All language subtitles for Flash Gordon s01e11 Random Access.eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:26,160 --> 00:00:27,761 FORGIVE ME, DR. GORDON, 2 00:00:27,795 --> 00:00:30,698 FOR DISTURBING YOU, BUT THIS IS URGENT. 3 00:00:30,731 --> 00:00:33,667 I HAVE NOTHING TO SAY TO YOU. 4 00:00:33,701 --> 00:00:36,137 YOU MIGHT SHOW A LITTLE MORE GRATITUDE. 5 00:00:36,170 --> 00:00:37,438 AFTER ALL, I'VE DONE SO MUCH 6 00:00:37,471 --> 00:00:41,475 TO MAKE YOU FEEL AT HOME. 7 00:00:41,509 --> 00:00:43,444 YOU'RE CONFUSING HOSPITALITY 8 00:00:43,477 --> 00:00:45,813 WITH CAPTIVITY. 9 00:00:45,846 --> 00:00:47,315 OH, I DON'T THINK OF YOU 10 00:00:47,348 --> 00:00:50,084 AS MY PRISONER, DR. GORDON. 11 00:00:50,118 --> 00:00:52,520 WELL, THEN I'M FREE TO GO? 12 00:00:52,553 --> 00:00:55,523 I THINK OF YOU AS MY PEER. 13 00:00:55,556 --> 00:00:59,393 EVEN MING DOESN'T KNOW WHAT I'M ABOUT TO TELL YOU. 14 00:00:59,427 --> 00:01:02,430 GO ON. 15 00:01:02,463 --> 00:01:04,198 I'M WORRIED ABOUT THE LONG-TERM IMPACT 16 00:01:04,232 --> 00:01:05,733 OF THE RIFT GENERATOR. 17 00:01:05,766 --> 00:01:07,568 WELL, YOU SHOULD BE. 18 00:01:07,601 --> 00:01:11,372 PUNCH ENOUGH HOLES IN THE VEIL BETWEEN DIMENSIONS AND... POOF. 19 00:01:11,405 --> 00:01:13,307 AN EARLY SIGN OF THIS DECAY MIGHT BE-- 20 00:01:13,341 --> 00:01:17,311 SPONTANEOUS RIFTS. OPENING AND CLOSING ON THEIR OWN. 21 00:01:17,345 --> 00:01:20,848 PERHAPS PULLING OBJECTS THROUGH? 22 00:01:20,881 --> 00:01:22,450 IT'S BEGINNING, ISN'T IT? 23 00:01:24,618 --> 00:01:27,455 YOU HAVE TO DESTROY THE RIFT GENERATOR BEFORE IT'S TOO LATE. 24 00:01:27,488 --> 00:01:31,159 NO. THE PROJECT MUST CONTINUE. IT MUST. 25 00:01:31,192 --> 00:01:32,726 I WILL FIND A WAY TO MITIGATE THE DAMAGE, 26 00:01:32,760 --> 00:01:34,262 AND YOU WILL HELP ME. 27 00:01:34,295 --> 00:01:37,631 NEVER. I'VE DONE TOO MUCH ALREADY. 28 00:01:44,905 --> 00:01:46,440 THEN I WILL GET OTHER HELP. 29 00:01:46,474 --> 00:01:50,344 HOW? THERE IS NO ONE ELSE. 30 00:01:57,851 --> 00:01:59,820 NOT HERE... 31 00:01:59,853 --> 00:02:02,423 BUT THERE IS ONE MORE. 32 00:02:05,226 --> 00:02:06,460 GENESSA. 33 00:02:10,464 --> 00:02:12,833 THERE'S SOMETHING I'D LIKE YOU TO DO FOR ME. 34 00:02:18,272 --> 00:02:19,673 WE WENT TO THE COORDINATES YOU PROVIDED. 35 00:02:19,707 --> 00:02:20,874 THERE WERE NO INTRUDERS. 36 00:02:20,908 --> 00:02:22,376 BECAUSE THERE WAS NO RIFT. 37 00:02:22,410 --> 00:02:23,577 IT'S THE THIRD TIME THIS WEEK. 38 00:02:23,611 --> 00:02:24,778 WHAT'S UP WITH THE SENTINEL? 39 00:02:24,812 --> 00:02:26,347 IT IS CLEARLY DEFECTIVE. 40 00:02:26,380 --> 00:02:27,581 IT MUST BE. 41 00:02:27,615 --> 00:02:28,949 IT'S GIVING ME RADIANT PLASMA LEVELS 42 00:02:28,982 --> 00:02:30,784 THAT ARE COMPLETELY ERRATIC. 43 00:02:30,818 --> 00:02:31,785 UNLESS... 44 00:02:31,819 --> 00:02:33,254 [RIFT ALARM BLARING] 45 00:02:33,287 --> 00:02:35,356 RIFTS ARE OPENING AND CLOSING ON THEIR OWN. 46 00:02:35,389 --> 00:02:36,657 THAT DOESN'T SOUND GOOD. 47 00:02:36,690 --> 00:02:37,825 NO! NOT GOOD. 48 00:02:37,858 --> 00:02:39,293 BAD. VERY, VERY BAD. 49 00:02:39,327 --> 00:02:40,661 IT COULD BE A SIGN THAT THE END IS BEGINNING, 50 00:02:40,694 --> 00:02:43,297 THAT THE DIMENSIONAL BARRIER IS STARTING TO DECAY. 51 00:02:43,331 --> 00:02:45,466 THIS IS EXACTLY WHAT I WAS WORRIED ABOUT! 52 00:02:45,499 --> 00:02:46,834 HEY, SLOW IT DOWN FOR ME. 53 00:02:46,867 --> 00:02:49,937 OKAY, LOOK. EVERY TIME MING OPENS A RIFT, 54 00:02:49,970 --> 00:02:51,972 IT DAMAGES THE DIMENSIONAL BARRIER. 55 00:02:52,005 --> 00:02:55,843 IT GETS THINNER AND THINNER, 56 00:02:55,876 --> 00:02:58,379 LIKE ICE ON A LAKE WHEN THE WEATHER WARMS-- 57 00:02:58,412 --> 00:02:59,813 YOU STEP ON IT HERE AND IT CRACKS, 58 00:02:59,847 --> 00:03:01,649 BUT THEN IT CRACKS OVER HERE, TOO, 59 00:03:01,682 --> 00:03:02,950 AND THEN IT STARTS CRACKING EVERYWHERE, 60 00:03:02,983 --> 00:03:03,951 UNTIL THERE'S NOTHING SOLID LEFT. 61 00:03:03,984 --> 00:03:05,519 AND WE ALL DROWN. 62 00:03:05,553 --> 00:03:07,321 OKAY, CAN WE NOT JUMP STRAIGHT TO DOOMSDAY 63 00:03:07,355 --> 00:03:09,223 EVERY TIME SOMETHING GOES WRONG? 64 00:03:09,257 --> 00:03:10,524 I MEAN, MAYBE THE SENTINEL'S JUST ACTING A LITTLE WONKY. 65 00:03:10,558 --> 00:03:12,393 OKAY. I'LL CHECK IT. 66 00:03:12,426 --> 00:03:14,428 I DON'T KNOW. MAYBE. 67 00:03:14,462 --> 00:03:16,964 [ELECTRICITY ZAPPING] 68 00:03:16,997 --> 00:03:18,966 GREAT. 69 00:03:18,999 --> 00:03:20,568 THIS IS NOT PROMISING. 70 00:03:20,601 --> 00:03:22,936 YOU TRY SAVING THE UNIVERSE 71 00:03:22,970 --> 00:03:24,938 WITH A TRANS-DIMENSIONAL SURVEILLANCE DEVICE 72 00:03:24,972 --> 00:03:26,840 THAT'S POWERED BY A TOASTER OVEN. 73 00:03:26,874 --> 00:03:27,908 [DINGING] 74 00:03:34,415 --> 00:03:36,850 JUST TAKE A MINUTE, THINK ABOUT WHAT YOU NEED, 75 00:03:36,884 --> 00:03:38,252 AND I'LL TRY AND GET IT FOR YOU, OKAY? 76 00:03:38,286 --> 00:03:39,553 HAH! 77 00:03:39,587 --> 00:03:41,722 A THOUSAND TIMES MORE PROCESSING POWER, 78 00:03:41,755 --> 00:03:43,657 PROPER SENSING SIGNALS. 79 00:03:43,691 --> 00:03:46,727 UH... A STABLE POWER SUPPLY. 80 00:03:46,760 --> 00:03:48,529 FULL-SPECTRUM DETECTION CAPACITY-- 81 00:03:48,562 --> 00:03:49,963 HE REQUIRES MONEY. YEAH, WELL, 82 00:03:49,997 --> 00:03:51,465 AS LONG AS HE'S ASKING FOR THE IMPOSSIBLE, 83 00:03:51,499 --> 00:03:53,267 WHY DON'T WE GET HIM A GIRLFRIEND? 84 00:03:53,301 --> 00:03:54,568 OKAY, FOR FUNDING LIKE THAT, 85 00:03:54,602 --> 00:03:55,736 WE'RE GOING TO NEED A GRANT, 86 00:03:55,769 --> 00:03:57,371 WHICH MEANS TALKING TO PEOPLE, 87 00:03:57,405 --> 00:03:58,606 AND YOU'RE THE ONE WHO SAID 88 00:03:58,639 --> 00:04:00,341 WE HAVE TO KEEP THIS SECRET, SO... 89 00:04:00,374 --> 00:04:01,875 [SNIFFS] 90 00:04:03,877 --> 00:04:05,346 MM! 91 00:04:05,379 --> 00:04:07,415 I WOULDN'T EAT THAT IF I WERE YOU. 92 00:04:12,520 --> 00:04:15,489 [SKATE PUNK PLAYING] 93 00:04:15,523 --> 00:04:17,425 [***] 94 00:04:46,654 --> 00:04:48,489 WHOA... 95 00:04:48,522 --> 00:04:50,691 WISHES DO COME TRUE. 96 00:05:49,116 --> 00:05:50,584 THIS ISN'T A FARM TEAM, ARDEN. 97 00:05:50,618 --> 00:05:52,019 IT'S A PROFESSIONAL NEWS ORGANIZATION. 98 00:05:52,052 --> 00:05:53,921 I DON'T TOLERATE SLOPPY WORK. 99 00:05:53,954 --> 00:05:55,088 MR. MITCHELL-- 100 00:05:55,122 --> 00:05:56,757 THOUGH I SUPPOSE 101 00:05:56,790 --> 00:05:58,058 WE SHOULD BE GRATEFUL YOU EVEN SHOWED UP TODAY. 102 00:05:58,091 --> 00:05:59,427 I CAN EXPLAIN. 103 00:05:59,460 --> 00:06:00,661 I DON'T WANT EXPLANATIONS, 104 00:06:00,694 --> 00:06:02,095 I WANT RATINGS. 105 00:06:02,129 --> 00:06:03,797 ...OR ELSE YOUR BACKYARD ESCAPE 106 00:06:03,831 --> 00:06:06,567 COULD BECOME AN INNOCENT CHILD'S DEATHTRAP. 107 00:06:06,600 --> 00:06:09,437 FOR CHANNEL 7, I'M SUSAN GLASS. 108 00:06:09,470 --> 00:06:12,506 SEE THE WORLD... THROUGH ME. 109 00:06:12,540 --> 00:06:13,841 ISN'T SHE GREAT? 110 00:06:13,874 --> 00:06:16,176 AMAZING RATINGS, HER OWN WEBSITE, A FAN CLUB. 111 00:06:16,209 --> 00:06:17,778 EVERYTHING BUT A STORY. 112 00:06:17,811 --> 00:06:19,547 REPORTERS LIKE HER DON'T NEED STORIES. 113 00:06:19,580 --> 00:06:22,015 THEY CAN MAKE ANYTHING HOT JUST BY COVERING IT. 114 00:06:22,049 --> 00:06:23,417 AND THAT'S A GOOD THING? 115 00:06:23,451 --> 00:06:26,153 GET OUT THERE AND MAKE SOME NEWS, DALE. 116 00:06:26,186 --> 00:06:28,656 YOU COULD LEARN A FEW THINGS FROM SUSAN GLASS. 117 00:06:28,689 --> 00:06:30,724 SO, I JUST GOT A CALL FROM A KID AT THE SKATEPARK. 