All language subtitles for married.at.first.sight.au.s10e23.1080p.hdtv.h264-cbfm[eztv.re]

Previously...
Oh, my God!

..the experts organised

a four-day couples retreat...

I'm stoked to be doing anything
with Claire.

It just feels right.

..giving our newlyweds
some much-needed R&R.

(SQUEALING)
Jesse!

Is that your husband?!

But the retreat
also saw an unexpected turn...

Give me attention, I need attention.

..for one of the experiment's
strongest couples.

And...

Harrison's emotionally
manipulating me?

That's what I see.

..Melinda's desperate plea
to Bronte...

..saw tempers flare.

It's like fighting
a losing battle.

Maybe we should go to the boys.

Tonight...

Mate, this is how I see it...

What the hell?

..what's Melinda overheard?

Why were you coming down
from a girls night to listen

to boys opening up
about their relationship?

Has her innocent prank backfired?

That's really despicable behaviour,

and I'm not gonna let her
get away with that.

Can Melinda expose

Harrison's meddling ways...

I don't think Harrison's here
for that.

(SIGHS)

..or is she fighting
a losing battle?

Harrison is trying to stir the pot
with us, don't you get it?

Yeah, but hang on...
You're not listening.

Can someone step in
and talk to Layton?

Because I just can't get
through to him.

And...

There's some couples
who are pretty loved up.

I'm happy to be
one of those couples.

..are Claire and Jesse

the success story
of this year's experiment?

With Jesse and I moving forward,
I think anything is possible.

Plus...
You're obsessed

with our relationship.
You're trying to sabotage it.

..final night drinks
at the retreat...

We don't buy you guys,
because you aren't real.

..forces Bronte and Harrison to
address the elephant in the room.

Does everyone think my relationship
is fake with Harrison?

Like, literally speak right now.

(TENSE MUSIC)

Maybe we should go to the boys.

Should we see them?
Let's spy on them!

Let's sneak up and try to eavesdrop.

Layton!
Yew!

Layton exclusive.

One of the OGs.
Status update.

I've never shied away from the fact
that Mel and I have

a pretty up and down relationship.

Because we've got
such similar personalities,

we can really clash.

And if we clash,
it can really accelerate.

Let's go on an adventure.
Then we'll report back to the girls.

Yes, let's go! To the cellar!

I don't want to drag this on.

Why are they leaving?

Why are they leaving?
Why are they leaving?

Bye.
Bye.

Uh...

Shh!

Just keep going. We've done it.

(STIFLED CHUCKLES)

I hope you can appreciate that I'm
willing to risk offending you...

Yeah, absolutely.
..in order to be, like,

mate, this is how I see it.

We need to move.

Oh, (BLEEP)!

Ew! Shit!

From what I see,

some of the behaviour you've
described to me from Melinda...

Of a toxic relationship.

In a happy, healthy relationship,

and what you're describing to me
doesn't sound like that.

Into being toxic.

I just feel like, OK, like,

here's two people right, who are
portraying a certain relationship.

It just seems really fake.

Losing your identity,
where you are disconnected.

Mmm.

For Harrison to question mine
and Layton's relationship,

it's offensive.

Bronte needs to know,
your husband is meddling.

Someone's gotta call Harrison
on his bullshit.

(TENSE MUSIC)

I find that offensive.

And also, I've gotta pull you up
on the word portraying.

Because I think we've been very open
about the fact that we have

issues in our relationship.

And that's not fair. You're wrong.

I think everyone's entitled to
their opinion in this experiment,

but there's certain things
that I take offence to.

You're disrespecting somebody
or saying

something untrue
of our relationship.

I mean, this is stuff that I'm not
going to let happen.

I think we're getting
a little bit better

than we have been
in the last couple of weeks.

I think there has been
a big part of it,

of me getting to really know Mel,

and the places
in which she's coming from.

I came into this to find somebody

I could spend the rest
of my life with,

and I'm starting to think,
this is my person.

I've been in the lodge
with Mel and Layton,

and they get along
like a house on fire.

You guys are one of
my favourite couples

in the way you interact,

because it is real.
Yep.

People see it.
Other people see it.

(DRAMATIC MUSIC)

So then I think give him
the benefit of the doubt.

Can you guess where we've been?

We've been eavesdropping on the boys
behind the bushes.

Stop!
Stop!

(LAUGHTER)
(BLEEP).

I knew you bitches
were scheming something.

What's the tea?

Well, I heard one thing...
Stop!

We didn't hear a lot, but I just
thought it was universal timing

that I walked in at the time
when Harrison was saying...

I don't buy this relationship
of Mel and Layton.

(TENSE MUSIC)

Harrison said we're toxic.

And I do have a question
for you, Bronte.

Do you believe the same thing?

Do you also agree with Harrison?

I'm actually just kind of getting -

no offence, I'm gonna say,

I'm getting really over
everybody being like,

'Bronte, because Harrison
feels this way,

I feel like you feel this way.'
I want to know,

because I don't want you to be
covering for someone

or deflecting something.
How am I covering?

Nup. I'm done. Sorry, done. See ya.

Done.

Bronte...
Nup, I'm outta here. See you later.

Bronte?

I'm going.

I don't understand

why I'm being constantly
made to feel like my brain

is moulded to Harrison's.
I can't comprehend it.

I literally said this to her
last night,

and tonight,
Harrison doesn't control me.

Because I have a frickin' mind.

I have frickin' boundaries,
and I have a voice.

Second night in a row,
I'm done, man.

Personally, I thought
it was very rich

for Harrison to say that
about you and Layton.

That's why I think it hurts so much.
That's what I think is very rich.

He's quick to chuck at someone else,

acting like he's perfect.
Yes.

For me, I was personally shocked
that he said about Melinda

and Layton being - you know,
he doesn't buy their relationship,

when I feel like they're being
really open and honest about

the struggles they're going through,
whereas Harrison and Bronte haven't.

I think there's a lot of questions

about their relationship,
and if it's authentic.

I think a lot of people
are feeling that way.

The Harrison and Bronte relationship

seems somewhat overnight

such a flip.

Do we...

Like, why is that?

Yeah.

OK, my thing which I've said
the whole time,

I don't know how to feel,

because I want to be happy for them,
I really do,

it's just how are you
at that stage?

Bronte has outright said to me

that she does not see a future
with Harrison.

(DRAMATIC MUSIC)

And I'm getting the sense that he's
an emotional manipulator.

Something's not adding up.

Claire's got a lot to say.
Claire's been

very good friends with Bronte,

and so has Tahnee.

I wish Bronte was here to listen,

because sometimes that's what
you need.

