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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,139 --> 00:00:03,419 I have to leave. 2 00:00:03,499 --> 00:00:06,379 NARRATOR: Previously, Sandy left the experiment 3 00:00:06,419 --> 00:00:08,499 with hope for the future... 4 00:00:08,539 --> 00:00:10,499 He's out there somewhere. (LAUGHS) 5 00:00:10,579 --> 00:00:13,459 I mean, I waited 36 years. What's another couple? 6 00:00:13,499 --> 00:00:16,699 ..as some proved love finds a way. 7 00:00:16,739 --> 00:00:20,659 I like her...the most, ever! 8 00:00:20,739 --> 00:00:24,779 Definitely in the process, I think, of falling in love. 9 00:00:24,859 --> 00:00:28,059 But it was a split decision from Tayla and Hugo. 10 00:00:28,099 --> 00:00:29,179 I chose to leave. 11 00:00:29,219 --> 00:00:31,179 Well, I did write 'stay'. 12 00:00:31,259 --> 00:00:33,899 (DRAMATIC MUSIC SWELLS) Why did you put 'stay'? 13 00:00:33,979 --> 00:00:37,139 I'm not staying. I'm going back to Tassie. 14 00:00:37,179 --> 00:00:38,779 (DRAMATIC MUSIC CONTINUES) 15 00:00:38,859 --> 00:00:41,259 And it was Bronte and Harrison's marriage... 16 00:00:41,299 --> 00:00:42,939 I'm definitely falling for Bronte. 17 00:00:43,019 --> 00:00:45,059 Yeah, I'm definitely falling for Harrison. 18 00:00:45,139 --> 00:00:48,179 ..that left some questioning their authenticity... 19 00:00:48,259 --> 00:00:51,099 Can't imagine to wake up and he's not there. 20 00:00:51,139 --> 00:00:52,699 (JAUNTY INSTRUMENTAL MUSIC) 21 00:00:52,739 --> 00:00:54,019 ..as Harrison took aim... 22 00:00:54,099 --> 00:00:55,979 I'm looking at a different guy tonight, 23 00:00:56,059 --> 00:00:57,899 and, mate, you just don't seem happy! 24 00:00:57,939 --> 00:01:00,339 ..at a brand-new target. 25 00:01:00,379 --> 00:01:01,579 This is not a facade. 26 00:01:01,659 --> 00:01:05,619 Harrison had the hide to sit there and call out our relationship. 27 00:01:05,699 --> 00:01:09,579 We are real. We are not in the facade that you are in with Bronte! 28 00:01:09,619 --> 00:01:11,019 (DRAMATIC MUSIC SWELLS) 29 00:01:11,059 --> 00:01:13,059 (MOMENTOUS MUSIC BUILDS) 30 00:01:13,139 --> 00:01:15,059 Tonight... WOMAN: Oh, my god! 31 00:01:15,099 --> 00:01:16,539 Oooh, so pretty! 32 00:01:16,619 --> 00:01:20,699 ..our husbands and wives head out on a four-day couples retreat. 33 00:01:20,739 --> 00:01:21,739 (LAUGHS) 34 00:01:21,819 --> 00:01:24,219 Getting away and spending time in a new environment 35 00:01:24,259 --> 00:01:26,059 can help break negative patterns 36 00:01:26,139 --> 00:01:29,539 and get a fresh perspective on their marriage in a social setting. 37 00:01:29,619 --> 00:01:32,059 CLAIRE: It's been quite a while since Jesse and I shared a bed. 38 00:01:32,139 --> 00:01:34,779 So, I'm really hoping that this retreat 39 00:01:34,819 --> 00:01:36,379 can romanticise us a little bit. 40 00:01:36,419 --> 00:01:38,579 But there will be a shocking turn... 41 00:01:38,619 --> 00:01:40,579 Give me attention! I need attention. 42 00:01:40,619 --> 00:01:43,219 ..for one of our strongest couples. 43 00:01:47,459 --> 00:01:48,859 And... (WOMEN WHOOP) 44 00:01:48,899 --> 00:01:50,979 ..it's girls' and boys' night. 45 00:01:51,019 --> 00:01:52,499 (TENSE INSTRUMENTAL MUSIC) 46 00:01:52,579 --> 00:01:56,339 ..where Melinda's got unfinished business with Bronte and Harrison. 47 00:02:04,699 --> 00:02:05,699 (DRAMATIC MUSIC BUILDS) 48 00:02:05,739 --> 00:02:07,299 MELINDA: Bronte, wake up. 49 00:02:07,339 --> 00:02:08,579 (DRAMATIC MUSIC SWELLS) 50 00:02:08,659 --> 00:02:11,139 EVELYN: She has the devil talking in her ear, 51 00:02:11,179 --> 00:02:13,419 and the devil is Harrison. 52 00:02:16,179 --> 00:02:19,179 (GENTLE INSTRUMENTAL MUSIC) 53 00:02:31,779 --> 00:02:34,579 It's the start of the sixth week of the experiment, 54 00:02:34,659 --> 00:02:39,699 and today the couples will be heading off for a four-day retreat... 55 00:02:40,739 --> 00:02:44,579 ..but first, after being told he needs to make more of an effort, 56 00:02:44,659 --> 00:02:48,179 Rupert has a surprise for his new wife, Evelyn. 57 00:02:49,499 --> 00:02:52,219 RUPERT: Today is Evelyn's 27th birthday. 58 00:02:53,419 --> 00:02:55,779 Last night, at the commitment ceremony, 59 00:02:55,859 --> 00:02:59,979 the experts told me to pull my socks up and give it my wall. 60 00:03:01,219 --> 00:03:03,579 So, I'm gonna try to show her that I care. 61 00:03:04,579 --> 00:03:06,379 No, OK, open your eyes. (LAUGHS) 62 00:03:06,419 --> 00:03:08,339 Ohh! (LAUGHS) 63 00:03:08,419 --> 00:03:10,099 Happy birthday. That's so sweet! 64 00:03:10,179 --> 00:03:11,619 Is that a pinata?! Yeah. 65 00:03:11,659 --> 00:03:14,739 This is so sweet! 66 00:03:14,779 --> 00:03:16,579 It's much appreciated, 67 00:03:16,619 --> 00:03:18,099 and it just goes to show 68 00:03:18,179 --> 00:03:20,219 that he might actually be listening to the experts. 69 00:03:22,019 --> 00:03:23,539 Oh, yay! (LAUGHS) 70 00:03:23,579 --> 00:03:26,579 (UPLIFTING INSTRUMENTAL MUSIC) 71 00:03:26,619 --> 00:03:30,099 (LAUGHS) What a party! 72 00:03:30,179 --> 00:03:32,899 Quick! Let's get this open! (LAUGHTER) 73 00:03:35,659 --> 00:03:37,059 Oh, my god. 74 00:03:38,939 --> 00:03:44,299 Down the hall, Melinda and Layton are also taking in the experts' advice 75 00:03:44,379 --> 00:03:46,779 from last night's commitment ceremony. 76 00:03:46,859 --> 00:03:49,499 LAYTON: Mmm. We survived another commitment ceremony. 77 00:03:49,539 --> 00:03:50,819 Yeah, and I think we've actually... 78 00:03:50,899 --> 00:03:52,619 ..we're gonna come out stronger with this one. 79 00:03:54,259 --> 00:03:56,219 I feel like last night was kind of my lightbulb moment... 80 00:03:57,619 --> 00:04:01,379 ..where they kind of stripped it all down and went, 81 00:04:01,459 --> 00:04:05,059 pretty much there's two bosses on the couch, two alphas, two CEOs, 82 00:04:05,099 --> 00:04:07,059 two whatever, you know, they said, 83 00:04:07,139 --> 00:04:09,299 and that's when, like, you know, the penny dropped for me 84 00:04:09,339 --> 00:04:10,739 and I was, like... 85 00:04:10,779 --> 00:04:11,779 Mm-hm. 86 00:04:11,819 --> 00:04:13,339 .."Ohh! Wow!" 87 00:04:13,379 --> 00:04:14,579 (UPLIFTING INSTRUMENTAL MUSIC) 88 00:04:14,619 --> 00:04:16,019 We are both very stubborn. 89 00:04:16,059 --> 00:04:18,019 We both do have alpha energy, 90 00:04:18,099 --> 00:04:22,579 and I still feel like it's OK for us to agree to disagree. 91 00:04:22,619 --> 00:04:23,899 We've just gotta get better at that. 92 00:04:23,939 --> 00:04:26,259 (UPLIFTING INSTRUMENTAL MUSIC) 93 00:04:26,339 --> 00:04:28,619 The reality is we are over halfway through this experiment, 94 00:04:28,699 --> 00:04:30,659 and these are things that we need to address, because... 95 00:04:30,699 --> 00:04:32,339 Yeah. 96 00:04:32,419 --> 00:04:35,139 ..if we can't get past some of these things, it becomes an issue. 97 00:04:35,179 --> 00:04:36,379 Mmm. 98 00:04:36,459 --> 00:04:39,619 There's always hurdles in any relationship. 99 00:04:39,699 --> 00:04:42,859 We still have some challenges in communicating. 100 00:04:42,899 --> 00:04:44,179 We go up and down, 101 00:04:44,259 --> 00:04:47,619 but going up and down is something that we haven't shied away from. 102 00:04:47,699 --> 00:04:51,379 The thing that keeps Mel and I fighting for our relationship 103 00:04:51,459 --> 00:04:54,059 is the fact that we have this strong physical connection. 104 00:04:54,099 --> 00:04:55,179 (LAUGHS) 105 00:04:55,219 --> 00:04:57,259 And we have really strong chemistry 106 00:04:57,339 --> 00:05:01,179 that can easily allow us to push through really challenging times. 107 00:05:02,339 --> 00:05:04,299 But I was really triggered - 108 00:05:04,379 --> 00:05:07,659 bloody old mate Harrison coming out that he doesn't buy it. 109 00:05:07,699 --> 00:05:10,699 (TENSE INSTRUMENTAL MUSIC) 110 00:05:10,779 --> 00:05:15,139 The guy I met at the bucks' party - you were full of life. 111 00:05:15,219 --> 00:05:17,499 I'm looking at a different guy tonight, 112 00:05:17,579 --> 00:05:20,299 and I think, every week, we see the same story from you guys 113 00:05:20,339 --> 00:05:21,779 and I just don't buy it. 114 00:05:21,859 --> 00:05:24,419 Just own it. Tell us what's going on. 115 00:05:24,459 --> 00:05:27,059 (TENSE INSTRUMENTAL MUSIC) 116 00:05:27,139 --> 00:05:30,059 That is so offensive to me, because I think, like... 117 00:05:30,099 --> 00:05:31,099 LAYTON: Yep. 118 00:05:31,179 --> 00:05:33,139 ..we go through hell for our relationship. 119 00:05:33,219 --> 00:05:35,979 Like, we are, like, battling every day for us. 120 00:05:36,059 --> 00:05:37,579 Mmm. So, that upsets me. 121 00:05:37,619 --> 00:05:38,739 Yeah. 122 00:05:39,779 --> 00:05:41,739 I've noticed now at the commitment ceremonies 123 00:05:41,819 --> 00:05:44,499 that since there's no explosive drama on the couch 124 00:05:44,539 --> 00:05:46,459 for Harrison and Bronte anymore, 125 00:05:46,539 --> 00:05:48,459 Harrison somehow now thinks he's Dr Phil 126 00:05:48,539 --> 00:05:51,899 and wants to, you know, be the expert of the group - 127 00:05:51,939 --> 00:05:53,939 on top of the experts. 128 00:05:54,019 --> 00:05:56,979 And I look over at Harrison's face while everyone's on the couch. 129 00:05:57,059 --> 00:06:01,739 He's like, "Where can I slot into the drama? There it is. Boom!" 130 00:06:01,819 --> 00:06:04,739 And it's, like, verbal diarrhoea coming out his mouth, 131 00:06:04,819 --> 00:06:07,339 and it's like, "What is your point, bro? Sit down!" like... 132 00:06:07,379 --> 00:06:08,459 (DRAMATIC MUSIC BUILDS) 133 00:06:08,539 --> 00:06:10,499 I just feel like we've got front-row seats 134 00:06:10,539 --> 00:06:12,139 to the Harrison and Bronte show... 135 00:06:12,179 --> 00:06:13,939 (TENSE INSTRUMENTAL MUSIC) 136 00:06:13,979 --> 00:06:15,619 ..and I want a refund. 137 00:06:15,659 --> 00:06:19,259 (TENSE MUSIC CONTINUES) 138 00:06:19,339 --> 00:06:23,059 This week, keep Harrison away from me, 139 00:06:23,139 --> 00:06:26,899 because I'm trying to build a relationship with Layton, 140 00:06:26,979 --> 00:06:30,179 and Harrison is trying to get in the way of that. 141 00:06:30,219 --> 00:06:31,499 Yeah? 142 00:06:31,579 --> 00:06:32,739 (CHUCKLES) Come here. 143 00:06:32,779 --> 00:06:34,619 (KISSES) 144 00:06:34,659 --> 00:06:37,139 (DRAMATIC MUSIC SWELLS) 145 00:06:39,899 --> 00:06:42,299 (TENSE INSTRUMENTAL MUSIC) 146 00:06:42,379 --> 00:06:47,539 Melinda did not like my comment about making Layton miserable. 147 00:06:47,579 --> 00:06:48,819 Mm-hm. 148 00:06:48,859 --> 00:06:50,219 Like, how does that make her look? 149 00:06:50,299 --> 00:06:51,819 Yeah, that's why she... Her response... 150 00:06:51,899 --> 00:06:54,019 ..why she had her little... Lashed out. 151 00:06:54,099 --> 00:06:55,739 ..lash out at you, yeah. Lashed out, yeah. 152 00:06:55,819 --> 00:06:58,739 Yep. 'Cause I do - I do think that she's making him miserable. 153 00:06:58,819 --> 00:07:01,299 I don't see...I don't see the guy that I met at the bucks' party. 154 00:07:01,379 --> 00:07:03,059 Yeah, you saw him at the bucks'. He was way happier. 155 00:07:03,139 --> 00:07:04,819 He was electric! Mm-hm. 156 00:07:04,899 --> 00:07:08,179 Yeah, now I just see this guy who's, like, sitting on the couch, 157 00:07:08,259 --> 00:07:11,899 kind of, like, you know, talking and head down, 158 00:07:11,939 --> 00:07:14,219 talking and head down. 159 00:07:14,299 --> 00:07:16,099 That's not the guy I met! Yep. 160 00:07:16,139 --> 00:07:17,139 Not even close! 161 00:07:17,179 --> 00:07:19,659 It's, like, you poor bloke. 162 00:07:19,739 --> 00:07:24,019 Like, she must be just an absolute nutcase behind closed doors. 163 00:07:25,539 --> 00:07:28,819 I feel like if Layton got a lobotomy and then removed his tongue... 164 00:07:28,859 --> 00:07:30,099 (LAUGHS) 165 00:07:30,139 --> 00:07:31,979 ..Melinda would be happy with that. 166 00:07:32,059 --> 00:07:34,899 No arguing, no answering back. (LAUGHS) 167 00:07:34,979 --> 00:07:37,099 (MONOTONE) Sorry. (BRONTE LAUGHS) 168 00:07:37,179 --> 00:07:40,539 I think that's the only way their relationship would work. 169 00:07:40,619 --> 00:07:42,339 I think that's what she actually wants! 170 00:07:42,379 --> 00:07:43,459 (JAUNTY INSTRUMENTAL MUSIC) 171 00:07:43,539 --> 00:07:46,739 Honestly, like, I don't care about Melinda and Layton. 172 00:07:46,819 --> 00:07:50,699 Harrison and I are great, and that's all that matters. 173 00:07:50,779 --> 00:07:52,219 We are... The experts are learning from us. 174 00:07:52,299 --> 00:07:55,539 We are the blueprint that they are going to use forever! 175 00:07:55,619 --> 00:07:57,059 Yeah, yeah. (LAUGHS) 176 00:07:57,099 --> 00:07:58,979 Yeah, John will be like, 177 00:07:59,059 --> 00:08:01,619 "We've seen some really (BLEEP) up shit in here." 178 00:08:01,659 --> 00:08:02,659 (LAUGHS) 179 00:08:02,739 --> 00:08:06,299 "But we know that two people can work it out 180 00:08:06,339 --> 00:08:08,419 "if they have amazing wild sex." 181 00:08:08,459 --> 00:08:10,459 (LAUGHS) 182 00:08:10,499 --> 00:08:12,819 (CHUCKLES) 183 00:08:12,899 --> 00:08:14,499 "Now, you two..." I can't... 184 00:08:14,539 --> 00:08:15,739 "..are gonna go away this week 185 00:08:15,819 --> 00:08:18,899 "and bang like a couple of drunk monkeys." 186 00:08:18,939 --> 00:08:19,939 (LAUGHS) 187 00:08:20,019 --> 00:08:22,019 "And when we see you back on the couch next week, 188 00:08:22,059 --> 00:08:23,499 "we're gonna hear all about it." 189 00:08:23,539 --> 00:08:25,419 (LAUGHTER) 190 00:08:25,459 --> 00:08:26,459 Sorry, Mum and Dad. 191 00:08:26,499 --> 00:08:29,499 (LAUGHTER) 192 00:08:30,619 --> 00:08:32,619 (STIRRING INSTRUMENTAL MUSIC) 193 00:08:32,699 --> 00:08:35,299 It's been a rocky road for Claire and Jesse 194 00:08:35,379 --> 00:08:39,139 after Claire kissed another groom earlier in the experiment, 195 00:08:39,219 --> 00:08:43,499 but she has been working hard to mend their relationship. 