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MAN:MY NAME’S FRANKIE,FRANKIE DELANO,
4
00:02:04,207 --> 00:02:06,292
AND I’M A PROFESSIONALWATCHER.
5
00:02:06,334 --> 00:02:08,878
THAT’S WHAT I DO--I TRY TO STAYIN THE SHADOWS AND WATCH.
6
00:02:13,800 --> 00:02:16,928
THE MAN WHO EMPLOYS MEIS ANGELO, ANGELO ALLIEGHIERI,
7
00:02:16,970 --> 00:02:19,389
WHO IS CONSIDEREDA GENEROUS MAN BY SOME,
8
00:02:19,431 --> 00:02:21,516
AND A VERY BAD MANBY OTHERS.
9
00:02:25,437 --> 00:02:28,314
BUT GOOD OR BAD, HE IS AFATHER FIRST AND FOREMOST,
10
00:02:28,356 --> 00:02:31,526
AND HAS, FOR YEARS,HAD ME WATCH HIS DAUGHTER--
11
00:02:31,568 --> 00:02:34,821
WHO, BY THE WAY, DOESN’T EVENKNOW SHE’S HIS DAUGHTER--
12
00:02:34,863 --> 00:02:36,489
WHICH REALLYCOMPLICATES THINGS.
13
00:02:41,661 --> 00:02:43,038
[NO AUDIBLE DIALOGUE]
14
00:02:43,079 --> 00:02:44,706
IN THE LAST FEW MONTHS,ANGELO HAS BEEN HAVING ME
15
00:02:44,748 --> 00:02:46,916
FILM MESSAGESTO HIS DAUGHTER.
16
00:02:46,958 --> 00:02:48,501
IT’S KIND OF LIKE HE’S GETTINGHIS LIFE IN ORDER,
17
00:02:48,543 --> 00:02:50,670
WHICH MAKES ME NERVOUS,
18
00:02:50,712 --> 00:02:53,882
LIKE HE KNOWSSOMETHING I DON’T.
19
00:02:53,923 --> 00:02:55,759
ANGELO:HEY, FRANKIE?
20
00:02:55,800 --> 00:02:58,887
YOU WANT ME TO SAY...
SOMETHING FOR YOU?
21
00:02:58,928 --> 00:03:02,515
YOU KNOW, TO PUT IN
A GOOD WORD OR SOMETHING?
22
00:03:02,557 --> 00:03:04,642
ANGELO, IT’S GOING
TO EMBARRASS ME, OKAY?
23
00:03:04,684 --> 00:03:08,521
COME ON!
YOU EMBARRASS TOO EASY.
24
00:03:08,563 --> 00:03:10,523
FRANKIE,IF SHE EVER LEAVES
25
00:03:10,565 --> 00:03:13,735
THAT SORRY EXCUSE
OF A HUSBAND,
26
00:03:13,777 --> 00:03:14,986
YOU GOT TO KEEP DOING
27
00:03:15,028 --> 00:03:19,407
WHAT YOU’RE DOINGFOR ME, UNDERSTAND?
28
00:03:19,449 --> 00:03:21,534
AND, FRANKIE,
WATCH OUT.
29
00:03:21,576 --> 00:03:25,372
- FOR WHAT?
- WATCH OUT FOR THE ONE
30
00:03:25,413 --> 00:03:28,958
WHO FEELS PAIN...
31
00:03:29,000 --> 00:03:32,545
AND WANTS YOU TO KNOW IT.
32
00:03:32,587 --> 00:03:37,967
ALL RIGHT... TURN IT ON.
33
00:03:38,009 --> 00:03:41,888
ANGELO: YOU KNOW,AFTER SO MANY YEARS,
34
00:03:41,930 --> 00:03:45,308
IT’S BECOME LIKE A POOLOF MEMORIES TO ME,
35
00:03:45,350 --> 00:03:48,770
NEVER KNOWINGIF THOSE MEMORIES ARE REAL,
36
00:03:48,812 --> 00:03:52,399
OR IF THEY’RE SIMPLYWHAT I WANT TO REMEMBER.
37
00:03:52,440 --> 00:03:54,901
BECAUSE ALL I HAVE LEFT
38
00:03:54,943 --> 00:03:57,904
TO JOIN METO THAT WORLD IS HER.
39
00:04:05,453 --> 00:04:07,330
FRANKIE: SEE, THAT’S WHATANGELO ALWAYS SAID--
40
00:04:07,372 --> 00:04:09,416
THAT SHE WASALL HE HAD LEFT--
41
00:04:09,457 --> 00:04:11,292
BUT THAT WASN’T EXACTLY TRUE,BECAUSE EVEN THOUGH
42
00:04:11,334 --> 00:04:14,754
I NEVER MADE A BIG DEALOUT OF IT, HE ALSO HAD ME.
43
00:04:14,796 --> 00:04:17,966
I PRETTY MUCH LOVED ANGELO LIKEYOU WOULD YOUR OWN FATHER.
44
00:04:18,008 --> 00:04:22,929
COME ON...
BEFORE WE LOSE THEM.
45
00:04:22,971 --> 00:04:25,640
SO IT WAS HARD FOR ME, TOO,HAVING TO STAY INVISIBLE
46
00:04:25,682 --> 00:04:29,728
AS HER WORLD FELL APART--AFTER SHE’D GIVEN INTO THAT HUSBAND
47
00:04:29,769 --> 00:04:32,731
AND SENT THEIR LITTLE SONOFF TO SOME DISTANT BOARDINGSCHOOL.
48
00:04:35,025 --> 00:04:38,445
I SEE HIM!
IN THE PLANE!
49
00:04:38,486 --> 00:04:41,614
RAWLEY, RAWLEY!
IT WASN’T MY IDEA!
50
00:04:41,656 --> 00:04:43,867
I DIDN’T MEAN TO SEND YOU AWAY.
BABY, I LOVE YOU!
51
00:04:43,908 --> 00:04:46,494
JENNIFER, JESUS!
WHAT ARE YOU DOING?
52
00:04:46,536 --> 00:04:47,871
GET-- GET BACK
IN THE CAR!
53
00:04:47,912 --> 00:04:52,125
LOOK AT HER.
HE’S DRIVING HER CRAZY.
54
00:04:52,167 --> 00:04:55,545
A WILLOW IN THE WIND.
55
00:04:55,587 --> 00:04:57,964
- GET BACK IN THE CAR!
- I JUST WANT TO SEE HIS FACE!
56
00:04:58,006 --> 00:05:01,051
JENNIFER, FOR GOODNESS SAKE,
I’M SHUTTING THE SUNROOF!
57
00:05:01,092 --> 00:05:03,553
GET BACK--JUST GET BACK IN!
58
00:05:03,595 --> 00:05:05,388
BLOODY HELL!
59
00:05:05,430 --> 00:05:08,016
I FEEL HER SADNESS.
60
00:05:08,058 --> 00:05:09,809
I MEAN...
61
00:05:09,851 --> 00:05:14,564
SENDING AWAY
HER ONLY CHILD.
62
00:05:14,606 --> 00:05:19,944
I-I-I DON’T UNDERSTAND THAT.
63
00:05:19,986 --> 00:05:23,698
BUT THEN, I DO.
64
00:05:23,740 --> 00:05:26,659
FOR GOD SAKES, WHAT EXACTLYIS THE TRAUMA HERE?
65
00:05:26,701 --> 00:05:27,994
OUR LITTLE SOLDIER IS GOING
OFF TO MILITARY SCHOOL.
66
00:05:28,036 --> 00:05:29,829
IT’LL MAKE HIM A MAN.
67
00:05:29,871 --> 00:05:32,582
- HE’S SEVEN.
- AND YOU’RE ACTING ABOUT
THE SAME AGE.
68
00:05:36,002 --> 00:05:38,380
HAVE YOU EVER CONSIDERED...
LIGHTENING YOUR HAIR?
69
00:05:38,421 --> 00:05:40,924
- WHAT?
- LIGHTENING YOUR HAIR.
70
00:05:40,965 --> 00:05:46,513
I THOUGHT MAYBE IT’D
BRIGHTEN YOUR MOOD.
71
00:05:46,554 --> 00:05:49,849
THIS CAN BE CORRECTED,
SERIOUSLY.
IT’D BE MY PLEASURE.
72
00:05:49,891 --> 00:05:53,436
- YOU CAN’T. YOU KNOW THAT.
- I UNDERSTAND.
73
00:05:53,478 --> 00:05:57,107
THAT’S RIGHT.
KEEP THE DISTANCE.
74
00:05:57,148 --> 00:05:58,525
THE DISTANCE.
75
00:06:13,832 --> 00:06:16,626
THIS IS JUST PERFECT, WE SEND
OUR SON OFF TO MILITARY SCHOOL
76
00:06:16,668 --> 00:06:18,461
WHERE HE’LL BE SURROUNDED
BY NOTHING BUT BOYS,
77
00:06:18,503 --> 00:06:19,963
YOU FIRED THE GARDENER,THE PLACE IS A MESS,
78
00:06:20,005 --> 00:06:21,881
THE FURNITURE’S IN STORAGEAND WE CAN’T GET IT OUT
79
00:06:21,923 --> 00:06:26,428
BECAUSE YOU INVESTEDIN SOME OTHER MINING STOCKOR SOMETHING OR OTHER!
80
00:06:26,469 --> 00:06:28,179
WE DON’T EVEN HAVE A HOME--
BRILLIANT!
81
00:06:28,221 --> 00:06:30,890
WHERE’S MY FED EX PACKAGE
OR DID YOU MISPLACE IT?
82
00:06:30,932 --> 00:06:32,684
- IT’S THERE.
- AH!
83
00:06:32,726 --> 00:06:34,853
HOW CAN YOU
BE SO BLASE?
84
00:06:34,894 --> 00:06:36,813
DON’T YOU MISS RAWLEY?
85
00:06:36,855 --> 00:06:39,733
YOU REALLY HAVE TO GET
A GRIP ON THIS.
86
00:06:39,774 --> 00:06:40,984
A GRIP ON WHAT?
87
00:06:41,026 --> 00:06:43,903
SERIOUSLY, WHAT MORE
COULD YOU WANT?
88
00:06:43,945 --> 00:06:47,532
- YOU KEEP ASKING ME THAT.
- FINE, SO GO OUT AND GET
A JOB.
89
00:06:47,574 --> 00:06:49,451
I HAD A JOB, REMEMBER?
90
00:06:49,492 --> 00:06:50,869
BUT YOU SAID A MOTHER’S
PLACE WAS IN THE HOME.
91
00:06:50,910 --> 00:06:53,788
BESIDES, WHO WOULD
HIRE ME NOW?
92
00:07:02,964 --> 00:07:06,092
EVERYTHING
WE FUNNEL
93
00:07:06,134 --> 00:07:09,179
THROUGH TO THAT
FAMILY OF THEIRS,
94
00:07:09,220 --> 00:07:13,058
HE MANAGES TO LOSE--
95
00:07:13,099 --> 00:07:16,811
OR SQUANDER.
96
00:07:16,853 --> 00:07:18,813
LOOK AT HER NOW.
97
00:07:18,855 --> 00:07:21,149
SHE’S SKINNY.
98
00:07:21,191 --> 00:07:25,612
PROBABLY HER NERVES.
99
00:07:25,653 --> 00:07:28,907
YOU KNOW,
WHEN I’M GONE...
100
00:07:28,948 --> 00:07:31,076
YOU’RE GOING TO HAVE
TO TAKE OVER.
101
00:07:31,117 --> 00:07:34,788
BE SURE
AND... FATTEN HER UP.
102
00:07:34,829 --> 00:07:37,957
[CHUCKLES]
LOOK--
103
00:07:37,999 --> 00:07:42,629
I’M AFRAID YOU’RE NOT
GOING ANYWHERE, OKAY?
104
00:07:42,671 --> 00:07:46,675
EVERYBODY’S GOING...
105
00:07:46,716 --> 00:07:48,093
SOMEWHERE.
106
00:07:57,686 --> 00:08:00,647
THERE’S NO NEED
FOR THE CANNON.
107
00:08:00,689 --> 00:08:01,856
A .22 SHOULD BE
ALL WE NEED.
108
00:08:04,567 --> 00:08:06,027
LET THE OLD MAN
FINISH HIS MEAL.
109
00:08:22,752 --> 00:08:24,921
WOMAN: AN ILL WIND ISBLOWING THIS WAY, LADIES.
110
00:08:24,963 --> 00:08:26,923
I AM SO MESSED UP.
111
00:08:26,965 --> 00:08:30,719
I JUST SENT MY BABY BOY
OFF TO MILITARY ACADEMY.
112
00:08:30,760 --> 00:08:32,846
SWEETIE, COME HERE,
COME HERE.
113
00:08:32,887 --> 00:08:34,222
I AM SO WIRED. AM I
HAVING A HEART ATTACK?
114
00:08:34,264 --> 00:08:35,849
- IS THAT WHAT’S GOING ON?
- NO, SWEETIE.
115
00:08:35,890 --> 00:08:37,726
MEN GET HEART ATTACKS.
WE DON’T.
116
00:08:37,767 --> 00:08:39,686
- MEN DO, WE DON’T.
- CAN YOU BREATHE?
117
00:08:39,728 --> 00:08:42,188
OKAY, BLOW OUT.
THAT’S IT.
118
00:08:42,230 --> 00:08:43,732
OH GOD!
119
00:08:43,773 --> 00:08:45,567
- YOU KNOW WHAT?
- WHAT?
120
00:08:45,608 --> 00:08:48,069
"MAMA’S LITTLE HELPER"
TO THE RESCUE.
I WANT YOU TO TAKE ONE--
121
00:08:48,111 --> 00:08:50,780
NO, SWEETIE, TAKE TWO,
AND LEAVE ALL YOUR
TROUBLES BEHIND.
122
00:08:50,822 --> 00:08:52,032
WHAT ARE THESE?
123
00:08:52,073 --> 00:08:53,742
HER HUSBAND GIVES
THEM TO HIS PATIENTS.
124
00:08:53,783 --> 00:08:56,953
FOR ME, HE TRIPLES
THE DOSAGE.
125
00:08:56,995 --> 00:08:59,372
JENNIFER,
I SAID TAKE TWO PILLS.
HOW MANY DID YOU TAKE?
126
00:08:59,414 --> 00:09:01,708
I DON’T KNOW!
JUST WHAT YOU TOLD ME!
127
00:09:01,750 --> 00:09:05,879
- BON VOYAGE, DARLING.
- [OTHERS GROAN]
128
00:09:05,920 --> 00:09:07,255
THIS IS
A NIGHTMARE.
129
00:09:15,180 --> 00:09:16,598
SCUSI.
130
00:09:21,644 --> 00:09:24,939
OFFICER!
IS THERE A PROBLEM HERE?
131
00:09:24,981 --> 00:09:27,776
- YOU’RE IN A "NO PARKING" ZONE.
- WE’RE TALKING MINUTIAE HERE.
132
00:09:27,817 --> 00:09:29,903
WHAT DOES ANGELO SEE
IN A GUY LIKE THAT?
133
00:09:29,944 --> 00:09:32,280
I COULD RUN CIRCLES
AROUND THAT PAIN IN THE ASS.
134
00:09:32,322 --> 00:09:35,158
DOES MALATESTA KNOW--
135
00:09:35,200 --> 00:09:38,078
DOES MALATESTA WHAT?
KNOW ABOUT THIS?
136
00:09:38,119 --> 00:09:39,829
THERE’S A LOT
THE OLD MAN DON’T KNOW.
137
00:09:39,871 --> 00:09:41,247
AND AS FOR YOU, DON’T
SWEAT THE SMALL SHIT.
138
00:09:41,289 --> 00:09:43,625
DO YOU HEAR WHAT I’M SAYING?
139
00:09:43,667 --> 00:09:45,377
- RADIO:* I’LL NEVER LET YOU GO... *
- THIS FRICKING SONG.
140
00:09:45,418 --> 00:09:46,836
* WHY? BECAUSEI LOVE YOU... *
141
00:09:46,878 --> 00:09:49,381
IT MAKES MY HEART WEEP
EVERY TIME I HEAR IT.
142
00:09:49,422 --> 00:09:53,093
YEAH, I GET
A TWINGE, TOO.
143
00:09:53,134 --> 00:09:55,053
A "TWINGE"?
144
00:09:55,095 --> 00:09:57,305
WHAT KIND OF PERSON
JUST GETS A FRIGGING "TWINGE"
145
00:09:57,347 --> 00:09:59,724
WHEN YOU HEAR
A SONG LIKE THIS?
146
00:09:59,766 --> 00:10:02,018
SO, WHAT DO YOU GET?
147
00:10:02,060 --> 00:10:03,895
* NO BROKEN HEARTSFOR US... *
148
00:10:03,937 --> 00:10:05,647
[LAUGHING]
149
00:10:05,689 --> 00:10:08,817
ARE YOU SAYING
THIS LITTLE DISTANCE HERE
IS NOT NEGOTIABLE?
150
00:10:08,858 --> 00:10:10,110
THE LAW IS THE LAW.
151
00:10:10,151 --> 00:10:12,904
HOW ABOUT IF I JUST
PULL IT FORWARD?
152
00:10:12,946 --> 00:10:14,197
AND HOW ABOUT I JUST
CALL FOR SOME BACKUP?
153
00:10:14,239 --> 00:10:17,283
HOW ABOUT YOU NOT?
154
00:10:17,325 --> 00:10:19,828
- IF YOU WEREN’T SO CUTE--
- YOU WATCH IT!
155
00:10:28,795 --> 00:10:32,132
NICE SHINE...
156
00:10:32,173 --> 00:10:34,342
CHEAP AFTERSHAVE...
157
00:10:42,058 --> 00:10:43,309
MUST BE...
158
00:10:45,979 --> 00:10:47,188
BRUNO.
159
00:10:47,230 --> 00:10:49,274
ANY LAST WORDS?
160
00:10:49,315 --> 00:10:53,820
YEAH, TRY THE CLAMS.
161
00:10:53,862 --> 00:10:57,073
THEY’RE FABULOUS.
162
00:10:58,867 --> 00:11:00,702
[DINERS SCREAMING]
163
00:11:20,388 --> 00:11:21,890
[GROANS]
164
00:11:40,992 --> 00:11:43,787
HEY! GOOD THING I
DIDN’T SEE YOU EARLIER,
165
00:11:43,828 --> 00:11:45,747
OTHERWISE, I WOULD HAVE
HAD TO GIVE YOU A TICKET!
166
00:11:45,789 --> 00:11:47,290
SORRY FOR THE
INCONVENIENCE.
167
00:11:51,252 --> 00:11:53,004
[CELL PHONE RINGS]
168
00:11:53,046 --> 00:11:55,840
HELLO? WHAT?
169
00:11:58,009 --> 00:12:02,555
I’M ON MY WAY.
I’LL BE RIGHT THERE.
170
00:12:02,597 --> 00:12:05,100
MY SON HAS
A TEMPERATURE OF 103.
171
00:12:05,141 --> 00:12:07,852
[SLURRED]
OH, HE’LL BE ALL RIGHT.
WANT SOME COMPANY?
172
00:12:07,894 --> 00:12:10,438
I GOT TO GO.
173
00:12:10,480 --> 00:12:12,899
LATER, "LUCKY ONES."
174
00:12:12,941 --> 00:12:16,027
GOOD AFTERNOON,
LADIES, AND WELCOME.
175
00:12:16,069 --> 00:12:19,072
WE HAVE A VERY SPECIAL TREAT
FOR YOU THIS AFTERNOON,
176
00:12:19,114 --> 00:12:24,077
ALL DUE TO THE VERY HARD WORKOF OUR OWN JENNIFER BARRETT!
177
00:12:24,119 --> 00:12:27,539
PLEASE JOIN ME IN WELCOMING
A CELEBRATED AUTHOR,
178
00:12:27,580 --> 00:12:30,250
MARCELLO DELLA ROSA!
179
00:12:30,291 --> 00:12:32,252
[APPLAUSE, SIGHS]
180
00:12:39,509 --> 00:12:44,264
IT SEEMS THERE ARE
NO MEN-- PITY.
181
00:12:44,305 --> 00:12:46,266
IF YOU WILL INDULGE ME,
182
00:12:46,307 --> 00:12:50,478
I WOULD PREFER TO LET MY WORK
SPEAK FOR ITSELF.
183
00:12:50,520 --> 00:12:54,357
I’VE TAKEN THE LIBERTY
OF BRINGING "OUR WAY,"
184
00:12:54,399 --> 00:12:57,110
THE BOOK I PUBLISHED
LAST YEAR.
