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LIVE FROM THE
BEVERLY HILTON IN BEVERLY HILLS,
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00:00:07,006 --> 00:00:11,745
CALIFORNIA, IT'S THE 81st GOLDEN
GLOBES!
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00:00:11,811 --> 00:00:13,813
THE CHAMPAGNE IS FLOWING AS ALL
YOUR FAVORITE STARS ARE
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00:00:13,880 --> 00:00:17,951
ARRIVING, THRIVING, AND BUBBLING
WITH EXCITEMENT TO SEE WHO WILL
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00:00:18,017 --> 00:00:20,620
WALK AWAY WITH TONIGHT'S BIGGEST
AWARDS.
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00:00:20,687 --> 00:00:24,491
IT'S A WHO'S WHO OF HOLLYWOOD AS
WE KICK OFF THE BIGGEST LIVE
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00:00:24,557 --> 00:00:27,861
PARTY OF THE YEAR, WHERE
ANYTHING CAN HAPPEN.
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00:00:27,927 --> 00:00:31,564
SEE WHICH A-LISTERS WILL WIN,
LET LOOSE, AND HAVE A GOOD
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00:00:31,631 --> 00:00:34,968
TIME... SOME OF THEM, A REALLY
GOOD TIME.
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00:00:35,034 --> 00:00:38,004
CENSORS WILL BE STANDING BY.
AS WE HONOR THE MOST
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00:00:38,071 --> 00:00:42,008
TALKED-ABOUT MOVIES AND SHOWS OF
THE YEAR, WE'LL ALSO INTRODUCE
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00:00:42,075 --> 00:00:46,379
A NEW CATEGORY FOR BOX OFFICE
HITS THAT WERE SEEN BY BASICALLY
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00:00:46,446 --> 00:00:49,115
THE WHOLE WORLD, AND AN AWARD
FOR THE VERY BEST IN STAND-UP
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00:00:49,182 --> 00:00:51,851
COMEDY.
WHO'S GOING TO WIN THE FIRST
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00:00:51,918 --> 00:00:55,622
ONE?
IT'S ALL STARTING RIGHT NOW.
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00:00:55,688 --> 00:01:03,688
PLEASE WELCOME YOUR HOST,
HERE'S JO KOY!
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00:01:04,998 --> 00:01:08,001
HEY!
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00:01:11,004 --> 00:01:12,772
WELCOME TO THE 81t ANNUAL
GOLDEN GLOBES.
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00:01:12,839 --> 00:01:20,839
I'M YOUR HOST, JO KOY.
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00:01:20,947 --> 00:01:22,482
LOOK, I'M JUST TAKING THIS ALL
IN.
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00:01:22,549 --> 00:01:23,950
LET ME LOOK AROUND, I'M TAKING
THIS ALL IN.
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00:01:24,017 --> 00:01:27,220
I'M SO EXCITED TO BE HERE.
THIS IS A DREAM COME TRUE.
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00:01:27,287 --> 00:01:29,823
NOT JUST FOR ME, BUT FOR
EVERYBODY IN HERE.
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00:01:29,889 --> 00:01:33,993
WE ALL JUMPED OF THIS MOMENT.
AND LOOK AT THIS, LOOK AT THIS
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ROOM.
LOOK AROUND.
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00:01:35,829 --> 00:01:40,433
LOOK, KEVIN COSTNER IS HERE.
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00:01:40,500 --> 00:01:42,635
KEVIN COSTNER IS NEVER HERE!
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00:01:42,702 --> 00:01:47,006
KEVIN IS, LIKE, IN A MOUNTAIN
WITH A COW OR SOMETHING, BUT
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00:01:47,073 --> 00:01:49,409
TODAY HE'S HERE.
DON CHEADLE IS HERE.
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00:01:49,476 --> 00:01:51,044
I'M JUST LOOKING AROUND,
EVERYBODY IS HERE.
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00:01:51,110 --> 00:01:54,380
THIS IS A GOOD NIGHT!
AND I'VE GOT THE BEST SEAT IN
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THE HOUSE.
WHEN I WAS A KID GROWING UP, I
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00:01:56,816 --> 00:01:59,185
USED TO WATCH THIS SHOW.
I WOULD STAY UP LATE WITH MY
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00:01:59,252 --> 00:02:02,589
FAMILY JUST TRYING TO GUESS WHO
WOULD WIN, AND EVERY TIME, MY
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00:02:02,655 --> 00:02:07,594
MOM WOULD SAY,
"IT'S MERYL STREEP, STUPID.
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00:02:07,660 --> 00:02:10,797
WHO ELSE IS GOING TO WIN?
SHE WINS EVERY TIME."
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00:02:10,864 --> 00:02:14,367
AND SHE WAS RIGHT!
YOU DO, YOU WIN ALL THE TIME.
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00:02:14,434 --> 00:02:16,236
THAT'S WHY, WHEN THE
GOLDEN GLOBES CALLED AND ASKED
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00:02:16,302 --> 00:02:21,341
ME IF I WANTED TO HOST, I JUMPED
AT THE CHANCE, AND I SAID YES.
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00:02:21,407 --> 00:02:22,976
YES!
THEN THEY ASKED ME IF I SAW
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00:02:23,042 --> 00:02:25,778
EVERY MOVIE IN EVERY TV SHOW,
AND I SAID, YES!
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00:02:25,845 --> 00:02:28,948
I LIED.
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00:02:29,015 --> 00:02:37,015
I ONLY WATCHED THE "BEEF."
I LOVE YOU, L.
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00:02:39,359 --> 00:02:39,659
IT'S MANDATORY
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, I'M ASIAN.
YOU KILLED IT, L.
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00:02:45,498 --> 00:02:45,598
I
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00:02:46,332 --> 00:02:48,535
STARTED TO BINGE WATCH
EVERYTHING.
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00:02:48,601 --> 00:02:52,205
I WATCHED EVERYTHING.
WHILE MY FAMILY WAS OUT THERE
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00:02:52,272 --> 00:02:56,576
CLANKING CHAMPAGNE GLASSES,
BRINGING IN THE NEW YEAR, I WAS
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00:02:56,643 --> 00:03:01,180
WATCHING "OPPENHEIMER."
I LOVED "OPPENHEIMER."
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00:03:01,247 --> 00:03:05,351
I'VE JUST GOT ONE COMPLAINT.
IT NEEDED ANOTHER HOUR.
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00:03:05,418 --> 00:03:08,388
I FELT LIKE IT NEEDED SOME MORE
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00:03:08,454 --> 00:03:12,125
BACK STORY.
MY NEW YEAR'S RESOLUTION FOR
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00:03:12,191 --> 00:03:16,329
2024 IS TO FINISH "OPPENHEIMER"
IN 2025.
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00:03:16,396 --> 00:03:18,631
SERIOUSLY!
I'M ALMOST THERE!
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00:03:18,698 --> 00:03:23,770
I LOVE'S "OPPENHEIMER."
ESPECIALLY THE FIRST SEASON.
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00:03:23,836 --> 00:03:28,942
THAT'S SO STUPID.
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00:03:29,008 --> 00:03:30,043
"OPPENHEIMER" ANSWERED A
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00:03:30,109 --> 00:03:33,780
LIFELONG QUESTION THAT'S BEEN IN
MY MIND FOR YEARS.
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00:03:33,846 --> 00:03:38,718
YES, SCIENTISTS DO GET LAID, AS
LONG AS THEY LOOK LIKE CILLIAN
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00:03:38,785 --> 00:03:44,724
MURPHY.
"OPPENHEIMER" AND "BARBIE" ARE
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COMPETING FOR CINEMATIC OFFICE
BOX ACHIEVEMENTS.
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00:03:49,662 --> 00:03:53,533
"OPPENHEIMER" IS BASED ON A 720
ONE-PAGE PULITZER PRIZE WINNING
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00:03:53,600 --> 00:03:59,072
BOOK ABOUT MANHATTAN PROJECT.
AND "BARBIE" IS ON A PLASTIC
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00:03:59,138 --> 00:04:05,645
DOLL WITH BIG SPEESIXTEEN.
I WATCHED "BARBIE," I LOVED IT.
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00:04:05,712 --> 00:04:08,748
I REALLY DID LOVE IT.
I DON'T WANT YOU GUYS TO THIK
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00:04:08,815 --> 00:04:12,251
AND AGREED, BUT IT WAS WEIRD
BEING ATTRACTED TO A PLASTIC
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00:04:12,318 --> 00:04:13,186
DOLL.
IT'S SOMETHING ABOUT YOUR EYES,
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00:04:13,252 --> 00:04:17,924
RYAN.
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00:04:17,991 --> 00:04:21,194
THE WHOLE SHOW, JUST CLOSE YOUR
EYES FOR ME.
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00:04:21,260 --> 00:04:25,398
MARGOT, IT'S NOT ALWAYS ABOUT
YOU.
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00:04:25,465 --> 00:04:27,934
THE KEY MOMENT IN "BARBIE" IS
WHEN SHE GOES FROM PERFECT
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00:04:28,001 --> 00:04:30,603
BEAUTY TO BAD BREATH, CELLULITE,
AND FLAT FEET.
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00:04:30,670 --> 00:04:37,510
OR, WHAT CASTING DIRECTORS CALL
A CHARACTER ACTOR.
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00:04:37,577 --> 00:04:42,015
SEMI WROTE, SOME OTHER PEOPLE
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00:04:42,081 --> 00:04:47,987
WROTE.
ROBERT de NIRO IS HERE!
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00:04:48,054 --> 00:04:50,957
YO, I GOT THE GIG TEN DAYS AGO!
YOU WANT A PERFECT MONOLOGUE?
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00:04:51,024 --> 00:04:54,560
SHUT UP!
YOU ARE KIDDING ME, RIGHT?
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00:04:54,627 --> 00:04:56,329
SLOW DOWN.
I WROTE SOME OF THESE AND
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00:04:56,396 --> 00:04:58,898
THEY'RE THE ONES YOU'RE LAUGHING
AT.
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00:04:58,965 --> 00:05:01,801
ROBERT de NIRO IS HERE!
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00:05:01,868 --> 00:05:06,372
SORRY, I'M A FAN.
I'M FANNING OUT.
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00:05:06,439 --> 00:05:09,308
I LOVE YOU, ROBERT.
IF IT'S AWKWARD, I'M SORRY.
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00:05:09,375 --> 00:05:10,543
I HAD TO DO THAT IN FRONT OF
YOU.
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00:05:10,610 --> 00:05:15,014
I KNOW IT SUCKS.
I'M A BIT AWESTRUCK.
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00:05:15,081 --> 00:05:17,550
DECADE AFTER DECADE, HE KILLS
THAT EVERY SINGLE TIME.
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00:05:17,617 --> 00:05:20,753
I DON'T KNOW HOW YOU DO IT, MAN.
I SWEAR TO GOD.
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00:05:20,820 --> 00:05:24,557
YOUR LAST PERFORMANCE HAS GOT TO
BE YOUR GREATEST PERFORMANCE
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00:05:24,624 --> 00:05:25,391
EVER.
HOW DID YOU GET HER PREGNANT AT
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80?
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00:05:29,162 --> 00:05:34,867
CGI?
IS HE LOOKING?
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00:05:34,934 --> 00:05:38,204
IS HE LOOKING?
YOU TALKING TO ME?
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00:05:38,271 --> 00:05:42,942
BY THE WAY, "KILLERS OF THE
FLOWER MOON" IS SO GREAT, SEVEN
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00:05:43,009 --> 00:05:46,512
THE CAST IS HERE.
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00:05:46,579 --> 00:05:51,951
ROBERT de NIRO,
LEONARDO DiCAPRIO,
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00:05:52,018 --> 00:05:57,290
LILY GLADSTONE.
YOU GUYS CRUSHED IT!
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00:05:57,356 --> 00:05:59,459
CHRISTIAN!
THE ONE THING I LEARNED ABOUT
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00:05:59,525 --> 00:06:03,696
THAT MOVIE IS THAT WHITE PEOPLE
STOLE EVERYTHING!
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00:06:03,763 --> 00:06:06,899
YOU GUYS STOLE EVERYTHING!
NOT, LIKE, 97%.
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00:06:06,966 --> 00:06:09,102
YOU GUYS STILL 100% OF
EVERYTHING.
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00:06:09,168 --> 00:06:13,740
YOU TOOK THE LAND, YOU TOOK THE
OIL... YOU TOOK THE PREMISE FOR
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00:06:13,806 --> 00:06:18,144
THE MOVIE.
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00:06:18,211 --> 00:06:23,616
WHAT, THAT WAS YOUR PREMISE?
THAT'S HILARIOUS, I DON'T CARE.
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00:06:23,683 --> 00:06:25,852
IT'S JUST THAT THE ROOM IS
REALLY WHITE.
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00:06:25,918 --> 00:06:29,188
THE ROOM IS LIKE, "YEAH, WE DID
TAKE IT.
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00:06:29,255 --> 00:06:37,255
AND?"
I WATCHED "SALTBURN."
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00:06:41,000 --> 00:06:44,170
YOU KNOW WHAT I LOVED ABOUT
"SALTBURN?"
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00:06:44,237 --> 00:06:46,606
SATANIC FAMILIES HAVE FEELINGS,
TOO.
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00:06:46,672 --> 00:06:52,612
IS BARRY KEOGHAN HERE?
WHERE IS HE SEATED?
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00:06:52,678 --> 00:06:56,516
WHERE IS YOUR PENIS SEATED, DOWN
FRONT?
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00:06:56,582 --> 00:06:59,352
THAT WAS THE REAL STAR OF THE
MOVIE.
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00:06:59,418 --> 00:07:02,121
HIS PENIS.
IF YOU HAVEN'T SEEN "SALTBURN,"
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00:07:02,188 --> 00:07:06,058
YOU PROBABLY HAVE NO IDEA WHAT
I'M TALKING ABOUT, SO WATCH IT.
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00:07:06,125 --> 00:07:08,194
THEN YOU UNDERSTAND WHAT I WAS
TALKING ABOUT.
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00:07:08,261 --> 00:07:10,897
THEN, RIGHT AFTER THAT, WATCH
"BARBIE."
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00:07:10,963 --> 00:07:15,735
AND THEN YOU'RE GOING TO BE
LIKE, "SOMETHING'S MISSING."
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00:07:15,802 --> 00:07:17,303
THEN, AFTER THAT, WATCH
"MAESTRO," AND YOU'RE GONNA BE
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00:07:17,370 --> 00:07:21,941
LIKE, "THERE IT IS... IT'S
ON BRADLEY COOPER'S FACE."
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00:07:22,008 --> 00:07:24,544
WHAT?
THAT'S HILARIOUS!
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00:07:24,610 --> 00:07:29,215
I WAS WATCHING "MAESTRO," LIKE,
THAT THING WAS DANCING IN
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00:07:29,282 --> 00:07:36,923
"SALTBURN."
DANIELLE BROOKS IS HERE!
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00:07:36,989 --> 00:07:42,795
FANTASIA IS HERE!
123
00:07:42,862 --> 00:07:46,933
WHERE IS ALI?
COLMAN DOMINGO!
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00:07:46,999 --> 00:07:50,937
ALL IN "THE COLOR PURPLE."
BY THE WAY, "THE COLOR PURPLE"
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00:07:51,003 --> 00:07:55,641
IS ALSO WHAT HAPPENS TO YOUR
BUTT WHEN YOU TAKE OZEMPIC.
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00:07:55,708 --> 00:07:57,944
HALF THE REMAINS CRINGING AND
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00:07:58,010 --> 00:08:01,147
THE OTHER HALF IS LIKE, I'VE GOT
TO GET HOME AND GRABBED MY
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00:08:01,214 --> 00:08:04,550
SELFIE STICK.
AND STILL BE HOME AFTER THE
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00:08:04,617 --> 00:08:08,020
GLOBES.
MAN, HE WAS LYING.
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00:08:08,087 --> 00:08:13,659
IT'S MORE OF A MAGENTA.
I LOVE THIS YEAR'S NOMINATED TV
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00:08:13,726 --> 00:08:19,098
SHOWS, LIKE "SUCCESSION."
COMING TO AN END AFTER FOUR
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00:08:19,165 --> 00:08:21,467
BEAUTIFUL SEASONS.
ÚI LOVED EVERYTHING ABOUT IT.
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00:08:21,534 --> 00:08:27,974
THE ONE THING THIS SHOW TAUGHT
ME IS, IF YOU ARE A BILLIONAIRE,
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00:08:28,040 --> 00:08:30,743
PULL OUT.
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00:08:30,810 --> 00:08:33,546
NONE OF THEM ARE GOING TO BE
LIKE YOU.
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00:08:33,613 --> 00:08:37,149
THEY'RE GOING TO BE A BAD
VERSION OF YOU.
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00:08:37,216 --> 00:08:39,185
JUST PULL OUT.
THERE'S BILLIONAIRES IN HERE.
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00:08:39,252 --> 00:08:47,252
PULL OUT.
LEAVE IT IN, WHATEVER.
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00:08:49,528 --> 00:08:54,867
"SUCCESSION" HAS NINE
NOMINATIONS, AND I JUST WANT
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00:08:54,934 --> 00:08:57,370
TO... WOW, I REALLY?
THAT'S IT?
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00:08:57,436 --> 00:09:01,140
WHAT, YOU GOT MORE?
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00:09:01,207 --> 00:09:03,576
"NINE, REALLY?"
JUST A GREAT SERIES ABOUT A
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00:09:03,643 --> 00:09:05,945
RICH, WHITE, DYSFUNCTIONAL
FAMILY, ALL SCHEMING...
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00:09:06,012 --> 00:09:10,917
WAIT, THAT'S "THE CROWN."
I'M SORRY.
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00:09:10,983 --> 00:09:12,551
HOW GREAT WAS IMELDA STAUNTON IN
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00:09:12,618 --> 00:09:15,988
"THE CROWN?"
WASN'T SHE AMAZING?
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00:09:16,055 --> 00:09:17,990
HER PORTRAYAL OF THE QUEEN WAS
SO GOOD, PRINCE HARRY CALLED HER
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00:09:18,057 --> 00:09:22,094
AND ASKED HER FOR MONEY.
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00:09:22,161 --> 00:09:23,996
LIKE I SAID, I DIDN'T WRITE ALL
OF THESE.
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00:09:24,063 --> 00:09:26,198
THAT ONE IS NOT MINE.
TURNS OUT PRINCE HARRY AND
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00:09:26,265 --> 00:09:29,936
MEGHAN MARKLE WILL STILL GET
PAID MILLIONS OF DOLLARS FOR
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00:09:30,002 --> 00:09:35,908
DOING ABSOLUTELY NOTHING, AND
THAT'S JUST BY NETFLIX.
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00:09:35,975 --> 00:09:42,114
I HAVE A DEAL, TOO.
154
00:09:42,181 --> 00:09:45,785
CHILL.
YOU GUYS ARE ACTING LIKE...
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00:09:45,851 --> 00:09:49,655
"ONLY MURDERS IN THE BUILDING!"
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00:09:49,722 --> 00:09:52,325
FIVE NOMINATIONS TONIGHT.
ON THAT SHOW, YOU DON'T KNOW
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00:09:52,391 --> 00:09:58,531
WHOSE SIDE TO BE ON.
THAT'S HOW I FEEL ABOUT DARYL
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00:09:58,597 --> 00:10:06,272
HALL AND JOHN OATES.
WHICH ONE IS OATES?
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00:10:06,339 --> 00:10:08,307
IS IT THE ONE WITH THE THICK
MUSTACHE, OR THE HOT BLONDE
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00:10:08,374 --> 00:10:14,480
GIRL?
SPEAKING OF BLONDES,
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00:10:14,547 --> 00:10:19,518
MERYL STREEP.
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00:10:19,585 --> 00:10:21,787
MY MOM'S FAVORITE RIGHT THERE.
MERYL STREEP IS NOMINATED
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00:10:21,854 --> 00:10:29,495
FOR A GOLDEN GLOBE TONIGHT!
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00:10:29,562 --> 00:10:33,532
DUH!
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00:10:33,599 --> 00:10:37,036
SHE'S NOT COMING TO AN AWARDS
SHOW UNLESS YOU GIVE HER
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00:10:37,103 --> 00:10:39,238
NOMINATION.
SHE'S GOT 34 NOMINATIONS.
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00:10:39,305 --> 00:10:41,540
THIS WOMAN, THERE'S NOTHING SHE
CAN'T DO.
168
00:10:41,607 --> 00:10:44,944
SHE'S THE GREATEST OF ALL TIME,
THAT'S THE GOAT RIGHT THERE.
169
00:10:45,011 --> 00:10:48,514
IT DOESN'T MATTER WHAT SHE
PLAYS, SHE KILLS IT.
170
00:10:48,581 --> 00:10:50,850
MY MOM LOVES YOU, EVERYBODY
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00:10:50,916 --> 00:10:53,919
LOVES YOU.
MY FAVORITE LINE FROM YOU,
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00:10:53,986 --> 00:10:56,055
LEGENDARY.
THIS ONE, I HOLD IN MY HEART.
173
00:10:56,122 --> 00:11:00,493
EVERY TIME, THE WAY YOU SAID IT,
IT JUST STUCK WITH ME.
174
00:11:00,559 --> 00:11:05,664
THE WAY YOU SAID...
"WAKANDA FOREVER."
175
00:11:05,731 --> 00:11:06,432
IT'S BRILLIANT.
176
00:11:06,499 --> 00:11:10,636
DO IT AGAIN.
CROSS COME ACROSS
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00:11:11,337 --> 00:11:14,707
"WAKANDA FOREVER."
YES!
178
00:11:14,774 --> 00:11:17,009
THAT'S IT!
SPEAKING OF "WAKANDA FOREVER,"
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00:11:17,076 --> 00:11:21,247
HERE ARE SOME HINTS ABOUT OUR
FIRST PRESENTER.
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00:11:21,313 --> 00:11:22,615
I GIVE YOU SOME HINTS, YOU
READY?
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00:11:22,681 --> 00:11:27,953
THINK ALL POWERFUL, BELOVED BY
THE PEOPLE SHE RULES OVER, A
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00:11:28,020 --> 00:11:33,959
REGAL QUEEN.
OPRAH, IT'S NOT YOU.
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00:11:34,026 --> 00:11:36,996
IT'S A DIFFERENT QUEEN.
IT'S ANGELA BASSETT.
184
00:11:37,063 --> 00:11:39,965
PLEASE WELCOME GOLDEN GLOBE
WINNER AND STAR OF "9-1-1,"
185
00:11:40,032 --> 00:11:43,736
ANGELA BASSETT, AND A
GOLDEN GLOBE WINNER WHO I LIKE
186
00:11:43,803 --> 00:11:48,808
TO CALL "HOT JESUS," JARED LETO.
187
00:12:06,158 --> 00:12:11,931
WE ARE SO EXCITED TO BE HERE
TO KICK OFF THE GOLDEN GLOBES,
188
00:12:11,997 --> 00:12:15,634
AND I HAVE TO SAY THAT YOU
WOULDN'T BELIEVE HOW JERRY HAD
189
00:12:15,701 --> 00:12:17,103
PREPARED FOR HIS PRESENTING ROLE
TONIGHT.
190
00:12:17,169 --> 00:12:20,306
THANK YOU, ANGELA.
I APPRECIATE THAT.
191
00:12:20,372 --> 00:12:24,009
THANK YOU FOR ACKNOWLEDGING
THAT.
192
00:12:24,076 --> 00:12:26,679
ANGELA BASSETT, EVERYBODY.
ANGELA BASSETT.
193
00:12:26,745 --> 00:12:29,815
EVERYBODY LOVES ANGELA BASSETT.
194
00:12:29,882 --> 00:12:34,086
AWW.
I HAVE BEEN IN PRESENTER MODE
195
00:12:34,153 --> 00:12:39,024
FOR WEEKS NOW, I HAVE TO SAY.
WEEKS.
196
00:12:39,091 --> 00:12:41,861
I DON'T KNOW IT'S BEEN SO
FUNNY.
197
00:12:41,927 --> 00:12:45,030
I'VE BEEN DOING RESEARCH
DEVELOPING MY CHARACTER,
198
00:12:45,097 --> 00:12:46,432
INCESSANTLY REMINDING EVERYONE
AROUND ME TO PLEASE CALL ME BY
199
00:12:46,499 --> 00:12:54,499
MY CHARACTER NAME, DAMMIT.
YOU MEAN "JARED LETO?"
200
00:12:54,907 --> 00:12:57,610
EXACTLY.
I'VE ALSO LEARNED THE ART OF
201
00:12:57,676 --> 00:13:00,479
HOLDING AN ENVELOPE.
REALLY, JARED?
202
00:13:00,546 --> 00:13:03,449
THE ART OF HOLDING AN ENVELOPE?
ABSOLUTELY.
203
00:13:03,516 --> 00:13:09,021
IT'S ABOUT THE ANGLE, THE GRIP.
IT'S ABOUT THE SUBTLETY, THE
204
00:13:09,088 --> 00:13:11,991
MEANINGFUL CONNECTION BETWEEN
PRESENTER PARTNER AND PAPER.
205
00:13:12,057 --> 00:13:13,826
IT IS A DEEPLY...
206
00:13:13,893 --> 00:13:16,695
IT IS A DEEPLY EMOTIONAL JOUR
JOURNEY.
207
00:13:16,762 --> 00:13:20,833
I HAD NO IDEA!
I JUST THOUGHT YOU READ THE
208
00:13:20,900 --> 00:13:23,202
LINES.
NO, NO, NO.
209
00:13:23,269 --> 00:13:28,140
NO, NO, NO, ANGELA, IT'S SO MUCH
MORE THAN THAT!
210
00:13:28,207 --> 00:13:31,443
THIS IS EMBODYING THE SPIRIT OF
THE GOLDEN GLOBES.
211
00:13:31,510 --> 00:13:34,113
FEELING EACH NOMINEE'S HOPES AND
DREAMS AND YOUR FINGERTIPS AS
212
00:13:34,180 --> 00:13:41,587
YOU HOLD THEIR DESTINY AND THEIR
AGENT'S BONUSES/BALLS IN YOUR
213
00:13:41,654 --> 00:13:45,224
HANDS.
