All language subtitles for Welcome Back_ Kotter S04E22 Im Okay_ But Youre Not.DVDRip.NonHI.cc.en.SHOUT

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These are the user uploaded subtitles that are being translated: 1 00:00:08,407 --> 00:00:09,774 - LISTEN TO THIS ONE. 2 00:00:09,809 --> 00:00:12,176 "WOODMAN IS A TEST TUBE BABY." 3 00:00:14,047 --> 00:00:15,212 YOU KNOW WHAT? 4 00:00:15,247 --> 00:00:18,049 I THINK HE LOOKS MORE LIKE A MASON JAR BABY. 5 00:00:24,024 --> 00:00:25,723 - LABARRE. 6 00:00:25,758 --> 00:00:27,025 WHAT ARE YOU LAUGHING AT? 7 00:00:27,060 --> 00:00:28,358 - WHAT AM I LAUGHING AT? 8 00:00:28,394 --> 00:00:30,961 UH, I'M LAUGHING THAT SOMEBODY COULD BE SO FOOLISH 9 00:00:30,997 --> 00:00:32,241 AS TO WRITE SOMETHING LIKE THAT 10 00:00:32,265 --> 00:00:34,464 ABOUT SUCH A FINE MAN. 11 00:00:34,500 --> 00:00:36,099 - THANK YOU, DE LABARRE. 12 00:00:36,135 --> 00:00:37,435 - YOU KNOW WHAT I'M GONNA DO? 13 00:00:37,470 --> 00:00:39,803 I'M GONNA GET SOME PAINT AND COVER UP THAT FILTH. 14 00:00:39,839 --> 00:00:40,850 - THANK YOU, MY BOY. 15 00:00:40,874 --> 00:00:42,439 - THAT'S ONLY THE BEGINNING. 16 00:00:42,475 --> 00:00:43,975 SEE, WHEN I GET DONE THERE, 17 00:00:44,010 --> 00:00:45,888 I'M GOING OVER THE BOYS' RESTROOM 18 00:00:45,912 --> 00:00:47,522 AND COVER UP ALL THE DISPARAGING REMARKS 19 00:00:47,546 --> 00:00:49,280 ABOUT YOU IN THERE TOO. 20 00:00:51,350 --> 00:00:54,685 'COURSE, IT MAY TAKE SEVERAL GALLONS OF PAINT. 21 00:00:54,720 --> 00:00:55,865 - THAT'S SPLENDID, MY BOY. 22 00:00:55,889 --> 00:00:57,233 I'LL TELL YOU WHAT, AFTER YOU'VE FINISHED THAT, 23 00:00:57,257 --> 00:00:59,301 YOU COME TO MY OFFICE, I'LL GIVE YOU THE KEY, 24 00:00:59,325 --> 00:01:01,959 DO THE SAME THING IN THE FACULTY MEN'S ROOM. 25 00:01:13,106 --> 00:01:14,805 - HELLO, MR. WOODMAN. 26 00:01:14,841 --> 00:01:16,807 - OH, THAT'S EASY FOR YOU TO SAY. 27 00:01:16,842 --> 00:01:20,144 - OH, WELL, SOMEBODY WOKE UP ON THE WRONG SIDE OF THE BED. 28 00:01:20,180 --> 00:01:22,446 - I HAVEN'T BEEN TO BED IN TWO NIGHTS. 29 00:01:22,481 --> 00:01:24,949 NIGHT BEFORE LAST I HAD TO TAKE MR. HICKS OUT TO DINNER. 30 00:01:24,984 --> 00:01:25,950 - YOU MEAN THE MR. HICKS 31 00:01:25,985 --> 00:01:27,796 THAT'S RETIRING FROM THE SCHOOL BOARD? 32 00:01:27,820 --> 00:01:30,688 - HM. DIDN'T GET HOME 'TIL AFTER MIDNIGHT. 33 00:01:30,723 --> 00:01:32,803 THOUGHT HE WOULD NEVER PICK UP THE CHECK. 34 00:01:34,694 --> 00:01:35,660 THEN WHEN I DID GET HOME, 35 00:01:35,695 --> 00:01:37,205 THE REFRIGERATOR WAS ON THE BLINK 36 00:01:37,229 --> 00:01:41,331 SO I HAD TO STAY UP AND EAT THE DOGGY BAG. 37 00:01:43,303 --> 00:01:45,869 - NAH, COULDN'T LET IT GO TO WASTE. 38 00:01:45,905 --> 00:01:47,082 - AND THAT WEIRDO HICKS, YOU KNOW, 39 00:01:47,106 --> 00:01:49,907 HE ORDERS HIS STEAKS BLOOD RARE. 40 00:01:49,942 --> 00:01:52,342 I COULD HARDLY GET HIS LEFTOVERS DOWN. 41 00:01:54,714 --> 00:01:55,924 AND THEN I HAD TO STAY UP ALL LAST NIGHT 42 00:01:55,948 --> 00:01:58,949 WITH THESE FULL STUDENT EVALUATION REPORTS. 43 00:02:00,486 --> 00:02:02,497 - HERE, WHY DON'T YOU JUST GIVE THESE TO ME. 44 00:02:02,521 --> 00:02:04,366 YOU GO INTO YOUR OFFICE AND SIT DOWN 45 00:02:04,390 --> 00:02:05,901 AND I WILL LOOK THEM OVER AND THEN PUT THEM 46 00:02:05,925 --> 00:02:07,324 IN THE STUDENT FILES, OKAY? 47 00:02:07,359 --> 00:02:09,326 - THANKS, JULIE. 48 00:02:09,362 --> 00:02:10,661 HOLD ALL MY CALLS, WILL YOU? 49 00:02:10,696 --> 00:02:13,697 - YUP. - GO AND TRY TO GET 40 WINKS. 50 00:02:13,733 --> 00:02:16,133 CAN'T FACE THE WORLD WITHOUT MY BEAUTY SLEEP. 51 00:02:18,571 --> 00:02:20,738 - AND VICE VERSA. 52 00:02:31,317 --> 00:02:32,695 HI, ARNOLD. WHAT CAN I DO FOR YOU? 53 00:02:32,719 --> 00:02:34,597 - WELL, I JUST STOPPED BY TO SEE IF THE SUPPLIES 54 00:02:34,621 --> 00:02:36,599 FOR THE SCHOOL STORE HAVE COME IN YET? 55 00:02:36,623 --> 00:02:38,600 OH... JUST A SECOND, ARNOLD. 56 00:02:38,624 --> 00:02:41,291 HELLO? YEAH. 57 00:02:43,028 --> 00:02:45,295 OH, GREAT, THANKS. 58 00:02:45,331 --> 00:02:46,897 YEAH, I'LL BE RIGHT DOWN. 59 00:02:46,933 --> 00:02:48,899 OKAY, THANKS A LOT. BYE, BYE. 60 00:02:48,935 --> 00:02:50,000 ARNOLD, LOOK. 61 00:02:50,035 --> 00:02:52,603 MISS VATELLI IN HOME EC, SHE HEMMED THIS SKIRT FOR ME 62 00:02:52,638 --> 00:02:54,771 AND I HAVE TO GO DOWNSTAIRS AND TRY IT ON. 63 00:02:54,807 --> 00:02:58,842 - OH, THAT MISS VATELLI, SHE'S GREAT AT HEMMING. 