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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:09,143 --> 00:00:10,579 HARRY, IS THERE ANY CEREAL LEFT? 2 00:00:10,612 --> 00:00:12,747 NOPE. 3 00:00:12,781 --> 00:00:14,048 GUESS I'LL JUST HAVE SOME TOAST. 4 00:00:14,082 --> 00:00:16,150 NO TOAST, EITHER. 5 00:00:16,184 --> 00:00:19,754 OH, AND WE'RE ALSO COMPLETELY OUT OF BREAD. 6 00:00:20,421 --> 00:00:21,723 GOOD MORNING! 7 00:00:21,756 --> 00:00:22,591 GOOD MORNING. 8 00:00:22,624 --> 00:00:25,326 NO, I TELL A LIE. IT'S A GREAT MORNING, 9 00:00:25,359 --> 00:00:29,063 AND IT WILL CULMINATE IN AN EVEN GREATER EVENING, 10 00:00:29,097 --> 00:00:32,066 FOR TONIGHT MARY AND I... 11 00:00:32,100 --> 00:00:34,703 WILL ATTEND KING OF THE JIG, 12 00:00:34,736 --> 00:00:39,240 STARRING IRISH TAP-DANCING SENSATION PETER CONNELLY. 13 00:00:49,217 --> 00:00:50,819 WHAT HAPPENED TO MY DELICIOUS COFFEE? 14 00:00:50,852 --> 00:00:52,787 [ENGLISH ACCENT] YOU SHOULD REALLY GET YOURSELF A BEAN GRINDER. 15 00:00:52,821 --> 00:00:55,323 THIS CANNED STUFF'S INTOLERABLE. 16 00:00:55,356 --> 00:00:56,524 OH! 17 00:00:56,557 --> 00:01:00,428 I'M GONNA GO AND HAVE A SMOKE. 18 00:01:00,461 --> 00:01:04,666 SALLY, IT APPEARS THAT YOUR NEW BOYFRIEND HAS BOGARTED MY COFFEE. 19 00:01:04,699 --> 00:01:07,268 YEAH. SOMETHING TELLS ME HE ATE ALL OUR CEREAL, TOO. 20 00:01:07,301 --> 00:01:09,403 YEAH? SO? 21 00:01:11,773 --> 00:01:13,074 [ENGLISH ACCENT] WE SPENT THE NIGHT TOGETHER. 22 00:01:13,107 --> 00:01:16,510 HE GOT A LITTLE HUNGRY. WHAT'S THE BIG DEAL? 23 00:01:17,511 --> 00:01:18,713 YOU SLEPT WITH HIM? 24 00:01:18,747 --> 00:01:21,082 NO, WE WERE DISCUSSING HIS WRITING. 25 00:01:21,115 --> 00:01:23,217 HE IS AN ARTIST, YOU KNOW. 26 00:01:23,685 --> 00:01:26,187 YEAH. A STARVING ARTIST. 27 00:01:27,455 --> 00:01:29,557 OH, HARRY, THAT WAS PRETTY CLEVER. 28 00:01:29,590 --> 00:01:32,861 YEAH. I HAVE NO IDEA WHY. 29 00:01:32,894 --> 00:01:35,329 I DON'T LIKE WHAT THIS GUY HAS DONE TO YOU, SALLY. 30 00:01:35,363 --> 00:01:36,898 YOU'RE BROODY AND MOODY, 31 00:01:36,931 --> 00:01:38,633 AND YOUR HAIR LOOKS LIKE--LIKE... 32 00:01:38,667 --> 00:01:41,035 LIKE WHAT? 33 00:01:41,069 --> 00:01:42,937 DOODY. 34 00:01:42,971 --> 00:01:44,572 YEAH, WELL, WHAT DO YOU KNOW? 35 00:01:44,605 --> 00:01:46,607 YOU AND YOUR IVORY TOWER, 36 00:01:46,641 --> 00:01:49,210 HURLING DOWN YOUR WISDOM McNUGGETS 37 00:01:49,243 --> 00:01:53,682 DIPPED IN THE SPECIAL SAUCE OF THE ESTABLISHMENT. 38 00:01:53,715 --> 00:01:55,416 [MUTTERING] 39 00:01:55,449 --> 00:01:56,751 NOW HANG ON THERE, MISSY. 40 00:01:56,785 --> 00:01:59,253 I COMMAND YOU TO DROP THAT RIDICULOUS ACCENT. 41 00:01:59,287 --> 00:02:01,089 WHAT ACCENT? THE BAD ENGLISH ONE. 42 00:02:01,122 --> 00:02:02,523 I DON'T HAVE TO DO A THING YOU-- 43 00:02:02,556 --> 00:02:04,192 LIEUTENANT. 44 00:02:04,225 --> 00:02:06,394 OKEY-DOKEY. 45 00:03:04,285 --> 00:03:06,120 SO, MARY, WHAT TIME SHOULD I PICK YOU UP 46 00:03:06,154 --> 00:03:08,656 FOR KING OF THE JIG? 47 00:03:08,689 --> 00:03:09,758 I'M NOT GOING WITH YOU. 48 00:03:09,791 --> 00:03:11,860 BUT WE MADE OUR PLANS 3 MONTHS AGO. 49 00:03:11,893 --> 00:03:13,361 WE BROKE UP. 50 00:03:13,394 --> 00:03:15,196 JUDITH AND I ALREADY GOT TICKETS. 51 00:03:15,229 --> 00:03:19,133 AND I AM NOT LEAVING THAT THEATER WITHOUT A SWEATY SCARF. 52 00:03:19,167 --> 00:03:20,401 WELL, WHAT AM I SUPPOSED TO DO? 53 00:03:20,434 --> 00:03:22,236 WELL, WHY DON'T YOU BRING ONE OF YOUR FRIENDS? 54 00:03:22,270 --> 00:03:23,471 MY FRIENDS? 55 00:03:23,504 --> 00:03:24,705 OH, OH... 56 00:03:24,739 --> 00:03:25,439 YES, OF COURSE. 