You need that bird's eye view
in a relationship.

So is it all Harrison?

What is going on?
Because we're all feeling it.

You alright?

No, I'm not.

I've literally just gotten

completely blindsided...
Ambushed.

..and completely ambushed again.

Like I literally
went into there tonight

and said, 'Let's hash this out,

what did you mean
by the naive comment?'

And it was fine.
And it was fine.

Then out of nowhere,
she's gone away,

she's listened in on the boys night,
and come back and gone,

'Bronte, your husband
literally said X, Y, Z.

How do you feel?'

That's a pretty big bombshell.

Apparently Melinda and Evelyn
snuck over and were listening to

what the boys were talking about,

and I kind of think
that's really despicable behaviour.

I think Layton deserves
a lot better.

I personally wouldn't put up
with that.

So basically she's yelling at me...

Can you just -
I can't, my brain just hurts.

It was a lot.

I got a bit of feedback
about Melinda.

She's just kept attacking Bronte
at the table.

And I'm not going to let her
get away with that.

A little insight is always helpful,
so I'm not

going to shy away
from offering that to Layton.

I just want to show
that he can't trust his wife.

(TENSE MUSIC)

Yeah.

To hear what's been going on,

I actually find it
very disappointing.

That's childhood stuff.

That's looking for trouble as well.

Bronte feels like
she's been attacked.

Mel had a pretty important part

to play in the way in which Bronte
was feeling tonight.

I mean, that's something
I don't agree with,

so I definitely have to
have a chat to Mel about it.

(DRAMATIC MUSIC)

OK, so...
Ah!

What has been happening?
Whoa!

Intense in here.

Is it tense in here, or tense there
and you're bringing the tension?

How are you?

What have you guys been doing?

Girls night in.

Did you come down and listen to
the boys night in?

I did. For a split second.

Oh, we've got a couple
of eavesdroppers, eh?

We have a confession to make.
We've got a couple

of eavesdroppers!
Me and Melinda snuck around

the bushes and listened into
a bit of your boys night.

Why?
Excuse me. Beep-beep, sorry.

Huh?

Yeah, absolutely.
Really?

Over what?
What are you angry about?

I just want to know why you guys
would have come down to listen

to our conversation,
when it was a separate boys night

and girls night.
What did you hear?

What did you hear?
I don't really know

what has triggered Layton so much.

And then to see Harrison
standing right beside him.

What's going on?

That's too far.

So, yeah.

(MOODY MUSIC)

Yeah.
I'll always stand up

for what I believe is right.

Because that's blokes opening up.

Coming down and listening to
the conversation that we're having,

when you should be
focusing on your girls night,

that's not on for me.

It's not good for our relationship,
it's not good for anyone.

Because it's not just us.
Obviously it's caused some issues,

and it's got some of
the other blokes pretty upset

as well, and I just, you know...

I don't agree with it.

At this stage, I probably empathise
a little bit more with Bronte,

based on what I can read
from what Harrison was saying.

OK, I think this is a good.

I think Melinda
should sit down here.

Layton, when you see me,
the first thing you say to me is,

why were you listening? Why were
you sneaking? Why were you watching?

That was your most important
question of the night?

Why were you coming down
from a girls night

to listen to boys opening up
about their relationship?

Ollie's doing faces.
Stop the faces.

Get back inside!
Sorry.

Harrison told me...
Of course Harrison told you!

But you guys did.
You guys did actually

listen to our conversation.
But the way he told you

probably was different.
No, sorry...

How does he know?
OK.

Not a conversation that I really
want to have right now,

particularly at the moment.
You don't care, you just want to

tell me what I did was bad.

Before even asking, like...

(MOODY MUSIC)

(UPBEAT MUSIC)

(PHONE ALARM)

It's the final day
of the couples retreat.

Morning.

And the country escape has been
a breath of fresh air

for most of our couples.

(LAUGHS)

For Claire and Jesse...
Hello!

it's also been the perfect setting
to reignite their romance.

I feel good.
It's pretty chill here.

I like the chickens,
I like all the space we've got,

I like all the trees, the nature.

I can see why the experts
think this is a good idea.

I'm peckish at the moment.

I wouldn't mind something...
(LIP SMACKS)

It's been quite a while
since Jesse and I

shared a bed, so I'm really happy
to be sharing a room with him.

It's important to let things
naturally progress,

and we're taking baby steps,
but we're taking steps nonetheless.

We're in this experience together.

We're happy, we're having fun.

Getting a little bit deeper,
getting a little bit more

emotionally intimate
than we have been.

We're both really trying.

A little check-in like this is nice.
It's nice to feel like...

You know, we said we were going to
come into this as a team...

And I can see that he likes me,
and I know how I feel about him.

Thanks for checking in.
That's OK.

I've had to really work hard
to get us back to a good place,

and I'm really proud of us
for doing that,

and with the Adam thing,

I feel like everything's kind of
been put to bed,

so I'm feeling really good about
where Jesse and I are at.

Alright, go make yourself
something to eat.

I'll come with you.
OK.

With Jesse and I moving forward,
I think anything is possible.

But the retreat isn't bringing
everyone closer.

This morning, Melinda has woken up

to a cold shoulder
from husband Layton.

Usually when we wake up, no matter
if we've had one of our big fights,

he'll always do a caress of the leg,
or a little kiss, or something.

Today, he just hopped up and left.

I feel sad, because I really needed
Layton's support last night, and...

You know, he cares more about

everyone else's turn of events,
everyone else's feelings.

You know, Harrison thinking stuff
of our relationship,

and there's Layton
proving him right,

you know, right next to him.

And then Harrison's obviously
seeing that weak link

that he's purposefully caused
come to fruition.

Mel and Layton are fighting.

Layton's against Mel.
It's all Mel's fault.

It's not cool.

(MOODY MUSIC)

Morning, man.
How are you?

I still don't know what happened
at girls night,

but it seems like Mel keeps getting
dragged into drama with Bronte,

and I don't think that's healthy.

Mate, she's a bit upset, like,
about last night.

Yep?

She just broke down.

Did she?
Yeah.

She's really upset.
And she's like...

(SIGHS) And what did they hear?

Did you find out?
Nah.

I've made it very clear
I'm not happy

about the girls listening to
the conversation.

But at the same time, I think
Harrison does like to stir the pot.

Yeah, mate, I'm good.

Have you met us?
(LAUGHS)

(CHUCKLES)

(SING-SONG) I made you a coffee.

Harrison and I are fine.

I do feel like the drama
is definitely taking its toll.

I've defended his actions,

I've stuck by him
through everything,

and I trust him completely.