OKAY, WELL, I STAND
214
00:13:45,291 --> 00:13:46,825
CORRECTED.
LET'S JUST PUT ALL THAT PRACTICE
215
00:13:46,892 --> 00:13:49,895
INTO GOOD USE.
HERE ARE THE NOMINEES FOR
216
00:13:49,962 --> 00:13:52,331
FEMALE SUPPORTING ACTOR,
MOTION PICTURE.
217
00:13:52,398 --> 00:13:56,802
EMILY BLUNT,
"OPPENHEIMER."
218
00:13:56,869 --> 00:14:02,107
DANIELLE BROOKS,
"THE COLOR PURPLE."
219
00:14:02,174 --> 00:14:10,174
JODIE FOSTER, "NYAD."
JULIANNE MOORE, "MAY DECEMBER."
220
00:14:14,987 --> 00:14:21,560
ROSAMUND PIKE, "SALTBURN."
DA'VINE JOY RANDOLPH,
221
00:14:21,627 --> 00:14:29,627
"THE HOLDOVERS."
222
00:14:30,369 --> 00:14:38,369
AND THE GOLDEN GLOBE GOES
TO...
223
00:14:40,512 --> 00:14:43,549
DA'VINE JOY RANDOLPH!
224
00:14:43,616 --> 00:14:49,255
♪ ♪THIS IS DA'VINE JOY
225
00:14:49,321 --> 00:14:50,756
RANDOLPH'S FIRST NOMINATION, HER
VERY FIRST WIN.
226
00:14:50,823 --> 00:14:57,529
SHE WINS HER GOLDEN GLOBE
TONIGHT FOR HER ROLE OF MARY
227
00:14:57,596 --> 00:15:05,596
LAMB IN "THE HOLDOVERS." ♪ ♪
228
00:15:12,077 --> 00:15:20,077
♪ ♪CAN SOMEONE HOLD IT, PLEASE?
229
00:15:27,026 --> 00:15:29,128
♪ ♪CAN SOMEONE HOLD IT, PLEASE?
230
00:15:29,194 --> 00:15:35,968
SORRY, SORRY.
231
00:15:38,003 --> 00:15:39,938
I WOULD LIKE TO THANK THE
HOLLYWOOD FOREIGN PRESS FOR THIS
232
00:15:40,005 --> 00:15:44,043
AWARD.
THANK YOU TO BRIAN ROBERTS, MIKE
233
00:15:44,109 --> 00:15:45,044
CAVANAGH, DONNA LANGLEY, CUJO,
AND THE ENTIRE FOCUS FAMILY FOR
234
00:15:45,110 --> 00:15:51,950
THEIR ENDLESS SUPPORT THROUGHOUT
THIS JOURNEY.
235
00:15:52,017 --> 00:15:55,954
TO ALEXANDER PAYNE, THANK YOU
FOR GIVING ME THE OPPORTUNITY TO
236
00:15:56,021 --> 00:15:58,957
PORTRAY THIS BEAUTIFUL AND
FLAWED WOMAN.
237
00:15:59,024 --> 00:16:04,296
TO MY TWO BURNERS IN CRIME, PAUL
AND DOMINIC, YOU HAVE BEEN AN
238
00:16:04,363 --> 00:16:06,699
ABSOLUTE DREAM TO WORK WITH, AND
I THANK YOU FOR MAKING ME A
239
00:16:06,765 --> 00:16:13,272
BETTER ARTIST BECAUSE OF IT.
I WOULD LIKE TO GIVE A SPECIAL
240
00:16:13,339 --> 00:16:15,307
THANKS TO...
241
00:16:15,374 --> 00:16:17,810
THANK YOU TO MY FAMILY AND
FRIENDS WERE HOLDING ME UP, AND
242
00:16:17,876 --> 00:16:22,715
TO THE CHARACTER, MARY.
YOU HAVE CHANGED MY LIFE, YOU
243
00:16:22,781 --> 00:16:26,018
HAVE MADE ME FEEL SEEN IN SO
MANY WAYS I'VE NEVER IMAGINED,
244
00:16:26,085 --> 00:16:30,823
AND I HOPE I HELPED YOU ALL FIND
YOUR INNER MARY, BECAUSE THERE'S
245
00:16:30,889 --> 00:16:32,191
A LITTLE BIT OF HER IN ALL OF
US.
246
00:16:32,257 --> 00:16:37,663
WE DID IT!
247
00:16:37,730 --> 00:16:45,730
♪ ♪HERE WE ARE.
248
00:16:49,108 --> 00:16:50,843
AND NOW, HERE ARE THE
NOMINEES FOR BEST MALE
249
00:16:50,909 --> 00:16:55,180
SUPPORTING ACTOR IN ANY MOTION
PICTURE.
250
00:16:55,247 --> 00:16:59,284
WILLEM DAFOE,
"POOR THINGS."
251
00:16:59,351 --> 00:17:04,289
ROBERT de NIRO,
"KILLERS OF THE FLOWER MOON."
252
00:17:04,356 --> 00:17:09,428
ROBERT DOWNEY, JR.,
"OPPENHEIMER."
253
00:17:09,495 --> 00:17:17,495
RYAN GOSLING, "BARBIE."
CHARLES MELTON, "MAY DECEMBER."
254
00:17:19,405 --> 00:17:27,405
MARK RUFFALO, "POOR THINGS."
AND THE GOLDEN GLOBE GOES
255
00:17:28,647 --> 00:17:36,647
TO...
ROBERT DOWNEY JR.!
256
00:17:42,928 --> 00:17:46,165
THIS IS
ROBERT DOWNEY JR.'S FIFTH
257
00:17:46,231 --> 00:17:49,368
NOMINATION ANSWERED WIN.
HE WINS HIS GOLDEN GLOBE TONIGHT
258
00:17:49,435 --> 00:17:57,435
FOR HIS ROLE OF LOUIS STRAUSS IN
"OPPENHEIMER."
259
00:18:00,712 --> 00:18:05,984
YEAH, YEAH.
I TOOK A BETA BLOCKER, SO THIS
260
00:18:06,051 --> 00:18:12,157
IS GOING TO BE A BREEZE.
261
00:18:12,224 --> 00:18:15,694
A SWEEPING STORY ABOUT THE
ETHICAL DILEMMA OF NUCLEAR
262
00:18:15,761 --> 00:18:18,931
WEAPONS GROSSES $1 BILLION.
DOES THAT TRACK?
263
00:18:18,997 --> 00:18:24,269
NO.
UNLESS, AND BUT, BECAUSE,
264
00:18:24,336 --> 00:18:28,807
UNIVERSAL WENT ALL IN ON
CHRISTOPHER NOLAN TO DIRECT
265
00:18:28,874 --> 00:18:35,914
CILLIAN MURPHY, WITH EMMA THOMAS
PRODUCING, WITH EMILY AND
266
00:18:35,981 --> 00:18:38,917
FLORENCE AND THIS CAST AND CREW,
AND HELPED THEM RENDER A GODDAMN
267
00:18:38,984 --> 00:18:40,519
MASTERPIECE.
268
00:18:40,586 --> 00:18:48,586
SEE, THAT'S NOT SUCH A LEAP.
DOZENS OF FOLKS HAVE COME UP TO
269
00:18:48,994 --> 00:18:51,930
ME SINCE THE SUMMERTIME SAYING
THAT I WAS "AN RECOGNIZABLY
270
00:18:51,997 --> 00:18:57,970
SUBTLE" AS LEWIS STRAUSS.
TO MY FELLOW NOMINEES, LET'S NOT
271
00:18:58,036 --> 00:19:00,539
PRETEND THIS IS A COMPLIMENT.
THIS IS A FIRST TIME, IT'S MORE
272
00:19:00,606 --> 00:19:08,606
OF A MOST IMPROVED PLAYER THING.
FOR MY DUELING CAREER COUNSELS,
273
00:19:09,948 --> 00:19:12,951
THEY HAD THE GALL TO SAY I
NEEDED TO RESTART MY CAREER.
274
00:19:13,018 --> 00:19:15,687
IT IS SELF IMPROVING AGENTS
RIGHT.
275
00:19:15,754 --> 00:19:20,092
SPEAKING OF MOTIVATORS, MY
PRIMARY CAREGIVER RIGHT THERE,
276
00:19:20,158 --> 00:19:26,932
SUSAN DOWNEY, SHE HAS LITERALLY
MADE AN ART OUT OF EXTRACTING ME
277
00:19:26,999 --> 00:19:28,934
FROM MY COMFORT ZONES, THAT I
NEED TO FEEL SAFE!
278
00:19:29,001 --> 00:19:32,838
BUT SHE'S EASY ON THE EYES, SO
279
00:19:32,905 --> 00:19:36,375
WHATEVS.
LASTLY, GOLDEN GLOBES
280
00:19:36,441 --> 00:19:39,978
JOURNALISTS, THANKS FOR CHANGING
YOUR GAME, THEREFORE CHANGING
281
00:19:40,045 --> 00:19:42,814
YOUR NAME.
SALUTE.
282
00:19:50,122 --> 00:19:54,626
♪ ♪ LOOKS LIKE
283
00:19:54,693 --> 00:19:59,932
KERI RUSSELL IS IN PARTY MODE!
COMING UP, MORE WINNERS, MORE
284
00:19:59,998 --> 00:20:04,503
TROPHIES, AND MORE SPEECHES. ♪ ♪
285
00:20:07,306 --> 00:20:10,042
CBS'S TELECAST OF
THE 81st GOLDEN GLOBE AWARDS IS
286
00:20:10,108 --> 00:20:11,108
SPONSORED BY PFIZER.
287
00:20:27,025 --> 00:20:28,961
WELCOME BACK.
AS YOU KNOW, WE CAME ON AFTER A
288
00:20:29,027 --> 00:20:30,562
FOOTBALL DOUBLEHEADER.
THE BIG DIFFERENCE BETWEEN
289
00:20:30,629 --> 00:20:35,968
THE GOLDEN GLOBES AND THE NFL...
ON THE GOLDEN GLOBES, FEWER
290
00:20:36,034 --> 00:20:42,341
CAMERA SHOTS OF TAYLOR SWIFT.
I SWEAR, THERE'S MORE TO GO TO
291
00:20:42,407 --> 00:20:43,642
HERE.
SORRY ABOUT THAT.
292
00:20:43,709 --> 00:20:46,578
PLEASE WELCOME THE STAR OF THE
UPCOMING FILM, "TO THE EDGE,"
293
00:20:46,645 --> 00:20:48,380
ORLANDO BLOOM, AND LAST YEAR'S
GOLDEN GLOBE WINNER FOR
294
00:20:48,447 --> 00:20:51,450
"THE DROPOUT," AMANDA SEYFRIED.
295
00:21:08,000 --> 00:21:10,936
♪ ♪LIMITED SERIES, ANTHOLOGY
296
00:21:11,003 --> 00:21:13,405
FOR TV ARE NOT FORM ALL THEIR
OWN.
297
00:21:13,472 --> 00:21:16,742
THESE ARE THE PERFORMANCES
THAT WE WANT TO DISCUSS WITH THE
298
00:21:16,808 --> 00:21:19,144
PEOPLE AROUND US, THE
PERFORMANCES THAT WARRANT YOUR
299
00:21:19,211 --> 00:21:22,648
BEST FRIEND TO SAY TO YOU,
"DON'T TALK TO YOU UNTIL YOU
300
00:21:22,714 --> 00:21:24,650
FINISHED."
SHOWS HAT YOU STAY UP ALL
301
00:21:24,716 --> 00:21:28,487
NIGHT WATCHING BECAUSE YOU CAN'T
WAIT TO KNOW WHAT'S GOING HAPPEN
302
00:21:28,553 --> 00:21:31,356
NEXT.
HERE ARE THE NOMINEES FOR
303
00:21:31,423 --> 00:21:32,791
SOME OF THE TOP PERFORMANCES
THIS YEAR.
304
00:21:32,858 --> 00:21:35,527
RILEY KEOUGH,
"DAISY JONES & THE SIX."
305
00:21:35,594 --> 00:21:40,966
BRIE LARSON,
"LESSONS IN CHEMISTRY."
306
00:21:41,033 --> 00:21:49,033
ELIZABETH OLSEN, "LOVE & DEATH."
JUNO TEMPLE, "FARGO."
307
00:21:50,676 --> 00:21:58,676
RACHEL WEISZ, "DEAD RINGERS."
ALI WONG, "BEEF."
308
00:22:05,624 --> 00:22:06,925
RACHEL WEISZ, "DEAD RINGERS."
ALI WONG, "BEEF."
309
00:22:06,992 --> 00:22:07,759
AND THE GOLDEN GLOBE GOES
310
00:22:07,826 --> 00:22:11,830
TO...
ALI WONG.
311
00:22:21,573 --> 00:22:25,310
THIS IS ALI
WONG'S FIRST NOMINATION, AND SHE
312
00:22:25,377 --> 00:22:29,715
GETS HER FIRST WIN.
ALI WINS HER GOLDEN GLOBE
313
00:22:29,781 --> 00:22:31,783
TONIGHT FOR HER ROLE OF AMY. ♪ ♪
314
00:23:06,918 --> 00:23:11,923
MY GOD!
I REALLY NEED TO THANK SONNY SO
315
00:23:11,990 --> 00:23:16,194
MUCH FOR CREATING SUCH A
BEAUTIFUL SHOW, AND INVITING ME
316
00:23:16,261 --> 00:23:21,099
TO BE PART OF IT, AND THE
FRIENDSHIP THAT I MADE WITH YOU
317
00:23:21,166 --> 00:23:24,870
AND STEVEN AND JAKE AND THE REST
OF THE CAST AND CREW WILL ALWAYS
318
00:23:24,936 --> 00:23:28,640
BE THE BEST THING THAT CAME OUT
OF "BEEF."
319
00:23:28,707 --> 00:23:33,712
I REALLY NEED TO THANK THE
FATHER OF MY CHILDREN AND MY
320
00:23:33,779 --> 00:23:36,448
BEST FRIEND, JUSTIN, FOR ALL
YOUR LOVE AND SUPPORT.
321
00:23:36,515 --> 00:23:41,920
IT'S BECAUSE OF YOU THAT I'M
ABLE TO BE A WORKING MOTHER.
322
00:23:41,987 --> 00:23:42,754
OKAY, THANKS.
323
00:23:42,821 --> 00:23:47,793
♪ ♪ PLEASE WELCOME,
324
00:23:47,859 --> 00:23:50,128
THE BALLAD OF SONGBIRDS AND
325
00:23:50,195 --> 00:23:52,597
SNAKES," HUNTER SCHAFER, AND
STAR OF THE SERIES "TRACKER,"
326
00:23:52,664 --> 00:23:58,637
JUSTIN HARTLEY.
327
00:23:58,703 --> 00:24:05,510
♪ ♪THESE NEXT NOMINEES WERE IN
328
00:24:05,577 --> 00:24:10,916
SOME OF MY FAVORITE THINGS I
BINGED THIS YEAR.
329
00:24:10,982 --> 00:24:13,285
YES, THEY WERE.
THEY GAVE US EVERYTHING...
330
00:24:13,351 --> 00:24:15,053
DRAMA, COMEDY, HISTORY,
REVISIONIST HISTORY.
331
00:24:15,120 --> 00:24:16,988
I WAS INTO ALL OF IT.
THE ONLY BUMMER ABOUT ANY OF
332
00:24:17,055 --> 00:24:20,926
THEM IS THAT I WISH THERE WAS
EVEN MORE TO WATCH.
333
00:24:20,992 --> 00:24:24,095
I DIDN'T WANT ANY OF THEM TO
END.
334
00:24:24,162 --> 00:24:25,297
THAT'S VERY TRUE.
ME, NEITHER.
335
00:24:25,363 --> 00:24:27,165
WELL, THINK ABOUT IT THIS WAY:
WE'RE KIND OF GETTING A BONUS
336
00:24:27,232 --> 00:24:29,234
SCENE TONIGHT FROM THE WINNER.
I'LL TAKE IT.
337
00:24:29,301 --> 00:24:31,570
HERE ARE THE NOMINEES FOR MALE
ACTOR IN A LIMITED SERIES,
338
00:24:31,636 --> 00:24:35,240
ANTHOLOGY SERIES, OR MADE FOR
TELEVISION MOVIE.
339
00:24:35,307 --> 00:24:40,478
MATT BOMER,
"FELLOW TRAVELERS."
340
00:24:40,545 --> 00:24:45,083
SAM CLAFLIN,
"DAISY JONES & THE SIX."
341
00:24:45,150 --> 00:24:50,388
JON HAMM, "FARGO."
WOODY HARRELSON,
342
00:24:50,455 --> 00:24:56,761
"WHITE HOUSE PLUMBERS."
DAVID OYELOWO,
343
00:24:56,828 --> 00:25:04,828
BASS REEVES."
STEVEN YEUN, "BEEF."
344
00:25:07,539 --> 00:25:15,539
AND THE GOLDEN GLOBE GOES
TO...
345
00:25:15,981 --> 00:25:23,421
STEVEN YEUN, "BEEF."
346
00:25:23,488 --> 00:25:25,557
♪ ♪ THIS IS STEVEN
347
00:25:25,624 --> 00:25:29,828
YEUN'S FIRST NOMINATION IN FIRST
WIN, AS WELL.
348
00:25:29,895 --> 00:25:35,267
HE WINS HIS GOLDEN GLOBE TONIGHT
FOR HIS ROLE AS DANNY CHO IN
349
00:25:35,333 --> 00:25:37,335
"BEEF." ♪ ♪
350
00:26:07,332 --> 00:26:12,837
WOW.
THANK YOU SO MUCH FOR THIS.
351
00:26:12,904 --> 00:26:15,907
THANK YOU TO THE GOLDEN GLOBES.
IT'S SO WEIRD, THE STORY I
352
00:26:15,974 --> 00:26:21,913
USUALLY TELL OF MYSELF TO MYSELF
IS ONE OF ISOLATION AND, LIKE,
353
00:26:21,980 --> 00:26:24,582
SEPARATENESS, THEN YOU COME UP
HERE AND YOU HAVE THIS MOMENT
354
00:26:24,649 --> 00:26:31,923
AND YOU CAN ONLY JUST THINK
ABOUT EVERYONE ELSE.
355
00:26:31,990 --> 00:26:34,993
AND THAT FEELS LIKE THE PLOT OF
"FROZEN," I JUST NOTICED.
356
00:26:40,999 --> 00:26:41,967
SHOUT OUT TO MY DAUGHTER, RUT
357
00:26:42,033 --> 00:26:47,939
RUTHIE.
FAMILY MOVIE NIGHT.
358
00:26:48,006 --> 00:26:54,946
YEAH, I'M JUST SO THANKFUL.
I'M JUST THE RECIPIENT OF A LONG
359
00:26:55,013 --> 00:27:02,020
LINE OF COMPASSION AND LOVE, AND
PROTECTION, AND GOODWILL.
360
00:27:02,087 --> 00:27:07,359
SO I APPRECIATE THIS.
JOANNA, I LOVE YOU.
361
00:27:07,425 --> 00:27:12,897
YOU ARE MY STRENGTH.
THANK YOU TO JUDY AND RUTHIE.
362
00:27:12,964 --> 00:27:17,335
SUNNY, J, CAST AND CREW, LETTER
A 24.
363
00:27:17,402 --> 00:27:20,939
GOD BLESS YOU, THANK YOU SO MU
MUCH.
364
00:27:28,980 --> 00:27:31,016
THE GOSSIP AND THE
ACCOLADES SEEM TO BE FLOWING
365
00:27:31,082 --> 00:27:32,951
DOWN THERE.
AFTER THE BREAK, MORE "BESTS"
366
00:27:33,018 --> 00:27:35,020
WILL WALK AWAY WITH A
GOLDEN GLOBE.
367
00:27:53,004 --> 00:27:54,172
♪ ♪ PLEASE WELCOME,
368
00:27:54,239 --> 00:27:56,341
EXECUTIVE PRODUCER AND STAR OF
"THE ROYAL HOTEL," GOLDEN GLOBE
369
00:27:56,408 --> 00:28:00,378
WINNER JULIA GARNER, AND STAR OF
"FELLOW TRAVELERS" AND UPCOMING
370
00:28:00,445 --> 00:28:04,449
MOVIE, "WICKED,"
JONATHAN BAILEY.
371
00:28:07,752 --> 00:28:10,622
IT'S THE FIRST BIG HOLLYWOOD
372
00:28:10,688 --> 00:28:14,426
PARTY SINCE THE STRIKES, AND I'M
SO THRILLED TO BE HERE!
373
00:28:14,492 --> 00:28:16,895
YOU KNOW, THIS IS MY FIRST
GOLDEN GLOBES.
374
00:28:16,961 --> 00:28:18,897
SO, JULIA, WHAT DO I HAVE TO
KNOW?
375
00:28:18,963 --> 00:28:26,963
DO NOT LISTEN TO
JASON BATEMAN.
376
00:28:29,974 --> 00:28:34,245
SHHHH.
377
00:28:34,312 --> 00:28:39,851
TURN IT DOWN, TURN IT DOWN.
UNLESS IT'S ON A PODCAST.
378
00:28:39,918 --> 00:28:41,519
YEAH.
SMART.
379
00:28:41,586 --> 00:28:44,589
LET'S LOOK AT THE NOMINEES.
YEAH.
380
00:28:44,656 --> 00:28:49,327
THE NOMINEES FOR BEST
PERFORMANCE...
381
00:28:49,394 --> 00:28:51,896
ELIZABETH DEBICKI,
"THE CROWN."
382
00:28:51,963 --> 00:28:55,300
ABBY ELLIOTT, "THE BEAR."
CHRISTINA RICCI,
383
00:28:55,366 --> 00:29:03,208
"YELLOWJACKETS."
J. SMITH-CAMERON, "SUCCESSION."
384
00:29:03,274 --> 00:29:10,882
MERYL STREEP,
"ONLY MURDERS IN THE BUILDING."
385
00:29:10,949 --> 00:29:18,949
HANNAH WADDINGHAM, "TED LASSO."
AND THE GOLDEN GLOBE GOES
386
00:29:20,158 --> 00:29:23,161
TO...
ELIZABETH DEBICKI.
387
00:29:31,002 --> 00:29:34,172
THIS IS
ELIZABETH DEBICKI'S SECOND
388
00:29:34,239 --> 00:29:36,574
NOMINATION AND FIRST WIN.
SHE WINDSOR GOLDEN GLOBE TONIGHT
389
00:29:36,908 --> 00:29:39,911
FOR HER ROLE OF PRINCESS DIANA
IN "THE CROWN."
390
00:29:55,460 --> 00:29:58,863
♪ ♪I HAVE TO TAKE IT.
391
00:29:58,930 --> 00:30:02,967
I HAVE TO TAKE IT.
OKAY, THANK YOU SO MUCH.
392
00:30:03,034 --> 00:30:06,704
THANK YOU TO THE CREATIVE
CREATORS OF THIS SHOW FOR
393
00:30:06,771 --> 00:30:12,977
TRUSTING ME WITH THIS PART, TO
OUR CAST AND CR
394
00:30:13,044 --> 00:30:17,749
CREW, TO MY BEAUTIFUL PRETEND
CHILDREN WHO I JUST ADORE, TO MY
395
00:30:17,815 --> 00:30:25,815
MOM AND MY DAD, AND THOSE WHO
ARE IN AUSTRALIA IN THEIR
396
00:30:25,890 --> 00:30:27,325
PAJAMAS, HOPEFULLY, WATCHING
THIS.
397
00:30:27,392 --> 00:30:31,262
TO MY PARTNER, CHRISTIAN, WHO
SAID, "DON'T THANK ME SO I'M NOT
398
00:30:31,329 --> 00:30:34,666
ON TELEVISION," BUT I'M GOING TO
THANK YOU ANYWAY.
399
00:30:34,732 --> 00:30:38,937
WHO ELSE?
GOODNESS.
400
00:30:39,003 --> 00:30:43,441
MAYBE THAT'S IT.
401
00:30:43,508 --> 00:30:47,845
THIS IS JUST ASTONISHING TO ME.
MY AGENT, AND MY PUBLICIST, AND
402
00:30:47,912 --> 00:30:52,884
I JUST WANT TO SAY THANK YOU TO
MY BELOVED AND DEAR GODMOTHER
403
00:30:52,951 --> 00:30:57,255
WHO LEFT US TOO QUICKLY, TOO
SOON.
404
00:30:57,322 --> 00:30:59,857
THIS ONE'S FOR YOU, BABY.
THANKS.
405
00:31:03,595 --> 00:31:05,430
PLEASE WELCOME,
WRITER, DIRECTOR, AND STAR OF
406
00:31:05,496 --> 00:31:07,398
THE FILM "SOMEWHERE IN QUEENS,"
RAY ROMANO, AND NOMINATED
407
00:31:07,465 --> 00:31:12,704
TONIGHT FOR "THE DIPLOMAT,"
KERI RUSSELL.
408
00:31:18,309 --> 00:31:20,945
THANK YOU.
HAPPY NEW YEAR, EVERYBODY!
409
00:31:21,012 --> 00:31:25,783
YES, HAPPY NEW YEAR.
BY THE WAY, I DON'T KNOW ABOUT
410
00:31:25,850 --> 00:31:27,685
YOU, KERI, MY RESOLUTION IS JUST
TO BE TRUTHFUL.
411
00:31:27,752 --> 00:31:30,989
IT IS SO HARD TO HEAR THE TRUTH
NOWADAYS.
412
00:31:31,055 --> 00:31:35,727
I KNOW THAT'S HARD TO DO IN THIS
TOWN, BUT WE ARE ONLY HERE FOR A
413
00:31:35,793 --> 00:31:36,694
SHORT TIME.
WHY NOT?
414
00:31:36,761 --> 00:31:43,001
WHY NOT THE TRUTH?
THAT'S SUCH A BEAUTIFUL
415
00:31:43,067 --> 00:31:44,269
STATEMENT,
RAY.
416
00:31:44,335 --> 00:31:47,605
I'M GONNA DO THE SAME.
ABSOLUTELY.
417
00:31:47,672 --> 00:31:52,176
WHY NOT?
HERE IS MY TRUTH.
