All language subtitles for Looking for problem areas

all right Greg and I are here yeah

wow by the way

we're doing another scout and we're in another space

and I'm actually looking at this space with Greg

and trying to figure out where we're going to shoot

two interviews

but before we do that

just quickly

I guess acknowledge a few of

the things that we've been noticing right

um first of all

if we weren't shooting interviews

for two people from a brewery

there's some nice

elements inside of the space that we could use

I'm seeing some really beautiful light coming through

that garage door

which is this frosted glass yeah

we could definitely do a nice setup for you know

like you know

see all those reality shows with people

who work on bikes you know

custom bikes

custom cars

we could do something really cool

set a car outside of there

we can see the silhouette of the car

and then shoot an interview or something like that sure

um I also see some pictures up on the walls

they don't necessarily say Topa Topa

so we could shoot something for

an entirely different project

so we're just talking about the fact that

even though we have a specific goal

for these two interviews

we can use a space and uh

and and not necessarily make it read it's a brewery

by just looking in other directions

or you'll find those elements in other spaces

sure yeah um

lots of mixed lighting

what do you think we should do with that

well our sun is moving pretty quickly here

yeah um and uh

with the mixed lighting that we have here

it's not really punchy enough to read in camera yeah

uh as we're looking in camera just earlier

um you know

the little spots are

are reading sort of as just general washes yeah

and we can really bring those out with our own lighting

yeah um and so

I think we might be better to control the light in here

cause we don't know how long we're gonna be in here

or when exactly we're doing the interviews yeah

they're also very toppy

and so they may not be throwing light in exactly

the places we want

depending on where we frame up for these things sure

um for Jack

who's one of the owners

we wanna shoot an interview

you and I have discussed this already

kind of going down the bar

yeah we think that works well

I wanna make this blackboard

you know with their different beers and element there

and if we just take a walk down there quickly

we can take a look

at what we were looking at earlier on

we've got a light

which is doing the job of putting some light down here

but it's not necessarily gonna be

the color temperature that we want

it doesn't allow us to sort of control

how much light is coming out right

so I think uh

like you were saying

we break something

you think yeah

we can just throw up a small little pepper up there

and just allow it to

we can even adjust the color temperature on there

uh to focus it um

or or maybe even uh

something like that low caster

which is a little bit more of a wash

sure and then we can just dial in the color temperature

just depending

I guess we'll

we'll figure that out

that sounds good

yeah and when we do the breakdown later on

we'll tell you what we wound up with

um let's get into a frame

so I would be looking yeah

you would be over here

potentially

I do want that blackboard to be over

one of his shoulders

so this could work

and then we look there

and let's kind of look at what

potentially

let's go super wide on the frame

just so we can see what happens and uh

back it off a little

we could do something like this

we've got this little feature with the Topa Topa

I don't know if we'll wind up doing it

and maybe if you can just smash right up against

the wall over there Greg

so we get even further back

so that's just a rough frame

but we might be able to do something like that

and he's looking camera

you know left

um and then we can go in for our tight shot

and let's just

see what we have

and we don't know what lens we're gonna be using

but we can see that

and let's get a little bit more of the blackboard over

the shoulder um

just as an option

that might be nice

we've got that growler up on that top shelf

we may not even need to move that

so we're just gonna play around with

you know our options

but to me I think this is where we're building this

we're getting dialed in here yeah

um I think I also wanna

go over some things having to do with

playing with color temperatures

and if we're gonna black out the space

let's go ahead and uh

and and think about how we want that contrast

so we wanna warm warm

do we wanna cool

warm do we wanna warm cool

sure and we'll make sure we

test that out and figure out where we settle cool

I think I'm leaning towards one

but we'll see where we wind up

with everything all right

and if we set our lights the right way

and we use bi color lights that give us that option

then we can just dial that in

and we can figure out what we want

so I think that's it

we'll have to figure out whether we need any separation

but to me it's gonna be a key

coming from over here

we're gonna have a B camera

why don't you swing over for a B

camera shot

and let's just see what

a tighter shot

and maybe just walk in a little bit closer towards me

and let's figure out where that's gonna be

if I was looking

camera left

so we'll have to kind of play around with this

we might move Jack

forwards or backwards along the bar line a little bit

to get that B

camera angle to look pretty good um

but we do have that as a consideration

and we do wanna make sure that frame looks good as well

I think we're gonna get

enough light from this

and a little bit of fill

that we probably won't have to

add a lot more right

to get that second

camera angle to work

but we'll tweak that

and then we'll break that down later

is that cool

yeah alright

No.2 somebody behind the bar

so I'm gonna walk behind the bar um

this is kind of

the bartender's domain

they're going to move

between the taps

um we've got an order sign here

which actually got put up

when we walked into the space

