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These are the user uploaded subtitles that are being translated: 1 00:00:00,800 --> 00:00:01,368 2 00:00:01,868 --> 00:00:01,868 3 00:00:21,554 --> 00:00:23,056 [SHRIEK] 4 00:00:23,056 --> 00:00:23,056 [SHRIEK] 5 00:01:02,562 --> 00:01:03,563 [SHRIEK] 6 00:01:04,064 --> 00:01:04,064 [SHRIEK] 7 00:01:15,075 --> 00:01:17,510 AH HA HA HA! 8 00:01:17,510 --> 00:01:17,510 AH HA HA HA! 9 00:01:25,718 --> 00:01:29,222 CITY LIFE GOT YOU DOWN, KIDDIES? 10 00:01:29,222 --> 00:01:32,725 LOOKING FOR A HOME ONDERANGE? 11 00:01:32,725 --> 00:01:33,726 WELL, LOOK NO FURTHER, 12 00:01:33,726 --> 00:01:36,729 BECAUSE I'VE GOT EXACTLY WHAT YOU WANT. 13 00:01:36,729 --> 00:01:39,732 IT'S A CHARMINGTOMB WITH A VIEW. 14 00:01:39,732 --> 00:01:43,736 THINK OF IT AS YOUR OWN LITTLE HOUSE ON THESCARY. 15 00:01:43,736 --> 00:01:45,238 HA HA HA! 16 00:01:45,238 --> 00:01:47,240 YOU'RE NOT INTERESTED? 17 00:01:47,240 --> 00:01:49,242 WHAT'S THE MATTER? 18 00:01:49,242 --> 00:01:52,745 AFRAID YOU CAN'T GET AMORGUE-AGE? 19 00:01:52,745 --> 00:01:55,748 OH, WELL, THAT'S EXACTLY HOW THE WOMAN 20 00:01:55,748 --> 00:01:57,750 IN TONIGHT'S TORTURED TALE FEELS. 21 00:01:57,750 --> 00:02:00,753 SHE'S UPSET BECAUSE THERE'S A KILLER LOOSE 22 00:02:00,753 --> 00:02:02,755 IN HER NEIGHBORHOOD, 23 00:02:02,755 --> 00:02:05,859 IN A PUTRID PROPERTY I CALL... 24 00:02:05,859 --> 00:02:09,362 MANIAC AT LARGE. 25 00:02:09,362 --> 00:02:09,362 MANIAC AT LARGE. 26 00:04:26,232 --> 00:04:27,734 YOU THROUGH WITH THE PAPER OLD MAN? 27 00:04:28,001 --> 00:04:29,769 Y-YEA. 28 00:04:30,169 --> 00:04:31,604 THAT SO. 29 00:04:31,604 --> 00:04:31,604 THAT SO. 30 00:04:34,274 --> 00:04:37,777 HEY CHECK THIS OUT ANOTHER STIFF IN THE PARK. 31 00:04:37,777 --> 00:04:37,777 HEY CHECK THIS OUT ANOTHER STIFF IN THE PARK. 32 00:04:40,280 --> 00:04:41,648 GRADY. 33 00:04:41,648 --> 00:04:41,648 GRADY. 34 00:04:48,688 --> 00:04:50,990 WHAT'S GOING ON HERE? 35 00:04:50,990 --> 00:04:50,990 WHAT'S GOING ON HERE? 36 00:04:53,159 --> 00:04:55,161 YOU'RE DEFACING PUBLIC PROPERTY. 37 00:04:55,161 --> 00:04:57,397 RUB THAT OUT RIGHT NOW. 38 00:04:57,397 --> 00:04:58,631 [WHISPERS] 39 00:04:58,631 --> 00:05:00,099 WHAT? 40 00:05:00,099 --> 00:05:01,601 NO ERASER. 41 00:05:01,601 --> 00:05:01,601 NO ERASER. 42 00:05:04,871 --> 00:05:08,007 HOW DARE YOU BEHAVE IN HERE LIKE YOU DO IN SCHOOL. 43 00:05:08,374 --> 00:05:10,243 GRADY, ESCORT THESE BOYS OUT OF THE LIBRARY. 44 00:05:10,243 --> 00:05:12,111 THEY MAY RETURN 45 00:05:12,111 --> 00:05:15,415 WHEN THEY ACT LIKE CIVILIZED YOUNGSTERS. 46 00:05:15,415 --> 00:05:17,050 OOH! 47 00:05:17,050 --> 00:05:19,385 YEOW! 48 00:05:19,385 --> 00:05:19,385 YEOW! 49 00:05:31,397 --> 00:05:34,901 MARGARET, WOULD YOU PLEASE ATTEND TO THAT? 50 00:05:34,901 --> 00:05:34,901 MARGARET, WOULD YOU PLEASE ATTEND TO THAT? 51 00:06:39,732 --> 00:06:40,733 BESSIE. 52 00:06:40,733 --> 00:06:43,236 ♪♪ OLD MACDONALD HAD A FARM ♪♪ 53 00:06:43,736 --> 00:06:44,737 BESSIE. 54 00:06:44,737 --> 00:06:47,740 ♪♪ E-I-E-I-O ♪♪ 55 00:06:47,740 --> 00:06:49,742 ♪♪ OOH ♪♪♪♪ 56 00:06:50,243 --> 00:06:51,744 NOW, COME ON, BESSIE. 57 00:06:51,744 --> 00:06:54,247 HERE WE GO. 58 00:06:54,247 --> 00:06:56,215 OUTSIDE NOW. 59 00:06:56,215 --> 00:06:56,215 OUTSIDE NOW. 60 00:06:57,750 --> 00:06:59,252 WHAT A SAD LIFE. 61 00:06:59,252 --> 00:07:01,254 YEAH, AND DANGEROUS, 62 00:07:01,754 --> 00:07:04,257 WITH THAT KILLER WALKING AROUND THE STREETS. 