118 00:06:30,758 --> 00:06:31,925 ASKED FOR DALE. 119 00:06:31,959 --> 00:06:33,494 SWEARS HE HAS VIDEO 120 00:06:33,527 --> 00:06:35,863 OF A "HOT BABE WHO STEPPED OUT OF THE SKY." 121 00:06:35,896 --> 00:06:37,931 OH, AND THEN SHE RAY-GUNNED HIM. 122 00:06:37,965 --> 00:06:39,166 RAY-GUNNED? 123 00:06:39,199 --> 00:06:41,034 I LOVE IT! 124 00:06:41,068 --> 00:06:42,970 I'LL GO TALK TO THE ART DEPARTMENT, 125 00:06:43,003 --> 00:06:45,038 GET THEM WORKING ON THE GRAPHIC FOR SIX O'CLOCK. 126 00:06:45,072 --> 00:06:46,840 YOU GET THE STORY. 127 00:06:46,874 --> 00:06:48,576 A SPACE BABE. 128 00:06:48,609 --> 00:06:50,110 RAY GUNS! 129 00:06:50,143 --> 00:06:52,813 [GUFFAWS] 130 00:06:52,846 --> 00:06:54,882 "SPACE BABE." 131 00:06:54,915 --> 00:06:56,817 RAY GUN. 132 00:06:56,850 --> 00:06:57,885 GREAT. 133 00:07:05,726 --> 00:07:09,096 MM... 134 00:07:09,129 --> 00:07:11,699 WHAT BIRDS LAY THESE EGGS? 135 00:07:11,732 --> 00:07:13,534 UH... 136 00:07:13,567 --> 00:07:15,836 [CELL PHONE RINGS] 137 00:07:15,869 --> 00:07:17,571 HELLO? 138 00:07:17,605 --> 00:07:19,239 WHY DIDN'T YOU TELL ME THERE WAS A RIFT ALERT? 139 00:07:19,272 --> 00:07:20,608 BECAUSE, IF THERE WAS, 140 00:07:20,641 --> 00:07:22,543 WE DIDN'T KNOW ABOUT IT. 141 00:07:22,576 --> 00:07:24,845 WELL, MY INNER SENTINEL SAYS WE HAVE A VISITOR. 142 00:07:24,878 --> 00:07:27,247 MEANING? 143 00:07:27,280 --> 00:07:28,582 WE GOT A CALL. 144 00:07:28,616 --> 00:07:30,150 ROUGHLY TRANSLATED, 145 00:07:30,183 --> 00:07:31,752 A RIFT OPENED OUT AT THE SKATEPARK 146 00:07:31,785 --> 00:07:33,487 AND A SPACE BABE ZAPPED SOME KID. 147 00:07:33,521 --> 00:07:35,589 YOU THINK IT'S AURA? 148 00:07:35,623 --> 00:07:37,858 DO YOU HOPE IT'S HER? 149 00:07:37,891 --> 00:07:39,560 YOU KNOW WHAT? 150 00:07:39,593 --> 00:07:41,762 JUST MEET ME THERE. 151 00:07:44,732 --> 00:07:46,634 [CRACKLING] 152 00:07:46,667 --> 00:07:48,769 [RIFT ALERT BLARING] 153 00:07:48,802 --> 00:07:50,871 YEAH! 154 00:07:50,904 --> 00:07:52,239 OOH, YEAH! 155 00:07:52,272 --> 00:07:55,142 * I DID IT I DID IT * 156 00:07:55,175 --> 00:07:57,010 * I DID IT I DID IT * 157 00:07:57,044 --> 00:07:59,913 [RIFT ALARM CONTINUES TO BLARE] 158 00:07:59,947 --> 00:08:01,915 WHO ARE YOU? 159 00:08:03,884 --> 00:08:06,687 WHAT DO YOU WANT? 160 00:08:06,720 --> 00:08:08,288 I WANT YOU, DR. ZARKOV. 161 00:08:08,321 --> 00:08:10,591 [GASPS] 162 00:08:10,624 --> 00:08:12,660 YOU DON'T WANT TO DO THIS, CRAIG. 163 00:08:12,693 --> 00:08:14,762 THIS BELONGS ON THE NEWS. 164 00:08:14,795 --> 00:08:16,830 IF YOU WON'T PUT IT ON THERE, I'LL TAKE IT VIRAL, OKAY? 165 00:08:16,864 --> 00:08:18,231 PEOPLE NEED TO KNOW THAT 166 00:08:18,265 --> 00:08:20,300 SOME FREAKAGE IS GOING ON IN KENDAL. 167 00:08:20,333 --> 00:08:22,202 NO, THEY DON'T. 168 00:08:22,235 --> 00:08:24,237 BECAUSE IT'S NOT TRUE. 169 00:08:24,271 --> 00:08:27,074 WHAT? I HAVE THE VIDEO ON MY PHONE. 170 00:08:27,107 --> 00:08:28,208 YOU COULD'VE DOCTORED IT. 171 00:08:28,241 --> 00:08:29,910 I SAW IT HAPPEN! 172 00:08:29,943 --> 00:08:33,146 HOW LONG HAVE YOU BEEN OUT HERE IN THE HOT SUN, CRAIG? 173 00:08:33,180 --> 00:08:35,749 LOOK, I KNOW WHAT I SAW, OKAY? 174 00:08:35,783 --> 00:08:36,750 HOW DO YOU KNOW IT'S NOT JUST YOUR FRIENDS 175 00:08:36,784 --> 00:08:38,118 MESSING WITH YOU? 176 00:08:38,151 --> 00:08:40,788 THEY'RE OBVIOUSLY PUNKING YOU. 177 00:08:40,821 --> 00:08:41,889 DON'T GIVE THEM THE SATISFACTION. 178 00:08:41,922 --> 00:08:43,757 LET'S JUST DELETE THE FOOTAGE. 179 00:08:43,791 --> 00:08:46,159 THERE HE IS! OUR NEW STAR! 180 00:08:46,193 --> 00:08:48,228 SUSAN GLASS! OH, MY-- 181 00:08:48,261 --> 00:08:49,963 THIS IS AWESOME! 182 00:08:49,997 --> 00:08:51,965 I SEE THE WORLD THROUGH HER! 183 00:08:51,999 --> 00:08:53,000 YES! 184 00:08:53,033 --> 00:08:54,602 YOU CALLED HER, TOO? 185 00:08:54,635 --> 00:08:56,937 I LOVE HER! 186 00:08:58,205 --> 00:09:00,574 BUT YOU CALLED ME. 187 00:09:00,608 --> 00:09:02,810 YEAH, WELL, MY MOM WATCHES YOU. 188 00:09:02,843 --> 00:09:04,011 HELLO, CRAIG. 189 00:09:04,044 --> 00:09:05,045 IT'S A PLEASURE TO MEET YOU. 190 00:09:05,078 --> 00:09:06,046 YES! 191 00:09:06,079 --> 00:09:07,314 HELLO, CHANNEL 4. 192 00:09:07,347 --> 00:09:08,616 HOW'S LIFE IN THIRD PLACE? 193 00:09:08,649 --> 00:09:09,717 I'M ALREADY IN NEGOTIATIONS 194 00:09:09,750 --> 00:09:10,951 FOR THE STORY, SUSAN. 195 00:09:10,984 --> 00:09:12,219 HAS SHE OFFERED YOU AN EXCLUSIVE? 196 00:09:12,252 --> 00:09:13,621 SHE DOESN'T EVEN WANT IT. 197 00:09:13,654 --> 00:09:15,756 FANTASTIC. GIVE IT TO ME. 198 00:09:15,789 --> 00:09:16,757 YOU DON'T EVEN KNOW WHAT IT IS! 199 00:09:16,790 --> 00:09:18,125 IT DOESN'T MATTER. 200 00:09:18,158 --> 00:09:19,359 WHEN I'M DONE WITH IT, IT'LL BE AMAZING. 201 00:09:19,392 --> 00:09:20,694 LET'S SEE WHAT YOU'VE GOT. 202 00:09:20,728 --> 00:09:22,029 YEAH. YEAH, YEAH. 203 00:09:22,062 --> 00:09:24,231 [CLEARING THROAT] 204 00:09:29,369 --> 00:09:30,671 I'LL TAKE IT, CRAIG. 205 00:09:30,704 --> 00:09:31,805 I'LL DO IT TONIGHT. 206 00:09:31,839 --> 00:09:33,641 I'LL PUT YOU ON THE AIR WITH IT. 207 00:09:33,674 --> 00:09:35,275 I'LL LEAD WITH YOU AT 6:00. 208 00:09:35,308 --> 00:09:36,644 6:00 AND 11:00. 209 00:09:36,677 --> 00:09:39,112 I'LL GIVE YOU MY PHONE NUMBER. 210 00:09:39,146 --> 00:09:41,348 BINGO! 211 00:09:41,381 --> 00:09:43,651 WATCH AND LEARN HOW EMMYS ARE WON, CHANNEL 4. 212 00:09:43,684 --> 00:09:45,118 [GROANING] 213 00:09:45,152 --> 00:09:48,956 [CRAIG]: YOU HAVE TO CALL ME AT HOME, THOUGH, I GUESS. 214 00:09:48,989 --> 00:09:51,024 OKAY, THAT IS NOT GOOD. 215 00:09:53,426 --> 00:09:54,862 THIS IS WORSE. 216 00:09:54,895 --> 00:09:57,130 ZARKOV! NO, WAIT! 217 00:09:57,164 --> 00:09:58,131 GENESSA! 218 00:10:01,068 --> 00:10:02,703 WAIT A MINUTE, YOU KNOW HER? 219 00:10:02,736 --> 00:10:04,838 SHE, TOO, IS A BOUNTY HUNTER. 220 00:10:04,872 --> 00:10:06,306 WE USED TO WORK TOGETHER. 221 00:10:06,339 --> 00:10:07,741 WHAT, YOU MEAN-- 222 00:10:07,775 --> 00:10:10,678 YES. MING HAS TAKEN ZARKOV. 223 00:10:14,281 --> 00:10:15,816 [GLASS]: JOIN US AT 6:00 224 00:10:15,849 --> 00:10:17,651 FOR EXCITING FOOTAGE OF A U.F.O.-- 225 00:10:17,685 --> 00:10:19,753 AN UNIDENTIFIED FEMALE OBJECT THAT IS-- 226 00:10:19,787 --> 00:10:21,755 HERE AT STARSHINE SKATEPARK. 227 00:10:21,789 --> 00:10:23,824 TAKE A PEEK. 228 00:10:25,693 --> 00:10:27,995 PERFECT. 229 00:10:28,028 --> 00:10:30,430 JUST WHAT I NEED. 230 00:10:30,463 --> 00:10:32,866 FOR CHANNEL 7, I'M SUSAN GLASS. 231 00:10:32,900 --> 00:10:36,737 HELLO, VICTORY. SEE THE WORLD THROUGH ME. 232 00:10:38,739 --> 00:10:41,008 [LOCATOR PINGING] 233 00:10:42,810 --> 00:10:45,879 THERE YOU ARE. 234 00:10:45,913 --> 00:10:48,716 THIS WOMAN WHO ABDUCTED ZARKOV, IS SHE A FRIEND OF YOURS? 235 00:10:48,749 --> 00:10:50,150 SHE WAS, LONG AGO. 236 00:10:50,183 --> 00:10:51,785 SO, NOW YOU'D GLADLY RIP HER HEART OUT 237 00:10:51,819 --> 00:10:53,186 AND STOMP ALL OVER IT? 238 00:10:53,220 --> 00:10:54,221 WHAT? 239 00:10:54,254 --> 00:10:55,322 IS SHE DANGEROUS? 240 00:10:55,355 --> 00:10:56,890 SHE IS A COLD-HEARTED KILLER. 241 00:10:56,924 --> 00:10:58,826 WHAT? 242 00:10:58,859 --> 00:11:00,127 YOU MEAN SHE'S GOING TO KILL HIM? 243 00:11:00,160 --> 00:11:02,229 IF SHE WAS SENT TO KILL HIM, 244 00:11:02,262 --> 00:11:03,330 SHE WOULD HAVE DONE IT HERE. 245 00:11:03,363 --> 00:11:05,465 THEY MUST WANT HIM BACK ALIVE. 246 00:11:05,498 --> 00:11:08,168 WE'VE GOT TO GET TO MONGO AND BRING HIM BACK. 247 00:11:08,201 --> 00:11:09,937 NO. NO. I WILL GO ALONE. 248 00:11:09,970 --> 00:11:11,839 I CAN MOVE UNNOTICED, STAY TO THE SHADOWS. 