Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,139 --> 00:00:02,179
Welcome!
2
00:00:02,259 --> 00:00:05,299
NARRATOR: Previously,
Feedback Week gave our couples...
3
00:00:05,379 --> 00:00:06,539
What does it say?
Ohh!
4
00:00:06,619 --> 00:00:09,859
..much-needed perspective
on their relationships.
5
00:00:09,939 --> 00:00:11,179
LYNDALL: I was actually
very grateful
6
00:00:11,259 --> 00:00:13,419
for Ollie just being
quite straight-up
7
00:00:13,499 --> 00:00:15,939
about what he'd observed
of Cam and I.
8
00:00:15,979 --> 00:00:17,659
..but Layton's resistance...
9
00:00:17,739 --> 00:00:19,459
I'm not gonna go and move in
with another woman,
10
00:00:19,539 --> 00:00:21,059
and you're not supporting me,
your partner!
11
00:00:21,099 --> 00:00:22,939
..highlighted deeper issues.
12
00:00:23,019 --> 00:00:25,019
Coming to hug you and talk to you
and say, "Let me support you!"
13
00:00:25,059 --> 00:00:26,059
No. No. Mel.
14
00:00:26,099 --> 00:00:27,699
..in his marriage with Melinda.
15
00:00:28,699 --> 00:00:30,059
(CRIES) I can't do this.
16
00:00:30,099 --> 00:00:31,539
And...
17
00:00:31,579 --> 00:00:32,579
(SOMBRE MUSIC PLAYS)
18
00:00:32,619 --> 00:00:34,619
..Duncan's emotional plea...
19
00:00:34,699 --> 00:00:37,059
DUNCAN: (CRIES) And I feel more
rejected in this relationship
20
00:00:37,139 --> 00:00:39,419
than in any relationship
I've been in.
21
00:00:39,459 --> 00:00:40,979
(DRAMATIC MUSIC SWELLS)
22
00:00:41,059 --> 00:00:43,379
..before a catch-up
with old friends...
23
00:00:43,419 --> 00:00:44,899
(SHRIEKING AND LAUGHTER)
24
00:00:44,939 --> 00:00:47,419
..armed with hard questions...
25
00:00:47,499 --> 00:00:49,539
So, you have feelings for Harrison?
Yep.
26
00:00:49,579 --> 00:00:50,739
I don't believe it.
27
00:00:50,779 --> 00:00:52,099
..saw Bronte...
28
00:00:52,179 --> 00:00:53,619
Don't you feel like
he's manipulating you?
29
00:00:53,659 --> 00:00:55,779
..make a dramatic exit.
30
00:00:55,819 --> 00:00:58,259
BRONTE: It's out of line! I'm done.
31
00:00:58,299 --> 00:01:00,539
(DRAMATIC MUSIC SWELLS)
32
00:01:00,619 --> 00:01:05,979
Tonight, the table is set
for the second-last dinner party...
33
00:01:06,019 --> 00:01:07,339
(CHEERING)
34
00:01:07,379 --> 00:01:10,459
..but one guest is missing.
35
00:01:10,499 --> 00:01:11,659
No Bronte!
36
00:01:11,699 --> 00:01:13,499
MEL SCHILLING: Where is Bronte?
37
00:01:13,579 --> 00:01:15,499
Now he's doing the, like,
"Woe is me."
38
00:01:15,539 --> 00:01:18,339
Where is Bronte and what did you do?
39
00:01:18,379 --> 00:01:19,499
And...
40
00:01:19,579 --> 00:01:22,219
I could be out there
for six months to a year.
41
00:01:22,259 --> 00:01:23,579
(DRAMATIC MUSIC BUILDS)
42
00:01:23,659 --> 00:01:26,099
..unexpected and heartbreaking
truths...
43
00:01:26,139 --> 00:01:28,299
LYNDALL: I just went into shock.
44
00:01:28,339 --> 00:01:29,579
..will be revealed...
45
00:01:29,619 --> 00:01:31,859
He's not considering me at all.
46
00:01:31,899 --> 00:01:34,099
..that could spell the end
47
00:01:34,179 --> 00:01:36,699
of Lyndall's pursuit
of her happily ever after.
48
00:01:36,779 --> 00:01:39,179
So, do you see a future
outside of this?
49
00:01:40,619 --> 00:01:41,819
Um...
50
00:01:41,859 --> 00:01:43,459
..before...
51
00:01:43,539 --> 00:01:45,499
I try and support you!
You don't let me.
52
00:01:45,539 --> 00:01:46,939
Why would I not support you?
53
00:01:47,019 --> 00:01:49,859
HARRISON: The dinner party took
an unexpected turn into fun town.
54
00:01:49,899 --> 00:01:51,499
I'm all about having fun.
55
00:01:51,539 --> 00:01:54,139
It's Melinda versus Layton...
56
00:01:54,219 --> 00:01:57,379
How do you think you made Mel feel
when you said that?
57
00:01:57,419 --> 00:01:58,459
(DRAMATIC MUSIC SWELLS)
58
00:01:58,499 --> 00:01:59,899
..versus Harrison.
59
00:01:59,979 --> 00:02:02,019
How are you helping the situation
by saying rubbish like that?
60
00:02:02,059 --> 00:02:03,819
What are you doing - tit for tat?!
61
00:02:03,859 --> 00:02:05,219
Will his meddling...
62
00:02:05,259 --> 00:02:06,259
I'm gonna do a Bronte!
63
00:02:06,299 --> 00:02:09,059
..claim yet another couple?
64
00:02:09,099 --> 00:02:12,099
(TENSE INSTRUMENTAL MUSIC)
65
00:02:13,939 --> 00:02:16,939
(MOMENTOUS MUSIC BUILDS)
66
00:02:17,019 --> 00:02:21,139
After the invaluable feedback on
their relationships this past week,
67
00:02:21,179 --> 00:02:23,659
today our couples are coming together
68
00:02:23,739 --> 00:02:28,219
to unpack and reflect as a group
at tonight's dinner party.
69
00:02:28,259 --> 00:02:30,259
(MOMENTOUS MUSIC CONTINUES)
70
00:02:30,299 --> 00:02:31,899
I've got a Charade for you.
71
00:02:31,939 --> 00:02:35,659
(JAUNTY INSTRUMENTAL MUSIC)
72
00:02:35,699 --> 00:02:37,499
Who am I?
73
00:02:37,539 --> 00:02:39,099
(JAUNTY INSTRUMENTAL MUSIC)
74
00:02:39,179 --> 00:02:40,619
What?
Steve Jobs.
75
00:02:40,659 --> 00:02:43,459
(TAHNEE LAUGHS)
76
00:02:43,499 --> 00:02:44,499
A little bit, eh?
77
00:02:44,579 --> 00:02:46,939
You look like 'The Rock' Johnson,
that's what.
78
00:02:47,019 --> 00:02:49,339
Like, can I please give you
the chain necklace to wear?
79
00:02:49,419 --> 00:02:50,699
Please.
Yeah.
80
00:02:50,739 --> 00:02:52,219
And then I have a bum bag as well.
81
00:02:52,299 --> 00:02:56,939
(LAUGHS) Ollie was giving off
'The Rock' Johnson vibes...
82
00:02:57,019 --> 00:03:01,339
Wait, I actually can't...
(SHRIEKS) Go!
83
00:03:01,419 --> 00:03:04,499
..with the turtleneck fit
and the chain necklace...
84
00:03:04,579 --> 00:03:08,259
(LAUGHS) That is a meme.
That is a (BLEEP) meme!
85
00:03:08,299 --> 00:03:10,659
..and I'm kind of into it. (LAUGHS)
86
00:03:10,739 --> 00:03:12,739
One, two.
(CAMERA CLICKS)
87
00:03:12,779 --> 00:03:14,859
Wait, do more of a sexy face.
88
00:03:14,899 --> 00:03:17,619
(LAUGHTER)
89
00:03:17,659 --> 00:03:18,699
That's so good!
90
00:03:18,779 --> 00:03:21,179
How does the turtleneck
make me feel?
91
00:03:21,219 --> 00:03:22,779
Bold.
92
00:03:22,819 --> 00:03:24,779
(LAUGHS) It's so good!
93
00:03:24,859 --> 00:03:26,419
I wonder if they'd let me wear
a bum bag into...
94
00:03:26,459 --> 00:03:28,979
No! You look like such an eshay!
95
00:03:29,019 --> 00:03:30,619
(LAUGHS) Don't.
96
00:03:30,699 --> 00:03:32,859
These last couple of days
have been quite intense
97
00:03:32,939 --> 00:03:35,299
with everything
that's been happening,
98
00:03:35,339 --> 00:03:36,899
but there's not long left.
99
00:03:36,979 --> 00:03:38,259
So, we're trying
to make the most of it,
100
00:03:38,299 --> 00:03:40,579
and, yeah, have a blast, really.
101
00:03:40,659 --> 00:03:42,659
(LAUGHS) There's your Halloween
costume. There you go.
102
00:03:42,699 --> 00:03:44,419
En garde!
103
00:03:44,459 --> 00:03:46,219
(LAUGHTER)
104
00:03:46,259 --> 00:03:49,299
(DYNAMIC INSTRUMENTAL MUSIC)
105
00:03:49,379 --> 00:03:52,539
MELINDA: Surprisingly,
you know what I saw last night?
106
00:03:52,579 --> 00:03:54,019
Mmm?
107
00:03:54,099 --> 00:03:58,339
I saw a bit of value
to this couple swap challenge
108
00:03:58,419 --> 00:04:00,779
that everyone had to do,
for the first time.
109
00:04:00,859 --> 00:04:05,139
People were understanding a little
bit of these relationships more,
110
00:04:05,219 --> 00:04:08,179
and then they've actually seen
their own relationship
111
00:04:08,219 --> 00:04:09,379
in a different light.
112
00:04:09,419 --> 00:04:10,419
Mmm.
113
00:04:10,499 --> 00:04:12,779
Um, and see things
from a different perspective
114
00:04:12,859 --> 00:04:17,819
and...yeah, so, some people
had a positive experience.
115
00:04:17,899 --> 00:04:19,539
That's good.
Not everyone.
116
00:04:20,979 --> 00:04:25,099
Layton's unwillingness to participate
in the New Pairings task
117
00:04:25,179 --> 00:04:28,459
caused a huge rift with his wife,
Melinda.
118
00:04:28,499 --> 00:04:29,699
I don't feel comfortable.
119
00:04:29,739 --> 00:04:30,939
I'm being put on the spot,
120
00:04:31,019 --> 00:04:32,739
and I feel like
I'm being challenged on it.
121
00:04:35,139 --> 00:04:37,419
So upset and angry
for three days at you!
122
00:04:37,459 --> 00:04:39,179
I was just so upset and angry!
123
00:04:39,259 --> 00:04:42,419
Like, you don't ever
put yourself in my shoes!
124
00:04:42,499 --> 00:04:45,459
So, you don't know...
(HYPERVENTILATES)
125
00:04:45,499 --> 00:04:46,739
(TENSE INSTRUMENTAL MUSIC)
126
00:04:46,779 --> 00:04:48,259
I'm really upset!
127
00:04:48,299 --> 00:04:50,419
Like, I've been upset here, but...
128
00:04:50,459 --> 00:04:52,779
..like, my...my heart is breaking!
129
00:04:52,819 --> 00:04:55,579
Like, I'm just really upset!
130
00:04:56,619 --> 00:05:00,299
And when they finally reunited
after the task,
131
00:05:00,339 --> 00:05:03,419
the tension was unresolved.
132
00:05:04,779 --> 00:05:07,459
If there's something I can do for
you, please tell me.
133
00:05:07,499 --> 00:05:09,219
(TENSE INSTRUMENTAL MUSIC)
134
00:05:09,299 --> 00:05:11,099
Yes, it's gonna take me
a little bit, like, longer
135
00:05:11,139 --> 00:05:13,019
to snap out of this time,
136
00:05:13,059 --> 00:05:16,459
because...yeah, a lot happened.
137
00:05:20,419 --> 00:05:22,539
When this challenge happened
in the last few days,
138
00:05:22,619 --> 00:05:28,459
I've been worried that there will
never be any budging with Layton -
139
00:05:28,539 --> 00:05:30,979
that he will never be able
to see things
140
00:05:31,059 --> 00:05:34,979
from other people's perspectives,
or in my shoes.
141
00:05:35,019 --> 00:05:37,179
We've had a really rocky week.
142
00:05:37,219 --> 00:05:41,339
Nothing kind of touches his heart.
143
00:05:41,379 --> 00:05:42,899
It just touches the mind...
144
00:05:44,059 --> 00:05:46,779
..but we've only got two weeks left.
145
00:05:46,859 --> 00:05:51,019
I wanna try to see if, somehow,
we can, like, move these mountains.
146
00:05:51,099 --> 00:05:56,419
So, I think we're coming in
as a couple - a united couple.
147
00:05:56,459 --> 00:05:57,459
(CHUCKLES)
148
00:05:57,499 --> 00:05:59,419
(TENSE INSTRUMENTAL MUSIC)
149
00:05:59,499 --> 00:06:01,659
That's a nice dress.
Thanks, babe.
150
00:06:01,739 --> 00:06:04,419
I think that Mel and I are walking
to the dinner party tonight
151
00:06:04,459 --> 00:06:06,059
in a good space,
152
00:06:06,139 --> 00:06:09,659
but there's still, just feels like,
things we haven't really addressed.
153
00:06:09,739 --> 00:06:12,459
So, I feel like we both need to be
able to talk about our feelings
154
00:06:12,539 --> 00:06:14,979
and be able to communicate
with each other about them
155
00:06:15,019 --> 00:06:16,179
in order to move forward.
156
00:06:16,259 --> 00:06:18,419
It just seems like
every time we try to,
157
00:06:18,499 --> 00:06:21,099
it gets...just gets heated,
and it doesn't need to be.
158
00:06:22,779 --> 00:06:24,019
(KISSES)
159
00:06:24,099 --> 00:06:27,339
Just...I just put red all over you.
(LAUGHS)
160
00:06:27,419 --> 00:06:30,059
Really?
Yeah! (LAUGHS)
161
00:06:31,579 --> 00:06:32,819
(DOOR CLOSES)
162
00:06:32,859 --> 00:06:34,859
(TENSE INSTRUMENTAL MUSIC)
163
00:06:34,899 --> 00:06:36,699
How was, um...how was girls' night?
164
00:06:36,739 --> 00:06:38,419
Girls' night was sick!
165
00:06:38,459 --> 00:06:39,779
It was so good.
166
00:06:39,819 --> 00:06:41,979
Yeah, I think everyone got a lot
167
00:06:42,059 --> 00:06:45,339
out of talking about
their New Pairings situation,
168
00:06:45,379 --> 00:06:46,899
and for the most part, like,
169
00:06:46,979 --> 00:06:48,859
everyone got something
really good out of it...
170
00:06:49,859 --> 00:06:52,259
..but I also feel like everybody's
171
00:06:52,339 --> 00:06:54,819
in a really weird spot from it
as well.
172
00:06:54,899 --> 00:06:56,419
Mmm. I bet.
Really weird spot.
173
00:06:56,499 --> 00:06:57,539
I bet everyone is.
Yeah.
174
00:06:57,619 --> 00:06:59,899
I think it really shook
a few people.
175
00:06:59,979 --> 00:07:02,979
Look, my relationship's
pretty weird right now, actually.
176
00:07:03,059 --> 00:07:06,459
Um, after spending
a few days with Ollie,
177
00:07:06,539 --> 00:07:09,859
you know, being with somebody
that listened to me
178
00:07:09,939 --> 00:07:12,459
and wanted to hear
my thoughts and feelings,
179
00:07:12,499 --> 00:07:14,179
and kind of go through them with me,
180
00:07:14,219 --> 00:07:16,139
and made question, like,
181
00:07:16,219 --> 00:07:18,819
a lot of things about
our relationship a lot more.
182
00:07:18,859 --> 00:07:20,179
(TENSE INSTRUMENTAL MUSIC)
183
00:07:20,259 --> 00:07:24,139
For Lyndall, Ollie's insights
into her relationship with Cam
184
00:07:24,179 --> 00:07:25,739
were eye-opening.