63 00:07:04,757 --> 00:07:06,759 I TRIED TO GET MRS. PRITCHARD 64 00:07:07,260 --> 00:07:09,762 TO LET THE STREET PEOPLE STAY IN HERE 65 00:07:10,263 --> 00:07:11,764 UNTIL THEY GET THAT GUY. 66 00:07:12,265 --> 00:07:14,767 YOU KNOW HOW FARTHATGOT. 67 00:07:14,767 --> 00:07:16,769 YOU DON'T LIKE MRS. PRITCHARD MUCH, DO YOU? 68 00:07:16,769 --> 00:07:19,772 I DON'T CARE FOR THE WAY SHE TREATS PEOPLE. 69 00:07:19,772 --> 00:07:21,774 SHE'S ALWAYS BOSSING EVERYBODY AROUND, 70 00:07:22,275 --> 00:07:24,277 ACTING SO DAMN HIGH AND MIGHTY. 71 00:07:24,777 --> 00:07:26,779 WELL, SHE IS A LITTLE ABRUPT. 72 00:07:27,280 --> 00:07:29,282 YOU ONLY BEEN HERE TWO WEEKS. 73 00:07:29,782 --> 00:07:32,285 IT DOES GET WORSE. 74 00:07:32,285 --> 00:07:34,787 YOU REALLY DON'T WANT TO WORK LATE TONIGHT, 75 00:07:34,787 --> 00:07:36,789 NOW, DO YOU? 76 00:07:36,789 --> 00:07:38,291 CONSIDERING WHAT'S BEEN GOING DOWN 77 00:07:38,791 --> 00:07:39,792 IN THE NEIGHBORHOOD. 78 00:07:40,293 --> 00:07:41,294 WORK TONIGHT? 79 00:07:41,794 --> 00:07:44,797 MRS. PRITCHARD DIDN'T SAY ANYTHING ABOUT THAT TO ME. 80 00:07:45,298 --> 00:07:46,299 YOU SEE? 81 00:07:46,299 --> 00:07:47,800 SHE'S ALREADY GOT AUTHORIZATION 82 00:07:48,301 --> 00:07:50,303 FOR OVERTIME FOR BOTH OF US. 83 00:07:50,803 --> 00:07:52,805 I HEARD HER ON THE PHONE. 84 00:07:53,306 --> 00:07:54,307 CHAT, CHAT, CHAT. 85 00:07:54,307 --> 00:07:57,310 YOU TWO ARE AS BAD AS THE CHILDREN. 86 00:07:57,810 --> 00:07:59,312 MARGARET, COULD I SEE YOU 87 00:07:59,812 --> 00:08:01,814 FOR A MOMENT IN MY OFFICE? 88 00:08:02,315 --> 00:08:02,315 FOR A MOMENT IN MY OFFICE? 89 00:08:15,595 --> 00:08:17,597 I HAVE TO LOOK AT THE MURAL EACH MORNING TO REMIND MYSELF 90 00:08:17,597 --> 00:08:19,599 THAT I WORK IN A LIBRARY. 91 00:08:19,599 --> 00:08:22,602 NOT A SEWER. 92 00:08:23,102 --> 00:08:25,104 YOU SHOULD'VE SEEN PARK LANE TWENTY YEARS AGO. 93 00:08:25,605 --> 00:08:27,106 PEOPLE USED TO DRESS UP TO COME IN HERE. 94 00:08:27,106 --> 00:08:29,609 NOW WE HAVE TO HIRE SECURITY GUARDS 95 00:08:30,109 --> 00:08:31,611 TO PROTECT THE BOOKS FROM THE PEOPLE. 96 00:08:31,611 --> 00:08:31,611 TO PROTECT THE BOOKS FROM THE PEOPLE. 97 00:08:37,617 --> 00:08:40,119 YOU REALLY SHOULDN'T DISTRACT GRADY, DEAR. 98 00:08:40,119 --> 00:08:44,123 HE HAS A SOMEWHAT LIMITED ATTENTION SPAN AS IT IS. 99 00:08:44,123 --> 00:08:46,859 YOUR ENCOURAGING HIS COMPANIONSHIP DOESN'T HELP MATTERS. 100 00:08:46,859 --> 00:08:48,861 I WASN'T ENCOURAGING HIM. 101 00:08:49,362 --> 00:08:50,863 WE WERE TALKING ABOUT WORKING LATE TONIGHT. 102 00:08:51,364 --> 00:08:52,365 I DIDN'T KNOW ABOUT THAT. 103 00:08:52,765 --> 00:08:54,834 YEAH, IT MOST HAVE SLIPPED MY MIND. 104 00:08:54,834 --> 00:08:57,336 I NEED YOU TO HELP ME 105 00:08:57,336 --> 00:09:00,339 WITH THE INVENTORY FOR THE CITY BOOK SALE. 106 00:09:00,339 --> 00:09:00,339 WITH THE INVENTORY FOR THE CITY BOOK SALE. 107 00:09:03,643 --> 00:09:05,678 IS THERE SOMEONE YOU NEED TO CALL? 108 00:09:05,678 --> 00:09:08,681 YOU NEVER MENTIONED YOUR FAMILY DO YOU NEED TO CALL HOME? 109 00:09:08,681 --> 00:09:12,385 NO! I MEAN, THAT'S ALL RIGHT. I'LL STAY. 110 00:09:12,385 --> 00:09:14,387 OH. WELL, GOOD. 111 00:09:14,387 --> 00:09:17,890 I'LL ORDER IN SANDWICHES. WE CAN HAVE A PICNIC. 112 00:09:18,391 --> 00:09:18,391 I'LL ORDER IN SANDWICHES. WE CAN HAVE A PICNIC. 113 00:09:20,359 --> 00:09:21,360 OH, AND, MARGRET, 114 00:09:21,360 --> 00:09:24,830 DO TRY AND KEEP YOUR VOICE DOWN. 115 00:09:24,830 --> 00:09:27,833 LIBRARY MATTERS DON'T COME NATURALLY TO ALL OF US. 116 00:09:27,833 --> 00:09:30,336 JUST REMEMBER IF YOU WANT TO TALK 117 00:09:30,336 --> 00:09:32,238 YOU'RE WELCOME TO COME IN HERE AND TALK. 118 00:09:32,238 --> 00:09:34,640 BUT OUT THERE... 