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These are the user uploaded subtitles that are being translated: 1 00:00:13,490 --> 00:00:16,190 ( sinister music playing ) 2 00:01:59,390 --> 00:02:02,960 ( upbeat music playing ) 3 00:02:23,720 --> 00:02:27,250 * SOMETIMES I'M JAMES BOND * 4 00:02:27,290 --> 00:02:31,090 * SOMETIMES I'M BILLY THE KID * 5 00:02:31,130 --> 00:02:34,730 * SOMETIMES I FEEL LIKE SHERLOCK HOLMES * 6 00:02:34,760 --> 00:02:38,970 * SOMETIMES I FEEL LIKE JACK THE RIPPER * 7 00:02:39,000 --> 00:02:42,670 * 'CAUSE I GOT AN IMAGE OUT OF CONTROL * 8 00:02:42,700 --> 00:02:46,310 * IDENTITY CRISISES 9 00:02:46,340 --> 00:02:48,380 * I'VE DRAWN IN A FACE * 10 00:02:48,410 --> 00:02:50,140 * 'CAUSE MINE'S BEEN ERASED * 11 00:02:50,180 --> 00:02:53,580 * IDENTITY CRISISES 12 00:02:53,610 --> 00:02:56,320 * SOMETIMES I'M ON A CASE * 13 00:02:56,350 --> 00:03:00,090 * SOMETIMES I'M SHOOTING BAD DUDES * 14 00:03:00,120 --> 00:03:03,690 * SOMETIMES I'M SLASHING THE FACE * 15 00:03:03,720 --> 00:03:07,460 * SOMETIMES I'M LOOKING FOR CLUES * 16 00:03:07,490 --> 00:03:11,570 * SOMETIMES I'M BREAKING THE LAW * 17 00:03:11,600 --> 00:03:15,300 * SOMETIMES I'M SOLVING THE CRIME * 18 00:03:15,340 --> 00:03:19,070 * I'M ALWAYS FAST ON THE DRAW * 19 00:03:19,110 --> 00:03:23,080 * I GET THE GIRLS ALL THE TIME * 20 00:03:23,110 --> 00:03:26,380 * 'CAUSE I GOT AN IMAGE OUT OF CONTROL * 21 00:03:26,410 --> 00:03:30,420 * IDENTITY CRISISES 22 00:03:30,450 --> 00:03:32,320 * I'VE DRAWN IN A FACE * 23 00:03:32,350 --> 00:03:34,120 * 'CAUSE MINE'S BEEN ERASED * 24 00:03:34,150 --> 00:03:36,860 * IDENTITY CRISISES 25 00:03:36,890 --> 00:03:39,560 ( instrumental break ) 26 00:04:05,920 --> 00:04:09,860 * SOMETIMES I'M JAMES BOND * 27 00:04:09,890 --> 00:04:13,330 * SOMETIMES I'M BILLY THE KID * 28 00:04:13,360 --> 00:04:17,400 * SOMETIMES I FEEL LIKE SHERLOCK HOLMES * 29 00:04:17,430 --> 00:04:21,640 * SOMETIMES I FEEL LIKE JACK THE RIPPER * 30 00:04:21,670 --> 00:04:25,210 * 'CAUSE I GOT AN IMAGE OUT OF CONTROL * 31 00:04:25,240 --> 00:04:28,880 * IDENTITY CRISISES 32 00:04:28,910 --> 00:04:30,840 * I'VE DRAWN IN A FACE * 33 00:04:30,880 --> 00:04:32,550 * 'CAUSE MINE'S BEEN ERASED * 34 00:04:32,580 --> 00:04:36,220 * IDENTITY CRISISES 35 00:04:36,250 --> 00:04:39,590 * NOW I GOT AN IMAGE OUT OF CONTROL * 36 00:04:39,620 --> 00:04:43,320 * IDENTITY CRISISES 37 00:04:43,360 --> 00:04:47,030 * I'VE DRAWN IN A FACE 'CAUSE MINE'S BEEN ERASED * 38 00:04:47,060 --> 00:04:49,030 * IDENTITY CRISISES. 39 00:04:51,030 --> 00:04:54,700 Woman: SO WHAT DO YOU SAY, VINCE? NOT BAD, HUH? 40 00:04:54,730 --> 00:04:58,640 NOT BAD? IT STINKS. 41 00:04:58,670 --> 00:05:00,670 THE NEXT ONE WE DO HAS GOT TO HAVE MORE PUNCH. 42 00:05:00,710 --> 00:05:03,640 IS THAT WHY THE RECORD COMPANY SENT US BACK HERE TO SHOOT IT? 43 00:05:03,680 --> 00:05:05,480 TO GIVE YOU SOME HOMETOWN INSPIRATION? 44 00:05:05,510 --> 00:05:07,010 SURE. ONCE WE GET THERE 45 00:05:07,050 --> 00:05:09,320 WE CAN TAKE IT, EXPERIMENT, PLAY AROUND 46 00:05:09,350 --> 00:05:10,980 TILL WE COME UP WITH SOMETHING ORIGINAL. 47 00:05:11,020 --> 00:05:12,220 WHAT'S GOING ON BACK THERE? 48 00:05:12,250 --> 00:05:15,790 VERY FUNNY. VERY FUNNY. 49 00:05:15,820 --> 00:05:20,390 ( chattering ) 50 00:05:24,800 --> 00:05:28,200 HOW MANY YEARS IS IT SINCE YOU LAST WENT BACK HOME, VINCE? 51 00:05:28,230 --> 00:05:30,500 NEARLY 20. 52 00:05:30,540 --> 00:05:32,810 OLD JOSS IS THE ONLY ONE LEFT NOW. 53 00:05:32,840 --> 00:05:36,380 HE'S THE CARETAKER. HE'S BEEN ALONE IN THE HOUSE ALL THESE YEARS. 54 00:05:36,410 --> 00:05:38,580 JOSS... 55 00:05:38,610 --> 00:05:40,510 I CAN HARDLY REMEMBER HIS FACE. 56 00:05:40,550 --> 00:05:42,850 HE WAS ALREADY OLD WHEN I LEFT. 57 00:05:42,880 --> 00:05:45,590 WE KIDS USED TO RIB HIM ABOUT THE WAY HE SHOOK ALL THE TIME. 58 00:05:45,620 --> 00:05:47,690 WE WERE ALWAYS ASKING HIM TO MAKE US MALTS. 59 00:05:47,720 --> 00:05:49,990 ( chuckles ) 60 00:06:10,610 --> 00:06:12,750 ( rustling ) 61 00:06:29,330 --> 00:06:31,470 ( rustling ) 62 00:06:45,380 --> 00:06:47,550 ( rustling continues ) 63 00:07:02,460 --> 00:07:04,660 ( loud banging ) 64 00:07:36,330 --> 00:07:38,260 ( distant dogs barking ) 65 00:07:48,640 --> 00:07:50,740 ( dogs continue barking ) 66 00:08:01,920 --> 00:08:04,860 ( dogs snarling, barking ) 67 00:08:30,450 --> 00:08:32,690 - LOUSY WEATHER. - ( animals howling ) 68 00:08:32,720 --> 00:08:35,490 IT SURE IS. GODDAMN FOG. 69 00:08:46,670 --> 00:08:48,600 OH, JEEZ, ANOTHER ROADBLOCK. 70 00:08:48,640 --> 00:08:50,870 WE ONLY JUST LEFT ONE. 71 00:08:50,900 --> 00:08:53,770 LOOKS LIKE ALL THE COPS IN THIS COUNTY ARE OUT TONIGHT. 72 00:08:53,840 --> 00:08:55,640 THEY'RE MAKING A WHOLE BIG DEAL 73 00:08:55,680 --> 00:08:57,610 ABOUT THOSE MAD DOGS. 74 00:09:00,010 --> 00:09:02,250 THE CAMPER'S MINE. IT'S REGISTERED. 75 00:09:02,280 --> 00:09:05,620 I USED TO LIVE UP HERE. 76 00:09:05,650 --> 00:09:07,950 WE'RE COMING TO SHOOT A ROCK VIDEO. 77 00:09:07,990 --> 00:09:10,060 Man: VINCE ROBERTS. 78 00:09:10,090 --> 00:09:13,830 AIN'T YOU LOU AND MARTHA ROBERTS'S BOY? 79 00:09:13,860 --> 00:09:15,860 WELL, I'LL BE. 80 00:09:15,900 --> 00:09:17,960 VINCE RAVEN-- 81 00:09:18,000 --> 00:09:20,400 THE GUY WHO SINGS "MY MOTHER'S GONE"? 82 00:09:20,430 --> 00:09:21,840 UH-HUH. 83 00:09:21,870 --> 00:09:24,970 HOLY SHIT. IMAGINE MEETING YOU. 84 00:09:25,000 --> 00:09:28,940 I CAN'T TELL ONE OF THESE NEWFANGLED SONGS FROM ANOTHER, 85 00:09:28,980 --> 00:09:31,040 BUT IF YOU REALLY ARE LOU AND MARTHA'S BOY, 86 00:09:31,080 --> 00:09:33,850 YOU SURE AS HELL SHOULD REMEMBER ME. 87 00:09:33,880 --> 00:09:36,580 SHERIFF MORRISON. 88 00:09:36,620 --> 00:09:38,790 YEAH, I REMEMBER. I USED TO SIT ON YOUR LAP 89 00:09:38,820 --> 00:09:41,120 AND PISS ALL OVER YOUR PANTS, RIGHT? 90 00:09:41,150 --> 00:09:42,990 THAT'S RIGHT, BOY. 91 00:09:43,020 --> 00:09:45,890 YOU WAS MORE FULL OF WATER THAN HOOVER DAM. 92 00:09:45,930 --> 00:09:48,560 AND NOW HE'S A ROCK SINGER, HUH? 93 00:09:48,600 --> 00:09:51,030 JUST SOUNDS LIKE A BIG PISSER TO ME. 94 00:09:51,060 --> 00:09:54,370 FLESH AND BLOOD, 95 00:09:54,400 --> 00:09:56,400 AS I LIVE AND BREATHE. 96 00:09:56,440 --> 00:09:59,570 IT'S BEEN A LONG TIME SINCE I LAST SAW YOU, BOY. 97 00:09:59,610 --> 00:10:01,110 SINCE YOUR FATHER HAD-- 98 00:10:01,140 --> 00:10:02,910 OH, YES, I REMEMBER. 99 00:10:02,940 --> 00:10:05,780 WELL, IF IT'S OKAY WITH YOU, GUYS, WE'D LIKE TO GO NOW. 100 00:10:05,810 --> 00:10:07,680 Marilou: THE CARETAKER'S WAITING UP FOR US 101 00:10:07,710 --> 00:10:10,920 AND IT'S REALLY GETTING COLD OUT HERE. 102 00:10:10,950 --> 00:10:13,520 OKAY, 103 00:10:13,550 --> 00:10:15,960 BUT YOU KNOW ABOUT THE DOGS, DON'T YOU? 104 00:10:15,990 --> 00:10:18,020 YEAH, WE'LL WATCH OUT. 105 00:10:18,060 --> 00:10:20,630 THERE ALREADY HAVE BEEN FIVE DEATHS IN THE AREA. 106 00:10:20,660 --> 00:10:22,860 Angela: FIVE? AT THE OTHER ROADBLOCKS 107 00:10:22,900 --> 00:10:24,530 THEY ONLY MENTIONED TWO DEATHS. 