196 00:08:43,579 --> 00:08:46,019 We did so well! (LAUGHS) 197 00:08:46,099 --> 00:08:48,619 Yeah, I think we've come a real long way. It's nice. 198 00:08:48,659 --> 00:08:50,299 Yeah. Yeah. 199 00:08:50,379 --> 00:08:52,339 I'm pretty impressed by us, actually. 200 00:08:52,379 --> 00:08:53,939 What a turnaround. 201 00:08:54,019 --> 00:08:56,819 Last night's commitment ceremony went so well, 202 00:08:56,899 --> 00:08:59,139 and I literally could not be happier. 203 00:08:59,219 --> 00:09:02,659 We're in a great place. We've had a great week last week. 204 00:09:02,699 --> 00:09:04,619 Proud of myself for owning my shit. 205 00:09:05,779 --> 00:09:08,139 I just feel like everything I did last week 206 00:09:08,219 --> 00:09:10,699 has been about earning back his trust. 207 00:09:11,739 --> 00:09:14,339 Gosh, it was hard to watch a few of the couples, wasn't it? 208 00:09:14,379 --> 00:09:16,419 It sure was, man. 209 00:09:16,459 --> 00:09:18,299 It was hard to watch Dan and Sandy. 210 00:09:18,339 --> 00:09:19,819 It's hard to watch Tayla and Hugo. 211 00:09:19,859 --> 00:09:23,539 She seems, like, hard. 212 00:09:23,619 --> 00:09:25,819 A handful. Like, and quite harsh. 213 00:09:25,859 --> 00:09:27,019 Like, ruthless. 214 00:09:27,099 --> 00:09:29,019 Like, she was saying some shit and I was like, 215 00:09:29,059 --> 00:09:30,859 "Oh, babe, stop talking! 216 00:09:30,899 --> 00:09:33,299 "Please stop talking!" 217 00:09:33,379 --> 00:09:37,259 She's just so, like...cutthroat! Yeah. 218 00:09:37,299 --> 00:09:39,859 (JAUNTY INSTRUMENTAL MUSIC) 219 00:09:41,139 --> 00:09:44,499 (SOMBRE PIANO MUSIC) 220 00:09:53,139 --> 00:09:54,939 Obviously I'm still reeling a bit 221 00:09:55,019 --> 00:09:57,019 from last night's commitment ceremony. 222 00:09:58,899 --> 00:10:00,579 Have you been hurt, Hugo? 223 00:10:00,659 --> 00:10:03,219 Uh...yeah, I guess fatigued by a thousand cuts, 224 00:10:03,259 --> 00:10:05,259 I'd probably call it. 225 00:10:05,339 --> 00:10:08,899 (SCOFFS) Hugo... what are you talking about, Hugo?! 226 00:10:08,979 --> 00:10:10,819 The little things of how we've been. Honestly! 227 00:10:10,899 --> 00:10:12,659 Just all the tiny little things. Honestly! 228 00:10:12,699 --> 00:10:15,139 I...I am kind of terrified. 229 00:10:16,259 --> 00:10:17,659 Terrified of Tayla? 230 00:10:17,699 --> 00:10:19,659 (DRAMATIC MUSIC BUILDS) 231 00:10:19,739 --> 00:10:23,419 Oh, I'm sorry, I just don't know what he's talking about! 232 00:10:23,499 --> 00:10:25,739 I'm not staying. I'm going back to Tassie. 233 00:10:25,779 --> 00:10:27,379 (MURMURING) 234 00:10:27,419 --> 00:10:29,539 I'm not staying. 235 00:10:31,019 --> 00:10:32,819 I'm not! 236 00:10:32,859 --> 00:10:34,219 No way! 237 00:10:36,619 --> 00:10:38,619 (TENSE INSTRUMENTAL MUSIC) 238 00:10:38,699 --> 00:10:41,499 Overnight, Tayla has had a change of heart 239 00:10:41,579 --> 00:10:45,899 and decided to stay in the experiment and attend the retreat. 240 00:10:47,979 --> 00:10:51,579 Um, I'm kind of feeling like, uh, I didn't realise 241 00:10:51,659 --> 00:10:55,019 that Tayla was just gonna write 'leave' there. 242 00:10:55,059 --> 00:10:57,459 So, that one kind of threw me. 243 00:10:57,539 --> 00:10:59,979 And I'm thinking I do need to go over there 244 00:11:00,019 --> 00:11:01,619 and have a chat with Tayla 245 00:11:01,699 --> 00:11:04,859 and see if we can try and get back to basics, 246 00:11:04,939 --> 00:11:07,979 but I'm not really sure how I'm gonna be received. 247 00:11:08,059 --> 00:11:09,979 So, I'm a little bit nervous about that. 248 00:11:10,019 --> 00:11:12,419 (EXHALES) 249 00:11:12,459 --> 00:11:14,059 (TENSE INSTRUMENTAL MUSIC) 250 00:11:14,099 --> 00:11:15,499 OK, OK, you can do this. 251 00:11:17,379 --> 00:11:18,979 TAYLA: Oh, what (BLEEP)? 252 00:11:20,739 --> 00:11:22,739 (DOOR OPENS) 253 00:11:22,779 --> 00:11:23,979 (TENSE INSTRUMENTAL MUSIC) 254 00:11:24,019 --> 00:11:25,219 Heya! 255 00:11:25,299 --> 00:11:29,219 Uh, I was thinking we could probably have a chat 256 00:11:29,299 --> 00:11:31,859 about everything that happened last night and stuff. 257 00:11:31,899 --> 00:11:33,619 (TENSE INSTRUMENTAL MUSIC) 258 00:11:33,699 --> 00:11:35,339 I brought you a green tea. Thank you. 259 00:11:35,379 --> 00:11:36,379 That's OK. 260 00:11:36,459 --> 00:11:40,579 I'm not really that excited, to be honest, to see Hugo, 261 00:11:40,659 --> 00:11:43,859 and I don't really want to talk to Hugo, 262 00:11:43,899 --> 00:11:46,859 because after last night, 263 00:11:46,939 --> 00:11:48,899 I felt like he threw me under the bus. 264 00:11:48,979 --> 00:11:51,259 He just made me look like an idiot in front of everyone. 265 00:11:51,299 --> 00:11:52,819 I felt really betrayed. 266 00:11:52,859 --> 00:11:54,619 (SIGHS) 267 00:11:54,659 --> 00:11:55,899 (SIGHS) 268 00:11:55,939 --> 00:11:57,019 How are you feeling? 269 00:11:58,459 --> 00:12:00,579 Yeah, a little bit better after sleep and everything. 270 00:12:00,619 --> 00:12:02,139 Mmm. 271 00:12:02,219 --> 00:12:04,179 I think last night was pretty exhausting. 272 00:12:04,259 --> 00:12:07,099 I mean, I just don't know where you were coming from, 273 00:12:07,139 --> 00:12:08,459 like, the entire time. 274 00:12:08,539 --> 00:12:10,099 Yeah. Like, at all. 275 00:12:10,179 --> 00:12:14,219 I just felt like you lied to everyone. 276 00:12:14,259 --> 00:12:15,499 I don't... 277 00:12:15,579 --> 00:12:17,939 It was honestly just not the truth, though, Hugo... 278 00:12:17,979 --> 00:12:19,459 (DRAMATIC MUSIC BUILDS) 279 00:12:19,539 --> 00:12:21,619 ..and for you to sit on the couch last night, 280 00:12:21,699 --> 00:12:24,699 blatantly lie to the group and to the experts... 281 00:12:24,779 --> 00:12:26,259 Me expressing my feelings... You've never. 282 00:12:26,299 --> 00:12:27,419 ..isn't lying, though. 283 00:12:27,499 --> 00:12:29,299 No, not... That's not lying. 284 00:12:29,339 --> 00:12:33,339 Last night was legitimate emotions. 285 00:12:33,419 --> 00:12:36,099 You know, you made me look really bad last night, 286 00:12:36,179 --> 00:12:38,979 like, a really bad person, when I'm not. 287 00:12:39,059 --> 00:12:43,419 And you're saying that you're broken and defeated and crushed - 288 00:12:43,499 --> 00:12:46,299 I think that's a bit of an exaggeration. 289 00:12:46,339 --> 00:12:48,459 Like, crushed by what? 290 00:12:48,499 --> 00:12:51,139 (TENSE INSTRUMENTAL MUSIC) 291 00:12:51,179 --> 00:12:53,779 Just crushed by, like, the feeling 292 00:12:53,859 --> 00:12:58,699 that you don't really want any part of what's happening between us, 293 00:12:58,739 --> 00:13:01,139 and it seems like no part of you 294 00:13:01,179 --> 00:13:04,379 does wanna go kind of beyond mates. 295 00:13:04,459 --> 00:13:08,179 Like, the experiment isn't called Mates At First Sight. 296 00:13:08,259 --> 00:13:12,859 Like, it is about trying to grow relationship stuff. 297 00:13:12,899 --> 00:13:15,179 (TENSE MUSIC CONTINUES) 298 00:13:15,259 --> 00:13:18,859 I...I'd definitely like to try and get us back 299 00:13:18,939 --> 00:13:23,059 to where we were when we were hanging out earlier, 300 00:13:23,099 --> 00:13:25,099 towards the start of the experiment, 301 00:13:25,139 --> 00:13:26,979 and we were happy. 302 00:13:27,019 --> 00:13:30,459 (TENSE INSTRUMENTAL MUSIC) 303 00:13:31,739 --> 00:13:34,019 Well, you're welcome to come back to the room, Hugo. 304 00:13:34,099 --> 00:13:35,299 Am I? Yeah. 305 00:13:35,339 --> 00:13:36,379 Actually? 306 00:13:36,419 --> 00:13:38,419 (TENSE INSTRUMENTAL MUSIC) 307 00:13:38,499 --> 00:13:40,979 You know, I just didn't feel like arguing anymore. 308 00:13:42,139 --> 00:13:45,739 The truth is I told him what he wanted to hear. 309 00:13:45,779 --> 00:13:47,619 (SIGHS) 310 00:13:47,659 --> 00:13:49,899 I'd like that a lot. 311 00:13:49,979 --> 00:13:52,139 It definitely makes things easier, going to the retreat, 312 00:13:52,219 --> 00:13:55,139 if he thinks we're in a good place, we're friends. 313 00:13:55,179 --> 00:13:57,579 OK, that's awesome. 314 00:13:57,619 --> 00:14:00,979 When Tayla asked me to move back in, 315 00:14:01,059 --> 00:14:04,659 I was so surprised at the olive branch. 316 00:14:04,699 --> 00:14:06,899 I jumped at the chance 317 00:14:06,979 --> 00:14:09,779 because it seemed like it was an opportunity for us 318 00:14:09,859 --> 00:14:11,939 to slowly get back onto the same page. 319 00:14:12,019 --> 00:14:13,979 Yeah, you can come back now, if you'd like. 320 00:14:14,019 --> 00:14:15,179 OK. 321 00:14:15,219 --> 00:14:17,419 (LAUGHS) That's awesome. Thank you. 322 00:14:17,499 --> 00:14:19,659 Thank you for the tea. You're welcome. 323 00:14:19,699 --> 00:14:20,899 (TENSE INSTRUMENTAL MUSIC) 324 00:14:20,979 --> 00:14:23,339 I genuinely do wanna try and turn this around. 325 00:14:24,899 --> 00:14:27,019 Maybe a little bit more time, 326 00:14:27,059 --> 00:14:29,539 and Tayla might soften her edges. 327 00:14:32,019 --> 00:14:35,019 (UPLIFTING INSTRUMENTAL MUSIC) 328 00:14:36,419 --> 00:14:38,219 With the commitment ceremony behind them... 329 00:14:38,259 --> 00:14:40,419 (UPLIFTING INSTRUMENTAL MUSIC) 330 00:14:40,499 --> 00:14:42,299 Beautiful. There you go. All done. 331 00:14:42,339 --> 00:14:44,339 ..our newlyweds are now preparing 332 00:14:44,419 --> 00:14:46,939 for their week away with the other couples... 333 00:14:46,979 --> 00:14:48,139 MELINDA: Oh, my god! 334 00:14:48,179 --> 00:14:49,899 ..on the relationship retreat. 335 00:14:49,939 --> 00:14:51,779 Babe, do you see me struggling? 336 00:14:51,819 --> 00:14:53,659 Are you pretending not to? 337 00:14:53,699 --> 00:14:55,179 LAYTON: Um...yeah. 338 00:14:55,219 --> 00:14:57,619 Watch this. 339 00:14:57,659 --> 00:15:00,659 (DRIVING ORCHESTRAL MUSIC) 340 00:15:04,339 --> 00:15:05,499 (BLEEP)! 341 00:15:07,419 --> 00:15:09,339 (ZIP CLOSES) Yeah, dude! 342 00:15:10,499 --> 00:15:11,699 Did it. 343 00:15:11,739 --> 00:15:13,099 WOMAN: 344 00:15:16,179 --> 00:15:17,619 (LAUGHS) 345 00:15:17,699 --> 00:15:20,179 Ohhh! ALYSSA: Is it heavy? 346 00:15:20,219 --> 00:15:21,619 Let me see. 347 00:15:21,699 --> 00:15:24,819 And while some can't wait to get away... 348 00:15:24,859 --> 00:15:26,659 I hope there's little baby animals. 349 00:15:26,699 --> 00:15:29,459 If there's a lamb, we could... 350 00:15:29,499 --> 00:15:30,579 Don't! 351 00:15:30,659 --> 00:15:35,379 ..for others, the reality of spending four days under one roof as a group 352 00:15:35,419 --> 00:15:37,579 is starting to sink in. 353 00:15:38,579 --> 00:15:40,219 It's like a nonstop dinner party. 354 00:15:40,259 --> 00:15:41,259 (DRAMATIC MUSIC BUILDS) 355 00:15:41,339 --> 00:15:43,019 And it goes for breakfast, lunch, and dinner. 356 00:15:43,059 --> 00:15:45,139 LAYTON: And that is very scary. 357 00:15:45,219 --> 00:15:47,219 I'm happy to hang out with everyone, you know, like... 358 00:15:47,259 --> 00:15:48,459 Everyone bar Harrison? 359 00:15:49,499 --> 00:15:51,939 Oh, yeah, no, I'm not hanging out with Harrison. 360 00:15:51,979 --> 00:15:53,619 Hell, no. 361 00:15:53,699 --> 00:15:57,059 Just can't wait to watch you in your element, you know? 362 00:15:57,099 --> 00:16:00,459 Going through, heads on stakes. 363 00:16:00,499 --> 00:16:02,659 (LAUGHTER) 364 00:16:02,739 --> 00:16:05,339 Would you say Harrison is your archnemesis at the moment? 365 00:16:05,419 --> 00:16:07,939 100%. Don't...can't stand the guy. (LAUGHS) 366 00:16:08,019 --> 00:16:09,459 Don't wanna be in the same room as him. 367 00:16:09,539 --> 00:16:12,379 (LAUGHS) How about being in the same room as him for four days? 368 00:16:15,259 --> 00:16:16,739 Just... 369 00:16:16,779 --> 00:16:18,779 (EXHALES) 370 00:16:18,859 --> 00:16:20,939 It's gonna be... it's gonna be a bloodbath. 371 00:16:20,979 --> 00:16:22,699 (LAUGHTER) 372 00:16:22,739 --> 00:16:25,299 (DRAMATIC MUSIC BUILDS) 373 00:16:25,379 --> 00:16:27,339 I actually can't see any drama happening. 374 00:16:27,379 --> 00:16:29,499 Please let there be no drama. 375 00:16:29,579 --> 00:16:32,739 I am going to have to meditate five times a day, in fact, 376 00:16:32,819 --> 00:16:37,859 just to, like, be able to stand his little, like, weasel tactics. 377 00:16:38,899 --> 00:16:41,659 Why did Harrison pack a machete and a hockey mask 378 00:16:41,699 --> 00:16:42,779 for the couples retreat? 379 00:16:42,819 --> 00:16:46,339 (LAUGHTER) 380 00:16:46,419 --> 00:16:50,099 I've specifically requested for there to be no glass at all. 381 00:16:50,139 --> 00:16:52,139 I want paper cups only. 382 00:16:52,219 --> 00:16:55,179 Um, surely it's gonna be fine, right? 383 00:16:55,219 --> 00:16:56,259 Surely. 384 00:16:56,299 --> 00:16:59,499 (DRAMATIC MUSIC SWELLS) 385 00:17:05,899 --> 00:17:08,939 NARRATOR: A new phase of the experiment is about to begin. 386 00:17:09,019 --> 00:17:13,619 Our brides and grooms will leave the safety of their relationship bubble 387 00:17:13,699 --> 00:17:18,499 and take part in a group trip to the Southern Highlands of NSW. 388 00:17:19,619 --> 00:17:20,779 WOMAN: Go, go, go, go! 389 00:17:20,819 --> 00:17:24,899 (LAUGHTER) 390 00:17:24,979 --> 00:17:27,659 WOMAN: Over there! WOMAN: Where? 391 00:17:27,699 --> 00:17:29,699 WOMAN: Oh, my god! (LAUGHS) 392 00:17:29,779 --> 00:17:32,299 ALYSSA: Look - it has a 'Sound Of Music' gazebo! 