119 00:09:34,640 --> 00:09:36,642 YOU MUST BE LITTLE MICE. 120 00:09:36,642 --> 00:09:36,642 YOU MUST BE LITTLE MICE. 121 00:09:49,522 --> 00:09:53,025 GRADY DIDN'T I ASK YOU TO RESET THE TIMER LIGHTS? 122 00:09:53,025 --> 00:09:54,460 IT'S DARK OUT. 123 00:09:54,460 --> 00:09:55,461 I'M GETTING TO IT. 124 00:09:56,028 --> 00:09:56,028 I'M GETTING TO IT. 125 00:10:22,054 --> 00:10:23,556 [CREAK] 126 00:10:23,556 --> 00:10:24,557 AH! 127 00:10:24,557 --> 00:10:26,058 OHH... 128 00:10:26,058 --> 00:10:27,560 YOU STARTLED ME. 129 00:10:28,060 --> 00:10:28,060 YOU STARTLED ME. 130 00:10:29,061 --> 00:10:31,430 CAN THIS BE CHECKED OUT? 131 00:10:31,430 --> 00:10:32,932 THERE'S NO CARD IN IT. 132 00:10:33,299 --> 00:10:33,299 THERE'S NO CARD IN IT. 133 00:10:35,368 --> 00:10:37,870 REFERENCE BOOKS ARE FOR LIBRARY USE ONLY. 134 00:10:38,371 --> 00:10:40,873 WOULD YOU GIVE THAT ONE TO ME? 135 00:10:41,374 --> 00:10:41,374 WOULD YOU GIVE THAT ONE TO ME? 136 00:10:42,875 --> 00:10:44,377 THANK YOU. 137 00:10:44,377 --> 00:10:47,279 IT'S A SHAME, REALLY. SUCH A FASCINATING BOOK. 138 00:10:47,279 --> 00:10:50,149 IF THE POLICE READ IT, THEY MIGHT UNDERSTAND 139 00:10:50,149 --> 00:10:53,386 WHAT KIND OF MAN THEIR SERIAL KILLER IS. 140 00:10:53,386 --> 00:10:53,386 WHAT KIND OF MAN THEIR SERIAL KILLER IS. 141 00:10:55,287 --> 00:10:57,289 WELL, THAT'S WHAT THEY THINK HE IS-- 142 00:10:57,289 --> 00:10:59,291 A SERIAL KILLER-- 143 00:10:59,291 --> 00:11:01,293 BUT HE'S NOT. 144 00:11:01,293 --> 00:11:03,295 NO. SERIAL KILLERS ARE HUNTERS 145 00:11:03,295 --> 00:11:06,298 LOOKING FOR A PARTICULAR KIND OF VICTIM. 146 00:11:06,298 --> 00:11:08,300 NOT OUR KILLER. 147 00:11:08,300 --> 00:11:11,303 HIS VICTIMS-- THEY'VE GOT NOTHING IN COMMON, 148 00:11:11,303 --> 00:11:14,306 APART FROM THE FACT THEY'RE ALL MEN. 149 00:11:14,306 --> 00:11:16,676 THAT'S PURE COINCIDENCE, REALLY. 150 00:11:16,676 --> 00:11:16,676 THAT'S PURE COINCIDENCE, REALLY. 151 00:11:18,878 --> 00:11:22,448 I HAVE A THEORY ABOUT HIS NEXT VICTIM. 152 00:11:22,448 --> 00:11:23,449 INTERESTED? 153 00:11:23,449 --> 00:11:24,950 YOU OUGHT TO BE... 154 00:11:24,950 --> 00:11:27,953 BECAUSE THE NEXT ONE'S GOING TO BE A WOMAN. 155 00:11:27,953 --> 00:11:28,387 BECAUSE THE NEXT ONE'S GOING TO BE A WOMAN. 156 00:11:35,528 --> 00:11:38,030 I MEAN, WHAT SETS HIM OFF? 157 00:11:38,030 --> 00:11:40,533 THAT'S WHAT I KEEP THINKING ABOUT. 158 00:11:40,533 --> 00:11:43,536 IT COULD BE THIS CITY THAT DOES IT, 159 00:11:43,536 --> 00:11:47,039 LIVING IN SUCH CLOSE QUARTERS TO SO MANY STRANGERS, 160 00:11:47,039 --> 00:11:48,541 PEOPLE YOU HATE, 161 00:11:48,541 --> 00:11:51,544 ALL OF THEM WANTING TO HURT YOU 162 00:11:51,544 --> 00:11:53,045 BEFORE YOU HURT THEM. 163 00:11:53,045 --> 00:11:55,548 WE'RE LIKE RABBITS IN A WARREN. 164 00:11:55,548 --> 00:11:57,550 THEY PANIC WHEN THEY'RE FRIGHTENED. 165 00:11:57,550 --> 00:11:59,051 THEY GET ALL FRENZIED. 166 00:11:59,051 --> 00:12:01,554 YOU KNOW WHAT THEY DO THEN? 167 00:12:01,554 --> 00:12:03,055 THEY EAT EACH OTHER. 168 00:12:03,055 --> 00:12:04,056 [CREAK] 169 00:12:04,056 --> 00:12:06,058 I CAN'T TALK NOW. 170 00:12:06,058 --> 00:12:08,561 OH, I QUITE UNDERSTAND. 171 00:12:08,561 --> 00:12:08,561 OH, I QUITE UNDERSTAND. 172 00:12:15,067 --> 00:12:17,570 WHY DID YOU BRING THAT MAN 173 00:12:17,570 --> 00:12:19,572 INTO THE EMPLOYEES ONLY AREA? 174 00:12:19,572 --> 00:12:21,574 I--I DIDN'T. 175 00:12:21,574 --> 00:12:23,576 WOULD YOU PLEASE TAKE THESE 176 00:12:23,576 --> 00:12:25,578 DOWN TO THE BASEMENT? 