249 00:11:11,872 --> 00:11:13,040 I'M GOING WITH YOU. NO! 250 00:11:13,073 --> 00:11:14,975 AFTER THE ASSASSINATION ATTEMPT ON MING, 251 00:11:15,008 --> 00:11:16,209 THERE WILL BE A PRICE ON YOUR HEAD. 252 00:11:16,243 --> 00:11:18,111 I DO NOT WANT TO HAVE TO SAVE YOU, TOO. 253 00:11:18,145 --> 00:11:19,112 HEY! 254 00:11:19,146 --> 00:11:20,948 SHE'S RIGHT, FLASH. 255 00:11:20,981 --> 00:11:22,249 SHE'S GOT A BETTER CHANCE ALONE. 256 00:11:22,282 --> 00:11:23,483 BESIDES, I NEED YOU HERE 257 00:11:23,516 --> 00:11:25,352 TO HELP ME TAKE OUT SUSAN GLASS. 258 00:11:25,385 --> 00:11:27,120 IT'S BAD ENOUGH BEING ACED OUT, 259 00:11:27,154 --> 00:11:29,289 BUT BY A REPORTER WHO'S NOT EVEN A REAL REPORTER? 260 00:11:29,322 --> 00:11:31,324 I THOUGHT THIS WAS ABOUT STOPPING THE WORLD 261 00:11:31,358 --> 00:11:32,893 FROM FINDING OUT ABOUT THE RIFTS? 262 00:11:32,926 --> 00:11:34,394 RIGHT. 263 00:11:34,427 --> 00:11:35,829 THAT, TOO. 264 00:11:35,863 --> 00:11:37,064 TAKE HER OUT. 265 00:11:37,097 --> 00:11:38,331 YOU TOO. 266 00:11:38,365 --> 00:11:43,136 DESTROY HER. 267 00:11:43,170 --> 00:11:44,805 OKAY, YOU TWO ARE SCARING ME. 268 00:11:46,173 --> 00:11:50,944 [ZARKOV SCREAMING IN AGONY] 269 00:11:54,815 --> 00:11:55,783 NO! 270 00:11:55,816 --> 00:11:57,785 [GIGGLING] 271 00:11:57,818 --> 00:11:59,186 STOP IT! 272 00:11:59,219 --> 00:12:00,453 GEEZ! DON'T! 273 00:12:00,487 --> 00:12:03,190 IT'S OKAY, YOU CAN KEEP GOING. 274 00:12:03,223 --> 00:12:04,491 OHH... 275 00:12:04,524 --> 00:12:05,859 HEE, HEE, HEE! HEE, HEE... 276 00:12:05,893 --> 00:12:07,327 [SPAZZING] 277 00:12:07,360 --> 00:12:10,864 I'M SORRY, I JUST DON'T LIKE BEING TOUCHED. 278 00:12:10,898 --> 00:12:15,769 THEN YOU HAVE NOT BEEN TOUCHED PROPERLY. 279 00:12:15,803 --> 00:12:17,537 [SHUDDERING] 280 00:12:17,570 --> 00:12:20,240 OHH... OH. 281 00:12:20,273 --> 00:12:21,775 [GIGGLING] 282 00:12:21,809 --> 00:12:23,410 OKAY, OKAY, OKAY, OKAY! THAT'S ENOUGH. 283 00:12:23,443 --> 00:12:25,913 I'M DONE. THANK YOU. 284 00:12:25,946 --> 00:12:28,115 OH! THIS IS A TRICK, ISN'T IT? 285 00:12:28,148 --> 00:12:30,383 YOU'RE GOING TO KILL ME, AREN'T YOU? 286 00:12:30,417 --> 00:12:32,285 OR TAP MY BRAIN? 287 00:12:32,319 --> 00:12:34,387 WE WOULD NEVER THINK OF 288 00:12:34,421 --> 00:12:35,956 TREATING THE GREAT HANS ZARKOV 289 00:12:35,989 --> 00:12:38,425 WITH ANYTHING BUT REVERENCE AND RESPECT. 290 00:12:38,458 --> 00:12:39,426 ME? 291 00:12:39,459 --> 00:12:40,560 REVERENCE AND RESPECT? 292 00:12:40,593 --> 00:12:42,295 YOU'RE KIDDING, RIGHT? 293 00:12:42,329 --> 00:12:44,264 IS IT NOT THE SAME ON EARTH? 294 00:12:44,297 --> 00:12:45,565 UH... NO. 295 00:12:45,598 --> 00:12:47,868 THEY LOCKED ME UP FOR MY THEORIES. 296 00:12:47,901 --> 00:12:50,437 THEY SAID THAT I WAS A DELUSIONAL PARANOID. 297 00:12:50,470 --> 00:12:52,873 DO I SEEM DELUSIONAL TO YOU? 298 00:12:52,906 --> 00:12:55,175 [CHUCKLES]: NO. 299 00:12:55,208 --> 00:12:59,913 YOU LOOK LIKE A BRILLIANT SCIENTIST. 300 00:12:59,947 --> 00:13:02,115 SO... 301 00:13:02,149 --> 00:13:04,251 I WANT TO GIVE YOU SOMETHING. 302 00:13:04,284 --> 00:13:05,318 OH. 303 00:13:08,055 --> 00:13:10,090 IN FRONT OF EVERYBODY? 304 00:13:12,525 --> 00:13:14,394 THE ROBE OF A MONGO SCIENTIST, 305 00:13:14,427 --> 00:13:19,032 WORN ONLY BY THE MOST BRILLIANT MINDS. 306 00:13:27,140 --> 00:13:30,043 YOU DO NOT BELONG ON EARTH. 307 00:13:30,077 --> 00:13:31,845 YOU BELONG HERE, 308 00:13:31,879 --> 00:13:35,348 WHERE YOUR GENIUS CAN BE APPRECIATED. 309 00:13:42,589 --> 00:13:44,892 SO... SO, WHY DID YOU BRING ME HERE? 310 00:13:44,925 --> 00:13:46,226 YOU ARE HERE, DOCTOR, 311 00:13:46,259 --> 00:13:47,560 TO DO THE MOST IMPORTANT THING 312 00:13:47,594 --> 00:13:50,430 YOU OR ANYONE ELSE WILL EVER DO. 313 00:13:51,598 --> 00:13:54,067 YOU MUST BE RANKOL. 314 00:13:54,101 --> 00:13:55,936 PLEASE DON'T KILL ME. 315 00:13:55,969 --> 00:13:57,404 OH, YOU ARE NOT A PRISONER. 316 00:13:57,437 --> 00:13:59,006 YOU ARE FREE TO LEAVE AT ANY TIME. 317 00:13:59,039 --> 00:14:00,407 JUST SAY THE WORD, 318 00:14:00,440 --> 00:14:02,976 AND GENESSA WILL ESCORT YOU HOME. 319 00:14:04,477 --> 00:14:05,512 OKAY. 320 00:14:06,914 --> 00:14:08,048 LET'S GO. 321 00:14:08,081 --> 00:14:10,317 BUT KNOW THAT, BY LEAVING, 322 00:14:10,350 --> 00:14:13,987 YOU MAY WELL DOOM THE ENTIRE UNIVERSE TO OBLIVION. 323 00:14:14,021 --> 00:14:16,323 RIGHT. 324 00:14:16,356 --> 00:14:19,626 SO, WHY DON'T YOU JUST TELL ME WHAT YOU WANT? 325 00:14:19,659 --> 00:14:22,629 I NEED YOUR HELP, DOCTOR. 326 00:14:22,662 --> 00:14:25,065 WE ALL DO. 327 00:14:28,035 --> 00:14:29,302 ONE PROFESSIONAL TO ANOTHER, 328 00:14:29,336 --> 00:14:31,471 I JUST NEED TWO MINUTES OF YOUR TIME. 329 00:14:31,504 --> 00:14:33,373 ARE YOU ALWAYS THIS INTENSE? 330 00:14:33,406 --> 00:14:35,575 WHEN IT'S SOMETHING THAT'S IMPORTANT TO ME. 331 00:14:35,608 --> 00:14:37,544 BECAUSE I CAN'T DECIDE IF THIS IS TRESPASSING 332 00:14:37,577 --> 00:14:39,947 OR STALKING. 333 00:14:39,980 --> 00:14:42,249 I'M HERE IN THE NAME OF JOURNALISTIC INTEGRITY. 334 00:14:42,282 --> 00:14:43,984 EVERY TIME SOMEBODY GOES ON THE AIR 335 00:14:44,017 --> 00:14:45,518 WITH A UNCORROBORATED PIECE OF FLUFF LIKE THIS ONE-- 336 00:14:45,552 --> 00:14:46,519 NO OFFENSE-- 337 00:14:46,553 --> 00:14:47,520 NONE TAKEN. 338 00:14:47,554 --> 00:14:49,089 WITHOUT TAKING THE TIME 339 00:14:49,122 --> 00:14:50,390 TO RESEARCH, CHECK SOURCES, VERIFY FACTS, 340 00:14:50,423 --> 00:14:52,059 IT HURTS ALL OF US. 341 00:14:52,092 --> 00:14:54,127 BUT, MOSTLY, SUSAN, IT HURTS YOU. 342 00:14:54,161 --> 00:14:56,463 WHAT IF THIS STORY TURNS OUT TO BE A HOAX? 343 00:14:56,496 --> 00:14:58,331 DO YOU REALLY WANT TO BE "DAN RATHERED"? 344 00:14:58,365 --> 00:15:00,133 WOW, DALE. 345 00:15:00,167 --> 00:15:02,970 I CAN'T BELIEVE YOU CARE SO MUCH ABOUT MY CAREER. 346 00:15:03,003 --> 00:15:04,637 I DO. 347 00:15:04,671 --> 00:15:07,340 NO, I MEAN, I REALLY DON'T BELIEVE YOU CARE SO MUCH. 348 00:15:07,374 --> 00:15:09,176 YOU'RE JUST JEALOUS. 349 00:15:09,209 --> 00:15:11,979 THIS MAY NOT EVEN BE A REAL STORY. 350 00:15:12,012 --> 00:15:14,214 SIT ON YOUR HIGH HORSE AND WEEP AWAY, 351 00:15:14,247 --> 00:15:15,648 BUT I KNOW WHAT PEOPLE CRAVE. 352 00:15:15,682 --> 00:15:17,951 THEY DON'T WANT TO HEAR ABOUT RISING INFLATION 353 00:15:17,985 --> 00:15:19,019 OR THE MIDDLE EAST. 354 00:15:19,052 --> 00:15:20,520 THEY WANT TO BE ENTERTAINED. 355 00:15:20,553 --> 00:15:22,089 AND IF TODAY'S ALIEN INVASION 356 00:15:22,122 --> 00:15:24,057 TURNS OUT TO BE A WEATHER BALLOON, 357 00:15:24,091 --> 00:15:26,526 WELL, THEN, WE'VE GOT TOMORROW'S STORY, DON'T WE? 358 00:15:26,559 --> 00:15:29,096 WHAT ABOUT CREDIBILITY? 359 00:15:29,129 --> 00:15:30,630 HONOR? ETHICS? 360 00:15:30,663 --> 00:15:33,633 RATINGS, RAISES, REVENUE. 361 00:15:33,666 --> 00:15:35,368 WELL, WE CLEARLY HAVE VERY DIFFERENT AGENDAS, 362 00:15:35,402 --> 00:15:38,305 AND AT LEAST I'M HONEST ABOUT MINE. 363 00:15:42,475 --> 00:15:44,244 WELL, THAT WAS A BUST. 364 00:15:44,277 --> 00:15:46,113 SHE'S STILL GONNA DO DO THE STORY. 365 00:15:46,146 --> 00:15:47,981 OKAY, WELL, THEN LET'S MOVE ON TO PLAN "B." 366 00:15:48,015 --> 00:15:49,082 I'LL SNEAK THROUGH THE LOADING DOORS 367 00:15:49,116 --> 00:15:50,984 AND CUT THE POWER SUPPLY. 368 00:15:51,018 --> 00:15:53,220 THE MASTER SWITCHES SHOULD BE NEXT TO THE CONTROL ROOM. OURS ARE. 369 00:15:53,253 --> 00:15:55,088 OKAY, WELL, IF WE CAN GET THEM OFF THE AIR UNTIL AT LEAST SIX O'CLOCK, 370 00:15:55,122 --> 00:15:56,489 IT'LL GIVE US A CHANCE TO GET IN THERE 371 00:15:56,523 --> 00:15:58,158 AND STEAL THE FOOTAGE BEFORE THEY CAN AIR IT AGAIN. 