418
00:31:52,243 --> 00:31:56,147
I'VE BEEN A FAN OF YOURS FOR A
LONG TIME, BUT WHEN I SAW YOU ON
419
00:31:56,214 --> 00:32:01,452
"THE AMERICANS," BLOWN AWAY.
HOW STRONG THE PERFORMANCE WAS,
420
00:32:01,519 --> 00:32:02,353
YES.
BRILLIANT.
421
00:32:02,420 --> 00:32:05,923
JUST REMARKABLE.
422
00:32:05,990 --> 00:32:13,990
THANK YOU VERY MUCH, RAY.
AND I LOVED...
423
00:32:15,700 --> 00:32:20,638
EVERYTHING YOU JUST SAID.
424
00:32:20,705 --> 00:32:25,910
OKAY!
OKAY.
425
00:32:25,977 --> 00:32:32,116
WE ARE HERE... HOLD ON, HOLD ON,
HOLD ON.
426
00:32:32,183 --> 00:32:36,220
THAT'S IT?
SORRY, JUST THE WHOLE THING
427
00:32:36,287 --> 00:32:39,424
YOU SAID, THE TELLING THE TRUTH
THING, I JUST GOT NERVOUS,
428
00:32:39,490 --> 00:32:41,225
AND...
I GET IT.
429
00:32:41,292 --> 00:32:43,594
THE TRUTH IS NOT EASY.
BUT NOTHING?
430
00:32:43,661 --> 00:32:48,266
HOW ABOUT MY MOVIE?
DID YOU SEE
431
00:32:48,333 --> 00:32:53,938
"SOMEWHERE IN QUEENS?"
UM...
432
00:32:54,005 --> 00:32:56,174
YOU KNOW WHAT?
THE TRUTH IS STUPID.
433
00:32:56,240 --> 00:32:59,210
WE ARE IN HOLLYWOOD.
LET'S JUST DO WHAT WE DO.
434
00:32:59,277 --> 00:33:02,213
THANK YOU.
YEAH.
435
00:33:02,280 --> 00:33:05,450
GREAT, I AGREE.
I SAW YOUR MOVIE AND I LOVED IT.
436
00:33:05,516 --> 00:33:06,517
THANK YOU.
437
00:33:06,584 --> 00:33:11,589
AND YOU ARE GOING TO WIN.
YOU ARE TO WIN TONIGHT!
438
00:33:11,656 --> 00:33:16,794
LET ME TELL YOU SOMETHING, I'VE
439
00:33:16,861 --> 00:33:24,861
SEEN... I'M ALMOST UP TO DATE ON
"THE LAUNDROMAT."
440
00:33:24,969 --> 00:33:26,304
IT'S BRILLIANT.
DIPLOMAT.
441
00:33:26,371 --> 00:33:30,641
CORRECT.
CORRECT.
442
00:33:30,708 --> 00:33:33,044
ALL RIGHT, LET'S GO.
THE NOMINEES FOR BEST
443
00:33:33,111 --> 00:33:34,946
PERFORMANCE BY A MALE ACTOR N A
SUPPORTING ROLE ON TELEVISION
444
00:33:35,012 --> 00:33:39,183
- ARE...
- BILLY CRUDUP,
445
00:33:39,250 --> 00:33:47,250
"THE MORNING SHOW."
MATTHEW MACFADYEN, "SUCCESSION."
446
00:33:47,325 --> 00:33:55,325
JAMES MARSDEN, "JURY DUTY."
EBON MOSS-BACHRACH, "THE BEAR."
447
00:33:56,834 --> 00:34:04,834
ALAN RUCK, "SUCCESSION."
ALEXANDER SKARSGARD,
448
00:34:05,977 --> 00:34:13,977
"SUCCESSION."
AND THE GOLDEN GLOBE GOES
449
00:34:14,051 --> 00:34:18,055
TO...
MATTHEW MACFADYEN, "SUCCESSION."
450
00:34:26,998 --> 00:34:29,300
THIS IS MATTHEW
MACFADYEN'S FIRST NOMINATION AND
451
00:34:29,367 --> 00:34:31,669
FIRST WIN.
MATTHEW WINS HIS GOLDEN GLOBE
452
00:34:31,736 --> 00:34:35,373
TONIGHT FOR THE ROLE OF TOM IN
"SUCCESSION."
453
00:35:03,501 --> 00:35:09,674
THANK YOU SO MUCH.
THANK YOU SO MUCH.
454
00:35:09,740 --> 00:35:13,911
I JUST ADORED EVERY SECOND
PLAYING THE WEIRD AND WONDERFUL
455
00:35:13,978 --> 00:35:20,518
HUMAN GREASE STAIN THAT IS TOM
WAMBSGANS.
456
00:35:20,585 --> 00:35:22,453
TOM WAMBSGANS, CEO, I SHOULD
SAY.
457
00:35:22,520 --> 00:35:27,692
GOD HELP US.
MY LOVE AND THANKS AND
458
00:35:27,758 --> 00:35:32,063
ADMIRATION TO JESSE ARMSTRONG,
AS ALWAYS.
459
00:35:32,129 --> 00:35:33,664
AND TO ALL ERIC'S ORDINARY
460
00:35:33,731 --> 00:35:36,467
WRITERS.
I'M TOO SCARED TO NAME THEM ALL,
461
00:35:36,534 --> 00:35:39,303
BECAUSE I'LL FORGET SOMEONE AND
I WANT SLEEP.
462
00:35:39,370 --> 00:35:44,775
TO ADAM McKAY, FRANCIE
MAZELIKE, HBO, WONDERFUL
463
00:35:44,842 --> 00:35:49,247
DIRECTORS AND PRODUCERS, AND
OF COURSE ARE GORGEOUS CREW AND
464
00:35:49,313 --> 00:35:54,385
CAST WHO I MISS VERY MUCH.
THANK YOU.
465
00:36:00,491 --> 00:36:05,897
OOH, LOOKS LIKE
SOME STARS ARE MINGLING WITH THE
466
00:36:05,963 --> 00:36:07,899
COMPETITION.
STILL TO COME... SPIDERMAN,
467
00:36:07,965 --> 00:36:10,134
PRESIDENT BARBIE, AND A BRAND
NEW CATEGORY GETS A WINNER
468
00:36:10,201 --> 00:36:11,202
FOR THE FIRST TIME! ♪ ♪
469
00:36:22,980 --> 00:36:25,049
WELCOME BACK.
THIS YEAR THE GOLDEN GLOBES
470
00:36:25,116 --> 00:36:28,920
WANTED TO HONOR MY CULTURE,
SO, FOR THE FIRST TIME,
471
00:36:28,986 --> 00:36:34,225
THEY SERVED SUSHI.
I JUST WANT TO SAY, I'M
472
00:36:34,292 --> 00:36:39,931
FILIPINO.
WE COOK OUR FISH.
473
00:36:39,997 --> 00:36:42,199
EVERY YEAR, THE GOLDEN GLOBE
FOUNDATION GIVES GRANTS TO
474
00:36:42,266 --> 00:36:44,835
IMPORTANT ORGANIZATIONS THAT
FOCUS ON THE ARTS.
475
00:36:44,902 --> 00:36:47,405
AT FRIDAY NIGHT'S FOUNDATION
DINNER, THE GOLDEN GLOBES
476
00:36:47,471 --> 00:36:53,878
CONTINUED ITS GENEROSITY BY
AWARDING $5 MILLION.
477
00:36:53,945 --> 00:36:55,413
THIS YEAR, TWO ASPIRING
478
00:36:55,479 --> 00:36:58,215
FILMMAKERS HAVE BEEN SELECTED TO
BE TROPHY PRESENTERS.
479
00:36:58,282 --> 00:37:03,654
PLEASE WELCOME GOLDEN GLOBE
FELLOWSHIP RECIPIENT
480
00:37:03,721 --> 00:37:06,624
MARENEMIKO ELARDO, AND
GOLDEN GLOBE SCHOLAR RECIPIENT,
481
00:37:06,691 --> 00:37:14,691
DAKOTA MARSHALL.
482
00:37:16,067 --> 00:37:18,536
AND NOW, FROM THE GOLDEN GLOBE
NOMINATED FILM
483
00:37:18,603 --> 00:37:20,471
ACROSS THE
SPIDER-VERSE,"
484
00:37:20,538 --> 00:37:22,340
DANIEL KALUUYA,
HAILEE STEINFELD, AND
485
00:37:22,406 --> 00:37:27,244
SHAMEIK MOORE.
486
00:37:43,294 --> 00:37:44,228
THIS YEAR WE WERE ALL
REMINDED OF THE CRITICAL
487
00:37:44,295 --> 00:37:46,764
IMPORTANCE OF WRITERS TO THE
CREATIVE PROCESS.
488
00:37:46,831 --> 00:37:49,400
TO DEMONSTRATE THE IMPORTANCE
OF WRITERS AND WRITING, WE ASKED
489
00:37:49,467 --> 00:37:51,969
THAT THIS SEGMENT BE WRITTEN NOT
BY WRITERS, BUT BY STUDIO
490
00:37:52,036 --> 00:37:58,242
EXECUTIVES.
491
00:37:58,309 --> 00:38:01,278
WHAT IS UP, SHAMEIK?
492
00:38:01,345 --> 00:38:03,781
NOT MUCH, DANIEL.
HOW ARE YOU, HAILEE?
493
00:38:03,848 --> 00:38:09,353
I AM RELATABLE.
I AM ENJOY THE "GOLDEN GLOBS."
494
00:38:09,420 --> 00:38:11,822
DO YOU AGREE?
I DO AGREE.
495
00:38:11,889 --> 00:38:17,228
AS DO I.
496
00:38:17,294 --> 00:38:19,597
WE ARE HERE WITH MY FELLOW
ACTORS FOR THE AWARDS SHOW THAT
497
00:38:19,664 --> 00:38:21,599
WE ARE HAVING TOGETHER TO
PRESENT THE CATEGORY OF THE
498
00:38:21,666 --> 00:38:25,336
WRITING.
SCREENPLAYS ARE FOR WRITING
499
00:38:25,403 --> 00:38:29,607
AND TO MAKE ACTORS SAY WORDS FOR
THE AUDIENCE.
500
00:38:29,674 --> 00:38:32,643
HERE ARE THESE NOMINATIONS
FOR MOVIE WRITING FOR THE
501
00:38:32,710 --> 00:38:38,849
MOVIES.
502
00:38:38,916 --> 00:38:44,922
GRETA GERWIG,
NOAH BAUMBACH, "BARBIE."
503
00:38:44,989 --> 00:38:48,025
- WE ARE GIRLFRIEND BOYFRIEND.
- TONY McNAMARA,
504
00:38:48,092 --> 00:38:53,931
"POOR THINGS."
THE MAN OVER THERE BLINKED AT
505
00:38:53,998 --> 00:38:55,466
- POLITE, I WOULD THINK.
- CHRISTOPHER NOLAN,
506
00:38:55,533 --> 00:38:59,837
"OPPENHEIMER."
HOW ABOUT BECAUSE THIS IS THE
507
00:38:59,904 --> 00:39:01,572
MOST IMPORTANT THING TO HAPPEN
IN THE HISTORY OF THE WORLD?
508
00:39:01,639 --> 00:39:03,441
ERIC ROTH,
MARTIN SCORSESE,
509
00:39:03,507 --> 00:39:11,507
"KILLERS OF THE FLOWER MOON."
CELINE SONG, "PAST LIVES."
510
00:39:20,024 --> 00:39:21,859
JUSTINE TRIET,
ARTHUR HARARI,
511
00:39:21,926 --> 00:39:29,926
"ANATOMY OF A FALL."
SOMETIMES A COUPLE...
512
00:39:31,569 --> 00:39:39,569
AND THE GOLDEN GLOBE GOES
TO...
513
00:39:44,915 --> 00:39:49,553
- JUSTINE TRIET AND ARTHUR HARARI.
- THIS IS THE
514
00:39:49,620 --> 00:39:52,323
WRITING TEAM'S FIRST NOMINATION
AND WIN.
515
00:39:52,389 --> 00:40:00,389
ACCEPTING THE AWARD IS JUSTINE
TRIET.
516
00:40:05,169 --> 00:40:13,169
♪ ♪OKAY, SORRY.
517
00:40:18,115 --> 00:40:19,950
WOW, WOW, WOW.
OKAY.
518
00:40:20,017 --> 00:40:23,020
THANK YOU SO MUCH.
LOOKING BACK TO WHEN I STARTED
519
00:40:23,087 --> 00:40:24,922
THIS PROJECT... SORRY FOR MY
ENGLISH.
520
00:40:24,989 --> 00:40:32,989
WE WERE IN THE CHAOS, AND MY
LIFE PARTNER AND I SPENT OUR
521
00:40:33,364 --> 00:40:36,700
DAYS COWRITING THE SCREENPLAY OF
"ANATOMY OF A FALL," STUCK IN
522
00:40:36,767 --> 00:40:40,704
OUR APARTMENT, AND STRANGELY,
NOBODY DIED.
523
00:40:40,771 --> 00:40:44,208
I REMEMBER WE KEPT ON SAYING,
524
00:40:44,275 --> 00:40:49,046
OKAY, WELL, WE ARE HAVING A LOT
OF FUN, BUT NOBODY IS GOING SEE
525
00:40:49,113 --> 00:40:51,816
THIS MOVIE.
IT IS TOO ALONG, THEY TALK ALL
526
00:40:51,882 --> 00:40:57,288
THE TIME, THERE'S NO SCORE.
A COUPLE FIGHTING, SUICIDE, A
527
00:40:57,354 --> 00:41:00,524
DOG VOMITING.
I MEAN, COME ON.
528
00:41:00,591 --> 00:41:04,895
BUT I WANT TO MAKE THIS FILM.
SO I WILL MAKE A FILM AND
529
00:41:04,962 --> 00:41:10,034
AFTERWARDS I WILL MAKE A SERIES.
SO I DON'T KNOW EXACTLY HOW
530
00:41:10,100 --> 00:41:15,840
THINGS WENT, BUT THANK YOU VERY
MUCH FOR ENCOURAGING ME TO GO ON
531
00:41:15,906 --> 00:41:18,375
EXACTLY WHAT I LOVE.
THANK YOU SO MUCH.
532
00:41:23,747 --> 00:41:27,952
♪ ♪ PLEASE WELCOME,
533
00:41:28,018 --> 00:41:30,988
STAR OF "LOPEZ vs. LOPEZ,"
GEORGE LOPEZ, AND COMEDIAN AND
534
00:41:31,055 --> 00:41:35,993
ACTOR GABRIEL "FLUFFY" IGLESIAS.
535
00:41:51,976 --> 00:41:54,812
THAT'S BETTER.
THEY LOOK GOOD, MAN.
536
00:41:54,879 --> 00:42:00,317
WE ARE TWO GUYS WHO HAVE BEEN
537
00:42:00,384 --> 00:42:03,153
IN THIS INDUSTRY FOR A LONG,
LONG TIME, SO WE KNOW WHEN
538
00:42:03,220 --> 00:42:05,422
SOMEONE'S GOT THAT SPECIAL "IT"
FACTOR.
539
00:42:05,489 --> 00:42:07,558
YOU KNOW, LIKE US.
AND WE'VE BEEN ASKED TO MAKE
540
00:42:07,625 --> 00:42:14,098
SURE ALL THE NOMINEES IN THIS
CATEGORY ALSO HAVE "IT" FACTOR.
541
00:42:14,164 --> 00:42:16,033
STARTING WITH...
BILL HADER?
542
00:42:16,100 --> 00:42:17,768
GOT "IT."
JASON SEGEL?
543
00:42:17,835 --> 00:42:20,137
JASON SUDEIKIS?
THE JSes?
544
00:42:20,204 --> 00:42:22,873
GOT IT, AND GOT IT.
JEREMY ALLEN WHITE?
545
00:42:22,940 --> 00:42:26,744
YEAH, DEFINITELY.
HE'S DEFINITELY GOT IT.
546
00:42:26,810 --> 00:42:31,282
STEVE MARTIN?
MARTIN SHORT?
547
00:42:31,348 --> 00:42:34,051
THEY'VE GOT IT.
PEDRO PASCAL?
548
00:42:34,118 --> 00:42:38,923
HE'S GOT IT.
HE GOT GOOD PARKING, TOO.
549
00:42:38,989 --> 00:42:41,258
THEY INVENTED "IT."
LET'S CHECK AND SEE WHO WINS.
550
00:42:41,325 --> 00:42:43,961
HERE ARE THE NOMINEES FOR
BEST PERFORMANCE BY A MALE ACTOR
551
00:42:44,028 --> 00:42:49,967
IN A TELEVISION SERIES, MUSICAL
OR COMEDY.
552
00:42:50,034 --> 00:42:54,471
BILL HADER,
"BARRY."
553
00:42:54,538 --> 00:42:59,243
STEVE MARTIN,
"ONLY MURDERS IN THE BUILDING."
554
00:42:59,310 --> 00:43:04,515
JASON SEGEL, "SHRINKING."
MARTIN SHORT,
555
00:43:04,581 --> 00:43:12,581
"ONLY MURDERS IN THE BUILDING."
JASON SUDEIKIS, "TED LASSO."
556
00:43:14,191 --> 00:43:22,191
JEREMY ALLEN WHITE, "THE BEAR."
557
00:43:26,136 --> 00:43:33,110
AND THE WINNER IS...
JEREMY ALLEN WHITE!
558
00:43:41,452 --> 00:43:43,153
THIS IS
JEREMY ALLEN WHITE'S SECOND
559
00:43:43,220 --> 00:43:47,992
NOMINATION AND SECOND WIN.
HE IS 2 FOR 2 AND HE WINS HIS
560
00:43:48,058 --> 00:43:56,058
GOLDEN GLOBE TONIGHT FOR HIS
ROLE OF CARMEN "CARMY" BERZATTO
561
00:43:59,036 --> 00:44:04,775
IN "THE BEAR." ♪ ♪
562
00:44:04,842 --> 00:44:10,614
WOW, WOW, WOW, WOW.
I CAN'T BELIEVE I'M IN THIS ROOM
563
00:44:10,681 --> 00:44:14,785
WITH ALL THESE PEOPLE I'VE LOVED
SO MUCH, ADMIRED SO MUCH, FOR SO
564
00:44:14,852 --> 00:44:19,023
LONG.
IT IS UNREAL.
565
00:44:19,089 --> 00:44:23,160
I LOVE THIS SHOW.
I NEED TO THANK EVERYBODY AT FX.
566
00:44:23,227 --> 00:44:30,567
I NEED TO THANK...
567
00:44:30,634 --> 00:44:38,634
AND OUR LOVELY CREW, AND CAST.
AYO, EBON...
568
00:44:40,010 --> 00:44:41,812
I LOVE YOU GUYS SO MUCH.
569
00:44:41,879 --> 00:44:44,348
I MUST HAVE DONE SOMETHING RIGHT
IN THIS LIFE TO BE IN YOUR
570
00:44:44,415 --> 00:44:46,483
COMPANY.
THANK YOU GUYS SO MUCH.
571
00:44:46,550 --> 00:44:50,754
WHAT ELSE?
I GUYS.
572
00:44:50,821 --> 00:44:52,456
ANDREW.
THANK YOU, MAN.
573
00:44:52,523 --> 00:44:58,362
MAX, JILLIAN, JUSTIN.
WRAP IT UP, OKAY.
574
00:44:58,429 --> 00:45:01,899
EZRA AND LOUIS, YOU ARE MY
575
00:45:01,965 --> 00:45:04,101
HEART.
I FEEL SO LUCKY I GET TO DO
576
00:45:04,168 --> 00:45:08,405
THIS.
THANK YOU GUYS.
577
00:45:13,377 --> 00:45:18,916
PLEASE WELCOME,
ACTOR AND COMEDIAN FROM UPCOMING
578
00:45:18,982 --> 00:45:20,784
NETFLIX FILM,
"UNFROSTED: THE POP TART STORY,"
579
00:45:20,851 --> 00:45:26,356
JIM GAFFIGAN.
580
00:45:26,423 --> 00:45:33,330
THANK YOU, THANK YOU.
THANK YOU SO MUCH.
581
00:45:33,397 --> 00:45:36,133
THANK YOU.
YOU KNOW, THIS IS SO EXCITING
582
00:45:36,200 --> 00:45:42,406
FOR ME.
THE GOLDEN GLOBES.
583
00:45:42,473 --> 00:45:46,310
I MEAN, I CAN'T EVEN BELIEVE I'M
IN THE ENTERTAINMENT INDUSTRY.
584
00:45:46,376 --> 00:45:48,946
I CAN'T.
IT IS SO UNLIKELY.
585
00:45:49,012 --> 00:45:51,582
I'M FROM A SMALL TOWN IN
INDIANA.
586
00:45:51,648 --> 00:45:57,421
I'M NOT A PEDOPHILE.
587
00:45:57,488 --> 00:45:59,656
YOU KNOW?
I JUST...
588
00:45:59,723 --> 00:46:04,661
I DON'T KNOW IF THAT'S A NEW
CATEGORY HERE, BUT I'M HERE TO
589
00:46:04,728 --> 00:46:08,899
PRESENT AN ALL NEW CATEGORY.
ALL RIGHT?
590
00:46:08,966 --> 00:46:12,503
AND ALL NEW CATEGORY.
591
00:46:12,569 --> 00:46:18,041
THIS IS GOING TO BE THE FIRST
TIME STAND-UP COMEDIANS ARE
592
00:46:18,108 --> 00:46:23,213
GOING TO BE ACKNOWLEDGED AT A
MAJOR AWARD SHOW, OKAY?
593
00:46:23,280 --> 00:46:29,620
AND, IN A WAY, IT'S LIKE... THE
594
00:46:29,686 --> 00:46:33,023
GOLDEN GLOBES, 80 YEARS.
FOR 80 YEARS, GOOD-LOOKING
595
00:46:33,090 --> 00:46:34,892
PEOPLE PEOPLE THROUGH A
596
00:46:39,129 --> 00:46:43,233
THREW A PARTY, ANDYOU GUYS FINAO
INVITE THE TALETED PEOPLE.
597
00:46:43,300 --> 00:46:48,805
I MEAN THAT.
598
00:46:48,872 --> 00:46:53,177
ANYWAY, I AM HONORED TO PRESENT
THIS AWARD.
599
00:46:53,243 --> 00:46:57,281
STAND-UP COMEDY IS A BRUTAL
BUSINESS.
600
00:46:57,347 --> 00:47:01,752
AND THANKS TO NETFLIX, PEOPLE
GET OVERPAID FOR IT.
601
00:47:01,818 --> 00:47:08,392
BUT THE NOMINEES FOR BEST
602
00:47:08,458 --> 00:47:14,431
PERFORMANCE IN STAND-UP COMEDY
ON TELEVISION ARE...
603
00:47:14,498 --> 00:47:17,935
MY LAST SHOW DROPPED ON
NETFLIX LAST YEAR.
604
00:47:18,001 --> 00:47:22,105
BIG BACKLASH, WASN'T IT?
BIG BACKLASH.
605
00:47:22,172 --> 00:47:24,541
PEOPLE GOING, "YOU CAN'T SAY
THAT."
606
00:47:24,608 --> 00:47:27,611
YOU CAN.
607
00:47:27,678 --> 00:47:31,215
I DID.
608
00:47:31,281 --> 00:47:38,455
I'M ENJOYING AMERICA MORE NOW
THAN I EVER, EVER ENJOYED IT.
609
00:47:38,522 --> 00:47:43,493
EVERY DAY.
I DON'T EVEN KNOW WHAT IT IS.
610
00:47:43,560 --> 00:47:46,463
YOU KNOW, I THINK YOU ENJOY A
PLACE DIFFERENTLY WHEN IT MIGHT
611
00:47:46,530 --> 00:47:49,399
BE ENDING, YOU KNOW?
612
00:47:49,466 --> 00:47:52,035
THERE'S LIKE A DIFFERENT FEELING
TO IT.
613
00:47:52,102 --> 00:47:55,672
IT'S JUST LIKE, WHAT IS
THAT TASTE?
614
00:47:55,739 --> 00:47:59,810
THE FINAL SEASON?
BEYONCE IS SO FINE, IF SHE
615
00:47:59,876 --> 00:48:07,517
WORKED AT BURGER KING, SHE COULD
STILL MARRY JAY-Z.
616
00:48:07,584 --> 00:48:09,419
THAT'S HOW FINE SHE IS.
617
00:48:09,486 --> 00:48:15,359
NOW, IF JAY-Z WORKED AT
BURGER KING...
618
00:48:15,425 --> 00:48:17,661
MY HUSBAND IS AMAZING.
619
00:48:17,728 --> 00:48:22,299
HE ALWAYS TURNS THE LIGHTS ON
RIGHT BEFORE WE HAVE SEX.
620
00:48:22,366 --> 00:48:26,803
I'M LIKE, "SHUT 'EM OFF," AND HE
PUTS THEM ON.
621
00:48:26,870 --> 00:48:28,739
FINALLY HE'S LIKE, "ARE YOU SO
SHY?
622
00:48:28,805 --> 00:48:32,075
I LOVE YOUR BODY.
ALL YOUR SCARS, YOU'RE
623
00:48:32,142 --> 00:48:36,246
BEAUTIFUL."
I WAS LIKE, AWW, YOU THINK I
624
00:48:36,313 --> 00:48:38,315
DON'T WANT YOU TO SEE MADE?"
625
00:48:49,760 --> 00:48:52,696
I HAVE PEOPLE IN MY LIFE, MY
626
00:48:52,763 --> 00:48:55,699
SISTER IS A RABBI.
I SEXTED WITH A JESUIT PRIEST
627
00:48:55,766 --> 00:49:00,637
FOR THREE YEARS.
SO HOT.
628
00:49:00,704 --> 00:49:08,704
AND IT IS JESUIT.
BECAUSE I SAID "JESUIT."
629
00:49:15,452 --> 00:49:17,521
I'M NOT SURE IF THE SPEECH
IMPEDIMENT.
630
00:49:17,587 --> 00:49:24,328
MY LAST SPECIAL WASN'T 2019.
IT WAS CALLED "NOT NORMAL."
631
00:49:24,394 --> 00:49:26,663
YEAH.