177 00:12:25,578 --> 00:12:25,578 DOWN TO THE BASEMENT? 178 00:12:47,433 --> 00:12:49,502 [SQUEAKS] 179 00:12:49,502 --> 00:12:49,502 [SQUEAKS] 180 00:12:51,504 --> 00:12:52,471 AH! 181 00:12:52,471 --> 00:12:52,471 AH! 182 00:13:07,119 --> 00:13:09,655 GRADY! GRADY! 183 00:13:09,655 --> 00:13:12,158 THERE'S A MAN IN THE BASEMENT 184 00:13:12,158 --> 00:13:13,659 WITH A KNIFE. 185 00:13:14,160 --> 00:13:14,160 WITH A KNIFE. 186 00:13:19,331 --> 00:13:20,332 WHERE? 187 00:13:20,332 --> 00:13:21,333 OVER THERE. 188 00:13:21,333 --> 00:13:21,333 OVER THERE. 189 00:13:27,840 --> 00:13:29,842 [BANGING BILLY CLUB] 190 00:13:29,842 --> 00:13:29,842 [BANGING BILLY CLUB] 191 00:13:38,751 --> 00:13:41,687 AAH! 192 00:13:42,254 --> 00:13:42,254 AAH! 193 00:13:48,561 --> 00:13:50,062 YOU FOUND MY STASH. 194 00:13:50,062 --> 00:13:51,664 OHH... 195 00:13:52,164 --> 00:13:52,164 OHH... 196 00:13:56,502 --> 00:13:58,337 HEY, NOW, DON'T WORRY. 197 00:13:58,337 --> 00:14:01,307 AIN'T NOBODY DOWN HERE NOW... 198 00:14:01,307 --> 00:14:03,375 EXCEPT US. 199 00:14:03,375 --> 00:14:03,375 EXCEPT US. 200 00:14:21,727 --> 00:14:23,229 IS THERE SOMETHING WRONG. 201 00:14:23,729 --> 00:14:24,730 OUR NEW CLERK. 202 00:14:24,730 --> 00:14:27,766 SHE WASN'T HERE AT THE TIME OF THE THEFTS. 203 00:14:27,766 --> 00:14:28,801 THEFT? 204 00:14:28,801 --> 00:14:29,802 FIVE TYPEWRITERS. 205 00:14:29,802 --> 00:14:30,536 OHH... 206 00:14:31,103 --> 00:14:33,606 THAT'S WHY LIEUTENANT JAMISON IS HERE. 207 00:14:33,606 --> 00:14:34,874 IS THERE SOMETHING WRONG? 208 00:14:34,874 --> 00:14:37,943 I SAW A MAN IN THE BASEMENT. 209 00:14:37,943 --> 00:14:41,513 HE HAD A KNIFE. HE HAD THIS KNIFE. 210 00:14:41,513 --> 00:14:42,748 MAY I SEE THAT? 211 00:14:42,748 --> 00:14:43,816 THE KNIFE? 212 00:14:44,316 --> 00:14:44,817 YES. 213 00:14:45,317 --> 00:14:47,853 OH, NO. A GANG BOY LEFT THIS. 214 00:14:48,420 --> 00:14:51,924 I SEE. YOU'RE SAYING THERE WAS ANOTHER KNIFE? 215 00:14:51,924 --> 00:14:53,993 YES. I SAW THIS MAN, 216 00:14:53,993 --> 00:14:56,395 BUT WHEN GRADY WENT DOWN, HE WAS GONE. 217 00:14:56,962 --> 00:14:58,564 YOU'RE SURE YOU SAW THAT? 218 00:14:58,564 --> 00:15:01,400 YOU THINK I'M MAKING THIS UP? 219 00:15:01,400 --> 00:15:02,401 NO. 220 00:15:02,401 --> 00:15:04,970 I DID NOT IMAGINE THIS. 221 00:15:04,970 --> 00:15:07,206 I SAW SOMEONE IN THE BASEMENT. 222 00:15:07,206 --> 00:15:07,206 I SAW SOMEONE IN THE BASEMENT. 223 00:15:10,276 --> 00:15:12,278 WELL, HERE'S YOUR VICTIM. 224 00:15:12,278 --> 00:15:14,947 YOU MEAN HE WAS RIPPING A BOOK. 225 00:15:14,947 --> 00:15:16,415 THOSE HOOLIGANS. 226 00:15:16,415 --> 00:15:19,451 I CAN PICK THEM ON VANDALISM CHARGES BUT IT WON'T STICK. 227 00:15:19,451 --> 00:15:22,454 NO THOSE BOYS WHERE GONE BEFORE YOU SENT ME DOWN HERE. 228 00:15:22,955 --> 00:15:23,923 IT MUST HAVE BEEN SOMEONE ELSE. 229 00:15:23,923 --> 00:15:25,457 IT COULD HAVE BEEN THAT KILLER. 230 00:15:25,958 --> 00:15:26,959 IT'S KIDS, MA'AM, TRUST ME. 231 00:15:26,959 --> 00:15:28,360 IT COULD HAVE BEEN THAT KILLER. 232 00:15:28,360 --> 00:15:28,360 IT COULD HAVE BEEN THAT KILLER. 233 00:15:30,763 --> 00:15:33,265 THANK YOU FOR STOPPING BY, LIEUTENANT JAMISON. 234 00:15:33,732 --> 00:15:34,767 ABSOLUTELY. NO PROBLEM. 235 00:15:35,267 --> 00:15:37,269 IF YOU HAVE ANY MORE TROUBLE, 236 00:15:37,770 --> 00:15:39,271 I WANT YOU TO CALL ME. 237 00:15:39,772 --> 00:15:40,773 THANK YOU. 238 00:15:40,773 --> 00:15:42,274 AND YOU, TOO, MA'AM. 239 00:15:42,274 --> 00:15:44,276 YOU HAVE A GOOD NIGHT. 