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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:26,083 --> 00:00:30,417 CAPTIONING MADE POSSIBLE BY BUENA VISTA TELEVISION 4 00:00:38,875 --> 00:00:40,291 [FOOTSTEPS] 5 00:00:40,375 --> 00:00:42,166 Woman: BILL? 6 00:00:42,250 --> 00:00:44,250 [FOOTSTEPS] 7 00:00:44,333 --> 00:00:45,875 BILL! 8 00:00:45,959 --> 00:00:47,542 [KEYS JANGLE] 9 00:00:47,625 --> 00:00:49,083 ARE YOU IN THERE? 10 00:00:49,166 --> 00:00:51,792 [GARAGE DOOR RISING] 11 00:01:05,458 --> 00:01:08,125 [CRASH] 12 00:01:57,875 --> 00:02:00,750 Man: I FEEL I HAVE A GREAT DEAL OF PROMISE. 13 00:02:00,834 --> 00:02:01,583 Second man: PROMISE? 14 00:02:01,667 --> 00:02:03,291 YES. UNLIMITED POTENTIAL. 15 00:02:03,375 --> 00:02:05,417 I GRADUATED NEAR THE TOP OF MY CLASS. 16 00:02:05,500 --> 00:02:08,959 MM-HMM. I SEE YOU'VE BEEN OUT OF SCHOOL FOR A YEAR ALREADY. 17 00:02:09,041 --> 00:02:12,417 WELL, OK, YES, BUT I THINK THAT'S A LITTLE MISLEADING. 18 00:02:12,500 --> 00:02:16,667 I MEAN, I LOOK AT THIS PAST YEAR AS A PERIOD OF REAL GROWTH FOR ME, 19 00:02:16,750 --> 00:02:20,333 I MEAN, IN TERMS OF PREPARATION FOR THE FUTURE. 20 00:02:20,417 --> 00:02:21,291 WHAT ARE YOUR GOALS? 21 00:02:21,375 --> 00:02:23,458 GOALS? YOU MEAN IN TERMS OF ARCHITECTURE? 22 00:02:23,542 --> 00:02:27,291 WHERE DO YOU SEE YOURSELF, LET'S SAY, 5 YEARS FROM NOW? 23 00:02:27,375 --> 00:02:29,125 OH. WELL, UM... 24 00:02:29,208 --> 00:02:30,792 IT WOULD BE GREAT TO GET THIS JOB 25 00:02:30,875 --> 00:02:33,291 SO I COULD GET OUT OF MY MOM'S HOUSE. 26 00:02:33,375 --> 00:02:34,458 [LAUGHS] 27 00:02:34,542 --> 00:02:40,166 NO. 5 YEARS FROM NOW, I'D HAVE TO SAY... 28 00:02:40,250 --> 00:02:43,834 WELL ON MY WAY, SIR. THAT'S WHERE I SEE MYSELF. 29 00:02:43,917 --> 00:02:46,792 I MEAN, I SEE A LOT OF ROOM FOR ME TO GROW HERE, 30 00:02:46,875 --> 00:02:50,125 AND I DON'T WANT YOU TO CONCERN YOURSELF WITH THIS PAST YEAR. 31 00:02:50,208 --> 00:02:51,500 I MEAN, I'M THE FIRST TO ADMIT 32 00:02:51,583 --> 00:02:54,667 I HAD A LITTLE DIFFICULTY JUST AS FAR AS... 33 00:02:54,750 --> 00:02:55,667 FORWARD MOMENTUM, 34 00:02:55,750 --> 00:02:58,166 BUT I'VE HAD A LOT OF JOB INTERVIEWS RECENTLY, 35 00:02:58,250 --> 00:02:59,834 AND, YOU KNOW, I DON'T WANT TO SAY ANYTHING, 36 00:02:59,917 --> 00:03:02,375 BUT I FEEL LIKE I'M ON THE VERGE OF A REAL BREAKTHROUGH, 37 00:03:02,458 --> 00:03:07,458 I REALLY DO, AND I THINK BIG THINGS ARE GONNA HAPPEN. 38 00:03:07,542 --> 00:03:08,333 [LAUGHS] 39 00:03:08,417 --> 00:03:11,875 WELL, I'M CERTAINLY ON YOUR SIDE, TIM. 40 00:03:12,792 --> 00:03:13,709 TOM. 41 00:03:13,792 --> 00:03:14,709 TOM! 42 00:03:14,792 --> 00:03:16,291 TOM THOMPSON. 43 00:03:16,375 --> 00:03:18,667 [TELEPHONE RINGS] 44 00:03:18,750 --> 00:03:21,125 [VACUUM CLEANER RUNNING] 45 00:03:21,208 --> 00:03:24,542 [RING] 46 00:03:25,750 --> 00:03:29,166 [RING] 47 00:03:30,500 --> 00:03:34,166 [RING] 48 00:03:34,834 --> 00:03:36,959 HELLO. 49 00:03:42,333 --> 00:03:44,291 TOM! 50 00:03:46,625 --> 00:03:49,417 TOM! 51 00:03:55,125 --> 00:03:57,792 TOM! 52 00:04:02,333 --> 00:04:03,333 PHONE CALL. 53 00:04:03,417 --> 00:04:04,250 WHO IS IT? 54 00:04:04,333 --> 00:04:05,375 IT'S A GIRL. 55 00:04:05,458 --> 00:04:08,750 HEY! HEY, WHAT'S THIS FRIGGIN' LOCK? 56 00:04:08,834 --> 00:04:09,875 NOT NOW. 57 00:04:09,959 --> 00:04:11,500 HEY! 58 00:04:14,166 --> 00:04:15,250 HELLO. 59 00:04:15,333 --> 00:04:17,750 Woman, crying: IS THIS TOM? 60 00:04:17,834 --> 00:04:20,166 TOM THOMPSON? 61 00:04:22,333 --> 00:04:23,041 WHO IS THIS? 62 00:04:23,125 --> 00:04:26,500 IT'S RUTH ABERNATHY, BILL'S MOM. 63 00:04:27,500 --> 00:04:29,750 BILL'S DEAD. 64 00:04:29,834 --> 00:04:32,500 [SOBBING] 65 00:05:35,583 --> 00:05:38,208 [SIRENS] 66 00:05:46,417 --> 00:05:48,291 I HAVE TO TALK TO YOU. 67 00:05:48,375 --> 00:05:49,458 I'M--I'M, LIKE, SHAKING. 68 00:05:49,542 --> 00:05:50,500 DID YOU GET THE JOB? 69 00:05:50,583 --> 00:05:51,959 DO YOU REMEMBER A GUY NAMED BILL ABERNATHY? 70 00:05:52,041 --> 00:05:53,166 NO. SO YOU DIDN'T GET THE JOB. 71 00:05:53,250 --> 00:05:55,208 NO, FORGET ABOUT-- THIS HAS NOTHING TO DO WITH THE JOB. 72 00:05:55,291 --> 00:05:57,000 COME ON, THINK. FROM HIGH SCHOOL? 73 00:05:57,083 --> 00:05:58,208 LOOK, I DON'T REMEMBER HIM. 74 00:05:58,291 --> 00:05:59,083 NO? ARE YOU OK? 75 00:05:59,166 --> 00:06:01,166 WAIT, IS THAT YOUR BROOKS BROTHERS? 76 00:06:01,250 --> 00:06:02,458 I HAD TO DO SOME RESEARCH AT THE FIRM. 77 00:06:02,542 --> 00:06:04,959 YOU CAN'T BOWL IN YOUR BROOKS BROTHERS. 78 00:06:05,041 --> 00:06:05,834 WHERE'S BRAD? 79 00:06:05,917 --> 00:06:08,208 HE'S ON THE PHONE. HE WON'T GET OFF. 80 00:06:08,291 --> 00:06:11,166 Brad: GLASS! BRAD GLASS! 81 00:06:11,250 --> 00:06:13,000 BRAD FROM BROOKLYN! 82 00:06:13,083 --> 00:06:15,333 NO, NO, NO! UNITED STATES! 83 00:06:15,417 --> 00:06:16,917 SORRY TO WAKE YOU! 84 00:06:17,000 --> 00:06:17,875 WHAT TIME THERE? 85 00:06:17,959 --> 00:06:20,083 HE'S BEEN TRYING TO ANSWER THIS GUY IN JAPAN 86 00:06:20,166 --> 00:06:22,041 ABOUT THAT STUPID DOG-BREEDING THING. 87 00:06:22,125 --> 00:06:23,542 WE HAVE TO TALK TO YOU. HANG UP! 88 00:06:23,625 --> 00:06:24,333 MR. TAMAKI! 89 00:06:24,417 --> 00:06:25,500 MR. TAMAKI? HANG UP. 90 00:06:25,583 --> 00:06:28,375 $6.00 A MINUTE, THIS WOMAN KEEPS PUTTING ME ON HOLD. 91 00:06:28,458 --> 00:06:29,583 I'M SORRY. DID YOU GET THE JOB? 92 00:06:29,667 --> 00:06:31,083 GET OFF. I HAVE TO TALK TO YOU. 93 00:06:31,166 --> 00:06:32,041 IS THAT YOUR BROOKS BROTHERS? 94 00:06:32,125 --> 00:06:34,375 DO YOU REMEMBER A GUY NAMED BILL ABERNATHY? 95 00:06:34,458 --> 00:06:35,583 NO! MR. TAMAKI? BRAD. 96 00:06:35,667 --> 00:06:37,083 SO, WHAT HAPPENED AT THE INTERVIEW? 97 00:06:37,166 --> 00:06:38,417 THEY CLAIM THEY'RE GONNA CALL ME. 98 00:06:38,500 --> 00:06:39,875 HELLO! HELLO, LISTEN! 99 00:06:39,959 --> 00:06:42,417 VERY IMPORTANT. I NEED FEEDBACK FROM HUSBAND 100 00:06:42,500 --> 00:06:43,333 ABOUT BUSINESS PROPOSAL. 101 00:06:43,417 --> 00:06:44,375 Woman: WHEN HE COME BACK. 102 00:06:44,458 --> 00:06:45,542 CHIHUAHUA! HE SAYS HE CALL YOU BACK. 103 00:06:45,625 --> 00:06:48,375 OK. I CALL BACK! YEAH. CALL BACK. 104 00:06:48,458 --> 00:06:50,000 CALL BACK. I CALL BACK! 105 00:06:50,083 --> 00:06:50,875 OK. GOOD-BYE. 106 00:06:50,959 --> 00:06:52,417 BYE-BYE. GOOD-BYE. 107 00:06:52,500 --> 00:06:53,250 BYE! 108 00:06:53,333 --> 00:06:54,125 LISTEN, OK? 109 00:06:54,208 --> 00:06:55,709 I'M TRYING TO RUN A BUSINESS HERE, OK? 110 00:06:55,792 --> 00:06:56,834 THAT'S A BUSINESS CALL. 111 00:06:56,917 --> 00:06:58,792 OH, AND I'M SORRY TO INTERRUPT YOUR BUSINESS CALL, 112 00:06:58,875 --> 00:07:02,625 BUT BILL ABERNATHY IS DEAD. 113 00:07:03,500 --> 00:07:05,792 WHO'S BILL ABERNATHY? 114 00:07:05,875 --> 00:07:06,792 BEFORE I GET THE CHANCE 115 00:07:06,875 --> 00:07:08,792 TO TELL THIS VERY MYSTERIOUS-SOUNDING WOMAN 116 00:07:08,875 --> 00:07:12,291 THAT I BASICALLY HAVE NO RECOLLECTION OF HER SON, 117 00:07:12,375 --> 00:07:13,875 SHE JUST STARTS CRYING. 118 00:07:13,959 --> 00:07:14,625 SHE CRIED? 119 00:07:14,709 --> 00:07:15,834 JESUS! WHO IS THIS WOMAN? 120 00:07:15,917 --> 00:07:17,959 WELL, I DON'T KNOW, BUT THERE WERE THESE LONG STRETCHES. 121 00:07:18,041 --> 00:07:21,250 NOTHING BUT CRYING FOR, LIKE, MINUTES. 122 00:07:21,333 --> 00:07:23,291 [BOTH LAUGH] 123 00:07:23,375 --> 00:07:26,792 Brad: I FEEL REALLY BAD FOR THE LADY. 124 00:07:26,875 --> 00:07:30,166 SHE SOUNDS LIKE A NICE, WARM PERSON. 125 00:07:34,500 --> 00:07:36,291 SO I GUESS I'M GONNA NEED A SUIT. 126 00:07:36,375 --> 00:07:37,250 FOR WHAT? 127 00:07:37,333 --> 00:07:39,417 HELLO? WHAT HAVE WE BEEN TALKING ABOUT HERE? 128 00:07:39,500 --> 00:07:40,458 I'M GONNA BE A PALLBEARER. 129 00:07:40,542 --> 00:07:42,583 WHAT? YOU DIDN'T GET OUT OF IT? 130 00:07:42,667 --> 00:07:43,667 GOOD. ARE YOU DONE LAUGHING? 131 00:07:43,750 --> 00:07:46,250 THIS IS MY WHOLE POINT. I'M IN BIG TROUBLE HERE. 132 00:07:46,333 --> 00:07:47,458 TOM, HOW COULD YOU TELL HER YES? 133 00:07:47,542 --> 00:07:49,083 WELL, I TOLD YOU THERE WAS CRYING. 134 00:07:49,166 --> 00:07:50,667 HOW AM I SUPPOSED TO RESPOND TO THAT? 135 00:07:50,750 --> 00:07:51,417 WELL, JUST CALL HER UP. 136 00:07:51,500 --> 00:07:52,917 TELL HER YOU GOT BACK TROUBLE. 137 00:07:53,000 --> 00:07:55,250 LOOK, IT'S NO GOOD. I AM IN. I AM COMMITTED. 138 00:07:55,333 --> 00:07:57,125 I AM JUST GONNA HAVE TO DO THIS ONE LITTLE THING FOR HER. 139 00:07:57,208 --> 00:07:59,000 OH, YEAH, SURE. IT STARTS OFF AS JUST ONE LITTLE THING, 140 00:07:59,083 --> 00:08:00,250 AND ALL OF A SUDDEN, YOU'RE ENMESHED IN A SITUATION. 141 00:08:00,333 --> 00:08:04,166 HE'S RIGHT. THIS COULD BE PART OF A WHOLE SCAM OPERATION. 142 00:08:04,250 --> 00:08:05,250 WHAT? WHAT? 143 00:08:05,333 --> 00:08:06,667 ONE MINUTE YOU'RE CARRYING THIS GUY'S COFFIN, 144 00:08:06,750 --> 00:08:10,375 THE NEXT MINUTE, YOU'RE LYING IN A DITCH NAKED. 145 00:08:14,375 --> 00:08:15,458 SO IS THAT SUIT BLACK? 146 00:08:15,542 --> 00:08:18,250 NO. IT'S A CHARCOAL-GRAY WEAVE WITH A-- 147 00:08:18,333 --> 00:08:20,375 WITH A CHALK STRIPE. WHY? 148 00:08:20,917 --> 00:08:21,709 WHAT ARE YOU? A 40-REGULAR? 149 00:08:21,792 --> 00:08:23,333 NO, NO, NO. TOM-- SCOTT, PLEASE. 150 00:08:23,417 --> 00:08:24,709 I WEAR THIS SUIT TO WORK. SCOTT. 151 00:08:24,792 --> 00:08:25,875 THIS IS MY MAIN WORK SUIT. 152 00:08:25,959 --> 00:08:26,834 LOOK, I HAVE A PROBLEM HERE. 153 00:08:26,917 --> 00:08:28,291 I HAVE TO LOOK PRESENTABLE, OK? 154 00:08:28,375 --> 00:08:30,834 THIS IS A $600 SUIT. 155 00:08:30,917 --> 00:08:33,208 YOU KNOW WHAT? NOW I'M STARTING TO SEE YOU 156 00:08:33,291 --> 00:08:34,333 FOR WHO YOU REALLY ARE. 157 00:08:34,417 --> 00:08:35,208 OH-- NO, I'M SERIOUS. 158 00:08:35,291 --> 00:08:36,834 WHAT IF IT WERE BRAD LYING IN THE COFFIN? 159 00:08:36,917 --> 00:08:37,667 WHOA, WHOA, WHOA, WHOA. 160 00:08:37,750 --> 00:08:38,333 WHAT ARE YOU TALKING ABOUT? "BRAD"? 161 00:08:38,417 --> 00:08:39,500 WHAT ARE YOU TALKING ABOUT? 162 00:08:39,583 --> 00:08:41,709 HEY, ALL THE SHIT YOU EAT? YOUR HEART'S A TIME BOMB. 163 00:08:41,792 --> 00:08:43,875 THAT'S NICE. THAT'S A NICE THING. 164 00:08:43,959 --> 00:08:45,542 I'VE HAD ENOUGH. I GOTTA GO. 165 00:08:45,625 --> 00:08:48,500 WHAT DO YOU MEAN? IT'S--WE'RE NOT DONE HERE. 166 00:08:48,583 --> 00:08:49,500 HEY, IT'S 10:30. 167 00:08:49,583 --> 00:08:52,291 SO? IT'S TUESDAY NIGHT. CAN YOU BELIEVE HIM? 168 00:08:52,375 --> 00:08:53,959 IT'S 10:30 ALREADY? 169 00:08:56,458 --> 00:08:57,792 COME ON. LET'S GO. 170 00:08:57,875 --> 00:08:59,333 WELL, IF YOU DON'T LEND ME THE SUIT, SCOTT, 171 00:08:59,417 --> 00:09:00,709 I CAN'T DO IT. I CAN'T GO. 172 00:09:00,792 --> 00:09:01,792 I'LL HAVE TO CALL HER BACK. 173 00:09:01,875 --> 00:09:03,875 WELL, THAT'S GOOD. YOU DON'T NEED THIS RIGHT NOW. 174 00:09:03,959 --> 00:09:05,375 AND DON'T FORGET THE WEDDING SHOWER. 175 00:09:05,458 --> 00:09:06,834 OH, YEAH. I'M NOT GOING. 176 00:09:06,917 --> 00:09:07,625 YOU'RE GOING. NO. 177 00:09:07,709 --> 00:09:09,208 YOU'RE GOING. YOU'RE THE BEST MAN. 178 00:09:09,291 --> 00:09:10,375 HOW CAN HE MARRY HER, SCOTT? 179 00:09:10,458 --> 00:09:12,667 SHE'S LIKE AN ALBATROSS AROUND HIS NECK. 180 00:09:12,750 --> 00:09:14,500 YOU DON'T UNDERSTAND. IT'S CALLED A RELATIONSHIP. 181 00:09:14,583 --> 00:09:18,458 OH, WHAT? CYNTHIA'S AN ALBATROSS? 182 00:09:20,333 --> 00:09:24,500 BRING SOME WINE, OK? 183 00:09:24,583 --> 00:09:26,959 YOU BETTER COME. 184 00:09:54,125 --> 00:09:56,417 [DOORBELL RINGS] 185 00:09:56,500 --> 00:09:58,542 CYNTHIA. 186 00:09:58,625 --> 00:10:00,417 HI. HI! 187 00:10:00,500 --> 00:10:02,250 OH, MY GOD! YOU'LL NEVER BELIEVE WHO'S COMING. 188 00:10:02,333 --> 00:10:04,083 HOW COULD YOU INVITE JERRY SCHNEIDERMAN? 189 00:10:04,166 --> 00:10:06,250 NOW JUST RELAX AND YOU'LL BE FINE. 190 00:10:06,333 --> 00:10:08,375 IS THAT WHAT YOU'RE WEARING? 191 00:10:09,000 --> 00:10:10,291 OF COURSE IT'S WHAT I'M WEARING. 192 00:10:10,375 --> 00:10:11,917 WE'RE HERE. WAIT. WHO'S COMING? 193 00:10:12,000 --> 00:10:13,291 NOW DON'T PANIC. 194 00:10:13,375 --> 00:10:14,250 I'M NOT. GOOD. 195 00:10:14,333 --> 00:10:16,750 I RAN INTO HER AT DECASTINO'S THIS MORNING-- 196 00:10:16,834 --> 00:10:18,125 Woman: CYNTHIA. WHO? 197 00:10:18,208 --> 00:10:19,625 HI! 198 00:10:19,709 --> 00:10:20,750 WHO? 199 00:10:20,834 --> 00:10:22,125 I'LL BE RIGHT BACK. 200 00:10:22,208 --> 00:10:24,583 I'M SORRY. CYNTHIA! 201 00:10:25,375 --> 00:10:26,166 [DOORBELL RINGS] 202 00:10:26,250 --> 00:10:27,583 THERE'S A LOT OF SINGLE WOMEN HERE. 203 00:10:27,667 --> 00:10:29,166 WHO'S COMING, SCOTT? 204 00:10:29,250 --> 00:10:30,166 CYNTHIA SAID SOMEONE IS COMING. 205 00:10:30,250 --> 00:10:32,333 IT'S NOT--IT'S NOT THAT LORETTA PERSON, IS IT? 206 00:10:32,417 --> 00:10:34,125 BECAUSE YOU KNOW THAT DID NOT WORK OUT. 207 00:10:34,208 --> 00:10:36,166 Brad: SWEETHEART-- Woman: SHUT UP! 208 00:10:36,250 --> 00:10:38,834 [INDISTINCT] 209 00:10:38,917 --> 00:10:40,667 [DOORBELL RINGS] HERE SHE GOES AGAIN. 