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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:08,205 --> 00:00:10,200 MILES: Previously on Get Shorty... 2 00:00:10,205 --> 00:00:11,201 - (MUFFLED CRYING) - Fucking Christ. 3 00:00:11,206 --> 00:00:13,200 What? He was talkin' shit! 4 00:00:13,205 --> 00:00:14,201 My wife's boyfriend! 5 00:00:14,206 --> 00:00:16,200 That's your wife's boyfriend? 6 00:00:16,205 --> 00:00:17,200 Get in your car. I'll move him out. 7 00:00:17,205 --> 00:00:18,201 (CHUCKLES) 8 00:00:18,206 --> 00:00:20,200 I think its best you don't tell anyone about this. 9 00:00:20,205 --> 00:00:21,205 Not even Katie. 10 00:00:23,205 --> 00:00:25,200 This is a beautiful story. 11 00:00:25,205 --> 00:00:28,200 It's honest and it's real and I promise when you read it, 12 00:00:28,205 --> 00:00:31,200 you'll realize you would've wanted to make this movie anyway. 13 00:00:31,205 --> 00:00:35,200 If you don't, I'll ruin you. I'll ruin your fuckin' life. 14 00:00:35,205 --> 00:00:39,200 You think you walk over me because I am a woman? 15 00:00:39,205 --> 00:00:41,200 You little dick maricon. 16 00:00:41,205 --> 00:00:42,201 Go back up north 17 00:00:42,206 --> 00:00:46,205 or I cut your fucking legs off. 18 00:00:52,531 --> 00:00:55,888 Get Shorty 1x04 "From Stamos with Love" 19 00:00:57,145 --> 00:01:01,185 - Synced & Corrected by Dragoniod - www.addic7ed.com 20 00:01:06,259 --> 00:01:08,258 (BREATHING HEAVILY) 21 00:01:08,410 --> 00:01:10,405 Still alive? 22 00:01:10,410 --> 00:01:12,405 I thought you wanted to speak to him. 23 00:01:12,410 --> 00:01:13,406 (BREATHES HEAVILY) 24 00:01:13,411 --> 00:01:16,047 If you don't, I'll, I'll finish up. 25 00:01:17,410 --> 00:01:19,405 I come in. 26 00:01:19,410 --> 00:01:20,406 (MILES COUGHS) 27 00:01:20,411 --> 00:01:22,405 (MILES GROANS) 28 00:01:22,410 --> 00:01:24,410 (YAGO SPEAKING SPANISH) 29 00:01:26,410 --> 00:01:28,410 Someone's here to see you. 30 00:01:29,410 --> 00:01:30,410 (GROANS) 31 00:01:43,176 --> 00:01:47,835 ? 32 00:01:50,920 --> 00:01:56,277 ? 33 00:02:20,410 --> 00:02:21,410 (CELL PHONE RINGING) 34 00:02:22,410 --> 00:02:23,406 Oh, shit. 35 00:02:23,411 --> 00:02:25,405 Amara. Hi. 36 00:02:25,410 --> 00:02:26,405 I love. 37 00:02:26,410 --> 00:02:27,406 What's that? 38 00:02:27,411 --> 00:02:29,405 Script for my movie. 39 00:02:29,410 --> 00:02:31,405 (SPEAKING SPANISH) 40 00:02:31,410 --> 00:02:33,405 MILES: (ON PHONE) Oh, you read the script. 41 00:02:33,410 --> 00:02:36,405 That's great. Isn't it, uh, it's, it's terrific, isn't it? 42 00:02:36,410 --> 00:02:37,406 I mean, I mean, I, I really think... 43 00:02:37,411 --> 00:02:39,405 How is John Stamos? 44 00:02:39,410 --> 00:02:42,405 Uh, we haven't started casting, 45 00:02:42,410 --> 00:02:45,410 so I haven't had the chance to meet Mr. Stamos just yet. 46 00:02:47,410 --> 00:02:48,410 I want a photo. 47 00:02:49,410 --> 00:02:51,405 Okay... 48 00:02:51,410 --> 00:02:53,405 Stamos. Autografo. Should say, 49 00:02:53,410 --> 00:02:58,410 "Amara, Que Bella. With love, John Stamos." 50 00:02:59,410 --> 00:03:01,405 "With love." No problemo. 51 00:03:01,410 --> 00:03:05,597 Um, soon as I meet Mr. Stamos, I'll have him do that for you. 52 00:03:05,787 --> 00:03:07,510 - Stay in touch. - MILES: Absolutely, we will. 53 00:03:07,557 --> 00:03:10,621 And let us know the moment that... Hello? 54 00:03:11,410 --> 00:03:12,406 Every fucking time. 55 00:03:12,411 --> 00:03:14,405 - What'd she want? - Oh, man. She's happy. 56 00:03:14,410 --> 00:03:16,405 - Yeah? - Very happy investor, man. 57 00:03:16,410 --> 00:03:17,406 She read the script, she loves it. 58 00:03:17,411 --> 00:03:19,405 She says it's "muy romantico." 59 00:03:19,410 --> 00:03:20,159 Ah! 60 00:03:20,165 --> 00:03:22,405 And that's the beauty of a story like this. 61 00:03:22,410 --> 00:03:25,405 You know, even if you're a psychopath, it touches your heart. 62 00:03:25,410 --> 00:03:27,405 I mean, sh... She read it? 63 00:03:27,410 --> 00:03:31,410 I haven't even read it. And I wrote it. 64 00:03:49,219 --> 00:03:50,215 What's up, bro? 65 00:03:50,236 --> 00:03:53,129 What's up? Not him. 66 00:03:53,219 --> 00:03:54,629 Oh, no, he, he's cool. 67 00:03:54,687 --> 00:03:56,686 Ain't about being cool, bro. 68 00:03:58,410 --> 00:04:00,405 Okay. 69 00:04:00,410 --> 00:04:02,405 (KNOCK ON THE DOOR) 70 00:04:02,410 --> 00:04:04,405 - (BUZZER BEEPING) - (DOOR OPENS) 71 00:04:04,410 --> 00:04:08,405 Yo. Everyone so on edge, dog. It's like freakin' me out. 72 00:04:08,410 --> 00:04:10,405 That's how it's gotta be. 73 00:04:10,410 --> 00:04:11,406 Yeah, for how long? 74 00:04:11,411 --> 00:04:14,405 If you heard what Amara told Josias? 75 00:04:14,410 --> 00:04:16,405 She was like, "This shit is war." 76 00:04:16,410 --> 00:04:17,406 (SCOFFS) 77 00:04:17,411 --> 00:04:20,405 If anyone should be on the lookout, it's me. 78 00:04:20,410 --> 00:04:21,406 Why? 79 00:04:21,411 --> 00:04:23,405 I'm a lieutenant. 80 00:04:23,410 --> 00:04:27,405 If they cap you, no offense, but that's not headline news. 81 00:04:27,410 --> 00:04:31,410 They cap me? That's some serious shit. 82 00:04:33,410 --> 00:04:34,410 Yeah. 83 00:04:44,410 --> 00:04:46,405 Oh, the sign looks good. 84 00:04:46,410 --> 00:04:47,410 And professional, yeah. 85 00:04:49,410 --> 00:04:51,410 (LIFT BELL DINGS) 86 00:04:54,410 --> 00:04:56,405 Oh, uh, put the plant over by the window, 87 00:04:56,410 --> 00:04:58,405 - it'll die slower. - Yes, ma'am. 88 00:04:58,410 --> 00:05:00,405 Hey-hey. Pretty cool, huh? 89 00:05:00,410 --> 00:05:02,405 - This is all us? - GLADYS: All us. 90 00:05:02,410 --> 00:05:03,406 I can't find the coffee machine though? 91 00:05:03,411 --> 00:05:06,405 Please, if somebody finds it, let me know. 92 00:05:06,410 --> 00:05:08,405 You and Rick have a 2:00 p.m. with April. 93 00:05:08,410 --> 00:05:10,405 (SIGHS) Is it just them, or should I... 94 00:05:10,410 --> 00:05:12,405 Far as I know, it's just producers. 95 00:05:12,410 --> 00:05:15,405 And we need your headshot for the announcement in the trades. 96 00:05:15,410 --> 00:05:17,405 The trades, right. 97 00:05:17,410 --> 00:05:18,406 Trade what? 98 00:05:18,411 --> 00:05:20,405 Industry magazines, websites. 99 00:05:20,410 --> 00:05:23,405 Wait. His picture's going in a magazine? 100 00:05:23,410 --> 00:05:24,406 Yeah, this is what they always do 101 00:05:24,411 --> 00:05:26,405 when you have a "Go" picture. 102 00:05:26,410 --> 00:05:27,406 I don't have a headshot, though. 103 00:05:27,411 --> 00:05:31,405 Not one that's, um, that's appropriate. 104 00:05:31,410 --> 00:05:33,405 That's fine. The studio will set up a photo shoot. 105 00:05:33,410 --> 00:05:35,405 Oh. 106 00:05:35,410 --> 00:05:37,405 RICK: Gladys, what the hell is this? 107 00:05:37,410 --> 00:05:40,405 What, I leave here for one minute and this fucking thing? 108 00:05:40,410 --> 00:05:41,406 What movie is that? 109 00:05:41,411 --> 00:05:44,405 The biggest disaster of my career. Like I want it on the wall. 110 00:05:44,410 --> 00:05:45,405 GLADYS: Uh, well, must have been in your old closet. 111 00:05:45,410 --> 00:05:46,406 Okay. Get it off. 112 00:05:46,411 --> 00:05:48,405 The guy left. 113 00:05:48,410 --> 00:05:49,405 What guy? 114 00:05:49,410 --> 00:05:50,406 - Facilities. - Well, well... 115 00:05:50,411 --> 00:05:53,405 (SIGHS) Fuck. Come on. 116 00:05:53,410 --> 00:05:55,405 God damn it. 117 00:05:55,410 --> 00:05:58,405 Oh, they must've screwed it in when they did. 118 00:05:58,410 --> 00:05:59,406 Except, I don't see any screws. 119 00:05:59,411 --> 00:06:01,405 - How did they do it? - I'll have them come back. 120 00:06:01,410 --> 00:06:03,405 - Please. - (KNOCK ON THE DOOR) 121 00:06:03,410 --> 00:06:04,405 We interrupting? 122 00:06:04,410 --> 00:06:05,406 No. What's up, guys? 123 00:06:05,411 --> 00:06:09,405 Amara was hoping to get a signed photo of John Stamos. 124 00:06:09,410 --> 00:06:11,405 It's a souvenir for the investor. 125 00:06:11,410 --> 00:06:12,406 You think that can be arranged? 126 00:06:12,411 --> 00:06:15,405 Yeah, yeah, yeah. Yeah. Probably get one on Ebay. 127 00:06:15,410 --> 00:06:16,410 Did you see your office? 128 00:06:17,410 --> 00:06:18,405 I have an office? 129 00:06:18,410 --> 00:06:19,406 (LIGHT CHUCKLES) Next one over. 130 00:06:19,411 --> 00:06:21,405 I'll be in my office. 131 00:06:21,410 --> 00:06:24,410 - Coffee. - Yeah, get the guy. 132 00:06:26,410 --> 00:06:28,410 So, uh, so my office is, is... 133 00:06:29,410 --> 00:06:30,406 What, you need one? 134 00:06:30,411 --> 00:06:32,410 You already wrote the script. 135 00:06:35,410 --> 00:06:37,410 Can I, uh, use your bathroom? 136 00:07:00,410 --> 00:07:04,405 HEIDI: So you must be psyched. Owen sold his script. 137 00:07:04,410 --> 00:07:05,406 What? 138 00:07:05,411 --> 00:07:07,405 Wasn't he working on a script called The Admiral's Mistress? 139 00:07:07,410 --> 00:07:10,410 A project with that title got set up at Gravity. 