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These are the user uploaded subtitles that are being translated: 1 00:00:00,060 --> 00:00:05,399 welcome back everybody to another philia 2 00:00:02,609 --> 00:00:08,638 song tutorial this time we talk about 3 00:00:05,400 --> 00:00:11,550 trans chord progressions and I will use 4 00:00:08,638 --> 00:00:13,410 sundog song studio for that sonic is a 5 00:00:11,550 --> 00:00:17,160 standalone software that connects to any 6 00:00:13,410 --> 00:00:21,000 door why a MIDI so when I press a chord 7 00:00:17,160 --> 00:00:22,910 here as you can see it will play back 8 00:00:21,000 --> 00:00:27,629 the sound in Ableton Live 9 00:00:22,910 --> 00:00:29,879 ok let's start with the scale in trance 10 00:00:27,629 --> 00:00:32,429 productions we nearly always used the 11 00:00:29,879 --> 00:00:34,409 minor scale it sounds quite emotional a 12 00:00:32,429 --> 00:00:36,750 little bit dreamy a little bit sad as 13 00:00:34,409 --> 00:00:40,229 well and that's the type of sound that 14 00:00:36,750 --> 00:00:44,460 we want for the root note we usually use 15 00:00:40,229 --> 00:00:46,949 the notes T to a in my example I will 16 00:00:44,460 --> 00:00:49,230 work with an F minor scale because I 17 00:00:46,950 --> 00:00:51,690 think that it sounds quite nice with my 18 00:00:49,229 --> 00:00:53,000 son's especially with my bass sounds and 19 00:00:51,689 --> 00:00:56,488 the kick 20 00:00:53,000 --> 00:00:59,250 ok what we see here is the main chords 21 00:00:56,488 --> 00:01:06,209 page of son log so we have try it's over 22 00:00:59,250 --> 00:01:08,159 here and for not courts down here but 23 00:01:06,209 --> 00:01:10,618 for trends we usually only work with 24 00:01:08,159 --> 00:01:12,689 triads in the beginning I would 25 00:01:10,618 --> 00:01:14,609 recommend to stick to the blue row here 26 00:01:12,688 --> 00:01:18,029 but of course you can also take other 27 00:01:14,609 --> 00:01:20,368 buttons as well the first blue chord is 28 00:01:18,030 --> 00:01:24,540 the most important chord of the scale 29 00:01:20,368 --> 00:01:26,969 and I would recommend to use this chord 30 00:01:24,540 --> 00:01:30,270 at least once in your progression either 31 00:01:26,969 --> 00:01:33,000 in the beginning or in the end I will 32 00:01:30,269 --> 00:01:35,009 use it as my first chord and now we can 33 00:01:33,000 --> 00:01:36,750 move on to other chords the most 34 00:01:35,009 --> 00:01:39,109 important chords for trance productions 35 00:01:36,750 --> 00:01:43,409 are the standard minor and major chords 36 00:01:39,109 --> 00:01:46,109 and another sundog tip when you click on 37 00:01:43,409 --> 00:01:48,240 a chord you play it back as usual but 38 00:01:46,109 --> 00:01:50,750 when you do a right click you play the 39 00:01:48,239 --> 00:01:53,989 same chord one octave below 40 00:01:50,750 --> 00:02:08,240 in my example I start with f minor and 41 00:01:53,989 --> 00:02:10,370 now I will add some other chords it 42 00:02:08,240 --> 00:02:23,028 sounds like this 43 00:02:10,370 --> 00:02:23,028 [Music] 44 00:02:23,289 --> 00:02:28,938 as you can see that's already a good way 45 00:02:26,780 --> 00:02:31,280 to hear how the chords sound together 46 00:02:28,938 --> 00:02:33,859 and to get something going quite quickly 47 00:02:31,280 --> 00:02:36,039 but here's another tip for you let's 48 00:02:33,860 --> 00:02:38,599 click on use chords 49 00:02:36,039 --> 00:02:41,150 if you don't know the sundog yet son 50 00:02:38,598 --> 00:02:43,128 lock is a special type of sequencer it's 51 00:02:41,150 --> 00:02:46,280 especially interesting for songwriting 52 00:02:43,128 --> 00:02:48,739 and song sketching the main concept you 53 00:02:46,280 --> 00:02:51,199 start with the chords and then you use 54 00:02:48,739 --> 00:02:53,658 the built-in sequencer to play harmonic 55 00:02:51,199 --> 00:02:59,000 melodies and rhythmic courts that always 56 00:02:53,658 --> 00:03:07,030 fit to your core progression like this 57 00:02:59,000 --> 00:03:09,919 [Music] 58 00:03:07,030 --> 00:03:20,300 let's quit the solo mode and listen to 59 00:03:09,919 --> 00:03:22,429 everything at once now let's get back to 60 00:03:20,300 --> 00:03:26,840 the cars page and activate settings 61 00:03:22,430 --> 00:03:29,030 caught you real-time preview this way 62 00:03:26,840 --> 00:03:31,039 you can listen to the chords in context 63 00:03:29,030 --> 00:03:42,080 of the whole song when you press play 64 00:03:31,039 --> 00:03:44,120 here in trance productions we usually 65 00:03:42,080 --> 00:03:47,540 don't use standard chords but we use 66 00:03:44,120 --> 00:03:50,270 so-called open chords an open chord is a 67 00:03:47,539 --> 00:03:56,810 court that is similar to this one but we 68 00:03:50,270 --> 00:04:02,870 move singer notes one octave up so now 69 00:03:56,810 --> 00:04:09,289 the chord sounds like this and before it 70 00:04:02,870 --> 00:04:12,500 sounds like this so this