210 00:10:40,750 --> 00:10:44,959 DO YOU SEE HOW SHE, LIKE, SPITS? 211 00:10:45,041 --> 00:10:46,417 WILL YOU LISTEN TO ME, BRAD?! 212 00:10:46,500 --> 00:10:47,291 SWEETHEART-- 213 00:10:47,375 --> 00:10:48,500 SHUT UP WITH THE SWEETHEART! 214 00:10:48,583 --> 00:10:51,917 [SHOUTING] 215 00:10:54,000 --> 00:10:57,166 HEY, ISN'T THAT JULIE DeMARCO? 216 00:10:57,250 --> 00:10:58,166 I HAVE TO BORROW A SHIRT. 217 00:10:58,250 --> 00:11:01,291 Woman: HOW MANY TIMES DO I HAVE TO TELL YOU-- 218 00:11:01,375 --> 00:11:02,125 WELL, WHAT ARE YOU DOING? 219 00:11:02,208 --> 00:11:03,250 THAT'S JULIE DeMARCO OUT THERE. 220 00:11:03,333 --> 00:11:04,208 DON'T YOU HAVE ANY REGULAR SHIRTS? 221 00:11:04,291 --> 00:11:06,667 YOU KNOW, LIKE--LIKE-- LIKE, JUST A SHIRT? 222 00:11:06,750 --> 00:11:08,458 WHAT ARE YOU TALKING ABOUT? 223 00:11:08,542 --> 00:11:10,125 LIKE THAT. THAT'S A GOOD SHIRT. 224 00:11:10,208 --> 00:11:12,000 DON'T YOU HAVE ANY SHIRTS LIKE THAT? 225 00:11:12,083 --> 00:11:13,500 YEAH. I'M WEARING IT. 226 00:11:13,583 --> 00:11:14,500 TAKE IT OFF. WHAT? 227 00:11:14,583 --> 00:11:15,500 I HAVE TO BORROW THE SHIRT, SCOTT. 228 00:11:15,583 --> 00:11:18,000 WHAT IS THIS OBSESSION WITH MY CLOTHES, TOM? 229 00:11:18,083 --> 00:11:20,375 LOOK, I WAS IN LOVE WITH HER, OK? 230 00:11:20,458 --> 00:11:21,834 SO? SO? SO? 231 00:11:21,917 --> 00:11:23,375 I HAVEN'T SEEN HER SINCE HIGH SCHOOL. 232 00:11:23,458 --> 00:11:24,291 IMAGINE THAT SHE SEES ME, 233 00:11:24,375 --> 00:11:28,375 AND I'M WEARING THE SAME FUCKING SHIRT! 234 00:11:28,458 --> 00:11:29,333 [SIGHS] 235 00:11:29,417 --> 00:11:32,583 I JUST GOT THIS SHIRT. 236 00:11:44,041 --> 00:11:44,834 GUYS. 237 00:11:44,917 --> 00:11:47,000 HEY, HE WANTS TO BORROW MY SHIRT NOW. 238 00:11:47,083 --> 00:11:47,875 HEY, WHATEVER. LISTEN, 239 00:11:47,959 --> 00:11:49,458 WE GOT TO DO SOMETHING ABOUT THE DIP, OK? 240 00:11:49,542 --> 00:11:51,417 LAUREN'S HAVE A FRIGGIN' CONNIPTION OUT THERE. 241 00:11:51,500 --> 00:11:53,417 DID YOU LEAVE YOUR ANSWERING MACHINE ON? 242 00:11:53,500 --> 00:11:54,583 'CAUSE I GAVE TAMAKI THE PHONE NUMBER. 243 00:11:54,667 --> 00:11:57,667 I GOT A LITTLE LINE ON A COUPLE OF PRIZE-WINNING DOGS. 244 00:11:57,750 --> 00:11:59,041 WHAT--WHAT'S WRONG WITH THE DIP? 245 00:11:59,125 --> 00:12:02,542 HEY, LAUREN INSISTS THEY ARE ALL LACTOSE INTOLERANT. 246 00:12:02,625 --> 00:12:04,208 LACTOSE? 247 00:12:04,291 --> 00:12:07,166 DON'T MARRY HER, BRAD. 248 00:12:07,625 --> 00:12:08,208 HE DOESN'T CARE. 249 00:12:08,291 --> 00:12:09,875 JULIE, JULIE, AM I WRONG? 250 00:12:09,959 --> 00:12:11,083 IS IT TOO MUCH TO ASK 251 00:12:11,166 --> 00:12:13,709 THAT I COULD HAVE ONE DIP FOR ME AND MY SISTERS TO ENJOY? 252 00:12:13,792 --> 00:12:14,875 WHAT ABOUT SALSA? 253 00:12:14,959 --> 00:12:16,834 SALSA? I LOVE SALSA. 254 00:12:16,917 --> 00:12:18,208 TOM--TOM, UM... 255 00:12:18,291 --> 00:12:20,041 YOU REMEMBER JULIE DeMARCO. 256 00:12:20,125 --> 00:12:21,583 SHE'S--SHE'S BACK IN BROOKLYN. 257 00:12:21,667 --> 00:12:23,375 OH, HI. SURE. YES. 258 00:12:23,458 --> 00:12:26,208 DIDN'T YOU MOVE AWAY SENIOR YEAR? 259 00:12:26,291 --> 00:12:27,375 YEAH. LONG ISLAND. 260 00:12:27,458 --> 00:12:29,542 HER FATHER MADE A KILLING IN REAL ESTATE. 261 00:12:29,625 --> 00:12:30,917 JULIE IS RIGHT! JULIE'S RIGHT! 262 00:12:31,041 --> 00:12:33,959 SALSA, GUACAMOLE. IT IS SO OBVIOUS. 263 00:12:34,041 --> 00:12:35,000 YEAH. YOU KNOW WHAT? 264 00:12:35,083 --> 00:12:37,583 I THINK I HAVE SOME AVOCADO IN THE KITCHEN. 265 00:12:37,667 --> 00:12:38,375 WE'LL TAKE A LOOK. 266 00:12:38,458 --> 00:12:39,917 I JUST WANT TO TELL YOU ONE THING. 267 00:12:40,000 --> 00:12:41,542 OK. 268 00:12:45,500 --> 00:12:47,417 UH--SO YOU--WOW. 269 00:12:47,500 --> 00:12:48,417 YOU LOOK, UH, REALLY-- 270 00:12:48,500 --> 00:12:51,291 OH, GOD. WELL, THAT'S REALLY-- 271 00:12:51,375 --> 00:12:54,041 Man: HEY! MARY LOU! 272 00:12:54,125 --> 00:12:56,792 [WHISPERING] Jerry Schneiderman? 273 00:12:56,875 --> 00:12:57,750 I KNOW. 274 00:12:57,834 --> 00:12:59,375 DO YOU KNOW HE'S ENGAGED? 275 00:12:59,458 --> 00:13:01,375 [LAUGHS] HE IS NOT. 276 00:13:01,458 --> 00:13:03,375 OH, MY GOD! 277 00:13:03,458 --> 00:13:04,750 EVERYBODY'S GETTING MARRIED. 278 00:13:04,834 --> 00:13:07,250 I KNOW. IT'S LIKE A VIRUS OR SOMETHING. 279 00:13:07,333 --> 00:13:08,166 I KNOW. 280 00:13:08,250 --> 00:13:10,917 I MEAN, I WAS, YOU KNOW, SUPPOSED TO, BUT-- 281 00:13:11,000 --> 00:13:13,250 OH. YOU KNOW, IT DIDN'T WORK OUT, 282 00:13:13,333 --> 00:13:14,583 BUT--YEAH. 283 00:13:14,667 --> 00:13:19,458 BUT I THOUGHT FOR SURE YOU WOULD HAVE BEEN SNATCHED UP BY NOW. 284 00:13:19,542 --> 00:13:21,500 [LAUGHS] OH. 285 00:13:21,583 --> 00:13:23,000 SO YOU REMEMBER ME? 286 00:13:23,083 --> 00:13:25,458 TOM! WHAT, ARE YOU KIDDING? 287 00:13:25,542 --> 00:13:27,458 SO YOU THINK, UM, 288 00:13:27,542 --> 00:13:28,458 I WOULD HAVE BEEN SNATCHED UP, HUH? 289 00:13:28,542 --> 00:13:32,166 WELL, YOU KNOW, A LOT OF GIRLS WERE AFTER YOU. 290 00:13:32,250 --> 00:13:33,166 [BOTH LAUGH] 291 00:13:33,250 --> 00:13:34,417 NO. YES. 292 00:13:34,500 --> 00:13:36,166 NO. YES. 293 00:13:36,250 --> 00:13:38,000 WHAT ABOUT THAT GIRL? WHO? 294 00:13:38,083 --> 00:13:39,792 OH, YOU KNOW, UH, SHELLY. 295 00:13:39,875 --> 00:13:41,583 SHELLY WHAT'S-HER-NAME. SHE LOVED YOU. 296 00:13:41,667 --> 00:13:43,291 I HAVE NO IDEA WHO YOU'RE TALKING ABOUT. 297 00:13:43,375 --> 00:13:44,208 YES, YOU DO. 298 00:13:44,291 --> 00:13:46,458 REMEMBER? YOU GUYS DID THAT PLAY TOGETHER, 299 00:13:46,542 --> 00:13:48,291 THAT MUSICAL TOGETHER. MUSICAL? 300 00:13:48,375 --> 00:13:51,792 YEAH, YOU WERE GREAT. YOU HAD A GREAT VOICE. 301 00:13:51,875 --> 00:13:54,458 I DON'T SING. 302 00:13:54,542 --> 00:13:57,834 [LAUGHS] WHAT DO YOU MEAN? 303 00:13:57,917 --> 00:14:00,333 I'M TOM THOMPSON. 304 00:14:00,417 --> 00:14:03,583 WE WERE IN BAND TOGETHER. 305 00:14:06,542 --> 00:14:09,542 OH. 306 00:14:13,917 --> 00:14:15,458 YOU OK? 307 00:14:15,542 --> 00:14:17,458 PLEASE, I'M FINE. 308 00:14:17,542 --> 00:14:18,625 LOOK, YOU KNOW, THIS IS GOOD. 309 00:14:18,709 --> 00:14:20,792 I THINK IT'S TIME YOU JUST LET GO OF JULIE DeMARCO. 310 00:14:20,875 --> 00:14:22,333 JUST MOVE PAST HER. 311 00:14:22,417 --> 00:14:23,333 SO I DECIDED-- 312 00:14:23,417 --> 00:14:25,959 YOU SHOULD ASK JULIE DeMARCO OUT FOR COFFEE. 313 00:14:26,041 --> 00:14:28,542 SHE'S ONE OF THE SWEETEST PEOPLE 314 00:14:28,625 --> 00:14:29,667 I HAVE EVER, EVER KNOWN. 315 00:14:29,750 --> 00:14:33,208 YEAH, TOM, DID YOU SEE THOSE LEGS? FORGET ABOUT IT. 316 00:14:33,291 --> 00:14:35,333 YOU WERE STARING AT HER LEGS? 317 00:14:35,417 --> 00:14:36,917 NO, NOT FOR ME. FOR TOM. 318 00:14:37,000 --> 00:14:38,250 I CAN'T BELIEVE YOU. WHAT? 319 00:14:38,333 --> 00:14:40,417 YOU SHOULD BE STARING AT MY LEGS. 320 00:14:40,500 --> 00:14:42,333 I'VE BEEN STARING AT YOUR LEGS FOR 9 YEARS. 321 00:14:42,417 --> 00:14:44,709 WELL, WHAT ARE YOU SAYING? YOU'RE TIRED OF MY LEGS? 322 00:14:44,792 --> 00:14:47,333 NO, CYNTHIA. I'M AGREEING WITH YA. I'M JUST SAYING THAT-- 323 00:14:47,417 --> 00:14:48,542 I'M JUST SAYING THAT TOM SHOULD ASK 324 00:14:48,625 --> 00:14:49,625 JULIE DeMARCO OUT FOR COFFEE. 325 00:14:49,709 --> 00:14:51,333 DON'T YOU THINK HE SHOULD ASK HER OUT FOR COFFEE? 326 00:14:51,417 --> 00:14:52,917 YES. [TOM SIGHS] 327 00:14:56,250 --> 00:14:57,041 ARE YOU OK? 328 00:14:57,125 --> 00:14:59,458 PLEASE, I'M FINE. 329 00:15:38,208 --> 00:15:39,750 [KNOCK ON DOOR] 330 00:15:39,834 --> 00:15:42,250 [DOOR OPENS] 331 00:15:42,333 --> 00:15:45,417 Mom: HOW WAS THE PARTY? 332 00:15:45,500 --> 00:15:47,500 IT WAS OK. 333 00:15:48,458 --> 00:15:51,500 GONNA SEE YOUR FATHER ON SUNDAY? 334 00:15:54,500 --> 00:15:56,291 I DON'T KNOW, MA. 335 00:15:59,500 --> 00:16:01,500 ANYTHING NEW? 336 00:16:04,834 --> 00:16:06,375 GOOD NIGHT, MA. 337 00:16:09,375 --> 00:16:11,375 SEE YA TOMORROW. 338 00:16:42,417 --> 00:16:44,375 [DOORBELL RINGS] 339 00:16:47,125 --> 00:16:49,250 [DOORBELL RINGS] 340 00:16:51,375 --> 00:16:52,667 [DOORBELL RINGS] 341 00:16:52,750 --> 00:16:54,709 OH. 342 00:17:07,542 --> 00:17:08,959 TOM. 343 00:17:17,542 --> 00:17:20,417 I GOT IN TOUCH WITH JIMMY GOLD. 344 00:17:21,542 --> 00:17:23,792 HE'S COMING DOWN FROM BOSTON. 345 00:17:25,625 --> 00:17:28,458 AND THEN THE COUSINS FROM JERSEY. 346 00:17:29,625 --> 00:17:34,709 MAYBE AN OLD FRIEND FROM THE GYM. 347 00:17:34,792 --> 00:17:38,291 WE MIGHT BE ONE OR TWO SHORT ON THE PALLBEARERS. 348 00:17:42,166 --> 00:17:44,166 MRS. ABERNATHY, I AM REALLY SORRY. 349 00:17:44,250 --> 00:17:48,500 I WISH THERE WAS SOMETHING I CAN DO TO HELP YOU OUT. 350 00:17:58,917 --> 00:18:00,792 I KNOW HOW YOU FEEL. 351 00:18:05,333 --> 00:18:06,834 YOU DO? 352 00:18:08,375 --> 00:18:10,166 [DOORBELL RINGS] 353 00:18:10,792 --> 00:18:12,458 I'M GIVING THE EULOGY. WHAT? 354 00:18:12,542 --> 00:18:14,583 RUTH ABERNATHY CAME TO MY HOUSE. 355 00:18:14,667 --> 00:18:16,083 JESUS, YOU DIDN'T GET OUT OF IT? 356 00:18:16,166 --> 00:18:17,250 YOU'RE GETTING ENMESHED. 357 00:18:17,333 --> 00:18:18,291 WHAT ARE YOU HAVING, A THING? 358 00:18:18,375 --> 00:18:20,083 OH, TOM, DON'T GET UPSET. 359 00:18:20,166 --> 00:18:22,250 BRAD AND LAUREN JUST STOPPED BY. 360 00:18:22,333 --> 00:18:23,583 IT'S NOT LIKE A THING THING. 361 00:18:23,667 --> 00:18:25,500 IS THAT LASAGNA? 362 00:18:26,667 --> 00:18:28,208 I CAN'T BELIEVE YOU PEOPLE. 363 00:18:28,291 --> 00:18:31,250 IT'S--IT'S LIKE A CONSPIRACY. 364 00:18:31,333 --> 00:18:32,166 LOOK, LOOK. 365 00:18:32,250 --> 00:18:34,291 IF YOU MUST KNOW, THIS WAS MY IDEA, OK? 366 00:18:34,375 --> 00:18:35,125 OH, YOUR IDEA. 367 00:18:35,208 --> 00:18:36,291 YEAH, WE'RE 2 COUPLES HAVING DINNER. 368 00:18:36,375 --> 00:18:37,542 OH, I NEED TO BE A COUPLE NOW? 369 00:18:37,625 --> 00:18:39,417 NOT EVERYTHING'S ABOUT YOU, TOM. 370 00:18:39,500 --> 00:18:42,083 OH, THAT'S RIGHT. IT'S ALL ABOUT YOU AND YOUR SISTERS 371 00:18:42,166 --> 00:18:43,250 AND ALL YOUR DIETARY RESTRICTIONS. 372 00:18:43,333 --> 00:18:45,792 FINE, THAT'S IT. I'VE HAD YOUR SHIT. 373 00:18:45,875 --> 00:18:47,625 LET'S GO. I'M READY FOR YOU NOW. 374 00:18:47,709 --> 00:18:49,291 CAN I GET YOU A DRINK, TOM? 375 00:18:49,375 --> 00:18:50,750 YES, YES, YOU CAN, CYNTHIA, 376 00:18:50,834 --> 00:18:52,083 AND SOME LASAGNA. 377 00:18:52,166 --> 00:18:53,583 THANK YOU. 378 00:18:54,375 --> 00:18:55,458 [TYPING] 379 00:18:55,542 --> 00:18:56,458 Tom: I DON'T KNOW. I JUST-- 380 00:18:56,542 --> 00:18:57,375 WHAT ABOUT THE CHESS CLUB? 381 00:18:57,458 --> 00:18:59,458 CAN'T WE DO ANYTHING WITH THE CHESS CLUB? 382 00:18:59,542 --> 00:19:00,458 Lauren: IT SHOULD BE PERSONAL. 383 00:19:00,542 --> 00:19:01,500 I MEAN, YOU LOVED THE GUY. 384 00:19:01,583 --> 00:19:02,458 I DID NOT LOVE THE GUY. 385 00:19:02,542 --> 00:19:04,125 MAYBE YOU TRAVELED TOGETHER. 386 00:19:04,208 --> 00:19:04,917 YEAH, EXCELLENT. 387 00:19:05,000 --> 00:19:06,000 SCOTT, READ THAT BACK. 388 00:19:06,083 --> 00:19:07,959 OK, CHESS, YOU LOVED HIM, TRAVELED TOGETHER. 389 00:19:08,041 --> 00:19:09,333 OK, OK. WE ARE ON OUR WAY. 390 00:19:09,417 --> 00:19:11,625 YOU TRAVELED TOGETHER PLAYING CHESS. 391 00:19:11,709 --> 00:19:12,667 YES, YES. 392 00:19:12,750 --> 00:19:13,333 THROUGH CHINA. 393 00:19:13,417 --> 00:19:15,417 YOU PLAYED CHESS IN CHINA, 394 00:19:15,500 --> 00:19:17,333 AND THEN YOU FELL IN LOVE. 395 00:19:17,417 --> 00:19:18,583 SEE, THAT DOESN'T HELP. 396 00:19:18,667 --> 00:19:21,291 YOU DON'T KNOW THIS RUTH ABERNATHY PERSON. 397 00:19:21,375 --> 00:19:23,333 SHE MEANS BUSINESS. 398 00:19:23,417 --> 00:19:24,291 [DOORBELL RINGS] 399 00:19:24,375 --> 00:19:26,250 SO, SCOTT, YOU'RE COMING WITH ME, RIGHT? 400 00:19:26,333 --> 00:19:27,291 WHAT, TO THE FUNERAL? NO, NO. 401 00:19:27,375 --> 00:19:30,333 SCOTT, HOW ABOUT GIVING A LITTLE MORAL SUPPORT? 402 00:19:30,417 --> 00:19:32,375 YEAH, SCOTT. I NEED SOME MORAL SUPPORT. 403 00:19:32,458 --> 00:19:33,500 DON'T WORRY. WE'RE GOING. 404 00:19:33,583 --> 00:19:34,458 I'LL SUPPORT YOU, TOM. 405 00:19:34,542 --> 00:19:36,291 JUST SCOTT. 406 00:19:36,375 --> 00:19:37,208 [SOFTLY] IT'S JULIE DeMARCO. 407 00:19:37,291 --> 00:19:39,208 J-JULIE? WHAT, SHE JUST COMES OVER NOW? 408 00:19:39,291 --> 00:19:43,875 HI. I'M SORRY I MISSED THE LASAGNA, BUT I--I GOT-- 409 00:19:43,959 --> 00:19:49,667 ANYWAY, HERE ARE THE MAGAZINES WE WERE TALKING ABOUT. 410 00:19:49,750 --> 00:19:50,709 [SIGHS] SO. 411 00:19:50,792 --> 00:19:53,333 WHAT'S GOING ON? 412 00:19:53,417 --> 00:19:54,291 WE'RE WRITING AN EULOGY. 413 00:19:54,375 --> 00:19:56,000 OH, I'M SORRY. 414 00:19:56,083 --> 00:19:57,500 DON'T WORRY. WE DIDN'T KNOW THE GUY. 415 00:19:57,583 --> 00:19:58,834 WELL--I DON'T-- 416 00:19:58,917 --> 00:20:01,125 YOU GUYS ARE GOING TO SOMEONE'S FUNERAL WHO YOU DON'T KNOW? 417 00:20:01,208 --> 00:20:03,166 ACTUALLY, THEY'RE NOT GOING. I'M GOING. 