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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,200 --> 00:00:04,040 (TENSE INSTRUMENTAL MUSIC) 2 00:00:11,800 --> 00:00:13,680 (ALL EXCLAIM) 3 00:00:13,720 --> 00:00:16,360 ANT: Down! Down! Get your heads down! 4 00:00:16,400 --> 00:00:17,720 NARRATOR: 14 Aussie civilians... 5 00:00:17,760 --> 00:00:18,800 Welcome to hell. 6 00:00:18,840 --> 00:00:20,200 STAFF: Go! 7 00:00:20,240 --> 00:00:23,680 ..have pushed themselves beyond their physical and mental limits. 8 00:00:23,720 --> 00:00:25,760 Down, down! Sorry, sorry, sorry! 9 00:00:25,800 --> 00:00:27,000 I can't breathe! 10 00:00:28,080 --> 00:00:29,080 MAN: Don't panic! Hey! 11 00:00:29,120 --> 00:00:30,240 Look at me. Look at me. 12 00:00:30,280 --> 00:00:31,360 (DRAMATIC MUSIC BUILDS) 13 00:00:31,400 --> 00:00:34,080 There's been extraordinary triumphs... 14 00:00:34,120 --> 00:00:36,240 (DRAMATIC MUSIC SWELLS) ANT: Well done! 15 00:00:37,440 --> 00:00:39,440 ..and devastating heartbreak. 16 00:00:40,440 --> 00:00:42,440 I lost my son ten days ago. 17 00:00:42,480 --> 00:00:44,120 I've gotta shake your hand for being here. 18 00:00:45,120 --> 00:00:47,760 I guess I just see myself being like my dad. 19 00:00:47,800 --> 00:00:49,080 (STIRRING INSTRUMENTAL MUSIC) 20 00:00:49,120 --> 00:00:50,440 One by one... 21 00:00:50,480 --> 00:00:52,200 ANT: If you can't do it, give me your number! 22 00:00:52,240 --> 00:00:53,640 I can't do this. Sorry. 23 00:00:53,680 --> 00:00:55,240 ..recruits surrendered. 24 00:00:55,280 --> 00:00:56,560 Thanks, staff. 25 00:00:56,600 --> 00:00:58,160 Arggh! 26 00:00:58,200 --> 00:00:59,200 It's your time. 27 00:01:00,200 --> 00:01:02,040 Leave this course with your head held high. 28 00:01:02,080 --> 00:01:03,160 (STIRRING INSTRUMENTAL MUSIC) 29 00:01:03,200 --> 00:01:05,120 It's nothing personal, but Baz. 30 00:01:05,160 --> 00:01:06,920 We don't want to have to have the liability. 31 00:01:06,960 --> 00:01:08,440 It's all good. 32 00:01:08,480 --> 00:01:10,800 This is the most life-changing experience. 33 00:01:10,840 --> 00:01:12,520 (STIRRING MUSIC SWELLS) 34 00:01:12,560 --> 00:01:15,480 Now only six remain... 35 00:01:15,520 --> 00:01:16,880 How badly do you want it? 36 00:01:16,920 --> 00:01:19,320 (DRAMATIC MUSIC BUILDS) 37 00:01:19,360 --> 00:01:22,760 ..as they dig deep to see if they have what it takes. 38 00:01:22,800 --> 00:01:26,400 MAN: I want to prove I am spiritually tougher than I think. 39 00:01:26,440 --> 00:01:27,560 (GRUNTS) 40 00:01:27,600 --> 00:01:29,480 When I'm mentally, physically done, 41 00:01:29,520 --> 00:01:32,000 I have tapped into something entirely different within me. 42 00:01:32,040 --> 00:01:34,080 (DRAMATIC MUSIC CONTINUES) 43 00:01:34,120 --> 00:01:36,120 MAN: Even though you are smaller than everyone else, 44 00:01:36,160 --> 00:01:37,520 you can achieve anything. 45 00:01:37,560 --> 00:01:38,760 (GRUNTS) 46 00:01:38,800 --> 00:01:40,800 I think dancers are underestimated. 47 00:01:40,840 --> 00:01:42,960 Resilience is something I hold close to my heart. 48 00:01:43,000 --> 00:01:44,080 Come on! Keep going. 49 00:01:44,120 --> 00:01:46,720 It was just born into me to be competitive. 