All language subtitles for How to make Trap_ Chords and melodies tutorial for a dark atmosphere (inglese_ASR)

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These are the user uploaded subtitles that are being translated: 1 00:00:17,278 --> 00:00:22,570 welcome to a new sundog tutorial this 2 00:00:20,289 --> 00:00:25,029 time it's all about trap music trap 3 00:00:22,570 --> 00:00:28,118 melodies and harmonics we will use 4 00:00:25,028 --> 00:00:29,739 around 140 beats per minute but unlike 5 00:00:28,118 --> 00:00:32,409 an other drone will select techno we 6 00:00:29,739 --> 00:00:34,570 won't focus on every beat so effectively 7 00:00:32,409 --> 00:00:36,459 it will feel like a tempo of 70 beats 8 00:00:34,570 --> 00:00:39,549 per minute this is why we call this 9 00:00:36,460 --> 00:00:41,920 technique half time we will use 8 bars 10 00:00:39,549 --> 00:00:45,369 this is a good length to do some chord 11 00:00:41,920 --> 00:00:48,460 changes and very important we change the 12 00:00:45,369 --> 00:00:50,530 scale from major to minor - perfect for 13 00:00:48,460 --> 00:00:53,378 trap because provides a quite dark or 14 00:00:50,530 --> 00:00:55,588 sad bass atmosphere these are all scale 15 00:00:53,378 --> 00:00:55,588 notes 16 00:00:56,448 --> 00:01:04,250 and now we start with the chords okay 17 00:01:01,808 --> 00:01:08,679 here you see the different chords of C 18 00:01:04,250 --> 00:01:08,680 minor down here we have four not chords 19 00:01:09,069 --> 00:01:13,519 but followed courts are not in string 20 00:01:11,780 --> 00:01:17,118 for trap music because they are too 21 00:01:13,519 --> 00:01:19,489 smooth and Jesse we better use triads 22 00:01:17,118 --> 00:01:21,890 and especially those strides where the 23 00:01:19,489 --> 00:01:26,019 notes are very close to each other so 24 00:01:21,890 --> 00:01:26,019 all the chords on this yellow line okay 25 00:01:26,259 --> 00:01:30,739 if you use the court when the notes are 26 00:01:29,030 --> 00:01:33,399 far away from each other it will sound 27 00:01:30,739 --> 00:01:33,399 too bright 28 00:01:38,730 --> 00:01:43,540 so if it's closed it simply sounds 29 00:01:41,560 --> 00:01:45,730 better we concentrate on the minor 30 00:01:43,540 --> 00:01:48,960 chords because minor chords are way 31 00:01:45,730 --> 00:01:51,399 darker than major chords 32 00:01:48,959 --> 00:01:53,949 it's also interesting to take a look at 33 00:01:51,399 --> 00:01:57,299 suspended chords because they provide a 34 00:01:53,950 --> 00:01:57,299 certain dark mood as well 35 00:02:04,409 --> 00:02:10,049 okay we create a new club progress No 36 00:02:13,169 --> 00:02:26,969 we don't want to change courts too much 37 00:02:15,789 --> 00:02:26,969 a small twist 38 00:02:43,400 --> 00:02:49,140 okay that sounds all right to me the 39 00:02:47,340 --> 00:02:51,750 instruments here are connected to the 40 00:02:49,139 --> 00:02:54,359 instruments in the door and on this 41 00:02:51,750 --> 00:02:57,229 track we simply say follow the chords 42 00:02:54,360 --> 00:02:57,230 with this instrument 43 00:02:57,949 --> 00:03:08,799 and all we start playback as you see the 44 00:03:06,620 --> 00:03:11,650 chords are played back here 45 00:03:08,800 --> 00:03:15,010 I would also like to add the lowest core 46 00:03:11,650 --> 00:03:17,610 node base mode so I changed this to full 47 00:03:15,009 --> 00:03:17,609 quartz plus 48 00:03:24,900 --> 00:03:33,990 now let's take a look at the drums the 49 00:03:29,770 --> 00:03:33,990 bass drum here is triggered by this line 50 00:03:39,870 --> 00:03:43,259 and it's narrow 51 00:03:48,169 --> 00:03:56,069 and now for the Hyatts trap ayats are 52 00:03:52,979 --> 00:03:58,469 played back very fast so we click on 53 00:03:56,069 --> 00:04:02,509 double tempo and all the pattern uses 54 00:03:58,469 --> 00:04:02,509 thirty-second notes instead of 16 55 00:04:10,519 --> 00:04:15,050 these roads'll air characteristic 56 00:04:18,730 --> 00:04:31,950 cymbal and now we do a little trick we 57 00:04:29,399 --> 00:04:36,129 create a copy of the bass drum pattern 58 00:04:31,949 --> 00:04:38,789 edit copy pattern and paste it on the 59 00:04:36,129 --> 00:04:38,790 808 track 60 00:04:40,160 --> 00:04:46,260 okay now the 808 follows the court