All language subtitles for The Waltons S01E02 The Carnival.DVDRip.HI.cc.en

[car horn blowing]

(John-Boy) FEW STRANGERS EVER
CAME TO WALTON'S MOUNTAIN.

WE GOT OUR NEWS OF THE
OUTSIDE WORLD FROM THE RADIO

OR FROM AN OCCASIONAL
COPY OF A MAGAZINE.

BUT I REMEMBER WHEN I WAS
ABOUT 17, 4 VISITORS ARRIVED

AND GAVE ME MY FIRST
UNEXPECTED GLIMPSE

OF THE OTHER WORLD
BEYOND OUR MOUNTAIN.

(John-Boy) $1.81,
$1.82, $1.83...

$1.84, $1.85, $1.86, $1.87...

NO, STUPID, THAT'S A NICKEL.

THAT MAKES IT $1.92.

I'M NOT STUPID.

I CAN COUNT JUST AS
GOOD AS YOU CAN, ERIN.

OK, NOW JUST CALM DOWN,
BOTH OF YOU, RIGHT NOW.

HOW DO YOU EXPECT
ME TO GET IT RIGHT

IF YOU JUST KEEP
INTERRUPTING ME ALL THE TIME?

JOHN-BOY, IF YOU
DON'T GET A MOVE ON,

THAT CARNIVAL'S GONNA PACK UP ITS
TENTS AND BE GONE BEFORE YOU GET THERE.

I KNOW. I KNOW.

I THINK WE HAVE
A TOTAL OF $2.22.

HAVE WE EARNED ENOUGH, JOHN-BOY?

TO SEE THE BEARDED LADY, THE
STRONG MAN, AND THE DANCING BEAR?

WE'VE EARNED ENOUGH FOR ALL THAT

AND ENOUGH LEFT OVER FOR A
STICK OF COTTON CANDY TO SHARE.

[all cheering]

ALL RIGHT, UPSTAIRS, ALL
OF YOU, AND GET WASHED UP.

HALF THE COUNTY WILL
BE AT THAT CARNIVAL.

AND I DON'T WANT MY CHILDREN
LOOKING LIKE A BUNCH OF RAGAMUFFINS.

JOHN-BOY.

YES, MAMA?

ARE YOU GONNA LEAVE THIS
MONEY LYING AROUND HERE?

I THOUGHT I'D GET
IT ON MY WAY DOWN.

YOU'LL DO IT NOW. YOUR
GRANDMA AND ME NEED THE TABLE.

YES, MA'AM.

JOHN-BOY.

[coins clanking]

TAKE GOOD CARE. YOU
ALL HAVE A GOOD TIME.

OH, WE WILL, MAMA.

AND WATCH OUT BEN DON'T EAT
TOO MUCH OF THAT COTTON CANDY.

THAT BOY'S GOT A JUMPY STOMACH.

AND THE LORD ONLY KNOWS

WHAT THEY PUT INSIDE THAT STUFF.

[glass shattering]

I'M JUST A CLUMSY OLD WOMAN.

NO, IT'S MY FAULT.

I SHOULD NEVER HAVE PUT
THEM SO CLOSE TO THE PIE

YOU COULDN'T SEE 'EM.

NO, LIVIE, GRANDPA'S RIGHT.

HE'S ALWAYS SAYING
THAT WHEN I GET TO TALKIN',

I ONLY PUT HALF A
MIND TO WHAT I'M DOIN'.

WELL, YOU CAN'T DO
WITHOUT 'EM. THAT'S FOR SURE.

I'LL WRAP 'EM UP AND SEND 'EM OFF
TO CHARLOTTESVILLE TO BE FIXED.

WHERE ARE YOU GOING
TO GET THE MONEY?

OH, WE'VE GOT $2
EMERGENCY MONEY SAVED UP.

AND YOU KNOW AS WELL AS I DO
THAT THAT $2 EMERGENCY MONEY

ALREADY WENT FOR
JASON'S NEW SHOES.

(Livie) WELL, MAYBE I CAN
SEE IF JOHN CAN ASK...

DAUGHTER, I'LL NOT HAVE YOU
BORROWING ON MY ACCOUNT.

NOW, IF WE WALTONS CAN'T
PAY CASH, WE DO WITHOUT.

NEVER COULD GET USED
TO THE THINGS ANYWAY.

YOU KNOW, THEY'RE MORE
BOTHER THAN THEY'RE WORTH.

[muttering]

OH, SISTERS!

OH, JOHN-BOY, WILL YOU GET THAT?

ALL RIGHTY.

LISTEN, YOU ALL.

I KNOW GRANDMA WOULDN'T LIKE TO
ADMIT IT, BUT WITHOUT HER GLASSES

SHE JUST CAN'T EVEN SEE TO
READ AND WRITE HER OWN NAME.

OR CROCHET. AND YOU KNOW
HOW GRANDMA LOVES TO CROCHET.

MMM-HMM.

WHAT DO YOU THINK WE
SHOULD DO, JOHN-BOY?

WELL, THE MONEY
BELONGS TO ALL OF YOU,

AND I CAN'T TELL YOU
WHAT TO DO WITH IT.

BUT I'M GOING TO
CONTRIBUTE MY SHARE

TO GETTING GRANDMA'S
GLASSES FIXED.

YOU CAN HAVE MY
SHARE, TOO, JOHN-BOY.

YEAH, AND MINE, TOO.

AND MINE.

WHO CARES ABOUT AN
OLD CARNIVAL, ANYWAY?

PROBABLY WOULDN'T HAVE
BEEN ANY GOOD, ANYWAY.

BUT YOU WON'T GET TO SEE THE
BEARDED LADY AND THE DANCING BEAR.

NONE OF US WILL.

THANKS, ELIZABETH.

ALL OF YOU. THAT'S NICE.

WELL, I WON'T HEAR
OF IT AND THAT'S THAT.

GRANDMA, THAT
CARNIVAL DOESN'T MATTER.

