35,970 --> 01:21:40,230
and keep representing my girl
Kels is all I want to do.
1950
01:21:40,270 --> 01:21:41,730
I'm so happy.
1951
01:21:41,770 --> 01:21:43,520
Coaches, let me remind you
that Kala is available to steal.
1952
01:21:43,570 --> 01:21:45,150
Kala, anything you want
to say to Kelly?
1953
01:21:45,190 --> 01:21:47,650
You are such an inspiration
to me not only as a singer,
1954
01:21:47,690 --> 01:21:49,780
but just as a person,
so I can't thank you enough.
1955
01:21:49,820 --> 01:21:51,490
Kelly:
Oh, you're so great!
1956
01:21:51,530 --> 01:21:52,740
I'm going in.
Give it up one more time!
1957
01:21:52,780 --> 01:21:55,290
Yes!
That is the sound
of a steal!
1958
01:21:55,330 --> 01:21:57,450
From Blake Shelton!
1959
01:21:57,500 --> 01:21:58,660
[ Chuckles ]
1960
01:21:58,710 --> 01:22:02,380
That...is a double steal!
1961
01:22:02,420 --> 01:22:04,500
Chance the Rapper!
1962
01:22:04,540 --> 01:22:06,960
I'm hugging you!
I'm hugging you!
1963
01:22:07,010 --> 01:22:08,510
Yes, my little Blakey.
1964
01:22:08,550 --> 01:22:11,840
One of us was very clear
that you were the winner
1965
01:22:11,890 --> 01:22:15,100
and one of us was painfully
clear that you weren't.
1966
01:22:15,140 --> 01:22:16,680
I would be proud --
1967
01:22:16,720 --> 01:22:18,770
Wouldn't I be proud
to have her on Team Blake?
1968
01:22:18,810 --> 01:22:20,980
Yeah, come on.
Come on! Blake!
I mean, come on.
Don't you want her?
1969
01:22:21,020 --> 01:22:23,150
There you go. Hey, do it with
me. Do it with me. Come on.
1970
01:22:23,190 --> 01:22:25,520
Here we go.
Uh-huh. Yeah, yeah,
let's go. Come on.
1971
01:22:25,570 --> 01:22:27,440
Or you can take
a Chance.
[ Laughter ]
1972
01:22:27,480 --> 01:22:29,490
[ Chuckling ] You know what I'm
sayin'? I don't know, just --
1973
01:22:29,530 --> 01:22:31,950
Do you remember when
Blake turned around
for you in the blinds?
1974
01:22:31,990 --> 01:22:33,660
No, I don't.
I don't remember that.
Oh, you don't remember that,
1975
01:22:33,700 --> 01:22:35,240
'cause it didn't happen.
'Cause he didn't do it!
1976
01:22:35,280 --> 01:22:36,950
It didn't happen.
1977
01:22:36,990 --> 01:22:39,000
I did turn around for you
in the blinds
1978
01:22:39,040 --> 01:22:41,210
andI tried to steal you
at battles,
1979
01:22:41,250 --> 01:22:44,330
so I was playing
the long game.
That's smart, okay.
[ Laughs ]
1980
01:22:44,380 --> 01:22:47,050
We could win together.
Or you could go with Blake.
1981
01:22:47,090 --> 01:22:48,380
[ Laughter ]
1982
01:22:48,420 --> 01:22:49,880
Daly: Kala, it's all
up to you.
1983
01:22:49,920 --> 01:22:51,880
Who do you pick
as your new coach?
1984
01:22:51,930 --> 01:22:54,760
I gotta say...
[ Chuckles ]
1985
01:22:54,800 --> 01:22:58,640
Blake! Blake!
Chance! Chance!
1986
01:22:58,680 --> 01:23:01,020
Kala: ...it's an honor
either way,
1987
01:23:01,060 --> 01:23:03,900
but I'm the kind of person
who appreciates the long game,
1988
01:23:03,940 --> 01:23:06,110
so I gotta go
with Team Chance.
1989
01:23:06,150 --> 01:23:08,230
Ohhh!
1990
01:23:08,270 --> 01:23:09,610
Nice.
Daly: Chance the Rapper!
1991
01:23:09,650 --> 01:23:11,030
I finally got Kala.
1992
01:23:11,070 --> 01:23:13,240
I've been working on that angle
for a while.
1993
01:23:13,280 --> 01:23:14,860
Oh, my God!
1994
01:23:14,910 --> 01:23:17,580
I'm so glad you chose me. I'm so
glad you're still here, man.
1995
01:23:17,620 --> 01:23:19,040
Congratulations.
1996
01:23:19,080 --> 01:23:22,040
She adds a different,
smoother take to my team,
1997
01:23:22,080 --> 01:23:23,830
a lot of control,
but a softer tone,
1998
01:23:23,870 --> 01:23:26,500
and now she's down
with the winning team.
1999
01:23:26,540 --> 01:23:28,420
[ Laughs ]
Kelly: Great job, Kala!
2000
01:23:28,460 --> 01:23:30,670
Kala:
I loved working with Niall,
I loved working with Kelly,
2001
01:23:30,710 --> 01:23:32,260
and I know that Chance
is amazing.
2002
01:23:32,300 --> 01:23:33,930
I'm so excited to work with you,
man. It's gonna be amazing.
2003
01:23:33,970 --> 01:23:35,800
I'm excited to have you.
Yes, thank you.
2004
01:23:35,840 --> 01:23:37,680
I can't wait to see
what we do together.
Thank you, me too!
2005
01:23:37,720 --> 01:23:39,760
Alright, Kala.
See you soon.
See you later!
2006
01:23:41,140 --> 01:23:43,440
Way to go, Chance.
Blake: That was nice.
2007
01:23:43,480 --> 01:23:45,480
Niall: Well done.
That was well done.
2008
01:23:45,520 --> 01:23:47,020
[ Laughs ]
2009
01:23:47,060 --> 01:23:50,030
Blake: Chance ended up choosing
Cait in the knockout
2010
01:23:50,070 --> 01:23:53,280
in order to get Kala on his team
as a steal.
2011
01:23:53,320 --> 01:23:56,240
I had no idea. I did not see
that coming at all.
2012
01:23:56,280 --> 01:23:58,990
Just when I thought nobody
would play any dirtier than me,
2013
01:23:59,030 --> 01:24:00,290
here comes Chance.
2014
01:24:00,330 --> 01:24:02,290
I was using tactics, okay?
2015
01:24:02,330 --> 01:24:04,040
I was using strategy.
2016
01:24:04,080 --> 01:24:05,250
Man: Team Chance!
2017
01:24:05,290 --> 01:24:07,170
[ Cheering ]
2018
01:24:07,210 --> 01:24:17,140
**
2019
01:24:17,180 --> 01:24:27,150
**
2020
01:24:27,190 --> 01:24:37,200
**
150988
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