185
00:07:25,819 --> 00:07:29,139
OLLIE: I always feel like you guys
are speaking about stuff
186
00:07:29,179 --> 00:07:31,219
for the first time on the couch.
187
00:07:31,259 --> 00:07:32,579
Oh, 100%.
188
00:07:33,819 --> 00:07:36,339
Yeah, I feel like, definitely,
at the start of the experiment,
189
00:07:36,419 --> 00:07:38,699
there would be
a few touchy subjects.
190
00:07:38,779 --> 00:07:41,139
Like, I realised quite quickly
with Cam, he is not used to that,
191
00:07:41,219 --> 00:07:43,379
and he would take it
as a very personal attack.
192
00:07:43,419 --> 00:07:44,779
Mmm.
193
00:07:45,819 --> 00:07:48,579
I know that maybe Ollie
didn't need it, but I really did,
194
00:07:48,619 --> 00:07:51,059
and I was really appreciative
195
00:07:51,139 --> 00:07:54,259
of what he provided for me
in those three days.
196
00:07:54,299 --> 00:07:55,899
(STIRRING INSTRUMENTAL MUSIC)
197
00:07:55,939 --> 00:07:57,499
I started to realise
198
00:07:57,579 --> 00:08:00,339
that I need a partner that
I can communicate freely with
199
00:08:00,379 --> 00:08:02,099
when it's easy and when it's hard,
200
00:08:02,179 --> 00:08:03,699
when it's personal
and when it's not.
201
00:08:04,939 --> 00:08:07,899
Something that I learnt from
getting a second chance at life
202
00:08:07,939 --> 00:08:10,699
is that I don't want to waste time.
203
00:08:13,179 --> 00:08:16,259
(STIRRING INSTRUMENTAL MUSIC)
204
00:08:17,299 --> 00:08:20,419
I was diagnosed with cystic fibrosis
when I was three weeks old.
205
00:08:20,459 --> 00:08:22,059
The most detrimental part of it
206
00:08:22,139 --> 00:08:24,339
is that the cells in the lungs
don't work properly
207
00:08:24,379 --> 00:08:26,819
and you end up losing lung function.
208
00:08:26,859 --> 00:08:29,299
(STIRRING MUSIC CONTINUES)
209
00:08:29,379 --> 00:08:32,259
This new drug is genuinely
a miracle.
210
00:08:33,659 --> 00:08:35,619
It's given me
another 40 years to enjoy,
211
00:08:35,659 --> 00:08:38,579
and so I was able to start thinking,
212
00:08:38,659 --> 00:08:42,739
I do wanna, you know, be with
someone for the rest of my life.
213
00:08:42,779 --> 00:08:46,019
(STIRRING INSTRUMENTAL MUSIC)
214
00:08:46,059 --> 00:08:47,419
I want to grow with someone.
215
00:08:48,939 --> 00:08:51,579
Somebody who makes sacrifices
and compromises.
216
00:08:52,939 --> 00:08:54,099
A forever love.
217
00:08:55,779 --> 00:08:59,019
But for Cam,
a new opportunity in his work
218
00:08:59,059 --> 00:09:01,379
as a carpenter in remote communities
219
00:09:01,459 --> 00:09:05,219
has left him uneasy about the future
of his relationship.
220
00:09:05,299 --> 00:09:07,819
CAM: I can't see myself
leaving the Territory,
221
00:09:07,899 --> 00:09:10,419
leaving my career,
doing what I do.
222
00:09:11,899 --> 00:09:13,899
And some times
where I'll be away for weeks,
223
00:09:13,939 --> 00:09:15,779
out remote with no phone service.
224
00:09:15,819 --> 00:09:17,539
Yeah.
225
00:09:17,579 --> 00:09:19,179
(DRAMATIC MUSIC BUILDS)
226
00:09:19,259 --> 00:09:21,219
I mean, I guess it puts me
in a bit of a weird spot.
227
00:09:21,259 --> 00:09:23,859
(DRAMATIC MUSIC CONTINUES)
228
00:09:23,899 --> 00:09:27,219
Not exactly the best environment
229
00:09:27,299 --> 00:09:28,819
for, like, forming a relationship,
either.
230
00:09:28,859 --> 00:09:31,739
(DRAMATIC MUSIC SWELLS)
231
00:09:31,819 --> 00:09:34,819
And after a negative reaction
from Lyndall,
232
00:09:34,899 --> 00:09:39,339
he stopped short of telling her
the full extent of his situation.
233
00:09:39,419 --> 00:09:42,659
Um, you know, obviously
I wanted to tell her the truth.
234
00:09:42,699 --> 00:09:44,179
(DRAMATIC MUSIC CONTINUES)
235
00:09:44,259 --> 00:09:46,179
But I didn't really know
how to say it
236
00:09:46,259 --> 00:09:49,739
because I'm scared of how Lyndall's
gonna react when I do tell her.
237
00:09:51,139 --> 00:09:54,499
And at the moment, she doesn't know
how much remote work I actually do
238
00:09:54,539 --> 00:09:56,899
and how long I'm away from home.
239
00:09:56,939 --> 00:09:58,299
(DRAMATIC MUSIC SWELLS)
240
00:09:58,379 --> 00:10:01,419
Wow! Look like a mermaid.
Thanks. (LAUGHS)
241
00:10:01,459 --> 00:10:02,619
Out of water.
242
00:10:02,659 --> 00:10:04,259
(LAUGHS) Fish out of water, yeah.
243
00:10:04,299 --> 00:10:05,299
(LAUGHS)
244
00:10:05,379 --> 00:10:08,419
I am struggling to see what
the future looks like for us
245
00:10:08,499 --> 00:10:12,179
and how this relationship's
going to work on the outside,
246
00:10:12,219 --> 00:10:14,059
and I know I need to tell her.
247
00:10:14,099 --> 00:10:17,459
(DRAMATIC MUSIC BUILDS)
248
00:10:17,499 --> 00:10:19,339
Let's go! Let's rip the lid off it.
249
00:10:19,419 --> 00:10:21,939
Let's rip the lid off it.
(LAUGHS) Thank you.
250
00:10:21,979 --> 00:10:25,619
(DRAMATIC MUSIC SWELLS)
251
00:10:25,659 --> 00:10:27,539
(TENSE INSTRUMENTAL MUSIC)
252
00:10:27,619 --> 00:10:31,299
Exhausted by the relentless attacks
on her integrity,
253
00:10:31,339 --> 00:10:33,419
Evelyn is confiding in Rupert
254
00:10:33,499 --> 00:10:37,299
about the revelations made
at last night's girls' night.
255
00:10:37,339 --> 00:10:38,939
(DRAMATIC MUSIC SWELLS)
256
00:10:39,019 --> 00:10:43,979
Melinda brought up...
a text message with Harrison.
257
00:10:45,019 --> 00:10:48,939
Harrison showed me messages saying,
"The butt dial's not real."
258
00:10:49,019 --> 00:10:50,659
He is such a little gossip girl,
isn't he?
259
00:10:50,699 --> 00:10:51,939
(LAUGHTER)
260
00:10:52,019 --> 00:10:54,659
I am never gonna hear the end
of this bloody butt dial!
261
00:10:54,739 --> 00:10:58,339
Harrison is sitting there, like,
boil, boil, boil!
262
00:10:58,379 --> 00:11:01,059
(LAUGHTER)
263
00:11:01,099 --> 00:11:04,259
(TENSE INSTRUMENTAL MUSIC)
264
00:11:04,339 --> 00:11:06,979
RUPERT: Yeah, I don't rate
that behaviour.
265
00:11:07,019 --> 00:11:09,139
(TENSE INSTRUMENTAL MUSIC)
266
00:11:09,219 --> 00:11:13,059
In all honesty, I feel like Harrison
is particularly set
267
00:11:13,099 --> 00:11:16,139
on this butt dial situation.
268
00:11:16,219 --> 00:11:19,059
For him to bring it up again
to Melinda
269
00:11:19,099 --> 00:11:21,259
during the New Pairing task,
270
00:11:21,339 --> 00:11:24,979
I think he plotted this little plan
to discredit me.
271
00:11:25,019 --> 00:11:27,299
(DRAMATIC MUSIC BUILDS)
272
00:11:27,379 --> 00:11:31,699
Yes, I understand completely
why you feel terrible right now.
273
00:11:33,259 --> 00:11:36,019
Harrison just wanted to bring others
down to his level.
274
00:11:36,099 --> 00:11:41,179
That is all he does.
All he does is stir the pot.
275
00:11:42,939 --> 00:11:45,179
Heading into the dinner party,
276
00:11:45,259 --> 00:11:49,299
I'm just tired of Harrison just
throwing people under the bus...
277
00:11:50,699 --> 00:11:53,219
..and I definitely think he needs
to be held accountable
278
00:11:53,299 --> 00:11:55,419
for constantly bringing
other people down.
279
00:11:55,459 --> 00:11:56,939
(DRAMATIC MUSIC SWELLS)
280
00:11:57,019 --> 00:11:59,379
(EXHALES) You look beautiful.
Thank you.
281
00:11:59,459 --> 00:12:02,619
So, I think the best thing
Harrison can do tonight
282
00:12:02,699 --> 00:12:05,259
is sit down
and shut up and eat his steak,
283
00:12:05,299 --> 00:12:08,099
because if I hear anything from him,
284
00:12:08,179 --> 00:12:10,899
the fire inside of me
is gonna come out.
285
00:12:10,939 --> 00:12:13,899
(DRAMATIC MUSIC SWELLS)
286
00:12:15,259 --> 00:12:17,739
(TENSE INSTRUMENTAL MUSIC)
287
00:12:17,779 --> 00:12:20,659
Bronte left girls' night yesterday
288
00:12:20,739 --> 00:12:23,699
after they, once again,
tried to convince her
289
00:12:23,739 --> 00:12:26,459
of Harrison's emotional manipulation,
290
00:12:26,539 --> 00:12:30,219
and today she is seeking reassurance
from her husband.
291
00:12:31,459 --> 00:12:33,059
HARRISON: How was girls' night?
292
00:12:34,379 --> 00:12:38,899
Um...girls' night
was (BLEEP) exhausting.
293
00:12:38,939 --> 00:12:40,139
Um...
294
00:12:40,179 --> 00:12:41,819
(TENSE INSTRUMENTAL MUSIC)
295
00:12:41,899 --> 00:12:47,259
I feel like I'm constantly having
to defend myself, defend you,
296
00:12:47,299 --> 00:12:48,899
defend our relationship,
297
00:12:48,939 --> 00:12:51,499
and it's like, no matter what I say,
298
00:12:51,539 --> 00:12:53,179
they don't wanna hear it,
299
00:12:53,259 --> 00:12:56,619
and they hear whatever
they want to hear out of my mouth.
300
00:12:56,659 --> 00:12:58,739
(TENSE INSTRUMENTAL MUSIC)
301
00:12:58,779 --> 00:13:00,499
What did...what did you say?
302
00:13:00,579 --> 00:13:05,299
Um, I said
we're in a more positive place,
303
00:13:05,339 --> 00:13:07,459
and how we did a 180
304
00:13:07,539 --> 00:13:12,099
because I have...
we both worked really hard
305
00:13:12,139 --> 00:13:13,939
at this relationship.
306
00:13:13,979 --> 00:13:15,699
(SIGHS)
307
00:13:15,779 --> 00:13:17,339
So, you felt like
they were attacking you?
308
00:13:17,379 --> 00:13:20,619
100%! I wouldn't have left...
309
00:13:20,699 --> 00:13:23,859
But what were they...like,
what were they attacking you over?
310
00:13:23,899 --> 00:13:25,379
I get two different stories.
311
00:13:25,459 --> 00:13:28,539
I get, like, your story
and then I get their story,
312
00:13:28,579 --> 00:13:29,859
and they don't align.
313
00:13:29,899 --> 00:13:31,899
(TENSE INSTRUMENTAL MUSIC)
314
00:13:31,979 --> 00:13:33,739
It sounds like the girls
just wanted an answer
315
00:13:33,779 --> 00:13:35,179
for what she's been saying.
316
00:13:35,219 --> 00:13:37,059
Like, pretty simple stuff.
317
00:13:37,139 --> 00:13:40,059
The flippant, you know,
changing of her mind all the time
318
00:13:40,139 --> 00:13:42,659
from being manipulated
to not being manipulated,
319
00:13:42,739 --> 00:13:46,219
to gaslit to not gaslit,
narcissist, not a narcissist.
320
00:13:46,259 --> 00:13:49,419
(TENSE INSTRUMENTAL MUSIC)
321
00:13:49,499 --> 00:13:55,859
I can't sit here and keep
defending us - myself, you -
322
00:13:55,939 --> 00:14:01,179
'cause I am being punished for being
matched with you and for trying.
323
00:14:02,259 --> 00:14:04,419
You can't badmouth your partner
for weeks on end,
324
00:14:04,459 --> 00:14:06,459
call them every name under the sun,
325
00:14:06,499 --> 00:14:07,779
but stay in the relationship,
326
00:14:07,859 --> 00:14:10,059
and expect that
not to bite you in the arse.
327
00:14:10,139 --> 00:14:14,539
I feel like...I feel like you're
turning this around onto me now.
328
00:14:14,579 --> 00:14:17,219
(TENSE INSTRUMENTAL MUSIC)
329
00:14:18,579 --> 00:14:20,299
What the (BLEEP)?
330
00:14:21,419 --> 00:14:23,339
He's gaslighting me again.
331
00:14:23,379 --> 00:14:24,899
(TENSE INSTRUMENTAL MUSIC)
332
00:14:24,979 --> 00:14:27,179
Come on.
(HARRISON SIGHS)
333
00:14:27,219 --> 00:14:28,939
Don't...don't do this to me.
334
00:14:28,979 --> 00:14:32,019
(TENSE INSTRUMENTAL MUSIC)
335
00:14:32,099 --> 00:14:36,899
The...the accusations
got thrown from Melinda
336
00:14:36,979 --> 00:14:39,339
about our relationship being fake
at the couples retreat...
337
00:14:40,859 --> 00:14:43,019
..and then, on the back of that,
338
00:14:43,099 --> 00:14:46,499
like, I've stood by you and I've
said our relationship is not fake.
339
00:14:46,539 --> 00:14:47,979
I've stood by you...
340
00:14:48,019 --> 00:14:51,859
(TENSE INSTRUMENTAL MUSIC)
341
00:14:51,939 --> 00:14:55,179
..and you're throwing
our relationship away.
342
00:14:55,219 --> 00:14:57,219
(DRAMATIC MUSIC SWELLS)
343
00:14:57,299 --> 00:15:00,739
Don't...don't try and make out
like this is just about me.
344
00:15:00,779 --> 00:15:02,179
(TENSE INSTRUMENTAL MUSIC)
345
00:15:02,219 --> 00:15:03,539
Don't do it.
346
00:15:03,579 --> 00:15:06,619
(TENSE INSTRUMENTAL MUSIC)
347
00:15:07,739 --> 00:15:10,059
It's...it's beyond unfair.
348
00:15:10,139 --> 00:15:12,939
It's totally unreasonable
for him to sit on that couch
349
00:15:12,979 --> 00:15:16,539
and play victim and act all sad.
350
00:15:17,579 --> 00:15:20,339
Did he once show any sort of empathy
for how I'm feeling?
351
00:15:20,419 --> 00:15:23,379
No, it was, "You're trying
to paint me in a light - me!"
352
00:15:23,419 --> 00:15:26,139
It's all about how Harrison looks,
353
00:15:26,219 --> 00:15:30,379
not about actually caring
about the person in front of him
354
00:15:30,459 --> 00:15:31,899
and how they're feeling
and their emotions.
355
00:15:31,939 --> 00:15:35,219
(SOMBRE INSTRUMENTAL MUSIC)
356
00:15:35,259 --> 00:15:37,419
All I've done is try.
357
00:15:37,499 --> 00:15:40,179
I've defended you,
I've protected you.
358
00:15:40,259 --> 00:15:42,259
I think I've been
a really good wife to you.