I NEVER DID BELIEVE THAT EYE
DOCTOR OVER IN CHARLOTTESVILLE.

TELLING ME I NEEDED GLASSES.

MY EYESIGHT'S JUST
AS GOOD AS IT EVER WAS.

[metallic clanging]

COME ON, ELIZABETH.
ELIZABETH, COME ON.

COME ON.

[shop bell ringing]

MR. GODSEY.

HI, KIDS.

WELL, HOW WAS THE CARNIVAL?

WELL, WE DIDN'T GO, MR. GODSEY.

GRANDMA BROKE HER GLASSES

AND WE HAVE TO
SEND A MONEY ORDER...

ELIZABETH!

WE NEED A $2 MONEY
ORDER, MR. GODSEY.

OK. I SEE.

NOW, LET'S SEE.

WITH THE POSTAGE TO
CHARLOTTESVILLE, AND THE MONEY ORDER

THAT COMES TO $2.11.

I DIDN'T SEE YOU
ALL AT THE CARNIVAL.

SEEMED LIKE JUST ABOUT
EVERYONE IN TOWN WAS THERE,

EXCEPT YOU ALL.

I DO DECLARE

IN MY ENTIRE LIFE, I HAVE NEVER
ATTENDED A MORE EXCITING CARNIVAL.

SORRY YOU ALL HAD TO MISS IT.

ELIZABETH!

MARY ELLEN, UH, HERE YOU
ARE. HERE'S YOUR RECEIPT,

AND I'LL GET IT OFF
AS SOON AS I CAN.

THANKS, MR. GODSEY.

BYE, KIDS.

BYE.

THAT OUGHT TO HOLD HER.

THANKS, JOHN-BOY.

AFTERNOON, OLIVIA.

AFTERNOON, SHERIFF.

JOHN-BOY.

WASH DAY, HUH?

EVERY DAY IS WASH
DAY WITH THIS CROWD.

JOHN AROUND?

HE AND GRANDPA
ARE UP TO ROCKFISH

DELIVERING SOME RAILROAD TIES.

KNOW WHAT TIME HE'LL BE BACK?

ABOUT A HALF HOUR, I RECKON.

SOMETHIN' WRONG, SHERIFF?

WELL, I JUST WANTED TO TELL JOHN

TONIGHT BEFORE HE GOES TO BED,

LOCK UP ALL THEM
DOORS AND WINDOWS.

WHY?

IT'S THAT CARNIVAL
DOWN THE ROAD.

LAST NIGHT AFTER THE SHOW,

THE MANAGER RAN
OFF WITH THE CASH

AND LEFT 'EM ALL STRANDED.

TOOK THE SNAKE CHARMER'S
WIFE ALONG WITH HIM.

UH, ANYWAY, I GUESS
THE REST OF THE FOLKS

FIGURED THERE WASN'T
MUCH POINT STICKING AROUND

SO THEY HIGHTAILED IT OUT
OF TOWN WITH THEIR TRUCKS.

TROUBLE IS THEY'VE
LEFT 4 PEOPLE HERE.

(Livie) WHERE ARE THEY NOW?

I DON'T KNOW.

SKULKING AROUND
SOMEWHERE, I GUESS.

I HEAR TELL THEY GOT NO RESPECT

FOR OTHER PEOPLES'
WAYS OR PROPERTY.

[car door slamming]

DRINKIN', SMOKIN', CARRYIN' ON.

[engine starting]

MIND YOU, YOU TELL JOHN TO KEEP
EVERYTHING UNDER LOCK AND KEY.

JOHN-BOY, I WANT YOU TO KEEP AN
EXTRA-SHARP EYE ON THE CHILDREN

UNTIL THOSE PEOPLE ARE GONE.

I WILL, MAMA.

"AN' THEY SEEKED HIM
IN THE RAFTER-ROOM

"AN' CUBBY-HOLE, AN' PRESS

"AN' THEY SEEKED HIM UP THE
CHIMBLY-FLUE AN' EVERYWHERE, I GUESS,

"BUT ALL THEY EVER
FOUND WAS JUST HIS PANTS

"AN' ROUNDABOUT!

"AN' THE GOBBLE-UNS 'LL GIT YOU

EF YOU DON'T WATCH OUT!"

COME ON, GOBLIN,
TIME FOR BED. UP.

OH, COME ON.

NO!

COME ON, GOBLIN.

[John-Boy cackling]

COME ON, JOHN-BOY,
READ SOME MORE.

TOMORROW NIGHT. TOMORROW NIGHT.

COME ON, UNDER
THE COVERS. LET'S GO.

ARE THERE REALLY
GOBLINS, JOHN-BOY?

NO, THEY'RE JUST MAKE-BELIEVE.

NOW GO ON, SLEEP.

DON'T LET THE BED BUGS BITE YOU.

GOODNIGHT, DOLLY.

YOU GOING DOWNSTAIRS TO
LISTEN TO THE RADIO, JOHN-BOY?

I FIGURED I'D JUST
WRITE A BIT FIRST.

COME ON, GET
BACK TO BED, GOBLIN.

GOODNIGHT, GOBLINS.

[door closing]

"AN' THE GOBBLE-UNS 'LL GIT
YOU EF YOU DON'T WATCH OUT!"

[screaming]

(John-Boy) I DIDN'T WANT
TO ASK THE OTHERS,

ESPECIALLY JIM-BOB
AND ELIZABETH.

IT'S HARD FOR THEM UNDERSTANDING

THAT GRANDMA'S GLASSES ARE MORE
IMPORTANT THAN GOING TO A CARNIVAL.

[monkey chattering]

ELIZABETH, ELIZABETH, COME HERE.

WAKE UP.

[knocking on window]

8:00.

THE TRAIN IS JUST GOING
OVER THE TRESTLE AT ROCKFISH.

IT MAKES A LONESOME SOUND

AND FAR OUT THERE IN THE NIGHT

IT FILLS ME WITH A KIND
OF RESTLESS FEELING

I DON'T RIGHTLY UNDERSTAND.