SINCE THEN WE'VE HAD A PANDEMIC,
632
00:49:26,730 --> 00:49:31,268
AND INSURRECTION, ROE v. WADE
GOT OVERTURNED.
633
00:49:31,335 --> 00:49:36,673
I SHOULD'VE CALLED THAT SPECIAL
"THE GOOD OL' DAYS!"
634
00:49:36,740 --> 00:49:40,510
ALL RIGHT.
635
00:49:40,577 --> 00:49:45,282
AND THE GOLDEN GLOBE GOES
TO...
636
00:49:45,349 --> 00:49:53,349
RICKY GERVAIS.
637
00:49:55,158 --> 00:50:01,565
YOU ARE NOT RICKY GERVAIS'.
RICKY COULDN'T BE HERE TONIGHT.
638
00:50:01,631 --> 00:50:03,934
I WILL ACCEPT THIS AWARD ON HIS
BEHALF.
639
00:50:04,000 --> 00:50:09,005
GIMME IT.
THANK YOU.
640
00:50:15,078 --> 00:50:20,951
THE ROOM IS
BUZZING WITH EXCITEMENT AND FUN.
641
00:50:21,017 --> 00:50:24,554
COMING UP, MORE STARS SERVING
LOOKS AND GOLDEN GLOBES.
642
00:50:24,621 --> 00:50:25,781
AND LATER, ONE WORD... OPRAH!
643
00:50:42,038 --> 00:50:43,507
PLEASE WELCOME THE
STARS OF "GHOSTS,"
644
00:50:43,573 --> 00:50:51,573
UTKARSH AMBUDKAR AND
ROSE McIVER.
645
00:50:56,586 --> 00:51:00,991
WE'RE HERE TO HAND OUT THE
AWARD FOR BEST MOTION PICTURE,
646
00:51:01,057 --> 00:51:03,994
NON-ENGLISH LANGUAGE.
WOOHOO!
647
00:51:04,060 --> 00:51:07,097
THESE FILMS FEATURED ALL
KINDS OF LANGUAGES, RANGING FROM
648
00:51:07,164 --> 00:51:12,002
EVERYTHING SUCH AS FRENCH AND
GERMAN, TO FINNISH AND GERMAN,
649
00:51:12,068 --> 00:51:14,371
TO EVEN POLISH AND GERMAN.
AND, IN SOME INSTANCES, THE
650
00:51:14,438 --> 00:51:18,008
NON-ENGLISH LANGUAGE, OF...
WELL, ENGLISH.
651
00:51:18,074 --> 00:51:21,845
YEP, THERE'S A LOT OF
DIFFERENT KINDS OF WHITE PEOPLE,
652
00:51:21,912 --> 00:51:25,248
AND GRETA LEE.
OKAY, HERE ARE THE NOMINEES.
653
00:51:25,315 --> 00:51:30,220
"ANATOMY OF A
FALL," FRANCE.
654
00:51:30,287 --> 00:51:35,926
IT'S NOT REALITY.
IT'S A PART OF IT, MAYBE.
655
00:51:35,992 --> 00:51:40,363
"FALLEN LEAVES,"
FINLAND.
656
00:51:43,967 --> 00:51:47,304
"IO CAPITANO,"
ITALY.
657
00:51:47,370 --> 00:51:55,370
"PAST LIVES," USA.
"SOCIETY OF THE SNOW," SPAIN.
658
00:52:02,319 --> 00:52:02,586
"PAST LIVES," USA.
"SOCIETY OF THE SNOW," SPAIN.
659
00:52:02,652 --> 00:52:03,652
VES?
660
00:52:06,089 --> 00:52:13,463
"THE ZONE OF INTEREST,"
UNITED KINGDOM/USA.
661
00:52:13,530 --> 00:52:20,704
AND THE GOLDEN GLOBE GOES
TO...
662
00:52:20,770 --> 00:52:28,770
BOY.
"ANATOMY OF A FALL."
663
00:52:31,948 --> 00:52:35,785
COMING TO THE
STAGE TONIGHT AND ACCEPTING THE
664
00:52:35,852 --> 00:52:39,890
GOLDEN GLOBE FOR "ANATOMY OF A
FALL" IS COWRITER AND DIRECTOR
665
00:52:39,956 --> 00:52:41,958
JUSTINE TRIET. ♪ ♪
666
00:52:59,042 --> 00:53:00,977
♪ ♪SORRY.
667
00:53:01,044 --> 00:53:08,518
THANK YOU SO MUCH.
OKAY, THIS MOVIE IS ABOUT THE
668
00:53:08,585 --> 00:53:14,224
TRUTH, THE IMPOSSIBILITY OF
CATCHING IT.
669
00:53:14,291 --> 00:53:18,228
I WANTED IT TO BE THE OBSESSION
OF A CHILD.
670
00:53:18,295 --> 00:53:26,269
THIS CHILD IS HERE TONIGHT.
THANK YOU, MILO, FOR GIVING US
671
00:53:26,336 --> 00:53:33,443
WAY MORE THAN YOUR 13-YEAR-OLD.
THANK YOU FOR NEVER TRYING TO
672
00:53:33,510 --> 00:53:35,979
MAKE THIS CHARACTER A PERFECT
HEROINE.
673
00:53:36,046 --> 00:53:39,683
THANK YOU FOR CREATING A COMPLEX
WOMAN WHO NEVER APOLOGIZES FOR
674
00:53:39,749 --> 00:53:46,456
SAYING WHAT SHE THINKS.
ANTOINE, THANK YOU FOR BEING THE
675
00:53:46,523 --> 00:53:54,523
NASTIEST PROSECUTOR OF THE YEAR.
SWANN, THE SEXIEST LAWYER OF THE
676
00:53:55,298 --> 00:53:59,235
FRENCH ALPS, AND SNOOPY FOR
BEING YOURSELF, JUST A DOG.
677
00:53:59,302 --> 00:54:05,308
THANK YOU, MY INCREDIBLE
PRODUCER.
678
00:54:05,375 --> 00:54:10,013
THANK YOU, WHERE EVERYTHING
BEGAN.
679
00:54:10,080 --> 00:54:13,049
AND THANK YOU TO MY DAUGHTERS.
680
00:54:13,116 --> 00:54:15,118
I LOVE YOU.
681
00:54:25,061 --> 00:54:25,996
♪ ♪ PLEASE WELCOME,
682
00:54:26,062 --> 00:54:27,631
GOLDEN GLOBE WINNER AND DIRECTOR
AND STAR OF
683
00:54:27,697 --> 00:54:31,935
AN AMERICAN SAGA,"
KEVIN COSTNER, AND GOLDEN GLOBE
684
00:54:32,002 --> 00:54:36,006
WINNER AND STAR OF THE NOMINATED
FILM, "BARBIE," AMERICA FERRERA.
685
00:54:48,018 --> 00:54:51,588
SAY, AND SUCH A FAN OF YOURS.
LIKE, "THE BODYGUARD."
686
00:54:51,655 --> 00:54:52,422
THE SCENE WHEN SAY
"GOODBYE, RACHEL," AND
687
00:54:52,489 --> 00:54:56,092
SHE LEAVES, AND YOU RUN TO EACH
OTHER?
688
00:54:56,159 --> 00:54:58,328
A CHILLS!
AWW.
689
00:54:58,395 --> 00:55:00,563
WELL, YOU KNOW, YOU HAVE A SCENE
690
00:55:00,630 --> 00:55:03,099
THAT I REALLY LOVE.
I THINK A LOT OF PEOPLE REALLY
691
00:55:03,166 --> 00:55:05,402
LOVE THAT SCENE.
REALLY?
692
00:55:05,468 --> 00:55:13,468
WHICH SCENE IS THAT?
THE "BARBIE" MOVIE.
693
00:55:14,044 --> 00:55:16,646
WHERE IT'S LITERALLY IMPOSSIBLE
TO BE A WOMAN.
694
00:55:16,713 --> 00:55:19,949
YOU KNOW THAT?
"YOU ARE SO BEAUTIFUL, YOU'RE SO
695
00:55:20,016 --> 00:55:22,552
SMART, IT KILLS ME YOU DON'T
THINK YOU'RE GOOD ENOUGH."
696
00:55:22,619 --> 00:55:27,524
THAT WAS PRETTY GOOD.
697
00:55:27,590 --> 00:55:30,093
DID YOU, KEVIN COSTNER,
MEMORIZE MY MONOLOGUE ABOUT
698
00:55:30,160 --> 00:55:36,933
WOMANHOOD FROM "BARBIE?"
NO.
699
00:55:37,000 --> 00:55:41,104
OKAY.
700
00:55:41,171 --> 00:55:43,440
BUT IT'S AN IMPORTANT
MESSAGE, REALLY.
701
00:55:43,506 --> 00:55:49,846
AND IT ALWAYS SERVES TO REMIND
ME OF WHAT'S POSSIBLE IN FILM.
702
00:55:49,913 --> 00:55:52,082
AWW.
YOU KNOW, IT JUST REMIND ME
703
00:55:52,148 --> 00:55:58,088
THAT, WHEN WE TAKE OUR TIME,
WHEN WE MANAGED TO GET IT RIGHT,
704
00:55:58,154 --> 00:56:01,458
WHEN FILM IS WORKING AT ITS VERY
BEST, IT CAN BE ABOUT MOMENTS
705
00:56:01,524 --> 00:56:06,229
YOU NEVER, EVER FORGET.
A LOOK, A TOUCH, A KISS.
706
00:56:06,296 --> 00:56:11,835
THE SPEECH.
AND YOU JUST HAD ON ONE OF THOSE
707
00:56:11,901 --> 00:56:13,069
MOMENTS.
AWW!
708
00:56:13,136 --> 00:56:20,744
AND ALL THE ACTORS NOMINATED
TONIGHT, THEY KNOW SO WELL THE
709
00:56:20,810 --> 00:56:22,912
POWER OF WRITING THEY'VE BEEN
GIFTED, AND A CHANCE TO LIVE
710
00:56:22,979 --> 00:56:24,781
FOREVER.
WOW!
711
00:56:24,848 --> 00:56:32,756
SO, YOU'RE NOT GONNA DO THE REST
OF THE MONOLOGUE, RIGHT NOW, ON
712
00:56:32,822 --> 00:56:37,393
NATIONAL TELEVISION?!
MAYBE LATER.
713
00:56:37,460 --> 00:56:38,995
LET'S INTRODUCE THE NOMINEES.
FAIR ENOUGH.
714
00:56:39,062 --> 00:56:40,630
HERE ARE THE NOMINEES FOR
FEMALE ACTOR, TELEVISION SERIES,
715
00:56:40,697 --> 00:56:44,934
- MUSICAL OR COMEDY.
- RACHEL BROSNAHAN,
716
00:56:45,001 --> 00:56:49,939
"THE MARVELOUS MRS. MAISEL."
QUINTA BRUNSON,
717
00:56:50,006 --> 00:56:58,006
"ABBOTT ELEMENTARY."
AYO EDEBIRI, "THE BEAR."
718
00:56:58,181 --> 00:57:04,521
ELLE FANNING, "THE GREAT."
SELENA GOMEZ,
719
00:57:04,587 --> 00:57:12,587
"ONLY MURDERS IN THE BUILDING."
NATASHA LYONNE, "POKER FACE."
720
00:57:16,399 --> 00:57:17,834
AND THE GOLDEN GLOBE GOES
721
00:57:17,901 --> 00:57:25,901
TO...
AYO EDEBIRI!
722
00:57:35,518 --> 00:57:38,454
THIS IS AYO
EDEBIRI'S FIRST NOMINATION ON
723
00:57:38,521 --> 00:57:41,090
FIRST WIN.
SHE WINS OR GOLDEN GLOBE TONIGHT
724
00:57:41,157 --> 00:57:43,159
FOR HER ROLE OF SYDNEY IN "THE
BEAR."
725
00:57:59,676 --> 00:58:07,676
♪ ♪OKAY, HELLO.
726
00:58:09,018 --> 00:58:13,489
I'M SO VERY GRATEFUL FOR THIS.
I'M IN A ROOM FULL OF SO MANY
727
00:58:13,556 --> 00:58:17,427
PEOPLE WHO I ADMIRE, AND WHOSE
WORK HAS LIFTED ME UP.
728
00:58:17,493 --> 00:58:20,230
I'M AN ARTIST, AND I'M VERY
LUCKY TO BE AN ARTIST, AND I
729
00:58:20,296 --> 00:58:23,867
KNOW WE ALL FEEL THAT WAY, SO I
REALLY WANT TO ACKNOWLEDGE THAT.
730
00:58:23,933 --> 00:58:31,933
I'M SO GRATEFUL TO THE HOLLYWOOD
FOREIGN PRESS, AND TO MY FAMILY.
731
00:58:32,242 --> 00:58:36,546
MY FAMILY, MY FAMILY, MY FAMILY.
EVERYBODY AT "THE BEAR."
732
00:58:36,613 --> 00:58:38,014
THAT'S MY FAMILY.
I LOVE YOU SO MUCH.
733
00:58:38,081 --> 00:58:41,117
IT'S AN HONOR TO WORK WITH YOU
AND GROW ALONGSIDE YOU.
734
00:58:41,184 --> 00:58:46,823
MY GOSH, THE ACTORS I WAS
NOMINATED ALONGSIDE, ALSO.
735
00:58:46,890 --> 00:58:49,058
AAH!
AND MY REAL FAMILY, ALSO.
736
00:58:49,125 --> 00:58:53,096
I LOVE YOU GUYS, TOO.
737
00:58:53,162 --> 00:58:54,731
AND, YEAH, THIS JUST REALLY
MEANS A LOT.
738
00:58:54,797 --> 00:58:58,034
THERE ARE SO MANY PEOPLE I
PROBABLY FORGOT TO THANK.
739
00:58:58,101 --> 00:59:02,872
MY GOD, ALL OF MY AGENTS AND
MANAGERS' ASSISTANCE!
740
00:59:02,939 --> 00:59:03,939
TO THE
741
00:59:04,474 --> 00:59:10,013
PEOPLE WHO ANSWER MY EMAILS.
742
00:59:10,079 --> 00:59:14,117
Y'ALL ARE REAL ONES.
THANK YOU FOR ANSWERING MY
743
00:59:14,183 --> 00:59:16,653
CRAZY, CRAZY EMAILS.
YEAH, I'M REALLY, REALLY
744
00:59:16,719 --> 00:59:19,222
GRATEFUL.
IF I FORGOT TO THANK YOU, I'M
745
00:59:19,289 --> 00:59:20,890
SORRY.
UNLESS YOU ARE MEAN OR
746
00:59:20,957 --> 00:59:25,194
SOMETHING.
OKAY, BYE, THANK YOU.
747
00:59:33,836 --> 00:59:35,638
AND NOW, HERE ARE THE
NOMINEES FOR BEST PERFORMANCE BY
748
00:59:35,705 --> 00:59:42,912
A MALE ACTOR IN A TELEVISION
SERIES, DRAMA.
749
00:59:42,979 --> 00:59:47,583
BRIAN COX,
"SUCCESSION."
750
00:59:47,650 --> 00:59:55,650
KIERAN CULKIN, "SUCCESSION."
GARY OLDMAN, "SLOW HORSES."
751
00:59:57,560 --> 01:00:05,560
PEDRO PASCAL, "THE LAST OF US."
JEREMY STRONG, "SUCCESSION."
752
01:00:08,037 --> 01:00:16,037
DOMINIC WEST, "THE CROWN."
753
01:00:16,412 --> 01:00:24,412
AND THE GOLDEN GLOBE GOES
TO...
754
01:00:27,023 --> 01:00:34,430
KIERAN CULKIN.
755
01:00:34,497 --> 01:00:37,967
♪ ♪ THIS IS KIERAN
756
01:00:38,034 --> 01:00:39,969
CULKIN'S FIFTH NOMINATION, BUT
HIS FIRST WIN.
757
01:00:40,036 --> 01:00:42,972
HE WINS HIS GOLDEN GLOBE TONIGHT
FOR HIS ROLE OF ROMAN ROY IN
758
01:00:43,039 --> 01:00:44,039
"SUCCESSION."
759
01:00:55,051 --> 01:01:00,690
NIGHTMARE!
760
01:01:00,757 --> 01:01:04,527
SIT DOWN!
BOY, THANK YOU.
761
01:01:04,594 --> 01:01:05,594
SORRY, I'M BURPING
762
01:01:06,229 --> 01:01:06,963
INDIGESTION.
763
01:01:07,030 --> 01:01:07,930
DIDN'T NEED TO SAY THAT.
764
01:01:07,997 --> 01:01:12,368
OTHERWISE, THIS IS A NICE MOMENT
FOR ME.
765
01:01:12,435 --> 01:01:14,337
I'VE BLOWN IT ALREADY.
YOU ARE RIGHT.
766
01:01:14,404 --> 01:01:17,573
YOU SAID "JUST SAY THANKS AND
LEAVE."
767
01:01:17,640 --> 01:01:19,809
YOU ARE RIGHT.
I WAS NOMINATED FOR A
768
01:01:19,876 --> 01:01:23,546
GOLDEN GLOBE LIKE 20 YEARS AGO,
AND WHEN THAT MOMENT PASSED, I
769
01:01:23,613 --> 01:01:25,715
STILL REMEMBER THINKING, I'M
NEVER GOING TO BE BACK IN THIS
770
01:01:25,782 --> 01:01:30,186
ROOM AGAIN.
WHICH IS FINE, WHATEVER.
771
01:01:30,253 --> 01:01:32,755
BUT THANKS TO "SUCCESSION" I'VE
772
01:01:32,822 --> 01:01:35,958
BEEN IN HERE A COUPLE TIMES.
IT'S NICE, BUT I EXCEPTED I
773
01:01:36,025 --> 01:01:41,664
WOULD NEVER BE ON THE STAGE, SO
THIS IS A NICE MOMENT.
774
01:01:41,731 --> 01:01:43,132
SUCK IT, PEDRO.
SORRY.
775
01:01:43,199 --> 01:01:47,970
MINE!
776
01:01:48,037 --> 01:01:52,542
REALLY QUICKLY, I'D LIKE TO
THANK EVERYBODY ON "SUCCESSION."
777
01:01:52,608 --> 01:01:55,978
OUR WRITERS, THE AMAZING CAST,
EVERYBODY THAT SHOWED UP THAT
778
01:01:56,045 --> 01:02:02,285
BELIEVED IN THIS THING AND THAT
IT WAS VERY COOL.
779
01:02:02,351 --> 01:02:04,487
THIS ISN'T MINE, THIS IS ONE FOR
THE TEAM.
780
01:02:04,554 --> 01:02:05,354
I KNOW, WRAP IT UP.
I WANT TO REALLY QUICKLY JUST
781
01:02:05,421 --> 01:02:06,556
THANK THREE AMAZING WOMEN IN MY
LIFE.
782
01:02:06,622 --> 01:02:11,060
MY MANAGER, WITHOUT WHOM I
WOULDN'T HAVE A CAREER, MY WIFE,
783
01:02:11,127 --> 01:02:14,864
JAZZ, FOR PUTTING UP WITH THIS
AND ALL THAT COMES WITH IT, AND
784
01:02:14,931 --> 01:02:16,632
MY WONDERFUL MOM.
MOM, THANK YOU SO MUCH FOR DOING
785
01:02:16,699 --> 01:02:20,470
EVERYTHING YOU DID FOR US.
YOU ARE AN AMAZING WOMAN.
786
01:02:20,536 --> 01:02:22,271
OKAY, THAT'S IT.
THANK YOU.
787
01:02:32,415 --> 01:02:33,583
♪ ♪ LOOKS LIKE
788
01:02:33,649 --> 01:02:35,451
MARTIN SCORSESE CAN'T SIT STILL!
PROBABLY BECAUSE, COMING UP,
789
01:02:35,518 --> 01:02:37,638
THE GOLDEN GLOBE FOR BEST
DIRECTOR WILL BE HANDED OUT.
790
01:02:51,434 --> 01:02:56,172
WELCOME BACK, YOU GUYS.
THERE'S 150 COUNTRIES WATCHING
791
01:02:56,239 --> 01:02:57,974
RIGHT NOW, AND YOU LOOK
BEAUTIFUL.
792
01:02:58,040 --> 01:03:01,911
EVERY SINGLE ONE OF YOU LOOKS
GORGEOUS.
793
01:03:01,978 --> 01:03:04,614
I JUST WANT TO SHOUT OUT MY
SUIT.
794
01:03:04,680 --> 01:03:06,916
IT'S VELVET.
I TOLD MY STYLIST I DON'T WEAR A
795
01:03:06,983 --> 01:03:10,720
VELVET, AND HE GAVE IT TO ME,
AND I'M LIKE, MY GOD, THAT
796
01:03:10,786 --> 01:03:15,324
LOOKS GOOD.
I'MA KEEP IT.
797
01:03:15,391 --> 01:03:18,761
THE USED TO BE A COUCH, NOW IT'S
A SUIT.
798
01:03:18,828 --> 01:03:23,266
PLEASE WELCOME, FROM THE
NOMINATED FILM "OPPENHEIMER,"
799
01:03:23,332 --> 01:03:26,435
FLORENCE PUGH, AND NOMINATED
TONIGHT FOR HER ROLE IN
800
01:03:26,502 --> 01:03:30,339
"MAY DECEMBER," NATALIE PORTMAN.
801
01:03:39,448 --> 01:03:41,884
THERE ARE DEFINITELY SOME
PERKS TO WORKING IN ANIMATION.
802
01:03:41,951 --> 01:03:43,920
LIKE WEARING YOUR PAJAMAS TO
WORK.
803
01:03:43,986 --> 01:03:48,891
YEAH, AND YOU DON'T HAVE TO
SPEND 8 HOURS IN A TRAILER
804
01:03:48,958 --> 01:03:52,195
GETTING HAIR AND MAKEUP DONE.
BUT ANIMATION ALSO OPENS UP A
805
01:03:52,261 --> 01:03:54,163
WHOLE NEW WORLD OF
POSSIBILITIES.
806
01:03:54,230 --> 01:03:56,799
YOU DON'T HAVE TO PLAY BY THE
RULES OF GRAVITY, OR ANY RULES,
807
01:03:56,866 --> 01:04:03,172
REALLY.
BUT, TO BE ABLE TO CREATE A
808
01:04:03,239 --> 01:04:05,708
WHOLE NEW WORLD FROM SCRATCH AND
TELL A STORY IN ANY GENRE TAKES
809
01:04:05,775 --> 01:04:08,778
A BRILLIANT SKILL.
HERE ARE THE NOMINEES FOR
810
01:04:08,844 --> 01:04:11,847
- BEST MOTION PICTURE, ANIMATED.
- "THE BOY AND THE
811
01:04:11,914 --> 01:04:19,914
HERON."
"ELEMENTAL."
812
01:04:22,225 --> 01:04:26,862
ACROSS THE
SPIDER-VERSE."
813
01:04:26,929 --> 01:04:34,403
"THE SUPER MARIO BROS. MOVIE."
THIS IS FUN!
814
01:04:34,470 --> 01:04:36,472
"SUZUME."
"WISH."
815
01:04:44,947 --> 01:04:52,947
AND THE GOLDEN GLOBE GOES TO...
"THE BOY AND THE HERON."
816
01:04:54,290 --> 01:04:58,261
YAY!
817
01:04:58,327 --> 01:05:01,297
THE PRODUCERS OF "THE OF "THE
BOY AND THE HERON" COULD NOT BE
818
01:05:01,364 --> 01:05:05,334
HERE TONIGHT.
WE ACCEPT THIS AWARD ON THEIR
819
01:05:05,401 --> 01:05:07,536
BEHALF.
HAPPILY.
820
01:05:09,038 --> 01:05:11,140
PLEASE WELCOME
GOLDEN GLOBE WINNER MATT DAMON,
821
01:05:11,207 --> 01:05:16,612
AND GOLDEN GLOBE WINNER
BEN AFFLECK.
822
01:05:24,787 --> 01:05:29,925
I KNOW I SPEAK FOR BOTH OF US
WHEN I SAY THE DIRECTORS
823
01:05:29,992 --> 01:05:32,228
NOMINATED TONIGHT HAVE PAVED THE
WAY FOR FUTURE FILMMAKERS
824
01:05:32,295 --> 01:05:35,931
EVERYWHERE.
THERE IS NO ALGORITHM ON
825
01:05:35,998 --> 01:05:38,334
EARTH THAT COULD HAVE PREDICTED
JUST HOW GOOD THESE MOVIES WOULD
826
01:05:38,401 --> 01:05:39,935
BE.
THEY WERE MADE WITH THE HARD
827
01:05:40,002 --> 01:05:42,672
WORK AND CRAFTSMANSHIP OF
HUNDREDS AND HUNDREDS OF CREW
828
01:05:42,738 --> 01:05:45,408
MEMBERS.
AND EACH HAD AN EXTRAORDINARY
829
01:05:45,474 --> 01:05:48,678
VISIONARY DIRECTOR AT THE HELM.
HERE ARE THE NOMINEES FOR
830
01:05:48,744 --> 01:05:51,881
BEST DIRECTOR OF THE MOTION
PICTURE.
831
01:05:51,947 --> 01:05:56,585
BRADLEY COOPER,
"MAESTRO."
832
01:05:56,652 --> 01:06:04,652
GRETA GERWIG, "BARBIE."
YORGOS LANTHIMOS, "POOR THINGS."
833
01:06:05,194 --> 01:06:09,198
CHRISTOPHER NOLAN,
"OPPENHEIMER."
834
01:06:09,265 --> 01:06:14,770
MARTIN SCORSESE,
"KILLERS OF THE FLOWER MOON."
835
01:06:14,837 --> 01:06:22,837
CELINE SONG, "PAST LIVES."
AND THE GOLDEN GLOBE GOES
836
01:06:25,414 --> 01:06:33,414
TO...
CHRISTOPHER NOLAN.
837
01:06:42,465 --> 01:06:44,734
THIS IS
CHRISTOPHER NOLAN'S SIXTH
838
01:06:44,800 --> 01:06:52,341
NOMINATION AND FIRST WIN.
839
01:07:05,921 --> 01:07:13,921
THANK YOU.