185
00:12:57,152 --> 00:12:58,987
THEN, IF YOU MUST,
186
00:12:59,029 --> 00:13:01,197
ASK YOUR QUESTIONS--
187
00:13:01,239 --> 00:13:06,244
BUT PLEASE BE GENTLE.
188
00:13:06,286 --> 00:13:10,290
"HE STOOD ON THE CLIFFS
OF APOLLONIA DI MARE,
189
00:13:10,331 --> 00:13:13,376
THE CLIFFSOF HIS SICILIA.
190
00:13:13,418 --> 00:13:15,420
ALL ABOUT HIM
SWIRLED SOUNDS
191
00:13:15,462 --> 00:13:18,965
AS HOLY
AS GOD’S SILENCE,
192
00:13:19,007 --> 00:13:21,926
THE CRY OF THE SAILOR.
193
00:13:21,968 --> 00:13:23,928
HE WAS HOME,
194
00:13:23,970 --> 00:13:28,099
WITH GHOSTS OF SHIPSTHAT CAME BEFORE.
195
00:13:28,141 --> 00:13:30,935
COME, YOU ROMANS,AND YOU GREEKS,
196
00:13:30,977 --> 00:13:32,854
YOU DARK-EYEDSPANISH MOORS."
197
00:13:37,275 --> 00:13:40,945
"’I’VE WAITED TOO LONGTO COME HOME,’ HE THOUGHT,
198
00:13:40,987 --> 00:13:47,118
’FOR TIME IS A THIEF,AND HE NEVER GETS CAUGHT.’"
199
00:13:47,160 --> 00:13:50,413
NEVER, JENNIFER.
200
00:13:50,455 --> 00:13:52,624
[DULL THUD,CHINA CLINKS]
201
00:13:52,665 --> 00:13:54,042
JENNIFER:
YEAH, NO, I’M OKAY.
202
00:14:04,219 --> 00:14:05,970
[GLASS BREAKS]
203
00:14:55,311 --> 00:14:56,980
[VOICES TALKING]
204
00:14:57,022 --> 00:14:58,690
[DISCO MUSIC PLAYS]
205
00:15:13,246 --> 00:15:16,499
* AH, THAT’S THE WAY,UH-HUH, UH-HUH, *
206
00:15:16,541 --> 00:15:18,335
* I LIKE IT,UH-HUH, UH-HUH *
207
00:15:18,376 --> 00:15:20,587
* THAT’S THE WAY,UH-HUH, UH-HUH *
208
00:15:20,628 --> 00:15:23,089
* I LIKE IT,UH-HUH, UH-HUH *
209
00:15:23,131 --> 00:15:24,966
* THAT’S THE WAY,UH-HUH, UH-HUH *
210
00:15:25,008 --> 00:15:27,177
* I LIKE IT,UH-HUH, UH-HUH *
211
00:15:27,218 --> 00:15:29,262
* THAT’S THE WAY,UH-HUH, UH-HUH *
212
00:15:29,304 --> 00:15:31,681
* I LIKE IT,UH-HUH, UH-HUH *
213
00:15:31,723 --> 00:15:33,516
* WHEN YOU TAKE ME-- *
214
00:15:33,558 --> 00:15:35,185
[GUNSHOT]
215
00:15:35,226 --> 00:15:38,188
JESUS CHRIST!
216
00:15:43,193 --> 00:15:46,071
JENNIFER, THIS IS NOT THE TIME
FOR ANOTHER ONE OF YOUR SCENES.
217
00:15:46,112 --> 00:15:49,449
- MY SCENES?!
- IT’S NOT WHAT IT LOOKS LIKE.
218
00:15:49,491 --> 00:15:51,618
YOU HAVE NO CLUE
WHAT IT LOOKS LIKE.
219
00:15:51,659 --> 00:15:55,455
YOU’RE DOING HER IN THE POOL,
AND I GET MR. MISSIONARY?
220
00:15:55,497 --> 00:15:58,458
- JEN-JEN--
- DON’T YOU "JEN-JEN" ME.
221
00:15:58,500 --> 00:16:00,627
YOU WERE SUPPOSED
TO BE MY FRIEND,
222
00:16:00,669 --> 00:16:03,797
AND NOW YOU’RE NOTHING
BUT A PORN STAR.
223
00:16:03,838 --> 00:16:07,175
NOW I KNOW WHY YOU WANTED
ME TO LIGHTEN MY HAIR.
224
00:16:07,217 --> 00:16:09,469
- GET OUT OF HERE!
- [SHRIEKS]
225
00:16:09,511 --> 00:16:11,596
- [GUN FIRES]
- [BALL SQUEAKS]
226
00:16:11,638 --> 00:16:15,308
I HAVE TO PICK UP
MY KIDS.
227
00:16:15,350 --> 00:16:17,143
JENNIFER...
228
00:16:17,185 --> 00:16:20,021
YOU HAVE TO TAKE YOUR SHARE
OF RESPONSIBILITY FOR THIS.
229
00:16:20,063 --> 00:16:23,191
- MY SHARE?!
- DO YOU KNOW HOW LONELYI’VE BEEN
230
00:16:23,233 --> 00:16:25,652
WHILE YOU’VE OFF BEEN DOING
THIS BOOK CLUB THING?
231
00:16:25,694 --> 00:16:28,113
YOU ARE JUST ABOUT
TO GET LONELIER.
232
00:16:31,616 --> 00:16:33,034
[WHIMPERS]
233
00:16:37,122 --> 00:16:38,665
[SCREAMS]
234
00:16:38,707 --> 00:16:40,542
OH, MAN!
235
00:16:54,597 --> 00:16:55,807
CREEP.
236
00:16:58,393 --> 00:17:02,230
* BRING BACK MY HEART *
237
00:17:02,272 --> 00:17:05,108
* PLEASE SAY YOU WILL *
238
00:17:05,150 --> 00:17:09,070
* ’CAUSE I’M LOSTWITHOUT YOU *
239
00:17:11,740 --> 00:17:17,537
* I CAN’T MOVE ONWITHOUT YOU *
240
00:17:19,372 --> 00:17:23,543
* SO BRING BACKMY HEART *
241
00:17:28,757 --> 00:17:32,510
* SEND BACK MY SOUL *
242
00:17:32,552 --> 00:17:34,721
* AND IF YOU DO *
243
00:17:34,763 --> 00:17:36,598
* I’LL GO ON WITHOUT YOU *
244
00:17:36,639 --> 00:17:38,266
[KNOCKING]
245
00:17:43,688 --> 00:17:46,566
[MUTTERING] ...MY HOUSE,
THIS IS MY HOUSE.
246
00:17:46,608 --> 00:17:48,735
YOU’RE NOTHING
BUT A PRUNE NOW, KIP!
247
00:17:48,777 --> 00:17:53,198
AND YOU ARE NOT GOING
TO DISRESPECT ME!
248
00:17:53,239 --> 00:17:56,743
[SCREAMS]
249
00:17:56,785 --> 00:17:58,161
JESUS!
250
00:18:05,335 --> 00:18:08,588
MA’AM, PLEASE.
251
00:18:08,630 --> 00:18:10,465
IF YOU DON’T MIND?
252
00:18:14,678 --> 00:18:16,763
HELLO.
253
00:18:16,805 --> 00:18:17,847
YOU’RE HURT!
254
00:18:17,889 --> 00:18:19,683
YES, MA’AM, I AM.
255
00:18:19,724 --> 00:18:21,726
YOU’RE BLEEDING.
RATHER PROFUSELY.
256
00:18:21,768 --> 00:18:25,271
- THAT’S WHAT HAPPENS
WHEN YOU GET SHOT.
- SHOT? YOU’VE BEEN SHOT?
257
00:18:25,313 --> 00:18:28,400
DEFINITELY, BUT IT’S NOT
AS BAD AS IT LOOKS, REALLY.
258
00:18:28,441 --> 00:18:31,611
YOU’RE AT THE WRONG HOUSE.
IT’S THE WRONG NEIGHBORHOOD.
259
00:18:31,653 --> 00:18:33,446
YOU WANT QUEENS,
MAYBE BROOKLYN.
260
00:18:33,488 --> 00:18:36,366
NO, WAIT--
261
00:18:36,408 --> 00:18:38,284
I’M AT THE RIGHT HOUSE--
262
00:18:38,326 --> 00:18:40,578
JENNIFER. MAY I?
263
00:18:44,416 --> 00:18:48,461
- I KNOW YOU, DON’T I?
- YES, MA’AM, YOU DO.
264
00:18:48,503 --> 00:18:50,964
I’M SORRY.
I CAN’T REMEMBER YOUR NAME.
265
00:18:51,006 --> 00:18:55,260
- FRANKIE, FRANKIE DELANO.
- RIGHT! FRANKIE.
266
00:18:55,301 --> 00:18:57,554
YOU USED TO DELIVER GROCERIES
FOR ANGELO WHEN I WAS A GIRL.
267
00:18:57,595 --> 00:19:01,349
YES, MA’AM,
WHEN YOU WERE A KID, MA’AM.
268
00:19:01,391 --> 00:19:03,685
THE NEWS I HEARD
YOU PRESUMED.
269
00:19:03,727 --> 00:19:06,312
COME AGAIN?
270
00:19:06,354 --> 00:19:08,440
I PRESUME
YOU HEARD THE NEWS?
271
00:19:08,481 --> 00:19:11,735
- WHAT NEWS?
- GOT A TELEVISION?
272
00:19:11,776 --> 00:19:13,820
REPORTER: SOURCES CLOSETO THE INVESTIGATION
273
00:19:13,862 --> 00:19:17,574
TELL MOBILE-8’S NEWS TEAMTHAT IT HAD THE TRADEMARKSIGNS OF A MOB HIT.
274
00:19:17,615 --> 00:19:20,744
THAT NICE OLD MAN?
275
00:19:20,785 --> 00:19:22,996
WE’VE GOT TO GET YOU
TO A HOSPITAL.
276
00:19:23,038 --> 00:19:27,334
IT’S... NOT NECESSARY.
277
00:19:27,375 --> 00:19:31,504
- UH... THE POLICE?
- DEFINITELY NOT NECESSARY.
278
00:19:31,546 --> 00:19:32,881
SO, WHAT DO WE DO?
279
00:19:32,922 --> 00:19:36,718
YOU WERE SHOT! THAT’SWHAT YOU SAID, RIGHT?
280
00:19:36,760 --> 00:19:39,471
MA’AM, DO YOU HAPPEN
TO HAVE A...
281
00:19:39,512 --> 00:19:41,931
- A DVD PLAYER?
- DVD?
282
00:19:41,973 --> 00:19:46,603
YES, MA’AM,
A DVD PLAYER.
283
00:19:46,644 --> 00:19:48,646
- IT’S BEEN SHOT.
- SHOT?
284
00:19:48,688 --> 00:19:52,859
- YEAH.
- DVD’S BEEN SHOT.
285
00:19:52,901 --> 00:19:55,862
THERE’S A LOT OF THAT
GOING AROUND TONIGHT.
286
00:19:55,904 --> 00:19:57,655
THERE’S ANOTHER ONE IN THE
MASTER BEDROOM, I THINK.
287
00:20:07,791 --> 00:20:10,418
I’M A LITTLE DRUNK AND GOOFY
FROM THE LOSS OF BLOOD
288
00:20:10,460 --> 00:20:12,879
SO IF I HAPPEN TO SAY
SOMETHING OUT OF LINE,
289
00:20:12,921 --> 00:20:15,340
I’D LIKE TO APOLOGIZE
AHEAD OF TIME.
290
00:20:15,382 --> 00:20:19,594
YOU CAN PUT THE TOWELS
OVER THERE.
291
00:20:19,636 --> 00:20:21,471
GREAT BREASTS.
ABSOLUTELY GREAT.
292
00:20:21,513 --> 00:20:23,890
THEY’RE LIKE
CHAMPAGNE GLASSES.
293
00:20:23,932 --> 00:20:27,060
- APOLOGY ACCEPTED.
- SORRY!
294
00:20:27,102 --> 00:20:29,312
COULD YOU...
295
00:20:29,354 --> 00:20:32,524
PLEASE PLAY THIS?
296
00:20:32,565 --> 00:20:35,402
YOU’RE NOT GONNA DO WHAT I
THINK YOU’RE GONNA DO,
ARE YOU?
297
00:20:35,443 --> 00:20:38,822
IT’S OKAY. IT’S NO BIG DEAL.
I’VE DONE IT BEFORE.
298
00:20:38,863 --> 00:20:43,326
OKAY.
299
00:20:43,368 --> 00:20:45,870
- OW! OH!
- [SCREAMS]
300
00:20:45,912 --> 00:20:49,749
SHH!
301
00:20:49,791 --> 00:20:51,668
SMART SON-OF-A--
302
00:20:54,796 --> 00:20:57,924
OKAY.
303
00:20:57,966 --> 00:21:02,429
JUST TWO MORE.
304
00:21:02,470 --> 00:21:05,015
MY DEAR JENNIFER.
305
00:21:05,056 --> 00:21:08,852
[AUDIO PAUSES]
306
00:21:08,893 --> 00:21:12,397
DID HE JUST SAY
"DEAR JENNIFER"?
307
00:21:12,439 --> 00:21:13,773
COULD YOU PASS ME
308
00:21:13,815 --> 00:21:15,650
THE WHISKEY, PLEASE?
309
00:21:20,655 --> 00:21:23,533
THANK YOU.
310
00:21:23,575 --> 00:21:26,453
IF YOU’RE WATCHING THIS,
311
00:21:26,494 --> 00:21:28,079
I AM DEAD.
312
00:21:28,121 --> 00:21:31,082
HOW DOES HE KNOW WHO I AM?
WHY IS HE TELLING ME THIS?
313
00:21:31,124 --> 00:21:33,710
I’M TELLING YOU THIS
BECAUSE
314
00:21:33,752 --> 00:21:36,004
YOU ARE NOT
WHO YOU THINK YOU ARE.
315
00:21:36,046 --> 00:21:40,925
- RIGHT, NOW, THAT’S A RELIEF.
- THERE WAS A WAR IN NEW YORK.
316
00:21:40,967 --> 00:21:42,594
HE HAD A LOT OF ENEMIES
AT THAT TIME,
317
00:21:42,635 --> 00:21:44,471
THEY WERE TRYING
TO TAKE HIM OUT.
318
00:21:44,512 --> 00:21:47,849
THERE WAS SAMMY CARBONIWHO WANTED TO KILL HIM.
319
00:21:47,891 --> 00:21:49,768
AND THE SAMEWITH LUCIO MALATESTA.
320
00:21:49,809 --> 00:21:51,978
BUT AS MUCH AS THEY BOTHWANTED TO GET ANGELO,
321
00:21:52,020 --> 00:21:54,481
THEY WANTED TO KILLEACH OTHER EVEN MORE.
322
00:21:58,026 --> 00:22:01,738
SO MALATESTA GAVE SAMMYA NEW SET OF GOLF CLUBS.
323
00:22:01,780 --> 00:22:03,531
THAT WAS HIS WAYOF MAKING SURE
324
00:22:03,573 --> 00:22:09,496
THE HIT MAN WOULD KNOWJUST WHERE TO FIND SAMMY.
325
00:22:09,537 --> 00:22:11,873
AND SINCE THIS HIT MAN WASA TRAITOR WHO WORKED FOR US,
326
00:22:11,915 --> 00:22:14,834
IT LOOKED LIKE ANGELOWAS BEHIND SAMMY’S DEATH.
327
00:22:14,876 --> 00:22:18,088
[GUNSHOT]
328
00:22:18,129 --> 00:22:21,424
WHEN THE HIT MAN GOTTAKEN OUT BY BRUNO SENIOR,
329
00:22:21,466 --> 00:22:23,968
WHO WAS THERE LEFTTO TELL WHAT REALLY HAPPENED?
330
00:22:24,010 --> 00:22:28,098
WITH OUR GUY LAYING DEAD THEREWITH A SMOKING GUN IN HIS HAND?
331
00:22:28,139 --> 00:22:30,892
WOW, WHAT A HIT.
332
00:22:30,934 --> 00:22:32,185
FRANKIE:BUT WHAT KIND OF HIT MAN,
333
00:22:32,227 --> 00:22:35,980
OF ANY SUBSTANCE,HAS HIS KID BRUNO JUNIOR
334
00:22:36,022 --> 00:22:38,650
WAITING IN THE CARWHEN HE DOES THE THING?
335
00:22:38,692 --> 00:22:41,528
IN THE HOSPITAL,
336
00:22:41,569 --> 00:22:45,115
SAMMY CARBONI’S
FIRST VISITOR
337
00:22:45,156 --> 00:22:47,200
WAS, OF COURSE, LUCIO.
338
00:22:47,242 --> 00:22:49,536
LUCIO MALATESTA,
339
00:22:49,577 --> 00:22:51,955
WHO’S BLAMING IT
ALL ON ME.
340
00:22:51,996 --> 00:22:55,875
I COME TO TELL YOU
THAT THE GUY WHO SHOT YOU
341
00:22:55,917 --> 00:22:58,878
WAS ONE OF ANGELO’S MEN.
342
00:22:58,920 --> 00:23:00,839
- LUCIO.
- MM-HMM?
343
00:23:00,880 --> 00:23:04,718
MY SON,
LITTLE JOHNNY,
344
00:23:04,759 --> 00:23:06,428
I AIN’T GONNA BE AROUND
345
00:23:06,469 --> 00:23:10,098
TO WATCH HIM
GROW INTO A MAN.
346
00:23:10,140 --> 00:23:14,894
IF ANGELO
EVER HAS A CHILD--
347
00:23:14,936 --> 00:23:17,522
FIND IT.
348
00:23:17,564 --> 00:23:20,483
KILL IT.
349
00:23:20,525 --> 00:23:24,237
MY WIFE, MARIA,
WAS PREGNANT.
350
00:23:24,279 --> 00:23:27,657
SO WE FLEW TO SICILY,
351
00:23:27,699 --> 00:23:31,453
TO THE VILLAGEOF CASTELLEMMARE
352
00:23:31,494 --> 00:23:33,955
WHAT MORE COULD I WANT?
353
00:23:33,997 --> 00:23:37,167
MY BELOVED WIFE,
354
00:23:37,208 --> 00:23:41,212
HER CHILD ON THE WAY.
355
00:23:41,254 --> 00:23:43,757
THE OPERA HOUSETHAT I WAS RENOVATING
356
00:23:43,798 --> 00:23:45,675
TO HEAR THE MUSIC
357
00:23:45,717 --> 00:23:53,016
THAT MY WIFE MARIA LOVED.
358
00:23:53,058 --> 00:23:56,895
MY...
359
00:23:56,936 --> 00:23:59,898
MY WIFE DIED
IN CHILDBIRTH.
360
00:24:11,534 --> 00:24:15,080
I DO NOT HAVE THE WORDS...
361
00:24:15,121 --> 00:24:19,250
FOR MY GRIEF
TO THIS VERY DAY.
362
00:24:19,292 --> 00:24:21,836
THIS IS JUST THE SADDEST.
363
00:24:21,878 --> 00:24:25,799
HIS YOUNG WIFE DIES
GIVING CHILDBIRTH?
364
00:24:25,840 --> 00:24:29,511
IT’S JUST-- OH, GOD--
365
00:24:29,552 --> 00:24:32,305
- THEY HAD A DAUGHTER.
- A DAUGHTER?
366
00:24:32,347 --> 00:24:35,141
WHEN HE CAME TO AMERICA,
HE BROUGHT HIMSELF
AND HIS DAUGHTER,
367
00:24:35,183 --> 00:24:38,728
BUT HE HAD ENEMIES OVER HERE.
AND IF THEY’D EVER FOUND HIM,
368
00:24:38,770 --> 00:24:41,690
- THEY WOULD HAVE KILLEDTHE BABY.
- THAT’S AWFUL.
369
00:24:41,731 --> 00:24:44,776
SO HE FOUND
THIS CHILDLESS COUPLE
THAT DIDN’T HAVE MUCH MONEY
370
00:24:44,818 --> 00:24:47,112
AND HE GAVE
THE HUSBAND A JOB,
371
00:24:47,153 --> 00:24:51,074
AND HE BOUGHT THEM
A BIG ESTATE...
372
00:24:51,116 --> 00:24:52,992
IN GLEN COVE.
373
00:24:53,034 --> 00:24:54,202
WELL, THAT’S WHERE I LIVED.
374
00:24:58,331 --> 00:25:00,834
AND EVEN THOUGH
SHE HAD--
375
00:25:00,875 --> 00:25:05,088
DARK HAIR, AND THEY
HAD BLONDE HAIR,
376
00:25:05,130 --> 00:25:06,756
HE STILL LET THEM
377
00:25:06,798 --> 00:25:07,841
ADOPT HER.