IT WON'T BUDGE.

[thudding]

HIT IT WITH YOUR SHOE.

IT'LL SCARE THE MONKEY.

IT'S NOT A MONKEY.
IT'S A GOBLIN.

NOW, WHAT ARE YOU TWO DOIN'?

IT'S A GOBLIN,
JOHN-BOY, OUTSIDE.

[crickets chirping]

IT'S GONE.

YEAH, IT'S GONE. COME ON, NOW.

OFF TO BED BEFORE MAMA CATCHES
YOU AND YOU BOTH GET A LICKING.

BUT IT WAS THERE, JOHN-BOY.

YEAH, YEAH, IT WAS.

NOW YOU GET OFF TO BED,
TOO, BEFORE I GIVE YOU A GOBLIN.

GOOD NIGHT.

JUST GO TO SLEEP.

PSST. PSST. PSST. PSST.

PSST. PSST.

MORE COFFEE, GRANDPA?

2 CUPS ARE ENOUGH FOR ME.

OH, I'D SURE LIKE TO SEE THAT.

WHAT'S THAT, SON?

THE WORLD'S FAIR IN CHICAGO.

IT JUST OPENED UP.

OH, WE'VE BEEN HEARING
ABOUT THAT ON THE RADIO.

"A CENTURY OF PROGRESS."
ISN'T THAT WHAT THEY CALL IT?

A CENTURY OF PROGRESS
AND HERE WE ARE

IN THE MIDDLE OF A DEPRESSION.

"THE SCIENTIFIC AND
INDUSTRIAL THEME

"HAS BEEN ALL BUT ECLIPSED

"BY AN UNKNOWN FILM
ACTRESS NAMED SALLY RAND.

"ENTHUSIASTIC
CROWDS ARE FLOCKING...

CONTINUED ON PAGE 37."

SALLY RAND.

SALLY RAND.

GO ON, SON.

YEP.

"ARE FLOCKING TO SEE
THE 28-YEAR-OLD BEAUTY,

"AS COMPLETELY NAKED,

"SHE PERFORMS HER DARING
AND PROVOCATIVE FAN DANCE

"INSPIRED FROM WATCHING

"'THE WHITE HERONS
IN THE MOONLIGHT

'FLYING OVER MY
GRANDFATHER'S FARM.'"

JOHN-BOY WALTON,
WHAT ARE YOU READIN'?

WHY, THAT'S JUST A
MAGAZINE ARTICLE.

BRINGIN' A THING
LIKE THIS IN HERE

FOR YOUR BROTHERS
AND SISTERS TO SEE.

LIVIE, THE BOY DIDN'T
MEAN ANY HARM.

OH!

BESIDES, IT SOUNDS
RIGHT PRETTY TO ME.

JOHN!

CAN'T YOU JUST PICTURE IT?

I MEAN, THESE
BEAUTIFUL WHITE HERONS

GENTLY FLYING OVER
HER GRANDDADDY'S FARM?

[all laughing]

FUNNY THING ABOUT WORLD FAIRS.

YOU KNOW, THERE WAS ONE IN
THE LAST CENTURY IN CHICAGO,

OH, ABOUT 40 YEARS AGO.

AND THEY HAD A DANCER THERE,
TOO, UH, LIKE, UH, SALLY RAND.

THEY CALLED HER LITTLE EGYPT.

SHE RAISED QUITE A RUCKUS, TOO.

JUST GOES TO SHOW YOU
THINGS HAVEN'T CHANGED MUCH.

[men chuckling]

♪♪[singing]

OLD MAN!

TIMES HAVE CHANGED.

IT JUST PROVES THAT
MEN'S FOOLISHNESS HASN'T!

[men snorting]

IT WON'T BE UP THERE.

GOBLINS DON'T LIVE IN TREES.

WELL, MONKEYS DO.

JASON, WHERE DO GOBLINS LIVE?

OH, JUST ABOUT
ANYWHERE, I RECKON.

HOW ABOUT MONKEYS?

WELL, YOU WON'T
FIND ANY AROUND HERE.

(Jason) WELL, WHAT DO YOU KNOW?

[chattering]

JASON?

(Jason) OVER HERE, JOHN-BOY.

HEY, CHILDREN.

YOU SEEN ANY
STRANGERS AROUND HERE?

NO. JUST THE MONKEY.

WHAT MONKEY?

THERE HE SITS.

DID YOU GET UP CLOSE TO HIM?

TOOK A PIECE OF APPLESAUCE CAKE

RIGHT OUT OF JIM-BOB'S HAND.

DIDN'T BITE NOR SCRATCH?

HE'S REAL FRIENDLY.

HE'S A CUTE LITTLE DEVIL.

HEY, COME HERE.

COME HERE, COME ON.

COME HERE.

[chattering]

COME HERE.

ARE YOU GOING IN
THERE, JOHN-BOY?

SURE.

BET IT'S DARK IN THERE.

NO. COME ON, LET'S GO. COME ON.

SHH.

[screaming]

OH, EX-EXCUSE ME,
MA'AM. I'M SORRY.

[screams]

WELL, ALLOW US TO
INTRODUCE OURSELVES.

THIS IS MARCO "IL
MAGNIFICENTE," THE MAGNIFICENT.

SO NAMED FOR HIS AMAZING
FEATS OF MAGIC AND LEGERDEMAIN.

FEATS THAT HAVE ASTONISHED

NOT ONLY PRESIDENT
FRANKLIN DELANO ROOSEVELT,

BUT KING GEORGE
THE 5TH OF ENGLAND,

QUEEN MARY, AND
THE ENTIRE FAMILY.

AND THIS IS... TOMMY TRINDLE,

A DIRECT DESCENDANT
OF THE ONE, THE ONLY,

THE ORIGINAL COL. TOM THUMB.

[all laugh]

ME? ME, I'M PETE HARRIS,

BILLED IN THE BUSINESS
AS "PANHANDLE PETE,

"THE HOBO CLOWN WHO
NEVER ASKS FOR A HANDOUT,

ONLY A LAUGH."