372 00:15:58,191 --> 00:15:59,492 WHAT IF SOMEBODY'S ALREADY SEEN THE FOOTAGE 373 00:15:59,526 --> 00:16:01,461 AND SEEN THE RIFT AND KNEW WHAT IT WAS? 374 00:16:01,494 --> 00:16:03,496 NOW YOU'RE JUST BEING PARANOID. YOU SOUND LIKE ZARKOV. 375 00:16:03,530 --> 00:16:05,765 NO, IT'S POSSIBLE! 376 00:16:05,798 --> 00:16:08,201 IF THEY'VE SEEN THE TEASE PIECE AND THEY KNOW ABOUT MONGO AND THE RIFTS, 377 00:16:08,235 --> 00:16:10,303 THEY MAY KNOW THAT THINGS ARE COMING FROM ANOTHER PLANET, 378 00:16:10,337 --> 00:16:12,439 AND THEY MAY ALSO HAVE FIGURED OUT THAT WE'VE BEEN GOING THERE. 379 00:16:12,472 --> 00:16:14,074 WE'RE IN SERIOUS TROUBLE! 380 00:16:14,107 --> 00:16:15,442 OKAY, CALM DOWN. 381 00:16:15,475 --> 00:16:17,044 IT'S NOT LIKE SOME SECRET GOVERNMENT AGENT GUY 382 00:16:17,077 --> 00:16:19,479 IS GONNA POP OUT AND ARREST THE TWO OF US, OKAY? 383 00:16:19,512 --> 00:16:22,015 GET IN THE VAN. NOW. 384 00:16:23,450 --> 00:16:26,286 NOW I KNOW HOW LEFTOVERS FEEL. 385 00:16:26,319 --> 00:16:28,421 [GRUNTING AND STRUGGLING] 386 00:16:28,455 --> 00:16:30,257 THINGS ARE GOING TO BE OKAY, DALE. 387 00:16:30,290 --> 00:16:31,758 NO, THEY'RE NOT. 388 00:16:31,791 --> 00:16:34,361 THINGS HAVE NOT BEEN OKAY FOR A WHILE NOW, FLASH. 389 00:16:34,394 --> 00:16:35,628 COME ON, WE'VE GOTTEN OURSELVES 390 00:16:35,662 --> 00:16:38,298 OUT OF WAY WORSE SITUATIONS THAN THIS. 391 00:16:38,331 --> 00:16:40,300 YOU ARE SUCH A LIAR! 392 00:16:40,333 --> 00:16:42,069 BUT THANKS. 393 00:16:42,102 --> 00:16:45,004 I KNOW YOU MEAN WELL. 394 00:16:46,739 --> 00:16:49,609 I CAN'T BEGIN TO TELL YOU HOW HAPPY I AM. 395 00:16:49,642 --> 00:16:50,710 WELL, YOU'RE GOING TO HAVE TO, 396 00:16:50,743 --> 00:16:52,245 BECAUSE YOU SURE DON'T LOOK IT. 397 00:16:52,279 --> 00:16:54,314 I MEAN, HERE I AM, JUST DOING MY JOB-- 398 00:16:54,347 --> 00:16:56,249 KIDNAPPING? HUNTING. 399 00:16:56,283 --> 00:16:58,318 EXTRA-TERRESTRIALS. 400 00:16:58,351 --> 00:17:00,587 WE'RE NOT EXTRA-TERRESTRIALS. 401 00:17:00,620 --> 00:17:02,189 NO. I'M DALE ARDEN. 402 00:17:02,222 --> 00:17:05,225 I DON'T CARE WHO YOU ARE, SWEETHEART. 403 00:17:05,258 --> 00:17:07,594 BUT YOU... 404 00:17:07,627 --> 00:17:09,596 YOU'RE LAWRENCE GORDON'S SON. 405 00:17:13,766 --> 00:17:15,568 YOU'RE MY JACKPOT. 406 00:17:20,407 --> 00:17:23,310 [***] 407 00:18:04,784 --> 00:18:07,287 RILIK, YOU SON OF A DEVIATE. 408 00:18:07,320 --> 00:18:08,788 YOU REMEMBERED. 409 00:18:08,821 --> 00:18:12,792 ONCE A CUDDLE-BARK GIRL, ALWAYS A CUDDLE-BARK GIRL. 410 00:18:12,825 --> 00:18:14,827 HAVEN'T SEEN YOU IN A WHILE. 411 00:18:14,861 --> 00:18:16,596 I WAS BEGINNING TO WORRY. 412 00:18:16,629 --> 00:18:19,832 DO NOT WASTE YOUR WORRY ON ME. 413 00:18:19,866 --> 00:18:23,170 SO, WHERE HAVE YOU BEEN HIDING? 414 00:18:23,203 --> 00:18:26,173 IN A GOOD PLACE. 415 00:18:26,206 --> 00:18:29,142 BUT I HAVE COME TO ASK ABOUT GENESSA. 416 00:18:29,176 --> 00:18:31,578 GENESSA? 417 00:18:31,611 --> 00:18:34,314 SO YOU HAVEN'T LEFT THE LIFE? 418 00:18:34,347 --> 00:18:38,818 I DON'T KNOW WHERE SHE IS, BAYLIN. 419 00:18:38,851 --> 00:18:42,189 BUT YOU KNOW DENZINS WHO KNOW WHERE SHE IS. 420 00:18:42,222 --> 00:18:46,293 PLEASE, DON'T GET ME INVOLVED. 421 00:18:46,326 --> 00:18:49,162 VENGEANCE IS BAD FOR BUSINESS. 422 00:18:51,498 --> 00:18:53,333 [THUD] 423 00:18:53,366 --> 00:18:56,569 I DO NOT WISH TO HARM HER. 424 00:18:56,603 --> 00:18:57,904 YOU SHOULD. 425 00:18:57,937 --> 00:18:59,606 YOU TEACH HER EVERYTHING YOU KNOW, 426 00:18:59,639 --> 00:19:02,575 SHE JUMPS THREE ATTRIBUTIONS BECAUSE OF YOU, 427 00:19:02,609 --> 00:19:04,844 THEN SHE LEAVES YOU TO DIE. 428 00:19:04,877 --> 00:19:07,314 BUT I DID NOT DIE. 429 00:19:07,347 --> 00:19:10,550 THIS IS ALL IN THE PAST. 430 00:19:14,921 --> 00:19:16,723 MM! 431 00:19:16,756 --> 00:19:18,525 WHAT IS THIS? 432 00:19:18,558 --> 00:19:20,327 IT IS CALLED CHOCOLATE. 433 00:19:20,360 --> 00:19:23,630 INCREDIBLY RARE AND EXTREMELY VALUABLE. 434 00:19:23,663 --> 00:19:24,764 MM... 435 00:19:24,797 --> 00:19:27,500 STRANGE AND MAGNIFICENT! 436 00:19:27,534 --> 00:19:30,837 SO, GENESSA... 437 00:19:30,870 --> 00:19:33,740 WHERE WOULD I FIND HER? 438 00:19:33,773 --> 00:19:37,644 I'VE GOT NO IDEA, BAYLIN. 439 00:19:40,547 --> 00:19:42,349 BUT YOU HAVE CHANNELS. 440 00:19:42,382 --> 00:19:45,985 YOU COULD SEND WORD FOR HER. 441 00:19:46,018 --> 00:19:47,854 FINDING A DIMENSIONAL RIFT 442 00:19:47,887 --> 00:19:51,324 AND LAWRENCE GORDON'S SON IN THE SAME QUAINT SUBURB 443 00:19:51,358 --> 00:19:54,794 CAN'T BE A COINCIDENCE, CAN IT? 444 00:19:59,832 --> 00:20:01,601 YOU BUILT ONE, DIDN'T YOU? 445 00:20:01,634 --> 00:20:02,602 BUILT WHAT? 446 00:20:02,635 --> 00:20:03,936 A RIFT GENERATOR. 447 00:20:03,970 --> 00:20:05,505 WHAT'S THAT? 448 00:20:05,538 --> 00:20:07,340 SOME KIND OF WEIRD CAR PART? 449 00:20:07,374 --> 00:20:08,675 NAH, I'VE NEVER HEARD OF-- WHAT'S A LIFT GENERATOR? 450 00:20:08,708 --> 00:20:10,443 RIFT GENERATOR! 451 00:20:10,477 --> 00:20:12,512 THE PORTAGE INITIATIVE. 452 00:20:12,545 --> 00:20:13,946 NOPE. 453 00:20:13,980 --> 00:20:15,815 WE HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 454 00:20:15,848 --> 00:20:16,883 WHO ARE YOU? 455 00:20:16,916 --> 00:20:19,018 THE NAME'S MONTGOMERY. 456 00:20:19,051 --> 00:20:22,422 AND I KNOW ABOUT THE RIFTS. 457 00:20:22,455 --> 00:20:24,357 LOOK, BUDDY, YOU'VE GOT THE WRONG GUY. 458 00:20:24,391 --> 00:20:25,392 I RESTORE OLD CARS, OKAY? 459 00:20:25,425 --> 00:20:26,693 NOW, UNLESS YOU WANT 460 00:20:26,726 --> 00:20:28,861 YOUR DISTURBINGLY NONDESCRIPT VAN PIMPED OUT, 461 00:20:28,895 --> 00:20:30,963 YOU'RE LOOKING IN THE WRONG DIRECTION. 462 00:20:30,997 --> 00:20:32,899 NO. 463 00:20:34,066 --> 00:20:36,869 I WAS THERE. 464 00:20:36,903 --> 00:20:39,872 I KNOW WHAT YOUR FATHER ACHIEVED. 465 00:20:39,906 --> 00:20:42,342 I WAS THE HEAD OF THE SANITATION TEAM. 466 00:20:42,375 --> 00:20:45,044 I CLEANED IT UP WHEN IT ALL WENT WRONG. 467 00:20:45,077 --> 00:20:46,746 OKAY, LOOK, I UNDERSTAND 468 00:20:46,779 --> 00:20:48,681 THAT YOUR MEDICATION IS WEARING OFF, 469 00:20:48,715 --> 00:20:50,650 BUT IF YOU LET US GO NOW, 470 00:20:50,683 --> 00:20:52,285 WE MIGHT NOT PRESS CHARGES. 471 00:20:52,319 --> 00:20:54,587 WAIT. THE SANITATION TEAM? 472 00:20:54,621 --> 00:20:55,955 WE'D COME IN, 473 00:20:55,988 --> 00:20:58,491 DEEP-VAULT THE HOT DOCS, MAKE IT ALL SUB-ROSA, 474 00:20:58,525 --> 00:21:00,393 SEAL THE GENIE IN THE BOTTLE. 475 00:21:00,427 --> 00:21:03,830 FUNNY THING IS, WE NEVER FOUND THE BLUEPRINT. 476 00:21:03,863 --> 00:21:05,565 THE BLUEPRINT? 477 00:21:05,598 --> 00:21:07,734 YOUR FATHER STOLE A VERY VALUABLE BLUEPRINT 478 00:21:07,767 --> 00:21:09,436 FROM THE GOVERNMENT. 479 00:21:09,469 --> 00:21:11,838 YOU HAVE IT, DON'T YOU? 480 00:21:11,871 --> 00:21:15,375 SEE, YOU JUST LOST ME AGAIN. 481 00:21:17,377 --> 00:21:19,879 MAYBE YOUR BUDDY, ZARKOV, CAN EXPLAIN IT. 482 00:21:19,912 --> 00:21:21,748 I DON'T KNOW ANY ZARKOV. 483 00:21:21,781 --> 00:21:23,015 DO YOU KNOW ANY ZARKOV? 484 00:21:23,049 --> 00:21:25,318 ZARKOV? WHAT KIND OF NAME IS ZARKOV? 485 00:21:25,352 --> 00:21:26,753 WHO'S THAT? 486 00:21:26,786 --> 00:21:28,588 [FLASH]: NOW YOU'RE JUST BEING PARANOID. 487 00:21:28,621 --> 00:21:30,022 YOU SOUND LIKE ZARKOV. 488 00:21:30,056 --> 00:21:31,991 [BEEPS] 489 00:21:32,024 --> 00:21:34,627 OH... THAT-- THAT ZARKOV. 490 00:21:34,661 --> 00:21:36,629 YEAH, THAT ZARKOV. 491 00:21:36,663 --> 00:21:38,665 HE WAS WORKING FOR YOUR FATHER, 492 00:21:38,698 --> 00:21:40,099 AND NOW HE'S WORKING WITH YOU, 493 00:21:40,132 --> 00:21:42,702 SO WHERE'S THE BLUEPRINT HE STOLE? 