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FROM "DAYS OF OUR
LIVES," DRAKE HOGESTYN.
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YOU BROUGHT EVERYBODY
FROM SALEM WITH YOU.
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00:03:05,482 --> 00:03:11,482
I WANT TO SAY TO EVERYONE,
WELCOME TO THE 50TH ANNUAL
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00:03:11,896 --> 00:03:16,206
DAYTIME EMMYS AWARDS. THEY
INTRODUCED US BUT WE'LL DO
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00:03:16,241 --> 00:03:18,758
IT AGAIN. I'M
NISCHELLE TURNER.
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00:03:18,793 --> 00:03:21,758
AND I'M KEVIN FRAZIER. IT'S
GOOD TO BE BACK AND SEE
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EVERYBODY. 50 YEARS
OF CELEBRATING DAYTIME
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00:03:24,344 --> 00:03:27,000
TELEVISION. ALL THE
EXCELLENCE, IT'S BEEN
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00:03:27,034 --> 00:03:28,458
INCREDIBLE. Nischelle:
IT HAS BEEN WHEN
10
00:03:28,482 --> 00:03:31,793
YOU CONSIDER HOW MUCH HAS
CHANGED IN THE PAST 50 YEARS AND
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00:03:31,827 --> 00:03:36,689
NOT JUST TV. Kevin:
50 YEARS AGO I WAS
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00:03:36,724 --> 00:03:40,379
SITTING IN MY MOM'S LAP IN THE
FRONT SEAT OF THE CAR WITHOUT A
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00:03:40,413 --> 00:03:45,689
SEAT BELT. NOW MY
CARD IS AN EVEN START.
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00:03:45,724 --> 00:03:48,379
Nischelle: TO NOTE
THE TOP HAIRSTYLE WAS?
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00:03:48,413 --> 00:03:52,103
IT WAS THE SHAG. I KNOW
A BUNCH OF PEOPLE HAVE
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00:03:52,137 --> 00:03:58,137
ONE. EVERYBODY HAVE THE SHAG.
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00:04:01,379 --> 00:04:06,517
Kevin: IF I COULD HAVE
KEPT IT I WOULD HAVE.
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TONIGHT WE ARE ALL ABOUT 50
YEARS OF DAYTIME EMMYS HISTORY
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00:04:09,310 --> 00:04:12,586
AND WE ARE KICKING THINGS OFF
WITH A VERY NICE TASTE OF THAT
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00:04:12,620 --> 00:04:15,655
HISTORY. Nischelle:
INDEED WE ARE.
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00:04:15,689 --> 00:04:17,148
THIS YEAR, WE HAVE A
REALLY SPECIAL TREAT.
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00:04:17,172 --> 00:04:18,630
EACH ACTING CATEGORY WILL BE
PRESENTED BY ONE OF LAST YEAR'S
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00:04:18,654 --> 00:04:21,067
ACTING WINNERS, ALONG
WITH A LEGACY WINNER.
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00:04:21,103 --> 00:04:24,137
WE'RE CONNECTING THE DAYTIME
EMMYS WITH ITS STORIED PAST,
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ITS WONDERFUL PRESENT,
AND ITS BRIGHT FUTURE.
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00:04:30,793 --> 00:04:32,665
PRESENTING OUR FIRST AWARD
FOR OUTSTANDING SUPPORTING
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ACTRESS, 2022'S OUTSTANDING
SUPPORTING ACTOR WINNER,
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00:04:36,103 --> 00:04:37,034
JEFF KOBER. Kevin:
AND 2005'S OUTSTANDING
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00:04:37,068 --> 00:04:43,068
SUPPORTING ACTOR
WINNER, GREG RIKAART.
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[APPLAUSE] AS LAST
YEAR'S OUTSTANDING
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SUPPORTING ACTOR WINNER...
AND AS 2005'S OUTSTANDING
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SUPPORTING ACTOR WINNER...
WE BOTH KNOW EXACTLY WHAT
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00:04:59,172 --> 00:05:01,931
ALL THE NOMINEES ARE
FEELING RIGHT NOW.
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00:05:01,965 --> 00:05:04,551
INCREDIBLE ELATION
AT BEING NOMINATED.
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00:05:04,586 --> 00:05:07,655
THE SOARING HOPE OF PERHAPS
WINNING AND TAKING HOME
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00:05:07,689 --> 00:05:09,793
THE GOLD. AND THE
TERROR THAT IF YOU
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00:05:09,827 --> 00:05:13,724
DO WIN, YOU MIGHT LEAVE SOMEONE
OFF YOUR ACCEPTANCE SPEECH,
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LIKE I DID LAST YEAR WHEN I
DIDN'T MENTION MY MAKEUP ARTIST
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ALLIE FLECK. [APPLAUSE]
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00:05:26,068 --> 00:05:30,482
Nischelle: I FORGOT
TO MENTION MY EX.
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00:05:30,517 --> 00:05:36,517
[LAUGHTER] I THINK
THAT'S WHY HE'S MY EX.
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00:05:37,517 --> 00:05:40,103
BUT WHEN YOU HEAR
YOUR NAME CALLED...
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THE ONLY EMOTION YOU FEEL IN
THAT MOMENT IS ABSOLUTE JOY.
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00:05:45,379 --> 00:05:46,700
THE NOMINEES FOR OUTSTANDING
SUPPORTING PERFORMANCE
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00:05:46,724 --> 00:05:49,448
IN A DAYTIME DRAMA
SERIES ACTRESS ARE...
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00:05:49,482 --> 00:05:53,310
KRISTA ALLEN, SONYA EDDY,
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00:05:53,344 --> 00:05:57,551
STACY HAIDUK, BROOK KERR,
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00:05:57,586 --> 00:06:03,586
KELLY THIEBAUD, AND
THE EMMY GOES TO...
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00:06:11,448 --> 00:06:17,448
SONYA EDDY. AS
EPIPHANY JOHNSON,
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00:06:18,793 --> 00:06:24,793
"GENERAL HOSPITAL." [APPLAUSE]
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00:06:33,724 --> 00:06:38,206
"GENERAL HOSPITAL." [APPLAUSE]
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00:06:38,241 --> 00:06:41,655
>> SONYA EDDY.
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JOINS A RARE GROUP
OF PERFO PERFORMERS.
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ACCEPTING THIS IS
BITTER BITTERSWEET.
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00:06:52,137 --> 00:06:58,103
I WANT TO THANK FRANK MORE THAN
ANYTHING FOR BEING A FAITHFUL
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00:06:58,137 --> 00:07:02,103
FRIEND. DISNEY ABC
AND THE CAST AND CREW
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00:07:02,137 --> 00:07:05,689
OF "GENERAL HOSPITAL" FOR
EMBRACING HER FOR 16 YEARS.
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00:07:05,724 --> 00:07:10,172
AND I WANT TO THANK THE
ACADEMY FOR ACKNOWLEDGING HER
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00:07:10,206 --> 00:07:14,517
CONTRIBUTION AND CRAFT.
SONYA NEVER ASPIRED TO BE AN
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00:07:14,551 --> 00:07:18,310
ACTOR AND WHILE HER TALENT WAS
UNDENIABLE, I'M SURE THAT SHE'S
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00:07:18,344 --> 00:07:21,310
MORE OVERJOYED BY BEING
REMEMBERED FOR HOW SHE MADE
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00:07:21,344 --> 00:07:27,344
PEOPLE FEEL ON THE
SCREEN END. THANK YOU.
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00:07:27,482 --> 00:07:33,482
Announcer: PLEASE WELCOME
2022'S DAYTIME EMMY WINNER FOR
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OUTSTANDING SUPPORTING
ACTRESS FOR HER ROLE AS
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"GENERAL HOSPITAL'S"
DR. BRITT WESTBOURNE,
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KELLY THIEBAUD. AND
DIRECTOR, PRODUCER,
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AND WINNER OF THE 1980
DAYTIME EMMY FOR OUTSTANDING
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SUPPORTING ACTRESS,
FRANCESCA JAMES.
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00:07:48,103 --> 00:07:54,103
[CHEERS AND APPLAUSE]
HI, EVERYONE.
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00:07:57,689 --> 00:08:00,965
I LOVE HOW THEY'RE HAVING
LAST YEAR'S WINNER, ME,
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00:08:01,000 --> 00:08:03,896
PRESENT WITH FRANCESCA, A
LEGACY WINNER FROM 1980.
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00:08:03,931 --> 00:08:06,137
IT MAKES IT REALLY
SPECIAL FOR ME.
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00:08:06,172 --> 00:08:11,517
THANK YOU, KELLY. WHEN
I HEARD WE WERE DOING IT
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00:08:11,551 --> 00:08:15,689
TOGETHER, I THOUGHT THAT
WAS AN EXCELLENT IDEA.
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00:08:15,724 --> 00:08:19,413
REALLY LOVELY, LOVELY IDEA.
WELL, WHAT'S LOVELY IS YOUR
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00:08:19,448 --> 00:08:20,665
CONNECTION TO
DAYTIME EMMY HISTORY.
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00:08:20,689 --> 00:08:22,458
DID YOU GUYS KNOW FRANCESCA
IS A FIVE-TIME EMMY WINNER AND
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00:08:22,482 --> 00:08:28,137
WAS THE SECOND EVER WINNER OF
THE SUPPORTING ACTRESS AWARD?
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00:08:28,172 --> 00:08:33,241
I'M STANDING NEXT TO DAYTIME
EMMY ROYALTY, PEOPLE.
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00:08:33,275 --> 00:08:34,482
I COULD RAVE
ABOUT YOU ALL DAY.
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00:08:34,517 --> 00:08:40,517
WELL, I APPRECIATE THAT COMING
FROM YOU, BECAUSE YOU'RE
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00:08:42,413 --> 00:08:48,413
BEAUTIFUL AND ENVIABLY TALL.
YOU'RE REMARKABLE YOURSELF,
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00:08:48,482 --> 00:08:51,724
SHOULD WE DO WHAT WE'VE BEEN
ASKED TO DO AND MAKE THIS
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00:08:51,758 --> 00:08:54,172
PRESENTATION? YES.
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00:08:54,206 --> 00:08:55,803
THE NOMINEES FOR OUTSTANDING
SUPPORTING PERFORMANCE
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00:08:55,827 --> 00:08:57,286
IN A DAYTIME DRAMA
SERIES ACTOR ARE...
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00:08:57,310 --> 00:09:03,310
NICHOLAS CHAVEZ, CHAD DUELL,
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00:09:03,344 --> 00:09:05,896
DAN FEUERRIEGEL,
ROBERT GOSSETT,
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00:09:05,931 --> 00:09:11,931
JON LINDSTROM. AND
THE EMMY GOES TO...
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00:09:20,862 --> 00:09:21,758
JON LINDSTROM. AND
THE EMMY GOES TO...
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00:09:21,793 --> 00:09:26,931
ROBERT GOSSETT, FROM
"GENERAL HOSPITAL."
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00:09:26,965 --> 00:09:31,517
ROBERT GOSSETT WON LAST
YEAR'S GUEST PERFORMER DAYTIME
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00:09:31,551 --> 00:09:35,655
EMMYS FOR THE SAME ROLE
AS MARSHALL ASHFORD ON
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"GENERAL HOSPITAL."
YOU'VE BEEN UP SINCE THE
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00:09:39,103 --> 00:09:42,103
CRACK OF DAWN STUDYING.
YOU'VE GOT THIS.
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00:09:42,137 --> 00:09:44,275
THANK YOU FOR THE
ENCOURAGEMENT.
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00:09:44,310 --> 00:09:48,724
I'M JUST STATING FACTS.
WON A FINAL PASS?
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00:09:48,758 --> 00:09:51,931
SO WHAT. SO WHAT.
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00:09:51,965 --> 00:09:56,689
A VALIANT EFFORT
IS NOT A FAILURE.
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00:09:56,724 --> 00:09:57,931
FAR FROM IT. IT'S BRAVE.
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00:09:57,965 --> 00:10:03,965
EPIPHANY, ITS CREATORS.
IT'S COURAGEOUS.
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00:10:10,000 --> 00:10:16,000
FRANK VALENTINI. THANK YOU.
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00:10:16,103 --> 00:10:20,068
FRANK VALENTINI. THANK YOU.
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00:10:20,103 --> 00:10:26,103
WE ARE, AS YOU KNOW, WE'VE HAD
LOSS IN OUR FAMILY AT "GH."
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00:10:28,862 --> 00:10:34,862
WE LOST MY LEADING LADY, SONYA
EDDY AND OUR BELOVED PRODUCER.
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00:10:40,068 --> 00:10:46,068
I LOST MY SON, MY SON. I
KNOW HE'S UP THERE WATCHING.
107
00:10:49,413 --> 00:10:51,517
I MISS YOU. I MISS
YOU EVERY DAY.
108
00:10:51,551 --> 00:10:56,172
BUT I HAVE MY OTHER
SON HERE, CALEB.
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00:10:56,206 --> 00:11:02,206
I LOVE YOU, SON. THERE'S
SO MANY PEOPLE TO THANK.
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00:11:05,310 --> 00:11:09,034
PRISCILLA, MAKE UP. I
DON'T WANT TO FORGET THAT,
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00:11:09,068 --> 00:11:15,068
RIGHT? ALL THE DIRECTORS.
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00:11:15,413 --> 00:11:18,655
ROBERT AND GARY AND
ALLISON AND WARDROBE.
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00:11:18,689 --> 00:11:21,068
YOU KNOW, WE DO THIS.
YOU KNOW WE DO THIS.
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00:11:21,103 --> 00:11:27,103
WE ARE NOT HERE BY OURSELVES.
I STAND ON SO MANY OTHER
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00:11:28,103 --> 00:11:33,000
SHOULDERS. MY
CHILDREN, CALEB, HALEY,
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00:11:33,034 --> 00:11:39,034
DANIELLE, MICHELLE, CARMEN.
SO MANY, SO MANY PEOPLE.
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00:11:39,413 --> 00:11:45,413
THERE WAS A PLAY I
DID MANY YEARS AGO.
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00:11:46,068 --> 00:11:52,068
IT GOES "I'M SOMEBODY BECAUSE
YOU AND YOU AND YOU MAKE ME
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00:11:55,551 --> 00:11:58,724
SOMEBODY. BECAUSE YOU
AND YOU AND YOU ARE
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00:11:58,758 --> 00:12:04,758
A PART OF ME." SO THIS
IS NICE, AND I'M SO
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00:12:04,965 --> 00:12:10,965
HAPPY. [CHEERS AND APPLAUSE]
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00:12:12,344 --> 00:12:15,655
Announcer: THIS ACTRESS, BEST
KNOWN FOR PLAYING NIKKI NEWMAN,
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00:12:15,689 --> 00:12:17,286
IS THE LONGEST TENURED PERFORMER
IN THE HISTORY OF "THE YOUNG
124
00:12:17,310 --> 00:12:23,310
AND THE RESTLESS,"
MELODY THOMAS SCOTT.
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00:12:28,103 --> 00:12:34,103
[APPLAUSE] THERE IT IS.
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00:12:38,103 --> 00:12:41,034
WILLIAM J. BELL AND LEE
PHILLIP BELL MADE THEIR
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00:12:41,068 --> 00:12:44,206
MARK ON THE DAYTIME DRAMA
LANDSCAPE WHEN THEY CREATED
128
00:12:44,241 --> 00:12:48,827
"THE YOUNG AND THE RESTLESS"
50 YEARS AGO, THANKS TO THEIR
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00:12:48,862 --> 00:12:52,586
RICH STORYTELLING OF FAMILY
DRAMA, EPIC ROMANCES,
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00:12:52,620 --> 00:12:57,000
AND THEIR ASTUTE FOCUS ON SOCIAL
ISSUES, ALL BROUGHT TO LIFE
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00:12:57,034 --> 00:13:01,000
BY COMPELLING CHARACTERS,
MANY OF WHOM CONTINUE TO
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00:13:01,034 --> 00:13:04,758
ENTERTAIN THE Y&R
VIEWERS TO THIS DAY.
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00:13:04,793 --> 00:13:09,517
AND WE CAN'T HONOR Y&R'S 50TH
ANNIVERSARY WITHOUT THANKING
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00:13:09,551 --> 00:13:15,551
OUR FANS FOR FIVE DECADES
OF LOYALTY AND SUPPORT.
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00:13:17,827 --> 00:13:21,034
[APPLAUSE] HERE'S
TO MANY MORE YEARS
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00:13:21,068 --> 00:13:27,068
TOGETHER IN GENOA
CITY. ♪ THE MEMORIES
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00:13:29,793 --> 00:13:31,689
♪ WILL REMAIN ♪
WHEN YOUR HEART
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00:13:31,724 --> 00:13:37,724
♪ IS FEELING BLUE
♪ ONE THING IN LIFE
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00:13:38,862 --> 00:13:44,000
♪ THAT DOESN'T CHANGE
♪ THERE'S ALWAYS LOVE
140
00:13:44,034 --> 00:13:50,034
♪ SOMEWHERE ♪ WAITING FOR YOU
141
00:13:50,793 --> 00:13:56,793
♪ I'VE KNOWN FRIENDSHIP
♪ THAT NEVER FAILED
142
00:13:56,931 --> 00:14:02,931
♪ FELT THE PAIN THAT
COMES ♪ WITH BETRAYAL
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00:14:04,310 --> 00:14:09,620
♪ BUT I CAN'T DENY
♪ I LIVE LIFE WELL
144
00:14:09,655 --> 00:14:15,655
♪ AND I'M GRATEFUL GOOD NIGHT.
145
00:14:16,172 --> 00:14:22,172
GOOD NIGHT. ♪ FOR IT ALL
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00:14:31,103 --> 00:14:32,034
GOOD NIGHT. ♪ FOR IT ALL
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00:14:32,068 --> 00:14:38,068
[APPLAUSE] Announcer:
WHEN WE RETURN,
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00:14:45,551 --> 00:14:47,965
THE 50TH ANNUAL DAYTIME EMMY
AWARDS CONTINUE, FEATURING
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00:14:48,000 --> 00:14:50,344
AWARDS FOR OUTSTANDING
DAYTIME TALK SERIES AND
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00:14:50,379 --> 00:14:56,379
OUTSTANDING ENTERTAINMENT
NEWS SERIES.