57 00:03:25,473 --> 00:03:27,075 IT'S JUST THAT THERE'S SO MANY. 58 00:03:27,108 --> 00:03:29,944 CHOOSING ONE COULD RESULT IN HURT FEELINGS. 59 00:03:29,978 --> 00:03:33,447 IRONICALLY, I MIGHT END UP LOSING FRIENDS OVER THIS. 60 00:03:33,481 --> 00:03:34,482 MAYBE WE'LL SEE YOU THERE. 61 00:03:34,515 --> 00:03:35,784 MM, YEAH, I'LL SEE YOU THERE. 62 00:03:35,817 --> 00:03:41,389 YEAH, WITH ONE OF MY MANY, MANY FRIENDS! 63 00:03:41,422 --> 00:03:41,923 NINA-- 64 00:03:41,956 --> 00:03:44,358 NOT A CHANCE IN HELL. 65 00:03:48,897 --> 00:03:49,898 ARE YOU SURE YOU CAN'T MAKE IT? 66 00:03:49,931 --> 00:03:52,733 IT SHOULD BE A GREAT SHOW. 67 00:03:52,767 --> 00:03:54,402 I TOLD YOU, MY NAME IS DICK SOLOMON. 68 00:03:54,435 --> 00:03:57,906 YOU MADE A DELIVERY AT MY OFFICE A FEW MONTHS BACK. 69 00:03:57,939 --> 00:04:00,141 YES, I SIGNED YOUR ELECTRONIC CLIPBOARD, 70 00:04:00,174 --> 00:04:03,945 AND YOU MADE A NICE COMMENT ABOUT THE SIZE OF MY PACKAGE. 71 00:04:03,978 --> 00:04:05,213 HELLO? HELLO?! 72 00:04:05,246 --> 00:04:06,480 OHH! 73 00:04:10,785 --> 00:04:12,787 [NORMAL VOICE AGAIN] OH, NO. IS THAT BAYWATCH? 74 00:04:14,789 --> 00:04:16,925 IT'S NOT BAYWATCH. 75 00:04:16,958 --> 00:04:18,960 IT'S BAYWATCH NIGHTS. 76 00:04:21,195 --> 00:04:22,396 SO WHAT'S THE DIFFERENCE? 77 00:04:22,430 --> 00:04:24,398 IT'S COLDER AT NIGHT. 78 00:04:28,469 --> 00:04:29,670 [CLICK] THERE! 79 00:04:29,703 --> 00:04:32,006 THERE'S SOMETHING TO FEED YOUR SOULS. 80 00:04:34,108 --> 00:04:35,343 MMM...HEY! 81 00:04:35,376 --> 00:04:37,678 SHE WILL KILL YOU. 82 00:04:38,813 --> 00:04:40,514 SO YOU WANNA GO ROLLER-BLADING? 83 00:04:40,548 --> 00:04:42,783 OH, I DON'T HAVE ANY ROLLER BLADES. 84 00:04:42,817 --> 00:04:43,885 HOW ABOUT A VIDEO GAME? 85 00:04:43,918 --> 00:04:45,653 OH, HARRY HAS YAHTZEE! 86 00:04:45,686 --> 00:04:49,057 YAHTZEE! 87 00:04:49,090 --> 00:04:50,458 NO OFFENSE, SOLOMON, 88 00:04:50,491 --> 00:04:52,460 BUT THIS PLACE SUCKS. 89 00:04:53,061 --> 00:04:54,662 HEY! YOU! WHAT? 90 00:04:54,695 --> 00:04:57,531 WOULD YOU LIKE TO JOIN ME FOR A NIGHT AT THE THEATER? 91 00:04:58,867 --> 00:05:00,701 NO. 92 00:05:01,235 --> 00:05:02,370 THIS IS SO ODD. 93 00:05:02,403 --> 00:05:04,738 I CAN'T FIND ANYONE WHO WANTS TO JOIN ME 94 00:05:04,772 --> 00:05:06,574 FOR KING OF THE JIG. 95 00:05:06,607 --> 00:05:08,843 ONE COULD DRAW THE MISTAKEN CONCLUSION THAT... 96 00:05:08,877 --> 00:05:11,479 I DON'T HAVE ANY FRIENDS. 97 00:05:11,512 --> 00:05:13,281 [DERISIVELY] KING OF THE JIG. 98 00:05:13,314 --> 00:05:17,351 PETER CONNELLY'S STRIP-MINING AN ENTIRE CULTURE FOR PROFIT. 99 00:05:17,385 --> 00:05:18,987 THAT IS SO TRUE. 100 00:05:19,020 --> 00:05:20,088 AND YOU KNOW WHAT ELSE? 101 00:05:20,121 --> 00:05:22,390 I NEED MONEY FOR ROLLER BLADES. 102 00:05:22,423 --> 00:05:23,057 ROLLER BLADES? 103 00:05:23,091 --> 00:05:24,258 YEAH, AND A FEW OTHER THINGS 104 00:05:24,292 --> 00:05:25,559 ALL MY FRIENDS SEEM TO HAVE. 105 00:05:25,593 --> 00:05:28,329 ARE THINGS REALLY GONNA BRING YOU HAPPINESS, TOMMY? 106 00:05:28,362 --> 00:05:30,031 YEAH. 107 00:05:31,432 --> 00:05:33,501 THAT SADDENS ME. 108 00:05:33,534 --> 00:05:34,502 GREAT, TOMMY. 109 00:05:34,535 --> 00:05:36,337 YOU MADE HIM SAD. 110 00:05:36,370 --> 00:05:37,872 YOU HAPPY? 111 00:05:38,572 --> 00:05:40,041 COME ON, DICK, LET'S SEE THE WALLET. 112 00:05:40,074 --> 00:05:42,043 NO, TOMMY, YOU'LL HAVE TO GET YOUR OWN MONEY. 113 00:05:42,076 --> 00:05:44,212 I'M STRETCHED THIN JUST COVERING THE BARE ESSENTIALS: 114 00:05:44,245 --> 00:05:48,116 FOOD, CLOTHING, SHELTER, AND THEATER TICKETS. 