393 00:17:32,339 --> 00:17:34,059 MAN: Oh, wow! That's unreal. 394 00:17:34,139 --> 00:17:36,059 MAN: Tennis court. I brought some tennis racquets as well. 395 00:17:36,099 --> 00:17:38,379 WOMAN: This is a stunning house! 396 00:17:38,419 --> 00:17:40,139 This stage of the experiment 397 00:17:40,219 --> 00:17:42,699 is about accelerating our couples' relationships. 398 00:17:42,739 --> 00:17:45,379 Oooh! So pretty! 399 00:17:45,419 --> 00:17:47,379 (ELEGANT ORCHESTRAL MUSIC) 400 00:17:47,459 --> 00:17:49,539 The retreat is an opportunity for our couples 401 00:17:49,619 --> 00:17:52,819 to get a fresh perspective on their marriage in a social setting. 402 00:17:52,859 --> 00:17:55,019 WOMAN: Oooh, there's an upstairs. 403 00:17:55,099 --> 00:17:57,699 Getting away and spending time in a new environment 404 00:17:57,779 --> 00:18:00,139 can help breathe life into a relationship 405 00:18:00,219 --> 00:18:02,659 that is feeling stale or stuck in a rut. 406 00:18:02,739 --> 00:18:04,899 We'll take the two single ones, Hugo. 407 00:18:04,939 --> 00:18:06,419 Living together under the same roof 408 00:18:06,499 --> 00:18:08,659 can really hold up a mirror on their relationship... 409 00:18:08,699 --> 00:18:09,699 Ollie! 410 00:18:09,739 --> 00:18:11,459 MAN: That looks massive. 411 00:18:11,539 --> 00:18:13,499 ..and give them a chance to look at their own union 412 00:18:13,539 --> 00:18:15,019 through a different lens. 413 00:18:15,059 --> 00:18:17,619 WOMAN: Come on, big muscular man! 414 00:18:17,659 --> 00:18:19,019 (ORCHESTRAL MUSIC CONTINUES) 415 00:18:19,059 --> 00:18:23,299 (BOTH SHRIEK AND LAUGH) 416 00:18:23,339 --> 00:18:25,139 This is savage! 417 00:18:26,419 --> 00:18:28,019 EVELYN: Surely it's this one. 418 00:18:28,059 --> 00:18:29,539 MELINDA: I think it is. 419 00:18:29,619 --> 00:18:32,659 Finding a room was like 'Hunger Games'. 420 00:18:32,699 --> 00:18:33,859 Let's just go! 421 00:18:33,899 --> 00:18:35,939 (LAUGHTER) 422 00:18:35,979 --> 00:18:37,139 May the best man win. 423 00:18:37,179 --> 00:18:38,699 (GRUNTS) 424 00:18:38,739 --> 00:18:40,739 Lyndall! (GRUNTS) 425 00:18:40,779 --> 00:18:42,939 (GRUNTS) 426 00:18:43,019 --> 00:18:46,179 While everyone is on the hunt for the perfect room... 427 00:18:46,219 --> 00:18:47,739 (WHOOPS) 428 00:18:47,819 --> 00:18:51,579 ..the most coveted space has been claimed by Evelyn and Melinda... 429 00:18:51,619 --> 00:18:52,619 (BOTH SHRIEK) 430 00:18:52,659 --> 00:18:55,539 ..the retreat's private guesthouse. 431 00:18:55,619 --> 00:18:57,619 Oh, my god! Yes, queen! Whoo! 432 00:18:57,699 --> 00:18:59,859 I definitely feel that me and Evelyn are on the same team... 433 00:18:59,899 --> 00:19:01,059 So long, suckers! 434 00:19:01,139 --> 00:19:03,219 ..because we kind of deal with the same shit from Harrison. 435 00:19:04,219 --> 00:19:05,939 The boys are gonna be so proud! 436 00:19:05,979 --> 00:19:07,939 It's, like, Evelyn came in 437 00:19:08,019 --> 00:19:10,379 and she had a lot of heat on her from Harrison. 438 00:19:10,459 --> 00:19:12,819 So, of course I'm gonna have her back. 439 00:19:14,499 --> 00:19:16,659 Alyssa's coming. Let's hide, let's hide! She's coming. 440 00:19:16,739 --> 00:19:18,099 Go, go! Go in the bed, go in the bed! 441 00:19:20,139 --> 00:19:21,579 (SCREAMING AND LAUGHTER) 442 00:19:21,619 --> 00:19:23,099 Sorry! 443 00:19:23,179 --> 00:19:26,339 (LAUGHTER) No! Stop! 444 00:19:26,379 --> 00:19:28,539 I hate you! (LAUGHS) 445 00:19:30,179 --> 00:19:32,939 Melinda's so competitive, she's so happy right now. 446 00:19:32,979 --> 00:19:33,979 I'm so happy. 447 00:19:34,019 --> 00:19:35,619 (UPBEAT MUSIC) 448 00:19:35,699 --> 00:19:37,859 While some revel in their victories... 449 00:19:37,899 --> 00:19:38,939 (LAUGHTER) 450 00:19:39,019 --> 00:19:43,539 ..others are just happy to be getting away with their partners. 451 00:19:43,579 --> 00:19:44,939 HUGO: Do you want the pink one? 452 00:19:44,979 --> 00:19:46,979 No, I'll go this side, I think. 453 00:19:47,059 --> 00:19:48,339 Closer to the mirror? Yep. 454 00:19:48,379 --> 00:19:49,699 Alright. 455 00:19:49,739 --> 00:19:52,979 (TENSE INSTRUMENTAL MUSIC) 456 00:19:53,059 --> 00:19:55,779 Both of us are just in side-by-side single beds. 457 00:19:57,059 --> 00:19:59,379 Um, look, wasn't gonna fight it. 458 00:19:59,459 --> 00:20:02,659 Tayla's made it 100% clear since day one 459 00:20:02,739 --> 00:20:05,739 that anything else, she's gonna be super uncomfortable with 460 00:20:05,779 --> 00:20:08,099 'cause she has issues with intimacy. 461 00:20:08,179 --> 00:20:10,939 Does ours open? It better. 462 00:20:11,019 --> 00:20:13,779 This is what Tayla has said that she wants, 463 00:20:13,859 --> 00:20:17,819 and as her husband, you know, I've gotta respect my wife's wishes. 464 00:20:17,859 --> 00:20:19,859 (TENSE MUSIC CONTINUES) 465 00:20:19,899 --> 00:20:21,099 (METAL CLUNKS) 466 00:20:21,179 --> 00:20:23,939 I don't know, this is... this is Hugo-proof. 467 00:20:25,379 --> 00:20:28,379 (GENTLE INSTRUMENTAL MUSIC) 468 00:20:28,419 --> 00:20:29,739 BROOKE: What you thinking about? 469 00:20:29,779 --> 00:20:32,179 (CLEARS THROAT) Just pondering. 470 00:20:32,259 --> 00:20:34,259 Just pond... (LAUGHS) Mmm. Good one. 471 00:20:34,339 --> 00:20:35,619 (SNORTS) Did you just snort? 472 00:20:35,699 --> 00:20:37,459 (LAUGHS) Yeah. (LAUGHS) 473 00:20:37,499 --> 00:20:38,579 CLAIRE: Let me help you! 474 00:20:39,579 --> 00:20:40,739 I found us a room. 475 00:20:40,819 --> 00:20:44,099 After spending the last two weeks living separately, 476 00:20:44,179 --> 00:20:47,939 the retreat marks a turning point for Claire and Jesse. 477 00:20:48,019 --> 00:20:50,419 We have a really nice room! Oh, yeah, cool. 478 00:20:50,499 --> 00:20:53,299 Not only will they be sharing the same room, 479 00:20:53,339 --> 00:20:55,499 but also the same bed. 480 00:20:55,579 --> 00:20:58,859 It's been quite a while since Jesse and I shared a bed. 481 00:20:58,899 --> 00:21:00,379 By us being separate, 482 00:21:00,459 --> 00:21:02,739 we haven't given ourselves the best opportunity 483 00:21:02,779 --> 00:21:04,579 to fully embrace this experiment. 484 00:21:04,659 --> 00:21:07,299 We're in here. Nice! Ooooh! 485 00:21:07,379 --> 00:21:09,939 I know! Hell, yeah! 486 00:21:10,019 --> 00:21:12,819 So, I'm really happy to be sharing a room with him. 487 00:21:12,859 --> 00:21:13,979 Did I do good? 488 00:21:14,019 --> 00:21:15,819 (UPLIFTING INSTRUMENTAL MUSIC) 489 00:21:15,899 --> 00:21:18,459 I'm stoked to be doing anything with Claire, to be honest. 490 00:21:18,499 --> 00:21:19,859 I think anything right now 491 00:21:19,939 --> 00:21:21,939 is gonna be good for mine and Claire's relationship. 492 00:21:22,019 --> 00:21:23,699 How far back does it go? Do you wanna... 493 00:21:23,779 --> 00:21:25,339 I don't know. Should we go explore? Yeah! 494 00:21:25,379 --> 00:21:26,739 It just feels right. 495 00:21:27,979 --> 00:21:29,179 Just feels right. 496 00:21:29,259 --> 00:21:31,539 What if we find a secret place up the back? 497 00:21:31,579 --> 00:21:34,579 (LAUGHTER) 498 00:21:34,659 --> 00:21:39,499 Jesse and I are great at the funny, friendly, banter, joking, 499 00:21:39,539 --> 00:21:41,339 but we really lack intimacy. 500 00:21:41,379 --> 00:21:42,979 Oh, look at that! 501 00:21:43,059 --> 00:21:46,059 So, I'm really hoping that this little retreat 502 00:21:46,139 --> 00:21:48,739 can kind of romanticise us a little bit. 503 00:21:48,779 --> 00:21:50,099 They've seen us. 504 00:21:50,139 --> 00:21:52,299 (LAUGHTER) 505 00:21:52,379 --> 00:21:54,819 MAN: Where are you guys going? Are you going for a quickie? 506 00:21:54,859 --> 00:21:57,059 (LAUGHTER) 507 00:21:59,219 --> 00:22:01,739 Now that they've settled in to their new home... 508 00:22:01,779 --> 00:22:03,819 (JAUNTY INSTRUMENTAL MUSIC) 509 00:22:03,859 --> 00:22:04,899 Arggh! 510 00:22:04,979 --> 00:22:07,499 ..the couples are keen to get some R&R 511 00:22:07,579 --> 00:22:11,059 before they all come together for tonight's welcome drinks. 512 00:22:11,099 --> 00:22:12,099 (DEVICE WHISTLES) 513 00:22:12,139 --> 00:22:15,619 (LAUGHTER) 514 00:22:15,659 --> 00:22:18,659 (UPLIFTING INSTRUMENTAL MUSIC) 515 00:22:21,699 --> 00:22:23,819 He's had a little workout. 516 00:22:23,899 --> 00:22:25,939 It's just been so nice hanging out with everybody, 517 00:22:25,979 --> 00:22:27,419 like, in a big dynamic. 518 00:22:27,499 --> 00:22:31,859 WOMEN: Jesse! Jesse! Jesse! Jesse! Jesse! 519 00:22:31,939 --> 00:22:35,779 The vibes are really good today. Hopefully they stay that way. 520 00:22:35,819 --> 00:22:37,259 WOMAN: Oh! 521 00:22:37,299 --> 00:22:39,379 (WOMEN WHOOP AND CHEER) 522 00:22:39,419 --> 00:22:42,179 (LAUGHTER AND APPLAUSE) 523 00:22:42,219 --> 00:22:43,779 (LAUGHS) Yes! 524 00:22:43,859 --> 00:22:46,819 And while some are making the most of the great outdoors... 525 00:22:47,859 --> 00:22:51,379 ..others are keen to use this time to connect with their partners. 526 00:23:01,379 --> 00:23:03,059 We should bring a mattress into the gazebo 527 00:23:03,099 --> 00:23:04,579 and sleep, like, under the stars. 528 00:23:04,619 --> 00:23:07,019 Yeah. 529 00:23:07,099 --> 00:23:08,339 Yeah. Yeah. 530 00:23:08,379 --> 00:23:10,379 Yeah. (LAUGHS) 531 00:23:10,459 --> 00:23:13,339 Oh, look at the candle! That's so romantic! 532 00:23:13,379 --> 00:23:14,779 (GENTLE INSTRUMENTAL MUSIC) 533 00:23:14,819 --> 00:23:16,859 After spending the day exploring 534 00:23:16,939 --> 00:23:20,539 what will be their shared home for the next four days... 535 00:23:20,619 --> 00:23:22,899 CLAIRE: Always quench the thirst first with a beer. 536 00:23:22,979 --> 00:23:24,499 Do you think? Always! 537 00:23:24,579 --> 00:23:29,099 ..the couples have come together for a drink and a catch-up. 538 00:23:29,139 --> 00:23:30,459 Cheese is good. 539 00:23:31,459 --> 00:23:32,699 What cheese is it? 540 00:23:32,739 --> 00:23:35,619 No idea. Great cheese. 541 00:23:35,699 --> 00:23:37,179 The best cheese. Delicious cheese. 542 00:23:38,859 --> 00:23:40,379 Guys! Ohh! (GARBLES) 543 00:23:40,459 --> 00:23:41,899 I just wanna say you guys are very cute. 544 00:23:41,979 --> 00:23:44,219 If there was Sportsbet app available right now, 545 00:23:44,299 --> 00:23:47,739 I would put at least ten bucks on you two making it to the end. 546 00:23:47,819 --> 00:23:49,299 (BLEEP)! Cheers to that. 547 00:23:49,379 --> 00:23:51,459 I'd be betting on us too. Yeah. 548 00:23:51,539 --> 00:23:53,619 Love you, guys. I know! We love you so much! 549 00:23:53,659 --> 00:23:54,859 (UPLIFTING INSTRUMENTAL MUSIC) 550 00:23:54,939 --> 00:23:56,859 Shall we sit down? Yeah, OK. 551 00:23:56,939 --> 00:23:58,779 You want a bit of lamb wool on you, mate? 552 00:23:58,819 --> 00:24:00,019 Cam's getting in. 553 00:24:03,299 --> 00:24:04,979 Look how comfy we are. 554 00:24:05,019 --> 00:24:06,779 (LAUGHTER AND CHATTER) 555 00:24:06,819 --> 00:24:08,659 CAM: How's your week been going? 556 00:24:08,739 --> 00:24:10,859 I've been dying to hear about you guys' week, to be honest. 557 00:24:10,899 --> 00:24:11,899 Yeah, same. 558 00:24:11,979 --> 00:24:14,619 Look, I mean, um... obviously, you know, 559 00:24:14,659 --> 00:24:17,059 the last week, it was pretty grim, 560 00:24:17,139 --> 00:24:21,299 but, like, I think after, like, all the CC stuff, we did have a chat, 561 00:24:21,339 --> 00:24:23,819 and it seems like the both of us 562 00:24:23,899 --> 00:24:26,339 really do just, you know, kind of want to put it behind us. 563 00:24:26,379 --> 00:24:28,019 We were just, like, 564 00:24:28,099 --> 00:24:30,979 when we were first getting to know each other week one, you know, 565 00:24:31,059 --> 00:24:33,539 we were really enthusiastic and we were really happy about it. 566 00:24:33,619 --> 00:24:36,659 You know, we just said we wanted to get back to that point, 567 00:24:36,739 --> 00:24:39,579 and we wanted to try and, you know, pick it up from there. 568 00:24:39,659 --> 00:24:42,499 That's how we've come into the retreat. 569 00:24:42,539 --> 00:24:43,739 So, obviously... 570 00:24:43,819 --> 00:24:45,579 That's probably the best way to go into it, man. 571 00:24:45,659 --> 00:24:47,939 Yeah, yeah, optimistic about this week, yeah - 572 00:24:48,019 --> 00:24:52,379 but the whole 'no affection' thing is pretty hard, 573 00:24:52,459 --> 00:24:55,219 but you know, I've gotta respect how she feels. 574 00:24:56,259 --> 00:24:58,859 Give me the roadmap. Like, tell me what you need, yeah. 575 00:24:59,859 --> 00:25:01,259 CLAIRE: I brought my crystal, 576 00:25:01,339 --> 00:25:02,779 I brought my fairy cards, and my sage. 577 00:25:02,859 --> 00:25:05,699 EVELYN: I just brought my vibrator. (LAUGHTER) 578 00:25:05,739 --> 00:25:07,619 (LAUGHS) Did you actually? 579 00:25:07,659 --> 00:25:09,419 (LAUGHTER) 580 00:25:09,459 --> 00:25:11,379 If I was stuck, like, in a jungle 581 00:25:11,459 --> 00:25:12,979 and they said you could bring two things, 582 00:25:13,059 --> 00:25:14,579 I'd bring my ChapStick and my vibrator. 583 00:25:14,659 --> 00:25:17,179 (LAUGHTER) ALYSSA: I love that! Love that! 584 00:25:17,259 --> 00:25:18,619 So important! Yeah! 585 00:25:18,699 --> 00:25:21,139 It's healthy for you. TAYLA: It is, though, right? 586 00:25:21,219 --> 00:25:24,419 I've got the biggest... I've got the biggest sex bag! 587 00:25:24,499 --> 00:25:27,939 I have got the biggest sex bag anyone would ever see, like, I... 588 00:25:28,019 --> 00:25:29,859 (TENSE INSTRUMENTAL MUSIC) Hilarious. 589 00:25:32,619 --> 00:25:35,299 Oh, my god! Yes! It's amazing. 590 00:25:43,419 --> 00:25:47,379 (TENSE INSTRUMENTAL MUSIC) 591 00:25:47,419 --> 00:25:49,219 He would know the routine. 