378
00:25:07,882 --> 00:25:12,053
HE GAVE HER AWAY.
379
00:25:12,095 --> 00:25:13,596
IS IT GETTING
WARM IN HERE?
380
00:25:13,638 --> 00:25:16,683
SO HE TOOK CARE
OF ALL THEIR EXPENSES
381
00:25:16,725 --> 00:25:20,770
UNDER ONE CONDITION.
382
00:25:20,812 --> 00:25:24,190
THAT THE GIRL NEVER KNOW
383
00:25:24,232 --> 00:25:26,776
WHO HER FATHER WAS,
384
00:25:26,818 --> 00:25:29,904
BECAUSE IF SHE
WERE TO KNOW--
385
00:25:29,946 --> 00:25:31,740
SHE’D GO LOOKING
FOR HIM AND--
386
00:25:31,781 --> 00:25:35,035
HIS ENEMIES
WOULD GET TO HER.
387
00:25:35,076 --> 00:25:37,328
SO HER PARENTS
NEVER TOLD HER.
388
00:25:37,370 --> 00:25:40,707
BUT NOW...
389
00:25:40,749 --> 00:25:42,042
IT’S TIME SHE KNOWS.
390
00:25:42,083 --> 00:25:43,877
- OH, JESUS.
- NOW IT’S TIME
391
00:25:43,918 --> 00:25:47,130
- FOR YOU TO KNOW.
- DON’T GO THERE.
392
00:25:48,715 --> 00:25:53,303
- I...
- DON’T GO THERE. NO.
393
00:25:53,345 --> 00:25:55,889
AM YOUR FATHER,
JENNIFER.
394
00:25:55,930 --> 00:25:58,183
YOU...
395
00:25:58,224 --> 00:26:00,060
ARE AN ALLIEGHIERI,
396
00:26:00,101 --> 00:26:02,062
AND WE--
397
00:26:02,103 --> 00:26:04,272
DO NOT BOW DOWN!
398
00:26:09,110 --> 00:26:10,945
NIGHT, JENNIFER.
399
00:26:40,266 --> 00:26:42,435
[FAINT KNOCKING]
400
00:26:42,477 --> 00:26:44,854
WHO IS IT?
I’VE GOT A GUN!
401
00:26:44,896 --> 00:26:46,356
SOMEWHERE.
402
00:26:48,108 --> 00:26:49,859
IT’S ONLY ME, MA’AM.
403
00:26:49,901 --> 00:26:52,112
ONLY YOU?
404
00:26:52,153 --> 00:26:54,864
GOOD MORNING.
405
00:26:54,906 --> 00:26:56,700
- LET ME GET THIS.
- PLEASE DON’T CLOSE THE DOOR.
406
00:26:56,741 --> 00:26:59,411
I NEVER HAVE
ANY DOOR CLOSED.
407
00:26:59,452 --> 00:27:00,954
CLAUSTROPHOBIC.
408
00:27:00,995 --> 00:27:06,209
MY PHOBIAS ARE
NONE OF YOUR BUSINESS.
409
00:27:06,251 --> 00:27:07,877
I’M CALLING THE POLICE.
410
00:27:07,919 --> 00:27:10,255
PLEASE, PLEASE, PLEASE, PLEASE.
YOU DON’T NEED TO DO THAT.
411
00:27:10,296 --> 00:27:14,384
ARE YOU GONNA HURT ME?
412
00:27:14,426 --> 00:27:17,679
NO.
413
00:27:17,721 --> 00:27:20,765
LOOK WHAT I GOT.
ITALIAN EGGS A LA MILANESE,
414
00:27:20,807 --> 00:27:22,308
A LITTLE POLENTA,
A LITTLE BISCOTTI,
415
00:27:22,350 --> 00:27:25,687
A LITTLE RICOTTA
AND A LOT OF ESPRESSO.
416
00:27:25,729 --> 00:27:27,188
- I DON’T EAT THAT STUFF.
- I KNOW.
417
00:27:27,230 --> 00:27:29,774
YOU HAVE BLACK COFFEE,
DRY TOAST--
418
00:27:29,816 --> 00:27:32,152
NO BUTTER.
JAM ONCE A WEEK.
419
00:27:32,193 --> 00:27:34,863
- HOW DO YOU KNOW THAT?
- PLEASE, IT’S GONNA GET COLD.
420
00:27:37,115 --> 00:27:39,409
- [GROANS]
- ARE YOU ALL RIGHT?
421
00:27:39,451 --> 00:27:41,995
YES. THANK YOU FOR ASKING.
VERY GOOD.
422
00:27:42,037 --> 00:27:43,747
PLEASE.
423
00:27:52,380 --> 00:27:53,757
BIG HOUSE.
424
00:27:57,344 --> 00:27:59,512
IS THAT YOUR WAY OF ASKING ME
WHY THERE’S NO ONE HERE?
425
00:27:59,554 --> 00:28:02,015
NO.
426
00:28:02,057 --> 00:28:05,018
WELL, MY SON’S OFF AT MILITARY
SCHOOL, IF YOU CAN BELIEVE IT.
427
00:28:05,060 --> 00:28:07,103
AT SEVEN!
428
00:28:07,145 --> 00:28:09,022
MY HUSBAND’S IDEA.
429
00:28:09,064 --> 00:28:10,982
MY HUSBAND’S AWAY.
430
00:28:11,024 --> 00:28:12,734
THAT’S MY IDEA.
431
00:28:15,945 --> 00:28:20,075
- YOU REALLY LIKE COOKING?
- NO, I LOVE COOKING.
432
00:28:20,116 --> 00:28:22,494
YOU OUGHT TO TRY THE POLENTA.
IT’S GREAT FOR GAINING WEIGHT.
433
00:28:22,535 --> 00:28:24,037
YOUR FATHER ALWAYS
WANTED YOU TO EAT MORE.
434
00:28:24,079 --> 00:28:27,540
- MY FATHER?
- YOU KNOW, ANGELO.
435
00:28:27,582 --> 00:28:29,918
THAT’S IT.
436
00:28:29,959 --> 00:28:32,545
ENOUGH ALREADY, FRANKIE,
WITH THE FATHER AND ALL--
WHATEVER YOUR NAME IS.
437
00:28:32,587 --> 00:28:34,964
HE IS NOT MY FATHER,
DO YOU UNDERSTAND?
438
00:28:35,006 --> 00:28:38,426
I HAVE A REAL LIVE FATHER
439
00:28:38,468 --> 00:28:40,053
WHO LIVES
FIVE MILES FROM HERE.
440
00:28:40,095 --> 00:28:43,348
- FRANKIE: WAIT!
- STOP!
441
00:28:43,390 --> 00:28:46,226
- COULD-- COULD YOU JUST WAIT
A MINUTE?
- STOP!
442
00:28:46,267 --> 00:28:49,062
I’M-- STOPPING,
BUT SLOW DOWN FOR A MINUTE.
443
00:28:49,104 --> 00:28:51,022
I JUST WANT TO TALK
TO YOU FOR A SECOND.
444
00:28:51,064 --> 00:28:53,233
MA’AM--
445
00:28:53,274 --> 00:28:55,068
[KNOCKS ON WINDOW]
446
00:28:55,110 --> 00:28:57,487
- [WINDOW WHIRS]
- IF YOU NEED SOMEONE
TO DRIVE YOU--
447
00:28:57,529 --> 00:29:00,156
LAST NIGHT DID NOT HAPPEN,
ALL RIGHT?
448
00:29:00,198 --> 00:29:02,075
SO WHEN I COME BACK,
YOU WILL BE LONG GONE.
449
00:29:02,117 --> 00:29:04,828
THANK YOU FOR BREAKFAST.
IT WAS LOVELY MEETING YOU.
450
00:29:09,958 --> 00:29:10,875
WHERE ARE YOU GOING?
451
00:29:12,293 --> 00:29:13,253
WHERE ARE YOU GOING?
452
00:29:15,130 --> 00:29:16,798
THERAPY!
453
00:29:16,840 --> 00:29:21,511
- YOU DON’T NEED THERAPY.
- OH-- YEAH--
454
00:29:21,553 --> 00:29:22,429
SHOPPING.
455
00:29:30,103 --> 00:29:31,312
ARE YOU OKAY?
456
00:29:51,124 --> 00:29:53,001
- MAY I HELP YOU?
- AND YOUR NAME WOULD BE?
457
00:29:53,043 --> 00:29:56,296
- ALLISON.
- ENCHANTING. ALLISON,
458
00:29:56,338 --> 00:29:58,465
MAY I SEE EVERYTHING YOU HAVE
IN ENSADA IN A SIZE SEVEN?
459
00:29:58,506 --> 00:30:00,342
EVERYTHING?
460
00:30:00,383 --> 00:30:02,510
I WANT TO MELT THIS MOTHER
TO THE GROUND.
461
00:30:07,098 --> 00:30:09,100
CASSIDY, WE HAVE A
NO-LIMIT ON OUR HANDS.
462
00:30:09,142 --> 00:30:10,560
I’M GOING
TO NEED BACKUP.
463
00:30:16,107 --> 00:30:20,195
[GIGGLES]
464
00:30:20,236 --> 00:30:21,988
OH, THANK YOU!
465
00:30:22,030 --> 00:30:23,615
THANK YOU.
I’LL TAKE THEM ALL.
466
00:30:45,053 --> 00:30:46,429
[SQUEALS]
467
00:30:57,273 --> 00:30:59,567
- OH GOD! OH MY GOD!
- IT’S ALL RIGHT, IT’S ALL OVER.
468
00:30:59,609 --> 00:31:06,199
ALL OVER.
IT’S ALL OVER.
469
00:31:06,241 --> 00:31:08,159
OH GOD, OH GOD!
470
00:31:08,201 --> 00:31:10,453
A HIT? THAT’S WHAT
THAT WAS, RIGHT? A HIT?
471
00:31:10,495 --> 00:31:13,248
- YES, MA’AM, IT WAS.
- WHO WOULD WANT TO KILL ME?
472
00:31:13,289 --> 00:31:15,250
LUCIO MALATESTA WOULD BE
AT THE TOP OF MY LIST.
473
00:31:15,291 --> 00:31:18,420
LIST! WHAT LIST?
474
00:31:18,461 --> 00:31:20,338
PEOPLE ARE LINING UP
WANTING TO KILL ME?
475
00:31:20,380 --> 00:31:22,966
WHAT AM I?
A THANKSGIVING TURKEY
AND PEOPLE ARE PLACING ORDERS?
476
00:31:23,008 --> 00:31:24,592
- LET ME DRIVE.
- I WILL DRIVE MY OWN CAR!
477
00:31:24,634 --> 00:31:27,512
I KNOW IT’S YOUR CAR, BUT I’D
LIKE TO TAKE CONTROL OF IT.
478
00:31:27,554 --> 00:31:29,055
I THINK I’M IN A LITTLE
BETTER MOOD THAN YOU.
479
00:31:29,097 --> 00:31:31,516
I AM PERFECTLY
CAPABLE OF DRIVING!
480
00:31:31,558 --> 00:31:34,185
YOU’RE PROBABLY A VERY GOOD
DRIVER, BUT RIGHT NOW...
481
00:31:34,227 --> 00:31:36,438
I’M THE ONE WHO SHOULD BE
DRIVING THE CAR.
482
00:31:41,443 --> 00:31:43,528
[HORNS BLARE]
483
00:31:47,282 --> 00:31:48,992
MAYBE IT WAS
MY FAULT, MA’AM.
484
00:31:49,034 --> 00:31:51,077
MAYBE THEY FOLLOWED ME
AND I LED THEM TO YOU.
485
00:31:51,119 --> 00:31:53,246
OH, GREAT, JUST GREAT.
UNTIL I MET YOU,
486
00:31:53,288 --> 00:31:55,081
I WAS PERFECTLY CAPABLE
OF SHOPPING FOR SHOES
487
00:31:55,123 --> 00:31:58,335
WITHOUT SOMEONE
TRYING TO KILL ME!
488
00:31:58,376 --> 00:32:00,337
- OH!
- WHAT?
489
00:32:00,378 --> 00:32:03,465
WHAT IS THAT COLOGNE
YOU’RE WEARING?!
490
00:32:03,506 --> 00:32:05,133
IS IT BRUT?
491
00:32:05,175 --> 00:32:06,968
DON’T TELL ME IT’S BRUT!
492
00:32:07,010 --> 00:32:09,262
YOU KNOW, MA’AM,
COULD WE BE-- JUST--
493
00:32:09,304 --> 00:32:12,140
- QUIET FOR A COUPLE OF SECONDS,
PLEASE?
- I AM ON EDGE, YOU KNOW.
494
00:32:12,182 --> 00:32:14,601
I UNDERSTAND, BUT I’M GETTING
A TERRIBLE HEADACHE.
495
00:32:14,642 --> 00:32:17,103
OH, WELL, PARDON ME.
496
00:32:17,145 --> 00:32:20,523
FIVE SECONDS AGO I ALMOST
DIDN’T EVEN HAVE A HEAD!
497
00:32:20,565 --> 00:32:22,442
AND WHAT’S WITH THIS?
THIS?!
498
00:32:22,484 --> 00:32:25,111
DON’T SHRUG! SPEAK!
499
00:32:25,153 --> 00:32:27,781
WHAT YOU’RE DOING
IS YOU’RE HAVING
THIS PANIC ATTACK SYNDROME.
500
00:32:27,822 --> 00:32:30,992
THAT OFTEN HAPPENS
AFTER A HIT, REALLY.
501
00:32:31,034 --> 00:32:33,286
YOU KNOW ALL
ABOUT THESE THINGS.
YOU’RE A HIT MAN, RIGHT?
502
00:32:33,328 --> 00:32:34,746
IS THAT WHAT YOU ARE?
503
00:32:34,788 --> 00:32:37,207
NO, MA’AM, ACTUALLY,
A HIT MAN TAKES A LIFE.
504
00:32:37,248 --> 00:32:40,085
I’M A BODYGUARD AND A
BODYGUARD PROTECTS IT.
505
00:32:40,126 --> 00:32:43,296
SO YOU WERE MY FATHER’S
BODYGUARD, AND HE GOT WAXED.
506
00:32:43,338 --> 00:32:46,549
SO NOW YOU’RE MY BODYGUARD?
THAT JUST FILLS ME
WITH CONFIDENCE.
507
00:32:46,591 --> 00:32:49,803
AM I GETTING A MAJOR LEAGUE
FRIGGING MIGRAINE!?
508
00:32:49,844 --> 00:32:53,390
DO YOU HAVE ANY IDEA
HOW POWERFUL MY FATHER IS?
509
00:32:53,431 --> 00:32:55,266
HE IS A VERY SUCCESSFUL
NEW YORK BUSINESSMAN
510
00:32:55,308 --> 00:32:57,560
WHO WILL MAKE YOUR LIFE
A LIVING HELL!
511
00:32:57,602 --> 00:33:00,313
- IT’S GETTING THERE.
- [SOBBING]
512
00:33:00,355 --> 00:33:02,357
PLEASE, I’M SORRY.YOU DON’T HAVE TO DO THAT.
513
00:33:02,399 --> 00:33:05,193
- IT’S OKAY.- I WANT TO SEE MY FATHER NOW.
514
00:33:05,235 --> 00:33:07,696
- YOUR FATHER WAS ANGELO.
- TAKE ME TO MY FATHER’S HOUSE--
NOW!
515
00:33:16,121 --> 00:33:20,333
- MOTHER?
- IN HERE, DEAR.
516
00:33:20,375 --> 00:33:22,502
MY GOD, DID YOU HEAR
WHAT HAPPENED AT THE MALL?
517
00:33:22,544 --> 00:33:24,170
THERE WAS A SHOOTOUT!
JUST THINK OF IT!
518
00:33:24,212 --> 00:33:26,631
I HAVE, REALLY.
519
00:33:26,673 --> 00:33:28,717
I NEED TO TALK TO YOU
AND DADDY IMMEDIATELY.
520
00:33:28,758 --> 00:33:32,262
I THINK I JUST HEARD
YOUR FATHER RETURN...
521
00:33:32,303 --> 00:33:34,264
FROM HIS
RACQUETBALL LESSON.
522
00:33:34,305 --> 00:33:36,099
WHEN DID DADDY START
PLAYING RACQUETBALL?
523
00:33:41,730 --> 00:33:43,648
YOUR FATHER’S
HAVING AN AFFAIR.
524
00:33:43,690 --> 00:33:46,776
AT THE CLUB.
WITH THE RACQUETBALL
INSTRUCTOR.
525
00:33:50,280 --> 00:33:52,323
HOW OLD IS SHE?
526
00:33:52,365 --> 00:33:54,200
WELL, THE SHE
IS A HE.
527
00:33:54,242 --> 00:33:57,537
MAN:JEN-JEN, IS THAT YOU?
528
00:34:00,749 --> 00:34:02,667
DADDY?
529
00:34:02,709 --> 00:34:05,253
JEN-JEN!
530
00:34:05,295 --> 00:34:06,755
HELLO, LOVED ONE.
531
00:34:09,257 --> 00:34:11,343
MY, MY...
532
00:34:11,384 --> 00:34:14,220
SOMEONE
IS LOOKING FABULOUS!
533
00:34:14,262 --> 00:34:16,264
DADDY...
534
00:34:16,306 --> 00:34:19,434
DON’T TAKE THIS IN A BAD WAY,
BUT HAVE YOU SWITCHED...
535
00:34:19,476 --> 00:34:20,560
AFFILIATIONS?
536
00:34:20,602 --> 00:34:24,564
[SCOFFS]
537
00:34:24,606 --> 00:34:26,649
THIS DOESN’T CHANGE
ANYTHING BETWEEN US.
538
00:34:26,691 --> 00:34:28,818
AFTER ALL, I’M STILL
YOUR FATHER.
539
00:34:28,860 --> 00:34:30,487
I’M FEELING BETTER
THAN EVER, THANK YOU.
540
00:34:33,198 --> 00:34:36,201
HE’S GOTTEN ME INTO GREAT
SHAPE, DON’T YOU THINK?
541
00:34:36,242 --> 00:34:37,577
[WHIMPERS]
542
00:34:48,588 --> 00:34:51,174
THERE IS SOMETHING COMPLETELY
IRRATIONAL ABOUT ALL MEN.
543
00:34:51,216 --> 00:34:55,679
NO KIDDING!
544
00:34:55,720 --> 00:34:58,223
SO WHAT’D THEY SAY?
545
00:34:58,264 --> 00:35:00,392
EXACTLY WHAT I EXPECTED,
THANK YOU.
546
00:35:00,433 --> 00:35:03,478
THEY SAID THEY ARE INDEED
MY PARENTS AND YOU,
MR. MAFIA PANTS,
547
00:35:03,520 --> 00:35:05,563
ARE FULL OF IT.
SO THERE.
548
00:35:05,605 --> 00:35:08,191
THE EMOTIONAL EXTORTION
DOESN’T GO PAST HERE.
549
00:35:08,233 --> 00:35:10,652
- AND FURTHERMORE,
WHEN MY ATTORNEY--
- EXCUSE ME.
550
00:35:10,694 --> 00:35:13,405
TELL ME SOMETHING,
MA’AM,
551
00:35:13,446 --> 00:35:16,700
IS THERE A PLACE PEOPLE GO TO
LEARN HOW TO BEHAVE LIKE THIS?
552
00:35:16,741 --> 00:35:18,576
TALKING ALL THE TIME
IN A MANNER
553
00:35:18,618 --> 00:35:22,205
DESIGNED TO, LIKE, INDUCE
A MIGRAINE IN A ROCK?
554
00:35:22,247 --> 00:35:24,165
I WILL NOT TO BE
TALKED TO LIKE THIS.
555
00:35:24,207 --> 00:35:26,584
- THIS IS NOT THE REAL YOU.
- THIS IS TOO ME.
556
00:35:26,626 --> 00:35:31,423
REALLY?
DO YOU KNOW WHAT IS YOU?
557
00:35:31,464 --> 00:35:32,590
DON’T KILL MY PARENTS!
558
00:35:34,926 --> 00:35:36,594
THEY’RE NOT
YOUR PARENTS!
559
00:35:36,636 --> 00:35:41,641
PLEASE, PROMISE ME
YOU WON’T WAX THEM.
560
00:35:41,683 --> 00:35:43,852
FOR THE RECORD,
IT’S NOT WAX.
561
00:35:43,893 --> 00:35:47,689
IT’S... WHACK.
562
00:35:52,610 --> 00:35:54,654
- HOW YOU DOING, WHITNEY?- VERY WELL, FRANKIE.
563
00:35:54,696 --> 00:35:57,532
- AND YOU?