115 00:05:48,149 --> 00:05:49,817 YEAH, TOMMY, YOU WANT MONEY... 116 00:05:49,850 --> 00:05:52,153 MAYBE YOU SHOULD GO GET A JOB. 117 00:05:52,186 --> 00:05:53,821 HARRY, TOMMY HAS A JOB. 118 00:05:53,854 --> 00:05:55,456 YEAH. I GO TO SCHOOL. 119 00:05:55,489 --> 00:05:58,960 OH. THEN MAYBE I SHOULD GO GET A JOB. 120 00:06:06,100 --> 00:06:08,769 OH, MAN. 121 00:06:14,475 --> 00:06:15,509 GOOD EVENING. 122 00:06:15,543 --> 00:06:17,445 WOULD YOU BY ANY CHANCE NEED A TICKET FOR THE SHOW? 123 00:06:17,478 --> 00:06:19,513 WE HAVE TICKETS. THAT'S WHY WE'RE HERE. 124 00:06:19,547 --> 00:06:22,917 WELL, WHAT IF I KNOCKED OFF 5 BUCKS? 125 00:06:23,617 --> 00:06:24,318 10 BUCKS? 126 00:06:24,352 --> 00:06:27,088 I'M INSANE! THIS TICKET MUST GO! 127 00:06:27,121 --> 00:06:27,922 HI, DICK. 128 00:06:27,956 --> 00:06:29,090 HELLO, MARY, JUDITH. 129 00:06:29,123 --> 00:06:31,559 I-I'M JUST WAITING HERE FOR MY FRIEND. 130 00:06:31,592 --> 00:06:32,826 WELL, I HOPE THEY GET HERE SOON. 131 00:06:32,860 --> 00:06:35,263 THEY'RE GOING TO CLOSE THE DOORS IN 5 MINUTES. 132 00:06:35,296 --> 00:06:36,364 BEAR IN MIND: 133 00:06:36,397 --> 00:06:37,265 NO ONE WILL BE SEATED 134 00:06:37,298 --> 00:06:39,200 ONCE PETER CONNELLY'S SHIRT COMES OFF. 135 00:06:39,233 --> 00:06:40,734 [GASP] 136 00:06:42,870 --> 00:06:44,605 WHO NEEDS TICKETS?! TICKETS HERE! 137 00:06:44,638 --> 00:06:47,942 GET YOUR RED-HOT TICKETS! CUT-PRICE TICKETS HERE! 138 00:06:47,976 --> 00:06:49,477 HEY, WHAT DO YOU THINK YOU'RE DOING? 139 00:06:49,510 --> 00:06:52,180 OH, OH, NO. NOTHING ILLEGAL IS GOING ON HERE, OFFICER. 140 00:06:52,213 --> 00:06:53,948 I JUST BOUGHT AN EXTRA TICKET, 141 00:06:53,982 --> 00:06:55,216 AND I'M TRYING TO UNLOAD IT. 142 00:06:55,249 --> 00:06:58,319 YOU KNOW, HOPEFULLY, FOR A NICE PROFIT. 143 00:06:59,253 --> 00:07:00,721 SCALPING TICKETS IS A MISDEMEANOR. 144 00:07:00,754 --> 00:07:01,355 COME WITH ME. 145 00:07:01,389 --> 00:07:02,656 WAIT A SECOND, UH... 146 00:07:02,690 --> 00:07:04,525 IT'S OK, RICO. HE'S A FRIEND. 147 00:07:04,558 --> 00:07:06,460 YEAH, THAT'S RIGHT. 148 00:07:09,363 --> 00:07:10,764 THAT'S RIGHT. DON'S A FRIEND OF MINE. 149 00:07:10,798 --> 00:07:11,699 DON AND I ARE FRIENDS. 150 00:07:11,732 --> 00:07:13,901 MY FRIEND DON. 151 00:07:13,934 --> 00:07:16,737 ALL RIGHT. SEE YOU BACK AT THE STATION, DON. 152 00:07:16,770 --> 00:07:18,606 SO, DON, I HAVE AN EXTRA TICKET. 153 00:07:18,639 --> 00:07:20,174 IT'S YOURS IF YOU WANT IT. 154 00:07:20,208 --> 00:07:23,544 AN EXTRA TICKET, HUH? I HEAR IT'S A PRETTY GOOD SHOW. 155 00:07:23,577 --> 00:07:28,516 PRETTY GOOD? THE RUTHERFORD BUGLE CALLS IT "TAP-LICIOUS." 156 00:07:28,549 --> 00:07:30,918 WELL, I SUPPOSE CRIME COULD STRIKE INSIDE THE THEATER 157 00:07:30,951 --> 00:07:32,753 JUST AS WELL AS IT COULD OUT HERE. 158 00:07:32,786 --> 00:07:34,588 LOOK AT ABE LINCOLN. 159 00:07:34,622 --> 00:07:36,357 LET'S GO! 160 00:07:37,091 --> 00:07:38,526 AH! GOOD NEWS. 161 00:07:38,559 --> 00:07:41,462 THE FALAFEL CONNECTION NEEDS A NIGHT MANAGER. 162 00:07:41,495 --> 00:07:43,964 HARRY, YOU GO TO BED AT 8:00. 163 00:07:43,998 --> 00:07:47,635 BESIDES, THIS JOB REQUIRES A HIGH SCHOOL DIPLOMA. 164 00:07:47,668 --> 00:07:50,604 WELL, THAT'S DISCRIMINATION. 165 00:07:50,638 --> 00:07:53,241 MAN, YOU NEED DIPLOMAS FOR ALL THESE JOBS. 166 00:07:53,274 --> 00:07:55,009 WHICH I DON'T GOT, LET'S EAT 167 00:07:55,043 --> 00:07:57,345 HEY, WAIT. 168 00:07:57,378 --> 00:08:00,148 YOU ARE JUST GONNA HAVE TO GO TO HIGH SCHOOL 169 00:08:00,181 --> 00:08:01,982 AND GET A HIGH SCHOOL DIPLOMA. 