50 00:01:46,760 --> 00:01:48,400 Losing's just not on the agenda. 51 00:01:48,440 --> 00:01:50,080 WOMAN: I can't imagine quitting. 52 00:01:50,120 --> 00:01:51,240 Think about what you're doing! 53 00:01:52,880 --> 00:01:57,600 Only the elite of the elite pass the course. 54 00:01:57,640 --> 00:01:59,240 (DRAMATIC MUSIC CONTINUES) 55 00:01:59,280 --> 00:02:02,040 This concludes the selection process. 56 00:02:03,200 --> 00:02:05,120 That doesn't mean you've all passed. 57 00:02:06,600 --> 00:02:07,920 (DRAMATIC MUSIC BUILDS) 58 00:02:07,960 --> 00:02:10,320 Who will pass... Arggh! 59 00:02:10,360 --> 00:02:11,800 ..final selection? 60 00:02:11,840 --> 00:02:13,480 Can't hold on! Arggh! 61 00:02:13,520 --> 00:02:16,520 (DRAMATIC MUSIC SWELLS) 62 00:02:20,720 --> 00:02:22,200 (BIRDSONG) 63 00:02:22,240 --> 00:02:25,240 (DRAMATIC MUSIC BUILDS) 64 00:02:25,280 --> 00:02:26,520 WOMAN: What's up, my G? 65 00:02:26,560 --> 00:02:28,200 (SIGHS) I'm just... 66 00:02:28,240 --> 00:02:30,040 ..just wanna (BLEEP) get it done, you know what I mean? 67 00:02:30,080 --> 00:02:31,520 One step at a time. No, I'm with you. 68 00:02:31,560 --> 00:02:32,720 Yeah. 69 00:02:32,760 --> 00:02:34,760 It's day six of Hell Week, 70 00:02:34,800 --> 00:02:38,800 an intensive version of the brutal SAS training course, 71 00:02:38,840 --> 00:02:41,960 and only six civilian recruits remain 72 00:02:42,000 --> 00:02:45,440 in the final stage to pass selection. 73 00:02:47,000 --> 00:02:48,240 I got two cigars. 74 00:02:49,760 --> 00:02:51,280 I wanna have one at the end of the course with you. 75 00:02:51,320 --> 00:02:53,360 OK. (LAUGHS) 76 00:02:53,400 --> 00:02:56,160 I'm here 'cause I wanna be able to push myself. 77 00:02:56,200 --> 00:02:58,400 I want to be part of the SAS, 78 00:02:58,440 --> 00:03:00,480 and I want to prove that I'm good enough. 79 00:03:00,520 --> 00:03:02,600 After I did fail with football, 80 00:03:02,640 --> 00:03:05,440 I want to show that I can do it, mentally and physically. 81 00:03:05,480 --> 00:03:07,280 That failing mentality 82 00:03:07,320 --> 00:03:09,880 is just something that I don't want to feel anymore. 83 00:03:09,920 --> 00:03:11,520 That's it, mate. 84 00:03:11,560 --> 00:03:14,440 If you envision yourself doing something, 85 00:03:14,480 --> 00:03:15,880 you know what I mean? 86 00:03:15,920 --> 00:03:18,040 It's just inevitable that it will just happen, you know? 87 00:03:19,280 --> 00:03:21,280 You just gotta keep working for it. 88 00:03:21,320 --> 00:03:24,720 I want to show my son that it was a challenge, 89 00:03:24,760 --> 00:03:27,040 but whatever you put your mind to, you can get over it. 90 00:03:28,240 --> 00:03:30,960 Don't think about where the end it. 91 00:03:31,000 --> 00:03:33,400 Just think about that next step. Yeah. 92 00:03:35,280 --> 00:03:36,680 (SIGHS) 93 00:03:36,720 --> 00:03:39,960 I'm doing this course to really test myself, 94 00:03:40,000 --> 00:03:42,120 to give myself confidence, 95 00:03:42,160 --> 00:03:46,480 and to prove to other people that I can actually do this. 96 00:03:46,520 --> 00:03:47,760 MAN: Good! 97 00:03:49,120 --> 00:03:50,640 Well done. Well done. There we go. 98 00:03:50,680 --> 00:03:52,360 Was that a three? 