359
00:15:42,299 --> 00:15:44,299
(SOMBRE MUSIC CONTINUES)
360
00:15:44,379 --> 00:15:47,219
I'm literally this...
I feel (BLEEP) insane!
361
00:15:47,259 --> 00:15:48,859
(SOMBRE MUSIC CONTINUES)
362
00:15:48,939 --> 00:15:50,619
So, where are you at
with things now?
363
00:15:51,739 --> 00:15:53,539
Like, what do you wanna do?
364
00:15:55,859 --> 00:15:58,859
I can't keep going around
in circles.
365
00:15:58,939 --> 00:16:00,739
Like, if we're honest,
you and I aren't good.
366
00:16:01,739 --> 00:16:03,579
You know, like, we're not.
367
00:16:03,619 --> 00:16:06,739
(TENSE INSTRUMENTAL MUSIC)
368
00:16:06,779 --> 00:16:09,179
What do you want to do?
369
00:16:09,259 --> 00:16:12,459
I can't tell you what I wanna do,
moving forward.
370
00:16:12,499 --> 00:16:13,819
Like, obviously, for tonight,
371
00:16:13,899 --> 00:16:15,979
like, I'm not gonna be
going to the dinner party.
372
00:16:16,019 --> 00:16:19,819
(TENSE INSTRUMENTAL MUSIC)
373
00:16:21,059 --> 00:16:22,379
(EXHALES)
374
00:16:22,459 --> 00:16:24,899
I'm not gonna walk into the
dinner party tonight with Harrison
375
00:16:24,979 --> 00:16:27,979
and act like everything's fine
when it's not.
376
00:16:28,019 --> 00:16:29,619
What are you saying?
377
00:16:31,339 --> 00:16:32,539
I don't know.
378
00:16:32,579 --> 00:16:35,179
I honestly, like, I... (SNIFFS)
379
00:16:38,139 --> 00:16:41,339
..I just don't see how
you and I can...can overcome...
380
00:16:42,819 --> 00:16:45,219
..the hurt that has been inflicted
on both of us
381
00:16:45,259 --> 00:16:47,139
from each other and the group.
382
00:16:47,179 --> 00:16:50,179
(SOMBRE INSTRUMENTAL MUSIC)
383
00:16:51,939 --> 00:16:54,499
I feel completely broken.
384
00:16:54,539 --> 00:16:57,539
(SOMBRE MUSIC CONTINUES)
385
00:16:58,939 --> 00:17:01,979
I wanna hear what you wanna do,
moving forward. I wanna hear it.
386
00:17:02,019 --> 00:17:05,259
(TENSE INSTRUMENTAL MUSIC)
387
00:17:05,299 --> 00:17:06,859
Obviously I wanna go home.
388
00:17:06,899 --> 00:17:08,899
(TENSE INSTRUMENTAL MUSIC)
389
00:17:08,939 --> 00:17:10,019
I think that's obvious.
390
00:17:10,059 --> 00:17:12,539
(SIGHS)
391
00:17:12,579 --> 00:17:14,979
(TENSE INSTRUMENTAL MUSIC)
392
00:17:15,019 --> 00:17:18,339
I have nothing left.
393
00:17:19,779 --> 00:17:21,099
Nothing left.
394
00:17:21,139 --> 00:17:24,139
(DRAMATIC MUSIC BUILDS)
395
00:17:34,419 --> 00:17:36,419
I'm literally getting on a plane
and I'm going home.
396
00:17:39,099 --> 00:17:40,539
Like...
397
00:17:41,739 --> 00:17:43,299
..I'm done.
398
00:17:43,339 --> 00:17:45,019
(CRIES)
399
00:17:46,059 --> 00:17:47,219
Yeah, I'm done.
400
00:17:47,259 --> 00:17:49,739
(DRAMATIC MUSIC SWELLS)
401
00:17:49,779 --> 00:17:51,779
(EXHALES)
402
00:17:59,139 --> 00:18:02,139
(MOMENTOUS MUSIC BUILDS)
403
00:18:13,019 --> 00:18:16,379
ALESSANDRA: Well, here we are -
dinner party number six.
404
00:18:16,419 --> 00:18:17,419
JOHN: Yes,
405
00:18:17,499 --> 00:18:21,019
and it's gonna be interesting to see
how they've gone with Feedback Week.
406
00:18:21,099 --> 00:18:25,059
Mmm, my hope is that this week
has created opportunities
407
00:18:25,099 --> 00:18:26,499
for some reflection.
408
00:18:27,499 --> 00:18:29,499
For a little bit of self-awareness,
409
00:18:29,579 --> 00:18:32,219
and for our couples
to actually start looking,
410
00:18:32,259 --> 00:18:33,259
beyond the experiment,
411
00:18:33,339 --> 00:18:37,099
think about how is this relationship
gonna work in the outside?
412
00:18:39,099 --> 00:18:42,219
So excited to see
how all the couples went
413
00:18:42,299 --> 00:18:44,259
with the new pairings
that we've done this week.
414
00:18:44,299 --> 00:18:45,299
Exactly.
415
00:18:45,379 --> 00:18:47,939
I mean, those new pairings
really get them
416
00:18:48,019 --> 00:18:50,459
to start looking
at things differently.
417
00:18:50,539 --> 00:18:52,819
Getting feedback
up close and personal.
418
00:18:54,379 --> 00:18:55,739
OLLIE: Oooh!
419
00:18:55,819 --> 00:18:57,139
First ones here!
First in.
420
00:18:57,219 --> 00:18:59,259
Tahnee and Ollie.
Ohh!
421
00:18:59,299 --> 00:19:00,739
(LAUGHS)
422
00:19:00,779 --> 00:19:02,499
How good!
423
00:19:02,579 --> 00:19:05,299
These two have been strong
throughout the experiment.
424
00:19:05,379 --> 00:19:06,459
Yeah.
Haven't they?
425
00:19:06,539 --> 00:19:09,579
Yes, and they display so much ease
with one another.
426
00:19:09,659 --> 00:19:12,019
It's something that I really enjoy
about watching them interact.
427
00:19:12,099 --> 00:19:15,059
They're always so comfortable, and
they just look like a real couple.
428
00:19:15,139 --> 00:19:17,099
I really like
what we got going on here.
429
00:19:17,179 --> 00:19:20,739
It's like an ostrich and Steve Jobs
go on a date or something.
430
00:19:20,779 --> 00:19:24,619
(LAUGHTER)
431
00:19:24,659 --> 00:19:26,139
(LAUGHS)
432
00:19:26,219 --> 00:19:31,179
(AS STEVE JOBS) Here at Apple,
we're reinventing the wheel.
433
00:19:31,219 --> 00:19:33,059
I think it's beautiful. I like it.
434
00:19:34,059 --> 00:19:35,459
Feathery as hell.
It's very bougie.
435
00:19:35,539 --> 00:19:37,859
It is bougie.
Just like me.
436
00:19:37,939 --> 00:19:39,379
Yeah, you're bouge.
(LAUGHS)
437
00:19:39,459 --> 00:19:41,979
You got a bit of bouge about you.
(LAUGHS)
438
00:19:42,059 --> 00:19:43,579
What does an ostrich do?
(MIMICS OSTRICH)
439
00:19:43,659 --> 00:19:44,859
(LAUGHS)
Can you do that...
440
00:19:44,939 --> 00:19:46,299
I'm not doing that.
Babe!
441
00:19:46,339 --> 00:19:47,939
(LAUGHS AND MIMICS OSTRICH)
442
00:19:47,979 --> 00:19:49,419
(LAUGHS)
443
00:19:49,459 --> 00:19:50,619
(UPLIFTING INSTRUMENTAL MUSIC)
444
00:19:50,659 --> 00:19:52,019
Hello, hello!
445
00:19:52,099 --> 00:19:53,419
Hi!
Hello!
446
00:19:53,499 --> 00:19:56,459
Yo.
Hi, feathers! (GASPS)
447
00:19:56,499 --> 00:19:58,619
We are chic today.
448
00:19:58,659 --> 00:20:00,579
(RUPERT EXHALES)
449
00:20:00,619 --> 00:20:02,059
(UPLIFTING INSTRUMENTAL MUSIC)
450
00:20:02,099 --> 00:20:03,619
(KISSES)
451
00:20:03,659 --> 00:20:04,739
Hey...
452
00:20:04,819 --> 00:20:06,299
Don't you reckon
he looks like The Rock meme?
453
00:20:06,339 --> 00:20:07,339
Yeah, 100%.
454
00:20:07,419 --> 00:20:09,499
And I put him in the bum bag
and I put him with the chain.
455
00:20:09,579 --> 00:20:11,099
You look stiff, mate.
Did you take a photo of it?
456
00:20:11,179 --> 00:20:12,899
And I took a photo of it,
him doing it.
457
00:20:12,939 --> 00:20:14,139
Classic!
458
00:20:14,179 --> 00:20:15,179
(JAUNTY INSTRUMENTAL MUSIC)
459
00:20:15,259 --> 00:20:17,059
ALESSANDRA: Rupert and Evelyn.
MEL: Oh, Evelyn.
460
00:20:17,099 --> 00:20:18,979
They do look happy right now.
461
00:20:19,059 --> 00:20:20,579
Yes, they came in strong.
They do.
462
00:20:20,659 --> 00:20:22,899
There's something different here.
Yeah, there is.
463
00:20:22,979 --> 00:20:26,699
It certainly looked like things are
progressing in the right direction.
464
00:20:26,779 --> 00:20:28,899
They seem closer.
Yes.
465
00:20:28,939 --> 00:20:30,539
How was the girls' night?
466
00:20:30,579 --> 00:20:33,459
Well, I came in really positive,
467
00:20:33,499 --> 00:20:35,699
had a few drinks, was having fun,
468
00:20:35,739 --> 00:20:38,019
and then it ended, for me,
469
00:20:38,059 --> 00:20:40,779
with hearing about Harrison
470
00:20:40,859 --> 00:20:44,379
has been trying to make me look
like a crazy liar,
471
00:20:44,459 --> 00:20:47,059
which, really, was not the plan
of the girls' night at all.
472
00:20:47,139 --> 00:20:48,699
That was not
how we were going into it.
473
00:20:48,779 --> 00:20:50,339
That was not how we were
going into it.
474
00:20:50,379 --> 00:20:51,699
I need some context here.
475
00:20:51,739 --> 00:20:56,019
So, Harrison showed Mel text messages
476
00:20:56,059 --> 00:20:58,499
claiming the pocket dial was fake.
477
00:20:59,539 --> 00:21:03,739
I think Harrison's...
what's the word?
478
00:21:03,779 --> 00:21:06,539
Obsessed with pocket dial situation.
479
00:21:06,579 --> 00:21:08,419
It's not a thing.
480
00:21:08,499 --> 00:21:10,979
The butt dial is not a thing
anymore. Let it go.
481
00:21:11,059 --> 00:21:13,059
Tell Evelyn
what Harrison said about us.
482
00:21:13,139 --> 00:21:17,259
Harrison...Harrison insinuated
that he believed that
483
00:21:17,339 --> 00:21:19,459
Tahnee and I's relationship
was not genuine.
484
00:21:19,539 --> 00:21:21,699
Ohh, my god!
Dude.
485
00:21:21,779 --> 00:21:23,059
Ohh!
For goodness' sake.
486
00:21:23,139 --> 00:21:24,699
Please!
He's throwing grenades again.
487
00:21:24,779 --> 00:21:26,979
Absolutely.
Left and right.
488
00:21:27,979 --> 00:21:29,779
I have a bone to pick with him.
489
00:21:29,859 --> 00:21:31,619
When are we gonna start
calling him out
490
00:21:31,699 --> 00:21:35,139
for calling...all of us out
for bullshit?
491
00:21:35,219 --> 00:21:38,419
Like, he just throws stuff
at every single couple.
492
00:21:38,459 --> 00:21:39,779
He gets a little kick out of it.
493
00:21:39,859 --> 00:21:41,059
He does! He enjoys it!
He does.
494
00:21:41,139 --> 00:21:43,019
Gets a little kick out of it.
He does!
495
00:21:43,099 --> 00:21:44,459
Throwing a little...
(MIMICS EXPLOSION)
496
00:21:44,539 --> 00:21:46,139
Yeah.
(LAUGHS)
497
00:21:47,579 --> 00:21:48,579
MAN: Hey!
498
00:21:48,659 --> 00:21:50,539
EVELYN: Matching!
Matching!
499
00:21:50,619 --> 00:21:52,499
MAN: Wow.
Had to be done.
500
00:21:52,579 --> 00:21:54,739
Alyssa and Duncan
in a couples outfit.
501
00:21:54,779 --> 00:21:55,779
Yes.
502
00:21:55,819 --> 00:21:57,379
EVELYN: Very posh, guys.
503
00:21:57,459 --> 00:21:59,819
ALYSSA: Thanks!
I think we're all, like, very...
504
00:21:59,899 --> 00:22:02,259
I know. We stepped it up today.
We did.
505
00:22:03,499 --> 00:22:06,779
(TENSE INSTRUMENTAL MUSIC)
506
00:22:06,819 --> 00:22:09,179
(LYNDALL HUMS)
507
00:22:13,539 --> 00:22:14,779
CAM: I'm stressed out.
508
00:22:14,819 --> 00:22:17,419
I...I love Lyndall as a person.
509
00:22:17,499 --> 00:22:21,739
I obviously have got feelings,
like, strong feelings for Lyndall...
510
00:22:22,779 --> 00:22:24,939
..but then all of a sudden, in
the back of my head, I'm thinking,
511
00:22:25,019 --> 00:22:27,859
"Gotta start looking
at the bigger picture here."
512
00:22:27,899 --> 00:22:29,579
We live in two different states
513
00:22:29,659 --> 00:22:31,099
and I spend a lot of time
out remote.
514
00:22:31,179 --> 00:22:33,939
So, what happens outside
of this experiment?
515
00:22:33,979 --> 00:22:35,459
How do we make it work?
516
00:22:35,499 --> 00:22:37,259
That's the major doubt right there.
517
00:22:38,299 --> 00:22:41,499
Honestly, my mind isn't
on the dinner party tonight.
518
00:22:42,539 --> 00:22:44,299
I feel like my relationship with Cam
at the moment
519
00:22:44,339 --> 00:22:46,659
is a bit, like...awkward.
520
00:22:46,739 --> 00:22:48,779
My feelings for Cam
are quite strong,
521
00:22:48,859 --> 00:22:51,819
but I have no idea what Cam
is actually thinking about
522
00:22:51,859 --> 00:22:55,059
'cause he has a wall up,
523
00:22:55,139 --> 00:22:58,579
and right now, I just...I don't know
what the future looks like.
524
00:22:58,619 --> 00:23:00,099
(CAM EXHALES)
525
00:23:00,139 --> 00:23:02,099
But I wanna make it work.
526
00:23:03,139 --> 00:23:05,099
Alright, let's do it.
Good. Let's do it.
527
00:23:08,459 --> 00:23:11,699
(TENSE INSTRUMENTAL MUSIC)
528
00:23:11,739 --> 00:23:13,299
(CHEERING)
529
00:23:13,339 --> 00:23:15,139
WOMAN: Look who's on the dancefloor!
530
00:23:15,179 --> 00:23:17,179
EVELYN: Lyndall, that dress...
531
00:23:17,219 --> 00:23:18,339
Cam and Lyndall.
532
00:23:18,379 --> 00:23:20,299
They came in strong,
533
00:23:20,379 --> 00:23:22,699
or at least, they looked like
they came in strong today.
534
00:23:22,739 --> 00:23:24,339
We'll see what's actually going on.
535
00:23:24,419 --> 00:23:26,699
I just feel like I was in this,
like, mode, right?
536
00:23:26,779 --> 00:23:29,459
I was almost, like, in preservation
mode where I was like,
537
00:23:29,539 --> 00:23:31,379
"No, things are good,
and we're gonna keep them good."
538
00:23:31,419 --> 00:23:32,419
Yeah.
539
00:23:32,499 --> 00:23:34,819
And then, like, when we did
the New Pairing swap, I walked in,
540
00:23:34,899 --> 00:23:36,419
and Ollie and I sat down,
and he was like,
541
00:23:36,499 --> 00:23:38,499
"So, I've got some observations
about your relationship,"
542
00:23:38,579 --> 00:23:41,299
and I was like, "OK, cool, alright.