494 00:21:42,735 --> 00:21:45,372 MY FATHER WOULD NEVER STEAL ANYTHING. 495 00:21:45,405 --> 00:21:47,707 WE DON'T KNOW WHAT YOU'RE TALKING ABOUT. 496 00:21:47,740 --> 00:21:48,808 OKAY. 497 00:21:48,841 --> 00:21:51,344 OKAY. 498 00:21:51,378 --> 00:21:54,080 I GUESS WE DO THIS OLD SCHOOL. 499 00:21:56,516 --> 00:21:58,551 [CHUCKLING]: HOW RETRO. 500 00:21:58,585 --> 00:22:00,787 HE SMOKES, TOO. 501 00:22:00,820 --> 00:22:02,422 UH... 502 00:22:02,455 --> 00:22:04,757 NOT EXACTLY. 503 00:22:10,096 --> 00:22:11,998 I TELL YOU THIS 504 00:22:12,031 --> 00:22:14,601 BECAUSE YOU ARE THE ONLY ONE WHO CAN UNDERSTAND. 505 00:22:14,634 --> 00:22:16,403 MM, NOT TO QUIBBLE, BUT... 506 00:22:16,436 --> 00:22:18,037 ONLY BECAUSE YOU KILLED THE OTHERS. 507 00:22:18,070 --> 00:22:20,473 I DID WHAT WAS NECESSARY. 508 00:22:20,507 --> 00:22:23,075 WE FACE A GRAVE PROBLEM. 509 00:22:23,109 --> 00:22:24,677 THE RIFT GENERATOR. 510 00:22:24,711 --> 00:22:26,413 I FEAR THAT IT ENDANGERS 511 00:22:26,446 --> 00:22:27,614 THE VERY FABRIC OF THE UNIVERSE. 512 00:22:27,647 --> 00:22:29,382 YES! YES, EXACTLY. 513 00:22:29,416 --> 00:22:30,950 FINALLY, SOMEBODY WHO UNDERSTANDS. 514 00:22:30,983 --> 00:22:32,652 THIS IS FANTASTIC. 515 00:22:32,685 --> 00:22:35,388 NOT THAT THE FABRIC OF THE UNIVERSE IS SHREDDING-- 516 00:22:35,422 --> 00:22:36,723 THAT'S BAD-- 517 00:22:36,756 --> 00:22:38,425 THE FACT THAT YOU AGREE WITH ME THAT IT IS-- 518 00:22:38,458 --> 00:22:40,727 AND AS LONG AS YOU KEEP USING THE RIFT GENERATOR, 519 00:22:40,760 --> 00:22:42,429 IT'S ONLY GOING TO GET WORSE. 520 00:22:42,462 --> 00:22:45,532 WHAT IF THERE WERE A WAY TO MOVE BETWEEN DIMENSIONS 521 00:22:45,565 --> 00:22:47,500 WITHOUT DAMAGING THE VEIL? 522 00:22:47,534 --> 00:22:48,501 YES. 523 00:22:48,535 --> 00:22:50,102 THAT MAKES PERFECT SENSE. 524 00:22:50,136 --> 00:22:54,974 YOU SEE, I THINK OUR TWO PLANETS ARE FUNDAMENTALLY CONNECTED. 525 00:22:55,007 --> 00:22:58,978 DID DR. GORDON EVER TALK TO YOU ABOUT BELL'S THEOREM 526 00:22:59,011 --> 00:23:00,480 OR THE E.P.R. PARADOX? 527 00:23:00,513 --> 00:23:01,981 YES! 528 00:23:02,014 --> 00:23:03,716 WELL, WHAT IF THE SAME QUANTUM MECHANICS 529 00:23:03,750 --> 00:23:06,553 WERE OPERATING AT A PLANETARY SCALE? 530 00:23:06,586 --> 00:23:08,421 WHAT IF EARTH 531 00:23:08,455 --> 00:23:09,689 AND MONGO 532 00:23:09,722 --> 00:23:13,025 ARE THE OPPOSITE SIDES OF THE SAME COIN? 533 00:23:13,059 --> 00:23:15,127 OPPOSITE... 534 00:23:15,161 --> 00:23:17,497 APART, BUT FOREVER CONNECTED? 535 00:23:17,530 --> 00:23:19,098 YES, YES. YES. 536 00:23:19,131 --> 00:23:21,468 SEE, TWO PLANETS, TWO UNIVERSES-- 537 00:23:21,501 --> 00:23:23,169 THE DARK TO OUR LIGHT, 538 00:23:23,202 --> 00:23:24,671 THE NEGATIVE TO OUR POSITIVE, 539 00:23:24,704 --> 00:23:26,473 THE YIN TO OUR YANG... 540 00:23:26,506 --> 00:23:27,874 OR THE YANG TO OUR YIN? 541 00:23:27,907 --> 00:23:29,442 IT WOULD CERTAINLY EXPLAIN 542 00:23:29,476 --> 00:23:31,511 THE SIMILARITIES BETWEEN OUR TWO PLANETS. 543 00:23:31,544 --> 00:23:33,780 YES. OF COURSE. 544 00:23:33,813 --> 00:23:36,215 BUT USING THE RIFT GENERATOR TO CROSS THE DIVIDE 545 00:23:36,248 --> 00:23:38,017 MAY DAMAGE THAT CONNECTION 546 00:23:38,050 --> 00:23:40,820 AND THREATEN TO DESTROY BOTH OUR WORLDS. 547 00:23:40,853 --> 00:23:44,824 I OBSERVED THAT THE ENERGY REQUIRED TO CREATE RIFTS WAS 548 00:23:44,857 --> 00:23:47,093 INCONSISTENT. 549 00:23:47,126 --> 00:23:48,895 SO, THE SEPARATION BETWEEN THE DIMENSIONS 550 00:23:48,928 --> 00:23:50,597 WOULD BE INCONSISTENT, TOO. 551 00:23:50,630 --> 00:23:52,632 EXACTLY. 552 00:23:52,665 --> 00:23:55,835 SO, AT SOME POINT IN TIME AND SPACE, 553 00:23:55,868 --> 00:23:59,071 OUR TWO PLANETS MUST HAVE BEEN MUCH CLOSER... 554 00:23:59,105 --> 00:24:00,740 CONNECTED. 555 00:24:00,773 --> 00:24:02,742 SO, IF THERE WAS A WAY TO CALCULATE 556 00:24:02,775 --> 00:24:04,210 WHERE AND WHEN THESE POINTS WERE, 557 00:24:04,243 --> 00:24:08,681 IT WOULD BE POSSIBLE TO TRAVEL WITH LESS FORCE. 558 00:24:08,715 --> 00:24:11,484 BUT, FIRST, WE WOULD HAVE TO FIND THESE CONNECTING POINTS, 559 00:24:11,518 --> 00:24:12,952 AND IN ORDER TO FIND THEM, 560 00:24:12,985 --> 00:24:15,121 WE WOULD HAVE TO HAVE A COMPREHENSIVE KNOWLEDGE 561 00:24:15,154 --> 00:24:16,523 OF THE STRUCTURE OF THE... 562 00:24:16,556 --> 00:24:17,724 UNIVERSE. UNIVERSE. 563 00:24:17,757 --> 00:24:20,192 EXACTLY. BUT HOW? 564 00:24:21,661 --> 00:24:22,929 THE IMEX. 565 00:24:22,962 --> 00:24:25,197 IT COULD TELL US... 566 00:24:25,231 --> 00:24:27,466 IF ONLY FLASH GORDON HADN'T DESTROYED IT. 567 00:24:28,935 --> 00:24:30,770 YES. 568 00:24:30,803 --> 00:24:32,839 OW. 569 00:24:32,872 --> 00:24:35,675 WHAT DID YOU JUST DO TO US? 570 00:24:35,708 --> 00:24:38,210 JUST A LITTLE SOMETHING TO RELAX YOU 571 00:24:38,244 --> 00:24:40,079 AND HELP YOU ANSWER MY QUESTIONS. 572 00:24:40,112 --> 00:24:41,981 YOU DID NOT GIVE US A TRUTH SERUM. 573 00:24:42,014 --> 00:24:43,082 IT'S A TRICK. 574 00:24:43,115 --> 00:24:44,684 IT WILL NEVER WORK. MM-MM. 575 00:24:44,717 --> 00:24:46,218 WHERE DO THE RIFTS TAKE YOU? 576 00:24:46,252 --> 00:24:49,221 TO MONGO. TO MONGO. 577 00:24:49,255 --> 00:24:52,258 OKAY, OKAY, MAYBE IT WILL WORK. 578 00:24:52,291 --> 00:24:53,292 WHERE'S MONGO? 579 00:24:53,325 --> 00:24:54,694 MM-MM. MM-MM. 580 00:24:54,727 --> 00:24:56,228 IT'S ANOTHER PLANET. DALE! 581 00:24:56,262 --> 00:24:57,997 IN ANOTHER DIMENSION. DALE! 582 00:24:58,030 --> 00:24:59,799 I KNEW IT. YES! DALE, COME ON. 583 00:24:59,832 --> 00:25:01,734 WE CAN BEAT THIS, ALL RIGHT? WE'VE JUST GOT TO BE STRONG. 584 00:25:01,768 --> 00:25:03,736 BE STRONG. BE STRONG. BE STRONG. I'M TRYING! 585 00:25:03,770 --> 00:25:05,538 IT'S HARD! IT'S LIKE EVERY THOUGHT THAT CROSSES MY MIND 586 00:25:05,572 --> 00:25:07,540 JUST WANTS TO LEAP OUT OF MY MOUTH. 587 00:25:07,574 --> 00:25:10,910 THAT'S EXCELLENT. DALE, JUST LET IT HAPPEN. 588 00:25:10,943 --> 00:25:13,045 WHAT ELSE DID YOU WANT TO TELL ME? 589 00:25:13,079 --> 00:25:15,815 FLASH IS THE BEST KISSER I'VE EVER KNOWN. 590 00:25:15,848 --> 00:25:17,283 [GASPS] 591 00:25:17,316 --> 00:25:19,719 OH, MY GOD, OH, MY GOD. DID I SAY THAT OUT LOUD? 592 00:25:19,752 --> 00:25:22,689 YES, YOU DID, AND THANK YOU. 593 00:25:22,722 --> 00:25:24,591 AND YOU'RE PRETTY GOOD YOURSELF. 594 00:25:24,624 --> 00:25:25,758 OKAY, LET'S TRY TO FOCUS HERE. 595 00:25:25,792 --> 00:25:27,159 WAIT. PRETTY GOOD? 596 00:25:27,193 --> 00:25:28,327 HMM? 597 00:25:28,360 --> 00:25:29,596 WHO'S BETTER THAN ME? AURA? 598 00:25:29,629 --> 00:25:31,263 OKAY, FIRST OF ALL, 599 00:25:31,297 --> 00:25:33,165 I CANNOT BE HELD ACCOUNTABLE FOR THAT, 600 00:25:33,199 --> 00:25:34,934 AND, SECOND OF ALL, I AM SO NOT ANSWERING THESE QUESTIONS! 601 00:25:34,967 --> 00:25:36,002 WHO'S AURA? 602 00:25:36,035 --> 00:25:37,169 HEY! IT'S MY TURN. 603 00:25:37,203 --> 00:25:38,771 ANSWER THE QUESTION. 604 00:25:38,805 --> 00:25:40,206 WHO'S BETTER, ME OR AURA? 605 00:25:40,239 --> 00:25:42,609 OKAY, THIS IS SO NOT FAIR. 606 00:25:42,642 --> 00:25:43,810 TELL ME. MM-MM! 607 00:25:43,843 --> 00:25:45,612 TELL ME! MM-MM! 608 00:25:45,645 --> 00:25:46,779 OKAY, ENOUGH! I'M ASKING THE QUESTIONS HERE. 609 00:25:46,813 --> 00:25:47,947 OKAY, WELL, COULD YOU GET HER 610 00:25:47,980 --> 00:25:49,682 TO STOP ASKING PERSONAL QUESTIONS THEN? 611 00:25:49,716 --> 00:25:51,017 WHAT IS IT WITH YOU TWO? 612 00:25:51,050 --> 00:25:53,986 SHE BROKE MY HEART. 613 00:25:54,020 --> 00:25:58,324 BEFORE OR AFTER YOU BROKE MINE? 614 00:25:58,357 --> 00:26:00,627 O...KAY. 615 00:26:00,660 --> 00:26:02,328 OKAY, JUST TELL ME. 616 00:26:02,361 --> 00:26:05,965 DO YOU USE THE BLUEPRINT TO CREATE THE RIFTS? 