64 00:02:58,877 --> 00:03:00,844 ALSO HAWING. 65 00:03:02,715 --> 00:03:04,326 - LOOK, ARNOLD, WILL YOU DO ME A BIG FAVOR 66 00:03:04,350 --> 00:03:06,261 AND MAN THE PHONES FOR ME WHILE I'M GONE? 67 00:03:06,285 --> 00:03:08,063 - OH, SURE, YOU JUST RUN ALONG. 68 00:03:08,087 --> 00:03:09,131 - OKAY, THANKS, ARNOLD. 69 00:03:09,155 --> 00:03:12,256 - AND DON'T YOU WORRY YOUR PRETTY LITTLE HEAD. 70 00:03:12,292 --> 00:03:15,159 I WILL RUN THIS OFFICE WITH THE SAME EFFICIENCY 71 00:03:15,194 --> 00:03:17,661 AND COURTESY THAT YOU YOURSELF WOULD. 72 00:03:17,696 --> 00:03:18,696 BYE. 73 00:03:21,401 --> 00:03:23,367 YEE-HAW! 74 00:03:26,639 --> 00:03:28,505 IT'S YOUR DIME, SPILL IT. 75 00:03:32,578 --> 00:03:36,180 OH, HI, MRS. MINOTTI. 76 00:03:36,215 --> 00:03:38,582 OH, HAROLD ISN'T GONNA BE IN TODAY? 77 00:03:38,617 --> 00:03:40,217 HE'S GONNA BE LATE? 78 00:03:40,252 --> 00:03:42,252 WE'LL NEVER MISS HIM. 79 00:03:45,624 --> 00:03:47,958 I LOVE POWER. 80 00:04:00,540 --> 00:04:02,239 - WELL, WELL, MRS. KOTTER. 81 00:04:02,274 --> 00:04:04,434 YOU'VE DONE SOMETHING DIFFERENT WITH YOUR HAIR. 82 00:04:06,245 --> 00:04:08,089 - YEAH, BUT SHE PUT IT ON THE WRONG HEAD. 83 00:04:14,487 --> 00:04:17,054 - THAT'S NOT FUNNY, BOYS. 84 00:04:17,089 --> 00:04:19,156 MRS. KOTTER HAS STEPPED AWAY MOMENTARILY 85 00:04:19,192 --> 00:04:21,358 AND I AM THE NEW CAPTAIN OF THE HELM. 86 00:04:21,394 --> 00:04:24,327 - WHOA, ABANDON SHIP, ABANDON SHIP. 87 00:04:24,363 --> 00:04:26,174 - ARE YOU HERE ON OFFICIAL BUSINESS 88 00:04:26,198 --> 00:04:29,232 OR DID YOU JUST STOP BY TO MAKE YOUR SOPHOMORIC REMARKS? 89 00:04:29,268 --> 00:04:30,846 - WHADDYA MEAN, SOPHOMORIC REMARKS? 90 00:04:30,870 --> 00:04:33,871 C'MON, MAN, WE GAVE UP THOSE KIND OF REMARKS YEARS AGO. 91 00:04:33,906 --> 00:04:36,607 NOW WE'RE DOING SENIOR MORIC REMARKS. 92 00:04:38,544 --> 00:04:40,589 - YEAH, ACTUALLY WE CAME IN SO I COULD CON MRS. KOTTER 93 00:04:40,613 --> 00:04:42,246 OUT OF AN OFF-CAMPUS PASS. 94 00:04:42,281 --> 00:04:44,548 - WELL, UNFORTUNATELY, MRS. KOTTER IS NOT HERE 95 00:04:44,584 --> 00:04:45,727 AND YOU WOULD BE WASTING YOUR TIME 96 00:04:45,751 --> 00:04:48,885 BECAUSE I, ARNOLD "WILL-OF-IRON" HORSHACK, 97 00:04:48,921 --> 00:04:51,688 CANNOT BE CONNED. 98 00:04:51,724 --> 00:04:53,724 - WHAT A PITY. 99 00:04:53,759 --> 00:04:55,092 WHAT A PITY. 100 00:04:55,128 --> 00:04:56,671 YOU KNOW, I WAS THINKING ABOUT TAKING ALL FOUR OF US 101 00:04:56,695 --> 00:04:59,829 OUT TO LUNCH OVER AT THE PIZZA PLAZA. 102 00:04:59,865 --> 00:05:02,566 - FORTUNATELY, ARNOLD "WILL-OF-IRON" HORSHACK 103 00:05:02,601 --> 00:05:04,201 CAN BE BRIBED. 104 00:05:05,237 --> 00:05:06,203 - LET'S CIRCUMNAVIGATE THOSE PASSES 105 00:05:06,239 --> 00:05:08,016 SO WE CAN GET OVER THERE TO THE PIZZA PARLOR. 106 00:05:08,040 --> 00:05:10,273 - OOH, YEAH. BOY, I CAN TASTE THEM ANCHOVIES 107 00:05:10,309 --> 00:05:11,274 NOW, NOW, NOW. 108 00:05:11,310 --> 00:05:15,279 - LATE PASSES, PARTY PASSES, 109 00:05:15,314 --> 00:05:18,215 ABSENTEE EXCUSES. 110 00:05:18,251 --> 00:05:21,785 MAYBE THE OFF-CAMPUS PASSES ARE OFF-CAMPUS. 111 00:05:24,257 --> 00:05:25,656 - HEY, WHAT'S THIS? 112 00:05:25,691 --> 00:05:27,001 STUDENT EVALUATION REPORTS, 113 00:05:27,025 --> 00:05:28,437 MICHAEL J. WOODMAN, PRINCIPAL. 114 00:05:28,461 --> 00:05:29,571 - OH, DON'T READ THAT, BEAU. 115 00:05:29,595 --> 00:05:30,705 PUT THOSE DOWN. YOU CANNOT READ THESE. 116 00:05:30,729 --> 00:05:33,075 NO STUDENT CAN EVER READ THE STUDENT EVALUATION REPORTS, 117 00:05:33,099 --> 00:05:34,065 NEVER, NEVER, NEVER. 118 00:05:34,100 --> 00:05:35,065 - HEY, YOU KNOW, THAT'S TRUE, MAN. 119 00:05:35,100 --> 00:05:36,066 IF WE GOT CAUGHT LOOKING AT THESE, 120 00:05:36,102 --> 00:05:37,246 WE CAN GET INTO MAJOR LEAGUE TROUBLE. 121 00:05:37,270 --> 00:05:38,480 - THAT'S RIGHT. THE LAST GUY WHO GOT CAUGHT 122 00:05:38,504 --> 00:05:41,472 LOOKING AT THIS, IS STILL CLAPPING ERASERS. 123 00:05:43,141 --> 00:05:45,476 AND HE GRADUATED 8 YEARS AGO. 124 00:05:45,511 --> 00:05:46,710 - OH, GIVE ME THAT BACK. 125 00:05:47,747 --> 00:05:48,891 - ARE THEY REALLY THAT IMPORTANT? 