108 00:10:24,560 --> 00:10:27,500 WELL, NOW THERE'S THREE MORE 109 00:10:27,530 --> 00:10:29,970 TO CHALK UP TO THE DAMN DOGS. 110 00:10:30,000 --> 00:10:32,410 THE SAMPLES FAMILY-- 111 00:10:32,440 --> 00:10:37,140 BILL, JENNIFER AND PETER SAMPLES-- 112 00:10:37,180 --> 00:10:39,910 BUTCHERED LIKE HOGS. 113 00:10:39,950 --> 00:10:43,520 IT WAS DIFFICULT TO TELL 114 00:10:43,550 --> 00:10:46,320 WHICH BIT CAME FROM WHERE, 115 00:10:46,350 --> 00:10:48,020 JUST LIKE LAST TIME. 116 00:10:48,050 --> 00:10:50,520 WHY, WHAT WAS LEFT 117 00:10:50,560 --> 00:10:53,590 YOU COULD PUT IN A PLASTIC BAG THIS BIG. 118 00:10:53,630 --> 00:10:55,530 ( Angela exclaims ) 119 00:10:59,470 --> 00:11:00,670 OKAY, KIDS, 120 00:11:00,700 --> 00:11:03,200 YOU CAN GO NOW, 121 00:11:03,240 --> 00:11:05,140 BUT BE CAREFUL. 122 00:11:05,170 --> 00:11:07,840 VINCE KNOWS WHAT THESE DOGS CAN DO. 123 00:11:07,870 --> 00:11:10,580 BARRICADE YOURSELVES IN WHEN YOU GET TO THE HOUSE. 124 00:11:10,610 --> 00:11:12,550 BACK THE CAR UP. 125 00:11:15,180 --> 00:11:17,280 YOU SURE PICKED A FINE TIME 126 00:11:17,320 --> 00:11:19,320 TO COME BACK HOME, VINCE. 127 00:11:19,350 --> 00:11:21,350 FOLKS AROUND HERE AIN'T FORGOT 128 00:11:21,390 --> 00:11:24,020 THAT STORY ABOUT YOUR DADDY, YOU KNOW. 129 00:11:24,060 --> 00:11:27,590 WELL, TAKE CARE, BOY. 130 00:11:27,630 --> 00:11:30,300 MAKE SURE THERE ARE WEAPONS IN THE HOUSE 131 00:11:30,330 --> 00:11:32,930 AND DON'T LET NOBODY IN. 132 00:11:32,970 --> 00:11:35,000 ( windshield wipers whirring ) 133 00:11:35,030 --> 00:11:36,940 SLOW DOWN, VINCE. 134 00:11:36,970 --> 00:11:39,640 I'M CRAWLING AS IT IS. 135 00:11:39,670 --> 00:11:41,680 VINCE, 136 00:11:41,710 --> 00:11:44,110 WHAT WAS ALL THAT ABOUT YOUR FATHER? 137 00:11:47,380 --> 00:11:49,380 OKAY. 138 00:11:49,420 --> 00:11:52,390 IF YOU DON'T WANT TO TALK ABOUT IT, 139 00:11:52,420 --> 00:11:54,350 IT'S ALL THE SAME TO ME. 140 00:11:54,390 --> 00:11:56,590 I'D RATHER NOT TALK ABOUT IT. 141 00:11:56,620 --> 00:12:00,160 - I THOUGHT-- - I SAID I DON'T WANT TO TALK ABOUT IT. 142 00:12:00,190 --> 00:12:02,200 ALL RIGHT. 143 00:12:04,400 --> 00:12:06,400 ALL RIGHT. 144 00:12:14,940 --> 00:12:16,740 I'M SORRY. 145 00:12:19,580 --> 00:12:22,920 VINCE, HOW ARE YOU GOING TO FIND THE WAY TO THE HOUSE? 146 00:12:22,950 --> 00:12:25,420 - WITH MY NOSE. - ( laughs ) 147 00:12:25,450 --> 00:12:27,620 WHAT ARE YOU LAUGHING ABOUT? I'M NOT KIDDING. 148 00:12:27,650 --> 00:12:29,490 WHEN I WAS A KID I COULD FIND MY WAY HOME 149 00:12:29,520 --> 00:12:32,260 - JUST BY THE SMELL. - WHAT SMELL? 150 00:12:32,290 --> 00:12:35,290 THE BULLSHIT. IT'S UNMISTAKABLE. 151 00:12:36,930 --> 00:12:39,670 ( distant dogs howling ) 152 00:12:41,700 --> 00:12:43,640 ( rustling ) 153 00:12:47,970 --> 00:12:50,010 HEY. 154 00:12:50,040 --> 00:12:52,010 WHAT'S GOTTEN INTO YOU? 155 00:12:52,050 --> 00:12:55,010 I SAW SOMETHING MOVE OVER THERE. 156 00:12:55,050 --> 00:12:57,080 I DON'T SEE NOTHING. 157 00:12:57,120 --> 00:12:58,920 MAYBE IT WAS ONE OF THEM THINGS, 158 00:12:58,950 --> 00:13:00,990 ONE OF THEM DOGS. 159 00:13:01,020 --> 00:13:04,820 WELL, I GUESS WE'D BETTER GO TAKE A LOOK. 160 00:13:04,860 --> 00:13:06,430 WHAT DO WE DO IF THEY ATTACK? 161 00:13:06,460 --> 00:13:08,930 ( cocks guns ) BLEED, I GUESS. 162 00:13:08,960 --> 00:13:10,930 ( chuckles ) 163 00:13:19,970 --> 00:13:22,080 * WHOOPEE-TI-YI-YO 164 00:13:22,110 --> 00:13:25,180 * COME ALONG, LITTLE DOGGIE... * 165 00:13:25,210 --> 00:13:27,880 - SHERIFF. - I'M RIGHT HERE, DAN. 166 00:13:27,910 --> 00:13:30,780 GOT A PACK OF DOGGY COOKIES WITH YOU? MIGHT COME IN HANDY. 167 00:13:34,250 --> 00:13:38,520 COME ON OUT. 168 00:13:38,560 --> 00:13:41,830 SHOW YOURSELVES, YOU DAMN DOGS. 169 00:13:47,630 --> 00:13:50,540 I'LL POP LEAD INTO EVERY LAST ONE OF YOU. 170 00:13:52,370 --> 00:13:54,340 YES, SIRREE. 171 00:13:59,750 --> 00:14:01,850 ( distant dogs howling ) 172 00:14:07,150 --> 00:14:10,760 HEY, SHERIFF. SHERIFF, WHERE ARE YOU? 173 00:14:12,590 --> 00:14:14,830 SHERIFF, ANSWER ME. 174 00:14:19,900 --> 00:14:22,600 DON'T GET TOO FAR AWAY. 175 00:14:31,580 --> 00:14:34,450 ( dog snarling ) 176 00:14:34,480 --> 00:14:36,450 ( whimpers ) 177 00:14:38,350 --> 00:14:40,520 SHERIFF, FOR CHRISSAKES, ANSWER ME. 178 00:14:51,500 --> 00:14:53,470 SHERIFF? 179 00:15:03,340 --> 00:15:05,540 ( whimpering ) 180 00:15:09,220 --> 00:15:10,680 ( exclaims ) 181 00:15:10,720 --> 00:15:12,890 - ( snarling ) - ( screams ) 182 00:15:22,330 --> 00:15:24,630 - VINCE, LOOK OUT! - ( dog whimpering ) 183 00:15:28,270 --> 00:15:30,240 GOD. 184 00:15:36,010 --> 00:15:38,580 EASY, VINCE. IT WASN'T YOUR FAULT. 185 00:15:40,650 --> 00:15:43,920 OH, THAT POOR DOG. WHAT IF WE KILLED IT? 186 00:15:43,950 --> 00:15:47,320 JORDAN, FRANK, I FOUND IT. 187 00:15:48,690 --> 00:15:50,590 ( owl hooting ) 188 00:15:50,620 --> 00:15:52,790 HE'S ALIVE, BUT NOT FOR LONG. 189 00:15:52,830 --> 00:15:55,460 Marilou: AT THIS RATE, WE MAY NOT BE EITHER. THOSE DOGS COULD BE EVERYWHERE. 190 00:15:55,490 --> 00:15:57,300 SHE'S RIGHT. LET'S BEAT IT. 191 00:15:57,330 --> 00:15:59,900 IN A SECOND. JORDAN, SWITCH ON THE EMERGENCY LIGHTS 192 00:15:59,930 --> 00:16:01,800 BEFORE SOMEONE RAMS THE CAMPER. 193 00:16:01,830 --> 00:16:04,540 AND FRANK, LET'S MOVE THE DOG OVER TO THE SIDE OF THE ROAD. 194 00:16:04,570 --> 00:16:06,210 OKAY. 195 00:16:06,240 --> 00:16:08,210 ( dog whimpering ) 196 00:16:29,300 --> 00:16:32,800 - Angela: VINCE, DON'T. - Marilou: HE HAS TO. 197 00:16:33,930 --> 00:16:35,330 ( whimpering ) 198 00:16:39,770 --> 00:16:41,810 COME ON, LET'S GET BACK TO THE CAMPER. 199 00:16:46,010 --> 00:16:49,220 - ( screams ) - Vince: WHO ARE YOU? 200 00:16:49,250 --> 00:16:51,580 NOW YOU'VE DONE IT. 201 00:16:53,920 --> 00:16:56,320 CAN YOU FEEL THE WIND? 202 00:16:56,360 --> 00:16:59,890 THE WIND IS LIFTING THE FOG 203 00:16:59,930 --> 00:17:02,800 AND BLOWING AWAY THE CLOUDS 204 00:17:02,830 --> 00:17:04,760 THAT COVER THE MOON. 205 00:17:04,830 --> 00:17:06,970 NOW HE'S BACK AT LAST. 206 00:17:07,000 --> 00:17:09,440 HE WILL COMMAND THE HOUSE. 207 00:17:09,470 --> 00:17:11,970 AND ALL OF YOU-- 208 00:17:12,010 --> 00:17:15,410 ALL OF YOU WILL DIE. 209 00:17:15,440 --> 00:17:18,810 - IT WAS AN ACCIDENT. - ALL OF YOU WILL DIE. 210 00:17:18,840 --> 00:17:20,950 CAN'T YOU SEE HE'S CRAZY? MAKE HIM GO AWAY! 211 00:17:20,980 --> 00:17:22,950 YOU ARE ALREADY DEAD. 212 00:17:22,980 --> 00:17:25,850 ALL OF YOU ARE ALREADY DEAD. 213 00:17:28,020 --> 00:17:30,320 HIS DOGS WILL NOT SPARE YOU. 214 00:17:30,360 --> 00:17:34,060 HE'LL FIND YOU WHEREVER YOU GO. 215 00:17:34,090 --> 00:17:37,360 AND WHEN THE MOON SHINES AGAIN, 216 00:17:37,400 --> 00:17:40,500 YOU WILL ALL DIE. 217 00:17:40,530 --> 00:17:42,970 WAIT. LET'S GET YOU TO A HOSPITAL. 218 00:17:43,000 --> 00:17:45,900 HOLD IT, VINCE. IF THERE'S SOMETHING OUT THERE, 219 00:17:45,940 --> 00:17:47,740 WE'D BETTER ALL STICK TOGETHER. 220 00:17:47,770 --> 00:17:50,080 Marilou: HE WAS COVERED WITH BLOOD. HE NEEDS HELP. 221 00:17:50,110 --> 00:17:53,380 - ( dog snarling ) - MY GOD, WHAT'S THAT? 222 00:17:53,410 --> 00:17:55,310 THE DOGS MUST HAVE ATTACKED HIM. 223 00:17:55,350 --> 00:17:57,380 LET'S GO AWAY, PLEASE. LET'S GET BACK 224 00:17:57,420 --> 00:17:59,250 INTO THE CAMPER BEFORE IT'S TOO LATE. 225 00:17:59,290 --> 00:18:02,390 YEAH, VINCE, LET'S GET OUT OF HERE. 226 00:18:02,420 --> 00:18:04,420 I'M GOING. 