592 00:25:49,299 --> 00:25:50,699 I wouldn't even get out of bed without sex. 593 00:25:50,739 --> 00:25:53,339 (TENSE INSTRUMENTAL MUSIC) 594 00:25:53,419 --> 00:25:54,939 HUGO: That's a huge slap in the face. 595 00:25:55,939 --> 00:25:57,779 Tayla saying to the girls, you know, 596 00:25:57,859 --> 00:26:00,219 how, "I can't live without affection," 597 00:26:00,259 --> 00:26:03,059 but from day one with me, 598 00:26:03,139 --> 00:26:05,899 she's been like, you know, no displays of PDA - 599 00:26:05,939 --> 00:26:08,779 no pecks on the cheek, no touching. 600 00:26:08,859 --> 00:26:11,659 So, it's pretty clear that, you know, 601 00:26:11,699 --> 00:26:13,259 she just has a problem with me. 602 00:26:13,299 --> 00:26:15,099 (LAUGHTER) 603 00:26:15,179 --> 00:26:17,899 And it doesn't look like that's due to change any time soon. 604 00:26:17,939 --> 00:26:19,579 (SIGHS) 605 00:26:21,379 --> 00:26:22,779 Yeah. 606 00:26:24,699 --> 00:26:26,019 (GASPS) 607 00:26:30,979 --> 00:26:33,979 (TENSE INSTRUMENTAL MUSIC) 608 00:26:35,099 --> 00:26:37,099 I knew nothing about sexting, 609 00:26:37,179 --> 00:26:40,779 and why is sexting an OK thing to do with your ex? 610 00:26:40,859 --> 00:26:45,619 Um...I mean, it only took her, like, two glasses of champagne 611 00:26:45,699 --> 00:26:49,139 to just start making me look like a total fool. 612 00:26:49,219 --> 00:26:51,259 And then so... This is juicy! 613 00:26:51,339 --> 00:26:52,419 So... CLAIRE: It's a lot. 614 00:26:52,459 --> 00:26:53,779 It is. It's crazy. 615 00:26:53,819 --> 00:26:56,819 (DRAMATIC MUSIC SWELLS) 616 00:26:56,859 --> 00:26:59,259 I don't even know how to feel. 617 00:26:59,339 --> 00:27:01,299 I feel like this is something that happens in movies, 618 00:27:01,339 --> 00:27:03,899 and it's just happened to me. 619 00:27:03,939 --> 00:27:05,459 (DRAMATIC MUSIC SWELLS) 620 00:27:08,779 --> 00:27:12,379 (DRAMATIC MUSIC BUILDS) 621 00:27:12,459 --> 00:27:14,259 Is there room for us here, or no... Yeah, yeah, jump in. 622 00:27:14,299 --> 00:27:15,859 (DRAMATIC MUSIC BUILDS) 623 00:27:15,939 --> 00:27:17,419 The weird parts are the parts that make you go, 624 00:27:17,459 --> 00:27:18,659 (BLEEP), yeah, I'm into them. 625 00:27:18,699 --> 00:27:20,099 (LAUGHTER) 626 00:27:20,179 --> 00:27:22,339 Obviously haven't spoken to you before, 627 00:27:22,379 --> 00:27:24,139 but, like, I really like you, but... 628 00:27:25,219 --> 00:27:28,179 ..I feel like there's weird energy between Harrison and I. 629 00:27:28,219 --> 00:27:29,819 (DRAMATIC MUSIC BUILDS) 630 00:27:29,899 --> 00:27:31,699 He says the same thing. Yeah! This really weird... 631 00:27:31,739 --> 00:27:32,739 He says the same thing. 632 00:27:32,819 --> 00:27:38,459 I do feel like there's a bit of negative energy towards me 633 00:27:38,539 --> 00:27:42,299 since the last commitment ceremony and the last dinner party. 634 00:27:43,339 --> 00:27:48,979 I feel like Harrison is particularly set on the butt dial was a lie. 635 00:27:49,979 --> 00:27:51,939 Like, it's so disrespectful. 636 00:27:52,019 --> 00:27:55,339 Honestly, I just didn't like how he called me a liar. 637 00:27:55,419 --> 00:27:57,739 (LAUGHS) He thought the butt dial was fake. 638 00:27:57,779 --> 00:27:59,699 Come on. You can't make that up. 639 00:27:59,739 --> 00:28:01,179 Yeah, you cannot make that up. 640 00:28:01,219 --> 00:28:03,099 I've see the receipts. 641 00:28:03,179 --> 00:28:05,899 Yeah, that's something that I've just...I don't... 642 00:28:05,939 --> 00:28:06,939 (TENSE INSTRUMENTAL MUSIC) 643 00:28:07,019 --> 00:28:10,859 Harrison, do you believe that there was a butt dial? 644 00:28:10,899 --> 00:28:13,099 (TENSE INSTRUMENTAL MUSIC) 645 00:28:13,139 --> 00:28:14,739 Three calls to... 646 00:28:14,779 --> 00:28:15,979 HARRISON: Hey, Bronte? 647 00:28:17,979 --> 00:28:19,979 Bronte and I made the same receipts the following night. 648 00:28:20,019 --> 00:28:22,019 (TENSE INSTRUMENTAL MUSIC) 649 00:28:22,059 --> 00:28:23,499 What do you mean "made the receipts"? 650 00:28:23,539 --> 00:28:26,859 (TENSE INSTRUMENTAL MUSIC) 651 00:28:26,939 --> 00:28:30,179 So, to see if we could actually, like, make a butt dial. 652 00:28:30,219 --> 00:28:31,579 Stage a butt dial. 653 00:28:31,659 --> 00:28:34,099 We, like, obviously he called me and was like, "This is how easy..." 654 00:28:34,139 --> 00:28:35,299 You staged a butt dial? 655 00:28:35,339 --> 00:28:36,539 (TENSE INSTRUMENTAL MUSIC) 656 00:28:36,579 --> 00:28:38,139 To what? To bring Evelyn down? 657 00:28:38,179 --> 00:28:41,259 (DRAMATIC MUSIC BUILDS) 658 00:28:41,299 --> 00:28:42,779 (WOMAN EXCLAIMS) 659 00:28:42,819 --> 00:28:44,099 Wait, hold on a minute! 660 00:28:44,139 --> 00:28:45,219 (DRAMATIC MUSIC BUILDS) 661 00:28:45,299 --> 00:28:48,339 Harrison! Harrison! Harrison. Look at me. 662 00:28:48,379 --> 00:28:50,819 (DRAMATIC MUSIC BUILDS) 663 00:28:56,139 --> 00:28:59,979 (DRAMATIC MUSIC BUILDS) 664 00:29:00,059 --> 00:29:03,019 NARRATOR: It's first night drinks at the couples retreat... 665 00:29:03,099 --> 00:29:07,859 Harrison, do you believe that there was a butt dial? 666 00:29:07,939 --> 00:29:12,219 ..and discussions have turned to Harrison's continued denial 667 00:29:12,299 --> 00:29:16,979 of the legitimacy of Rupert and Evelyn's pocket dial allegations 668 00:29:17,059 --> 00:29:21,979 that had exposed some of the grooms' unfiltered opinions of their wives. 669 00:29:22,019 --> 00:29:23,979 You staged a butt dial? 670 00:29:25,259 --> 00:29:26,779 To what - to bring Evelyn down? 671 00:29:26,819 --> 00:29:29,899 (DRAMATIC MUSIC BUILDS) 672 00:29:29,939 --> 00:29:31,419 Like, for what purpose? 673 00:29:31,459 --> 00:29:32,779 Wait, hold on a minute! 674 00:29:34,139 --> 00:29:37,019 Harrison! Harrison! Harrison. Look at me. 675 00:29:39,059 --> 00:29:41,019 There was a butt dial. I'm not a liar. 676 00:29:42,139 --> 00:29:46,339 I can't keep telling you this over and over again 677 00:29:46,419 --> 00:29:49,539 when...there literally was a butt dial. 678 00:29:49,579 --> 00:29:51,779 (DRAMATIC MUSIC CONTINUES) 679 00:29:51,859 --> 00:29:53,819 You can...you can keep telling me over and over again. 680 00:29:53,859 --> 00:29:55,179 Doesn't mean I'm gonna believe it. 681 00:29:55,219 --> 00:29:58,219 (TENSE INSTRUMENTAL MUSIC) 682 00:29:59,539 --> 00:30:00,619 I just don't believe it. 683 00:30:00,659 --> 00:30:03,339 I don't trust you and your husband. 684 00:30:03,419 --> 00:30:05,099 I don't know what game you guys are playing. 685 00:30:05,179 --> 00:30:08,019 The butt dial happened. It did, Harrison. 686 00:30:08,059 --> 00:30:09,219 Yeah, it did actually happen. 687 00:30:09,299 --> 00:30:12,059 I'm upset that Dan left because of what she brought to the table. 688 00:30:12,139 --> 00:30:15,099 Coming in and just actively trying to ruin their relationship 689 00:30:15,139 --> 00:30:16,219 under the guise of, 690 00:30:16,299 --> 00:30:18,099 "Oh, it's the right thing to do and it's the truth," 691 00:30:18,179 --> 00:30:20,379 like, I just don't... I don't like it. 692 00:30:20,419 --> 00:30:21,459 (TENSE INSTRUMENTAL MUSIC) 693 00:30:21,539 --> 00:30:23,539 It did happen - I would not freaking call someone and be like, 694 00:30:23,579 --> 00:30:24,779 "Hey, listen to this." 695 00:30:24,819 --> 00:30:25,979 Absolutely not. 696 00:30:26,059 --> 00:30:29,739 Hugo got thrown under the bus at the dinner party 697 00:30:29,819 --> 00:30:33,499 for things he said in private with his mates, right? 698 00:30:33,539 --> 00:30:35,579 Bad things, Harrison. 699 00:30:35,619 --> 00:30:38,619 (DRAMATIC MUSIC BUILDS) 700 00:30:38,699 --> 00:30:41,979 We all say good and bad things when we're out with our mates... 701 00:30:43,059 --> 00:30:46,379 ..and Dan has now left the experiment because of what came out. 702 00:30:46,459 --> 00:30:49,499 Oh, come on! (WOMEN EXCLAIM) 703 00:30:49,539 --> 00:30:51,019 Ohh! 704 00:30:51,059 --> 00:30:53,059 Harrison is just bizarre. 705 00:30:53,139 --> 00:30:56,139 I feel like he's just arguing for the sake of arguing. 706 00:30:56,179 --> 00:30:58,219 He's obviously just so hurt 707 00:30:58,299 --> 00:31:01,819 that his little gym buddy is no longer in the experiment anymore 708 00:31:01,899 --> 00:31:03,459 and he has no-one to lift weights with. 709 00:31:03,539 --> 00:31:05,099 I'm...I have a right to feel that way. 710 00:31:05,139 --> 00:31:06,739 You guys don't have to agree. 711 00:31:06,819 --> 00:31:11,019 He's just absolutely fixating on the butt dial situation 712 00:31:11,099 --> 00:31:14,579 when Dan and Hugo have admitted to it. 713 00:31:14,659 --> 00:31:16,979 So, I honestly don't know what he's on about now. 714 00:31:17,019 --> 00:31:18,819 It's baffling to me. 715 00:31:18,859 --> 00:31:24,419 Now, I feel I can't trust you. 716 00:31:24,459 --> 00:31:25,619 (MURMURING) 717 00:31:25,659 --> 00:31:28,019 Oh, my god! 718 00:31:28,099 --> 00:31:30,059 Oh...yeah, I don't care, really, like... (LAUGHS) 719 00:31:30,099 --> 00:31:31,099 ALYSSA: Wait, wait! 720 00:31:31,139 --> 00:31:33,419 I, like... (LAUGHS) 721 00:31:34,619 --> 00:31:35,979 But you should care. 722 00:31:36,019 --> 00:31:37,539 (DRAMATIC MUSIC BUILDS) 723 00:31:37,619 --> 00:31:40,739 Why would I care if you trust me? I'm not here to gain your trust. 724 00:31:40,779 --> 00:31:42,139 Yes. 725 00:31:42,219 --> 00:31:45,459 It's a very...it's a very tough environment to be in here... 726 00:31:45,499 --> 00:31:46,499 Yeah? 727 00:31:46,539 --> 00:31:48,259 ..if people can't trust you. 728 00:31:48,299 --> 00:31:49,619 (DRAMATIC MUSIC BUILDS) 729 00:31:49,699 --> 00:31:51,899 I just felt like Harrison looked like a bit of a tit. 730 00:31:51,939 --> 00:31:54,299 He was just running his mouth, 731 00:31:54,379 --> 00:31:56,779 and I just wanted to put him in his place. 732 00:31:56,819 --> 00:31:58,219 (DRAMATIC MUSIC BUILDS) 733 00:31:58,299 --> 00:32:00,059 Did you hear anything that Rupert was saying about you 734 00:32:00,099 --> 00:32:01,179 that night on the butt dial? 735 00:32:01,219 --> 00:32:02,939 (DRAMATIC MUSIC BUILDS) 736 00:32:03,019 --> 00:32:05,779 What was everything I was saying about? I would love to know. 737 00:32:05,859 --> 00:32:07,819 And, Harrison, I don't appreciate you 738 00:32:07,859 --> 00:32:09,699 trying to throw Rupert under the bus 739 00:32:09,779 --> 00:32:12,739 and trying to insinuate that he has spoken badly about me, 740 00:32:12,779 --> 00:32:15,699 just then, to get one up over me. 741 00:32:15,739 --> 00:32:16,859 I don't like that. 742 00:32:16,939 --> 00:32:19,259 I know what you're doing right now, and you need to stop! 743 00:32:19,299 --> 00:32:20,659 Don't tell me what to do! 744 00:32:20,699 --> 00:32:23,659 (DRAMATIC MUSIC BUILDS) 745 00:32:23,699 --> 00:32:26,019 MELINDA: I loved it. I love it. 746 00:32:26,099 --> 00:32:27,979 She's, like, this big, and Harrison's, like, this big, 747 00:32:28,019 --> 00:32:29,259 and she's like... (GROWLS) 748 00:32:29,299 --> 00:32:30,979 She doesn't even give a shit. 749 00:32:31,019 --> 00:32:32,459 (DRAMATIC MUSIC BUILDS) 750 00:32:32,539 --> 00:32:34,219 If you wanna have a civilised conversation with me, 751 00:32:34,259 --> 00:32:35,379 one on one, we can do that, 752 00:32:35,459 --> 00:32:38,699 but don't try to bring stuff up to throw fire in this. 753 00:32:38,779 --> 00:32:41,739 Like, it's not going to work with me, Harrison. 754 00:32:41,779 --> 00:32:43,579 Obviously you don't like me. 755 00:32:43,619 --> 00:32:45,019 We've moved on from this - 756 00:32:45,099 --> 00:32:46,699 well, I have, at least, and you need to... 757 00:32:46,739 --> 00:32:48,219 I don't like or dislike you. 758 00:32:48,299 --> 00:32:50,259 I don't have any opinion about you whatsoever. 759 00:32:50,299 --> 00:32:51,299 (WOMEN EXCLAIM) 760 00:32:51,379 --> 00:32:52,819 The only thing that I have noticed about you 761 00:32:52,899 --> 00:32:54,739 is that you're rude, you're arrogant, and you ignore me. 762 00:32:54,819 --> 00:32:56,059 I'm rude and arrogant? Yeah. 763 00:32:56,099 --> 00:32:58,219 (TENSE INSTRUMENTAL MUSIC) 764 00:32:58,299 --> 00:33:01,379 Honestly, Harrison and Bronte are so quick to pipe up 765 00:33:01,419 --> 00:33:03,539 and just throw words. 766 00:33:03,579 --> 00:33:06,539 They have opinions about everything. 767 00:33:07,779 --> 00:33:09,459 I'm over it. We all are. 768 00:33:09,499 --> 00:33:11,179 (TENSE MUSIC CONTINUES) 769 00:33:11,219 --> 00:33:12,539 My main thing is, like... 770 00:33:14,099 --> 00:33:15,699 ..every time I've spoken 771 00:33:15,779 --> 00:33:18,139 during a dinner party or commitment ceremonies, 772 00:33:18,179 --> 00:33:19,579 I've looked over... 773 00:33:19,619 --> 00:33:20,779 And his face... 774 00:33:20,819 --> 00:33:22,139 ..you or Harrison have, like, 775 00:33:22,219 --> 00:33:24,939 been mumbling, like, something under your breath. 776 00:33:24,979 --> 00:33:26,619 Yes, you do! 777 00:33:26,699 --> 00:33:28,619 You do! WOMAN: I've seen it. 778 00:33:28,699 --> 00:33:30,299 And it seems like you're talking about her. 779 00:33:30,339 --> 00:33:31,419 It's true, 780 00:33:31,499 --> 00:33:33,499 and I'm trying to hear what the couple on the couch are saying, 781 00:33:33,579 --> 00:33:35,539 but all I can hear is Harrison going... (GARBLES) 782 00:33:35,579 --> 00:33:36,739 Yes, yes. 783 00:33:36,779 --> 00:33:38,779 (TENSE INSTRUMENTAL MUSIC) 784 00:33:38,859 --> 00:33:41,619 Every time I have spoken in the dinner party, 785 00:33:41,659 --> 00:33:43,859 in the commitment ceremony, 786 00:33:43,939 --> 00:33:47,979 Bronte and Harrison murmur things under their breaths 787 00:33:48,059 --> 00:33:51,579 like two little vicious un-desexed Chihuahuas, 788 00:33:51,619 --> 00:33:53,619 and I'm over it. 789 00:33:53,659 --> 00:33:55,459 Like, we feel judged. 