140 00:07:13,410 --> 00:07:14,405 HEIDI: Oh, cute! 141 00:07:14,410 --> 00:07:15,406 That's so cute. 142 00:07:15,411 --> 00:07:17,405 I'm actually not in touch with Owen. 143 00:07:17,410 --> 00:07:20,405 He basically ghosted me. 144 00:07:20,410 --> 00:07:21,406 I'm sorry. 145 00:07:21,411 --> 00:07:23,405 Yeah, no, it's fine. 146 00:07:23,410 --> 00:07:26,405 I mean, it's fucked, but whatever. He sold his script. 147 00:07:26,410 --> 00:07:30,405 Maybe not. Maybe it just has the same title... 148 00:07:30,410 --> 00:07:33,405 Can you get me a copy of it? I can see if it's his. 149 00:07:33,410 --> 00:07:34,410 Totally. 150 00:07:42,410 --> 00:07:43,406 RICK: We're here! 151 00:07:43,411 --> 00:07:46,405 You can imagine how I've been looking forward to this. 152 00:07:46,410 --> 00:07:48,405 MARCIA: Anyone like water or coffee? 153 00:07:48,410 --> 00:07:52,405 Um, that'd be... Can I get both? 154 00:07:52,410 --> 00:07:53,406 Coming right up. 155 00:07:53,411 --> 00:07:55,405 RICK: I'm, I'm fine. Thanks. 156 00:07:55,410 --> 00:07:57,405 These are the invites to Brandon's charity gala tomorrow. 157 00:07:57,410 --> 00:07:59,405 Parking passes inside. 158 00:07:59,410 --> 00:08:02,405 You might want to check with me before you go around handing those out. 159 00:08:02,410 --> 00:08:04,410 - Brandon said... - Thanks, Marcia. 160 00:08:06,410 --> 00:08:08,405 What's "Cocktail attire"? 161 00:08:08,410 --> 00:08:10,410 Means free valet and open bar. 162 00:08:11,410 --> 00:08:14,405 - A suit. Just wear a suit. - Oh. 163 00:08:14,410 --> 00:08:15,405 Come on. 164 00:08:15,410 --> 00:08:16,406 Ms. Quinn, can I say how excited I am... 165 00:08:16,411 --> 00:08:18,405 APRIL: No, you can't. 166 00:08:18,410 --> 00:08:20,405 RICK: All right. Okay. Look, I just wanted to say, 167 00:08:20,410 --> 00:08:23,405 off the record, I don't care what went on between you two. 168 00:08:23,410 --> 00:08:25,405 Sooner we get through this, the sooner you can leave. 169 00:08:25,410 --> 00:08:27,405 I'm prepping Lethal Limit Four, 170 00:08:27,410 --> 00:08:29,405 a project that actually matters. 171 00:08:29,410 --> 00:08:31,405 So, Gravity Pictures is on board. 172 00:08:31,410 --> 00:08:33,405 Only Brandon won't greenlight this unless he thinks 173 00:08:33,410 --> 00:08:35,405 there's an audience for it. 174 00:08:35,410 --> 00:08:37,191 More people than would attend, say, a 175 00:08:37,197 --> 00:08:39,405 high school production of The Crucible. 176 00:08:39,410 --> 00:08:41,405 The script needs work, obviously. 177 00:08:41,410 --> 00:08:42,406 Does it? 178 00:08:42,411 --> 00:08:44,405 I'll set up a meeting with this writer, 179 00:08:44,410 --> 00:08:47,405 "Louis Darnell," whoever that is. 180 00:08:47,410 --> 00:08:50,305 You want Louis to rewrite the script? 181 00:08:51,410 --> 00:08:54,405 I'm putting together a list of prestigious directors 182 00:08:54,410 --> 00:08:55,406 who will want nothing to do with us. 183 00:08:55,411 --> 00:08:57,405 But call them and beg, 184 00:08:57,410 --> 00:08:59,405 or this won't get off the ground. 185 00:08:59,410 --> 00:09:00,406 Finally, there's cast. 186 00:09:00,411 --> 00:09:02,405 Oh. We have some ideas. 187 00:09:02,410 --> 00:09:03,406 Do you? 188 00:09:03,411 --> 00:09:06,405 Well, the investor weighed in. 189 00:09:06,410 --> 00:09:07,406 Well, since we're buying out your investor 190 00:09:07,411 --> 00:09:09,410 that shouldn't be an issue. Right? 191 00:09:10,410 --> 00:09:11,406 What's this? 192 00:09:11,411 --> 00:09:13,405 It's the first I've heard of it. 193 00:09:13,410 --> 00:09:15,405 Lawyer stuff, I'm not really up on details. 194 00:09:15,410 --> 00:09:18,405 But I do know Brandon is not interested in a co-production. 195 00:09:18,410 --> 00:09:20,405 RICK: Okay, wait, wait, wait. 196 00:09:20,410 --> 00:09:22,405 They're gonna buy out Amara's distribution rights at a profit? 197 00:09:22,410 --> 00:09:23,406 - Correct. - Healthy profit? 198 00:09:23,411 --> 00:09:25,405 Lawyer stuff, blah-blah. 199 00:09:25,410 --> 00:09:28,405 I just know your investor's no longer an issue. 200 00:09:28,410 --> 00:09:31,405 (SIGHS) No, it's good news. 201 00:09:31,410 --> 00:09:32,406 - Yeah? - Yeah. 202 00:09:32,411 --> 00:09:34,405 So we're still making the film, but Amara... 203 00:09:34,410 --> 00:09:36,405 She's, she's made profit already, yeah. 204 00:09:36,410 --> 00:09:38,405 So now she's out. It's good. 205 00:09:38,410 --> 00:09:40,405 - Amara's out. - Hmm. 206 00:09:40,410 --> 00:09:42,405 MARCIA: Coffee and water, there ya go! 207 00:09:42,410 --> 00:09:43,410 Thank you. 208 00:09:45,410 --> 00:09:47,410 Now that you have your beverages, should we keep going? 209 00:09:51,410 --> 00:09:53,405 MILES: This was always the plan, 210 00:09:53,410 --> 00:09:56,405 it's just happening way sooner than I hoped. 211 00:09:56,410 --> 00:09:58,405 I mean, we can move forward with the movie 212 00:09:58,410 --> 00:09:59,406 and Amara's not involved. 213 00:09:59,411 --> 00:10:01,405 She doesn't know she's not involved. 214 00:10:01,410 --> 00:10:03,405 Right. 215 00:10:03,410 --> 00:10:06,405 When she finds out, she's gonna want us back in Pahrump. Right? 216 00:10:06,410 --> 00:10:08,405 - No, no, no, no, no. - Yeah, yeah, yeah, yeah, yeah. 217 00:10:08,410 --> 00:10:11,405 No. We told her that we were gonna make her a profit on her investment. 218 00:10:11,410 --> 00:10:13,405 Apart from that, we can, you know, do our own thing. 219 00:10:13,410 --> 00:10:15,405 Okay. Okay. That part? 220 00:10:15,410 --> 00:10:17,405 The, uh, "We can do our own thing" part? 221 00:10:17,410 --> 00:10:20,405 I don't remember you running that by Amara. 222 00:10:20,410 --> 00:10:21,406 I'll talk to Amara. 223 00:10:21,411 --> 00:10:23,405 - Okay. And I'll say, uh... - What'll you say? 224 00:10:23,410 --> 00:10:25,405 I'll say, um... 225 00:10:25,410 --> 00:10:26,406 Well, I don't know what I'll say. 226 00:10:26,411 --> 00:10:28,405 But she's not expecting to get paid 227 00:10:28,410 --> 00:10:31,405 until the movie's in the theaters, which is, what, 228 00:10:31,410 --> 00:10:33,405 like, a year from now. 229 00:10:33,410 --> 00:10:35,410 So maybe, in the meantime, we... 230 00:10:36,410 --> 00:10:37,406 We just don't mention it. 231 00:10:37,411 --> 00:10:39,405 No. You want to hide it from her? 232 00:10:39,410 --> 00:10:40,406 - She's gonna get paid, Lou... - Uh-uh. 233 00:10:40,411 --> 00:10:42,405 She's gonna get paid. In full. 234 00:10:42,410 --> 00:10:46,410 Every penny. Just, you know, eventually. 235 00:10:50,410 --> 00:10:53,405 Can you just be fucking happy for me? 236 00:10:53,410 --> 00:10:54,406 - What? - I'm doing it. 237 00:10:54,411 --> 00:10:58,405 Man, I'm doing it. Maybe I feel like I belong here. 238 00:10:58,410 --> 00:11:00,405 You know, I'm obviously doing something right, aren't I? 239 00:11:00,410 --> 00:11:02,410 People are taking notice. 240 00:11:03,410 --> 00:11:06,405 This was supposed to be low-profile. 241 00:11:06,410 --> 00:11:09,405 Now you're getting your picture in a magazine. 242 00:11:09,410 --> 00:11:11,405 I mean, that could bite you in the ass. 243 00:11:11,410 --> 00:11:13,455 You coming in? I need to get some cocktail 244 00:11:13,461 --> 00:11:15,405 attire for Brandon's little shindig. 245 00:11:15,410 --> 00:11:16,405 Right. 246 00:11:16,410 --> 00:11:17,406 What? 247 00:11:17,411 --> 00:11:19,410 What, now, you have a problem with me buying clothes? 248 00:11:20,410 --> 00:11:22,410 I'm gonna wait outside. 249 00:11:23,410 --> 00:11:25,405 Look, I know why you're pissed off, 250 00:11:25,410 --> 00:11:29,405 and if it were up to me, trust me, you'd be coming to the dinner too. 251 00:11:29,410 --> 00:11:31,405 That's why you think I'm pissed off? 252 00:11:31,410 --> 00:11:32,406 Well? 253 00:11:32,411 --> 00:11:34,405 Well... Why don't you go buy your $1,000 suit, 254 00:11:34,410 --> 00:11:38,405 and then you can, uh, roll up to your big fancy party in that busted rig. 255 00:11:38,410 --> 00:11:39,406 That'll make an impression. 256 00:11:39,411 --> 00:11:42,405 Aw, shit. 257 00:11:42,410 --> 00:11:44,405 No. No, I'm just messing with you. 258 00:11:44,410 --> 00:11:45,406 - No, you're right. - No, I'm messing with you. 259 00:11:45,411 --> 00:11:48,405 That car, that's, that's a classic. It's a classic. 260 00:11:48,410 --> 00:11:51,410 - Maybe I can lease one. - Will you stop? 261 00:12:54,410 --> 00:12:56,410 What up? What do you mean? 262 00:12:57,410 --> 00:12:59,405 So what? 263 00:12:59,410 --> 00:13:01,410 Yeah, bro. I gotta go. Right. See you. 264 00:13:20,410 --> 00:13:23,405 Hmm. Oh, yeah. 265 00:13:23,410 --> 00:13:25,405 You know, it occurs to me. 266 00:13:25,410 --> 00:13:27,405 Emma's gonna need to do an accent for this role. 267 00:13:27,410 --> 00:13:31,405 She's got natural talent but there's a technique to that sort of thing. 