240 00:15:44,276 --> 00:15:45,277 YES. 241 00:15:45,277 --> 00:15:45,778 YES. 242 00:15:48,781 --> 00:15:50,282 WHAT A NICE MAN. 243 00:15:50,282 --> 00:15:51,784 THERE. YOU SEE? 244 00:15:51,784 --> 00:15:53,786 THERE'S NOTHING TO WORRY ABOUT. 245 00:15:53,786 --> 00:15:56,288 MRS. PRITCHARD, THERE'S ONE MORE PROBLEM. 246 00:15:56,288 --> 00:15:59,291 I DON'T WANT TO GET GRADY INTO TROUBLE, 247 00:15:59,291 --> 00:16:00,793 BUT HE'S BEEN DRINKING. 248 00:16:00,793 --> 00:16:02,795 WITH EVERYTHING THAT'S BEEN HAPPENING, 249 00:16:02,795 --> 00:16:05,798 WE OUGHT TO HAVE A REAL SECURITY OFFICER. 250 00:16:05,798 --> 00:16:07,800 I'VE TRIED TO REPLACE GRADY, 251 00:16:07,800 --> 00:16:09,802 BUT HE'S A CIVIL SERVANT. 252 00:16:09,802 --> 00:16:11,303 IT'S ALMOST IMPOSSIBLE. 253 00:16:11,303 --> 00:16:14,306 I'VE PRETTY MUCH DECIDED TO DEAL WITH HIM 254 00:16:14,306 --> 00:16:15,808 IN ANOTHER WAY. 255 00:16:15,808 --> 00:16:17,810 GOODNESS. LOOK AT THE TIME. 256 00:16:17,810 --> 00:16:20,813 BUT WHAT WILL WE DO? WE NEED PROTECTION. 257 00:16:20,813 --> 00:16:22,314 YOU ARE OVERREACTING, DEAR. 258 00:16:22,314 --> 00:16:23,816 THIS SERIAL KILLER BUSINESS 259 00:16:23,816 --> 00:16:25,818 SELLS A LOT OF NEWSPAPERS. 260 00:16:25,818 --> 00:16:27,319 AREN'T YOU AFRAID, THOUGH? 261 00:16:27,319 --> 00:16:29,822 I THINK EVERYBODY IN THIS WORLD 262 00:16:29,822 --> 00:16:32,324 GETS WHAT HE OR SHE DESERVES. 263 00:16:32,324 --> 00:16:35,327 IF YOU PUT OUT FEAR AND NEGATIVITY, 264 00:16:35,327 --> 00:16:38,330 THAT'S WHAT COMES BACK TO CALL ON YOU. 265 00:16:38,330 --> 00:16:40,833 THE LIBRARY'S CLOSING IN 10 MINUTES. 266 00:16:40,833 --> 00:16:40,833 THE LIBRARY'S CLOSING IN 10 MINUTES. 267 00:16:53,312 --> 00:16:54,847 [KNOCK ON DOOR] 268 00:16:55,347 --> 00:16:55,848 YES. 269 00:16:56,348 --> 00:16:58,350 SHOULD I START LOCKING UP NOW? 270 00:16:58,851 --> 00:17:01,353 NO. MARGARET AND I WILL HANDLE THAT. 271 00:17:01,854 --> 00:17:03,355 [MUFFLED TALKING] 272 00:17:03,856 --> 00:17:03,856 [MUFFLED TALKING] 273 00:17:08,360 --> 00:17:09,928 I DID MY BEST! 274 00:17:09,928 --> 00:17:11,430 NO, YOU DIDN'T. 275 00:17:11,430 --> 00:17:14,833 I GOT THOSE BOYS OUT OF HERE! 276 00:17:14,833 --> 00:17:16,835 [MUFFLED TALKING] 277 00:17:16,835 --> 00:17:18,170 FORGET IT! 278 00:17:18,170 --> 00:17:18,437 FORGET IT! 279 00:17:35,020 --> 00:17:38,524 THAT MAN DOES NOT KNOW HOW LUCKY HE IS. 280 00:17:38,524 --> 00:17:41,026 I'LL JUST POP OUT FOR SANDWICHES. 281 00:17:41,026 --> 00:17:44,029 OH, NO! DON'T GO. I'M NOT EVEN HUNGRY. 282 00:17:44,029 --> 00:17:46,031 WELL, I'M STARVING. 283 00:17:46,031 --> 00:17:48,033 I'LL BRING YOU SOME COFFEE. 284 00:17:48,033 --> 00:17:50,536 I'LL ONLY BE A MINUTE. 285 00:17:50,536 --> 00:17:52,037 HERE. 286 00:17:52,037 --> 00:17:54,039 TAKE MY KEYS. 287 00:17:54,039 --> 00:17:57,042 YOU CAN LOCK UP IF YOU'RE SO WORRIED. 288 00:17:57,042 --> 00:17:58,310 O.K. 289 00:17:58,310 --> 00:17:58,310 O.K. 290 00:18:01,080 --> 00:18:02,081 NOW I WON'T BE LONG. 291 00:18:02,081 --> 00:18:03,082 ALL RIGHT. 292 00:18:03,082 --> 00:18:03,082 ALL RIGHT. 293 00:18:05,084 --> 00:18:06,085 GOOD NIGHT. 294 00:18:06,585 --> 00:18:06,585 GOOD NIGHT. 295 00:18:23,602 --> 00:18:24,670 OH! 296 00:18:24,670 --> 00:18:26,238 SIR! 297 00:18:26,238 --> 00:18:28,140 THE LIBRARY IS CLOSED. 298 00:18:28,540 --> 00:18:31,310 I HAD NO IDEA. 299 00:18:31,310 --> 00:18:31,877 I HAD NO IDEA. 300 00:18:32,878 --> 00:18:34,213 I MADE SUCH PROGRESS TODAY. 301 00:18:34,213 --> 00:18:34,213 I MADE SUCH PROGRESS TODAY. 