418 00:20:03,250 --> 00:20:04,166 WELL, SCOTT AND I ARE GOING. 419 00:20:04,250 --> 00:20:06,000 HEY, JULIE, WHY DON'T YOU COME, TOO? 420 00:20:06,083 --> 00:20:06,792 IT'LL BE FUN. 421 00:20:06,875 --> 00:20:08,000 YOU'RE INVITING ME TO A FUNERAL? 422 00:20:08,083 --> 00:20:09,000 Scott: YEAH. Cynthia: YES! 423 00:20:09,083 --> 00:20:10,875 WAIT. IT'S NOT LIKE IT'S A REAL FUNERAL. 424 00:20:10,959 --> 00:20:12,041 IT IS. IT'S A FUNERAL. 425 00:20:12,125 --> 00:20:14,250 WAIT, WAIT. IF SHE'S GOING, I'M ALLOWED TO GO. 426 00:20:14,333 --> 00:20:15,375 SHE IS NOT GOING. 427 00:20:15,458 --> 00:20:17,000 TYPICAL BULLSHIT. TOM! 428 00:20:17,083 --> 00:20:18,041 IT'S OK. 429 00:20:18,125 --> 00:20:19,375 [CHUCKLES NERVOUSLY] LOOK, YOU KNOW, OBVIOUSLY, 430 00:20:19,458 --> 00:20:22,375 TOM DOES NOT WANT ME TO GO TO THIS FUNERAL THING, AND THAT'S FINE. 431 00:20:22,458 --> 00:20:24,583 NO, I HAVE NOTHING AGAINST YOU GOING PERSONALLY. 432 00:20:24,667 --> 00:20:26,375 Brad: ALL RIGHT. WE'RE ALL GOING THEN, HUH? 433 00:20:26,458 --> 00:20:29,250 NO, NO, NO, NO. ONLY IF IT'S OK WITH TOM. 434 00:20:29,333 --> 00:20:30,041 TOM, IS IT OK? 435 00:20:30,125 --> 00:20:32,208 IS IT OK, TOM? COME ON. 436 00:20:34,458 --> 00:20:37,417 [CHURCH ORGAN PLAYING FUNERAL PROCESSION] 437 00:20:56,333 --> 00:20:59,333 [WHISPERING AND SOBBING] 438 00:21:05,000 --> 00:21:06,417 [WHISPERING] You're such a comfort. 439 00:21:06,500 --> 00:21:09,291 THAT'S THE DEAD GUY'S MOTHER? 440 00:21:09,375 --> 00:21:10,250 MM-HMM. 441 00:21:10,333 --> 00:21:12,291 JESUS. 442 00:21:29,208 --> 00:21:31,291 [WHISPERING] Thank you. 443 00:21:52,875 --> 00:21:55,333 [WHISPERING] 444 00:21:58,250 --> 00:22:02,000 [WHISPERING] That tall, young man over there, 445 00:22:02,083 --> 00:22:03,000 Tom Thompson. 446 00:22:03,083 --> 00:22:04,834 Thank you so much. 447 00:22:35,291 --> 00:22:37,750 [NO AUDIO] 448 00:22:46,750 --> 00:22:48,417 RING ANY BELLS? 449 00:22:51,125 --> 00:22:52,417 NO. 450 00:22:56,417 --> 00:23:00,333 MR. THOMPSON, IF YOU WOULD, PLEASE, SIR. 451 00:23:02,458 --> 00:23:04,458 [WHISPERING] Good luck. 452 00:23:37,000 --> 00:23:38,792 [DOORS SHUT] 453 00:23:52,709 --> 00:23:54,834 [SIGHS] 454 00:24:29,375 --> 00:24:32,375 WHO IS BILL ABERNATHY? 455 00:24:36,375 --> 00:24:40,208 THIS IS NOT AN EASY QUESTION TO ANSWER. 456 00:24:43,500 --> 00:24:45,125 I CAN SPEND COUNTLESS HOURS 457 00:24:45,208 --> 00:24:49,417 RECOUNTING MY PERSONAL EXPERIENCES WITH BILL. 458 00:24:58,333 --> 00:24:59,792 THE CHESS CLUB. 459 00:24:59,875 --> 00:25:00,709 [LAUGHS] 460 00:25:00,792 --> 00:25:03,959 [WHISPERING] It's OK. It's OK. It's OK. 461 00:25:11,750 --> 00:25:13,959 INSTEAD, I ASK 462 00:25:14,041 --> 00:25:18,709 WHO IS THE REAL BILL ABERNATHY? 463 00:25:20,250 --> 00:25:28,834 WHAT IS THE SINGLE, ELUSIVE, INTANGIBLE, INNER QUALITY 464 00:25:28,917 --> 00:25:31,333 THAT MAKES--MADE-- 465 00:25:31,417 --> 00:25:32,792 [SNORTS] 466 00:25:36,917 --> 00:25:38,000 BILL... 467 00:25:38,083 --> 00:25:39,291 [SNIFFS] 468 00:25:39,375 --> 00:25:41,250 [LAUGHS] 469 00:25:42,625 --> 00:25:44,834 BILL? 470 00:25:47,125 --> 00:25:48,500 [LAUGHS] 471 00:25:49,291 --> 00:25:50,500 Tom: WELL, FOLKS, I DON'T-- 472 00:25:50,583 --> 00:25:52,375 [SNORTS AND LAUGHS] 473 00:25:52,458 --> 00:25:54,709 I DON'T HAVE THAT ANSWER. 474 00:25:54,792 --> 00:25:57,417 WHO REALLY DOES? 475 00:26:00,959 --> 00:26:02,959 [MOURNERS WHISPERING] 476 00:26:15,083 --> 00:26:17,500 [WOMAN LAUGHS] 477 00:26:23,458 --> 00:26:26,333 [CHURCH BELL RINGS] 478 00:26:35,458 --> 00:26:38,083 NO, YOU GUYS, I DON'T THINK THIS IS FUNNY, ALL RIGHT? 479 00:26:38,166 --> 00:26:40,208 Brad: WE DON'T THINK IT'S FUNNY EITHER. 480 00:26:40,291 --> 00:26:41,083 YOU DO THINK IT'S FUNNY. 481 00:26:41,166 --> 00:26:42,625 WE WEREN'T LAUGHING. YES, YOU WERE. 482 00:26:42,709 --> 00:26:43,750 I CAN'T, YOU KNOW-- 483 00:26:43,834 --> 00:26:44,583 I WAS ASLEEP. 484 00:26:44,667 --> 00:26:46,625 I JUST DON'T UNDERSTAND. 485 00:26:46,709 --> 00:26:48,333 HE WROTE THAT. 486 00:26:50,500 --> 00:26:54,417 I'M VERY UPSET. I'LL SEE YOU ALL LATER. 487 00:26:54,500 --> 00:26:57,166 I'M JUST SAYING I'M VERY--NO. 488 00:27:04,166 --> 00:27:04,750 JULIE! 489 00:27:04,834 --> 00:27:06,583 WHOA! HEY, HEY, HEY. 490 00:27:06,667 --> 00:27:08,333 THIS WAY, PLEASE. 491 00:27:08,417 --> 00:27:09,625 JULIE! JULIE! 492 00:27:09,709 --> 00:27:11,083 COME ON! I'M LOSING HIM! WHAT ARE YOU DOING? 493 00:27:11,166 --> 00:27:12,458 WHERE YA GOING, JULIE? COME ON. 494 00:27:12,542 --> 00:27:14,542 HEY, HEY, HEY, HEY. 495 00:27:17,709 --> 00:27:18,625 WHAT ARE YOU DOING? 496 00:27:18,709 --> 00:27:19,792 WHERE ARE YOU GOING? 497 00:27:19,875 --> 00:27:20,792 I'M LEAVING. 498 00:27:20,875 --> 00:27:21,583 THIS ISN'T FUNNY. 499 00:27:21,667 --> 00:27:23,500 I KNOW. I FELT TERRIBLE. 500 00:27:23,583 --> 00:27:25,000 SO YOU REMEMBER HIM? 501 00:27:25,083 --> 00:27:25,917 WHAT? 502 00:27:26,000 --> 00:27:27,625 I SAW YOU IN THE CHAPEL. YOU WERE CRYING. 503 00:27:27,709 --> 00:27:30,291 HEY, BUDDY, YOU KIDDING WITH THIS? 504 00:27:30,375 --> 00:27:31,000 DO YOU MIND? 505 00:27:31,083 --> 00:27:32,625 WE'RE ABOUT TO BURY THIS GUY. 506 00:27:32,709 --> 00:27:33,625 THIS IS A PERSON. 507 00:27:33,709 --> 00:27:36,041 THIS IS A PERSON'S LIFE. 508 00:27:38,542 --> 00:27:41,083 I DON'T REMEMBER HIM. 509 00:27:41,166 --> 00:27:42,041 OH. 510 00:27:42,125 --> 00:27:43,458 Man: NICKY, WHAT'S GOING ON OVER THERE? 511 00:27:43,542 --> 00:27:46,583 IT WAS JUST-- IT WAS SO SAD. 512 00:27:46,667 --> 00:27:49,333 I DON'T KNOW WHAT THE HELL HE'S DOING. 513 00:27:49,417 --> 00:27:50,792 DO YOU WANNA GET SOME COFFEE? 514 00:27:50,875 --> 00:27:53,333 UNBELIEVABLE. HE'S PICKING UP CHICKS. 515 00:27:53,417 --> 00:27:54,875 COFFEE? YEAH. 516 00:27:54,959 --> 00:27:56,625 IF YOU WOULDN'T MIND. 517 00:27:57,375 --> 00:27:59,333 YEAH, ALL RIGHT. WHY DON'T YOU CALL ME, OK? 518 00:27:59,417 --> 00:28:00,083 CALL--CALL YOU? YEAH. 519 00:28:00,166 --> 00:28:02,500 GET HIM OFF. ALL RIGHT. LET'S GO. 520 00:28:02,583 --> 00:28:03,834 WHOA, WHOA, WHOA. 521 00:28:03,917 --> 00:28:04,709 ALL RIGHT. ALL RIGHT. 522 00:28:04,792 --> 00:28:07,542 ALL RIGHT. COME ON. BACK IT UP. 523 00:28:12,041 --> 00:28:14,375 I NEVER SHOULD HAVE ASKED YOU TO BE A PALLBEARER. 524 00:28:14,458 --> 00:28:17,458 IT WAS TOO MUCH FOR YOU. 525 00:28:17,959 --> 00:28:19,125 THERE'S A WILL. 526 00:28:19,208 --> 00:28:21,000 Tom: WHAT? 527 00:28:21,083 --> 00:28:22,792 YOU'RE IN THE WILL. 528 00:28:30,291 --> 00:28:33,166 [TELEPHONE RINGS] 529 00:28:34,792 --> 00:28:37,333 [RING] 530 00:28:38,792 --> 00:28:41,458 [RING] 531 00:28:42,625 --> 00:28:45,291 [RING] 532 00:28:46,458 --> 00:28:48,291 [RING] 533 00:28:48,959 --> 00:28:50,041 Julie: HELLO. 534 00:28:50,125 --> 00:28:50,834 JULIE, HI. 535 00:28:50,917 --> 00:28:52,709 HI. HI. IT'S TOM THOMPSON. 536 00:28:52,792 --> 00:28:55,375 OH, TOM. HEY, HOW ARE YOU? 537 00:28:55,458 --> 00:28:56,083 I'M FINE. 538 00:28:56,166 --> 00:28:58,000 SO, LISTEN, UM, I WAS CALLING 539 00:28:58,083 --> 00:29:01,291 BECAUSE WE TALKED ABOUT DIN--UM... 540 00:29:02,500 --> 00:29:03,375 WHAT DID WE TALK ABOUT? 541 00:29:03,458 --> 00:29:05,542 DIDN'T WE AT THE, UM, FUNERAL 542 00:29:05,625 --> 00:29:08,041 TALK ABOUT DOING THIS, UH-- 543 00:29:08,125 --> 00:29:09,333 THE COFFEE THING. 544 00:29:09,417 --> 00:29:10,250 YES. 545 00:29:10,333 --> 00:29:12,583 UM, LISTEN, I WAS THINKING, 546 00:29:12,667 --> 00:29:15,375 WHAT IF SCOTT AND CYNTHIA COME ALONG? 547 00:29:15,458 --> 00:29:17,917 SCOTT AND CYNTHIA. YEAH. 548 00:29:20,333 --> 00:29:21,083 OH, YOU MEAN LIKE A-- 549 00:29:21,166 --> 00:29:23,375 YEAH, YOU KNOW, LIKE THE FOUR OF US. 550 00:29:23,458 --> 00:29:24,375 Mom: TOM! 551 00:29:24,458 --> 00:29:27,125 'CAUSE I'M SEEING CYNTHIA ON TUESDAY ANYWAY. 552 00:29:27,208 --> 00:29:28,250 ON TUESDAY? 553 00:29:28,333 --> 00:29:29,291 TOM! 554 00:29:29,375 --> 00:29:30,417 WHO IS THAT? 555 00:29:30,500 --> 00:29:31,417 HUH? OH, IT'S, UH-- 556 00:29:31,500 --> 00:29:32,583 IT'S THIS CRAZY WOMAN. 557 00:29:32,667 --> 00:29:34,917 GOD, THIS--JESUS, THIS NEIGHBORHOOD IS-- 558 00:29:35,000 --> 00:29:36,875 HEY, LADY, YOU WANNA KEEP IT DOWN? 559 00:29:36,959 --> 00:29:38,583 I AM ON THE PHONE HERE. 560 00:29:38,667 --> 00:29:40,208 Mom: ARE YOU ON THE PHONE? 561 00:29:40,291 --> 00:29:42,250 Julie: HELLO? 562 00:29:42,333 --> 00:29:43,375 Mom: HELLO? 563 00:29:43,458 --> 00:29:44,458 HELLO? 564 00:29:44,542 --> 00:29:46,542 WHO'S THIS? 565 00:29:46,625 --> 00:29:48,375 HELLO? 566 00:29:48,458 --> 00:29:49,583 JESUS. [CLICK] 567 00:29:49,667 --> 00:29:51,583 TOM? 568 00:29:51,667 --> 00:29:54,542 [LAUGHS] TOM? 569 00:29:57,333 --> 00:29:58,291 JULIE? HELLO? 570 00:29:58,375 --> 00:30:00,125 JULIE? JULIE? HI! HI! 571 00:30:00,208 --> 00:30:02,333 HI! WH-- THAT WAS WEI-- 572 00:30:02,417 --> 00:30:03,417 WHAT WAS THAT? 573 00:30:03,500 --> 00:30:06,000 D-D-D-DID-- THAT WAS REALLY CREEPY. 574 00:30:06,083 --> 00:30:07,417 SHE JUST KEPT SAYING, "HELLO?" 575 00:30:07,500 --> 00:30:08,291 DID YOU HEAR HER? 576 00:30:08,375 --> 00:30:10,834 NO. DIDN'T YOU HEAR ME? 577 00:30:10,917 --> 00:30:13,458 NO. NO? WELL, I WAS CALLING YOU. 578 00:30:13,542 --> 00:30:15,291 WERE YOU TRYING TO CONTACT ME? 579 00:30:15,375 --> 00:30:16,917 Y-Y-Y-YEAH. 580 00:30:17,000 --> 00:30:19,500 I KEPT-- I KEPT SAYING, "JULIE?" 581 00:30:19,583 --> 00:30:23,333 IT MUST HAVE BEEN THE WEIRD PARTY LINE THING. 582 00:30:23,417 --> 00:30:24,583 THAT HAS NEVER HAPPENED BEFORE. 583 00:30:24,667 --> 00:30:28,458 HUH. SO, LISTEN, TUESDAY IS BOWLING NIGHT. 584 00:30:28,542 --> 00:30:30,458 UM, HOW ABOUT THURSDAY? 585 00:30:30,542 --> 00:30:32,083 GREAT. 586 00:30:41,458 --> 00:30:45,125 OH, NO. I CAN'T TAKE HIS CAR. 587 00:30:45,208 --> 00:30:46,500 LOOK AT THIS MESS. 588 00:30:46,583 --> 00:30:48,000 MRS. ABERNATHY. 589 00:30:48,083 --> 00:30:50,208 TAKE IT. HE WANTED YOU TO HAVE IT. 590 00:30:50,291 --> 00:30:52,542 NO, REALLY. I CAN'T. 591 00:30:53,125 --> 00:30:55,208 I GOTTA GET IT OUT OF HERE. 592 00:30:55,291 --> 00:30:56,709 PLEASE? 593 00:30:58,875 --> 00:31:00,875 [CHUCKLES] 594 00:31:00,959 --> 00:31:02,375 25-YEAR-OLD KID MAKES OUT A WILL. 595 00:31:02,458 --> 00:31:04,000 I SHOULD HAVE KNOWN RIGHT THEN. 596 00:31:04,083 --> 00:31:09,625 I BROUGHT YOU SOME, UH, NUT CLUSTERS. 597 00:31:11,250 --> 00:31:13,291 THEY'RE MY FAVORITE. 598 00:31:14,750 --> 00:31:16,500 OH, TOM. 599 00:31:16,583 --> 00:31:19,375 I'M SORRY ABOUT THE FUNERAL. 600 00:31:19,458 --> 00:31:23,250 SO, HOW ARE YOU DOING? 601 00:31:24,500 --> 00:31:25,959 I'M FINE. 602 00:31:30,500 --> 00:31:32,291 I'M GONNA BE. THANK YOU. 603 00:31:35,500 --> 00:31:38,375 MAYBE I SHOULD JUST HAVE THEM TAKE IT ALL AWAY. 604 00:31:38,458 --> 00:31:40,750 OH, HERE. HERE, LET ME HELP YOU. 605 00:31:40,834 --> 00:31:41,500 THANKS. 606 00:31:41,583 --> 00:31:42,875 I GOTTA GET IT ALL OUT OF HERE 607 00:31:42,959 --> 00:31:45,208 IF I'M GONNA SELL THIS PLACE. 608 00:31:45,291 --> 00:31:46,458 OH, YOU'RE GONNA SELL THE HOUSE? 609 00:31:46,542 --> 00:31:50,417 YEAH, YOU KNOW, MAYBE IT'S TOO BIG FOR ONE PERSON. 610 00:31:50,667 --> 00:31:52,041 IT'S TOO QUIET. 611 00:31:52,125 --> 00:31:56,291 I MEAN, IT'S LIKE I HAVE THE TV ON ALL THE TIME NOW. 612 00:31:56,792 --> 00:31:58,333 THANK YOU. IT'S VERY NICE TO HAVE SOMEONE 613 00:31:58,417 --> 00:31:59,750 TO HELP OUT AROUND HERE. 614 00:31:59,834 --> 00:32:01,500 OH, SURE. 615 00:32:03,834 --> 00:32:05,083 WHO KNOWS? YOU KNOW, I WAS THINKING MAYBE 616 00:32:05,166 --> 00:32:08,834 OF GOING TO ONE OF THOSE, UM, COMPUTER SCHOOLS. 617 00:32:09,667 --> 00:32:11,250 OH, YEAH. COMPUTERS. 618 00:32:11,333 --> 00:32:12,417 THAT'S GOOD. 619 00:32:12,500 --> 00:32:14,291 YOU THINK SO? 620 00:32:17,834 --> 00:32:21,667 I'M GONNA HAVE TO GO THROUGH BILL'S STUFF IN HIS ROOM. 621 00:32:23,667 --> 00:32:25,417 I WISH I COULD HELP YOU OUT. 622 00:32:25,500 --> 00:32:26,291 OH, NO, NO. 623 00:32:26,375 --> 00:32:28,583 IT'S JUST I'M, UM-- VERY BUSY. 624 00:32:28,667 --> 00:32:31,709 I MEAN, I'VE GOT A JOB INTERVIEW. 625 00:32:31,792 --> 00:32:32,667 OH, A JOB INTERVIEW? 626 00:32:32,750 --> 00:32:35,375 ACTUALLY, IT'S THE SECOND INTERVIEW. 627 00:32:35,458 --> 00:32:37,417 I BET YOU GET IT. 628 00:32:37,500 --> 00:32:39,208 THANK YOU. 629 00:32:39,291 --> 00:32:41,667 I HOPE SO. I'M A LITTLE WORRIED. 630 00:32:41,750 --> 00:32:43,750 DO YOU MIND IF I MAKE A SUGGESTION? 631 00:32:43,834 --> 00:32:45,458 SURE. 632 00:32:45,542 --> 00:32:48,250 WHY DON'T YOU TRY PUSHING YOUR HAIR BACK OFF YOUR FOREHEAD, 633 00:32:48,333 --> 00:32:50,291 YOU KNOW, LIKE THE OTHER AFTERNOON? 634 00:32:50,375 --> 00:32:52,542 YEAH, LIKE THAT. JUST-- 635 00:32:54,417 --> 00:32:55,917 YOU KNOW, LET 'EM SEE YOUR FACE. 636 00:32:56,000 --> 00:32:57,875 YOU'RE A GOOD-LOOKING MAN. 637 00:33:00,542 --> 00:33:03,291 WELL, MAYBE I'LL LET YOU KNOW HOW THE INTERVIEW GOES, 638 00:33:03,375 --> 00:33:05,458 I MEAN, IF YOU'RE INTERESTED. 