I guess we're doing this."
543
00:23:41,379 --> 00:23:43,099
And then he would, like,
let me say whatever I wanted,
544
00:23:43,179 --> 00:23:44,459
and then, like,
want to understand...
545
00:23:44,539 --> 00:23:45,979
And he's not judging.
He's just...yeah.
546
00:23:46,059 --> 00:23:48,019
And that was something
that I haven't had at all.
547
00:23:48,059 --> 00:23:49,059
Yeah.
548
00:23:49,099 --> 00:23:50,379
And so it was just like... (EXHALES)
549
00:23:50,419 --> 00:23:53,219
(TENSE INSTRUMENTAL MUSIC)
550
00:23:53,299 --> 00:23:55,579
So, it sounds like Lyndall's
noticing some differences
551
00:23:55,659 --> 00:23:57,659
having spent a little bit of time
with Ollie.
552
00:23:57,699 --> 00:23:58,859
JOHN: Yeah.
553
00:23:58,899 --> 00:24:00,699
A very different man from Cam,
554
00:24:00,779 --> 00:24:04,259
and that she had that opportunity
to talk and to be listened to.
555
00:24:04,339 --> 00:24:07,819
That's exactly why we do it.
It widens the perspective.
556
00:24:07,899 --> 00:24:10,939
You're trying to think of ways
of how to make it work
557
00:24:11,019 --> 00:24:13,619
and, like...is he doing the same,
you know?
558
00:24:13,699 --> 00:24:15,899
I'm just, like, getting a situation
that I have to make work for me.
559
00:24:15,979 --> 00:24:18,059
Yeah, and you've always done that
this whole experiment.
560
00:24:18,099 --> 00:24:19,099
Yeah.
561
00:24:19,139 --> 00:24:20,619
If there's a will, there's a way.
562
00:24:20,699 --> 00:24:22,059
Yeah, it's just whether
there's a will.
563
00:24:22,099 --> 00:24:24,139
(TENSE INSTRUMENTAL MUSIC)
564
00:24:24,219 --> 00:24:26,659
CAM: I do care about Lyndall,
yeah, 100%, I do,
565
00:24:26,739 --> 00:24:29,539
but I think
it's time to face the music
566
00:24:29,619 --> 00:24:31,499
of what happens outside
of this experiment.
567
00:24:31,539 --> 00:24:32,859
MAN: How are you guys going?
568
00:24:33,899 --> 00:24:37,459
Yeah, I suppose we're going...
alright, I suppose.
569
00:24:37,499 --> 00:24:38,979
It's just...it's hard, man.
570
00:24:39,059 --> 00:24:41,019
You're trying to think
about the bigger picture,
571
00:24:41,059 --> 00:24:42,699
and how remote I work.
572
00:24:42,779 --> 00:24:44,859
You're in such a tough sitch, dude.
Yeah.
573
00:24:45,899 --> 00:24:50,739
I kind of spoke to Lyndall
about the fact that I work away,
574
00:24:50,819 --> 00:24:54,499
but I didn't really touch base
on how long I'm away from home.
575
00:24:55,739 --> 00:24:58,099
I've been getting phone calls
from work,
576
00:24:58,179 --> 00:25:00,379
telling me that I've got big jobs
lined up when I get home
577
00:25:00,459 --> 00:25:02,859
that I'm gonna be away
for long periods of time.
578
00:25:02,899 --> 00:25:04,899
(SOMBRE INSTRUMENTAL MUSIC)
579
00:25:04,979 --> 00:25:06,619
Yeah, rock and a hard place
at the moment.
580
00:25:09,059 --> 00:25:11,339
It's not as if we're gonna have
just three or four months.
581
00:25:11,419 --> 00:25:14,179
It's gonna be hard, man,
'cause I'm so remote!
582
00:25:14,259 --> 00:25:17,579
Like, it's...don't know. I don't
know how we're gonna work around it.
583
00:25:17,619 --> 00:25:19,859
(STIRRING INSTRUMENTAL MUSIC)
584
00:25:19,939 --> 00:25:22,779
I'm feeling nervous
and a little bit scared.
585
00:25:22,859 --> 00:25:25,179
I know I need to confront it
straight up.
586
00:25:25,259 --> 00:25:27,779
I'm gonna have to tell her, "Hey,
like, listen, this is who I am,"
587
00:25:27,859 --> 00:25:31,059
and I'm scared of hurting her
and potentially breaking her heart.
588
00:25:32,099 --> 00:25:33,299
It's hard.
589
00:25:35,939 --> 00:25:36,939
(DRAMATIC MUSIC BUILDS)
590
00:25:36,979 --> 00:25:38,659
NARRATOR: Coming up,
591
00:25:38,699 --> 00:25:41,779
Cameron drops his truth bomb.
592
00:25:41,859 --> 00:25:44,219
I could be out there
for six months to a year.
593
00:25:44,259 --> 00:25:46,219
(DRAMATIC MUSIC SWELLS)
594
00:25:46,259 --> 00:25:48,059
LYNDALL: I just went into shock.
595
00:25:48,099 --> 00:25:49,259
(DRAMATIC MUSIC SWELLS)
596
00:25:49,299 --> 00:25:50,619
..before Melinda and Layton...
597
00:25:50,699 --> 00:25:53,939
How do you think you made Mel feel
when you said that?
598
00:25:53,979 --> 00:25:55,219
..implode.
599
00:25:55,299 --> 00:25:57,579
I'm gonna do a Bronte!
It was a great night.
600
00:25:57,619 --> 00:25:58,859
WOMAN: Mel?
601
00:25:58,899 --> 00:26:00,459
(DRAMATIC MUSIC SWELLS)
602
00:26:00,539 --> 00:26:03,139
I don't want to be in a relationship
like this.
603
00:26:03,179 --> 00:26:04,499
(DRAMATIC MUSIC SWELLS)
604
00:26:10,139 --> 00:26:13,139
(TENSE INSTRUMENTAL MUSIC)
605
00:26:18,699 --> 00:26:21,059
Do we think that Harrison and Bronte
are not coming in together tonight?
606
00:26:21,139 --> 00:26:22,459
ALYSSA: No way!
TAHNEE: I don't know.
607
00:26:22,499 --> 00:26:24,019
No chance!
608
00:26:24,059 --> 00:26:26,619
Mate, it's every other time!
609
00:26:26,699 --> 00:26:29,219
I know, they need to give it
a bloody rest.
610
00:26:30,299 --> 00:26:34,259
We're not going to give any breath
to Harrison and Bronte tonight.
611
00:26:34,299 --> 00:26:36,419
We don't wanna talk about it.
612
00:26:36,459 --> 00:26:37,739
Mmm.
613
00:26:37,779 --> 00:26:40,579
Yeah. I have emotional whiplash.
614
00:26:41,859 --> 00:26:43,739
All I want from Harrison
615
00:26:43,819 --> 00:26:47,579
is for him to admit that he has been
stirring the pot and starting drama
616
00:26:47,659 --> 00:26:52,019
because it's a deflection of
Bronte and Harrison's relationship.
617
00:26:52,059 --> 00:26:53,339
That's all I want.
618
00:26:53,379 --> 00:26:54,979
(TENSE INSTRUMENTAL MUSIC)
619
00:26:55,059 --> 00:26:58,939
Just the name Harrison right now
is like nails on a chalkboard.
620
00:26:59,019 --> 00:27:00,579
Trigger word.
Trigger word! (EVELYN LAUGHS)
621
00:27:00,619 --> 00:27:02,459
(DRAMATIC MUSIC SWELLS)
622
00:27:02,499 --> 00:27:03,619
Ahh!
623
00:27:03,659 --> 00:27:05,899
(ALL EXCLAIM)
624
00:27:05,939 --> 00:27:08,419
ALYSSA: Oh, Harrison.
625
00:27:08,459 --> 00:27:10,379
We kinda gotta get up.
626
00:27:11,859 --> 00:27:13,419
No Bronte.
627
00:27:13,459 --> 00:27:16,419
MEL SCHILLING: Oh, where is Bronte?
628
00:27:16,499 --> 00:27:18,139
OLLIE: How are you, mate?
HARRISON: Good, good.
629
00:27:18,219 --> 00:27:19,619
Hello, Harrison.
Hi, Harrison.
630
00:27:19,659 --> 00:27:20,899
Hiya.
631
00:27:20,939 --> 00:27:23,739
Yeah, I'm alright. I'm alright.
632
00:27:23,819 --> 00:27:26,739
Gee, the energy's just been sucked
out of the room, hasn't it?
633
00:27:26,779 --> 00:27:28,819
They're almost recoiling from him.
634
00:27:28,859 --> 00:27:31,059
(EXHALES)
635
00:27:32,499 --> 00:27:35,379
Um, I'm gonna grab a...
I'm gonna grab a drink.
636
00:27:35,419 --> 00:27:36,419
I need one.
637
00:27:36,499 --> 00:27:38,859
Will the group still hold him
accountable
638
00:27:38,899 --> 00:27:40,939
now that he's here in the room?
639
00:27:40,979 --> 00:27:43,539
That's the big question.
640
00:27:44,859 --> 00:27:46,659
Time and time again,
he gets on the front foot.
641
00:27:46,739 --> 00:27:48,659
He says, "I'm gonna control
the narrative.
642
00:27:48,699 --> 00:27:51,059
"Hear me. This is my story."
643
00:27:51,139 --> 00:27:53,259
Alright, Harrison,
tell us so we can be over it.
644
00:27:53,339 --> 00:27:55,099
Oh, Alyssa's always
straight in for the kill.
645
00:27:55,139 --> 00:27:56,779
(DRAMATIC MUSIC SWELLS)
646
00:27:56,819 --> 00:27:58,579
(HARRISON EXHALES)
647
00:27:58,619 --> 00:28:00,259
What's happened?
648
00:28:00,299 --> 00:28:01,899
Oh, look, I don't really...
649
00:28:01,979 --> 00:28:04,179
Let's all just...let's all just
listen to Harrison, please,
650
00:28:04,259 --> 00:28:05,779
so he doesn't have
to repeat it again.
651
00:28:05,819 --> 00:28:07,259
(STIRRING INSTRUMENTAL MUSIC)
652
00:28:07,339 --> 00:28:10,099
Uh, things aren't great between us,
but I don't...
653
00:28:10,179 --> 00:28:14,739
WOMAN: Oh, saved by the door!
Saved by the door!
654
00:28:14,779 --> 00:28:17,899
(LAUGHTER AND CHATTER)
655
00:28:17,979 --> 00:28:20,699
Hello!
Hello. Hey, honey.
656
00:28:20,779 --> 00:28:22,419
You look cute.
LAYTON: Good to see you.
657
00:28:22,499 --> 00:28:24,339
How are you?
I'm good. How are you?
658
00:28:24,419 --> 00:28:26,659
You look amazing!
The sequins, I love.
659
00:28:26,739 --> 00:28:29,059
Hey, Layton. Sorry, you too.
HARRISON: Hello.
660
00:28:29,139 --> 00:28:31,579
Hello. Good. How are you?
Yeah, good.
661
00:28:31,659 --> 00:28:34,059
How are you?
Yeah, I'm good. How are you?
662
00:28:34,139 --> 00:28:35,259
Good.
That's good.
663
00:28:35,299 --> 00:28:36,299
Yes.
664
00:28:36,379 --> 00:28:37,739
CAM: Hi, Mel!
Hi!
665
00:28:37,819 --> 00:28:38,859
How are you?
How are you?
666
00:28:38,939 --> 00:28:40,299
Good! How are you?
Good.
667
00:28:42,619 --> 00:28:44,339
Gee, it's a really different
response
668
00:28:44,379 --> 00:28:46,019
to Harrison tonight, isn't it?
669
00:28:46,099 --> 00:28:48,819
JOHN: Oh, he's gotta feel the tension
in that room, surely!
670
00:28:48,859 --> 00:28:51,339
(TENSE INSTRUMENTAL MUSIC)
671
00:28:51,419 --> 00:28:53,699
How the (BLEEP) are you two dressed
the same? Like, that's just...
672
00:28:53,779 --> 00:28:55,139
How good!
WOMAN: Literally, you guys...
673
00:28:55,179 --> 00:28:57,539
(LAUGHS) Like...like...serious, man!
674
00:28:57,619 --> 00:28:59,259
How good's that?
(LAUGHTER)
675
00:28:59,339 --> 00:29:01,699
They both have
the same pocket thing.
676
00:29:01,779 --> 00:29:04,179
Everything.
Like, literally, to the 'T'!
677
00:29:04,219 --> 00:29:05,419
How good's that?
678
00:29:05,459 --> 00:29:06,779
The Smurfs.
679
00:29:06,819 --> 00:29:09,859
(LAUGHTER)
680
00:29:09,899 --> 00:29:11,059
I'm loving it!
681
00:29:13,019 --> 00:29:14,659
B1 and B2.
682
00:29:14,739 --> 00:29:16,819
I'm gonna give him B1
for better skeletal structure.
683
00:29:16,859 --> 00:29:17,859
(LAUGHS)
684
00:29:17,899 --> 00:29:20,859
(UPLIFTING INSTRUMENTAL MUSIC)
685
00:29:20,899 --> 00:29:24,419
(TENSE INSTRUMENTAL MUSIC)
686
00:29:24,499 --> 00:29:26,139
(WHISTLES) Feeling a bit of tension
in this room.
687
00:29:26,219 --> 00:29:27,659
CAM: There is tension.
Is there?
688
00:29:27,699 --> 00:29:30,339
(TENSE INSTRUMENTAL MUSIC)
689
00:29:30,419 --> 00:29:33,539
Can I just say, Harrison,
what was the intentions
690
00:29:33,619 --> 00:29:37,339
with bringing up butt dial again
with Mel?
691
00:29:37,379 --> 00:29:40,379
(TENSE INSTRUMENTAL MUSIC)
692
00:29:40,419 --> 00:29:41,539
Um...
693
00:29:41,579 --> 00:29:44,779
(TENSE INSTRUMENTAL MUSIC)
694
00:29:44,859 --> 00:29:47,219
..well, I'm actually disappointed
that that's come back to the group,
695
00:29:47,259 --> 00:29:49,899
because between myself and Mel,
696
00:29:49,979 --> 00:29:51,699
we shared a lot
over those three days...
697
00:29:51,739 --> 00:29:54,539
(DRAMATIC MUSIC SWELLS)
698
00:29:56,899 --> 00:29:59,619
..and we did have discussions that
we agreed would stay between us.
699
00:29:59,659 --> 00:30:01,939
(DRAMATIC MUSIC CONTINUES)
700
00:30:02,019 --> 00:30:04,419
That was one of them. So, I'm a bit
disappointed, to be honest.
701
00:30:04,459 --> 00:30:07,339
(DRAMATIC MUSIC CONTINUES)
702
00:30:07,379 --> 00:30:09,539
MEL: OK, that's bullshit,
703
00:30:09,619 --> 00:30:12,019
but three days with Harrison
taught me
704
00:30:12,099 --> 00:30:14,899
that Harrison
will always be Harrison.
705
00:30:14,939 --> 00:30:16,859
(TENSE INSTRUMENTAL MUSIC)
706
00:30:16,939 --> 00:30:19,259
So, he's throwing it on Melinda.
Yes, he is.
707
00:30:19,339 --> 00:30:21,179
I think, for me,
it's been addressed now.
708
00:30:21,259 --> 00:30:22,579
I don't really wanna harp on it
anymore.
709
00:30:22,619 --> 00:30:23,819
Can we just put it behind us?
710
00:30:23,859 --> 00:30:25,659
(TENSE INSTRUMENTAL MUSIC)
711
00:30:25,739 --> 00:30:31,019
Well...it's just, like,
where do you draw the line?
712
00:30:31,099 --> 00:30:33,139
Like, I feel like
this has come up every time,
713
00:30:33,219 --> 00:30:36,499
and there's one common denominator,
which is you.
714
00:30:36,539 --> 00:30:39,619
(TENSE MUSIC CONTINUES)
715
00:30:39,659 --> 00:30:40,979
Like, just own it.