THANK YOU, GOLDEN GLOBES.
840
01:07:15,898 --> 01:07:19,368
THE ONLY TIME I'VE EVER BEEN ON
THIS STAGE BEFORE WAS ACCEPTING
841
01:07:19,435 --> 01:07:25,674
ONE OF THESE ON BEHALF OF OUR
DEAR FRIEND, HEATH LEDGER, AND
842
01:07:25,741 --> 01:07:28,644
THAT WAS COMPLICATED AND
CHALLENGING FOR ME.
843
01:07:28,711 --> 01:07:33,582
AND IN THE MIDDLE OF SPEAKING I
GOT ALL STUCK, AND
844
01:07:33,649 --> 01:07:36,419
ROBERT DOWNEY JR. CAUGHT MY EYE
AND GAVE ME A LOOK OF LOVE AND
845
01:07:36,485 --> 01:07:39,588
SUPPORT, THE SAME LOOK HE'S
GIVING ME NOW.
846
01:07:39,655 --> 01:07:42,992
THE SAME LOVE AND SUPPORT HE'S
SHOWN SO MANY PEOPLE IN OUR
847
01:07:43,058 --> 01:07:50,132
COMMUNITY OVER SO MANY YEARS.
I THOUGHT IT WOULD BE SIMPLER
848
01:07:50,199 --> 01:07:53,836
ACCEPTING FOR MYSELF.
BUT, AS A DIRECTOR, I REALIZE I
849
01:07:53,903 --> 01:07:55,471
CAN ONLY ACCEPT THIS ON BEHALF
OF PEOPLE.
850
01:07:55,538 --> 01:07:57,973
AS DIRECTORS, WE BRING PEOPLE
TOGETHER AND WE TRY TO GET THEM
851
01:07:58,040 --> 01:08:06,040
TO GIVE THEIR BEST.
ROBERT, CILLIAN, THAT
852
01:08:08,083 --> 01:08:10,219
PARTNER IN CRIME FOR 20 YEARS,
MATT, WHEREVER YOU WENT,
853
01:08:10,286 --> 01:08:14,390
FLORENCE, EMILY, AND THE
INCREDIBLE WORK OF OUR AMAZING
854
01:08:14,457 --> 01:08:17,226
CREW.
SO MANY TO THANK YOU.
855
01:08:17,293 --> 01:08:22,431
PLEASE WRAP UP, HERE WE GO.
DONNA LANGLEY, AND UNIVERSAL,
856
01:08:22,498 --> 01:08:30,172
FOR SEEING POTENTIAL IN VERY
CHALLENGING MATERIAL.
857
01:08:30,239 --> 01:08:36,679
CHUCK, FOR GIVING ME THE BOOK
AND URGING ME ONWARD, AND SO
858
01:08:36,745 --> 01:08:41,417
MANY OTHER PEOPLE TO THINK.
BUT EMMA THOMAS, MY PARTNER IN
859
01:08:41,484 --> 01:08:44,987
LIFE AND AN ART.
I LOVE YOU.
860
01:08:45,054 --> 01:08:46,689
THANK YOU VERY MUCH.
861
01:08:57,733 --> 01:09:01,003
LOVE SEEING CELEBS
FANNING OUT OVER OTHER CELEBS?
862
01:09:01,070 --> 01:09:04,874
THERE'S PLENTY MORE OF THAT WITH
MICHELLE YEOH AND NAOMI WATTS
863
01:09:04,940 --> 01:09:06,220
TAKING THE STAGE, COMING UP
SOON.
864
01:09:22,858 --> 01:09:25,027
GOLDEN GLOBE NOMINEE
NAOMI WATTS, AND FROM THE SERIE%
865
01:09:25,094 --> 01:09:29,565
"THE BROTHERS SUN," GOLDEN GLOBE
WINNER MICHELLE YEOH.
866
01:09:38,807 --> 01:09:42,811
I KNOW LAST YEAR I THREATENED
TO BEAT UP THE PIANO PLAYER IF
867
01:09:42,878 --> 01:09:48,551
THEY TRIED TO PLAY ME OFF DURING
MY ACCEPTANCE SPEECH...
868
01:09:53,455 --> 01:10:01,455
BUT, YOU WILL BE HAPPY TO KNOW
THAT I'M VERY CHILL THIS YEAR.
869
01:10:01,730 --> 01:10:06,769
CHILL, AND VERY MUSCULAR.
SO WHOEVER'S IN CHARGE OF MUSIC,
870
01:10:06,835 --> 01:10:12,641
YOU'VE BEEN WARNED.
AND WHILE I WON'T DO ANYTHING
871
01:10:12,708 --> 01:10:17,046
IF YOU CUT ME OFF THIS YEAR,
I WILL KICK YOUR ASS IF YOU CUT
872
01:10:17,112 --> 01:10:22,551
OFF WHOEVER'S ABOUT TO WIN THIS
AWARD RIGHT NOW.
873
01:10:22,618 --> 01:10:26,789
I LOVE A LADY IN HER
PRIME.
874
01:10:26,855 --> 01:10:31,260
SO DO I.
AND HERE ARE THE NOMINEES FOR
875
01:10:31,327 --> 01:10:34,163
BEST PERFORMANCE BY A FEMALE
ACTOR IN A MOTION PICTURE,
876
01:10:34,229 --> 01:10:38,801
- MUSICAL OR COMEDY.
- FANTASIA BARRINO,
877
01:10:38,867 --> 01:10:44,807
"THE COLOR PURPLE."
JENNIFER LAWRENCE,
878
01:10:44,873 --> 01:10:52,873
"NO HARD FEELINGS."
NATALIE PORTMAN, "MAY DECEMBER."
879
01:10:55,217 --> 01:11:03,217
ALMA POYSTI, "FALLEN LEAVES."
MARGOT ROBBIE, "BARBIE."
880
01:11:04,193 --> 01:11:12,193
EMMA STONE, "POOR THINGS."
AND THE GOLDEN GLOBE GOES
881
01:11:14,637 --> 01:11:22,637
TO...
EMMA STONE.
882
01:11:31,854 --> 01:11:35,391
THIS IS
EMMA STONE'S EIGHTH NOMINATION
883
01:11:35,457 --> 01:11:38,527
AND HER SECOND WIN.
EMMA WINS HER GOLDEN GLOBE
884
01:11:38,594 --> 01:11:40,674
TONIGHT FOR HER ROLE OF BELA
BAXTER IN "POOR THINGS."
885
01:12:03,886 --> 01:12:04,753
THANK YOU.
886
01:12:04,820 --> 01:12:09,825
BOY.
THANK YOU VERY MUCH.
887
01:12:09,892 --> 01:12:11,827
DAVE, I HAVE TO START WITH YOU
REALLY QUICKLY.
888
01:12:11,894 --> 01:12:19,894
I LOVE YOU SO MUCH.
THANK YOU FOR EVERYTHING.
889
01:12:20,402 --> 01:12:25,841
WILLEM, MARK, RAMY, HE MADE
EVERY DAY A JOY AND SO DID OUR
890
01:12:25,908 --> 01:12:26,208
CREDIBLE CAST
891
01:12:26,875 --> 01:12:29,778
MY GOD, THERE'S ONLY 18
SECONDS LEFT.
892
01:12:29,845 --> 01:12:32,781
THE CREW, INCREDIBLE.
TONY, THIS IS OUR THIRD TIME
893
01:12:32,848 --> 01:12:36,351
WORKING TOGETHER.
TONY, OUR WRITER.
894
01:12:36,418 --> 01:12:39,888
I LOVE GETTING TO SAY THIS
DIALOGUE, AND I LOVE GETTING TO
895
01:12:39,955 --> 01:12:42,558
HORRIFY YOU WITH MY AUSTRALIAN
ACCENT.
896
01:12:42,624 --> 01:12:46,462
YOU'RE THE BEST, TONY.
897
01:12:46,528 --> 01:12:51,700
I'M WORKING ON IT ALL THE TIME.
YORGOS, I DON'T KNOW WHAT I
898
01:12:51,767 --> 01:12:54,837
COULD SAY TO YOU THAT I HAVEN'T
SET ALREADY, THAT I WILL FOREVER
899
01:12:54,903 --> 01:13:00,275
BE GRATEFUL THAT WE MET, FORE
FOREVER.
900
01:13:00,342 --> 01:13:02,978
AND PLAYING BELLA WAS
UNBELIEVABLE.
901
01:13:03,045 --> 01:13:07,182
I THINK THIS IS A ROM-COM.
I SEE THIS AS A ROM-COM, BUT IN
902
01:13:07,249 --> 01:13:10,252
THE SENSE THAT BELLA FALLS IN
LOVE WITH LIFE ITSELF, RATHER
903
01:13:10,319 --> 01:13:15,390
THAN A PERSON, AND SHE ACCEPTS
THE GOOD AND THE BAD IN EQUAL
904
01:13:15,457 --> 01:13:20,195
MEASURE, AND THAT REALLY MADE ME
LOOK AT LIFE DIFFERENTLY.
905
01:13:20,262 --> 01:13:22,498
NOT ALL OF IT COUNTS, AND ALL OF
IT IS IMPORTANT.
906
01:13:22,564 --> 01:13:26,201
SHE HAS STAYED WITH ME DEEPLY.
SO THIS MEANS THE WORLD TO ME.
907
01:13:26,268 --> 01:13:33,509
THANK YOU SO MUCH, AND, OKAY,
BYE.
908
01:13:33,575 --> 01:13:35,577
THANK YOU.
909
01:13:47,856 --> 01:13:51,794
♪ ♪AND NOW, HERE ARE THE
910
01:13:51,860 --> 01:13:54,263
NOMINEES FOR BEST PERFORMANCE BY
A MALE ACTOR IN A MOTION
911
01:13:54,329 --> 01:13:58,367
- PICTURE, DRAMA.
- BRADLEY COOPER,
912
01:13:58,433 --> 01:14:03,071
"MAESTRO."
LEONARDO DiCAPRIO,
913
01:14:03,138 --> 01:14:11,138
"KILLERS OF THE FLOWER MOON."
COLMAN DOMINGO, "RUSTIN."
914
01:14:11,713 --> 01:14:19,713
BARRY KEOGHAN, "SALTBURN."
CILLIAN MURPHY, "OPPENHEIMER."
915
01:14:21,323 --> 01:14:29,323
ANDREW SCOTT,
"ALL OF US STRANGERS."
916
01:14:29,932 --> 01:14:36,572
AND THE GOLDEN GLOBE GOES
TO...
917
01:14:36,638 --> 01:14:40,309
CILLIAN MURPHY.
918
01:14:40,375 --> 01:14:47,482
♪ ♪ THIS IS CILLIAN
919
01:14:47,549 --> 01:14:49,518
MURPHY'S SECOND NOMINATION AND
FIRST WIN.
920
01:14:49,585 --> 01:14:57,585
HE WINS HIS GOLDEN GLOBE TONIGHT
FOR HIS ROLE OF J. ROBERT
921
01:14:58,493 --> 01:15:00,495
OPPENHEIMER IN "OPPENHEIMER."
922
01:15:13,876 --> 01:15:15,811
BOY.
FIRST QUESTION, DO I HAVE
923
01:15:15,878 --> 01:15:18,413
LIPSTICK ALL OVER MY NOSE?
924
01:15:18,480 --> 01:15:25,187
I'M JUST GOING TO LEAVE IT.
I KNEW THE FIRST TIME I WALKED
925
01:15:25,254 --> 01:15:27,155
ON A CHRISTOPHER NOLAN SET THAT
IT WAS DIFFERENT.
926
01:15:27,222 --> 01:15:32,995
I COULD TELL BY THE LEVEL OF
RIGOR, THE LEVEL OF FOCUS, THE
927
01:15:33,061 --> 01:15:36,098
LEVEL OF DEDICATION, THE
COMPLETE LACK OF ANY SEATING
928
01:15:36,164 --> 01:15:39,701
OPTIONS FOR ACTORS.
929
01:15:39,768 --> 01:15:44,506
THAT I WAS IN THE HANDS OF THE
VISIONARY DIRECTOR AND MASTER.
930
01:15:44,573 --> 01:15:49,845
I WANT TO THANK CHRIS AND EMMA
FOR HAVING THE FAITH IN ME FOR
931
01:15:49,912 --> 01:15:53,248
20 YEARS.
THANKS SO MUCH.
932
01:15:53,315 --> 01:15:55,083
ONE OF THE MOST BEAUTIFUL AND
VULNERABLE THINGS ABOUT BEING AN
933
01:15:55,150 --> 01:15:59,721
ACTOR IS THAT YOU CAN'T DO IT ON
YOUR OWN, REALLY.
934
01:15:59,788 --> 01:16:01,323
WE HAD THE MOST INCREDIBLE
ENSEMBLE CAST IN THIS MOVIE.
935
01:16:01,390 --> 01:16:05,827
IT WAS MAGIC AND SOME OF THEM
ARE HERE TODAY.
936
01:16:05,894 --> 01:16:08,830
EMILY BLUNT, ROBERT DOWNEY JR.,
MATT DAMON, GARY OLDMAN.
937
01:16:08,897 --> 01:16:13,335
THANK YOU FOR CARRYING ME AND
HOLDING ME THROUGH THIS MOVIE.
938
01:16:13,402 --> 01:16:18,573
THANK YOU.
939
01:16:18,640 --> 01:16:21,743
THANK YOU TO DONNA LANGLEY AND
EVERYONE AT UNIVERSAL FOR
940
01:16:21,810 --> 01:16:24,780
BELIEVING IN THIS MOVIE FROM THE
VERY BEGINNING.
941
01:16:24,846 --> 01:16:28,884
TO ALL MY FELLOW NOMINEES.
IF YOU'RE IRISH OR NOT, YOU ARE
942
01:16:28,951 --> 01:16:31,920
ALL LEGENDS.
STUNNING WORK.
943
01:16:31,987 --> 01:16:36,725
I SALUTE YOU.
TO ALL MY REPS, ON MY TEAM,
944
01:16:36,792 --> 01:16:38,493
THANK YOU SO MUCH.
YOU ARE THE BEST.
945
01:16:38,560 --> 01:16:44,299
TO MY FAMILY, AND THE LUCKIEST
MAN AND I LOVE YOU.
946
01:16:52,774 --> 01:16:57,379
FOR THE FIRST TIME
EVER, MARK HAMILL WILL HAND OUT
947
01:16:57,446 --> 01:17:00,015
THE GOLDEN GLOBE FOR CINEMATIC
AND BOX OFFICE ACHIEVEMENT, WHEN
948
01:17:00,082 --> 01:17:01,082
WE RETURN.
949
01:17:18,467 --> 01:17:21,703
WELCOME BACK, YOU GUYS.
PLEASE WELCOME GOLDEN GLOBE
950
01:17:21,770 --> 01:17:26,308
WINNER ANDRA DAY, AND
JON BATISTE.
951
01:17:42,457 --> 01:17:45,927
WE ARE OVER HERE?
I THINK FIGURED OUT WHY ALL
952
01:17:45,994 --> 01:17:47,696
THESE AWARDS SHOWS RUN SO LONG.
YEAH?
953
01:17:47,763 --> 01:17:55,337
IT'S THESE CATEGORY NAMES.
MY GOODNESS, THEM THANGS
954
01:17:55,404 --> 01:17:56,938
BE SO LONG, BRUH.
"BEST PERFORMANCE BY A
955
01:17:57,005 --> 01:18:02,944
MALE ACTOR IN A TELEVISION
SERIES, MUSICAL OR COMEDY."
956
01:18:03,011 --> 01:18:04,946
LISTEN TO THIS ONE...
"BEST PERFORMANCE BY A FEMALE
957
01:18:05,013 --> 01:18:08,950
ACTOR IN A LIMITED SERIES,
ANTHOLOGY SERIES, OR A MOTION
958
01:18:09,017 --> 01:18:12,654
PICTURE."
I'M EXHAUSTED ALREADY.
959
01:18:12,721 --> 01:18:13,955
YEAH, SAME.
LIKE, WHAT ARE WE DOING HERE?
960
01:18:14,022 --> 01:18:16,892
"BEST ORIGINAL SCORE."
LIKE, THAT'S IT?
961
01:18:16,958 --> 01:18:18,860
NOT "BEST PERFORMANCE BY A
MUSICAL NOTE PREPARED BY A
962
01:18:18,927 --> 01:18:23,465
MUSICIAN TO ELICIT FEELINGS,
MOTION PICTURE?"
963
01:18:23,532 --> 01:18:27,402
I DON'T KNOW.
964
01:18:27,469 --> 01:18:31,139
MAYBE NEXT YEAR.
WE HAVE TO SAVE THAT ONE.
965
01:18:31,206 --> 01:18:34,009
THAT'S FIRE.
UNTIL THEN, WE'LL KEEP IT
966
01:18:34,076 --> 01:18:35,644
SHORT AND SWEET.
HERE ARE THE NOMINEES FOR BEST
967
01:18:35,710 --> 01:18:38,246
- ORIGINAL SCORE, MOTION PICTURE.
- "POOR THINGS,"
968
01:18:38,313 --> 01:18:43,452
JERSKIN FENDRIX. ♪ ♪
969
01:18:43,518 --> 01:18:47,289
"OPPENHEIMER," LUDWIG GORANSSON. ♪ ♪
970
01:18:47,355 --> 01:18:51,660
"THE BOY AND THE HERON,"
JOE HISAISHI.
971
01:18:51,726 --> 01:18:53,295
♪ ♪"THE ZONE OF INTEREST,"
972
01:18:53,361 --> 01:18:57,199
MICA LEVI. ♪ ♪
973
01:18:57,265 --> 01:19:01,570
ACROSS THE
SPIDER-VERSE," DANIEL PEMBERTON.
974
01:19:01,636 --> 01:19:05,941
♪ ♪"KILLERS OF THE FLOWER MOON,"
975
01:19:06,007 --> 01:19:14,007
ROBBIE ROBERTSON.
976
01:19:16,251 --> 01:19:22,257
AND THE GOLDEN GLOBE GOES
TO...
977
01:19:22,324 --> 01:19:28,196
LOOK.
978
01:19:28,263 --> 01:19:33,902
LUDWIG GORANSSON.
979
01:19:33,969 --> 01:19:34,970
♪ ♪ THIS IS LUDWIG
980
01:19:35,237 --> 01:19:36,304
GORANSSON'S FOURTH NOMINATION
FIRST WIN.
981
01:19:36,371 --> 01:19:43,745
HIS PREVIOUS CREDITS INCLUDE
"BLACK PANTHER" AND "TENET."
982
01:19:43,812 --> 01:19:51,812
♪ ♪THANK YOU TO THE HFPA, AND
983
01:19:58,260 --> 01:20:01,630
THANK YOU TO CHRIS NOLAN AND
EMMA THOMAS FOR INVITING ME ON
984
01:20:01,696 --> 01:20:06,801
THIS JOURNEY, AND FOR CREATING
THIS MASTERPIECE.
985
01:20:06,868 --> 01:20:12,774
WORKING WITH CHRISTOPHER NOLAN
HAS BEEN AN INCREDIBLE
986
01:20:12,841 --> 01:20:20,841
EXPERIENCE AND I THINK THE WAY
YOU USE MUSIC IN YOUR FILMS AND
987
01:20:21,016 --> 01:20:26,087
YOUR STORYTELLING HAS INSPIRED A
LOT OF PEOPLE.
988
01:20:26,154 --> 01:20:28,390
I ALSO WANT TO THANK
CILLIAN MURPHY.
989
01:20:28,456 --> 01:20:31,693
I'VE BEEN WATCHING YOUR FACE
OVER AND OVER AND OVER AGAIN.
990
01:20:31,760 --> 01:20:33,728
IT'S BEEN AN INCREDIBLE
991
01:20:33,795 --> 01:20:35,063
EXPERIENCE, AND THANK YOU FOR
INSPIRING ME.
992
01:20:35,130 --> 01:20:39,334
I WANT TO THANK ALL THE
MUSICIANS WHO PLAYED ON THIS
993
01:20:39,401 --> 01:20:42,003
THEY'VE MADE AN INCREDIBLE
EFFORT.
994
01:20:42,070 --> 01:20:48,877
AND I ALSO WANT TO THANK MY
PARTNER IN LIFE AND PARTNER IN
995
01:20:48,944 --> 01:20:52,881
MUSIC, SERENA, FOR HELPING ME
REALIZE THIS MUSIC.
996
01:20:52,948 --> 01:20:54,950
I LOVE YOU.
997
01:21:05,961 --> 01:21:13,961
♪ ♪LOOK, IT'S THE CHOREO.
998
01:21:14,970 --> 01:21:16,638
MUSIC CAN TAKE YOU ANYWHERE.
999
01:21:16,705 --> 01:21:21,910
IT TOOK ME FROM SINGING IN A
STRIP...
1000
01:21:21,977 --> 01:21:29,484
MALL.
YES, MALO, SORRY.
1001
01:21:29,551 --> 01:21:33,088
STRIP MALL, TO WINNING A GRAMMY.
1002
01:21:33,154 --> 01:21:40,528
GO AHEAD, GET YOUR GRAMMY!
GET IT!
1003
01:21:40,595 --> 01:21:43,465
AND IT CAN INSPIRE YOU FROM
ANYWHERE, TOO.
1004
01:21:43,531 --> 01:21:46,234
I GREW UP IN THE BIRTHPLACE OF
JAZZ, LEARNING FROM LEGENDS, BUT
1005
01:21:46,301 --> 01:21:53,541
SOME OF MY EARLIEST LESSONS CAME
FROM THE SONIC THE HEDGEHOG
1006
01:21:53,608 --> 01:21:56,645
VIDEO GAME TRUE STORY.
MINE WAS MARIO BROS.
1007
01:21:56,711 --> 01:22:04,711
YOU EVER MAKE IT...
1008
01:22:05,754 --> 01:22:08,690
YEAH, THAT'S FIRE!
I LIKE THAT ONE A LOT.
1009
01:22:08,757 --> 01:22:12,160
AS MUSICIANS, WE WOULD LIKE
TO ARGUE THAT YOU CANNOT HAVE
1010
01:22:12,861 --> 01:22:16,398
AA MOVIE WITHOUT MUSIC.
THESE ARE SOME OF THE BEST SONGS
1011
01:22:16,464 --> 01:22:19,701
ON SCREEN THIS YEAR.
HERE ARE THE NOMINEES FOR BEST
1012
01:22:19,768 --> 01:22:22,337
- ORIGINAL SONG, MOTION PICTURE.
- From
1013
01:22:22,404 --> 01:22:25,974
"SHE CAME TO ME,"
"ADDICTED TO ROMANCE."
1014
01:22:26,041 --> 01:22:32,981
FROM "BARBIE,"
"DANCE THE NIGHT."
1015
01:22:33,048 --> 01:22:37,852
♪ WATCH ME DANCE ♪
♪ DANCE THE NIGHT AWAY ♪
1016
01:22:37,919 --> 01:22:42,190
FROM "BARBIE," "I'M JUST KEN."
"THE SUPER MARIO BROS. MOVIE,"
1017
01:22:42,257 --> 01:22:47,495
"PEACHES."
FROM "RUSTIN,"
1018
01:22:47,562 --> 01:22:51,633
"ROAD TO FREEDOM." ♪ ♪
1019
01:22:51,700 --> 01:22:57,806
FROM "BARBIE,"
"WHAT WAS I MADE FOR?"
1020
01:22:57,872 --> 01:23:04,979
♪ ♪EVE JUST GOT TO LIVE IT UP
1021
01:23:05,046 --> 01:23:08,183
ALL THE WAY.
ALL THE WAY.
1022
01:23:08,249 --> 01:23:13,555
OKAY.
AND THE GOLDEN GLOBE GOES TO...
1023
01:23:13,621 --> 01:23:18,526
ALL RIGHT.
YES!
1024
01:23:18,593 --> 01:23:23,665
"WHAT WAS I MADE FOR?"
FROM BARBIE.
1025
01:23:23,732 --> 01:23:26,501
MUSIC AND LYRICS BY
BILLIE EILISH O'CONNELL, PHINEAS
1026
01:23:28,803 --> 01:23:31,706
- O'CONNELL.
- THIS IS THE
1027
01:23:31,773 --> 01:23:34,776
SECOND NOMINATION AND SECOND WIN
FOR THIS WRITING TEAM.
1028
01:23:34,843 --> 01:23:38,513
THEY WIN THE GOLDEN GLOBE
TONIGHT FOR THEIR MUSIC AND
1029
01:23:38,580 --> 01:23:44,853
LYRICS OF "WHAT WAS I MADE FOR?"
AND "BARBIE."
1030
01:23:44,919 --> 01:23:47,922
ACCEPTING THE AWARD IS
BILLIE EILISH O'CONNELL.
1031
01:24:02,937 --> 01:24:05,807
GOLDEN GLOBES!
I WAS NOT EXPECTING THIS IN THIS
1032
01:24:05,874 --> 01:24:07,976
MOMENT.
THANK YOU TO MY BROTHER,
1033
01:24:08,042 --> 01:24:09,911
FINNEAS.
YOU ARE THE REASON I AM WHO I
1034
01:24:09,978 --> 01:24:16,117
AM.
I WANT TO THANK GRETA AND NOAH
1035
01:24:16,184 --> 01:24:19,821
FOR MAKING THIS INCREDIBLE FILM.
I WANT TO THANK MARGOT FOR BEING
1036
01:24:19,888 --> 01:24:24,058
THE MARGOT WE KNOW AND LOVE.
I WANT TO THANK MATTEL, AND
1037
01:24:24,125 --> 01:24:27,896
INTERSCOPE, MY LABEL, AND DARK
ROOM, AND MY INCREDIBLE TEAM, MY
1038
01:24:27,962 --> 01:24:33,735
MANAGERS, AND MY MOM.
MY MOM, AND MY DAD, AND MY
1039
01:24:33,802 --> 01:24:36,237
BROTHER AGAIN.
IT WAS EXACTLY A YEAR AGO ALMOST
1040
01:24:36,304 --> 01:24:39,340
THAT WE WERE SHOWN THE MOVIE,
AND I WAS VERY, VERY MISERABLE
1041
01:24:39,407 --> 01:24:43,912
AND DEPRESSED AT THE TIME, AND
WRITING THAT SONG KIND OF SAVED
1042
01:24:43,978 --> 01:24:48,650
ME A LITTLE BIT.