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00:14:57,034 --> 00:14:59,413
THAT AND MUCH
MORE. THIS IS CBS.
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00:15:10,068 --> 00:15:11,551
Announcer: FROM
"GENERAL HOSPITAL,"
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00:15:11,586 --> 00:15:16,586
WELCOME DONNELL TURNER AND
EMMY WINNER LAURA WRIGHT.
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00:15:26,379 --> 00:15:29,758
[APPLAUSE] WHAT A
PLEASURE TO BE A PART
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00:15:29,793 --> 00:15:34,068
OF SUCH A HISTORIC SHOW. I
MEAN, 50 YEARS OF HONORING
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00:15:34,103 --> 00:15:35,182
DAYTIME TV, A SUBJECT WE
BOTH KNOW A LITTLE SOMETHING
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00:15:35,206 --> 00:15:37,827
ABOUT. HEAR, HEAR!
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00:15:37,862 --> 00:15:43,034
TALK ABOUT CONSISTENCY.
LET'S TALK ABOUT CONSISTENCY.
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00:15:43,068 --> 00:15:47,827
THE SHOWS NOMINATED IN THIS NEXT
CATEGORY NOT ONLY HAVE BECOME
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00:15:47,862 --> 00:15:50,172
A BIG PART OF THE FABRIC
OF DAYTIME TV, THEY'VE ALSO
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00:15:50,206 --> 00:15:53,586
PROVIDED AUDIENCES WITH
CONSISTENTLY ENJOYABLE MOMENTS,
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00:15:53,620 --> 00:15:58,034
DAY IN AND DAY OUT. WHICH
IS PROBABLY WHY THEY'RE
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00:15:58,068 --> 00:16:03,448
NOMINATED IN THE FIRST
PLACE. YOU'RE NOT WRONG,
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00:16:03,482 --> 00:16:06,275
LAURA WRIGHT. SEE WHAT I DID?
165
00:16:06,310 --> 00:16:09,482
I WENT FOR IT. THE
NOMINEES FOR OUTSTANDING
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00:16:09,517 --> 00:16:12,034
DAYTIME TALK SERIES ARE...
"THE DREW BARRYMORE SHOW."
167
00:16:12,068 --> 00:16:18,068
"THE JENNIFER HUDSON SHOW."
"THE KELLY CLARKSON SHOW."
168
00:16:18,241 --> 00:16:24,241
"LIVE WITH KELLY AND RYAN."
"TODAY WITH HODA AND JENNA."
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00:16:30,137 --> 00:16:33,758
AND THE EMMY GOES TO...
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00:16:33,793 --> 00:16:39,793
"THE KELLY CLARKSON
SHOW." ACCEPTING, THE
171
00:16:42,517 --> 00:16:47,517
EXECUTIVE PRODUCER. ALEX DUDA.
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00:16:57,172 --> 00:17:03,172
WOW, THANK YOU SO, SO MUCH.
TO THE ACADEMY, TO NBC
173
00:17:04,172 --> 00:17:08,758
UNIVERSAL, TRACY WILSON, OUR
FEARLESS LEADER, OUR FELLOW
174
00:17:08,792 --> 00:17:12,931
NOMINEES AND OUR AFFILIATES.
WE ARE SO HONORED FOR THIS
175
00:17:12,964 --> 00:17:16,068
AWARD. IT'S BEEN QUITE A YEAR.
176
00:17:16,103 --> 00:17:19,241
KELLY COULDN'T BE HERE TONIGHT
BUT I CAN SPEAK FOR EVERYONE ON
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00:17:19,275 --> 00:17:23,034
THIS STAFF IN ON THIS SHOW AND
SAY IT'S A PLEASURE TO WORK WITH
178
00:17:23,068 --> 00:17:25,517
HER. SHE MAKES IT FUN.
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00:17:25,550 --> 00:17:28,103
SHE'S ENJOY EVERY DAY. THAT
MAKES IT A LITTLE EASIER.
180
00:17:28,137 --> 00:17:32,068
YOU WANT ME TO THANK ALL OF OUR
VIEWERS FOR STICKING WITH US IN
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00:17:32,103 --> 00:17:35,551
THIS MIGRATION AS WE MOVE
FROM LOS ANGELES TO NEW YORK.
182
00:17:35,586 --> 00:17:41,000
MOSTLY WANT TO THANK THE STAFF.
THOSE PEOPLE WHO BUILT US
183
00:17:41,034 --> 00:17:43,010
ONSTAGE 1 HERE IN LOS ANGELES.
FOR THOSE PEOPLE WHO MOVED THEIR
184
00:17:43,034 --> 00:17:46,000
LIVES ACROSS THE COUNTRY BECAUSE
THEY BELIEVED IN WHAT WE WERE
185
00:17:46,034 --> 00:17:48,241
DOING. FOR THOSE
PEOPLE WHO LEARNED HOW
186
00:17:48,275 --> 00:17:52,620
TO WORK REMOTE EVEN THOUGH
THERE'S CHALLENGES WITH THE TIME
187
00:17:52,655 --> 00:17:54,379
ZONES. AND FOR OUR
NEW TEAM MEMBERS IN
188
00:17:54,413 --> 00:17:57,413
NEW YORK AND ARE AGREEABLE
PARTNERS AT 30 ROCK.
189
00:17:57,448 --> 00:18:00,000
YOU BRING NEW MAGIC
TO OUR MIX. THANK YOU.
190
00:18:00,034 --> 00:18:04,379
THIS IS FOR YOU
AND BECAUSE OF YOU.
191
00:18:04,413 --> 00:18:10,413
THANKS. [APPLAUSE]
192
00:18:15,586 --> 00:18:17,079
Announcer: PLEASE WELCOME
EMMY-NOMINATED COMEDIAN,
193
00:18:17,103 --> 00:18:18,034
ACTRESS KYM WHITLEY
AND DAYTIME EMMY WINNER
194
00:18:18,068 --> 00:18:24,068
A. MARTINEZ. [APPLAUSE]
195
00:18:32,206 --> 00:18:37,793
MY GOODNESS. I ALMOST
LOST MY WIG ON THAT
196
00:18:37,827 --> 00:18:40,931
SECOND STEP. YOU'RE
LOOKING BEAUTIFUL.
197
00:18:40,965 --> 00:18:42,355
ENTERTAINMENT NEWS SHOWS.
WHO DOESN'T LOVE 'EM?
198
00:18:42,379 --> 00:18:44,482
RIGHT? TALK ABOUT
BINGE-WORTHY TV.
199
00:18:44,517 --> 00:18:45,562
GIVEN THE CHANCE, SOME OF
US WOULD PROBABLY WATCH OUR
200
00:18:45,586 --> 00:18:47,758
FAVORITE ENTERTAINMENT
NEWS SHOW ALL DAY LONG.
201
00:18:47,793 --> 00:18:50,172
OH, TRUST ME, I
HAVE! AND WHY NOT?
202
00:18:50,206 --> 00:18:54,034
A BUNCH OF FUN, INFORMATIVE,
AND SMART PEOPLE GIVING US
203
00:18:54,068 --> 00:18:58,482
THE 411 ON "THE BIZ."
THAT'S MY KINDA SHOW.
204
00:18:58,517 --> 00:19:04,517
THERE YOU GO. I THINK
YOU MEAN "THE TEA."
205
00:19:04,827 --> 00:19:10,827
EXCUSE ME? GIVING US THE TEA.
206
00:19:12,068 --> 00:19:18,068
YOU CAN'T SAY FOR 11 ANYMORE.
YOU'VE GOT TO SAY THE TEA.
207
00:19:19,862 --> 00:19:22,103
I I SEE YOU ALL
HIT ON THE JARGON.
208
00:19:22,137 --> 00:19:24,172
I THINK I LOVE
YOU EVEN MORE NOW.
209
00:19:24,206 --> 00:19:28,000
LET'S GET DOWN TO BUSINESS.
THE NOMINEES FOR OUTSTANDING
210
00:19:28,034 --> 00:19:31,172
ENTERTAINMENT NEWS SERIES
ARE... "ACCESS HOLLYWOOD."
211
00:19:31,206 --> 00:19:35,482
"E! NEWS."
"ENTERTAINMENT TONIGHT."
212
00:19:35,517 --> 00:19:41,517
"EXTRA." "INSIDE EDITION."
213
00:19:45,793 --> 00:19:51,793
[APPLAUSE] AND THE
EMMY GOES TO...
214
00:19:53,241 --> 00:19:59,241
THIS IS EXCITING.
"ENTERTAINMENT TONIGHT."
215
00:20:04,482 --> 00:20:09,034
ACCEPTING THE EMMY ARE OUR
HOSTS KEVIN FRAZIER AND
216
00:20:09,068 --> 00:20:15,068
NISCHELLE TURNER. [APPLAUSE]
217
00:20:24,000 --> 00:20:30,000
NISCHELLE TURNER. [APPLAUSE]
218
00:20:33,137 --> 00:20:38,482
CONGRATULATIONS.
219
00:20:38,517 --> 00:20:41,793
Nischelle: OH, BOY. KEVIN,
I REALLY JUST GOING TO
220
00:20:41,827 --> 00:20:45,620
MAKE ME DO THIS? FIRST
OF ALL, THIS IS JUST
221
00:20:45,655 --> 00:20:50,689
REALLY, REALLY AN HONOR. I
GREW UP ON A FARM IN MISSOURI.
222
00:20:50,724 --> 00:20:54,965
THIS IS WILD TO BE STANDING
UP HERE GETTING AN ENEMY.
223
00:20:55,000 --> 00:20:58,551
WE WORK WITH THE MOST INCREDIBLE
PEOPLE EVERY SINGLE DAY, WE HAVE
224
00:20:58,586 --> 00:21:03,344
THE MOST INCREDIBLE TEAM.
OUR TEAM IS LED BY A GROUP OF
225
00:21:03,379 --> 00:21:06,068
FANTASTIC, SMART, ACCOMPLISHED
WOMEN THAT I LOVE GOING TO WORK
226
00:21:06,103 --> 00:21:11,344
WITH EVERY SINGLE DAY.
THEY'RE HERE TONIGHT.
227
00:21:11,379 --> 00:21:14,172
THANK YOU SO, SO MUCH.
Kevin: WE WANT TO SAY FIRST
228
00:21:14,206 --> 00:21:17,137
OF ALL CONGRATULATIONS TO
EVERYONE WHO WAS NOMINATED IN
229
00:21:17,172 --> 00:21:19,103
THE CATEGORY. WE ARE
ALL FRIENDS AND WE ALL
230
00:21:19,137 --> 00:21:22,517
WORK TOGETHER OUT IN THE FIELD.
ALSO THE REST OF OUR TEAM AND
231
00:21:22,551 --> 00:21:25,896
THE FOLKS AT HOME WATCHING THIS
AND OUR SPOUSES AND OUR PARTNERS
232
00:21:25,931 --> 00:21:28,655
WHO PUT UP WITH THESE
INSANE SCHEDULES.
233
00:21:28,689 --> 00:21:31,103
MOST IMPORTANTLY YOU IN
HOLLYWOOD WHO OPENED OUR DOORS
234
00:21:31,137 --> 00:21:33,482
TO US AND ALLOW US TO COME
IN AND TELL YOUR STORIES.
235
00:21:33,517 --> 00:21:36,275
WE APPRECIATE YOU SO
MUCH. THANK YOU SO MUCH.
236
00:21:36,310 --> 00:21:40,310
WE'VE BEEN ON THE SET
WITH THE MOST ALL OF YOU.
237
00:21:40,344 --> 00:21:41,424
THANK YOU. Nischelle:
THANK YOU SO
238
00:21:41,448 --> 00:21:45,689
MUCH. THANK YOU, GUYS.
239
00:21:45,724 --> 00:21:48,551
KEVIN, DON'T GO AWAY.
Kevin: THAT'S RIGHT.
240
00:21:48,586 --> 00:21:51,965
WE ARE HOSTING THE SHOW. I
JUST REALIZED WE HAVE TO STAY
241
00:21:52,000 --> 00:21:53,241
OUT HERE. Nischelle: WE DO.
242
00:21:53,275 --> 00:21:57,206
WE HAVE TO STAY RIGHT HERE. WE
HAVE TO FOCUS AND WE HAVE TO
243
00:21:57,241 --> 00:22:00,655
KEEP THIS THING
GOING. HERE WE GO.
244
00:22:00,689 --> 00:22:03,586
SPEAK TO YOU TALK.
Nischelle: KEVIN AND I,
245
00:22:03,620 --> 00:22:06,344
WITH ALL THE THANK YOUS WE HAVE
A STRONG DESIRE TO EXPRESS THE
246
00:22:06,379 --> 00:22:11,034
RELEVANCE, THE IMPORTANCE, AND
REALLY THE GRAVITAS OF THE 50TH
247
00:22:11,068 --> 00:22:13,931
ANNIVERSARY OF THE DAYTIME EMMYS
AND WE REALLY WANT TO SHARE HOW
248
00:22:13,965 --> 00:22:17,758
DEEPLY SPECIAL THIS SHOW IS IN
PARTICULAR NOT ONLY TO US BUT TO
249
00:22:17,793 --> 00:22:21,896
THE MANY PEOPLE WHO HAD REALLY
RATE EXPERIENCES AND MEMORIES OF
250
00:22:21,931 --> 00:22:25,448
PAST DAYTIME EMMYS BROADCASTS.
SO, WE THOUGHT, TO HELP
251
00:22:25,482 --> 00:22:26,665
RECOGNIZE THE RICH HISTORY
OF THE DAYTIME EMMYS
252
00:22:26,689 --> 00:22:28,896
WE'D CHAT WITH A FEW
AUDIENCE MEMBERS ABOUT THEIR
253
00:22:28,931 --> 00:22:33,896
PERSONAL DAYTIME EMMY MOMENTS,
MOMENTS THAT STAND OUT IN THEIR
254
00:22:33,931 --> 00:22:37,034
OWN LIVES. Kevin:
I LOVE THAT YOU
255
00:22:37,068 --> 00:22:40,275
LOCKED BACK IN SO QUICKLY.
Nischelle: I KNOW.
256
00:22:40,310 --> 00:22:44,896
Kevin: HERE TO SHARE ONE
SUCH MEMORY WE HAVE, FROM
257
00:22:44,931 --> 00:22:48,896
"THE BOLD AND THE
BEAUTIFUL," ASHLEY JONES.
258
00:22:48,931 --> 00:22:52,379
YOU GUYS, I THOUGHT I WOULD
GET TO BANTER WITH YOU BUT
259
00:22:52,413 --> 00:22:55,482
YOU'RE SO GOOD YOU WON THE
AWARD SO I'M HERE BY MYSELF.
260
00:22:55,517 --> 00:22:59,034
ONE OF MY FAVORITE MEMORIES WAS
COMING TO THE AWARDS NOT LONG
261
00:22:59,068 --> 00:23:01,172
AGO. I THOUGHT I
WAS GOING TO GET TO
262
00:23:01,206 --> 00:23:05,034
SEE SOMEONE VERY SPECIFIC AND I
DIDN'T SEE HER AT THE RED CARPET
263
00:23:05,068 --> 00:23:09,551
OR AT THE TABLES. I GET
UP TO GO TO THE RESTROOM.
264
00:23:09,586 --> 00:23:11,034
I OPEN THE DOOR. AND BOOM!
265
00:23:11,068 --> 00:23:15,344
DREW BARRYMORE. THAT WAS
A REALLY SPECIAL MOMENT
266
00:23:15,379 --> 00:23:19,275
FOR ME. IF YOU EVER
GET THE CHANCE TO
267
00:23:19,310 --> 00:23:21,275
CHAT WITH DREW BARRYMORE,
SHE DOESN'T DISAPPOINT.
268
00:23:21,310 --> 00:23:26,793
THERE WAS ONE OTHER TIME WHERE
I GOT ON THE ELEVATOR AND LO AND
269
00:23:26,827 --> 00:23:28,655
BEHOLD, THE LEGENDARY
ALEX TREBEK.
270
00:23:28,689 --> 00:23:32,482
HE TRIED TO INTRODUCE HIMSELF TO
ME AND OF COURSE I WAS LIKE, I
271
00:23:32,517 --> 00:23:33,976
THINK WE ALL KNOW
EXACTLY WHO YOU ARE.
272
00:23:34,000 --> 00:23:36,758
WE ARE HUGE FANS. ESPECIALLY
MOMENT, SHORTLY AFTER
273
00:23:36,793 --> 00:23:41,275
THAT I GOT TO BE AN
ACTUAL ANSWER ON JEOPARDY.
274
00:23:41,310 --> 00:23:45,275
THAT WAS PRETTY SPECIAL FOR ME.
I'M SURE THERE'S A LOT OF OTHER
275
00:23:45,310 --> 00:23:49,655
MEMORIES TONIGHT AND IT'S
SUCH A PLEASURE TO BE HERE.
276
00:23:49,689 --> 00:23:55,689
Announcer: THERE IS MUCH MORE
TO COME AS WE CELEBRATE 50 YEARS
277
00:23:57,586 --> 00:23:59,734
OF THE DAYTIME EMMY AWARDS,
LIVE FROM BEAUTIFUL DOWNTOWN
278
00:23:59,758 --> 00:24:01,482
LOS ANGELES. WHEN WE
RETURN, OUR GOLD AND
279
00:24:01,517 --> 00:24:02,907
SILVER CIRCLE PRESENTATIONS
WITH AN APPEARANCE BY DAYTIME
280
00:24:02,931 --> 00:24:04,965
TALK-SHOW LEGEND MAURY
POVICH. WE'LL BE RIGHT ACK.
281
00:24:05,000 --> 00:24:11,000
THIS IS CBS.