I've spoken to Layton,

and Layton is pissed...

OK.
..at Melinda for coming over

and hearing our conversations,

and then to be taken back
and sort of used against you,

that was really awful for you,
that experience.

It just felt so personal,
and that's like...

That takes a lot out of me,
that's all. It does.

She's attacking you, which I find
to be quite bullying,

in a way.

In my mind,
it's opened the door for me

to criticise her relationship now.

(DRY CHUCKLE)

But Layton has now seen
Melinda's behaviour.

Now they have their own
internal drama.

So it's not like this behaviour
is going unpunished.

I don't think -
I don't think things are done.

NARRATOR: Coming up...

Layton told Harrison
that the relationship isn't good.

..Harrison's deliberate
misinformation...

Hmm, are you sure about that?

..leads to misunderstandings
between Melinda and Layton.

I want you to call him
on his bullshit.

Can someone step in
and talk to Layton?

Because I just can't
get through to him.

It's the final morning
of the retreat, and for some,

the only question is
what to have for brunch?

What's bloody new in this joint, eh?

Seriously.
Is this mine, baby?

You want just that?
There's eggs coming.

I'm making eggs.
I know,

but - oh, OK.
Just wait.

However, Hugo is waking up
to the fact that Tayla would rather

spend time on the retreat
with anyone other than him.

(SAD MUSIC)

Anything you wanted to
chat about, or...

OK, no worries. I'll let you sleep.

Tayla hasn't wanted to talk to me
on this entire retreat.

She's completely opted out.

It's like she doesn't
care about my feelings.

On the first night of the retreat,

Hugo's sense of rejection
went from bad to worse.

My ex and I,
we would Pound Town every day.

Like, multiple times a day.

Like, he messaged me
the other day...

(GASPS)

..talking to me about wanting to,
I don't know, phone sex I guess.

I've been pretty hurt
through this entire thing,

but the first night of the retreat
was just the worst.

I feel like Tayla disrespected
our relationship,

with sharing the fact

that her ex
was trying to sext her,

sharing that
when she is with somebody,

she's super-sexually outgoing.

I've been trying to
make her feel comfortable.

I just don't see her wanting to make
any of that effort towards me.

Getting treated like this
and having your worth

destroyed day after day,

it might as well be
a long distance relationship

with the world's worst person.

I'm...

I haven't had a relationship
since I've been here,

and that sucks.

(SIGHS) I'm kind of watching
the other couples,

and I'm getting a little bit jealous
that they have

someone on this retreat
to do things with,

and to talk to,

and go to bed with at nighttime,

and I just feel
a little bit left out,

because I don't really want to be
in this experiment with Hugo.

(SIGHS) Well...

(CHUCKLES, GROANS)

(MOODY MUSIC)

I don't know.

I'm pretending to care, but I don't.

Nice.
Oh!

(QUIRKY MUSIC)

TAHNEE: I love Tayla,

I really, really like Tayla,
but I look at the way

she speaks to Rupert and Ollie
versus how she looks at Hugo,

and some of the other boys,
and there's a different vibe.

Please watch it.

(GIGGLES)

This is the thing right...

(SIGHS) I haven't told anybody this.

Actually, I think Alyssa knows,
but like...

(LAUGHS)

The couples retreat offers
a unique opportunity to unwind,

be it through some alone time...

Mary, Elizabeth, Phillip, Charles,
Diana, Camilla -

ooh, someone loves the Royal Family.
That's cute.

..engaging in
some healthy competition...

Ooh!

..or simply spending quality time
together as a couple.

OLLIE: Chicky, chicky.
For Tahnee and Ollie...

Chickies, chickies...

..it's an opportunity to continue to
build their connection.

Look at his mullet!
That's like yours.

This one?
Yeah.

Bro...
(LAUGHS)

I feel like we're having a fun time.
Ollie is soaking up

all the activities around
the retreat, and yeah, feeling good.

Feeling really confident
in our relationship.

Oh, God.
That one is terrifying.

Definitely proud of Ollie and I.

I feel like we, yeah, we kind of had

that connection upfront
when we met each other,

and I think just seeing how
that's blossomed

is just really nice.
Rounding them up.

No, come on.

Tahnee and I, we're just chilling,
having a good time.

I really do dig that chick.
I think she's tops.

(SQUEALS)
Come on, bud.

No, I really don't like it, Ollie!

I got a little bit emotional
thinking about Tahnee last night.

Good chicken.

Kind of just thinking about how good
things are, and how lucky I am.

Yes, good job.

Oi, was that not...
That was great.

..kind of impressive?

But for Alyssa and Duncan,

the retreat has not been
the experience they'd hoped for.

And Alyssa feels Duncan is not
showing her the attention she needs.

I'm just - I'm so frustrated.

Things with Duncan and I
aren't getting any better,

and I don't feel like
I'm a priority.

We had a conversation yesterday.

It started with, 'I don't know
where you were all day.'

And so I brought up
the priority thing, and I was like,

'I can see you being a boys' boy,

and you gravitating to the group,
and you just forgetting about me.'

I need a lot from Duncan, and I need
to be checked in on all the time.

But he doesn't do that ever.

Duncan, you don't get it.

You don't get it.

Give me attention.

Can I hug you?
No.

Following another argument
this morning,

the couple are spending
some time apart.

She said, 'I haven't got much
reassurance from you lately,'

and I was like, 'Alright,
listen to this then,'

and I just went and started
talking about the things that I

really like about Alyssa,

her personality, how she interacts,
her strength...

He is like, 'Alyssa,
I do care about you,

and I want to be in this with you
to get to know each other better.

And I do see a future with you.'

I just put
my heart on the line there.

I talked about
all these wonderful things

that I like about her,
and she just said,

'I want to be in the room
by myself.'

(DRAMATIC MUSIC)

He's like,
'I wanna spend the day with you,'

and I'm like, 'Well now I don't.'

I'm over it.

I don't want to
have to tell somebody,

my husband, my partner, anybody,
that hey, I need attention.

Come and check on me.

I can't just pretend like
everything's OK and jolly and, yep,

OK, let's spend the day together
and we can talk about it later.

I'm not like that.

I need the affirmation
that you are...

Want this.
..in this and you want this,

and you care about me,
and I need you to say it to me.

I feel like if I do anything

that doesn't show
I'm absolutely crawling

for her attention every minute,
then that...

You don't care.
Then that means I don't care,

which means the relationship's
not the real deal, which means

she's giving up all of this stuff
to be away from her son

and it's not a real relationship.

Where does that kind of leave you?

(SIGHS)

I'm a pretty confident person,
but it is making me second guess,

am I reading scenarios
the right way?