268 00:13:31,410 --> 00:13:33,405 Just have her use yours. 269 00:13:33,410 --> 00:13:35,405 Oh, yeah. No, I would. 270 00:13:35,410 --> 00:13:36,406 Only I'm Irish and the character's British, 271 00:13:36,411 --> 00:13:38,405 which is a completely different fuckin' thing. 272 00:13:38,410 --> 00:13:41,410 - Uh, is it? Mm... - Black or Burgundy? 273 00:13:42,410 --> 00:13:44,405 Burgundy. 274 00:13:44,410 --> 00:13:47,405 I actually picked up a flyer in the lobby. 275 00:13:47,410 --> 00:13:50,405 A guy who, uh, does acting lessons. 276 00:13:50,410 --> 00:13:54,405 "A safe place for kids to connect with their inner artist. 277 00:13:54,410 --> 00:13:56,191 "Study character development and work 278 00:13:56,197 --> 00:13:58,405 with an experienced dialect coach." 279 00:13:58,410 --> 00:14:01,405 Yeah. Well, I mean, if you think she needs that kind of thing. 280 00:14:01,410 --> 00:14:02,781 If Katie agrees, I suppose she'll have 281 00:14:02,787 --> 00:14:04,405 to drive Emma up here for a few days. 282 00:14:04,410 --> 00:14:06,405 - Ah. I see what you're doing. - MILES: Huh? 283 00:14:06,410 --> 00:14:08,410 Now I know what this is about. 284 00:14:09,410 --> 00:14:11,405 "Acting lessons." Right? 285 00:14:11,410 --> 00:14:12,406 Oh! Fuck. I nearly forgot. 286 00:14:12,411 --> 00:14:15,405 You have a meeting tomorrow with April Quinn. 287 00:14:15,410 --> 00:14:17,405 Of what? 288 00:14:17,410 --> 00:14:18,406 She wants to have a little chat about the script. 289 00:14:18,411 --> 00:14:20,405 It's not a big deal. 290 00:14:20,410 --> 00:14:22,405 "It's not a big deal?" What's does, what does that mean? 291 00:14:22,410 --> 00:14:24,405 The script's already good, right? 292 00:14:24,410 --> 00:14:25,601 So, if she wants you to make some 293 00:14:25,607 --> 00:14:27,405 changes, I'm sure she'll tell you what. 294 00:14:27,410 --> 00:14:29,410 I haven't read the thing! 295 00:14:33,410 --> 00:14:34,405 Here you go. 296 00:14:34,410 --> 00:14:35,410 (SIGHS) 297 00:14:39,410 --> 00:14:41,405 This is like a 100 pages. 298 00:14:41,410 --> 00:14:43,410 It's double-spaced. 299 00:14:44,410 --> 00:14:47,410 I have to read this whole thing? Fuck me. 300 00:14:49,410 --> 00:14:50,410 (INDISTINCT CONVERSATIONS) 301 00:14:54,410 --> 00:14:56,410 Yo. You talk to her? 302 00:14:58,410 --> 00:15:00,405 And? 303 00:15:00,410 --> 00:15:02,405 She said she can't do anything. 304 00:15:02,410 --> 00:15:03,406 What do you mean? 305 00:15:03,411 --> 00:15:05,405 She said the kid didn't work for her. 306 00:15:05,410 --> 00:15:08,410 Yeah, but he worked for me, and I work for her. 307 00:15:10,410 --> 00:15:12,405 So that's it? 308 00:15:12,410 --> 00:15:13,406 We just let it go? 309 00:15:13,411 --> 00:15:15,405 (SCOFFS) 310 00:15:15,410 --> 00:15:18,405 Mmm. Bro, that is fucked up. 311 00:15:18,410 --> 00:15:20,405 We don't even know if Josias did it. 312 00:15:20,410 --> 00:15:23,405 Who else? Man, they put a hole in his chest! 313 00:15:23,410 --> 00:15:27,405 Man, Amara needs to look after her people, bro! 314 00:15:27,410 --> 00:15:30,410 I bet Josias looked after his crew better than this shit. 315 00:15:31,410 --> 00:15:32,410 What did you say? 316 00:15:33,410 --> 00:15:35,410 (SIGHS) 317 00:15:38,410 --> 00:15:39,406 What the fuck did you say? 318 00:15:39,411 --> 00:15:41,410 Listen. Just chill out, all right? 319 00:15:42,410 --> 00:15:44,410 Don't fucking talk like that. 320 00:15:52,410 --> 00:15:55,410 Yo, bro, I'm with you all the way. 321 00:15:56,410 --> 00:15:59,410 Amara, too. You know that. 322 00:16:06,410 --> 00:16:10,410 Glasses Kid, he was my boy, that's all. 323 00:16:15,410 --> 00:16:18,410 (SCRATCHING UTENSILS) 324 00:16:26,410 --> 00:16:28,405 What are you doing? 325 00:16:28,410 --> 00:16:30,405 Oh. Hey, I'm just, uh... (CLEARS THROAT) 326 00:16:30,410 --> 00:16:33,405 I'm just washing the roasting pan. 327 00:16:33,410 --> 00:16:35,405 I feel like it's soaked long enough. 328 00:16:35,410 --> 00:16:36,410 At 4:00 a.m.? 329 00:16:38,410 --> 00:16:40,405 I couldn't sleep. 330 00:16:40,410 --> 00:16:42,405 So I thought, I'd make myself useful. 331 00:16:42,410 --> 00:16:44,405 I didn't, I didn't wake you up, did I? 332 00:16:44,410 --> 00:16:48,410 No, I just... The Xanax isn't helping? 333 00:16:49,410 --> 00:16:51,410 I feel more calm, 334 00:16:52,410 --> 00:16:56,052 but I can't sleep. I think that's what's killing my golf game. 335 00:16:56,410 --> 00:16:57,410 EMMA: Mom? 336 00:16:58,410 --> 00:17:00,405 Emma, go to sleep. 337 00:17:00,410 --> 00:17:01,405 What, what's happening? 338 00:17:01,410 --> 00:17:02,406 Nothing, Jeffery's just... 339 00:17:02,411 --> 00:17:04,410 I'm just cleaning up, sweetheart. That's all. 340 00:17:05,410 --> 00:17:06,410 Now? 341 00:17:08,410 --> 00:17:10,410 Yeah, we'll both go to bed. 342 00:17:13,410 --> 00:17:15,405 Are you sure there isn't anything I... 343 00:17:15,410 --> 00:17:17,410 No. You go. I'm good. Really. 344 00:17:18,410 --> 00:17:19,410 KATIE: Okay. 345 00:17:27,410 --> 00:17:29,405 Hey. Nice view? 346 00:17:29,410 --> 00:17:31,405 The actor from Ant-Man just went into that porta-potty. 347 00:17:31,410 --> 00:17:33,405 Took a picture for my daughter. 348 00:17:33,410 --> 00:17:36,405 Ah. The glamour of Hollywood, right? 349 00:17:36,410 --> 00:17:37,406 Listen. You got a second? 350 00:17:37,411 --> 00:17:40,405 - Sure. - Yeah. Just, sit down. 351 00:17:40,410 --> 00:17:42,405 (SNIFFLES, GRUNTS) 352 00:17:42,410 --> 00:17:46,405 Look, right now, we got buzz. 353 00:17:46,410 --> 00:17:49,405 We're, we're in the trades, people are talking. 354 00:17:49,410 --> 00:17:50,406 Mm-hmm. 355 00:17:50,411 --> 00:17:54,405 This is the time to set up our next film. 356 00:17:54,410 --> 00:17:58,405 Yeah. So when Admiral's Mistress comes out, 357 00:17:58,410 --> 00:18:02,405 you know, maybe, despite all our best efforts, it's not so great... 358 00:18:02,410 --> 00:18:03,406 Why is it not so great? 359 00:18:03,411 --> 00:18:06,405 Or you like it but the critics shit on it. 360 00:18:06,410 --> 00:18:08,405 The world moves on, you get left behind. 361 00:18:08,410 --> 00:18:11,405 That's a sunny prediction. 362 00:18:11,410 --> 00:18:14,405 What we do now is, we go now to Amara 363 00:18:14,410 --> 00:18:18,405 and we say, "Congratulations, you made a profit on this last film! 364 00:18:18,410 --> 00:18:20,405 "You know, 10, 20 percent, whatever it is. 365 00:18:20,410 --> 00:18:23,405 "Why not put some of that money into another film?" 366 00:18:23,410 --> 00:18:25,405 No. 367 00:18:25,410 --> 00:18:28,405 You know, "Given your, your, your passion for cinema," 368 00:18:28,410 --> 00:18:30,405 etcetera, etcetera. 369 00:18:30,410 --> 00:18:32,405 We're not asking Amara for more money. 370 00:18:32,410 --> 00:18:34,410 - Why not? - It's a bad idea. 371 00:18:35,410 --> 00:18:37,405 Because... 372 00:18:37,410 --> 00:18:38,406 Listen, you want to set up another movie? 373 00:18:38,411 --> 00:18:41,405 Great, we'll find another investor. 374 00:18:41,410 --> 00:18:43,405 I mean, if you know people, and more... 375 00:18:43,410 --> 00:18:45,405 It's, it's okay for me to bring you an investor 376 00:18:45,410 --> 00:18:48,405 but you don't wanna share Amara? 377 00:18:48,410 --> 00:18:52,102 Rick, I'm better off without Amara 378 00:18:52,410 --> 00:18:54,387 and so are you. 379 00:18:57,410 --> 00:18:59,405 Is that right? 380 00:18:59,410 --> 00:19:00,410 That's right. 381 00:19:02,410 --> 00:19:04,410 All right. Think about it. 382 00:19:07,410 --> 00:19:08,910 And, Rick. 383 00:19:08,958 --> 00:19:11,405 Let me be the one to tell her about this business with the studio. 384 00:19:11,410 --> 00:19:13,405 Yeah, yeah, you handle it. 385 00:19:13,410 --> 00:19:16,405 All right. See you in April's office. 386 00:19:16,410 --> 00:19:17,410 Yeah, I'll see you there. 387 00:19:19,410 --> 00:19:23,405 First of all, Louis, it's such an honor to have you here. 388 00:19:23,410 --> 00:19:24,998 And to realize the man behind 389 00:19:25,004 --> 00:19:27,405 The Admiral's Mistress isn't British! 390 00:19:27,410 --> 00:19:31,405 (CHUCKLES) No. No, not British. 391 00:19:31,410 --> 00:19:33,410 You must have done a lot of research. 392 00:19:37,410 --> 00:19:39,405 So, my biggest note 393 00:19:39,410 --> 00:19:42,405 and I do know writers hate this word. 394 00:19:42,410 --> 00:19:46,405 But in the second half, when Felton becomes the Admiral... 395 00:19:46,410 --> 00:19:49,410 Is there a way to make that character more sympathetic? 396 00:19:57,410 --> 00:20:00,405 Uh, the, uh, character, the Admiral character. 397 00:20:00,410 --> 00:20:01,410 Right, right, right. Right. 398 00:20:05,410 --> 00:20:06,405 So you're thinking... 399 00:20:06,410 --> 00:20:07,410 More sympathetic. 400 00:20:08,410 --> 00:20:09,410 The Admiral. 401 00:20:16,410 --> 00:20:19,405 Emphasize his courage, the innocence he's retained. 