227 00:18:06,130 --> 00:18:08,060 I CAN'T JUST DRIVE OFF AND LEAVE HIM. 228 00:18:08,090 --> 00:18:10,000 Marilou: OKAY, SO I'LL DRIVE. 229 00:18:10,030 --> 00:18:11,960 Frank: HEY, WAIT A MINUTE, VINCE. 230 00:18:12,000 --> 00:18:14,000 YOU'RE CRAZY TO GO OUT THERE ON YOUR OWN. 231 00:18:14,030 --> 00:18:17,400 YOU'RE ALL CHICKEN. WAIT, VINCE. 232 00:18:17,440 --> 00:18:19,870 I'M COMING WITH YOU. 233 00:18:19,910 --> 00:18:22,510 HERE, PUT THIS ON. 234 00:18:57,710 --> 00:18:59,780 VINCE, WE'VE GOT TO FIND HIM. 235 00:18:59,810 --> 00:19:04,080 SURE WE DO. HE'D BE GREAT FOR OUR VIDEO. 236 00:19:04,120 --> 00:19:06,150 I DON'T THINK THAT'S AT ALL FUNNY. 237 00:19:06,190 --> 00:19:08,550 LIGHTEN UP. WHAT'S EATING YOU? 238 00:19:08,590 --> 00:19:10,520 I DON'T KNOW, 239 00:19:10,560 --> 00:19:13,060 BUT I HAVE A FEELING, SOMETHING WOULD LIKE TO. 240 00:19:16,260 --> 00:19:19,930 VINCE, WHAT'S THAT? 241 00:19:19,970 --> 00:19:22,030 - ( snarling ) - ( screams ) 242 00:19:22,070 --> 00:19:24,870 Vince: IN THE CAMPER, QUICK, EVERYONE. 243 00:19:27,540 --> 00:19:30,410 ( engine starts ) 244 00:19:39,120 --> 00:19:41,090 COME ON, VINCE. 245 00:19:41,120 --> 00:19:43,320 I WANT TO KNOW WHAT WENT ON IN THE WOODS. 246 00:19:43,360 --> 00:19:46,330 NOTHING, MAN. I DIDN'T TOUCH HER. 247 00:19:46,360 --> 00:19:49,400 - WHAT ABOUT THE OLD MAN? - DIDN'T TOUCH HIM EITHER. 248 00:19:49,430 --> 00:19:51,400 ( groans ) 249 00:20:09,420 --> 00:20:11,280 JOSS. 250 00:20:11,320 --> 00:20:14,220 I HAVEN'T HAD A WELCOME LIKE THIS SINCE I CAME BACK FROM CAMP. 251 00:20:14,250 --> 00:20:16,260 AND THEY USED THE SAME BANNER THEN. 252 00:20:16,290 --> 00:20:18,520 Jordan: THEY DON'T THROW THEIR MONEY AROUND, THESE COUNTRY FOLK. 253 00:20:18,560 --> 00:20:20,990 - Marilou: LOCAL BOY COMES HOME A STAR. - Angela: "WELCOME, VINCENT"-- 254 00:20:21,030 --> 00:20:23,030 - HOW ABOUT THAT? - Vince: HEY, JOSS, WE'RE HERE. 255 00:20:23,060 --> 00:20:25,060 ( door opens ) 256 00:20:26,200 --> 00:20:28,130 JOSS. 257 00:20:31,100 --> 00:20:33,940 HEY, JOSS, WHERE ARE YOU? 258 00:20:33,970 --> 00:20:36,010 Frank: THE WELCOME SEEMED WARMER OUT THERE 259 00:20:36,040 --> 00:20:38,240 - THAN IT DOES IN HERE. - Marilou: YOU CAN SAY THAT AGAIN. 260 00:20:40,450 --> 00:20:41,780 JOSS? 261 00:20:41,810 --> 00:20:43,950 QUIT HIDING OUT ON ME, WILL YOU? 262 00:20:54,360 --> 00:20:56,460 I WONDER WHERE THE OLD GUY'S GOT TO. 263 00:20:59,060 --> 00:21:01,000 LET'S TRY THE KITCHEN. 264 00:21:01,030 --> 00:21:02,900 SANDRA, COME ON. 265 00:21:07,110 --> 00:21:09,110 Frank: HOW ARE WE SUPPOSED TO SHOOT A VIDEO IN HERE? 266 00:21:09,140 --> 00:21:10,710 THERE'S NOT ENOUGH LIGHT TO TAKE A PEE. 267 00:21:10,740 --> 00:21:13,180 Jordan: VINCE SAID WE NEEDED SOMETHING NEW. 268 00:21:13,210 --> 00:21:15,680 - HOW ABOUT 10 MINUTES OF TOTAL BLACK? - Marilou: REVOLUTIONARY. 269 00:21:15,710 --> 00:21:17,680 HE'S GOT TO BE HERE SOMEWHERE. 270 00:21:17,720 --> 00:21:20,290 JOSS. HEY, JOSS. 271 00:21:20,320 --> 00:21:22,960 Frank: WELL, AT LEAST HE PUT IN SOME GOOD WORK 272 00:21:22,990 --> 00:21:24,790 BEFORE HE DISAPPEARED. 273 00:21:24,820 --> 00:21:27,490 Marilou: MM, RIGHT ON. 274 00:21:31,960 --> 00:21:33,900 YOU GUYS WAIT HERE, OKAY? 275 00:21:33,930 --> 00:21:35,870 OKAY. 276 00:21:35,900 --> 00:21:38,440 - I'LL JUST BE A MINUTE. - Frank: SURE THING. 277 00:21:42,980 --> 00:21:45,180 - JORDAN, WANT A BEER? - SURE. THANKS. 278 00:21:53,120 --> 00:21:55,290 ( rhythmic squeaking ) 279 00:22:03,600 --> 00:22:05,500 ( squeaking continues ) 280 00:22:21,350 --> 00:22:24,050 ( squeaking continues ) 281 00:22:44,340 --> 00:22:46,270 ( squeaking stops ) 282 00:23:07,360 --> 00:23:09,530 - WOWEE. - Marilou: WHAT HAVE YOU FOUND? 283 00:23:09,560 --> 00:23:13,230 ANOTHER TRAY. GOOD OLD JOSS. 284 00:23:13,270 --> 00:23:15,230 MM, I'M STARVING. 285 00:23:15,270 --> 00:23:17,400 - LEAVE A FEW FOR VINCE. - HE'S TOO BUSY LOOKING FOR JOSS. 286 00:23:17,440 --> 00:23:19,640 Marilou: THESE LOOK EVEN BETTER THAN THE OTHERS. 287 00:23:21,210 --> 00:23:23,380 ( creaking ) 288 00:23:51,800 --> 00:23:54,270 ( dog howling ) 289 00:23:55,840 --> 00:23:57,840 ANGELA, WHY DON'T YOU EAT SOMETHING? 290 00:23:57,880 --> 00:24:00,580 I'M NOT HUNGRY. 291 00:24:00,610 --> 00:24:03,720 YOU DON'T KNOW WHAT YOU'RE MISSING. 292 00:24:03,750 --> 00:24:05,280 Angela: WE'RE NOT SAFE HERE. 293 00:24:05,320 --> 00:24:07,590 I'VE GOT A STRANGE FEELING ABOUT IT. 294 00:24:07,620 --> 00:24:08,950 ANGELA, FOR GOD'S SAKE. 295 00:24:08,990 --> 00:24:11,360 THERE ARE SOME THINGS I FEEL. 296 00:24:11,390 --> 00:24:13,360 I SENSE THEM. 297 00:24:13,390 --> 00:24:15,230 WE'RE IN DANGER HERE. 298 00:24:15,260 --> 00:24:18,630 THE OLD MAN WAS RIGHT. WE SHOULD NEVER HAVE COME. 299 00:24:18,660 --> 00:24:21,330 HORRIBLE THINGS ARE GOING TO HAPPEN HERE. 300 00:25:06,210 --> 00:25:09,680 CAN YOU FEEL THE WIND? 301 00:25:09,720 --> 00:25:12,890 THE WIND IS LIFTING THE FOG. 302 00:25:12,920 --> 00:25:15,390 HE WILL COMMAND THE HOUSE 303 00:25:15,420 --> 00:25:18,920 AND ALL OF YOU WILL DIE. 304 00:25:21,430 --> 00:25:24,530 YOU ARE ALL GOING TO DIE. 305 00:25:24,560 --> 00:25:27,270 YOU ARE ALL DEAD. 306 00:25:29,000 --> 00:25:31,240 THEY HAVE COME FOR YOU. 307 00:25:31,270 --> 00:25:33,740 THEY'RE HIS. 308 00:25:33,770 --> 00:25:36,680 ( panting ) 309 00:25:40,450 --> 00:25:42,280 ( laughing ) 310 00:25:47,320 --> 00:25:48,950 ( screaming ) 311 00:26:04,400 --> 00:26:06,300 ( screams ) 312 00:26:06,340 --> 00:26:08,310 - ( whimpering ) - ( man laughing ) 313 00:26:08,340 --> 00:26:10,340 GO AWAY! 314 00:26:10,380 --> 00:26:12,340 NO, LEAVE ME ALONE! 315 00:26:12,380 --> 00:26:14,310 YOU'RE HORRIBLE! 316 00:26:17,120 --> 00:26:19,080 I WARNED YOU. 317 00:26:19,120 --> 00:26:21,520 YOU SHOULD NEVER HAVE COME TO THIS HOUSE. 318 00:26:21,550 --> 00:26:23,490 YOU WILL ALL DIE. 319 00:26:23,520 --> 00:26:26,460 YOU'RE GOING TO DIE TOO. 320 00:26:26,490 --> 00:26:28,430 ( laughing ) 321 00:26:28,460 --> 00:26:31,100 IT'S NO USE TRYING TO RESIST. 322 00:26:31,130 --> 00:26:34,070 YOU ARE ALL DOOMED. 323 00:26:34,100 --> 00:26:37,740 ( laughing ) 324 00:26:45,440 --> 00:26:48,750 ( screaming ) 325 00:26:48,780 --> 00:26:50,750 HELP ME. 326 00:27:00,030 --> 00:27:01,960 Old man: YOUR SINGER-- 327 00:27:01,990 --> 00:27:03,930 HE IS THE KILLER. 328 00:27:08,230 --> 00:27:10,170 YOU WILL SEE. 329 00:27:10,200 --> 00:27:13,370 ONLY HE WILL ESCAPE THE DOGS. 330 00:27:13,410 --> 00:27:15,370 ( laughing ) 331 00:27:21,680 --> 00:27:24,350 IF YOU COME OUT NOW, 332 00:27:24,380 --> 00:27:27,590 PERHAPS HE WILL SPARE YOU 333 00:27:27,620 --> 00:27:30,860 BECAUSE YOU'RE SO YOUNG AND PRETTY. 334 00:27:30,890 --> 00:27:32,830 ( laughing ) 335 00:27:36,630 --> 00:27:39,430 YOU'RE TRYING TO TRICK ME, OLD MAN. 336 00:27:39,460 --> 00:27:43,570 I KNOW YOU'RE LYING. 337 00:27:43,600 --> 00:27:46,240 VINCE IS OUR FRIEND. 338 00:27:46,270 --> 00:27:48,210 I KNOW HE IS. 339 00:27:48,240 --> 00:27:50,180 HE'S OUR FRIEND. 340 00:27:50,210 --> 00:27:51,710 AND NOW IT'S YOU THAT'S GONNA DIE. 341 00:28:03,460 --> 00:28:05,460 VINCE. 342 00:28:05,490 --> 00:28:07,830 CAN YOU HEAR ME? 343 00:28:07,860 --> 00:28:10,560 VINCE. 