notes 61 00:04:44,100 --> 00:04:48,900 as well we would also like to pitch the 62 00:04:46,259 --> 00:04:51,360 drum from time to time so we not just 63 00:04:48,899 --> 00:04:53,639 playback a drum sample as usual but we 64 00:04:51,360 --> 00:04:57,180 play it like an instrument we put it up 65 00:04:53,639 --> 00:04:59,329 by an octave and we do this again at the 66 00:04:57,180 --> 00:04:59,329 end 67 00:05:05,288 --> 00:05:09,149 and sounds like this 68 00:05:34,009 --> 00:05:42,449 we also have another background 69 00:05:35,879 --> 00:05:44,370 instrument over here using a breath 70 00:05:42,449 --> 00:05:46,620 sound would be very nice and typical as 71 00:05:44,370 --> 00:05:49,560 well but I will stick to a thin thread 72 00:05:46,620 --> 00:05:52,129 now click on follow the chord notes with 73 00:05:49,560 --> 00:05:52,129 this instrument 74 00:06:05,908 --> 00:06:15,069 and now a background setup is ready a 75 00:06:09,749 --> 00:06:18,270 basic dark atmosphere okay let's take a 76 00:06:15,069 --> 00:06:21,369 look at the melodies we take the piano 77 00:06:18,269 --> 00:06:22,990 not all scale notes are equal there are 78 00:06:21,369 --> 00:06:25,659 certain notes that are more interesting 79 00:06:22,990 --> 00:06:27,610 for us we especially like to focus on 80 00:06:25,658 --> 00:06:29,829 those notes that are only one semitone 81 00:06:27,610 --> 00:06:32,619 apart from each other this interval 82 00:06:29,829 --> 00:06:34,868 sounds quite dissonant so it adds to the 83 00:06:32,619 --> 00:06:37,979 gloomy atmosphere on the minor scale we 84 00:06:34,869 --> 00:06:37,979 got this interval here 85 00:06:40,350 --> 00:06:45,830 as you see these notes are just one 86 00:06:42,990 --> 00:06:45,829 semitone apart 87 00:06:46,009 --> 00:06:50,629 Angie and a flap and the root note of 88 00:06:49,069 --> 00:06:55,639 the scale is interesting as well of 89 00:06:50,629 --> 00:06:57,699 course our main notes are C D E flat G 90 00:06:55,639 --> 00:07:00,229 and a flat 91 00:06:57,699 --> 00:07:05,420 alright let's switch to an instrument 92 00:07:00,230 --> 00:07:07,009 the keys when I create a line then zero 93 00:07:05,420 --> 00:07:09,170 on the pattern will play the first note 94 00:07:07,009 --> 00:07:20,920 that is directly on the red line 95 00:07:09,170 --> 00:07:20,920 so here the zero is a see the ones are d 96 00:07:22,540 --> 00:07:24,569 Oh 97 00:07:25,759 --> 00:07:33,550 the two is a flat for ski 98 00:07:35,718 --> 00:07:37,748 Oh 99 00:07:38,509 --> 00:07:42,769 and papaya is a plet 100 00:07:44,490 --> 00:07:47,490 No 101 00:07:57,848 --> 00:08:04,490 so we use five one two four we got the 102 00:08:02,240 --> 00:08:06,470 most important notes covered not only 103 00:08:04,490 --> 00:08:09,620 for trap music it's very interesting to 104 00:08:06,470 --> 00:08:12,139 create small melodic variations here's a 105 00:08:09,620 --> 00:08:14,478 nice trick double the pattern length 106 00:08:12,139 --> 00:08:19,250 from eight to sixteen steps and son lock 107 00:08:14,478 --> 00:08:21,949 will duplicate the sequence so for 108 00:08:19,250 --> 00:08:23,959 example we can play back the one one 109 00:08:21,949 --> 00:08:26,319 octave higher by clicking the box over 110 00:08:23,959 --> 00:08:26,318 here 111 00:08:35,190 --> 00:08:41,380 another trick we can move the red line 112 00:08:38,440 --> 00:08:43,089 up to the dark yellow line this way we 113 00:08:41,379 --> 00:08:48,299 transpose the pattern sequence one 114 00:08:43,089 --> 00:08:48,300 octave up let's do this here and there 115 00:09:02,870 --> 00:09:08,940 so that's a good trick to add to the 116 00:09:05,490 --> 00:09:11,250 atmosphere let's do this again with a 117 00:09:08,940 --> 00:09:13,640 different instrument I create a small 118 00:09:11,250 --> 00:09:13,639 melody 119 00:09:43,220 --> 00:09:48,360 so if we stick to these principles we 120 00:09:46,500 --> 00:09:51,089 can create and test quite a few melodies 121 00:09:48,360 --> 00:09:53,190 and when we're ready we can simply drag 122 00:09:51,089 --> 00:09:56,570 and drop the MIDI file to our door and 123 00:09:53,190 --> 00:09:56,570 everything is over here 124 00:10:17,500 --> 00:10:19,559 you 8887

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