402 00:20:19,410 --> 00:20:21,405 I know he becomes a war profiteer, 403 00:20:21,410 --> 00:20:24,405 but maybe he was forced into it? 404 00:20:24,410 --> 00:20:27,363 Uh... (CLEARS THROAT) So, forced. 405 00:20:29,410 --> 00:20:30,410 No? 406 00:20:33,410 --> 00:20:35,405 The reason he's a puppeteer... 407 00:20:35,410 --> 00:20:37,405 Profiteer. He's a profiteer. 408 00:20:37,410 --> 00:20:39,405 I think the important thing to remember 409 00:20:39,410 --> 00:20:42,405 is where he's coming from, emotionally. 410 00:20:42,410 --> 00:20:43,406 - Right, Louis? - Mm-hmm. Mm-hmm. 411 00:20:43,411 --> 00:20:45,688 I mean, he's obviously doing it for love. 412 00:20:45,775 --> 00:20:48,191 Yeah, no, I get that. But I'm sensing 413 00:20:48,197 --> 00:20:50,405 that Louis has a different take on this. 414 00:20:50,410 --> 00:20:52,410 - Oh, yeah? - APRIL: Yeah. 415 00:20:54,410 --> 00:20:55,410 How do you see it? 416 00:20:57,410 --> 00:20:58,406 Um... (SIGHS) 417 00:20:58,411 --> 00:21:02,405 Well, that was during the war. 418 00:21:02,410 --> 00:21:06,410 So, I mean, right there. 419 00:21:07,410 --> 00:21:10,405 I mean, the flip side of that coin... 420 00:21:10,410 --> 00:21:13,405 The flip side of war is peace. 421 00:21:13,410 --> 00:21:15,405 It's peace. 422 00:21:15,410 --> 00:21:20,405 Um, so, basically, when, when you're looking at the Admiral, 423 00:21:20,410 --> 00:21:22,410 you, um... 424 00:21:25,410 --> 00:21:26,405 What was the question? 425 00:21:26,410 --> 00:21:27,406 (TELEPHONE RINGING) 426 00:21:27,411 --> 00:21:29,405 Moreweather Productions. 427 00:21:29,410 --> 00:21:30,406 CAROLINE: Is Owen there? 428 00:21:30,411 --> 00:21:33,405 GLADYS: (ON TELEPHONE) Who? CAROLINE: Owen Eidler. 429 00:21:33,410 --> 00:21:37,405 He wrote the movie you're making. The Admiral's Mistress. 430 00:21:37,410 --> 00:21:40,405 GLADYS: Our script was written by Louis Darnell. 431 00:21:40,410 --> 00:21:42,405 CAROLINE: No, it was not. 432 00:21:42,410 --> 00:21:45,405 -Who is this? -CAROLINE: Owen's girlfriend, Caroline. 433 00:21:45,410 --> 00:21:47,405 Or ex-girlfriend, I'm not sure. 434 00:21:47,410 --> 00:21:51,405 Caroline, I'd be happy to forward your information to our attorney. 435 00:21:51,410 --> 00:21:52,705 CAROLINE: (ON PHONE) I have both copies. 436 00:21:52,761 --> 00:21:55,302 Owen's and the one that says "Louis Darnell". 437 00:21:55,308 --> 00:21:58,405 And they're the same script. I mean word for word. 438 00:21:58,410 --> 00:22:01,405 So, either Owen's using a pen name 439 00:22:01,410 --> 00:22:04,405 or you guys bought the script and... 440 00:22:04,410 --> 00:22:06,405 You know what? I don't care what happened. 441 00:22:06,410 --> 00:22:08,405 I just need to find Owen. 442 00:22:08,410 --> 00:22:10,405 I don't know who that is. 443 00:22:10,410 --> 00:22:11,406 Well, somebody knows. 444 00:22:11,411 --> 00:22:13,405 And they better call me back like today. 445 00:22:13,410 --> 00:22:14,406 What was that number? 446 00:22:14,411 --> 00:22:16,405 CAROLINE: It's four-one-five... 447 00:22:16,410 --> 00:22:17,406 Thanks so much for coming in Louis. 448 00:22:17,411 --> 00:22:20,410 We're all really excited about this project. 449 00:22:21,410 --> 00:22:22,405 Me, too. 450 00:22:22,410 --> 00:22:23,406 Everybody wins! Take care. 451 00:22:23,411 --> 00:22:25,410 Thanks, buddy. Good job. 452 00:22:27,410 --> 00:22:28,410 I'll see you in a bit. 453 00:22:31,410 --> 00:22:34,405 I have a relationship with Julian Pynter. Any objections? 454 00:22:34,410 --> 00:22:35,406 - Oh. - Julian who? 455 00:22:35,411 --> 00:22:37,405 Pynter. Yeah. He's a big deal. 456 00:22:37,410 --> 00:22:39,405 Did uncredited work on Lethal Limit Three. 457 00:22:39,410 --> 00:22:41,405 Wrote Consequence, Braithwaite Park... 458 00:22:41,410 --> 00:22:42,406 Hey. Fine by me. 459 00:22:42,411 --> 00:22:44,405 Hold on, are w... 460 00:22:44,410 --> 00:22:47,410 Are we talking about firing Louis? 461 00:22:49,410 --> 00:22:51,832 It's a bit rash, isn't this? Just 'cause he's... 462 00:22:56,822 --> 00:22:57,822 Yeah, all right. 463 00:22:59,410 --> 00:23:00,406 Gladys. 464 00:23:00,411 --> 00:23:02,405 - GLADYS: Yes. - Poster. 465 00:23:02,410 --> 00:23:04,405 I left a message with facilities. 466 00:23:04,410 --> 00:23:06,405 Wait, wait, wait. Look at this. Look at this. 467 00:23:06,410 --> 00:23:09,405 I can hang from it. I'm hanging. See this? 468 00:23:09,410 --> 00:23:12,405 Yeah, I think they welded it to the wall. 469 00:23:12,410 --> 00:23:13,410 When did you make that movie? 470 00:23:14,410 --> 00:23:18,410 20 years ago. Ambitious film, cost a fortune. 471 00:23:19,410 --> 00:23:20,406 Everybody hated it. 472 00:23:20,411 --> 00:23:22,405 But I learned something from it. 473 00:23:22,410 --> 00:23:25,405 I realized, what the hell am I trying to prove? 474 00:23:25,410 --> 00:23:27,405 With age comes wisdom, Gladys. 475 00:23:27,410 --> 00:23:28,410 It's good to know. 476 00:23:29,410 --> 00:23:31,405 What's that? 477 00:23:31,410 --> 00:23:33,405 List of potential directors from the studio. I can roll calls. 478 00:23:33,410 --> 00:23:34,406 No, no. No, no. 479 00:23:34,411 --> 00:23:36,410 I got another call I want you to make. 480 00:23:37,410 --> 00:23:39,410 (PHONE RINGING) 481 00:23:40,410 --> 00:23:42,405 AMARA: Yeah? 482 00:23:42,410 --> 00:23:44,405 GLADYS: (ON PHONE) I have producer Rick Moreweather calling for Amara. 483 00:23:44,410 --> 00:23:46,410 AMARA: This is Amara. 484 00:23:47,410 --> 00:23:49,405 Amara, hi. Hi, it's Rick. 485 00:23:49,410 --> 00:23:52,405 Yes, we, we, uh, we met a few days ago. 486 00:23:52,410 --> 00:23:55,405 Listen, I know you're in touch with Miles. 487 00:23:55,410 --> 00:23:57,405 I just thought I would reach out. 488 00:23:57,410 --> 00:23:58,406 Okay, Ricky. 489 00:23:58,411 --> 00:24:01,405 Yeah, well, so, uh, I have a number of projects that I'm producing. 490 00:24:01,410 --> 00:24:04,405 And given how well we did the first time around, 491 00:24:04,410 --> 00:24:07,405 and your passion for cinema, 492 00:24:07,410 --> 00:24:09,410 maybe you want to produce another movie? 493 00:24:10,410 --> 00:24:12,405 Yes. 494 00:24:12,410 --> 00:24:15,405 Yes, okay. Okay, great. 495 00:24:15,410 --> 00:24:19,405 I have a script. Uh, it's, um, Gates of Dawn. 496 00:24:19,410 --> 00:24:22,405 Oh. This, it's a true story. 497 00:24:22,410 --> 00:24:23,406 It, it's set in Hanoi... 498 00:24:23,410 --> 00:24:26,404 We do this after we finish the first movie, yes? 499 00:24:27,301 --> 00:24:30,317 Uh, well, did Miles tell you... 500 00:24:30,381 --> 00:24:33,545 Gravity Pictures acquired Admiral's Mistress? 501 00:24:34,410 --> 00:24:35,406 Gravity Pictures... 502 00:24:35,411 --> 00:24:37,410 Yes, you know. They're, they're buying you out. 503 00:24:38,410 --> 00:24:40,405 They what? 504 00:24:40,410 --> 00:24:43,405 They're buying out your, your distribution rights, 505 00:24:43,410 --> 00:24:45,405 which, it means you've already made a profit. 506 00:24:45,410 --> 00:24:46,410 We just don't know how much yet. 507 00:24:47,410 --> 00:24:49,405 I'm out? 508 00:24:49,410 --> 00:24:52,405 Which is why I'm calling, so we can set up our next thing. 509 00:24:52,410 --> 00:24:53,410 Why am I out? 510 00:24:55,410 --> 00:24:58,405 Well, it's, it's complicated. 511 00:24:58,410 --> 00:25:03,405 It's... A studio came in, and it became a bigger picture. 512 00:25:03,410 --> 00:25:06,410 And, and they don't want to co-produce, so... 513 00:25:07,410 --> 00:25:09,405 Does Miles know? 514 00:25:09,410 --> 00:25:10,406 RICK: Does he know that they bought you out? 515 00:25:10,411 --> 00:25:12,405 Yes. Yeah, he knows. 516 00:25:12,410 --> 00:25:15,405 He... I'm sure he was gonna call you, 517 00:25:15,410 --> 00:25:19,410 - and... Hello? Uh... - (CALL DISCONNECTS) 518 00:25:21,410 --> 00:25:23,405 I didn't have time to prepare. If you'd let me know. 519 00:25:23,410 --> 00:25:24,476 If you'd give me some heads-up, I'd... 520 00:25:24,505 --> 00:25:26,500 Lulu, Lulu. Look here, this is how it works, all right? 521 00:25:26,561 --> 00:25:27,611 Somebody writes the script and then they 522 00:25:27,661 --> 00:25:28,164 get somebody else to do the rewrite. 523 00:25:28,411 --> 00:25:30,405 Why do you care? 524 00:25:30,410 --> 00:25:31,812 You could have stuck up for me. 525 00:25:32,410 --> 00:25:34,405 Well, I did think about it. 526 00:25:34,410 --> 00:25:36,410 But then I remembered, you're not a fucking writer. 527 00:25:37,410 --> 00:25:38,406 How are you gonna do a rewrite? 528 00:25:38,411 --> 00:25:41,405 Oh, look at that. That is a beautiful car. 529 00:25:41,410 --> 00:25:42,406 You know, even if you do lease, 530 00:25:42,411 --> 00:25:45,405 I don't know see how you can afford that. 531 00:25:45,410 --> 00:25:46,406 And I would not go electric. 532 00:25:46,411 --> 00:25:48,410 What happens if the battery runs out? 533 00:25:49,410 --> 00:25:50,406 You fucking charge it. 534 00:25:50,411 --> 00:25:52,405 What if there's no charger? 