126 00:05:48,915 --> 00:05:50,881 - YES, THEY ARE. - LET'S CHECK 'EM OUT. 127 00:05:50,917 --> 00:05:52,594 - WELL, THEN, WHAT ARE WE WAITING FOR? 128 00:05:52,618 --> 00:05:53,729 - BEAU, YOU REALLY SHOULDN'T DO THIS. 129 00:05:53,753 --> 00:05:55,530 BEAU, THIS IS NOT A RIGHT THING TO DO. 130 00:05:55,554 --> 00:05:56,631 BEAU, YOU SHOULDN'T DO THIS. 131 00:05:56,655 --> 00:05:58,166 YOU COULD GET IN A LOT OF TROUBLE, BEAU, 132 00:05:58,190 --> 00:05:59,155 YOU CAN'T DO THIS KIND OF THING. 133 00:05:59,191 --> 00:06:00,156 - HORSHACK! - THANK YOU. 134 00:06:00,192 --> 00:06:01,291 - YOU'RE WELCOME. 135 00:06:15,274 --> 00:06:17,974 ♪ WELCOME BACK ♪ 136 00:06:18,010 --> 00:06:21,645 ♪ YOUR DREAMS WERE YOUR TICKET OUT ♪ 137 00:06:21,680 --> 00:06:23,747 ♪ WELCOME BACK ♪ 138 00:06:23,782 --> 00:06:28,485 ♪ TO SAME OLD PLACE THAT YOU LAUGHED ABOUT ♪ 139 00:06:28,521 --> 00:06:30,787 ♪ WELL THE NAMES HAVE ALL CHANGED ♪ 140 00:06:30,823 --> 00:06:32,956 ♪ SINCE YOU HUNG AROUND ♪ 141 00:06:32,992 --> 00:06:35,125 ♪ BUT THOSE DREAMS HAVE REMAINED ♪ 142 00:06:35,160 --> 00:06:37,494 ♪ AND THEY'VE TURNED AROUND ♪ 143 00:06:37,530 --> 00:06:39,630 ♪ WHO'D HAVE THOUGHT THEY'D LEAD YA ♪ 144 00:06:39,665 --> 00:06:41,743 ♪ ♪ 145 00:06:41,767 --> 00:06:43,934 ♪ BACK HERE WHERE WE NEED YA ♪ 146 00:06:43,969 --> 00:06:45,969 ♪ ♪ 147 00:06:46,005 --> 00:06:47,771 ♪ YEAH, WE TEASE HIM A LOT ♪ 148 00:06:47,806 --> 00:06:49,907 ♪ 'CAUSE WE'VE GOT HIM ON THE SPOT ♪ 149 00:06:49,942 --> 00:06:52,075 ♪ WELCOME BACK ♪ 150 00:06:52,110 --> 00:06:56,379 ♪ WELCOME BACK WELCOME BACK WELCOME BACK ♪ 151 00:06:56,415 --> 00:06:58,549 ♪ WELCOME BACK WELCOME BACK ♪ 152 00:06:58,584 --> 00:07:00,717 ♪ YEAH, WE TEASE HIM A LOT ♪ 153 00:07:00,753 --> 00:07:02,920 ♪ 'CAUSE WE'VE GOT HIM ON THE SPOT ♪ 154 00:07:02,955 --> 00:07:05,089 ♪ WELCOME BACK ♪ 155 00:07:05,124 --> 00:07:09,492 ♪ WELCOME BACK WELCOME BACK WELCOME BACK ♪ 156 00:07:09,528 --> 00:07:13,830 ♪ WELCOME BACK WELCOME BACK WELCOME BACK ♪ 157 00:07:13,865 --> 00:07:19,703 ♪ WELCOME BACK WELCOME BACK WELCOME BACK ♪ 158 00:07:26,746 --> 00:07:27,823 - I DON'T BELIEVE THIS, MAN. 159 00:07:27,847 --> 00:07:29,057 I DON'T BELIEVE WHAT THEY GOT IN THIS THING HERE. 160 00:07:29,081 --> 00:07:30,046 LISTEN TO THIS, MAN. 161 00:07:30,082 --> 00:07:32,583 CHECK OUT WHAT MR. WOODMAN WROTE ABOUT ME. 162 00:07:32,618 --> 00:07:36,520 "WASHINGTON IS CAPABLE OF BEING A GOOD STUDENT. 163 00:07:37,923 --> 00:07:41,558 HE SPENDS THE MAJORITY OF HIS TIME ON THE BASKETBALL COURT. 164 00:07:41,594 --> 00:07:45,028 HIS PER POINT GAME AVERAGE IS 28." 165 00:07:45,063 --> 00:07:46,429 - WELL, THAT'S NOT SO BAD. 166 00:07:46,465 --> 00:07:48,031 - "AND SO IS HIS IQ." 167 00:07:50,135 --> 00:07:51,913 - WELL, LISTEN TO WHAT MR. WOODMAN HAS TO SAY 168 00:07:51,937 --> 00:07:54,571 ABOUT THE KID HERE, ARE YOU READY? 169 00:07:54,606 --> 00:07:58,842 "JUAN EPSTEIN HAS NOT LIVED UP TO HIS FULL POTENTIAL. 170 00:07:58,878 --> 00:08:01,144 BUT WHEN HE DOES, IT WILL BE A FEDERAL MATTER 171 00:08:01,180 --> 00:08:03,080 AND OUT OF MY HANDS." 172 00:08:12,758 --> 00:08:16,560 - I DO NOT BELIEVE WHAT I AM READING HERE. 173 00:08:17,830 --> 00:08:21,331 IT SAYS THAT I TEND TO BE CHILDISH. 174 00:08:23,869 --> 00:08:25,414 - HEY, C'MON, GUYS, THERE'S NO NEED TO BE UPSET. 175 00:08:25,438 --> 00:08:27,771 THESE THINGS DON'T MEAN ANYTHING. 176 00:08:27,806 --> 00:08:28,984 - OH, YEAH? WELL, WHAT DID OLD WOODFACE 177 00:08:29,008 --> 00:08:30,953 HAVE TO SAY ABOUT YOU IN THERE? - YEAH, WHAT DID HE SAY? 178 00:08:30,977 --> 00:08:31,942 - YEAH, WELL, WHAT DIFFERENCE DOES IT MAKE? 179 00:08:31,977 --> 00:08:33,088 LET'S JUST GO HAVE SOME LUNCH. 180 00:08:33,112 --> 00:08:34,278 - YOU LOOK UPSET, MAN. 181 00:08:34,313 --> 00:08:35,690 HEY, MR. WOODMAN MUST HAVE REALLY NAILED YOU TO THE WALL. 182 00:08:35,714 --> 00:08:36,680 LET'S JUST SEE IT. 183 00:08:36,715 --> 00:08:37,959 - LET'S JUST FORGET IT AND GO GRAB SOME LUNCH. 184 00:08:37,983 --> 00:08:39,650 YOUR FILE. 185 00:08:39,685 --> 00:08:42,252 - LET'S SEE WHAT IT SAYS. - LET'S TAKE A LOOK AT IT, HUH? 186 00:08:42,287 --> 00:08:44,433 NOW LOOK IT, BEAU BUDDY, IF YOU FEEL LIKE CRYING, 187 00:08:44,457 --> 00:08:46,857 YOU GO RIGHT AHEAD 'CAUSE YOU'RE AMONGST FRIENDS. 