344 00:28:10,600 --> 00:28:13,100 WATCH OUT FOR THE OLD MAN. 345 00:28:13,130 --> 00:28:16,170 HE'S TRYING TO KILL US, 346 00:28:16,200 --> 00:28:19,670 BUT WE'LL KILL HIM FIRST. 347 00:28:19,710 --> 00:28:21,670 WE'LL KILL HIM BEFORE HE GETS THE CHANCE. 348 00:28:21,710 --> 00:28:24,610 RIGHT, VINCE? 349 00:28:26,680 --> 00:28:29,050 VINCE, WHERE ARE YOU? 350 00:28:30,480 --> 00:28:32,950 - ( laughing ) - ( whimpering ) 351 00:28:32,990 --> 00:28:36,720 SO YOU THINK I'M LYING, DO YOU? 352 00:28:36,760 --> 00:28:39,420 YOU'LL SOON FIND OUT 353 00:28:39,460 --> 00:28:41,890 WHO YOUR SINGER IS. 354 00:28:41,930 --> 00:28:43,930 ( both screaming ) 355 00:28:48,100 --> 00:28:51,200 VINCE! I KNEW YOU WERE STILL ALIVE. 356 00:28:51,240 --> 00:28:53,940 ( chair squeaking ) 357 00:28:53,970 --> 00:28:55,970 DO YOU HEAR ME? 358 00:28:56,010 --> 00:28:57,940 HEY, VINCE, 359 00:28:57,980 --> 00:29:00,910 IT'S ME, ANGELA. 360 00:29:00,950 --> 00:29:02,410 - ( snarling ) - NO! 361 00:29:02,450 --> 00:29:04,680 NO! I DON'T WANT TO DIE! 362 00:29:04,720 --> 00:29:06,820 - LEAVE ME ALONE! - ANGELA, WHAT ARE YOU TALKING ABOUT? 363 00:29:06,850 --> 00:29:09,960 IT'S OKAY. WAKE UP. 364 00:29:09,990 --> 00:29:12,660 - GO AWAY! - WHAT'S GOING ON? WHAT HAPPENED? 365 00:29:12,690 --> 00:29:14,730 WAKE UP, ANGELA. 366 00:29:14,760 --> 00:29:17,000 - WHAT THE HELL'S GOING ON? - WHAT'S THE PROBLEM? 367 00:29:17,030 --> 00:29:18,960 IT'S ALL OVER, HONEY. 368 00:29:19,000 --> 00:29:22,000 IT'S ALL OVER. YOU'RE ALL RIGHT NOW. 369 00:29:22,030 --> 00:29:25,500 - WHAT'S WRONG WITH HER? - SHE'S HAD A NIGHTMARE. 370 00:29:25,540 --> 00:29:28,310 IT WAS A SIGNAL. 371 00:29:28,340 --> 00:29:30,880 YOU CHANGED INTO A-- 372 00:29:30,910 --> 00:29:35,550 AND YOU KILLED EVERYBODY-- EVERYBODY EXCEPT ME. 373 00:29:35,580 --> 00:29:37,280 I CALL THAT DISCRIMINATION. 374 00:29:37,320 --> 00:29:38,580 - RIGHT ON. - YEAH. 375 00:29:38,620 --> 00:29:40,720 VINCE, YOU CAN'T PLAY FAVORS WITH FRIENDS. 376 00:29:40,750 --> 00:29:44,120 EITHER YOU WIPE OUT EVERYBODY OR NO ONE. 377 00:29:44,160 --> 00:29:45,360 ( laughing ) 378 00:29:45,390 --> 00:29:47,390 BUT THEN HE ALMOST KILLED ME. 379 00:29:47,430 --> 00:29:49,960 THERE WAS THE OLD MAN TOO, 380 00:29:50,000 --> 00:29:52,660 THE ONE WE MET ON THE ROAD. 381 00:29:52,700 --> 00:29:55,300 BEFORE, YOU SAID I'D CHANGED INTO SOMETHING. 382 00:29:55,330 --> 00:29:56,870 WHAT WAS IT? 383 00:30:01,610 --> 00:30:04,640 YOU CHANGED INTO A-- A WEREWOLF. 384 00:30:07,980 --> 00:30:11,350 CAN YOU SEE VINCE TRANSFORMED INTO A WEREWOLF? 385 00:30:11,380 --> 00:30:13,390 JUST THINK OF VINCE 386 00:30:13,420 --> 00:30:15,220 COVERED WITH HAIR, HOWLING AT THE MOON. 387 00:30:15,250 --> 00:30:17,660 ( howling ) 388 00:30:28,400 --> 00:30:30,200 ( distant howling ) 389 00:30:47,720 --> 00:30:50,220 ( rocking chair squeaking ) 390 00:31:16,410 --> 00:31:18,380 SHE'S SLEEPING NOW. 391 00:31:18,420 --> 00:31:20,790 AND THE OTHERS HAVE GONE BACK TO BED TOO. 392 00:31:26,320 --> 00:31:31,200 ( sighs ) ONLY NOW I CAN'T GET BACK TO SLEEP. 393 00:31:31,230 --> 00:31:34,430 NEITHER CAN YOU, FROM WHAT I SEE. 394 00:31:36,170 --> 00:31:38,840 WHAT ARE YOU READING? 395 00:31:38,870 --> 00:31:42,340 OH, VINCE, YOU'RE NOT LETTING ANGELA GET TO YOU? 396 00:31:42,370 --> 00:31:45,180 FORGET HER NIGHTMARES. 397 00:31:45,210 --> 00:31:48,910 WE'RE GROWN-UP PEOPLE, VINCE, RATIONAL AND-- 398 00:31:48,950 --> 00:31:51,920 THAT THING WE SAW IN THE WOODS WASN'T NORMAL OR RATIONAL. 399 00:31:53,450 --> 00:31:55,090 "WEREWOLVES: 400 00:31:55,120 --> 00:31:57,120 MYTHS, LEGENDS 401 00:31:57,160 --> 00:31:59,560 AND SCIENTIFIC REALITIES." 402 00:31:59,590 --> 00:32:03,260 JUST WHAT EXACTLY ARE 403 00:32:03,300 --> 00:32:05,860 THE SCIENTIFIC REALITIES? 404 00:32:05,900 --> 00:32:08,670 THERE'S A DISEASE-- A HEART DISEASE 405 00:32:08,700 --> 00:32:12,240 THAT TRANSFORMS THE PATIENT INTO SOME KIND OF MADMAN, 406 00:32:12,270 --> 00:32:14,970 A BEAST THAT GOES HOWLING AT THE MOON LIKE A WOLF. 407 00:32:15,010 --> 00:32:16,980 WHAT? THAT'S CRAZY. 408 00:32:17,010 --> 00:32:19,610 THAT THING WE SAW OUT THERE 409 00:32:19,640 --> 00:32:22,150 WAS AN ANIMAL OF SOME KIND, 410 00:32:22,180 --> 00:32:24,120 NOT A MAN. 411 00:32:24,150 --> 00:32:26,120 LISTEN, WEREWOLVES DO EXIST. 412 00:32:26,150 --> 00:32:28,190 OH, BULLSHIT, VINCE. 413 00:32:28,220 --> 00:32:31,160 THE YEAR 2000 IS JUST AROUND THE CORNER. 414 00:32:31,190 --> 00:32:34,360 I AM A RECOGNIZED EXPERT IN ELECTRONIC VIDEOS. 415 00:32:34,390 --> 00:32:37,530 AND YOU ARE THE HOTTEST ROCK 'N' ROLL STAR IN THE WORLD. 416 00:32:37,560 --> 00:32:40,600 YOU'RE MAKING RECORDS, VIDEOS, MOVIES 417 00:32:40,630 --> 00:32:42,630 ON HIGH-TECH ELECTRONIC EQUIPMENT 418 00:32:42,670 --> 00:32:44,600 OF FANTASTIC SOPHISTICATION. 419 00:32:44,640 --> 00:32:46,640 YOU CAN GET ON A PLANE TONIGHT 420 00:32:46,670 --> 00:32:48,640 AND BE IN AUSTRALIA TOMORROW. 421 00:32:48,670 --> 00:32:51,680 AND YOU'RE SCARED OF WEREWOLVES? 422 00:32:51,710 --> 00:32:54,710 20 YEARS AGO SOMETHING TERRIBLE 423 00:32:54,750 --> 00:32:57,150 HAPPENED HERE. AND IT'S HAPPENING AGAIN. 424 00:32:57,180 --> 00:32:59,180 ENTIRE FAMILIES WERE WIPED OUT 425 00:32:59,220 --> 00:33:01,190 BY A PACK OF KILLER DOGS. 426 00:33:01,220 --> 00:33:03,190 THEY WEREN'T NORMAL DOGS. THESE DOGS WERE 427 00:33:03,220 --> 00:33:05,260 MORE UNPREDICTABLE AND MORE INTELLIGENT. 428 00:33:05,290 --> 00:33:07,830 THE PEOPLE WENT CRAZY. THEY NEEDED A SCAPEGOAT 429 00:33:07,860 --> 00:33:10,300 SO THEY ACCUSED MY FATHER. 430 00:33:12,130 --> 00:33:14,030 OH... 431 00:33:14,070 --> 00:33:16,100 YOUR FATHER? 432 00:33:16,130 --> 00:33:18,070 YES, MY FATHER. 433 00:33:18,100 --> 00:33:20,870 HE WAS AFFLICTED WITH THAT DISEASE I WAS TELLING YOU ABOUT. 434 00:33:20,910 --> 00:33:23,440 SOMETIMES WHEN THE MOON WAS FULL HE'D LEAVE THE HOUSE 435 00:33:23,480 --> 00:33:25,880 AND GO WANDERING THROUGH THE FIELDS LIKE AN ANIMAL. 436 00:33:25,910 --> 00:33:28,950 ONE TIME MY MOTHER FOUND HIM UNDERNEATH A BUSH. 437 00:33:28,980 --> 00:33:31,550 HIS HANDS AND HIS MOUTH WERE COVERED WITH BLOOD 438 00:33:31,580 --> 00:33:33,520 AND NEXT TO HIM ON THE GROUND 439 00:33:33,550 --> 00:33:35,550 WERE THE REMAINS OF A BABY CALF. 440 00:33:35,590 --> 00:33:37,590 HE'D RIPPED THE GUTS OUT AND EATEN THEM. 441 00:33:37,620 --> 00:33:40,060 - OH MY GOD. - THE NEIGHBORS WERE CONVINCED 442 00:33:40,090 --> 00:33:42,560 THAT HE WAS THE CAUSE OF ALL THE ATROCITIES. 443 00:33:42,590 --> 00:33:45,160 THEY CAME TO THE HOUSE AND DRAGGED HIM OUT. 444 00:33:45,200 --> 00:33:47,070 MY MOTHER AND I TRIED TO STOP THEM, 445 00:33:47,100 --> 00:33:49,800 BUT IT WAS USELESS. 446 00:33:49,830 --> 00:33:51,400 THEY SLAUGHTERED HIM. 447 00:33:51,440 --> 00:33:53,510 THEY STABBED HIM TO DEATH WITH PITCHFORKS. 448 00:33:53,540 --> 00:33:56,210 THEY DOUSED HIM WITH GASOLINE AND SET HIM ON FIRE. 449 00:33:56,240 --> 00:33:59,240 OH, VINCE, FORGIVE ME. 450 00:33:59,280 --> 00:34:01,880 HOW WAS I TO KNOW? 451 00:34:01,910 --> 00:34:05,220 BUT YOU MUST TRY TO UNDERSTAND 452 00:34:05,250 --> 00:34:07,920 THAT THIS HAS NOTHING TO DO WITH WEREWOLVES, 453 00:34:07,950 --> 00:34:10,560 JUST A PACK OF ORDINARY STRAY DOGS. 454 00:34:10,590 --> 00:34:13,460 AND THAT CREATURE WE SAW OUT THERE? 