A YEAR LATER, HERE WE ARE, AND
1043
01:24:48,716 --> 01:24:52,253
IT IS REALLY SURREAL.
I FEEL INCREDIBLY LUCKY,
1044
01:24:52,320 --> 01:24:56,658
INCREDIBLY LUCKY AND GRATEFUL.
AND YOU GUYS SCARE THE LIVING
1045
01:24:56,724 --> 01:24:58,827
HELL OUT OF ME, EVERYONE IN THIS
ROOM.
1046
01:24:58,893 --> 01:25:01,029
BUT THANK YOU, THIS MEANS SO
MUCH.
1047
01:25:08,470 --> 01:25:10,572
PLEASE WELCOME,
FROM THE "STAR WARS" FRANCHISE
1048
01:25:10,638 --> 01:25:12,273
AND STAR OF THE NOMINATED FILM
TONIGHT,
1049
01:25:12,340 --> 01:25:18,213
"THE BOY AND THE HERON,"
MARK HAMILL.
1050
01:25:22,350 --> 01:25:24,652
THANK YOU.
THANK YOU SO MUCH.
1051
01:25:24,719 --> 01:25:27,088
IT'S GREAT TO BE AT THE
GOLDEN GLOBES.
1052
01:25:27,155 --> 01:25:30,358
THE ONLY AWARDS SHOW WITH AN
OPEN BAR.
1053
01:25:30,425 --> 01:25:32,994
SO, CHEERS.
1054
01:25:33,061 --> 01:25:35,330
ALL OF US HERE KNOW THAT GETTING
A MOVIE ACTUALLY MADE IS A
1055
01:25:35,396 --> 01:25:37,866
MIRACLE.
BUT TO MAKE SOMETHING THAT
1056
01:25:37,932 --> 01:25:39,801
CONNECTS WITH ALL DIFFERENT
TYPES OF PEOPLE ALL AROUND THE
1057
01:25:39,868 --> 01:25:47,842
WORLD, THAT GETS YOU EXCITED TO
GO TO THE MOVIES... THAT'S TRULY
1058
01:25:47,909 --> 01:25:49,844
WORTH CELEBRATING.
THESE FILMS WERE NOMINATED NOT
1059
01:25:49,911 --> 01:25:51,913
JUST FOR THEIR POPULARITY, BUT
FOR THE HIGH CALIBER OF THEIR
1060
01:25:51,980 --> 01:25:55,950
FILMMAKING.
SO I'M VERY EXCITED TO BRING
1061
01:25:56,017 --> 01:25:58,319
YOU, FOR THE FIRST TIME EVER,
THE NOMINEES FOR CINEMATIC AND
1062
01:25:58,386 --> 01:26:06,027
- BOX OFFICE ACHIEVEMENT.
- "BARBIE."
1063
01:26:06,094 --> 01:26:10,698
TAKE MY HANDS.
CLOSE YOUR EYES.
1064
01:26:10,765 --> 01:26:13,134
NOW, STEEL.
I'M NOT SMART ENOUGH TO BE
1065
01:26:13,201 --> 01:26:15,603
INTERESTING.
I'M NOT THE PRESIDENT.
1066
01:26:15,670 --> 01:26:18,973
NO ONE ON THE SUPREME COURT IS
ME.
1067
01:26:19,040 --> 01:26:23,211
I'M NOT GOOD ENOUGH.
♪ WHAT WAS I MADE FOR ♪
1068
01:26:23,278 --> 01:26:27,048
"GUARDIANS OF THE
GALAXY, VOL. 3."
1069
01:26:27,115 --> 01:26:31,619
WE WERE GONE QUITE A WHILE.
NO MATTER WHAT HAPPENS NEXT, THE
1070
01:26:31,686 --> 01:26:32,887
GALAXY STILL NEEDS ITS
GUARDIANS.
1071
01:26:32,954 --> 01:26:36,591
ARE YOU READY FOR ONE LAST RIDE?
I WANT YOU ALL TO KNOW THAT
1072
01:26:36,658 --> 01:26:40,395
I'M GRATEFUL TO FIGHT BESIDE MY
FRIENDS.
1073
01:26:40,461 --> 01:26:43,364
I'M DONE RUNNING.
I'LL KILL ANYONE WHO GETS IN
1074
01:26:43,431 --> 01:26:45,033
OUR WAY!
NOT KILL ANYONE.
1075
01:26:45,099 --> 01:26:48,736
YOU ARE ONE STUPID GUY WHO
KNOWS DOMINIC NO ONE LOVES.
1076
01:26:48,803 --> 01:26:50,038
NOW YOU'RE MAKING IT SAD.
1077
01:26:50,104 --> 01:26:54,742
CHAPTER 4."
42 REGULAR, WASN'T IT?
1078
01:26:54,809 --> 01:26:58,179
AND SO IT BEGINS.
CHALLENGING TO SINGLE COMBAT.
1079
01:26:58,246 --> 01:27:00,815
IF YOU WIN, YOU HAVE YOUR
FREEDOM.
1080
01:27:00,882 --> 01:27:05,486
THE ONLY WAY JOHN WEIKEL EVER
HAVE FREEDOM AND PEACE IS IN
1081
01:27:05,553 --> 01:27:06,154
DEATH.
YEAH.
1082
01:27:06,220 --> 01:27:07,789
NOT REALLY.
Announcer:
1083
01:27:07,855 --> 01:27:12,427
IMPOSSIBLE -
DEAD RECKONING, PART 1."
1084
01:27:12,493 --> 01:27:17,365
ETHAN, THIS MISSION OF YOURS
IS GOING TO COST YOU DEARLY.
1085
01:27:17,432 --> 01:27:20,902
IT'S BEEN A LONG TIME,
FRIEND.
1086
01:27:20,969 --> 01:27:25,740
HIS FATE IS WRITTEN.
SHALL WE WRITE YOURS, TOO?
1087
01:27:25,807 --> 01:27:28,943
THERE'S NO PLACE I WON'T KILL
YOU.
1088
01:27:29,010 --> 01:27:33,848
"OPPENHEIMER."
THIS IS A MATTER OF LIFE AND
1089
01:27:33,915 --> 01:27:35,850
DEATH.
THE WORLD WILL REMEMBER THIS
1090
01:27:35,917 --> 01:27:37,518
DAY.
I WOULD BE GO TO THE MIDDLE
1091
01:27:37,585 --> 01:27:38,820
OF NOWHERE FOR WHO KNOWS HOW
LONG?
1092
01:27:38,886 --> 01:27:39,821
HOW ABOUT BECAUSE THIS IS THE
MOST IMPORTANT THING TO EVER
1093
01:27:39,887 --> 01:27:42,824
HAPPEN IN THE HISTORY OF THE
WORLD?
1094
01:27:42,890 --> 01:27:46,194
YOU ARE THE MEN WHO GAVE THEM
THE POWER TO DESTROY THEMSELVES,
1095
01:27:46,260 --> 01:27:48,896
AND THE WORLD IS NOT PREPARED.
1096
01:27:48,963 --> 01:27:53,968
ACROSS THE SPIDER-VERSE."
MY NAME IS MILES MORALES.
1097
01:27:54,035 --> 01:27:55,903
I'M BROOKLYN'S ONE AND ONLY
SPIDER-MAN.
1098
01:27:55,970 --> 01:27:59,173
WANT TO GET OUT OF HERE?
WAIT A MINUTE, THERE'S AN
1099
01:27:59,240 --> 01:28:01,376
ELITE CREW WITH ALL THE BEST
SPIDER-PEOPLE IN IT?
1100
01:28:01,442 --> 01:28:03,411
YOU CAN NEVER BE PART OF
THIS.
1101
01:28:03,478 --> 01:28:08,182
EVERYONE KEEPS TELLING ME HOW
MY STORY IS SUPPOSED TO GO.
1102
01:28:08,249 --> 01:28:10,418
- NAH, I'MA DO MY OWN THING.
- "THE SUPER MARIO%
1103
01:28:10,485 --> 01:28:14,989
BROS. MOVIE."
WE WILL DESTROY THE MUSHROOM
1104
01:28:15,056 --> 01:28:19,994
KINGDOM!
BOWSER IS COMING.
1105
01:28:20,061 --> 01:28:23,197
I'M NOT AFRAID.
I'LL DO ANYTHING FOR MY BROTHER.
1106
01:28:23,264 --> 01:28:26,267
TOGETHER, WE ARE GOING TO
STOP THAT MONSTER.
1107
01:28:26,334 --> 01:28:27,301
HOW?
LOOK AT US.
1108
01:28:27,368 --> 01:28:29,504
WE ARE ADORABLE!
THE
1109
01:28:29,570 --> 01:28:34,108
ERAS TOUR."
WE ARE ABOUT TO GO ON A
1110
01:28:34,175 --> 01:28:36,978
LITTLE ADVENTURE TOGETHER, AND
THAT'S GOING TO SPEND 17 YEARS
1111
01:28:37,045 --> 01:28:40,415
OF MUSIC.
HOW DOES THAT SOUND?
1112
01:28:40,481 --> 01:28:45,787
WELCOME TO THE ACOUSTIC SET!
PEOPLE COME UP TO ME LIKE, DO A
1113
01:28:45,853 --> 01:28:49,791
SHOW WITH ALL THE ALBUMS IN IT.
I WAS LIKE, YEAH, IT'S GOING TO
1114
01:28:49,857 --> 01:28:54,629
BE CALLED THE ERAS TOUR.
SEE YOU THERE.
1115
01:28:54,696 --> 01:28:58,833
AND THE GOLDEN GLOBE GOES
1116
01:28:58,900 --> 01:29:06,841
TO...
"BARBIE."
1117
01:29:13,915 --> 01:29:15,850
COMING TO THE
STAGE TONIGHT FOR "BARBIE" IS
1118
01:29:15,917 --> 01:29:18,519
ACTIVE AND DIRECTOR
MARGOT ROBBIE
1119
01:29:20,288 --> 01:29:28,288
, AND ACCEPTING THE GOLDEN GLOBE
IS MARGOT ROBBIE.
1120
01:29:34,736 --> 01:29:38,072
THANK YOU.
WE WOULD LIKE TO DEDICATE THIS
1121
01:29:38,139 --> 01:29:42,877
TO EVERY SINGLE PERSON ON THE
PLANET WHO DRESSED UP AND WENT
1122
01:29:42,944 --> 01:29:48,850
TO THE GREATEST PLACE ON EARTH,
THE MOVIE THEATERS.
1123
01:29:48,916 --> 01:29:55,523
THANK YOU, AND THANK YOU TO
EVERYBODY, ALL THE BARBIES AND
1124
01:29:55,590 --> 01:29:58,092
KENS IN FRONT OF AND BEHIND THE
SCREEN.
1125
01:29:58,159 --> 01:30:00,928
IT WAS THE GREATEST MOST JOYFUL
SHOW OF CRAFTSMANSHIP AND
1126
01:30:00,995 --> 01:30:06,033
PASSION I'VE EVER SEEN.
AND ON BEHALF OF TOM AND
1127
01:30:06,100 --> 01:30:11,005
DAVID AND ROBBIE AND I, WE WANT
TO THANK THE BRAVE INDIVIDUALS
1128
01:30:11,072 --> 01:30:17,178
AT WARNER AND MATTEL FOR TAKING
AN EXTRAORDINARY RISK IN
1129
01:30:17,245 --> 01:30:20,014
LITERALLY INVENTING NUMBERS TO
JUSTIFY GREEN LIGHTING THIS, AND
1130
01:30:20,081 --> 01:30:24,485
THEN STANDING BY AT EVERY STEP
OF THE WAY.
1131
01:30:24,552 --> 01:30:30,958
THANK YOU TO NOAH BAUMBACH
FOR SHOWING HIS INNER BARBIE
1132
01:30:31,025 --> 01:30:31,893
GIRL.
THANK YOU TO RYAN GOSLING FOR
1133
01:30:31,959 --> 01:30:37,098
GOING FULL BEACH.
AND AMERICA FERRERA FOR
1134
01:30:37,165 --> 01:30:39,801
SHOWING HER SOUL.
LAST BUT NOT LEAST, THANK YOU
1135
01:30:39,867 --> 01:30:43,871
SO MUCH TO THE GOLDEN GLOBES FOR
CREATING AN AWARD THAT
1136
01:30:43,938 --> 01:30:47,975
CELEBRATES MOVIE FANS.
THIS IS A MOVIE ABOUT BARBIE,
1137
01:30:48,042 --> 01:30:53,181
BUT IT'S ALSO A MOVIE ABOUT
HUMANS.
1138
01:30:53,247 --> 01:30:55,983
WE MADE IT... IT'S ABOUT YOU.
WE MADE IT FOR YOU, AND WE MADE
1139
01:30:56,050 --> 01:30:59,821
IT WITH LOVE.
THANK YOU FOR LOVING IT BACK.
1140
01:31:16,170 --> 01:31:17,138
♪ ♪ AWARDS FOR THE
1141
01:31:17,205 --> 01:31:20,608
BEST OF TV, ON TV?
WHAT IS THIS, THE MULTIVERSE?
1142
01:31:20,675 --> 01:31:23,110
NOPE, IT'S JUST THE GOLDEN GLOBE
FOR BEST TV SERIES, MUSICAL OR
1143
01:31:23,177 --> 01:31:24,177
COMEDY, WHEN WE RETURN.
1144
01:31:34,021 --> 01:31:35,957
PLEASE WELCOME,
FROM THE NOMINATED FILM
1145
01:31:36,023 --> 01:31:38,326
"BARBIE," SIMU LIU, AND ALSO
FROM "BARBIE" AND THE NOMINATED
1146
01:31:38,392 --> 01:31:44,565
FILM "AMERICAN FICTION,"
ISSA RAE.
1147
01:31:53,841 --> 01:31:56,310
GOOD EVENING, EVERYONE.
ISSA AND I RECENTLY HAD THE
1148
01:31:56,377 --> 01:31:58,412
PRIVILEGE OF PLAYING BARBIE AND
KEN IN THE "BARBIE" MOVIE, WHICH
1149
01:31:58,479 --> 01:32:01,282
IS PRETTY IMPACTFUL FOR PEOPLE
WHO LOOK LIKE US.
1150
01:32:01,349 --> 01:32:03,017
YEAH.
WE MAY NOT HAVE BEEN WHAT
1151
01:32:03,084 --> 01:32:05,152
FIRST POPPED UP IN PEOPLE'S
MINDS WHEN THEY THOUGHT OF
1152
01:32:05,219 --> 01:32:09,390
BARBIE OR KEN, BUT THAT'S
CHANGED, AND WE'RE HOPING TO
1153
01:32:09,457 --> 01:32:10,791
CONTINUE TO PUSH THE BOUNDARIES
OF THE ROLES WE CAN PLAY.
1154
01:32:10,858 --> 01:32:14,462
BY THAT, OF COURSE, WE MEAN
WHITE PEOPLE ROLES.
1155
01:32:14,528 --> 01:32:17,098
MY GOD, I'D LOVE TO PLAY
WHITE PEOPLE ROLES.
1156
01:32:17,164 --> 01:32:20,368
YEAH.
ME, TOO.
1157
01:32:20,434 --> 01:32:22,303
WHITE PEOPLE ROLES ARE THE BEST.
AN ALCOHOLIC, DIVORCED, SINGLE
1158
01:32:22,370 --> 01:32:25,273
FATHER FIGHTING FOR CUSTODY...
AN ALCOHOLIC HOUSEWIFE WHOSE
1159
01:32:25,339 --> 01:32:29,911
HUSBAND'S AFFAIR DRIVES HER
DEEPER INTO ALCOHOL...
1160
01:32:29,977 --> 01:32:31,812
HOW ABOUT THIS?
AN ALCOHOLIC SCHOOLTEACHER
1161
01:32:31,879 --> 01:32:33,547
WHO MUST PUT THEIR LOVE OF
ALCOHOL ASIDE TO INSPIRE
1162
01:32:33,614 --> 01:32:40,321
THEIR CLASS OF INNER-CITY
YOUTHS...
1163
01:32:40,388 --> 01:32:42,790
WHITE PEOPLE ARE AWESOME.
YEAH.
1164
01:32:42,857 --> 01:32:46,294
ANYWAY, HERE ARE THE NOMINEES
FOR BEST TELEVISION LIMITED
1165
01:32:46,360 --> 01:32:49,230
SERIES, ANTHOLOGY SERIES, OR
MOTION PICTURE MADE FOR
1166
01:32:49,297 --> 01:32:50,131
TELEVISION.
Announcer:
1167
01:32:50,197 --> 01:32:57,538
"ALL THE LIGHT WE CANNOT SEE."
"BEEF."
1168
01:32:57,605 --> 01:33:05,579
"DAISY JONES & THE SIX."
I WAS JUST GOING TO SAY I
1169
01:33:05,646 --> 01:33:09,083
- LOVE THE SOUND OF YOUR VOICE.
- "FARGO."
1170
01:33:09,150 --> 01:33:12,253
IF YOU WANT TO TEST IT WITH
ME, YOU BETTER SLEEP WITH BOTH
1171
01:33:12,320 --> 01:33:13,254
EYES OPEN.
Announcer:
1172
01:33:13,321 --> 01:33:17,091
"FELLOW TRAVELERS."
YOU'RE EVERYTHING TO ME.
1173
01:33:17,158 --> 01:33:21,228
IF I WAS EVERYTHING, YOU
WOULDN'T BE GOING WHERE YOU'RE
1174
01:33:21,295 --> 01:33:22,196
- GOING.
- "LESSONS IN
1175
01:33:22,263 --> 01:33:27,702
CHEMISTRY."
YOU LOVE ME, AND I LOVE YOU.
1176
01:33:27,768 --> 01:33:30,938
AND THE GOLDEN GLOBE GOES
TO...
1177
01:33:31,005 --> 01:33:37,445
"BEEF!"
1178
01:33:37,511 --> 01:33:40,781
♪ ♪ COMING TO THE
1179
01:33:40,848 --> 01:33:45,086
STAGE TONIGHT FOR "BEEF" IS
CREATOR AND EXECUTIVE PRODUCER,
1180
01:33:45,152 --> 01:33:51,125
LEE SUNG JIN, AND ALI WONG AND
STEVEN YEUN.
1181
01:33:51,192 --> 01:33:57,698
ACCEPTING THE GOLDEN GLOBE IS
LEE SUNG JIN.
1182
01:34:30,031 --> 01:34:31,499
WOW.
THANK YOU TO THE GLOBE'S
1183
01:34:31,565 --> 01:34:36,771
JOURNALISTS THIS AMAZING HONOR.
YOU KNOW, OUR SHOW IS ACTUALLY
1184
01:34:36,837 --> 01:34:39,440
BASED ON A REAL ROAD RAGE
INCIDENT THAT ACTUALLY HAPPENED
1185
01:34:39,507 --> 01:34:47,507
TO ME, SO I WOULD BE REMISS NOT
TO THINK THAT DRIVER.
1186
01:34:48,015 --> 01:34:49,950
SIR, I HOPE YOU HONK AND YELL
1187
01:34:50,017 --> 01:34:53,120
AND INSPIRE OTHERS FOR YEARS TO
COME.
1188
01:34:53,187 --> 01:35:01,187
MORE IMPORTANTLY, THANKS TO
STEVEN AND ALI, OUR AMAZING
1189
01:35:03,297 --> 01:35:10,805
CAST, OUR AMAZING CREW, AND
THANK YOU TO...
1190
01:35:10,871 --> 01:35:15,142
AND EVERYONE AT NETFLIX.
1191
01:35:15,209 --> 01:35:17,912
OF COURSE MY MOM, DAD, SISTER,
AND KATIE, I LOVE YOU.
1192
01:35:17,978 --> 01:35:18,779
THANK YOU SO MUCH.
1193
01:35:18,846 --> 01:35:26,846
♪ ♪I THINK IT'S THIS... HERE WE
1194
01:35:31,959 --> 01:35:36,430
NOMINEES FOR BEST TELEVISION
SERIES, MUSICAL OR COMEDY.
1195
01:35:40,734 --> 01:35:44,772
WE DON'T HAVE ENOUGH KIDS FOR
A FULL CLASS SO NOW THEY GO TO
1196
01:35:44,839 --> 01:35:47,842
YOU.
HOW MANY EXTRA KIDS?
1197
01:35:47,908 --> 01:35:49,076
TEN..
1198
01:35:49,143 --> 01:35:52,079
I MEAN, GREAT.
ARE YOU OKAY?
1199
01:35:52,146 --> 01:35:55,950
I'M REALLY SORRY.
I DIDN'T THINK IT WOULD END UP
1200
01:35:56,016 --> 01:35:57,518
LIKE THIS.
I'M A GOOD PERSON.
1201
01:35:57,585 --> 01:36:05,585
THAT IS WHO I AM.
HAS YOUR LIFE BEEN, BREZZATO?
1202
01:36:06,026 --> 01:36:10,498
OPENING A RESTAURANT.
GOT TO GO HARD EVERY DAY.
1203
01:36:10,564 --> 01:36:13,667
YOU ARE SURE IT SAYS ORIGINAL
BERF.
1204
01:36:13,734 --> 01:36:16,237
IT'S A PRINTING MISTAKE.
COLLECTOR'S ITEM.
1205
01:36:16,303 --> 01:36:19,840
YOU ARE NOW IN THE MATTER OF
HILGER VERSUS MORRIS.
1206
01:36:19,907 --> 01:36:22,776
JURY OF YOUR PEERS, I THINK
THAT'S ACCURATE.
1207
01:36:22,843 --> 01:36:26,180
IT'S OPENING NIGHT, AND A BIG
STAR DROPPED DEAD ON STAGE?
1208
01:36:26,247 --> 01:36:29,717
MY GOD, MY LEADING MAN IS
DEAD.
1209
01:36:29,783 --> 01:36:34,522
IS THIS REALLY HAPPENING?
I LOVE YOU GUYS SO VERY MUCH.
1210
01:36:34,588 --> 01:36:37,625
ON THREE.
ONE, TWO, THREE.
1211
01:36:37,691 --> 01:36:39,393
I LOVE YOU ALSO VERY MUCH
1212
01:36:44,565 --> 01:36:46,267
AND THE GOLDEN GLOBE GOES
1213
01:36:46,333 --> 01:36:48,335
TO...
"THE BEAR."
1214
01:36:59,613 --> 01:37:05,319
GOLDEN GLOBE FOR "THE BEAR" IS
ACTOR LIONEL BOYCE.
1215
01:37:33,781 --> 01:37:35,749
I DON'T KNOW WHY THEY CHOSE
ME TO SPEAK.
1216
01:37:35,816 --> 01:37:39,286
I DON'T KNOW IF THEY BELIEVED WE
WOULD WIN.
1217
01:37:39,353 --> 01:37:42,890
BUT WE ARE HERE NOW.
FIRST OFF I WANT TO THANK THE
1218
01:37:42,957 --> 01:37:47,294
CREATOR OF THIS INCREDIBLE SHOW,
ALONGSIDE ALL OF OUR GREAT
1219
01:37:47,361 --> 01:37:49,863
WRITERS.
1220
01:37:49,930 --> 01:37:53,300
EVERY SINGLE PRODUCTION PERSON
IN EVERY DEPARTMENT FOR NOT ONLY
1221
01:37:53,367 --> 01:37:56,670
BEING ABLE TO DO WHAT YOU DO,
BUT BEING PEOPLE WHO DON'T SUCK.
1222
01:37:56,737 --> 01:38:02,710
SHOUT OUT AT EVERYONE AT FX,
HULU, DISNEY...
1223
01:38:02,776 --> 01:38:04,445
EVERYBODY, AND I ALSO JUST WANT
1224
01:38:04,511 --> 01:38:07,514
TO SAY, MOST IMPORTANTLY,
THANK YOU TO THE ENTIRE
1225
01:38:07,581 --> 01:38:09,683
RESTAURANT COMMUNITY.
WE PLAY THESE CHARACTERS FOR A
1226
01:38:09,750 --> 01:38:13,087
COUPLE HOURS A DAY, FOR A COUPLE
MONTHS OUT OF THE YEAR, BUT THIS
1227
01:38:13,153 --> 01:38:16,323
IS Y'ALL'S REALITY, THE HIGHS
AND THE LIVES, SO THANK YOU FOR
1228
01:38:16,390 --> 01:38:18,025
EMBRACING US WHILE WE TELL THE
STORY.
1229
01:38:18,092 --> 01:38:21,528
I THINK THAT'S ALL I'VE GOT.
1230
01:38:39,980 --> 01:38:41,882
IT'S A BIG NIGHT
IN HOLLYWOOD, AND AN EVEN BIGGER
1231
01:38:41,949 --> 01:38:46,620
NIGHT FOR THE ACCOUNTANTS AT
ERNST & YOUNG, WHO TABULATED THE
1232
01:38:46,687 --> 01:38:48,422
VOTES.
THIS IS WHY THEY GOT INTO
1233
01:38:48,489 --> 01:38:50,791
ACCOUNTING.
AFTER TONIGHT, IT'S JUST TAX
1234
01:38:50,858 --> 01:38:52,418
SEASON.
COMING UP, THE STARS OF "SUITS."
1235
01:39:13,514 --> 01:39:18,285
WELCOME BACK, EVERYBODY.
QUICK ANNOUNCEMENT... YOU GUYS
1236
01:39:18,352 --> 01:39:22,890
ARE SO SELFISH.
IT'S NICOLAS CAGE'S BIRTHDAY
1237
01:39:22,956 --> 01:39:25,192
TODAY.
HOW DARE YOU JUST THINK ABOUT
1238
01:39:25,259 --> 01:39:27,995
YOURSELVES?
1239
01:39:28,062 --> 01:39:34,568
THIS IS MY GIFT TO YOU.
I INVITED EVERYBODY HERE FOR YO
1240
01:39:34,635 --> 01:39:36,003
YOU, NICOLAS.