188 00:08:46,892 --> 00:08:48,459 - YEAH. - BE A MAN. 189 00:08:51,263 --> 00:08:53,007 - SAYS HERE, "YOU'RE A MODEL STUDENT 190 00:08:53,031 --> 00:08:57,701 AND CITIZEN, COURTEOUS, RESPECTFUL, 191 00:08:57,736 --> 00:09:00,304 WELL MANNERED AND TRUSTWORTHY." 192 00:09:00,339 --> 00:09:02,150 - WOW, ALL WE NEED IS "THRIFTY, BRAVE AND KIND" 193 00:09:02,174 --> 00:09:04,241 AND YOU COULD BE A BOY SCOUT. 194 00:09:06,044 --> 00:09:07,911 - I AIN'T FINISHED. 195 00:09:07,947 --> 00:09:11,882 "THRIFTY, BRAVE AND KIND. 196 00:09:16,622 --> 00:09:20,691 THE ONLY FAULT I FIND WITH BEAU DE LABARRE 197 00:09:20,726 --> 00:09:23,527 IS THE MOTLEY BUNCH OF PUNKS 198 00:09:23,562 --> 00:09:25,962 HE INSISTS ON RUNNING AROUND WITH." 199 00:09:25,998 --> 00:09:28,132 - HEY, THAT SOUNDS LIKE US. 200 00:09:30,936 --> 00:09:31,902 - HEY, COME ON, GUYS. 201 00:09:31,937 --> 00:09:33,782 THESE REPORTS DON'T MEAN ANYTHING. 202 00:09:33,806 --> 00:09:35,339 - I THINK THEY DO. 203 00:09:35,374 --> 00:09:36,818 I THINK THAT THEY MEAN THAT YOU'VE BEEN DOING 204 00:09:36,842 --> 00:09:40,010 SOME APPLE-POLISHING ABOVE AND BEYOND THE CALL OF DUTY. 205 00:09:40,045 --> 00:09:41,523 - HEY, YOU KNOW WHAT I THINK, MAN? 206 00:09:41,547 --> 00:09:44,315 I THINK THAT WHILE BEAU WAS TALKING HIMSELF UP 207 00:09:44,350 --> 00:09:47,051 TO MR. WOODMAN, HE BEEN TALKING US DOWN. 208 00:09:47,086 --> 00:09:48,052 LET ME TELL YOU SOMETHING, MAN. 209 00:09:48,087 --> 00:09:51,788 FROM NOW ON, YOU'RE ON YOUR OWN. 210 00:09:51,824 --> 00:09:53,901 - HEY, C'MON, I DIDN'T HAVE ANYTHING TO DO WITH THIS. 211 00:09:53,925 --> 00:09:55,192 GIVE ME A BREAK. 212 00:09:55,227 --> 00:09:56,693 - SURE. 213 00:09:56,728 --> 00:09:58,228 WHICH LEG? 214 00:10:00,132 --> 00:10:01,365 - C'MON, GUYS. 215 00:10:02,434 --> 00:10:04,000 ARNOLD? 216 00:10:04,036 --> 00:10:07,938 - IN THE WORDS OF THE CHILDISH ARNOLD HORSHACK, 217 00:10:07,973 --> 00:10:11,341 LIAR, LIAR, PANTS ON FIRE. 218 00:10:19,051 --> 00:10:20,117 - HI, BEAU. 219 00:10:20,152 --> 00:10:22,219 - HI, MRS. KOTTER. 220 00:10:22,254 --> 00:10:24,065 - BEAU, WHY ARE YOU EATING HERE ALL BY YOURSELF? 221 00:10:24,089 --> 00:10:26,757 DON'T YOU USUALLY EAT IN THE SCHOOLYARD WITH THE GUYS? 222 00:10:26,792 --> 00:10:28,632 - YEAH, THE GUYS DO. I DON'T. 223 00:10:29,995 --> 00:10:33,731 - OKAY, WHAT'S THE PROBLEM? 224 00:10:33,766 --> 00:10:35,344 - LOOK, I CONNED MR. WOODMAN INTO THINKING 225 00:10:35,368 --> 00:10:37,668 I'M SUCH A GREAT GUY. 226 00:10:37,703 --> 00:10:39,737 NOW MY BUDDIES THINK I'M A GREAT JERK. 227 00:10:39,772 --> 00:10:42,373 - WELL, WHY DO YOU FEEL LIKE YOU HAVE TO CON PEOPLE 228 00:10:42,408 --> 00:10:44,775 INTO THINGS ALL THE TIME, ANYWAY? 229 00:10:44,810 --> 00:10:48,311 - I DUNNO. I CAN'T HELP MYSELF. 230 00:10:48,346 --> 00:10:49,423 YOU KNOW, WHEN YOU'VE BEEN IN AND OUT 231 00:10:49,447 --> 00:10:51,248 OF AS MANY SCHOOLS AS I HAVE, 232 00:10:51,283 --> 00:10:54,384 CONNING PEOPLE INTO LIKING YOU BECOMES SECOND NATURE. 233 00:10:54,419 --> 00:10:56,720 - YOU KNOW, BEAU, PEOPLE WOULD LIKE YOU A LOT MORE 234 00:10:56,755 --> 00:10:59,123 IF YOU WOULD JUST BE YOURSELF. 235 00:10:59,158 --> 00:11:01,758 - I DON'T THINK I KNOW WHO "MYSELF" IS ANYMORE. 236 00:11:01,793 --> 00:11:04,894 - BEAU, YOU ARE A REAL LIKEABLE GUY. 237 00:11:04,930 --> 00:11:06,674 YOU'VE GOT A GREAT SENSE OF HUMOR. 238 00:11:06,698 --> 00:11:08,443 I MEAN, ALL THOSE STORIES ABOUT GROWING UP 239 00:11:08,467 --> 00:11:10,700 ON THE PLANTATION ARE WONDERFUL. 240 00:11:10,735 --> 00:11:13,736 AND HOW YOUR DADDY ALWAYS USED TO SAY THINGS IN THREES. 241 00:11:13,772 --> 00:11:15,972 THAT'S ALL REAL FUNNY STUFF. 242 00:11:16,007 --> 00:11:18,575 - MRS. KOTTER, MY DADDY NEVER TOLD ME ANYTHING. 243 00:11:19,911 --> 00:11:22,645 I HARDLY EVEN KNEW WHO MY DADDY WAS. 244 00:11:22,681 --> 00:11:25,482 I WAS SHUFFLED FROM RELATIVE TO RELATIVE. 245 00:11:25,517 --> 00:11:27,362 AND THE CLOSEST THING I EVER GOT TO A PLANTATION 246 00:11:27,386 --> 00:11:31,388 WAS SNEAKING INTO THE THEATER TO WATCH "GONE WITH THE WIND." 247 00:11:33,625 --> 00:11:35,392 - I KNOW THAT. 248 00:11:35,427 --> 00:11:36,927 - YOU KNEW THAT? 249 00:11:36,962 --> 00:11:38,595 - OF COURSE I DID. 250 00:11:38,631 --> 00:11:40,642 I COULD SEE THROUGH THAT PHONY ACT OF YOURS 251 00:11:40,666 --> 00:11:43,267 FROM THE FIRST DAY YOU GOT HERE. 252 00:11:43,302 --> 00:11:45,469 - YAH, BUT YOU'RE OLD AND WISE. 253 00:11:49,074 --> 00:11:51,408 - YOU ARE A CHARMER. 