282
00:24:14,482 --> 00:24:15,413
THE 50TH ANNUAL
DAYTIME EMMY AWARDS
283
00:24:15,448 --> 00:24:16,527
IS SPONSORED BY
CHARMIN. WE ALL GO.
284
00:24:16,551 --> 00:24:21,310
WHY NOT ENJOY THE
GO WITH CHARMIN.
285
00:24:30,586 --> 00:24:32,700
Announcer: PLEASE WELCOME
THE CHAIRMAN OF THE NATIONAL
286
00:24:32,724 --> 00:24:38,724
ACADEMY OF TELEVISION ARTS
AND SCIENCES, TERRY O'REILLY.
287
00:24:41,379 --> 00:24:45,551
[APPLAUSE] GOOD
EVENING, EVERYONE.
288
00:24:45,586 --> 00:24:49,103
WONDERFUL TO HAVE YOU HERE THIS
EVENING, OUR 50TH CELEBRATION OF
289
00:24:49,137 --> 00:24:53,034
THE DAYTIME EMMYS
AWARDS. WELCOME
290
00:24:53,068 --> 00:24:56,724
ON BEHALF OF OUR 19,000 ACADEMY
MEMBERS ACROSS AMERICA, WELCOME
291
00:24:56,758 --> 00:24:59,044
THIS IS THE FIRST MAJOR AWARDS
CEREMONY SINCE THE RESOLUTION
292
00:24:59,068 --> 00:25:05,068
OF OUR INDUSTRY'S LABOR ISSUES.
WE'VE BEEN WAITING FOR THIS
293
00:25:07,724 --> 00:25:11,379
EVENING FOR SIX MONTHS, I
ASKED SUSPECT THERE ARE AT
294
00:25:11,413 --> 00:25:16,068
LEAST A FEW PEOPLE IN THIS ROOM
READY FOR A PRETTY GOOD PARTY.
295
00:25:16,103 --> 00:25:18,044
MUCH HAS CHANGED IN OUR
INDUSTRY IN THE PAST FEW YEARS.
296
00:25:18,068 --> 00:25:21,034
AMAZING ADVANCEMENTS IN
TECHNOLOGY PROVIDE US
297
00:25:21,068 --> 00:25:25,413
WITH ACCESS TO MORE AND BETTER
TELEVISION PROGRAMMING THAN EVER
298
00:25:25,448 --> 00:25:28,448
BEFORE, AND THE ABILITY TO
NEGOTIATE THESE VAST LIBRARIES
299
00:25:28,482 --> 00:25:30,103
OF CONTENT ON ANY
SCREEN ANYWHERE.
300
00:25:30,137 --> 00:25:33,275
BUT WHILE WE CELEBRATE THESE
ADVANCES, THEY ARE JUST
301
00:25:33,310 --> 00:25:36,482
AN EMPTY PIPELINE WITHOUT
THE TALENTED INDIVIDUALS
302
00:25:36,517 --> 00:25:39,517
WHO CREATE THE PROGRAMMING,
THE INDIVIDUALS THAT WE
303
00:25:39,551 --> 00:25:42,034
CELEBRATE HERE THIS EVENING.
TELEVISION, WHETHER YOU'RE
304
00:25:42,068 --> 00:25:45,413
WATCHING ON A BIG SCREEN,
A COMPUTER SCREEN,
305
00:25:45,448 --> 00:25:48,827
OR ON YOUR CELLPHONE SCREEN,
TELEVISION IS IN A GOLDEN HOUR.
306
00:25:48,862 --> 00:25:54,862
AND TONIGHT, WE HONOR
ITS BEST WITH THE EMMY,
307
00:25:55,551 --> 00:25:57,113
WHICH IS OF COURSE OUR
INDUSTRY'S GOLD STANDARD.
308
00:25:57,137 --> 00:26:00,482
NOW I'D LIKE TO TAKE A MOMENT
TO NOTE THE PASSING LAST
309
00:26:00,517 --> 00:26:06,517
WEEK OF NORMAN LEAR, A
REAL GIANT IN OUR INDUSTRY,
310
00:26:07,206 --> 00:26:08,931
[APPLAUSE] NORMAN
BROUGHT US COMEDY
311
00:26:08,965 --> 00:26:10,724
AND SATIRE, BUT
ALWAYS WITH WARMTH AND
312
00:26:10,758 --> 00:26:12,482
HEART. HIS
GROUNDBREAKING SITCOMS
313
00:26:12,517 --> 00:26:15,793
TACKLED SOCIAL ISSUES HEAD-ON,
SPARKING CONVERSATIONS
314
00:26:15,827 --> 00:26:19,862
AND CHALLENGING PERSPECTIVES.
WHILE THE BULK OF HIS WORK
315
00:26:19,896 --> 00:26:22,103
WAS FOR PRIMETIME TELEVISION,
ONE OF HIS FINAL PROJECTS
316
00:26:22,137 --> 00:26:24,044
FOR NETWORK TV WAS ACTUALLY
AN ANIMATED DAYTIME SERIES
317
00:26:24,068 --> 00:26:28,655
FOR CHILDREN.
NORMAN ONCE SAID,
318
00:26:28,689 --> 00:26:31,586
"I'M NOT IN THIS
BUSINESS TO MAKE MONEY.
319
00:26:31,620 --> 00:26:33,655
I'M IN THIS BUSINESS
TO CHANGE THE WORLD."
320
00:26:33,689 --> 00:26:39,689
WELL, HE DID JUST
THAT. [APPLAUSE]
321
00:26:40,448 --> 00:26:43,896
NORMAN LEAR BROUGHT LAUGHS AND
LIGHT TO OUR LIVES, INSPIRING US
322
00:26:43,931 --> 00:26:46,034
ALL TO PUSH BOUNDARIES
IN THE NAME OF JUSTICE.
323
00:26:46,068 --> 00:26:52,068
SO THANK YOU, NORMAN LEAR, FOR
A JOB EXCEEDINGLY WELL DONE.
324
00:26:56,551 --> 00:26:58,620
[APPLAUSE] NOW I'M
PLEASED TO INTRODUCE
325
00:26:58,655 --> 00:27:01,034
A LONG-STANDING MEMBER OF
OUR ACADEMY AND AN HONORED
326
00:27:01,068 --> 00:27:04,551
MEMBER OF OUR DAYTIME COMMUNITY.
TONIGHT, HE WILL BE INTRODUCING
327
00:27:04,586 --> 00:27:08,689
THE MEMBERS OF OUR ACADEMY'S
GOLD AND SILVER CIRCLE.
328
00:27:08,724 --> 00:27:11,965
AND TOMORROW AT OUR CREATIVE
ARTS AWARDS, HE WILL BE
329
00:27:12,000 --> 00:27:14,896
RECEIVING OUR ACADEMY'S
LIFETIME ACHIEVEMENT AWARD.
330
00:27:14,931 --> 00:27:20,448
HE IS A DAYTIME TELEVISION
ICON AND THE NAMESAKE OF ONE
331
00:27:20,482 --> 00:27:25,275
SHOWS IN AMERICAN TV HISTORY,
HAVING AIRING FOR OVER 30 YEARS.
332
00:27:25,310 --> 00:27:28,379
WILL YOU PLEASE JOIN ME
IN WELCOMING TO THE STAGE
333
00:27:28,413 --> 00:27:34,413
MAURY POVICH. [APPLAUSE]
334
00:27:38,448 --> 00:27:44,448
♪
THANK YOU, TERRY.
335
00:27:47,068 --> 00:27:52,068
THANK YOU. IT'S
GOOD TO BE HERE.
336
00:27:52,103 --> 00:27:56,862
IT'S GREAT TO BE HERE!
AMONG OUR ACADEMY'S MOST
337
00:27:56,896 --> 00:28:00,862
PRESTIGIOUS RECOGNITION IS
THE INDUCTION INTO THE GOLD
338
00:28:00,896 --> 00:28:06,896
AND SILVER CIRCLE. IT'S
OUR SOCIETY OF HONOR,
339
00:28:07,275 --> 00:28:09,620
AND IT RECOGNIZES
50 OR 25 YEARS
340
00:28:09,655 --> 00:28:11,320
OF DISTINGUISHED SERVICE BY
TELEVISION PROFESSIONALS TO OUR
341
00:28:11,344 --> 00:28:13,206
INDUSTRY. AND THOSE
WHO'VE NOT ONLY
342
00:28:13,241 --> 00:28:16,862
INSPIRED US BUT HAVE HELPED MAKE
TELEVISION THE HUGE PART OF THE
343
00:28:16,896 --> 00:28:21,551
FABRIC OF AMERICAN
LIFE THAT IT IS TODAY.
344
00:28:21,586 --> 00:28:25,137
IN 2017, I HAD THE DISTINCT
HONOR OF BEING INDUCTED INTO
345
00:28:25,172 --> 00:28:31,172
THE NEW YORK CHAPTER OF THIS
HIGHLY PRESTIGIOUS SOCIETY,
346
00:28:33,068 --> 00:28:35,355
A MOMENT, BY THE WAY, THAT I
HAVE TRULY CHERISHED FROM THAT
347
00:28:35,379 --> 00:28:41,275
DAY TO THIS. WHEN I
LOOK AT IT I GET THE
348
00:28:41,310 --> 00:28:44,482
FEELING I INTERCEPTED A
GAME-WINNING PASS IN THE NFL.
349
00:28:44,517 --> 00:28:48,551
ANYHOW. THIS YEAR IS
EVEN MORE SPECIAL.
350
00:28:48,586 --> 00:28:51,068
IT'S THE FIRST TIME WE'RE
BESTOWING THESE HONORS
351
00:28:51,103 --> 00:28:53,068
AT THE NATIONAL LEVEL.
AND I COULD NOT BE PROUDER
352
00:28:53,103 --> 00:28:56,482
AND MORE HONORED TO BRING
YOU THE INAUGURAL CLASS OF
353
00:28:56,517 --> 00:28:59,275
DAYTIME INDUCTEES OF
THE EMMY GOLD AND SILVER
354
00:28:59,310 --> 00:29:05,000
FOR 2023. TANYA
HART, WENDY RICHE,
355
00:29:05,034 --> 00:29:08,068
IT'S HERE THEY ARE.
356
00:29:08,103 --> 00:29:13,275
HERE THEY ARE. CHRISTINA KNACK
357
00:29:13,310 --> 00:29:15,413
SERVES "THE YOUNG AND THE
RESTLESS" AS PRODUCTION
358
00:29:15,448 --> 00:29:18,241
COORDINATOR. SHE
KEEPS THE TEAM RUNNING
359
00:29:18,275 --> 00:29:21,034
SMOOTHLY. FROM
BIZARRE FOODS TO WILD
360
00:29:21,068 --> 00:29:26,034
TRAVEL DESTINATIONS
PATRICK WEILAND
361
00:29:26,068 --> 00:29:30,000
IS KNOWN TO BUILD RELATIONSHIPS
AND ELEVATE THE CREW AROUND HIM.
362
00:29:30,034 --> 00:29:31,665
HIS STORYTELLING AND MANAGEMENT
STYLE IS A TRUE REFLECTION OF
363
00:29:31,689 --> 00:29:37,689
HIS PERSONALITY. ENTERING
THE GOLD CIRCLE THIS
364
00:29:37,793 --> 00:29:41,965
YEAR, TANYA HART'S CAREER
365
00:29:42,000 --> 00:29:46,482
HAS STREAMED BROADCAST,
STREAMING, SYNDICATION, CABLE
366
00:29:46,517 --> 00:29:48,482
TV. CREATING THE ET WEST COAST
367
00:29:48,517 --> 00:29:52,482
STUDIO AND CREATING MORE THAN
300 EPISODES OF "LIVE FROM
368
00:29:52,517 --> 00:29:57,344
L.A.." PRODUCER AND WRITER
369
00:29:57,379 --> 00:30:03,379
WENDY RICHE, AS
EXECUTIVE PRODUCER OF
370
00:30:04,000 --> 00:30:07,586
"GENERAL HOSPITAL" DURING THE
'90s, SHE WAS RECOGNIZED FOR
371
00:30:07,620 --> 00:30:10,241
BRINGING THE DRAMA BACK TO
THE FOREFRONT OF DAYTIME.
372
00:30:10,275 --> 00:30:15,206
AL SCHWARTZ'S CAREER HAS
SPAN GENRES AND GENERATIONS
373
00:30:15,241 --> 00:30:18,862
FROM SERIES, DOCUMENTARIES,
SPECIALS AND MORE THAN A FEW
374
00:30:18,896 --> 00:30:20,586
AWARD SHOWS. HIS
CELEBRITY TALENT AND
375
00:30:20,620 --> 00:30:23,275
PRODUCERS ALWAYS KNEW HE WAS
THE GO-TO PRODUCER WITH THE
376
00:30:23,310 --> 00:30:26,655
RIGHT PEN... AND SKILL
FOR QUALITY SHOWS.
377
00:30:26,689 --> 00:30:32,137
VERNEE WATSON BEGAN
HER ACTING CAREER MORE
378
00:30:32,172 --> 00:30:35,275
THAN 30 YEARS AGO. AFTER
A STINT THAT INCLUDED MORE
379
00:30:35,310 --> 00:30:37,870
THAN 200 COMMERCIAL SHE MOVED TO
L.A. WHERE SHE CURRENTLY APPEARS
380
00:30:37,896 --> 00:30:43,896
ON A CBS COMEDY BOB
HEARTS ABISHOLA.
381
00:30:48,034 --> 00:30:54,034
VERNEE DIRECTS FOR THE
STAGE AND TEACHES ACTING.
382
00:31:03,000 --> 00:31:09,000
VERNEE DIRECTS FOR THE
STAGE AND TEACHES ACTING.
383
00:31:09,172 --> 00:31:15,172
Announcer: WE'VE GOT MANY
384
00:31:16,482 --> 00:31:18,965
MORE SPECIAL MOMENTS COMING
YOUR WAY AS WE FIND OUT WHO GETS
385
00:31:19,000 --> 00:31:25,000
THE OUTSTANDING WRITING TEAM
AND YOUNGER PERFORMER AWARDS
386
00:31:25,034 --> 00:31:26,734
AND LATER, WE BID A FOND
FAREWELL TO TWO OF DAYTIME
387
00:31:26,758 --> 00:31:29,448
TELEVISION'S MOST BELOVED HOSTS.
WHEN THE 50TH ANNUAL DAYTIME
388
00:31:29,482 --> 00:31:33,758
EMMYS RETURN. THIS IS CBS.
389
00:31:49,551 --> 00:31:51,320
Announcer: THE REUNITED '90s
SUPER COUPLE, PLEASE WELCOME
390
00:31:51,344 --> 00:31:53,862
FROM "THE YOUNG AND THE
RESTLESS," EMMY WINNER
391
00:31:53,896 --> 00:31:58,896
LAURALEE BELL AND
MICHAEL DAMIAN.
392
00:32:01,068 --> 00:32:07,068
[APPLAUSE] [CHEERING]
393
00:32:09,724 --> 00:32:15,724
SUPER COUPLE!
WOW, I LIKE THAT.
394
00:32:16,965 --> 00:32:22,965
FROM THE '90s... BUT
WE'RE BRINGING IT BACK!
395
00:32:24,517 --> 00:32:28,896
WE'VE ALL HEARD THE SAYING
"THERE'S NO I IN TEAM,"
396
00:32:28,931 --> 00:32:32,068
IN THIS NEXT CATEGORY
THERE IS NOT JUST I
397
00:32:32,103 --> 00:32:34,482
BUT TWO. OUR NEXT
CATEGORY IS FOR
398
00:32:34,517 --> 00:32:38,137
OUTSTANDING WRITING TEAM
FOR A DAYTIME DRAMA SERIES.
399
00:32:38,172 --> 00:32:41,655
OH, OKAY, I GET IT. "WRITER."
400
00:32:41,689 --> 00:32:46,965
TWO Is. THEY CREATE
THE STORIES THAT ARE
401
00:32:47,000 --> 00:32:49,620
THE LIFEBLOOD OF
DAYTIME TELEVISION.
402
00:32:49,655 --> 00:32:50,872
HERE ARE THE NOMINEES FOR
OUTSTANDING WRITING TEAM
403
00:32:50,896 --> 00:32:56,896
FOR A DAYTIME DRAMA
SERIES. "THE BAY."
404
00:32:56,965 --> 00:32:59,655
"BEYOND SALEM: CHAPTER TWO."
"THE BOLD AND THE BEAUTIFUL."
405
00:32:59,689 --> 00:33:05,689
"DAYS OF OUR LIVES."
"GENERAL HOSPITAL."
406
00:33:07,206 --> 00:33:13,206
"THE YOUNG AND THE
RESTLESS." SUPER COUPLE.
407
00:33:17,103 --> 00:33:21,965
YOU READY? AND THE
EMMY GOES TO...
408
00:33:22,000 --> 00:33:28,000
"THE YOUNG AND THE RESTLESS."
ACCEPTING THE EMMY, THE HEAD
409
00:33:30,103 --> 00:33:33,103
WRITER AND EXECUTIVE
PRODUCER. JOSH GRIFFITH.
410
00:33:51,517 --> 00:33:56,517
HI. I'M GOING TO
READ BECAUSE I
411
00:33:56,551 --> 00:33:58,862
CAN'T SAY ANYTHING
UNLESS IT'S WRITTEN OUT.
412
00:33:58,896 --> 00:34:02,689
THIS IS A WONDERFUL HONOR. WE
FELT IT WAS A VERY TIMELY AND
413
00:34:02,724 --> 00:34:05,137
IMPORTANT STORY TO TELL.
I'M THRILLED WE WERE ABLE TO
414
00:34:05,172 --> 00:34:09,137
PULL IT OFF. I'D LIKE
TO THANK DR. DAN RYDEN
415
00:34:09,172 --> 00:34:15,172
BERG FOR HELP AND US. TO AMY.
416
00:34:16,688 --> 00:34:21,034
STEVE KENT. TRULY OUTSTANDING.
417
00:34:21,068 --> 00:34:27,068
SPECIAL THANKS TO THE
AMAZING DANIELLE UNGER.