302 00:18:36,582 --> 00:18:39,985 MURDERS ARE SO FASCINATING WHEN YOU GET TO KNOW THEM. 303 00:18:39,985 --> 00:18:39,985 MURDERS ARE SO FASCINATING WHEN YOU GET TO KNOW THEM. 304 00:18:41,353 --> 00:18:43,355 MAY I SHOW YOU SOMETHING? 305 00:18:43,355 --> 00:18:43,355 MAY I SHOW YOU SOMETHING? 306 00:18:48,227 --> 00:18:50,262 JOHN REGINALD HALLIDAY CHRISTIE. 307 00:18:50,262 --> 00:18:53,165 DOESN'T LOOK LIKE A KILLER, DOES HE? 308 00:18:53,165 --> 00:18:54,666 BUT HE WAS. 309 00:18:54,666 --> 00:18:55,667 OH... 310 00:18:55,667 --> 00:18:57,936 AND A NECROPHILIAC TO BOOT. 311 00:18:57,936 --> 00:18:59,938 NOT LIKE OUR MAN, 312 00:18:59,938 --> 00:19:02,441 WHATEVER OUR MAN LOOKS LIKE. 313 00:19:02,441 --> 00:19:02,441 WHATEVER OUR MAN LOOKS LIKE. 314 00:19:03,942 --> 00:19:05,444 FOR ALL WE KNOW, 315 00:19:05,444 --> 00:19:08,447 OUR KILLER COULD BE SOME MAN IN A TRENCH COAT 316 00:19:08,447 --> 00:19:11,683 WHO WEARS LITTLE ROUND GLASSES. 317 00:19:11,683 --> 00:19:14,186 THEN ONE DAY, HE SNAPS AND GOES BERSERK. 318 00:19:14,686 --> 00:19:16,688 YEAH. I CAN SEE OUR MAN 319 00:19:17,189 --> 00:19:20,192 WORKING HIMSELF UP INTO QUITE A LITTLE FRENZY. 320 00:19:20,192 --> 00:19:24,196 IT'S WHAT YOU HAVE TO DO TO KILL WITH A KNIFE, 321 00:19:24,696 --> 00:19:26,298 LIKE OUR MAN ALWAYS DOES. 322 00:19:26,865 --> 00:19:26,865 LIKE OUR MAN ALWAYS DOES. 323 00:19:29,535 --> 00:19:33,539 IT'S HARDER THAN YOU THINK TO SLASH A MAN'S THROAT. 324 00:19:33,539 --> 00:19:36,041 YOU GOT TO GET CLOSE, 325 00:19:36,041 --> 00:19:39,545 CLOSE ENOUGH TO FEEL THEIR BREATH ON YOUR HAND 326 00:19:39,545 --> 00:19:42,014 AND SEE THEIR BLOOD SPURT OUT. 327 00:19:42,014 --> 00:19:43,015 PLEASE! STOP. 328 00:19:43,015 --> 00:19:46,051 I'M SORRY. I DIDN'T MEAN TO UPSET YOU. 329 00:19:46,051 --> 00:19:50,255 I NEED TO CLOSE UP. I HAVE WORK TO DO. 330 00:19:50,255 --> 00:19:52,124 ARE YOU WORKING BY YOURSELF? 331 00:19:52,124 --> 00:19:55,761 YES. NO! MRS. PRITCHARD IS WORKING LATE, ALSO. 332 00:19:55,761 --> 00:19:57,696 I THOUGHT SHE WENT OUT. 333 00:19:57,696 --> 00:19:58,864 SHE'S RETURNING. 334 00:19:58,864 --> 00:20:01,867 SHOULD I STAY UNTIL SHE RETURNS? 335 00:20:01,867 --> 00:20:05,737 NO! I MEAN, UH... WE HAVE A SECURITY GUARD. 336 00:20:05,737 --> 00:20:09,508 OH. I THOUGHT I SAW HIM LEAVE. 337 00:20:09,508 --> 00:20:11,510 IT WOULDN'T BE VERY SMART 338 00:20:11,510 --> 00:20:13,979 WITH THIS UNPLEASANTNESS IN THE PARK. 339 00:20:13,979 --> 00:20:15,981 THE MURDER LAST NIGHT 340 00:20:15,981 --> 00:20:17,983 TOOK PLACE ABOUT THIS TIME. 341 00:20:17,983 --> 00:20:19,985 SOME POOR HOMELESS PERSON, 342 00:20:19,985 --> 00:20:21,486 WANDERING ALL ALONE, 343 00:20:21,486 --> 00:20:24,723 ASKS THE WRONG STRANGER FOR SOME CHANGE 344 00:20:24,723 --> 00:20:25,891 AND, AH! 345 00:20:25,891 --> 00:20:29,194 YOU REALLY MUST GO. IT'S AFTER HOURS. 346 00:20:29,761 --> 00:20:29,761 YOU REALLY MUST GO. IT'S AFTER HOURS. 347 00:20:42,507 --> 00:20:43,942 OH, UM... 348 00:20:43,942 --> 00:20:46,945 I FORGOT TO CHECK THIS BOOK OUT. 349 00:20:46,945 --> 00:20:49,481 I'LL GET IT WHEN I COME BACK. 350 00:20:49,481 --> 00:20:50,449 COME BACK? 351 00:20:50,449 --> 00:20:51,950 TOMORROW. 352 00:20:51,950 --> 00:20:53,986 OH, TOMORROW. 353 00:20:53,986 --> 00:20:55,988 TILL TOMORROW. 354 00:20:55,988 --> 00:20:55,988 TILL TOMORROW. 355 00:20:56,955 --> 00:20:58,924 I'VE REALLY ENJOYED TALKING TO YOU. 356 00:20:59,424 --> 00:20:59,424 I'VE REALLY ENJOYED TALKING TO YOU. 357 00:21:07,966 --> 00:21:11,470 I'M NOT GOING ANYPLACE AFTER ALL. 358 00:21:11,803 --> 00:21:11,803 I'M NOT GOING ANYPLACE AFTER ALL. 359 00:21:12,638 --> 00:21:13,605 LOCKED IN. 360 00:21:13,605 --> 00:21:15,107 OH! 361 00:21:15,107 --> 00:21:17,109 I'M SORRY. I FORGOT. 