455 00:34:13,490 --> 00:34:15,530 THAT WAS A DOG TOO. 456 00:34:15,560 --> 00:34:18,000 HE WAS A BIT BIGGER THAN NORMAL, THAT'S ALL. 457 00:34:18,030 --> 00:34:20,300 MAYBE HE WAS SICK. 458 00:34:20,330 --> 00:34:22,330 AFTER ALL, 459 00:34:22,370 --> 00:34:25,700 WE ONLY SAW IT FOR A SECOND. 460 00:34:32,340 --> 00:34:34,250 YOU SURE ARE SOMETHING, 461 00:34:34,280 --> 00:34:36,280 YOU KNOW THAT, SANDRA? 462 00:34:36,310 --> 00:34:38,350 DO YOU KNOW SOMETHING, VINCE? 463 00:34:38,380 --> 00:34:40,320 AS SOON AS WE DELIVER THIS VIDEO JOB, 464 00:34:40,350 --> 00:34:43,160 WE'RE HEADING STRAIGHT FOR MOOREA-- 465 00:34:43,190 --> 00:34:45,890 ONE OF THE 130 POLYNESIAN ISLANDS-- 466 00:34:45,920 --> 00:34:48,990 FLOATING IN CRYSTAL CLEAR WATER, 467 00:34:49,030 --> 00:34:52,060 TWO WEEKS OF NUDE SUNBATHING 468 00:34:52,100 --> 00:34:54,030 COCONUT DRINKS 469 00:34:54,070 --> 00:34:58,140 AND MAKING LOVE. 470 00:34:58,170 --> 00:35:00,240 I LOVE YOU, VINCE. 471 00:35:00,270 --> 00:35:02,310 I CAN'T STAND SEEING YOU LIKE THIS. 472 00:35:15,620 --> 00:35:18,260 YOU GO TO BED NOW. I'LL BE UP IN A MINUTE. 473 00:35:18,290 --> 00:35:20,590 OKAY. 474 00:35:28,930 --> 00:35:30,900 DON'T BE LONG. 475 00:35:30,940 --> 00:35:32,870 I WON'T. 476 00:35:51,060 --> 00:35:53,460 ( distant howling ) 477 00:36:11,910 --> 00:36:14,380 OH, NO. 478 00:36:19,880 --> 00:36:23,050 ( slow song playing ) 479 00:38:21,140 --> 00:38:23,710 * THE CLOCK STRUCK MIDNIGHT * 480 00:38:23,740 --> 00:38:26,480 * AND THROUGH MY SLEEPING * 481 00:38:26,510 --> 00:38:28,650 * I HEARD A TAPPING * 482 00:38:28,680 --> 00:38:31,980 * AT MY DOOR 483 00:38:32,020 --> 00:38:34,250 * I LOOKED BUT NOTHING * 484 00:38:34,290 --> 00:38:37,190 * LAY IN THE DARKNESS 485 00:38:37,220 --> 00:38:40,360 * AND SO I TURNED INSIDE * 486 00:38:40,390 --> 00:38:42,460 * ONCE MORE 487 00:38:42,490 --> 00:38:45,460 * TO MY AMAZEMENT 488 00:38:45,500 --> 00:38:48,670 * THERE STOOD A RAVEN 489 00:38:48,700 --> 00:38:50,700 * WHOSE SHADOW HUNG 490 00:38:50,740 --> 00:38:54,240 * ABOVE MY DOOR 491 00:38:54,270 --> 00:38:56,770 * THEN THROUGH THE SILENCE * 492 00:38:56,810 --> 00:38:59,480 * IT SPOKE THAT ONE WORD * 493 00:38:59,510 --> 00:39:01,510 * THAT I SHALL HEAR 494 00:39:01,550 --> 00:39:08,950 * FOREVERMORE 495 00:39:08,990 --> 00:39:10,920 ( instrumental break ) 496 00:39:19,230 --> 00:39:24,500 * NEVERMORE. 497 00:39:29,870 --> 00:39:33,750 ( slow song playing ) 498 00:39:46,960 --> 00:39:51,630 * SEE ME IN THE MIRROR IF YOU WANT TO * 499 00:39:51,660 --> 00:39:56,330 * SEE ME IN THE MIRROR IF YOU REALLY WANT TO * 500 00:39:56,370 --> 00:39:59,900 * MAYBE NOT TOO CLEAR, BUT THE FACE YOU'LL SEE * 501 00:39:59,940 --> 00:40:02,210 * IS MINE 502 00:40:04,740 --> 00:40:09,310 * DO YOU FEEL MY EYES BURNING THROUGH YOU? * 503 00:40:09,350 --> 00:40:11,350 * DO YOU FEEL THE BURN * 504 00:40:11,380 --> 00:40:13,790 * WHEN MY EYES SEE THROUGH YOU? * 505 00:40:13,820 --> 00:40:15,750 * DO YOU SEE MY EYES * 506 00:40:15,790 --> 00:40:19,620 * WHEN THEY BURN INTO YOUR MIND? * 507 00:40:22,630 --> 00:40:24,430 * I CAN FEEL THE TEARDROPS * 508 00:40:24,460 --> 00:40:27,160 * HIT THE GROUND WHERE I'M LAID * 509 00:40:27,200 --> 00:40:28,800 * I CAN FEEL YOU BREATHING * 510 00:40:28,830 --> 00:40:31,470 * WHILE I SLEEP THROUGH THE DAY * 511 00:40:31,500 --> 00:40:33,270 * SEE YOU IN A VISION * 512 00:40:33,300 --> 00:40:35,540 * IN THE DARK WITH NO LIGHT * 513 00:40:35,570 --> 00:40:37,580 * YOUR SOUL MAY GO TO HEAVEN * 514 00:40:37,610 --> 00:40:39,940 * BUT YOUR HEART'S MINE TONIGHT * 515 00:40:53,430 --> 00:40:57,930 * DO YOU FEEL MY SKIN WHEN YOU TOUCH ME? * 516 00:40:57,960 --> 00:40:59,660 * DO YOU FEEL MY SKIN 517 00:40:59,700 --> 00:41:02,170 * WHEN YOU REACH AND TOUCH ME? * 518 00:41:02,200 --> 00:41:04,140 * COLD AND BLUE AND THIN * 519 00:41:04,170 --> 00:41:08,470 * BUT IT'S STILL SOMEHOW ALIVE * 520 00:41:10,780 --> 00:41:13,110 * AND YOU CAN FEEL MY BLOOD * 521 00:41:13,140 --> 00:41:15,080 * RUNNING THROUGH YOU 522 00:41:15,110 --> 00:41:18,180 * YOU CAN FEEL THE RUSH OF MY BLOOD * 523 00:41:18,220 --> 00:41:19,980 * RUN THROUGH YOU 524 00:41:20,020 --> 00:41:22,790 * YOU CAN FEEL THE GUSH OF MY BLOOD * 525 00:41:22,820 --> 00:41:25,560 * RUN UP YOUR SPINE 526 00:41:28,630 --> 00:41:30,530 * AND I CAN FEEL THE TEARDROPS * 527 00:41:30,560 --> 00:41:32,900 * HIT THE GROUND WHERE I'M LAID * 528 00:41:32,930 --> 00:41:34,870 * I CAN FEEL YOU BREATHING * 529 00:41:34,900 --> 00:41:37,300 * WHILE I SLEEP THROUGH THE DAY * 530 00:41:37,330 --> 00:41:39,100 * SEE YOU IN A VISION * 531 00:41:39,140 --> 00:41:42,070 * IN THE DARK WITH NO LIGHT * 532 00:41:42,110 --> 00:41:43,910 * YOUR SOUL MAY GO TO HEAVEN * 533 00:41:43,940 --> 00:41:46,910 * BUT YOUR HEART'S MINE TONIGHT * 534 00:41:58,920 --> 00:42:03,700 * SEE ME IN THE MIRROR IF YOU WANT TO * 535 00:42:03,730 --> 00:42:08,070 * SEE ME IN THE MIRROR IF YOU REALLY WANT TO * 536 00:42:08,100 --> 00:42:10,100 * MAYBE NOT TOO CLEAR * 537 00:42:10,130 --> 00:42:13,770 * BUT THE FACE YOU'LL SEE IS MINE * 538 00:42:17,110 --> 00:42:19,310 * SEE ME IN THE MIRROR * 539 00:42:19,340 --> 00:42:21,610 * MIRROR, MIRROR 540 00:42:21,650 --> 00:42:23,580 * SEE ME IN THE MIRROR * 541 00:42:23,620 --> 00:42:25,820 * MIRROR 542 00:42:25,850 --> 00:42:30,390 * SEE ME IN THE MIRROR, MIRROR * 543 00:42:30,420 --> 00:42:32,460 * SEE ME IN THE MIRROR * 544 00:42:32,490 --> 00:42:34,690 * MIRROR 545 00:42:34,730 --> 00:42:36,690 * SEE ME IN THE MIRROR * 546 00:42:36,730 --> 00:42:38,900 * MIRROR, MIRROR. 547 00:42:40,030 --> 00:42:41,870 ( screaming ) 548 00:42:45,300 --> 00:42:46,800 LOOK OUT. 549 00:42:49,810 --> 00:42:51,710 GIVE ME A HAND. TURN HIM OVER. 550 00:42:54,950 --> 00:42:56,880 OH, GOD, IT'S JOSS. 551 00:42:56,910 --> 00:42:58,950 Frank: JOSS? 552 00:42:58,980 --> 00:43:01,290 WHY WOULD ANYONE WANT TO KILL AN OLD CARETAKER? 553 00:43:01,320 --> 00:43:03,320 I DON'T KNOW. 554 00:43:03,350 --> 00:43:05,260 TAKE IT EASY, ANGELA. TAKE IT EASY. 555 00:43:05,290 --> 00:43:06,760 Sandra: COME ON, UP YOU GET. 556 00:43:06,790 --> 00:43:08,790 HERE, LET ME GIVE YOU A HAND. 557 00:43:08,830 --> 00:43:10,600 Sandra: IT'S OKAY. 558 00:43:10,630 --> 00:43:12,600 YOU'LL BE ALL RIGHT NOW. 559 00:43:12,630 --> 00:43:14,500 Marilou: HERE, BLOW YOUR NOSE. 560 00:43:14,530 --> 00:43:16,430 Sandra: THAT'S THE WAY. COME AND LIE DOWN. 561 00:43:16,470 --> 00:43:19,240 Angela: NO, I DON'T WANT TO LIE DOWN! 562 00:43:19,270 --> 00:43:21,270 I WANT TO GET AWAY FROM THIS HOUSE. 563 00:43:21,310 --> 00:43:23,940 I TOLD YOU WE SHOULD NEVER HAVE COME HERE. 564 00:43:23,980 --> 00:43:25,810 ANGIE, YOU'VE GOT TO CALM DOWN. 565 00:43:25,840 --> 00:43:29,010 OKAY, GUYS, I WANT TO CHECK OUT WHAT WENT ON UP THERE. 566 00:43:29,050 --> 00:43:30,980 DOES ANYONE WANT TO COME ALONG? 567 00:44:06,850 --> 00:44:09,190 LOOKS LIKE THERE'S BEEN ONE HELL OF A STRUGGLE HERE. 568 00:44:09,220 --> 00:44:11,220 HEY, GUYS, 569 00:44:11,290 --> 00:44:15,060 MAYBE WHOEVER IT WAS DROPPED THIS BEFORE. WHAT DO YOU THINK? 