418
00:34:28,862 --> 00:34:34,827
THANKS TO OUR TERRIFIC WRITING
TEAM, ESPECIALLY MY COHEAD
419
00:34:34,862 --> 00:34:36,458
WRITER AMANDA BEAL.
DIRECTORS, ACTORS, PRODUCERS
420
00:34:36,482 --> 00:34:41,931
THAT MAKE MAGIC EVERY DAY.
YOU'RE THE BEST IN THE BUSINESS.
421
00:34:41,965 --> 00:34:46,757
LASTLY, THANK YOU TO OUR FANS.
WE WOULD NOT BE HERE WITHOUT
422
00:34:46,793 --> 00:34:51,379
YOU. THANK YOU.
423
00:34:51,413 --> 00:34:55,482
Announcer: WELCOME BACK
YOUR HOSTS, KEVIN FRAZIER
424
00:34:55,516 --> 00:35:01,516
AND NISCHELLE TURNER!
Nischelle: EVERYBODY HAVING
425
00:35:07,413 --> 00:35:11,586
FUN? DO YOU HEAR
CAMERON MATHISON
426
00:35:11,620 --> 00:35:12,827
SCREAMING? [LAUGHS]
427
00:35:12,862 --> 00:35:14,838
Kevin: NOT ONLY DO THIS YEAR'S
DAYTIME EMMY AWARDS GIVE
428
00:35:14,862 --> 00:35:19,551
US A CHANCE TO REFLECT AND
REMINISCE ON 50 YEARS OF
429
00:35:19,586 --> 00:35:22,034
GREATNESS, IT ALSO GIVES US
THE OPPORTUNITY TO LOOK AHEAD
430
00:35:22,068 --> 00:35:23,862
AND ACKNOWLEDGE THE
BRIGHT FUTURE OF
431
00:35:23,896 --> 00:35:29,655
DAYTIME TV.
Nischelle: IT DOES.
432
00:35:29,689 --> 00:35:32,034
EVEN THOUGH MOST OF TONIGHT'S
NOMINEES ARE PROBABLY UP PAST
433
00:35:32,068 --> 00:35:34,517
THEIR BEDTIME. Kevin:
BUT WE'LL MAKE SURE
434
00:35:34,551 --> 00:35:35,907
THEY GET A JUICE BOX OR
SOMETHING AT THE AFTER-PARTY.
435
00:35:35,931 --> 00:35:37,665
EITHER WAY, DAYTIME TV'S FUTURE
IS IN VERY CAPABLE HANDS,
436
00:35:37,689 --> 00:35:43,689
AS EACH OF THESE NOMINEES HAVE
PROVEN TIME AND TIME AGAIN.
437
00:35:44,655 --> 00:35:46,389
THESE KIDS ARE SO DOGGONE
GOOD. Nischelle: HERE ARE THE
438
00:35:46,413 --> 00:35:47,631
NOMINEES FOR OUTSTANDING YOUNGER
PERFORMER IN A DAYTIME DRAMA
439
00:35:47,655 --> 00:35:51,034
SERIES. CARY CHRISTOPHER,
440
00:35:51,068 --> 00:35:57,068
EDEN McCOY, HENRY JOSEPH SAMIRI.
441
00:36:01,275 --> 00:36:07,275
Nischelle: THEY GOT SOME FANS.
442
00:36:07,379 --> 00:36:10,034
AND THE EMMY GOES
TO... EDEN McCOY,
443
00:36:10,068 --> 00:36:16,068
"GENERAL HOSPITAL." EDEN
McCOY BEGAN HER ROLE
444
00:36:20,689 --> 00:36:26,655
ON "GENERAL HOSPITAL" WHICH
WAS ONLY 11 YEARS OLD.
445
00:36:26,689 --> 00:36:32,689
WE HAD NO IDEA WHY
AND SOMEONE SAID.
446
00:36:35,931 --> 00:36:38,689
[CRYING] THE WHOLE
THING PLAYED IN FRONT
447
00:36:38,724 --> 00:36:43,103
OF THE WHOLE CLASS
ON THIS GIANT SCREEN.
448
00:36:43,137 --> 00:36:47,551
I DON'T UNDERSTAND.
WHAT WAS ON THE VIDEO?
449
00:36:47,586 --> 00:36:53,586
CAMERON. HAVING SEX.
450
00:36:55,172 --> 00:37:00,000
SOMEONE FILMED US.
[CHEERS AND APPLAUSE]
451
00:37:00,034 --> 00:37:05,068
OH, MY GOD. THIS IS
LITERALLY A DREAM COME
452
00:37:05,103 --> 00:37:08,275
TRUE. I WANT TO THANK
NITA AND MY TEAM
453
00:37:08,310 --> 00:37:11,551
AT COAST FOR ALL THE SUPPORT
OVER THE YEARS AND ALL THE YEARS
454
00:37:11,586 --> 00:37:15,586
TO COME. I AM
INDEBTED TO THE "GH"
455
00:37:15,620 --> 00:37:21,310
WRITERS, PRODUCERS, DIRECTORS.
MARK, YOU STARTED THIS JOURNEY
456
00:37:21,344 --> 00:37:23,103
FOR ME. FRANK VALENTINI.
457
00:37:23,137 --> 00:37:24,586
YOU TOOK A CHANCE
AND CHANGE MY LIFE.
458
00:37:24,620 --> 00:37:28,034
I LOVE YOU MORE THAN YOU KNOW.
MY WONDERFUL CAST AND CREW
459
00:37:28,068 --> 00:37:30,448
THANK YOU FOR ALWAYS
ELEVATING% MY WORK.
460
00:37:30,482 --> 00:37:32,217
YOU KNOW WHO YOU ARE. LAURA
WRIGHT, YOU ARE SO MUCH
461
00:37:32,241 --> 00:37:35,482
MORE THAN A MOTHER AND SO
MUCH MORE THAN A MENTOR.
462
00:37:35,517 --> 00:37:37,482
YOU GIVE NEW MEANING
TO THE WORD FRIEND.
463
00:37:37,517 --> 00:37:40,620
DAD, I LOVE YOU. I'M
SO HAPPY YOU'RE HERE.
464
00:37:40,655 --> 00:37:43,068
THIS IS FOREIGN
BECAUSE OF MY MOTHER.
465
00:37:43,103 --> 00:37:47,137
AND I JUST WANT TO SAY IT'S
NOT LOST ON ME WHAT AN ABSOLUTE
466
00:37:47,172 --> 00:37:52,206
PRIVILEGE IT IS TO DO SOMETHING
NOT ONLY I'D LIKE TO DO BUT LOVE
467
00:37:52,241 --> 00:37:56,448
TO DO. I LOVE WHAT I DO.
468
00:37:56,482 --> 00:37:58,896
IT'S EASY TO BE GRATEFUL
ON NIGHTS LIKE THIS BUT I'M
469
00:37:58,931 --> 00:38:02,241
GRATEFUL EVERY DAY.
THANK YOU SO MUCH.
470
00:38:02,275 --> 00:38:08,275
THANK YOU SO MUCH.
Nischelle: THAT WAS
471
00:38:15,620 --> 00:38:19,620
FANTASTIC. I LOVE HOW
THE "GH" FOLKS RISE
472
00:38:19,655 --> 00:38:25,655
FOR THEIR PEOPLE. LET'S
GIVE A ROUND OF APPLAUSE
473
00:38:27,379 --> 00:38:31,137
FOR "DAYS OF OUR
LIVES'S" STEVEN NICHOLS
474
00:38:31,172 --> 00:38:33,724
ALL MY LIFE I'VE BEEN
CALLING YOU PATCH.
475
00:38:33,758 --> 00:38:35,665
CAN I CALL YOU PATCH. YOU
HAVE AN INCREDIBLE MEMORY
476
00:38:35,689 --> 00:38:41,689
MOMENT FOR US.
THANKS, NISCHELLE.
477
00:38:43,586 --> 00:38:45,355
MY MOMENT IS ABOUT MY
FRIEND TYLER CHRISTOPHER.
478
00:38:45,379 --> 00:38:49,448
I MET TYLER AT HIS AUDITION AND
I KNEW INSTANTLY THAT THOUGH
479
00:38:49,482 --> 00:38:51,206
HE WAS YOUNG, HE
REALLY HAD SOMETHING.
480
00:38:51,241 --> 00:38:55,275
SO I TOOK THE LIBERTY OF GIVING
HIM A BOOK ON ACTING THAT HAD
481
00:38:55,310 --> 00:39:01,310
HELPED ME, HELPED
ME, WHEN I WAS FIRST
482
00:39:01,758 --> 00:39:07,758
STARTING OUT. "TO THE ACTOR,"
483
00:39:09,758 --> 00:39:11,689
MICHAEL CHEKOV. WELL,
AT THE 2016 DAYTIME
484
00:39:11,724 --> 00:39:15,586
EMMYS AFTER HE'D WON FOR
OUTSTANDING LEAD ACTOR,
485
00:39:15,620 --> 00:39:19,551
HE WANTED TO THANK
EVERYBODY WHO GOT HIM THERE.
486
00:39:19,586 --> 00:39:23,793
HE SCANNED THE AUDIENCE
AND SAID "WHERE'S STEVEN?"
487
00:39:23,827 --> 00:39:29,827
WE CAUGHT EACH OTHER'S EYES
AND THEN HE HELP UP THE VERY
488
00:39:33,689 --> 00:39:39,689
SAME BOOK I'D GIVEN HIM,
NOW AND HE THANKED ME.
489
00:39:39,965 --> 00:39:43,655
THAT WAS A MOMENT. I MISS
YOU, TYLER, AND I LOVE
490
00:39:43,689 --> 00:39:46,655
YOU. WE ALL LOVE YOU.
491
00:39:46,689 --> 00:39:47,907
THANK YOU. Nischelle: THAT WAS
492
00:39:47,931 --> 00:39:49,320
INCREDIBLE. THANK YOU
SO MUCH FOR SHARING
493
00:39:49,344 --> 00:39:55,344
WITH US. TYLER, LIKE
STEPHEN SAID, WILL
494
00:39:55,620 --> 00:40:01,620
BE SORELY MISSED.
TYLER CHRISTOPHER!
495
00:40:04,758 --> 00:40:10,586
I WANT TO MAKE IT ABOUT THE
PEOPLE WHO GOT ME HERE IN THE
496
00:40:10,620 --> 00:40:13,551
BEGINNING. STEPHEN
NICHOLS, WHERE ARE YOU,
497
00:40:13,586 --> 00:40:16,034
BROTHER? I TOLD YOU
I WOULD DO IT, MAN.
498
00:40:16,068 --> 00:40:19,241
YOU ARE MY FIRST MENTOR,
MY FIRST TEACHER.
499
00:40:19,275 --> 00:40:25,275
YOU GAVE ME THIS BOOK "TO THE
ACTOR" I APPRECIATE IT AND I'M
500
00:40:25,827 --> 00:40:31,827
NOT HERE WITHOUT YOU AND
I SHARE THIS WITH YOU.
501
00:40:32,896 --> 00:40:34,458
Announcer: WHEN WE RETURN, WE
PAY TRIBUTE TO A LIFETIME OF
502
00:40:34,482 --> 00:40:37,689
ACHIEVEMENT FOR ONE OF
DAYTIME TELEVISION'S FAVORITE
503
00:40:37,724 --> 00:40:40,413
PERFORMERS. THAT
AND MUCH MORE AT THE
504
00:40:40,448 --> 00:40:44,827
50TH ANNUAL DAYTIME EMMY
AWARDS. THIS IS CBS.
505
00:40:49,827 --> 00:40:52,034
THE 50TH ANNUAL DAYTIME EMMYS
506
00:40:52,068 --> 00:40:55,172
AWARDS WILL CONTINUE.
THIS IS CBS.
507
00:41:00,758 --> 00:41:01,965
Announcer: PLEASE WELCOME
508
00:41:02,000 --> 00:41:05,034
DAYTIME EMMY AWARD WINNER FOR
OUTSTANDING SUPPORTING ACTOR,
509
00:41:05,068 --> 00:41:11,068
SHEMAR MOORE. [APPLAUSE]
510
00:41:16,517 --> 00:41:21,275
WHERE IS MY "THE YOUNG AND
THE RESTLESS" FAMILY AT?
511
00:41:21,310 --> 00:41:24,896
I SEE YOU. I SEE YOU.
512
00:41:24,931 --> 00:41:29,275
CRISTOPH ST. JOHN, MY
BROTHER, REST IN PEACE.
513
00:41:29,310 --> 00:41:31,793
NEVER FORGOTTEN.
I LOVE YOU, MAN.
514
00:41:31,827 --> 00:41:37,517
WITHOUT YOU, I'M NOT HERE.
I'M NOT DOING WHAT I'M DOING.
515
00:41:37,551 --> 00:41:43,137
I NEEDED TO GET
THAT OUT. THANK YOU.
516
00:41:43,172 --> 00:41:46,724
NOW BACK TO BUSINESS. THIS
IS A VERY PROUD DAY FOR ME.
517
00:41:46,758 --> 00:41:52,758
I VERY PROUD OF THIS PERSON.
TO RECEIVE LIFETIME ACHIEVEMENT
518
00:41:55,344 --> 00:41:58,655
AWARD IN ANY FIELD
IS A RARITY INDEED.
519
00:41:58,689 --> 00:42:03,344
BUT TO RECEIVE ONE IN THE
GENRE OF ENTERTAINMENT, THAT'S
520
00:42:03,379 --> 00:42:07,379
SOMETHING ALMOST TOO INCREDIBLE
TO BELIEVE THAT WHEN YOU'VE
521
00:42:07,413 --> 00:42:10,586
HONED AND REFINED YOUR CRAFT
FOR LONGER THAN MOST CAN EVEN
522
00:42:10,620 --> 00:42:14,965
FATHOM, WHEN YOU'VE KEPT THE
SAME EAGER, BRIGHTSIDE OUTLOOK
523
00:42:15,000 --> 00:42:17,448
TOWARD EVERYONE YOU'VE EVER
WORKED WITH, WHEN YOU'VE
524
00:42:17,482 --> 00:42:22,551
ENCOURAGED OTHERS EVERY
STEP OF THE WAY, YOU DESERVE
525
00:42:22,586 --> 00:42:25,896
RECOGNITION. TONIGHT'S
RECIPIENT IS SUCH A
526
00:42:25,931 --> 00:42:27,355
PERSON. SHE'S BEEN
IN TV SERIES AS WELL
527
00:42:27,379 --> 00:42:31,482
AS IN FILM AND STAGE
WITH MULTI-EPISODIC GUEST
528
00:42:31,517 --> 00:42:33,000
APPEARANCES ON THE
SERIES "DALLAS,"
529
00:42:33,034 --> 00:42:35,137
"HOT IN CLEVELAND,"
AND "ARMY WIVES."
530
00:42:35,172 --> 00:42:41,172
SHE'S STARRED IN THE LIFETIME
SERIES "DEVIOUS MAIDS,"
531
00:42:41,931 --> 00:42:44,689
APPEARED ON "THE
COLBERT REPORT."
532
00:42:44,724 --> 00:42:46,010
AND EVEN HOSTED
"SATURDAY NIGHT LIVE."
533
00:42:46,034 --> 00:42:49,103
SHE'S BEEN RANKED AS ONE OF THE
50 GREATEST TELEVISION STARS
534
00:42:49,137 --> 00:42:53,137
OF ALL TIME. AND I
COULDN'T AGREE MORE.
535
00:42:53,172 --> 00:42:59,172
[CHEERS AND APPLAUSE]
THIS IS THE GOOD PART.
536
00:43:02,724 --> 00:43:08,724
WORLDWIDE. ON THE
ABC DAYTIME DRAMA
537
00:43:10,068 --> 00:43:16,068
"ALL MY CHILDREN"
FOR NEARLY 40 YEARS,
538
00:43:18,758 --> 00:43:22,103
THIS WOMAN IS A TRUE
LIVING TV LEGEND.
539
00:43:22,137 --> 00:43:28,137
I'M SO PROUD, AS I WAS ONCE
UPON A TIME BACK IN 1999 WHEN I
540
00:43:29,241 --> 00:43:35,241
PRESENTED HER WITH HER FIRST
EMMY AFTER 19 NOMINATIONS AND I
541
00:43:36,586 --> 00:43:40,413
FLIPPED OVER THE CARD AND I
DIDN'T THINK SHE WAS GOING TO
542
00:43:40,448 --> 00:43:43,172
WIN. I FLIPPED
OVER THE CARD AND I
543
00:43:43,206 --> 00:43:47,551
ALMOST COST. I WAS LIKE "OH!"
544
00:43:47,586 --> 00:43:53,586
AND I SAID "THE STREAK
IS OVER!" RIGHT?
545
00:43:54,137 --> 00:43:57,827
YOU ALL KNOW HORN
TALKING ABOUT. ALL RIGHT?
546
00:43:57,862 --> 00:43:59,724
THERE IS SUPPOSED
TO BE MORE SCRIPT.
547
00:43:59,758 --> 00:44:03,379
YOU ALL KNOW WARM TALKING
ABOUT. I READ IT IN THE CAR.
548
00:44:03,413 --> 00:44:09,034
LET ME WING IT. I SAID
THE STREAK IS OVER.
549
00:44:09,068 --> 00:44:12,862
TONIGHT I'M VERY PROUD
TO PRESENT THE 2023
550
00:44:12,896 --> 00:44:18,896
LIFETIME ACHIEVEMENT AWARD
TO THE ONE, TO THE ONLY,
551
00:44:20,310 --> 00:44:26,310
GIVE IT UP. SUSAN LUCCI.
552
00:44:28,758 --> 00:44:32,275
I'M ERICA KANE.
I'M ERICA KANE.
553
00:44:32,310 --> 00:44:34,448
I'M ERICA KANE. I WANT
TO BE SPECIAL AND I'M
554
00:44:34,482 --> 00:44:36,620
GOING TO BE. YOU
WOULD DO THAT TO ME.