716
00:30:41,019 --> 00:30:42,819
(TENSE MUSIC CONTINUES)
717
00:30:42,899 --> 00:30:45,899
EVELYN: Honestly, Harrison,
it just feels like
718
00:30:45,939 --> 00:30:50,619
you are trying to cause a rift...
719
00:30:52,099 --> 00:30:53,579
..because there's always something.
720
00:30:53,659 --> 00:30:55,659
Like, these little digs
that keep coming out,
721
00:30:55,739 --> 00:30:58,699
and honestly, it (BLEEP) hurts,
and it's annoying,
722
00:30:58,779 --> 00:31:01,379
and no-one here is perfect,
but you just keep doing it,
723
00:31:01,459 --> 00:31:03,899
and I know I'm not the only one
that feels that way.
724
00:31:03,939 --> 00:31:07,259
(TENSE INSTRUMENTAL MUSIC)
725
00:31:07,299 --> 00:31:08,579
Yep.
726
00:31:08,619 --> 00:31:11,459
(SOMBRE MUSIC)
727
00:31:11,499 --> 00:31:12,899
To their credit,
728
00:31:12,979 --> 00:31:15,099
Evelyn and Rupert are actually
trying to hold him to account.
729
00:31:15,179 --> 00:31:16,539
ALESSANDRA: Yep.
MEL SCHILLING: Mmm.
730
00:31:16,619 --> 00:31:18,179
They're kind of tag-teaming him
at the moment.
731
00:31:18,219 --> 00:31:19,259
Yeah.
732
00:31:19,339 --> 00:31:21,099
And then we're all over it,
and we're all happy,
733
00:31:21,179 --> 00:31:24,499
and we're all gonna eat cake and
talk about none of our feelings!
734
00:31:24,539 --> 00:31:28,219
(SOMBRE MUSIC CONTINUES)
735
00:31:28,299 --> 00:31:30,499
Is this everyone?
WOMAN: Yeah.
736
00:31:30,579 --> 00:31:32,699
MAN: I think it's everyone.
Missing Bronte.
737
00:31:32,739 --> 00:31:34,739
Is Bronte coming?
738
00:31:36,259 --> 00:31:38,739
Do you know, Harrison?
Do you know if she's coming or not?
739
00:31:38,779 --> 00:31:40,579
(DRAMATIC MUSIC BUILDS)
740
00:31:40,659 --> 00:31:42,739
I don't really wanna talk about it,
to be honest.
741
00:31:42,779 --> 00:31:44,459
DUNCAN: Alright.
742
00:31:44,499 --> 00:31:45,619
(DRAMATIC MUSIC BUILDS)
743
00:31:45,659 --> 00:31:46,859
(GLASS CHIMES)
744
00:31:46,899 --> 00:31:48,419
Dinner is serVED.
745
00:31:49,539 --> 00:31:51,299
SerVED. SerVED.
MAN: SerVED.
746
00:31:51,339 --> 00:31:53,179
(TENSE INSTRUMENTAL MUSIC)
747
00:31:53,259 --> 00:31:55,539
MELINDA: Harrison's got a lot to say
about everyone else...
748
00:31:57,579 --> 00:32:01,939
..but Harrison's here alone.
749
00:32:03,179 --> 00:32:05,259
Is something going on here?
750
00:32:05,299 --> 00:32:08,659
(DRAMATIC MUSIC BUILDS)
751
00:32:08,699 --> 00:32:09,819
EVELYN: Where are we?
752
00:32:09,859 --> 00:32:11,419
Rupert, Evelyn.
753
00:32:12,619 --> 00:32:13,979
Layton, Melly!
754
00:32:14,979 --> 00:32:17,139
There's no place card for Bronte.
755
00:32:17,179 --> 00:32:19,379
(DRAMATIC MUSIC BUILDS)
756
00:32:19,419 --> 00:32:21,499
Like, where is Bronte?
757
00:32:21,539 --> 00:32:22,659
Where is Bronte?
758
00:32:22,699 --> 00:32:24,979
Where is Bronte?
759
00:32:25,019 --> 00:32:26,979
(DRAMATIC MUSIC BUILDS)
760
00:32:27,059 --> 00:32:28,819
Where is your wife?
Yeah, what's actually going on?
761
00:32:28,859 --> 00:32:30,779
(DRAMATIC MUSIC SWELLS)
762
00:32:36,139 --> 00:32:38,939
(DRAMATIC MUSIC BUILDS)
763
00:32:38,979 --> 00:32:40,379
(GLASS CLANGS)
764
00:32:40,459 --> 00:32:43,899
Well, thank you, all,
for coming to my dinner party.
765
00:32:43,939 --> 00:32:44,979
(LAUGHTER)
766
00:32:46,299 --> 00:32:47,779
MAN: Thanks.
Cheers!
767
00:32:47,819 --> 00:32:49,299
ALL: Cheers!
768
00:32:49,379 --> 00:32:51,499
To barefoot bowls!
ALL: Cheers.
769
00:32:51,539 --> 00:32:54,539
(TENSE INSTRUMENTAL MUSIC)
770
00:32:55,979 --> 00:32:58,459
Harrison's here alone.
771
00:32:58,499 --> 00:33:00,859
(TENSE INSTRUMENTAL MUSIC)
772
00:33:00,939 --> 00:33:05,739
Like, where is Bronte
and what did you do?
773
00:33:05,819 --> 00:33:08,979
Harrison, where is your wife?
Yeah, what's actually going on?
774
00:33:09,059 --> 00:33:11,459
I'd like answer...
I'd like answers to that as well.
775
00:33:11,499 --> 00:33:13,099
(DRAMATIC MUSIC BUILDS)
776
00:33:13,179 --> 00:33:16,179
Bronte did not make
an appearance tonight.
777
00:33:16,259 --> 00:33:19,539
No-one knows where she is,
not even Harrison.
778
00:33:19,579 --> 00:33:21,099
Seriously, Harrison, it's your wife.
779
00:33:21,179 --> 00:33:23,179
Yeah, what's actually going on?
I would love to know.
780
00:33:23,259 --> 00:33:26,779
Like, why are you here eating dinner
when you don't have your wife?
781
00:33:26,859 --> 00:33:30,419
What...I can't come
and hang out with my friends?
782
00:33:30,459 --> 00:33:32,539
(LAUGHTER)
783
00:33:32,619 --> 00:33:34,579
Well, he ain't my friend.
Is he your friend?
784
00:33:34,619 --> 00:33:36,299
Look, he's a...he's a...
785
00:33:37,979 --> 00:33:39,819
..he's a guy.
786
00:33:39,899 --> 00:33:42,619
Am I...am I seriously gonna be
attacked for Bronte's choices?
787
00:33:42,699 --> 00:33:43,939
Attacked?
No, no, hey, hey, yeah...
788
00:33:43,979 --> 00:33:44,979
Wow.
789
00:33:45,019 --> 00:33:46,419
I feel...I feel like, yeah,
790
00:33:46,499 --> 00:33:48,259
I'm being attacked
for Bronte not being here.
791
00:33:48,339 --> 00:33:49,899
Harrison, nobody's trying
to attack you.
792
00:33:49,939 --> 00:33:51,819
I think everyone is just asking.
793
00:33:51,899 --> 00:33:53,019
It's your wife.
Yeah.
794
00:33:53,099 --> 00:33:54,659
You're probably the last person
that saw her...
795
00:33:54,699 --> 00:33:55,699
Yeah, I saw...
796
00:33:55,779 --> 00:33:57,139
..and none of us know
why she's not here.
797
00:33:57,219 --> 00:33:59,019
So, we want a bit of context,
that's all. Thank you.
798
00:33:59,099 --> 00:34:00,699
Yeah, but I don't need to be
reminded of who she is.
799
00:34:00,739 --> 00:34:01,779
I know she's my wife.
800
00:34:01,819 --> 00:34:03,739
(TENSE INSTRUMENTAL MUSIC)
801
00:34:03,819 --> 00:34:06,779
Um, I sat down with Bronte
this morning.
802
00:34:06,819 --> 00:34:09,739
Um...um...
803
00:34:09,819 --> 00:34:12,899
..yeah, Bronte essentially said
again, like, "I can't do this."
804
00:34:13,899 --> 00:34:15,619
She's done.
805
00:34:15,699 --> 00:34:21,019
She can't put any more into this,
um, and she wants to go home, so...
806
00:34:21,059 --> 00:34:23,499
..yeah, a bit of a rough day.
807
00:34:23,539 --> 00:34:25,539
(TENSE INSTRUMENTAL MUSIC)
808
00:34:25,619 --> 00:34:29,859
It's so weird, like, I watched
this guy talk smack about Bronte
809
00:34:29,899 --> 00:34:32,659
for three days in my place,
810
00:34:32,739 --> 00:34:35,499
and now he's doing the,
like, "Woe is me."
811
00:34:35,539 --> 00:34:38,379
(TENSE INSTRUMENTAL MUSIC)
812
00:34:38,419 --> 00:34:39,539
That's bullshit.
813
00:34:40,779 --> 00:34:44,139
MEL SCHILLING: The group
are so fatigued by his patterns -
814
00:34:44,219 --> 00:34:49,059
that constant blocking,
redirecting, distracting.
815
00:34:50,099 --> 00:34:51,619
He's lost his power.
816
00:34:51,699 --> 00:34:55,899
JOHN: Well, he's not there with
Bronte beside him diluting it all.
817
00:34:55,939 --> 00:34:58,219
He is literally on an island tonight.
818
00:34:58,259 --> 00:35:02,379
My question is, last week,
819
00:35:02,459 --> 00:35:05,819
and you know, you said,
"Gonna end it, it's done."
820
00:35:07,859 --> 00:35:12,259
Is there a chance that you're gonna
write 'stay' tomorrow?
821
00:35:12,299 --> 00:35:14,339
(TENSE INSTRUMENTAL MUSIC)
822
00:35:14,419 --> 00:35:16,619
EVELYN: You guys are staying.
WOMAN: We had this last week, yeah.
823
00:35:16,659 --> 00:35:17,779
They're not going anywhere.
824
00:35:17,819 --> 00:35:21,859
(TENSE MUSIC CONTINUES)
825
00:35:22,939 --> 00:35:26,139
Unequivocally, no - there's no
chance I'm writing 'stay' tomorrow.
826
00:35:26,179 --> 00:35:27,419
MAN: Is that a no chance?
827
00:35:27,459 --> 00:35:28,819
(DRAMATIC MUSIC BUILDS)
828
00:35:28,899 --> 00:35:31,459
No chance.
Does Bronte know that?
829
00:35:31,499 --> 00:35:33,899
(DRAMATIC MUSIC BUILDS)
830
00:35:33,939 --> 00:35:35,139
Uh, yeah, yeah.
831
00:35:35,179 --> 00:35:36,339
(DRAMATIC MUSIC BUILDS)
832
00:35:36,379 --> 00:35:39,059
And has she said she agrees or...
833
00:35:39,139 --> 00:35:41,259
Have I told Bronte that
specifically? No.
834
00:35:41,299 --> 00:35:42,339
Oh.
835
00:35:42,419 --> 00:35:44,099
But from the vibe
of our conversation,
836
00:35:44,179 --> 00:35:46,619
does she know that the relationship
is essentially done?
837
00:35:46,659 --> 00:35:48,019
I think so.
838
00:35:48,059 --> 00:35:49,859
(DRAMATIC MUSIC BUILDS)
839
00:35:49,899 --> 00:35:51,339
Like, it was pretty brutal.
840
00:35:51,379 --> 00:35:54,379
(DRAMATIC MUSIC BUILDS)
841
00:35:59,299 --> 00:36:02,699
Ohh, do I buy it? No!
842
00:36:02,739 --> 00:36:04,539
(DRAMATIC MUSIC CONTINUES)
843
00:36:04,579 --> 00:36:06,459
I really don't.
844
00:36:06,499 --> 00:36:08,259
With all due respect,
845
00:36:08,299 --> 00:36:10,859
we've been here to listen to you
846
00:36:10,939 --> 00:36:13,379
time and time and time and time
and time again.
847
00:36:13,419 --> 00:36:14,859
(LAUGHTER)
848
00:36:14,939 --> 00:36:17,299
Honestly, it's emotionally
exhausting for all of us.
849
00:36:17,379 --> 00:36:19,739
I man, no-one's relationship's
perfect,
850
00:36:19,819 --> 00:36:22,539
but we did have a good long run
of being really great together.
851
00:36:22,619 --> 00:36:25,019
It's not like
it's been a yo-yo every week.
852
00:36:25,099 --> 00:36:27,699
Like, we did have a block in there
where we were really good.
853
00:36:27,739 --> 00:36:31,179
Uh...it's been up and down.
854
00:36:31,259 --> 00:36:34,099
Most of us came to this experiment
to find love,
855
00:36:34,179 --> 00:36:37,179
and we need to focus
on real relationships
856
00:36:37,259 --> 00:36:39,459
that are going through
really hard times
857
00:36:39,499 --> 00:36:41,339
that need actual help
858
00:36:41,419 --> 00:36:43,819
and actual attention
from the rest of the group.
859
00:36:43,899 --> 00:36:47,139
So, if we can stop talking
about Harrison and Bronte,
860
00:36:47,179 --> 00:36:49,419
I'm happy with that.
861
00:36:49,499 --> 00:36:51,179
I would rather talk
about French toast.
862
00:36:51,219 --> 00:36:52,619
I would rather talk about anything
863
00:36:52,699 --> 00:36:54,619
other than Harrison and Bronte's
relationship.
864
00:36:55,619 --> 00:36:57,419
I think at the end of the day, like,
865
00:36:57,499 --> 00:37:00,499
obviously, we're really close
to the end of the experiment,
866
00:37:00,539 --> 00:37:02,539
and it is a really good opportunity
867
00:37:02,619 --> 00:37:05,219
to talk about what struggles
we're going through.
868
00:37:05,299 --> 00:37:07,979
Like, if you have, like,
real feelings for each other,
869
00:37:08,019 --> 00:37:09,419
it is scary.
870
00:37:09,459 --> 00:37:12,019
(DRAMATIC MUSIC BUILDS)
871
00:37:12,099 --> 00:37:14,779
CAM: Alyssa's right.
I care about Lyndall a lot.
872
00:37:14,859 --> 00:37:18,259
She's amazing,
and I don't want to hurt her,
873
00:37:18,339 --> 00:37:20,859
but it's starting to come
to real life.
874
00:37:20,899 --> 00:37:22,059
We've got not that long left.
875
00:37:22,099 --> 00:37:26,459
(DRAMATIC MUSIC BUILDS)
876
00:37:27,979 --> 00:37:29,179
I think it's time to face the music.
877
00:37:29,219 --> 00:37:32,219
(DRAMATIC MUSIC CONTINUES)
878
00:37:32,299 --> 00:37:34,419
Time to face what happens
outside of this experiment.
879
00:37:36,219 --> 00:37:37,419
I'm shitting myself.
880
00:37:37,459 --> 00:37:39,139
(DRAMATIC MUSIC SWELLS)
881
00:37:45,139 --> 00:37:48,139
(DRAMATIC MUSIC BUILDS)
882
00:37:49,699 --> 00:37:52,699
Evelyn? Want some?
883
00:37:52,739 --> 00:37:53,899
EVELYN: Oh, yes, please.
884
00:37:53,979 --> 00:37:56,579
That's the nicest thing
you've ever done for me, Harrison.
885
00:37:56,619 --> 00:37:58,179
Don't get used to it.
886
00:37:58,219 --> 00:38:00,819
(DRAMATIC MUSIC BUILDS)
887
00:38:00,899 --> 00:38:02,659
OLLIE: Evvie, you got anything
you wanna add there?
888
00:38:02,739 --> 00:38:06,099
You looked like your body language
perked up a little bit. No?
889
00:38:06,179 --> 00:38:08,819
I think you didn't read that...
OK! (LAUGHS)
890
00:38:08,899 --> 00:38:11,059
..situation very well,
and I got nothing.
891
00:38:11,099 --> 00:38:12,739
(LAUGHTER)
892
00:38:12,779 --> 00:38:14,139
LAYTON: There it is!