PLEASE WELCOME A GOLDEN GLOBE
1241
01:39:36,070 --> 01:39:37,237
NOMINEE TONIGHT,
DUA LIPA, AND THE DIRECTOR
1242
01:39:37,304 --> 01:39:41,075
OF "COCAINE BEAR,"
ELIZABETH BANKS.
1243
01:39:56,890 --> 01:39:58,092
♪ ♪I'VE GOT TO SAY, BEING
1244
01:39:58,158 --> 01:40:01,128
APPEARS KIND OF INTIMIDATING.
YOU ARE VERY YOUNG AND TALL AND
1245
01:40:01,195 --> 01:40:02,463
STATUESQUE.
THANK YOU.
1246
01:40:02,529 --> 01:40:06,400
AND BRITISH!
I HAVE A REAL THING FOR THE
1247
01:40:06,467 --> 01:40:08,469
ACCENT.
YOU GUYS CAN MAKE EVERYTHING
1248
01:40:08,535 --> 01:40:10,404
SOUND SO CLASSY!
ALL OF THE BRITS...
1249
01:40:10,471 --> 01:40:14,641
BELLA RAMSEY, HELEN MIRREN...
THEY ARE IN THIS CATEGORY.
1250
01:40:14,708 --> 01:40:22,708
I WOULD LOVE TO HEAR THEM SAY
"VITAMINS."
1251
01:40:23,050 --> 01:40:27,421
WHY "VITAMINS?"
1252
01:40:27,488 --> 01:40:28,389
I MEAN, THE AMERICAN ACCENT IS
THAT'S WHY.
1253
01:40:28,455 --> 01:40:30,190
JUST SO...
BULKY?
1254
01:40:30,257 --> 01:40:35,496
I MEAN, EMMA STONE,
KERI RUSSELL... LOVE YOU GUYS...
1255
01:40:35,562 --> 01:40:37,064
THEY HAVE LOVELY VOICES, BUT
THEY ARE SO...
1256
01:40:37,131 --> 01:40:41,101
CONCORDANT?
I DON'T KNOW WHAT THAT MEANS
1257
01:40:41,168 --> 01:40:43,370
BUT IT SOUNDS UNBELIEVABLE.
THAT'S LIKE THE MOST BEAUTIFUL
1258
01:40:43,437 --> 01:40:51,311
THING I'VE EVER HEARD.
AUSTRALIAN IS KIND OF THE ACCENT
1259
01:40:51,378 --> 01:40:55,082
EVERYONE WANTS.
IT'S A WHIMSICAL MISTS OF HIGH
1260
01:40:55,149 --> 01:40:57,451
AND LOW CLASS.
ALL RIGHT, ALL RIGHT.
1261
01:40:57,518 --> 01:41:02,055
I CAN'T WAIT TO HEAR WHICH
ACCENT ACCEPTS THIS AWARD.
1262
01:41:02,122 --> 01:41:04,057
LITERAL MUSIC TO MY EARS, YOU
ARE.
1263
01:41:04,124 --> 01:41:07,161
HERE ARE THE NOMINEES FOR FEMALE
ACTOR, TELEVISION SERIES, DRAMA.
1264
01:41:07,227 --> 01:41:13,267
HELEN MIRREN,
"1923."
1265
01:41:13,333 --> 01:41:21,333
BELLA RAMSEY, "THE LAST OF US."
KERI RUSSELL, "THE DIPLOMAT."
1266
01:41:22,176 --> 01:41:30,176
SARAH SNOOK, "SUCCESSION."
IMELDA STAUNTON, "THE CROWN."
1267
01:41:32,152 --> 01:41:40,152
EMMA STONE, "THE CURSE."
1268
01:41:42,763 --> 01:41:49,937
AND THE GOLDEN GLOBE GOES
TO...
1269
01:41:50,003 --> 01:41:52,005
SARAH SNOOK!
1270
01:42:05,385 --> 01:42:06,320
♪ ♪ THIS IS SARAH
1271
01:42:06,386 --> 01:42:07,788
SNOOK'S SECOND NOMINATION AND
SECOND WIN.
1272
01:42:07,855 --> 01:42:11,325
SHE WINS HER GOLDEN GLOBE
TONIGHT FOR HER ROLE AS SHIV ROY
1273
01:42:11,391 --> 01:42:16,797
IN "SUCCESSION."
1274
01:42:21,101 --> 01:42:27,374
I WAS KIND OF HOPING I DIDN'T
HAVE TO GET UP!
1275
01:42:27,441 --> 01:42:28,509
KIERAN IS USUALLY BETTER AT THE
SPEECHES.
1276
01:42:28,575 --> 01:42:32,980
DO YOU WANT TO GET UP INSTEAD?
YOU TAKE IT INSTEAD.
1277
01:42:33,046 --> 01:42:36,283
THANKS TO THE GOLDEN GLOBES.
THIS IS REALLY HEAVY.
1278
01:42:36,350 --> 01:42:39,553
THANK YOU, JESSIE, FOR CASTING
IN THIS, AND FRANCINE FOR
1279
01:42:39,620 --> 01:42:44,958
PUTTING ME IN FRONT OF JESSE.
THIS SHOW HAS CHANGED MY LIFE.
1280
01:42:45,025 --> 01:42:50,297
AND EVERYBODY IN IT WAS AMAZING.
THE CAST, THE CREW WERE
1281
01:42:50,364 --> 01:42:52,399
FANTASTIC.
THIS WAS A TEAM EFFORT.
1282
01:42:52,466 --> 01:42:55,969
IT WAS ALWAYS A TEAM AND THAT'S
WHAT MADE THE SHOW AMAZING, I
1283
01:42:56,036 --> 01:42:57,838
THINK, TO BE PART OF.
THANK YOU TO MY HUSBAND FOR
1284
01:42:57,905 --> 01:43:03,277
HOLDING MY HAND, AND THANK YOU
TO GEORGE AND MY DAUGHTER FOR
1285
01:43:03,343 --> 01:43:06,780
ALSO CHANGING MY LIFE IN
DIFFERENT WAYS.
1286
01:43:06,847 --> 01:43:11,585
JENNY, FOR ALWAYS BEING THERE,
BILLY, SCOTT, LIZ AND HEIDI,
1287
01:43:11,652 --> 01:43:14,788
EVERYONE AT HBO.
1288
01:43:14,855 --> 01:43:19,593
IT'S A TEAM EFFORT ALL AROUND.
THANKS!
1289
01:43:19,660 --> 01:43:23,363
THIS ROOM IS SO INTIMIDATING!
1290
01:43:35,208 --> 01:43:41,048
♪ ♪ PLEASE WELCOME,
1291
01:43:41,114 --> 01:43:49,114
FROM THE TV SHOW "SUITS,"
GABRIEL MACHT AND PATRICK ADAMS.
1292
01:43:55,362 --> 01:43:59,666
WE ARE HERE TO PRESENT BEST
TV SERIES, DRAMA.
1293
01:43:59,733 --> 01:44:03,370
AND THERE IS NOTHING MORE
DRAMATIC AND ANXIETY-INDUCING
1294
01:44:03,437 --> 01:44:11,437
THAN WAITING ALL NIGHT TO HEAR
THAT YOUR CATEGORY FINALLY
1295
01:44:12,913 --> 01:44:17,851
ARRIVED.
AGREE.
1296
01:44:17,918 --> 01:44:21,288
IT'S HARD TO IMAGINE WAITING
THAT LONG FOR YOUR SHOW TO GET
1297
01:44:21,355 --> 01:44:25,058
RECOGNITION.
WHAT ARE YOU TALKING ABOUT?
1298
01:44:25,125 --> 01:44:27,794
DON'T WORRY.
I'LL EXPLAIN IT LATER.
1299
01:44:27,861 --> 01:44:32,165
HEY, GUYS!
DON'T FORGET ABOUT US!
1300
01:44:32,232 --> 01:44:36,470
DID YOU FORGET ABOUT US?
NO, NO, NO.
1301
01:44:36,536 --> 01:44:39,673
SORRY, NOT SORRY, TO
INTERRUPT.
1302
01:44:39,740 --> 01:44:42,576
I DO THINK THEY FORGOT ABOUT
THE NOMINEES.
1303
01:44:42,643 --> 01:44:47,547
RIGHT, NOMINEES, YES.
LET'S GO TO THE NOMINEES.
1304
01:44:47,614 --> 01:44:50,617
OKAY.
THE NOMINEES FOR BEST TELEVISION
1305
01:44:50,684 --> 01:44:55,789
- SERIES, DRAMA, ARE...
- "1923."
1306
01:44:55,856 --> 01:45:00,460
TELL THE WORLD WHAT HAPPENS
WHEN THEY CROSS ME.
1307
01:45:00,527 --> 01:45:02,796
♪ ♪GREED WILL BE THE THING THAT
1308
01:45:02,863 --> 01:45:10,863
KILLS US ALL.
COME WITH ME.
1309
01:45:12,372 --> 01:45:16,977
YOU ARE NO GOOD, JACOB DUT
DUTTON!
1310
01:45:17,044 --> 01:45:21,248
MEN KILLED QUICK WITH A
BULLET OR A NOOSE, BUT THEIR
1311
01:45:21,314 --> 01:45:23,750
FIGHT IS WITH ME, AND I KILL
MUCH SLOWER.
1312
01:45:23,817 --> 01:45:30,257
"THE CROWN."
I'M AFRAID, YOUR MAJESTY,
1313
01:45:30,323 --> 01:45:33,860
INTEREST IN THE PRINCESS'S
PRIVATE LIFE IS UNLIKELY TO DIE
1314
01:45:33,927 --> 01:45:35,529
DOWN ANYTIME SOON.
WHAT DO PEOPLE WANT FROM YOU?
1315
01:45:35,595 --> 01:45:40,300
FOR YOU TO BE MOTHER TO THE
NATION.
1316
01:45:40,367 --> 01:45:44,871
YOU'VE SEEN THE IMAGES ON THE
TELEVISION.
1317
01:45:44,938 --> 01:45:45,706
DIANA GAVE THE PEOPLE WHAT THEY
NEEDED.
1318
01:45:45,772 --> 01:45:46,907
ALL OVER THE WORLD, IN THEIR
HOUSES.
1319
01:45:46,973 --> 01:45:53,280
THEY ADORED HER FOR IT.
THIS IS GOING TO BE THE
1320
01:45:53,346 --> 01:45:54,981
BIGGEST THING THAT ANY OF US HAS
EVER SEEN.
1321
01:45:55,048 --> 01:46:00,821
"THE DIPLOMAT."
WELCOME TO LONDON.
1322
01:46:00,887 --> 01:46:04,658
MY HUSBAND WAS AN AMBASSADOR
FOR A LONG TIME.
1323
01:46:04,725 --> 01:46:07,060
THIS WILL BE AN ADJUSTMENT.
YOU WANT MY HELP?
1324
01:46:07,127 --> 01:46:11,531
YOU DON'T WANT MY HELP.
ON THE SMARTEST MAN YOU EVER
1325
01:46:11,598 --> 01:46:16,503
CAN'T WE ADMIT THAT I AM NOT THE
ONLY PROBLEM?
1326
01:46:16,570 --> 01:46:21,341
IT'S THE BEST TOOL WE HAVE TO
DE-ESCALATE A SITUATION THAT IS
1327
01:46:21,408 --> 01:46:22,776
SPINNING OUT OF CONTROL.
YOU DON'T WORK FOR THE U.S.
1328
01:46:22,843 --> 01:46:25,779
GOVERNMENT.
THIS IS NEW TO ME.
1329
01:46:25,846 --> 01:46:29,816
BOTH OF YOU, AT THE SAME TIME.
I COULD USE LESS OF IT.
1330
01:46:29,883 --> 01:46:34,087
"THE LAST OF US."
GOT ANY ADVICE ON THE BEST
1331
01:46:34,154 --> 01:46:34,955
WAY WEST?
YEAH.
1332
01:46:35,021 --> 01:46:40,460
GO EAST.
YOU'VE COME THIS FAR, THEN YOU
1333
01:46:40,527 --> 01:46:47,134
KNOW WHAT'S OUT THERE.
YOU'RE NOT GOING TO SCARE US.
1334
01:46:47,200 --> 01:46:49,436
SCARED HIM. ♪ ♪
1335
01:46:49,503 --> 01:46:54,241
BE CAREFUL WHO YOU PUT YOUR
FAITH IN.
1336
01:46:54,307 --> 01:46:59,146
- DO YOU TRUST ME?
- "THE MORNING
1337
01:46:59,212 --> 01:47:04,251
SHOW."
UBA HAS BECOME THE TARGET OF
1338
01:47:04,317 --> 01:47:06,553
A CYBER ATTACK.
CERTAIN THINGS MAY COME TO
1339
01:47:06,620 --> 01:47:08,588
LIGHT.
THAT YOU EVER TELL ANYBODY?
1340
01:47:08,655 --> 01:47:11,424
PERSONAL THINGS THAT WERE NOT
MEANT TO BE SHARED.
1341
01:47:11,491 --> 01:47:15,629
THEY DIDN'T PROTECT ME.
THEY DIDN'T PROTECT YOU, BUT
1342
01:47:15,695 --> 01:47:18,031
I DID.
WE ARE FLIRTING WITH
1343
01:47:18,098 --> 01:47:22,602
FINANCIAL DISASTER.
WE NEED SOMEONE WITH MORE
1344
01:47:22,669 --> 01:47:25,539
MONEY THAN GOD.
I'M OFFERING YOU A LIFELINE.
1345
01:47:25,605 --> 01:47:28,642
- TAKE THE MONEY.
- "SUCCESSION."
1346
01:47:28,708 --> 01:47:33,580
HE'S ON THE FLOOR, THOMAS.
EXPLAINED TO ME WHAT HE'S
1347
01:47:33,647 --> 01:47:34,681
DOING.
HE MOSEYING.
1348
01:47:34,748 --> 01:47:38,618
IT'S LIKE IF SANTA CLAUS WAS A
HIT MAN.
1349
01:47:38,685 --> 01:47:45,058
I NEED A FIRE BREATHER.
WE HAVE BEEN SCHOOLED BY A
1350
01:47:45,125 --> 01:47:48,261
BARBARIAN THAT GOES BY THE NAME
OF LOGAN ROY.
1351
01:47:48,328 --> 01:47:51,832
SOMETHING BIGGER, WHILE THE
THERE.
1352
01:47:51,898 --> 01:47:54,501
I WANT TO KILL THE OPPOSITION,
CUT THEIR THROATS!
1353
01:47:54,568 --> 01:48:02,475
WE ARE PIRATES!
1354
01:48:02,542 --> 01:48:08,181
AND THE GOLDEN GLOBE GOES
TO...
1355
01:48:08,248 --> 01:48:10,951
"SUCCESSION."
1356
01:48:29,302 --> 01:48:32,772
COMING TO THE
STAGE FOR "SUCCESSION" IS THE
1357
01:48:32,839 --> 01:48:38,178
CAST AND CREATOR,
EXECUTIVE PRODUCER, AND WRITER,
1358
01:48:38,245 --> 01:48:41,581
JESSE ARMSTRONG, PLUS EXECUTIVE
PRODUCERS.
1359
01:48:41,648 --> 01:48:45,585
ACCEPTING THE GOLDEN GLOBE IS
JESSE ARMSTRONG.
1360
01:48:53,393 --> 01:49:01,393
♪ ♪THANK YOU.
1361
01:49:08,341 --> 01:49:09,142
♪ ♪THANK YOU.
1362
01:49:09,209 --> 01:49:16,082
THANK YOU VERY MUCH INDEED.
1363
01:49:16,149 --> 01:49:19,552
SO, IT'S BEEN SAID THAT IT'S A
TEAM EFFORT, THIS SHOW, WHICH IS
1364
01:49:19,619 --> 01:49:23,189
ONE OF THE REASONS IT IS SO
LOVELY TO DO, AND I WOULD LIKE
1365
01:49:23,256 --> 01:49:28,128
TO ACCEPT THIS ON BEHALF OF THE
WHOLE "SUCCESSION" WRITERS ROOM,
1366
01:49:28,194 --> 01:49:32,732
THE DIRECTORIES LED BY MARK, MY
FELLOW PRODUCERS, THE
1367
01:49:32,799 --> 01:49:39,239
EXTRAORDINARY SUBTLE CAST.
1368
01:49:39,306 --> 01:49:43,910
AND THE CREW WHO HAVE WORKED SO
DEDICATEDLY AND BRILLIANTLY ON
1369
01:49:43,977 --> 01:49:48,648
FOUR SEASONS OF THE SHOW.
I'VE BEEN SUPPORTED ALL THE WAY
1370
01:49:48,715 --> 01:49:53,920
THROUGH BY HBO.
1371
01:49:53,987 --> 01:49:56,556
SO IT HAS BEEN SUCH A WONDERFUL
TEAM TO WORK WITH.
1372
01:49:56,623 --> 01:49:59,626
WE DECIDED THIS WAS THE RIGHT
TIME TO END THE SHOW, AND THAT
1373
01:49:59,693 --> 01:50:04,064
WAS VERY BITTERSWEET,
PARTICULARLY FOR ME, BECAUSE I
1374
01:50:04,130 --> 01:50:08,902
FINALLY BOUGHT SOME SHOES THAT
ARE APPROPRIATE FOR AWARDS, AND
1375
01:50:08,969 --> 01:50:13,340
THIS MIGHT BE THE LAST TIME I
EVER GET TO WEAR THEM, IT SEEMS.
1376
01:50:13,406 --> 01:50:16,509
IT IS BITTERSWEET.
BUT THINGS LIKE THIS MAKE IT
1377
01:50:16,576 --> 01:50:19,312
RATHER SWEETER, SO THANK YOU
VERY MUCH, INDEED.
1378
01:50:33,960 --> 01:50:34,961
♪ ♪ EVERYONE IN THIS
1379
01:50:35,028 --> 01:50:38,031
BALLROOM IS GETTING LOOSE AS THE
PARTY KEEPS GOING.
1380
01:50:38,098 --> 01:50:40,538
WILL FERRELL AND KRISTEN WIIG
TAKE THE STAGE RIGHT AFTER THIS.
1381
01:50:57,984 --> 01:50:59,753
PLEASE WELCOME,
FROM THE UPCOMING SERIES
1382
01:50:59,819 --> 01:51:03,923
"PALM ROYALE," KRISTEN WIIG, AND
PRODUCER OF GOLDEN GLOBE NOMINEE
1383
01:51:03,990 --> 01:51:11,990
"MAY DECEMBER," WILL FERRELL.
1384
01:51:16,002 --> 01:51:16,936
GOOD EVENING.
1385
01:51:17,003 --> 01:51:20,940
HELLO.
EVERYONE LOOKS BEAUTIFUL
1386
01:51:21,007 --> 01:51:23,877
TONIGHT.
AND WHAT A SPECIAL NIGHT IT IS.
1387
01:51:23,943 --> 01:51:28,381
WE ARE HONORED TO BE HERE AND
RECOGNIZE THE FEARLESS AND
1388
01:51:28,448 --> 01:51:33,720
INSPIRED PERFORMANCES BY A MALE
ACTOR IN A MOTION PICTURE,
1389
01:51:33,787 --> 01:51:38,124
MUSICAL OR COMEDY.
IT'S TRULY AMAZING...
1390
01:51:38,191 --> 01:51:43,830
INCREDIBLE.
HOW MUCH A LAUGH...
1391
01:51:54,507 --> 01:52:00,780
NOT SURE WHAT THAT WAS.
SORRY ABOUT THAT.
1392
01:52:00,847 --> 01:52:04,150
UM, TONIGHT WE APPLAUD THE
1393
01:52:04,217 --> 01:52:06,519
OUTSTANDING NOMINEES.
LEGENDS LIKE NICOLAS CAGE,
1394
01:52:06,586 --> 01:52:14,586
MATT DAMON...
1395
01:52:21,534 --> 01:52:22,802
MATT DAMON...
1396
01:52:22,869 --> 01:52:25,572
JUST KEEP GOING.
KEEP GOING.
1397
01:52:25,638 --> 01:52:27,507
JEFFREY WRIGHT,
PAUL GIAMATTI,
1398
01:52:27,574 --> 01:52:31,111
TIMOTHEE CHALAMET.
AND, OF COURSE, JOAQUIN...
1399
01:53:01,007 --> 01:53:06,446
WHAT IS GOING ON?!
1400
01:53:06,513 --> 01:53:09,415
OKAY, WILL, LET'S JUST BE
HONEST WITH EVERYONE.
1401
01:53:09,482 --> 01:53:13,253
GO AHEAD.
ALL RIGHT.
1402
01:53:13,319 --> 01:53:14,954
GUYS, THIS SONG DOES SOMETHING
TO US.
1403
01:53:15,021 --> 01:53:17,524
AS YOU CAN SEE.
AND IT ALWAYS HAS.
1404
01:53:17,590 --> 01:53:20,560
FOR DECADES.
AND WHOEVER IS PUTTING ON
1405
01:53:20,627 --> 01:53:24,164
THIS SHOW TONIGHT KNOWS IT!
1406
01:53:24,230 --> 01:53:26,232
THEY WANTED US TO COME OUT
HERE, MAKE A BUNCH OF JOKES, AND
1407
01:53:26,299 --> 01:53:30,170
WE SAID NO.
WE SAID NO!
1408
01:53:30,236 --> 01:53:31,771
WE WANNA BE SERIOUS TONIGHT.
WHY?
1409
01:53:31,838 --> 01:53:34,874
BECAUSE IT'S A SERIOUS NIGHT.
AND THEY KNEW JUST WHAT TO DO
1410
01:53:34,941 --> 01:53:36,843
TO GET WHAT THEY WANTED... PLAY
OUR FAVORITE SONG.
1411
01:53:36,910 --> 01:53:42,982
WE LOOK RIDICULOUS.
LIKE A COUPLE OF J-HOLES.
1412
01:53:43,049 --> 01:53:45,985
I'M EMBARRASSED.
THE GOLDEN GLOBES HAVE NOT
1413
01:53:46,052 --> 01:53:50,023
CHANGED!
1414
01:53:50,089 --> 01:53:55,461
HERE ARE THE NOMINEES.
HERE ARE THE NOMINEES.
1415
01:53:55,528 --> 01:54:00,733
NICOLAS CAGE,
"DREAM SCENARIO."
1416
01:54:00,800 --> 01:54:08,800
TIMOTHEE CHALAMET, "WONKA."
MATT DAMON, "AIR."
1417
01:54:10,843 --> 01:54:16,416
PAUL GIAMATTI, "THE HOLDOVERS."
JOAQUIN PHOENIX,
1418
01:54:16,482 --> 01:54:21,254
"BEAU IS AFRAID."
JEFFREY WRIGHT,
1419
01:54:21,321 --> 01:54:29,321
"AMERICAN FICTION."
1420
01:54:31,431 --> 01:54:35,435
SMELLS LIKE HOT SUSHI IN
HERE.
1421
01:54:35,501 --> 01:54:39,606
AM I THE ONLY ONE?
1422
01:54:39,672 --> 01:54:41,241
RIGHT?
IT DOES.
1423
01:54:41,307 --> 01:54:44,143
IT'S LIKE HOT SUSHI.
AND THE GOLDEN GLOBE GOES
1424
01:54:44,210 --> 01:54:52,185
TO...
PAUL GIAMATTI, "THE HOLDOVERS!"
1425
01:55:01,861 --> 01:55:06,899
THIS IS PAUL
1426
01:55:06,966 --> 01:55:09,235
GIAMATTI'S SIXTH NOMINATION AND
HIS THIRD WIN.
1427
01:55:09,302 --> 01:55:12,905
PAUL WINS HIS BYE TONIGHT FOR
HIS ROLE AS PAUL HUNHAM IN "THE
1428
01:55:12,972 --> 01:55:14,974
HOLDOVERS."
MY GOSH.
1429
01:55:25,985 --> 01:55:31,658
SO MANY STAIRS.
MY KNEES ARE SHOT, I'M TELLING
1430
01:55:31,724 --> 01:55:34,594
YOU.
UP AND DOWN, ALL NIGHT, STANDING
1431
01:55:34,661 --> 01:55:37,964
UP AND SITTING DOWN ALL NIGHT.
I'M NEVER GOING TO BE IN "JOHN
1432
01:55:38,031 --> 01:55:40,266
"AT THIS RATE.
SURELY THIS IS THE FIRST TIME
1433
01:55:40,333 --> 01:55:46,939
THIS AWARD HAS BEEN GIVEN TO AN
ACTOR WHO HAS PLAYED A MAN WHO
1434
01:55:47,006 --> 01:55:50,877
SMELLS LIKE FISH.
1435
01:55:50,943 --> 01:55:55,815
THANK YOU, GOLDEN GLOBES.
AND THANK YOU TO ALEXANDER
1436
01:55:55,882 --> 01:55:58,451
PAYNE.
ALEXANDER THE GREAT.
1437
01:55:58,518 --> 01:56:03,323
WHO, FOR SOME MYSTERIOUS REASON,
1438
01:56:03,389 --> 01:56:05,325
CONTINUES TO HAVE ENORMOUS FAITH
IN ME.
1439
01:56:05,391 --> 01:56:09,829
AND WHY?
I DON'T KNOW WHY.
1440
01:56:09,896 --> 01:56:17,270
AND DA'VINE JOY RANDOLPH,
DOMINIC SESSA, I LOVE YOU VERY
1441
01:56:17,337 --> 01:56:19,238
MUCH.
DAVID, FOCUS FEATURES, THE
1442
01:56:19,305 --> 01:56:24,711
ENTIRE CAST AND CREW, AND BOS
BOSTON, BEANTOWN.
1443
01:56:24,777 --> 01:56:31,417
FANTASTIC PEOPLE, ONE AND ALL.
I WANT TO SAY I LOVE MY
1444
01:56:31,484 --> 01:56:33,786
BEAUTIFUL GIRLFRIEND, CLARA
WONG.
1445
01:56:33,853 --> 01:56:36,756
WHY YOU WOULD BOTHER WITH ME, I
DON'T KNOW.
1446
01:56:36,823 --> 01:56:42,161
AND I GUESS I WANT TO GIVE A
SHOUT OUT TO MY SON, SAMUEL, WHO
1447
01:56:42,228 --> 01:56:46,399
RECENTLY GRADUATED FROM COLLEGE.