555
00:44:36,655 --> 00:44:38,965
HE WOULD PUT ME OUT,
YOUR VERY OWN DAUGHTER.
556
00:44:39,000 --> 00:44:45,000
I DO NOT NEED A MAN TO BE HAPPY.
I ERICA TAKE YOU TONY TO BE
557
00:44:48,551 --> 00:44:50,896
MY HUSBAND. SPEAK I
NOW PRONOUNCE YOU MAN
558
00:44:50,931 --> 00:44:53,793
AND WIFE. YOU MAY
KISS YOUR BRIDE.
559
00:44:53,827 --> 00:44:59,758
I AM ERICA KANE AND
YOU ARE A FILTHY BEAST!
560
00:44:59,793 --> 00:45:04,000
ERICA! YOU BETRAYED ME.
561
00:45:04,034 --> 00:45:08,103
AND YOU BETRAYED OUR MARRIAGE.
I WILL NOT LET MY COMPANY DOWN
562
00:45:08,137 --> 00:45:14,137
AND I WILL NOT LET MY FANS DOWN
AND I WILL NOT LET MYSELF DOWN.
563
00:45:16,551 --> 00:45:18,965
YOU ARE A PISTOL. BANG-BANG.
564
00:45:19,000 --> 00:45:22,413
YOU KNOW WHEN I WANT SOMETHING
BADLY ENOUGH I PULL OUT ALL THE
565
00:45:22,448 --> 00:45:25,413
STOPS. HELLO.
566
00:45:25,448 --> 00:45:31,275
YOU SCARED ME. I
THOUGHT YOU WERE SVEN.
567
00:45:31,310 --> 00:45:34,517
DOES HE WORK HERE? HE
IS A LECHEROUS MAN WHO
568
00:45:34,551 --> 00:45:40,551
TOUCHES ME AN APPROPRIATE LINK
THAT I'M GOING FILE A COMPLIANT
569
00:45:41,206 --> 00:45:43,724
SOMEDAY. SUSAN LUCCI
AND HER PARTNER.
570
00:45:43,758 --> 00:45:46,965
LAST WEEK SUSAN'S
CONSISTENCY CONTINUED.
571
00:45:47,000 --> 00:45:50,068
ERICA KANE AND I ARE BOTH FULL
OF EMOTION AND I'M READY TO
572
00:45:50,103 --> 00:45:56,103
TAKE CONTROL OF THE TANGO.
SUSAN, YOU DESERVE THIS
573
00:45:58,413 --> 00:46:03,344
LIFETIME ACHIEVEMENT AWARD AND A
BOOKCASE FULL OF EMMY BURLESQUE
574
00:46:03,379 --> 00:46:04,620
FOR YOUR CONTRIBUTION
575
00:46:04,655 --> 00:46:08,586
TO DAYTIME TELEVISION
AND TELEVISION AT LARGE.
576
00:46:08,620 --> 00:46:11,448
YOU ARE THE FIRST DIVA I FELL IN
LOVE WITH AND YOU CAPTIVATED ME
577
00:46:11,482 --> 00:46:16,827
EVER SINCE. TO ACCOMPLISH
WHAT YOU'VE HAD
578
00:46:16,862 --> 00:46:21,965
AN DAYTIME TV, PRIME TIME TV,
FILM, BROADWAY, THE WORLD OF
579
00:46:22,000 --> 00:46:24,758
CABARET. YOUR SUCCESS,
YOUR CHARITY WORK.
580
00:46:24,793 --> 00:46:28,724
MOST RECENTLY ARE VERY
IMPORTANT HEARTFELT MESSAGE.
581
00:46:28,758 --> 00:46:31,793
TO ACCOMPLISH ALL THIS IN A
LIFETIME IS ONE HECK OF AN
582
00:46:31,827 --> 00:46:35,103
ACHIEVEMENT. BUT I'VE
SEEN YOU DO ALL OF THIS
583
00:46:35,137 --> 00:46:38,137
IN A WEEK. SO
ENJOY THIS, SUSAN.
584
00:46:38,172 --> 00:46:44,172
YOU DESERVE IT. WE LOVE YOU.
585
00:46:47,206 --> 00:46:48,355
HI, MOM. CONGRATULATIONS
ON THIS AWESOME
586
00:46:48,379 --> 00:46:49,389
LIFETIME ACHIEVEMENT AWARD.
WE ARE ALSO PROUD OF YOU AND
587
00:46:49,413 --> 00:46:52,275
LOVE YOU VERY MUCH.
CONGRATS, SUSAN ON YOUR
588
00:46:52,310 --> 00:46:54,965
LIFETIME ACHIEVEMENT AWARD.
WE ARE SO HONORED TO CELEBRATE
589
00:46:55,000 --> 00:46:56,976
YOU AND THE ENORMOUS IMPACT
YOU'VE HAD ON THE INDUSTRY IS
590
00:46:57,000 --> 00:46:59,482
DAYTIME TELEVISION'S
BIGGEST ICON.
591
00:46:59,517 --> 00:47:04,103
MARK AND I HAVE SO MANY FOND
MEMORIES FROM OUR DAYS TOGETHER
592
00:47:04,137 --> 00:47:07,344
ON "ALL MY CHILDREN." WITHOUT
QUESTION THE BEST MEMORY
593
00:47:07,379 --> 00:47:12,241
EVER WAS WATCHING YOU WIN THAT
EMMY AND BREAKING THAT STREAK.
594
00:47:12,275 --> 00:47:15,034
THE STREAK IS
OVER! SUSAN LUCCI!
595
00:47:15,068 --> 00:47:18,862
IT WAS THE MOST THRILLING
THING TO HAPPEN TO ALL OF US IN
596
00:47:18,896 --> 00:47:21,206
THE ROOM. AND YOU DESERVED IT.
597
00:47:21,241 --> 00:47:23,172
SENDING YOU SO MUCH LOVE
ON THIS SPECIAL EVENING.
598
00:47:23,206 --> 00:47:27,965
YOU DESERVE ALL GOOD THINGS.
CONGRATULATIONS, SUSAN.
599
00:47:28,000 --> 00:47:32,034
I'M SO EXCITED FOR YOU. I
MEAN, YOU LOOK ALTOGETHER TOO
600
00:47:32,068 --> 00:47:35,103
YOUNG AND FABULOUS TO BE
RECEIVING A LIFETIME ACHIEVEMENT
601
00:47:35,137 --> 00:47:39,965
AWARD BUT YOU'RE AN ABSOLUTE
ICON AND A TRAILBLAZER.
602
00:47:40,000 --> 00:47:42,586
ACROSS MEDIUMS. SOMEONE
I'VE ALWAYS ADORED AND
603
00:47:42,620 --> 00:47:44,896
LOOKED UP TO.
CONGRATULATIONS, MY FRIEND.
604
00:47:44,931 --> 00:47:47,137
I'M SO EXCITED FOR
THIS HONOR FOR YOU.
605
00:47:47,172 --> 00:47:51,965
SENDING YOU SO MUCH
LOVE. OH, SUSAN.
606
00:47:52,000 --> 00:47:55,206
I AM SO HAPPY FOR YOU. NOBODY
DESERVES THIS AWARD MORE
607
00:47:55,241 --> 00:47:59,517
THAN YOU DO. I HAD SUCH
A GOOD TIME WORKING
608
00:47:59,551 --> 00:48:04,758
WITH YOU ON "ALL MY CHILDREN."
OF COURSE YOU'RE NOT THE DIVA
609
00:48:04,793 --> 00:48:08,172
EVERYBODY THOUGHT YOU WERE.
YOU ARE JUST A TRICK OF THE
610
00:48:08,206 --> 00:48:12,000
TOTAL OPPOSITE. LET ME
JUST PUT IT THIS WAY.
611
00:48:12,034 --> 00:48:18,034
YOU ARE PERMANENTLY
TERRIFIC. CONGRATULATIONS.
612
00:48:18,724 --> 00:48:24,724
[CHEERS AND APPLAUSE]
LADIES AND GENTLEMEN, THE
613
00:48:30,724 --> 00:48:36,724
QUEEN HERSELF, SUSAN
LUCCI. [CHEERING]
614
00:48:42,137 --> 00:48:48,137
OH. THANK YOU SO MUCH.
615
00:48:49,931 --> 00:48:55,931
OH, MY GOODNESS.
THANK YOU SO MUCH.
616
00:49:04,931 --> 00:49:05,896
OH, MY GOODNESS.
THANK YOU SO MUCH.
617
00:49:05,931 --> 00:49:10,068
SHEMAR, THANK YOU. I'M
SO HAPPY YOU'RE HERE
618
00:49:10,103 --> 00:49:12,931
PRESENTING ME THIS
WONDERFUL AWARD.
619
00:49:12,965 --> 00:49:18,965
I THANK THE ACADEMY, TO THE EMMY
COMMITTEE, CBS, FOR GIVING ME
620
00:49:20,862 --> 00:49:24,034
THIS ENORMOUS HONOR. AND
HOW LUCKY AM I TO DREAM MY
621
00:49:24,068 --> 00:49:28,965
DREAMS OF BECOMING AN ACTRESS
AND GROW UP AND HAVE MY DREAMS
622
00:49:29,000 --> 00:49:35,000
COME TRUE. [APPLAUSE]
623
00:49:38,034 --> 00:49:41,620
THERE WERE OBSTACLES AND
THERE WERE ROADBLOCKS.
624
00:49:41,655 --> 00:49:45,724
I MEAN, THEY WERE ONE OF THE
OBSTACLES AND ROADBLOCKS.
625
00:49:45,758 --> 00:49:51,758
BUT TONIGHT IS A NIGHT TO
CELEBRATE FOR SAYING THANK YOU.
626
00:49:53,206 --> 00:49:58,034
ON THE 19TH NOMINATION
WHEN I HEARD
627
00:49:58,068 --> 00:50:03,310
SHEMAR ANNOUNCE "THE
STREAK IS OVER" AND HE SAID
628
00:50:03,344 --> 00:50:05,586
MY NAME. I BEGAN BY
THANKING GOD FOR ALL
629
00:50:05,620 --> 00:50:10,896
THE MANY BLESSINGS. [APPLAUSE]
630
00:50:10,931 --> 00:50:15,620
I BEGIN THERE AGAIN TONIGHT,
STARTING WITH MY PARENTS FOR
631
00:50:15,655 --> 00:50:18,448
THEIR LOVE. THEY
WERE MEMBERS OF THE
632
00:50:18,482 --> 00:50:20,251
GREATEST GENERATION AND I THANK
THEM FOR THE EXAMPLE THAT THEY
633
00:50:20,275 --> 00:50:25,896
SET FOR ME. FOR ALWAYS
BEING THERE FOR ME
634
00:50:25,931 --> 00:50:29,896
AND FOR TELLING ME I COULD AIM
FOR THE STARS, FOR THE MOON AND
635
00:50:29,931 --> 00:50:33,931
THE STARS, AND
NEVER TO BE AFRAID.
636
00:50:33,965 --> 00:50:38,000
I'M SO GRATEFUL TO THEM. I AM
SO GRATEFUL TO MY TEACHERS.
637
00:50:38,034 --> 00:50:40,000
THEY TAUGHT ME WHAT
I NEEDED TO KNOW.
638
00:50:40,034 --> 00:50:43,034
THEY GAVE ME THE TOOLS.
THEY BELIEVED IN ME.
639
00:50:43,068 --> 00:50:45,389
THEY ENCOURAGED ME, AND THEY
GAVE ME THE TOOLS TO BE THE KIND
640
00:50:45,413 --> 00:50:50,482
OF ACTRESS I WANTED TO BE.
TALKING ABOUT LOCKE, HOW LUCKY
641
00:50:50,517 --> 00:50:56,517
WAS I TO BE PUT IN THE
HANDS OF AGNES NIXON?
642
00:50:59,896 --> 00:51:03,758
[APPLAUSE] AGNES
WAS THE TRAILBLAZER.
643
00:51:03,793 --> 00:51:07,758
SHE WAS THE VISIONARY
STORYTELLER.
644
00:51:07,793 --> 00:51:13,655
GAVE ME THE PART OF A LIFETIME.
THE FABULOUSLY FLAWED ERICA KA
645
00:51:13,689 --> 00:51:17,103
KANE. [APPLAUSE]
646
00:51:17,137 --> 00:51:19,862
YEAH. SHE WAS THE
NAUGHTY GIRL IN
647
00:51:19,896 --> 00:51:21,965
TOWN. SHE WAS THE
BAD GIRL IN TOWN.
648
00:51:22,000 --> 00:51:26,758
SHE WAS THE TROUBLEMAKER.
AND YES, SHE WAS ALL THAT.
649
00:51:26,793 --> 00:51:30,965
BUT AGNES HAD OTHER PLANS FOR
HER TOO IN ADDITION AND FANS
650
00:51:31,000 --> 00:51:35,137
WERE SMART ENOUGH, THEY SAW
BEHIND THE LABELS AND THEY COULD
651
00:51:35,172 --> 00:51:39,241
SEE THAT IN ERICA, SHE WAS A
GIRL WHO HAD DREAMS FOR HERSELF.
652
00:51:39,275 --> 00:51:42,965
UNDERNEATH ALL OF THAT,
NAUGHTINESS, SHE HAD
653
00:51:43,000 --> 00:51:49,000
DETERMINATION AND DRIVE AND
SPIRIT AND SPUNK AND THAT'S WHAT
654
00:51:50,034 --> 00:51:54,517
THEY LOVED AND I'M SO GRATEFUL,
ETERNALLY GRATEFUL TO THE FANS
655
00:51:54,551 --> 00:51:58,379
FOR LOVING ERICA KANE EVEN WHEN
THE TIMES WHEN SHE WASN'T SO
656
00:51:58,413 --> 00:52:00,379
LOVABLE. THANKS
TO THEM, I GOT TO
657
00:52:00,413 --> 00:52:06,413
CONTINUE TO PLAY HER AND
PLAY HER AGAIN AND AGAIN.
658
00:52:06,586 --> 00:52:12,586
[APPLAUSE] BUT I SURE
DIDN'T PLAY ALL THOSE
659
00:52:13,551 --> 00:52:17,413
SCENES BY MYSELF. I WAS
ALSO LUCKY TO BE PART OF
660
00:52:17,448 --> 00:52:21,965
THE GREAT COMPANY OF THE MOST
ACCOMPLISHED AND TALENTED ACTORS
661
00:52:22,000 --> 00:52:26,206
IN NEW YORK AT
"ALL MY CHILDREN."
662
00:52:26,241 --> 00:52:29,172
MANY OF WHOM I SEE TONIGHT AND
IT'S THRILLING FOR ME TO SEE
663
00:52:29,206 --> 00:52:35,137
THEM. EDEN REGAL.
664
00:52:35,172 --> 00:52:41,172
CAMERON MATHISON.
PETER BERGMAN.
665
00:52:42,413 --> 00:52:48,413
FRANCESCA JAMES. WE
WERE IN THE TRENCHES
666
00:52:49,068 --> 00:52:51,379
TOGETHER. I KNOW YOU
ALL KNOW WHAT I'M
667
00:52:51,413 --> 00:52:54,862
TALKING ABOUT BECAUSE EVERYBODY
IN THIS ROOM HAS BEEN IN THE
668
00:52:54,896 --> 00:52:57,413
TRENCHES WITH YOUR
OWN CAST AND CREW.
669
00:52:57,448 --> 00:53:03,448
I JUST NEED TO SAY THIS. I'M
SO PROUD TO BE PART OF THIS
670
00:53:03,758 --> 00:53:08,068
COMMUNITY, THIS COMMUNITY
OF STORYTELLERS IN SUCH A
671
00:53:08,103 --> 00:53:11,034
COLLABORATIVE GENRE OF WRITERS,
DIRECTORS, PRODUCERS, ACTORS,
672
00:53:11,068 --> 00:53:15,965
DESIGN TEAMS, AND CREW. WE
GET TO DO WHAT WE LOVE TO DO.
673
00:53:16,000 --> 00:53:22,000
WE GET TO ENTERTAIN.
WE TELL STORIES.
674
00:53:23,241 --> 00:53:26,103
AND WE ILLUMINATE
OUR HUMAN CONDITION.
675
00:53:26,137 --> 00:53:29,793
SOMETIMES ON OUR BEST DAYS
EVEN MAKE A LITTLE MAGIC.
676
00:53:29,827 --> 00:53:35,827
TONIGHT IS A NIGHT TO CELEBRATE.
THE ICING ON THE CAKE FOR ME
677
00:53:37,344 --> 00:53:42,517
TONIGHT IS THAT MY SON ANDREAS
678
00:53:42,551 --> 00:53:47,724
IS WITH ME. [APPLAUSE]
679
00:53:47,758 --> 00:53:52,275
IT MEANS SO MUCH TO ME, HONEY,
TO HAVE YOU HERE WITH ME.
680
00:53:52,310 --> 00:53:57,137
THANK YOU SO MUCH FOR
BEING WITH ME TONIGHT.
681
00:53:57,172 --> 00:54:02,758
AND YOU KNOW WHAT ELSE? I
FEEL YOUR DAD'S PRESENCE HERE
682
00:54:02,793 --> 00:54:08,793
TONIGHT WITH US
TOO. [APPLAUSE]
683
00:54:13,068 --> 00:54:16,103
I THANK MY HUSBAND
HELMUT HUBER.
684
00:54:16,137 --> 00:54:19,827
HE HAS EVERYTHING TO DO WITH
MY STANDING UP HERE TONIGHT AND
685
00:54:19,862 --> 00:54:24,344
RECEIVING THIS INCREDIBLE
AWARD. THANK YOU.
686
00:54:24,379 --> 00:54:30,379
THANK YOU. [CHEERS
AND APPLAUSE]
687
00:54:32,413 --> 00:54:34,034
Announcer: STAY
TUNED! WHEN WE RETURN,
688
00:54:34,068 --> 00:54:37,448
AWARDS FOR DIRECTING TEAM
AND GUEST PERFORMANCE.