535 00:25:52,410 --> 00:25:54,405 Seriously, I mean you got to... 536 00:25:54,410 --> 00:25:56,410 You know, you got the suit and the car and the... 537 00:25:58,410 --> 00:25:59,406 I think you're trying too hard. 538 00:25:59,411 --> 00:26:02,405 Well, no one's gonna accuse you of that. 539 00:26:02,410 --> 00:26:04,405 What's that mean? 540 00:26:04,410 --> 00:26:07,405 Look, you don't like the whole LA thing. Fine. 541 00:26:07,410 --> 00:26:10,410 But if this is gonna work at least one of us needs to raise our game. 542 00:26:12,410 --> 00:26:14,405 Okay, well, I said that I'd come out here 543 00:26:14,410 --> 00:26:16,405 until you were on your feet. 544 00:26:16,410 --> 00:26:19,405 And clearly you are. 545 00:26:19,410 --> 00:26:20,406 I'm not even the writer anymore, 546 00:26:20,411 --> 00:26:22,405 so maybe I'll head back to Pahrump tomorrow. 547 00:26:22,410 --> 00:26:23,406 Ah, no. Hold on. Hold on. Louis. 548 00:26:23,411 --> 00:26:27,410 Mercedes makes a jeep? Now that's a fucking car! 549 00:26:36,410 --> 00:26:39,410 - Good Afternoon. - Hey. Thank you. 550 00:26:42,410 --> 00:26:44,410 (PHONE RINGING) 551 00:26:45,410 --> 00:26:47,405 Amara! Hi. 552 00:26:47,410 --> 00:26:48,406 AMARA: I call to see what's happening with my movie. 553 00:26:48,411 --> 00:26:51,405 Oh. You want an update, uh, of course. 554 00:26:51,410 --> 00:26:56,405 Um, let me think, we brought on a new writer. 555 00:26:56,410 --> 00:26:58,665 Yeah, I mean, the script was solid but 556 00:26:58,697 --> 00:26:59,405 there's always room for improvement. 557 00:26:59,410 --> 00:27:02,405 And I thought it would be a good idea to make that Felton character 558 00:27:02,410 --> 00:27:03,406 a little more sympathetic. 559 00:27:03,411 --> 00:27:05,405 That got me thinking of Julian Pynter, 560 00:27:05,410 --> 00:27:06,406 I don't know if you're familiar with his work. 561 00:27:06,411 --> 00:27:09,405 He's a big, award-winning writer 562 00:27:09,410 --> 00:27:11,405 and, uh, Julian said yes. 563 00:27:11,410 --> 00:27:13,405 So that's exciting. 564 00:27:13,410 --> 00:27:14,410 And, um... 565 00:27:16,410 --> 00:27:17,410 That's pretty much it. 566 00:27:18,410 --> 00:27:20,405 That's it? 567 00:27:20,410 --> 00:27:22,410 MILES: For now, yeah. 568 00:27:23,410 --> 00:27:25,405 Thank you for telling me. 569 00:27:25,410 --> 00:27:26,405 MILES: Sure. Sure. 570 00:27:26,410 --> 00:27:27,410 Hello? 571 00:27:29,410 --> 00:27:31,410 (BEEPS) 572 00:27:34,410 --> 00:27:37,410 (INDISTINCT CONVERSATIONS) 573 00:27:53,410 --> 00:27:55,405 Hi. I'm Miles. 574 00:27:55,410 --> 00:27:57,405 Hi, Miles. Nice to meet you. I'm Sarah. 575 00:27:57,410 --> 00:27:58,406 Sarah? I feel like we've met before, no? 576 00:27:58,411 --> 00:28:02,405 You seen the bathroom here? The urinal is an actual waterfall. 577 00:28:02,410 --> 00:28:03,406 Wait. Don't... Why would you... 578 00:28:03,411 --> 00:28:05,405 - Oh. Was I interrupting? - Yeah. 579 00:28:05,410 --> 00:28:08,410 She's not your type. Look at this. Here you go. 580 00:28:09,410 --> 00:28:11,410 From Stamos, with love. 581 00:28:12,410 --> 00:28:14,405 - Wait. This is, this is great. - Mm. 582 00:28:14,410 --> 00:28:17,405 Ah, thanks for doing, it's not fucking real, is it? 583 00:28:17,410 --> 00:28:19,405 Like Amara's gonna know the difference. 584 00:28:19,410 --> 00:28:21,405 Did you at least go online and see if that's his autograph? 585 00:28:21,410 --> 00:28:26,405 You're over-thinking it. Come on, let me introduce you to a few folks. 586 00:28:26,410 --> 00:28:28,405 I can't give this to her. 587 00:28:28,410 --> 00:28:31,405 Your forgery standards are much higher than mine, I guess. 588 00:28:31,410 --> 00:28:34,405 How about this place, huh? Fucking crazy. 589 00:28:34,410 --> 00:28:35,406 When did men get so pretty? 590 00:28:35,411 --> 00:28:38,237 Oh, the, let me get rid of this. 591 00:28:40,410 --> 00:28:41,406 Thank you, guys. 592 00:28:41,411 --> 00:28:43,405 Hey, who's the, who's the bald guy over there? 593 00:28:43,410 --> 00:28:45,405 He looks important. 594 00:28:45,410 --> 00:28:47,405 That guy... Yeah, he used to run Warner Brothers. 595 00:28:47,410 --> 00:28:49,405 We don't get along, me and him. 596 00:28:49,410 --> 00:28:50,406 Come on. 597 00:28:50,411 --> 00:28:52,405 Oh, this woman here in the blue... 598 00:28:52,410 --> 00:28:54,405 - Yeah? - She's the, uh, VP of Fox Searchlight. 599 00:28:54,410 --> 00:28:56,405 - MILES: No shit. - RICK: She slapped me once. 600 00:28:56,410 --> 00:28:58,405 (MILES CHUCKLES) 601 00:28:58,410 --> 00:29:01,405 Listen, I overheard two conversations about our movie, 602 00:29:01,410 --> 00:29:03,405 and someone's already threatened to sue us. 603 00:29:03,410 --> 00:29:05,405 This is how you know it's hot. It's hot now. 604 00:29:05,410 --> 00:29:07,405 Someone want to sue us? 605 00:29:07,410 --> 00:29:09,405 Yeah, some, uh... Thank you. 606 00:29:09,410 --> 00:29:11,405 Whacko called the office. 607 00:29:11,410 --> 00:29:13,405 You know, "Boyfriend wrote the script 608 00:29:13,410 --> 00:29:15,405 "and you're stealing it from us." 609 00:29:15,410 --> 00:29:17,410 Did she leave a name? 610 00:29:18,410 --> 00:29:20,405 The boyfriend's name? I don't know. 611 00:29:20,410 --> 00:29:22,405 Owen, or something. Gladys took the call. 612 00:29:22,410 --> 00:29:24,405 MILES: That's funny. And that happened today? 613 00:29:24,410 --> 00:29:26,405 - RICK: Before. When we were... - APRIL: Look at here! 614 00:29:26,410 --> 00:29:28,405 The creative dream team! 615 00:29:28,410 --> 00:29:30,405 - Ms. Quinn. - Enjoying yourself? 616 00:29:30,410 --> 00:29:32,405 Oh, celebrating the week I've had. 617 00:29:32,410 --> 00:29:36,405 Maybe you heard, Brandon took me off Lethal Limit Four. 618 00:29:36,410 --> 00:29:37,406 No. Why? 619 00:29:37,411 --> 00:29:39,405 Well, to focus on The Admiral's Mistress, silly! 620 00:29:39,410 --> 00:29:42,405 Since that's where my passion lies. (CHUCKLES) 621 00:29:42,410 --> 00:29:45,405 And he doesn't want me spreading myself too thin. 622 00:29:45,410 --> 00:29:47,405 - Shit. April, I'm sorry. - No, you're not. 623 00:29:47,410 --> 00:29:49,944 You have a schadenfreude hard-on. 624 00:29:50,410 --> 00:29:52,405 That sounds painful. 625 00:29:52,410 --> 00:29:55,410 Excuse me, guys. I gotta see what it feels like to piss in a waterfall. 626 00:29:58,410 --> 00:30:01,405 You're indispensable to that company. 627 00:30:01,410 --> 00:30:03,405 In another week, you're gonna have a big film. 628 00:30:03,410 --> 00:30:05,405 Yes, I will. 629 00:30:05,410 --> 00:30:06,275 And you'll still be a sad, washed-up 630 00:30:06,281 --> 00:30:07,405 hack living in your father's shadow. 631 00:30:07,410 --> 00:30:10,410 Do you want another martini? I'm gonna get one. 632 00:30:14,410 --> 00:30:17,405 Was that necessary? 633 00:30:17,410 --> 00:30:19,405 Wait. Does she think Owen wrote the script 634 00:30:19,410 --> 00:30:20,406 or can she prove it? 635 00:30:20,411 --> 00:30:22,405 No, she seems pretty sure. 636 00:30:22,410 --> 00:30:25,405 You wanna handle it? I think Gladys has her number. 637 00:30:25,410 --> 00:30:30,405 Hey, asshole. You want to conduct business? 638 00:30:30,410 --> 00:30:32,410 I think you should go somewhere else. 639 00:30:33,410 --> 00:30:35,405 Fuck off. 640 00:30:35,410 --> 00:30:38,410 Yeah. Give Gladys a call and get right back to me, okay? 641 00:30:42,410 --> 00:30:44,405 Problem, old man? 642 00:30:44,410 --> 00:30:47,405 I come here to look at the ocean, now I'm looking at you. 643 00:30:47,410 --> 00:30:49,405 You stand before me talking on the phone, 644 00:30:49,410 --> 00:30:52,405 like I need to hear that kind of bullshit. 645 00:30:52,410 --> 00:30:53,405 Well, I'm off it now. 646 00:30:53,410 --> 00:30:54,410 Yeah, so why don't you move along? 647 00:30:58,410 --> 00:31:00,405 If you want to get a better look at the ocean, 648 00:31:00,410 --> 00:31:02,410 I could always pitch you over the fuckin' cliff. 649 00:31:04,410 --> 00:31:05,410 Yeah? 650 00:31:06,410 --> 00:31:08,405 That's your house? 651 00:31:08,410 --> 00:31:09,410 No, I'm at a party. 652 00:31:10,410 --> 00:31:12,405 I hate parties. 653 00:31:12,410 --> 00:31:14,410 Well, you seem like such a people person. 654 00:31:15,410 --> 00:31:18,410 Yeah. I am. Hafdis. 655 00:31:21,410 --> 00:31:23,405 Miles. 656 00:31:23,410 --> 00:31:27,410 I'm sorry. My hands are a little clammy. You know, so... 657 00:31:29,410 --> 00:31:31,405 You from around here, Hafdis? 658 00:31:31,410 --> 00:31:33,405 Yeah. That way. 659 00:31:33,410 --> 00:31:34,406 That way? 660 00:31:34,411 --> 00:31:36,405 HAFDIS: Yeah. 661 00:31:36,410 --> 00:31:37,410 Okay. 662 00:31:39,410 --> 00:31:43,410 And, you, you're entertainment business, right? 663 00:31:45,410 --> 00:31:47,405 I'm pretending to be a movie producer. 664 00:31:47,410 --> 00:31:48,905 Yeah? 665 00:31:48,992 --> 00:31:49,909 How about you? 666 00:31:50,246 --> 00:31:51,857 I was in New Zealand for quite a while. 