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FARID: 'I'm Farid Matar,
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'and you're listening to
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'an investigative podcast
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'the forgotten mysteries
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'Join me as I travel to
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'of Briddus, Newfoundland,
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'a local family of five were found
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'the gruesome nature of their deaths
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'that was spreading fear
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To this day, their murders
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HE SIGHS
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PHONE RINGS
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RINGING CONTINUES
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JO: 'Hi. It's Jo. Leave a message.'
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Uh, hey. It's me. I just sent you
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So, uh, I don't know.
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Let me know what
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and, uh... Is your phone dead,
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Call me.
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Joseph Chaffey?
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Thanks for coming out, son.
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Officer Puddester,
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she's been a real friend.
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I'm so sorry for what happened
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Yeah.
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Would you mind if I recorded...
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Yes, I do mind,
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I won't have these words
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Sorry.
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Where would you like to start?
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When the moratorium
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Matthew and I
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All our money was in the boat.
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He had Tanya to worry about
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I was out here that night.
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In the boat, pulling in what I could
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I wasn't the only one.
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She called me, Emily did.
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It was six-thirty before I noticed
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She sounded so scared.
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She said, "Poppy, there's a man
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I can hear
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Did you tell the police
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Course I damn did. I...
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They covered it up.
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Pay them off with a nickel.
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You should see
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Great, big, ugly, nasty thing
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- Officer Miles?
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I'll tell you that much.
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Well, who would've paid him off?
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Now, I've been asking myself
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I'm tired.
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It's, uh, OK. I'll go.
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Thank you, Mr Chaffey.
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I do want to help.
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You talk to Sandra Loughty yet?
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I have.
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Good. She's one of us.
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FARID: 'Jo, can you call me
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'I could really...
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'I don't know.
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'I got those sound files
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'I'll listen as soon as I'm back.'
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CERAMIC CLATTERING,
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FAINT MUTTERING CONTINUES
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VOLUME INCREASES
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JO: 'Sometimes I can hear them.
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'I think they want in.
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'I don't know. But I know
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'They want in.
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'What do they want? What do
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'What do they want?'
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JO SOBS
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SOBBING CONTINUES
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SIGN BUZZES
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WOMAN: 'Hello?'
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How are you?
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FARID: Can you check on Jo for me?
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HANNAH: Check on Jo?
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She's at Martha's, alone,
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and, uh, I don't have
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HANNAH: 'Listen. I don't want to get
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FARID: No, no, no. It's not that.
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and I'm worried
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And I'm worried that
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HANNAH: 'I didn't know
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FARID: Would you please
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HANNAH: 'Fine, fine. Goodbye.'
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PHONE ALARM CHIMES
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ALARM CONTINUES
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PHONE BEEPS
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FARID: 'Hey. Uh, you haven't been
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'Look, I know you don't want
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'but I'm getting a little worried
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'I get this isn't the easiest time,
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'Eric went to Netflix
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'and now they're making
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SHE GROANS
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FARID: 'Fuck. Look, we've worked way
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SHE RETCHES
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'and we're bumping up our release
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'This is bad, Jo. So, please
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'I'll be sending you recordings
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'and I'll need
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'I know this sucks,
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'OK? I love you.
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KETTLE WHISTLES
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PILLS RATTLE
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FARID: 'So, describe that night.
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'August 2nd,
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GRAVEDIGGER: 'See, I was working at
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'Cemetery was just behind
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'and that night, I was on me own.
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'And I remember it was real cold
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TAPE RUSTLES
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'I mean, it was bad.
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RUSTLING INTENSIFIES
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'The trees, you know, they
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'It was really wild.'
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WOMAN: 'I heard something.'
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MUFFLED, PULSING THUMP
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'It sounded like an animal in pain.
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'I figured it was
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'But my heart
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CORONER: 'The holes in her feet were
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'was a meat hook.'
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WOMAN: 'Around 2:00 am,
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'approaching the house.'
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CORONER: 'Cause of death
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'from the substantial
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THUD, SQUELCH
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And all of his ribs
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CRACKING
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GRAVEDIGGER: '11 suicides since
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'Darla Ewing.'