893
00:38:14,179 --> 00:38:15,259
(TENSE INSTRUMENTAL MUSIC)
894
00:38:15,339 --> 00:38:17,299
LYNDALL: Everyone's talking
and having a good time...
895
00:38:17,339 --> 00:38:18,979
(CHATTER)
896
00:38:19,059 --> 00:38:24,779
..but the situation with Cam
and I...is a bit weird, actually!
897
00:38:24,859 --> 00:38:29,059
I feel like Cam is in a,
like, weird, sad, sulky mood.
898
00:38:30,099 --> 00:38:31,939
I have no idea what's going on.
899
00:38:31,979 --> 00:38:33,459
(TENSE INSTRUMENTAL MUSIC)
900
00:38:33,499 --> 00:38:34,579
MELINDA: How are you two going?
901
00:38:34,619 --> 00:38:37,579
(TENSE INSTRUMENTAL MUSIC)
902
00:38:37,619 --> 00:38:38,659
I don't know.
903
00:38:38,739 --> 00:38:42,099
I think the biggest concern
I've got after this experiment
904
00:38:42,139 --> 00:38:44,859
is where I'm gonna be at.
905
00:38:44,939 --> 00:38:46,899
MAN: Yeah, what does it look like
for you?
906
00:38:46,939 --> 00:38:49,139
Like, living out in the Territory
907
00:38:49,179 --> 00:38:51,339
and with, like, my remote work.
908
00:38:51,419 --> 00:38:53,619
I've spent the last eight years
focusing on my career
909
00:38:53,699 --> 00:38:55,379
to get to the position
where I'm at now.
910
00:38:55,459 --> 00:38:58,539
OLLIE: So, is it saying that
Lyndall needs to move for Cam?
911
00:38:58,619 --> 00:39:00,379
Like, Lyndall needs
to be flexible for Cam?
912
00:39:00,459 --> 00:39:02,499
Well, I said
what's the point of moving?
913
00:39:02,579 --> 00:39:04,939
Why would you move from Perth
from all your family
914
00:39:05,019 --> 00:39:07,939
when I'm not gonna be in Darwin -
I'll still be out remote?
915
00:39:07,979 --> 00:39:09,499
(TENSE INSTRUMENTAL MUSIC)
916
00:39:09,579 --> 00:39:12,379
Cam's approach, though, we've seen
right the way through the experiment,
917
00:39:12,419 --> 00:39:13,779
is very black and white.
918
00:39:13,859 --> 00:39:15,819
MEL SCHILLING: He's showing
no flexibility at all.
919
00:39:15,859 --> 00:39:17,899
ALESSANDRA: No, of course.
920
00:39:17,979 --> 00:39:20,339
It seems like an excuse to me.
I think so too.
921
00:39:20,379 --> 00:39:21,379
(TENSE INSTRUMENTAL MUSIC)
922
00:39:21,419 --> 00:39:22,899
I told Lyndall, if she moved,
923
00:39:22,979 --> 00:39:25,139
it's not gonna change the fact
that I'm still gonna be away.
924
00:39:25,179 --> 00:39:27,339
(TENSE INSTRUMENTAL MUSIC)
925
00:39:27,419 --> 00:39:29,539
There's pretty much no point
in me moving to Darwin
926
00:39:29,619 --> 00:39:31,459
because Cam is gonna work
out bush anyway.
927
00:39:31,499 --> 00:39:33,219
(TENSE INSTRUMENTAL MUSIC)
928
00:39:33,259 --> 00:39:35,619
When a couple are, potentially,
929
00:39:35,699 --> 00:39:38,139
about to step into
a long-distance relationship,
930
00:39:38,179 --> 00:39:39,619
and one partner says,
931
00:39:39,699 --> 00:39:41,619
"Don't move just for me,
there have to be other reasons,"
932
00:39:41,659 --> 00:39:42,939
it's a lack of commitment.
933
00:39:43,019 --> 00:39:45,339
If the relationship is going well,
you say,
934
00:39:45,419 --> 00:39:48,659
"Great! Let's jump in both feet
and see how we can make it work."
935
00:39:48,699 --> 00:39:52,379
(TENSE INSTRUMENTAL MUSIC)
936
00:39:52,459 --> 00:39:54,739
You're fly-in, fly-out
kind of thing?
937
00:39:54,819 --> 00:39:56,499
Not really.
No.
938
00:39:56,539 --> 00:39:57,819
Drive in, drive out.
939
00:39:57,899 --> 00:40:01,659
Some places I could be 900 plus kays
away from an airport.
940
00:40:03,499 --> 00:40:06,019
There's times where I could
be out there for two weeks,
941
00:40:06,059 --> 00:40:07,339
I could be out there for a month,
942
00:40:07,419 --> 00:40:09,579
I could be out there
for six months to a year.
943
00:40:09,619 --> 00:40:10,979
(MAN EXCLAIMS)
944
00:40:11,019 --> 00:40:14,739
(TENSE INSTRUMENTAL MUSIC)
945
00:40:17,019 --> 00:40:19,619
And you still have, like
reception and phone?
946
00:40:19,699 --> 00:40:22,859
Some places I have got reception,
some places I don't.
947
00:40:22,939 --> 00:40:24,459
Wow!
I know.
948
00:40:25,699 --> 00:40:27,539
It was an incredibly hard
conversation,
949
00:40:27,619 --> 00:40:30,739
hearing the extent
of Cam's remote work.
950
00:40:30,819 --> 00:40:34,019
Like, I knew that he's gonna be
out working remote,
951
00:40:34,099 --> 00:40:37,619
but I didn't realise
just how long he'd be away.
952
00:40:37,659 --> 00:40:41,139
I just...went into shock.
953
00:40:41,219 --> 00:40:44,459
I actually really don't know
what we're going to do.
954
00:40:44,539 --> 00:40:47,819
So, if, when you come back,
it's to Darwin,
955
00:40:47,859 --> 00:40:48,979
why can't it just be to Perth?
956
00:40:49,059 --> 00:40:51,099
Isn't that what you said...
Because that's where my career is.
957
00:40:51,179 --> 00:40:52,339
I can't just drop that
at the moment.
958
00:40:52,379 --> 00:40:54,339
I have to work around work.
959
00:40:55,379 --> 00:40:57,779
A big thing with Cameron,
coming into the experiment,
960
00:40:57,819 --> 00:40:59,819
was being able to break away
961
00:40:59,899 --> 00:41:03,259
from the way that he has chosen
to live his life up until now.
962
00:41:03,339 --> 00:41:07,539
He came in saying, "I want to change
things about my lifestyle."
963
00:41:07,579 --> 00:41:08,579
Change. That's right.
964
00:41:08,659 --> 00:41:12,499
"This kind of life that I'm living,
about being so distant and so..."
965
00:41:12,579 --> 00:41:14,339
Isolated.
"..far away, isolated."
966
00:41:14,379 --> 00:41:15,699
Yeah!
967
00:41:15,739 --> 00:41:17,699
Is he getting cold feet here?
968
00:41:17,739 --> 00:41:19,619
(TENSE INSTRUMENTAL MUSIC)
969
00:41:19,699 --> 00:41:22,659
So, do you guys see a future
outside of this?
970
00:41:22,699 --> 00:41:24,699
(TENSE INSTRUMENTAL MUSIC)
971
00:41:24,779 --> 00:41:26,739
I want to see a future
outside of this,
972
00:41:26,819 --> 00:41:30,339
but I just feel like,
being outside of the experiment
973
00:41:30,379 --> 00:41:33,299
is really gonna challenge us.
974
00:41:33,339 --> 00:41:36,139
(MELANCHOLY MUSIC)
975
00:41:36,219 --> 00:41:39,099
What Cam's saying right now is
running the risk of losing Lyndall.
976
00:41:40,539 --> 00:41:44,299
I think Lyndall deserves a man
who's emotionally intelligent
977
00:41:44,379 --> 00:41:47,339
and can say, "I want you.
I'm ready for you.
978
00:41:47,419 --> 00:41:50,099
"I'm willing to change my life
for you."
979
00:41:50,179 --> 00:41:52,619
Yeah, it's gonna be
a massive challenge for us.
980
00:41:52,659 --> 00:41:54,659
(MELANCHOLY MUSIC CONTINUES)
981
00:41:54,739 --> 00:41:58,779
She deserves someone that's going
to bloody claim her and be like,
982
00:41:58,819 --> 00:42:00,179
"That's my girl. I want that woman."
983
00:42:00,219 --> 00:42:03,219
(MELANCHOLY MUSIC CONTINUES)
984
00:42:03,299 --> 00:42:05,939
And I think Cam needs
to bloody realise that!
985
00:42:07,979 --> 00:42:09,579
MAN: Lyndall, what's your...
how do you feel?
986
00:42:13,939 --> 00:42:15,019
(SIGHS)
987
00:42:16,139 --> 00:42:17,619
I'm in a bit of a weird place,
988
00:42:17,699 --> 00:42:21,739
because I was under the impression
that, like, I would move to Darwin,
989
00:42:21,779 --> 00:42:23,139
but now the situation is,
990
00:42:23,219 --> 00:42:25,019
can I handle
a long-distance relationship?
991
00:42:26,139 --> 00:42:29,379
And is that relationship gonna
survive that long-distance thing?
992
00:42:29,459 --> 00:42:31,939
Because the long-distance thing
is hectic.
993
00:42:31,979 --> 00:42:33,899
We're gonna be completely apart.
994
00:42:33,979 --> 00:42:37,339
Completely apart -
not even text messages.
995
00:42:37,419 --> 00:42:40,779
That is what I'm staring
down the barrel of.
996
00:42:40,859 --> 00:42:44,219
Like, you wanna go back to your
career without any kind of...
997
00:42:45,539 --> 00:42:47,259
..move...like, moulding me
into that.
998
00:42:47,339 --> 00:42:49,139
WOMAN: You want some compromise.
You want some budge.
999
00:42:49,179 --> 00:42:51,219
And I'm wondering whether or not
1000
00:42:51,299 --> 00:42:53,499
I'm gonna be able
to be OK with that.
1001
00:42:53,539 --> 00:42:55,939
(TENSE INSTRUMENTAL MUSIC)
1002
00:42:55,979 --> 00:42:57,619
It's getting extremely hard
1003
00:42:57,699 --> 00:42:59,739
to be super positive
about our relationship,
1004
00:42:59,819 --> 00:43:02,819
because he doesn't really see me
being a part of his plan.
1005
00:43:02,899 --> 00:43:05,659
Cam said, "Well, this is my career
and this is my plan."
1006
00:43:05,739 --> 00:43:08,619
There's no real option. There's no
real compromise from there.
1007
00:43:08,659 --> 00:43:12,099
It's actually incredibly hurtful
1008
00:43:12,179 --> 00:43:15,299
to hear that
he's not considering me at all.
1009
00:43:15,379 --> 00:43:18,699
Cam kind of knew his situation
coming in...
1010
00:43:18,739 --> 00:43:20,739
(DRAMATIC MUSIC SWELLS)
1011
00:43:20,819 --> 00:43:24,179
..and I just don't really know
what I'm supposed to do about it.
1012
00:43:26,979 --> 00:43:30,379
How do you want it to look?
How do you want this to work?
1013
00:43:31,379 --> 00:43:33,339
I want you to come to Perth,
1014
00:43:33,419 --> 00:43:35,059
and I want you to strap on
rollerblades,
1015
00:43:35,099 --> 00:43:36,379
and to get to know my friends,
1016
00:43:36,459 --> 00:43:38,819
and to come to the beach
and see the weather,
1017
00:43:38,899 --> 00:43:43,499
and...at least know...
what my life is there.
1018
00:43:45,099 --> 00:43:47,659
But I can't just drop the hat
when I get home and be like,
1019
00:43:47,739 --> 00:43:50,419
"Right, I'm just gonna pack up
and go and do those things."
1020
00:43:55,859 --> 00:43:56,939
OLLIE: Can I ask this, Cam?
1021
00:43:56,979 --> 00:43:58,779
(TENSE INSTRUMENTAL MUSIC)
1022
00:43:58,859 --> 00:44:01,579
Is there a world
where you would quit your job?
1023
00:44:01,619 --> 00:44:04,179
(TENSE MUSIC CONTINUES)
1024
00:44:04,259 --> 00:44:07,419
Because that's probably what needs
to happen, or at least a pivot.
1025
00:44:07,459 --> 00:44:09,539
(TENSE INSTRUMENTAL MUSIC)
1026
00:44:09,579 --> 00:44:12,219
Would you do that for Lynners?
1027
00:44:12,259 --> 00:44:15,259
(DRAMATIC MUSIC BUILDS)
1028
00:44:17,259 --> 00:44:18,299
Um...
1029
00:44:20,939 --> 00:44:22,939
..the...like, I just...
1030
00:44:22,979 --> 00:44:26,139
(DRAMATIC MUSIC BUILDS)
1031
00:44:36,139 --> 00:44:39,139
(DRAMATIC MUSIC BUILDS)
1032
00:44:41,979 --> 00:44:45,419
Is there a world
where you would quit your job?
1033
00:44:45,499 --> 00:44:48,699
Because that's probably what needs
to happen, or at least a pivot.
1034
00:44:48,739 --> 00:44:51,019
(TENSE INSTRUMENTAL MUSIC)
1035
00:44:51,059 --> 00:44:54,019
Would you do that for Lynners?
1036
00:44:54,059 --> 00:44:57,059
(DRAMATIC MUSIC BUILDS)
1037
00:44:57,099 --> 00:44:58,699
Um...
1038
00:44:58,739 --> 00:45:02,739
(TENSE INSTRUMENTAL MUSIC)
1039
00:45:02,779 --> 00:45:04,259
..I want it to work.
1040
00:45:04,299 --> 00:45:06,099
Like, I love Lyndall as a person.
1041
00:45:07,139 --> 00:45:11,419
If this split you, would you both
be heartbroken over this?
1042
00:45:11,499 --> 00:45:14,179
It'd be...
yeah, of course it would be.
1043
00:45:14,259 --> 00:45:15,699
Like, we're this far
into this experiment.
1044
00:45:15,779 --> 00:45:17,219
If you don't have feelings
for each other,
1045
00:45:17,259 --> 00:45:18,539
what's the point of being here?
1046
00:45:18,579 --> 00:45:21,379
(TENSE INSTRUMENTAL MUSIC)
1047
00:45:21,459 --> 00:45:24,659
But I'm between a rock
and a hard place here.
1048
00:45:24,699 --> 00:45:26,779
(TENSE INSTRUMENTAL MUSIC)
1049
00:45:26,819 --> 00:45:27,899
Um...
1050
00:45:29,499 --> 00:45:31,179
..it's what I wanna do
with my life, man.
1051
00:45:31,219 --> 00:45:32,459
It's why I've built this career.
1052
00:45:32,499 --> 00:45:35,299
(TENSE INSTRUMENTAL MUSIC)
1053
00:45:42,339 --> 00:45:44,099
JOHN: Well, how do you have
a relationship?
1054
00:45:44,179 --> 00:45:46,219
I'm not gonna move,
and I'm not gonna change anything,
1055
00:45:46,259 --> 00:45:47,619
and I'm not gonna meet you halfway,
1056
00:45:47,699 --> 00:45:49,299
and I'm not, and I'm not,
and I'm not.
1057
00:45:49,379 --> 00:45:52,019
And even if you move to Darwin...
I won't see you.
1058
00:45:52,099 --> 00:45:53,419
..I'll only see you
four weeks a year.
1059
00:45:54,459 --> 00:45:57,979
He's really showing his lack of
experiment here in a relationship.
1060
00:45:58,059 --> 00:46:00,139
No flexibility at all.
No, of course.
1061
00:46:00,179 --> 00:46:01,779
(TENSE INSTRUMENTAL MUSIC)
1062
00:46:01,819 --> 00:46:03,859
So sad.
1063
00:46:03,899 --> 00:46:05,139
(TENSE INSTRUMENTAL MUSIC)
1064
00:46:05,219 --> 00:46:08,419
So, when you came in, like,
we all got asked the question,
1065
00:46:08,459 --> 00:46:10,139
"Would you move for love?"