- BEEN BETTER.
564
00:35:57,574 --> 00:36:00,785
YEAH, I HEAR.
565
00:36:00,827 --> 00:36:03,413
YOU LOOK GOOD, WHITNEY, YOU
TAKING CARE OF YOURSELF?
566
00:36:03,455 --> 00:36:04,998
YOU ALWAYS DID NOTICE
THE DETAILS, FRANKIE.
567
00:36:05,040 --> 00:36:07,542
WAIT--
568
00:36:07,584 --> 00:36:08,877
YOU TWO WEREN’T LOVERS?
569
00:36:13,256 --> 00:36:15,967
WHITNEY, IT’S TIME.
COME ON.
570
00:36:20,889 --> 00:36:22,807
[SOFTLY]
DO IT.
571
00:36:35,487 --> 00:36:37,572
COME ON.
572
00:36:45,080 --> 00:36:48,291
SIMPLY PUT, WHEN ANGELO
BROUGHT YOU TO US...
573
00:36:49,876 --> 00:36:52,837
YOU WERE THE MOST
BEAUTIFUL BABY GIRL.
574
00:36:52,879 --> 00:36:56,633
YOU TOOK MY FINGER
AND SAT RIGHT ON MY LAP.
575
00:36:56,675 --> 00:36:59,844
YOU KEPT SAYING
THE ONLY WORD YOU KNEW.
576
00:36:59,886 --> 00:37:01,721
PRETTY.
577
00:37:01,763 --> 00:37:05,308
PRETTY,
OVER AND OVER.
578
00:37:05,350 --> 00:37:07,769
OF COURSE
WE TOOK YOU.
579
00:37:07,811 --> 00:37:10,313
WE WOULD’VE TAKEN YOU
WITHOUT THE MONEY,
580
00:37:10,355 --> 00:37:15,527
ALTHOUGH THE MONEY HAS BEEN
ENDLESSLY SPECTACULAR.
581
00:37:15,568 --> 00:37:19,322
I’VE REALLY GIVEN YOU
NOTHING, JEN-JEN.
582
00:37:19,364 --> 00:37:20,573
NOTHING EXCEPT
583
00:37:20,615 --> 00:37:23,451
MY OLD,
RIDICULOUS HEART.
584
00:37:28,873 --> 00:37:30,834
DADDY.
585
00:37:37,090 --> 00:37:40,385
MOM, THE FOOD’S BETTER
THAN WHAT WE HAVE AT HOME.
586
00:37:40,427 --> 00:37:42,762
I GUESS IT’S BETTER
THAN MY COOKING, RIGHT?
587
00:37:42,804 --> 00:37:46,599
I NEVER REALLY WAS
TOO MUCH OF A COOK.
588
00:37:46,641 --> 00:37:47,684
NO! NO.
589
00:37:47,726 --> 00:37:50,895
THAT’S GOOD.
590
00:37:50,937 --> 00:37:52,939
IT’S GREAT!
REALLY, IT IS.
591
00:37:52,981 --> 00:37:55,692
BUT, SWEETHEART, WHAT I REALLYNEED TO TALK TO YOU ABOUT
592
00:37:55,734 --> 00:37:58,570
IS GENETICS.
593
00:37:58,611 --> 00:37:59,988
THE WAY THINGSGET PASSED DOWN
594
00:38:00,030 --> 00:38:01,865
FROM FAMILIES.
595
00:38:01,906 --> 00:38:05,785
LIKE, IT SEEMSYOUR GRANDFATHER--
596
00:38:05,827 --> 00:38:07,996
WELL... AT LEAST, I STILL
THINK HE’S YOUR GRANDFATHER--
597
00:38:10,081 --> 00:38:12,751
NO!
598
00:38:12,792 --> 00:38:15,754
I GUESS WHAT I’M
TRYING TO SAY, DARLING, IS...
599
00:38:15,795 --> 00:38:17,964
HOW ARE THINGS
IN THE SHOWERS?
600
00:38:18,006 --> 00:38:22,135
OKAY, THE FRANKIE COOKING
SHOW BROUGHT TO YOU BY...
601
00:38:22,177 --> 00:38:24,137
BERETTA.
602
00:38:24,179 --> 00:38:27,015
- [SHRIEKS] ARE YOU CRAZY?
- A LITTLE.
603
00:38:29,851 --> 00:38:31,978
NOTHING. NOTHING, DARLING.
IT’S JUST SOME THUNDER.
604
00:38:32,020 --> 00:38:34,647
MOM, I GOTTA GO, OKAY?
605
00:38:34,689 --> 00:38:36,900
OKAY.
606
00:38:36,941 --> 00:38:38,526
BYE, DARLING.
I LOVE YOU.
607
00:38:42,113 --> 00:38:44,616
SO, HOW’S YOUR BOY?
608
00:38:44,657 --> 00:38:46,368
HE COULDN’T BE HAPPIER.
609
00:38:46,409 --> 00:38:48,161
I COULDN’T BE LONELIER.
610
00:38:48,203 --> 00:38:49,454
YOU WRECKED MY KITCHEN.
611
00:38:49,496 --> 00:38:50,997
I’M SORRY ABOUT
THE BULLET, REALLY.
612
00:38:51,039 --> 00:38:52,540
NO, I MEAN THIS.
613
00:38:52,582 --> 00:38:54,876
OH, THIS? THIS IS WHAT
HAPPENS WHEN YOU COOK A LOT.
614
00:38:54,918 --> 00:38:56,711
REALLY?
615
00:38:56,753 --> 00:38:59,673
I’M SURE YOUR KID
REALLY MISSES YOU.
616
00:38:59,714 --> 00:39:02,092
[LAUGHS]
NO, HE REALLY DOESN’T.
617
00:39:02,133 --> 00:39:03,927
WHY SHOULD HE?
618
00:39:03,968 --> 00:39:05,970
HE’S GOT A FATHER
WHO CHEATS LIKE A DOG...
619
00:39:06,012 --> 00:39:10,016
AND A MOTHER WHO’S NEVER HAD A
CLUE WHAT TO DO WITH HER LIFE.
620
00:39:10,058 --> 00:39:14,979
SO, TELL ME THE TRUTH.
621
00:39:15,021 --> 00:39:18,692
SOMEBODY ELSE DID ALL THIS.
YOU’RE JUST FAKING IT.
622
00:39:18,733 --> 00:39:21,027
NO... NO, NO, NO,
I LOVE COOKING.
623
00:39:21,069 --> 00:39:22,696
I’LL TELL YOU WHAT,
624
00:39:22,737 --> 00:39:26,116
JUST PROMISE ME
YOU’LL EAT IT
BEFORE IT GETS COLD.
625
00:39:26,157 --> 00:39:28,493
SURE.
626
00:39:28,535 --> 00:39:29,828
SO, FRANKIE,
WHAT’S YOUR NICKNAME?
627
00:39:29,869 --> 00:39:32,497
[CHUCKLES]
628
00:39:32,539 --> 00:39:35,041
YOU KNOW...
629
00:39:35,083 --> 00:39:36,793
YOUR NICKNAME? ALL YOU MOB
GUYS HAVE ONE, RIGHT?
630
00:39:36,835 --> 00:39:40,046
LIKE "LOUIE THE LUMP,"
"CHARLIE FAT LIPS,"
631
00:39:40,088 --> 00:39:42,507
"FRANKIE THE FOOD FREAK"?
632
00:39:42,549 --> 00:39:44,968
JUST "FRANKIE," MA’AM.
633
00:39:45,010 --> 00:39:48,054
- WHAT’S "FRANKIE" SHORT FOR?
- WHAT’S THAT GOT TO DO
WITH ANYTHING?
634
00:39:48,096 --> 00:39:51,057
I JUST WANT TO KNOW!
IS IT "FRANCIS"?
635
00:39:51,099 --> 00:39:54,436
YOU GOT MORE IMPORTANT THINGS
TO THINK ABOUT THAN THAT.
636
00:39:54,477 --> 00:39:57,564
IT IS "FRANCIS," ISN’T IT?
YOU’VE GOT A GIRL’S NAME.
637
00:39:57,605 --> 00:39:59,733
THAT JUST EXPLAINS
EVERYTHING.
638
00:39:59,774 --> 00:40:02,736
YOU’VE PROBABLY
BEEN OVERCOMPENSATING
YOUR WHOLE LIFE.
639
00:40:02,777 --> 00:40:05,071
SOME ANXIETY
TRANSFERENCE SYNDROME
640
00:40:05,113 --> 00:40:07,032
TO-- WELL, YOU KNOW--
641
00:40:07,073 --> 00:40:09,826
THE MACHO,NON-VERBAL SICILIAN,MIXED IN WITH THE BRUTE,
642
00:40:09,868 --> 00:40:12,495
TO COVER THE FRANCIS
THAT LIVES INSIDE
SOME INNER SELF
643
00:40:12,537 --> 00:40:14,748
OR SOMETHING OR OTHER.
644
00:40:14,789 --> 00:40:17,625
THAT’LL BE YOUR NEW NICKNAME--
"ST. FRANCIS THE BRUTE."
645
00:40:17,667 --> 00:40:19,836
DON’T TAKE THIS THE WRONG WAY,
MA’AM, BUT YOU’RE STARTING
646
00:40:19,878 --> 00:40:22,630
TO GIVE ME A SMALL HOLE
IN THE SIDE OF MY BRAIN.
647
00:40:22,672 --> 00:40:25,633
I WILL MAKE YOU A DEAL.
IF YOU PROMISE TO STOP
CALLING ME "MA’AM,"
648
00:40:25,675 --> 00:40:27,093
I’LL STOP CALLING YOU
"FRANCIS."
649
00:40:27,135 --> 00:40:30,221
AND YOU SWEAR TO GODTHAT YOU MADE ALL THIS?
650
00:40:30,263 --> 00:40:31,890
YES.
651
00:40:31,931 --> 00:40:33,933
I DIDN’T EVEN KNOW
I HAD THIS STUFF.
652
00:40:33,975 --> 00:40:37,479
YOU’VE GOT A LOT MORE
THAN YOU THINK YOU HAVE.
653
00:40:39,647 --> 00:40:41,566
THANK YOU.
654
00:40:46,154 --> 00:40:47,822
NOW WHAT?
655
00:40:47,864 --> 00:40:50,867
LOOK, YOUR FATHER’S DEAD
BECAUSE I DIDN’T DO MY JOB,
656
00:40:50,909 --> 00:40:53,244
AND IT’S NOT GOING
TO HAPPEN AGAIN, NO WAY.
657
00:40:53,286 --> 00:40:55,955
I SEE YOU’VE GOT
A GUEST HOUSE OUT THERE,
658
00:40:55,997 --> 00:40:58,208
IF YOU DON’T MIND,
I’D LIKE TO MOVE IN.
659
00:40:58,249 --> 00:41:01,544
’CAUSE I DON’T TRUST ANYBODY.
THERE IS DANGER EVERYWHERE.
660
00:41:01,586 --> 00:41:04,589
EVERYWHERE I LOOK.
661
00:41:04,631 --> 00:41:07,258
THE NIGHT HAS
A THOUSAND EYES.
662
00:41:07,300 --> 00:41:10,970
EXCUSE ME--
[LAUGHING]
663
00:41:11,012 --> 00:41:13,807
- YOU STOLE THAT LINE.
- I KNOW, FROM BOBBY VEE.
664
00:41:13,848 --> 00:41:15,767
"REMEMBER WHEN YOU TELL
THOSE LITTLE WHITE LIES..."
665
00:41:15,809 --> 00:41:20,647
"THE NIGHT HAS A THOUSAND
EYES." YES, I DO.
666
00:41:20,689 --> 00:41:23,066
THAT WAS PLAYING
WHEN PETER HACKBART WAS TRYING
TO GET UNDER MY BLOUSE.
667
00:41:23,108 --> 00:41:26,736
[SIGHS]
668
00:41:26,778 --> 00:41:27,862
I’M SORRY, I SHOULDN’T
HAVE SAID THAT.
669
00:41:27,904 --> 00:41:31,908
N-NO.
670
00:41:31,950 --> 00:41:33,535
WHAT?
671
00:41:33,576 --> 00:41:34,869
ACTUALLY, IT WASN’T
YOUR BLOUSE.
672
00:41:34,911 --> 00:41:37,122
IT WAS A BULKY
KNIT GREEN SWEATER.
673
00:41:37,163 --> 00:41:40,250
AND WHAT WAS PLAYING WAS
BON JOVI’S BIGGEST HIT TO DATE,
674
00:41:40,291 --> 00:41:43,795
"YOU GIVE LOVE A BAD NAME."
675
00:41:43,837 --> 00:41:47,173
JESUS!
676
00:41:47,215 --> 00:41:48,717
I’M GOING TO BED.
677
00:41:54,889 --> 00:41:57,976
YOU CAN STAY IN
THE GUEST HOUSE, I GUESS.
678
00:41:58,018 --> 00:42:00,603
- THANK YOU.
- IT’S BEEN A RIDICULOUS DAY.
679
00:42:45,106 --> 00:42:46,649
[SCREAMING]
680
00:42:46,691 --> 00:42:48,777
WHAT’S GOING ON?
681
00:42:53,448 --> 00:42:55,784
I KNOW THIS
SACK OF SHIT.
682
00:42:55,825 --> 00:42:58,078
THIS SACK OF SHIT
IS MY HUSBAND!
683
00:42:58,119 --> 00:43:00,955
SHH-HH! YOU WANT ME TO TAKE
CARE OF THIS PROBLEM
ONCE AND FOR ALL?
684
00:43:00,997 --> 00:43:02,415
- SERIOUSLY?
- YEAH, SERIOUSLY.
685
00:43:02,457 --> 00:43:05,085
GO BACK TO BED-- SHH!
AND LET ME DO MY JOB.
686
00:43:05,126 --> 00:43:06,753
YOU HAVE A SHOVEL
DOWNSTAIRS?
687
00:43:06,795 --> 00:43:10,882
- A SHOVEL?
- YEAH, SOMETHING I CAN DIG
A HOLE WITH.
688
00:43:10,924 --> 00:43:13,259
WHAT THE--
WHAT THE--
689
00:43:13,301 --> 00:43:16,137
WHAT THE HELL IS GOING ON?
WHO THE HELL ARE YOU?
690
00:43:16,179 --> 00:43:18,890
WHO THE HELL IS THIS?
DO YOU HAVE A BOYFRIEND
ALREADY?
691
00:43:18,932 --> 00:43:21,267
THIS IS FRANKIE,
HE’S MY BODYGUARD.
692
00:43:21,309 --> 00:43:23,895
LOOK, WHO ARE YOU?
AND WHAT IS THAT SMELL?
693
00:43:23,937 --> 00:43:26,272
- IT’S BRUT.
- IT’S OVERWHELMING.
694
00:43:26,314 --> 00:43:27,941
MA’AM, YOU DON’T HAVE
TO TELL HIM ANYTHING.
695
00:43:27,982 --> 00:43:31,444
YOU CANNOT TALK TO ME...
IN MY HOUSE, LIKE THAT.
696
00:43:31,486 --> 00:43:33,196
IT’S HER HOUSE.
697
00:43:37,158 --> 00:43:40,036
RECONSIDER.
698
00:43:40,078 --> 00:43:41,287
DARLING?
699
00:43:41,329 --> 00:43:43,957
DARLING, I HAVE
TO TALK TO YOU.
700
00:43:43,998 --> 00:43:47,127
- DOES HE HAVE TO BE HERE?
- HE’S JUST DOING HIS JOB.
701
00:43:47,168 --> 00:43:49,004
WHAT JOB?
I AM YOUR HUSBAND!
702
00:43:49,045 --> 00:43:51,256
- [CHUCKLES]
- DO YOU MIND? PLEASE?
703
00:43:51,297 --> 00:43:53,383
SORRY, KIPSTER.
704
00:43:53,425 --> 00:43:56,720
LOOK...ABOUT YESTERDAY,
705
00:43:56,761 --> 00:43:59,889
THAT WAS SIMPLY
AN ABERRATION
706
00:43:59,931 --> 00:44:01,808
FERMENTED BY THE CONSUMPTION
OF TOO MUCH
707
00:44:01,850 --> 00:44:04,352
SINGLE MALT SCOTCH
ON AN EMPTY STOMACH.
708
00:44:04,394 --> 00:44:07,355
AN ABERRATIONOF MARITAL ETHICS
709
00:44:07,397 --> 00:44:11,192
FOR WHICH I AM TRULY,
TRULY GRIEVOUS.
710
00:44:11,234 --> 00:44:15,864
- WAS IT THE ONLY TIME?
- OH, ABSOLUTELY!
711
00:44:15,905 --> 00:44:17,490
[SCREAMS]
712
00:44:17,532 --> 00:44:19,325
AUGUST 14TH,
THE AIRPORT HOTEL.
713
00:44:19,367 --> 00:44:21,870
OH-- OKAY. YEAH.
714
00:44:21,911 --> 00:44:23,872
THE SWEDISHFLIGHT ATTENDANT,
715
00:44:23,913 --> 00:44:26,458
BUT THAT WASTHE ONLY OTHER TIME--
716
00:44:26,499 --> 00:44:28,168
DECEMBER 5TH,
THE FOUR SEASONS.
717
00:44:28,209 --> 00:44:31,421
AH-- RIGHT. UM...
718
00:44:31,463 --> 00:44:33,882
THE REAL ESTATE LADY,
BUT SHE WAS A NOONER!
719
00:44:33,923 --> 00:44:36,217
MY ONLY NOONER,
I SWEAR TO GOD!
720
00:44:36,259 --> 00:44:38,011
[GUNSHOT]
721
00:44:38,053 --> 00:44:41,222
OH, JESUS CHRIST! THE
FREAKING SKY IS FALLING!
722
00:44:41,264 --> 00:44:43,725
ALL RIGHT, ALL RIGHT!
IT’S BEEN GOING ON FOR YEARS!
723
00:44:45,060 --> 00:44:50,190
GET OUT!
724
00:44:50,231 --> 00:44:52,192
YOU SHOULD GO.
725
00:44:52,233 --> 00:44:53,902
THEN FINE.
726
00:44:53,943 --> 00:44:55,403
GREAT.
727
00:44:55,445 --> 00:44:56,905
TERRIFIC.
728
00:44:59,949 --> 00:45:02,952
I’LL SEE YOU IN COURT.
729
00:45:07,040 --> 00:45:08,750
[ENGINE STARTS]
730
00:45:08,792 --> 00:45:11,211
- [CAR DEPARTS]
- WOW.
731
00:45:11,252 --> 00:45:14,005
- THERE HE GOES.
- THE PAST.
732
00:45:14,047 --> 00:45:17,217
THE FUTURE--
MANLESS.
733
00:45:17,258 --> 00:45:19,886
NO, THERE’LL BE
OTHER MEN.
734
00:45:19,928 --> 00:45:24,891
[TEARFULLY] I DON’T
WANT OTHER MEN.
735
00:45:24,933 --> 00:45:27,060
I BELIEVE IN
TWO THINGS:
736
00:45:27,102 --> 00:45:28,311
THE KINDNESS
OF THE SAINTS,
737
00:45:28,353 --> 00:45:32,857
AND THERE’S SOMEBODY
FOR EVERYBODY.
738
00:45:32,899 --> 00:45:37,362
DO YOU HAVE
A SOMEONE, FRANKIE?
739
00:45:37,404 --> 00:45:41,908
- SORT OF.
- THAT’S NICE.
740
00:45:41,950 --> 00:45:45,328
- EVERYONE SHOULD HAVE
A SOMEONE.
- MM-HMM.
741
00:45:45,370 --> 00:45:46,996
[ORGAN PLAYING]
742
00:45:47,038 --> 00:45:48,873
[SPEAKING ITALIAN]
743
00:46:04,347 --> 00:46:07,058
WHY IS EVERYBODY LOOKING
LIKE THEY HATE ME?
744
00:46:07,100 --> 00:46:08,810
THEY THINK YOU’RE
ANGELO’S MISTRESS.
745
00:46:08,852 --> 00:46:12,063
OH, JESUS! I FEEL LIKE A
WHORE IN A CATHOLIC CHURCH!
746
00:46:12,105 --> 00:46:15,275
SHH-- WE ALL DO.
747
00:46:15,316 --> 00:46:18,820
[ITALIAN CONTINUES]
748
00:46:18,862 --> 00:46:21,489
WHAT’S HE SAYING?
749
00:46:21,531 --> 00:46:23,241
MOSTLY THAT WE’RE
NOT WORTHY.
750
00:46:23,283 --> 00:46:25,452
NOW HE’S TALKING
ABOUT CHRIST.