THIS... THIS IS BELLE.

IT'S ALL RIGHT, YOU
CAN COME OUT NOW.

BETTER KNOWN AS
BEAUTIFUL BELLE BROWN,

[speaking French]

WORLD FAMOUS,
DEATH-DEFYING, AERIAL ARTISTE.

[exclaiming]

THEY'RE HIDIN' OUT IN A BARN.

4 OF 'EM, JUST LIKE
THE SHERIFF SAID.

3 MEN AND A WOMAN.

THE LADY'S REAL PRETTY,
WEARING A SLITHERY PINK BATHROBE

JUST LIKE THAT JEAN
HARLOW IN THE TALKIES.

THAT'S ENOUGH OUT OF YOU, JASON.

THEY GOT CIGARETTES
OUT THERE, AND WHISKEY?

I DON'T KNOW. I RECKON MAYBE.

BUT THEY SEEMED LIKE
AWFUL NICE PEOPLE TO ME.

JOHN-BOY WALTON,
OUT THERE IN THAT BARN

ARE 3 MEN AND A
WOMAN IN A BATHROBE

DRINKING WHISKEY, AND THE
LORD KNOWS WHAT ELSE BESIDE,

AND YOU STAND THERE
TELLING ME THEY'RE REAL NICE.

WELL, I DIDN'T SEE ANY WHISKEY,

AND I DIDN'T SEE
ANY CIGARETTES OR...

IT'S THEM!

WHO, THE CARNIVAL FOLK?

THEY'RE COMING HERE.

I WILL NOT HAVE THOSE
PEOPLE INSIDE THIS HOUSE.

LIV,

YOU CAN'T JUDGE PEOPLE

BY WHERE THEY COME
FROM, OR WHAT THEY WEAR,

OR WHAT THEY DO.

NOW, WE'VE NEVER TURNED
ANYONE AWAY FROM THIS DOOR

AND WE'RE NOT GONNA START NOW.

ALL RIGHT, CHILDREN, UP TO BED.

HURRY UP, ALL OF YOU.
GET READY FOR BED NOW.

[boys grumbling]

GO AHEAD.

(Livie) RIGHT THIS MINUTE.

GO AHEAD. LISTEN TO
YOUR MAMA. UPSTAIRS.

WE'LL NEVER BE ABLE TO SEE 'EM.

UPSTAIRS. YOU CAN SEE 'EM LATER.

NO.

GET READY FOR BED.

[knocking at door]

GO AHEAD, UPSTAIRS.

EVENIN'.

GOOD EVENING. GOOD EVENING.

WON'T YOU COME IN?

OH, WELL, HOW
NICE. YES, THANK YOU.

WELL, GOOD EVENING.

EVENING.

EVENING.

HELLO.

WELL, WE, UH,

WE JUST COME TO RETURN THE
KETTLE WHICH WE BORROWED.

(John) UH, OH, THANK YOU.

(Pete) WE... WE WOULD'VE
RETURNED IT SOONER, BUT, WELL, UH...

(Belle) WE DIDN'T HAVE NOTHING
TO HEAT HOT WATER IN, YOU SEE.

(Marco) A MOST
UNFORTUNATE SITUATION.

WE APOLOGIZE IF WE'VE
CAUSED YOU ANY INCONVENIENCE.

YEAH.

YES. WELL, GOOD NIGHT.

GOOD NIGHT.

HAVE YOU FOLKS HAD SUPPER?

COME ON, THERE'S PLENTY
OF FOOD FOR EVERYONE.

COME ON IN.

(Pete) WHEN WE WERE
WITH THE BIG CIRCUS

WE TRAVELED THE LENGTH
AND BREADTH OF THIS COUNTRY

ON THE COMPANY TRAIN.

PRIVATE ROOMS, HOT
AND COLD RUNNING WATER,

MAHOGANY PANELING.

AND IN THE DINING CAR,

REAL RED PLUSH
VELVET ON THE WALLS

AND CRYSTAL CHANDELIERS.

YOU SHOULD HAVE
SEEN IT. BEAUTIFUL.

WE PLAYED ALL THE GRAND CITIES.

NEW ORLEANS, SAN
FRANCISCO, ST. LOUIS, SEATTLE.

NEW YORK. DON'T FORGET NEW YORK.

NEW YORK, HUH?

DID YOU ALL SEE THE
EMPIRE STATE BUILDING?

SEE IT? GOT ENGAGED ON IT.

ENGAGED?

YES, MA'AM, TO BELLE HERE.

ONE NIGHT BELLE AND I
GOT ON THE ELEVATOR

AND RODE TO THE VERY TOP.

102 STORIES.

THAT'S WHERE I
POPPED THE QUESTION.

THAT'S PRETTY.

(Belle) FROM UP THERE YOU
CAN SEE FOR MILES AND MILES.

SEEMS LIKE THE WHOLE WORLD

IS JUST STRETCHED OUT BEFORE YOU

GLITTERING AND SHIMMERING AWAY.

AND FAR BELOW ARE THE
TRANSATLANTIC LINERS

MOVING SLOWLY DOWN THE RIVER

ON THEIR WAY TO EUROPE.

(Pete) HUH-HUH.

102 STORIES.

MUST TOUCH THE CLOUDS.

MORE COFFEE, ANYONE?

YEAH, I'LL HAVE
SOME MORE, PLEASE.

PASS THE SUGAR, PLEASE.

[clanking]

WELL, MAYBE I, UH, WILL
HAVE ANOTHER CUP AFTER ALL.

(John) WHERE ARE
YOU FOLKS HEADED?

WELL, WE, UH, HOPE
TO GET TO CHICAGO,

TO THE WORLD'S FAIR, YOU KNOW.

YEAH. WE'VE ALL BEEN
PROMISED JOBS AT THE FAIR.

WELL, CHICAGO IS A
MIGHTY LONG WAY OFF.

HOW DO YOU FIGURE
ON GETTING THERE?