You've just gotta keep
being yourself.

I do feel like I'm banging my head
against the wall.

She knows that I want to have
interaction with her,

but she doesn't want to with me.
It feels like

a bit of self-sabotage.

You can't have a great relationship
if you don't have communication.

So now,

I don't know what the answer is,

for probably the first time
in the experiment, so...

Still to come...

Can someone step in
and talk to Layton?

Because I just can't
get through to him.

Like, am I actually speaking
a different language right now?

..Melinda's mission
to uncover the truth continues...

We don't buy you guys,
because you aren't real.

Everyone says it. Everyone.

..as she holds Bronte and Harrison
accountable to the group.

Does anyone think
our relationship's fake?

That's the question on the table.

(TENSE MUSIC BUILDS)

It's the final day of the retreat...

Go Lyndall, run!
..and most of the group

are having a ball.

Yes! Good girl!

It's a bit damp.
(LAUGHS)

(LOUD CRUNCHING)

You are so funny.

NARRATOR: But Bronte
is still concerned

about her argument with Melinda
last night.

(SIGHS)

I have not reacted like that in such
a long time towards another girl.

I just don't believe in that.

I always believe in acting
with kindness, you know?

Like, it's just...

Yeah, you just feel like some ugly
parts

got brought out last night.
Like, yes!

I've decided I'm getting us all
matching shirts that say,

"I survived the couples retreat."

(LAUGHTER)

What do you think?

Don't speak too soon.
It's not done yet.

(LAUGHTER)

I feel like
it's gonna be a good day.

Mm-hm.
(LAUGHTER)

Just...it's gonna be...
it's gonna be, like, cloudy,

chances of sunlight,
and a sprinkle of a little drama.

BRONTE: Just a sprinkle?
Just a sprinkle. (LAUGHS)

Just a sprinkle? OK.
(LAUGHTER)

(JAUNTY INSTRUMENTAL MUSIC)

I didn't walk down the aisle
to Melinda!

I walked down the aisle to Harrison.

I actually just
don't even understand

why I'm in the centre
of Melinda's firing line.

I don't get it.

Like, I'm honestly
just completely baffled.

(DRAMATIC MUSIC BUILDS)

I don't want this to be brought
into our last night

in front of the group.

I've had enough confrontation
while I've been here,

and I really don't like it.

So, I've gotta put my boundaries up
when it comes to Melinda.

If she's got beef,
she can say her piece to me...

..and that's it.

OK! (EXHALES)

Um... (EXHALES)

I'm just constantly being made to
feel like I don't have my own brain,

and when people are trying
to make me feel

that I'm not a good judge
of character,

it's really hurtful.

(DRAMATIC MUSIC BUILDS)

I'm gonna get defensive!
It's gonna happen!

And... (BRONTE SIGHS)

..I just want everybody to know
I'm not being love-bombed.

(DRAMATIC MUSIC BUILDS)

I'm not being gaslit.

Harrison and I have progressed.
He's genuine.

Bronte...

(SOMBRE INSTRUMENTAL MUSIC)

..like, a week ago,
youse could kill each other

if you, like, had a gun with you.

You would kill each other.
100%! 100...

Yeah, and then, all of a sudden,
it was, like...

But it's...

..this is someone
sitting on the couch,

saying, "I'm falling in love."

In the beginning, I thought,
"Oooh, is this just me?

"Maybe I'm, like,
overthinking this."

And then I heard, like,
one other girl say it,

and then the other one,
and then the other one.

(DRAMATIC MUSIC BUILDS)

And we're just questioning,
"Is the relationship real?"

(TENSE INSTRUMENTAL MUSIC)

It is 110% real.

(SOMBRE INSTRUMENTAL MUSIC)

Like, I can vouch this right now.

We have literally had
the conversation of me moving.

Mmm.

That's a huge, huge thing.

I don't think Harrison's here
for that, and a lot of people don't.

(DRAMATIC MUSIC BUILDS)

I don't appreciate to be told that

I don't see what
the other girls see

and have people
nitpick my relationship,

especially when Layton and Harrison

had a chat last night
at the boys' night.

Layton literally said he's unhappy!

He literally said he is not happy

and he feels like
his relationship is toxic.

That's coming from her husband!

When it comes to you and Layton
behind closed doors,

I know not everything's fine.

(TENSE INSTRUMENTAL MUSIC)

Nothing's moving forward.

Goes like this!

(TENSE INSTRUMENTAL MUSIC)

It is moving forward,
and not just...

Mmm?
Yeah!

Mmm, are you sure about that?

(TENSE INSTRUMENTAL MUSIC)

Layton told Harrison that
the relationship isn't good

and that it's not going
in a good direction.

(TENSE INSTRUMENTAL MUSIC)

Harrison's view is that
it's a complete facade.

(LAUGHS)

(TENSE INSTRUMENTAL MUSIC)

Bronte said that Harrison said...
that Layton said

we are not in a good place
at the moment

and it is not looking good,
moving forward.

(DRAMATIC MUSIC SWELLS)

I'm calling bullshit.

Harrison can't give it a rest.

(TENSE INSTRUMENTAL MUSIC)

(PUFFS)

I think my eyes are wide awake now

with just how low
Harrison is prepared to go

to try and bring someone else's
relationship down.

(TENSE INSTRUMENTAL MUSIC)

Triggered by Bronte's
version of events,

Melinda wants her husband, Layton,
to know exactly what misinformation

Harrison is spreading
about their marriage.

LAYTON:

MEL: Um...

Bronte's just come on up to see me.

She was pretty much implying
that I need to check in with you.

She gave me this face that was like,

"Mel, you don't know what your
husband is saying behind your back."

Last night, apparently,
on the boys' night,

you said
we're not in a good place...

(TENSE INSTRUMENTAL MUSIC)

..and we're not moving forward.

(TENSE MUSIC CONTINUES)

I never said
we're not moving forward.

Never once have I misrepresented
our relationship.

I don't know exactly what was said,

but if the issue for Mel

is that I'm not supporting
or having her back,

that's definitely not what happened
at the boys' night.

That didn't happen.
I didn't say those words.

Harrison's saying this...
OK, that's...

..and he's saying it to Bronte
and she's believing it,

and she's coming to me,
and don't you see what he's doing?

Well, that's fine. I didn't say
that, but that's cool.

He's just gone and tried to meddle
in our relationship, and lie,

and upset me,
and have me not believe you!

(DRAMATIC MUSIC SWELLS)

Harrison's going out of his way
to try and rock our relationship,

and it's taking a roll!

Hey, that's their interpretation!
That didn't happen.