254 00:11:52,411 --> 00:11:55,345 - YEAH, WELL, I DIDN'T CHARM ANYBODY THIS MORNING. 255 00:11:55,380 --> 00:11:56,346 - YOU KNOW WHAT? 256 00:11:56,381 --> 00:11:59,382 WHY DON'T YOU JUST GIVE THE GUYS A CHANCE? 257 00:11:59,417 --> 00:12:02,385 WHY DON'T YOU GIVE YOURSELF A CHANCE? 258 00:12:02,420 --> 00:12:05,455 YOU KNOW, MAYBE EVEN MR. WOODMAN COULD HELP YOU. 259 00:12:07,159 --> 00:12:08,792 - WOODMAN? 260 00:12:08,827 --> 00:12:11,295 YOU'RE A GENIUS, MRS. KOTTER. 261 00:12:11,330 --> 00:12:13,830 YOU KNOW, MR. WOODMAN GOT ME INTO THIS MESS. 262 00:12:13,865 --> 00:12:16,566 I THINK MR. WOODMAN'S JUST GONNA HAVE TO GET ME OUT. 263 00:12:16,602 --> 00:12:18,368 THANK YOU, DEAR LADY. 264 00:12:21,941 --> 00:12:27,611 I WONDER, JULIE KOTTER, STUDENT COUNSELOR. 265 00:12:37,056 --> 00:12:38,155 - MR. WOODMAN? 266 00:12:45,030 --> 00:12:48,866 - OH. AH, DE LABARRE, MY BOY. 267 00:12:48,901 --> 00:12:50,712 - HOPE YOU WEREN'T SLEEPING, MR. WOODMAN. 268 00:12:50,736 --> 00:12:51,701 - ME? SLEEPING? 269 00:12:51,737 --> 00:12:54,737 NONSENSE, I WAS JUST CHECKING THE DESK 270 00:12:54,773 --> 00:12:57,673 FOR IMPERFECTIONS IN THE VENEER. 271 00:13:02,748 --> 00:13:03,714 - YEAH, WHEN I HEARD YOU STAYED UP 272 00:13:03,749 --> 00:13:04,715 ALL LATE LAST NIGHT WORKING, 273 00:13:04,750 --> 00:13:05,893 I FIGURED THE LEAST I COULD DO 274 00:13:05,917 --> 00:13:08,151 WAS BRING YOU A NICE STRONG CUP OF COFFEE. 275 00:13:08,186 --> 00:13:09,686 HELP YOU THROUGH THE DAY. 276 00:13:09,722 --> 00:13:11,087 - AH, THAT'S VERY THOUGHTFUL. 277 00:13:11,122 --> 00:13:12,088 THANK YOU, MY BOY. 278 00:13:12,123 --> 00:13:14,758 - YOU'RE WELCOME. OH, OH, OH, OH! 279 00:13:14,793 --> 00:13:17,494 LISTEN, WHY DON'T YOU JUST SLIP OFF THOSE TROUSERS, 280 00:13:17,530 --> 00:13:20,096 I'LL TAKE 'EM DOWN TO HOME EC AND HAVE THE STAIN REMOVED? 281 00:13:20,132 --> 00:13:21,910 - OH, FORGET IT. IT'S TOO MUCH TROUBLE. 282 00:13:21,934 --> 00:13:23,678 - OH, MR. WOODMAN, A MAN OF YOUR STANDING 283 00:13:23,702 --> 00:13:26,836 CANNOT BE SEEN AROUND SCHOOL WITH STAINED TROUSERS. 284 00:13:28,941 --> 00:13:31,742 - WELL, ALL RIGHT, IF YOU SAY SO. 285 00:13:33,979 --> 00:13:36,446 WHERE ARE YOUR MANNERS? TURN YOUR HEAD, DE LABARRE. 286 00:13:43,755 --> 00:13:45,888 - HEY! 287 00:13:45,924 --> 00:13:47,402 - LISTEN, WHY DON'T YOU JUST SIT TIGHT? 288 00:13:47,426 --> 00:13:49,470 IN FACT, WHY DON'T YOU JUST TAKE A LITTLE NAP? 289 00:13:49,494 --> 00:13:51,027 - AHH. 290 00:13:51,063 --> 00:13:52,028 - YOU KNOW, BY THE TIME YOU WAKE UP, 291 00:13:52,064 --> 00:13:54,097 I'LL HAVE THESE BACK GOOD AS NEW. 292 00:13:54,132 --> 00:13:56,933 - ALL RIGHT. 293 00:14:06,811 --> 00:14:09,012 - WELL, WELL, WELL. 294 00:14:09,047 --> 00:14:12,182 IF IT ISN'T MR. WOODMAN'S LITTLE ANGEL. 295 00:14:12,217 --> 00:14:14,484 - YOU THINK I'M A WOODMAN'S BOY? 296 00:14:14,520 --> 00:14:17,153 WELL, I'VE GOT HIS PANTS RIGHT HERE. 297 00:14:17,189 --> 00:14:18,922 WHADDYA THINK ABOUT THAT? 298 00:14:18,957 --> 00:14:21,391 - ISN'T THAT CUTE? 299 00:14:23,295 --> 00:14:26,529 NOW THEY'RE STARTING TO DRESS ALIKE. 300 00:14:28,334 --> 00:14:31,034 - FOR YOUR INFORMATION, I'M ABOUT TO TAKE THESE TROUSERS 301 00:14:31,069 --> 00:14:32,836 AND RUN 'EM UP THE FLAGPOLE. 302 00:14:39,211 --> 00:14:41,089 - WELL, WHADDYA WAITING FOR? GO ON, DO IT. 303 00:14:41,113 --> 00:14:43,146 - JUST AS SOON AS I DO ONE MORE THING? 304 00:14:43,182 --> 00:14:44,514 - OH, YEAH, WHAT? 305 00:14:44,550 --> 00:14:45,550 - THIS. 306 00:14:48,220 --> 00:14:50,086 C'MON. - LET'S GET OUTTA HERE. 307 00:14:59,598 --> 00:15:01,164 - WOODMAN HERE. 308 00:15:02,935 --> 00:15:05,013 - MR. WOODMAN, DID YOU CALL A FIRE DRILL? 309 00:15:05,037 --> 00:15:06,002 - NO, WHY? 310 00:15:06,037 --> 00:15:07,281 - WELL, THEN THE SCHOOL'S ON FIRE 311 00:15:07,305 --> 00:15:09,239 BECAUSE THE FIRE BELL'S GOING OFF. 312 00:15:09,274 --> 00:15:10,240 - OH, GOOD GRIEF. 313 00:15:10,275 --> 00:15:11,886 WE HAVE TO EVACUATE THE SCHOOL. 314 00:15:11,910 --> 00:15:13,443 - AGHH! 315 00:15:18,516 --> 00:15:20,783 - MR. WOODMAN, WHERE ARE YOUR PANTS? 316 00:15:20,819 --> 00:15:21,784 - I'M NOT SURE. 317 00:15:21,819 --> 00:15:23,699 THEY WERE WITH ME WHEN I CAME IN. 318 00:15:24,789 --> 00:15:27,557 - YOU CANNOT LEAVE THE BUILDING LIKE THAT. 319 00:15:27,593 --> 00:15:29,237 - WELL, I CAN'T STAY IN A BURNING BUILDING. 