689
00:54:37,482 --> 00:54:38,941
PLUS, WE CELEBRATE A
MILESTONE OF DAYTIME ICON
690
00:54:38,965 --> 00:54:42,551
"GENERAL HOSPITAL."
THE 50TH ANNUAL DAYTIME
691
00:54:42,586 --> 00:54:45,965
EMMY AWARDS WILL BE
RIGHT BACK. THIS IS CBS.
692
00:54:53,586 --> 00:54:55,010
Announcer: PLEASE
WELCOME, FROM "THE BOLD
693
00:54:55,034 --> 00:54:57,379
AND THE BEAUTIFUL,"
SIX-TIME EMMY WINNER
694
00:54:57,413 --> 00:55:02,000
HEATHER TOM AND DON DIAMONT.
695
00:55:04,034 --> 00:55:10,034
[CHEERS AND APPLAUSE]
NOW, IF THERE'S ONE THING
696
00:55:12,413 --> 00:55:15,586
DON AND I KNOW ALL
ABOUT, IT'S TEAMWORK.
697
00:55:15,620 --> 00:55:18,551
YOU KNOW HOW MUCH I LOVE YOU
BUT ARE YOU A TEAM PLAYER?
698
00:55:18,586 --> 00:55:22,448
I AM. ARE YOU?
699
00:55:22,482 --> 00:55:26,965
HAVE YOU EVER SAID HEY, DONALD,
I WANT YOU TO HAVE ONE OF MY
700
00:55:27,000 --> 00:55:28,389
EMMYS AS A TOKEN
OF MY APPRECIATION?
701
00:55:28,413 --> 00:55:32,551
WHAT DO YOU CARE? YOU'VE
BEEN ONE OF PEOPLE
702
00:55:32,586 --> 00:55:38,586
MAGAZINE'S SEXIEST MAN ALIVE!
THAT'S A MANTEL YOU WILL CARRY
703
00:55:41,827 --> 00:55:47,827
FOR THE REST OF YOUR LIFE.
THAT IS WHAT I TELL MY WIFE.
704
00:55:48,620 --> 00:55:50,344
I'M NOT BITTER. GO
AHEAD, READ THE PROMPTER.
705
00:55:50,379 --> 00:55:55,793
YOU'LL PROBABLY WIN AN
EMMY FOR PROMPTER READING.
706
00:55:55,827 --> 00:55:58,724
THE NOMINEES FOR OUTSTANDING
DIRECTING TEAM FOR A DAYTIME
707
00:55:58,758 --> 00:56:04,103
DRAMA SERIES ARE... "THE BAY."
708
00:56:04,137 --> 00:56:10,137
"BEYOND SALEM: CHAPTER TWO."
"THE BOLD AND THE BEAUTIFUL."
709
00:56:12,655 --> 00:56:15,310
"DAYS OF OUR LIVES."
"GENERAL HOSPITAL."
710
00:56:15,344 --> 00:56:21,344
"THE YOUNG AND THE RESTLESS."
AND THE EMMY GOES TO
711
00:56:27,137 --> 00:56:30,137
"GENERAL HOSPITAL."
712
00:56:34,275 --> 00:56:38,275
ACCEPTING THE EMMY, THE
DIRECTOR PHIDEAUX XAVIER.
713
00:57:00,689 --> 00:57:02,000
IN THE YEAR WERE WE FACE
714
00:57:02,034 --> 00:57:05,793
DIVISION AND CHALLENGES, WE
CELEBRATE TONIGHT CELEBRATING
715
00:57:05,827 --> 00:57:09,034
THE RETURN OF OUR WRITERS.
THIS ESTEEMED HONOR.
716
00:57:09,068 --> 00:57:14,206
TO OUR AUDIENCE AND EMMY VOTERS,
YOUR SUPPORT HAS HUMBLED AND
717
00:57:14,241 --> 00:57:17,827
ELATED US. AS THE DIRECTORS OF
718
00:57:17,862 --> 00:57:23,862
"GENERAL HOSPITAL" WE BRING
THESE TO LIFE GUIDED BY OUR
719
00:57:25,172 --> 00:57:29,586
TEAM, OUR PHENOMENAL CAST, OUR
CREW AND PRODUCERS, SKILLED
720
00:57:29,620 --> 00:57:32,034
ENGINEERING DEPARTMENT,
IMAGINATIVE PROJECTION DESIGNERS
721
00:57:32,068 --> 00:57:35,758
AND ARTISTS AND MAKEUP AND HAIR
AND COSTUMES TEAMS ALL SUPPORTED
722
00:57:35,793 --> 00:57:37,758
BY OUR DILIGENT
PRODUCTION STAFF.
723
00:57:37,793 --> 00:57:41,137
SPECIAL THANK YOU TO EVERYONE AT
ABC TELEVISION AND ALL THOSE WHO
724
00:57:41,172 --> 00:57:43,275
CONTRIBUTE TO THIS
INCREDIBLE JOURNEY.
725
00:57:43,310 --> 00:57:46,517
THIS EMMY IS NOT JUST AN AWARD.
IT'S A SYMBOL OF OUR SHARED
726
00:57:46,551 --> 00:57:49,137
PASSION AND DEDICATION TO
STORYTELLING THAT RESONATES AND
727
00:57:49,172 --> 00:57:51,517
UNITES. HERE'S TO
CONTINUING THIS
728
00:57:51,551 --> 00:57:53,482
JOURNEY WITH THE SAME
FERVOR AND COMMITMENT.
729
00:57:53,517 --> 00:57:59,517
THANK YOU ALL.
[CHEERS AND APPLAUSE]
730
00:58:04,413 --> 00:58:06,631
Announcer: PRESENTING THE EMMY
AWARD FOR OUTSTANDING GUEST
731
00:58:06,655 --> 00:58:07,976
PERFORMANCE IN A DAYTIME DRAMA
SERIES, PLEASE WELCOME CO-HOSTS
732
00:58:08,000 --> 00:58:09,182
OF CBS'S "THE
TALK," AMANDA KLOOTS
733
00:58:09,206 --> 00:58:15,206
AND AKBAR GBAJABIAMILA.
THIS IS COOL.
734
00:58:17,379 --> 00:58:23,379
I'VE GOT TO SAY 26 YEARS AGO
I WAS IN THIS VERY ROOM AS THE
735
00:58:24,655 --> 00:58:26,862
PROM KING AT
CRENSHAW HIGH SCHOOL.
736
00:58:26,896 --> 00:58:30,689
I WAS SITTING RIGHT OVER THERE.
I WAS SITTING OVER THERE.
737
00:58:30,724 --> 00:58:33,172
IT WAS PRETTY COOL. IT'S
AN HONOR TO BE WITH A
738
00:58:33,206 --> 00:58:37,034
KING TODAY. TO BE
NOMINATED IN THIS
739
00:58:37,068 --> 00:58:39,044
CATEGORY MEANS YOUR PERFORMANCE
WAS SO MEMORABLE AND POWERFUL
740
00:58:39,068 --> 00:58:44,068
AND DOWN-RIGHT GOOD, IT
SIMPLY HAD TO BE HONORED.
741
00:58:44,103 --> 00:58:48,965
THAT'S RIGHT. THIS
CATEGORY HAS UNDERGONE
742
00:58:49,000 --> 00:58:50,079
SEVERAL NAME CHANGES SINCE
ITS FIRST APPEARANCE IN 1980.
743
00:58:50,103 --> 00:58:52,310
THAT'S RIGHT. IT
WAS FIRST CALLED
744
00:58:52,344 --> 00:58:58,034
OUTSTANDING CAMEO APPEARANCE.
NOWADAYS AN OUTSTANDING CAMEO
745
00:58:58,068 --> 00:59:00,344
APPEARANCE WOULD PROBABLY BE
SOMETHING LIKE GEORGE SANTOS
746
00:59:00,379 --> 00:59:03,655
IN THE BACK OF A
TAXI DOING SHOUTOUTS.
747
00:59:03,689 --> 00:59:04,896
YEAH. ONE THING HAS REMAINED
748
00:59:04,931 --> 00:59:07,965
ROCK-SOLID: IF YOU'RE NOMINATED
IN THIS CATEGORY, YOU GAVE
749
00:59:08,000 --> 00:59:09,862
ONE HELLUVA SHOW. HERE
ARE THE NOMINEES FOR
750
00:59:09,896 --> 00:59:14,172
OUTSTANDING GUEST PERFORMANCE
IN A DAYTIME DRAMA SERIES.
751
00:59:14,206 --> 00:59:18,620
STEVE BURTON,
CASSANDRA CREECH,
752
00:59:18,655 --> 00:59:23,068
ALLEY MILLS, ROBERT NEWMAN,
753
00:59:23,103 --> 00:59:29,103
KEVIN SPIRTAS. ALL RIGHT.
754
00:59:32,931 --> 00:59:38,931
AND THE EMMY GOES TO...
HURRY UP AND OPEN IT.
755
00:59:40,827 --> 00:59:46,482
ALLEY MILLS. DESPITE
BEING AMERICA'S MOM
756
00:59:46,517 --> 00:59:50,413
NORMA ARNOLD, THIS IS THE FIRST
EVER EMMY NOMINATION AT WIN FOR
757
00:59:50,448 --> 00:59:56,448
THE LEGENDARY ALLEY
MILLS. [CHEERING]
758
01:00:04,172 --> 01:00:09,482
AND I'M 20 YEARS OLDER
THAN SUSAN LUCCI.
759
01:00:09,517 --> 01:00:13,103
I JUST HAVE TO SAY I'M
HONORED TO BE IN THIS FAMILY.
760
01:00:13,137 --> 01:00:16,206
THIS DAYTIME FAMILY, IT'S THE
HARDEST WORKING GROUP OF PEOPLE
761
01:00:16,241 --> 01:00:20,344
I'VE EVER SEEN IN SHOW BUSINESS,
WORKED WITH IN SHOW BUSINESS.
762
01:00:20,379 --> 01:00:26,379
ALL OF YOU, DIRECTORS,
WRITERS, ACTORS.
763
01:00:27,068 --> 01:00:28,079
MY "THE BOLD AND THE
BEAUTIFUL" FAMILY.
764
01:00:28,103 --> 01:00:34,103
"GENERAL HOSPITAL." I
REALLY HAVE TO THANK CHRIS
765
01:00:37,068 --> 01:00:39,551
FANON FOR WRITING
THIS CRAZY CHARACTER.
766
01:00:39,586 --> 01:00:45,379
FRANK VALENTINI. I FEEL
LIKE I WAS SEEING THE
767
01:00:45,413 --> 01:00:49,862
FIRST SECOND THAT I MET YOU.
YOU LOOK RIGHT INTO PEOPLE'S
768
01:00:49,896 --> 01:00:52,965
SOULS AND IT MAKES YOU FEEL
LIKE YOU'RE IN THE THEATER.
769
01:00:53,000 --> 01:00:58,068
MOSTLY I HAVE THIS MOMENT IN
MY LIFE HAVE TO GOD BECAUSE IT
770
01:00:58,103 --> 01:01:01,448
HAPPENED AT A VERY
TENDER MOMENT FOR ME.
771
01:01:01,482 --> 01:01:05,275
I JUST LOST MY BELOVED HUSBAND.
IT WAS PRETTY DRAMATIC AND THEN
772
01:01:05,310 --> 01:01:10,551
I GET ASKED TO PLAY A SERIOUSL
TRAUMATIZED PERSON WHO KILLS A
773
01:01:10,586 --> 01:01:16,000
LOT OF PEOPLE. BUT SHE'S
GOT A HEART OF GOLD.
774
01:01:16,034 --> 01:01:20,896
I PROMISE YOU. SHE'S
BARRELING TOWARDS THE
775
01:01:20,931 --> 01:01:25,137
LIGHT ALL THE TIME. IT GAVE
ME THAT ABILITY TO KEEP
776
01:01:25,172 --> 01:01:28,413
GOING AND BARRELED TOWARDS THE
LIGHT IN THE WORLD IS SO SCREWED
777
01:01:28,448 --> 01:01:32,068
UP RIGHT NOW BUT ALL I CAN SAY
IS TO ALL YOU TRAUMATIZED PEOPLE
778
01:01:32,103 --> 01:01:35,931
OUT THERE AND I'M THE HEAD
OF THE HOMELESS COMMITTEE IN
779
01:01:35,965 --> 01:01:38,034
VENICE, JUST KEEP BARRELING
TOWARDS THE LIGHT.
780
01:01:38,068 --> 01:01:44,068
I LOVE YOU ALL.
THANK YOU SO MUCH.
781
01:01:50,724 --> 01:01:54,793
ALLEY MILLS WAS FANTASTIC.
SHE SPRINTED ON STAGE.
782
01:01:54,827 --> 01:01:57,793
AND NOW A MAN WHO'S ALSO HAD THE
PRIVILEGE OF HOSTING THE DAYTIME
783
01:01:57,827 --> 01:02:03,655
EMMYS, CAMERON MATHISON.
TELL ME ABOUT YOUR MEMORY AND
784
01:02:03,689 --> 01:02:06,724
YOUR MOMENT. 50
YEARS, SO MANY GREAT
785
01:02:06,758 --> 01:02:10,758
MOMENTS. 2006, KEVIN.
786
01:02:10,793 --> 01:02:16,793
WE WERE AT HOLLYWOOD
AND HIGHLAND AND
787
01:02:17,068 --> 01:02:23,068
OUTSIDE IN THE FAN ZONE. HE'S
PLAYING A WIRELESS ELECTRIC
788
01:02:24,241 --> 01:02:25,862
GUITAR. PLAYING
"JESSE'S GIRL PICKLES
789
01:02:25,896 --> 01:02:30,655
BUT THERE'S A THOUSAND FANS,
THE CAMERAS FOLLOW HIM INTO THE
790
01:02:30,689 --> 01:02:35,448
THEATER. HE NEVER
MISSES A BEAT.
791
01:02:35,482 --> 01:02:38,551
PAST OPENS. NEVER FORGET IT.
792
01:02:38,586 --> 01:02:40,310
YOU HAVEN'T FORGOTTEN
THE SECOND OF IT.
793
01:02:40,344 --> 01:02:44,241
THE CLOSEST I EVER CAME
TO BEING A ROCK STAR.
794
01:02:44,275 --> 01:02:48,758
THANKS, CAMERON. ALWAYS
GOOD TALKING TO YOU, MY
795
01:02:48,793 --> 01:02:54,034
MAN. Announcer:
THE 50TH ANNUAL
796
01:02:54,068 --> 01:02:56,113
DAYTIME EMMY AWARDS WILL
RETURN WITH MORE GREAT MOMENTS
797
01:02:56,137 --> 01:03:00,068
AFTER THESE MESSAGES.
THIS IS CBS.
798
01:03:03,413 --> 01:03:07,275
THE 50TH DAYTIME EMMY AWARDS
IS SPONSORED BY SECRET.
799
01:03:07,310 --> 01:03:09,827
SECRET WORKS!
800
01:03:16,241 --> 01:03:19,241
Announcer: PLEASE WELCOME
AMERICAN JOURNALIST, REVERED
801
01:03:19,275 --> 01:03:25,241
NEWS ANCHOR, AND MULTIPLE EMMY
AWARD WINNER, CONNIE CHUNG.
802
01:03:25,275 --> 01:03:31,275
[CHEERS AND APPLAUSE] CAN
YOU IMAGINE HOW GRATEFUL
803
01:03:34,689 --> 01:03:38,931
I AM TO BE INTRODUCING
IN MEMORIAM.
804
01:03:38,965 --> 01:03:43,896
YOU FIGURE IT OUT. WE
ARE HERE TONIGHT TO HONOR
805
01:03:43,931 --> 01:03:46,034
BARBARA WALTERS. SHE
REVOLUTIONIZED THE FACE OF
806
01:03:46,068 --> 01:03:49,000
DAYTIME TELEVISION WITH
HER GROUNDBREAKING SHOW
807
01:03:49,034 --> 01:03:54,034
"THE VIEW." BUT
BARBARA WAS THE CREATOR
808
01:03:54,068 --> 01:03:57,413
AND THE PRODUCER AND THE
STAR, AND THE ENGINE.
809
01:03:57,448 --> 01:04:02,689
AND THIS WAS ON TOP OF HER
PIONEERING CAREER IN NEWS
810
01:04:02,724 --> 01:04:05,896
AND INTERVIEWS. SHE
WAS THE ICON WHO PAVED
811
01:04:05,931 --> 01:04:10,344
THE WAY FOR ALL WOMEN IN
TELEVISION NEWS, ESPECIALLY ME.
812
01:04:10,379 --> 01:04:16,275
SHE MOM'D ME. NONE OF
THE MEN WOULD EVER ADMIT
813
01:04:16,310 --> 01:04:18,551
IT, SHE TAUGHT THEM
A THING OR TWO.
814
01:04:18,586 --> 01:04:24,586
I CAN'T FATHOM SHE'S GONE.
WE REMEMBER HER AND ALL THE
815
01:04:24,620 --> 01:04:29,137
OTHERS WHO PASSED, FOR THEIR
CONTRIBUTIONS TO TELEVISION.
816
01:04:29,172 --> 01:04:31,482
HERE IS MY PERSONAL FAVORITE
JENNIFER NETTLES WITH
817
01:04:31,517 --> 01:04:37,517
"LIFE IS SWEET." JENNIFER.