WE HAD HOPED BY TRAIN.

AT NIGHT IN THE BARN, WE'VE
HEARD ONE IN THE DISTANCE.

THAT'D BE THE FREIGHT.

STOPS AT ROCKFISH,
6 MILES FROM HERE.

CAN WE GET ON IT?

IT MIGHT BE DIFFICULT.

YOU SEE, THE RAILROAD COMPANY'S
PUT ON THESE SECURITY GUARDS.

HOBOS AND FOLKS
WHO CAN'T GET A JOB,

THEY'VE BEEN
JUMPIN' THE RAILROADS

AND, UH, RIDING FREE.

UH, MAYBE WE'LL HAVE
TO THINK OF ANOTHER WAY.

IT JUST SO HAPPENS THAT I KNOW
ONE OF THE AGENTS OVER THERE.

WHO'S THAT, JOHN?

THAT'S YOUNG SAM HOLDEN.

DO YOU THINK HE'D HELP US?

ONLY ONE WAY TO FIND OUT.

THE NEXT TIME I GO OVER
TO ROCKFISH, I'LL ASK HIM.

THAT'S WONDERFUL. THANK YOU.

I TELL YOU, I NEVER SAW
FOLKS PUT AWAY SO MUCH FOOD.

THEY MUST HAVE EATEN A
WHOLE WEEK'S SUPPLY OF FOOD.

AND THAT MARCO,

THAT... THAT QUIET ONE,
HE MUST'VE HAD 6 HELPINGS.

LIV.

WHAT'S THE MATTER?

I WISH THEY'D NEVER COME HERE.

OH, IT'S NOT THE FOOD

OR THE EXTRA MOUTHS TO FEED.

THAT'LL BE HARD, I KNOW.

WELL, THEN WHAT?

IT'S JOHN-BOY.

HE'S GONNA LEAVE US, JOHN.

UH, ONE DAY.

TONIGHT I REALLY SAW
IT FOR THE FIRST TIME.

WHY DID THEY HAVE TO COME HERE

WITH THEIR STORIES,
FILLING HIS HEAD WITH IDEAS?

NOW, LIV, THOSE IDEAS
WERE THERE BEFORE.

THEY JUST S-SWIRLED
AROUND A LITTLE TONIGHT.

I DON'T THINK I'LL EVER HAVE
THE STRENGTH TO GIVE HIM UP.

HONEY,

YOU HAD THE
STRENGTH TO RAISE HIM.

YOU'LL HAVE THE
STRENGTH TO LET HIM GO.

[train whistle blowing]

[Pete exclaims]

MAMA MADE TOO MUCH.

SAID IN THIS KIND OF
WEATHER IT WOULDN'T KEEP.

YOUR MAMA'S A REAL UPTOWN LADY.

MARY ELLEN, ELIZABETH'S TOUCHING
THINGS THAT DON'T BELONG TO HER.

OH, THAT'S ALL RIGHT, HONEY.

YOU TOUCH THOSE
THINGS ALL YOU WANT.

THAT'S PRETTY.

OH.

NOW, THAT'S PRETTY WORN OUT.

IF YOU WANT IT, YOU CAN HAVE IT.

REALLY?

SURE.

THANKS.

LOOK AT THAT.

I LIKE THIS.

WELL, HONEY, I NEED
THAT FOR MY ACT.

I'M SORRY, I CAN'T LET
YOU HAVE THAT ONE.

ON THE TIGHTROPE.

IT HELPS HER KEEP HER BALANCE.

(Erin) WHAT'S A TIGHTROPE?

OH, IN THE CARNIVAL, HONEY,
IT'S THE ROPE I WALK ON.

WE DIDN'T GET TO
SEE THE CARNIVAL.

(Belle) OH, I THOUGHT YOU HAD.

I THOUGHT EVERY KID IN
THE COUNTRY WAS THERE.

WE WERE GOING, BUT...

OH, WELL, WE WANTED
TO GO, ONLY, UH...

WE HAD SOME FAMILY
MATTERS TO ATTEND TO.

[blowing horn]

[both chuckle]

DRUM, HORNS, WHISTLES,
HARP, JUST LIKE MINE.

YEAH. WHAT'S THIS?

I DON'T KNOW. I... I RECKON
THEY CALL IT A CYMBAL.

[cymbal crashes]

THAT'S A MOTOR HORN.

(Mary Ellen) JASON.

COME ON, JASON, WE GOTTA GO.

MAMA SAID JUST
TO LEAVE THE FOOD,

AND, UH, NOT TO HANG AROUND.

OH, MARY ELLEN.

SO LONG, AND THANKS A LOT.

THANK YOU. BYE-BYE.

BYE.

SEE YOU SOON.

BYE-BYE. BYE-BYE!

BYE.

BEN!

JUST IN TIME FOR THE SHOW, MAMA.

WE'RE JUST PLAYING CARNIVAL.

MARCO SHOWED ME HOW TO JUGGLE.

[dishes shattering]

OH!

YOU PICK THOSE
PIECES UP AT ONCE,

AND THEN GO STRAIGHT
TO YOUR ROOM.

AND MIND YOU DON'T CUT YOURSELF.

I WANT A WORD WITH YOUR SON.

MY SON IS DOWN TO IKE'S TO
FETCH ME SOME AXLE GREASE.

WHEN HE COMES BACK,
TELL HIM I WANT TO SEE HIM.

[chuckles]

I'LL WARN HIM.

LIVIE?

YEAH?

SOUNDS TO ME LIKE SOMEBODY'S
SCRAMBLING AROUND UP THERE ON THE ROOF.

WHAT IS IT?

HI, MA.

(Jim-Bob) LOOK AT MARY ELLEN!

SHE'S GOOD!

I'M COMING UP.

SHH, SHE'LL FALL.

(Mary Ellen) HOW AM I DOING?

HELLO, SWEETNESS.

HI, PA.

MARY ELLEN!

10 VERSES, YOUNG LADY. 10.

AND PUT THAT THING AWAY.