99 00:03:52,400 --> 00:03:55,760 I'll go the whole way. I'll be there till the end. 100 00:03:55,800 --> 00:03:57,480 There's no doubt about that. 101 00:03:57,520 --> 00:04:00,520 (STIRRING INSTRUMENTAL MUSIC) 102 00:04:03,680 --> 00:04:05,640 MAN: How's our fires looking? 103 00:04:05,680 --> 00:04:08,760 Doing this course means the absolute world to me. 104 00:04:08,800 --> 00:04:12,680 I do believe I have what it takes to pass SAS selection. 105 00:04:12,720 --> 00:04:14,680 Big day! Big day, mate. 106 00:04:14,720 --> 00:04:16,959 Just gotta take it an hour at a time. 107 00:04:17,000 --> 00:04:19,279 Yep, each footstep. That's it. 108 00:04:19,320 --> 00:04:22,800 'Cause obviously every footstep at the moment is (BLEEP) painful. 109 00:04:22,840 --> 00:04:23,920 (LAUGHS) Yeah. 110 00:04:23,960 --> 00:04:26,400 (MOMENTOUS MUSIC BUILDS) 111 00:04:26,440 --> 00:04:30,120 My motivation is proving I'm more than just James, the dancer. 112 00:04:30,160 --> 00:04:31,800 (MOMENTOUS MUSIC CONTINUES) 113 00:04:31,840 --> 00:04:36,280 I know that dance and what's involved in the SAS is worlds apart, 114 00:04:36,320 --> 00:04:38,720 but dancers work their arses off. 115 00:04:38,760 --> 00:04:40,640 They're some of the most hardworking people I've ever met. 116 00:04:40,680 --> 00:04:43,560 You know, you've gotta have drive, you've gotta have discipline. 117 00:04:43,600 --> 00:04:45,600 Dancers are underestimated, 118 00:04:45,640 --> 00:04:47,640 and I'm hoping that I can use those things 119 00:04:47,680 --> 00:04:50,280 that I've learnt from my career and make it to the end. 120 00:04:52,960 --> 00:04:55,880 ANT: Five minutes, I want everybody on this parade square! 121 00:04:55,920 --> 00:04:57,200 Let's move! Let's go! 122 00:04:57,240 --> 00:04:59,320 (TENSE INSTRUMENTAL MUSIC) 123 00:04:59,360 --> 00:05:00,440 Move! 124 00:05:00,480 --> 00:05:03,480 (TENSE MUSIC CONTINUES) 125 00:05:14,280 --> 00:05:16,280 Right, this is where we really step up now, 126 00:05:16,320 --> 00:05:19,920 physically, psychologically, and emotionally. 127 00:05:19,960 --> 00:05:22,520 We're getting more brutal and brutal. 128 00:05:22,560 --> 00:05:25,120 Bang, bang, bang. Number will be gone. 129 00:05:25,160 --> 00:05:27,520 Do not let that be you. 130 00:05:27,560 --> 00:05:30,480 We need you to go beyond your limitations. 131 00:05:30,520 --> 00:05:32,520 (TENSE MUSIC CONTINUES) 132 00:05:32,560 --> 00:05:34,200 Is that understood? ALL: Yes, staff. 133 00:05:34,240 --> 00:05:35,360 Good. 134 00:05:36,360 --> 00:05:39,440 The final phase - this is it. It's do or die. 135 00:05:40,440 --> 00:05:41,720 Go! Move, move! Let's go. 136 00:05:41,760 --> 00:05:42,920 Let's go! 137 00:05:42,960 --> 00:05:45,360 This is where we put the final pressure on 138 00:05:45,400 --> 00:05:48,360 to find that special, or special individuals. 139 00:05:48,400 --> 00:05:49,840 In front. Look! 140 00:05:49,880 --> 00:05:51,520 (TENSE INSTRUMENTAL MUSIC) 141 00:05:51,560 --> 00:05:54,920 This is where we see and dig deep into their reserve. 