170 00:08:02,016 --> 00:08:03,917 HUH? NO. 171 00:08:03,951 --> 00:08:05,153 NOOO. 172 00:08:05,186 --> 00:08:07,288 NOOOO! OH, FORGET IT. 173 00:08:07,321 --> 00:08:08,189 I DON'T WANNA. 174 00:08:08,222 --> 00:08:10,491 AH, HARRY, COME ON. LET'S GO SIGN YOU UP. 175 00:08:10,524 --> 00:08:13,661 YOU SEE, YOU GOTTA THINK OF A DIPLOMA AS AN INVESTMENT. 176 00:08:13,694 --> 00:08:16,697 YEAH. AN INVESTMENT IN YOUR ROLLER BLADES. 177 00:08:16,730 --> 00:08:20,234 AH, YOU SEE? YOU'RE LEARNING ALREADY. 178 00:08:23,237 --> 00:08:26,006 [APPLAUSE WITHIN] 179 00:08:26,507 --> 00:08:28,008 WHOO! 180 00:08:35,649 --> 00:08:36,884 WHOO! 181 00:08:39,053 --> 00:08:40,254 WHOO! HUH! HUH! HUH! 182 00:08:57,838 --> 00:08:59,073 HO! HO! HO! HO! 183 00:09:06,347 --> 00:09:09,617 OH, GOD! OH, THAT WAS THE MOST SPECTACULAR THING I'VE EVER SEEN. 184 00:09:09,650 --> 00:09:11,419 OH, WAS THAT GREAT, OR WHAT? 185 00:09:11,452 --> 00:09:14,222 OH, YES, MY FRIEND AND I WERE JUST DISCUSSING IT. 186 00:09:14,255 --> 00:09:16,957 MARY, JUDITH, YOU REMEMBER DON ORVILLE. 187 00:09:16,990 --> 00:09:17,858 HOW DO YOU DO? 188 00:09:17,891 --> 00:09:19,260 DICK, I DIDN'T REALIZE YOU AND DON 189 00:09:19,293 --> 00:09:20,161 WERE SUCH GOOD FRIENDS. 190 00:09:20,194 --> 00:09:22,062 WELL, YOU KNOW HOW IT IS-- 191 00:09:22,096 --> 00:09:23,631 THE COLLEGE PROFESSOR AND POLICE OFFICER, 192 00:09:23,664 --> 00:09:26,567 IT'S A SCHEDULING NIGHTMARE, BUT WHEN WE DO FIND THE TIME, 193 00:09:26,600 --> 00:09:28,802 DON AND I ARE PRACTICALLY INSEPARABLE. 194 00:09:28,836 --> 00:09:31,672 ISN'T THAT RIGHT, DONNY, OLD BOY? 195 00:09:31,705 --> 00:09:33,874 NOT ENTIRELY. 196 00:09:37,845 --> 00:09:40,348 HEY, WHAT ARE-- SHH! 197 00:09:41,582 --> 00:09:44,084 WHAT ARE YOU WR-- SHH! 198 00:09:44,618 --> 00:09:46,620 WHAT ARE YOU WRITE-- SHH! 199 00:09:47,421 --> 00:09:49,423 WHAT ARE YOU WRITING IN YOUR JOURNAL? 200 00:09:51,259 --> 00:09:53,561 OH, HERE THEY COME. RIGHT ON TIME. 201 00:09:53,594 --> 00:09:56,164 PETER CONNELLY'S OBEDIENT LITTLE SHEEP. 202 00:09:56,197 --> 00:09:58,031 THEY'VE SAT THROUGH HIS PUPPET SHOW, 203 00:09:58,065 --> 00:09:59,400 PURCHASED HIS T-SHIRTS, 204 00:09:59,433 --> 00:10:02,370 AND NOW THEY'RE HERE TO DISCUSS THE EXPERIENCE 205 00:10:02,403 --> 00:10:03,437 AND FEEL CULTURED. 206 00:10:03,471 --> 00:10:04,738 OH, THAT'S PATHETIC. 207 00:10:04,772 --> 00:10:05,906 IT'S NOT THEIR FAULT. 208 00:10:05,939 --> 00:10:07,308 CONNELLY HAS THEM PROGRAMMED. 209 00:10:07,341 --> 00:10:08,809 HE'S THE HEAD OF THE MONSTER. 210 00:10:08,842 --> 00:10:10,043 THE HEAD OF THE MONSTER? 211 00:10:10,077 --> 00:10:10,878 YEAH, I'D LIKE TO HAVE 212 00:10:10,911 --> 00:10:13,381 5 MINUTES ALONE WITH THAT PHONY. 213 00:10:13,414 --> 00:10:15,783 WHY, WHAT WOULD YOU DO TO HIM, SETH? 214 00:10:15,816 --> 00:10:17,551 LET'S JUST SAY... 215 00:10:17,585 --> 00:10:20,921 HE WOULD NEVER DANCE AGAIN. 216 00:10:25,493 --> 00:10:28,061 INCOMING! 217 00:10:28,095 --> 00:10:29,563 YOU GET IT? 'CAUSE WE'RE COMING IN, RIGHT? 218 00:10:29,597 --> 00:10:31,499 HEH HEH HEH. AHH... 219 00:10:31,532 --> 00:10:36,370 TURNS OUT PAINTBALL IS LOT MORE FUN THAN I THOUGHT, HUH, DON? 220 00:10:40,174 --> 00:10:43,344 WELL, YOU DIDN'T HAVE TO TIE ME DOWN AND DO ME EXECUTION-STYLE. 221 00:10:43,377 --> 00:10:44,645 COME ON, I WAS JUST PLAYING AROUND. 222 00:10:44,678 --> 00:10:46,514 NO HARD FEELINGS. HEY... 223 00:10:46,547 --> 00:10:47,381 FRIENDS? 224 00:10:47,415 --> 00:10:49,082 FRIENDS. 225 00:10:51,719 --> 00:10:52,486 LET ME BUY YOU A BEER. 226 00:10:52,520 --> 00:10:54,588 HEY! 2 BEERS HERE. 227 00:10:54,622 --> 00:10:57,191 I'D LIKE TO GET A COUPLE OF RUTHERFORD RAILROAD STOUTS. 