320 00:15:29,261 --> 00:15:30,661 WHAT AM I GONNA DO? 321 00:15:30,696 --> 00:15:32,576 - WAIT A SECOND, I HAVE AN IDEA. 322 00:15:39,037 --> 00:15:40,003 - I CAN'T BELIEVE BEAU IS REALLY 323 00:15:40,038 --> 00:15:41,182 GONNA GO THROUGH WITH THIS. 324 00:15:41,206 --> 00:15:42,717 - EITHER HE'S CRAZY OR HE'S GOT A LOT OF GUTS. 325 00:15:42,741 --> 00:15:44,552 - I KNOW AND AS SOON AS MR. WOODMAN FINDS OUT, 326 00:15:44,576 --> 00:15:47,844 HIS GUTS ARE GONNA BE ALL OVER THIS SCHOOLYARD. 327 00:15:47,879 --> 00:15:50,080 - LADIES AND GENTLEMEN, I CALLED YOU HERE TODAY 328 00:15:50,115 --> 00:15:52,349 TO PAY TRIBUTE TO OUR PRINCIPAL, 329 00:15:52,384 --> 00:15:56,686 A MAN WHOSE TIRELESS WORK NEVER SLACKS. 330 00:15:58,490 --> 00:16:00,402 WHOSE UNEQUAL LEADERSHIP PROVES THAT HE WEARS 331 00:16:00,426 --> 00:16:01,824 THE PANTS IN THIS SCHOOL 332 00:16:01,860 --> 00:16:04,094 AND I'M NOT JUST PULLING YOUR LEG. 333 00:16:06,031 --> 00:16:08,899 LADIES AND GENTLEMEN, I GIVE YOU OUR PRINCIPAL, 334 00:16:08,934 --> 00:16:10,967 MICHAEL J. WOODMAN. 335 00:16:17,675 --> 00:16:19,175 - HIP HIP HOORAY! 336 00:16:19,211 --> 00:16:21,778 HIP HIP HOORAY! 337 00:16:29,888 --> 00:16:30,932 - ALL RIGHT, YOU ANIMALS. 338 00:16:30,956 --> 00:16:32,916 WHAT EXACTLY IS THE MEANING OF THIS? 339 00:16:34,426 --> 00:16:37,828 - WHY, MR. WOODMAN, YOU'VE GOT LEGS. 340 00:16:39,464 --> 00:16:41,197 - C'MON, YOU WEASELS. 341 00:16:41,233 --> 00:16:43,044 I WANT TO KNOW WHO'S RESPONSIBLE FOR THIS? 342 00:16:43,068 --> 00:16:45,201 EPSTEIN? - YES, MA'AM... SIR? 343 00:16:46,872 --> 00:16:48,249 YES, SIR? YES, SIR? 344 00:16:48,273 --> 00:16:50,606 - WHAT DO YOU KNOW ABOUT THIS? 345 00:16:50,642 --> 00:16:53,376 - I DUNNO. LOOKS LIKE SOMEBODY STOLE YOUR BAGPIPES. 346 00:16:56,415 --> 00:16:57,415 - HORSHACK! 347 00:16:59,151 --> 00:17:05,255 - WELL, IT'S A VERY NICE COLOR ON YOU. 348 00:17:06,825 --> 00:17:10,059 BUT I THINK YOU'D DO BETTER IN BASIC BLACK. 349 00:17:12,030 --> 00:17:13,974 - MR. WOODMAN, DON'T WORRY, YOU KNOW, 350 00:17:13,998 --> 00:17:16,032 WE'LL GET YOUR PANTS DOWN FOR YOU 351 00:17:16,067 --> 00:17:17,545 BECAUSE YOU AIN'T IN NO CONDITION 352 00:17:17,569 --> 00:17:19,969 TO CLIMB UP THERE AND GET 'EM YOURSELF. 353 00:17:21,573 --> 00:17:24,875 - MR. WOODMAN, I'M RESPONSIBLE FOR THIS. 354 00:17:24,910 --> 00:17:28,412 I PULLED THE ALARM AND I RAN YOUR TROUSERS UP THE POLE. 355 00:17:28,447 --> 00:17:30,947 THE GUYS HAD NOTHING TO DO WITH IT. 356 00:17:30,982 --> 00:17:34,784 - DE LABARRE, I AM SHOCKED AND APPALLED. 357 00:17:34,819 --> 00:17:36,853 I NEVER THOUGHT YOU WOULD STOOP SO LOW 358 00:17:36,888 --> 00:17:40,490 AS TO TAKE THE BLAME FOR THESE LITTLE PACKRATS. 359 00:17:40,525 --> 00:17:41,491 - BUT MR. WOODMAN... 360 00:17:41,526 --> 00:17:43,171 - IT'S ALL RIGHT, IT'S ALL RIGHT. 361 00:17:43,195 --> 00:17:44,995 I KNOW THEY PUT YOU UP TO IT. 362 00:17:45,030 --> 00:17:46,908 DON'T WORRY, THEIR TROUBLE-MAKING DAYS 363 00:17:46,932 --> 00:17:48,331 IN THIS SCHOOL ARE OVER. 364 00:17:48,367 --> 00:17:49,332 - BUT MR. WOODMAN, I DID IT MYSELF. 365 00:17:49,367 --> 00:17:50,411 - FORGET IT, SON. FORGET IT. 366 00:17:50,435 --> 00:17:52,402 DON'T BE NOBLE. 367 00:17:52,437 --> 00:17:55,037 GET TO MY OFFICE IMMEDIATELY. 368 00:17:56,841 --> 00:17:58,875 REST OF YOU, BACK TO YOUR CLASSES. 369 00:18:00,279 --> 00:18:02,546 GET MOVING NOW! 370 00:18:02,581 --> 00:18:04,214 WHAT'S WRONG WITH YOU PEOPLE? 371 00:18:04,249 --> 00:18:07,150 DIDN'T YOU EVER SEE A MAN WITH A SKIRT BEFORE? 372 00:18:08,187 --> 00:18:10,387 DON'T YOU REMEMBER UNCLE MILTIE? 373 00:18:12,991 --> 00:18:15,692 - WELL, BOY, YOU COME UP SMELLING LIKE A ROSE AGAIN. 374 00:18:15,727 --> 00:18:17,104 - YEAH. - C'MON, GUYS. 375 00:18:17,128 --> 00:18:19,195 - AND WE JUST COME UP SMELLING. 376 00:18:19,230 --> 00:18:21,175 - GUYS, LOOK, I DIDN'T MEAN TO GET YOU IN TROUBLE. 377 00:18:21,199 --> 00:18:22,165 YOU KNOW I DIDN'T MEAN THAT. 378 00:18:22,200 --> 00:18:23,511 - YOU KNOW, IF I REMEMBER CORRECTLY, 379 00:18:23,535 --> 00:18:26,703 THAT'S EXACTLY WHAT BONNIE SAID TO CLYDE. 