818
01:04:39,068 --> 01:04:45,068
[APPLAUSE] ♪
819
01:04:48,344 --> 01:04:53,206
♪ I'M NOT ONE TO BACK DOWN
♪ BUT I KNOW WHAT IT'S LIKE
820
01:04:53,241 --> 01:04:59,068
♪ TO FALL ♪ GOTTA
LOT OF GET UP
821
01:04:59,103 --> 01:05:01,689
♪ AND FIGHT NOW ♪
BUT I HIT MY KNEES
822
01:05:01,724 --> 01:05:06,517
♪ WHEN I GOT THAT CALL ♪
DO YOU KNOW WHAT IT'S LIKE
823
01:05:06,551 --> 01:05:08,310
♪ TO LOOK YOUR
DEMONS ♪ IN THE EYE
824
01:05:08,344 --> 01:05:14,344
♪ DO YOU KNOW WHAT IT'S LIKE
♪ TO TELL YOUR BEAUTIFUL WIFE
825
01:05:14,448 --> 01:05:18,379
♪ THAT THE MAN SHE LOVES
♪ THE FABRIC OF HER LIFE
826
01:05:18,413 --> 01:05:24,413
♪ IS BREAKIN' DOWN ♪
BUT I DON'T ASK WHY
827
01:05:24,482 --> 01:05:29,862
♪ ME I JUST SAY WHY
♪ NOT TAKE ALL THAT
828
01:05:29,896 --> 01:05:34,241
♪ I'VE BEEN GIVIN' ♪
TURN IT INTO LIVIN'
829
01:05:34,275 --> 01:05:40,103
♪ FOR SOMEBODY ELSE ♪
'CAUSE I KNOW THAT I
830
01:05:40,137 --> 01:05:46,137
♪ AM LOVED AND I CAN SAY ♪
IT'S ENOUGH TO TRY MY BEST
831
01:05:47,068 --> 01:05:50,448
♪ TO LEARN TO GIVE
LOVE ♪ IN RETURN
832
01:05:50,482 --> 01:05:56,482
♪ TO EVERYONE WE MEET ♪
YEAH, I SAY LIFE IS SWEET
833
01:06:05,482 --> 01:06:07,724
♪ TO EVERYONE WE MEET ♪
YEAH, I SAY LIFE IS SWEET
834
01:06:07,758 --> 01:06:11,517
♪ THERE'S A RIGHT
♪ AND A WRONG WAY
835
01:06:11,551 --> 01:06:16,172
♪ THERE'S A COST
♪ FOR EVERY GOAL
836
01:06:16,206 --> 01:06:19,517
♪ BUT THERE'S A LIGHT
♪ DOWN THE HALLWAY
837
01:06:19,551 --> 01:06:23,896
♪ AND IN THAT ROOM SLEEPS
♪ THE MOST PRECIOUS SOULS
838
01:06:23,931 --> 01:06:26,137
♪ DO YOU KNOW WHAT IT'S
LIKE ♪ TO WATCH YOUR
839
01:06:26,172 --> 01:06:30,068
♪ SLEEPIN' CHILD
♪ FEEL HER HEART
840
01:06:30,103 --> 01:06:33,103
♪ BENEATH YOUR HAND ♪
LIKE A HUMMINGBIRD WILD
841
01:06:33,137 --> 01:06:34,551
♪ AND YOU'LL DO ♪
ALL THAT YOU CAN
842
01:06:34,586 --> 01:06:40,586
♪ TO GO THE EXTRA MILE
♪ TO WATCH HER GROW
843
01:06:42,586 --> 01:06:45,517
♪ THERE ARE
MONSTERS ♪ THAT HIDE
844
01:06:45,551 --> 01:06:51,551
♪ IN THE DARKNESS
TO SCARE US ♪ ALONE
845
01:06:51,689 --> 01:06:54,275
♪ BUT WE FOLLOW THE
LIGHT ♪ AND WE'RE BLESSED
846
01:06:54,310 --> 01:07:00,310
♪ WHEN WE FIND OUR WAY
HOME ♪ TAKE ALL THAT
847
01:07:09,310 --> 01:07:10,493
♪ WHEN WE FIND OUR WAY
HOME ♪ TAKE ALL THAT
848
01:07:10,517 --> 01:07:12,448
♪ WE'VE BEEN GIVIN' ♪
AND TURN IT INTO LIVIN'
849
01:07:12,482 --> 01:07:18,482
♪ FOR SOMEBODY ELSE ♪
'CAUSE I KNOW I AM LOVED
850
01:07:24,482 --> 01:07:28,206
♪ AND I CAN SAY ♪ IT'S
ENOUGH TO TRY MY BEST
851
01:07:28,241 --> 01:07:30,482
♪ TO LEARN TO GIVE
LOVE ♪ IN RETURN
852
01:07:30,517 --> 01:07:36,517
♪ TO EVERYONE WE MEET ♪
YEAH, I SAY LIFE IS SWEET
853
01:07:42,931 --> 01:07:48,931
♪ LIFE IS SWEET [APPLAUSE]
854
01:07:57,862 --> 01:07:58,931
♪ LIFE IS SWEET [APPLAUSE]
855
01:08:09,172 --> 01:08:12,586
THE 50TH ANNUAL DAYTIME
EMMY AWARDS WILL CONTINUE.
856
01:08:12,620 --> 01:08:16,620
THIS IS CBS.
857
01:08:25,586 --> 01:08:31,586
YOU CHANGED FOR THE AFTER
PARTY? Nischelle: HERE WE GO.
858
01:08:34,310 --> 01:08:38,448
HE DOES THIS TO ME EVERY
SINGLE NIGHT ON "ENTERTAINMENT
859
01:08:38,482 --> 01:08:40,792
TONIGHT." EVEN
THE BEST OF TIMES
860
01:08:40,827 --> 01:08:42,044
CAN HAVE A BITTER-SWEET
COMPONENT TO THEM.
861
01:08:42,068 --> 01:08:48,068
Kevin: LIKE GRADUATION
DAY. YOU GET SO HYPED.
862
01:08:48,827 --> 01:08:53,068
THE DAY COMES, THEN HE
REALIZED HE MAY NEVER
863
01:08:53,103 --> 01:08:56,344
SEE HER BEST FRIENDS AGAIN.
Nischelle: THAT'S EXACTLY HOW
864
01:08:56,379 --> 01:08:58,044
WE FEEL ABOUT TWO OF DAYTIME
TELEVISION'S MOST BELOVED
865
01:08:58,068 --> 01:09:04,033
AND ICONIC TALK SHOWS.
Kevin: WE ARE GRATEFUL FOR
866
01:09:04,068 --> 01:09:06,310
THE YEARS OF HEARTFELT
ENTERTAINMENT THE SHOWS ON THEIR
867
01:09:06,344 --> 01:09:09,654
HOSTS HAVE GIVEN US.
Nischelle: WE ARE.
868
01:09:09,689 --> 01:09:10,700
YET HONESTLY, A LITTLE
BIT SAD THAT THEY'RE
869
01:09:10,724 --> 01:09:12,044
LEAVING US. BUT AS
THE SAYING GOES...
870
01:09:12,068 --> 01:09:14,171
Kevin: ALL GOOD THINGS
MUST COME TO AN END.
871
01:09:14,206 --> 01:09:16,654
SO LET'S SEND BOTH OF THES
SHOWS AND THEIR BELOVED HOSTS
872
01:09:16,689 --> 01:09:22,689
OFF IN STYLE. WE
LAUNCHED DR. PHIL TO HELP
873
01:09:22,758 --> 01:09:26,206
CHANGE THE LIVES OF OUR GUESTS
ON STAGE AS WELL AS VIEWERS AT
874
01:09:26,241 --> 01:09:28,862
HOME. I LOVE FIRSTS.
875
01:09:28,895 --> 01:09:34,136
THIS IS THE FIRST SHOW.
WHEN YOU CHOOSE TO BEHAVE.
876
01:09:34,171 --> 01:09:39,586
THERE'S A CONSEQUENCE.
COME ON NOW.
877
01:09:39,620 --> 01:09:45,586
DOING SOMETHING AT SOMEONE'S
EXPENSE, IT'S AT OUR EXPENSE
878
01:09:45,620 --> 01:09:46,517
TOO. THE STRONGEST PEOPLE I'VE
879
01:09:46,551 --> 01:09:50,792
EVER MET. SHE HAS
A RIGHT TO SAY WHAT
880
01:09:50,827 --> 01:09:54,896
SHE WANTS. THIS IS
MY MIDLIFE CRISIS.
881
01:09:54,931 --> 01:09:58,551
YOU HAVEN'T USED DRUGS SINCE
HE WALKED OFF THE STAGE.
882
01:09:58,586 --> 01:10:04,586
WE HAVE MADE IT POSSIBLE
TO BE 11 MILLION.
883
01:10:08,482 --> 01:10:12,827
YOU NEVER SAY OKAY,
THE DISEASE WINS.
884
01:10:12,862 --> 01:10:15,379
I QUIT. I GIVE UP.
885
01:10:15,413 --> 01:10:17,217
I MADE A COMMITMENT TO POINT YOU
IN THE RIGHT DIRECTION TELL YOU
886
01:10:17,241 --> 01:10:23,241
LIKE IT IS. WHAT AN
AMAZING PLACE TO BE.
887
01:10:23,620 --> 01:10:26,241
Announcer: AND NOW, FROM
"DAYS OF OUR LIVES,"
888
01:10:26,275 --> 01:10:32,275
PLEASE WELCOME MARY BETH
EVANS AND DRAKE HOGESTYN.
889
01:10:34,379 --> 01:10:39,137
THIS IS EXCITING, ISN'T IT?
THE DAYTIME TALK SHOW HOST
890
01:10:39,172 --> 01:10:45,034
IS A VERY UNIQUE POSITION.
YOU NEED TO BE VERY BRIGHT AND
891
01:10:45,068 --> 01:10:46,389
WELL-INFORMED. AND
THEY MUST ALSO SHARE
892
01:10:46,413 --> 01:10:50,482
INFORMATION WITH THEIR AUDIENCE
WITH STYLE, WITH GRACE,
893
01:10:50,517 --> 01:10:52,206
AND WITH A TRUE
SENSE OF COMRADERY.
894
01:10:52,241 --> 01:10:54,931
A GOOD DAYTIME TALK SHOW
HOST FEELS LIKE AN OLD FRIEND
895
01:10:54,965 --> 01:10:59,241
WHO'S DROPPED BY TO
BRIGHTEN YOUR DAY.
896
01:10:59,275 --> 01:11:02,517
AND LUCKY FOR US,
THESE NOMINEES HAVE
897
01:11:02,551 --> 01:11:03,631
BRIGHTENED ALL OUR
DAYS FOR YEARS.
898
01:11:03,655 --> 01:11:05,551
HERE ARE THE NOMINEES
FOR OUTSTANDING DAYTIME
899
01:11:05,586 --> 01:11:11,275
TALK SERIES HOST.
DREW BARRYMORE,
900
01:11:11,310 --> 01:11:17,310
KELLY CLARKSON, TAMRON HALL,
901
01:11:19,827 --> 01:11:22,655
KELLY RIPA RYAN SEACREST,
902
01:11:22,689 --> 01:11:28,689
SHERRI SHEPHERD. AND
THE OSCAR GOES TO...
903
01:11:32,586 --> 01:11:34,551
OSCAR? WRONG PLACE.
904
01:11:34,586 --> 01:11:37,931
YOU'RE AT THE WRONG
PLACE. START AGAIN.
905
01:11:37,965 --> 01:11:42,517
THEY DIDN'T HAVE IT
UP THERE. HERE IT IS.
906
01:11:42,551 --> 01:11:48,551
AND THE EMMY GOES
TO... HOLD ON, HOLD ON.
907
01:11:51,000 --> 01:11:57,000
KELLY CLARKSON. KELLY
CLARKSON COULD NOT BE HERE
908
01:12:05,344 --> 01:12:08,620
TONIGHT. THE ACADEMY
ACCEPTS THIS AWARD
909
01:12:08,655 --> 01:12:13,275
ON HER BEHALF.
Announcer: PLEASE WELCOME
910
01:12:13,310 --> 01:12:19,310
FROM "GENERAL HOSPITAL,"
REBECCA HERBST.
911
01:12:27,586 --> 01:12:31,793
SO MANY FORMATIVE MEMORIES
BEGIN WITH WATCHING A DAYTIME
912
01:12:31,827 --> 01:12:36,758
DRAMA WITH GRANDMA ON AN
ANALOG RABBIT EAR TV OR PERHAPS
913
01:12:36,793 --> 01:12:39,896
CATCHING A GLIMPSE OF A SAUCY
STORY LINE AS A TREAT ON A SICK
914
01:12:39,931 --> 01:12:44,103
DAY HOME FROM SCHOOL.
NOW THOSE CHILDREN HAVE
915
01:12:44,137 --> 01:12:47,413
INTRODUCED THE SAME
PROGRAMMING TO THEIR CHILDREN,
916
01:12:47,448 --> 01:12:51,275
GRANDCHILDREN, EVEN THEIR
GREAT-GRANDCHILDREN.
917
01:12:51,310 --> 01:12:54,827
DAYTIME DRAMAS ARE
MULTIGENERATIONAL ENTERTAINMENT.
918
01:12:54,862 --> 01:12:59,068
FOR 60 YEARS THE ICONIC
"GENERAL HOSPITAL" HAS
919
01:12:59,103 --> 01:13:04,965
ENTERTAINED MILLIONS OF VIEWERS
WITH ITS BRAND OF INTENSE
920
01:13:05,000 --> 01:13:11,000
STORYTELLING. FROM
LOVE TO HATE TO ANGER,
921
01:13:12,000 --> 01:13:14,620
THE RESIDENCE OF PORT CHARLES
HAVE BEEN THERE FOR SIX DECADES.
922
01:13:14,655 --> 01:13:19,413
LET'S TAKE A LOOK AT
THE MEMORABLE MOMENTS.
923
01:13:19,448 --> 01:13:23,896
TO "GH." 60 YEARS.
924
01:13:23,931 --> 01:13:29,931
YOU KNOW YOU MUST
BE SPECIAL. ♪
925
01:13:38,862 --> 01:13:43,344
YOU KNOW YOU MUST
BE SPECIAL. ♪
926
01:13:51,034 --> 01:13:57,034
DON'T TOUCH ME! PLEASE
SAY THAT YOU LOVE ME
927
01:13:58,137 --> 01:14:01,034
AND YOU WANT TO MARRY
ME. I LOVE YOU VERY MUCH.
928
01:14:01,068 --> 01:14:07,068
YOU KNOW WHAT TO DO. IS
HE THE REASON WHY WE BROKE
929
01:14:10,068 --> 01:14:11,103
UP? I'M SORRY.
930
01:14:11,137 --> 01:14:16,137
WANT YOU TO KNOW IT'S
ALWAYS FAMILY FIRST.
931
01:14:20,275 --> 01:14:26,275
[APPLAUSE]
932
01:14:35,206 --> 01:14:37,965
[APPLAUSE]
933
01:14:38,000 --> 01:14:39,941
Announcer: THERE'S MUCH MORE
FUN AND EXCITEMENT WHEN WE
934
01:14:39,965 --> 01:14:42,724
RETURN, AS WE FIND OUT WHO
WILL TAKE HOME THE LEAD ACTING
935
01:14:42,758 --> 01:14:46,896
STATUETTES. ON THE 50TH ANNUAL
936
01:14:46,931 --> 01:14:48,275
DAYTIME EMMY
AWARDS. STAY TUNED.
937
01:14:48,310 --> 01:14:50,310
THIS IS CBS!
938
01:14:54,551 --> 01:14:57,758
THE 50TH ANNUAL DAYTIME
EMMY AWARDS WILL CONTINUE.
939
01:14:57,793 --> 01:15:00,206
THIS IS CBS.
940
01:15:06,310 --> 01:15:07,458
Announcer: WELCOME BACK TO
THE 50TH ANNUAL DAYTIME EMMY
941
01:15:07,482 --> 01:15:09,655
AWARDS. PRESENTING
THE AWARD FOR
942
01:15:09,689 --> 01:15:13,896
OUTSTANDING LEAD ACTOR IN
A DAYTIME DRAMA SERIES,
943
01:15:13,931 --> 01:15:18,068
PLEASE WELCOME 2022 OUTSTANDING
LEAD PERFORMANCE IN A DAYTIME
944
01:15:18,103 --> 01:15:22,793
DRAMA SERIES ACTRESS EMMY
WINNER MISHAEL MORGAN
945
01:15:22,827 --> 01:15:27,827
JOINED BY THE 1998
WINNER, CYNTHIA WATROS.
946
01:15:29,206 --> 01:15:35,206
WOW, THIS IS SO
EXCITING. SO EXCITING.
947
01:15:48,137 --> 01:15:52,206
AS AN ACTOR, YOU'VE JOINED
AN ELITE AND EXCLUSIVE CLUB,
948
01:15:52,241 --> 01:15:56,620
WHOSE PERFORMANCES ARE NOT JUST
GOOD, BUT CONSISTENTLY GREAT.
949
01:15:56,655 --> 01:16:00,310
RIGHT? EVERYONE
IN THIS CATEGORY
950
01:16:00,344 --> 01:16:04,034
HAS BEEN PREVIOUSLY
NOMINATED, FOUR HAVE WON.
951
01:16:04,068 --> 01:16:09,000
TALK ABOUT CONSISTENCY.
MAYBE WE CAN RENAME THIS
952
01:16:09,034 --> 01:16:12,931
CATEGORY. I LIKE THAT.
953
01:16:12,965 --> 01:16:16,034
I'M THINKING THE "AWARD FOR
954
01:16:16,068 --> 01:16:20,000
CONSISTENT GREATNESS"?
YOU KNOW WHAT?
955
01:16:20,034 --> 01:16:21,896
LET'S DO IT. LET'S DO IT.
956
01:16:21,931 --> 01:16:24,862
HERE ARE THE NOMINEES FOR
OUTSTANDING LEAD ACTOR
957
01:16:24,896 --> 01:16:29,206
PERFORMANCE IN A DAYTIME DRAMA
SERIES, OR AS MISHAEL AND I
958
01:16:29,241 --> 01:16:31,965
WANT TO REFER IT TO THE
AWARD FOR CONSISTENT
959
01:16:32,000 --> 01:16:38,000
GREATNESS. MAURICE BENARD,
960
01:16:39,068 --> 01:16:43,310
PETER BERGMAN, BILLY FLYNN,
961
01:16:43,344 --> 01:16:49,344
THORSTEN KAYE, JASON THOMPSON.
962
01:16:52,965 --> 01:16:58,965
OKAY. AND THE EMMY GOES TO...