this is brand new

this seems to be

where people come up

and they get

if they're not sitting at the bar

and they're going to the patio

this is where they're gonna come up

and get a beer

right yeah so

I kind of feel like

it makes a lot of sense

this feels very

if we shoot in this direction

and let's take a look

at the frame

yeah you know

if we shoot in this direction

it feels pretty sterile

there's not a lot of warmth here

and I do want this space to read pretty warm um

I don't know if this necessarily

is what we're looking for

and we were kind of looking

for a little

bit of warmth right

yeah and it feels

pretty flat

um and uh but

with the controlling of the light

on all the windows

yeah we can

warm it up cool it up

however we need to

if we're doing a dolly push

for like a Wes

Anderson film

this could be great

if we frame this up

the right way yeah

and it would be a nice shot yeah

and we could do that um

but I think we want some depth

and we want a little

bit of interest there yeah

so maybe we push over here

where we were talking about doing that

and we go down

the opposite line

and again we can

take a look

at this you know

camera right

or camera left

let's look at

the camera right

just to see what will happen

if I'm looking

camera right

um we kiss the lockers over there

and we get the background

out of the way

but depending on what

f stop we're gonna be shooting

at maybe we

let's see what

our camera left looks like and yeah

I kind of like that

I mean we got something to deal with

with the fire alarm thing

uh huh and we might have to deal with that

but if we bring

the pictures

into the frame

a little bit more

depending on where um

our talents gonna be situated

I think we're

not gonna notice

that fire alarm thing is much

or we might be able to just do something

to dress that a little

bit definitely

don't you think

yeah what about our B

if I'm looking

camera left

what would we looking at

so we bring those pictures background yeah

they're gonna fall soft

especially put like a 70 and 200 on there

right right

we'll make that a pretty tight shot yeah

I think it's pretty good

I think we'll play with these frames a little bit

but I think those are pretty interesting

we can put a little bit of light on those too yeah

just to kind of get

what do you think of lighting for here this area

so for Jack

I'm I'm thinking we

we either push through a frame

or we bounce off of a frame

you and I talked about

the fact that the person is gonna be standing here um

one of two talent who are both female yeah

and it might be a good place to talk about

getting into something that is approximately

beauty lighting

it's a little flatter

but we've got some nice depth in the space

and if we create some ratios

because we're blocking out the space and right

it's just not all one light level

and it won't feel completely high key

even though we are using that beauty lighting

I think that'd be cool

that would be so

probably pushing through a frame

and you know

the if we're saying that our

a camera is gonna be where Ben is right now

then that light is

a source that's coming basically from there

and a little bit above could be

coming through a skylight or something like that sure

and this is a perfect example of

why we wanna turn this light off as well right

cause we wanna be able to control how that looks

um and then

the last thing that we need to deal with in this space

and it's a pretty easy one

is the little collective party

that's gonna happen later on

there's gonna be actual patrons here

and then there are people

who are part of this collective um

we don't wanna shoot that outside

we already discussed it yeah

the double doors are gonna be open

so I'm gonna come around from the bar

and I'm kind of thinking about doors open

there's gonna be warm light in there

let's get a China ball with a bi color

on a stand that's battery operated

and maybe you up on sticks with a slider or on a

monopod will have to decide yeah

I think they could work

that'll work

one or two people

a lot of people walking around

so the last

less stuff we have in the way yeah

except to have you kill the music yeah

and maybe looking out here

cause we haven't seen much of this frame yet

and somebody standing inside of this space

so you know

that would be doors open

and then coming into this direction

and then depending on how it feels

we could also find another frame coming down the bar

that slightly different than Jack's

but still seeing outside

what do you think

that sounds good yeah

I think that's pretty

look at that frame yeah

let's go ahead and take a look

so those doors will be open

and they'll be activity

and they'll be people

and maybe we'll go a little bit wider

because we wanna make sure that we

see that they have a beer in their hand yeah

um we'll kind of figure out

but maybe something like that those

I think we probably go a little bit more in an angle

though sure

um so that we're seeing less of the signage and

and things like that

so maybe something like this sure um

and they're probably gonna be

we'll have to decide

they're either gonna talk directly to camera

actually they won't

because we got all the other ones off camera

so maybe we split the difference

and we'll do one camera right

and then one camera

and then that'll be now coming off of the other

shoulder right

and it was for

um for Jack

uh huh and then

we'll figure out another frame where you know

we can get out those doors again

or figure something else

or even tuck in this corner

you got a couple of people talking here yeah

and we'll frame it up where we get a little bit of this

but that's open

so that's a little bit of a challenge

but we'll work around it

so I think that's

basically it

um we're gonna black out the space

turn off all the lights

we're gonna build up our own thing

we've got to set up right now

for our first interview right

cause from what I understand

we've got about half an hour

45 minutes until Jack comes in

so we're gonna go do that