667 00:31:52,087 --> 00:31:55,410 Now I'm here, trying to outwit the hounds of folly. 668 00:31:56,410 --> 00:31:58,405 How's that going? 669 00:31:58,410 --> 00:32:00,410 How's the movie-producing going? 670 00:32:01,410 --> 00:32:04,405 I don't have a fucking clue what I'm doing. 671 00:32:04,410 --> 00:32:05,406 But it doesn't seem to be a problem. 672 00:32:05,411 --> 00:32:07,410 (HAFDIS LAUGHS) 673 00:32:08,410 --> 00:32:09,410 You want a smoke? 674 00:32:10,410 --> 00:32:12,405 I got these. 675 00:32:12,410 --> 00:32:14,656 But he's not a bad doctor, he's just behind the curve. 676 00:32:14,662 --> 00:32:15,405 Mm-hmm. 677 00:32:15,410 --> 00:32:17,405 And the Gummy Bear option is more cohesive. 678 00:32:17,410 --> 00:32:19,405 It's form-stable. 679 00:32:19,410 --> 00:32:21,887 But Consadine goes with the traditional implants, always. 680 00:32:21,959 --> 00:32:23,191 You know, like there's one answer for 681 00:32:23,197 --> 00:32:25,405 all the different women who come in. 682 00:32:25,410 --> 00:32:27,410 (CRIES) 683 00:32:31,410 --> 00:32:32,410 What? 684 00:32:34,410 --> 00:32:37,405 (GRUNTS) No, I'm good. I'm good. 685 00:32:37,410 --> 00:32:40,405 No. Stop saying you're good. You are not good. 686 00:32:40,410 --> 00:32:41,406 I'm fine. 687 00:32:41,411 --> 00:32:43,410 (SIGHS) Jeffrey... 688 00:32:44,410 --> 00:32:46,405 Something happened. 689 00:32:46,410 --> 00:32:47,410 What? 690 00:32:49,410 --> 00:32:50,406 When I went to Miles' place... 691 00:32:50,411 --> 00:32:52,405 - Fuck. What did he do? - He didn't do anything. 692 00:32:52,410 --> 00:32:56,405 - Be honest. - And Miles is the one who saved me. 693 00:32:56,410 --> 00:32:59,405 He had this, um, like, a neighbor. 694 00:32:59,410 --> 00:33:02,405 And I blocked the guy in with my car... 695 00:33:02,410 --> 00:33:05,405 (DEEP BREATH) And he went insane. 696 00:33:05,410 --> 00:33:08,405 Like, he pulled out a gun. And then... 697 00:33:08,410 --> 00:33:09,410 Shit. 698 00:33:10,410 --> 00:33:12,405 The TK-five-oh-nine. 699 00:33:12,410 --> 00:33:15,405 - What? - That's my golf club. 700 00:33:15,410 --> 00:33:17,410 He jammed the grip into my mouth... 701 00:33:19,410 --> 00:33:20,406 (SNIFFLES) 702 00:33:20,411 --> 00:33:22,410 I can still taste the Gortex. 703 00:33:24,410 --> 00:33:27,405 (SIGHS) 704 00:33:27,410 --> 00:33:32,405 It's about how we all carry around this image of a, of a better person. 705 00:33:32,410 --> 00:33:37,405 You know what we think, "If I can be that person, I'll be happy." 706 00:33:37,410 --> 00:33:40,410 But all it does is fucking drive us crazy. You know? 707 00:33:42,410 --> 00:33:44,405 The Admiral's... 708 00:33:44,410 --> 00:33:47,405 Mistress. Sorry if this is boring you. 709 00:33:47,410 --> 00:33:48,406 (CELL PHONE RINGING) 710 00:33:48,411 --> 00:33:50,405 Oh, shit. I better take this. 711 00:33:50,410 --> 00:33:51,962 Yeah, please do. 712 00:33:53,410 --> 00:33:54,159 Hey. 713 00:33:54,165 --> 00:33:56,405 KATIE: (ON PHONE) I can't do it, Miles. 714 00:33:56,410 --> 00:33:57,406 What? 715 00:33:57,411 --> 00:33:59,405 KATIE: This, I can't do it. I can't. 716 00:33:59,410 --> 00:34:01,405 It seems like every time I get this far, we're back... 717 00:34:01,410 --> 00:34:03,405 - All right. Slow down, Katie. - KATIE: I talked with Jeffrey. 718 00:34:03,410 --> 00:34:05,405 I know what happened with the golf club. 719 00:34:05,410 --> 00:34:07,410 And don't tell me it was a neighbor. 720 00:34:08,410 --> 00:34:10,405 - Miles... - It was Yago. Okay. 721 00:34:10,410 --> 00:34:13,405 It was Yago. But I stopped it as soon as I could. 722 00:34:13,410 --> 00:34:15,405 I know that you're trying. 723 00:34:15,410 --> 00:34:17,405 I know it. But I... 724 00:34:17,410 --> 00:34:21,410 I can't have this in my life and neither can Emma. 725 00:34:23,410 --> 00:34:27,405 Okay. All right. Well, um, let's, let's talk about it. 726 00:34:27,410 --> 00:34:30,405 KATIE: We have. 727 00:34:30,410 --> 00:34:32,410 And we've tried the separation thing, 728 00:34:33,410 --> 00:34:35,405 but maybe it's time for lawyers. 729 00:34:35,410 --> 00:34:37,405 No, no. No, no, no, no. Hold, hold on. 730 00:34:37,410 --> 00:34:38,406 Hold on, Katie. 731 00:34:38,411 --> 00:34:40,405 We'll get into it later, but that's what I called to say. 732 00:34:40,410 --> 00:34:41,406 - MILES: All right. Just wait. - I'm sorry. 733 00:34:41,411 --> 00:34:43,410 Katie? Katie? 734 00:34:45,410 --> 00:34:48,405 - Fuck. - (CELL PHONE BEEPING) 735 00:34:48,410 --> 00:34:49,405 (LINE RINGING) 736 00:34:49,410 --> 00:34:50,405 (VOICEMAIL MESSAGE) Hi, this is Katie... 737 00:34:50,410 --> 00:34:51,410 Fuck. 738 00:34:55,410 --> 00:34:58,410 - It was, uh... - Nice meeting you, too. 739 00:35:08,410 --> 00:35:09,410 (DOOR OPENS) 740 00:35:10,410 --> 00:35:13,405 Got an address for the girlfriend. 741 00:35:13,410 --> 00:35:14,406 Great. 742 00:35:14,411 --> 00:35:17,405 We should head over before it gets late, 743 00:35:17,410 --> 00:35:19,405 or she's not gonna answer the door. 744 00:35:19,410 --> 00:35:22,405 Yeah. Uh, Lulu... 745 00:35:22,410 --> 00:35:24,405 What? 746 00:35:24,410 --> 00:35:27,405 Uh, maybe we don't drop another body right now. 747 00:35:27,410 --> 00:35:30,410 You know? Could make things trickier down the line. 748 00:35:31,410 --> 00:35:33,405 Fuck yeah, it could. 749 00:35:33,410 --> 00:35:34,406 Believe me, if we had a choice, I... 750 00:35:34,411 --> 00:35:36,405 Listen, the girlfriend didn't call the cops, did she? 751 00:35:36,410 --> 00:35:38,405 She called the fucking movie studio. 752 00:35:38,410 --> 00:35:40,405 Which is not usually how you behave when you think 753 00:35:40,410 --> 00:35:42,405 someone's killed your boyfriend. 754 00:35:42,410 --> 00:35:43,406 Mm. I don't know. 755 00:35:43,411 --> 00:35:45,405 She thinks that somebody stole his script. 756 00:35:45,410 --> 00:35:46,781 So all we need to do is come up with a 757 00:35:46,787 --> 00:35:48,405 reasonable explanation for what happened. 758 00:35:48,410 --> 00:35:50,405 Okay, you're making this more complicated. 759 00:35:50,410 --> 00:35:53,405 So we tell her, um... 760 00:35:53,410 --> 00:35:55,405 No, I can't come with you. 761 00:35:55,410 --> 00:35:58,405 - Come on. - I can't, I've to drive to Nevada. 762 00:35:58,410 --> 00:36:00,591 - Now? - For fuck's sake! 763 00:36:02,410 --> 00:36:03,410 It... 764 00:36:07,410 --> 00:36:09,405 It's all gone to shit with Katie, 765 00:36:09,410 --> 00:36:11,405 and I feel like if I don't... 766 00:36:11,410 --> 00:36:13,410 If I wait, I don't know what's gonna happen. 767 00:36:16,410 --> 00:36:18,405 Yeah. That's fine. That's... 768 00:36:18,410 --> 00:36:20,405 You go take care of Katie, 769 00:36:20,410 --> 00:36:22,410 and I'll handle the girlfriend. 770 00:36:27,410 --> 00:36:30,405 I'm sorry for that nonsense at the car dealership. 771 00:36:30,410 --> 00:36:33,405 That was, you don't need to up your game. 772 00:36:33,410 --> 00:36:34,406 Your game is up. 773 00:36:34,411 --> 00:36:38,405 Don't worry about it. You should go. 774 00:36:38,410 --> 00:36:40,405 Yeah. Four hours. 775 00:36:40,410 --> 00:36:44,405 And it's bullshit that they brought on another writer. It is. 776 00:36:44,410 --> 00:36:46,405 Just stick around, Lou. We'll find something else 777 00:36:46,410 --> 00:36:48,405 for you to do on the movie, okay? 778 00:36:48,410 --> 00:36:49,410 It's up to you. 779 00:36:51,410 --> 00:36:53,405 So, wait, wait, wait, now... 780 00:36:53,410 --> 00:36:55,405 What am I telling this woman? 781 00:36:55,410 --> 00:36:56,410 You're the writer. 782 00:36:57,410 --> 00:37:00,410 (DOOR OPENS AND CLOSES) 783 00:37:22,410 --> 00:37:24,410 (LINE RINGING) 784 00:37:27,410 --> 00:37:29,410 Just had dinner at Molly's. 785 00:37:31,410 --> 00:37:33,410 Guess who I'm lookin' at right now? 786 00:37:35,410 --> 00:37:36,406 WOMAN: (ON TV) My question is to you, 787 00:37:36,411 --> 00:37:38,405 is how do you find your inspiration? 788 00:37:38,410 --> 00:37:41,029 (KNOCK ON THE DOOR) 789 00:37:41,187 --> 00:37:43,405 Who is it? 790 00:37:43,410 --> 00:37:45,410 LOUIS: Louis. Uh, you don't know me. 791 00:37:46,410 --> 00:37:48,410 I, I'm a friend of Owen's. 792 00:37:54,410 --> 00:37:55,406 Caroline? 793 00:37:55,411 --> 00:37:57,405 Yeah. 794 00:37:57,410 --> 00:37:58,406 I know that you're looking for Owen, 795 00:37:58,411 --> 00:38:02,405 and I owe you an explanation. 796 00:38:02,410 --> 00:38:03,406 How'd you get my address? 797 00:38:03,411 --> 00:38:05,405 Well, from your phone number. I tried call you... 798 00:38:05,410 --> 00:38:07,405 How'd you get my phone number? 799 00:38:07,410 --> 00:38:10,405 You gave it to the production office. 800 00:38:10,410 --> 00:38:13,405 That Louis. Your name is on the screenplay. 