I didn't say those words,

and there's multiple other boys
there that will say the same thing.

I don't like drama.

I don't like this...

..I feel like this sort of stuff of,
"He said, she said,"

is just this roundabout
that leads to nowhere.

What I want to focus on,

exactly what I wanted to focus on
last night, is our relationship.

Harrison is trying to stir the pot
with us. Don't you get it?

Yeah, but hang on.
You're not listening.

(TENSE INSTRUMENTAL MUSIC)

You're not hearing!
OK.

He is literally
fabricating the truth...

..and I want you
to call him on his bullshit

because he can't go around and lie

and try and meddle
in a relationship!

Like, am I speaking
a different language?

'Cause it feels like it!

(TENSE INSTRUMENTAL MUSIC)

Shouldn't you wanna call him
on his bullshit and say,

"Hey, stay away
from our relationship?"

I did that for 20 minutes
last night at boys' night.

No, you're failing to understand!

Really failing
to see the big picture.

But it's...

Can someone step in
and talk to Layton?

Oh, my...

'Cause I just
can't get through to him!

Like, am I actually speaking
a different language right now?

I'm really pissed off,
because I'm just thinking,

"When is this gonna end?"

Yet again, because of you, Harrison,
me and Layton are fighting.

Harrison's a meddler.

Like, don't you see, Layton?

Don't you see what Harrison's doing?

NARRATOR: The group
are making the most

of their final day at the retreat...

WOMAN: Tayla!
WOMAN: Oh, my gosh!

Yeah! (LAUGHS)
Ohh!

..and Claire wants to bring the grou
some unique insights

with her fairy cards.

CLAIRE: These cards
are really quite powerful.

They show you ways to reaffirm,
to manifest.

They really give you a reading
based on your heart's true desires.

So...

(ALL EXCLAIM)

Yeah, dude!

Ahh!
MAN: What is it?

Oh, yeah, baby!
(ALL EXCLAIM)

I love it!
(LAUGHTER)

OK.
(ALL EXCLAIM)

(LAUGHTER)
OK.

HUGO: What I've realised now
is that me and Tayla's relationship

hasn't been good
from the beginning...

(SOMBRE INSTRUMENTAL MUSIC)

..and I'm not really sure
what to do.

CLAIRE: Hugo, those gut feelings

aren't just examples
of wishful thinking.

When you're really honest with
yourself, you know what you desire.

Take one step to dismantle
any part of your life

that is out of integrity,

and others will respect you
for standing your ground.

You'll probably find
that when you speak your truth,

new solutions become apparent
and allow for win-win situations.

(MOMENTOUS MUSIC SWELLS)

I want to have a chat with Tayla
and to, you know, call her out

on a lot of the stuff
that she's been saying and doing.

I've been henpecked, spoken down to,
and belittled,

and she's talking about
sexting with her ex.

She does need to know,
regardless of her thoughts for me,

the whole thing
is about putting in the effort.

The whole thing is about
when you don't get what you want,

to try and work on it
with the other person.

Honestly, like, I...

..I have been thinking, like,

"Have you come in here
for the right reasons?"

'Cause I haven't seen them.

(TENSE INSTRUMENTAL MUSIC)

It's our last night, everybody!

Whoo!
(LAUGHTER)

Last night!

Having embraced the unique
togetherness of the retreat...

CAM: What shoes
should I wear tonight?

..it's a last opportunity
for our couples

to interact as a group
before they return to Sydney.

LYNDALL: It's a fashion show,
and you're gonna win it.

I reckon.
(LAUGHTER)

Does it have to be so serious
all the time?!

(LAUGHTER)

You look like
a beautiful pink curtain.

Whoa!

However, for Bronte and Harrison,

a sense of unfinished business
still lingers.

I like that we've done
the matching white jeans

for the end of the night.

I know!

Yours don't have nearly enough rips
in them, though.

I know.
We're gonna have to change that.

Maybe after tonight.
Yeah, yeah.

After Melinda gets her claws
into them.

Can you imagine?
(SIGHS)

I'm just so sick of people trying to
get involved in our relationship

for whatever reason, like...

I don't think they are.
..like...

It's only Melinda.

(DRAMATIC MUSIC BUILDS)

That's all that's happening?

No-one else has said anything?
No!

OK.
God, no!

OK!
No-one else has said a word.

Good.

In fact, I didn't even get to speak
on our relationship

last night at the boys' night.

It ended abruptly because of
the drama between you and Melinda.

It ruined my night with the boys.

(TENSE INSTRUMENTAL MUSIC)

I know.

It's not fair on me.
It's not fair, like...

No, she's taken that
away from me now.

Yeah, I know that.
It's really not OK.

(TENSE INSTRUMENTAL MUSIC)

(KISSES)

MELINDA: Someone in that
relationship is lying.

(DRAMATIC MUSIC BUILDS)

Who is it?

I have a good bet who it is.

He's that calculated.

If it is Harrison,
I want Bronte to hear it.

I want Layton to hear it.

(DRAMATIC MUSIC BUILDS)

But, like, when you try
to hold them accountable,

I feel like they'll come together
and be like, "Everything's fine."

Yeah.

They are, like, a united front.

And now me and Layton are arguing.

Right now, I just want Layton
to have my back.

Make me feel that
when I do go back into the group,

he's there to defend me.

RUPERT: Yo!

You sweet?

All sweet.

All good? One big happy family?

Always, mate.
What's going on?

Nah, it's just all good.
Don't wanna talk about it?

Uh...no, no, Mel's just...just upset
about what Bronte said to her.

LAYTON: I get the feeling Mel feels
like I'm maybe not having her back

or not supporting her at the moment,

but it's really just because
I just don't like unnecessary drama.

I don't like this...
this sort of stuff,

but I get that Mel feels attacked.

Yeah.

She's upset, and she...she's being
protective of the relationship.

I was there last night,

and I heard you, 100%,
sticking up for Mel,

or, like, you know,
your relationship,

and it's funny
that Bronte would just say,

"Oh, by the way, like,
it's not all good on your end.

"Layton was saying this,
that, and the other,"

which is just completely not true.

So, I don't know
why someone would do that.

(TENSE INSTRUMENTAL MUSIC)

Me and Melinda started off rocky,

but I feel like we've worked hard
to get to a position

where we're in a good place.

What Harrison's saying,
that's so far from the truth.

Harrison definitely crossed the line
when he put words in my mouth

and said something that isn't true.

Mel's right.
Harrison's coming for us.

(TENSE INSTRUMENTAL MUSIC)

Yeah, you guys don't deserve that.

If Mel's upset,
then I've just gotta support her.