790 00:33:55,539 --> 00:33:59,139 And it seems like you're talking about us, or disagreeing with us. 791 00:33:59,179 --> 00:34:00,779 (TENSE INSTRUMENTAL MUSIC) 792 00:34:00,859 --> 00:34:03,459 No, it's not... it's not even just disagreeing. 793 00:34:03,539 --> 00:34:05,899 It's just because him and I, we have a lot to say... 794 00:34:06,939 --> 00:34:10,499 ..and you know, he's an opinionated man. 795 00:34:11,979 --> 00:34:16,419 He has a lot to...he... I mean, he said about...with you... 796 00:34:18,139 --> 00:34:21,099 Yeah, I feel like, though, he does, on purpose, 797 00:34:21,179 --> 00:34:24,379 try to sit on the edge of his seat and look for drama. 798 00:34:24,419 --> 00:34:25,659 I'm not the only one that's said it. 799 00:34:26,699 --> 00:34:28,939 Because it, like, comes out of nowhere and it's taking stabs at me - 800 00:34:28,979 --> 00:34:30,219 takes stabs at me all the time. 801 00:34:30,299 --> 00:34:33,059 I don't think he wants to do it to hurt you. 802 00:34:34,459 --> 00:34:35,859 See, he's huge on behaviour. 803 00:34:35,939 --> 00:34:38,779 So, he just sits back and observes people's behaviour, 804 00:34:38,859 --> 00:34:41,899 and I'm never going to be able to control him. 805 00:34:41,979 --> 00:34:44,659 I will always have his back, no matter what. 806 00:34:44,699 --> 00:34:50,539 (TENSE INSTRUMENTAL MUSIC) 807 00:34:50,579 --> 00:34:52,379 Oh, my gosh. What has happened? 808 00:34:52,419 --> 00:34:54,219 Harrison's played it so well 809 00:34:54,299 --> 00:34:57,379 that Bronte's actually starting to think like him. 810 00:34:57,419 --> 00:34:58,939 It's hard to watch. 811 00:34:58,979 --> 00:35:01,979 (TENSE INSTRUMENTAL MUSIC) 812 00:35:09,139 --> 00:35:10,779 (TENSE INSTRUMENTAL MUSIC) 813 00:35:10,859 --> 00:35:12,819 NARRATOR: It's the first night of the retreat, 814 00:35:12,899 --> 00:35:16,659 and Bronte is defending her husband, Harrison's, behaviour 815 00:35:16,699 --> 00:35:18,419 to her fellow wives. 816 00:35:18,499 --> 00:35:20,259 MELINDA: Because it, like, comes out of nowhere 817 00:35:20,339 --> 00:35:22,779 and it's taking stabs at me - takes stabs at me all the time. 818 00:35:22,859 --> 00:35:25,579 I don't think he wants to do it to hurt you. 819 00:35:26,739 --> 00:35:28,539 See, he's huge on behaviour. 820 00:35:28,619 --> 00:35:31,339 So, he just sits back and observes people's behaviour, 821 00:35:31,419 --> 00:35:34,459 and I'm never going to be able to control him. 822 00:35:34,539 --> 00:35:36,979 I will always have his back, no matter what. 823 00:35:37,019 --> 00:35:39,259 (DRAMATIC MUSIC SWELLS) 824 00:35:39,299 --> 00:35:41,099 CLAIRE: What the hell, Bronte? 825 00:35:41,179 --> 00:35:43,779 I feel like I need to kind of save her. 826 00:35:43,859 --> 00:35:48,019 We don't want her to fall down this rabbit hole of Harrison. 827 00:35:48,059 --> 00:35:50,459 (DRAMATIC MUSIC BUILDS) 828 00:35:50,539 --> 00:35:53,779 Oh, my god, it's one thing to have your husband's back, 829 00:35:53,859 --> 00:35:55,619 but there gets a time, when push comes to shove, 830 00:35:55,699 --> 00:35:58,499 where you have to pull your husband behind closed doors and say, 831 00:35:58,579 --> 00:36:00,899 "Hey, listen, you're being an absolute twat." 832 00:36:00,939 --> 00:36:02,459 (TENSE INSTRUMENTAL MUSIC) 833 00:36:02,499 --> 00:36:04,659 Bronte, wake up. 834 00:36:05,659 --> 00:36:07,299 I wanna call Bronte out 835 00:36:07,379 --> 00:36:11,139 because she's only picking out the good things that Harrison's saying. 836 00:36:11,179 --> 00:36:12,659 She's ignoring the bad, 837 00:36:12,699 --> 00:36:14,699 and I just wanna make sure 838 00:36:14,779 --> 00:36:17,339 that she's not losing herself in this process 839 00:36:17,379 --> 00:36:20,019 and repeating old patterns. 840 00:36:20,099 --> 00:36:22,459 It's, like, a 'cruel to be kind' thing right now with Bronte. 841 00:36:22,539 --> 00:36:26,339 It's, like, we'd be shit friends if we didn't tell you 842 00:36:26,379 --> 00:36:29,019 what we're seeing is happening. 843 00:36:29,059 --> 00:36:30,899 (TENSE INSTRUMENTAL MUSIC) 844 00:36:30,979 --> 00:36:33,379 I think that you're moulding a bit. You're, like, losing yourself a bit. 845 00:36:33,459 --> 00:36:35,419 Yeah, too much! You're losing yourself! 846 00:36:35,459 --> 00:36:36,699 I don't think so. 847 00:36:36,779 --> 00:36:38,979 But during this experiment... I'm sorry, I just...I'm sorry, I... 848 00:36:39,019 --> 00:36:40,179 ..it's, like, hard to...talk... 849 00:36:40,259 --> 00:36:42,699 I'm sorry, as I said - I walked down the aisle to Harrison, not you. 850 00:36:42,739 --> 00:36:43,939 (TENSE INSTRUMENTAL MUSIC) 851 00:36:44,019 --> 00:36:46,259 See? That stuff - right there. But I did! 852 00:36:46,339 --> 00:36:49,259 I...I came here to be married! I didn't come here... 853 00:36:49,339 --> 00:36:51,179 But you also came to have a mirror held up to you, 854 00:36:51,259 --> 00:36:53,459 for your friends to be like, "Babe, this is what we're seeing." 855 00:36:54,499 --> 00:36:56,499 And I know emotional manipulation when I see it... 856 00:36:56,539 --> 00:36:57,539 (TENSE INSTRUMENTAL MUSIC) 857 00:36:57,619 --> 00:36:59,739 ..and I feel like that's what Harrison is doing to you. 858 00:37:00,779 --> 00:37:03,139 Harrison's emotionally manipulating me? 859 00:37:03,219 --> 00:37:04,539 Well, yeah! That's what I see. 860 00:37:04,579 --> 00:37:06,579 (DRAMATIC MUSIC SWELLS) 861 00:37:06,659 --> 00:37:08,779 Not once has Harrison tried to manipulate me. 862 00:37:08,819 --> 00:37:09,819 (TENSE INSTRUMENTAL MUSIC) 863 00:37:09,859 --> 00:37:11,499 Harrison doesn't control me. 864 00:37:11,579 --> 00:37:15,739 I am a grown-arse woman, and I do have my own opinion. 865 00:37:15,819 --> 00:37:17,699 You know what, the reason why people keep trying 866 00:37:17,779 --> 00:37:19,539 to tear down the relationship with Harrison 867 00:37:19,579 --> 00:37:21,179 is 'cause they're jealous. 868 00:37:21,219 --> 00:37:23,099 They want what Harrison and I have. 869 00:37:23,139 --> 00:37:24,739 (TENSE INSTRUMENTAL MUSIC) 870 00:37:24,819 --> 00:37:27,619 ALYSSA: We just think that you're being a little bit, like... 871 00:37:27,659 --> 00:37:29,099 Naive. 872 00:37:29,139 --> 00:37:31,539 (DRAMATIC MUSIC SWELLS) 873 00:37:31,619 --> 00:37:34,819 Like, as, you know, multiple girls kinda see it, 874 00:37:34,859 --> 00:37:36,339 we just don't wanna see you 875 00:37:36,379 --> 00:37:37,859 kind of go down that path again 876 00:37:37,939 --> 00:37:41,059 of somebody else kind of, like, controlling the narrative, 877 00:37:41,099 --> 00:37:42,819 'cause we know you're strong! 878 00:37:42,859 --> 00:37:44,859 BRONTE: What the (BLEEP)?! 879 00:37:44,899 --> 00:37:46,619 To call me naive... 880 00:37:48,059 --> 00:37:49,979 ..that's basically calling me dumb 881 00:37:50,059 --> 00:37:53,819 and that my relationship with Harrison isn't real, 882 00:37:53,859 --> 00:37:55,659 but that really hurts. 883 00:37:55,699 --> 00:37:58,539 We all care about you, Bronte! 884 00:37:58,619 --> 00:38:00,459 This is a protective thing, by the way! 885 00:38:00,539 --> 00:38:01,819 So, you can hate us as much as you want... 886 00:38:01,859 --> 00:38:03,699 Yeah, we care about you. 887 00:38:03,779 --> 00:38:05,579 I came here to get married. I know, but doesn't... 888 00:38:05,659 --> 00:38:07,339 This is us protecting... this is us protecting... 889 00:38:07,419 --> 00:38:09,819 Protecting me from what? Can you please explain it to me. 890 00:38:09,899 --> 00:38:12,179 I don't understand what the hell's going on. 891 00:38:12,219 --> 00:38:13,739 I felt attacked. 892 00:38:13,819 --> 00:38:20,099 I have never had to sit there and have people nit-pick my relationship 893 00:38:20,139 --> 00:38:22,099 when I have come this far. 894 00:38:22,139 --> 00:38:25,939 (DRAMATIC MUSIC BUILDS) 895 00:38:38,899 --> 00:38:41,899 (TENSE INSTRUMENTAL MUSIC) 896 00:38:45,259 --> 00:38:46,419 Do we go after her? 897 00:38:54,739 --> 00:38:56,219 It's happening - but it's happening. 898 00:38:56,299 --> 00:38:58,579 It's literally happening before our eyes! 899 00:38:58,659 --> 00:39:00,619 This isn't a gaslighting situation. This is reality. 900 00:39:00,659 --> 00:39:03,379 Bronte, babe, we care about you 901 00:39:03,459 --> 00:39:06,019 and we can see you being manipulated by this (BLEEP) idiot, 902 00:39:06,059 --> 00:39:07,819 and you've got five of your friends 903 00:39:07,899 --> 00:39:10,219 literally sitting there in front of you, 904 00:39:10,299 --> 00:39:12,739 telling you something's up, something's not right. 905 00:39:12,819 --> 00:39:14,339 I actually care about her! Exactly. 906 00:39:14,379 --> 00:39:15,619 I care about her feelings, 907 00:39:15,699 --> 00:39:17,739 and I feel like, if anyone's manipulating, it's him to her. 908 00:39:17,819 --> 00:39:19,819 You're really trying to make this work 909 00:39:19,899 --> 00:39:23,539 with a guy who's probably not worth trying to make it work for. 910 00:39:23,619 --> 00:39:26,379 LYNDALL: What can I do? Do you wanna talk about it? 911 00:39:28,939 --> 00:39:29,979 (SIGHS) 912 00:39:30,019 --> 00:39:31,139 (SNIFFS) 913 00:39:31,219 --> 00:39:34,899 Basically trying to say that I'm being...naive 914 00:39:34,979 --> 00:39:37,139 and completely emotionally manipulated by Harrison. 915 00:39:37,179 --> 00:39:38,979 (SNIFFS) 916 00:39:39,019 --> 00:39:40,979 And I'm not my own person anymore... 917 00:39:41,019 --> 00:39:44,019 (SOMBRE PIANO MUSIC) 918 00:39:46,579 --> 00:39:47,979 ..which I don't believe that's true. 919 00:39:49,099 --> 00:39:51,419 It's because my husband's outspoken, 920 00:39:51,459 --> 00:39:53,139 and he says how he feels, 921 00:39:53,179 --> 00:39:55,339 and I love that about him! 922 00:39:55,379 --> 00:39:56,619 (SNIFFS) 923 00:39:56,699 --> 00:39:59,499 And they're, like, basically saying that... (SNIFFS) 924 00:39:59,539 --> 00:40:01,579 ..I'm...I've lost myself. 925 00:40:02,859 --> 00:40:04,899 Have I lost myself? 926 00:40:04,979 --> 00:40:07,379 I think that's up to you. How do you feel? 927 00:40:07,419 --> 00:40:08,979 I don't think that I have! 928 00:40:09,019 --> 00:40:10,859 (SNIFFS) 929 00:40:10,899 --> 00:40:12,459 Like, do I not deserve to be happy? 930 00:40:12,499 --> 00:40:14,139 (CRIES) Like, I'm so happy! 931 00:40:15,219 --> 00:40:19,619 I came here to get married, and to fall in love with someone! 932 00:40:19,699 --> 00:40:24,939 Why am I being absolutely... completely ridiculed 933 00:40:24,979 --> 00:40:26,499 for choosing him? 934 00:40:26,539 --> 00:40:29,539 (TENSE INSTRUMENTAL MUSIC) 935 00:40:38,579 --> 00:40:41,539 NARRATOR: It's a brand-new day on the couples retreat, 936 00:40:41,619 --> 00:40:45,499 and the husbands are making the most of their time away from the city. 937 00:40:45,539 --> 00:40:46,699 MAN: Yes! 938 00:40:46,779 --> 00:40:48,379 MAN: Could be a big tennis championship 939 00:40:48,419 --> 00:40:49,819 with all the boys today. 940 00:40:49,859 --> 00:40:51,099 (JAUNTY INSTRUMENTAL MUSIC) 941 00:40:51,179 --> 00:40:54,699 MAN: The long-haired lackeys versus the choads. 942 00:40:54,779 --> 00:40:57,419 I think I wanna be Mark Philippoussis, 943 00:40:57,459 --> 00:40:58,899 with the big serve. 944 00:40:58,939 --> 00:41:00,299 (JAUNTY INSTRUMENTAL MUSIC) 945 00:41:00,339 --> 00:41:01,659 Go, son! Oooh! 946 00:41:01,699 --> 00:41:03,179 (GRUNTS) 947 00:41:03,219 --> 00:41:04,459 (LAUGHS) So... 948 00:41:04,499 --> 00:41:06,579 (SHOUTING) 949 00:41:06,619 --> 00:41:08,179 Be quiet! 950 00:41:08,219 --> 00:41:10,619 (JAUNTY INSTRUMENTAL MUSIC) 951 00:41:10,659 --> 00:41:13,339 Um...that was the... 952 00:41:13,419 --> 00:41:15,979 The tennis has already started, so, the crowd's starting to roar. 953 00:41:16,059 --> 00:41:19,019 Man, I'm gonna do this all day! I'm addicted already. 954 00:41:19,059 --> 00:41:20,459 (JAUNTY INSTRUMENTAL MUSIC) 955 00:41:20,499 --> 00:41:21,659 (BLEEP) sake! 956 00:41:21,699 --> 00:41:23,379 (BLEEP) this! 957 00:41:23,419 --> 00:41:24,499 Now I hate it. (LAUGHS) 958 00:41:24,539 --> 00:41:25,739 (JAUNTY MUSIC CONTINUES) 959 00:41:25,819 --> 00:41:27,739 DUNCAN: It's been great spending time with everyone 960 00:41:27,779 --> 00:41:29,059 and getting to know them 961 00:41:29,139 --> 00:41:31,219 outside of the dinner parties and commitment ceremonies, 962 00:41:31,299 --> 00:41:33,299 and I'm looking forward to the rest of the day. 963 00:41:33,339 --> 00:41:35,139 JESSE: (SHOUTS INDISTINCTLY) 964 00:41:35,219 --> 00:41:37,259 (SHRIEKING AND LAUGHTER) Jesse! 965 00:41:37,299 --> 00:41:39,019 Jesse! 966 00:41:39,059 --> 00:41:40,939 (SHRIEKING AND LAUGHTER) 967 00:41:40,979 --> 00:41:43,379 That's your husband! 968 00:41:43,419 --> 00:41:46,179 (LAUGHTER AND WHOOPING) 969 00:41:46,219 --> 00:41:49,219 (JAUNTY INSTRUMENTAL MUSIC) 970 00:41:50,299 --> 00:41:51,659 (SHRIEKING AND LAUGHTER) 971 00:41:51,699 --> 00:41:53,219 CLAIRE: (LAUGHS) Jesse! 972 00:41:53,259 --> 00:41:55,899 (SHRIEKING AND LAUGHTER) 973 00:41:55,939 --> 00:41:57,419 WOMAN: Oh, my god! 974 00:41:57,459 --> 00:41:59,259 (LAUGHTER) 975 00:41:59,299 --> 00:42:01,099 It's been an amazing retreat. 976 00:42:01,139 --> 00:42:02,459 (JAUNTY INSTRUMENTAL MUSIC) 977 00:42:02,499 --> 00:42:03,779 Look, started so well. 978 00:42:03,819 --> 00:42:05,819 There's a technique to it. 979 00:42:05,899 --> 00:42:08,699 LAYTON: I think these smiles on our fingers 980 00:42:08,779 --> 00:42:11,179 are all representation of our friendships. 