228 00:10:57,225 --> 00:10:59,227 YEAH, YOU KNOW, THEY BREW IT RIGHT HERE IN RUTHERFORD. 229 00:10:59,260 --> 00:11:03,264 YEAH, THEY PUT A MICROBREWERY IN THE OLD...BREWERY. 230 00:11:03,297 --> 00:11:05,366 HEY, WE OUGHT TO GO TAKE A TOUR SOMETIME. 231 00:11:05,399 --> 00:11:07,768 YEAH. FREE SAMPLES. CAN'T BEAT THAT WITH A STICK. 232 00:11:07,801 --> 00:11:08,736 NO, SIR, YOU CAN'T. 233 00:11:08,769 --> 00:11:10,271 AND YOU KNOW... 234 00:11:10,304 --> 00:11:11,872 THE LADIES LOVE THE BEER. 235 00:11:11,905 --> 00:11:13,374 OH, YEAH. 236 00:11:13,407 --> 00:11:15,309 YOU KNOW WHO ELSE LOVES THE BEER? 237 00:11:15,343 --> 00:11:17,678 PATHETIC LONELY GUYS. 238 00:11:18,145 --> 00:11:20,514 OK, ENOUGH OF THAT. 239 00:11:20,548 --> 00:11:23,284 SO TOMORROW NIGHT I WAS THINKING SUSHI AND THE DOG TRACK? 240 00:11:23,317 --> 00:11:25,786 WELL, THAT SOUNDS LIKE FUN, BUT TOMORROW NIGHT'S NO GOOD FOR ME. 241 00:11:25,819 --> 00:11:27,187 NO. YOU WORKING THE LATE SHIFT? 242 00:11:27,221 --> 00:11:28,556 NO. OH, YOU GOT A HOT DATE? 243 00:11:28,589 --> 00:11:29,957 NO, NO. WHO IS SHE? COME ON, COME ON. 244 00:11:29,990 --> 00:11:31,659 NO, NO... HEH HEH HEH. 245 00:11:31,692 --> 00:11:33,093 NO, I'M GOING OUT WITH MY BUDDY ERNIE. 246 00:11:33,126 --> 00:11:36,063 WE'RE BOWLING A COUPLE OF GAMES AND EATING SOME CHICKEN WINGS. 247 00:11:36,096 --> 00:11:39,533 OH, OF COURSE. CHICKEN WINGS. 248 00:11:39,567 --> 00:11:43,404 I'M SURE YOU'LL HAVE A GOOD TIME WITH YOUR BUDDY ERNIE. 249 00:11:43,437 --> 00:11:44,738 SMOOTH. 250 00:11:44,772 --> 00:11:46,974 DISAPPOINTING. 251 00:11:48,242 --> 00:11:51,044 COME ON, HARRY. IT'S TIME FOR SCHOOL. 252 00:12:06,660 --> 00:12:08,596 HOW DO I LOOK? 253 00:12:08,896 --> 00:12:09,530 WHAT IS THIS? 254 00:12:09,563 --> 00:12:10,431 WHAT? MY BACKPACK. 255 00:12:10,464 --> 00:12:11,532 YEAH. IT'S A BACKPACK. 256 00:12:11,565 --> 00:12:12,500 YOU DON'T WEAR IT ON YOUR BACK. 257 00:12:12,533 --> 00:12:14,868 JUST THROW IT OVER YOUR SHOULDER. 258 00:12:17,371 --> 00:12:18,406 I'M A LITTLE NERVOUS. 259 00:12:18,439 --> 00:12:20,408 ALL RIGHT, ALL RIGHT. THERE'S NO NEED TO BE. 260 00:12:20,441 --> 00:12:22,843 NIGHT SCHOOL IS THE SAME THING AS REGULAR SCHOOL. 261 00:12:22,876 --> 00:12:25,045 THE ONLY DIFFERENCE IS IT'S AT NIGHT. 262 00:12:25,078 --> 00:12:27,681 WHICH MAKES IT REALLY SPOOKY. 263 00:12:27,715 --> 00:12:29,483 GRANTED. BUT THERE'S ONLY A FEW THINGS 264 00:12:29,517 --> 00:12:30,918 YOU NEED TO REMEMBER, YOU KNOW: 265 00:12:30,951 --> 00:12:32,886 MAKE SURE THE TOUGH GUYS THINK YOU'RE COOL, 266 00:12:32,920 --> 00:12:34,221 GRAB A SEAT NEXT TO A BABE, 267 00:12:34,254 --> 00:12:36,123 AND, UH, YOU KNOW, DON'T LET THE TEACHER PUSH YOU AROUND. 268 00:12:36,156 --> 00:12:40,060 OK. TOUGH, BABE, DON'T LET THE TEACHER PUSH YOU AROUND. 269 00:12:40,093 --> 00:12:40,828 IS THAT IT? 270 00:12:40,861 --> 00:12:42,663 OH! YEAH, AND NEVER PUT YOUR MOUTH 271 00:12:42,696 --> 00:12:44,932 DIRECTLY ON THE DRINKING FOUNTAIN. 272 00:12:44,965 --> 00:12:46,266 BUT THAT'S HOW I DRINK FROM THE FOUNTAIN. 273 00:12:46,300 --> 00:12:47,868 NOT AT SCHOOL. 274 00:12:47,901 --> 00:12:49,537 OK. 275 00:12:49,570 --> 00:12:51,372 WELL... 276 00:12:51,405 --> 00:12:53,407 HERE I GO. 277 00:12:55,343 --> 00:12:57,611 OH, UH, AREN'T YOU FORGETTING SOMETHING? 278 00:12:57,645 --> 00:12:59,146 I'M SORRY. 279 00:13:00,280 --> 00:13:01,782 NO! THE SNACK! 280 00:13:01,815 --> 00:13:03,484 OH! 281 00:13:07,455 --> 00:13:08,922 GREAT SHOW, PETER. 282 00:13:08,956 --> 00:13:10,157 YOU KILLED OUT THERE. 