801 00:38:13,410 --> 00:38:14,406 You know where Owen is? 802 00:38:14,411 --> 00:38:17,405 Uh, can I come inside and we'll talk? 803 00:38:17,410 --> 00:38:18,410 Mm, no. 804 00:38:19,410 --> 00:38:23,204 Well, so I'm, I'm a screenwriter. 805 00:38:23,210 --> 00:38:25,083 - Uh-huh. - And Owen was a friend of mine. 806 00:38:25,099 --> 00:38:26,405 And I used to give him all my screenplays 807 00:38:26,410 --> 00:38:31,405 so that he could read them and just tell me what he thought, and... 808 00:38:31,410 --> 00:38:34,410 (SIGHS) I found out that Owen was... 809 00:38:37,410 --> 00:38:40,410 He was taking my scripts, and he was giving them to girls. 810 00:38:41,410 --> 00:38:44,405 You know, to get laid... 811 00:38:44,410 --> 00:38:45,406 What? 812 00:38:45,411 --> 00:38:47,410 So when you called the production office, 813 00:38:48,410 --> 00:38:50,410 I just figured I should tell you. 814 00:38:52,410 --> 00:38:56,405 Okay, then. All right, sorry. Take care. 815 00:38:56,410 --> 00:38:58,405 Wait. You came here to give me that story? 816 00:38:58,410 --> 00:39:02,405 I mean, that is fucking ridiculous. 817 00:39:02,410 --> 00:39:04,405 I'm just telling you what happened. 818 00:39:04,410 --> 00:39:08,410 Well, then I have questions. 819 00:39:20,410 --> 00:39:21,410 (KNOCKING) 820 00:39:34,410 --> 00:39:36,410 - (WHISPERS) Come outside. - No. 821 00:39:37,410 --> 00:39:39,044 I drove from LA. 822 00:39:43,410 --> 00:39:45,405 What the fuck? 823 00:39:45,410 --> 00:39:47,405 I didn't wanna wake Emma. 824 00:39:47,410 --> 00:39:48,410 Jeffrey is here. 825 00:39:49,410 --> 00:39:50,406 He's in bed? 826 00:39:50,411 --> 00:39:52,405 Yes, in bed. He's sleeping. 827 00:39:52,410 --> 00:39:54,410 I didn't see his car. 828 00:39:55,410 --> 00:39:57,405 Come outside and talk to me, will ya? 829 00:39:57,410 --> 00:39:58,410 No. 830 00:40:00,410 --> 00:40:03,410 Well, I'm not going anywhere until you do. 831 00:40:10,410 --> 00:40:12,405 - Whose car is this? - I leased it. 832 00:40:12,410 --> 00:40:13,406 (SCOFFS) 833 00:40:13,411 --> 00:40:15,410 Call this, seemed like a good idea at the time. 834 00:40:16,410 --> 00:40:17,406 And the suit? 835 00:40:17,411 --> 00:40:19,405 I was at a fund-raiser in Malibu. 836 00:40:19,410 --> 00:40:22,405 And tomorrow, I have a photoshoot for the Trades which is like with... 837 00:40:22,410 --> 00:40:24,410 - Miles. - I'm sorry about Jeffrey. 838 00:40:26,410 --> 00:40:27,406 - He's traumatized. - Yeah. 839 00:40:27,411 --> 00:40:30,405 Takes him two milligrams of Xanax just to fall asleep. 840 00:40:30,410 --> 00:40:32,405 - And that's terrible. - Yes. 841 00:40:32,410 --> 00:40:35,405 Which is why you and Emma should come to LA, 842 00:40:35,410 --> 00:40:36,406 to get away from lunatics like Yago. 843 00:40:36,411 --> 00:40:40,410 It's not about Nevada. It's about you. 844 00:40:45,410 --> 00:40:46,410 (KATIE SIGHS) 845 00:40:52,410 --> 00:40:56,405 I always thought we'd make it. 846 00:40:56,410 --> 00:40:59,405 You know, even when I moved out I thought, "No, they'll be... 847 00:40:59,410 --> 00:41:01,410 "It'll all fuckin'..." 848 00:41:05,410 --> 00:41:08,405 You want me to stay out of your way, I'll do it. 849 00:41:08,410 --> 00:41:10,405 I promise, I will. 850 00:41:10,410 --> 00:41:12,405 But just know that everything I'm doing, 851 00:41:12,410 --> 00:41:15,405 all I'm going through right now is so that you can tell people 852 00:41:15,410 --> 00:41:17,410 what Emma's dad does for a living. 853 00:41:18,410 --> 00:41:21,410 And I'm sorry about Jeffrey, I am. 854 00:41:22,410 --> 00:41:23,946 I don't know what to do. 855 00:41:26,410 --> 00:41:28,410 Maybe I could send him a gift basket. 856 00:41:30,410 --> 00:41:32,410 - A gift basket would be nice. - (CHUCKLES) 857 00:41:34,410 --> 00:41:36,405 If you're in love with this guy 858 00:41:36,410 --> 00:41:39,405 then I don't wanna be the one who fucks it up. 859 00:41:39,410 --> 00:41:42,410 In love? (SCOFFS) 860 00:41:48,410 --> 00:41:49,410 Aren't you? 861 00:41:50,410 --> 00:41:52,410 I'm just trying to get over you. 862 00:41:58,410 --> 00:42:00,100 So, you're not over me? 863 00:42:07,410 --> 00:42:09,405 Should we make out now? 864 00:42:09,410 --> 00:42:11,405 Or is it a bit strange with your boyfriend in bed? 865 00:42:11,410 --> 00:42:13,410 - Hold on, Katie? Katie? - Goodnight. 866 00:42:15,410 --> 00:42:16,410 Can you just give this to Emma, will you? 867 00:42:18,410 --> 00:42:19,406 What is it? 868 00:42:19,411 --> 00:42:21,405 Acting lessons. 869 00:42:21,410 --> 00:42:25,082 Thought it would, you know, help her confidence before the movie. 870 00:42:26,410 --> 00:42:27,879 It's in LA. 871 00:42:30,410 --> 00:42:33,410 Acting lessons are a bit limited around here, so... 872 00:42:34,410 --> 00:42:36,410 We'll talk about it later. 873 00:42:42,410 --> 00:42:46,405 I think when he found out that my movie was getting made, 874 00:42:46,410 --> 00:42:48,405 he knew the jig was up. 875 00:42:48,410 --> 00:42:51,405 And that you were gonna find out the truth. So he split. 876 00:42:51,410 --> 00:42:54,405 When did he start showing your scripts around, do you know? 877 00:42:54,410 --> 00:43:00,405 Oh. Yeah. It's been happening for years. Years. 878 00:43:00,410 --> 00:43:04,405 I mean, there'd be a, a different script for a different girl. 879 00:43:04,410 --> 00:43:08,405 You know. Oh, God. I'm sor, I'm sorry. 880 00:43:08,410 --> 00:43:10,405 I didn't mean to offend you. 881 00:43:10,410 --> 00:43:14,410 I'm sure that whatever was between you and him that was really special. 882 00:43:15,410 --> 00:43:17,405 What a psychopath. 883 00:43:17,410 --> 00:43:21,405 I mean, if you'd seen him talking about character arcs 884 00:43:21,410 --> 00:43:25,405 and research. So creepy. 885 00:43:25,410 --> 00:43:26,406 I blame myself. 886 00:43:26,411 --> 00:43:28,405 Why? 887 00:43:28,410 --> 00:43:30,405 Because I knew what was happening, 888 00:43:30,410 --> 00:43:33,405 and I called him on it. But I just thought, you know, 889 00:43:33,410 --> 00:43:35,405 as long as he's just giving the scripts to these girls, 890 00:43:35,410 --> 00:43:40,405 eh, you know, I mean... What's it matter? 891 00:43:40,410 --> 00:43:44,410 But I see now that it was really causing damage. 892 00:43:45,410 --> 00:43:47,410 Real damage. 893 00:43:49,410 --> 00:43:51,410 I just hope you can forgive me. 894 00:43:53,410 --> 00:43:55,405 Okay. 895 00:43:55,410 --> 00:43:57,405 Well, I'm glad you came by. 896 00:43:57,410 --> 00:44:01,410 I still don't know where my car is, if you can believe that. 897 00:44:02,410 --> 00:44:04,410 But, um... Thank you. 898 00:44:07,410 --> 00:44:09,405 Okay. (CHUCKLES) 899 00:44:09,410 --> 00:44:10,406 All right. Be well, Caroline. 900 00:44:10,411 --> 00:44:12,410 Okay. Okay, you too. 901 00:44:18,410 --> 00:44:19,410 (SIGHS) 902 00:44:23,410 --> 00:44:24,406 Hey. 903 00:44:24,411 --> 00:44:26,405 My grandmother used to say, 904 00:44:26,410 --> 00:44:29,405 "Choices are like the branches of an oak tree." 905 00:44:29,410 --> 00:44:32,405 Ah, that's nice. 906 00:44:32,410 --> 00:44:33,406 Yeah, it's in the script. 907 00:44:33,411 --> 00:44:38,410 I mean, Owen got that from me. So, like, how did it... 908 00:44:41,410 --> 00:44:42,410 (DOGS BARKING) 909 00:45:03,410 --> 00:45:07,410 (GROANS, SIGHS) 910 00:45:17,410 --> 00:45:18,410 (GRUNTS) 911 00:45:30,410 --> 00:45:31,406 (BREATHING HEAVILY) 912 00:45:31,411 --> 00:45:33,405 Still alive? 913 00:45:33,410 --> 00:45:35,410 I thought you wanted to speak to him. 914 00:45:37,410 --> 00:45:39,410 If you don't, I'll, I'll finish up. 915 00:45:41,410 --> 00:45:42,406 I come in. 916 00:45:42,411 --> 00:45:44,405 (GRUNTS) 917 00:45:44,410 --> 00:45:45,405 (YAGO SPEAKS SPANISH) 918 00:45:45,410 --> 00:45:46,410 (COUGHS) 919 00:45:48,410 --> 00:45:50,410 YAGO: Someone's here to see you. 920 00:45:57,410 --> 00:45:59,405 I tell you I love the script. 921 00:45:59,410 --> 00:46:01,410 Muy romantico. 922 00:46:02,227 --> 00:46:04,136 And what did you do? 923 00:46:05,410 --> 00:46:06,405 You push me out. 924 00:46:06,410 --> 00:46:07,406 No. 925 00:46:07,411 --> 00:46:09,405 But Rick tell me... 926 00:46:09,410 --> 00:46:12,405 She's the first to put money into your movie, stupid. 927 00:46:12,410 --> 00:46:13,406 Before the studio. 928 00:46:13,411 --> 00:46:17,410 No. I, I didn't know it myself until recently. 929 00:46:19,410 --> 00:46:22,410 I don't think that they sorted out the details yet, Amara. 930 00:46:23,410 --> 00:46:25,405 George? 931 00:46:25,410 --> 00:46:28,405 We verified with Business Affairs at Gravity Pictures, 932 00:46:28,410 --> 00:46:30,405 the budget is now 30 million. 933 00:46:30,410 --> 00:46:32,431 They're planning a full buyout of Amara's 934 00:46:32,437 --> 00:46:34,405 distribution rights at 16 percent 935 00:46:34,410 --> 00:46:36,405 above her initial investment. 936 00:46:36,410 --> 00:46:37,406 You made money. 