751
00:46:25,493 --> 00:46:27,495
AND HIS BLOOD.
AND THE WOUNDS.
752
00:46:27,537 --> 00:46:29,164
AND MORE BLOOD.
753
00:46:29,205 --> 00:46:31,583
NOW THE GUILT.
754
00:46:31,624 --> 00:46:33,209
- THERE’S MORE BLOOD.
- OH MAN...
755
00:46:33,251 --> 00:46:35,003
MORE WOUNDS.
756
00:46:35,045 --> 00:46:37,255
MORE BLOOD.
757
00:46:37,297 --> 00:46:38,381
NOW HE’S BACK
TO THE WOUNDS.
758
00:46:44,012 --> 00:46:44,971
THAT GUY OVER THERE
IS BRUNO MARANZELLA.
759
00:46:45,013 --> 00:46:46,389
WHERE?
760
00:46:46,431 --> 00:46:48,933
OVER THERE, WITH THE HEAD
LIKE AN AIRCRAFT CARRIER.
761
00:46:48,975 --> 00:46:52,145
THIS MALATESTA FELLOW,
WHERE IS HE?
762
00:46:52,187 --> 00:46:55,023
RIGHT IN FRONT OF HIM.
THE GUY THAT LOOKS LIKE HE
SHOULD BE IN A BOX.
763
00:46:55,065 --> 00:46:57,859
JESUS! AND WHOEVER
SAID MEN AGE WELL?
764
00:47:01,654 --> 00:47:02,989
SORRY.
765
00:47:06,201 --> 00:47:11,456
ANGELO ALLIEGHIERI
WAS A MAN OF GREAT PASSION.
766
00:47:11,498 --> 00:47:14,084
HOW VERDI, ROSSINI
767
00:47:14,125 --> 00:47:16,419
WOULD FILL HIS HEART.
768
00:47:16,461 --> 00:47:19,881
HE WAS A MANOF GREAT SADNESS.
769
00:47:19,923 --> 00:47:23,176
HE LOST HIS WIFE,HIS MARIA,
770
00:47:23,218 --> 00:47:25,345
TOO SOON.
771
00:47:25,387 --> 00:47:27,222
HE NEVER HAD CHILDREN
772
00:47:27,263 --> 00:47:29,641
OR GRANDCHILDRENWHOSE LAUGHTER
773
00:47:29,683 --> 00:47:33,478
WOULD LIGHTEN THE BURDENOF OLD AGE.
774
00:47:33,520 --> 00:47:35,647
THIS WAS HIS SADNESS,
775
00:47:35,689 --> 00:47:38,525
HIS EMPTINESS,TO DIE ALONE.
776
00:47:40,276 --> 00:47:42,487
AND SO, ANGELO,
777
00:47:42,529 --> 00:47:44,989
WE REMEMBER YOUHERE TODAY.
778
00:47:45,031 --> 00:47:48,368
ALL IN ALL. AMEN.
779
00:47:48,410 --> 00:47:50,537
- AMEN.
- AMEN.
780
00:47:54,416 --> 00:47:55,959
I’LL REMEMBER YOU, ANGELO.
781
00:47:56,001 --> 00:47:59,045
"REMEMBERING" IN ITALIAN
MEANS "VENDETTA."
782
00:48:14,561 --> 00:48:17,397
ANGELO’S VOICE:YOU KEEP THE DISTANCE.
783
00:48:17,439 --> 00:48:20,108
ALWAYS A DISTANCE.
784
00:49:00,482 --> 00:49:03,401
FRANKIE: YOU GOOMBAS
NEVER QUIT, DO YOU?
785
00:49:03,443 --> 00:49:04,527
[FIST POUNDING]
786
00:49:22,545 --> 00:49:24,798
JENNIFER:FRANKIE?
787
00:49:24,839 --> 00:49:27,175
FRANKIE,WHAT’S THAT NOISE?
788
00:49:27,217 --> 00:49:30,053
JUST TAKING OUT
THE TRASH, MA’AM.
789
00:49:30,095 --> 00:49:31,054
[FLATULENCE]
790
00:49:31,096 --> 00:49:34,224
FRANKIE, DID YOUSAY SOMETHING?
791
00:49:34,265 --> 00:49:35,767
NOTHING, MA’AM, I
DIDN’T SAY ANYTHING.
792
00:49:35,809 --> 00:49:37,727
- [FLATULENCE]
- SHUT UP.
793
00:49:39,813 --> 00:49:42,107
MALATESTA,
YOU’RE USING AMATEURS.
794
00:49:42,148 --> 00:49:43,525
FRANKIE?
795
00:49:48,154 --> 00:49:54,661
FRANKIE?
796
00:49:54,703 --> 00:49:57,288
- FRANKIE?
- YEAH?
797
00:49:57,330 --> 00:50:00,041
- MAY I COME IN?
- ALL RIGHT.
798
00:50:02,794 --> 00:50:05,213
IT’S NOT EXACTLY WARMOUT HERE, YOU KNOW.
799
00:50:11,553 --> 00:50:13,388
- YOU OKAY?
- PEACHY.
800
00:50:16,516 --> 00:50:18,184
OH!
801
00:50:18,226 --> 00:50:20,311
I FEEL LIKE I’M IN THE BRUT
CENTER OF THE UNIVERSE!
802
00:50:20,353 --> 00:50:21,646
SORRY ABOUT THAT.
803
00:50:21,688 --> 00:50:24,315
FRANKIE,
I AM SO FRIGHTENED.
804
00:50:24,357 --> 00:50:29,362
- I’M HERE, MA’AM.
- YEAH, OF COURSE.
805
00:50:29,404 --> 00:50:32,657
YOU KNOW WHAT’S TERRIFIC ABOUT
BEING FRIGHTENED LIKE THIS?
806
00:50:32,699 --> 00:50:35,452
AT LEAST NOW I’M FRIGHTENED
ABOUT SOMETHING SPECIFIC,
LIKE BEING WHACKED,
807
00:50:35,493 --> 00:50:38,371
AS OPPOSED TO THE NON-SPECIFIC
VARIETY, WHICH IS WHAT
I USUALLY FEEL,
808
00:50:38,413 --> 00:50:40,790
THAT KIND OF DREAD,
THE FREE-FLOATING WHATNOT
AND ALL.
809
00:50:40,832 --> 00:50:44,711
MM-HMM.
810
00:50:44,753 --> 00:50:47,172
I REMEMBER AS A LITTLE
GIRL BEING AFRAID.
811
00:50:47,213 --> 00:50:48,715
VERY AFRAID.
812
00:50:48,757 --> 00:50:53,094
LITTLE BOGEYMEN UNDER THE BED
AND DEVILS IN THE CLOSET.
813
00:50:53,136 --> 00:50:55,722
ISN’T IT AMAZING
HOW OUR INNERMOST FEARS
814
00:50:55,764 --> 00:50:57,807
TURN INTO
THIS FREUDIAN WHOLE--
815
00:50:57,849 --> 00:50:59,225
[FLATULENCE]
816
00:51:01,895 --> 00:51:03,146
DID YOU SAY SOMETHING?
817
00:51:03,188 --> 00:51:05,565
NO... NO.
818
00:51:05,607 --> 00:51:08,443
AMAZING FREUDIAN NUANCES
819
00:51:08,485 --> 00:51:11,112
OF MEMORY
AND CONSCIOUSNESS.
820
00:51:11,154 --> 00:51:13,156
WHEN I WAS GROWING UP,THEY SENT ME TO AN ANALYST.
821
00:51:13,198 --> 00:51:15,325
EVERYBODY WAS GOING TOAN ANALYST AT THE TIME.
822
00:51:15,367 --> 00:51:18,453
HE SAID-- DR. GILMOREWAS HIS NAME--
823
00:51:18,495 --> 00:51:19,913
HE SAID IT’S NOT SO MUCH--
824
00:51:19,954 --> 00:51:22,707
NEVER MIND WHAT HE SAID.
I LIED TO HIM ALL THE TIME.
825
00:51:22,749 --> 00:51:25,335
I DIDN’T WANT HIM TELLING MY
PARENTS WHAT WAS GOING ON--
826
00:51:25,377 --> 00:51:26,670
[LOUD FLATULENCE]
827
00:51:36,596 --> 00:51:38,640
- MA’AM?
- FRANKIE.
828
00:51:38,682 --> 00:51:40,684
WE GOT SQUIRRELS.
829
00:51:40,725 --> 00:51:42,769
SQUIRRELS, FRANKIE?
830
00:51:42,811 --> 00:51:44,771
YES, MA’AM.
BIG SQUIRRELS.
831
00:51:44,813 --> 00:51:48,525
THEY TEND TO OVEREAT PREPARING
FOR A DIFFICULT WINTER,
832
00:51:48,566 --> 00:51:49,901
AND SOMETIMES THEY BLOAT.
833
00:51:49,943 --> 00:51:52,153
AND OFTEN THEY GETCAUGHT IN THE WALLS.
834
00:51:52,195 --> 00:51:53,571
UH-HUH?
835
00:51:53,613 --> 00:51:55,782
TO GET OUT OF THE
WALLS, THEY HAVE TO...
836
00:51:55,824 --> 00:51:56,950
DEFLATE.
837
00:51:56,991 --> 00:51:58,868
AND THUS,
THIS IS CAUSING...
838
00:51:58,910 --> 00:52:01,705
THE PASSAGE OF WINDAGE.
839
00:52:01,746 --> 00:52:03,915
OH.
840
00:52:03,957 --> 00:52:07,502
AW, POOR THINGS!
841
00:52:07,544 --> 00:52:09,838
YEAH, TOUGH LUCK.
842
00:52:09,879 --> 00:52:11,589
TOUGH LUCK.
843
00:52:16,428 --> 00:52:18,346
- FRANKIE?- HMM?
844
00:52:18,388 --> 00:52:20,306
TELL ME THE PART AGAIN--
845
00:52:20,348 --> 00:52:22,809
THE PART OF DREAMING
ABOUT THE SAINTS.
846
00:52:22,851 --> 00:52:26,271
[DEEP SIGH]
847
00:52:26,312 --> 00:52:28,940
THERE’S A DREAM THAT...
848
00:52:28,982 --> 00:52:33,361
SICILIANS THAT HAVE
NEVER BEEN TO SICILY HAVE.
849
00:52:33,403 --> 00:52:36,281
THAT THEY’RE ON THE COAST,
850
00:52:36,322 --> 00:52:38,283
ON A CLIFF
851
00:52:38,324 --> 00:52:40,326
ABOVE THE WATER,
852
00:52:40,368 --> 00:52:42,245
AND THEY HEAR THIS MUSIC.
853
00:52:42,287 --> 00:52:44,914
THE SOUND OF OPERACOMING FROM SOMEWHERE,
854
00:52:44,956 --> 00:52:47,208
BUT THEY DON’TKNOW WHERE.
855
00:52:47,250 --> 00:52:49,210
AND THEY BELIEVEIT’S THE SAINTS
856
00:52:49,252 --> 00:52:51,755
WHO ARE SINGINGARIAS OF LONGING
857
00:52:51,796 --> 00:52:54,341
FOR WHAT THEY’VENEVER KNOWN.
858
00:52:54,382 --> 00:52:57,510
AND YOUR FATHER,HE ALWAYS TOLD YOUR MOTHER
859
00:52:57,552 --> 00:53:00,347
THE GREATEST LOVE STORIES
860
00:53:00,388 --> 00:53:02,349
WERE IN THE OPERA.
861
00:53:02,390 --> 00:53:03,975
HE LOVED HER VERY MUCH.
862
00:53:13,568 --> 00:53:15,779
[MOTOR STARTING]
863
00:53:36,508 --> 00:53:39,260
["DON GIOVANNI" PLAYING]
864
00:53:41,388 --> 00:53:43,390
[SINGING IN ITALIAN]
865
00:53:45,058 --> 00:53:46,685
[SINGING CONTINUES]
866
00:53:49,729 --> 00:53:54,025
[SINGING IN ITALIAN]
867
00:53:54,067 --> 00:53:57,529
[OPERA MUSIC SWELLS]
868
00:54:24,055 --> 00:54:26,641
[MUSIC CALMS]
869
00:54:31,646 --> 00:54:33,606
I’LL BE RIGHT BACK.
870
00:54:36,109 --> 00:54:37,902
GREAT, YOU MADE IT.
871
00:54:37,944 --> 00:54:41,948
TWO DOZEN, RIGHT?
THAT’S PERFECT, PERFECT.
872
00:54:41,990 --> 00:54:45,452
DO ME A FAVOR AND HANG OUT HERE
UNTIL THE THING IS OVER.
873
00:54:45,493 --> 00:54:47,078
YOU’LL HEAR SOME APPLAUSE,
YOU’LL COME UP TO THE DOOR.
874
00:54:47,120 --> 00:54:50,373
I’LL SIGNAL YOU TO COME ON IN,
AND WE’LL SURPRISE HER.
875
00:54:50,415 --> 00:54:51,958
THANK YOU.
876
00:55:00,091 --> 00:55:02,927
- DO YOU KNOW WHAT
THEY’RE SAYING?
- NOT REALLY, I KNOW HE’S DEAD.
877
00:55:02,969 --> 00:55:03,970
- HE’S DEAD, YES?
- COMPLETELY DEAD.
878
00:55:06,639 --> 00:55:08,725
- WHAT IS HE SAYING?
- HE WANTS HIS DAUGHTER
TO AVENGE HIM.
879
00:55:08,767 --> 00:55:12,604
HE’S SAYING, "AVENGE ME,
MY LITTLE ONE."
880
00:55:12,645 --> 00:55:15,815
"MY LITTLE ONE"?
GOD, I CAN’T STAND IT.
881
00:55:15,857 --> 00:55:17,525
WHAT ELSE?
882
00:55:17,567 --> 00:55:20,945
"GIVE THE MAN WHO GAVE YOU
LIFE PEACE IN DEATH."
883
00:55:20,987 --> 00:55:22,697
"LA VENDETTA E TUTTO!"
884
00:55:24,532 --> 00:55:26,034
LA VENDETTA E...?
885
00:55:26,076 --> 00:55:27,869
- TUTTO.- TUTTO.
886
00:55:30,997 --> 00:55:32,082
INTERESTING.
887
00:55:43,176 --> 00:55:44,928
JENNIFER:MARCELLO!
888
00:55:55,230 --> 00:55:56,231
CAN YOU BELIEVE IT?
889
00:55:56,272 --> 00:55:59,693
HE THREW ME A ROSE!
A WHITE ROSE.
890
00:55:59,734 --> 00:56:02,862
NICE, BUT I ALWAYS THOUGHT
THE RED ONES WERE
THE SPECIAL ONES.
891
00:56:02,904 --> 00:56:05,115
YOU DON’T UNDERSTAND--
WHITE IS SPECIAL!
892
00:56:05,156 --> 00:56:07,742
IT’S PURE. NOT LIKE RED ONES.
EVERYBODY GETS RED ROSES.
893
00:56:21,673 --> 00:56:24,092
- HOW’D YOU LIKE THE OPERA?
- MORE THAN I COULD HAVE
IMAGINED.
894
00:56:24,134 --> 00:56:26,219
ANGELO LOVED IT.
895
00:56:26,261 --> 00:56:28,972
MY FATHER...
896
00:56:29,014 --> 00:56:30,056
WAS HE HANDSOME
WHEN HE WAS YOUNG?
897
00:56:30,098 --> 00:56:32,434
- PFFT.
- PFFT?!
898
00:56:32,475 --> 00:56:36,771
YEAH, VERY.
AND YOUR MOTHER, SHE’D
BE ABLE TO WALK ACROSS A ROOM,
899
00:56:36,813 --> 00:56:39,816
AND EVERYTHING WOULD JUST STOP.
I REMEMBER THE ONE TIME,
900
00:56:39,858 --> 00:56:42,569
AT THIS WEDDING,
SHE MADE ME DANCE WITH HER.
901
00:56:42,610 --> 00:56:44,112
- WERE YOU EMBARRASSED?
- OF COURSE I WAS EMBARRASSED!
902
00:56:44,154 --> 00:56:46,823
I WAS JUST A KID.
903
00:56:46,865 --> 00:56:48,575
YOU KNOW, SHE WAS
PREGNANT WITH YOU.
904
00:56:48,616 --> 00:56:51,077
THAT MEANS YOU WERE THE FIRST
PERSON I EVER DANCED WITH.
905
00:56:51,119 --> 00:56:53,747
I GUESS.
906
00:56:53,788 --> 00:56:55,874
I LIKE THAT THOUGHT.
907
00:56:58,501 --> 00:57:00,670
FRANKIE, WHY HAVEN’T
YOU EVER BEEN MARRIED?
908
00:57:00,712 --> 00:57:04,215
- I’M JUST WAITING.
- YOU SAYING YOU’VE NEVER BEEN
IN LOVE?
909
00:57:04,257 --> 00:57:07,093
LOVE IS LIKE THIS
TEMPORARY FORM OF INSANITY.
910
00:57:07,135 --> 00:57:08,720
AND YOU’VE NEVER
BEEN INSANE?
911
00:57:23,860 --> 00:57:25,779
- YOU’RE READING THAT.
- MM-HMM.
912
00:57:25,820 --> 00:57:28,990
THIS MARCELLO.
HE TURNS EVERYTHING
INTO SUCH A PASSION.
913
00:57:29,032 --> 00:57:31,951
I CAN’T PUT IT DOWN.
HAVE YOU EVER READ HIM?
914
00:57:31,993 --> 00:57:33,620
- I DON’T THINK I LIKE THE GUY.
- WHY NOT?
915
00:57:33,661 --> 00:57:35,663
HE LOOKS A LITTLE
TOO SMOOTH.
916
00:57:37,165 --> 00:57:39,209
WHAT’S WRONG WITH SMOOTH?
917
00:57:39,250 --> 00:57:41,586
I DON’T KNOW-- IT’S JUST THAT
I KNOW GUYS LIKE THAT.
918
00:57:41,628 --> 00:57:44,506
STRUTTING LIKE ROOSTERS,
TAKING CREDIT FOR THE SUNRISE.
919
00:57:44,547 --> 00:57:48,093
SOMETIMES I THINK SMOOTH
IS NOT TOO APPEALING,
THAT’S ALL.
920
00:57:48,134 --> 00:57:50,595
YOU DON’T THINK
IT’S POSSIBLE FOR
A MAN TO BE CALLED BEAUTIFUL?
921
00:57:50,637 --> 00:57:53,640
NO, I BELIEVE THERE’S
AN EXCEPTION FOR EVERY RULE
IN THE BOOK,
922
00:57:53,682 --> 00:57:57,644
BUT I’VE NEVER STOOD
ON A CHAIR AND,
IN A LOUD VOICE, YELLED--
923
00:57:57,686 --> 00:58:00,146
"HEY, GUY! YOU’RE REALLY
KIND OF GORGEOUS...
924
00:58:00,188 --> 00:58:03,900
WANT TO GO TO PALM SPRINGS
THIS WEEKEND?"
925
00:58:03,942 --> 00:58:05,985
BUT WOMEN ARE TOTALLY
DIFFERENT ABOUT THIS.
926
00:58:06,027 --> 00:58:07,821
WOMEN HAVE BEEN KNOWN,
ON OCCASION,
927
00:58:07,862 --> 00:58:10,907
TO GO ABSOLUTELY CRAZY
OVER A GUY.
928
00:58:10,949 --> 00:58:12,826
I KNOW. BELIEVE ME.
929
00:58:12,867 --> 00:58:15,036
- YOU KNOW?
- THE FIRST TIME I SAW IT
930
00:58:15,078 --> 00:58:17,831
IS WHEN SAMMY CARBONI’S KID
CAME BACK TO QUEENS.
931
00:58:17,872 --> 00:58:19,833
HE WAS LIVING
OVER IN ITALY.
932
00:58:19,874 --> 00:58:21,835
ANGELO WANTED TO KNOW
WHAT HE WAS LIKE,
933
00:58:21,876 --> 00:58:24,838
SO HE HAD ME FOLLOW HIM.
AND ONE DAY,
934
00:58:24,879 --> 00:58:26,297
I SEE ALL THESELITTLE GIRLS
935
00:58:26,339 --> 00:58:29,009
GOING ABSOLUTELY CUCKOO NUTSOVER SOME KID.
936
00:58:29,050 --> 00:58:30,260
IT WAS LIKE THIS KID
WAS A GOLDEN BOY
937
00:58:30,301 --> 00:58:32,846
THAT THE SUN WAS
SHINING ON ALL THE TIME.
938
00:58:32,887 --> 00:58:36,850
HE’S THE KIND OF KID EVERY
13-YEAR-OLD KID WANTED TO BE
LIKE.