963
01:17:06,103 --> 01:17:11,344
THE NAILS. THORSTEN KAYE.
964
01:17:11,379 --> 01:17:17,379
"THE BOLD AND THE BEAUTIFUL."
[CHEERS AND APPLAUSE]
965
01:17:30,965 --> 01:17:33,827
THANK YOU. HELLO I'M
NOT A THORSTEN KAYE.
966
01:17:33,862 --> 01:17:36,044
I AM BRAD BELL EXCEPTING FOR
THORSTEN KAYE WHO COULDN'T BE
967
01:17:36,068 --> 01:17:41,379
HERE TONIGHT. TO WRITE
FOR THIS MAN IS SUCH A
968
01:17:41,413 --> 01:17:44,344
JOY. HE IS THE
COMPLETE ORIGINAL AND
969
01:17:44,379 --> 01:17:49,379
A GREAT GUY AND
THORSTEN, YOU WON!
970
01:17:55,068 --> 01:17:56,803
Announcer: PLEASE WELCOME
LAST YEAR'S LEAD ACTOR EMMY
971
01:17:56,827 --> 01:18:00,758
WINNER JOHN McCOOK AND
THREE-TIME LEAD ACTOR
972
01:18:00,793 --> 01:18:06,793
EMMY WINNER, PETER BERGMAN.
THORSTEN WOULD HAVE THANKED
973
01:18:14,172 --> 01:18:16,413
ME BECAUSE I HELPED
HIM THROUGH EVERYTHING.
974
01:18:16,448 --> 01:18:20,482
EARLIER THIS EVENING THE
LIFETIME ACHIEVEMENT AWARD WAS
975
01:18:20,517 --> 01:18:25,068
GIVEN TO ONE OF DAYTIME
TELEVISION'S ICONS, ONE OF THE
976
01:18:25,103 --> 01:18:26,389
MOST MEMORABLE ACTRESSES
EVER. ABSOLUTELY.
977
01:18:26,413 --> 01:18:31,448
NOW THE WINNER OF THIS ESTEEMED
CATEGORY WILL GET TO JOIN HER
978
01:18:31,482 --> 01:18:35,586
RANKS. WHAT SAY WE MAKE OUR
979
01:18:35,620 --> 01:18:38,482
PRESENTATION AND NOT CHANGE
THE NAMES OF PEOPLE BEFORE US.
980
01:18:38,517 --> 01:18:44,000
THAT'S A GOOD IDEA. WE
COULDN'T HAVE COME UP WITH
981
01:18:44,034 --> 01:18:47,586
ANYTHING BETTER THAN ANYWAY.
JOHN AND I PROUDLY PRESENT
982
01:18:47,620 --> 01:18:48,665
THE NOMINEES FOR OUTSTANDING
LEAD ACTRES PERFORMANCE
983
01:18:48,689 --> 01:18:53,862
IN A DAYTIME DRAMA
SERIES. SHARON CASE,
984
01:18:53,896 --> 01:18:58,241
MELISSA CLAIRE
EGAN, FINOLA HUGHES,
985
01:18:58,275 --> 01:19:04,275
MICHELLE STAFFORD,
JACQUELINE MACINNES WOOD.
986
01:19:11,068 --> 01:19:12,206
[APPLAUSE] ALL RIGHT,
987
01:19:12,241 --> 01:19:18,241
THE EMMY GOES TO...
I'LL LET YOU READ THIS.
988
01:19:24,241 --> 01:19:27,206
JACQUELINE MACINNES WOOD.
[CHEERS AND APPLAUSE]
989
01:19:27,241 --> 01:19:33,241
"THE BOLD AND THE BEAUTIFUL."
JACK LANE'S THIRD WIN...
990
01:19:39,344 --> 01:19:45,172
JACQUELINE. OH, MY GOSH, WOW.
991
01:19:45,206 --> 01:19:47,206
I'VE GOT IT. THANK YOU.
992
01:19:47,241 --> 01:19:49,551
AWESOME. OH, MY GOD.
993
01:19:49,586 --> 01:19:54,551
THANK YOU. THANK YOU
SO MUCH, SO MUCH.
994
01:19:54,586 --> 01:19:56,148
CONGRATULATIONS TO THE
DAYTIME EMMYS ON THEIR 50TH.
995
01:19:56,172 --> 01:20:01,344
THIS IS SPECTACULAR.
THANK YOU.
996
01:20:01,379 --> 01:20:05,034
I WANT TO THANK, SHOW MY
APPRECIATION TO MY FELLOW
997
01:20:05,068 --> 01:20:10,137
NOMINEES, I HAD SO MUCH FUN WITH
YOU THE OTHER DAY, GIRLS LUNCH,
998
01:20:10,172 --> 01:20:15,275
YOU ARE WONDERFUL AND I'M
HONORED TO BE IN YOUR PRESENCE.
999
01:20:15,310 --> 01:20:17,655
THANK YOU TO CBS AND "THE
BOLD AND THE BEAUTIFUL."
1000
01:20:17,689 --> 01:20:19,724
BRADLEY BELL. YOU LEGEND, YOU.
1001
01:20:19,758 --> 01:20:23,931
YOU REALLY ARE THE BEST BOSS.
I'M SO GRATEFUL FOR THIS RIDE
1002
01:20:23,965 --> 01:20:28,103
AND THANK YOU FOR ALLOWING US TO
REALLY EXIST IN THOSE SCENES AND
1003
01:20:28,137 --> 01:20:31,482
ARE VERY FAST-PACED
SHOW, AS YOU GUYS KNOW.
1004
01:20:31,517 --> 01:20:37,517
I SHARE THIS WITH KIMBERLY
BROWN, I ADORE YOU.
1005
01:20:43,172 --> 01:20:47,931
TANNER, THANK YOU FOR
NAVIGATING THESE SCENES WITH ME.
1006
01:20:47,965 --> 01:20:50,896
THORSTEN KAYE, CONGRATULATIONS.
YOU FUELED MY CREATIVITY.
1007
01:20:50,931 --> 01:20:55,448
I ADORE ALL OF YOU. WRITERS,
DIRECTORS, PRODUCERS,
1008
01:20:55,482 --> 01:20:59,379
PROPS, STAGE MANAGER,
EVERYONE. ALL THE ACTORS.
1009
01:20:59,413 --> 01:21:04,862
ONE OF THE HARDEST WORKING WOMEN
I KNOW, EVA BASLER, LOVE YOU.
1010
01:21:04,896 --> 01:21:07,827
TO MY HUSBAND, MY
CHILDREN, I LOVE YOU.
1011
01:21:07,862 --> 01:21:13,862
SO VERY HONORED. THANK YOU.
1012
01:21:15,896 --> 01:21:18,896
♪
THE ENERGY IN THIS ROOM IS
1013
01:21:18,931 --> 01:21:23,482
INCREDIBLE, WOULDN'T YOU
SAY? I WOULD SAY MAGICAL.
1014
01:21:23,517 --> 01:21:27,517
Nischelle: LADIES AND
GENTLEMEN, FROM "THE YOUNG AND
1015
01:21:27,551 --> 01:21:31,517
THE RESTLESS." GIVE HER
A ROUND OF APPLAUSE.
1016
01:21:31,551 --> 01:21:34,517
YOU'VE A GREAT
MEMORY MOMENT FOR US.
1017
01:21:34,551 --> 01:21:40,551
THIS IS A WHILE NOW, 1985.
THEY ANNOUNCED MY NAME AND I'M
1018
01:21:42,896 --> 01:21:45,586
YOUNG AND INEXPERIENCED. I
FREAKED OUT AND I RUSH UP ON
1019
01:21:45,620 --> 01:21:49,172
THE STAGE. IT WAS LIKE
THIS, LONG STAIRS.
1020
01:21:49,206 --> 01:21:53,241
I WALKED RIGHT OUT OF MY SHOE.
SO YOU PANIC AND YOU THINK,
1021
01:21:53,275 --> 01:21:57,827
SHOULD I PICK IT UP?
KICK IT OFF THE STAGE?
1022
01:21:57,862 --> 01:22:00,931
KEEP GOING? I GRABBED
MY SHOE, POINTED AT
1023
01:22:00,965 --> 01:22:03,275
HER, TOOK THIS BEAUTIFUL
STATUE OF MY OTHER HAND.
1024
01:22:03,310 --> 01:22:07,758
I HAD A STRAPLESS PUMP. MY
FRIENDS WERE SO NICE ABOUT
1025
01:22:07,793 --> 01:22:11,344
IT. THEY SAID
1026
01:22:11,379 --> 01:22:17,068
"YOU WERE A SHOE-IN."
Nischelle: THAT'S AN
1027
01:22:17,103 --> 01:22:20,931
INCREDIBLE STORY. REAL-LIFE
CINDERELLA MOMENT.
1028
01:22:20,965 --> 01:22:25,206
YOU TOOK YOUR SLIPPER AND NOBODY
ELSE HAD TO GET IT FOR YOU.
1029
01:22:25,241 --> 01:22:29,862
I LOVE THAT, BETH.
THANK YOU SO MUCH.
1030
01:22:29,896 --> 01:22:35,896
YOU'VE GOT ON BOTH SHOES?
THEY ARE FLAT AND THEY ARE O
1031
01:22:36,689 --> 01:22:37,827
ON. WHEN WE RETURN,
1032
01:22:37,862 --> 01:22:38,724
WE FIND OUT WHO TAKES HOME
THE COVETED GOLDEN STATUETTE
1033
01:22:38,758 --> 01:22:44,758
FOR OUTSTANDING
DAYTIME DRAMA SERIES.
1034
01:22:55,793 --> 01:22:59,793
Announcer: AMERICAN ACTRESS,
COMEDIAN, AUTHOR, BROADCASTER,
1035
01:22:59,827 --> 01:23:02,448
PODCASTER, AND HOST OF THE
DAILY SYNDICATED DAYTIME
1036
01:23:02,482 --> 01:23:08,482
TALK SHOW "SHERRI," PLEASE
WELCOME SHERRI SHEPHERD.
1037
01:23:09,068 --> 01:23:15,068
[CHEERS AND APPLAUSE]
HI, EVERYONE.
1038
01:23:16,517 --> 01:23:22,172
I CANNOT TELL YOU HOW PROUD I
AM TO BE HERE AT THIS MOMENT,
1039
01:23:22,206 --> 01:23:27,793
TAKING PART IN SUCH A WONDERFUL
NIGHT OF CELEBRATING THE PAST,
1040
01:23:27,827 --> 01:23:30,551
THE PRESENT, AND THE FUTURE
OF DAYTIME TELEVISION.
1041
01:23:30,586 --> 01:23:32,631
AND TO BE HERE AT THE 50TH
ANNIVERSARY OF THE DAYTIME
1042
01:23:32,655 --> 01:23:37,000
EMMYS MAKES IT EVEN
MORE SPECIAL FOR ME.
1043
01:23:37,034 --> 01:23:39,586
I GOTTA TELL YOU. THEY
SAY BLACK DON'T CRACK.
1044
01:23:39,620 --> 01:23:45,620
BUT IF YOU ASK ME, THE DAYTIME
EMMYS SURE LOOKS GOOD FOR 50.
1045
01:23:50,862 --> 01:23:52,896
[APPLAUSE] NOW, THEY GOT ME.
1046
01:23:52,931 --> 01:23:55,310
I WAS GONNA CHANGE COSTUMES
FOR MY INTERPRETIVE
1047
01:23:55,344 --> 01:23:58,310
DANCE NUMBER... WHICH
MEANS I'M GONNA BE
1048
01:23:58,344 --> 01:24:04,344
AT THE AFTER-PARTY... WABBLE?
1049
01:24:07,931 --> 01:24:12,896
OH, IT'S GONNA BE FIRE. IT'S
TIME FOR THE OUTSTANDING
1050
01:24:12,931 --> 01:24:16,551
DAYTIME DRAMA SERIES AWARD.
THIS IS THE BIGGIE, FOLKS.
1051
01:24:16,586 --> 01:24:21,448
THE CATEGORY THAT RECOGNIZES
EVERY ASPECT OF A SUCCESSFUL,
1052
01:24:21,482 --> 01:24:26,206
POPULAR DAYTIME DRAMA SERIES.
HONORING THOSE WHO HAVE GIVEN
1053
01:24:26,241 --> 01:24:29,827
THEIR BLOOD, THEIR
SWEAT, AND TEARS,
1054
01:24:29,862 --> 01:24:33,344
IN MOST CASES QUITE LITERALLY,
TO MAKE THE DAYTIME TELEVISION
1055
01:24:33,379 --> 01:24:36,965
DRAMA A MAINSTAY OF
AMERICAN TELEVISION CULTURE.
1056
01:24:37,000 --> 01:24:42,724
ARE WE READY? [APPLAUSE]
1057
01:24:42,758 --> 01:24:48,586
THE NOMINEES FOR OUTSTANDING
DAYTIME DRAMA SERIES ARE...
1058
01:24:48,620 --> 01:24:52,620
"THE BAY," "THE BOLD
AND THE BEAUTIFUL,"
1059
01:24:52,655 --> 01:24:57,068
"DAYS OF OUR LIVES,"
"GENERAL HOSPITAL,"
1060
01:24:57,103 --> 01:25:03,103
"THE YOUNG AND THE RESTLESS."
AND THE EMMY GOES TO...
1061
01:25:16,965 --> 01:25:22,034
"GENERAL HOSPITAL." ABC!
1062
01:25:22,068 --> 01:25:25,137
ACCEPTING THE EMMY,
EXECUTIVE PRODUCER FRANK
1063
01:25:25,172 --> 01:25:31,172
VALENTINI. I'M COMING.
1064
01:25:39,586 --> 01:25:45,413
I'M COMING. IT'S
OKAY, IT'S OKAY.
1065
01:25:45,448 --> 01:25:51,448
I'VE GOT YOU. OH, OH.
1066
01:25:56,068 --> 01:26:00,896
THERE IS A LOT OF US. WE'VE
HAD A REALLY INCREDIBLE
1067
01:26:00,931 --> 01:26:04,689
WEEK. WE JUST FINISHED
DOING OUR PRIME
1068
01:26:04,724 --> 01:26:08,517
TIME SPECIAL WHICH
AIRS JAN JANUARY 4TH.
1069
01:26:08,551 --> 01:26:09,562
A SHAMELESS PLUG. THANK
YOU TO OUR INCREDIBLE
1070
01:26:09,586 --> 01:26:12,724
WRITERS, EVERYONE AT
THE NETWORK AT ABC.
1071
01:26:12,758 --> 01:26:17,206
DANA, CRAG, NATHAN.
THANK YOU SO MUCH.
1072
01:26:17,241 --> 01:26:22,379
TOM, LISA. WHOM I FORGETTING?
1073
01:26:22,413 --> 01:26:27,310
THE CAST, THE CREW. PROPS,
THE WRITERS, THE ACTORS.
1074
01:26:27,344 --> 01:26:32,379
I'M SORRY. THIS IS
REALLY A SPECIAL NIGHT
1075
01:26:32,413 --> 01:26:36,103
AND I FEEL REALLY APPRECIATIVE
AND A LITTLE BIT ANXIOUS.
1076
01:26:36,137 --> 01:26:38,344
THANK YOU SO MUCH,
EVERYBODY, FOR EVERYTHING.
1077
01:26:38,379 --> 01:26:43,103
AND ALSO A SPECIAL SHOUT OUT
TO OUR FRIEND EVA BASLER.
1078
01:26:43,137 --> 01:26:48,103
WE LOVE YOU. WE LIKE
TO DEDICATE THIS TO
1079
01:26:48,137 --> 01:26:52,206
SONYA EDDY AND TO NICO
GARLAND. WE LOVE YOU.
1080
01:26:52,241 --> 01:26:58,241
THANK YOU SO MUCH. Kevin:
WELL, FOLKS, THAT'S IT
1081
01:27:07,241 --> 01:27:08,172
THANK YOU SO MUCH. Kevin:
WELL, FOLKS, THAT'S IT
1082
01:27:08,206 --> 01:27:09,493
FOR THE 50TH ANNUAL
DAYTIME EMMY AWARDS.
1083
01:27:09,517 --> 01:27:12,896
Nischelle: KEVIN AND I ARE
TRULY HONORED TO HAVE BEEN YOUR
1084
01:27:12,931 --> 01:27:15,379
HOSTS. SO
CONGRATULATIONS TO ALL OF
1085
01:27:15,413 --> 01:27:17,965
TONIGHT'S NOMINEES
AND RECIPIENTS.
1086
01:27:18,000 --> 01:27:22,034
AND REMEMBER... IT'S
BETTER IN THE DAYTIME!
1087
01:27:22,068 --> 01:27:27,344
Kevin: GOOD NIGHT, EVERYONE.
AND ALSO HAPPY HOLIDAYS!
1088
01:27:27,379 --> 01:27:31,379
LET'S GO PARTY!
1089
01:27:33,379 --> 01:27:38,447
♪
1090
01:27:38,448 --> 01:27:44,448
♪
1091
01:27:59,586 --> 01:28:02,172
IN ALL CATEGORIES THE DAYTIME
EMMYS AWARDS ARE JUDGED BY
1092
01:28:02,206 --> 01:28:03,700
MEMBERS OF THE NATIONAL ACADEMY
OF TELEVISION ARTS AND SCIENCES
1093
01:28:03,724 --> 01:28:08,413
INC. OR OTHER EXPERIENCED
TELEVISION PROFESSIONALS.
1094
01:28:08,448 --> 01:28:11,034
VOTING IS CONDUCTED SECURELY
ONLINE VIA PANELS OF INDUSTRY
1095
01:28:11,068 --> 01:28:14,275
PEERS. THE RESULTS
OF THE SECRET VOTING
1096
01:28:14,310 --> 01:28:17,034
ARE KNOWN ONLY TO THE
INDEPENDENT ACCOUNTING FIRM
1097
01:28:17,068 --> 01:28:21,137
UNTIL THE BROADCAST.
93763
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