THANK YOU.
1448
01:56:46,466 --> 01:56:48,167
IT'S A MOVIE ABOUT A TEACHER.
1449
01:56:48,234 --> 01:56:51,304
I PLAY A TEACHER IN IT.
MY WHOLE FAMILY, THEY ARE
1450
01:56:51,371 --> 01:56:53,973
TEACHERS.
ALL OF THEM, GOING BACK
1451
01:56:54,040 --> 01:56:57,377
GENERATIONS.
TEACHERS ARE GOOD PEOPLE.
1452
01:56:57,443 --> 01:57:00,012
WE'VE GOT TO RESPECT THEM.
THEY DO A GOOD THING.
1453
01:57:00,079 --> 01:57:05,318
IT'S A TOUGH JOB.
SO THIS IS FOR TEACHERS, AS WE
1454
01:57:05,385 --> 01:57:07,720
WELL.
THANKS, YOU GUYS.
1455
01:57:07,787 --> 01:57:10,523
THANK YOU.
1456
01:57:10,590 --> 01:57:15,695
PLEASE WELCOME THE
1457
01:57:15,762 --> 01:57:18,865
STARS OF THE FILM "NYAD," GOLDEN
GLOBE WINNER ANNETTE BENING,
1458
01:57:18,931 --> 01:57:23,035
AND PAST RECIPIENT OF THE
CECIL B. DeMILLE AWARD,
1459
01:57:23,102 --> 01:57:31,102
JODIE FOSTER.
1460
01:57:34,847 --> 01:57:36,783
FROM THE TRUE STORY ABOUT AN
1461
01:57:36,849 --> 01:57:41,788
ATHLETE AND AN ICONIC SHOE...
TO A MOVIE ABOUT A DOLL AND
1462
01:57:41,854 --> 01:57:44,257
HER POWER IN THIS WORLD.
THE NOMINATED FILMS IN THIS
1463
01:57:44,323 --> 01:57:46,959
NEXT CATEGORY PORTRAYED
IMPORTANT AND ENGAGING STORIES,
1464
01:57:47,026 --> 01:57:51,631
WHILE ALSO MAKING A HUGE
CULTURAL IMPACT.
1465
01:57:51,697 --> 01:57:53,866
IT'S OUR TRUE HONOR TO BE A
PART OF GIVING ONE OF THESE
1466
01:57:53,933 --> 01:57:57,637
FILMS AN AWARD TONIGHT.
I COULDN'T AGREE MORE.
1467
01:57:57,703 --> 01:58:00,840
THE NOMINEES FOR BEST MOTION
PICTURE, MUSICAL OR COMEDY,
1468
01:58:00,907 --> 01:58:07,146
- ARE...
- "AIR."
1469
01:58:07,213 --> 01:58:10,183
I'M WILLING TO BET MY CAREER
ON ONE GUY.
1470
01:58:10,249 --> 01:58:13,553
FOR A ROOKIE?
WAS NEVER SET FOOT ON AN NBA
1471
01:58:13,619 --> 01:58:15,855
COURT?
THAT'S THE LITERAL DEFINITION
1472
01:58:15,922 --> 01:58:16,722
- OF ROOKIE, YEAH.
- "AMERICAN
1473
01:58:16,789 --> 01:58:20,460
FICTION."
WE BELIEVE HE'S WRITTEN A
1474
01:58:20,526 --> 01:58:22,462
BEST SELLER.
THE MOST LUCRATIVE JOKE
1475
01:58:22,528 --> 01:58:25,498
YOU'VE EVER TOLD.
THEY ARE OFFERING $4 MILLION FOR
1476
01:58:25,565 --> 01:58:29,235
- THE MOVIE RIGHTS.
- "BARBIE."
1477
01:58:29,302 --> 01:58:33,439
TAKE MY HANDS.
NOW FEEL.
1478
01:58:33,506 --> 01:58:36,075
IT'S LITERALLY IMPOSSIBLE TO
BE A WOMAN, AND IT KILLS ME THAT
1479
01:58:36,142 --> 01:58:37,844
YOU DON'T THINK YOU'RE GOOD
ENOUGH.
1480
01:58:37,910 --> 01:58:45,117
"THE HOLDOVERS."
MR. HUNHAM, I HEARD HE GOT
1481
01:58:45,184 --> 01:58:46,619
STUCK WITH BABYSITTING DUTY THIS
YEAR.
1482
01:58:46,686 --> 01:58:50,089
HOW DO YOU MANAGE THAT?
HE'S TO BE A STUDENT.
1483
01:58:50,156 --> 01:58:52,258
THAT'S WHY HE INFLICT MAXIMUM
PAIN ON US.
1484
01:58:52,325 --> 01:58:58,097
"MAY DECEMBER."
WHAT WOULD MAKE A 36-YEAR-OLD
1485
01:58:58,164 --> 01:59:00,032
WOMAN HAVE AN AFFAIR WITH A
SEVENTH GRADER?
1486
01:59:00,099 --> 01:59:03,903
PEOPLE SEE ME AS A VICTIM.
I WANTED IT.
1487
01:59:03,970 --> 01:59:11,277
"POOR THINGS."
I'M BELLA BAXTER AND THERE'S
1488
01:59:11,344 --> 01:59:13,646
A WORLD TO ENJOY,
CIRCUMNAVIGATE.
1489
01:59:13,713 --> 01:59:17,149
TELL ME, WHERE DO YOU COME
FROM?
1490
01:59:17,216 --> 01:59:21,988
BELLA.
WHY KEEP IT IN MY MOUTH IF IT
1491
01:59:22,054 --> 01:59:22,788
IS REVOLTING?
1492
01:59:22,855 --> 01:59:27,894
AND THE GOLDEN GLOBE GOES
TO...
1493
01:59:27,960 --> 01:59:31,898
"POOR THINGS."
1494
01:59:31,964 --> 01:59:37,603
COMING TO THE
1495
01:59:37,670 --> 01:59:42,008
STAGE TONIGHT FOR "POOR THINGS"
IS DIRECTOR YORGOS LANTHIMOS,
1496
01:59:42,074 --> 01:59:45,645
PRODUCER AND ACTOR EMMA STONE,
AND PRODUCERS
1497
01:59:47,780 --> 01:59:49,782
ACCEPTING THE GOLDEN GLOBEIS EM.
1498
02:00:15,575 --> 02:00:18,778
WE ARE FIGHTING WHO IS GOING
TO SPEAK.
1499
02:00:18,844 --> 02:00:20,947
I JUST WANTED TO SPEAK TO
BRUCE SPRINGSTEEN THE WHOLE
1500
02:00:21,013 --> 02:00:22,648
NIGHT.
1501
02:00:22,715 --> 02:00:26,452
WE HAVE THE SAME BIRTHDAY, THE
23RD OF SEPTEMBER.
1502
02:00:26,519 --> 02:00:28,888
HE'S BEEN MY HERO SINCE I GREW
UP.
1503
02:00:28,955 --> 02:00:34,393
ANYWAY, I'M WASTING MY TIME.
THANK YOU, EVERYBODY.
1504
02:00:34,460 --> 02:00:40,099
EVERYBODY WHO WORKED ON THE
FILM, THE PEOPLE AT SEARCHLIGHT,
1505
02:00:40,166 --> 02:00:43,936
FILM 4 ELEMENT, THAT PRODUCED
THE FILM AND MADE IT HAPPEN.
1506
02:00:44,003 --> 02:00:48,708
THE ACTORS, WONDERFUL ACTORS.
BRUCE SPRINGSTEEN, FOR MAKING ME
1507
02:00:48,774 --> 02:00:55,414
GROW UP THE WAY I DID.
AND EMMA, OF COURSE.
1508
02:00:55,481 --> 02:00:57,583
SHE WON, YOU KNOW IT.
SHE'S THE BEST.
1509
02:00:57,650 --> 02:00:59,652
THANK YOU SO MUCH.
AND YORGOS.
1510
02:01:21,007 --> 02:01:24,944
IS IT REALLY A
HOLLYWOOD PARTY WITHOUT OPRAH?
1511
02:01:25,011 --> 02:01:27,346
LUCKILY SHE'S HANDING OUT THE
LAST AWARD OF THE NIGHT, WHEN
1512
02:01:27,413 --> 02:01:28,413
THE GOLDEN GLOBES RETURN.
1513
02:01:37,690 --> 02:01:38,991
WE'RE COMING UP TO THE FINAL
AWARDS.
1514
02:01:39,058 --> 02:01:47,058
PLEASE WELCOME KATE BECKINSALE,
AND DON CHEADLE.
1515
02:01:56,409 --> 02:02:02,915
EVERYONE HAS A STORY ABOUT
HOW THEY GOT A ROLE.
1516
02:02:02,982 --> 02:02:06,419
I FOUND OUT I GOT MY FIRST BIG
BREAK WHILE I WAS STILL A
1517
02:02:06,485 --> 02:02:07,920
STUDENT AT OXFORD.
I LOVE THAT STORY.
1518
02:02:07,987 --> 02:02:09,288
ME, TOO.
I GET TO REMIND EVERYONE I WENT
1519
02:02:09,355 --> 02:02:12,925
TO OXFORD.
YOU GOT THAT IN THERE, THAT'S
1520
02:02:12,992 --> 02:02:14,694
GOOD.
I WOULDN'T HAVE GOTTEN THE
1521
02:02:14,760 --> 02:02:22,760
ROLE OF MOUSE IN
"DEVIL IN A BLUE DRESS" HAD I
1522
02:02:27,506 --> 02:02:28,708
NOT DUMPED INTO THE DIRECTOR AT
A DOCTOR'S OFFICE.
1523
02:02:28,774 --> 02:02:30,376
WHERE I PHYSICALLY THREATENED
HIM INTO CASTING ME AS MOUSE IN
1524
02:02:30,443 --> 02:02:31,877
"DEVIL IN A BLUE DRESS."
LILY GLADSTONE WAS WAITING TO
1525
02:02:31,944 --> 02:02:33,012
HEAR ABOUT A JOB TRACKING GIANT
HORNETS, AND THEN GOT A CALL
1526
02:02:33,079 --> 02:02:35,948
FROM MARTIN SCORSESE.
DID YOU SAY "GIANT HORNETS?"
1527
02:02:36,015 --> 02:02:37,650
FOR THE FIRST TIME IN MY
LIFE, YES.
1528
02:02:37,717 --> 02:02:42,955
GRETA LEE FIRST HEARD ABOUT
"PAST LIVES" FROM AN EMAIL
1529
02:02:43,022 --> 02:02:44,790
DO YOU SPEAK
IT?"
1530
02:02:44,857 --> 02:02:48,961
WELL, ONE OF THESE ACTORS IS
ABOUT TO HAVE ANOTHER VERY COOL
1531
02:02:49,028 --> 02:02:50,763
STORY TO TELL.
HERE ARE THE NOMINEES FOR BEST
1532
02:02:50,830 --> 02:02:56,469
PERFORMANCE BY A FEMALE ACTOR IN
A MOTION PICTURE, DRAMA.
1533
02:02:56,535 --> 02:03:00,573
ANNETTE BENING,
"NYAD."
1534
02:03:00,639 --> 02:03:05,411
LILY GLADSTONE,
"KILLERS OF THE FLOWER MOON."
1535
02:03:05,478 --> 02:03:10,382
SANDRA HULLER,
"ANATOMY OF A FALL."
1536
02:03:10,449 --> 02:03:18,449
GRETA LEE, "PAST LIVES."
CAREY MULLIGAN, "MAESTRO."
1537
02:03:19,925 --> 02:03:27,925
CAILEE SPAENY, "PRISCILLA."
1538
02:03:29,135 --> 02:03:35,708
AND THE GOLDEN GLOBE GOES
TO...
1539
02:03:35,775 --> 02:03:38,444
LILY GLADSTONE!
1540
02:03:38,511 --> 02:03:46,511
THIS IS LILY GLADSTONE'S
1541
02:03:53,292 --> 02:03:56,695
FIRST NOMINATION AND FIRST WIN.
SHE WINS OR GOLDEN GLOBE TONIGHT
1542
02:03:56,762 --> 02:04:00,332
FOR HER ROLE OF MOLLIE BURKHART
AND "KILLERS OF THE FLOWER
1543
02:04:00,399 --> 02:04:06,305
MOON."
1544
02:04:46,412 --> 02:04:54,412
I LOVE EVERYONE IN THIS ROOM
1545
02:04:57,723 --> 02:05:05,664
I DON'T HAVE WORDS.
I JUST SPOKE A BIT OF BLACKFEET
1546
02:05:05,731 --> 02:05:08,834
LANGUAGE, A BEAUTIFUL COMMUNITY
NATION THAT RAISED ME AND
1547
02:05:08,901 --> 02:05:12,238
ENCOURAGED ME TO KEEP GOING,
KEEP DOING THIS.
1548
02:05:12,304 --> 02:05:17,376
MY MOM, WHO, EVEN THOUGH SHE'S
NOT BLACKFEET, WORKED TIRELESSLY
1549
02:05:17,443 --> 02:05:20,479
TO GET OUR LANGUAGE INTO OUR
CLASSROOM SO I HAD A BLACKFEET
1550
02:05:20,546 --> 02:05:28,546
LANGUAGE TEACHER GROWING UP.
1551
02:05:29,488 --> 02:05:35,761
THIS AWARD BELONGS TO... I HOPE
I DON'T GET COUNTED DOWN TOO
1552
02:05:35,828 --> 02:05:39,531
FAST, BECAUSE THIS IS AN
HISTORIC ONE.
1553
02:05:39,598 --> 02:05:42,568
I'M SO GRATEFUL I CAN SPEAK EVEN
A LITTLE BIT OF MY LANGUAGE,
1554
02:05:42,635 --> 02:05:45,404
WHICH I'M NOT FLUENT IN, UP
HERE.
1555
02:05:45,471 --> 02:05:49,575
BECAUSE, IN THIS BUSINESS,
NATIVE ACTORS USED TO SPEAK
1556
02:05:49,642 --> 02:05:53,145
THEIR LINES IN ENGLISH, AND THE
SOUND MIXER IS RUN THEM
1557
02:05:54,179 --> 02:05:58,584
BACKWARDS TO ACCOMPLISH NATIVE
LANGUAGES ON CAMERA.
1558
02:05:58,651 --> 02:06:02,154
THIS IS AN HISTORIC WIN.
IT DOESN'T BELONG TO JUST ME.
1559
02:06:02,221 --> 02:06:05,424
I'M HOLDING IT RIGHT NOW.
I'M HOLDING WITH ALL OF MY
1560
02:06:05,491 --> 02:06:12,197
BEAUTIFUL SISTERS IN THE FILM AT
THE TABLE OVER HERE, AND MY
1561
02:06:12,264 --> 02:06:15,401
MOTHER, STANDING ON ALL OF YOUR
SHOULDERS.
1562
02:06:15,467 --> 02:06:17,803
THANK YOU.
THANK YOU, MARTY.
1563
02:06:17,870 --> 02:06:23,575
THANK YOU, LEO.
THANK YOU, BOB.
1564
02:06:23,642 --> 02:06:28,614
YOU ARE ALL CHANGING THINGS.
THANK YOU FOR BEING SUCH ALLIES.
1565
02:06:28,681 --> 02:06:33,552
THANK YOU, ERIC.
THANK YOU, CHIEF STANDING BEAR,
1566
02:06:33,619 --> 02:06:41,393
AND TO THE OSAGE NATION.
I'M AT A LOSS FOR WHAT ELSE TO
1567
02:06:41,460 --> 02:06:43,329
SAY.
THANK YOU, APPLE.
1568
02:06:43,395 --> 02:06:47,566
THANK YOU MY MANAGER, MY AGENT,
JOEL AND SASHA.
1569
02:06:47,633 --> 02:06:53,038
THANK YOU TO ALL OF YOU.
AND THIS IS FOR EVERY LITTLE REZ
1570
02:06:53,105 --> 02:06:55,474
KID COME EVERY LITTLE URBAN KID,
EVERY LITTLE NATIVE KID OUT
1571
02:06:55,541 --> 02:06:59,178
THERE WHO HAS A DREAM AND IS
SEEING THEMSELVES REPRESENTED
1572
02:06:59,244 --> 02:07:05,417
AND ARE STORIES TOLD BY
OURSELVES, IN OUR OWN WORDS, WIH
1573
02:07:05,484 --> 02:07:07,519
TREMENDOUS ALLIES AND
TREMENDOUS TRUST FROM WITHIN,
1574
02:07:07,586 --> 02:07:15,586
FROM EACH OTHER.
THANK YOU ALL SO MUCH.
1575
02:07:35,681 --> 02:07:36,615
PLEASE WELCOME,
RECIPIENT OF THE GOLDEN GLOBES'
1576
02:07:36,682 --> 02:07:40,619
CECIL B. DEMILLE
AWARD, AND PRODUCER OF "THE
1577
02:07:40,686 --> 02:07:44,690
COLOR PURPLE," OPRAH WINFREY.
1578
02:07:53,699 --> 02:07:57,136
♪ ♪HI, EVERYBODY.
1579
02:07:57,202 --> 02:08:03,609
MOVIES HAVE THE ABILITY TO
TRANSFORM HOW WE SEE THE WORLD.
1580
02:08:03,675 --> 02:08:08,280
THEY CAN HELP US ESCAPE, OR
MAKE US FEEL LIKE WE BELONG,
1581
02:08:08,347 --> 02:08:10,649
AND, AT THE END OF THE DAY,
ENTERTAIN US.
1582
02:08:10,716 --> 02:08:12,484
WHILE COMEDIES MAKE US LAUGH,
DRAMAS CAN INSPIRE US TO MAKE A
1583
02:08:12,551 --> 02:08:14,953
CHANGE, EVEN IF THAT CHANGE IS
SMALL.
1584
02:08:15,020 --> 02:08:17,823
AND THAT IS WHY IT IS MY HONOR
TO PRESENT BEST MOTION PICTURE,
1585
02:08:17,890 --> 02:08:22,761
- DRAMA.
- "ANATOMY OF A
1586
02:08:22,828 --> 02:08:28,267
FALL."
STOPPED.
1587
02:08:28,333 --> 02:08:31,670
I DID NOT KILL HIM.
THAT'S NOT THE POINT.
1588
02:08:31,737 --> 02:08:35,107
"KILLERS OF THE
FLOWER MOON."
1589
02:08:35,174 --> 02:08:38,143
HOW DO I KNOW IF YOU LOVE ME
ANYMORE?
1590
02:08:38,210 --> 02:08:41,246
OF COURSE I LOVE YOU.
THEN KILL THESE MEN YOU
1591
02:08:41,313 --> 02:08:44,516
- KILLED MY FAMILY.
- "MAESTRO."
1592
02:08:44,583 --> 02:08:47,920
IF SOMETHING DOESN'T SING AND
YOU, THEN NOTHING SEEMS NEW.
1593
02:08:47,986 --> 02:08:49,621
IF NOTHING SEEMS NEW, THEN YOU
CAN'T MAKE MUSIC.
1594
02:08:49,688 --> 02:08:55,561
"OPPENHEIMER."
THIS IS A NATIONAL EMERGENCY.
1595
02:08:55,627 --> 02:08:59,064
WE ARE IN A RACE AGAINST THE
SPEEFIFTEEN AND I KNOW WHAT IT
1596
02:08:59,131 --> 02:09:04,603
- MEANS IF THE NAZIS HAVE A BOMB.
- "PAST LIVES."
1597
02:09:04,670 --> 02:09:07,039
CHILDHOOD SWEETHEART TO
RECONNECT 20 YEARS LATER AND
1598
02:09:07,106 --> 02:09:08,006
REALIZE THEY ARE MEANT FOR EACH
OTHER.
1599
02:09:08,073 --> 02:09:10,008
- SHUT UP!
- "THE ZONE OF
1600
02:09:10,075 --> 02:09:18,075
INTEREST."
[SPEAKING IN A GLOBAL
1601
02:09:19,718 --> 02:09:25,157
[LANGUAGE]
1602
02:09:25,224 --> 02:09:30,496
AND THE GOLDEN GLOBE GOES
TO...
1603
02:09:30,562 --> 02:09:36,902
"OPPENHEIMER!"
1604
02:09:53,185 --> 02:09:56,622
COMING TO THE
STAGE TONIGHT FOR "OPPENHEIMER"
1605
02:09:56,688 --> 02:10:02,661
IS A WRITER, PRODUCER, AND
DIRECTOR, CHRISTOPHER NOLAN, AND
1606
02:10:02,728 --> 02:10:03,629
PRODUCERS EMMA THOMAS AND
CHARLES ROVEN.
1607
02:10:03,695 --> 02:10:09,902
ACCEPTING THE GOLDEN GLOBE IS
EMMA THOMAS.
1608
02:10:18,343 --> 02:10:24,483
THIS IS CRAZY!
MY GOD.
1609
02:10:24,550 --> 02:10:29,254
OKAY, THAT'S CRAZY.
FROM OPRAH!
1610
02:10:29,321 --> 02:10:36,595
THEY WEREN'T KIDDING, THIS IS A
REALLY INTIMIDATING ROOM.
1611
02:10:36,662 --> 02:10:39,498
THANK YOU SO MUCH TO THE
GOLDEN GLOBES.
1612
02:10:39,565 --> 02:10:42,601
CAN YOU HEAR MY HEART BEATING?
BECAUSE IT'S GOING CRAZY!
1613
02:10:42,668 --> 02:10:45,537
THIS WAS JUST AN INCREDIBLE
EXPERIENCE MAKING THIS FILM, AND
1614
02:10:45,604 --> 02:10:51,610
THIS IS JUST THE SMALLEST
PORTION OF THE MANY PEOPLE THAT
1615
02:10:51,677 --> 02:10:57,516
MADE THE FILM WHAT IT IS.
I HAVE LOVED SITTING HERE,
1616
02:10:57,583 --> 02:10:59,284
HEARING EVERYONE TALK ABOUT
THEIR WORK.
1617
02:10:59,351 --> 02:11:03,055
WHAT IS SO CLEAR IS THAT WHAT WE
DO IS COLLABORATION.
1618
02:11:03,121 --> 02:11:06,358
THAT'S AMAZING AND IT'S
EXCITING, AND I FIND THAT TO BE
1619
02:11:06,425 --> 02:11:11,997
COMPLETELY MAGICAL.
I HAVE TO SAY, I AM SO PLEASED
1620
02:11:12,064 --> 02:11:14,299
THAT CHRIS HAS BEEN
ACKNOWLEDGED, BECAUSE I JUST
1621
02:11:14,366 --> 02:11:18,203
THINK THAT WHAT HE DOES IS
UNLIKE ANYTHING ANYONE ELSE IS
1622
02:11:18,270 --> 02:11:22,241
DOING.
1623
02:11:22,307 --> 02:11:30,307
ALL OF THIS TALENT, AND THESE
AMAZING ACTORS BUT ALSO ALL OF
1624
02:11:31,183 --> 02:11:35,053
OUR HODs.
THE P.A.S, CAMERA ASSISTANTS,
1625
02:11:35,120 --> 02:11:36,488
EVERYBODY DID THEIR BEST ON THIS
FILM.
1626
02:11:36,555 --> 02:11:40,125
CHRIS BRINGS THE BEST OUT AND
PEOPLE BY BEING THE VERY BEST
1627
02:11:40,192 --> 02:11:42,327
HIMSELF.
I WOULD LOVE TO THANK DONNA
1628
02:11:42,394 --> 02:11:47,933
LANGLEY AND EVERYBODY AT
UNIVERSAL.
1629
02:11:48,000 --> 02:11:50,002
WHEN I SORT OF LOOK BACK ON THAT
1630
02:11:50,068 --> 02:11:53,338
MOMENT WHEN WE SAT DOWN WITH
YOU, I DON'T THINK IT WAS A
1631
02:11:53,405 --> 02:11:57,943
NO-BRAINER BY ANY STRETCH OF THE
IMAGINATION TO MAKE A THREE HOUR
1632
02:11:58,010 --> 02:12:02,414
TALKY MOVIE ABOUT... R-RATED, BY
THE WAY, ABOUT ONE OF THE
1633
02:12:02,481 --> 02:12:05,183
DARKEST DEVELOPMENTS IN OUR
HISTORY.
1634
02:12:05,250 --> 02:12:09,087
I'M REALLY GRATEFUL THAT YOUR
FAITH IN US HAS BEEN REWARDED
1635
02:12:09,154 --> 02:12:13,325
TONIGHT.
1636
02:12:26,438 --> 02:12:28,240
THAT WRAPS OUR SHOW,
EVERYBODY.
1637
02:12:28,307 --> 02:12:31,076
I HOPE EVERYBODY HAS A
GOOD NIGHT.
1638
02:12:31,143 --> 02:12:34,713
HOLLYWOOD IS BACK!
IT'S A BEAUTIFUL CELEBRATION TO
1639
02:12:34,780 --> 02:12:36,815
ALL 150 COUNTRIES OUT THERE THAT
TUNED IN TO WATCH.
1640
02:12:36,882 --> 02:12:40,652
WE LOVE YOU GUYS.
1641
02:12:40,719 --> 02:12:41,720
GOOD NIGHT. ♪ ♪
1642
02:13:13,752 --> 02:13:16,288
THE NOMINATION
BALLOTS ARE SENT TO ALL ELIGIBLE
1643
02:13:16,355 --> 02:13:18,256
GOLDEN GLOBES VOTERS, WHO CHOOSE
NOMINEES IN EACH CATEGORY.
1644
02:13:18,323 --> 02:13:20,359
ON THE FINAL BALLOT, THE SAME
VOTERS VOTE FOR A WINNER IN EACH
1645
02:13:20,425 --> 02:13:22,227
CATEGORY.
INFORMATION CONCERNING THE FINAL
1646
02:13:22,294 --> 02:13:24,663
RESULTS IS KNOWN ONLY TO THE
ACCOUNTING FIRM OF
1647
02:13:24,730 --> 02:13:27,833
ERNST & YOUNG, L.L.P., PRIOR TO
TONIGHT'S OPENING OF THE SEALED
1648
02:13:27,899 --> 02:13:28,400
ENVELOPES. ♪ ♪
1649
02:13:28,480 --> 02:13:30,480
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