981 00:42:11,219 --> 00:42:12,379 MAN: Our brotherhood. 982 00:42:12,419 --> 00:42:13,499 ..our brotherhood, 983 00:42:13,579 --> 00:42:15,099 and the happiness we're gonna experience 984 00:42:15,139 --> 00:42:16,499 over the next couple of days, 985 00:42:16,579 --> 00:42:18,499 as long as Rupert doesn't butt dial anyone else. 986 00:42:18,539 --> 00:42:20,779 (LAUGHTER) 987 00:42:20,859 --> 00:42:23,219 NARRATOR: But while it's all fun and games for the boys, 988 00:42:23,299 --> 00:42:27,419 last night's heated discussion between Bronte and the girls 989 00:42:27,499 --> 00:42:30,659 is still weighing heavily on her mind. 990 00:42:30,699 --> 00:42:32,779 BRONTE: I still feel angry. 991 00:42:32,819 --> 00:42:33,859 (DRAMATIC MUSIC BUILDS) 992 00:42:33,899 --> 00:42:35,699 Last night was a lot. 993 00:42:35,779 --> 00:42:38,579 There was a lot of different personalities coming at me. 994 00:42:39,619 --> 00:42:43,619 Being called naive by Melinda, it's really upset me. 995 00:42:44,619 --> 00:42:47,139 I jut don't appreciate it. 996 00:42:48,179 --> 00:42:49,659 Like, I'm just not over it. 997 00:42:49,699 --> 00:42:51,899 Who does she think she is? 998 00:42:51,939 --> 00:42:54,419 (DRAMATIC MUSIC BUILDS) 999 00:42:54,499 --> 00:42:58,179 Last night was emotional! It was too much! 1000 00:42:58,259 --> 00:43:00,419 It just was like, "What is actually..." 1001 00:43:00,499 --> 00:43:02,219 And then out of nowhere, I'm just in the hot seat, 1002 00:43:02,299 --> 00:43:04,299 and I was just like, "When the (BLEEP) did this happen?" 1003 00:43:04,379 --> 00:43:06,859 I was, like...I just felt completely, like, ambushed! 1004 00:43:06,899 --> 00:43:08,899 (TENSE INSTRUMENTAL MUSIC) 1005 00:43:08,979 --> 00:43:11,379 And everyone just keeps going, "I want you to be happy." 1006 00:43:11,459 --> 00:43:13,139 And the second that I'm genuinely happy 1007 00:43:13,219 --> 00:43:14,979 and I've decided to focus on my relationship, 1008 00:43:15,019 --> 00:43:16,379 it's like, "Oh, you're being naive." 1009 00:43:16,419 --> 00:43:17,579 Yeah, it's just...no. 1010 00:43:18,699 --> 00:43:22,259 If I thought that Harrison was love-bombing me, gaslighting me, 1011 00:43:22,299 --> 00:43:23,619 I wouldn't be here. 1012 00:43:23,659 --> 00:43:25,499 (TENSE INSTRUMENTAL MUSIC) 1013 00:43:25,579 --> 00:43:27,379 Like, I do wanna have a chat with Melinda. 1014 00:43:27,419 --> 00:43:28,899 (DRAMATIC MUSIC BUILDS) 1015 00:43:28,979 --> 00:43:31,179 I'm definitely going to address it with her, 1016 00:43:31,259 --> 00:43:33,219 and if she wants any sort of friendship, 1017 00:43:33,259 --> 00:43:35,179 like, I need to hear that apology. 1018 00:43:35,219 --> 00:43:36,619 Yeah. 1019 00:43:36,659 --> 00:43:38,059 (SIGHS) 1020 00:43:38,139 --> 00:43:40,139 I can understand Bronte feeling quite upset, 1021 00:43:40,219 --> 00:43:43,619 but I don't think the intent behind Melinda's comment was malicious. 1022 00:43:43,699 --> 00:43:46,059 I just don't think it came out quite right. 1023 00:43:46,139 --> 00:43:49,099 So, I want to just share with Melinda 1024 00:43:49,179 --> 00:43:51,179 that Bronte wants an apology from her. 1025 00:43:52,859 --> 00:43:54,099 (DRAMATIC MUSIC BUILDS) 1026 00:43:54,179 --> 00:43:57,699 So...I had a little chat with Bronte... 1027 00:43:57,739 --> 00:43:59,139 EVELYN: Oooh. 1028 00:43:59,219 --> 00:44:03,099 ..and she's waiting on an apology from you about last night. 1029 00:44:03,139 --> 00:44:06,139 (DRAMATIC MUSIC CONTINUES) 1030 00:44:09,059 --> 00:44:11,099 There's nothing to apologise about. That's so silly. 1031 00:44:11,139 --> 00:44:12,699 (DRAMATIC MUSIC CONTINUES) 1032 00:44:12,779 --> 00:44:15,059 She is just quite offended by the 'naive' comment. 1033 00:44:15,099 --> 00:44:17,299 (TENSE INSTRUMENTAL MUSIC) 1034 00:44:17,339 --> 00:44:19,219 Yeah. 1035 00:44:19,299 --> 00:44:21,219 I feel like the intention wasn't bad from all the girls. 1036 00:44:21,299 --> 00:44:22,939 I think we were coming to her in a caring way... 1037 00:44:22,979 --> 00:44:23,979 Yeah. 1038 00:44:24,059 --> 00:44:25,819 ..but I think she just held on to that word 1039 00:44:25,859 --> 00:44:27,459 and was quite triggered by it. 1040 00:44:27,499 --> 00:44:29,219 I never...but in no...OK, was... 1041 00:44:29,299 --> 00:44:31,579 So, last night, when that was all happening with Bronte, 1042 00:44:31,659 --> 00:44:33,779 did I, in any way, just, like, go straight for the attack 1043 00:44:33,819 --> 00:44:34,899 or was I trying to be mean? 1044 00:44:34,979 --> 00:44:38,419 Like, we were all trying to, like, get out somehow... 1045 00:44:38,499 --> 00:44:40,179 What we were trying to say. Yeah. 1046 00:44:40,219 --> 00:44:42,459 (DRAMATIC MUSIC BUILDS) 1047 00:44:42,539 --> 00:44:44,339 I don't understand what I'm apologising for. 1048 00:44:44,379 --> 00:44:46,219 We were all saying the same thing 1049 00:44:46,259 --> 00:44:47,659 and we were all reminding her, 1050 00:44:47,739 --> 00:44:49,739 "Just to let you know, we're doing this as a friend. 1051 00:44:49,819 --> 00:44:51,379 "We're doing this 'cause we care." Yeah. 1052 00:44:51,419 --> 00:44:53,419 And everything's now my fault. 1053 00:44:53,459 --> 00:44:54,619 (DRAMATIC MUSIC BUILDS) 1054 00:44:54,659 --> 00:44:56,099 Wow! 1055 00:44:56,139 --> 00:44:57,939 (SIGHS) 1056 00:44:57,979 --> 00:44:59,579 It's so funny that somehow, 1057 00:44:59,659 --> 00:45:03,139 all Bronte remembers from last night is me calling her naive. 1058 00:45:03,219 --> 00:45:06,419 Not anything else that anyone did or said. 1059 00:45:06,459 --> 00:45:08,939 It was just me. 1060 00:45:09,019 --> 00:45:12,059 It's always, "Melinda did this, and Melinda, and Melinda," 1061 00:45:12,099 --> 00:45:13,939 but it's actually not just me. 1062 00:45:14,019 --> 00:45:16,139 I'm just saying what we're all feeling and thinking, 1063 00:45:16,219 --> 00:45:20,259 but, Bronte, if you have a problem with me, bring it on. 1064 00:45:20,299 --> 00:45:21,579 I'm right here. 1065 00:45:21,619 --> 00:45:22,779 NARRATOR: Coming up... 1066 00:45:22,859 --> 00:45:25,379 I don't wanna have to continuously be, like, 1067 00:45:25,459 --> 00:45:29,779 explaining myself to you about little things that I need. 1068 00:45:29,819 --> 00:45:31,819 ..Alyssa's shock confession. 1069 00:45:31,859 --> 00:45:33,499 Duncan's totally not my type at all. 1070 00:45:33,579 --> 00:45:36,219 Yeah, how? Um, Alyssa, how? 1071 00:45:36,259 --> 00:45:37,299 He's gorgeous! 1072 00:45:37,339 --> 00:45:38,619 ..then... 1073 00:45:38,659 --> 00:45:39,979 BRONTE: He's falling for me. 1074 00:45:40,019 --> 00:45:42,419 ..Bronte's plans for the future... 1075 00:45:42,499 --> 00:45:45,179 We literally are talking about me potentially moving to Sydney. 1076 00:45:45,219 --> 00:45:47,219 ..spark concern. 1077 00:45:47,299 --> 00:45:50,419 EVELYN: I feel like Bronte, right now, needs maybe an exorcism, 1078 00:45:50,499 --> 00:45:53,179 because she has the devil on her shoulder, 1079 00:45:53,219 --> 00:45:55,459 and the devil is Harrison. 1080 00:45:55,499 --> 00:45:57,899 (DRAMATIC MUSIC SWELLS) 1081 00:46:03,139 --> 00:46:06,179 (LIVELY ORCHESTRAL MUSIC) 1082 00:46:06,219 --> 00:46:08,099 (LAUGHTER) 1083 00:46:08,139 --> 00:46:10,859 (LIVELY ORCHESTRAL MUSIC) 1084 00:46:10,899 --> 00:46:12,699 (LAUGHS) 1085 00:46:12,779 --> 00:46:14,579 NARRATOR: In the next phase of the retreat, 1086 00:46:14,619 --> 00:46:16,219 our couples will be separated... 1087 00:46:16,259 --> 00:46:17,979 (LAUGHTER) 1088 00:46:18,019 --> 00:46:20,259 MELINDA: I have an announcement! 1089 00:46:20,299 --> 00:46:22,419 ..for girls' and boys' night. 1090 00:46:22,459 --> 00:46:24,339 It's girls' night! 1091 00:46:24,379 --> 00:46:25,579 (CHEERING AND SHRIEKING) 1092 00:46:25,619 --> 00:46:26,619 WOMAN: Let's get ready! 1093 00:46:26,659 --> 00:46:28,819 Do the crabwalk! Ah, ah, ah, ah! 1094 00:46:28,899 --> 00:46:32,379 ALL: Boys' night! Boys' night! Boys' night! Boys' night! 1095 00:46:32,419 --> 00:46:34,019 Boys' night! 1096 00:46:37,299 --> 00:46:40,659 Get out! (LAUGHS) 1097 00:46:40,739 --> 00:46:43,819 It can be helpful spending time away from your spouse 1098 00:46:43,859 --> 00:46:45,459 and catching up with other people... 1099 00:46:45,539 --> 00:46:46,979 RUPERT: You look incredible. Thank you. 1100 00:46:47,059 --> 00:46:49,019 Oh, Layton has the same shoes as that! 1101 00:46:49,099 --> 00:46:51,739 Yeah, that's why I did it... You guys are literally twins! 1102 00:46:51,819 --> 00:46:54,939 ..as this can have a positive impact on your relationship... 1103 00:46:56,499 --> 00:46:58,019 ..and give you fresh perspective. 1104 00:46:59,499 --> 00:47:01,219 JESSE: Come on, Jess. Focus! 1105 00:47:02,299 --> 00:47:03,939 Oh, he's done it! He's done it. Thank you! 1106 00:47:05,059 --> 00:47:09,019 Also, being able to speak freely and confide in others 1107 00:47:09,099 --> 00:47:12,779 can offer critical emotional support for those who need it. 1108 00:47:15,659 --> 00:47:18,659 (DRAMATIC MUSIC BUILDS) 1109 00:47:20,019 --> 00:47:21,659 Mel? Yeah? 1110 00:47:21,699 --> 00:47:23,179 Here. 1111 00:47:23,259 --> 00:47:26,299 Is that my Hydrolyte? Yeah. I think you're gonna need it. 1112 00:47:26,379 --> 00:47:29,499 Thank you. (LAUGHS) Why? Think it's gonna be a big night? 1113 00:47:29,539 --> 00:47:30,539 Uh, could be. 1114 00:47:30,619 --> 00:47:33,019 I'm feeling quite anxious about tonight. 1115 00:47:33,099 --> 00:47:36,459 Bronte's, like, spent the day telling everyone else but me 1116 00:47:36,499 --> 00:47:38,779 that she needs an apology from me 1117 00:47:38,819 --> 00:47:41,179 because I called her naive. 1118 00:47:42,179 --> 00:47:45,339 Bronte's had all day to talk to me. 1119 00:47:45,379 --> 00:47:47,699 Instead, she told everyone but me. 1120 00:47:47,779 --> 00:47:50,019 I've heard it from five different people. 1121 00:47:50,059 --> 00:47:51,459 It's Chinese whispers right now, 1122 00:47:51,539 --> 00:47:54,019 and the fact she's gone to every single person 1123 00:47:54,099 --> 00:47:56,139 means that she's obviously getting everyone ready 1124 00:47:56,179 --> 00:47:57,619 to do it in a group setting. 1125 00:47:57,659 --> 00:47:58,979 (TENSE INSTRUMENTAL MUSIC) 1126 00:47:59,059 --> 00:48:01,459 And now I'm just waiting for the Bronte bomb to go off. 1127 00:48:01,499 --> 00:48:04,579 (DRAMATIC MUSIC BUILDS) 1128 00:48:04,659 --> 00:48:07,499 BRONTE: I definitely want an apology from Melinda tonight. 1129 00:48:08,939 --> 00:48:11,619 Sometimes her words can be really nasty, 1130 00:48:11,699 --> 00:48:15,939 and I am so sick of being made constantly to feel 1131 00:48:15,979 --> 00:48:17,539 as if I don't have a mind of my own. 1132 00:48:17,619 --> 00:48:19,619 So, I'm gonna be holding her accountable for that. 1133 00:48:19,659 --> 00:48:21,739 (DRAMATIC MUSIC BUILDS) 1134 00:48:23,419 --> 00:48:26,699 NARRATOR: Tensions are brewing ahead of the boys' and girls' nights, 1135 00:48:26,739 --> 00:48:29,739 and after spending the day apart... 1136 00:48:29,779 --> 00:48:31,579 Ready for a big girls' night? 1137 00:48:32,579 --> 00:48:33,859 ALYSSA: Yep. 1138 00:48:33,939 --> 00:48:37,979 ..Duncan has received a frosty reception from wife Alyssa. 1139 00:48:39,659 --> 00:48:40,659 DUNCAN: 1140 00:48:42,659 --> 00:48:44,699 ALYSSA: 1141 00:48:44,739 --> 00:48:47,739 (TENSE INSTRUMENTAL MUSIC) 1142 00:48:52,459 --> 00:48:55,139 Since we've been here, you've literally just been with the boys. 1143 00:48:55,219 --> 00:48:58,739 Like, I literally haven't spoken to you, or nothing, all day. 1144 00:48:58,779 --> 00:49:00,779 (TENSE INSTRUMENTAL MUSIC) 1145 00:49:00,859 --> 00:49:03,379 I thought you wanted to spend more time with the girls. 1146 00:49:04,579 --> 00:49:05,779 (SIGHS) 1147 00:49:05,859 --> 00:49:08,339 If I'm not reading this right, tell me. 1148 00:49:10,059 --> 00:49:12,019 It's not your fault! I'm not upset with you. 1149 00:49:12,059 --> 00:49:13,059 You're upset with me. 1150 00:49:13,139 --> 00:49:14,979 I'm not upset with you at all, in any way. 1151 00:49:15,019 --> 00:49:16,219 I didn't cold-shoulder... 1152 00:49:17,459 --> 00:49:18,979 No, I'm trying to work it out with you. 1153 00:49:19,019 --> 00:49:20,539 I'm trying to talk to you about it. 1154 00:49:20,619 --> 00:49:23,979 If I read that wrong, you know, that's on me. 1155 00:49:24,019 --> 00:49:25,659 (TENSE INSTRUMENTAL MUSIC) 1156 00:49:25,699 --> 00:49:27,899 I'm sorry if you feel like that. 1157 00:49:27,939 --> 00:49:29,659 (TENSE INSTRUMENTAL MUSIC) 1158 00:49:31,019 --> 00:49:32,859 It's about just, like, checking in on me! 1159 00:49:32,899 --> 00:49:35,099 (TENSE INSTRUMENTAL MUSIC) 1160 00:49:35,179 --> 00:49:37,339 I need that stuff throughout the day! 1161 00:49:37,419 --> 00:49:39,379 So do I! So do I. But, like, you don't miss it! 1162 00:49:39,459 --> 00:49:41,819 Why didn't you check in on me? I had no idea where you were! 1163 00:49:41,859 --> 00:49:43,059 What do you mean? 1164 00:49:43,139 --> 00:49:44,939 We're in a very small area. We're not allowed to leave. 1165 00:49:45,019 --> 00:49:46,139 So, I'm not gonna go up to, like, you 1166 00:49:46,219 --> 00:49:47,499 at, like, playing tennis and be like... 1167 00:49:47,539 --> 00:49:49,019 So, you did know where I was? 1168 00:49:49,059 --> 00:49:50,419 Duncan... (SIGHS) 1169 00:49:50,459 --> 00:49:51,539 What...what is it?! 1170 00:49:51,619 --> 00:49:53,339 Did you know where I was or you didn't know where I was? 1171 00:49:53,419 --> 00:49:55,899 I had no idea where you were until Bronte and I went for a walk 1172 00:49:55,979 --> 00:49:57,979 and we saw you and Harrison playing tennis. 