"MAN THAT IS BORN OF WOMAN IS
OF FEW DAYS AND FULL OF TROUBLE."

WHAT?

I DON'T KNOW. SUPPOSE
SOMETHING SHOULD GO WRONG.

SAM, YOU ARE A FAMILY
MAN WITH 4 MOUTHS TO FEED

AND IT AIN'T SO EASY THESE DAYS.

NEXT WEEK IT'LL
BE 5, MR. WALTON.

WELL, I DECLARE.

SAM, WITH ALL THOSE CHILDREN

WE DON'T WANT YOU TO TAKE
ANY RISKS ON OUR ACCOUNT NOW.

HECK, IT AIN'T GONNA BE NO RISK.

YOU JUST HAVE THEM HERE AT
9:00 SHARP TOMORROW NIGHT

AND I'LL SEE THEY
GET ON THE TRAIN.

WE SURE APPRECIATE THAT, SAM.

YOU'D BETTER WARN
'EM IT AIN'T GONNA BE

NO PULLMAN CAR OR FIRST CLASS.

I RECKON THEY KNOW THAT ALREADY.

THAT THE RIGHT TIME, SAM?

YIKES. IT MUST
HAVE STOPPED AGAIN.

HOMER'D HAVE MY SCALP IF HE KNEW

I'D LET HIS CLOCK
RUN DOWN AGAIN.

THAT HOMER FERGUSON
MUST BE A REGULAR OLD PRISS.

PRISS ISN'T THE WORD FOR IT.

EVERYTHING'S GOT
TO BE JUST SO-SO.

TOLD ME IN ALL THE YEARS
HE'D BEEN WITH THE RAILROAD,

HE HASN'T MISSED ONE SINGLE DAY.

GOOD OLD HOMER.

I HEAR TELL THAT COME LATELY

HOMER FERGUSON'S MORE
DEDICATED TO HIS OWN SERVICE

THAN HE IS TO THAT OF
THE RAILROAD COMPANY.

IS THAT SO?

UM, JUST HEARSAY,
WON'T BEAR REPEATING.

COME ON, PA. WE'LL
BE LATE FOR SUPPER.

GOOD LUCK WITH THE NEW KID, SAM.

[clock ticking]

TOMMY?

HI.

WE GOT IT ALL FIXED UP.

THE TRAIN?

DADDY, ME, AND GRANDPA WILL
PICK YOU UP IN THE TRUCK AT 8:30.

GREAT. YOU KNOW, 3
OR 4 DAYS FROM NOW,

I GUESS, UH, WE'LL ALL BE IN
CHICAGO WORKING AT THE FAIR.

YOU KNOW, I READ A
MAGAZINE ARTICLE ABOUT THAT.

ABOUT HOW THE
NIGHT THE FAIR OPENED,

SOME SCIENTISTS TRAINED A
BIG TELESCOPE WAY OUT IN SPACE.

HEARD THEY GOT A BEAM
OF LIGHT FROM A STAR.

AND IT SET OFF SOME KIND
OF ELECTRICAL IMPULSE.

AND SUDDENLY ALL THE LIGHTS AT THE
WORLD'S FAIR WENT ON AT THE SAME TIME.

YOU KNOW, I HEARD ABOUT THAT.

YEAH.

HOW ABOUT THEM STORIES
OF PETE'S. THEY ALL TRUE?

[chuckles]

PETE, UH, SOMETIMES
EXAGGERATES A BIT.

I'D SURE LIKE TO GO TO THOSE
PLACES, MEET THOSE PEOPLE.

MORE THAN ANYTHING
ELSE, I WANT THAT.

YOU WILL ONE DAY.

SHUCKS, I'D LIKE
TO GO RIGHT NOW.

LATELY IT SEEMS THAT ANYTHING
I READ, OR SEE, OR HEAR, JUST...

I DON'T KNOW, MAKES ME RESTLESS.

EVEN IN SCHOOL.

LAST WEEK, MISS HUNTER WAS READING
US SOMETHING BY HERMAN MELVILLE.

SHOOT, ALL I WANTED TO DO

WAS JUST GET UP RIGHT
THERE IN THE CLASSROOM

AND RUN, SHOUT, LAUGH,
JUST DO SOMETHING.

WELL, WHAT DID SHE READ YOU?

ABOUT THIS WHALING SHIP.

AND HOW EVEN AT NIGHT WITH THE
SAILS FOLDED AND THE SHIP TO REST,

ALL THE LIFE IN THE OCEAN WAS...

WAS JUST TEEMING AND
RUSHING UNDERNEATH IT.

MOBY DICK.

THAT'S RIGHT.

"FURLS HIS SAILS" AND
LAYS HIM DOWN TO REST

"WHILE UNDER HIS VERY PILLOW

RUSH HERDS OF
WALRUSES AND WHALES."

THAT IS... THAT'S
JUST HOW I FEEL.

JUST HOW I FEEL.

JUST LIKE I'M REALLY
ASLEEP RIGHT HERE,

AND... AND LIFE IS
JUST RUSHING PAST ME.

AND ONE OF THESE DAYS, WHEN
IT'S TOO LATE, I'M GOING TO WAKE UP

AND FIND MYSELF HIGH AND DRY

LIKE A SHIP THAT'S RUN AGROUND.

IT WON'T HAPPEN
IF YOU DON'T LET IT.

HERE, LET ME HELP YOU WITH THAT.

THANK YOU.

SEE, TOMMY, I WANNA BE A WRITER.

WELL, I JUST KNOW IF I STAY
HERE, I WON'T EVER BE ONE.

BUT WHEN THE TIME COMES
FOR YOU TO LEAVE, JOHN-BOY,

AND IT WILL, NOTHING
WILL STOP YOU.

HOW DO YOU KNOW THAT?

WELL, ONCE, UH,

I HAD TO MAKE A DECISION
ABOUT LEAVING HOME

AND IT WASN'T EASY.