362 00:21:17,109 --> 00:21:17,109 I'M SORRY. I FORGOT. 363 00:21:27,653 --> 00:21:29,154 GOOD NIGHT. 364 00:21:29,154 --> 00:21:30,689 GOOD NIGHT. 365 00:21:30,689 --> 00:21:32,190 BE CAREFUL, NOW. 366 00:21:32,190 --> 00:21:32,691 BE CAREFUL, NOW. 367 00:21:54,946 --> 00:21:57,015 [KNOCKING ON WINDOW] 368 00:21:57,015 --> 00:21:59,685 AAH! 369 00:21:59,685 --> 00:22:01,586 LET ME IN. 370 00:22:01,586 --> 00:22:03,722 LET ME IN! 371 00:22:03,722 --> 00:22:05,691 I HAVE A BOOK HERE! 372 00:22:05,691 --> 00:22:07,693 [SHOUTING] 373 00:22:08,260 --> 00:22:10,262 LET ME IN! 374 00:22:10,762 --> 00:22:10,762 LET ME IN! 375 00:22:15,167 --> 00:22:17,769 [BANGING ON WINDOW STOPS] 376 00:22:17,769 --> 00:22:17,769 [BANGING ON WINDOW STOPS] 377 00:22:50,869 --> 00:22:53,739 [RATTLING] 378 00:22:53,739 --> 00:22:55,374 OHH... 379 00:22:55,374 --> 00:22:55,374 OHH... 380 00:23:11,690 --> 00:23:13,692 [BANGING] 381 00:23:13,692 --> 00:23:15,694 [MRS. PRITCHARD] MARGARET! 382 00:23:15,694 --> 00:23:17,195 [BANGING] 383 00:23:17,195 --> 00:23:18,697 MARGARET! 384 00:23:18,697 --> 00:23:18,697 MARGARET! 385 00:23:26,204 --> 00:23:28,206 OH, THANK GOD YOU'RE BACK. 386 00:23:28,206 --> 00:23:29,708 WHAT IS GOING ON? 387 00:23:29,708 --> 00:23:32,711 HE WAS FIRST AT THE FRONT DOOR, 388 00:23:32,711 --> 00:23:35,213 THEN HE WAS AT THE BACK. 389 00:23:35,213 --> 00:23:36,715 IT WAS THAT MANIAC. 390 00:23:36,715 --> 00:23:39,718 HE WANTED ME TO OPEN THE DOOR. 391 00:23:39,718 --> 00:23:41,219 OF COURSE, I WOULDN'T. 392 00:23:41,219 --> 00:23:44,222 HE WAS HUGE. HE WAS ALL HUNCHED OVER. 393 00:23:44,222 --> 00:23:45,724 OH, THAT'S MR. GARVIN. 394 00:23:45,724 --> 00:23:49,227 I LET HIM IN AFTER 9:00. HE WORKS LATE. 395 00:23:49,227 --> 00:23:51,730 POOR MAN HAS A BONE DISORDER. 396 00:23:51,730 --> 00:23:54,733 SEE? HE WAS JUST DROPPING OFF SOME BOOKS. 397 00:23:54,733 --> 00:23:57,736 I'M SURE THERE IS NO ONE OUT THERE. 398 00:23:57,736 --> 00:23:59,237 HE IS OUT THERE. 399 00:23:59,237 --> 00:24:01,740 I TRIED TO USE THE TELEPHONE, 400 00:24:01,740 --> 00:24:04,242 BUT THAT MANIAC CUT THE WIRES. 401 00:24:04,242 --> 00:24:06,111 ITURNED THE PHONE OFF. 402 00:24:06,111 --> 00:24:08,980 THE SWITCH IS UNDERNEATH I'LL SHOW YOU. 403 00:24:09,414 --> 00:24:12,350 YOU CUT THE PHONE OFF? 404 00:24:12,350 --> 00:24:13,852 ON PURPOSE? 405 00:24:13,852 --> 00:24:16,321 IT'S SO DISTRACTING-- 406 00:24:16,321 --> 00:24:18,790 WELL, WE ARE CLOSED AFTER ALL. 407 00:24:18,790 --> 00:24:18,790 WELL, WE ARE CLOSED AFTER ALL. 408 00:24:21,860 --> 00:24:23,862 COME ON UPSTAIRS, DEAR. 409 00:24:24,362 --> 00:24:26,665 I WANT TO TALK TO YOU. 410 00:24:27,232 --> 00:24:27,232 I WANT TO TALK TO YOU. 411 00:24:28,233 --> 00:24:30,235 I KNOW YOU'RE UPSET ABOUT THESE MURDERS. 412 00:24:30,235 --> 00:24:32,737 BUT, I CAN ASSURE YOU YOU'RE QUITE SAFE HERE. 413 00:24:32,737 --> 00:24:35,740 THE NEWSPAPERS HAVE BUILT UP THIS MANIAC CHARACTER. 414 00:24:35,740 --> 00:24:38,243 "HE DID THIS. HE DID THAT"-- 415 00:24:38,243 --> 00:24:39,244 WHAT NONSENSE. 416 00:24:39,244 --> 00:24:41,713 WHAT IF IT ISN'T A MAN? 417 00:24:41,713 --> 00:24:44,249 IT COULD EASILY BE A WOMAN. 418 00:24:44,749 --> 00:24:47,252 THAT'D SURPRISE EVERYONE, WOULDN'T IT? 419 00:24:47,252 --> 00:24:47,252 THAT'D SURPRISE EVERYONE, WOULDN'T IT? 420 00:24:50,388 --> 00:24:51,389 WHERE'S GRADY? 