639 00:33:05,542 --> 00:33:08,792 SURE, YOU KNOW, IF YOU HAVE ENOUGH TIME, DROP BY. 640 00:33:08,875 --> 00:33:11,000 YEAH, IF I HAVE THE TIME. 641 00:33:29,041 --> 00:33:30,875 Cynthia: OH, MY GOD. LOOK AT YOU. 642 00:33:30,959 --> 00:33:32,542 HE'S TURNED A CORNER. 643 00:33:32,625 --> 00:33:33,709 OH, VERY IMPORTANT. 644 00:33:33,792 --> 00:33:35,875 I SORT OF MENTIONED THAT I LIVE ON MY OWN, OK? 645 00:33:35,959 --> 00:33:37,000 SO JUST DON'T BLOW IT. 646 00:33:37,083 --> 00:33:38,291 WHAT? YOU LIED TO HER? 647 00:33:38,375 --> 00:33:39,500 NO, SHE SEEMED TO HAVE A THING ABOUT IT. 648 00:33:39,583 --> 00:33:41,709 SO WHAT ARE WE SUPPOSED TO SAY AT THE END? 649 00:33:41,792 --> 00:33:42,625 [LAUGHS] THIS IS IT? 650 00:33:42,709 --> 00:33:44,000 WHAT ARE WE SUPPOSED TO DO AT THE END? 651 00:33:44,083 --> 00:33:46,333 CYNTHIA AND I ARE GOING FOR COCKTAILS? 652 00:33:46,417 --> 00:33:47,083 A LATE MOVIE. 653 00:33:47,166 --> 00:33:48,125 YOU GUYS SAY THAT YOU HAVE PLANS 654 00:33:48,208 --> 00:33:49,625 TO GO SEE A LATE MOVIE, AND THEN YOU JUST GO. 655 00:33:49,709 --> 00:33:51,875 WAIT A SECOND. HOW ARE WE GETTING HOME? 656 00:33:51,959 --> 00:33:53,458 DEAL WITH IT. I NEED THE CAR. 657 00:33:53,542 --> 00:33:55,458 YEAH, I MEAN, HE'S GOTTA DRIVE HER HOME. 658 00:33:55,542 --> 00:33:56,375 THAT'S THE WHOLE POINT. 659 00:33:56,458 --> 00:33:57,834 CYNTHIA, MAYBE YOU CAN GIVE ME AN OPENING 660 00:33:57,917 --> 00:34:00,166 FOR THE STORY ABOUT BRAD AND THE ORANGES? 661 00:34:00,250 --> 00:34:01,375 TOM, JUST BE YOURSELF. 662 00:34:01,458 --> 00:34:02,500 YEAH, YOU'RE RIGHT. YOU'RE RIGHT. 663 00:34:02,583 --> 00:34:05,208 SCOTT, YOU SET ME UP FOR THE ORANGE STORY, ALL RIGHT? 664 00:34:05,291 --> 00:34:07,208 YOU GOT IT. OK. 665 00:34:12,834 --> 00:34:15,417 WAIT. WAIT, WAIT, WAIT. WHAT--WHAT WAS IT? 666 00:34:15,500 --> 00:34:17,375 UM... MEAN TO ME, MAYBE? 667 00:34:17,458 --> 00:34:20,500 NO, NO. LOUIS ARMSTRONG DID A GREAT VERSION OF IT. COME ON. 668 00:34:20,583 --> 00:34:22,166 OH! OH, OH, OH. 669 00:34:22,250 --> 00:34:24,208 IT GOES LIKE-- W-W-WAIT-- 670 00:34:24,291 --> 00:34:26,500 ♪ DA DA DA DA DA ♪ 671 00:34:26,583 --> 00:34:28,500 [ALL HUMMING] 672 00:34:28,583 --> 00:34:32,625 ♪ IF I ONLY HAD A BRAIN ♪ 673 00:34:33,583 --> 00:34:36,792 TOM, YOU'VE HEARD OF DJANGO REINHARDT, RIGHT? 674 00:34:38,417 --> 00:34:39,083 NO, SCOTT. 675 00:34:39,166 --> 00:34:40,667 OH, MY GOD. HE IS SO AMAZING. 676 00:34:40,750 --> 00:34:43,208 DO YOU KNOW HE ONLY HAD 3 FINGERS? 677 00:34:43,291 --> 00:34:44,041 REALLY? 678 00:34:44,125 --> 00:34:47,041 THAT'S TOO BAD. 679 00:34:47,125 --> 00:34:48,291 SO, ANYWAY-- 680 00:34:48,375 --> 00:34:52,041 JULIE, DID YOU KNOW TOM'S GOT A SECOND INTERVIEW TOMORROW? 681 00:34:52,125 --> 00:34:53,709 OH. THAT'S GREAT. 682 00:34:53,792 --> 00:34:54,583 Tom: YEAH, WELL-- 683 00:34:54,667 --> 00:34:56,041 I SURRENDER, DEAR. 684 00:34:56,125 --> 00:34:57,041 YOU WHAT? 685 00:34:57,125 --> 00:35:00,333 [SCOTT AND JULIE HUMMING I SURRENDER, DEAR] 686 00:35:01,333 --> 00:35:04,083 ♪ I SURRENDER, DEAR ♪ 687 00:35:04,166 --> 00:35:05,750 HA HA! I LOVE THAT SONG. 688 00:35:05,834 --> 00:35:08,375 OH, YOU KNOW WHAT? I THINK THAT'S ON DECCA. 689 00:35:08,458 --> 00:35:10,250 I THINK I'VE SEEN IT IN THE BINS. 690 00:35:10,333 --> 00:35:12,250 WHAT, YOU HAVE THAT RECORD? 691 00:35:12,333 --> 00:35:12,959 YEAH. 692 00:35:13,041 --> 00:35:14,542 I NEED THAT RECORD DESPERATELY. 693 00:35:14,625 --> 00:35:17,250 YEAH, SO THEY SEEMED TO REALLY LIKE MY PORTFOLIO. 694 00:35:17,333 --> 00:35:18,125 WHAT? 695 00:35:18,208 --> 00:35:20,959 OH, 'CAUSE--OH, THAT'S SO EXCITING, TOM. 696 00:35:21,041 --> 00:35:23,375 YEAH, YOU SHOULD REALLY SEE TOM'S STUFF. 697 00:35:23,458 --> 00:35:24,750 IT'S SO GREAT. 698 00:35:24,834 --> 00:35:27,250 WELL, IT'S A REALLY GOOD FIRM, AND THEY SEEM TO HAVE ROOM TO GROW. 699 00:35:27,333 --> 00:35:30,917 AND YOU CAN MAYBE FINALLY MOVE OUT OF YOUR MOM'S HOUSE. 700 00:35:33,750 --> 00:35:36,625 DIDN'T SHE HAVE-- WHAT WAS THAT STORY 701 00:35:36,709 --> 00:35:37,667 ABOUT BRAD AND ORANGES? 702 00:35:37,750 --> 00:35:41,083 DIDN'T YOU HAVE A STORY ABOUT BRAD AND ORANGES? 703 00:35:42,041 --> 00:35:43,667 NO, SCOTT. 704 00:35:45,583 --> 00:35:47,250 WHOA, CYNTHIA AND I HAVE TO, UH, 705 00:35:47,333 --> 00:35:50,667 WE HAVE TO GO GET SOME COCKTAILS. 706 00:35:51,542 --> 00:35:54,250 HMM. AHEM. 707 00:35:55,417 --> 00:35:57,333 Tom: I--I--I CANNOT BELIEVE YOU. 708 00:35:57,417 --> 00:35:59,250 LOOK, I'M SORRY. THAT THING ABOUT YOUR MOTHER 709 00:35:59,333 --> 00:36:00,333 JUST SLIPPED OUT. 710 00:36:00,417 --> 00:36:02,250 NO, THE WHOLE EVENING. WHAT WERE THOSE TOPICS? 711 00:36:02,333 --> 00:36:03,959 YOU WERE SUPPOSED TO BE FEEDING ME OPENINGS 712 00:36:04,041 --> 00:36:05,917 SO I COULD JUMP IN WITH THE ZINGERS. 713 00:36:06,000 --> 00:36:09,166 WELL, I WAS FEEDING YOU. YOU WEREN'T ZINGING. 714 00:36:09,250 --> 00:36:10,291 OH, BULLSHIT! 715 00:36:10,375 --> 00:36:13,458 HOW AM I SUPPOSED TO...ZING ON, ON-- 716 00:36:13,542 --> 00:36:14,291 WH--JINGLE, JANGLE-- 717 00:36:14,375 --> 00:36:15,500 DJANGO REINHARDT. LOOK, I'M SORRY. 718 00:36:15,583 --> 00:36:17,375 SHE TOLD ME SHE'S WORKING IN THIS RECORD STORE, AND-- 719 00:36:17,458 --> 00:36:19,333 LISTEN, YOU TOLD ME TO KEEP THINGS FLOWING. 720 00:36:19,417 --> 00:36:20,667 OH, FLOWING. YES, FLOW-- 721 00:36:20,750 --> 00:36:23,208 YOU KNOW, YOU'RE MAKING ME SICK, SCOTT. 722 00:36:23,291 --> 00:36:24,834 LOOK, YOU STILL HAVE THE DRIVE HOME. 723 00:36:24,917 --> 00:36:28,500 THE DRIVE HOME? THE DRIVE HOME IS USELESS. 724 00:36:28,583 --> 00:36:30,166 YOU KNOW? 725 00:36:30,250 --> 00:36:32,125 YEAH. YEAH. 726 00:36:32,208 --> 00:36:34,166 HI. HI. 727 00:36:46,542 --> 00:36:51,583 YOU KNOW, WE REALLY DIDN'T GET MUCH OF A CHANCE TO TALK TONIGHT. 728 00:36:56,333 --> 00:36:59,458 I WANTED TO TELL YOU SOMETHING. 729 00:37:02,333 --> 00:37:04,333 I REMEMBER YOU. 730 00:37:05,250 --> 00:37:09,500 WE SHARED A MUSIC STAND, DIDN'T WE? 731 00:37:11,458 --> 00:37:12,250 YEAH. 732 00:37:12,333 --> 00:37:13,542 [CHUCKLES] 733 00:37:13,625 --> 00:37:17,917 I USED TO TALK TO YOU ABOUT THAT GUY I WENT OUT WITH--KENNY. 734 00:37:18,959 --> 00:37:19,875 THAT'S RIGHT. 735 00:37:19,959 --> 00:37:23,208 [BOTH CHUCKLE] 736 00:37:23,291 --> 00:37:26,458 ANYWAY... 737 00:37:28,125 --> 00:37:31,709 WHAT I REMEMBER IS... 738 00:37:31,792 --> 00:37:34,333 YOU WERE A REALLY NICE GUY. 739 00:37:43,667 --> 00:37:44,583 JULIE-- 740 00:37:44,667 --> 00:37:47,458 OHH! OW! OW! SHIT! 741 00:37:47,542 --> 00:37:49,750 I AM SO--OH, OK. 742 00:37:49,834 --> 00:37:50,709 OH, MY GOD. 743 00:37:50,792 --> 00:37:52,709 I SHOULD HAVE WARNED YOU I WAS GOING IN, 744 00:37:52,792 --> 00:37:53,583 THAT--I--I-- 745 00:37:53,667 --> 00:37:55,083 OH, YOU KNOW, IT'S MY FAULT. 746 00:37:55,166 --> 00:37:56,750 I JUST, I-- I DO THIS, YOU KNOW. 747 00:37:56,834 --> 00:38:00,250 I--I GIVE OUT THE WRONG SIGNALS. 748 00:38:00,333 --> 00:38:02,625 WH--OH. 749 00:38:08,041 --> 00:38:09,500 I... 750 00:38:11,375 --> 00:38:15,917 I'M R--I'M REALLY SORRY, TOM. 751 00:38:21,542 --> 00:38:23,333 I'M GOING AWAY. 752 00:38:23,417 --> 00:38:25,375 YOU'RE GOING AWAY? 753 00:38:25,834 --> 00:38:28,125 IT'S SORT OF A-- SORT OF A LONG STORY. 754 00:38:28,208 --> 00:38:29,333 BUT YOU JUST MOVED BACK. 755 00:38:29,417 --> 00:38:31,291 WELL, I'M NOT REALLY HERE. 756 00:38:31,375 --> 00:38:33,917 IT'S LIKE A TEMPORARY ARRANGEMENT 757 00:38:34,000 --> 00:38:36,083 UNTIL I'M READY TO GO. 758 00:38:36,166 --> 00:38:38,250 I NEEDED A PLACE TO STAY, AND MY DAD, 759 00:38:38,333 --> 00:38:40,291 YOU KNOW, OWNS THE BUILDING, 760 00:38:40,375 --> 00:38:42,500 AND I JUST... 761 00:38:45,375 --> 00:38:49,500 I MEAN, IF--IF I WASN'T GOING AWAY-- 762 00:39:08,291 --> 00:39:09,625 WELL, I'M VERY SORRY. 763 00:39:09,709 --> 00:39:12,291 I MEAN, YOUR WORK IS VERY STRONG. 764 00:39:12,375 --> 00:39:13,667 I FOUGHT FOR YOU. 765 00:39:13,750 --> 00:39:16,792 BUT THE PARTNERS FELT, AND I HAD TO AGREE WITH THEM, 766 00:39:16,875 --> 00:39:21,000 YOU JUST DON'T FULFILL OUR NEEDS AT THIS TIME. 767 00:39:21,083 --> 00:39:24,583 I WANT TO THANK YOU FOR COMING IN. 768 00:39:28,709 --> 00:39:31,542 I DIDN'T GET THE JOB. 769 00:39:45,458 --> 00:39:48,417 I'LL GET THE BOXES. 770 00:40:36,125 --> 00:40:38,625 HE LOVED THE METS. 771 00:40:43,500 --> 00:40:46,792 THANK YOU FOR DOING THIS. 772 00:40:54,458 --> 00:40:57,500 I GOT SOMETHING YOU MIGHT WANT. 773 00:41:03,208 --> 00:41:04,875 COME HERE. 774 00:41:21,583 --> 00:41:24,458 THERE MIGHT BE ONE OR TWO OF YOU IN THERE. 775 00:41:24,542 --> 00:41:27,417 YOU CAN TAKE ONE. 776 00:41:42,583 --> 00:41:45,750 IT'S HARD TO BELIEVE. 777 00:42:59,500 --> 00:43:01,166 YOU'RE A BEAUTIFUL BOY. 778 00:43:01,250 --> 00:43:02,333 OH, NO, NO. 779 00:43:02,417 --> 00:43:03,125 YES, YOU ARE. 780 00:43:03,208 --> 00:43:06,542 WELL, THANK YOU, RUTH. THANK YOU. 781 00:43:13,959 --> 00:43:16,875 [GIGGLES] 782 00:43:16,959 --> 00:43:18,125 BILL, SR., ON THE OTHER HAND, 783 00:43:18,208 --> 00:43:21,417 HE HAD TO GET BY ON HIS WITS. 784 00:43:21,500 --> 00:43:23,333 NO CHIN. 785 00:43:27,667 --> 00:43:31,875 I MET HIM ONE NIGHT AT THIS PARTY DOWN AT LUCILLE'S. 786 00:43:31,959 --> 00:43:32,834 I WAS 16. 787 00:43:32,917 --> 00:43:35,750 I FELL FOR HIM LIKE THAT. [SNAPS FINGERS] 788 00:43:35,834 --> 00:43:38,291 NEXT DAY, HE LEFT FOR VIETNAM. 789 00:43:38,375 --> 00:43:41,417 [CHUCKLES] 2 YEARS. 790 00:43:41,500 --> 00:43:45,875 SO...WHAT? YOU JUST WAITED FOR HIM? 791 00:43:45,959 --> 00:43:47,834 OH, SURE. 792 00:43:48,333 --> 00:43:51,000 I--I MEAN THERE WERE PLENTY OF OTHER SUITORS. 793 00:43:51,083 --> 00:43:52,542 I'M SURE. 794 00:43:55,583 --> 00:43:59,792 BUT BILL SR., YOU KNOW, HE JUST TICKLED MY FANCY. 795 00:43:59,875 --> 00:44:04,333 WHEW, AND THOSE LETTERS HE WROTE. HOLY COW. 796 00:44:04,417 --> 00:44:07,083 [BOTH LAUGH] 797 00:44:07,166 --> 00:44:10,333 I WOULD HAVE WAITED A FEW LIFETIMES. 798 00:44:10,417 --> 00:44:13,208 YOU KNOW WHAT I MEAN? 799 00:44:17,208 --> 00:44:18,542 YEAH. 800 00:44:22,375 --> 00:44:23,458 Man on TV: LOOK, IT'S THAT EASY. 801 00:44:23,542 --> 00:44:25,667 Second man on TV: I HAD THE DIAL SET A LITTLE THIN HERE. 802 00:44:25,750 --> 00:44:26,792 PRESS THE BUTTON AT THE TOP, 803 00:44:26,875 --> 00:44:30,834 AND NOW YOU'LL FEED EVERYTHING DOWN TO THE LAST PIECE. 804 00:44:30,917 --> 00:44:34,333 IT'S A PERFECT RESULT EACH AND EVERY TIME. 805 00:44:34,417 --> 00:44:36,333 LOOK IT. IT'S ALL CUT PERFECT. IT LOOKS BEAUTIFUL. 806 00:44:36,417 --> 00:44:38,750 IT'S PERFECTION IN SLICING. 807 00:44:49,417 --> 00:44:50,125 Ruth: PLEASE, TOM-- 808 00:44:50,208 --> 00:44:51,834 Tom: RUTH, I'D REALLY RATHER NOT. 809 00:44:51,917 --> 00:44:52,959 I NEED YOU TO DO THIS. 810 00:44:53,041 --> 00:44:58,041 I--HE NEVER TALKED TO ME ABOUT THINGS LIKE THIS. 811 00:44:58,125 --> 00:45:02,125 IT'S--IT'S IMPORTANT TO ME. PLEASE? 812 00:45:02,583 --> 00:45:06,333 WHAT DO YOU WANT TO KNOW? 813 00:45:06,417 --> 00:45:07,750 GIRLS. 814 00:45:10,291 --> 00:45:15,500 WELL, I THINK THERE WAS ONE GIRL BILL LIKED. 815 00:45:15,583 --> 00:45:17,166 REALLY? 816 00:45:21,583 --> 00:45:24,125 WHAT WAS HER NAME? 817 00:45:26,291 --> 00:45:27,917 JULIE. 818 00:45:28,000 --> 00:45:29,583 JULIE. 819 00:45:32,291 --> 00:45:33,709 WAS SHE PRETTY? 820 00:45:33,792 --> 00:45:35,667 OH, YEAH. 821 00:45:36,333 --> 00:45:37,208 HE DID EVERYTHING HE COULD, 822 00:45:37,291 --> 00:45:41,792 BUT HE JUST COULDN'T STOP THINKING ABOUT HER. 823 00:45:43,750 --> 00:45:47,333 EVEN WHEN HE TRIED REALLY HARD NOT TO. 824 00:45:51,083 --> 00:45:53,417 SHE HAUNTED HIM. 825 00:45:53,500 --> 00:45:56,375 SHE HAUNTED HIM. 826 00:45:56,458 --> 00:45:58,375 SO, WHAT HAPPENED? 827 00:45:59,166 --> 00:46:02,417 WELL, SHE TOLD HIM SHE WAS PLANNING ON GOING AWAY, 828 00:46:02,500 --> 00:46:05,333 BUT I DON'T KNOW... 829 00:46:12,166 --> 00:46:14,709 HE COULDN'T LET HER GO. 830 00:46:26,333 --> 00:46:30,792 I MEAN, HE'D BEEN IN LOVE WITH HER FOR SO LONG. 831 00:46:43,333 --> 00:46:47,709 AND I GUESS NO ONE TICKLED HIS FANCY THE WAY SHE DID. 832 00:46:51,250 --> 00:46:54,041 SO, THIS JULIE... 833 00:46:55,375 --> 00:46:58,667 DO YOU THINK THAT'S THE REASON HE-- 834 00:46:58,750 --> 00:46:59,792 NO, RUTH. 835 00:46:59,875 --> 00:47:02,959 SEE, I KNEW WE SHOULDN'T HAVE GOTTEN INTO THIS. NO. 836 00:47:03,041 --> 00:47:04,417 COULD BE THE REASON, YOU-- 837 00:47:04,500 --> 00:47:06,375 RUTH, NO. 838 00:47:07,333 --> 00:47:08,291 DID SHE GO TO YALE? WHAT? 839 00:47:08,375 --> 00:47:10,458 THERE WERE ALL THESE TOLL RECEIPTS IN THE CAR. 840 00:47:10,542 --> 00:47:11,291 NEW HAVEN. DID SHE GO TO YALE? 841 00:47:11,375 --> 00:47:13,333 SHE DIDN'T GO TO YALE. NO, RUTH. UH-- 842 00:47:13,417 --> 00:47:16,000 I DON'T THINK IT HAD ANYTHING TO DO WITH HER. 843 00:47:16,083 --> 00:47:18,583 I KNOW IT DIDN'T. 844 00:47:25,583 --> 00:47:27,083 HMM. 845 00:49:14,834 --> 00:49:18,834 [TELEPHONE RINGS] 846 00:49:19,500 --> 00:49:23,166 [RING] 847 00:49:23,709 --> 00:49:28,041 [RING] 848 00:49:34,083 --> 00:49:34,625 UH-HUH? 849 00:49:34,709 --> 00:49:37,000 Julie: TOM? IT'S JULIE. 