380 00:18:26,738 --> 00:18:28,839 - C'MON. - LEAVE IT, MAN. 381 00:18:33,378 --> 00:18:37,613 - NEVER, AND I REPEAT NEVER, IN ALL MY YEARS 382 00:18:37,649 --> 00:18:39,216 AS A TEACHER AND ADMINISTRATOR 383 00:18:39,251 --> 00:18:43,119 HAVE I WITNESSED SUCH A DISGUSTING DISPLAY. 384 00:18:43,155 --> 00:18:44,120 - WELL, DON'T BLAME US, MR. WOODMAN. 385 00:18:44,155 --> 00:18:46,088 THEY'RE YOUR LEGS. 386 00:18:50,962 --> 00:18:52,261 - FREDDIE, WILL YOU QUIT IT? 387 00:18:53,632 --> 00:18:56,465 I THINK YOUR LEGS ARE VERY CUTE. 388 00:18:58,303 --> 00:19:00,370 - WE WAS FRAMED, FREDDIE, WE WAS FRAMED. 389 00:19:00,405 --> 00:19:01,849 - I KNOW. I THINK THE SOUTHERN-FRIED PHONY 390 00:19:01,873 --> 00:19:03,673 PUT THE SCREWS TO US AGAIN. 391 00:19:03,708 --> 00:19:05,007 - THAT'S ENOUGH. 392 00:19:05,042 --> 00:19:06,008 NOT ANOTHER WORD. 393 00:19:06,043 --> 00:19:07,622 YOU'VE HAD YOUR LAUGHS FOR THE DAY. 394 00:19:07,646 --> 00:19:08,844 NOW IT'S MY TURN. 395 00:19:08,880 --> 00:19:10,558 YOU REALIZE WHEN YOU SET OFF A FALSE ALARM 396 00:19:10,582 --> 00:19:12,582 THAT SOME STUDENTS COULD BE INJURED? 397 00:19:12,617 --> 00:19:18,154 HERE, HERE, ONE WEEK'S DETENTION FOR EACH ONE OF YOU. 398 00:19:18,190 --> 00:19:19,755 AND THAT'S JUST THE BEGINNING. 399 00:19:19,791 --> 00:19:22,258 WHEN I'M THROUGH WITH YOU, YOU'LL KNOW THE MEANING OF PAIN, 400 00:19:22,294 --> 00:19:24,561 TORMENT AND SUFFERING. 401 00:19:27,733 --> 00:19:28,698 - MR. WOODMAN. 402 00:19:28,734 --> 00:19:31,434 - NOT NOW, DE LABARRE, I'M GETTING MY JOLLIES. 403 00:19:34,272 --> 00:19:35,516 - LOOK, I INSIST THAT I BE HEARD 404 00:19:35,540 --> 00:19:39,009 SO JUST SIT DOWN AND CLAM UP. 405 00:19:43,648 --> 00:19:45,959 - NOW IN THE WORDS OF MY GOOD FRIEND, FREDDIE WASHINGTON, 406 00:19:45,983 --> 00:19:47,783 "CHECK IT OUT." 407 00:19:49,087 --> 00:19:50,998 THAT PRANK THAT WAS PULLED THIS AFTERNOON 408 00:19:51,022 --> 00:19:53,590 REQUIRED IMAGINATION, EXPERT TIMING 409 00:19:53,625 --> 00:19:55,458 AND, ABOVE ALL, BRAINS. 410 00:19:55,493 --> 00:19:57,327 NOW LOOK AT THOSE FACES. 411 00:20:03,802 --> 00:20:06,168 YOU THINK THERE'S A BRAIN IN THOSE HEADS? 412 00:20:08,740 --> 00:20:10,184 - WELL, NOW THAT YOU MENTION IT. 413 00:20:10,208 --> 00:20:13,143 - TO BE SUCCESSFUL, THIS SCHEME HAD TO BE PULLED OFF 414 00:20:13,178 --> 00:20:15,478 BY SOMEONE YOU'D LEAST SUSPECT, 415 00:20:15,513 --> 00:20:16,958 SOMEONE WHO IN YOUR VERY WORDS 416 00:20:16,982 --> 00:20:19,515 IS A "MODEL STUDENT AND CITIZEN, 417 00:20:19,550 --> 00:20:23,653 COURTEOUS, RESPECTFUL, WELL MANNERED AND TRUSTWORTHY." 418 00:20:23,688 --> 00:20:24,832 - THRIFTY. - BRAVE. 419 00:20:24,856 --> 00:20:27,690 - AND, LEST WE FORGET, KIND. 420 00:20:29,127 --> 00:20:33,429 - AND THAT SOMEONE IS THAT LITTLE OLD PANTS WAVER, ME. 421 00:20:33,464 --> 00:20:36,266 - YOU READ YOUR STUDENT FILE? 422 00:20:36,301 --> 00:20:37,545 - YEAH, WELL, IT WAS ALL MRS. KOTTER ASKING... 423 00:20:37,569 --> 00:20:41,638 - YOU READ YOUR STUDENT FILE? 424 00:20:43,742 --> 00:20:44,819 - WELL, SINCE YOU PUT IT THAT WAY, I SUPPOSE I... 425 00:20:44,843 --> 00:20:47,377 - CONTRARY TO WHAT YOU MAY THINK, DE LABARRE, 426 00:20:47,412 --> 00:20:48,556 THIS IS NOT THE FIRST TIME 427 00:20:48,580 --> 00:20:50,780 MY PANTS HAVE BEEN RUN UP THE FLAGPOLE. 428 00:20:51,783 --> 00:20:53,983 THAT I COULD FORGIVE. 429 00:20:54,018 --> 00:20:55,685 - NOW HE TELLS US. 430 00:20:56,688 --> 00:20:59,989 - BUT NEVER EVER IN THE HISTORY OF BUCHANAN HIGH SCHOOL 431 00:21:00,025 --> 00:21:03,860 HAS A STUDENT DARED, DARED TO ENTER 432 00:21:03,895 --> 00:21:08,632 THE HALLOWED SANCTITY OF THE STUDENT FILES. 433 00:21:08,667 --> 00:21:09,667 - HOW ABOUT THAT? 434 00:21:11,202 --> 00:21:13,280 - AND THEN TO TOP IT OFF, THIS LITTLE STUNT 435 00:21:13,304 --> 00:21:15,216 WITH THE FIRE ALARM, WHERE YOU COULD HAVE TAKEN 436 00:21:15,240 --> 00:21:17,907 THE FIRE DEPARTMENT AWAY FROM A REAL EMERGENCY. 437 00:21:17,943 --> 00:21:21,911 EXPULSION IS TOO GOOD FOR YOU, DE LABARRE. 438 00:21:21,946 --> 00:21:26,348 OH, NO, I'M GONNA KEEP YOU HERE AT BUCHANAN, 439 00:21:26,384 --> 00:21:29,485 UNTIL YOU GET MORE THAN YOU BARGAINED FOR. 440 00:21:31,089 --> 00:21:33,589 YOU'RE GONNA DO ALL THREE WEEKS' DETENTION. 441 00:21:34,592 --> 00:21:36,425 THAT'S JUST FOR OPENERS. 