1066
00:46:11,419 --> 00:46:13,739
What was your answer at that time,
before coming in?
1067
00:46:13,779 --> 00:46:16,859
(DRAMATIC MUSIC BUILDS)
1068
00:46:18,179 --> 00:46:19,179
I just said...
1069
00:46:19,219 --> 00:46:23,499
(DRAMATIC MUSIC BUILDS)
1070
00:46:25,019 --> 00:46:28,139
..that I would move for love, yeah.
1071
00:46:28,219 --> 00:46:30,139
Oh!
Ohh!
1072
00:46:30,179 --> 00:46:33,179
(TENSE INSTRUMENTAL MUSIC)
1073
00:46:41,099 --> 00:46:44,579
I don't know whether Cam understands
what he's actually saying.
1074
00:46:45,739 --> 00:46:49,339
The whole group realises
what he's saying here.
1075
00:46:49,379 --> 00:46:50,539
Yeah.
1076
00:46:50,579 --> 00:46:52,179
Lyndall certainly does as well.
1077
00:46:52,219 --> 00:46:55,059
(SOMBRE MUSIC)
1078
00:46:55,139 --> 00:46:58,979
My game plan was
to get to finish off my career.
1079
00:46:59,059 --> 00:47:01,819
Like, it was,
but I wanted to find love as well,
1080
00:47:01,899 --> 00:47:05,019
and I think I'm at the point
where, like, I want it to work,
1081
00:47:05,099 --> 00:47:08,419
but I also...I just feel like it's
just gonna...
1082
00:47:10,059 --> 00:47:12,259
..yeah, it's gonna be
a massive challenge for us.
1083
00:47:12,299 --> 00:47:15,299
(MELANCHOLY MUSIC BUILDS)
1084
00:47:16,819 --> 00:47:18,139
LYNDALL: I think a lot
of the questions
1085
00:47:18,179 --> 00:47:19,419
that the group asked Cam...
1086
00:47:20,899 --> 00:47:23,299
..were questions
that I had myself...
1087
00:47:25,779 --> 00:47:28,139
..and hearing that
he came into this experiment
1088
00:47:28,219 --> 00:47:29,659
thinking that
if he met the right person,
1089
00:47:29,739 --> 00:47:32,139
he would give up this job,
he would move.
1090
00:47:32,179 --> 00:47:34,179
(MELANCHOLY MUSIC CONTINUES)
1091
00:47:34,219 --> 00:47:35,939
So, it was devastating...
1092
00:47:37,979 --> 00:47:40,419
..that I'm not the person
he was willing to do that for.
1093
00:47:40,459 --> 00:47:42,459
That's the thing that hurts.
1094
00:47:42,499 --> 00:47:45,699
(MELANCHOLY MUSIC CONTINUES)
1095
00:47:47,219 --> 00:47:49,059
(SIGHS)
1096
00:47:50,739 --> 00:47:52,419
I don't think you understand
how much I like you.
1097
00:47:52,459 --> 00:47:55,939
(TENSE INSTRUMENTAL MUSIC)
1098
00:48:03,539 --> 00:48:04,859
You OK?
1099
00:48:04,899 --> 00:48:06,419
I think Cam and Lyndall,
1100
00:48:06,499 --> 00:48:09,259
what they've gotta confront
in the coming weeks, months,
1101
00:48:09,299 --> 00:48:10,859
is pretty full on.
1102
00:48:10,939 --> 00:48:14,459
Distance is a concern
that we have too.
1103
00:48:14,499 --> 00:48:16,979
So, I get it.
1104
00:48:17,059 --> 00:48:19,819
We know it's not gonna be easy,
but it's worth it.
1105
00:48:21,219 --> 00:48:23,379
I think the difference between us
is, you know,
1106
00:48:23,419 --> 00:48:25,139
I think we've had that discussion
1107
00:48:25,219 --> 00:48:28,139
and we're both kind of willing
to make it work, no matter what.
1108
00:48:28,179 --> 00:48:31,059
(MELANCHOLY MUSIC CONTINUES)
1109
00:48:31,099 --> 00:48:32,379
It's just a shame.
1110
00:48:32,459 --> 00:48:35,739
I think Lyndall is holding back
on her needs and wants
1111
00:48:35,819 --> 00:48:37,779
because she wants to make
the relationship work,
1112
00:48:37,859 --> 00:48:42,419
and I feel like I'm not sure
if Cam is in that same headspace.
1113
00:48:44,539 --> 00:48:47,939
ALYSSA: Look, I think if you guys
want it to work...
1114
00:48:49,739 --> 00:48:51,499
..you can definitely
both make it work.
1115
00:48:51,539 --> 00:48:52,899
(DRAMATIC MUSIC BUILDS)
1116
00:48:52,979 --> 00:48:56,819
You have no idea what it's gonna look
like when we get out of here.
1117
00:48:56,899 --> 00:48:59,819
You may get out, in a week's time,
and be like,
1118
00:48:59,859 --> 00:49:01,899
"Shit! I've really missed Lyndall."
1119
00:49:03,059 --> 00:49:05,619
And Lyndall's gonna be like,
"Shit, I really miss Cam."
1120
00:49:05,659 --> 00:49:07,459
(HOPEFUL MUSIC SWELLS)
1121
00:49:07,539 --> 00:49:09,499
And you're gonna be like,
"I'm on the first flight to Perth."
1122
00:49:09,539 --> 00:49:11,779
(SOMBRE INSTRUMENTAL MUSIC)
1123
00:49:11,819 --> 00:49:13,619
HARRISON: You know what's funny?
1124
00:49:15,979 --> 00:49:18,779
I just love calling out bullshit
where I see it.
1125
00:49:18,819 --> 00:49:21,379
I have so much hope for you guys.
1126
00:49:21,459 --> 00:49:25,139
Cam and Lyndall's relationship's
not gonna survive.
1127
00:49:25,179 --> 00:49:26,819
(DRAMATIC MUSIC BUILDS)
1128
00:49:26,859 --> 00:49:28,139
Like... (MIMICS IMPACT)
1129
00:49:28,219 --> 00:49:30,419
..time to...time to nip this
in the bud.
1130
00:49:33,579 --> 00:49:36,539
(DRAMATIC MUSIC BUILDS)
1131
00:49:39,819 --> 00:49:41,939
I feel like, this late in the game,
1132
00:49:42,019 --> 00:49:45,619
everyone's trying to sort out
where that relationship fits
1133
00:49:45,659 --> 00:49:47,339
in amongst the hierarchy
1134
00:49:47,419 --> 00:49:50,099
of whatever commitments
are personal to them,
1135
00:49:50,139 --> 00:49:52,019
whether it be a career...
1136
00:49:53,099 --> 00:49:55,219
..whether it be their lifestyle.
1137
00:49:55,299 --> 00:49:57,819
I kind of feel like,
this late in the experiment,
1138
00:49:57,899 --> 00:49:59,859
I feel like everyone
should be trying
1139
00:49:59,939 --> 00:50:02,059
to prioritise
the relationship over...
1140
00:50:02,099 --> 00:50:03,379
Harrison...
1141
00:50:04,419 --> 00:50:07,419
..I think that's really rich
coming from you.
1142
00:50:07,459 --> 00:50:10,939
(TENSE INSTRUMENTAL MUSIC)
1143
00:50:10,979 --> 00:50:12,139
Wow!
1144
00:50:12,179 --> 00:50:14,299
(TENSE INSTRUMENTAL MUSIC)
1145
00:50:22,219 --> 00:50:25,219
LYNDALL: Would you mind passing
the white down? Thank you!
1146
00:50:27,419 --> 00:50:29,459
ALYSSA: Layton,
tell us about your drama.
1147
00:50:29,539 --> 00:50:31,299
(LAUGHTER)
MAN: Straight into it, eh?
1148
00:50:31,379 --> 00:50:34,139
So, start with the things that are
going bad and then...no, I'm jok...
1149
00:50:34,179 --> 00:50:36,459
Um...there is...
1150
00:50:36,539 --> 00:50:38,539
..like, there is a lot of things
that you gotta think about
1151
00:50:38,579 --> 00:50:39,659
that are really quite serious.
1152
00:50:39,739 --> 00:50:41,859
For me, distance is less
of one of those issues,
1153
00:50:41,939 --> 00:50:44,059
because for me -
I've made this clear to Mel -
1154
00:50:44,099 --> 00:50:45,659
that I've got friends in Brissie,
1155
00:50:45,739 --> 00:50:47,619
I've got my...some family
that are pretty close there,
1156
00:50:47,699 --> 00:50:49,819
but it is a big...
it's still a big step,
1157
00:50:49,899 --> 00:50:52,819
and I feel like...I've never lived
with a partner before.
1158
00:50:52,899 --> 00:50:55,659
This is the longest I've spent
with someone...probably ever.
1159
00:50:55,739 --> 00:50:57,059
Lucky you!
Lucky me.
1160
00:50:57,099 --> 00:50:59,059
And I sort of often think, you know,
1161
00:50:59,099 --> 00:51:00,499
we've got so many similarities,
1162
00:51:00,579 --> 00:51:05,059
um...but even though there's only
a couple of differences...
1163
00:51:06,539 --> 00:51:10,779
..are those differences so strong
they cause compatibility issues?
1164
00:51:10,819 --> 00:51:12,139
And I don't know the answer to that.
1165
00:51:12,179 --> 00:51:15,339
(TENSE INSTRUMENTAL MUSIC)
1166
00:51:17,059 --> 00:51:20,219
I feel like we are
super, super passionate,
1167
00:51:20,299 --> 00:51:22,539
and so there might be
very simple things
1168
00:51:22,579 --> 00:51:24,619
that we might see very differently,
1169
00:51:24,699 --> 00:51:26,979
and it becomes very difficult
for us to see eye-to-eye
1170
00:51:27,019 --> 00:51:28,219
or meet in the middle sometimes.
1171
00:51:28,259 --> 00:51:29,539
Like, for example,
1172
00:51:29,619 --> 00:51:31,499
I really didn't feel comfortable
about this activity,
1173
00:51:31,539 --> 00:51:32,859
you know, the partner swap,
1174
00:51:32,939 --> 00:51:35,059
and we got into a bit of
a heated discussion about it,
1175
00:51:35,099 --> 00:51:36,339
and I had said to Mel,
1176
00:51:36,419 --> 00:51:38,539
"I'm really not comfortable moving
in with someone else's wife,
1177
00:51:38,619 --> 00:51:40,499
"and I'm not comfortable
with someone else's husband
1178
00:51:40,539 --> 00:51:41,779
"moving in with my wife,"
1179
00:51:41,859 --> 00:51:44,339
specifically the person that Mel
had, only 30 minutes prior, said,
1180
00:51:44,419 --> 00:51:46,259
"This is the person
I hate most in the world."
1181
00:51:46,339 --> 00:51:47,979
With Harrison...
In the world?!
1182
00:51:48,059 --> 00:51:51,059
Hey! Let's take...let's take...
He's a bit dramatic.
1183
00:51:51,099 --> 00:51:52,099
(LAUGHS)
1184
00:51:52,139 --> 00:51:53,219
Can we take the comedy out of it?
1185
00:51:53,299 --> 00:51:54,699
'Cause it's actually
quite serious for me.
1186
00:51:54,739 --> 00:51:55,899
I don't feel great!
1187
00:51:55,979 --> 00:51:58,979
Seeing them laugh at me, it really
doesn't make me feel great,
1188
00:51:59,059 --> 00:52:03,419
and it makes me think that Mel isn't
taking my concerns really seriously.
1189
00:52:03,499 --> 00:52:05,939
You know, I don't wanna feel
like I'm not being supported.
1190
00:52:06,019 --> 00:52:09,579
I sat there and I felt like
I had Mel and Harrison on the couch,
1191
00:52:09,659 --> 00:52:12,299
trying to convince me
against that decision together,
1192
00:52:12,339 --> 00:52:13,499
and I felt like I've supported...
1193
00:52:13,579 --> 00:52:14,979
Not convince, give some perspective.
Mel!
1194
00:52:15,059 --> 00:52:16,459
Let me cut in here,
because it's our story!
1195
00:52:16,539 --> 00:52:17,899
But can I just finish
how I'm feeling?
1196
00:52:17,979 --> 00:52:19,179
Not just yours.
But this is how I felt.
1197
00:52:19,259 --> 00:52:20,459
You often criticise me
for cutting in
1198
00:52:20,539 --> 00:52:21,859
and now you're not
letting me finish....
1199
00:52:21,899 --> 00:52:22,899
OK, then finish.
1200
00:52:24,099 --> 00:52:26,059
You can finish, babe, like...
Oh, jeez!
1201
00:52:26,099 --> 00:52:28,499
So, we're having thar argument,
1202
00:52:28,579 --> 00:52:30,659
and we're trying to work through
that, and I'm just trying to...
1203
00:52:30,739 --> 00:52:32,619
..I've got two sisters and a mum,
and I'm just thinking,
1204
00:52:32,699 --> 00:52:34,659
"I've gotta be true
to my morals as well," right?
1205
00:52:34,739 --> 00:52:36,779
I mean, I still felt like I could
give Bronte what she needed
1206
00:52:36,859 --> 00:52:38,939
by doing it in a separate
apartment, I mean, simple as that.
1207
00:52:38,979 --> 00:52:40,699
(TENSE INSTRUMENTAL MUSIC)
1208
00:52:40,779 --> 00:52:43,579
It's almost like he misinterpreted
the activity
1209
00:52:43,659 --> 00:52:45,779
and he thought that it was
about couple swapping.
1210
00:52:45,819 --> 00:52:47,139
(TENSE INSTRUMENTAL MUSIC)
1211
00:52:47,219 --> 00:52:49,259
JOHN: Let's just keep in mind
we gave him a rocket
1212
00:52:49,339 --> 00:52:53,139
about being too inside his head,
overanalysing everything,
1213
00:52:53,219 --> 00:52:54,699
and he needed to get
into his feelings,
1214
00:52:54,779 --> 00:52:56,219
'cause that's something
that he can't do.
1215
00:52:56,299 --> 00:53:00,579
He's all about the pros, the cons,
you know, and thinking,
1216
00:53:00,619 --> 00:53:02,699
and we did that task
1217
00:53:02,779 --> 00:53:05,779
in the hope that he would get
into his emotional side.
1218
00:53:06,659 --> 00:53:08,259
DUNCAN: I thought there was
two parts to the task.
1219
00:53:08,339 --> 00:53:10,499
One was doing the tasks,
and the other part was
1220
00:53:10,579 --> 00:53:12,739
spending time with someone
that you didn't choose to,
1221
00:53:12,819 --> 00:53:14,739
but just working out
how that...works.
1222
00:53:14,819 --> 00:53:17,299
EVELYN: Oh, thanks, Duncan!
(LAUGHTER)
1223
00:53:17,339 --> 00:53:19,459
(LAUGHTER)
1224
00:53:19,539 --> 00:53:21,739
Layton said, "Oh, no,
I did the tasks with Bronte."
1225
00:53:21,819 --> 00:53:24,739
Well, the task was spending
three days with somebody
1226
00:53:24,819 --> 00:53:26,219
that you didn't choose
to spend with,
1227
00:53:26,259 --> 00:53:27,939
but you had to coexist with them,
1228
00:53:28,019 --> 00:53:29,979
learn from them,
get some ideas from them.
1229
00:53:30,059 --> 00:53:32,819
That was the task
that the experts set.
1230
00:53:32,859 --> 00:53:34,539
WOMAN: Me and Cam had a great time!
1231
00:53:34,619 --> 00:53:36,259
I tell you what,
we had a field day!
1232
00:53:37,539 --> 00:53:39,019
ALYSSA: I'm really close with Mel,
1233
00:53:39,099 --> 00:53:42,579
and I can really see it
from her point of view,
1234
00:53:42,659 --> 00:53:46,659
and Layton - I just feel like
he's so closed-minded!
1235
00:53:46,739 --> 00:53:48,979
I feel like it's very important
to be open-minded,
1236
00:53:49,059 --> 00:53:51,139
especially in an experience
like this.