850 00:49:37,083 --> 00:49:38,458 HI, JULIE. 851 00:49:38,542 --> 00:49:39,333 JULIE?! 852 00:49:39,417 --> 00:49:42,625 CAN I COME OVER? I HAVE TO TALK TO YOU. 853 00:49:42,709 --> 00:49:43,417 COME OVER HERE? 854 00:49:43,500 --> 00:49:45,959 YEAH. I--I'M IN THE NEIGHBORHOOD. 855 00:49:46,041 --> 00:49:48,041 I'M COMING, OK? 856 00:49:51,375 --> 00:49:52,041 WHAT ARE YOU DOING? 857 00:49:52,125 --> 00:49:54,250 SOMEONE'S COMING OVER. A GIRL. 858 00:49:54,333 --> 00:49:55,792 DON'T MAKE A BIG DEAL, OK-- 859 00:49:55,875 --> 00:49:57,458 IS THAT WHAT YOU'RE WEARING? 860 00:49:57,542 --> 00:49:59,250 IT'S MY FRIGGIN' HOUSE. 861 00:49:59,333 --> 00:50:02,625 OK, TRY NOT TO SAY FRIGGIN', DON'T CALL ME TOM-TOM, 862 00:50:02,709 --> 00:50:06,458 AND NO STORIES ABOUT ME DOING MAGIC. 863 00:50:08,041 --> 00:50:09,875 [DOORBELL RINGS] 864 00:50:10,750 --> 00:50:12,333 HEY. HI. 865 00:50:12,417 --> 00:50:14,333 WHAT'S GOING ON? 866 00:50:14,417 --> 00:50:15,792 NOTHING. 867 00:50:16,458 --> 00:50:18,333 SO, COULD I COME IN, OR-- 868 00:50:18,417 --> 00:50:20,417 OH, SURE. 869 00:50:30,291 --> 00:50:32,208 JULIE, THIS IS MY MOM. 870 00:50:32,291 --> 00:50:33,208 OH. HI. 871 00:50:33,291 --> 00:50:34,875 I'M TOM'S MOM. 872 00:50:34,959 --> 00:50:35,959 HOW ARE YOU? 873 00:50:36,041 --> 00:50:38,083 [GIGGLES] 874 00:50:40,750 --> 00:50:42,667 TOM-TOM COMES OUT 875 00:50:42,750 --> 00:50:45,875 IN THIS SWEET LITTLE HAT AND CAPE, 876 00:50:45,959 --> 00:50:47,250 AND HE HAS A LITTLE MAGIC WAND. 877 00:50:47,333 --> 00:50:52,583 I'M TELLING YOU, HE-- HA HA! HE WAS THE CUTEST THING YOU EVER SAW. 878 00:50:52,667 --> 00:50:53,875 I GOT A PICTURE-- 879 00:50:53,959 --> 00:50:55,000 MOM, NO PICTURES. 880 00:50:55,083 --> 00:50:56,208 OH, WAIT! NO-- 881 00:50:56,291 --> 00:50:57,583 MOM! 882 00:51:00,083 --> 00:51:02,709 I'M GOING IN THE KITCHEN NOW. 883 00:51:02,792 --> 00:51:04,417 HMM. 884 00:51:04,500 --> 00:51:05,667 IT WAS REALLY NICE MEETING YOU. 885 00:51:05,750 --> 00:51:09,458 OH, IT WAS NICE MEETING YOU, TOO. 886 00:51:14,000 --> 00:51:14,875 I'M SORRY. 887 00:51:14,959 --> 00:51:16,000 NO, I'M SORRY. 888 00:51:16,083 --> 00:51:17,333 IT'S JUST THIS THING HAPPENED, 889 00:51:17,417 --> 00:51:19,166 AND I DIDN'T KNOW WHO ELSE TO TURN TO. 890 00:51:19,250 --> 00:51:21,750 WELL, WHAT'S-- 891 00:51:22,417 --> 00:51:24,250 WHAT'S UP? 892 00:51:24,333 --> 00:51:26,417 SCOTT CAME TO SEE ME LAST NIGHT. 893 00:51:26,500 --> 00:51:28,625 HE DID? WHAT, AT WORK? 894 00:51:28,709 --> 00:51:31,250 YEAH. HOW IS SCOTT? 895 00:51:33,667 --> 00:51:35,417 HE MADE A PASS AT ME. 896 00:51:35,500 --> 00:51:38,041 OH, MY--I CAN'T BELIEVE HE DID THIS! 897 00:51:38,125 --> 00:51:39,417 WHAT--WHAT-- I CAN'T BELIEVE IT! 898 00:51:39,500 --> 00:51:43,917 HOW COULD HE KISS YOU LIKE THAT WHEN HE'S SUPPOSED TO BE MARRIED? 899 00:51:44,000 --> 00:51:45,417 HOW DO YOU KNOW HE KISSED ME? 900 00:51:45,500 --> 00:51:47,458 HOW DO I-- HOW'S THAT? 901 00:51:47,542 --> 00:51:49,250 I SAID PASS. I DIDN'T SAY KISS. 902 00:51:49,333 --> 00:51:50,959 OH, MY GOD. DID HE TELL YOU THIS? 903 00:51:51,041 --> 00:51:55,208 NO, I'M SORRY. I--I HEAR PASS, I MOVE RIGHT TO KISS. 904 00:51:55,291 --> 00:51:56,208 WELL, HE DID KISS ME. 905 00:51:56,291 --> 00:51:58,250 BASTARD! WHAT IS HE THINKING? 906 00:51:58,333 --> 00:51:59,709 SO, YOU KNOW, I DON'T KNOW WHAT TO DO. 907 00:51:59,792 --> 00:52:02,417 I MEAN, DO I TELL CYNTHIA? DO I NOT TELL HER? 908 00:52:02,500 --> 00:52:04,625 OH, YOU--YOU-- YOU TELL HER. 909 00:52:04,709 --> 00:52:05,792 THIS IS A MORAL ISSUE. 910 00:52:05,875 --> 00:52:08,083 UNFORTUNATELY, SCOTT IS AN ADULTERER, 911 00:52:08,166 --> 00:52:10,291 AND THAT IS SOMETHING CYNTHIA SHOULD KNOW. 912 00:52:10,375 --> 00:52:12,792 OK, OK. BUT WHAT IF IT'S NOT ALL SCOTT'S FAULT? 913 00:52:12,875 --> 00:52:14,917 ALL RIGHT? WHAT IF IT'S PARTLY MY FAULT? 914 00:52:15,000 --> 00:52:16,041 WHAT DO YOU MEAN? 915 00:52:16,125 --> 00:52:17,959 I'M JUST SAYING HE SHOWS UP OUT OF NOWHERE, 916 00:52:18,041 --> 00:52:18,959 LOOKING FOR A RECORD. 917 00:52:19,041 --> 00:52:20,000 I SHOULD HAVE SEEN IT COMING! 918 00:52:20,083 --> 00:52:21,000 OOH. 919 00:52:21,083 --> 00:52:23,125 I JUST--I LET THINGS GET OUT OF CONTROL. 920 00:52:23,208 --> 00:52:25,333 THE SAME THING HAPPENED WITH JED. JED? 921 00:52:25,417 --> 00:52:28,250 I MEAN, ONE MINUTE WE'RE HAVING THIS CASUAL CONVERSATION-- 922 00:52:28,333 --> 00:52:29,417 MAYBE WE SHOULD LIVE TOGETHER-- 923 00:52:29,500 --> 00:52:30,750 AND THE NEXT THING I KNOW, I'M GETTING MARRIED. 924 00:52:30,834 --> 00:52:32,333 THIS IS THE GUY YOU WERE GONNA MARRY? 925 00:52:32,417 --> 00:52:35,000 YEAH. I MEAN, I CARED ABOUT HIM, YOU KNOW, 926 00:52:35,083 --> 00:52:37,000 AND HE REALLY WANTED TO GET MARRIED, 927 00:52:37,083 --> 00:52:38,125 BUT I GUESS I WASN'T SURE, 928 00:52:38,208 --> 00:52:40,250 AND I SHOULD HAVE TOLD HIM THAT AT THE VERY BEGINNING. 929 00:52:40,333 --> 00:52:45,500 I MEAN, BEFORE THAT WHOLE MARRIAGE THING GOT STARTED. 930 00:52:45,583 --> 00:52:47,291 [SIGHS] 931 00:52:47,375 --> 00:52:50,375 I MEAN, HAVE YOU EVER NOT TOLD SOMEONE SOMETHING 932 00:52:50,458 --> 00:52:52,291 THAT YOU SHOULD HAVE TOLD THEM, BUT YOU WERE AFRAID TO, 933 00:52:52,375 --> 00:52:55,792 SO YOU DIDN'T, AND THEN IT TURNED INTO A WHOLE COMPLICATED THING 934 00:52:55,875 --> 00:53:01,208 THAT YOU NEVER SHOULD HAVE GOTTEN INTO IN THE FIRST PLACE? 935 00:53:02,625 --> 00:53:04,834 Mom: YOU KIDS WANT SOME BOSCO? 936 00:53:04,917 --> 00:53:06,208 Tom: MA! NO! 937 00:53:06,291 --> 00:53:08,917 OH, I LOVE BOSCO. 938 00:53:10,375 --> 00:53:11,166 [DOG BARKING] 939 00:53:11,250 --> 00:53:14,500 THIS IS WHY YOU NEVER GOT FIRST CHAIR. 940 00:53:14,583 --> 00:53:15,959 WHAT? 941 00:53:16,041 --> 00:53:17,291 IN BAND. 942 00:53:17,375 --> 00:53:20,959 MR. BOOSTA WANTED YOU TO CHALLENGE CLIFF YOUNG FOR FIRST CHAIR, 943 00:53:21,041 --> 00:53:22,709 BUT YOU WOULDN'T DO IT. 944 00:53:22,792 --> 00:53:24,959 [LAUGHS] OH, MY GOD. 945 00:53:25,041 --> 00:53:26,500 I FORGOT ABOUT CLIFF YOUNG. 946 00:53:26,583 --> 00:53:28,125 YOU DIDN'T WANT TO HURT HIS FEELINGS. 947 00:53:28,208 --> 00:53:29,500 WELL, YOU KNOW, HE LOVED THE SOLOS. 948 00:53:29,583 --> 00:53:32,250 YEAH, BUT YOU WERE BETTER THAN HE WAS. 949 00:53:32,333 --> 00:53:33,500 NO. YOU WERE. 950 00:53:33,583 --> 00:53:35,709 I'LL--I'LL GIVE CLIFF YOUNG HIS TRILLS, 951 00:53:35,792 --> 00:53:39,709 BUT YOU HAD IT ALL OVER HIM IN THE UPPER REGISTER. 952 00:53:39,792 --> 00:53:42,375 HOW DO YOU REMEMBER ALL THIS? 953 00:53:42,458 --> 00:53:45,166 I HAVE A REALLY GOOD MEMORY. 954 00:53:45,250 --> 00:53:46,250 WELL... 955 00:53:46,333 --> 00:53:47,250 [SIGHS] 956 00:53:47,333 --> 00:53:50,333 I GUESS I WAS ALWAYS SCREWED UP. 957 00:53:51,166 --> 00:53:55,041 NO. YOU WERE JUST WORRIED ABOUT OTHER PEOPLE'S FEELINGS. 958 00:53:55,125 --> 00:53:56,333 YEAH, BUT THE THING IS, 959 00:53:56,417 --> 00:53:59,166 WHEN YOU SPEND YOUR LIFE WORRYING ABOUT HOW OTHER PEOPLE FEEL, 960 00:53:59,250 --> 00:54:01,750 YOU SORT OF LOSE TRACK, YOU KNOW? 961 00:54:01,834 --> 00:54:04,250 OF HOW YOU FEEL. 962 00:54:04,333 --> 00:54:08,458 DOES THIS HAVE ANYTHING TO DO WITH YOU GOING AWAY? 963 00:54:09,333 --> 00:54:11,583 SORT OF. 964 00:54:12,125 --> 00:54:16,250 MY PLAN IS TO SAVE UP, 965 00:54:16,333 --> 00:54:18,291 BUY A CAR... 966 00:54:18,375 --> 00:54:20,250 PACK ALL THE THINGS I REALLY CARE ABOUT, 967 00:54:20,333 --> 00:54:24,417 AND JUST DRIVE OFF ON MY OWN FOR, LIKE, A YEAR. 968 00:54:24,500 --> 00:54:28,500 BECAUSE I'VE NEVER REALLY BEEN ON MY OWN, YOU KNOW? 969 00:54:38,834 --> 00:54:41,417 YOU--YOU'VE GOT A THING. 970 00:54:41,500 --> 00:54:44,333 ON MY MOUTH? 971 00:55:03,375 --> 00:55:06,250 LISTEN, UM... 972 00:55:06,333 --> 00:55:10,125 THERE'S THIS THING TONIGHT AT ST. JOHN THE DIVINE. 973 00:55:10,208 --> 00:55:12,625 I GOT THE TICKETS FOR ME AND... 974 00:55:12,709 --> 00:55:16,166 YOU KNOW, JED. 975 00:55:16,250 --> 00:55:17,959 IT'S THIS GUY GRETZKY. 976 00:55:18,041 --> 00:55:19,166 HOCKEY? 977 00:55:19,250 --> 00:55:21,417 A COMPOSER. 978 00:55:21,500 --> 00:55:23,875 I KNOW. 979 00:55:28,333 --> 00:55:30,709 SO, UH... 980 00:55:31,709 --> 00:55:35,500 DO YOU--YOU KNOW, WANT TO GO WITH ME OR-- 981 00:55:35,583 --> 00:55:38,208 YES. 982 00:55:52,542 --> 00:55:54,291 HOW COULD YOU DO THIS TO ME?! 983 00:55:54,375 --> 00:55:55,208 WHAT? 984 00:55:55,291 --> 00:55:57,333 IT'S 2:30. WHERE THE HELL HAVE YOU BEEN? 985 00:55:57,417 --> 00:55:58,834 LOOK, I REALLY NEED TO TALK TO YOU, RUTH. 986 00:55:58,917 --> 00:56:00,125 CAN WE PLEASE JUST GO INSIDE? 987 00:56:00,208 --> 00:56:01,333 THEY'RE WAITING FOR US. 988 00:56:01,417 --> 00:56:02,500 WHO? 989 00:56:02,583 --> 00:56:04,000 WEREN'T YOU EVEN LISTENING TO ME THE OTHER NIGHT? 990 00:56:04,083 --> 00:56:06,000 OF COURSE I WAS LISTENING TO YOU. 991 00:56:06,083 --> 00:56:07,458 WH-WHAT DID YOU SAY? 992 00:56:07,542 --> 00:56:11,333 AUNT LUCILLE'S? THE POOL PARTY? 993 00:56:11,417 --> 00:56:14,625 DID YOU EVEN REMEMBER TO BRING YOUR TRUNKS? 994 00:56:14,709 --> 00:56:19,333 OH, JESUS. LET'S GO, I PACKED SOME OF BILL'S. 995 00:56:22,125 --> 00:56:23,333 COME ON! 996 00:56:23,417 --> 00:56:24,417 ♪ UNH ♪ 997 00:56:24,500 --> 00:56:27,250 ♪ PAPA LOVES MAMBO ♪ 998 00:56:27,333 --> 00:56:29,542 ♪ MAMA LOVES MAMBO ♪ 999 00:56:29,625 --> 00:56:34,041 ♪ LOOK AT 'EM SWAY WITH IT GETTIN' SO GAY... ♪ 1000 00:56:34,125 --> 00:56:37,458 HEEEYYY! 1001 00:56:39,792 --> 00:56:42,500 DO YOU REMEMBER ME? 1002 00:56:42,583 --> 00:56:43,458 UH... 1003 00:56:43,542 --> 00:56:45,750 OF COURSE YOU DON'T. YOU WERE THIS HIGH. 1004 00:56:45,834 --> 00:56:50,083 BOYS, YOU REMEMBER TOM FROM THE FUNERAL? 1005 00:56:50,166 --> 00:56:53,667 RUTH TOLD ME EVERYTHING YOU'VE BEEN DOING. 1006 00:56:53,750 --> 00:56:55,208 SHE DID? 1007 00:56:55,291 --> 00:56:58,041 I CAN'T TELL YOU HOW WONDERFUL YOU ARE, 1008 00:56:58,125 --> 00:57:01,458 HELPING MY SISTER-IN-LAW THROUGH THIS TIME. 1009 00:57:01,542 --> 00:57:04,083 OH, THERE SHE IS! 1010 00:57:04,166 --> 00:57:08,333 OH! OH, YOU LOOK GREAT! 1011 00:57:09,458 --> 00:57:11,083 YOU'RE MAKING ME CRY. 1012 00:57:11,166 --> 00:57:11,959 OHH. 1013 00:57:12,041 --> 00:57:13,417 YOU ARE SO STRONG. 1014 00:57:13,500 --> 00:57:15,417 I OWE IT ALL TO TOM. I MEAN, 1015 00:57:15,500 --> 00:57:16,208 YOU KNOW, HE WAS THERE FOR ME, 1016 00:57:16,291 --> 00:57:18,083 YOU KNOW, WHEN I NEEDED SOMEONE. 1017 00:57:18,166 --> 00:57:19,709 HE WAS THERE. 1018 00:57:19,792 --> 00:57:21,875 TOM. 1019 00:57:23,000 --> 00:57:24,458 ♪ PAPA LOVES MAMBO ♪ 1020 00:57:24,542 --> 00:57:25,917 ♪ PAPA LOVES MAMBO ♪ 1021 00:57:26,000 --> 00:57:28,333 ♪ MAMA LOVES MAMBO ♪ 1022 00:57:28,625 --> 00:57:32,291 Tom: JULIE, HI. IT'S ME--TOM. 1023 00:57:32,375 --> 00:57:33,375 NO, EVERYTHING'S FINE. 1024 00:57:33,458 --> 00:57:37,625 LISTEN, UM, WHAT TIME DID YOU SAY THE CONCERT WAS? 1025 00:57:37,709 --> 00:57:39,291 NO, I CAN MAKE IT. 1026 00:57:39,375 --> 00:57:40,875 UM, JUST I HAD--HEH! 1027 00:57:40,959 --> 00:57:45,208 A HORRIBLE FAMILY THING I COULDN'T GET OUT OF. 1028 00:57:46,333 --> 00:57:49,542 OK, GREAT-- 1029 00:57:54,041 --> 00:57:56,750 NO, I'M STILL HERE. 1030 00:57:57,834 --> 00:58:00,333 OK. 1031 00:58:00,417 --> 00:58:02,500 BYE. 1032 00:58:05,083 --> 00:58:08,417 [SCREEN DOOR OPENS AND CLOSES] 1033 00:58:14,000 --> 00:58:20,333 ♪ COME A LITTLE BIT CLOSER... ♪ 1034 00:58:20,417 --> 00:58:21,917 SO, DID YOU LIKE IT? 1035 00:58:22,000 --> 00:58:23,458 HEH! IT WAS GREAT. 1036 00:58:23,542 --> 00:58:24,834 IT WAS NOTHING LIKE ANYTHING 1037 00:58:24,917 --> 00:58:26,542 WE EVER PLAYED IN BAND, THOUGH. 1038 00:58:26,625 --> 00:58:29,542 HEH HEH HEH! 1039 00:58:30,583 --> 00:58:33,166 WEREN'T ALL THESE RECALLED? 1040 00:58:33,250 --> 00:58:35,667 NO. THAT WAS THE, UH, THE PINTO. 1041 00:58:35,750 --> 00:58:37,125 [ENGINE SPUTTERS] 1042 00:58:37,208 --> 00:58:38,375 I DON'T THINK WE'RE GONNA MAKE IT. 1043 00:58:38,458 --> 00:58:43,417 ARE YOU KIDDING ME? THIS--THIS THING'S RUNNING LIKE A TOP. 1044 00:58:47,291 --> 00:58:50,667 ♪ BUT THERE'S A FULL MOON RISING... ♪ 1045 00:58:50,750 --> 00:58:55,375 [SIGHS] I'M SURE IT JUST NEEDS A MINOR ADJUSTMENT. 1046 00:58:58,417 --> 00:59:01,250 TOM, WHO'S RUTH? 1047 00:59:02,792 --> 00:59:04,625 RUTH? 1048 00:59:04,709 --> 00:59:06,583 YOU KNOW? RUTH? 1049 00:59:06,667 --> 00:59:09,000 UNDER THE SEAT I FOUND "RUTH." 1050 00:59:09,083 --> 00:59:12,333 OH, THAT'S RUTH ABERNATHY'S. 1051 00:59:12,417 --> 00:59:13,917 BILL'S MOM. 1052 00:59:14,000 --> 00:59:15,542 YEAH, I'VE BEEN SORT OF SPENDING SOME TIME WITH HER. 1053 00:59:15,625 --> 00:59:20,750 YOU KNOW, SHE'S BEEN GOING THROUGH A DIFFICULT PERIOD. 