Yeah. Yep.

So, mate, I just...
I'm gonna back her.

(TENSE INSTRUMENTAL MUSIC)

When there's a very clear
moral right and wrong,

then that's when you speak out.

I definitely have to have a chat
to Harrison tonight.

I always wanna be
supporting my partner,

and I always wanna be
supporting Mel,

and I want Mel to know
that I've got her back.

MEL: Mmm?

(SIGHING)

I don't want you to feel this way.
I don't want you to feel upset.

Like I said this morning,
I've got your back.

I have your back.

I'm more than happy to talk to them.

Alright? I got you.
(LAUGHS)

(KISSES)

(SIGHING)

Let's, at dinner,
let's have that chat.

Yep. The truth needs to be heard.

(DRAMATIC MUSIC BUILDS)

Harrison has caused a lot of shit
in my relationship.

I'm not gonna let him ruin
something really special.

We need to get
to the bottom of this.

Let's go.
We really need to get ready.

With Layton finally in tune with
Melinda's concerns about Harrison,

our couples are ready
to let their hair down

and celebrate the end of the retreat
with a farewell soiree.

(WHOOPING)
Look at this!

CLAIRE: How beautiful!
(LAUGHTER)

WOMAN: Oh, my stars!
Oh, this is so romantic!

WOMAN: Alrighty.
It's a beautiful night.

Oooh!
(WHOOPS)

Well, this is mine.

(LAUGHTER)

(GENTLE INSTRUMENTAL MUSIC)
JESSE: Cheers.

Cheers, mate.
Happy last night at the retreat.

Happy last retreat night!

Thanks. Here! Thank you, baby.

JESSE: I look at all the other
couples in here tonight.

There are a few in a bad place...

(SOMBRE INSTRUMENTAL MUSIC)

..but there's some couples
who are pretty loved up.

(LAUGHS)

(GENTLE INSTRUMENTAL MUSIC)

I'm happy to be
one of those couples.

CLAIRE: Come here, give me a hug.
Put your arm around me!

CLAIRE:

# Lean on me... #

I just feel an attraction to Claire.

I like her.

Um...

One passionfruit.

Thank you.

There's a little bit of a...
(GROWLS) ..there.

(GENTLE INSTRUMENTAL MUSIC)

I'm having a great time with Claire.

LYNDALL: What up, fam?
MAN: Cheers.

Cheers!

Cheers. Cheers.
To the couples retreat.

Here comes the other four.

(TENSE INSTRUMENTAL MUSIC)

What an entrance.

MAN: What an entrance.
(MURMURING)

CAM: Are you wearing any pants,
Layton, or what?

(LAUGHTER)

LAYTON: I painted these on, mate!
(LAUGHTER)

"Are you wearing any pants?"
Oh, my god.

I'm gonna go say hello.

Hello!
Hi!

How are you, Layton?
How are you, darling?

How are you?

(TENSE INSTRUMENTAL MUSIC)

ALYSSA: Hi.
MEL: Hi!

Good to see you.

LAYTON: Harrison has had
a few words to say

about mine and Melinda's
relationship.

(DRAMATIC MUSIC BUILDS)

He said something that isn't true

and tried to drive a wedge
between us.

(DRAMATIC MUSIC BUILDS)

I'm not gonna let it go.

(DRAMATIC MUSIC CONTINUES)

(LIVELY INSTRUMENTAL MUSIC)

(CHATTER)

I am so scared of the dark.

Oh, what...Tayla! (LAUGHS)

(LAUGHTER)

I'm sorry!
I don't care about that.

Sorry! (LAUGHS) I'm sorry!

OLLIE: You are so funny!

(LAUGHTER)

And it's just, like...it just oozes!

(LAUGHS) What do you mean?

(LAUGHS)

Like, you were like...
it was serious.

"No, no, no.
No, it wasn't about that.

"I'm scared of the dark."

Like, what? (LAUGHS)

What?!

(LAUGHTER)

(TENSE INSTRUMENTAL MUSIC)

HUGO: I thought the whole point
of the retreat

was to spend time with your partner.

After last week's
commitment ceremony,

me and Tayla had said,

"Let's try and use it
to start from there,"

but I think that the way that she's
been treating me this entire time,

she's made it clear that she doesn't
want a bar of the relationship.

Why are you messaging your ex
on this experiment?

Why is sexting an OK thing
to do with your ex,

especially on
Married At First Sight?

I don't think she came into this
experiment fully ready to commit,

fully ready to try,
and fully ready to give it a go.

Um, obviously, Tayla...
(DRAMATIC MUSIC BUILDS)

..I'd like to kind of
calmly get my thoughts out

and stuff like that for you.

(DRAMATIC MUSIC BUILDS)

Like, what is up with the messaging
the boyfriend and him sexting you?

The ex-boyfriend,
and there was no sexting.

Ex...him...him sexting you.

But there was no sexting.

Him saying
he wanted to sext with you.

Far out, Hugo!
MAN: Let him finish.

But this is...

I know, I know, I know.
At least let him finish.

You'll have your go.

No, but this is the biggest
crock of shit!

This is...
this is not a crock of shit!

It IS, though!

What the hell?
You don't get it!

(TENSE INSTRUMENTAL MUSIC)

This is what I get all the time.

When I try and talk,
it just gets shut down.

The thing is...
CLAIRE: No, you need to...

No, but...
No, stop saying no.

Stop saying no. Look at me.

He needs to get his point across
too, babe. It's only fair.

This is important to me.

The love-of-your-life ex-boyfriend

and him saying he wanted
to sext with you.

Is there still, you know,
lingering stuff going on there,

and you know, does that mean that

you have legitimately come onto here
to...to give it a shot?

(TENSE INSTRUMENTAL MUSIC)

(LAUGHS)

(TENSE INSTRUMENTAL MUSIC)

(SIGHS) Oh, that bloke, honestly!

Like...he's so pathetic.

He's lying!

He's not truthful,

and I don't know how
he doesn't feel really, really bad

for telling the lies
that he's told so far.

(TENSE INSTRUMENTAL MUSIC)

You become so fragile over nothing.
You really do!

He's allowed to be fragile.

(TENSE INSTRUMENTAL MUSIC)

I'm so angry at you
for throwing me under the bus again

when I haven't done anything wrong!

This whole relationship

is just whenever I try and talk up
and say how I'm feeling,

it turns into, "You're so fragile!"

No, but you disregard my feelings!

I'm constantly bending and adjusting

to try and make sure
that we're good.

(TENSE INSTRUMENTAL MUSIC)

I knew that he was going
to put on this sad act again.

I think that's stemming
from embarrassment and rejection...