283 00:13:10,190 --> 00:13:12,393 EH, NOT AS GOOD AS THE SHOW IN BRANSON, BUT, UH, 284 00:13:12,426 --> 00:13:14,928 [HEELS CLICK] I'LL CASH THE CHECK. 285 00:13:16,229 --> 00:13:17,731 PETER CONNELLY! 286 00:13:20,668 --> 00:13:23,270 EH, WHAT HAPPENED TO THE REDHEAD FROM THE SECOND ROW? 287 00:13:23,303 --> 00:13:25,072 SHE'S OUTSIDE. 288 00:13:27,207 --> 00:13:29,710 GIVE HER A T-SHIRT AND SEND HER HOME. 289 00:13:30,678 --> 00:13:33,246 PETER, I'M SO SORRY TO BURST IN ON YOU LIKE THIS, 290 00:13:33,280 --> 00:13:35,015 BUT I JUST COULDN'T CONTROL MYSELF. 291 00:13:35,048 --> 00:13:37,818 EH! BOYS! WHY DON'T YOU TAKE A WALK, 292 00:13:37,851 --> 00:13:41,689 SEE IF YOU CAN FIND SOME OF THOSE MENTHOL CIGARETTES I LIKE SO MUCH, EH? 293 00:13:41,722 --> 00:13:43,223 EH! EH! 294 00:13:44,625 --> 00:13:47,060 SO...WHERE SHOULD WE BEGIN, 295 00:13:47,094 --> 00:13:50,097 ME NOT-SO-WEE LASS? 296 00:13:50,130 --> 00:13:51,699 WELL, WHY DON'T YOU TELL ME? 297 00:13:51,732 --> 00:13:53,233 [GASPS] 298 00:13:54,702 --> 00:13:56,937 YOU STRIKE ME AS A LADY WHO KNOWS... 299 00:13:56,970 --> 00:13:57,771 [PATS CHAIR] 300 00:13:57,805 --> 00:13:59,306 WHAT SHE WANTS. 301 00:13:59,339 --> 00:14:01,775 WELL, PETER... [CLEARING THROAT] 302 00:14:01,809 --> 00:14:05,579 YOU KNOW WHAT I WANT RIGHT NOW MORE THAN ANYTHING IN THE WORLD? 303 00:14:05,613 --> 00:14:07,147 TELL ME, BUTTERCUP. 304 00:14:08,582 --> 00:14:09,650 COFFEE. 305 00:14:09,683 --> 00:14:10,984 COFFEE? 306 00:14:11,018 --> 00:14:13,220 YEAH. YOU KNOW, I WANT TO BE WIDE AWAKE 307 00:14:13,253 --> 00:14:16,356 IN CASE WE GO FOR A RIDE ON THE OLD TOUR BUS. 308 00:14:16,390 --> 00:14:18,859 EH! WELL, THEN, BY ALL MEANS, LASS, 309 00:14:18,892 --> 00:14:21,529 LET US...LATTé! 310 00:14:25,232 --> 00:14:26,299 WHAT WOULD YOU LIKE? 311 00:14:26,333 --> 00:14:29,002 I'LL HAVE A CAPPUCCINO. 312 00:14:29,036 --> 00:14:30,170 ROOT BEER. 313 00:14:30,203 --> 00:14:31,304 OHH. 314 00:14:31,338 --> 00:14:32,172 WHAT? 315 00:14:32,205 --> 00:14:34,241 IT'S NOT WHAT DON WOULD ORDER. 316 00:14:34,274 --> 00:14:35,476 DON WOULD ORDER A MOCHA. 317 00:14:35,509 --> 00:14:37,344 FINE. I'LL HAVE A MOCHA. 318 00:14:37,377 --> 00:14:39,513 DON WOULD ORDER IT WITH GUSTO. 319 00:14:39,547 --> 00:14:41,715 I'LL HAVE A MOCHA. 320 00:14:43,817 --> 00:14:44,818 THAT'S TOO MUCH GUSTO. 321 00:14:44,852 --> 00:14:46,987 WELL, HOW WOULD DON SAY, "GET BENT"? 322 00:14:47,020 --> 00:14:48,622 I'LL TELL YOU HOW HE'D SAY IT. 323 00:14:48,656 --> 00:14:50,724 BY GOING OUT TO EAT CHICKEN WINGS WITH HIS FRIEND ERNIE 324 00:14:50,758 --> 00:14:52,225 AND LEAVING ME IN THE LURCH! 325 00:14:52,259 --> 00:14:54,562 HEY, WHAT ABOUT THE CHECK HERE? 326 00:14:54,595 --> 00:14:56,730 NO WONDER YOU DON'T HAVE ANY FRIENDS. 327 00:15:08,842 --> 00:15:12,279 WHAT'S YOUR PROBLEM? 328 00:15:12,312 --> 00:15:13,180 I'M SORRY. 329 00:15:13,213 --> 00:15:16,684 SAVE IT. DON'T EVER LET IT HAPPEN AGAIN. 330 00:15:17,217 --> 00:15:18,619 YOU BUMPED INTO ME. 331 00:15:18,652 --> 00:15:21,221 I THINK I KNOW THAT! 332 00:15:30,330 --> 00:15:32,500 IS THIS SEAT TAKEN? 333 00:15:32,533 --> 00:15:35,536 NO. PLEASE SIT DOWN. 334 00:15:36,269 --> 00:15:38,639 SO... 335 00:15:38,672 --> 00:15:40,974 WHAT BRINGS YOU IN HERE, PRETTY LADY? 336 00:15:42,710 --> 00:15:44,712 [PURRING LIKE A TIGER] 337 00:15:48,148 --> 00:15:49,950 AHH, HAVE A SEAT RIGHT OVER THERE, HONEY, 338 00:15:49,983 --> 00:15:51,384 AND I'LL BE RIGHT BACK, OK? 339 00:15:51,418 --> 00:15:53,921 DON'T MAKE ME COME AND GIT YA! 340 00:15:56,590 --> 00:15:58,391 SETH! 341 00:15:58,425 --> 00:16:00,293 SALLY, YOU LOOK SEXY. 342 00:16:00,327 --> 00:16:01,762 WHAT? 343 00:16:01,795 --> 00:16:03,631 IN A VERY STEREOTYPICAL KIND OF WAY 344 00:16:03,664 --> 00:16:05,533 THAT DOES NOTHING FOR ME. 345 00:16:05,566 --> 00:16:07,200 SETH, LOOK WHAT I BROUGHT YOU. 346 00:16:07,234 --> 00:16:08,001 WHAT? 347 00:16:08,035 --> 00:16:09,336 IT'S THE HEAD OF THE MONSTER HIMSELF, 348 00:16:09,369 --> 00:16:11,004 PETER CONNELLY. 