1054 00:59:22,291 --> 00:59:24,125 ARE YOU KIDDING ME? 1055 00:59:25,250 --> 00:59:27,083 WHAT DO YOU MEAN? 1056 00:59:27,792 --> 00:59:30,667 THAT IS SO NICE OF YOU. 1057 00:59:31,458 --> 00:59:33,375 OH, NO, IT REALLY ISN'T. 1058 00:59:33,458 --> 00:59:37,083 YES, IT IS. YOU DON'T EVEN REMEMBER THAT GUY. 1059 00:59:37,166 --> 00:59:39,542 THAT IS SO NICE OF YOU. 1060 00:59:39,625 --> 00:59:44,291 NO, IT--IT REALLY ISN'T. 1061 00:59:49,542 --> 00:59:54,208 ♪ BECAUSE I'M STILL IN LOVE WITH YOU ♪ 1062 00:59:54,291 --> 00:59:58,083 ♪ I WANT TO SEE YOU DANCE AGAIN ♪ 1063 00:59:58,166 --> 01:00:03,250 ♪ BECAUSE I'M STILL IN LOVE WITH YOU ♪ 1064 01:00:03,333 --> 01:00:12,000 ♪ ON THIS HARVEST MOON ♪ 1065 01:00:16,500 --> 01:00:19,041 [STEP CREAKS] 1066 01:00:20,208 --> 01:00:22,250 [WHISPERING] That's your room? 1067 01:00:22,333 --> 01:00:24,208 What? 1068 01:00:24,291 --> 01:00:26,250 Yeah. I've tried to get that off. 1069 01:00:26,333 --> 01:00:29,500 It's, like, welded to the door. 1070 01:00:29,583 --> 01:00:32,083 Can I see? 1071 01:00:32,166 --> 01:00:36,125 Um, my mom really doesn't like me to drive her car. 1072 01:00:36,208 --> 01:00:38,583 We really shouldn't dally. 1073 01:00:38,667 --> 01:00:42,125 We're getting into dangerous area here. 1074 01:00:42,208 --> 01:00:46,208 You wait here, OK? 1075 01:00:53,500 --> 01:00:56,333 [TOM'S MOTHER SNORING] 1076 01:01:10,834 --> 01:01:13,208 Oh, shit. 1077 01:01:14,250 --> 01:01:16,166 No, Julie, Julie-- 1078 01:01:16,250 --> 01:01:17,333 OH, MY GOD. 1079 01:01:17,417 --> 01:01:19,875 I KNOW. I SHOULD PROBABLY GET RID OF THE BUNK BED, HUH? 1080 01:01:19,959 --> 01:01:22,125 YEAH--OHH! I'M SORRY. 1081 01:01:22,208 --> 01:01:24,291 SHH! 1082 01:01:25,125 --> 01:01:26,625 OHH! 1083 01:01:26,709 --> 01:01:28,291 DO YOU STILL PLAY? 1084 01:01:28,375 --> 01:01:29,667 NOT REALLY. DO YOU? 1085 01:01:29,750 --> 01:01:32,458 NO. I LOST MINE. 1086 01:01:32,542 --> 01:01:34,041 OH. 1087 01:01:34,125 --> 01:01:36,375 OHH, I REMEMBER THESE. 1088 01:01:36,458 --> 01:01:38,417 YEAH. 1089 01:01:40,125 --> 01:01:41,667 [CLACKING] 1090 01:01:41,750 --> 01:01:43,000 SHH! SHH! 1091 01:01:43,083 --> 01:01:45,333 OH, SORRY! 1092 01:01:45,417 --> 01:01:48,333 THESE WERE GREAT. WHAT HAPPENED TO THESE? 1093 01:01:48,417 --> 01:01:52,792 THEY--THEY KILLED A LOT OF PEOPLE. 1094 01:02:01,291 --> 01:02:04,375 UM, I WAS CLEANING OUT MY CLOSET. 1095 01:02:04,458 --> 01:02:07,959 THAT'S WHY THAT'S OUT. 1096 01:02:14,333 --> 01:02:16,208 OH, MY GOD. 1097 01:02:16,291 --> 01:02:16,959 WHAT? 1098 01:02:17,041 --> 01:02:19,542 MY HAIR. I LOOK SO BIZARRE. 1099 01:02:19,625 --> 01:02:20,917 NO, NO, YOU DIDN'T. 1100 01:02:21,000 --> 01:02:23,375 LOOK AT THAT DRESS. WHAT WAS I THINKING? 1101 01:02:23,458 --> 01:02:26,375 WELL... 1102 01:02:26,458 --> 01:02:29,083 YOU LOOK BEAUTIFUL. 1103 01:02:29,625 --> 01:02:30,417 FOR THE LAST 7 YEARS, 1104 01:02:30,500 --> 01:02:33,375 I'VE BEEN WISHING I DANCED WITH YOU. 1105 01:02:33,458 --> 01:02:35,458 WHAT? 1106 01:02:35,542 --> 01:02:37,458 OH, IT WAS THE, UH, 1107 01:02:37,542 --> 01:02:39,041 HOMECOMING DANCE. 1108 01:02:39,125 --> 01:02:40,542 HEH HEH. 1109 01:02:40,625 --> 01:02:43,709 YOU AND ME, WE WENT TO A DANCE? 1110 01:02:43,792 --> 01:02:44,792 OH, NOT TOGETHER. 1111 01:02:44,875 --> 01:02:46,083 BUT IT WAS DURING ONE OF THOSE WEEKS 1112 01:02:46,166 --> 01:02:48,417 THAT YOU AND KENNY WERE BROKEN UP. 1113 01:02:48,500 --> 01:02:50,041 UM, WE WERE TALKING ON THE BLEACHERS, 1114 01:02:50,125 --> 01:02:52,250 AND ROCK LOBSTER STARTED PLAYING, 1115 01:02:52,333 --> 01:02:55,375 AND YOU SAID, "I LOVE THIS SONG," 1116 01:02:55,458 --> 01:02:59,250 WHICH I KIND OF TOOK AS A SIGNAL 1117 01:02:59,333 --> 01:03:01,250 THAT YOU WANTED TO DANCE, 1118 01:03:01,333 --> 01:03:04,417 BUT... 1119 01:03:04,500 --> 01:03:07,083 I DIDN'T ASK YOU. 1120 01:03:07,166 --> 01:03:07,709 WHY NOT? 1121 01:03:07,792 --> 01:03:10,375 BECAUSE I CAN'T DANCE. 1122 01:03:16,166 --> 01:03:17,458 TOM. 1123 01:03:17,542 --> 01:03:19,333 WHAT? 1124 01:03:19,417 --> 01:03:21,166 I'M GOING IN. 1125 01:03:21,250 --> 01:03:23,417 YOU'RE... 1126 01:03:34,333 --> 01:03:36,375 [GIGGLING SOFTLY] 1127 01:03:38,667 --> 01:03:40,750 HI. 1128 01:03:46,542 --> 01:03:48,250 OW! OH! 1129 01:03:48,333 --> 01:03:49,500 [TELEPHONE RINGS] 1130 01:03:49,583 --> 01:03:52,500 OH! 1131 01:03:52,583 --> 01:03:54,333 HELLO? 1132 01:03:54,417 --> 01:03:57,667 Ruth: SO HOW WAS THE CONCERT? 1133 01:03:57,750 --> 01:03:59,000 HEY, HEY, RUTH. 1134 01:03:59,083 --> 01:04:01,291 IS THERE SOMETHING YOU WANT TO TELL ME, TOM? 1135 01:04:01,375 --> 01:04:02,542 Tom's mother: HELLO? 1136 01:04:02,625 --> 01:04:04,458 MOM, I'M ON THE PHONE HERE. 1137 01:04:04,542 --> 01:04:05,500 WHO'S CALLING SO LATE? 1138 01:04:05,583 --> 01:04:06,458 MOM, PLEASE-- 1139 01:04:06,542 --> 01:04:08,291 WELL, I MEAN, IS SOMEBODY IN THERE WITH YOU? 1140 01:04:08,375 --> 01:04:10,500 I--I HEARD SOMEBODY COME IN WITH YOU. 1141 01:04:10,583 --> 01:04:11,542 IS THERE A GIRL IN THERE? 1142 01:04:11,625 --> 01:04:13,542 MOM, I AM ON THE PHONE! 1143 01:04:13,625 --> 01:04:15,000 JESUS! 1144 01:04:15,083 --> 01:04:16,166 [CLICK] 1145 01:04:16,250 --> 01:04:20,000 ARE YOU STILL THERE? 1146 01:04:20,083 --> 01:04:22,625 Ruth: I'M HERE. 1147 01:04:26,542 --> 01:04:29,458 I--I FOUND YOUR BRACELET. 1148 01:04:31,458 --> 01:04:34,000 IS SHE THERE? 1149 01:04:34,083 --> 01:04:37,125 SHE'S THERE, ISN'T SHE? 1150 01:04:37,208 --> 01:04:40,375 YOU LOVE SCREWING ME, TOM. 1151 01:04:40,458 --> 01:04:43,333 ARE YOU GONNA SCREW ME OVER? 1152 01:04:43,417 --> 01:04:45,417 HEH! 1153 01:04:45,500 --> 01:04:48,417 YOU ARE, AREN'T YOU? 1154 01:04:48,500 --> 01:04:51,834 YOU'RE GONNA SCREW ME OVER. 1155 01:04:51,917 --> 01:04:54,250 [DIAL TONE] 1156 01:04:54,333 --> 01:04:55,041 Brad: YOU DID WHAT?! 1157 01:04:55,125 --> 01:04:56,250 DON'T MAKE A BIG DEAL OUT OF THIS. 1158 01:04:56,333 --> 01:04:57,583 DON'T MAKE A BIG DEAL OUT OF THIS? 1159 01:04:57,667 --> 01:04:59,709 YOU HAD SEX WITH A DEAD GUY'S MOTHER? 1160 01:04:59,792 --> 01:05:01,250 THAT LADY FROM THE FUNERAL? 1161 01:05:01,333 --> 01:05:03,709 THE LADY FROM THE FUNERAL, ALL RIGHT, BRAD? 1162 01:05:03,792 --> 01:05:04,709 DID YOU TELL SCOTT? 1163 01:05:04,792 --> 01:05:05,709 I'M NOT TALKING TO SCOTT. 1164 01:05:05,792 --> 01:05:06,792 WHAT DO YOU MEAN YOU'RE NOT TALKING TO SCOTT? 1165 01:05:06,875 --> 01:05:08,583 SCOTT'S AN ASSHOLE. OK? I'M NOT TALKING TO HIM. 1166 01:05:08,667 --> 01:05:10,375 WHOA, WHOA, WHOA! WHAT ARE YOU TALKING ABOUT? 1167 01:05:10,458 --> 01:05:12,417 Lauren: BRAD! WHAT'S GOING ON HERE? 1168 01:05:12,500 --> 01:05:13,208 WHO ARE YOU THESE DAYS? 1169 01:05:13,291 --> 01:05:14,333 THE POINT IS WHAT AM I GONNA TO DO 1170 01:05:14,417 --> 01:05:15,333 ABOUT RUTH ABERNATHY? 1171 01:05:15,417 --> 01:05:16,583 WHAT ARE YOU GONNA DO ABOUT RUTH ABERNATHY? 1172 01:05:16,667 --> 01:05:18,709 YOU'RE GONNA GET OUT OF THERE, THAT'S WHAT YOU'RE GONNA DO. 1173 01:05:18,792 --> 01:05:20,041 WHAT ARE YOU, NUTS? BRAD! 1174 01:05:20,125 --> 01:05:23,041 OK, OK! LISTEN, WE HAVE TO WRAP THIS UP. 1175 01:05:23,125 --> 01:05:25,792 WRAP IT UP?! WHAT ARE YOU--I MEAN, WE-WE'RE NOWHERE. 1176 01:05:25,875 --> 01:05:29,375 OK? I'M IN A DILEMMA, BRAD. LOOK. 1177 01:05:29,458 --> 01:05:30,917 WHAT'S THAT? 1178 01:05:31,000 --> 01:05:33,417 THAT'S HER CHARM BRACELET. 1179 01:05:33,500 --> 01:05:34,458 THE DEAD GUY'S MOTHER? 1180 01:05:34,542 --> 01:05:37,125 RUTH ABERNATHY. HER NAME IS RUTH. 1181 01:05:37,208 --> 01:05:39,959 OK, OK. TAKE THAT FRIGGING BRACELET 1182 01:05:40,041 --> 01:05:41,917 AND DROP IT IN THE MAIL. YOU UNDERSTAND? 1183 01:05:42,000 --> 01:05:44,583 WRITE HER A LITTLE LOVE POEM AND GET RID OF IT, 1184 01:05:44,667 --> 01:05:45,417 BECAUSE YOU'RE LOST. 1185 01:05:45,500 --> 01:05:47,375 WHAT ARE YOU SAYING? JUST TAKE IT-- 1186 01:05:47,458 --> 01:05:48,291 I JUST DROP IT IN THE MAIL? 1187 01:05:48,375 --> 01:05:50,250 THAT'S YOUR BIG SOLUTION, BRAD? 1188 01:05:50,333 --> 01:05:51,375 GET IN HERE, BRAD! 1189 01:05:51,458 --> 01:05:53,250 OK! I GOTTA GO. COME ON! 1190 01:05:53,333 --> 01:05:55,417 I GOTTA GO. THAT'S 3 CALLS. I GOTTA GO. 1191 01:05:55,500 --> 01:05:57,917 BRAD-- LISTEN, THAT'S ALL I GOT. 1192 01:05:58,000 --> 01:06:01,917 ALL RIGHT? MAIL IT, CLEAN BREAK. 1193 01:06:02,000 --> 01:06:04,500 TOM... 1194 01:06:05,542 --> 01:06:09,166 LOOK, IT'S GOOD ABOUT YOU AND JULIE. 1195 01:06:09,250 --> 01:06:12,333 DON'T WORRY ABOUT IT. 1196 01:06:12,417 --> 01:06:15,041 THANKS, BRAD. 1197 01:06:52,583 --> 01:06:54,375 Julie: IT'S MY BIRTHDAY. 1198 01:06:54,458 --> 01:06:56,792 I'M HAVING BRUNCH WITH MY PARENTS 1199 01:06:56,875 --> 01:06:59,000 ON SUNDAY TO CELEBRATE. 1200 01:06:59,083 --> 01:07:01,333 Tom: THAT'LL BE NICE. 1201 01:07:01,417 --> 01:07:03,875 OHH. 1202 01:07:03,959 --> 01:07:06,000 IT'LL BE THE FIRST TIME I'VE SEEN THEM 1203 01:07:06,083 --> 01:07:09,166 SINCE I LEFT JED. 1204 01:07:09,250 --> 01:07:11,583 OH. 1205 01:07:13,625 --> 01:07:16,750 WOULD YOU GO WITH ME? 1206 01:07:18,625 --> 01:07:21,166 TO MEET YOUR PARENTS? 1207 01:07:21,250 --> 01:07:23,041 YEAH. 1208 01:07:23,125 --> 01:07:27,500 YOU WANT ME TO MEET YOUR PARENTS? 1209 01:07:27,583 --> 01:07:29,750 YEAH. 1210 01:07:32,834 --> 01:07:34,709 IS 15 ENOUGH? 1211 01:07:34,792 --> 01:07:38,375 MA, THE NAME OF THIS PLACE IS CHANTARELLE. 1212 01:07:38,458 --> 01:07:39,417 IT'S $50 RIGHT THERE. 1213 01:07:39,500 --> 01:07:42,250 I'LL GET YOU ANOTHER 5. 1214 01:08:06,291 --> 01:08:09,208 [DOORBELL RINGS] 1215 01:08:09,291 --> 01:08:11,709 TOM? 1216 01:08:11,792 --> 01:08:15,291 IS THAT FOR YOU, TOM? 1217 01:08:27,875 --> 01:08:29,917 Tom's mother: HELLO? 1218 01:08:30,000 --> 01:08:30,750 IS TOM HERE? 1219 01:08:30,834 --> 01:08:34,375 CAN YOU TELL ME WHAT THIS IS ABOUT? 1220 01:09:11,041 --> 01:09:13,834 YOU KNOW WHERE HE WENT? 1221 01:09:14,417 --> 01:09:15,333 SAY SOMETHING. 1222 01:09:15,417 --> 01:09:18,083 HONEY, COULD WE JUST EAT FIRST-- 1223 01:09:18,166 --> 01:09:19,417 TOM! 1224 01:09:19,500 --> 01:09:20,417 HI. 1225 01:09:20,500 --> 01:09:21,333 HI. 1226 01:09:21,417 --> 01:09:23,792 HELLO. 1227 01:09:23,875 --> 01:09:25,333 HI. 1228 01:09:25,834 --> 01:09:27,458 TOM, THIS IS MY FATHER PHILIP. 1229 01:09:27,542 --> 01:09:29,750 IT'S REALLY GREAT TO MEET YOU, SIR. 1230 01:09:29,834 --> 01:09:31,291 I DON'T UNDERSTAND. 1231 01:09:31,375 --> 01:09:32,000 EXCUSE ME, SIR. 1232 01:09:32,083 --> 01:09:33,625 AND THIS IS MY MOM SUZANNE. 1233 01:09:33,709 --> 01:09:34,417 OH, GOOD MORNING. 1234 01:09:34,500 --> 01:09:37,166 HELLO. ARE YOU EATING HERE, TOO? 1235 01:09:37,250 --> 01:09:40,166 YES, TOM--TOM, UH, IS GONNA BE JOINING US. 1236 01:09:40,250 --> 01:09:41,542 I THOUGHT WE WERE HERE TO TALK. 1237 01:09:41,625 --> 01:09:43,208 PHILIP, PLEASE, HONEY, DON'T GET UPSET. 1238 01:09:43,291 --> 01:09:44,166 I AM UPSET. 1239 01:09:44,250 --> 01:09:45,333 OH, UM-- 1240 01:09:45,417 --> 01:09:48,542 LOOK, LOOK, THIS IS MY BIRTHDAY, OK? 1241 01:09:48,625 --> 01:09:52,333 TOM IS MY GUEST. ALL RIGHT? 1242 01:09:52,417 --> 01:09:53,959 OK? 1243 01:09:58,542 --> 01:10:00,208 I'M SORRY. THIS IS RUDE. 1244 01:10:00,291 --> 01:10:01,834 I JUST DON'T UNDERSTAND THIS. 1245 01:10:01,917 --> 01:10:03,291 COULD YOU TELL ME WHAT HE'S DOING HERE? 1246 01:10:03,375 --> 01:10:06,333 MY DAUGHTER WALKS OUT JUST BEFORE HER WEDDING, 1247 01:10:06,417 --> 01:10:07,458 I BARELY HEARD FROM HER IN 2 MONTHS, 1248 01:10:07,542 --> 01:10:08,625 I WANT TO KNOW WHAT'S GOING ON. 1249 01:10:08,709 --> 01:10:10,625 WELL, THAT'S UNDERSTANDABLE. 1250 01:10:10,709 --> 01:10:11,709 WHY IS HE TALKING? 1251 01:10:11,792 --> 01:10:14,417 ARE YOU SLEEPING WITH HER? IS THAT WHAT THIS IS? 1252 01:10:14,500 --> 01:10:15,208 DAD! PHILIP! 1253 01:10:15,291 --> 01:10:18,917 ALL RIGHT, I'LL GET TO THE POINT. 1254 01:10:19,000 --> 01:10:22,166 THIS TRIP, WE'VE ALL TALKED ABOUT IT, 1255 01:10:22,250 --> 01:10:23,875 YOUR MOTHER AND I AND GRANDMA, 1256 01:10:23,959 --> 01:10:25,750 AND WE ALL AGREE WE DON'T UNDERSTAND IT. 1257 01:10:25,834 --> 01:10:30,250 Mother: SWEETHEART, LISTEN, A LITTLE VACATION IS A GREAT IDEA. 1258 01:10:30,333 --> 01:10:32,583 WHY WOULD YOU WANT TO WASTE A YEAR OF YOUR LIFE? 1259 01:10:32,667 --> 01:10:36,709 LOOK, I DON'T WANT A VACATION, ALL RIGHT? 1260 01:10:36,792 --> 01:10:39,625 [SIGHS] 1261 01:10:43,458 --> 01:10:46,375 UM... 1262 01:10:46,458 --> 01:10:47,500 I'M LOST, OK? 1263 01:10:47,583 --> 01:10:49,709 I'M COMPLETELY... 1264 01:10:49,792 --> 01:10:52,041 LOST. I DON'T KNOW WHAT I'M DOING WITH MY LIFE, 1265 01:10:52,125 --> 01:10:57,458 AND I NEED TO TAKE THIS TRIP. IT'S IMPORTANT, OK? 1266 01:11:00,333 --> 01:11:01,542 I MEAN, TOM UNDERSTANDS. 1267 01:11:01,625 --> 01:11:03,792 YOU KNOW, I FEEL LIKE HE'S THE ONLY PERSON 1268 01:11:03,875 --> 01:11:06,417 WHO UNDERSTANDS WHAT I'M DOING. 