sounds more 71 00:04:09,289 --> 00:04:14,870 open more Airy and that's the quality 72 00:04:12,500 --> 00:04:17,189 that we need for our trance songs I will 73 00:04:14,870 --> 00:04:20,490 do the same with the other chords 74 00:04:17,189 --> 00:04:20,490 [Music] 75 00:04:23,040 --> 00:04:26,410 [Music] 76 00:04:28,120 --> 00:04:34,300 and usually I keep the first cord closed 77 00:04:31,569 --> 00:04:36,519 so I don't use an open court here 78 00:04:34,300 --> 00:04:38,889 because I think it's interesting when 79 00:04:36,519 --> 00:04:42,339 the courts open up more and more in the 80 00:04:38,889 --> 00:04:43,990 course of the progression so let's 81 00:04:42,339 --> 00:04:56,359 listen to it again 82 00:04:43,990 --> 00:04:56,360 [Music] 83 00:04:58,660 --> 00:05:03,860 the whole song sounds much more like a 84 00:05:01,430 --> 00:05:06,829 trance track now so the first step is 85 00:05:03,860 --> 00:05:09,259 used mostly major and minor chords the 86 00:05:06,829 --> 00:05:12,379 second step opened these chords up a bit 87 00:05:09,259 --> 00:05:14,779 and in the third step we put some 88 00:05:12,379 --> 00:05:18,199 linking chords between some of our main 89 00:05:14,779 --> 00:05:19,879 chords so far the chord progression was 90 00:05:18,199 --> 00:05:22,639 quite long and there was not much 91 00:05:19,879 --> 00:05:25,279 movement going on but of course we want 92 00:05:22,639 --> 00:05:29,660 some action and some flow and we can do 93 00:05:25,279 --> 00:05:31,819 this with extra chords for example in 94 00:05:29,660 --> 00:05:36,139 this position here I want to add a core 95 00:05:31,819 --> 00:05:37,689 type called suspended chord let's try 96 00:05:36,139 --> 00:05:42,110 this one 97 00:05:37,689 --> 00:05:46,969 let's listen to a minor chord again and 98 00:05:42,110 --> 00:05:49,460 this is a suspended chord as you can 99 00:05:46,970 --> 00:05:52,340 hear it's more powerful it contains more 100 00:05:49,459 --> 00:05:56,060 tension and when we listen to such a 101 00:05:52,339 --> 00:05:57,560 chord we want relief so let's open it up 102 00:05:56,060 --> 00:06:11,550 again 103 00:05:57,560 --> 00:06:15,220 [Music] 104 00:06:11,550 --> 00:06:18,970 and I would like to add another minor 105 00:06:15,220 --> 00:06:21,660 chord like we used over here and it 106 00:06:18,970 --> 00:06:21,660 sounds like this 107 00:06:25,180 --> 00:06:46,620 [Music] 108 00:06:44,060 --> 00:06:49,110 so these are the main tips for 109 00:06:46,620 --> 00:06:50,999 transcloud progressions but I want to 110 00:06:49,110 --> 00:06:53,489 show you another tip 111 00:06:50,999 --> 00:06:55,079 I already prepared another cloud 112 00:06:53,488 --> 00:06:57,328 progression and in this chord 113 00:06:55,079 --> 00:07:03,989 progression I use another type of chord 114 00:06:57,329 --> 00:07:06,389 and that's the so called power chord the 115 00:07:03,988 --> 00:07:09,118 power chords are always in this line and 116 00:07:06,389 --> 00:07:14,069 they end on size let's get back to a 117 00:07:09,119 --> 00:07:16,619 major chord as you can see a major chord 118 00:07:14,069 --> 00:07:22,919 consists of three different notes C 119 00:07:16,619 --> 00:07:27,419 sharp F G sharp and a power chord only 120 00:07:22,918 --> 00:07:29,908 as two notes C sharp G sharp and here we 121 00:07:27,418 --> 00:07:32,359 have another C sharp again so there are 122 00:07:29,908 --> 00:07:35,759 not three notes but only two notes and 123 00:07:32,360 --> 00:07:38,610 this type of chord sounds quite powerful 124 00:07:35,759 --> 00:07:41,549 on the one hand but also quite airy on 125 00:07:38,610 --> 00:07:43,499 the other end so major and minor chords 126 00:07:41,548 --> 00:07:45,328 are the most important cause for trends 127 00:07:43,499 --> 00:07:48,070 and from time to time you can use 128 00:07:45,329 --> 00:08:02,220 suspended chords or power chords 129 00:07:48,069 --> 00:08:06,159 [Music] 130 00:08:02,220 --> 00:08:08,020 and as always when we are ready with our 131 00:08:06,160 --> 00:08:11,830 progression we can take this meaty 132 00:08:08,019 --> 00:08:14,288 symbol and drag it to our door and then 133 00:08:11,829 --> 00:08:18,038 we can use these cards in our door as 134 00:08:14,288 --> 00:08:18,908 usual another tip let's free download' 135 00:08:18,038 --> 00:08:20,740 waiting for you 136 00:08:18,908 --> 00:08:23,408 I created a package called trans 137 00:08:20,740 --> 00:08:25,210 explosion and the package contains chord 138 00:08:23,408 --> 00:08:27,310 progressions force unlock and contains 139 00:08:25,209 --> 00:08:29,288 rhythmic patterns of agios bass lines 140 00:08:27,310 --> 00:08:31,598 and everything else you need for your 141 00:08:29,288 --> 00:08:33,370 next track so get it at furious song 142 00:08:31,598 --> 00:08:37,588 calm it's a free download without 143 00:08:33,370 --> 00:08:37,589 registration and I hope you like it 10492

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