617 00:26:05,998 --> 00:26:08,034 WE DON'T CREATE THE RIFTS. THEY DO. 618 00:26:08,067 --> 00:26:09,636 WE HAVE NO IDEA WHAT THE BLUEPRINTS ARE FOR. 619 00:26:09,669 --> 00:26:11,638 MY FATHER WAS A PHYSICIST, NOT AN ARCHITECT. 620 00:26:11,671 --> 00:26:13,039 IT'S NOT THAT KIND OF BLUEPRINT. 621 00:26:13,072 --> 00:26:14,373 IT'S A SCHEMATIC. 622 00:26:14,406 --> 00:26:16,242 IT'S A PIECE OF ADVANCED ALIEN TECHNOLOGY. 623 00:26:16,275 --> 00:26:19,311 THEY FOUND IT IN AN INCAN TEMPLE IN NAZCA, PERU. 624 00:26:19,345 --> 00:26:20,713 OH, YOU MEAN THE IMEX. 625 00:26:20,747 --> 00:26:21,781 FLASH. 626 00:26:21,814 --> 00:26:23,015 [GROANING]: OOPS! 627 00:26:23,049 --> 00:26:24,383 NO, NO, NO! NO! UH-UH. 628 00:26:24,416 --> 00:26:27,019 THIS IMEX, WHAT DOES IT LOOK LIKE? 629 00:26:27,053 --> 00:26:29,922 [STRAINING]: UM... ALIEN. 630 00:26:29,956 --> 00:26:32,659 GLOWY THINGS? 631 00:26:32,692 --> 00:26:34,994 WITH FLOATY SYMBOLS ALL AROUND. OH! 632 00:26:35,027 --> 00:26:36,128 YES! 633 00:26:36,162 --> 00:26:37,864 DAMN IT! THAT'S IT. 634 00:26:37,897 --> 00:26:39,198 OKAY, AND WHAT IS IT? 635 00:26:39,231 --> 00:26:40,833 IT'S A MOLECULAR COMPUTER. 636 00:26:40,867 --> 00:26:43,069 IT CONTAINS THE GENETIC CODE OF THE UNIVERSE. 637 00:26:43,102 --> 00:26:45,905 THE DNA OF THE COSMOS. 638 00:26:45,938 --> 00:26:47,674 OH, NO. OH, NO. 639 00:26:47,707 --> 00:26:49,642 NOW HE'S GOING TO MAKE YOU TELL HIM WHERE IT IS. 640 00:26:49,676 --> 00:26:51,744 NO, I'M GOING TO ASK YOU WHERE IT IS. 641 00:26:51,778 --> 00:26:52,912 DALE... [WHIMPERS] 642 00:26:52,945 --> 00:26:54,681 DALE, YOU CAN DO THIS. BE STRONG, DALE. 643 00:26:54,714 --> 00:26:56,315 YOU CAN DO THIS. WHERE IS IT? 644 00:26:56,348 --> 00:26:57,884 IN ZARKOV'S LAB. 645 00:26:57,917 --> 00:26:59,418 DALE! YEAH, SEE? 646 00:26:59,451 --> 00:27:01,020 I'M SORRY! COME ON! 647 00:27:01,053 --> 00:27:02,288 WHERE'S ZARKOV'S LAB? 648 00:27:02,321 --> 00:27:04,156 NO! NO, I AM NOT TELLING YOU THAT. 649 00:27:04,190 --> 00:27:06,192 NO! YES, YOU ARE. 650 00:27:06,225 --> 00:27:07,794 [GRUNTING] YES. YES. 651 00:27:07,827 --> 00:27:09,862 YEAH? AND THEN WHAT, HUH? 652 00:27:09,896 --> 00:27:12,865 SINCE YOU'VE BEEN SO GOOD ABOUT TELLING ME THE TRUTH, 653 00:27:12,899 --> 00:27:14,967 I GUESS I OWE IT TO YOU TO RETURN THE FAVOR. 654 00:27:15,001 --> 00:27:16,068 MM-HMM. 655 00:27:16,102 --> 00:27:18,070 WHEN I GET THE IMEX... 656 00:27:18,104 --> 00:27:22,374 I'M GOING TO KILL YOU BOTH. 657 00:27:22,408 --> 00:27:23,776 NOT GOOD. 658 00:27:23,810 --> 00:27:25,912 HONESTLY? NOT GOOD. 659 00:27:25,945 --> 00:27:27,113 NOT GOOD. NO. 660 00:27:33,319 --> 00:27:35,254 WE'RE GOOD AT THIS. 661 00:27:35,287 --> 00:27:37,089 WE'RE GOOD TOGETHER. 662 00:27:37,123 --> 00:27:38,925 WE COULD PROBABLY TAKE THIS CREEP OUT. 663 00:27:38,958 --> 00:27:40,259 YOU'RE RIGHT. 664 00:27:40,292 --> 00:27:41,728 YOU'RE HALLUCINATING. 665 00:27:41,761 --> 00:27:43,696 WE COULD USE HIS FALSE SENSE OF CONFIDENCE 666 00:27:43,730 --> 00:27:44,964 AGAINST HIM. 667 00:27:44,997 --> 00:27:46,432 MM-HMM. 668 00:27:46,465 --> 00:27:47,800 REMEMBER THAT SONG WHEN WE WERE KIDS? 669 00:27:47,834 --> 00:27:48,868 "HEAD, SHOULDERS, KNEES AND TOES?" 670 00:27:48,901 --> 00:27:51,437 YEAH, IT GOES, "HEADS... 671 00:27:51,470 --> 00:27:52,872 "SHOULDERS! 672 00:27:52,905 --> 00:27:54,874 "KNEES... 673 00:27:54,907 --> 00:27:56,108 TOES!" 674 00:27:59,946 --> 00:28:01,413 OW... AND FIST. 675 00:28:01,447 --> 00:28:03,750 I DON'T REMEMBER THAT PART OF THE SONG. 676 00:28:03,783 --> 00:28:04,984 IT'S NEW. 677 00:28:05,017 --> 00:28:07,453 YOU'RE AMAZING. 678 00:28:07,486 --> 00:28:09,621 GET HIS LEGS. I'M TRYING! 679 00:28:13,492 --> 00:28:15,061 GOOD CALL. 680 00:28:15,094 --> 00:28:16,462 WE REALLY DO WORK WELL TOGETHER. 681 00:28:16,495 --> 00:28:18,030 YEAH. WE REALLY DO. 682 00:28:18,064 --> 00:28:19,465 ...HERE'S OUR OWN SUSAN GLASS. 683 00:28:19,498 --> 00:28:20,800 [GLASS]: AN UNIDENTIFIED FEMALE OBJECT 684 00:28:20,833 --> 00:28:22,401 OH, NO. 685 00:28:22,434 --> 00:28:25,004 APPEARED OUT OF THIN AIR AT STARSHINE PARK TODAY. 686 00:28:25,037 --> 00:28:27,073 NO OFFICIAL WORD FROM CITY GOVERNMENT 687 00:28:27,106 --> 00:28:30,109 AS TO WHAT THREAT THIS CREATURE MIGHT POSE TO KENDAL. 688 00:28:30,142 --> 00:28:31,410 EVERYBODY KNOWS! THAT'S OKAY. 689 00:28:31,443 --> 00:28:33,079 WE CAN TOTALLY SPIN THIS. 690 00:28:33,112 --> 00:28:34,280 WE JUST HAVE TO GET BACK TO THE SKATEBOARD PARK. 691 00:28:34,313 --> 00:28:36,382 AND THEN WE CAN TAKE CHANNEL 7 DOWN, 692 00:28:36,415 --> 00:28:38,350 JUST LIKE WE TOOK DOWN THIS GUY? 693 00:28:38,384 --> 00:28:40,186 ACTUALLY, NO. 694 00:28:40,219 --> 00:28:43,990 WE'VE GOT TO GET BACK THERE BECAUSE BAYLIN AND ZARKOV 695 00:28:44,023 --> 00:28:48,527 MIGHT BE COMING BACK THROUGH THE RIFT AT ANY MOMENT. 696 00:28:48,560 --> 00:28:50,963 AND THEN WE CAN TAKE DOWN CHANNEL 7? 697 00:28:57,036 --> 00:28:59,171 [***] 698 00:29:14,954 --> 00:29:16,488 SO, THIS IS A SET-UP? 699 00:29:16,522 --> 00:29:17,990 WOULD YOU HAVE COME IF I HAD ASKED? 700 00:29:18,024 --> 00:29:21,360 NOT WITHOUT MY I.P. 701 00:29:21,393 --> 00:29:22,862 BUT YOU WERE NEVER ONE TO LIE. 702 00:29:22,895 --> 00:29:24,964 I GUESS YOUR STYLE HAS CHANGED. 703 00:29:24,997 --> 00:29:26,198 NOT FOR THE BETTER. 704 00:29:26,232 --> 00:29:27,967 I NEED TO TALK TO YOU. 705 00:29:28,000 --> 00:29:29,101 I'VE GOT NOTHING TO SAY TO YOU. 706 00:29:30,436 --> 00:29:33,272 I WANT TO HELP YOU. 707 00:29:33,305 --> 00:29:35,842 [CHUCKLING] 708 00:29:37,309 --> 00:29:39,378 YOU? HELP ME? 709 00:29:39,411 --> 00:29:41,080 YOU'RE AN OUTCAST. 710 00:29:41,113 --> 00:29:42,982 YOU'RE A DISGRACE. 711 00:29:43,015 --> 00:29:45,151 WHY WOULD I NEED YOUR HELP? 712 00:29:45,184 --> 00:29:46,518 BEING AWAY HAS GIVEN ME THE CHANCE 713 00:29:46,552 --> 00:29:49,021 TO THINK ABOUT THINGS I DID-- 714 00:29:49,055 --> 00:29:51,790 WE DID-- WHEN WE WORKED FOR MING. 715 00:29:53,292 --> 00:29:55,527 SENTIMENT DOES NOT BECOME YOU. 716 00:29:55,561 --> 00:29:58,564 REMEMBER THE COUNCILMAN? 717 00:29:58,597 --> 00:30:00,299 HOW THE MOTHER BARGAINED AND THE FATHER WEPT? 718 00:30:00,332 --> 00:30:03,535 ARE YOU NOT ASHAMED OF WHAT WE DID? 719 00:30:03,569 --> 00:30:06,572 WE DID WHAT WAS REQUIRED OF US. 720 00:30:06,605 --> 00:30:10,142 IT DOESN'T HAVE TO BE THAT WAY. 721 00:30:10,176 --> 00:30:11,243 I GOT OUT, YOU CAN TOO. 722 00:30:11,277 --> 00:30:13,079 I DON'T WORK FOR MING ANYMORE. 723 00:30:13,112 --> 00:30:15,414 I HAVE A NEW EMPLOYER NOW. 724 00:30:15,447 --> 00:30:17,850 WHO? 725 00:30:17,884 --> 00:30:19,151 POACHING FOR MY JOB? 726 00:30:21,153 --> 00:30:23,155 IF I WANTED YOUR JOB, I WOULD HAVE IT. 727 00:30:34,967 --> 00:30:36,035 SO NICE TO SEE 728 00:30:36,068 --> 00:30:37,436 YOU GIRLS TOGETHER AGAIN. 729 00:30:37,469 --> 00:30:40,439 AND AS FRIENDLY AS EVER. 730 00:30:40,472 --> 00:30:42,308 YES. 731 00:30:42,341 --> 00:30:44,043 AND SHE WAS EVEN GOOD ENOUGH 732 00:30:44,076 --> 00:30:46,578 TO TELL ME EXACTLY WHAT I NEEDED TO KNOW. 733 00:30:46,612 --> 00:30:48,580 THERE'S ONLY ONE PLACE IN NASCENT CITY 734 00:30:48,614 --> 00:30:51,083 THAT BURNS CANDLES OF ZEPHYR WAX-- 735 00:30:51,117 --> 00:30:52,618 THE PLEASURE GARDEN. 736 00:30:54,286 --> 00:30:56,855 [CLEARING THROAT] 737 00:31:01,493 --> 00:31:04,063 YEAH, I UNDERSTAND. I KNOW! BUT-- 738 00:31:04,096 --> 00:31:07,033 WE DID, BUT-- RIGHT. 