1237
00:53:51,219 --> 00:53:53,619
And I think
what the whole task was about
1238
00:53:53,699 --> 00:53:56,899
was seeing it from
other person's...perspective,
1239
00:53:56,979 --> 00:53:59,099
whether it be Harrison,
whether it be Duncan.
1240
00:53:59,179 --> 00:54:01,459
Like, Layton,
would you have been upset
1241
00:54:01,539 --> 00:54:03,579
or felt like you were being,
you know,
1242
00:54:03,619 --> 00:54:04,859
not the right morals and stuff
1243
00:54:04,939 --> 00:54:07,939
if it was, like, me and Duncan
that you guys were, like...
1244
00:54:08,019 --> 00:54:10,019
Yeah, 'cause you said if it was
Ollie or Duncan, it would be...
1245
00:54:10,059 --> 00:54:11,499
Like, it was just a perspective.
1246
00:54:11,539 --> 00:54:13,139
It wasn't, like, a temptation thing.
1247
00:54:13,179 --> 00:54:14,979
Keys in a bowl.
1248
00:54:15,979 --> 00:54:17,099
Come on, man!
1249
00:54:17,179 --> 00:54:19,299
How are you helping the situation
by saying rubbish like that?
1250
00:54:20,179 --> 00:54:21,979
ALESSANDRA: I think it has to do
with it being Harrison,
1251
00:54:22,059 --> 00:54:25,459
because he knows Harrison,
he knows the way Harrison operates,
1252
00:54:25,539 --> 00:54:28,019
and manipulates,
and Harrison is loving it.
1253
00:54:28,059 --> 00:54:30,099
HARRISON: Can I ask you a question?
1254
00:54:30,179 --> 00:54:33,139
When you made the comment
about morals and values,
1255
00:54:33,219 --> 00:54:35,019
that you didn't feel comfortable
with it...
1256
00:54:35,939 --> 00:54:38,939
..how do you think you made Mel feel
when you said that?
1257
00:54:38,979 --> 00:54:41,139
(TENSE INSTRUMENTAL MUSIC)
1258
00:54:41,179 --> 00:54:42,179
MELINDA: This is the thing.
1259
00:54:42,259 --> 00:54:44,899
You were telling me you didn't do it
because of your morals and values,
1260
00:54:44,979 --> 00:54:47,059
which means, if I'd do it,
I don't have good morals and values,
1261
00:54:47,139 --> 00:54:49,339
and I sat there
feeling so guilty over it.
1262
00:54:49,419 --> 00:54:51,419
Well, you certainly didn't look
like you were guilty
1263
00:54:51,499 --> 00:54:53,819
when you and Harrison were sitting
there - and now you're laughing.
1264
00:54:53,859 --> 00:54:55,179
I didn't laugh!
1265
00:54:55,259 --> 00:54:57,259
I feel like I'm reliving it
right now.
1266
00:54:57,339 --> 00:55:00,019
Well, again, this is exactly
how I felt when I'm there,
1267
00:55:00,059 --> 00:55:02,219
telling you guys...
1268
00:55:02,299 --> 00:55:05,619
I knew, as soon as this came up,
we were gonna butt heads.
1269
00:55:05,699 --> 00:55:09,339
I was also sceptical, like Layton
is, with the task, you know?
1270
00:55:09,419 --> 00:55:12,579
But I'm just the type of person,
I never say no tot a challenge.
1271
00:55:12,659 --> 00:55:15,339
Getting outside your comfort zone
grows you,
1272
00:55:15,379 --> 00:55:17,779
and so what about what I need?
1273
00:55:17,859 --> 00:55:21,139
It just feels like it's all about
how Layton feels in this,
1274
00:55:21,179 --> 00:55:23,419
and Layton's opinions.
1275
00:55:23,459 --> 00:55:25,019
That's not healthy for us.
1276
00:55:26,419 --> 00:55:28,899
So, how do we make this work?
1277
00:55:28,979 --> 00:55:31,539
JOHN: And he's the only one
in this entire experiment
1278
00:55:31,619 --> 00:55:33,659
that boycotted it
and refused to do it.
1279
00:55:33,739 --> 00:55:36,539
And a lot of the other participants
and couples
1280
00:55:36,579 --> 00:55:38,859
saw some real gain to the experience
1281
00:55:38,939 --> 00:55:41,779
and he seems
to not even recognise that.
1282
00:55:41,859 --> 00:55:44,659
No, that's right, and a lot of them,
I'm sure, felt the same way,
1283
00:55:44,699 --> 00:55:46,339
but they did it.
1284
00:55:46,379 --> 00:55:48,259
(TENSE INSTRUMENTAL MUSIC)
1285
00:55:48,339 --> 00:55:51,899
You said to me - this was a test -
you said, "Mel, you do it..."
1286
00:55:51,939 --> 00:55:53,059
How is that a test?
1287
00:55:53,139 --> 00:55:55,819
"My morals and values will not allow
me, but you can do it."
1288
00:55:55,899 --> 00:55:57,259
And then, when I did it,
you were like,
1289
00:55:57,299 --> 00:55:58,499
"I just hoped that you wouldn't."
1290
00:55:58,579 --> 00:56:00,219
Then you did the three days
away from me,
1291
00:56:00,299 --> 00:56:02,819
and you chose to have one more
night, just to punish me more!
1292
00:56:02,899 --> 00:56:04,659
Oh, my...Mel.
That's what it felt like!
1293
00:56:04,699 --> 00:56:06,899
All I wanted was just your support,
1294
00:56:06,979 --> 00:56:08,739
and I didn't feel like I had it,
that's it.
1295
00:56:08,819 --> 00:56:10,699
I try and support you!
You don't let me!
1296
00:56:10,739 --> 00:56:12,499
Why would I not support you?
1297
00:56:12,579 --> 00:56:14,379
How many times have I said...
OK.
1298
00:56:14,459 --> 00:56:16,379
..that I supported you,
if you'd just let me support you?
1299
00:56:16,419 --> 00:56:17,619
I respect your decision.
1300
00:56:17,699 --> 00:56:19,459
Did I not say last night
that I respect it?
1301
00:56:19,539 --> 00:56:21,619
OK, but...
What are you doing - tit for tat?!
1302
00:56:21,699 --> 00:56:23,539
But in the moment, Mel -
that's what we're talking about.
1303
00:56:23,619 --> 00:56:26,299
I didn't get a chance!
You Wall of China and shut me out!
1304
00:56:26,379 --> 00:56:28,419
I felt like it was
a confrontation position
1305
00:56:28,459 --> 00:56:29,699
with Harrison and Mel together.
1306
00:56:29,739 --> 00:56:30,819
I felt like there were times
1307
00:56:30,899 --> 00:56:32,659
where they started laughing
together, mocking me...
1308
00:56:32,739 --> 00:56:34,459
No, you're saying that now.
That's how I felt, Mel!
1309
00:56:34,539 --> 00:56:36,539
You felt Harrison as a threat!
You made a joke...
1310
00:56:36,619 --> 00:56:38,499
You said it would be OK
with Ollie or Duncan.
1311
00:56:38,579 --> 00:56:40,299
You said...
No, I did not say that!
1312
00:56:40,379 --> 00:56:42,379
You started joking
about putting keys in a bowl!
1313
00:56:42,419 --> 00:56:43,579
(DRAMATIC MUSIC SWELLS)
1314
00:56:43,619 --> 00:56:45,299
What the hell did he just say?
1315
00:56:45,339 --> 00:56:47,059
That's bullshit. That's not true.
1316
00:56:48,139 --> 00:56:50,139
I'm gonna do a Bronte!
It was a great night.
1317
00:56:50,179 --> 00:56:52,419
(DRAMATIC MUSIC SWELLS)
1318
00:57:05,219 --> 00:57:07,619
I try and support you!
You don't let me!
1319
00:57:07,699 --> 00:57:10,139
You started joking about
putting keys in a bowl!
1320
00:57:10,179 --> 00:57:13,019
(TENSE INSTRUMENTAL MUSIC)
1321
00:57:13,099 --> 00:57:14,659
I'm gonna do a Bronte!
It was a great night.
1322
00:57:14,739 --> 00:57:16,939
WOMAN: No, no, no!
Mel. Mel. Mel, Mel, Mel!
1323
00:57:16,979 --> 00:57:19,659
(DRAMATIC MUSIC BUILDS)
1324
00:57:24,659 --> 00:57:26,659
That shit in there, it's not true!
1325
00:57:26,739 --> 00:57:28,379
WOMAN: Babe...
That's not true!
1326
00:57:28,459 --> 00:57:30,219
I know.
WOMAN: Hey, hey.
1327
00:57:30,299 --> 00:57:32,659
He's trying to tit for tat
to get everyone on his side!
1328
00:57:32,699 --> 00:57:34,419
MEL SCHILLING: Wow.
1329
00:57:34,499 --> 00:57:38,059
Their fight style really came out
for the group to see,
1330
00:57:38,099 --> 00:57:39,619
and it was ugly.
1331
00:57:39,659 --> 00:57:40,739
Yep.
1332
00:57:40,819 --> 00:57:44,219
The dynamic that he and Melinda
have created in their relationship
1333
00:57:44,259 --> 00:57:45,379
is very closed up
1334
00:57:45,459 --> 00:57:47,619
and it's very much about
that tug-of-war between them.
1335
00:57:48,659 --> 00:57:51,219
You know, and that gridlock
just went on and on.
1336
00:57:51,299 --> 00:57:56,059
These guys need to let go of
point-scoring and being right,
1337
00:57:56,139 --> 00:57:59,699
and just talk, and hear
the other person's point of view.
1338
00:58:07,419 --> 00:58:10,219
You just said that, moments before,
I was saying I don't like Harrison.
1339
00:58:10,299 --> 00:58:12,859
Why would you gang up against...?
WOMEN: Yeah!
1340
00:58:12,899 --> 00:58:15,379
I feel like he was quick to be like,
1341
00:58:15,419 --> 00:58:17,419
"Mel did this, this, this."
1342
00:58:17,459 --> 00:58:20,459
(TENSE INSTRUMENTAL MUSIC)
1343
00:58:21,619 --> 00:58:25,899
We're in this position because
YOU got angry over the task.
1344
00:58:26,899 --> 00:58:28,459
You got angry.
1345
00:58:28,539 --> 00:58:32,059
I think that
because of Mel and I's personality,
1346
00:58:32,099 --> 00:58:33,859
both being so passionate,
1347
00:58:33,939 --> 00:58:38,699
um, and both being
really headstrong,
1348
00:58:38,739 --> 00:58:41,779
when we get into arguments,
1349
00:58:41,859 --> 00:58:45,579
it can blow up and they can get
really uncomfortable.
1350
00:58:45,619 --> 00:58:47,899
(TENSE INSTRUMENTAL MUSIC)
1351
00:58:47,979 --> 00:58:52,099
I feel like, um,
we go from zero to 100,
1352
00:58:52,139 --> 00:58:53,899
and it makes me think that
1353
00:58:53,979 --> 00:58:56,739
there is just something
that makes us incompatible.
1354
00:58:56,779 --> 00:58:58,779
(TENSE INSTRUMENTAL MUSIC)
1355
00:58:58,859 --> 00:59:02,099
Maybe Mel and I just bring out
the worst in each other.
1356
00:59:02,179 --> 00:59:04,299
I know I've gotta work
on so many things,
1357
00:59:04,379 --> 00:59:06,699
but you know, I feel like
still there's some things
1358
00:59:06,739 --> 00:59:08,419
that Mel needs to work on as well,
1359
00:59:08,499 --> 00:59:10,059
and I feel really uncomfortable
saying that
1360
00:59:10,139 --> 00:59:12,259
'cause I don't wanna throw Mel
under the bus, 'cause she's...
1361
00:59:12,299 --> 00:59:13,779
..I like so many things about Mel.
1362
00:59:13,819 --> 00:59:14,899
Yep.
1363
00:59:14,979 --> 00:59:19,819
But I think, sometimes,
behind closed doors,
1364
00:59:19,899 --> 00:59:21,779
maybe there's...you know,
we're not coming together
1365
00:59:21,819 --> 00:59:23,059
and meeting in the middle.
1366
00:59:23,099 --> 00:59:24,139
Yep.
1367
00:59:24,219 --> 00:59:28,339
And there are some real underlying
issues that we've got that are so...
1368
00:59:28,419 --> 00:59:29,819
..that, if we don't
get those right...
1369
00:59:29,859 --> 00:59:32,379
(SOMBRE INSTRUMENTAL MUSIC)
1370
00:59:32,459 --> 00:59:34,339
..how can we...
how can you move forward
1371
00:59:34,379 --> 00:59:36,099
and have a family with this person?
1372
00:59:37,739 --> 00:59:40,779
You know, I wanna have children
and a family in five years,
1373
00:59:40,859 --> 00:59:43,979
and what if we're still in
this position in two, three years,
1374
00:59:44,059 --> 00:59:45,579
where we have an argument
that's so heated
1375
00:59:45,619 --> 00:59:46,939
that it just becomes exhausting?
1376
00:59:46,979 --> 00:59:49,179
(SOMBRE INSTRUMENTAL MUSIC)
1377
00:59:49,219 --> 00:59:50,779
I care about Mel heaps...
1378
00:59:52,379 --> 00:59:58,259
..but I know that I don't want
to be in a relationship like this.
1379
00:59:58,299 --> 01:00:01,459
Um...yeah, it's really tough.
1380
01:00:01,499 --> 01:00:04,499
(SOMBRE MUSIC CONTINUES)
1381
01:00:06,579 --> 01:00:08,819
(EXHALES)
That's OK! Oh!
1382
01:00:10,899 --> 01:00:11,979
I know.
1383
01:00:12,019 --> 01:00:13,619
(DRAMATIC MUSIC BUILDS)
1384
01:00:13,659 --> 01:00:15,939
It's rough, man. It's really rough.
1385
01:00:15,979 --> 01:00:18,939
(MELINDA CRIES)
1386
01:00:18,979 --> 01:00:21,979
(DRAMATIC MUSIC CONTINUES)
1387
01:00:28,699 --> 01:00:29,859
NARRATOR: Sunday night...
1388
01:00:29,939 --> 01:00:33,299
Welcome, everybody, to
the very final commitment ceremony.
1389
01:00:33,339 --> 01:00:35,779
..after eight intense weeks,
1390
01:00:35,859 --> 01:00:38,299
and with homestays
just around the corner...
1391
01:00:38,379 --> 01:00:41,219
WOMAN: Finally took those
rose-coloured glasses off
1392
01:00:41,259 --> 01:00:42,819
and I've finally woken up!
1393
01:00:42,859 --> 01:00:44,739
..will Bronte, at long last,
1394
01:00:44,819 --> 01:00:48,859
finally deliver the decision
the group has been waiting for?
1395
01:00:50,299 --> 01:00:52,299
Um...
1396
01:00:52,339 --> 01:00:54,099
Plus...
1397
01:00:54,179 --> 01:00:56,259
What makes you think
that you're not good enough?
1398
01:00:56,299 --> 01:00:59,299
..Ollie's emotional revelation...
1399
01:00:59,339 --> 01:01:01,139
Um...
1400
01:01:01,219 --> 01:01:04,979
..and a surprising confession
no-one saw coming...
1401
01:01:05,059 --> 01:01:07,579
I've got insecurities.
Were you jealous?
1402
01:01:07,619 --> 01:01:09,299
(DRAMATIC MUSIC SWELLS)
1403
01:01:09,339 --> 01:01:10,819
..before Evelyn...
1404
01:01:10,899 --> 01:01:14,459
I think this is probably the time
to make a statement to someone.
1405
01:01:14,499 --> 01:01:17,259
..delivers a personalised message
1406
01:01:17,339 --> 01:01:19,899
for this year's
most controversial groom.
1407
01:01:19,939 --> 01:01:20,939
Harrison?
1408
01:01:20,979 --> 01:01:22,019
Yes, Evelyn?
1409
01:01:22,059 --> 01:01:24,779
(DRAMATIC MUSIC SWELLS)
1410
01:01:24,859 --> 01:01:27,819
Captioned by Ai-Media
ai-media.tv
102232
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.