1269 01:11:06,500 --> 01:11:09,750 THAT'S ONE OF THE REASONS I WANTED HIM HERE. 1270 01:11:09,834 --> 01:11:15,875 Mother: TOM...MAYBE YOU COULD EXPLAIN IT TO US. 1271 01:11:23,458 --> 01:11:27,291 AHEM. WELL, MRS. DeMARCO, 1272 01:11:27,375 --> 01:11:29,875 MR. DeMARCO... 1273 01:11:31,458 --> 01:11:33,083 UM... 1274 01:11:33,166 --> 01:11:35,917 I CAN UNDERSTAND HOW YOU MIGHT NOT WANT JULIE 1275 01:11:36,041 --> 01:11:39,208 TO GO AWAY RIGHT NOW. 1276 01:11:40,208 --> 01:11:42,834 UH, THE TRUTH IS IT PROBABLY HAS NOTHING 1277 01:11:42,917 --> 01:11:46,750 TO DO WITH THIS TRIP. 1278 01:11:46,834 --> 01:11:51,375 IT'S PROBABLY BECAUSE YOU JUST DON'T WANT HER TO LEAVE. 1279 01:11:52,166 --> 01:11:55,166 BUT I--I JUST THINK THAT... 1280 01:11:55,250 --> 01:11:57,917 JULIE FEELS... 1281 01:12:01,709 --> 01:12:03,250 DON'T GO, JULIE. 1282 01:12:03,333 --> 01:12:04,333 WHAT? 1283 01:12:04,417 --> 01:12:05,500 I DON'T WANT YOU TO GO. I MEAN, A YEAR? 1284 01:12:05,583 --> 01:12:08,959 I THOUGHT WE WERE DOING SOMETHING HERE. 1285 01:12:09,041 --> 01:12:10,291 TOM, WHAT ARE YOU SAYING? 1286 01:12:10,375 --> 01:12:12,625 I TOLD YOU THIS WAS A TEMPORARY THING. 1287 01:12:12,709 --> 01:12:13,625 YOU KNOW I SAID THAT. 1288 01:12:13,709 --> 01:12:15,792 I'VE NEVER FELT THIS WAY MY WHOLE LIFE, JULIE. 1289 01:12:15,875 --> 01:12:19,291 I FEEL LIKE WE-- I MEAN, I FEEL LIKE 1290 01:12:19,375 --> 01:12:23,000 I REALLY KNOW YOU. 1291 01:12:23,083 --> 01:12:26,792 DON'T YOU? I MEAN, IS IT JUST ME? 1292 01:12:29,083 --> 01:12:30,291 [FRONT DOOR OPENS] 1293 01:12:30,375 --> 01:12:32,125 Maitre d': EXCUSE ME, MADAM-- 1294 01:12:32,208 --> 01:12:33,375 THERE YOU ARE! 1295 01:12:33,458 --> 01:12:35,667 OH, MY GOD. Philip: WHO IS THIS? 1296 01:12:35,750 --> 01:12:37,291 Julie: MRS. ABERNATHY? 1297 01:12:37,375 --> 01:12:38,333 I WANT TO TALK TO YOU. 1298 01:12:38,417 --> 01:12:39,166 OK, RUTH, THIS IS NOT A GOOD TIME. 1299 01:12:39,250 --> 01:12:40,709 EXCUSE ME. WE'RE HAVING A BRUNCH HERE. 1300 01:12:40,792 --> 01:12:42,500 LET'S GO OUTSIDE. WE'RE GOING OUTSIDE-- 1301 01:12:42,583 --> 01:12:44,000 THIS IS THE WAY YOU SAY GOOD-BYE? 1302 01:12:44,083 --> 01:12:45,166 IT WAS JUST FOR THE SEX, WASN'T IT? 1303 01:12:45,250 --> 01:12:47,709 HE'S SLEEPING WITH EVERYBODY. HAVE YOU BEEN TESTED? 1304 01:12:47,792 --> 01:12:48,583 TOM, WHAT IS SHE TALKING ABOUT? 1305 01:12:48,667 --> 01:12:50,291 AND WHAT'S WITH THIS LOUSY POEM, HUH? 1306 01:12:50,375 --> 01:12:52,333 I MEAN, IS THIS SUPPOSED TO MEAN SOMETHING TO ME? 1307 01:12:52,417 --> 01:12:54,291 YOU WROTE HER A POEM? NO. LET'S GO. 1308 01:12:54,375 --> 01:12:56,458 SEX, SEX, SEX. YOU'RE A HORRIBLE YOUNG MAN. 1309 01:12:56,542 --> 01:12:59,500 ALL RIGHT. JULIE, THIS-- 1310 01:12:59,583 --> 01:13:02,041 JULIE? OH, IS THIS HER? 1311 01:13:02,125 --> 01:13:03,375 WHY DON'T YOU TELL HER, TOM? 1312 01:13:03,458 --> 01:13:04,917 WHY DON'T YOU TELL HER WHAT YOU DID 1313 01:13:05,000 --> 01:13:07,041 TO YOUR BEST FRIEND'S MOTHER? 1314 01:13:07,125 --> 01:13:10,458 Julie: TOM! 1315 01:13:15,333 --> 01:13:18,959 HE WASN'T MY BEST FRIEND. 1316 01:13:24,000 --> 01:13:26,333 JULIE-- WHAT ARE YOU TALKING ABOUT? 1317 01:13:26,417 --> 01:13:29,375 JULIE! TOM! 1318 01:13:30,458 --> 01:13:34,458 LOOK, RUTH, I DON'T EVEN REMEMBER BILL. 1319 01:13:37,625 --> 01:13:40,291 I'M SORRY, I'M SORRY. 1320 01:13:47,875 --> 01:13:52,333 [SERENADE FOR WINDS BY MOZART PLAYING] 1321 01:13:56,125 --> 01:13:58,500 [NO AUDIO] 1322 01:14:21,542 --> 01:14:24,792 [SUPER FREAK BY RICK JAMES PLAYING] 1323 01:14:24,875 --> 01:14:27,333 ♪ SHE'S A SUPER FREAK, SUPER FREAK ♪ 1324 01:14:27,417 --> 01:14:31,333 ♪ SHE'S SUPER FREAKY, YOW ♪ 1325 01:14:31,417 --> 01:14:32,500 ♪ EVERYBODY SING ♪ 1326 01:14:32,583 --> 01:14:35,667 ♪ SUPER FREAK, SUPER FREAK ♪ 1327 01:14:35,750 --> 01:14:38,125 ♪ SHE'S A VERY SPECIAL GIRL ♪ 1328 01:14:38,208 --> 01:14:40,792 ♪ THE KIND OF GIRL YOU WANT TO KNOW... ♪ 1329 01:14:40,875 --> 01:14:44,333 HEY! HEY, HOW'S ABOUT A LITTLE RESPONSE, TOMMY? 1330 01:14:44,417 --> 01:14:45,625 HOW YOU DOING? JUST GREAT. 1331 01:14:45,709 --> 01:14:49,458 WHAT'S WRONG? HEY, NURSE, OVER HERE! WE GOT ANOTHER PATIENT. 1332 01:14:49,542 --> 01:14:51,250 NO, NO, DON'T, BRAD, DON'T. 1333 01:14:51,333 --> 01:14:53,000 THIS IS MY GOOD FRIEND TOMMY. 1334 01:14:53,083 --> 01:14:54,792 WE NEED TO GIVE HIM A LITTLE-- 1335 01:14:54,875 --> 01:14:56,417 HEY, WHAT'S THE MATTER, MAN? 1336 01:14:56,500 --> 01:14:58,792 IT'S MY LAST TUESDAY. I'M GETTING MARRIED. 1337 01:14:58,875 --> 01:15:00,917 I KNOW, I KNOW. I AIN'T--I'M JUST-- 1338 01:15:01,000 --> 01:15:02,166 I'M NOT IN THE MOOD, ALL RIGHT? 1339 01:15:02,250 --> 01:15:05,500 OH, I FORGOT YOU DON'T LIKE BACHELOR PARTIES. 1340 01:15:05,583 --> 01:15:08,458 YOU ONLY GET TURNED ON AT FUNERALS. HA HA HA! 1341 01:15:08,542 --> 01:15:09,291 VERY FUNNY. 1342 01:15:09,375 --> 01:15:11,375 NURSE, PLEASE, CAN YOU TALK TO HIM? 1343 01:15:11,458 --> 01:15:12,000 I'M LEAVING. 1344 01:15:12,083 --> 01:15:13,458 COME ON, WHERE YOU GOING? 1345 01:15:13,542 --> 01:15:15,417 BRAD, GET OFF! 1346 01:15:19,542 --> 01:15:23,333 LAUREN WAS RIGHT ABOUT YOU. 1347 01:15:23,417 --> 01:15:25,333 I DEFENDED YOU. 1348 01:15:25,417 --> 01:15:28,000 I SAID YOU'D COME THROUGH IN THE END, 1349 01:15:28,083 --> 01:15:29,000 BUT SHE'S RIGHT. 1350 01:15:29,083 --> 01:15:30,792 SHE TOLD ME NOT TO HAVE YOU FROM THE START. 1351 01:15:30,875 --> 01:15:34,792 SHE SAID SCOTT SHOULD BE MY BEST MAN. 1352 01:15:35,583 --> 01:15:37,500 SCOTT? THAT'S WHAT SHE SAID? SCOTT? 1353 01:15:37,583 --> 01:15:40,375 YEAH, BECAUSE HE'S A BETTER BEST MAN. 1354 01:15:40,458 --> 01:15:42,583 DON'T MARRY HER, BRAD. 1355 01:15:43,917 --> 01:15:44,834 HEY. 1356 01:15:44,917 --> 01:15:46,875 LAUREN'S AN ALBATROSS AROUND YOUR NECK, BRAD. 1357 01:15:47,000 --> 01:15:48,333 DON'T MARRY HER. 1358 01:15:48,417 --> 01:15:51,709 TOMMY-- AND BY THE WAY, SCOTT THINKS SO, TOO. 1359 01:16:00,458 --> 01:16:02,875 BASTARD! 1360 01:16:02,959 --> 01:16:06,333 [GLASS BREAKING, MEN SHOUTING] 1361 01:16:06,417 --> 01:16:07,875 HEY, GET OUT OF MY PARTY! 1362 01:16:07,959 --> 01:16:11,583 LET HIM GO. OK? HEY, TOMMY-- 1363 01:16:11,667 --> 01:16:12,375 Brad: GET OFF ME! 1364 01:16:12,458 --> 01:16:16,542 HEY, ASSHOLE, GET OUT OF MY PARTY! 1365 01:16:16,625 --> 01:16:18,709 I SAW YOU WITH HER, SCOTT. 1366 01:16:18,792 --> 01:16:20,375 Brad: I DON'T WANT YOU HERE! 1367 01:16:20,458 --> 01:16:22,208 GET OUT! 1368 01:16:22,291 --> 01:16:26,208 GET OFF OF ME, JOEY! I DON'T WANT HIM HERE. 1369 01:16:26,291 --> 01:16:29,083 YOU'RE NOT ALLOWED-- 1370 01:16:29,166 --> 01:16:29,917 SCOTT! 1371 01:16:30,000 --> 01:16:33,542 [ENGINE IDLING] 1372 01:16:43,500 --> 01:16:44,917 TOM? 1373 01:16:45,000 --> 01:16:45,959 YEAH, MA? 1374 01:16:46,041 --> 01:16:48,542 SCOTT'S HERE. 1375 01:17:29,208 --> 01:17:32,709 SO WHAT ARE YOU DOING IN HERE? 1376 01:17:34,875 --> 01:17:36,500 [ENGINE TURNS OFF] 1377 01:17:36,583 --> 01:17:40,834 NEW CARBURETOR. JUST CHECKING THE IDLE. 1378 01:17:45,375 --> 01:17:48,917 AHEM. SO, BRAD'S A LITTLE UPSET. 1379 01:17:49,000 --> 01:17:52,542 I TRIED TALKING TO HIM, BUT... 1380 01:17:53,083 --> 01:17:54,834 DOESN'T LOOK LIKE YOU'RE GONNA BE THE BEST MAN. 1381 01:17:54,917 --> 01:17:59,583 WELL, YOU'D MAKE A BETTER BEST MAN, WOULDN'T YOU, SCOTT? 1382 01:18:03,917 --> 01:18:07,583 CYNTHIA KICKED ME OUT. 1383 01:18:08,917 --> 01:18:12,583 WE HAD THIS LITTLE LITTLE FIGHT AND... 1384 01:18:13,417 --> 01:18:17,291 I DON'T EVEN KNOW WHAT IT WAS ABOUT. 1385 01:18:20,875 --> 01:18:24,291 LOOK, TOM, I'M REALLY SORRY. 1386 01:18:26,417 --> 01:18:29,083 I MESSED UP. 1387 01:18:34,792 --> 01:18:38,375 [BOTH LAUGHING] 1388 01:18:38,458 --> 01:18:40,250 TASHA CORTINA. 1389 01:18:40,333 --> 01:18:42,375 OHH, TASHA CORTINA! 1390 01:18:42,458 --> 01:18:44,041 BUT SHE HAD THAT LIP THING. 1391 01:18:44,125 --> 01:18:44,750 WHAT LIP THING? 1392 01:18:44,834 --> 01:18:46,041 YOU KNOW, THAT LITTLE SCAR. 1393 01:18:46,125 --> 01:18:47,542 NO, I LIKED THAT SCAR. IT WAS SEXY. 1394 01:18:47,625 --> 01:18:49,500 FOR ME IT RUINED EVERYTHING. 1395 01:18:49,583 --> 01:18:52,208 OH, YOU'RE TOO CRITICAL. 1396 01:18:52,291 --> 01:18:53,250 Tom's mother: BOYS? 1397 01:18:53,333 --> 01:18:54,125 MA, WE'RE TALK-- 1398 01:18:54,208 --> 01:18:56,375 I CAN'T BELIEVE YOU JUST WALK IN HERE! 1399 01:18:56,458 --> 01:18:58,709 I'M 25 YEARS OLD! THIS IS WHY-- 1400 01:18:58,792 --> 01:19:00,166 THIS IS WHY I NEED THE LOCK. 1401 01:19:00,250 --> 01:19:02,542 I JUST WANT TO KNOW IF YOU WANT SOME ICE CREAM. 1402 01:19:02,625 --> 01:19:06,166 A LITTLE. MM-HMM. 1403 01:19:11,834 --> 01:19:15,250 SEVENTH GRADE, NANCY WEINBERG. 1404 01:19:15,333 --> 01:19:16,875 OOH, SHE LIKED ME. 1405 01:19:16,959 --> 01:19:18,291 SHE DID NOT LIKE YOU. SHE DID! 1406 01:19:18,375 --> 01:19:21,417 SHE HAD THIS VERY SERIOUS THING, LIKE AN OBSESSION. 1407 01:19:21,500 --> 01:19:23,750 NO, DON'T YOU REMEMBER ANGELA MINERI? 1408 01:19:23,834 --> 01:19:26,250 ANGELA MINERI TOLD YOU THAT NANCY WEINBERG 1409 01:19:26,333 --> 01:19:27,417 HAD THIS BIG CRUSH ON YOU, 1410 01:19:27,500 --> 01:19:28,792 SO YOU WENT UP TO NANCY IN HOMEROOM 1411 01:19:28,875 --> 01:19:32,208 IN FRONT OF EVERYBODY, AND SHE LAUGHED IN YOUR FACE. 1412 01:19:32,291 --> 01:19:33,250 YEAH, THAT'S RIGHT. 1413 01:19:33,333 --> 01:19:35,583 IT WAS THE OTHER TOM. SHE HAD A CRUSH ON HIM. 1414 01:19:35,667 --> 01:19:36,917 WHAT OTHER TOM? 1415 01:19:37,000 --> 01:19:39,417 THE OTHER TOM. 1416 01:19:39,500 --> 01:19:42,333 WAIT. WHAT ARE YOU SAYING? 1417 01:19:44,375 --> 01:19:45,250 OH, JESUS. 1418 01:19:45,333 --> 01:19:47,417 MR. JELLISON'S CLASS. IN EIGHTH GRADE. 1419 01:19:47,500 --> 01:19:48,667 HE GOT A 58 IN UNIT ONE ALGEBRA, 1420 01:19:48,750 --> 01:19:52,083 AND HE STARTED CRYING. WHAT--WHATEVER HAPPENED TO THAT GUY? 1421 01:19:52,166 --> 01:19:54,125 HE WENT--HE WENT TO A DIFFERENT HIGH SCHOOL. 1422 01:19:54,208 --> 01:19:55,208 MADISON. MAD--HOW DO YOU KNOW? 1423 01:19:55,291 --> 01:19:57,959 BECAUSE NANCY WEINBERG KEPT ON GOING OUT WITH HIM 1424 01:19:58,041 --> 01:19:58,709 ALL THROUGH HIGH SCHOOL. 1425 01:19:58,792 --> 01:19:59,667 WHATEVER HAPPENED TO THAT GUY? 1426 01:19:59,750 --> 01:20:01,959 I DON'T KNOW. I HEARD THAT NANCY WEINBERG 1427 01:20:02,041 --> 01:20:04,333 IS IN GRAD SCHOOL AT YALE. 1428 01:20:04,417 --> 01:20:06,291 YALE. 1429 01:20:06,375 --> 01:20:07,750 YALE. 1430 01:20:07,834 --> 01:20:09,917 TOM, WHAT ARE YOU DOING? YOU KIDDING? YOU GOING NOW? 1431 01:20:10,000 --> 01:20:12,500 I'VE GOTTA GO! 1432 01:20:15,709 --> 01:20:19,500 [DOORBELL RINGING] 1433 01:20:22,375 --> 01:20:23,667 I'VE BEEN DRIVING ALL NIGHT. 1434 01:20:23,750 --> 01:20:27,375 I HAVE TO TELL YOU SOMETHING. 1435 01:20:28,041 --> 01:20:30,375 CAN I COME IN? 1436 01:20:48,875 --> 01:20:51,375 RUTH, PLEASE-- 1437 01:20:53,792 --> 01:20:56,709 YOU LIED TO ME. 1438 01:20:56,792 --> 01:20:59,750 YOU USED MY SON. 1439 01:21:01,250 --> 01:21:04,583 THE MEMORY OF MY SON. 1440 01:21:07,750 --> 01:21:10,917 THAT WAS ALL I HAD LEFT. 1441 01:21:13,875 --> 01:21:16,750 HOW COULD YOU DO THAT? 1442 01:21:35,333 --> 01:21:37,333 I REMEMBER WHEN MY THIRD GRADE TEACHER 1443 01:21:37,417 --> 01:21:39,375 CUT HER FINGER ON THE PAPER CUTTER 1444 01:21:39,458 --> 01:21:42,917 AND HAD TO GO HOME. 1445 01:21:44,000 --> 01:21:46,375 I REMEMBER WHEN BRUCE FINEBAUM 1446 01:21:46,458 --> 01:21:50,375 TRIPPED MATTHEW ELLISON DURING A FIRE DRILL 1447 01:21:50,458 --> 01:21:53,083 AND--AND EVERYONE LAUGHED. 1448 01:21:53,166 --> 01:21:58,375 I--I HAVE A REALLY GOOD MEMORY, RUTH, 1449 01:21:58,458 --> 01:22:00,208 BUT... 1450 01:22:00,291 --> 01:22:02,750 NO MATTER HOW HARD I RACKED MY BRAIN, 1451 01:22:02,834 --> 01:22:06,333 I COULDN'T REMEMBER YOUR SON. 1452 01:22:08,166 --> 01:22:11,375 AND THE FACT THAT I COULD... 1453 01:22:11,458 --> 01:22:12,583 FORGET HIM LIKE THAT, 1454 01:22:12,667 --> 01:22:15,542 THAT HIS LIFE COULD... 1455 01:22:15,625 --> 01:22:17,709 LEAVE SO LITTLE IMPRESSION ON ME, 1456 01:22:17,792 --> 01:22:19,583 THAT REALLY SCARED ME. 1457 01:22:19,667 --> 01:22:22,917 I MEAN, IT-- 1458 01:22:23,000 --> 01:22:26,125 IT TERRIFIED ME. 1459 01:22:29,208 --> 01:22:31,959 BECAUSE I WOULDN'T WANT TO BE FORGOTTEN. 1460 01:22:32,041 --> 01:22:36,500 [FOOTSTEPS] 1461 01:22:38,959 --> 01:22:43,125 I'M SORRY. SHOULD I JUST KEEP WAITING IN THE CAR? 1462 01:22:44,750 --> 01:22:47,542 NO, IT'S OK. 1463 01:22:54,333 --> 01:22:56,417 RUTH... 1464 01:23:00,583 --> 01:23:03,208 UM... 1465 01:23:04,500 --> 01:23:08,542 THIS IS TOM THOMPSON. 1466 01:23:14,083 --> 01:23:17,166 HI, MRS. ABERNATHY. 1467 01:23:32,542 --> 01:23:37,083 HE, UH, WANTED YOU TO HAVE HIS CAR. 1468 01:23:38,417 --> 01:23:40,291 OH, NO. 1469 01:23:40,375 --> 01:23:41,667 NO, NO. 1470 01:23:41,750 --> 01:23:44,709 IT'D BE TOO SAD. 1471 01:23:45,542 --> 01:23:48,583 LOOK, I HAVE A CAR. 1472 01:23:50,208 --> 01:23:54,166 WELL, I--I DID PUT SOME MONEY INTO IT. 1473 01:23:54,250 --> 01:23:56,458 YOU KEEP IT. 1474 01:23:56,542 --> 01:23:58,417 YEAH? 1475 01:24:01,250 --> 01:24:04,458 SO, UH, YOU GUYS WERE CLOSE? 