349 00:16:11,038 --> 00:16:12,840 PETER CONNELLY? IS HE HERE RIGHT NOW? 350 00:16:12,873 --> 00:16:15,876 YEAH. GO LET HIM HAVE IT. COME ON. 351 00:16:18,345 --> 00:16:19,747 PETER CONNELLY. 352 00:16:19,780 --> 00:16:22,415 YES. 353 00:16:22,449 --> 00:16:25,052 OH, MY GOD, CAN I HAVE YOUR AUTOGRAPH? 354 00:16:29,422 --> 00:16:31,091 WHAT HAPPENED OUT THERE? 355 00:16:31,124 --> 00:16:32,793 THAT WASN'T THE SETH I KNOW! 356 00:16:32,826 --> 00:16:34,862 SALLY, PLEASE! 357 00:16:34,895 --> 00:16:36,897 I WAS MOCKING CONNELLY. 358 00:16:36,930 --> 00:16:39,432 HE SIGNED YOUR SHOES. 359 00:16:40,400 --> 00:16:41,569 YEAH. 360 00:16:41,602 --> 00:16:43,904 THE SHOES OF A MAN WHO HATES HIM. 361 00:16:43,937 --> 00:16:45,573 HA HAH! 362 00:16:50,510 --> 00:16:52,980 I DON'T BELIEVE THIS. 363 00:16:53,013 --> 00:16:55,348 YOU'RE A FRAUD! 364 00:16:55,382 --> 00:16:58,586 SALLY, THE WHOLE CULTURE HERE'S A FRAUD. 365 00:16:58,619 --> 00:17:01,454 I'M A FRAUD, YOU'RE A FRAUD, LIFE'S A FRAUD. 366 00:17:01,488 --> 00:17:06,093 YES, BUT YOU IN PARTICULAR ARE A COMPLETE FRAUD! 367 00:17:06,126 --> 00:17:07,895 GOD, WHEN I THINK OF WHAT I GAVE UP FOR YOU. 368 00:17:07,928 --> 00:17:09,963 I MEAN, MY FAMILY, MY SELF-RESPECT, 369 00:17:09,997 --> 00:17:13,500 MY HAIR-CARE REGIMEN! 370 00:17:14,234 --> 00:17:17,805 WAIT, JUST RELAX. YOU'RE BEING STUPID. 371 00:17:21,842 --> 00:17:24,177 THAT'S THE WRONG THING TO SAY. 372 00:17:25,713 --> 00:17:29,382 JIG ON OUTTA HERE, LOSER! GET OUT! 373 00:17:35,455 --> 00:17:38,859 SO HE SAYS, "THEY'RE NOT TEFLON BULLETS. THEY'RE DUM-DUMS." 374 00:17:40,661 --> 00:17:41,561 DUM-DUMS. 375 00:17:41,595 --> 00:17:43,330 HEH HEH-- 376 00:17:43,363 --> 00:17:45,465 DON. 377 00:17:45,498 --> 00:17:46,767 DICK, WHAT ARE YOU DOING HERE? 378 00:17:46,800 --> 00:17:51,271 I WAS UNDER THE IMPRESSION THIS WAS OUR PLACE, DON. 379 00:17:51,304 --> 00:17:53,707 I GUESS I WAS WRONG. 380 00:17:53,741 --> 00:17:56,509 AND WHO MIGHT YOU BE, ERNIE? 381 00:17:56,543 --> 00:17:57,077 ERNIE. 382 00:17:57,110 --> 00:17:58,946 NO. 383 00:17:58,979 --> 00:18:00,480 SO THIS IS WHO YOU CHOOSE? 384 00:18:00,513 --> 00:18:02,449 CHOOSE? CHOOSE TO HURT ME WITH. 385 00:18:02,482 --> 00:18:04,685 UH, ERNIE'S A FRIEND OF MINE FROM THE ACADEMY. 386 00:18:04,718 --> 00:18:08,388 SO TELL ME, DON, WHAT IS IT HE HAS THAT I DON'T? 387 00:18:08,421 --> 00:18:09,556 A LEAF BLOWER? 388 00:18:09,589 --> 00:18:12,025 OH! 389 00:18:12,059 --> 00:18:14,327 WELL, I'LL TELL YOU WHAT, MR. DON ORVILLE! 390 00:18:14,361 --> 00:18:16,396 WHEN YOU DECIDE WHAT IT IS YOU WANT FROM THIS RELATIONSHIP, 391 00:18:16,429 --> 00:18:19,633 WHY DON'T YOU JUST LET ME KNOW, HMM? 392 00:18:20,133 --> 00:18:22,369 OH, AND ONE MORE THING: 393 00:18:22,402 --> 00:18:24,905 YOU'RE A LOUSY DANCER! 394 00:18:31,511 --> 00:18:32,746 I-I'M SORRY, ERNIE. 395 00:18:32,780 --> 00:18:34,181 I DON'T KNOW WHAT TO SAY. 396 00:18:34,214 --> 00:18:36,183 IT'S OK, DON. I UNDERSTAND. 397 00:18:36,216 --> 00:18:37,718 I'M GAY, TOO. 398 00:18:41,889 --> 00:18:43,991 I'M NOT GAY. 399 00:18:44,024 --> 00:18:49,362 OH. WELL, ME NEITHER. I JUST DIDN'T WANT YOU TO FEEL UNCOMFORTABLE. 400 00:18:50,964 --> 00:18:53,834 "THE BOY GOES TO THE STORE." 