939
00:58:36,891 --> 00:58:38,935
I KNOW. SO I WASJUST WATCHING THIS.
940
00:58:48,903 --> 00:58:50,196
W-WHY WERE YOU
WATCHING HIM?
941
00:58:50,238 --> 00:58:53,616
WELL, IT WAS CARBONI.
GIANNI CARBONI.
942
00:58:53,658 --> 00:58:55,785
- THE SON OF SAMMY CARBONI?
- RIGHT.
943
00:58:55,827 --> 00:58:58,705
THE GUY LUCIO MALATESTA
MURDERED THEN--
944
00:58:58,747 --> 00:59:01,207
- FRANKIE...
- TRIED TO BLAME ANGELO.
945
00:59:01,249 --> 00:59:03,585
I THINK HE’S COMING OVER
HERE, WHAT SHOULD I SAY?
946
00:59:07,130 --> 00:59:10,175
HOW DO I LOOK?
IF YOU WERE LOOKING AT ME,
947
00:59:10,216 --> 00:59:11,718
- WHAT WOULD YOU THINK?
- YOU WOULDN’T WANT TO KNOW.
948
00:59:11,760 --> 00:59:14,679
- I DO. I WOULD.
- WOULDN’T
949
00:59:14,721 --> 00:59:16,806
FRANKIE, I’M SERIOUS!HE’S GETTING CLOSER.
950
00:59:16,848 --> 00:59:18,308
WHAT WOULD YOU WANT METO LOOK LIKE?
951
00:59:28,735 --> 00:59:30,612
- WHAT ARE YOU DOING?
- TRUST ME ON THIS ONE.
952
00:59:32,155 --> 00:59:33,948
HI, HOW ARE YOU?
953
00:59:52,133 --> 00:59:55,929
SO, WHAT DO YOU THINK?
954
00:59:55,970 --> 00:59:57,681
WHAT DO I THINK?
955
01:00:00,308 --> 01:00:02,936
ARE YOU TOGETHER?
956
01:00:02,977 --> 01:00:06,022
MMM... YES.
957
01:00:06,064 --> 01:00:08,233
[SPUTTERING]
NO, I MEAN, NO. HE’S...
958
01:00:08,274 --> 01:00:11,778
- THE SECURITY CONSULTANT.
- YOU MEAN, THE BODYGUARD.
959
01:00:14,322 --> 01:00:15,782
I AM NO GOOD
AT PRETENDING.
960
01:00:15,824 --> 01:00:17,701
WE’VE BEEN
WATCHING EACH OTHER,
961
01:00:17,742 --> 01:00:21,079
SO FORGIVE ME IF I CAUSEOFFENSE BARING MY HEARTAND TELLING THE TRUTH.
962
01:00:21,121 --> 01:00:24,874
YOU SEE MY SOUL,I STAND NAKED BEFORE YOU.
963
01:00:24,916 --> 01:00:26,376
MAYBE HE OUGHT TO GO BACK
TO HIS TABLE
964
01:00:26,418 --> 01:00:27,961
AND GET DRESSED
SO HE DOESN’T CATCH A COLD.
965
01:00:28,003 --> 01:00:30,005
NO!
[GIGGLES]
966
01:00:30,046 --> 01:00:32,382
HE’S JUST JOKING.
967
01:00:32,424 --> 01:00:33,800
YOU ARE
JENNIFER BARRETT?
968
01:00:33,842 --> 01:00:35,427
YES, I AM.
969
01:00:35,468 --> 01:00:38,221
I WANTED TO THANK YOU
FOR ARRANGING
MY READING AT YOUR CLUB.
970
01:00:38,263 --> 01:00:41,474
BUT YOU SEEMED,
HOW SHALL I SAY, DISTRACTED.
971
01:00:41,516 --> 01:00:44,144
I’M SUCH A GREAT
ADMIRER OF YOURS.
972
01:00:44,185 --> 01:00:47,897
I’VE READ ALL OF YOURBOOKS OVER AND OVER AND...
973
01:00:47,939 --> 01:00:50,900
- MISS BARRETT?
- OVER. WHAT?
974
01:00:50,942 --> 01:00:53,403
- JENNIFER.
- JENNIFER. MAY I CALL YOU?
975
01:00:57,407 --> 01:00:58,908
THANK YOU.
976
01:01:03,830 --> 01:01:05,373
I APOLOGIZE
IF I DISTURBED YOU.
977
01:01:08,376 --> 01:01:11,921
OH MY GOD!
CAN YOU BELIEVE IT?
978
01:01:11,963 --> 01:01:16,384
[LAUGHING]
979
01:01:22,766 --> 01:01:24,184
JENNIFER: FRANKIE?
980
01:01:24,225 --> 01:01:28,938
DID ANGELO--
981
01:01:28,980 --> 01:01:31,274
DID MY FATHER REALLY
WANT TO PROTECT ME?
982
01:01:31,316 --> 01:01:34,069
PROTECT YOU?
YOUR FATHER USED TO
983
01:01:34,110 --> 01:01:35,362
DRIVE BY HERE
ON SUMMER NIGHTS,
984
01:01:35,403 --> 01:01:37,989
AND WATCH YOU GO SWIMMING
IN THE MOONLIGHT.
985
01:01:38,031 --> 01:01:39,991
THEN HE’D SEE YOU
UP IN THE BALCONY.
986
01:01:40,033 --> 01:01:42,369
YOU KNOW,COMBING YOUR HAIR,
987
01:01:42,410 --> 01:01:44,829
TALKING ON THE PHONE
TO THIS GUY AND THAT,
988
01:01:44,871 --> 01:01:46,748
COMING HOME FROM SCHOOL,
989
01:01:46,790 --> 01:01:49,209
AND KICKING UP THOSE LEAVES
IN THE DYING LIGHT OF FALL.
990
01:01:49,250 --> 01:01:51,544
I SAW THESE THINGS TOO,
991
01:01:51,586 --> 01:01:53,880
AND I’M DEFINITELY
TALKING TOO MUCH.
992
01:01:53,922 --> 01:01:56,132
AND I WAS JUST
LIVING MY LIFE.
993
01:01:56,174 --> 01:01:58,259
AND YOU WERE THERE.
994
01:01:58,301 --> 01:02:00,178
THE WHOLE TIME.
995
01:02:00,220 --> 01:02:02,222
YES, MA’AM.
996
01:02:02,263 --> 01:02:04,432
SPYING ON ME.
997
01:02:04,474 --> 01:02:08,019
SPYING?
NO, I WOULDN’T SAY THAT.
998
01:02:08,061 --> 01:02:10,063
I WAS WATCHING.
999
01:02:10,105 --> 01:02:12,899
AND FOR YOUR INFORMATION,
I KNEW WHEN TO TURN AWAY.
1000
01:02:12,941 --> 01:02:15,443
DID YOU HAVE ANYTHING
TO DO WITH BOBBY JORDAN?
1001
01:02:17,278 --> 01:02:18,571
EXCUSE ME?
1002
01:02:18,613 --> 01:02:20,907
BOBBY JORDAN.
1003
01:02:20,949 --> 01:02:24,035
BOBBY JORDAN?
BOBBY JORDAN...
1004
01:02:24,077 --> 01:02:26,454
NO...
1005
01:02:26,496 --> 01:02:29,499
I CAN’T RECALL
ANY BOBBY JORDAN, NO.
1006
01:02:29,541 --> 01:02:31,543
I WENT WITH HIM
IN HIGH SCHOOL.
1007
01:02:31,584 --> 01:02:33,837
HE WAS CHEATING ON ME
THE WHOLE TIME.
1008
01:02:33,878 --> 01:02:36,047
I WAS SOCRAZY ABOUT HIM.
1009
01:02:36,089 --> 01:02:37,590
I SWEAR I WOULD HAVE
MARRIED HIM.
1010
01:02:37,632 --> 01:02:40,093
AND THEN HE JUST GOT
STRANGE ONE DAY.
1011
01:02:40,135 --> 01:02:42,095
NO, NO, FRANKIE!
1012
01:02:42,137 --> 01:02:43,805
NO, FRANKIE!
[SCREAMS]
1013
01:02:43,847 --> 01:02:45,932
HE STOPPED
TALKING TO ME.
1014
01:02:45,974 --> 01:02:48,435
YOUNG GUYS CAN GO THROUGH
THIS NEUROTIC PHASE.
1015
01:02:48,476 --> 01:02:50,186
IT’S NOT JUST GUYS.
1016
01:02:50,228 --> 01:02:53,898
- COULD I HAVE SOME MORE
ANISETTE?
- SURE.
1017
01:02:53,940 --> 01:02:55,859
WHAT ABOUT POLLY PETERS?
1018
01:02:55,900 --> 01:02:58,862
DO YOU REMEMBER HER?
1019
01:02:58,903 --> 01:03:02,323
NO, I’VE NEVER
HEARD OF HER.
1020
01:03:02,365 --> 01:03:03,825
POLLY PETERS, NO.
1021
01:03:03,867 --> 01:03:05,660
SHE WAS THIS MEAN,NASTY WITCH
1022
01:03:05,702 --> 01:03:08,580
WHO STARTED SPREADING
THESE AWFUL STORIES
ABOUT ME SLEEPING AROUND.
1023
01:03:08,621 --> 01:03:10,915
SHE WAS DESTROYING
MY REPUTATION.
1024
01:03:10,957 --> 01:03:14,044
THE MOST FRAGILE THING IN THE
WORLD IS A WOMAN’S REPUTATION.
1025
01:03:14,085 --> 01:03:16,129
WELL, IT ALL STOPPED.
1026
01:03:16,171 --> 01:03:19,215
RIGHT AFTER THIS TERRIBLE THING
HAPPENED TO HER CAR.
1027
01:03:19,257 --> 01:03:20,925
[SCREAMING]
MY CAR!
1028
01:03:27,640 --> 01:03:30,518
IT’S LIKE SHE JUST SORT
OF UPPED AND MOVED
TO ANOTHER SCHOOL.
1029
01:03:32,479 --> 01:03:36,483
YOU KNOW SOMETHING,
FRANCIS?
1030
01:03:36,524 --> 01:03:39,027
WE’RE BECOMING FRIENDS.
DID YOU REALIZE THAT?
1031
01:03:39,069 --> 01:03:41,529
NO, I DIDN’T KNOW THAT.
1032
01:03:43,239 --> 01:03:45,992
LIKE IT OR NOT, WE ARE.
1033
01:03:46,034 --> 01:03:48,328
DO YOU REALIZE YOU
NEVER CALL ME JENNIFER?
1034
01:03:50,372 --> 01:03:52,332
YOU MAY, YOU KNOW.
1035
01:03:52,374 --> 01:03:54,042
THAT BEINGMY NAME AND ALL.
1036
01:03:58,254 --> 01:04:00,006
GOOD NIGHT, FRANCIS.
1037
01:04:04,386 --> 01:04:06,096
GOOD NIGHT, JENNIFER.
1038
01:04:14,562 --> 01:04:16,189
[SOFTLY]
WHAT?
1039
01:04:16,231 --> 01:04:18,191
FRANKIE, FRANKIE!
1040
01:04:20,694 --> 01:04:23,029
OH MY GOD!
THE DOOR IS CLOSED.
1041
01:04:23,071 --> 01:04:25,073
- I CAN’T BELIEVE
THE DOOR IS CLOSED.
- OKAY, OKAY.
1042
01:04:25,115 --> 01:04:27,242
- WHAT ARE YOU GOING TO DO?
- YOU SHOULDN’T STAY HERE.
1043
01:04:27,283 --> 01:04:29,202
- GO SOMEWHERE, GO.
- PUT THAT GUN DOWN!
1044
01:04:29,244 --> 01:04:31,329
I’M SERIOUS, GO SOMEWHERE,
I’LL BE ALL RIGHT.
1045
01:04:31,371 --> 01:04:32,539
- NO!
- STAY BACK, STAY HERE.
1046
01:04:32,580 --> 01:04:34,457
NO. NO!
1047
01:04:34,499 --> 01:04:36,501
- YES, YES.
- NO!
1048
01:04:38,169 --> 01:04:39,546
NO!
1049
01:04:56,479 --> 01:04:57,689
[YELLS]
1050
01:04:59,441 --> 01:05:01,568
I KNOW THIS GUY. HE USED
TO WORK FOR MALATESTA
1051
01:05:01,609 --> 01:05:04,112
BEFORE THE STROONS
MOVED TO CHICAGO.
1052
01:05:04,154 --> 01:05:07,115
WE BETTER MOVE THIS STROON
BECAUSE I GOT NEIGHBORS
ALL OVER THE PLACE!
1053
01:05:07,157 --> 01:05:08,992
GOD, I’M SO AGGRAVATED!
1054
01:05:09,034 --> 01:05:11,036
- AGGRAVATED?
- AGGRAVATED, YES!
1055
01:05:11,077 --> 01:05:12,287
[PHONE RINGING]
1056
01:05:12,328 --> 01:05:14,247
- ANSWER IT.
- NO!
1057
01:05:14,289 --> 01:05:15,665
- YES.
- NO!
1058
01:05:15,707 --> 01:05:18,668
- DON’T HIT ME.
- HOLD THIS.
1059
01:05:22,047 --> 01:05:24,591
- RAWLEY, I MISS YOU SO.
- MOM...
1060
01:05:24,632 --> 01:05:27,260
- YES, BABY?
- MAKE SURE YOU CALL ME
TOMORROW.
1061
01:05:27,302 --> 01:05:30,221
YOU KNOW I WILL.
1062
01:05:30,263 --> 01:05:31,973
I LOVE YOU, TOO.
1063
01:05:32,015 --> 01:05:34,976
- ALL RIGHT. BYE, BABY.
- [PHONE BEEPS]
1064
01:05:39,773 --> 01:05:42,650
I CAN’T EFFING
BELIEVE IT.
1065
01:05:42,692 --> 01:05:45,403
MY SON ACTUALLY CALLS ME
FIVE MINUTES AFTER
1066
01:05:45,445 --> 01:05:48,323
ONE OF MALATESTA’S GOONS
TRIES TO WAX ME!
1067
01:05:48,365 --> 01:05:50,325
WHAT IF THEYSUCCEED NEXT TIME?
1068
01:05:50,367 --> 01:05:52,702
WHERE DOES THAT LEAVE RAWLEY?
I’LL TELL YOU WHERE,
1069
01:05:52,744 --> 01:05:54,579
IT LEAVES HIM
WITHOUT A MOTHER.
1070
01:05:54,621 --> 01:05:56,122
OH, GOD!
1071
01:05:57,791 --> 01:06:00,126
MY SON IS NOT GOING
TO BE AN ORPHAN!
1072
01:06:12,347 --> 01:06:14,599
- I MADE A DECISION, FRANKIE.
- YEAH, WHAT’S THAT?
1073
01:06:14,641 --> 01:06:16,601
I HAVE TO WHACK
MALATESTA.
1074
01:06:19,354 --> 01:06:22,065
YOU’RE GOING
TO WHACK MALATESTA?
1075
01:06:22,107 --> 01:06:24,317
FRANKIE,
MY "WILLOW IN THE WIND"
DAYS ARE OVER.
1076
01:06:24,359 --> 01:06:26,695
[LAUGHS]
YOU KNOW...
1077
01:06:26,736 --> 01:06:28,822
YOU’RE GETTING IN WAY OVER
YOUR HEAD ON THIS ONE, REALLY.
1078
01:06:28,863 --> 01:06:31,658
AN ALLIEGHIERI
DOES NOT BOW DOWN.
1079
01:06:37,372 --> 01:06:38,373
I’M SORRY I EVER
TOLD YOU THAT.
1080
01:06:44,546 --> 01:06:46,840
* IT’S SO GOOD,SO GOOD... *
1081
01:06:46,881 --> 01:06:49,384
YOU’RE GOING TO WHACK
MALATESTA.
THAT’S JUST GREAT.
1082
01:06:49,426 --> 01:06:51,553
- THAT’S JUST GREAT!
- * ...WHEN I SIT BESIDE YOU *
1083
01:06:51,594 --> 01:06:57,350
* IT’S SO GOODTHAT I CAN’T DENY YOU *
1084
01:06:57,392 --> 01:07:01,229
* IT’S SO GOODJUST SITTING BESIDE YOU... *
1085
01:07:06,609 --> 01:07:08,069
NICE MOON.
1086
01:07:08,111 --> 01:07:11,656
IT’S BEAUTIFUL.
1087
01:07:11,698 --> 01:07:13,783
- [BOAT SPUTTERS]
- JUST BEAUTIFUL.
1088
01:07:13,825 --> 01:07:16,703
MM-HMM.
1089
01:07:16,745 --> 01:07:19,080
- [WATER GURGLING]
- [AIR HISSING]
1090
01:07:31,801 --> 01:07:34,220
SO, YOU THINK YOU’VE GOTTHIS VENGEANCE THINGALL FIGURED OUT.
1091
01:07:34,262 --> 01:07:36,556
- YOU KNOW HOW IT’S DONE?
- DONE?
1092
01:07:36,598 --> 01:07:39,142
YOU MEAN THE THING?
1093
01:07:39,184 --> 01:07:44,647
- NO, NOT REALLY.
- IT’S NOT AS EASY AS IT LOOKS.
1094
01:07:44,689 --> 01:07:46,775
THERE’S ALL KINDS
OF COURAGE, YOU KNOW.
1095
01:07:48,818 --> 01:07:50,862
I KNOW.
1096
01:07:50,904 --> 01:07:54,407
A WOMAN’S COURAGE SHOULD
NEVER BE UNDERESTIMATED.
1097
01:07:54,449 --> 01:07:56,451
EVER BE UNDERESTIMATED.
1098
01:07:56,493 --> 01:07:58,328
EVER.
1099
01:07:58,370 --> 01:07:59,788
LET’S GO OVER IT AGAIN.
1100
01:07:59,829 --> 01:08:04,250
- GO OVER WHAT?
- THE PLAN.
1101
01:08:04,292 --> 01:08:07,545
WE GO TO
THE VALHALLA INN,
1102
01:08:07,587 --> 01:08:09,172
YOU WAIT IN THE PARKING LOT,
I WALK IN.
1103
01:08:09,214 --> 01:08:11,341
MALATESTA TAKES
A GOOD LOOK AT ME.
1104
01:08:11,383 --> 01:08:12,884
HE THINKS HE COULD
HAVE ANY WOMAN,
1105
01:08:12,926 --> 01:08:18,181
BECAUSE HE’S A LITTLE TWEAKED
EVEN AT HIS AGE. [GIGGLES]
1106
01:08:18,223 --> 01:08:19,516
I BAT MY EYES...
1107
01:08:19,557 --> 01:08:21,476
AND THEN I WHACK HIM.
1108
01:08:21,518 --> 01:08:23,895
AND YOU THINK
YOU CAN DO THIS.
1109
01:08:23,937 --> 01:08:26,272
[MIMICKING]
DO I THINK I CAN DO THIS?
1110
01:08:26,314 --> 01:08:29,442
OKAY... SHOW ME.
1111
01:08:29,484 --> 01:08:31,277
- WHAT?
- YOUR WALK.
1112
01:08:31,319 --> 01:08:33,279
- WHY?
- ’CAUSE YOU GO IN THAT PLACE,
1113
01:08:33,321 --> 01:08:34,906
AND YOUR WALK DOESN’T
MATCH YOUR ATTITUDE
1114
01:08:34,948 --> 01:08:36,866
AND YOUR ATTITUDE DOESN’T
MATCH YOUR WALK,
1115
01:08:36,908 --> 01:08:39,619
YOU’LL BE IN A BAG AND THE BAG’S
GONNA BE IN THE RIVER.
1116
01:08:39,661 --> 01:08:41,204
REALLY?
1117
01:08:41,246 --> 01:08:42,872
WATCH THIS.
1118
01:08:46,751 --> 01:08:48,795
THAT IS NOTHING SHORT
OF TERRIBLE.
1119
01:08:48,837 --> 01:08:50,630
ARE YOU TELLING ME
HOW TO WALK NOW?
1120
01:08:50,672 --> 01:08:54,300
- SOMEBODY’S GOT TO.
- YOU THINK YOU CAN DO IT?
1121
01:08:54,342 --> 01:08:56,720
MAYBE.
[CHUCKLES]
1122
01:08:56,761 --> 01:08:58,304
ARE YOU GOING
TO PUT ME ON THE SPOT?
1123
01:08:58,346 --> 01:09:01,433
OKAY.
1124
01:09:01,474 --> 01:09:03,226
WHAT AM I DOING?
FORGET ABOUT IT.
1125
01:09:03,268 --> 01:09:04,811
THIS IS YOUR JOB.