YOU SEE, FOR ME, TOO,

THERE, UH, WAS A COUPLE OF
THINGS STANDING IN THE WAY.

AND WE THANK YOU,
LORD, FOR THIS FOOD...

ELIZABETH.

AND WE BEG YOU TO LEAD US
SOON OUT OF THIS DEPRESSION...

AMEN.

AMEN. LET'S EAT.

COME ON, NOW, BEN.
DON'T TAKE IT ALL.

PASS IT. ELIZABETH!

(Elizabeth) THERE'S A
LETTER UNDER THE DOOR!

THANK YOU, DADDY.

THANK YOU.

[all chattering]

GO BACK TO THE TABLE
AND BEHAVE YOURSELF.

(John) COME ON, NOW.
DON'T TAKE IT ALL.

IT LOOKS LIKE SOME
KIND OF INVITATION. YEAH.

"TO ALL THE WALTONS.

"WE MOST HUMBLY REQUEST
THE PLEASURE OF YOUR COMPANY

AT 7:15 TONIGHT IN THE BARN."

IS THAT ALL IT SAYS?

THAT'S ALL IT SAYS,

EXCEPT IT'S GOT THEIR NAMES
SIGNED HERE AT THE BOTTOM.

PETE, BELLE, TOMMY, AND MARCO.

[John chuckles]

WANT TO SEE IT?

YEAH.

7:15. THE TRAIN
DOESN'T LEAVE TILL 9:30.

I WONDER WHAT THEY WANT.

SOUNDS MIGHTY PECULIAR TO ME.

HERE, TAKE A LOOK.

NOW, COME ON WITH
THOSE PANCAKES, MA.

(John) PLACE LOOKS DESERTED.

(Livie) HOPE NOTHING'S WRONG.

WELCOME, AND GOOD EVENING.

(Grandpa) WHAT DO YOU KNOW!

I DON'T THINK ANYTHING'S WRONG.

PLEASE, THIS WAY.

[Grandpa chuckling]

COME ON, LET'S
GO. COME ON, THEN.

PLEASE, DEAR LADY, ALLOW ME.

[monkey chattering]

[laughing]

[all laughing]

DON'T STEP ON THE MONKEY, NOW.

(John-Boy) COME ON, WHY DON'T
YOU GET OVER HERE, MARY ELLEN.

IF YOU PLEASE.

MUCH OBLIGED.

[all chattering]

DADDY, THERE'S A BOX OVER THERE.

SUCH LOVELY MANNERS.

THEY DON'T FOOL ME NOW
WITH THESE GIGOLO WAYS.

[rustling]

[chattering]

♪♪[music playing]

[all clapping]

[all laughing]

LADIES AND GENTLEMEN!

IT GIVES ME GREAT PLEASURE
TO WELCOME YOU HERE TONIGHT.

AND NOW, DIRECT
FROM LA SCALA IN MILAN,

IL MAESTRO, PIETRO!

♪♪[drum beating]

[all clapping]

♪♪[playing kazoo]

[all laughing]

[all laughing]

♪♪[music playing]

[coughing]

[all exclaim]

[all exclaim]

[all clapping]

[laughing]

OH.

[grunting]

[yelling]

[both speaking gibberish]

HA!

[chattering]

[both speaking gibberish]

ME? OUI, OUI.

HA-HA.

HEE-HEE.

[both chattering]

[muttering]

HO-HO.

[gasping]

[shouting]

[car engine humming]

[engine shuts off]

[car door shutting]

HOMER?

MR. FERGUSON TO YOU.

AND GET YOUR DIRTY BOOTS
OFF OF MY CLEAN DESK.

YES, SIR.

HOW MANY TIMES HAVE I GOT TO TELL
YOU TO BUTTON UP YOUR UNIFORM?

THIS IS THE RAILROAD
YOU'RE WORKING FOR,

NOT SOME SOCIALIST
NEW DEAL OUTFIT.

YOU BETTER GET ON HOME.

WHY? WHAT HAPPENED?

YOUR WIFE. THE
BABY'S ON THE WAY.

EXCUSE ME.

♪♪[music playing]

[girls gasping]

[all cheering]

THANK YOU.

♪♪[all singing Auld Lang Syne]

♪ SHOULD AULD ACQUAINTANCE ♪

♪ BE FORGOT ♪

♪ AND NEVER BROUGHT TO MIND? ♪

♪ SHOULD AULD ACQUAINTANCE ♪

♪ BE FORGOT ♪

♪ AND DAYS OF AULD LANG SYNE? ♪

COME ON, COME HERE.

♪ FOR AULD LANG SYNE, MY DEAR ♪

♪ FOR AULD LANG SYNE ♪

♪ WE'LL TAKE A CUP
OF KINDNESS YET ♪

♪ FOR AULD LANG SYNE ♪

♪ FOR AULD LANG SYNE, MY DEAR ♪

♪ FOR AULD LANG SYNE ♪

♪ WE'LL TAKE A CUP
OF KINDNESS YET ♪

♪ FOR AULD LANG SYNE ♪♪

[clock ticking]

[all chattering]

WATCH IT. WATCH IT.

[all continue chattering]

BELLE.

MY HUSBAND ONCE TOLD ME

THAT YOU SHOULDN'T JUDGE PEOPLE

BY WHERE THEY COME
FROM OR WHAT THEY DO.

HE WAS RIGHT.

AND I WAS WRONG.

CAN I GIVE YOU A HAND?

WELL, PETE'S ALWAYS AFTER ME
ABOUT CARRYING ALL THIS STUFF.

HE SAYS A CARNY'S
GOTTA TRAVEL LIGHT.

UH, SOMETHING IS
GONNA HAVE TO COME OUT.

[sighing] I KNOW.

HERE, HOLD THIS A SECOND.

I'LL CARRY THAT WITH
ME, UNDER MY ARM.

REALLY PRETTY.

OH, THAT'S MY HOBBY.

I'VE BEEN DOING THEM FOR YEARS.

JUST LIKE A PICTURE.
LOOK AT THOSE FLOWERS.