1173 00:49:58,059 --> 00:49:59,859 And...OK, and you didn't wanna come over? 1174 00:49:59,899 --> 00:50:01,059 Why didn't you invite us over? 1175 00:50:01,139 --> 00:50:03,819 I didn't see you walking around. I was playing tennis! 1176 00:50:03,859 --> 00:50:06,059 (DRAMATIC MUSIC BUILDS) 1177 00:50:06,139 --> 00:50:09,579 I don't understand why Duncan can't apologise 1178 00:50:09,619 --> 00:50:10,659 and give me what I need. 1179 00:50:11,659 --> 00:50:13,459 Give me attention. I need attention 1180 00:50:13,499 --> 00:50:14,619 (DRAMATIC MUSIC BUILDS) 1181 00:50:14,659 --> 00:50:16,939 Because I haven't had any - none! 1182 00:50:16,979 --> 00:50:18,099 I do deserve love, 1183 00:50:18,179 --> 00:50:21,859 and I do deserve somebody to make me the priority. 1184 00:50:21,899 --> 00:50:23,659 OK. 1185 00:50:23,699 --> 00:50:26,579 (SOMBRE MUSIC) 1186 00:50:28,339 --> 00:50:32,139 If you wanna spend time with me, you can also come to me. 1187 00:50:32,219 --> 00:50:35,419 I'm not gonna go up to you when you're with, like, all the boys! 1188 00:50:35,459 --> 00:50:36,819 I'm your...I'm your husband. 1189 00:50:36,899 --> 00:50:38,419 Doesn't matter. I'm not gonna do that. 1190 00:50:39,539 --> 00:50:40,619 Should it be on me? 1191 00:50:40,659 --> 00:50:42,659 (TENSE INSTRUMENTAL MUSIC) 1192 00:50:42,699 --> 00:50:44,139 (EXHALES) 1193 00:50:44,219 --> 00:50:46,819 What's your expectation for tomorrow? 1194 00:50:46,859 --> 00:50:48,739 Like, if I say to you that I think 1195 00:50:48,819 --> 00:50:52,539 we should spend more time tomorrow with each other than we did today, 1196 00:50:52,579 --> 00:50:54,419 would you be open to that? 1197 00:50:55,579 --> 00:50:56,619 I don't know. 1198 00:50:56,659 --> 00:50:58,659 (TENSE INSTRUMENTAL MUSIC) 1199 00:50:58,739 --> 00:51:01,019 Do you feel like I'm trying to get there? 1200 00:51:01,099 --> 00:51:05,739 I don't wanna have to continuously be, like, explaining myself to you 1201 00:51:05,779 --> 00:51:08,299 about little things that I need. 1202 00:51:08,339 --> 00:51:10,059 (TENSE INSTRUMENTAL MUSIC) 1203 00:51:10,099 --> 00:51:11,339 I'm sorry. 1204 00:51:11,379 --> 00:51:12,419 (TENSE INSTRUMENTAL MUSIC) 1205 00:51:12,459 --> 00:51:15,459 I don't like seeing Alyssa upset. 1206 00:51:15,539 --> 00:51:18,059 I'm trying to understand what's happened 1207 00:51:18,099 --> 00:51:19,899 and how she feels about things, 1208 00:51:19,979 --> 00:51:22,219 but she's pushing me away, and that hurts! 1209 00:51:22,259 --> 00:51:24,059 (TENSE INSTRUMENTAL MUSIC) 1210 00:51:27,619 --> 00:51:28,939 DUNCAN: 1211 00:51:28,979 --> 00:51:29,979 ALYSSA: 1212 00:51:30,059 --> 00:51:33,899 I really like that girl, and I wanna work this out, 1213 00:51:33,979 --> 00:51:36,739 but I really don't know what to do right now. 1214 00:51:36,819 --> 00:51:39,579 Maybe I'm the one that has high expectations and you don't! 1215 00:51:39,619 --> 00:51:43,019 (DRAMATIC MUSIC SWELLS) 1216 00:51:43,059 --> 00:51:45,059 ALYSSA: 1217 00:51:45,099 --> 00:51:47,259 I'm feeling a little bit lost. 1218 00:51:49,419 --> 00:51:50,619 Can I hug you? No. 1219 00:51:50,659 --> 00:51:53,859 (TENSE INSTRUMENTAL MUSIC) 1220 00:51:56,059 --> 00:51:59,699 (DRAMATIC MUSIC BUILDS) 1221 00:51:59,739 --> 00:52:02,619 Oh, it's nice and warm! 1222 00:52:02,659 --> 00:52:03,819 (WHOOPING) 1223 00:52:03,859 --> 00:52:05,339 Cute! 1224 00:52:05,419 --> 00:52:07,379 WOMAN: Oh, my god, cute! WOMAN: So cute! 1225 00:52:08,419 --> 00:52:09,979 (WHOOPING AND APPLAUSE) 1226 00:52:10,059 --> 00:52:12,179 MAN: We've done a boys' night! MAN: Here we go! 1227 00:52:12,259 --> 00:52:13,779 MAN: Here we go! (WHISTLING) 1228 00:52:14,819 --> 00:52:16,219 WOMAN: (BLEEP), yeah! (CORK POPS) 1229 00:52:16,259 --> 00:52:19,019 ALL: Cheers! 1230 00:52:19,059 --> 00:52:22,019 (WHOOPING AND CHEERING) 1231 00:52:22,059 --> 00:52:23,139 Boys' night. 1232 00:52:23,179 --> 00:52:25,339 MAN: Whoo! No girls. 1233 00:52:25,379 --> 00:52:26,379 (LAUGHTER) 1234 00:52:26,459 --> 00:52:29,059 OLLIE: Great time to hang out with the bros. 1235 00:52:29,099 --> 00:52:30,819 Dabble in relationships. 1236 00:52:30,899 --> 00:52:32,699 Talk about the trials and tribulations 1237 00:52:32,739 --> 00:52:34,059 that we go through every day, 1238 00:52:34,139 --> 00:52:37,259 and it's gonna be great to let the hair down, to so speak. 1239 00:52:38,259 --> 00:52:39,579 Did you guys think we'd be here? 1240 00:52:39,619 --> 00:52:41,299 I didn't think YOU'D be here. 1241 00:52:41,379 --> 00:52:43,259 (LAUGHTER) MAN: Bang! 1242 00:52:43,299 --> 00:52:45,299 (LAUGHTER AND CHATTER) 1243 00:52:45,339 --> 00:52:46,539 NARRATOR: At the girls' night, 1244 00:52:46,579 --> 00:52:48,699 the group is already making the most 1245 00:52:48,779 --> 00:52:51,139 of being separated from their husbands, 1246 00:52:51,219 --> 00:52:55,139 and are discussing the experiment's unique pairing of couples. 1247 00:52:55,219 --> 00:52:58,099 Honestly, guys, I think in this experiment, 1248 00:52:58,179 --> 00:53:00,299 you have to come in with an open mind. 1249 00:53:00,379 --> 00:53:02,779 Like, look at Claire and Jesse, you know? 1250 00:53:02,859 --> 00:53:05,899 Jesse, physically - I've never gone for a guy like Jesse, 1251 00:53:05,979 --> 00:53:07,699 like, a punk rocker with long hair and tattoos. 1252 00:53:07,739 --> 00:53:09,859 But you're open-minded about it. 1253 00:53:09,939 --> 00:53:12,139 But then my friends met him and they were like, "Claire!" 1254 00:53:12,219 --> 00:53:14,219 Like, we do this thing with the girls where we're, like, 1255 00:53:14,299 --> 00:53:16,059 if we like a guy, we're like, "Toot, toot!" 1256 00:53:16,139 --> 00:53:17,939 And the girls were like, "Honk, honk!" 1257 00:53:18,019 --> 00:53:19,779 And I was like, "Oh, OK." Interesting! 1258 00:53:19,859 --> 00:53:22,539 See, Duncan's not, like, physically, my type either at all! 1259 00:53:22,579 --> 00:53:24,099 WOMAN: Wow, what? 1260 00:53:24,179 --> 00:53:26,619 WOMAN: Really, babe? TAYLA: How? 1261 00:53:26,699 --> 00:53:28,739 At all. Yeah, how? 1262 00:53:28,819 --> 00:53:30,019 Alyssa, how? He's gorgeous. 1263 00:53:30,059 --> 00:53:32,539 Duncan's totally not my type at all. 1264 00:53:32,579 --> 00:53:35,699 (DRAMATIC MUSIC BUILDS) 1265 00:53:41,179 --> 00:53:43,179 NARRATOR: It's the second night of the retreat, 1266 00:53:43,259 --> 00:53:47,739 and our couples have been separated for boys' and girls' night drinks. 1267 00:53:47,819 --> 00:53:50,699 Jesse, physically - I've never gone for a guy like Jesse, 1268 00:53:50,779 --> 00:53:53,179 like, a punk rocker with long hair and tattoos. 1269 00:53:53,219 --> 00:53:54,219 Interesting! 1270 00:53:54,299 --> 00:53:57,059 See, Duncan's not, like, physically, my type either at all! 1271 00:53:57,099 --> 00:53:59,899 (TENSE INSTRUMENTAL MUSIC) 1272 00:53:59,939 --> 00:54:01,379 WOMAN: Wow, what? 1273 00:54:01,419 --> 00:54:02,739 (TENSE INSTRUMENTAL MUSIC) 1274 00:54:02,819 --> 00:54:05,379 WOMAN: Really, babe? TAYLA: How? 1275 00:54:05,459 --> 00:54:07,579 At all. Yeah, how? 1276 00:54:07,659 --> 00:54:09,859 Alyssa, how? He's gorgeous. 1277 00:54:09,899 --> 00:54:12,619 Duncan's totally not my type at all. 1278 00:54:12,659 --> 00:54:16,139 (DRAMATIC MUSIC BUILDS) 1279 00:54:16,219 --> 00:54:19,019 DUNCAN: Alyssa and I had a fair argument tonight, 1280 00:54:19,059 --> 00:54:22,499 and Alyssa was very upset. 1281 00:54:22,579 --> 00:54:24,939 Really upset, and I said, "Can we talk about it?" 1282 00:54:24,979 --> 00:54:26,179 So, we started talking. 1283 00:54:26,259 --> 00:54:28,539 He said, "I heard you're upset with me!" 1284 00:54:28,579 --> 00:54:30,019 And I was like, "What did you hear?" 1285 00:54:30,099 --> 00:54:32,579 He was like, "Why don't you tell me yourself so I don't have to guess!" 1286 00:54:32,619 --> 00:54:35,699 (TENSE INSTRUMENTAL MUSIC) 1287 00:54:35,739 --> 00:54:37,379 Why did he approach it like that? 1288 00:54:38,379 --> 00:54:40,059 That is just not... 1289 00:54:40,139 --> 00:54:41,499 What the hell is he doing? Jesse told me... 1290 00:54:43,019 --> 00:54:44,459 The conversation morphed into, 1291 00:54:44,539 --> 00:54:46,219 "I don't think you're showing me much affection 1292 00:54:46,299 --> 00:54:48,219 "since you've been on this couples retreat." 1293 00:54:49,259 --> 00:54:53,299 And then he gives me, "I'm sorry you feel that way." 1294 00:54:53,379 --> 00:54:54,739 (WOMEN EXCLAIM) WOMAN: No, he didn't! 1295 00:54:54,819 --> 00:54:57,339 What? "I'm sorry you feel that way." 1296 00:54:57,419 --> 00:55:00,619 BROOKE: So, he (BLEEP) gaslit you? Are you freaking kidding? 1297 00:55:00,699 --> 00:55:03,099 Ohh! "I'm sorry you feel that way." 1298 00:55:03,139 --> 00:55:05,539 WOMAN: So combative, mate! 1299 00:55:05,619 --> 00:55:09,579 DUNCAN: I apologised, understanding that she's upset/ 1300 00:55:11,739 --> 00:55:13,819 Man, tonight, at the end of the conversation we just had, 1301 00:55:13,899 --> 00:55:15,339 I said, "Can we have a hug?" and she said no. 1302 00:55:16,779 --> 00:55:18,779 MAN: God, that hurts, that hurts! 1303 00:55:18,819 --> 00:55:20,299 (TENSE INSTRUMENTAL MUSIC) 1304 00:55:20,379 --> 00:55:22,419 I'm not used to being in relationships 1305 00:55:22,459 --> 00:55:24,259 where I make my partner cry. 1306 00:55:24,299 --> 00:55:25,779 (SOMBRE INSTRUMENTAL MUSIC) 1307 00:55:25,859 --> 00:55:29,419 I promised her that I would look after her heart in this experiment. 1308 00:55:30,619 --> 00:55:32,659 The last thing I wanna do is hurt Alyssa, 1309 00:55:32,699 --> 00:55:34,579 because I care about her so much. 1310 00:55:35,659 --> 00:55:37,059 And I said, "Can we hang out tomorrow?" 1311 00:55:37,099 --> 00:55:38,819 and she said, "I'll decide later." 1312 00:55:38,859 --> 00:55:40,619 (TENSE INSTRUMENTAL MUSIC) 1313 00:55:40,659 --> 00:55:43,459 I just...I don't get any actual... 1314 00:55:43,539 --> 00:55:46,819 ..like affirmation or confirmation from him that it's going to work. 1315 00:55:46,899 --> 00:55:48,779 He hasn't said...he hasn't said, "I care about you"? 1316 00:55:48,859 --> 00:55:51,779 I've never heard him say, "Alyssa, I like you. 1317 00:55:51,859 --> 00:55:54,139 "I care about you. I want to make it work." 1318 00:55:54,219 --> 00:55:56,179 BRONTE: He's never said it? Mmm. 1319 00:55:56,219 --> 00:55:59,299 (TENSE INSTRUMENTAL MUSIC) 1320 00:55:59,339 --> 00:56:00,419 DUNCAN: I tell her all the time. 1321 00:56:00,459 --> 00:56:02,419 I'm really (BLEEP) into her! 1322 00:56:02,459 --> 00:56:04,339 And I wanna talk about... 1323 00:56:04,419 --> 00:56:07,219 ..I wanna talk about what happens after the experiment, 1324 00:56:07,259 --> 00:56:08,419 what it looks like. 1325 00:56:08,459 --> 00:56:10,019 I wanna be super specific! 1326 00:56:10,099 --> 00:56:16,539 I'm leaning in so hard to try to show what I want, right? 1327 00:56:16,579 --> 00:56:18,419 I'm being really descriptive. 1328 00:56:18,459 --> 00:56:20,259 I'm trying to show through actions. 1329 00:56:20,339 --> 00:56:22,059 I'm talking about things in the future. 1330 00:56:22,139 --> 00:56:25,779 I'm, like, giving it to you, in my eyes, 1331 00:56:25,859 --> 00:56:29,099 of what someone does when they're really in - 1332 00:56:29,179 --> 00:56:32,579 not when they're talking shit, when they're really (BLEEP) in. 1333 00:56:32,619 --> 00:56:35,819 (TENSE INSTRUMENTAL MUSIC) 1334 00:56:37,579 --> 00:56:40,939 I don't want to... paint him in a bad light, 1335 00:56:41,019 --> 00:56:44,979 but I sometimes feel like he's making me... 1336 00:56:46,459 --> 00:56:50,339 ..look like a person that's very needy and that's very naggy, 1337 00:56:50,379 --> 00:56:52,459 and I don't wanna be that person. 1338 00:56:52,539 --> 00:56:54,339 If you're here for the right reasons, 1339 00:56:54,379 --> 00:56:56,619 make me feel like I'm your priority. 1340 00:56:56,659 --> 00:56:59,219 If you can't meet that, that's fine! 1341 00:56:59,259 --> 00:57:01,059 That's totally fine, 1342 00:57:01,099 --> 00:57:05,019 but, like, don't...string me along. 1343 00:57:05,059 --> 00:57:07,539 (TENSE INSTRUMENTAL MUSIC) 1344 00:57:08,739 --> 00:57:10,499 MAN: Hugo, how's your week been going? 1345 00:57:10,539 --> 00:57:12,859 (SOMBRE INSTRUMENTAL MUSIC) 1346 00:57:12,939 --> 00:57:15,299 Take that big...yeah. (LAUGHTER AND CHEERING) 1347 00:57:15,339 --> 00:57:16,659 (SOMBRE INSTRUMENTAL MUSIC) 1348 00:57:16,739 --> 00:57:21,499 I've...I definitely feel like I've been in survival mode with Tayla 1349 00:57:21,539 --> 00:57:24,379 for, at least, the last week. 1350 00:57:24,419 --> 00:57:26,299 (SOMBRE INSTRUMENTAL MUSIC) 1351 00:57:26,379 --> 00:57:28,819 After the commitment ceremony, I get told, 1352 00:57:28,899 --> 00:57:33,019 "Sit down, shut up, smiles, everything, get through this, 1353 00:57:33,059 --> 00:57:35,739 "'cause you're making me look bad." 1354 00:57:35,779 --> 00:57:38,179 Uh, and then, last night, 1355 00:57:38,259 --> 00:57:40,899 while Cam, me, and Harrison were on the couch, 1356 00:57:40,979 --> 00:57:43,139 Tayla and stuff were having, like, a fair bit of chat, 1357 00:57:43,219 --> 00:57:45,539 and I heard that she was telling all the girls how, 1358 00:57:45,579 --> 00:57:47,179 "I can't live without affection." 1359 00:57:48,219 --> 00:57:51,259 While I'm not even allowed to give her a kiss on the cheek. 1360 00:57:51,299 --> 00:57:52,899 Wow! 1361 00:57:52,939 --> 00:57:54,499 (TENSE INSTRUMENTAL MUSIC) 1362 00:57:54,579 --> 00:57:57,459 She was talking about, like, sexting with her ex or something, 1363 00:57:57,499 --> 00:57:59,179 and there was also... 1364 00:57:59,219 --> 00:58:00,579 What - while on this experiment? 