..and that's not my fault,

and now everyone's
feeling sorry for him.

(TENSE INSTRUMENTAL MUSIC)

Evelyn, what do you wanna say?
Honestly!

(TENSE INSTRUMENTAL MUSIC)

If you want to linger around
in the background

and just look at me like that,
you can keep on doing it,

but what do you wanna say?

Tayla, don't come at me right now,
OK?

I haven't done anything wrong.

I'm over it!
We wanna have a good time!

Maybe...
You know what?

If you don't wanna be around
this barrel and have a good time,

(BLEEP) off!

Excuse me?
WOMAN: Oh, no, no, no, no!

Are you telling me
to (BLEEP) off right now?

No-one is swearing right now
except for you, Tayla.

There's no need for that!

I'm sorry, I didn't know you were so
sensitive about swearwords, Evelyn.

I didn't know you didn't swear.

Tayla, grow up! Seriously, grow up.

OK, Evelyn,
I'm not starting trouble here, so...

You're not starting trouble?
You just told me to (BLEEP) off!

(DRAMATIC MUSIC BUILDS)

Why are you so involved?
Why do you care?

Because...
Why do you honestly care, though?

..why did you sign up
to this experiment

if you obviously don't care?

(DRAMATIC MUSIC BUILDS)

This experiment is not easy
for any of us.

Tayla checked out before
she even walked down that aisle.

She's just not happy
with the narrative

of how she's actually being
towards Hugo.

(TENSE INSTRUMENTAL MUSIC)

When someone can't justify
their actions,

their first deflection
is to tell them to (BLEEP) off,

and it's so obvious -
it, like, makes sense to me.

It's so stupid!

What the (BLEEP)?

(DRAMATIC MUSIC BUILDS)

I've just gotta...
I've just gotta ask, like,

what's...what's the next thing to do

(TUTS)

(EXHALES AND BLOWS RASPBERRY)

(DRAMATIC MUSIC BUILDS)

I've had enough,
so everyone can get (BLEEP).

(SIGHS)

(DRAMATIC MUSIC BUILDS)

WOMAN: Tayla?

(DRAMATIC MUSIC BUILDS)

This is the first time
I've spoken up in three weeks.

(DRAMATIC MUSIC SWELLS)

Tayla tries to control
the situation

and when she feels
like she's not in control,

she's so quick to shut it down.

I think Hugo deserves better
than Tayla.

(DRAMATIC MUSIC BUILDS)

Come here.

(DRAMATIC MUSIC BUILDS)

TAYLA: I feel so betrayed
and let down by Hugo.

(SIGHS)

(TENSE INSTRUMENTAL MUSIC)

(TENSE INSTRUMENTAL MUSIC)

NARRATOR: Melinda and Layton
are finally reconciled,

but they're both still unimpressed

by Harrison's attempt
to drive them apart.

I'm really upset about some stuff.
TAHNEE: About what?

I'm upset because Bronte said,

"Oh, babe, I think you need
to chat to Layton."

She goes, "Harrison told me that
Layton was saying you're not good,

"and that he doesn't see this
moving forward."

(TENSE INSTRUMENTAL MUSIC)

And then my thing is,
I believe my husband.

Yeah!

But it's more, "Why is someone
trying to sabotage a relationship?"

Yes, yes!

(TENSE INSTRUMENTAL MUSIC)

LAYTON: Yeah, yeah, rope-a-dope.
I like that.

You like that?
With the footnotes?

George Foreman, Muhammad Ali.
You just went boom!

Well, mate, I think
that's what needs to happen.

I think that needs to happen with
a lot of the conversations here...

..here tonight as well, you know?

Melinda probably does feel a bit
intimidated by confronting Harrison.

She believes that Harrison's
coming from a place of malice.

(TENSE INSTRUMENTAL MUSIC)

I wanna get to the bottom
of what was said

to show Mel that I'm defending
my and her relationship.

If I believe that somebody
that I love is being disrespected,

then I'm always gonna
make that clear.

Today Mel was...obviously
had a chat with you, Bronte...

BRONTE: Mm-hm.

..and was a bit upset about that,

about something that might've been
said, maybe coming from Harrison.

(DRAMATIC MUSIC SWELLS)

So, where is that coming from?

(DRAMATIC MUSIC CONTINUES)

What did you say to Bronte?

(DRAMATIC MUSIC BUILDS)

Well, I mean, it's a fair question.

Yeah.
Um...

(DRAMATIC MUSIC BUILDS)

Uh...

(DRAMATIC MUSIC SWELLS)

Are you saying something
behind my back?

(DRAMATIC MUSIC CONTINUES)

Are you saying the right thing?

(DRAMATIC MUSIC CONTINUES)

What was said in that conversation?

(TENSE INSTRUMENTAL MUSIC)

Yeah, did you not say that...
things aren't OK?

Is that what happened?

I can't...I genuinely don't remember

(DRAMATIC MUSIC SWELLS)

You don't? I wonder why.

You're lying.

Your missus just got you
in a very uncomfortable situation,

and you can't answer it.

(TENSE INSTRUMENTAL MUSIC)

Well, what was said to you
that you said to Mel today?

All I'm under the impression is that
you guys weren't in a good place!

(TENSE INSTRUMENTAL MUSIC)

What did you take
from that conversation?

Word for word...
Yep?

..was, "Mmm, I think you need to
check in with your husband, Mel.

"I think you need to check with
Layton,

"'cause that's not what he said..."

100%! Because I care!
And then you said...

Literally the only reason...

I know, but...

(TENSE INSTRUMENTAL MUSIC)

I just took
what Harrison said wrong.

And I'm sorry.

Bronte...

Hey, no, no, that's fine.

Like, like, that's fine.
It happens. Don't worry.

(SCOFFS)

Something doesn't add up.

(TENSE INSTRUMENTAL MUSIC)

Apparently she said
the wrong thing...

(TENSE INSTRUMENTAL MUSIC)

So, there's a bit
of a miscommunication here.

..or maybe she's being thrown
under the bus.

Obviously I got that wrong!

It's hard to watch right now.

Bronte's covering for him.

Bronte feels she's standing up for
her man, like it's this loyal thing.

No!

Hon, you're being manipulated.
You're being gaslit.

(DRAMATIC MUSIC SWELLS)

That's an issue,

because that caused about two
or three hours worth of Mel...

And not that I didn't believe him,

but I was upset
that constantly I'm attacked,

constantly our relationship
is under fire.

(TENSE INSTRUMENTAL MUSIC)

Who's putting your relationship
under fire? Who's attacking it?

(TENSE INSTRUMENTAL MUSIC)

Don't gaslight me!