CONCENTRATE.
1126
01:09:04,853 --> 01:09:07,313
YOU SAID YOU COULD DO IT,
ENLIGHTEN ME A LITTLE BIT.
1127
01:09:07,355 --> 01:09:08,982
COME ON,
YOU CAN DO IT!
1128
01:09:09,024 --> 01:09:11,651
ONE, TWO.
ONE-- THAT’S IT.
1129
01:09:11,693 --> 01:09:14,654
WHAT? DO YOU HAVE
ANKLE DAMAGE?
1130
01:09:14,696 --> 01:09:16,906
YOU’RE REALLY STARTING
TO IRRITATE ME.
1131
01:09:16,948 --> 01:09:19,784
JUST FOLLOW ME. I CAN
FIGURE THIS OUT. READY?
1132
01:09:19,826 --> 01:09:21,911
LET’S GO.
ONE, TWO.
1133
01:09:21,953 --> 01:09:23,913
CROSS OVER.
LIKE AN ANTELOPE.
1134
01:09:23,955 --> 01:09:25,540
BACK AND FORTH.
1135
01:09:31,796 --> 01:09:34,341
* MOUNTAIN HIGH *
1136
01:09:34,382 --> 01:09:36,926
* VALLEY LOW *
1137
01:09:36,968 --> 01:09:39,304
* TROUBLES OF LIFE *
1138
01:09:39,346 --> 01:09:42,766
* WASHING OVER MY SOUL *
1139
01:09:42,807 --> 01:09:45,518
* WRAPPED UP IN DARKNESS *
1140
01:09:45,560 --> 01:09:48,897
* I LONG TO BE FREE *
1141
01:09:48,938 --> 01:09:53,902
* LASTING TOUGH AND LOVE’SGOT A HOLD ON ME *
1142
01:09:53,943 --> 01:09:56,529
- * I SAID LOVE *- * LOVE *
1143
01:09:56,571 --> 01:10:00,325
* HAS GOT A HOLD ON ME *
1144
01:10:00,367 --> 01:10:01,868
* LOVE, SWEET LOVE *
1145
01:10:01,910 --> 01:10:05,497
* GOT A HOLD ON ME *
1146
01:10:05,538 --> 01:10:08,249
* NO MATTER WHAT COMES *
1147
01:10:08,291 --> 01:10:11,628
* I CAN ALWAYS BE FREE *
1148
01:10:11,670 --> 01:10:13,880
* LOVE, SWEET LOVE *
1149
01:10:13,922 --> 01:10:16,257
* GOT A HOLD ON ME... *
1150
01:10:22,013 --> 01:10:23,973
FRANKIE: I DON’T THINK
THIS IS RIGHT,
1151
01:10:24,015 --> 01:10:26,267
- YOU GOING IN THERE ALONE.
- I’LL BE FINE.
1152
01:10:26,309 --> 01:10:29,270
I DON’T KNOW ABOUT THAT.
IT’S BETTER IF I GO IN THERE,
1153
01:10:29,312 --> 01:10:30,814
HANG OUT IN THE BACK IN
CASE THERE’S ANY TROUBLE.
1154
01:10:30,855 --> 01:10:31,981
FRANKIE, NO.
1155
01:10:32,023 --> 01:10:33,650
IF THIS IS MY LIFE NOW,
1156
01:10:33,692 --> 01:10:35,694
I’VE GOT TO LEARN TO HANDLE
SOMETHING ON MY OWN.
1157
01:10:35,735 --> 01:10:36,778
YOU CAN’T KEEP
BAILING ME OUT.
1158
01:10:38,780 --> 01:10:41,825
[SIGHS]
ALL RIGHT.
1159
01:10:41,866 --> 01:10:44,494
HE’LL BE AT
THE CORNER TABLE,
1160
01:10:44,536 --> 01:10:46,746
PROBABLY ON THE PHONE,
WHACKING SOMEBODY
LONG DISTANCE.
1161
01:10:50,000 --> 01:10:51,584
THANK YOU.
1162
01:10:51,626 --> 01:10:57,340
* LOVE’S GOT A HOLD ON ME *
1163
01:10:57,382 --> 01:10:59,467
* LOVE, SWEET LOVE *
1164
01:10:59,509 --> 01:11:02,387
* GOT A HOLD ON ME... *
1165
01:11:02,429 --> 01:11:03,680
AH, JENNIFER!
1166
01:11:03,722 --> 01:11:05,306
THE RING, THE RING.
1167
01:11:07,642 --> 01:11:08,727
[METAL CLINKS]
1168
01:11:08,768 --> 01:11:10,854
* LOVE, SWEET LOVE *
1169
01:11:10,895 --> 01:11:13,606
* GOT A HOLD ON ME. *
1170
01:11:13,648 --> 01:11:15,567
THE BOSS SAYS
YOU NEED A ROPE.
1171
01:11:20,405 --> 01:11:22,991
["MAMBO ITALIANO" PLAYING]
1172
01:11:35,503 --> 01:11:36,963
[RECORD SCRATCHES]
1173
01:11:37,005 --> 01:11:38,840
[INSTRUMENTAL SONG PLAYING]
1174
01:11:41,176 --> 01:11:43,011
GET HER OVER HERE!
1175
01:11:50,393 --> 01:11:53,688
THERE’S SOMEONE
AT MY TABLE THAT WOULD
REALLY LIKE TO MEET YOU.
1176
01:11:53,730 --> 01:11:55,607
MAYBE THAT "SOMEONE"
SHOULD HAVE THE MANNERS
1177
01:11:55,648 --> 01:11:57,484
TO COME OVER HERE
AND INTRODUCE HIMSELF.
1178
01:11:57,525 --> 01:11:58,943
DON’T BE A FUCKING IDIOT.
1179
01:11:58,985 --> 01:12:01,946
SIMPLE. DIRECT.
I LIKE THAT IN A MAN.
1180
01:12:11,831 --> 01:12:13,750
SO, DO I KNOW YOU?
1181
01:12:13,792 --> 01:12:17,087
- SHE’S ANGELO’S.
- WAS.
1182
01:12:17,128 --> 01:12:19,964
SO NOW YOU’VE COME OVER
TO THE A-TEAM.
1183
01:12:20,006 --> 01:12:24,928
YOU DON’T EXACTLY LOOK BEREFT
WITH GRIEF AND WHATNOT.
1184
01:12:24,969 --> 01:12:27,889
- HE WAS OLD.
- WHAT AM I?
1185
01:12:27,931 --> 01:12:29,391
SPRINGTIME?
1186
01:12:29,432 --> 01:12:32,560
- MAYBE YOU’RE DIFFERENT.
- MAYBE.
1187
01:12:39,567 --> 01:12:41,111
WHERE THE HELL DO YOU
THINK YOU’RE GOING?
1188
01:12:41,152 --> 01:12:43,488
YOU’RE FANTASTIC.
1189
01:12:47,534 --> 01:12:49,077
[GASPING]
1190
01:12:49,119 --> 01:12:51,663
WHAT’S THE MATTER WITH HIM?
WHAT’S GOING ON?
1191
01:12:51,705 --> 01:12:53,832
- GODDAMN TICKER.
- TICKER?!
1192
01:12:53,873 --> 01:12:55,583
- CALL THE AMBULANCE.
- LET ME HELP.
1193
01:12:55,625 --> 01:12:59,045
CALL A DOCTOR.
DON’T HELP SO MUCH!
1194
01:12:59,087 --> 01:13:00,088
[CHOKING]
1195
01:13:10,098 --> 01:13:12,559
YOU’RE AN ANGEL.
MY GOOD LUCK PIECE.
1196
01:13:12,600 --> 01:13:13,935
YOU SHOULDN’T TALK.
REST.
1197
01:13:13,977 --> 01:13:16,646
BRUNO, SHUT UP.
1198
01:13:16,688 --> 01:13:17,897
SHE COMES WITH ME.
1199
01:13:23,278 --> 01:13:25,113
[SIREN BLARING]
1200
01:13:31,286 --> 01:13:32,537
I KEEP TELLING YOU--
1201
01:13:32,579 --> 01:13:34,247
I DON’T NEED THIS SHIT!
1202
01:13:34,289 --> 01:13:36,249
I’M FINE.
1203
01:13:36,291 --> 01:13:38,877
I’M FINE. JUST FINE.
1204
01:13:38,918 --> 01:13:41,046
- YOU’LL SEE.
- I’LL SEE?
1205
01:13:41,087 --> 01:13:43,923
GET ME A PRIEST.
1206
01:13:43,965 --> 01:13:45,633
YOU GOTTA STOP SO WE CAN
GET OURSELVES A PRIEST.
1207
01:13:45,675 --> 01:13:47,093
WHAT DO YOU NEED
A PRIEST FOR?
1208
01:13:47,135 --> 01:13:50,472
YOU-- SIT THERE AND FIX YOUR
HAIR, ALL RIGHT? RELAX.
1209
01:13:50,513 --> 01:13:53,058
YOU’LL BE FINE.YOUR BIG NIGHT’S COMING.
1210
01:13:53,099 --> 01:13:55,727
HAIL MARY,
FULL OF GRACE.
1211
01:13:55,769 --> 01:13:57,896
IS ANYONE THERE?
1212
01:13:57,937 --> 01:13:59,814
ANYONE?
1213
01:13:59,856 --> 01:14:02,275
COULD YOU PLEASE GET
THESE GOONS OFF MY BACK?
PLEASE, PLEASE?
1214
01:14:02,317 --> 01:14:05,028
AMEN. AMEN.
1215
01:14:10,742 --> 01:14:13,119
THIS IS FOR LAST RITES,
I PRESUME.
1216
01:14:13,161 --> 01:14:15,872
FATHER, RELAX.
IT’S LUCIO’S LITTLE FANTASY.
1217
01:14:15,914 --> 01:14:18,792
HE LIKES PRETENDING HE’SMARRIED TO ALL HIS BIMBOS.
1218
01:14:18,833 --> 01:14:21,544
JENNIFER?
1219
01:14:21,586 --> 01:14:23,797
JENNIFER?
1220
01:14:23,838 --> 01:14:26,800
MY HEART AIN’T NO
FINE-TUNED WATCH,
1221
01:14:26,841 --> 01:14:28,802
BUT WHAT THE HELL?!
1222
01:14:28,843 --> 01:14:31,304
I WANT TO GO OUT SPECIAL.
1223
01:14:31,346 --> 01:14:33,014
LIKE, MARRIED TO YOU.
1224
01:14:33,056 --> 01:14:35,308
B-BUT I AM MARRIED.
1225
01:14:35,350 --> 01:14:38,144
- DON’T GO GETTING TECHNICAL.
- BUT I’M MARRIED!
1226
01:14:38,186 --> 01:14:40,271
THE CHURCH
CANNOT ALLOW--
1227
01:14:40,313 --> 01:14:43,024
FATHER, YOU’LL PULL
SOME STRINGS, RIGHT?
1228
01:14:43,066 --> 01:14:47,070
THE CHURCH CANNOT ALLOW
SUCH A LOVE SO PURE TO GO...
1229
01:14:47,112 --> 01:14:49,656
I’M AN OLD MAN
WITH A COUPLE MONTHS TO LIVE.
1230
01:14:49,698 --> 01:14:52,826
HERE’S A YOUNG BROAD
ON THE MAKE, SO WHAT THE HELL?
1231
01:14:52,867 --> 01:14:55,161
LOVE, LIKE ALL THINGS
FINE AND TRUE,
1232
01:14:55,203 --> 01:14:57,163
TAKES TIME TO BLOSSOM
AND BLOOM.
1233
01:14:57,205 --> 01:14:59,833
BLOW ME WITH THE BLOSSOMING
AND THE BLOOMING.
1234
01:14:59,874 --> 01:15:02,794
- DO IT.
- YOU ARE MAN AND WIFE.
KISS THE BRIDE.
1235
01:15:04,087 --> 01:15:05,046
YOU HEARD HIM.
1236
01:15:20,854 --> 01:15:22,313
EVERYTHING’S
ALL RIGHT.
1237
01:15:22,355 --> 01:15:24,607
I GOT THE DOCTOR IN ONE ROOM
AND THE BROAD IN THE OTHER.
1238
01:15:24,649 --> 01:15:25,567
CAREFUL WITH HIM!
1239
01:15:36,036 --> 01:15:37,203
WHAT THE HELL
IS THIS?
1240
01:15:37,245 --> 01:15:38,872
IT’S YOUR WEDDING TROUSSEAU.
PUT IT ON.
1241
01:15:45,962 --> 01:15:47,213
MOVE!
1242
01:15:48,673 --> 01:15:49,883
THANK YOU!
1243
01:15:49,924 --> 01:15:51,009
[BARKING]
1244
01:15:52,844 --> 01:15:55,055
FUCKING DOG.
ALL HE DOES IS BARK.
1245
01:15:55,096 --> 01:15:56,723
HE’S BEEN BARKING
ALL NIGHT LONG.
1246
01:16:02,937 --> 01:16:03,938
WHERE’S MY BRIDE?
1247
01:16:07,901 --> 01:16:09,194
[GROANS]
1248
01:16:09,235 --> 01:16:12,072
[BARKING]
1249
01:16:12,113 --> 01:16:14,366
SHUT UP. ALL YOU DO
IS SIT AROUND AND BARK.
1250
01:16:14,407 --> 01:16:20,288
YOU’RE USELESS!
1251
01:16:20,330 --> 01:16:23,875
- GOON: TOO BAD, HUH?
- WHILE THIS RETARD
RE-SHUFFLES,
1252
01:16:23,917 --> 01:16:25,627
GO CHECK ON THE OLD MAN
FOR ME?
1253
01:16:25,669 --> 01:16:28,380
WHY DO YOU CALL ME
A RETARD FOR?
1254
01:16:28,421 --> 01:16:30,298
WHAT DID I DO TO YOU?
I SPLIT CARDS, THAT’S ALL.
1255
01:16:30,340 --> 01:16:32,634
SPELL "ECCLESIASTICAL".
1256
01:16:32,676 --> 01:16:35,011
- "EX-SCLEES--" I--
- RETARDED.
1257
01:16:36,846 --> 01:16:40,225
"EX-SCLESIASTICAL?"WHAT IS THAT?
1258
01:16:40,266 --> 01:16:42,852
- EX-SCLESTIASTICAL.- STOP TALKING!
1259
01:16:42,894 --> 01:16:44,437
SOUNDS LIKE A RETARDEDCHURCH TO ME.
1260
01:16:44,479 --> 01:16:49,109
WHERE ARE YOU,
MY BELOVED?
1261
01:16:49,150 --> 01:16:50,860
THERE’S ONLY ME
OUT HERE NOW.
1262
01:16:58,868 --> 01:17:01,162
LOOK AT YOU.
1263
01:17:01,204 --> 01:17:04,124
LIKE AN ANGEL, YOU ARE.
1264
01:17:04,165 --> 01:17:06,251
AND LOOK AT ME,
LIKE SOME...
1265
01:17:06,292 --> 01:17:08,837
DRIED-UP PRUNE CREATURE.
1266
01:17:08,878 --> 01:17:12,674
OH, MI AMORE.
1267
01:17:17,137 --> 01:17:20,098
[MOANS]
1268
01:17:20,140 --> 01:17:22,809
BUT TONIGHT I’M COMING BACK
FROM THE DEAD,
1269
01:17:22,851 --> 01:17:26,146
LIKE SOME MIGHTY OAK RISING
OUT OF SOME DEAD JUNGLE.
1270
01:17:26,187 --> 01:17:29,190
BUT, ANGELFACE,
1271
01:17:29,232 --> 01:17:31,735
WE MUST GO SLOW.
1272
01:17:31,776 --> 01:17:33,486
VERY SLOW.
1273
01:17:33,528 --> 01:17:35,363
YOU KNOW? LIKE...
1274
01:17:35,405 --> 01:17:39,159
MOLTEN LAVA.
1275
01:17:39,200 --> 01:17:42,078
OH!
1276
01:17:42,120 --> 01:17:44,956
THERE’S A FEW MORE TUNES
TO BE PLAYED ON THIS FLUTE.
1277
01:17:44,998 --> 01:17:50,128
BUT YOU MUST BE CAREFUL
OF THE TICKER.
1278
01:17:50,170 --> 01:17:53,757
TIME TO MOUNT
THE BALONEY PONY.
1279
01:17:59,179 --> 01:18:01,389
[MONITOR BEEPS FASTER]
1280
01:18:10,106 --> 01:18:11,733
[GRUNTS]
1281
01:18:17,238 --> 01:18:20,200
[CONSTANT TONE]
1282
01:18:20,241 --> 01:18:22,285
BRUNO: THANKS A LOT
FOR THE LAST ONE.
1283
01:18:22,327 --> 01:18:23,745
LET’S PLAY
"CHASE THE BITCH."
1284
01:18:23,787 --> 01:18:24,913
WE’RE PLAYING
A DIFFERENT GAME.
1285
01:18:24,954 --> 01:18:26,790
I KNOW HOW TO PLAY
"CHASE THE BITCH."
1286
01:18:26,831 --> 01:18:29,125
IS YOUR MOTHER
IN THIS GAME?
1287
01:18:29,167 --> 01:18:30,919
- I GOT 400 OUT OF IT.
- WHAT’RE YOU GONNA DO?
1288
01:18:33,963 --> 01:18:35,465
HEY! THE BROAD!
1289
01:18:35,507 --> 01:18:37,258
GET OFF YOUR ASS!
1290
01:18:37,300 --> 01:18:40,136
LET’S GO!LET’S GO!
1291
01:18:40,178 --> 01:18:42,514
[SCREAMING]
1292
01:18:44,974 --> 01:18:46,518
[GUNSHOTS]
1293
01:18:47,936 --> 01:18:50,313
OH, SHIT!
1294
01:18:50,355 --> 01:18:52,273
- [SNARLING]- HOLY SHIT!
1295
01:19:07,455 --> 01:19:09,791
- STUPID MUTT!
- [GROWLING]
1296
01:19:09,833 --> 01:19:11,793
IT’S PAYBACK TIME!
1297
01:19:14,921 --> 01:19:17,007
- JENNIFER! COME ON!
- FRANKIE?!
1298
01:19:17,048 --> 01:19:20,552
[GUNSHOT]
1299
01:19:20,593 --> 01:19:22,012
- [GLASS SHATTERS]
- [SCREAMS] GO!
1300
01:19:26,099 --> 01:19:27,851
[GROANS]
1301
01:19:27,892 --> 01:19:30,103
- I DID IT! I DID IT!
- DID WHAT?
1302
01:19:30,145 --> 01:19:32,272
- WHAT DID YOU DO?
- I WHACKED MALATESTA!
1303
01:19:32,313 --> 01:19:34,357
- YOU DID-- NO, YOU DIDN’T!
- I DID TOO.
1304
01:19:34,399 --> 01:19:36,901
- COME ON.
- I DID TOO.
HE LOOKED PRETTY DEAD.
1305
01:19:36,943 --> 01:19:39,320
- REALLY? HOW?
- YOU WANT TO KNOW HOW?
1306
01:19:39,362 --> 01:19:40,488
I WASN’T THERE.
I’M ASKING HOW.
1307
01:19:40,530 --> 01:19:43,825
I MARRIED HIM TO DEATH.
1308
01:19:45,493 --> 01:19:47,954
THAT’LL DO IT.
1309
01:19:47,996 --> 01:19:50,457
YEAH...
1310
01:19:50,498 --> 01:19:51,916
CHEERS.
1311
01:19:59,507 --> 01:20:02,260
IF I DON’T HAVE
ANY MORE ENEMIES,
1312
01:20:02,302 --> 01:20:04,971
DOES THAT--
1313
01:20:05,013 --> 01:20:08,600
DOES THAT MEAN
YOU WON’T BE AROUND?
1314
01:20:08,641 --> 01:20:11,061
- SURELY I MUST STILL BE IN--
- GRAVE DANGER?
1315
01:20:11,102 --> 01:20:14,314
YEAH, THERE’S STILL
A FEW BAD GUYS HANGING AROUND.
1316
01:20:14,356 --> 01:20:16,566
[PHONE RINGING]
1317
01:20:20,362 --> 01:20:21,613
I THINK IT’S RAWLEY.
1318
01:20:21,654 --> 01:20:23,531
- I’LL GET IT.
- HE MISSES ME.
1319
01:20:32,207 --> 01:20:35,585
HELLO? OH!
1320
01:20:35,627 --> 01:20:38,880
OH, MARCELLO, I FORGOT.
1321
01:20:38,922 --> 01:20:40,131
NO, IT’S NOT TOO LATE.
1322
01:20:40,173 --> 01:20:41,508
IT’S NOT.