739 00:31:07,066 --> 00:31:09,468 WHY AREN'T WE COVERING THE SPACE BABE, 740 00:31:09,501 --> 00:31:11,437 LIKE THAT CUTE SUSAN GLASS ON CHANNEL 7? 741 00:31:11,470 --> 00:31:12,905 BECAUSE THERE ARE 742 00:31:12,939 --> 00:31:14,073 MORE IMPORTANT STORIES OUT THERE? 743 00:31:14,106 --> 00:31:16,208 NOW, FIRST, ARDEN LETS US GET SCOOPED. 744 00:31:16,242 --> 00:31:18,477 NOW, SHE'S MISSING IN ACTION. 745 00:31:18,510 --> 00:31:20,346 HER EXPLANATION HAD BETTER BE BETTER 746 00:31:20,379 --> 00:31:22,481 THAN ANY STORY SHE'S EVER COVERED. 747 00:31:22,514 --> 00:31:25,284 GET HER ON THE PHONE. NOW! 748 00:31:26,618 --> 00:31:29,521 [EXCITED CHATTER IN BACKGROUND] 749 00:31:32,124 --> 00:31:33,192 OH, BOY. 750 00:31:33,225 --> 00:31:35,294 I HOPE YOU LIKE GRANOLA! 751 00:31:37,029 --> 00:31:38,998 YOU DIDN'T HAVE TO COME ALL THE WAY BACK HERE, 752 00:31:39,031 --> 00:31:40,166 CHANNEL 4. 753 00:31:40,199 --> 00:31:42,568 YOU CAN JOIN MY FAN CLUB ON MY WEBSITE. 754 00:31:45,404 --> 00:31:46,672 THIS IS MY STORY. 755 00:31:46,705 --> 00:31:48,574 STAY AWAY FROM THE KID. 756 00:31:48,607 --> 00:31:49,641 [EXHALING] 757 00:31:49,675 --> 00:31:51,010 WHAT AN AWFUL DAY. 758 00:31:51,043 --> 00:31:52,144 EVERYBODY KNOWS ABOUT THE RIFTS. 759 00:31:52,178 --> 00:31:53,512 WHEN BAYLIN GETS BACK WITH ZARKOV, 760 00:31:53,545 --> 00:31:55,081 THEY'RE WALKING RIGHT INTO A HOMECOMING PARTY. 761 00:31:55,114 --> 00:31:56,315 I'M SAYING THINGS I THOUGHT I'D NEVER SAY, 762 00:31:56,348 --> 00:31:57,683 AND WE HAVE AN UNCONSCIOUS GOVERNMENT AGENT 763 00:31:57,716 --> 00:31:59,351 TIED UP IN THE BACK OF A STOLEN VAN. 764 00:31:59,385 --> 00:32:00,953 MAYBE THAT'S THE GOOD NEWS. 765 00:32:00,987 --> 00:32:02,188 YEAH, RIGHT. 766 00:32:02,221 --> 00:32:03,589 DALE ARDEN. 767 00:32:03,622 --> 00:32:04,957 [MITCHELL]: DALE, I'M VERY SORRY... 768 00:32:09,128 --> 00:32:10,963 WHAT WAS THAT? 769 00:32:10,997 --> 00:32:14,033 I JUST GOT FIRED. 770 00:32:17,569 --> 00:32:19,571 THIS BELONGED TO DR. GORDON. 771 00:32:19,605 --> 00:32:21,540 IT'S THE IMEX CODE. 772 00:32:21,573 --> 00:32:24,443 THE KEY TO UNDERSTANDING THE ENTIRE UNIVERSE. 773 00:32:24,476 --> 00:32:26,745 SO, DR. GORDON DID WORK WITH YOU? 774 00:32:26,778 --> 00:32:29,381 HE HELPED YOU BUILD THE RIFT GENERATOR? 775 00:32:29,415 --> 00:32:30,482 YES. 776 00:32:30,516 --> 00:32:31,583 HE KNEW IT WAS THE BEST HOPE 777 00:32:31,617 --> 00:32:34,153 FOR BOTH OUR WORLDS. 778 00:32:34,186 --> 00:32:36,555 AND YOU STILL KILLED HIM? 779 00:32:36,588 --> 00:32:39,992 DON'T ASSUME THAT YOU KNOW WHAT HAPPENED. 780 00:32:40,026 --> 00:32:43,162 BUT THAT PRISONER, KREBB, HE TOLD FLASH-- 781 00:32:43,195 --> 00:32:45,064 FLASH WAS NOT SAFE ON MONGO. 782 00:32:45,097 --> 00:32:46,999 AS LONG AS HE BELIEVED THAT HIS FATHER WAS STILL ALIVE, 783 00:32:47,033 --> 00:32:48,167 HE WOULD NOT LEAVE. 784 00:32:48,200 --> 00:32:49,368 HE WAS TOLD WHAT HE NEEDED TO HEAR 785 00:32:49,401 --> 00:32:51,037 IN ORDER TO PROTECT HIM. 786 00:32:51,070 --> 00:32:53,705 ARE SAYING THAT DR. GORDON MAY STILL BE ALIVE? 787 00:32:53,739 --> 00:32:55,107 NO. 788 00:32:55,141 --> 00:32:57,043 ONLY THAT HE WASN'T EXECUTED. 789 00:32:57,076 --> 00:32:59,778 ALONE ON MONGO, HE WOULDN'T HAVE SURVIVED LONG, 790 00:32:59,811 --> 00:33:03,015 SO, PLEASE, DON'T GIVE FLASH ANY FALSE HOPES. 791 00:33:03,049 --> 00:33:06,318 DR. GORDON, DID HE KNOW ABOUT THESE EBBS? 792 00:33:06,352 --> 00:33:08,320 THESE THIN SPOTS IN THE VEIL? 793 00:33:08,354 --> 00:33:09,455 NO. 794 00:33:09,488 --> 00:33:11,057 IF HE DID, 795 00:33:11,090 --> 00:33:13,292 I'M SURE HE WOULD STILL BE WORKING WITH ME. 796 00:33:13,325 --> 00:33:17,696 SO THAT IS WHY YOU MUST PICK UP WHERE HE LEFT OFF. 797 00:33:17,729 --> 00:33:19,465 IMAGINE WHAT WE MIGHT ACHIEVE 798 00:33:19,498 --> 00:33:22,801 THROUGH PROLONGED COLLABORATION. 799 00:33:22,834 --> 00:33:26,438 WE'D BE BUILDING A BRIDGE TO NEW WORLDS. 800 00:33:26,472 --> 00:33:30,609 TOGETHER, WE COULD SAVE BOTH OUR PEOPLES. 801 00:33:30,642 --> 00:33:32,644 BUT HOW? 802 00:33:32,678 --> 00:33:34,146 I CAN'T STAY HERE. 803 00:33:34,180 --> 00:33:35,747 YOU MUST. 804 00:33:35,781 --> 00:33:38,084 IF YOU WERE TO LEAVE HERE NOW, WITH THE WORK UNFINISHED, 805 00:33:38,117 --> 00:33:40,652 YOU WOULD DOOM BOTH OF OUR WORLDS, 806 00:33:40,686 --> 00:33:42,354 BUT IF YOU STAYED, 807 00:33:42,388 --> 00:33:46,358 YOU WOULD BE THE SAVIOR TO ALL. 808 00:33:46,392 --> 00:33:48,360 YOU'RE ABSOLUTELY RIGHT. 809 00:33:48,394 --> 00:33:51,297 I HAVE TO STAY. 810 00:33:58,404 --> 00:34:00,072 DALE, WE'VE GOT TO DO SOMETHING ABOUT THIS CROWD 811 00:34:00,106 --> 00:34:02,208 BEFORE BAYLIN BRINGS ZARKOV BACK THROUGH THE RIFT. 812 00:34:02,241 --> 00:34:03,542 YOU'RE RIGHT. BUT HOW? 813 00:34:03,575 --> 00:34:05,677 I'VE GOT AN IDEA... WE HAVE TO BE SURE 814 00:34:05,711 --> 00:34:07,179 THE TRUTH SERUM'S WORN OFF FIRST. 815 00:34:07,213 --> 00:34:09,381 HOW CAN WE BE SURE? 816 00:34:09,415 --> 00:34:10,849 I DON'T KNOW, ASK ME A QUESTION. 817 00:34:10,882 --> 00:34:12,551 OKAY. 818 00:34:12,584 --> 00:34:15,487 WHO'S THE BETTER KISSER, ME OR AURA? 819 00:34:17,456 --> 00:34:20,092 OKAY, WE'RE GOING TO BE ABLE TO DO THIS. 820 00:34:21,193 --> 00:34:23,562 [RUMMAGING IN VAN] 821 00:34:28,300 --> 00:34:30,336 [***] 822 00:34:47,386 --> 00:34:48,887 [CLEARING THROAT] 823 00:34:48,920 --> 00:34:50,756 I'M SPECIAL AGENT BERNARD SAINT, 824 00:34:50,789 --> 00:34:52,624 FROM THE ECHELON DIVISION OF THE DOD'S SUBCOMMITTEE 825 00:34:52,658 --> 00:34:54,760 ON EXTRA-TERRESTRIAL CONJUNCTION AND OVERSIGHT. 826 00:34:54,793 --> 00:34:56,762 DO YOU HAVE ANY IDEA 827 00:34:56,795 --> 00:34:58,397 THE KIND OF DAMAGE YOU'VE DONE? 828 00:34:58,430 --> 00:34:59,765 WHAT? DAMAGE? 829 00:34:59,798 --> 00:35:01,333 NO, MAN, LOOK, I'M SPREADING THE TRUTH. 830 00:35:01,367 --> 00:35:02,434 ACTUALLY, YOU'VE JUST ENDANGERED THE LIVES 831 00:35:02,468 --> 00:35:03,669 OF OVER SIX BILLION PEOPLE 832 00:35:03,702 --> 00:35:05,371 AND SEVERAL MILLION HOUSEHOLD PETS. 833 00:35:05,404 --> 00:35:06,838 NOW, NORMALLY, EXTERMINATION IS THE ONLY OPTION, 834 00:35:06,872 --> 00:35:08,440 BUT BECAUSE YOU SEEM LIKE A NICE KID, 835 00:35:08,474 --> 00:35:11,343 I'M WILLING TO GIVE YOU A CHANCE. 836 00:35:11,377 --> 00:35:13,445 NO. NO LOOKING AT ME. 837 00:35:13,479 --> 00:35:15,147 I JUST WANT TO GET ON TV, OKAY? 838 00:35:15,181 --> 00:35:16,182 THAT'S ALL I-- 839 00:35:16,215 --> 00:35:18,617 NO TALKING. 840 00:35:18,650 --> 00:35:21,420 OW! WHAT THE HELL WAS...? 841 00:35:21,453 --> 00:35:23,189 YOU'VE JUST BEEN IMPLANTED 842 00:35:23,222 --> 00:35:25,457 WITH A UNTRACEABLE SUBDERMAL MICROCHIP. 843 00:35:25,491 --> 00:35:27,593 WE ARE NOW GOING TO BE TRACKING YOUR EVERY MOVE, 844 00:35:27,626 --> 00:35:30,462 SO I SUGGEST YOU CEASE ALL ILLEGAL ACTIVITY, 845 00:35:30,496 --> 00:35:31,697 AND BURY THIS STORY IMMEDIATELY, 846 00:35:31,730 --> 00:35:33,665 IF NOT SOONER. 847 00:35:33,699 --> 00:35:34,900 IF NOT, I'LL BE FORCED TO MOVE YOU 848 00:35:34,933 --> 00:35:37,369 TO A OFF-GRID SECURE LOCATION INDEFINITELY. 849 00:35:37,403 --> 00:35:38,404 LOOK-- OKAY, OKAY, OKAY, OKAY, OKAY! 850 00:35:38,437 --> 00:35:39,405 WHAT DO I-- WHAT DO I DO? 851 00:35:39,438 --> 00:35:41,607 TELL ME WHAT TO DO! 852 00:35:41,640 --> 00:35:43,642 WITH THIS AND THE IMEX, WE COULD DO IT. 853 00:35:43,675 --> 00:35:45,744 WE COULD CROSS THE DIMENSIONS WITH EASE. 854 00:35:45,777 --> 00:35:46,945 WITH THE IMEX, 855 00:35:46,978 --> 00:35:48,380 THERE WOULD BE NO MORE DAMAGE. 856 00:35:48,414 --> 00:35:50,616 A BRIGHT FUTURE FOR BOTH OUR WORLDS. 857 00:35:50,649 --> 00:35:53,285 IF ONLY WE HAD THE IMEX... 858 00:35:59,658 --> 00:36:00,826 BAYLIN. 