That shit will not work on me.

You've gone and told Bronte
wrong information!

She's come to me
to check in on my husband

because my husband's
not telling me the truth.

I don't think that happened.

(TENSE INSTRUMENTAL MUSIC)

Why do you care so much
about our relationship?

Just let...
I really don't.

Why don't you focus on your own?
I really don't.

'Cause it's not cool!
I really don't.

You're obsessed
with our relationship!

No, no, whoa, babe!
You're trying to sabotage it!

No, I'm gonna call it for how it is.

You're a manipulator.
You manipulate - that's what you do.

Stay away from our relationship,
'cause I'm over it, Harrison!

(TENSE INSTRUMENTAL MUSIC)

MEL: I'm gonna call it
for how it is.

You're a manipulator.
You manipulate - that's what you do.

Stay away from our relationship,
'cause I'm over it, Harrison!

LAYTON: Wait, can I just clarify?

Wait, wait, wait. Mel? Mel?
Hey. Hey, hey, Mel!

Come here, come here, come here.
Come here. Give me your hand.

Come here.

I was really happy with Layton
tonight and how he handled it.

I wanted him to be protective,
and that's exactly what he did,

and I feel like,
as soon as Layton was protective,

you do see Harrison,
like, simmer a bit.

HARRISON: Let's just take
the emotions down.

I think there's been a bit
of a miscommunication here.

Bronte...
Melinda, Melinda.

The difference between you and me
is when you make a comment,

I actually do take it to heart.

I do. I genuinely do.

When you said that I'm emotionally
manipulating my wife,

that really hurts.

It's not just me, it's all of us!

I'm sorry, but everyone...

I wouldn't be with somebody
who targets people on purpose.

It's just...I asked for somebody
who was kind

and...you know,
who speaks his mind...

..and that's exactly what I got.

(TENSE INSTRUMENTAL MUSIC)

I do have big concerns for Bronte.

I think she's got
some rose-coloured glasses on

and she's, like, drinking
the Harrison Kool-Aid.

I think she's shotting it...

..and I feel like it is working.

I'm not an expert.

I don't think anyone here
would say that.

Well, I mean, our relationship's
not toxic, so, we're doing...

Well, Bronte...

Well, hang on, hang on, hang on!
Hang on.

Come on, you said you're not
perfect behind closed doors.

Mate, that's a dig. That's a dig.

Yeah, but we don't argue
like you guys do.

Bronte's actually starting to think
she's in this real relationship,

and there is this
lifelong goal together.

We've had pretty much one fight...

I don't think we've had
an argument in weeks.

One fight.

I know that Bronte is going
to be hurt by Harrison,

and she deflects it
by coming at us.

Every time I see you,
I ask how your relationship is

and you say you go like this!

It's a roller-coaster,
which is a lot of relationships.

But we're kind of not...
we're not like that at all.

That's why we don't buy you guys -
'cause you aren't real.

But, wait, babe, hold on a second.
Well, you aren't.

Melinda says stuff. Just let it go.

Not me! Everyone says it. Everyone!

Oh, everyone says it?

Well, everyone does say it!
Relax.

Well, everyone said it last night.
No, they didn't, Melinda.

Are you kidding me?
I am so serious.

A few people have said
the same thing. It's not just Mel.

Does everyone think...
Hey, hey, hey, babe! Bronte.

..my relationship is fake
with Harrison?

Like, literally speak right now!

(TENSE INSTRUMENTAL MUSIC)

Does anyone think
our relationship's fake?

That's the question on the table.

OLLIE: They kind of asked
for the census of the group.

"Who thinks we have
an inauthentic relationship?"

In my mind, I was like...

I'm sceptical.

(TENSE INSTRUMENTAL MUSIC)

Alyssa, do you think
our relationship's fake?

(DRAMATIC MUSIC BUILDS)

ALYSSA: We did have conversations

about a few things
that have been said, and...

Claire, do you think
our relationship's fake?

Uh...yeah, a little bit.

(TENSE INSTRUMENTAL MUSIC)

I am really trying to see where the
genuine connection is coming from,

and I can't see it.

Harrison is emotionally manipulating
Bronte.

He is,

and I don't wanna see her hurt!

The Bronte that we saw at the hens'
that said,

"You know what,
I've been naive in the past.

"I'm not gonna let shit men
bring me down again.

"I'm not gonna make
the same mistake."

We are literally watching it happen,
boo!

We're watching it happen to you.

And it's not just me - it's Melinda,
it's Alyssa, it's Tahnee.

We can all see it!

All the girls agreed.

(LAUGHS)

Honestly, Bronte is running away
from the truth,

defending an absolute arsehole,

and I feel like she knows that,
deep down in her heart.

It's (BLEEP).

MELINDA: I'm sorry,

but we all felt similar feelings
towards Bronte and Harrison...

..and we all have
the same questions.

We were literally agreeing
on a lot of stuff.

It was not just me. We all did!

(DRAMATIC MUSIC SWELLS)

We're just gonna...just gonna...
BRONTE: This is bullshit. Yeah.

I think we should just go
to someone else.

Don't walk away.
Walking away resolves nothing.

(EXHALES)

(DRAMATIC MUSIC BUILDS)

I do trust him, and I'm not
a trustworthy person at all.

It takes a lot to gain my trust.

You don't just get that. It's earnt.

So, if I choose to trust you
and you break that,

uh...there's no going back on that.

Like, I'll never allow you
back into my life.

I do feel like what the girls
have said to me has planted a seed.

(TENSE INSTRUMENTAL MUSIC)

NARRATOR: Tomorrow night...

She's gone.
What?

(GASPS)
Oh!

..bride gone missing...

Tayla's left?

She messaged me saying,
"I'm back in Tassie."

(GASPS)

And...

Oh, that's not a good entrance
at all!

..it's the most unexpected break-up.

He texted me,
"This relationship is over."

TAHNEE: What?
Texted?

Harrison calls it quits
with Bronte...

I did have
my rose-coloured glasses on.

CLAIRE: You need to take off
that shirt,

and stick it on a pole
and wave it around,

'cause you're a giant
red (BLEEP) flag!

(DRAMATIC MUSIC SWELLS)

..but will his path of destruction..

HARRISON: I actually think
you're a great guy

and you deserve heaps better
than how you've been treated, mate.

..claim Claire and Jesse's marriage
too?

Harrison completely
getting inside Jesse's head.

JESSE: What Harrison said is what
I'm afraid to admit myself.

Which couple will officially
exit the experiment?

(DRAMATIC MUSIC SWELLS)

Captioned by Ai-Media
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