OH, WELL,

I NEVER HAD A CHANCE TO SETTLE
ANYWHERE LONG ENOUGH TO GROW MY OWN.

HERE, TAKE IT.

THANK YOU.

WHAT'S IT LIKE?

WHAT?

HAVING A HOME, RAISING CHILDREN.

ALWAYS BEING IN ONE PLACE.

IT'S THE ONLY WAY I KNOW.

IT MUST BE LOVELY.

NOTHING TO BE
SCARED OF ALL THE TIME.

SOMETIMES I THINK IT'S PROBABLY

A LITTLE BIT LIKE WALKING
THAT WIRE UP THERE.

SO, WITH YOUR EXPERIENCE,

YOU OUGHT TO BE VERY GOOD AT IT.

IF I EVER GET THE CHANCE.

[all chattering]

HOLD ON, DON'T LET HIM GO NOW.

(children) BYE. BYE.

JOHN-BOY?

YES, MAMA?

[car engine humming]

IT'S NOTHING.

ALL RIGHT, EVERYONE.

(children) BYE.

[engine starting]

(all) BYE.

(Belle) BYE.

HEY, SAM!

WHAT ARE YOU ALL DOING
HERE AT THIS TIME OF NIGHT?

[clears throat] HOMER.

WELL, WE JUST, UH,
DROPPED BY TO SEE SAM.

WELL, WELL, WELL!

LOOKS LIKE YOU'VE GOT
YOURSELF A REAL TRAVELING CIRCUS.

THESE FOLKS ARE REAL GOOD
FRIENDS OF OURS, HOMER.

I SEE. I'LL BET THE SHERIFF'D
LIKE TO MEET THEM, TOO.

(Grandpa) THEY HAVEN'T
BROKEN ANY LAW.

LET'S KEEP IT THAT WAY.

NOBODY IS SNEAKING A FREE
RIDE ON MY RAILROAD TRAIN.

THAT'S WHAT YOU HAD
IN MIND, ISN'T IT? HUH?

WELL, HOMER, NOW, THESE
FOLKS HAVE TO GET TO CHICAGO.

THEY'VE GOT JOBS
WAITIN' FOR 'EM THERE.

AIN'T NO CONCERN OF MINE.

NOW, WHY DON'T YOU
AND YOUR FRIENDS

JUST GET RIGHT BACK IN THAT
TRUCK AND DRIVE ON OFF OF HERE.

ELSE I'M CALLING THE SHERIFF

AND HAVING YOU ALL ARRESTED
FOR VIOLATING RAILROAD RULES.

NOW, HOLD ON, HOMER...

WHILE YOU'RE REPORTING
US AS VIOLATORS,

WHY DON'T YOU ADD ONE
MORE NAME TO THAT LIST?

HMM?

I HAD IN MIND THAT TRAIN
THAT PULLS OUT HERE

EVERY WEEK ON THURSDAY NIGHT.

WHAT TRAIN?

THE ONE THAT LOADS 6 CASES
OF BOOTLEG WHISKEY ON IT

JUST AS SOON AS
YOUR BACK IS TURNED.

I GOTTA GET THIS TRAIN MOVING.

(Grandpa) AFTER 25 YEARS
OF DEVOTED SERVICE

TO THE RAILROAD, THEY SHOULD
BE ALL MIGHTY INTERESTED

IN YOUR THURSDAY NIGHT SPECIAL.

HOW DID YOU FIND OUT ABOUT THIS?

WELL, I FORGOT JUST
NOW WHO DID TELL ME.

COULD BE, COME MORNIN',

I MIGHT FORGET ABOUT
THE WHOLE THING.

GET THEM ON BOARD.

YOU'RE A GOOD MAN,
HOMER. YOU'RE A GOOD MAN.

[chuckling]

(Belle) I'LL TAKE IT.

ALL RIGHT.

(John) HURRY UP,
BEFORE IT LEAVES.

COME ON. GOOD BOY.

COME ON, FELLAS, MOVE ON.

[all chattering]

COME ON, LET'S GO. HURRY.

(John) ALL RIGHT, JOHN-BOY.

GET IT UP THERE, JOHN.

[all chattering]

[cheering]

[chuckling]

(Pete) UP. HURRY, HURRY, GET UP.

(John) ALL ABOARD!

[train horn blowing]

[blowing whistle]

ALL ABOARD!

[all chattering]

WE'LL SEND YOU A
CARD FROM THE FAIR.

TOMMY, YOU DROPPED SOMETHING.

IT'S YOURS.

[train wheels clacking]

(John-Boy) AND SO THE CARNIVAL
PEOPLE LEFT WALTON'S MOUNTAIN.

THE POSTCARD WE
RECEIVED FROM THEM

SAID THEY'D ARRIVED
SAFELY IN CHICAGO

AND WERE WORKING
AT THE WORLD'S FAIR.

YOU ALL RIGHT, SON?

I'M ALL RIGHT.

(John-Boy) SOME YEARS LATER,
WHEN I LEFT TO GO TO COLLEGE,

THE BOOK WHICH TOMMY GAVE ME

WAS ONE OF THE
POSSESSIONS I TOOK WITH ME.

NOW, WHENEVER I OPEN IT, I
REMEMBER THOSE 4 PEOPLE

WHO GAVE A 17-YEAR-OLD BOY HIS
FIRST GLIMPSE OF THE OUTSIDE WORLD.

(Elizabeth) JOHN-BOY?

(John-Boy) WHAT IS IT?

YOU THINK THEY'LL
EVER COME BACK?

I DON'T KNOW, ELIZABETH.

WISH I COULD SEE THAT LADY
WALK ALONG THE ROPE AGAIN.

ONE DAY, MAYBE.

HOPE SO. GOOD NIGHT, JOHN-BOY.

GOOD NIGHT, ELIZABETH.

[train whistle blowing]

(male narrator) IN A
MOMENT, SOME SCENES

FROM THE NEXT
EPISODE OF THE WALTONS.