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THUDDING
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'She was all blue, just...
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'hanging there.'
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ROPE CREAKING
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JO: Shit.
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SHE PLAYS BACH'S
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PHONE RINGS,
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RINGING CONTINUES
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Hello?
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HANNAH: 'Oh, good. You picked up.
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Aunt Hannah?
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- 'I hear you've decided to sell.'
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'Well, they may have left
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'but some of those antiques
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- OK.
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'but I'm really hoping we won't
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You won't.
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HANNAH: 'Yeah. The painting of
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'You know the one.
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'and holding a basket filled with
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'Well, it's mine.'
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'Oh, Jo. Do you have any idea
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'To be kept out of
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'while your mother
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- Mmm.
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'Did I ever tell you that?
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'All the way down the driveway,
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'I was terrified.
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'Yeah. The rocking chair
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'Well, it was in Dad's room.
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'And the floral tea set...'
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I found some old pictures.
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They're... I don't know,
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But who's this little
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HANNAH: 'Who?'
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JO: I don't know.
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It's definitely not Grandma.
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HANNAH: 'I don't know
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JO: You've never seen
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HANNAH: 'Jo, I have no idea.
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JO: I don't think so.
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HANNAH: 'The painting of the lady
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The tea set. The rocking chair.
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You can have whatever you want.
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Just write a list
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'No offence, but that's exactly
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'She said she was selling
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'and promised we could have
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- Aunt Hannah...
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What did you say?
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HANNAH: 'I said she never
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'What's the matter with you?
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I'm fine.
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HANNAH: 'Now, just take care
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I have to go.
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HANNAH: 'The painting of the lady.
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PHONE SLAMS DOWN
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WIND RATTLING
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PHONE RINGS
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MAN ON VOICEMAIL: 'Hey there.
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'at Total Horror Films.
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PHONE BEEPS
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DOG BARKS
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Sandra?
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HE KNOCKS
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BARKING CONTINUES
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PHONE RINGING
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JO: 'Hi, it's Jo. Leave a message.'
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Jo, can you please call me back?
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Please, please call me.
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Nice car. This a rental?
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Get off.
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Or what?
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METALLIC CLICK
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Whoa! What the fuck are you do...
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DOOR SLAMS SHUT
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MARTHA, ON TAPE: 'I'm so tired.
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'So old.
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'My face is rotting.'
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'I saw my skin drip like wax.
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'Then it crumbled off into my hands.
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'Pieces.
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'Down into the sink.
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'Down... to where?
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'I don't recognise myself
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'Who am I now?'
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WIND RATTLING
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SCRAPING
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SCRAPING
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SCRAPING CONTINUES
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STAIRS CREAK
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LOUD SCRAPE
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DOOR CREAKS
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LOUD SCRAPE,
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SHE KNOCKS
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SHE KNOCKS
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SHE GASPS
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CLANKING
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Oh, my God.
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THUD
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HE GROANS
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PHONE RINGS
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PHONE: 'Hi. It's Jo.
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Well, you look like shit.
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We got to get Uber out here.
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Sorry. I didn't know who to call.
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It's fine.
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Man, they really dusted
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Do you know who they were?
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I got a pretty good idea.
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How old were they?
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- They were 16.
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RADIO: 'This is Hynes.
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'I'll let you know what I find.'
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So, I met with
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Thanks for setting that up.
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Yeah. I'm happy to help.
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FARID: He said that the cops
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Are you talking about me?
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Are you in with Miles?
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BRAKES SQUEALING
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Now, I'm gonna say this slowly
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but I'd really like
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Everything I said to you
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I would never lie about that.
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We live with this
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I actually became a cop because of
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In fact, even having you
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is putting me in danger,
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if I tell you to, all right?
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HYNES: 'Hey, guys? I need
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'I'm about, uh, 20 metres left
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'and there's a... Oh, shit.'
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MILES: 'Hynes?'
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MILES: 'Hynes,
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HYNES: 'It's a body. Washed up.
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'Looks pretty dead.'
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MILES: 'You get an ID?
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'Hynes?'
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HYNES: 'It's...
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Go home, Fred.
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Subtitles by accessibility@itv.com
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