570 00:44:28,010 --> 00:44:29,970 I DON'T GET IT. 571 00:44:30,010 --> 00:44:32,010 WHY WOULD ANYONE WANT TO KILL JOSS? 572 00:44:32,040 --> 00:44:34,050 BUT IF THE DOGS DID IT, 573 00:44:34,080 --> 00:44:36,410 THEY COULD STILL BE IN THE HOUSE. 574 00:44:36,450 --> 00:44:39,320 Marilou: HEY, GUYS, WHERE IS ANGELA? 575 00:44:39,350 --> 00:44:41,250 SHE MUST STILL BE IN THE LIVING ROOM. 576 00:44:41,290 --> 00:44:43,220 COME ON, WE MUSTN'T LEAVE HER ALONE. 577 00:44:52,000 --> 00:44:54,300 THANK GOD YOU'VE GOT GUNS IN THIS HOUSE. 578 00:44:54,330 --> 00:44:56,870 LOOKS LIKE WE MAY NEED THEM. 579 00:45:00,400 --> 00:45:02,940 WE'VE LOOKED EVERYWHERE. SHE'S NOT IN THE HOUSE. 580 00:45:02,970 --> 00:45:05,740 I'M GOING OUTSIDE TO LOOK FOR HER. YOU STAY HERE 581 00:45:05,780 --> 00:45:08,450 - AND BARRICADE YOURSELVES IN. - Frank: WHAT IF YOU DON'T FIND HER? 582 00:45:08,480 --> 00:45:10,410 Vince: IF I'M NOT BACK BY SUNDOWN, LEAVE WITHOUT ME. 583 00:45:10,450 --> 00:45:13,150 - Frank: ARE YOU CRAZY? - NO, I MEAN IT. 584 00:45:13,180 --> 00:45:15,150 ARE WE ALL AGREED THEN? 585 00:45:15,190 --> 00:45:18,360 WELL, ONLY IF YOU SWEAR 586 00:45:18,390 --> 00:45:21,130 NOT TO TAKE ANY RISKS, OKAY? 587 00:45:21,160 --> 00:45:23,860 SURE. AND DON'T OPEN UP TO ANYBODY. 588 00:45:23,900 --> 00:45:26,230 I'M GOING TO CALL THE POLICE. 589 00:45:26,260 --> 00:45:28,200 I'LL GO WITH YOU. 590 00:45:31,570 --> 00:45:33,570 THE LINE'S DEAD. 591 00:45:33,600 --> 00:45:35,540 THIS IS ALL GETTING 592 00:45:35,570 --> 00:45:37,570 LIKE A NIGHTMARE, MARILOU. 593 00:45:37,610 --> 00:45:40,750 YEAH, JUST LIKE ANGELA'S NIGHTMARE, RIGHT? 594 00:45:42,510 --> 00:45:45,080 THAT'S DONE. ED'S FINISHED HIS LITTLE JOB. 595 00:45:57,360 --> 00:45:59,300 THIS HERE IS A BULLET 596 00:45:59,330 --> 00:46:02,000 THAT WILL PIERCE VINCE ROBERTS'S HEART. 597 00:46:14,980 --> 00:46:16,710 HEY, WE'VE GOT COMPANY. 598 00:46:21,820 --> 00:46:23,760 Marilou: WAS VINCE EXPECTING ANYONE? 599 00:46:23,790 --> 00:46:26,260 Sandra: NOT THAT HE TOLD ME. 600 00:46:35,530 --> 00:46:38,040 HERE, TAKE THIS. 601 00:46:51,450 --> 00:46:53,450 Marilou: KEEP YOUR GUNS UP. 602 00:46:53,480 --> 00:46:56,050 ( laughing ) 603 00:47:13,600 --> 00:47:15,240 HOWDY, FOLKS. 604 00:47:15,270 --> 00:47:17,780 IS VINCE ROBERTS WITH YOU ALL? 605 00:47:17,810 --> 00:47:19,710 NO, 606 00:47:19,740 --> 00:47:21,850 BUT HE SHOULD BE BACK SOON. 607 00:47:21,880 --> 00:47:24,850 WE'RE AFTER THEM DAMN DOGS. 608 00:47:24,880 --> 00:47:26,950 WE AIN'T SEEN NO SIGN OF THEM 609 00:47:26,980 --> 00:47:28,520 AROUND HERE. HOW ABOUT YOU? 610 00:47:28,550 --> 00:47:30,550 NOT YET. 611 00:47:30,590 --> 00:47:33,320 BUT IF THEY DO SHOW UP, WE'RE READY FOR THEM. 612 00:47:33,360 --> 00:47:35,930 ( laughing ) GOOD, SONNY. 613 00:47:35,960 --> 00:47:39,100 THAT SURE IS GOOD TO KNOW. 614 00:47:41,300 --> 00:47:43,230 ANGELA. 615 00:47:44,570 --> 00:47:46,540 ANGELA. 616 00:47:47,740 --> 00:47:49,670 ANGELA! 617 00:47:58,280 --> 00:48:02,020 YOU KNOW, I'M SORT OF LIKE FAMILY TO VINCE. 618 00:48:02,050 --> 00:48:04,390 WE KNEW HIS DADDY REAL WELL. 619 00:48:04,420 --> 00:48:06,860 I CAN'T WAIT TO SEE HIM AGAIN. 620 00:48:06,890 --> 00:48:09,860 IF YOU INVITE ME IN, 621 00:48:09,890 --> 00:48:13,230 MAYBE WE CAN WAIT FOR HIM TOGETHER... 622 00:48:15,000 --> 00:48:18,070 REAL FRIENDLY-LIKE, OVER A COUPLE OF BEERS. 623 00:48:20,140 --> 00:48:22,140 WHAT DO YOU SAY? 624 00:48:22,170 --> 00:48:24,180 SHALL WE LET THEM IN? 625 00:48:24,210 --> 00:48:27,610 VINCE SAID WE SHOULDN'T OPEN UP TO ANYBODY. 626 00:48:27,640 --> 00:48:30,180 BUT THESE PEOPLE ARE IN THE SAME BOAT AS US. 627 00:48:30,210 --> 00:48:33,020 AND IT SEEMS TO ME THE MORE GUNS WE HAVE AROUND THE BETTER. 628 00:48:33,050 --> 00:48:37,550 WELL, I DON'T LIKE THE LOOKS OF THEM. 629 00:48:37,590 --> 00:48:40,360 OH, COME ON NOW. DON'T YOU TRY AND TELL ME 630 00:48:40,390 --> 00:48:42,860 YOU AIN'T GOT NO BEER IN THE FRIDGE. 631 00:48:42,890 --> 00:48:44,830 THAT WOULDN'T BE FRIENDLY. 632 00:48:44,860 --> 00:48:46,800 Sandra: WELL, I GUESS SINCE THEY SAID 633 00:48:46,830 --> 00:48:50,030 THEY KNEW VINCE'S DADDY... 634 00:48:50,070 --> 00:48:53,200 OKAY, COME ON IN. 635 00:48:53,240 --> 00:48:55,340 THAT'S MORE LIKE IT. 636 00:48:55,370 --> 00:48:58,080 DO YOU HEAR THAT, GUYS? WHAT DO YOU SAY 637 00:48:58,110 --> 00:49:00,640 WE ACCEPT THESE PEOPLE'S KIND HOSPITALITY? 638 00:49:00,680 --> 00:49:02,680 ED, YOU STAY OUT HERE 639 00:49:02,710 --> 00:49:05,480 JUST IN CASE ANYTHING UNPLEASANT COMES AROUND, 640 00:49:05,520 --> 00:49:07,650 KNOW WHAT I MEAN? 641 00:49:16,530 --> 00:49:18,100 Vince: ANGELA! 642 00:49:29,170 --> 00:49:31,510 HEY, ED, TAKE CARE OF THE CAMPER. 643 00:49:31,540 --> 00:49:33,840 ( chuckles ) 644 00:49:33,880 --> 00:49:35,810 ( humming a tune ) 645 00:49:43,150 --> 00:49:44,960 ( gunshot ) 646 00:49:44,990 --> 00:49:46,990 ( screams ) 647 00:49:47,020 --> 00:49:49,130 Sandra: STAY WHERE YOU ARE. 648 00:50:26,000 --> 00:50:28,270 WHO'S THIS? 649 00:50:28,300 --> 00:50:31,200 JOSS, THE CARETAKER. 650 00:50:31,240 --> 00:50:33,940 WHAT DO YOU KNOW? HIS HEART'S BEEN TORN CLEAR OUT. 651 00:50:33,970 --> 00:50:36,170 ANOTHER VICTIM OF YOUR BOYFRIEND? 652 00:50:36,210 --> 00:50:38,840 WHAT THE HELL ARE YOU TALKING ABOUT? 653 00:50:38,880 --> 00:50:40,840 I THINK YOU KNOW, MISSY. 654 00:50:40,880 --> 00:50:42,810 AND IF YOU DON'T, YOU'LL SOON FIND OUT 655 00:50:42,850 --> 00:50:44,850 WHEN VINCE ROBERTS GETS BACK. 656 00:50:44,880 --> 00:50:48,350 WHAT ARE YOU GOING TO DO WITH HIM? 657 00:50:48,390 --> 00:50:50,390 WHAT I'M GOING TO DO WITH HIM, 658 00:50:50,420 --> 00:50:53,960 I'M GOING TO SHOOT THIS HERE SILVER BULLET 659 00:50:53,990 --> 00:50:56,960 RIGHT THROUGH HIS HEART. 660 00:50:56,990 --> 00:50:59,830 BUT WHY WOULD ANYONE WANT TO KILL VINCE? 661 00:50:59,860 --> 00:51:02,000 I THINK I UNDERSTAND. 662 00:51:02,030 --> 00:51:03,970 YOU ARE THE SAME BAND 663 00:51:04,000 --> 00:51:06,940 THAT KILLED VINCE'S FATHER, AREN'T YOU? 664 00:51:06,970 --> 00:51:09,070 WE MADE A MISTAKE BACK THEN. 665 00:51:09,110 --> 00:51:12,540 WE SHOULD HAVE KNOWN THAT HIS SON WAS CURSED BY THE EVIL TOO. 666 00:51:12,580 --> 00:51:14,910 WE SHOULD HAVE KILLED HIM OFF THEN. 667 00:51:14,950 --> 00:51:17,980 YOU'RE JUST A BUNCH OF STUPID ANIMALS. 668 00:51:18,020 --> 00:51:19,950 WHAT THE HELL DO YOU THINK 669 00:51:19,980 --> 00:51:21,950 THAT KILLING VINCE IS GOING TO SOLVE? 670 00:51:21,990 --> 00:51:23,950 DON'T YOU UNDERSTAND THAT WEREWOLVES ARE 671 00:51:23,990 --> 00:51:26,260 JUST AN IDIOTIC SUPERSTITION? 672 00:51:26,290 --> 00:51:28,330 LISTEN, I WAS HERE 673 00:51:28,360 --> 00:51:30,260 THAT NIGHT WHEN WE KILLED ROBERTS 674 00:51:30,290 --> 00:51:34,000 AND I'M TELLING YOU, HE WASN'T A MAN ANYMORE. 675 00:51:34,030 --> 00:51:37,030 YOU UNDERSTAND ME, GIRL? HE WAS SOMETHING HORRIBLE. 676 00:51:37,070 --> 00:51:41,410 IT WAS A NIGHT LIKE THIS, 677 00:51:41,440 --> 00:51:43,440 A NIGHT WHEN THERE WAS A FULL MOON. 678 00:51:43,470 --> 00:51:46,780 IT IS THEN THAT THEY TRANSFORM THEMSELVES. 679 00:51:46,810 --> 00:51:50,010 WHEN VINCE GETS BACK, 680 00:51:50,050 --> 00:51:52,580 I'M GOING TO SHOOT HIM RIGHT THROUGH THE HEART 681 00:51:52,620 --> 00:51:55,120 WITH THIS SILVER BULLET. 