1476 01:24:04,542 --> 01:24:05,500 NOT REALLY. 1477 01:24:05,583 --> 01:24:08,166 I MEAN, WE JUST KNEW EACH OTHER. 1478 01:24:30,583 --> 01:24:33,917 IT'S SO HARD TO LET HIM GO. 1479 01:24:35,166 --> 01:24:37,750 I DON'T KNOW... 1480 01:24:39,291 --> 01:24:41,500 I MEAN... 1481 01:24:44,291 --> 01:24:46,792 I NEEDED SOMEONE. 1482 01:24:52,000 --> 01:24:54,500 I NEEDED SOMEONE, TOO. 1483 01:25:08,000 --> 01:25:14,792 ♪ LET THE RIVER ROCK YOU LIKE A CRADLE ♪ 1484 01:25:14,875 --> 01:25:22,291 ♪ CLIMB TO THE TREETOPS, CHILD, IF YOU'RE ABLE ♪ 1485 01:25:22,375 --> 01:25:24,917 ♪ LET HIS HANDS... ♪ 1486 01:25:25,000 --> 01:25:28,250 Rabbi: MAY HE LIFT HIS COUNTENANCE ON YOU 1487 01:25:28,333 --> 01:25:31,792 AND GRANT YOU HIS MOST PRECIOUS GIFT-- 1488 01:25:31,875 --> 01:25:34,458 HIS BLESSING OF PEACE. 1489 01:25:34,542 --> 01:25:36,166 AMEN. 1490 01:25:36,250 --> 01:25:37,792 Guests: AMEN. 1491 01:25:37,875 --> 01:25:40,083 ♪ AND CLOSE YOUR FINGERTIPS ♪ 1492 01:25:40,166 --> 01:25:44,458 ♪ AND FLY WHERE I CAN'T HOLD YOU... ♪ 1493 01:25:44,542 --> 01:25:45,583 MAZEL TOV! 1494 01:25:45,667 --> 01:25:49,500 [GUESTS CHEERING] 1495 01:25:52,375 --> 01:25:54,917 ♪ AND MAYBE YOU SING TO ME ♪ 1496 01:25:55,000 --> 01:25:58,583 ♪ THE WORDS I JUST TOLD YOU ♪ 1497 01:25:58,667 --> 01:26:04,458 ♪ IF ALL THE THINGS YOU FEEL AIN'T WHAT THEY SEEM ♪ 1498 01:26:04,542 --> 01:26:12,291 ♪ THEN DON'T MIND ME BECAUSE I AIN'T NOTHING ♪ 1499 01:26:12,375 --> 01:26:16,875 ♪ BUT A DREAM ♪ 1500 01:26:19,709 --> 01:26:26,458 ♪ THE MOCKINGBIRD SINGS EACH DIFFERENT SONG ♪ 1501 01:26:26,542 --> 01:26:29,959 ♪ EACH SONG HAS WINGS ♪ 1502 01:26:30,041 --> 01:26:33,375 ♪ THEY WON'T STAY LONG ♪ 1503 01:26:33,458 --> 01:26:40,208 ♪ DO THOSE WHO HEAR THINK HE'S DOING WRONG? ♪ 1504 01:26:40,291 --> 01:26:47,375 ♪ WHILE THE CHURCH BELL TOLLS ITS ONE-NOTE SONG ♪ 1505 01:26:47,458 --> 01:26:55,083 ♪ AND THE SCHOOL BELL IS TINKLING TO THE THRONG ♪ 1506 01:26:55,166 --> 01:27:02,375 ♪ COME HERE WHERE YOUR EARS CANNOT HEAR ♪ 1507 01:27:02,458 --> 01:27:08,375 ♪ AND CLOSE YOUR EARS, CHILD, AND LISTEN ♪ 1508 01:27:08,458 --> 01:27:11,333 ♪ TO WHAT I'LL TELL YOU ♪ 1509 01:27:11,417 --> 01:27:14,417 ♪ FOLLOW IN THE DARKEST NIGHT ♪ 1510 01:27:14,500 --> 01:27:18,375 ♪ THE SOUNDS THAT MAY IMPEL YOU ♪ 1511 01:27:18,458 --> 01:27:21,208 ♪ AND THE SONG I AM SINGING ♪ 1512 01:27:21,291 --> 01:27:25,375 ♪ MAY DISTURB OR SERVE TO QUELL YOU ♪ 1513 01:27:25,458 --> 01:27:31,875 ♪ IF ALL THE SOUNDS YOU HEAR AIN'T WHAT THEY SEEM ♪ 1514 01:27:31,959 --> 01:27:35,250 ♪ THEN DON'T MIND ME ♪ 1515 01:27:35,333 --> 01:27:42,041 ♪ 'CAUSE I AIN'T NOTHING BUT A DREAM ♪ 1516 01:27:42,125 --> 01:27:47,667 ♪ HMM-MMM-MMM HMM ♪ 1517 01:28:14,500 --> 01:28:16,625 JULIE? 1518 01:28:17,875 --> 01:28:19,125 HI. 1519 01:28:19,208 --> 01:28:21,458 TOM, LEAVE ME ALONE. 1520 01:28:21,542 --> 01:28:24,834 I JUST WANTED TO GIVE YOU THIS. 1521 01:28:29,417 --> 01:28:30,291 JULIE, WAIT! 1522 01:28:30,375 --> 01:28:32,417 TOM, DON'T DO THIS. 1523 01:28:32,500 --> 01:28:33,458 PLEASE, JUST TAKE THIS. 1524 01:28:33,542 --> 01:28:36,417 TOM, I DON'T WANT THIS. 1525 01:28:36,500 --> 01:28:39,792 I'M GOING AWAY. 1526 01:28:39,875 --> 01:28:41,417 IT'S A BIRTHDAY PRESENT. 1527 01:28:41,500 --> 01:28:44,875 BELATED. PLEASE. 1528 01:28:48,041 --> 01:28:50,375 PLEASE. 1529 01:28:52,083 --> 01:28:53,834 Bandleader: THANK YOU, LADIES AND GENTLEMEN. 1530 01:28:53,917 --> 01:28:56,750 THE BAND IS GONNA TAKE A SHORT BREAK RIGHT NOW, 1531 01:28:56,834 --> 01:29:00,250 BUT WE'LL BE BACK A LITTLE LATER. 1532 01:29:09,625 --> 01:29:10,834 I DON'T UNDERSTAND. 1533 01:29:10,917 --> 01:29:12,208 IT HAS A NEW CARBURETOR 1534 01:29:12,291 --> 01:29:15,542 IF THAT'S WHAT YOU'RE WORRIED ABOUT. 1535 01:29:19,458 --> 01:29:22,792 TOM. 1536 01:29:22,875 --> 01:29:24,333 I CAN'T TAKE YOUR CAR. 1537 01:29:24,417 --> 01:29:26,500 THE TIRES ARE GOOD FOR ANOTHER 10,000 MILES, 1538 01:29:26,583 --> 01:29:30,792 SO, YOU KNOW, IT SHOULD TAKE YOU... 1539 01:29:30,875 --> 01:29:34,417 WHEREVER YOU WANT TO GO. 1540 01:29:39,208 --> 01:29:41,583 IT'S A REALLY GOOD CAR. PLEASE TAKE IT. 1541 01:29:41,667 --> 01:29:42,875 DJ: I'M GONNA BE YOUR DJ FOR THIS EVENING, 1542 01:29:42,959 --> 01:29:45,417 SPINNING YOUR TUNES. WE'RE GONNA SLOW THINGS DOWN 1543 01:29:45,500 --> 01:29:47,583 FOR THE BRIDE AND GROOM WITH THIS ONE. 1544 01:29:47,667 --> 01:29:53,709 ♪ COME TO ME NOW... ♪ 1545 01:29:53,792 --> 01:29:56,458 I LOVE THIS SONG. 1546 01:29:59,583 --> 01:30:02,125 IS THAT A SIGNAL? 1547 01:30:03,458 --> 01:30:08,709 ♪ AND I SHALL BELIEVE ♪ 1548 01:30:08,792 --> 01:30:13,834 ♪ BROKEN IN TWO ♪ 1549 01:30:13,917 --> 01:30:18,709 ♪ AND I KNOW YOU'RE ONTO ME ♪ 1550 01:30:18,792 --> 01:30:24,709 ♪ THAT I ONLY COME HOME WHEN I'M SO ALL ALONE ♪ 1551 01:30:24,792 --> 01:30:29,917 ♪ AND I DO BELIEVE ♪ 1552 01:30:30,000 --> 01:30:33,291 ♪ THAT NOT EVERYTHING IS GONNA BE THE WAY ♪ 1553 01:30:33,375 --> 01:30:35,583 ♪ YOU THINK IT OUGHTA BE ♪ 1554 01:30:35,667 --> 01:30:38,583 ♪ IT SEEMS LIKE EVERY TIME I TRY TO MAKE IT RIGHT ♪ 1555 01:30:38,667 --> 01:30:40,750 ♪ IT ALL COMES DOWN ON ME ♪ 1556 01:30:40,834 --> 01:30:48,250 ♪ PLEASE SAY HONESTLY YOU WON'T GIVE UP ON ME ♪ 1557 01:30:48,333 --> 01:30:53,583 ♪ AND I SHALL BELIEVE ♪ 1558 01:30:53,667 --> 01:30:59,208 ♪ AND I SHALL BELIEVE ♪ 1559 01:30:59,291 --> 01:31:04,458 ♪ OPEN THE DOOR ♪ 1560 01:31:04,542 --> 01:31:08,458 ♪ AND SHOW YOUR FACE TONIGHT ♪ 1561 01:31:08,542 --> 01:31:15,000 ♪ I KNOW IT'S TRUE NO ONE HEALS ME LIKE YOU ♪ 1562 01:31:15,083 --> 01:31:20,750 ♪ AND YOU HOLD THE KEY ♪ 1563 01:31:20,834 --> 01:31:23,333 ♪ THAT NOT EVERYTHING IS GONNA BE ♪ 1564 01:31:23,417 --> 01:31:26,250 ♪ THE WAY YOU THINK IT OUGHTA BE ♪ 1565 01:31:26,333 --> 01:31:29,333 ♪ IT SEEMS LIKE EVERY TIME I TRY TO MAKE IT RIGHT ♪ 1566 01:31:29,417 --> 01:31:31,458 ♪ IT ALL COMES DOWN ON ME ♪ 1567 01:31:31,542 --> 01:31:38,792 ♪ PLEASE SAY HONESTLY YOU WON'T GIVE UP ON ME ♪ 1568 01:31:38,875 --> 01:31:44,500 ♪ AND I SHALL BELIEVE... ♪ 1569 01:31:48,041 --> 01:31:48,583 HELLO? 1570 01:31:48,667 --> 01:31:51,000 Scott: WHAT'S GOING ON? 1571 01:31:51,083 --> 01:31:53,375 WE HAVE A PROBLEM HERE. 1572 01:31:55,417 --> 01:31:56,208 DID YOU KNOCK? 1573 01:31:56,291 --> 01:31:58,166 I'M KNOCKING. HELLO! 1574 01:31:58,250 --> 01:32:00,458 HELLO! 1575 01:32:01,792 --> 01:32:03,000 WHAT'S GOING ON? 1576 01:32:03,083 --> 01:32:05,166 SHE WON'T COME OUT. 1577 01:32:05,250 --> 01:32:07,709 OH, JESUS. 1578 01:32:07,792 --> 01:32:10,500 MA! 1579 01:32:10,583 --> 01:32:11,333 MA, COME ON. 1580 01:32:11,417 --> 01:32:14,125 I'M ONLY GONNA BE 10 MINUTES AWAY, MA. 1581 01:32:14,208 --> 01:32:15,208 Mother, sobbing: NO. 1582 01:32:15,291 --> 01:32:17,041 WE'LL SEE EACH OTHER ALL THE TIME. 1583 01:32:17,125 --> 01:32:18,959 I DON'T WANT YOU TO GO. 1584 01:32:19,041 --> 01:32:21,000 MA--MA! 1585 01:32:21,083 --> 01:32:23,625 NOT NOW! 1586 01:32:24,250 --> 01:32:27,834 I JUST GOT OVER THAT BACK INJURY FROM ROLLERBLADING. 1587 01:32:27,917 --> 01:32:29,000 Scott: OH, PLEASE. 1588 01:32:29,083 --> 01:32:31,375 I'M JUST SAYING THIS IS GETTING HEAVIER AND HEAVIER. 1589 01:32:31,458 --> 01:32:33,750 SO WHAT HAPPENS WHEN JULIE COMES BACK? YOU HAVE TO MOVE AGAIN? 1590 01:32:33,834 --> 01:32:35,917 NO, SHE GAVE IT TO ME. THEY'RE LETTING ME RENT IT. 1591 01:32:36,000 --> 01:32:38,250 HEY, YOU WANT TO BE CAREFUL WITH MY BUNK BED? 1592 01:32:38,333 --> 01:32:42,125 YOU PAY. YOU WANT TO COMPLAIN, YOU PAY. 1593 01:32:44,417 --> 01:32:45,709 IS THAT THE LAST OF IT? 1594 01:32:45,792 --> 01:32:47,500 I THINK THAT'S EVERYTHING. 1595 01:32:47,583 --> 01:32:49,000 DON'T WORRY. THIS IS GONNA BE GOOD, TOM. 1596 01:32:49,083 --> 01:32:51,000 YEAH, BUT WHAT IF THIS JOB DOESN'T WORK OUT? 1597 01:32:51,083 --> 01:32:52,417 WHAT DO YOU MEAN? I THOUGHT THEY CALLED YOU. 1598 01:32:52,500 --> 01:32:53,291 DID YOU GET THE JOB ALREADY? 1599 01:32:53,375 --> 01:32:54,709 YEAH, BUT WHAT IF IT DOESN'T WORK OUT? 1600 01:32:54,792 --> 01:32:56,542 IT'S GONNA WORK OUT. COME ON! 1601 01:32:56,625 --> 01:32:59,083 COME ON, LET'S GO. 1602 01:32:59,792 --> 01:33:03,208 Brad: TOM, LET'S GO! 1603 01:33:03,291 --> 01:33:06,959 Scott: COME ON, TOM. IT'S GETTING LATE. 1604 01:33:10,125 --> 01:33:11,583 HEY, TOM, COME ON! 1605 01:33:11,667 --> 01:33:12,625 TOM, YOU READY? 1606 01:33:12,709 --> 01:33:15,375 ALL RIGHT, ALL RIGHT! 1607 01:33:15,458 --> 01:33:16,375 I'M READY. 1608 01:33:16,458 --> 01:33:19,417 ♪ JUST LIKE CHILDREN SINGING ♪ 1609 01:33:19,500 --> 01:33:20,542 LET'S MOVE. 1610 01:33:20,625 --> 01:33:26,000 ♪ WE WILL DREAM THIS NIGHT AWAY ♪ 1611 01:33:33,125 --> 01:33:36,750 ♪ BUT THERE'S A FULL MOON RISING ♪ 1612 01:33:36,834 --> 01:33:45,000 ♪ LET'S DO DANCING IN THE LIGHT ♪ 1613 01:33:50,000 --> 01:33:53,792 ♪ WE KNOW WHERE THE MUSIC'S PLAYING ♪ 1614 01:33:53,875 --> 01:34:01,417 ♪ LET'S GO OUT AND FEEL THE NIGHT ♪ 1615 01:34:06,667 --> 01:34:11,458 ♪ BECAUSE I'M STILL IN LOVE WITH YOU ♪ 1616 01:34:11,542 --> 01:34:15,333 ♪ I WANT YOU SEE YOU DANCE AGAIN ♪ 1617 01:34:15,417 --> 01:34:20,750 ♪ BECAUSE I'M STILL IN LOVE WITH YOU ♪ 1618 01:34:20,834 --> 01:34:27,500 ♪ ON THIS HARVEST MOON ♪ 1619 01:34:39,792 --> 01:34:44,959 [LOVE IS A BEAUTIFUL THING BY AL GREEN PLAYING] 1620 01:34:49,417 --> 01:34:52,083 THIS IS WHAT I BELIEVE. 1621 01:35:01,458 --> 01:35:06,458 ♪ BEEN SO LONG SINCE I MET YOU ♪ 1622 01:35:06,542 --> 01:35:11,333 ♪ AND ALL THE CHANGES WE'VE BEEN THROUGH ♪ 1623 01:35:11,417 --> 01:35:16,333 ♪ AND ALL THIS TIME I CAN'T FORGET YOU ♪ 1624 01:35:16,417 --> 01:35:21,709 ♪ EVERYWHERE I TURN, I THINK OF YOU ♪ 1625 01:35:21,792 --> 01:35:26,375 ♪ I WANT TO TRUST YOU, LADY ♪ 1626 01:35:26,458 --> 01:35:31,542 ♪ AND YOU, YOU'RE ALL I NEEDED ♪ 1627 01:35:31,625 --> 01:35:34,500 ♪ SOUL TO SOUL, FIRE TO FIRE ♪ 1628 01:35:34,583 --> 01:35:37,041 ♪ NOTHING LIKE THIS MAN'S DESIRE ♪ 1629 01:35:37,125 --> 01:35:42,041 ♪ LOVE IS A BEAUTIFUL THING ♪ 1630 01:35:42,125 --> 01:35:44,583 ♪ ONE TO ONE, YOU AND ME ♪ 1631 01:35:44,667 --> 01:35:46,709 ♪ OH, I KNOW IT'S OUR DESTINY ♪ 1632 01:35:46,792 --> 01:35:49,709 ♪ 'CAUSE LOVE IS A BEAUTIFUL THING ♪ 1633 01:35:49,792 --> 01:35:52,000 ♪ SO BEAUTIFUL, SO BEAUTIFUL ♪ 1634 01:35:52,083 --> 01:35:54,709 ♪ STAY TOGETHER THROUGH THICK AND THIN ♪ 1635 01:35:54,792 --> 01:35:57,041 ♪ NOW I KNOW I GOT A FRIEND ♪ 1636 01:35:57,125 --> 01:36:01,917 ♪ 'CAUSE LOVE IS A BEAUTIFUL THING ♪ 1637 01:36:02,000 --> 01:36:05,208 ♪ FACED THE FEARS ALL THROUGH THE YEARS ♪ 1638 01:36:05,291 --> 01:36:08,041 ♪ NOW I KNOW THERE'S NO MORE TEARS ♪ 1639 01:36:08,125 --> 01:36:13,041 ♪ LOVE IS A BEAUTIFUL THING ♪ 1640 01:36:13,125 --> 01:36:15,250 ♪ SOUL TO SOUL, FIRE TO FIRE ♪ 1641 01:36:15,333 --> 01:36:17,250 ♪ NOTHING LIKE THIS MAN'S DESIRE ♪ 1642 01:36:17,333 --> 01:36:22,083 ♪ BECAUSE LOVE IS A BEAUTIFUL THING ♪ 1643 01:36:22,166 --> 01:36:24,417 ♪ OHH, OHH ♪ 1644 01:36:24,500 --> 01:36:27,792 ♪ YOU AND ME, OH, I KNOW IT'S OUR DESTINY ♪ 1645 01:36:27,875 --> 01:36:32,875 ♪ LOVE IS A BEAUTIFUL THING ♪ 1646 01:36:32,959 --> 01:36:35,417 ♪ IT'S A BEAUTIFUL THING ♪ 1647 01:36:35,500 --> 01:36:38,125 ♪ IT'S A BEAUTIFUL THING ♪ 1648 01:36:38,208 --> 01:36:41,417 ♪ LOVE IS A BEAUTIFUL THING ♪ 1649 01:36:41,500 --> 01:36:45,542 ♪ OHH, OHH, OHH ♪ 1650 01:36:48,500 --> 01:36:49,458 ♪ OH, HONEY ♪ 1651 01:36:49,542 --> 01:36:51,458 ♪ LOVE IS A BEAUTIFUL THING ♪ 1652 01:36:51,542 --> 01:36:53,333 ♪ IT'S SO BEAUTIFUL ♪ 1653 01:36:53,417 --> 01:36:58,291 ♪ IT'S SO BEAUTIFUL ♪ 1654 01:36:58,375 --> 01:37:01,125 ♪ AHH ♪ 1655 01:37:01,208 --> 01:37:03,625 ♪ BEAUTIFUL ♪ 1656 01:37:03,709 --> 01:37:05,417 ♪ BEAUTIFUL ♪ 1657 01:37:05,500 --> 01:37:06,750 ♪ BEAUTIFUL ♪ 1658 01:37:06,834 --> 01:37:13,959 ♪ I WANT TO EMBRACE IT IN MY HEART ♪ 1659 01:37:14,041 --> 01:37:16,959 ♪ BEAUTIFUL, BEAUTIFUL THING ♪ 1660 01:37:17,041 --> 01:37:20,625 ♪ OH, LOVE IS SO BEAUTIFUL, SO BEAUTIFUL ♪ 1661 01:37:20,709 --> 01:37:23,750 ♪ LET'S STAY TOGETHER ♪ 1662 01:37:26,208 --> 01:37:29,166 ♪ LET'S STAY TOGETHER ♪ 1663 01:37:29,250 --> 01:37:32,500 ♪ 'CAUSE I'M STILL IN LOVE WITH YOU ♪ 1664 01:37:32,583 --> 01:37:33,500 ♪ HOLD ME ♪ 1665 01:37:33,583 --> 01:37:34,792 ♪ HOLD ME ♪ 1666 01:37:34,875 --> 01:37:36,041 ♪ FOR THE GOOD TIMES ♪ 1667 01:37:36,125 --> 01:37:37,375 ♪ FOR THE GOOD TIMES ♪ 1668 01:37:37,458 --> 01:37:40,208 ♪ I'M TIRED OF ALONE ♪ 1669 01:37:40,291 --> 01:37:43,542 ♪ HERE I AM ♪ 1670 01:37:43,625 --> 01:37:45,792 ♪ BEAUTIFUL ♪ 1671 01:37:45,875 --> 01:37:48,166 ♪ IT'S A BEAUTIFUL THING ♪ 1672 01:37:48,250 --> 01:37:52,166 ♪ DON'T LET NOBODY CHANGE YOUR MIND ♪ 1673 01:37:52,250 --> 01:37:54,041 ♪ IT'S A BEAUTIFUL ♪ 1674 01:37:54,125 --> 01:37:55,166 ♪ BEAUTIFUL... ♪ 1675 01:37:55,250 --> 01:37:57,375 CAPTIONING MADE POSSIBLE BY BUENA VISTA TELEVISION 1676 01:37:57,458 --> 01:37:59,458 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 106108