1365 00:58:00,659 --> 00:58:03,099 I had no idea about this sexting stuff. 1366 00:58:04,419 --> 00:58:08,179 What worse is she's told me, like, this entire time, like, 1367 00:58:08,259 --> 00:58:11,339 "Hey, Hugo, it's not you, I just don't warm up to people," 1368 00:58:11,379 --> 00:58:13,099 and stuff like that. 1369 00:58:13,139 --> 00:58:16,299 It just made me feel so small. 1370 00:58:16,339 --> 00:58:18,219 (TENSE INSTRUMENTAL MUSIC) 1371 00:58:18,299 --> 00:58:21,019 I feel sorry for Hugo, you know? I do. I do. 1372 00:58:22,019 --> 00:58:24,019 I think he's a genuinely nice guy, 1373 00:58:24,059 --> 00:58:27,899 and Tayla is treating him like shit. 1374 00:58:27,979 --> 00:58:30,819 All you boys have told me that, like, 1375 00:58:30,899 --> 00:58:32,539 "We started out shit, but we got better." 1376 00:58:32,579 --> 00:58:34,459 Do you reckon there's gonna be, 1377 00:58:34,539 --> 00:58:36,419 like, a Jesse-and-Claire turnaround... 1378 00:58:36,499 --> 00:58:38,099 Nah. MAN: I don't think so, mate. 1379 00:58:38,139 --> 00:58:39,139 MAN: Nope. 1380 00:58:41,979 --> 00:58:45,899 NARRATOR: While boys' and girls' night is proving to be a safe forum 1381 00:58:45,979 --> 00:58:50,179 for our participants to speak freely about their relationships, 1382 00:58:50,259 --> 00:58:54,299 Bronte is yet to open up about her grievances towards Mel - 1383 00:58:54,339 --> 00:58:57,139 a point not lost on the others. 1384 00:58:57,179 --> 00:58:58,979 (TENSE INSTRUMENTAL MUSIC) 1385 00:58:59,059 --> 00:59:01,619 It's just interesting, it's very interesting, the dynamic right now. 1386 00:59:02,739 --> 00:59:04,779 There's a bit of tension between Melinda and Bronte. 1387 00:59:04,859 --> 00:59:08,179 It's just a lot of toxic energy that needs to be resolved. 1388 00:59:08,219 --> 00:59:09,699 (DRAMATIC MUSIC BUILDS) 1389 00:59:09,739 --> 00:59:11,539 So uncomfortable for everyone. 1390 00:59:11,579 --> 00:59:14,579 (DRAMATIC MUSIC BUILDS) 1391 00:59:24,019 --> 00:59:25,859 (DRAMATIC MUSIC SWELLS) 1392 00:59:31,139 --> 00:59:34,139 (DRAMATIC MUSIC BUILDS) 1393 00:59:44,459 --> 00:59:46,579 I just wanted to address, really quickly... 1394 00:59:46,659 --> 00:59:49,339 Melinda! Dun, dun, dun! ..the naive comment. 1395 00:59:49,379 --> 00:59:50,819 (LAUGHTER) 1396 00:59:50,899 --> 00:59:52,539 Because all day, everyone's heard about it but me. 1397 00:59:52,579 --> 00:59:57,099 (TENSE INSTRUMENTAL MUSIC) 1398 00:59:57,139 --> 01:00:00,659 Melinda, I have come so far 1399 01:00:00,739 --> 01:00:04,299 and I've fought so freaking hard for my relationship, 1400 01:00:04,379 --> 01:00:07,459 and to be called naive was offensive. 1401 01:00:07,499 --> 01:00:11,019 (DRAMATIC MUSIC SWELLS) 1402 01:00:12,139 --> 01:00:14,299 First of all, I hope it wasn't a gang-up thing, 1403 01:00:14,379 --> 01:00:16,779 'cause that's definitely not where we were coming from. 1404 01:00:16,819 --> 01:00:18,139 (TENSE INSTRUMENTAL MUSIC) 1405 01:00:18,219 --> 01:00:19,979 If I didn't give a shit, I would sit there quiet. 1406 01:00:20,019 --> 01:00:21,019 Yeah. 1407 01:00:21,059 --> 01:00:23,299 I give a shit, so I spoke my piece. 1408 01:00:23,339 --> 01:00:25,139 What annoys me is... 1409 01:00:26,619 --> 01:00:28,419 ..the reason you actually left and were really upset 1410 01:00:28,459 --> 01:00:29,699 was over that word. 1411 01:00:29,779 --> 01:00:32,219 So, it was, like, doesn't matter, like, what anyone else said. 1412 01:00:32,259 --> 01:00:34,499 It was, like, what I said. 1413 01:00:34,539 --> 01:00:35,859 Why is it always me, 1414 01:00:35,939 --> 01:00:38,459 when there's five girls all saying the same thing... 1415 01:00:39,499 --> 01:00:42,739 ..and it's always like, "Melinda, Melinda, Melinda"? 1416 01:00:42,819 --> 01:00:46,659 I'm trying to help you, but the blame is always put on me. 1417 01:00:46,699 --> 01:00:47,699 (TENSE INSTRUMENTAL MUSIC) 1418 01:00:47,779 --> 01:00:50,219 So, I'm happy to apologise always if I upset you, 1419 01:00:50,259 --> 01:00:52,179 and I didn't mean to... 1420 01:00:53,379 --> 01:00:55,099 ..but then I also wanna make sure 1421 01:00:55,179 --> 01:00:58,099 that, like...we're not apologising for the way we felt... 1422 01:00:59,339 --> 01:01:01,299 ..because I don't want to take that back, 1423 01:01:01,339 --> 01:01:03,419 because I do generally feel, 1424 01:01:03,499 --> 01:01:05,859 or think the way that we all did last night, 1425 01:01:05,939 --> 01:01:09,499 because we're all really concerned about Harrison... 1426 01:01:10,859 --> 01:01:14,019 ..and we've all been in relationships where we're, like, 1427 01:01:14,099 --> 01:01:16,539 we don't know until the end that it was a shit relationship. 1428 01:01:16,579 --> 01:01:19,579 (TENSE INSTRUMENTAL MUSIC) 1429 01:01:19,619 --> 01:01:20,939 But all I've ever wanted 1430 01:01:21,019 --> 01:01:23,579 is for Harrison and I to be exactly where we are right now. 1431 01:01:24,739 --> 01:01:26,299 He's falling for me. 1432 01:01:26,339 --> 01:01:27,379 (TENSE INSTRUMENTAL MUSIC) 1433 01:01:27,419 --> 01:01:29,019 You know, we literally are talking 1434 01:01:29,099 --> 01:01:30,859 about me potentially moving to Sydney. 1435 01:01:30,899 --> 01:01:32,419 (TENSE INSTRUMENTAL MUSIC) 1436 01:01:32,499 --> 01:01:34,739 Like, that is literally the conversations that we are having. 1437 01:01:34,779 --> 01:01:37,179 (TENSE MUSIC CONTINUES) 1438 01:01:37,259 --> 01:01:42,179 EVELYN: Bronte, Bronte, you're so blinded by Harrison. 1439 01:01:42,259 --> 01:01:46,339 I feel like Bronte, right now, needs maybe an exorcism... 1440 01:01:48,019 --> 01:01:51,699 ..because she has the devil on her shoulder talking in her ear, 1441 01:01:51,739 --> 01:01:54,499 and the devil is Harrison. 1442 01:01:54,539 --> 01:01:57,139 (DRAMATIC STRINGS PLAY) 1443 01:01:58,299 --> 01:02:03,699 Melinda, what you said, it made me start doubting my relationship, 1444 01:02:03,779 --> 01:02:06,739 and then I started to really think, "Am I being naive?" 1445 01:02:06,779 --> 01:02:08,379 (TENSE INSTRUMENTAL MUSIC) 1446 01:02:08,459 --> 01:02:10,139 MELINDA: Yes, Bronte, you're being naive. 1447 01:02:11,539 --> 01:02:13,819 You're not seeing the red flags right in front of your face. 1448 01:02:13,859 --> 01:02:15,899 (TENSE INSTRUMENTAL MUSIC) 1449 01:02:15,979 --> 01:02:18,739 But that's literally, like... I do not want a bad vibe. 1450 01:02:18,779 --> 01:02:20,099 I don't want any more bad vibes! 1451 01:02:20,179 --> 01:02:21,659 I want all the bad vibes gone! I'm done! 1452 01:02:21,699 --> 01:02:22,859 I give up. 1453 01:02:22,899 --> 01:02:25,899 I am so tired of this. 1454 01:02:25,979 --> 01:02:28,819 It's hard to bring anything up to Bronte 1455 01:02:28,899 --> 01:02:32,099 about Harrison or their...relationship, 1456 01:02:32,179 --> 01:02:36,259 and when I did, I wasn't supported by anyone else. 1457 01:02:36,299 --> 01:02:39,299 (DRAMATIC MUSIC SWELLS) 1458 01:02:40,299 --> 01:02:41,499 I just came out for some fresh air 1459 01:02:41,579 --> 01:02:43,499 from all the bullshit that's happening in there, babe. 1460 01:02:43,539 --> 01:02:44,539 (EVELYN SHRIEKS) 1461 01:02:44,619 --> 01:02:46,299 (LAUGHS) Let's take a little picnic break. 1462 01:02:46,339 --> 01:02:47,739 Oh, my god! 1463 01:02:47,779 --> 01:02:49,219 Honestly, I feel... 1464 01:02:49,299 --> 01:02:50,819 It's like fighting a losing battle, eh? 1465 01:02:50,899 --> 01:02:52,779 Yeah, I just...I just give up at this point. 1466 01:02:52,859 --> 01:02:54,459 And it's so funny - like, last night, right, 1467 01:02:54,539 --> 01:02:57,779 everyone has such an opinion on the Harrison and Bronte thing, 1468 01:02:57,819 --> 01:02:58,819 and tonight... 1469 01:02:58,899 --> 01:03:00,539 Fine! Crickets! ..it's nowhere in sight. 1470 01:03:00,579 --> 01:03:02,059 It's kumbaya. (LAUGHS) 1471 01:03:02,139 --> 01:03:07,339 Harrison's gone from a red flag to a green flag overnight - again! 1472 01:03:07,419 --> 01:03:09,779 I feel like we're being good friends by saying something. 1473 01:03:09,819 --> 01:03:10,939 (LAUGHTER) 1474 01:03:11,019 --> 01:03:12,179 Like, if I had a bunch of girlfriends 1475 01:03:12,259 --> 01:03:14,259 that were just, like, my hype girls when I did the wrong thing, 1476 01:03:14,339 --> 01:03:15,779 or someone did the wrong thing to me... 1477 01:03:15,819 --> 01:03:17,059 My friends hold me accountable. 1478 01:03:17,139 --> 01:03:21,299 Because it's, like, here, you've got to, like...fluff everyone up. 1479 01:03:21,379 --> 01:03:24,139 "You did the wrong thing? No, you didn't. That was correct." 1480 01:03:24,219 --> 01:03:26,019 Or, "Someone's doing the wrong thing to you? 1481 01:03:26,099 --> 01:03:27,619 "They're not, as long as you're happy." 1482 01:03:27,699 --> 01:03:30,659 "Oh, you're texting your ex? Oh, no, it's fine." 1483 01:03:30,739 --> 01:03:33,659 "You're being manipulated." BOTH: "You're not!" 1484 01:03:33,699 --> 01:03:36,579 (LAUGHTER) 1485 01:03:36,619 --> 01:03:39,099 Oh, my gosh! Ohh! 1486 01:03:39,139 --> 01:03:40,939 Maybe we should go to the boys. 1487 01:03:41,019 --> 01:03:42,979 Shall we see what's going on with the boys? 1488 01:03:43,019 --> 01:03:44,419 Let's spy on them! 1489 01:03:44,499 --> 01:03:46,699 Let's sneak up and try and eavesdrop. 1490 01:03:46,779 --> 01:03:48,739 HARRISON: Layton! LAYTON: Whoo! 1491 01:03:48,819 --> 01:03:50,819 Layton exclusive. One of the OGs. 1492 01:03:50,859 --> 01:03:52,339 Status update. 1493 01:03:52,419 --> 01:03:54,819 Um, I've never shied away from the fact 1494 01:03:54,899 --> 01:03:58,699 that Mel and I have a pretty up-and-down relationship. 1495 01:03:58,779 --> 01:04:01,539 Because we've got such similar personalities, we can really clash, 1496 01:04:01,619 --> 01:04:03,619 and if we clash, it can really accelerate. 1497 01:04:03,699 --> 01:04:06,139 We don't need a butt dial. We'll just hear... 1498 01:04:06,219 --> 01:04:07,979 We can hear it! Yeah. 1499 01:04:08,019 --> 01:04:09,339 Let's go on an adventure! 1500 01:04:09,419 --> 01:04:10,779 And then we'll report back to the girls. 1501 01:04:10,819 --> 01:04:12,899 Yes! Let's go! To the salon! 1502 01:04:12,939 --> 01:04:14,579 OK. Let's take our picnic blanket. 1503 01:04:14,659 --> 01:04:17,139 We need to make sure they don't see us, though. 1504 01:04:17,219 --> 01:04:19,059 I don't wanna drag this on! (CHATTER) 1505 01:04:19,099 --> 01:04:20,459 Why are they leaving? 1506 01:04:20,499 --> 01:04:21,899 (CHATTER) 1507 01:04:21,979 --> 01:04:23,419 No, just keep going! Why are they leaving? 1508 01:04:23,459 --> 01:04:24,699 WOMAN: Oh, why ARE they leaving? 1509 01:04:25,779 --> 01:04:27,899 Bye! Bye. 1510 01:04:29,059 --> 01:04:30,219 Uh... 1511 01:04:30,259 --> 01:04:31,619 (LAUGHTER) 1512 01:04:31,699 --> 01:04:33,099 MELINDA: Did we just flee girls' night? 1513 01:04:33,139 --> 01:04:34,859 EVELYN: (LAUGHS) Shh! 1514 01:04:34,899 --> 01:04:36,219 Just keep going! 1515 01:04:36,259 --> 01:04:37,899 (DRAMATIC MUSIC BUILDS) 1516 01:04:37,939 --> 01:04:39,179 Oh! (LAUGHS) 1517 01:04:39,259 --> 01:04:40,499 Just lift up... Shh! 1518 01:04:40,539 --> 01:04:42,539 (DRAMATIC MUSIC SWELLS) 1519 01:04:43,819 --> 01:04:45,179 NARRATOR: Tomorrow night... 1520 01:04:45,219 --> 01:04:46,419 Mate, this is how I see it. 1521 01:04:47,819 --> 01:04:50,099 ..what's Melinda overheard? 1522 01:04:50,179 --> 01:04:52,139 Why were you coming down from the girls' night 1523 01:04:52,179 --> 01:04:53,499 to listen to boys opening up... 1524 01:04:53,539 --> 01:04:54,539 It was fun! 1525 01:04:54,579 --> 01:04:57,059 Has her innocent prank backfired? 1526 01:04:57,099 --> 01:04:58,859 That's really despicable behaviour 1527 01:04:58,939 --> 01:05:01,139 and I'm not gonna let her get away with that. 1528 01:05:01,219 --> 01:05:04,699 Can Melinda expose Harrison's meddling ways? 1529 01:05:06,739 --> 01:05:08,019 I don't think Harrison's here for that. 1530 01:05:08,059 --> 01:05:09,339 (SIGHS) 1531 01:05:09,379 --> 01:05:11,899 ..or is she fighting a losing battle? 1532 01:05:11,979 --> 01:05:14,059 Harrison is trying to stir the pot with us! Don't you get it? 1533 01:05:14,139 --> 01:05:16,179 OK, yeah, but hang on... You're not listening. 1534 01:05:16,259 --> 01:05:18,219 Can someone step in and talk to Layton? 1535 01:05:18,299 --> 01:05:20,059 Because I just can't get through to him! 1536 01:05:20,099 --> 01:05:21,099 (DRAMATIC MUSIC SWELLS) 1537 01:05:21,179 --> 01:05:22,859 And... (LAUGHS) 1538 01:05:22,939 --> 01:05:25,059 JESSE: There's some couples who are pretty loved up. 1539 01:05:25,139 --> 01:05:26,979 I'm happy to be one of those couples. 1540 01:05:27,059 --> 01:05:31,379 ..are Claire and Jesse the success story of this year's experiment? 1541 01:05:31,459 --> 01:05:35,339 With Jesse and I, moving forward, I think anything is possible. 1542 01:05:35,379 --> 01:05:36,379 Plus... 1543 01:05:36,459 --> 01:05:37,899 You're obsessed with our relationship! 1544 01:05:37,979 --> 01:05:39,419 No, no, whoa! You're trying to sabotage it! 1545 01:05:39,499 --> 01:05:41,779 ..final night drinks at the retreat... 1546 01:05:41,859 --> 01:05:43,379 I don't buy you guys, 'cause you aren't real. 1547 01:05:43,459 --> 01:05:47,939 ..forces Bronte and Harrison to address the elephant in the room. 1548 01:05:48,019 --> 01:05:51,499 Does everyone think my relationship is fake, with Harrison? 1549 01:05:51,539 --> 01:05:53,579 Like, literally, speak right now. 1550 01:05:53,619 --> 01:05:57,299 (DRAMATIC MUSIC SWELLS) 1551 01:06:01,499 --> 01:06:04,459 Captioned by Ai-Media ai-media.tv 117865