442 00:21:38,163 --> 00:21:41,497 AND TO THINK THAT I TRUSTED YOU. 443 00:21:41,533 --> 00:21:43,700 I TOOK YOU UNDER MY WING. 444 00:21:45,671 --> 00:21:48,571 I THOUGHT OF YOU AS A SON. 445 00:21:50,274 --> 00:21:51,786 FROM NOW ON, I'M TREATING YOU 446 00:21:51,810 --> 00:21:56,512 JUST LIKE ANOTHER ONE OF THESE WOMBATS. 447 00:21:58,816 --> 00:22:00,917 - HEY, THAT'S OKAY WITH ME. 448 00:22:00,952 --> 00:22:02,952 - HOW ABOUT THE REST OF YOU WOMBATS? 449 00:22:04,489 --> 00:22:05,822 - OKAY WITH ME, YEAH. 450 00:22:05,857 --> 00:22:09,425 - YOU'LL SEE JUST HOW TOUGH I CAN GET. 451 00:22:11,629 --> 00:22:14,964 BE A LONG TIME BEFORE YOU PULL ANOTHER PRANK 452 00:22:14,999 --> 00:22:17,767 ON MICHAEL J. WOODMAN. 453 00:22:24,208 --> 00:22:25,374 - ALL RIGHT! 454 00:22:34,252 --> 00:22:35,551 - JUAN. 455 00:22:35,586 --> 00:22:36,552 - HI, GUYS. - HEY, BEAU. 456 00:22:36,587 --> 00:22:37,553 - HEY, BEAU. 457 00:22:37,588 --> 00:22:39,000 - HEY, REMBRANDT. YOU'RE STILL AT IT, HUH? 458 00:22:39,024 --> 00:22:40,234 - HEY, AS SOON AS I GET DONE HERE, 459 00:22:40,258 --> 00:22:41,991 I'M THROUGH WITH MY DETENTION. 460 00:22:42,027 --> 00:22:42,992 - BUT YOU'VE BEEN SERVING TIME 461 00:22:43,028 --> 00:22:44,727 FOR OVER THREE WEEKS AS IT IS. 462 00:22:44,762 --> 00:22:46,963 - YEAH, DOING HARD LABOR. 463 00:22:46,998 --> 00:22:50,166 LAST WEEK, MR. WOODMAN MADE HIM MOW THE FOOTBALL FIELD. 464 00:22:51,470 --> 00:22:52,836 - WHAT'S SO HARD ABOUT THAT? 465 00:22:52,871 --> 00:22:54,670 - IT WAS DURING THE GAME. 466 00:22:56,808 --> 00:22:58,385 - WELL, LOOK, BEAU, WE'LL JUST HANG OUT OVER HERE 467 00:22:58,409 --> 00:22:59,375 AND, WHEN YOU'RE DONE, 468 00:22:59,410 --> 00:23:00,822 WE'LL GO TO THE PIZZA PARLOR TO CELEBRATE. 469 00:23:00,846 --> 00:23:02,223 - UH, I WISH YOU WOULDN'T DO THAT. 470 00:23:02,247 --> 00:23:05,047 - AH, C'MON, BEAU, MAN, WHAT ARE FRIENDS FOR, HUH? 471 00:23:05,082 --> 00:23:06,916 - YOU ARE MY BEST FRIENDS. 472 00:23:06,951 --> 00:23:08,584 - ALL THE WAY. 473 00:23:08,619 --> 00:23:10,164 - YOU ARE MY FRIENDS, AREN'T YOU? 474 00:23:10,188 --> 00:23:12,221 - UNTIL THE END, YEAH. 475 00:23:13,591 --> 00:23:15,225 - THAT'S GOOD. 476 00:23:15,260 --> 00:23:17,493 'CAUSE I JUST PAINTED THE BENCH. 477 00:23:34,245 --> 00:23:36,979 ♪ WELCOME BACK ♪ 478 00:23:37,015 --> 00:23:40,650 ♪ YOUR DREAMS WERE YOUR TICKET OUT ♪ 479 00:23:40,685 --> 00:23:42,885 ♪ WELCOME BACK ♪ 480 00:23:42,920 --> 00:23:47,723 ♪ TO SAME OLD PLACE THAT YOU LAUGHED ABOUT ♪ 481 00:23:47,758 --> 00:23:49,892 ♪ WELL THE NAMES HAVE ALL CHANGED ♪ 482 00:23:49,928 --> 00:23:52,094 ♪ SINCE YOU HUNG AROUND ♪ 483 00:23:52,130 --> 00:23:54,263 ♪ BUT THOSE DREAMS HAVE REMAINED ♪ 484 00:23:54,299 --> 00:23:56,565 ♪ AND THEY'VE TURNED AROUND ♪ 485 00:23:56,601 --> 00:23:58,734 ♪ WHO'D HAVE THOUGHT THEY'D LEAD YA ♪ 486 00:23:58,769 --> 00:24:00,870 ♪ ♪ 487 00:24:00,905 --> 00:24:02,838 ♪ BACK HERE WHERE WE NEED YA ♪ 488 00:24:02,874 --> 00:24:04,940 ♪ ♪ 489 00:24:04,976 --> 00:24:06,842 ♪ YEAH, WE TEASE HIM A LOT ♪ 490 00:24:06,878 --> 00:24:09,078 ♪ 'CAUSE WE'VE GOT HIM ON THE SPOT ♪ 491 00:24:09,113 --> 00:24:11,113 ♪ WELCOME BACK ♪ 492 00:24:11,149 --> 00:24:15,484 ♪ WELCOME BACK WELCOME BACK WELCOME BACK ♪ 493 00:24:15,519 --> 00:24:17,620 ♪ WELCOME BACK WELCOME BACK ♪ 494 00:24:17,656 --> 00:24:20,423 ♪ WELCOME BACK ♪ 495 00:24:20,458 --> 00:24:24,127 ♪ WE ALWAYS COULD SPOT A FRIEND ♪ 496 00:24:24,162 --> 00:24:26,495 ♪ WELCOME BACK ♪ 497 00:24:26,531 --> 00:24:31,333 ♪ AND I SMILE WHEN I THINK HOW IT MUST HAVE BEEN ♪ 498 00:24:31,369 --> 00:24:35,638 ♪ AND I KNOW WHAT A SCENE YOU WERE TURNING IN ♪ 499 00:24:35,673 --> 00:24:39,909 ♪ WAS THERE SOMETHING THAT MADE YOU COME BACK AGAIN ♪ 500 00:24:39,944 --> 00:24:42,278 ♪ WHAT COULD EVER LEAD YA ♪ 501 00:24:42,313 --> 00:24:44,146 ♪ ♪ 502 00:24:44,182 --> 00:24:46,216 ♪ BACK HERE WHERE WE NEED YA ♪ 503 00:24:46,251 --> 00:24:48,551 ♪ ♪ 504 00:24:48,587 --> 00:24:50,186 ♪ YEAH, WE TEASE HIM A LOT ♪ 505 00:24:50,221 --> 00:24:52,621 ♪ 'CAUSE WE'VE GOT HIM ON THE SPOT ♪ 506 00:24:52,657 --> 00:24:54,457 ♪ WELCOME BACK ♪ 507 00:24:54,492 --> 00:24:58,761 ♪ WELCOME BACK WELCOME BACK WELCOME BACK ♪ 508 00:24:58,796 --> 00:25:01,230 ♪ WELCOME BACK WELCOME BACK ♪ 509 00:25:01,266 --> 00:25:03,299 ♪ YEAH, WE TEASE HIM A LOT ♪ 510 00:25:03,334 --> 00:25:04,833 ♪ WELCOME BACK... ♪ 35529

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