682 00:51:57,050 --> 00:51:59,120 THAT'S HOW YOU KILL WEREWOLVES. 683 00:51:59,160 --> 00:52:02,160 BUT THEY'RE MAD, COMPLETELY MAD. 684 00:52:02,190 --> 00:52:05,800 AND THE DOGS-- HAVE YOU SEEN THE DOGS TOO? 685 00:52:05,830 --> 00:52:08,000 IT'S HIM WHO COMMANDS THEM, 686 00:52:08,030 --> 00:52:11,140 CONTROLS THEM. 687 00:52:11,170 --> 00:52:14,840 THOSE ARE THE POWERS OF WEREWOLVES. 688 00:52:16,640 --> 00:52:18,980 IF YOU TRY TO KILL HIM, WE'LL TURN YOU IN. 689 00:52:19,010 --> 00:52:20,810 WE'LL GO TO THE SHERIFF. 690 00:52:20,840 --> 00:52:22,850 THE SHERIFF'S DEAD, 691 00:52:22,880 --> 00:52:25,680 AND SO IS THE DEPUTY-- 692 00:52:25,720 --> 00:52:29,020 TORN TO PIECES BY THE DOGS. 693 00:52:30,620 --> 00:52:34,160 ED AND ME SEEN VINCE ROBERTS 694 00:52:34,190 --> 00:52:36,160 WHILE HE TURNED 695 00:52:36,190 --> 00:52:39,560 FROM A MAN TO A MONSTER. 696 00:52:39,600 --> 00:52:41,470 WHAT MONSTER? WHAT'S HE TALKING ABOUT? 697 00:52:41,500 --> 00:52:43,430 Sandra: I SAW IT TOO. 698 00:52:43,470 --> 00:52:46,970 - WHAT? WHAT DID YOU SEE? - THE MONSTER, 699 00:52:47,000 --> 00:52:49,710 THE THING YOU CALL THE WEREWOLF. 700 00:52:49,740 --> 00:52:51,110 WHEN? 701 00:52:51,140 --> 00:52:54,710 LAST NIGHT, WHEN I WAS WITH VINCE. 702 00:52:54,750 --> 00:52:56,750 SO IT CAN'T POSSIBLY BE HIM. 703 00:53:03,750 --> 00:53:05,990 DID YOU SEE IT TOO? 704 00:53:09,560 --> 00:53:12,160 ( laughs ) 705 00:53:16,500 --> 00:53:20,740 WELL, I GUESS YOU MUST BE THE WEREWOLF'S SWEETHEART. 706 00:53:21,770 --> 00:53:23,670 AIN'T THAT RIGHT? 707 00:53:44,830 --> 00:53:47,100 - ANGELA. - VINCE. 708 00:53:47,130 --> 00:53:49,530 COME ON, LET'S GET BACK TO THE HOUSE. 709 00:53:52,370 --> 00:53:54,810 - I HAVE THIS VISION... - FORGET THE VISION. 710 00:53:54,840 --> 00:53:56,770 LET'S GET OUT OF HERE. 711 00:54:04,680 --> 00:54:07,480 HE'S COMING. 712 00:54:07,520 --> 00:54:09,920 IT'S VINCE ROBERTS WITH A GIRL. 713 00:54:12,590 --> 00:54:15,490 JEROME, GREG, WATCH THESE KIDS. 714 00:54:15,530 --> 00:54:17,630 IF THEY MOVE SO MUCH AS A HAIR, 715 00:54:17,660 --> 00:54:19,630 SHOOT. 716 00:54:21,270 --> 00:54:24,000 ED, YOU BE READY 717 00:54:24,030 --> 00:54:26,300 TO OPEN THE DOOR WHEN I TELL YOU. 718 00:54:26,340 --> 00:54:28,140 RIGHT. 719 00:54:30,140 --> 00:54:32,080 ( door closes ) 720 00:54:39,350 --> 00:54:40,950 FRANK, SANDRA, OPEN THE DOOR. 721 00:54:40,980 --> 00:54:43,690 COME ON, QUICK. 722 00:54:43,720 --> 00:54:46,990 WHOSE CAR IS THAT? ARE YOU GUYS ALL RIGHT? 723 00:54:47,020 --> 00:54:50,530 ANSWER ME, SOMEONE. JORDAN, FRANK, COME ON. 724 00:54:53,230 --> 00:54:55,170 WAIT HERE A MINUTE. 725 00:55:01,370 --> 00:55:02,940 NOW! 726 00:55:49,620 --> 00:55:52,260 THE BASTARD'S ESCAPING. HE'S GETTING AWAY. 727 00:55:52,290 --> 00:55:55,260 JEROME, GREG, AFTER HIM. 728 00:55:57,830 --> 00:55:59,860 KILL THEM. 729 00:55:59,900 --> 00:56:01,830 OKAY, BOYS, I'M COMING. 730 00:56:04,470 --> 00:56:06,870 - LET'S GET HER ONTO THE COUCH. - RIGHT. 731 00:56:06,900 --> 00:56:09,610 ( crying ) 732 00:56:25,660 --> 00:56:27,620 HE'S GOING UP ON THE ROOF. 733 00:57:14,040 --> 00:57:15,940 UP, BOTH OF YOU. 734 00:57:24,310 --> 00:57:26,320 I DON'T LIKE YOU. 735 00:57:26,350 --> 00:57:29,350 WELL, YOU'RE NOT EXACTLY MY TYPE EITHER. 736 00:57:32,790 --> 00:57:36,160 YOU LOOK LIKE A COUPLE OF QUEERS TO ME. 737 00:57:36,190 --> 00:57:40,860 QUEERS MAKE MY STOMACH TURN! 738 00:57:47,470 --> 00:57:49,810 MOVE. GO ON. 739 00:58:27,540 --> 00:58:29,510 DO YOU KNOW I GOT TO KILL YOU? 740 00:58:29,550 --> 00:58:32,350 YOU'RE NOT SERIOUS. 741 00:58:39,320 --> 00:58:42,330 SAY GOODBYE TO YOUR BOYFRIEND. 742 00:58:42,360 --> 00:58:43,930 ( all yelling ) 743 00:58:46,000 --> 00:58:48,670 ( screaming ) 744 00:58:50,170 --> 00:58:53,600 - VINCE ROBERTS! - DON'T SHOOT! 745 00:59:08,150 --> 00:59:10,450 ( snarling, barking ) 746 00:59:12,360 --> 00:59:14,360 I'M GOING TO TREAT THIS BASTARD 747 00:59:14,390 --> 00:59:16,360 LIKE HE WANTED TO TREAT YOU. 748 00:59:16,390 --> 00:59:18,330 - WELL? - NO, SANDRA. 749 00:59:18,360 --> 00:59:20,400 WE'RE NOT MURDERERS. 750 00:59:20,430 --> 00:59:22,330 LISTEN, SANDRA, THINK OF VINCE. 751 00:59:22,370 --> 00:59:25,070 WE'VE GOT TO HELP HIM. 752 00:59:29,640 --> 00:59:30,970 OKAY. 753 01:00:01,540 --> 01:00:03,570 I'M GOING OUT TO FIND VINCE. 754 01:00:03,610 --> 01:00:04,910 OKAY, BUT BE CAREFUL. 755 01:00:06,880 --> 01:00:09,650 - ( all shouting ) - SHUT THE DOOR! 756 01:00:09,680 --> 01:00:11,180 FRANK! 757 01:00:26,960 --> 01:00:28,030 HEY, YOU! 758 01:00:34,570 --> 01:00:36,510 ALL RIGHT, VINCE ROBERTS. 759 01:00:44,180 --> 01:00:46,450 ( barking ) 760 01:01:00,500 --> 01:01:02,800 ( screaming ) 761 01:01:04,970 --> 01:01:06,740 Marilou: SHOOT THEM! SHOOT THEM! 762 01:01:06,770 --> 01:01:10,910 I CAN'T. I'D KILL HIM. 763 01:01:16,850 --> 01:01:18,010 Marilou: NO! 764 01:01:21,890 --> 01:01:24,490 FRANK! FRANK! 765 01:01:24,520 --> 01:01:27,060 FIGHT THEM OFF SO I CAN SHOOT. 766 01:01:27,090 --> 01:01:29,090 FRANK, FIGHT THEM OFF. 767 01:01:33,660 --> 01:01:36,100 I CAN'T. HE MAY BE HURT. 768 01:01:49,780 --> 01:01:52,080 - Marilou: THEY'VE QUIETED DOWN. - YEAH. 769 01:01:52,120 --> 01:01:55,790 - WHY? - I DON'T KNOW. 770 01:01:59,060 --> 01:02:01,090 SOMETHING IS TRYING TO GET IN! 771 01:02:09,130 --> 01:02:12,640 THAT'S NOT A DOG TRYING TO GET IN. 772 01:02:12,670 --> 01:02:14,570 I CAN'T HOLD IT BACK. 773 01:03:03,020 --> 01:03:04,990 YOUR JACKET. 774 01:03:07,860 --> 01:03:10,660 - DON'T JORDAN, DON'T. - LET ME GO. 775 01:03:17,800 --> 01:03:19,770 COME ON, LET'S GO. 776 01:03:22,770 --> 01:03:25,180 ( dogs barking ) 777 01:03:54,440 --> 01:03:57,110 SANDRA, MY HAIR, MY HAIR! 778 01:03:57,140 --> 01:03:59,410 HE'S PULLING MY HAIR. MY HAIR. 779 01:04:04,410 --> 01:04:06,380 HELP ME, SANDRA. HELP ME. 780 01:04:25,270 --> 01:04:27,370 ( crying ) 781 01:04:31,440 --> 01:04:33,380 - ( snarls ) - ( screaming ) 782 01:04:38,410 --> 01:04:42,220 OKAY, WHERE IS IT? I'LL KILL IT! 783 01:04:46,890 --> 01:04:49,760 VINCE. OH, VINCE, WHERE HAVE YOU BEEN? 784 01:04:53,560 --> 01:04:55,770 COME ON, MARILOU, LET'S GO. 785 01:04:59,570 --> 01:05:01,540 THAT'S GOOD. 786 01:05:13,820 --> 01:05:15,950 IT'S ALL OVER. 787 01:05:17,020 --> 01:05:20,420 IT'S ALL OVER. 788 01:05:20,460 --> 01:05:22,830 WE ARE GOING TO DIE TOO. 789 01:05:22,860 --> 01:05:24,960 WE HAVEN'T GOT A CHANCE. 790 01:05:25,000 --> 01:05:27,600 IT'S ALL OVER. 791 01:05:27,630 --> 01:05:29,600 CALM DOWN, MARILOU. 792 01:05:29,630 --> 01:05:32,070 YOU'LL SEE, EVERYTHING WILL BE ALL RIGHT. 793 01:05:32,100 --> 01:05:35,170 IT'S HIM. HE IS TO BLAME 794 01:05:35,210 --> 01:05:37,740 FOR WHAT HAS HAPPENED TO ANGELA, FRANK AND JORDAN. 795 01:05:37,770 --> 01:05:40,640 WHAT ARE YOU TALKING ABOUT? HAVE YOU GONE CRAZY? 796 01:05:40,680 --> 01:05:44,080 WHERE WAS HE WHEN THAT MONSTER DOG 797 01:05:44,110 --> 01:05:46,080 CRASHED THROUGH THE LIVING ROOM DOOR 798 01:05:46,120 --> 01:05:49,090 AND WHEN JORDAN WAS EATEN ALIVE? 799 01:05:49,120 --> 01:05:52,320 AND BEFORE THAT, IN THE BATHROOM? 800 01:05:52,360 --> 01:05:56,190 AND NOW? WHY DON'T THE DOGS ATTACK US? 801 01:05:56,230 --> 01:05:58,860 TELL ME THE TRUTH, VINCE. YOUR NEIGHBORS WERE RIGHT. 