937 00:46:37,411 --> 00:46:39,410 But I don't want to be out. 938 00:46:40,410 --> 00:46:41,406 You did it behind my back. 939 00:46:41,411 --> 00:46:45,912 I didn't. I just, I didn't have a say. 940 00:46:46,410 --> 00:46:48,405 AMARA: George? 941 00:46:48,410 --> 00:46:49,406 GEORGE: As executive producers, 942 00:46:49,411 --> 00:46:53,410 you and your partner formed an LLC. It's your decision. 943 00:46:54,410 --> 00:46:56,410 Well, I wasn't aware of that George. 944 00:46:59,410 --> 00:47:01,410 I'm pretty new to this, you know? 945 00:47:03,410 --> 00:47:04,410 YAGO: Are we done? 946 00:47:06,410 --> 00:47:08,405 We're done. 947 00:47:08,410 --> 00:47:09,410 - (YAGO CHUCKLES) - No. 948 00:47:10,410 --> 00:47:12,405 Amara? 949 00:47:12,410 --> 00:47:14,410 (SCATTING) 950 00:47:16,410 --> 00:47:21,405 Fuck! Stamos! I got a photograph of John Stamos. 951 00:47:21,410 --> 00:47:23,405 He, he, he signed it for you and everything. 952 00:47:23,410 --> 00:47:24,406 Amara? 953 00:47:24,411 --> 00:47:26,410 Huh. Give me the knife. 954 00:47:28,410 --> 00:47:30,222 AMARA: You got a photo? 955 00:47:31,410 --> 00:47:34,410 Yeah. In my pocket. 956 00:47:40,410 --> 00:47:42,410 (COUGHS) 957 00:47:46,410 --> 00:47:48,410 Autografo. 958 00:47:50,410 --> 00:47:54,405 "Amara, can't wait to meet you. 959 00:47:54,410 --> 00:47:58,405 "Rick..." What's this? 960 00:47:58,410 --> 00:48:00,405 - "Sings your praises." - Sing your praises. 961 00:48:00,410 --> 00:48:03,410 "Rick sings praises. All my love, 962 00:48:05,410 --> 00:48:06,410 "John Stamos." 963 00:48:13,410 --> 00:48:14,410 I like this. 964 00:48:15,410 --> 00:48:18,410 (SIGHS) I'm glad. 965 00:48:19,410 --> 00:48:20,410 (COUGHS) 966 00:48:24,410 --> 00:48:26,405 Movie is 30 million now. 967 00:48:26,410 --> 00:48:29,410 How come I only can put in two million? 968 00:48:30,410 --> 00:48:32,405 I don't follow. 969 00:48:32,410 --> 00:48:33,410 I want to put in four. 970 00:48:34,410 --> 00:48:36,410 - YAGO: Tia, you joking? - Shh! 971 00:48:39,410 --> 00:48:41,914 Yes or no? 972 00:48:43,410 --> 00:48:45,410 Bigger budget, you could lose money. 973 00:48:46,410 --> 00:48:48,410 I don't lose money. 974 00:48:50,410 --> 00:48:52,405 All right, then. 975 00:48:52,410 --> 00:48:54,405 Yeah. I mean, if it's up to me like you say 976 00:48:54,410 --> 00:48:59,405 then I'll just call the studio and I'll say Amara's back on, 977 00:48:59,410 --> 00:49:02,405 and now she's in for four million. No problem. 978 00:49:02,410 --> 00:49:04,405 Seriously, you gonna throw away your money like that, Tia? 979 00:49:04,410 --> 00:49:06,405 (SPEAKS SPANISH) 980 00:49:06,410 --> 00:49:09,405 (SPEAKS SPANISH) 981 00:49:09,410 --> 00:49:11,410 (SPEAKS SPANISH) 982 00:49:32,410 --> 00:49:34,410 John Stamos is a nice man. 983 00:49:36,410 --> 00:49:38,430 He's a sweetheart. 984 00:49:47,410 --> 00:49:50,405 Morning. You looking for Rick? 985 00:49:50,410 --> 00:49:52,405 Mm. 986 00:49:52,410 --> 00:49:54,405 Rick! 987 00:49:54,410 --> 00:49:55,410 RICK: Huh? What? 988 00:49:56,410 --> 00:49:58,405 Oh, hey! Okay. 989 00:49:58,410 --> 00:49:59,406 Well, look, you don't gotta apologize. 990 00:49:59,411 --> 00:50:01,410 - We've all been there. - APRIL: Apologize for what? 991 00:50:02,410 --> 00:50:04,405 You don't remember? 992 00:50:04,410 --> 00:50:05,406 What little I remember is plenty. 993 00:50:05,411 --> 00:50:08,405 Yeah, well... Uh, oh. Uh, the poster? 994 00:50:08,410 --> 00:50:10,656 Yeah, yeah, in that office. Right there. 995 00:50:10,662 --> 00:50:11,405 Okay. 996 00:50:11,410 --> 00:50:14,405 Guy holding a rooster. Get it the hell outta there. 997 00:50:14,410 --> 00:50:18,405 - Okay... - Hafdis Snaejornsson. 998 00:50:18,410 --> 00:50:20,405 - What? - Director Snaejornsson? 999 00:50:20,410 --> 00:50:22,405 Uh, no one says it right. 1000 00:50:22,410 --> 00:50:23,406 He hasn't made a movie in 10 years, 1001 00:50:23,411 --> 00:50:27,405 but the last one he did it got a standing ovation at Cannes 1002 00:50:27,410 --> 00:50:29,405 and won the Palme d'Or. 1003 00:50:29,410 --> 00:50:30,406 Okay. Well, from the sound of it I don't think he... 1004 00:50:30,411 --> 00:50:32,410 He asked for the script. 1005 00:50:33,410 --> 00:50:35,405 - No kidding. - Hmm. 1006 00:50:35,410 --> 00:50:38,405 Miles pitched it to him yesterday on the beach according to CAA. 1007 00:50:38,410 --> 00:50:42,405 Hafdis thinks it's something he might direct. 1008 00:50:42,410 --> 00:50:43,410 Can you follow up? 1009 00:50:44,410 --> 00:50:46,410 - Okay. - Ah, thanks. 1010 00:50:47,410 --> 00:50:48,410 Hmm. 1011 00:50:50,410 --> 00:50:53,410 Oh. Good. Good. Good. 1012 00:50:56,410 --> 00:50:58,405 Should we call CAA? 1013 00:50:58,410 --> 00:51:00,405 No. Oh, not now. Not now. 1014 00:51:00,410 --> 00:51:02,405 You're working on pitches for movies that aren't set up 1015 00:51:02,410 --> 00:51:03,406 and this director could move on. 1016 00:51:03,411 --> 00:51:05,405 No, he's never gonna do our movie. 1017 00:51:05,410 --> 00:51:07,405 He won the Palme d'Or. 1018 00:51:07,410 --> 00:51:09,405 - So? - So, so I have work to do. 1019 00:51:09,410 --> 00:51:11,405 Call CAA. 1020 00:51:11,410 --> 00:51:12,410 No. 1021 00:51:15,410 --> 00:51:16,405 Don't hit me in front of the guy. 1022 00:51:16,410 --> 00:51:17,406 Albert, would you excuse us? 1023 00:51:17,411 --> 00:51:19,405 No. Don't, I want that down. 1024 00:51:19,410 --> 00:51:21,362 And would you please close the door? 1025 00:51:24,410 --> 00:51:26,405 Come on. 1026 00:51:26,410 --> 00:51:28,405 You made an ambitious movie a hundred years ago and it shit the bed. 1027 00:51:28,410 --> 00:51:30,405 So what? 1028 00:51:30,411 --> 00:51:32,384 You should be proud that you tried. 1029 00:51:33,410 --> 00:51:37,405 Now call the famous director and stop being a pussy. 1030 00:51:37,410 --> 00:51:41,405 Hey. Hey, hey, hey. You work for me. You got that? 1031 00:51:41,410 --> 00:51:42,405 So don't talk to me like that. 1032 00:51:42,410 --> 00:51:43,406 - Pussy. - Don't. Stop that. 1033 00:51:43,411 --> 00:51:46,405 Stop. Stop! All right, stop it! 1034 00:51:46,410 --> 00:51:48,405 I'll call! 1035 00:51:48,410 --> 00:51:52,405 I'll call, okay? I'm calling. I'm dialing. See? 1036 00:51:52,410 --> 00:51:54,405 Yeah. Good. 1037 00:51:54,410 --> 00:51:57,410 You can stop with the guidance counselor bullshit. 1038 00:51:59,410 --> 00:52:00,406 Get the guy. 1039 00:52:00,411 --> 00:52:02,405 Albert! 1040 00:52:02,410 --> 00:52:03,410 Please, continue. 1041 00:52:05,410 --> 00:52:09,405 Hello. This is Rick Moreweather for Manny Yablonz. 1042 00:52:09,410 --> 00:52:10,410 Uh-huh, I'll hold. 1043 00:52:22,410 --> 00:52:26,410 Hey, yeah, yeah. You know what, just leave it. 1044 00:52:27,410 --> 00:52:30,405 Leave it. It's okay. 1045 00:52:30,410 --> 00:52:33,410 Yeah, yeah. Let's just, let's just leave it there. Thank you. 1046 00:52:35,410 --> 00:52:37,410 (DOOR OPENS AND CLOSES) 1047 00:52:53,410 --> 00:52:55,405 Food's good here. 1048 00:52:55,410 --> 00:52:58,405 What do you like, uh, the cabeza tacos? 1049 00:52:58,410 --> 00:53:01,405 Probably exactly why you came, ain't it? 1050 00:53:01,410 --> 00:53:02,410 I wanna make a deal. 1051 00:53:09,410 --> 00:53:11,405 You wanna make a deal? 1052 00:53:11,410 --> 00:53:14,405 You know last time we sat down, 1053 00:53:14,410 --> 00:53:17,410 Amara was talking about cutting all of our legs off. 1054 00:53:19,410 --> 00:53:21,410 So far, so good though, right? 1055 00:53:22,410 --> 00:53:24,405 Except for your boy. 1056 00:53:24,410 --> 00:53:26,405 You know, the one down there slingin' on Oakridge. 1057 00:53:26,410 --> 00:53:29,405 He ain't doing too good, is he? 1058 00:53:29,410 --> 00:53:30,410 I'll give you Amara. 1059 00:53:36,410 --> 00:53:40,251 If she's gone, most of her men will flip. 1060 00:53:41,410 --> 00:53:44,405 I hand over business and the crew. 1061 00:53:44,410 --> 00:53:46,410 But I need a sit down with Josias. 1062 00:53:48,410 --> 00:53:50,410 Work out my side of this. 1063 00:53:56,410 --> 00:53:58,410 I can't sit here all day. 1064 00:53:59,410 --> 00:54:00,840 What's it gonna be? 1065 00:54:04,410 --> 00:54:06,410 Just do the best you can with it. 1066 00:54:09,410 --> 00:54:11,410 Mr. Daly, have a seat. 1067 00:54:20,410 --> 00:54:22,410 PHOTOGRAPHER: I should see the other guy, right? 1068 00:54:24,410 --> 00:54:26,405 I was tied up. The other guy's fine. 1069 00:54:26,410 --> 00:54:28,405 PHOTOGRAPHER: Let's try those glasses. 1070 00:54:28,410 --> 00:54:30,410 Move that light over a little bit. 1071 00:54:32,410 --> 00:54:34,410 (CAMERA CLICKING) 1072 00:54:37,410 --> 00:54:38,406 PHOTOGRAPHER: Movie sounds great by the way. 1073 00:54:38,411 --> 00:54:41,410 - Yeah? - PHOTOGRAPHER: Congratulations. 1074 00:54:44,904 --> 00:54:49,705 - Synced & Corrected by Dragoniod - www.addic7ed.com 1075 00:54:49,755 --> 00:54:54,305 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 77777

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