1323
01:20:46,096 --> 01:20:47,639
YES, TOMORROW
WOULD BE ALL RIGHT.
1324
01:20:54,979 --> 01:20:59,401
* ARE YOU STILLMAD AT ME? *
1325
01:20:59,442 --> 01:21:03,947
* SHOULD I BEDOWN ON US? *
1326
01:21:03,988 --> 01:21:08,576
* AND WHAT IF IFOOLISHLY SAY-- *
1327
01:21:08,618 --> 01:21:13,039
* SAY I’VE HAD ENOUGH?
1328
01:21:13,081 --> 01:21:17,210
* AND WHEN THE TALKIS OVER AND-- *
1329
01:21:17,252 --> 01:21:18,545
[NO AUDIBLE DIALOGUE]
1330
01:21:18,586 --> 01:21:22,298
* ALL THE WORDSHAVE TURNED GRAY *
1331
01:21:22,340 --> 01:21:26,511
* THAT’S WHEN MY MIXEDEMOTIONS JUST-- *
1332
01:21:26,553 --> 01:21:31,057
* JUST WON’T GO AWAY
1333
01:21:31,099 --> 01:21:34,978
* SO WE STAND SHOULDERTO SHOULDER *
1334
01:21:35,020 --> 01:21:39,649
* WITH EVERYTHING TO LOSE
1335
01:21:39,691 --> 01:21:44,070
* IF WE BOTHCOULD CHOOSE *
1336
01:21:44,112 --> 01:21:49,617
* WE’D COUNTOUR WORLD DOWN *
1337
01:21:49,659 --> 01:21:53,371
* I’LL DOWHATEVER IT TAKES *
1338
01:21:53,413 --> 01:21:58,418
* JUST GIVE METHAT WORLD BACK *
1339
01:21:58,460 --> 01:22:03,089
* YOU PROMISED MEAND I’LL TELL YOU STRAIGHT *
1340
01:22:03,131 --> 01:22:05,091
* YOU’RE THE ONLY ONE
1341
01:22:05,133 --> 01:22:10,221
* WE’D COUNTOUR WORLD BACK *
1342
01:22:10,263 --> 01:22:13,767
* I’LL DOWHATEVER IT TAKES *
1343
01:22:13,808 --> 01:22:18,772
* JUST GIVE METHAT WORLD BACK *
1344
01:22:18,813 --> 01:22:24,069
* YOU PROMISED MEAND I’LL TELL YOU STRAIGHT *
1345
01:22:24,110 --> 01:22:27,322
* YOU’RE THE ONLY ONE.
1346
01:22:46,508 --> 01:22:48,343
HOW ARE YOU DOING, BRUNO?
1347
01:22:48,385 --> 01:22:51,638
WANT TO KNOW WHAT
THE OLD MAN’S LAST WORDS WERE?
1348
01:22:51,680 --> 01:22:53,473
[MIMICKING ANGELO]
"TRY THE CLAMS,
1349
01:22:53,515 --> 01:22:56,142
THEY’RE FABULOUS."
1350
01:22:56,184 --> 01:23:00,021
YOU GOT ANYLAST WORDS?
1351
01:23:00,063 --> 01:23:01,356
YOU EVER READ THIS BOOK?
1352
01:23:01,398 --> 01:23:03,733
HAVE I READ THAT BOOK?
1353
01:23:03,775 --> 01:23:05,694
NOT ONLY DOES THAT
INSULT MY INTELLIGENCE,
1354
01:23:05,735 --> 01:23:07,570
IT INSULTS MY IGNORANCE.
1355
01:23:07,612 --> 01:23:09,489
WHY WOULD A MAN LIKE ME,
1356
01:23:09,531 --> 01:23:11,157
WHO HAPPENS
TO LIKE HIMSELF,
1357
01:23:11,199 --> 01:23:14,327
BE CAUGHT DEAD READING A BIT
OF BOY-TOY FLUFF LIKE THAT?
1358
01:23:14,369 --> 01:23:17,455
- BECAUSE IT’S A KILLER.
- [MUFFLED GUNSHOT]
1359
01:23:19,541 --> 01:23:21,584
YOU HAVE A LOT
OF ANGER IN YOU, BRUNO.
1360
01:23:48,820 --> 01:23:50,572
YOU’VE BEEN WORKING.
1361
01:23:50,613 --> 01:23:51,614
A LITTLE
HOME IMPROVEMENT.
1362
01:23:53,616 --> 01:23:58,204
YOU’VE GOT... STUFF HERE.
1363
01:23:58,246 --> 01:23:59,247
HE GOT TO YOU,
DIDN’T HE?
1364
01:24:20,727 --> 01:24:23,438
YOU OKAY?
1365
01:24:23,480 --> 01:24:26,441
IT WAS JUST DRINKS.
1366
01:24:26,483 --> 01:24:27,609
IT’S NONE
OF MY BUSINESS.
1367
01:24:27,650 --> 01:24:30,236
- I WASN’T ASKING THAT.
- I KNOW.
1368
01:24:30,278 --> 01:24:32,822
BUT I KNOW YOU.
1369
01:24:32,864 --> 01:24:35,784
YOU KNOW ME.
1370
01:24:35,825 --> 01:24:39,245
MARCELLO ASKED ME TO GO
TO SICILY WITH HIM.
1371
01:24:39,287 --> 01:24:41,122
SO, I GUESS YOU’RE...
1372
01:24:42,582 --> 01:24:45,293
GOING.
1373
01:24:45,335 --> 01:24:46,920
OF COURSE.
1374
01:24:46,961 --> 01:24:49,255
IT’S NO BIG DEAL
OR ANYTHING.
1375
01:24:51,299 --> 01:24:52,592
WHAT ARE YOU AFRAID OF?
1376
01:24:55,720 --> 01:24:57,555
TELLING ME SOMETHING
I WANT TO HEAR?
1377
01:24:57,597 --> 01:25:00,225
TELLING ME THAT I’M MORE
THAN SOME OBLIGATION?
1378
01:25:00,266 --> 01:25:02,477
MAYBE I MEAN
SOMETHING TO YOU?
1379
01:25:29,337 --> 01:25:30,714
[HORN HONKS]
1380
01:25:47,522 --> 01:25:50,316
MARCELLO’S VOICE: "I RANAWAY AND NEVER RETURNED.
1381
01:25:50,358 --> 01:25:53,278
FROM THEN ON, I BECAMEA KIND OF LEGEND
1382
01:25:53,319 --> 01:25:56,573
SURROUNDED BY A MYSTERY,FED ON ITSELF.
1383
01:25:56,614 --> 01:25:58,450
SOME PEOPLE THOUGHTI RAN DRUGS.
1384
01:25:58,491 --> 01:26:02,328
AND OTHERS SUSPECTEDI BECAME A KILLER.
1385
01:26:02,370 --> 01:26:06,499
NONE OF THAT CAME CLOSETO EXPLAINING WHAT HAPPENED.
1386
01:26:06,541 --> 01:26:08,460
I’M TALKING ABOUTTHE KIND OF PAIN..."
1387
01:26:08,501 --> 01:26:12,505
"...THAT EATS AWAY AT YOU
AND IT NEVER LEAVES."
1388
01:26:12,547 --> 01:26:15,717
I WANT YOU TO KNOW IT.
1389
01:26:15,759 --> 01:26:17,844
I WANT YOU TO FEEL IT.
1390
01:26:17,886 --> 01:26:21,306
ANGELO’S VOICE:WATCH OUT FOR THE ONE
1391
01:26:21,348 --> 01:26:24,559
WHO FEELS PAIN...
1392
01:26:24,601 --> 01:26:26,436
AND WANTS YOU TO KNOW IT.
1393
01:26:27,979 --> 01:26:29,230
CHECK!
1394
01:27:09,020 --> 01:27:10,772
[NO AUDIBLE DIALOGUE]
1395
01:27:57,777 --> 01:27:59,487
THIS IS MY MOTHER.
1396
01:28:03,825 --> 01:28:05,493
WE’RE IN THE OPERA HOUSE.
1397
01:28:07,495 --> 01:28:09,456
HAPPY?
1398
01:28:12,667 --> 01:28:15,462
MARCELLO?
1399
01:28:15,503 --> 01:28:18,631
I HAVE TO TELL YOU
SOMETHING.
1400
01:28:18,673 --> 01:28:21,009
I’M NOT WHO
I SAY I AM.
1401
01:28:21,051 --> 01:28:24,387
MY NAME IS NOT REALLY
JENNIFER BARRETT.
1402
01:28:24,429 --> 01:28:26,806
I’M AN ALLIEGHIERI.
1403
01:28:26,848 --> 01:28:29,642
MY FATHER WAS A MAN NAMED
ANGELO ALLIEGHIERI,
1404
01:28:29,684 --> 01:28:35,398
- AND HE...
- I KNOW.
1405
01:28:35,440 --> 01:28:38,610
YOU KNOW?
1406
01:28:38,651 --> 01:28:41,029
AND DO YOU WANT
TO KNOW WHO I AM?
1407
01:28:41,071 --> 01:28:42,989
I KNOW WHO YOU ARE,
MARCELLO.
1408
01:28:43,031 --> 01:28:45,950
YOU HAVE NO FUCKING IDEA
WHO I AM.
1409
01:28:48,078 --> 01:28:51,748
- WHAT?
- YOUR FATHER,
HE KILLED MY FATHER.
1410
01:28:51,790 --> 01:28:55,085
- MARCELLO, WHAT--
- CALL ME "GIANNI"...
1411
01:28:55,126 --> 01:28:56,378
SAMMY’S SON.
1412
01:28:56,419 --> 01:28:58,963
- SAMMY WHO?
- SAMMY CARBONI.
1413
01:28:59,005 --> 01:29:01,925
ANGELO MURDERED HIM
STANDING THERE UNARMED
1414
01:29:01,966 --> 01:29:04,469
WITH ONLY A GOLF CLUB
IN HIS HANDS.
1415
01:29:04,511 --> 01:29:06,846
- SUCH A COWARD.
- NO, YOU’RE MAKING
A MISTAKE--
1416
01:29:06,888 --> 01:29:09,516
ENOUGH!
1417
01:29:09,557 --> 01:29:12,394
WHAT YOUR FATHER DID, LIVES
IN ME LIKE IT WAS YESTERDAY,
1418
01:29:12,435 --> 01:29:14,896
THAT PAIN HIDDEN AWAY.
1419
01:29:14,938 --> 01:29:16,856
GIANNI, OR "MARCELLO"--
1420
01:29:16,898 --> 01:29:18,983
MARCELLO, WHAT A
FREAKING STUPID NAME!
1421
01:29:19,025 --> 01:29:22,612
- I LIKE THAT NAME.
- THOSE STUPID BOOKS?
1422
01:29:22,654 --> 01:29:24,197
I COULDN’T
BELIEVE MY LUCK.
1423
01:29:24,239 --> 01:29:28,201
BUT THEN, BRUNO SAID YOU
NEEDED YOUR "LITTLE FANTASIES."
1424
01:29:28,243 --> 01:29:30,870
BRUNO?
1425
01:29:30,912 --> 01:29:32,872
YOU KILLED MY FATHER
AND NOT MALATESTA?!
1426
01:29:32,914 --> 01:29:36,042
JENNIFER,
PLEASE, UNDERSTAND.
1427
01:29:36,084 --> 01:29:38,044
LA VENDETTA E TUTTO.
1428
01:29:38,086 --> 01:29:39,963
VENDETTA?
1429
01:29:40,005 --> 01:29:40,755
ENOUGH WITH ALL THAT!
1430
01:29:47,470 --> 01:29:49,556
- HEY, JENNIFER.
- FIGLIO DI PUTTANA.
1431
01:29:49,597 --> 01:29:51,516
PARLI ITALIANO?
1432
01:29:51,558 --> 01:29:53,601
I HAD A GREAT TEACHER,
AND RIGHT NOW I MISS HIM.
1433
01:29:53,643 --> 01:29:55,478
OF COURSE, FRANKIE.
1434
01:29:55,520 --> 01:29:57,564
SUCH A PAIN HE WAS.
1435
01:29:57,605 --> 01:29:59,899
IT HURT ME TO SEE YOU
SO HAPPY WITH HIM.
1436
01:29:59,941 --> 01:30:04,612
JENNIFER, PLEASE UNDERSTAND.
I MUST DO THIS.
1437
01:30:04,654 --> 01:30:06,489
MY ANCESTORS DEMAND OF ME.
1438
01:30:07,824 --> 01:30:10,035
[SNIFFING]
BRUT?
1439
01:30:13,997 --> 01:30:14,998
[GUNSHOT]
1440
01:30:19,753 --> 01:30:20,962
- [GUNSHOT]
- FRANKIE!
1441
01:30:43,526 --> 01:30:45,570
- HOW BAD IS IT?
- IT’S ALL RIGHT.
1442
01:30:48,323 --> 01:30:50,200
THIS IS THE THEATER.
1443
01:30:50,241 --> 01:30:53,119
ANGELO WAS RIGHT.
HE SAID I’D BE BACK SOME DAY.
1444
01:30:57,123 --> 01:30:59,501
YOU KNOW, WHEN I WAS
A BOY WITH ANGELO,
1445
01:30:59,542 --> 01:31:01,836
I’D WATCH YOU.
1446
01:31:01,878 --> 01:31:04,130
ON SUMMER NIGHTS,
I’D WATCH YOU
1447
01:31:04,172 --> 01:31:08,968
AND I’D MEMORIZE YOUR FACE
IN THE MOONLIGHT.
1448
01:31:09,010 --> 01:31:11,930
I FELL IN LOVE
WITH YOU THEN.
1449
01:31:11,971 --> 01:31:14,015
AND I GUESS
I’M FALLING... STILL.
1450
01:31:15,266 --> 01:31:17,102
FRANKIE...
1451
01:31:17,143 --> 01:31:19,312
I LOVE YOU, SO DON’T YOU DO
ANYTHING DUMB LIKE DIE ON ME
1452
01:31:19,354 --> 01:31:21,064
RIGHT AFTER YOU MADE
AN ADMISSION LIKE THAT!
1453
01:31:21,106 --> 01:31:23,191
BECAUSE YOU SHOULD HAVE
MADE IT A LONG TIME AGO!
1454
01:31:29,906 --> 01:31:30,865
FAIR ENOUGH.
1455
01:32:10,113 --> 01:32:11,990
FRANKIE’S VOICE:YOU KNOW, ANGELO USED TO SAY
1456
01:32:12,032 --> 01:32:14,868
THERE’S NEVER PERFECT PEOPLE,ONLY PERFECT MOMENTS.
1457
01:32:14,909 --> 01:32:17,704
AND, OF COURSE,HE WAS RIGHT BECAUSEI’M LIVING ONE OF THEM.
1458
01:32:17,746 --> 01:32:20,707
DOING SOMETHING I LOVE,IN A PLACE THAT I LOVE
1459
01:32:20,749 --> 01:32:23,168
WITH A NEW FAMILYTHAT I LOVE.
1460
01:32:23,209 --> 01:32:26,713
GO AND GET FRANKIE FOR ME,
WILL YOU? THANK YOU, RAWLEY.
1461
01:32:29,382 --> 01:32:33,261
FRANKIE!
MOM SAYS YOU GOT TO GET PINK!
WE GOT TO GO!
1462
01:32:33,303 --> 01:32:34,971
- OR ELSE!
- WHOA!
1463
01:32:35,013 --> 01:32:38,016
SU, FRANKIE. ANDIAMO, ANDIAMO.A TARDI.
1464
01:32:38,058 --> 01:32:41,186
FRANKIE’S VOICE:NEEDLESS TO SAY,JENNIFER HAS FOUND HER ROOTS,
1465
01:32:41,227 --> 01:32:44,647
AND IS BECOMING MORE LIKEAN AUTHENTIC ITALIAN MOTHEREVERY DAY.
1466
01:32:44,689 --> 01:32:46,733
AND I’M ENJOYINGBEING AROUND IT ALL.
1467
01:32:46,775 --> 01:32:49,110
AND WHY NOT? ISN’T LIVINGBETTER THAN WATCHING?
1468
01:32:53,198 --> 01:32:57,243
SO, ANGELO,IF YOU’RE LISTENING,I HAVE TO APOLOGIZE.
1469
01:32:57,285 --> 01:32:59,621
I JUST COULDN’T KEEPTHE DISTANCE ANYMORE.
1470
01:33:05,919 --> 01:33:09,714
* MY LIFE WAS GOING NOWHERE,TURN AROUND AND YOUWERE THERE *
1471
01:33:09,756 --> 01:33:14,803
* DRYING MY EYES *
1472
01:33:14,844 --> 01:33:16,846
* BEEN CALLED A FOOLAND THEN SOME *
1473
01:33:16,888 --> 01:33:22,769
* PLAYED THAT PARTFOR SO LONGI MUST HAVE BEEN BLIND *
1474
01:33:22,811 --> 01:33:25,271
* BUT YOU SAID *
1475
01:33:25,313 --> 01:33:29,275
* DON’T BE AFRAID *
1476
01:33:29,317 --> 01:33:32,195
* TO LET IT GO *
1477
01:33:32,237 --> 01:33:36,866
* AND FLY *
1478
01:33:36,908 --> 01:33:41,162
* THAT’S WHEN MY HEART STARTEDPLAYING WITH MY HEAD *
1479
01:33:41,204 --> 01:33:44,040
* MY INNER VOICE *
1480
01:33:44,082 --> 01:33:46,084
* KICKS ME OUT OF BED *
1481
01:33:46,126 --> 01:33:51,297
* THOUGHT YOU SHOULD KNOWHOW I FEEL INSIDE *
1482
01:33:51,339 --> 01:33:55,051
* OH, EVERY TIMEI LOOK IN YOUR EYES *
1483
01:34:04,060 --> 01:34:05,979
* STOPPED GOINGTHROUGH THE MOTIONS *
1484
01:34:06,021 --> 01:34:08,898
* STARTED SHOWINGMORE EMOTION *
1485
01:34:08,940 --> 01:34:12,360
* FOR THE LONG RIDE *
1486
01:34:12,402 --> 01:34:14,988
* AND YOU SAID "IF YOUWANT IT, COME AND GET IT *
1487
01:34:15,030 --> 01:34:18,158
* SO WE BOTHWON’T REGRET IT *
1488
01:34:18,199 --> 01:34:21,202
* FOR A LIFETIME" *
1489
01:34:21,244 --> 01:34:23,163
* AND I THOUGHT *
1490
01:34:23,204 --> 01:34:27,250
* "WHY SHOULD IBE AFRAID?" *
1491
01:34:27,292 --> 01:34:30,378
* I’LL JUST LET IT GO *
1492
01:34:30,420 --> 01:34:34,966
* AND FLY *
1493
01:34:35,008 --> 01:34:37,802
* THERE GOES MY HEART *
1494
01:34:37,844 --> 01:34:39,346
* PLAYING WITH MY HEAD *
1495
01:34:39,387 --> 01:34:42,349
* MY INNER VOICE *
1496
01:34:42,390 --> 01:34:44,225
* KICKS ME OUT OF BED *
1497
01:34:44,267 --> 01:34:50,106
* THOUGHT YOU SHOULD KNOWHOW I FEEL INSIDE *
1498
01:34:50,148 --> 01:34:53,360
* OH, EVERY TIMEI LOOK IN YOUR EYES *
1499
01:34:55,570 --> 01:34:58,448
[INSTRUMENTAL BRIDGE]
1500
01:35:12,045 --> 01:35:16,299
* SO WHY SHOULD IBE AFRAID? *
1501
01:35:16,341 --> 01:35:18,802
* I’LL JUST LET IT GO... *
1502
01:35:22,138 --> 01:35:25,225
* AND FLY *
1503
01:35:25,266 --> 01:35:28,019
* THERE GOES MY HEART *
1504
01:35:28,061 --> 01:35:29,771
* PLAYING WITH MY HEAD *
1505
01:35:29,813 --> 01:35:32,399
* MY INNER VOICE *
1506
01:35:32,440 --> 01:35:34,401
* KICKS ME OUT OF BED *
1507
01:35:34,442 --> 01:35:40,115
* THOUGHT YOU SHOULD KNOWHOW I FEEL INSIDE *
1508
01:35:40,156 --> 01:35:45,161
* OH, EVERY TIMEI LOOK IN YOUR EYES *
1509
01:35:45,203 --> 01:35:49,082
* EVERY TIME I LOOK *
1510
01:35:49,124 --> 01:35:52,961
* YEAH, EVERY TIMEI LOOK IN YOUR EYES. *
1511
01:36:03,471 --> 01:36:07,517
[INSTRUMENTAL MUSIC PLAYING]
106322
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