802 01:05:58,900 --> 01:06:01,000 YOU ARE THE MONSTER DOG. 803 01:06:01,030 --> 01:06:03,000 YOU ARE THE MURDERING ANIMAL. 804 01:06:03,030 --> 01:06:05,340 GOD DAMN YOU! DAMN YOU! 805 01:06:05,370 --> 01:06:08,400 YOU ARE A WEREWOLF. I KNOW YOU ARE. 806 01:06:08,440 --> 01:06:10,540 I KNOW IT! ( sobbing ) 807 01:06:16,780 --> 01:06:18,980 WHAT CAN WE DO, VINCE? 808 01:07:37,090 --> 01:07:39,230 ( whimpering, panting ) 809 01:08:00,820 --> 01:08:03,050 ( breathing heavily ) 810 01:08:48,900 --> 01:08:50,930 VINCE. 811 01:08:50,970 --> 01:08:52,940 IT'S AMAZING, ISN'T IT? 812 01:08:52,970 --> 01:08:55,810 THEY SUDDENLY ALL CALM DOWN, JUST LIKE THAT. 813 01:08:58,140 --> 01:09:00,140 BUT HOW? 814 01:09:00,180 --> 01:09:02,510 WHY? 815 01:09:02,550 --> 01:09:04,480 GO WAKE UP MARILOU. 816 01:09:04,510 --> 01:09:07,080 MAKE IT QUICK. 817 01:09:07,120 --> 01:09:08,220 OKAY. 818 01:10:18,090 --> 01:10:20,120 - SHIT. - WHAT'S HAPPENED? 819 01:10:20,160 --> 01:10:21,760 THE KEYS AREN'T HERE. 820 01:10:21,790 --> 01:10:23,990 I GUESS ONE OF THOSE FOUR HAD THEM ON HIM. 821 01:10:24,030 --> 01:10:26,860 - I'M GONNA HAVE TO GO BACK. - I'LL COME WITH YOU. 822 01:10:26,900 --> 01:10:28,900 ARE YOU GOING TO LEAVE ME HERE ALONE? 823 01:10:28,930 --> 01:10:30,700 YOU'LL BE SAFE ENOUGH LOCKED IN HERE. 824 01:10:30,730 --> 01:10:32,570 BUT WHAT IF YOU DON'T COME BACK? 825 01:10:32,600 --> 01:10:35,570 WELL, YOU'D BETTER PRAY THAT WE DO. 826 01:11:13,610 --> 01:11:15,510 HE DOESN'T HAVE THEM. 827 01:11:16,780 --> 01:11:18,650 - CHECK THAT ONE. - OKAY. 828 01:11:22,350 --> 01:11:26,560 VINCE, I FOUND THEM! HERE, CATCH. 829 01:11:26,590 --> 01:11:29,060 VINCE! VINCE! 830 01:11:29,090 --> 01:11:31,260 I'LL CATCH YOU YET, VINCE ROBERTS. 831 01:11:33,230 --> 01:11:36,130 SANDRA, GRAB THE GUN! 832 01:11:36,170 --> 01:11:38,800 HELP! HELP! 833 01:11:38,830 --> 01:11:40,500 ( screams ) 834 01:11:56,650 --> 01:11:59,960 OH, VINCE, VINCE. 835 01:12:02,020 --> 01:12:04,230 IT'S NOT OVER. WE'VE STILL GOT TO GET OUT OF HERE. 836 01:12:04,260 --> 01:12:06,230 COME ON, LET'S GO. 837 01:12:19,380 --> 01:12:21,710 COME ON. COME ON, HURRY UP. 838 01:12:29,990 --> 01:12:31,950 ( sighs ) 839 01:12:31,990 --> 01:12:34,220 I CAN HARDLY BELIEVE 840 01:12:34,260 --> 01:12:36,930 THAT THIS NIGHTMARE IS FINALLY OVER. 841 01:12:38,790 --> 01:12:41,630 WHAT DO YOU SAY, MARILOU? 842 01:12:41,660 --> 01:12:43,670 MARILOU? 843 01:12:43,700 --> 01:12:47,170 YOU HAVEN'T FALLEN ASLEEP, HAVE YOU? 844 01:12:47,200 --> 01:12:49,640 MARILOU? 845 01:12:49,670 --> 01:12:53,410 ( screams ) 846 01:12:53,440 --> 01:12:56,780 - ( snarling ) - ( screaming ) 847 01:12:58,750 --> 01:13:01,250 OPEN THE DOOR. 848 01:13:01,280 --> 01:13:03,490 SANDRA, OPEN THE DOOR. 849 01:13:03,520 --> 01:13:05,690 - JUMP! - NO. 850 01:13:05,720 --> 01:13:09,890 JUMP! JUMP! 851 01:13:27,710 --> 01:13:29,810 ( moaning ) 852 01:13:38,550 --> 01:13:41,390 ( gunshot ) 853 01:13:41,460 --> 01:13:43,430 VINCE? 854 01:13:47,730 --> 01:13:49,670 ( moaning ) 855 01:14:24,630 --> 01:14:26,770 ( distant howling ) 856 01:15:15,220 --> 01:15:17,250 ( howling ) 857 01:15:52,090 --> 01:15:54,190 ( exclaims ) 858 01:15:54,220 --> 01:15:56,660 I TELL YOU NOW, HE'S TAKEN MY PLACE 859 01:15:56,690 --> 01:16:00,460 AND HIS BLOOD IS AS TAINTED AS MINE. 860 01:16:00,500 --> 01:16:02,800 VINCE WAS JUST A BABY. 861 01:16:02,830 --> 01:16:05,540 HORRIBLE THINGS HAPPENED. 862 01:16:05,570 --> 01:16:08,400 HIS FATHER SANK HIS TEETH INTO MY NECK. 863 01:16:08,440 --> 01:16:10,710 AND NOW VINCE HAS COME BACK TO HELP ME. 864 01:16:10,740 --> 01:16:15,580 NOW, FOR BETTER OR WORSE, WE HAVE A NEW KING 865 01:16:15,610 --> 01:16:19,050 WHO WILL LIVE IN THE HOUSE OF THE DEAD FOREVER. 866 01:16:19,080 --> 01:16:21,050 ( groans ) 867 01:16:57,090 --> 01:16:59,020 VINCE. 868 01:16:59,050 --> 01:17:01,060 VINCE! 869 01:17:17,640 --> 01:17:21,340 - VINCE. - STAY AWAY FROM ME! 870 01:17:21,380 --> 01:17:23,810 WHY? 871 01:17:27,480 --> 01:17:29,450 STAY AWAY FROM ME! 872 01:17:34,120 --> 01:17:35,790 ( gasps ) 873 01:17:35,830 --> 01:17:38,990 USE IT. SHOOT ME. 874 01:17:39,030 --> 01:17:41,500 DO IT BEFORE IT'S TOO LATE. 875 01:17:41,530 --> 01:17:45,130 COME ON, SHOOT ME. COME ON. 876 01:17:50,870 --> 01:17:53,680 ( moaning ) 877 01:18:01,780 --> 01:18:04,550 ( growling ) 878 01:18:50,500 --> 01:18:52,430 GOD HELP ME. 879 01:18:59,170 --> 01:19:01,140 ( panting ) 880 01:19:08,680 --> 01:19:10,990 YOU WERE RIGHT, ANGELA. 881 01:19:11,020 --> 01:19:15,660 YOU WEREN'T CRAZY. YOU KNEW. 882 01:19:15,690 --> 01:19:18,260 YOU KNEW ALL ALONG. 883 01:19:18,290 --> 01:19:20,460 ( laughing, crying ) 884 01:19:58,970 --> 01:20:02,000 ( rock song playing ) 885 01:20:12,510 --> 01:20:16,350 * SOMETIMES I'M JAMES BOND * 886 01:20:16,390 --> 01:20:20,090 * SOMETIMES I'M BILLY THE KID * 887 01:20:20,120 --> 01:20:23,660 * SOMETIMES I FEEL LIKE SHERLOCK HOLMES * 888 01:20:23,690 --> 01:20:27,800 * SOMETIMES I FEEL LIKE JACK THE RIPPER * 889 01:20:27,830 --> 01:20:31,500 * 'CAUSE I GOT AN IMAGE OUT OF CONTROL * 890 01:20:31,530 --> 01:20:35,300 * IDENTITY CRISISES 891 01:20:35,340 --> 01:20:37,370 * I'VE DRAWN IN A FACE * 892 01:20:37,410 --> 01:20:39,270 * 'CAUSE MINE'S BEEN ERASED * 893 01:20:39,310 --> 01:20:42,440 * IDENTITY CRISISES 894 01:20:42,480 --> 01:20:45,550 * SOMETIMES I'M ON A CASE * 895 01:20:45,580 --> 01:20:49,680 * SOMETIMES I'M SHOOTING BAD DUDES * 896 01:20:49,720 --> 01:20:52,790 * SOMETIMES I'M SLASHING THE FACE * 897 01:20:52,820 --> 01:20:56,590 * SOMETIMES I'M LOOKING FOR CLUES * 898 01:20:56,630 --> 01:21:00,460 * SOMETIMES I'M BREAKING THE LAW * 899 01:21:00,500 --> 01:21:04,600 * SOMETIMES I'M SOLVING THE CRIME * 900 01:21:04,630 --> 01:21:08,200 * I'M ALWAYS FAST ON THE DRAW * 901 01:21:08,240 --> 01:21:12,340 * I GET THE GIRLS ALL THE TIME * 902 01:21:12,370 --> 01:21:15,910 * 'CAUSE I GOT AN IMAGE OUT OF CONTROL * 903 01:21:15,950 --> 01:21:19,250 * IDENTITY CRISISES 904 01:21:19,280 --> 01:21:21,150 * I'VE DRAWN IN A FACE * 905 01:21:21,180 --> 01:21:23,150 * 'CAUSE MINE'S BEEN ERASED * 906 01:21:23,190 --> 01:21:25,920 * IDENTITY CRISISES 907 01:21:25,960 --> 01:21:28,260 ( instrumental break ) 908 01:21:55,450 --> 01:21:58,950 * SOMETIMES I'M JAMES BOND * 909 01:21:58,990 --> 01:22:02,890 * SOMETIMES I'M BILLY THE KID * 910 01:22:02,930 --> 01:22:06,560 * SOMETIMES I FEEL LIKE SHERLOCK HOLMES * 911 01:22:06,600 --> 01:22:10,600 * SOMETIMES I FEEL LIKE JACK THE RIPPER * 912 01:22:10,630 --> 01:22:14,040 * 'CAUSE I GOT AN IMAGE OUT OF CONTROL * 913 01:22:14,070 --> 01:22:17,740 * IDENTITY CRISISES 914 01:22:17,770 --> 01:22:19,670 * I'VE DRAWN IN A FACE * 915 01:22:19,710 --> 01:22:21,640 * 'CAUSE MINE'S BEEN ERASED * 916 01:22:21,680 --> 01:22:25,010 * IDENTITY CRISISES 917 01:22:25,050 --> 01:22:28,450 * NOW I GOT AN IMAGE OUT OF CONTROL * 918 01:22:28,480 --> 01:22:32,150 * IDENTITY CRISISES 919 01:22:32,190 --> 01:22:35,960 * I'VE DRAWN IN A FACE 'CAUSE MINE'S BEEN ERASED * 920 01:22:35,990 --> 01:22:38,590 * IDENTITY CRISISES. 921 01:22:41,730 --> 01:22:43,930 ( sinister music playing ) 62873

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