859 00:36:00,859 --> 00:36:02,194 WHAT A SURPRISE. 860 00:36:02,228 --> 00:36:03,662 THAT IS THE IDEA. 861 00:36:03,695 --> 00:36:05,297 ZARKOV, TIME TO GO HOME. 862 00:36:05,331 --> 00:36:06,965 NO! I HAVE TO STAY. 863 00:36:06,998 --> 00:36:07,966 WHAT? 864 00:36:07,999 --> 00:36:09,568 WE NEED TO GO BACK. 865 00:36:09,601 --> 00:36:11,403 GO BACK TO WHAT, HANS? 866 00:36:11,437 --> 00:36:13,472 WE'RE GOING TO WORK TOGETHER. SAVE EVERYONE. 867 00:36:13,505 --> 00:36:14,473 YOU DON'T UNDERSTAND. 868 00:36:14,506 --> 00:36:16,208 NO. YOU DO NOT. 869 00:36:16,242 --> 00:36:18,310 HE WILL USE YOU, AND DISCARD YOU, OR WORSE. 870 00:36:19,611 --> 00:36:20,912 TELL HIM. 871 00:36:20,946 --> 00:36:22,448 DO THE RIGHT THING. TELL HIM THE TRUTH. 872 00:36:26,017 --> 00:36:29,521 THERE IS NO GREATER MASTER THAN RANKOL. 873 00:36:33,459 --> 00:36:35,227 ZARKOV, WE ARE LEAVING. NOW. 874 00:36:36,695 --> 00:36:38,664 GET UP THERE. GET UP! 875 00:36:38,697 --> 00:36:39,865 ONE WORD FROM ME, 876 00:36:39,898 --> 00:36:42,234 AND THIS ROOM WILL FILL WITH GUARDS. 877 00:37:25,544 --> 00:37:27,279 GO! 878 00:37:27,313 --> 00:37:29,415 [SCREAMING] 879 00:37:29,448 --> 00:37:30,549 [THUD] 880 00:37:38,089 --> 00:37:40,826 WELL, WE'RE GOING LIVE IN ABOUT SEVEN SECONDS! 881 00:37:40,859 --> 00:37:43,362 [CHEERING] 882 00:37:45,731 --> 00:37:46,998 WE CLOSE TONIGHT'S NEWSCAST 883 00:37:47,032 --> 00:37:48,734 WITH THIS LIVE UPDATE. 884 00:37:48,767 --> 00:37:50,569 CRAIG, WHAT ELSE CAN YOU REVEAL 885 00:37:50,602 --> 00:37:52,738 ABOUT THIS MYSTERIOUS CIRCUMSTANCE 886 00:37:52,771 --> 00:37:55,874 THAT HAS GRIPPED THE PUBLIC'S IMAGINATION? 887 00:37:55,907 --> 00:37:57,075 I... 888 00:37:57,108 --> 00:37:58,610 MADE IT ALL UP. 889 00:37:58,644 --> 00:38:00,379 [CROWD AGHAST] WHAT? 890 00:38:00,412 --> 00:38:03,449 BY THAT YOU MEAN? 891 00:38:03,482 --> 00:38:06,885 UH... I WANTED 15 MINUTES OF FAME, 892 00:38:06,918 --> 00:38:08,053 SO I MADE THAT VIDEO 893 00:38:08,086 --> 00:38:09,755 AND YOU GUYS PUT ME ON THE NEWS. 894 00:38:09,788 --> 00:38:10,956 SO... THANK YOU, I GUESS. 895 00:38:10,989 --> 00:38:13,325 HEY, MOM! MM-MWAH! 896 00:38:13,359 --> 00:38:15,961 [CROWD LAUGHING AND CHEERING] 897 00:38:17,429 --> 00:38:21,099 FOR CHANNEL 7, I'M SUSAN GLASS. 898 00:38:21,132 --> 00:38:22,368 I SEE THROUGH YOU! 899 00:38:22,401 --> 00:38:23,569 I MEAN, THE WORLD THROUGH YOU! 900 00:38:23,602 --> 00:38:25,036 I KISSED SUSAN GLASS! 901 00:38:25,070 --> 00:38:26,638 I MADE OUT WITH SUSAN GLASS! 902 00:38:26,672 --> 00:38:27,973 ARE WE OFF? 903 00:38:30,809 --> 00:38:34,380 COME ON! 904 00:38:34,413 --> 00:38:36,415 WHO THE HELL DO YOU THINK YOU ARE, 905 00:38:36,448 --> 00:38:37,416 PULLING THIS ON ME? 906 00:38:37,449 --> 00:38:38,917 SUSAN, HONESTLY. 907 00:38:38,950 --> 00:38:40,919 I HAD NOTHING TO DO WITH CRAIG CHANGING HIS TUNE. 908 00:38:40,952 --> 00:38:43,021 AS SOON AS I PROVE YOU'RE RESPONSIBLE, 909 00:38:43,054 --> 00:38:44,322 YOU'RE GOING DOWN. 910 00:38:51,930 --> 00:38:53,999 [***] 911 00:38:59,170 --> 00:39:01,407 I FAILED YOU. 912 00:39:01,440 --> 00:39:04,075 YES, YOU DID. 913 00:39:04,109 --> 00:39:07,879 I CAN RETURN ZARKOV TO YOU. 914 00:39:07,913 --> 00:39:10,616 AND KILL BAYLIN. 915 00:39:10,649 --> 00:39:12,818 I KNOW YOU CAN. 916 00:39:19,525 --> 00:39:21,793 [COUGHS] 917 00:39:21,827 --> 00:39:23,729 [SPUTTERS] 918 00:39:23,762 --> 00:39:25,030 [GULPS] 919 00:39:25,063 --> 00:39:27,599 [GASPING] 920 00:39:27,633 --> 00:39:29,935 [WHEEZING] 921 00:39:35,574 --> 00:39:37,676 WHY? 922 00:39:37,709 --> 00:39:40,912 BECAUSE I'M AFRAID THAT YOU KNOW TOO MUCH. 923 00:39:40,946 --> 00:39:43,949 BUT I DO APPRECIATE ALL THAT YOU'VE DONE FOR ME. 924 00:40:08,774 --> 00:40:10,542 SHOULD WE MOVE ON TO PLAN "C"? 925 00:40:10,576 --> 00:40:13,078 CALL A TOW TRUCK FOR MR. CRAZY AND HIS VAN? 926 00:40:15,046 --> 00:40:15,947 LOOK OUT! 927 00:40:36,835 --> 00:40:38,436 I DON'T BELIEVE IT. 928 00:40:40,506 --> 00:40:42,741 [MENACING GROWLING] 929 00:40:42,774 --> 00:40:45,944 OH! OKAY... 930 00:40:45,977 --> 00:40:46,978 [SLAMS DOWN LOCK] 931 00:40:47,012 --> 00:40:49,114 I DO BELIEVE IT. 932 00:40:49,147 --> 00:40:51,483 [GROWLING] 933 00:40:53,819 --> 00:40:55,120 OH, MY GOD. 934 00:40:56,888 --> 00:40:59,891 [ZARKOV GROANING] 935 00:40:59,925 --> 00:41:01,827 AH! 936 00:41:01,860 --> 00:41:03,529 WELL, HE'S IN FOR QUITE A SHOCK. 937 00:41:03,562 --> 00:41:05,263 WHY ARE YOU WEARING A DRESS? 938 00:41:05,296 --> 00:41:06,698 THIS IS NOT A DRESS. 939 00:41:06,732 --> 00:41:08,834 IT'S A SCIENTIST'S ROBE. 940 00:41:08,867 --> 00:41:11,136 A SYMBOL OF RESPECT AND DIGNITY. 941 00:41:11,169 --> 00:41:12,137 ARE YOU OKAY? 942 00:41:12,170 --> 00:41:13,839 HE IS FINE. 943 00:41:13,872 --> 00:41:14,973 SHE TRIED TO KILLED ME. 944 00:41:15,006 --> 00:41:16,074 I THINK MY ANKLE IS BROKEN. 945 00:41:16,107 --> 00:41:17,142 MERELY TWISTED. 946 00:41:17,175 --> 00:41:18,910 NO! IT'S CLICKING. LISTEN. 947 00:41:18,944 --> 00:41:19,911 LISTEN. CLICK. 948 00:41:19,945 --> 00:41:20,979 HE DID NOT WISH TO RETURN. 949 00:41:21,012 --> 00:41:23,248 ZARKOV, ARE YOU CRAZY? 950 00:41:23,281 --> 00:41:25,116 RANKOL NEEDED MY HELP. 951 00:41:25,150 --> 00:41:27,519 WHAT? YOU WERE CONSIDERING IT? 952 00:41:27,553 --> 00:41:29,054 YOUR FATHER WORKED FOR HIM. 953 00:41:29,087 --> 00:41:30,756 YEAH, AND LOOK AT WHAT HAPPENED TO HIM. 954 00:41:30,789 --> 00:41:32,724 ZARKOV, THAT GUY KILLED MY FATHER. 955 00:41:32,758 --> 00:41:34,626 HE'S EVIL. YOU CAN'T TRUST HIM. 956 00:41:34,660 --> 00:41:35,927 THANK YOU FOR SAVING ME. 957 00:41:35,961 --> 00:41:37,596 I'M REALLY GLAD TO BE BACK. 958 00:41:37,629 --> 00:41:38,930 I'M JUST GOING TO GO BACK TO MY LAB 959 00:41:38,964 --> 00:41:41,867 AND GET OUT OF THIS THING. 960 00:41:44,069 --> 00:41:45,671 ...SO I ASK YOU TO LOOK AT THIS 961 00:41:45,704 --> 00:41:47,906 AS PROOF OF THE DANGER OF RUSHING A STORY TO AIR 962 00:41:47,939 --> 00:41:52,711 BEFORE IT'S BEEN THOROUGHLY, PROFESSIONALLY RESEARCHED. 963 00:41:52,744 --> 00:41:55,581 YOU KNOW WHAT I REALLY LIKE? 964 00:41:55,614 --> 00:41:56,615 THAT I'M WILLING TO COME IN HERE 965 00:41:56,648 --> 00:41:58,016 AND STAND UP FOR MY PRINCIPLES? 966 00:41:58,049 --> 00:42:02,187 THAT YOU CAN ALMOST FEEL HER RATINGS FALLING. 967 00:42:02,220 --> 00:42:03,689 OKAY. 968 00:42:03,722 --> 00:42:05,857 WE'VE WASTED ENOUGH TIME ON THIS. 969 00:42:05,891 --> 00:42:07,092 GET BACK TO WORK. 970 00:42:07,125 --> 00:42:10,028 YES, SIR. 971 00:42:10,061 --> 00:42:11,997 [SPEED-DIALING] 972 00:42:12,030 --> 00:42:14,299 [CELL PHONE RINGING] 973 00:42:14,332 --> 00:42:15,734 DALE. 974 00:42:15,767 --> 00:42:17,135 SO, I GOT MY JOB BACK. 975 00:42:17,168 --> 00:42:18,804 HEY, THAT'S GREAT! THAT'S GREAT. 976 00:42:18,837 --> 00:42:20,305 MONTGOMERY DIDN'T GET THE IMEX. 977 00:42:20,338 --> 00:42:22,073 EVERYTHING-- EVERYTHING'S GOING TO BE FINE. 978 00:42:22,107 --> 00:42:23,909 ZARKOV GOT HOME SAFE AND SOUND. 979 00:42:23,942 --> 00:42:26,978 THERE'S JUST, UH, ONE LITTLE LOOSE END. 980 00:42:27,012 --> 00:42:28,647 AND WHAT'S THAT? 981 00:42:28,680 --> 00:42:31,016 WELL, I NEVER DID ANSWER YOUR QUESTION 982 00:42:31,049 --> 00:42:33,284 ABOUT WHO'S THE BETTER KISSER. 983 00:42:33,318 --> 00:42:34,720 THAT'S OKAY. 984 00:42:34,753 --> 00:42:37,923 I ALREADY KNOW THE ANSWER TO THAT. 985 00:42:41,627 --> 00:42:43,194 [CHUCKLES] 986 00:42:43,228 --> 00:42:46,698 [***] 987 00:42:46,748 --> 00:42:51,298 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 66247

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