421 00:24:51,389 --> 00:24:52,891 HMM? 422 00:24:53,391 --> 00:24:55,894 YOU SENT HIM AWAY, DIDN'T YOU? 423 00:24:55,894 --> 00:24:58,997 MAYBE... MAYBE YOU KILLED HIM. 424 00:24:58,997 --> 00:25:00,565 WHAT? 425 00:25:00,565 --> 00:25:03,301 YEAH. YOU HATED HIM. 426 00:25:03,301 --> 00:25:04,302 YOU HATE EVERYONE. 427 00:25:04,803 --> 00:25:07,305 YOU SAID YOURSELF PEOPLE GET WHAT THEY DESERVE. 428 00:25:07,806 --> 00:25:10,775 AND YOU THINK HE DESERVED TO DIE. 429 00:25:11,142 --> 00:25:13,078 YOU THINK I'MTHE MURDERER? 430 00:25:13,411 --> 00:25:16,448 AND NOW YOU WANT TO KILL ME. 431 00:25:16,448 --> 00:25:17,949 THAT'S RIDICULOUS. CALM DOWN. 432 00:25:18,350 --> 00:25:18,350 THAT'S RIDICULOUS. CALM DOWN. 433 00:25:19,951 --> 00:25:21,419 WHAT ARE YOU DOING? 434 00:25:21,419 --> 00:25:23,421 LET GO OF ME! LET GO! 435 00:25:23,421 --> 00:25:24,422 NO! 436 00:25:24,422 --> 00:25:25,991 AH! 437 00:25:25,991 --> 00:25:26,291 AH! 438 00:25:29,861 --> 00:25:30,896 AAH! 439 00:25:30,896 --> 00:25:32,797 I KNEW YOU WERE AFTER ME, 440 00:25:32,797 --> 00:25:34,866 JUST LIKE ALL THE REST. 441 00:25:34,866 --> 00:25:37,769 LIKE ALL THE OTHERS. 442 00:25:37,769 --> 00:25:41,473 BUT I'M NOT AFRAID ANYMORE. I SHOWED YOU! 443 00:25:41,473 --> 00:25:41,473 BUT I'M NOT AFRAID ANYMORE. I SHOWED YOU! 444 00:25:49,614 --> 00:25:51,116 MRS. PRITCHARD? 445 00:25:51,116 --> 00:25:53,618 I WAS CHECKING THE BACK DOORS WHEN I HEARD THE ALARM. 446 00:25:53,618 --> 00:25:53,618 I WAS CHECKING THE BACK DOORS WHEN I HEARD THE ALARM. 447 00:26:11,503 --> 00:26:14,506 WELL, I GUESS I HAVE TO RESIGN, 448 00:26:14,506 --> 00:26:16,007 MOVE ON AGAIN. 449 00:26:16,007 --> 00:26:17,509 HA! 450 00:26:17,509 --> 00:26:19,511 I LIKED IT HERE, 451 00:26:19,511 --> 00:26:22,013 BUT THIS CITY MADE ME NERVOUS... 452 00:26:22,013 --> 00:26:24,015 SO MUCH CRIME. 453 00:26:24,015 --> 00:26:24,015 SO MUCH CRIME. 454 00:26:25,517 --> 00:26:29,020 I DON'T LIKE BEING AFRAID ALL THE TIME. 455 00:26:29,020 --> 00:26:30,522 HA HA! 456 00:26:31,022 --> 00:26:34,025 I'M SORRY ABOUT GIVING SUCH SHORT NOTICE. 457 00:26:34,025 --> 00:26:34,025 I'M SORRY ABOUT GIVING SUCH SHORT NOTICE. 458 00:26:36,528 --> 00:26:40,031 I HOPE YOU WON'T THINK TOO BADLY OF ME. 459 00:26:40,031 --> 00:26:40,031 I HOPE YOU WON'T THINK TOO BADLY OF ME. 460 00:26:47,806 --> 00:26:52,877 WELL, KIDDIES, I GUESS THAT'S KNIFE IN THE BIG CITY FOR YOU. 461 00:26:52,877 --> 00:26:53,878 HEE HEE HEE! 462 00:26:53,878 --> 00:26:56,848 BOY, DO I FEEL SORRY FOR MARGARET. 463 00:26:56,848 --> 00:27:00,385 LOOKS LIKE IT'S ONE DEAD-END JOB AFTER ANOTHER. 464 00:27:00,385 --> 00:27:02,821 HA HA HA! 465 00:27:02,821 --> 00:27:06,825 YOU'LL BE HAPPY TO KNOW THAT I MADE A SALE. 466 00:27:06,825 --> 00:27:08,393 THE NEGOTIATIONS WERE FIERCE, 467 00:27:08,393 --> 00:27:11,896 BUT AFTER I THREW IN A COUPLE OFACHERS, 468 00:27:11,896 --> 00:27:13,898 THE REST WAS EASY. 469 00:27:13,898 --> 00:27:15,834 HEE HEE HEE! 470 00:27:16,334 --> 00:27:18,903 THERE GOES THE NEIGHBOOHOOD. 471 00:27:18,903 --> 00:27:20,338 HA HA HA HA HA! 472 00:27:20,338 --> 00:27:20,338 HA HA HA HA HA! 473 00:27:24,976 --> 00:27:28,480 CAPTIONING MADE POSSIBLE BY WARNER BROS. 474 00:27:28,480 --> 00:27:28,480 CAPTIONING MADE POSSIBLE BY WARNER BROS. 475 00:27:40,659 --> 00:27:43,528 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 476 00:27:43,528 --> 00:27:46,598 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE 477 00:27:46,598 --> 00:27:46,598 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE 31247

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