401 00:18:53,867 --> 00:18:55,736 HARRY... 402 00:18:55,769 --> 00:18:58,105 WOULD YOU LIKE TO DIAGRAM THE SENTENCE? 403 00:18:58,138 --> 00:19:02,409 WELL, YOU'RE THE ONE WITH THE CHALK. KNOCK YOURSELF OUT. 404 00:19:03,210 --> 00:19:05,645 I'D REALLY APPRECIATE IT IF YOU'D GIVE IT A TRY. 405 00:19:05,679 --> 00:19:07,547 WELL, LOOK, IF YOU WANT YOUR BUTT KISSED, 406 00:19:07,580 --> 00:19:10,884 WHY DON'T YOU CALL ON MRS. DeGUZMAN? 407 00:19:11,518 --> 00:19:12,352 MAN, 408 00:19:12,385 --> 00:19:14,621 JUST DIAGRAM THE DAMN SENTENCE. 409 00:19:14,654 --> 00:19:16,256 WELL, BACK OFF, BUDDY. 410 00:19:16,289 --> 00:19:19,192 MAYBE I DON'T KNOW HOW TO DIAGRAM THE DAMN SENTENCE. 411 00:19:19,226 --> 00:19:22,229 YOU EVER STOP TO THINK OF THAT? 412 00:19:23,030 --> 00:19:25,098 THAT'S OK, HARRY. IF YOU HAD ALL THE ANSWERS, 413 00:19:25,132 --> 00:19:27,200 YOU WOULDN'T NEED TO BE HERE. 414 00:19:27,234 --> 00:19:29,669 WHAT'S YOUR POINT, TEACH? 415 00:19:29,703 --> 00:19:33,673 WELL, MY POINT IS WE'RE ALL HERE TO LEARN TOGETHER. 416 00:19:33,707 --> 00:19:34,407 WE ARE? 417 00:19:34,441 --> 00:19:35,943 YES. 418 00:19:36,977 --> 00:19:37,745 ARE YOU SURE? 419 00:19:37,778 --> 00:19:39,279 I'M SURE. 420 00:19:41,782 --> 00:19:44,451 I WANNA LEARN! 421 00:19:46,619 --> 00:19:49,289 I WANNA LEARN! 422 00:19:58,298 --> 00:19:59,332 DICK, DO YOU MIND?! 423 00:19:59,366 --> 00:20:01,101 I HAVE WORK TO DO. 424 00:20:01,134 --> 00:20:02,736 OH, I'M SORRY. 425 00:20:02,770 --> 00:20:03,871 I WAS JUST SITTING HERE THINKING 426 00:20:03,904 --> 00:20:06,874 WHAT A LONELY SHAMBLES MY LIFE HAS BECOME. 427 00:20:06,907 --> 00:20:08,942 I DON'T HAVE ANY FRIENDS. 428 00:20:08,976 --> 00:20:10,310 AND YOU KNOW WHY? 429 00:20:10,343 --> 00:20:11,611 BECAUSE I DEVOTED ALL MY TIME 430 00:20:11,644 --> 00:20:14,414 TO MY RELATIONSHIP WITH YOU. 431 00:20:14,447 --> 00:20:16,817 FINGER-POINTING IS NOT GOING TO SOLVE YOUR PROBLEMS. 432 00:20:16,850 --> 00:20:18,385 I'M NOT FINGER-POINTING. 433 00:20:18,418 --> 00:20:21,321 BUT IT'S YOUR FAULT! YOU! 434 00:20:21,354 --> 00:20:23,723 YOU WOULDN'T COME WITH ME TO KING OF THE JIG! 435 00:20:23,757 --> 00:20:27,527 I HAD TO REPLACE YOU WITH DON, AND NOW HE WON'T EVEN SPEAK TO ME. 436 00:20:28,829 --> 00:20:30,831 HEY, DICK... 437 00:20:31,932 --> 00:20:33,100 DON. 438 00:20:33,133 --> 00:20:34,802 SO... 439 00:20:34,835 --> 00:20:36,036 HEY. LOOK. 440 00:20:36,069 --> 00:20:38,338 YEAH. YEAH. 441 00:20:38,371 --> 00:20:39,139 LAST NIGHT? 442 00:20:39,172 --> 00:20:39,706 NO BIGGIE. 443 00:20:39,739 --> 00:20:40,707 COOL. 444 00:20:40,740 --> 00:20:41,975 SO...BURGER? 445 00:20:42,009 --> 00:20:42,642 FRIES? 446 00:20:42,675 --> 00:20:43,676 LATER? SURE. 447 00:20:43,710 --> 00:20:45,545 SOLID. 448 00:20:51,451 --> 00:20:53,954 THAT'S MY MAIN MAN. 449 00:20:57,157 --> 00:21:00,227 OHH, IT IS SUCH A RELIEF TO BE RID OF SETH. 450 00:21:00,260 --> 00:21:02,162 SO YOU CAN GET BACK TOGETHER WITH DON? 451 00:21:02,195 --> 00:21:04,965 NO. SO I CAN SHAVE THE POODLES FROM UNDER MY ARMS. 452 00:21:04,998 --> 00:21:06,333 SMOOTH. 453 00:21:06,366 --> 00:21:08,768 HANDS OFF, PERVERT! 454 00:21:08,802 --> 00:21:09,903 YOU KNOW, SALLY, 455 00:21:09,937 --> 00:21:11,538 YOU MAY HAVE LOST A BOYFRIEND, 456 00:21:11,571 --> 00:21:13,473 AND I MAY HAVE FOUND A FRIEND, 457 00:21:13,506 --> 00:21:15,542 BUT YOU KNOW WHAT'S THE MOST IMPORTANT THING? 458 00:21:15,575 --> 00:21:16,676 WHAT? 459 00:21:16,709 --> 00:21:18,211 THAT I FOUND A FRIEND. 460 00:21:52,379 --> 00:21:54,381 ALL YOURS. 31430

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