142 00:05:54,960 --> 00:05:56,960 (TENSE MUSIC CONTINUES) 143 00:05:57,000 --> 00:05:58,440 MAN: Anyone a bit nervous? Yeah, def. 144 00:05:58,480 --> 00:06:00,320 Always get a bit nervous before all of them, eh? 145 00:06:00,360 --> 00:06:01,360 Before I see them, yeah. 146 00:06:01,400 --> 00:06:03,760 Like, what are the limits I'm pushing myself to today? 147 00:06:03,800 --> 00:06:05,440 Yeah, yeah, yeah, exactly! 148 00:06:05,480 --> 00:06:08,480 (DRAMATIC MUSIC BUILDS) 149 00:06:09,920 --> 00:06:11,200 How you feeling? Better? 150 00:06:11,240 --> 00:06:13,000 I'm good, mate, yeah. Yeah? Feeling good? 151 00:06:13,040 --> 00:06:16,440 As a holistic health coach, I work in personal development, 152 00:06:16,480 --> 00:06:18,400 spiritual evolution, healing, 153 00:06:18,440 --> 00:06:20,880 but when I was younger, 154 00:06:20,920 --> 00:06:23,920 I was someone who didn't make great choices. 155 00:06:23,960 --> 00:06:25,200 We're up pretty high. 156 00:06:25,240 --> 00:06:26,720 Are we? Mmm. 157 00:06:26,760 --> 00:06:30,920 So, my reason for doing this is to grow and to learn - 158 00:06:30,960 --> 00:06:32,680 to leave it all on the line. 159 00:06:32,720 --> 00:06:34,320 MAN: One behind the other. 160 00:06:34,360 --> 00:06:36,040 I'm all in, 100%. 161 00:06:36,080 --> 00:06:38,640 (TENSE INSTRUMENTAL MUSIC) 162 00:06:38,680 --> 00:06:41,080 ANT: They're starting to realise what they're capable of. 163 00:06:41,120 --> 00:06:44,080 They're starting to realise their potential... 164 00:06:45,160 --> 00:06:47,400 ..and they will become a better version of who they are. 165 00:06:47,440 --> 00:06:51,360 They will beyond any limitations that they've been before. 166 00:06:51,400 --> 00:06:54,680 (TENSE INSTRUMENTAL MUSIC) 167 00:06:54,720 --> 00:06:56,960 Shoulder to shoulder. Nice and tight. 168 00:06:59,520 --> 00:07:00,920 Alright, listen in. 169 00:07:00,960 --> 00:07:02,960 Guess what we've come to - a cliff edge. 170 00:07:03,000 --> 00:07:05,080 (TENSE MUSIC CONTINUES) 171 00:07:05,120 --> 00:07:09,000 Your job is to (BLEEP) get across it as quick as possible, 172 00:07:09,040 --> 00:07:10,480 because if you don't, 173 00:07:10,520 --> 00:07:12,560 what are you if you're sitting on that (BLEEP) rope? 174 00:07:12,600 --> 00:07:14,000 JAMES: Sitting target. 175 00:07:14,040 --> 00:07:15,480 A sitting target. 176 00:07:15,520 --> 00:07:17,440 A danger to yourself, a danger to others. 177 00:07:18,720 --> 00:07:20,280 Turn around. Watching the demo. 178 00:07:23,000 --> 00:07:26,200 Today's first task is known as the cat crawl, 179 00:07:26,240 --> 00:07:30,440 a gruelling examination of the recruits' focus, will, 180 00:07:30,480 --> 00:07:33,440 and ability to control their fear. 181 00:07:33,480 --> 00:07:36,920 He is pulling with his arms and pushing with his back leg. 182 00:07:36,960 --> 00:07:38,360 Pull and push motion. 183 00:07:38,400 --> 00:07:40,800 Pull from the front, push from the back. 184 00:07:41,840 --> 00:07:42,920 To pass the task, 185 00:07:42,960 --> 00:07:45,920 the recruits will need to use a specific technique 186 00:07:45,960 --> 00:07:48,360 to complete the 30-metre crossing, 187 00:07:48,400 --> 00:07:51,720 suspended a perilous 50 metres above the ground. 188 00:07:51,760 --> 00:07:53,240 (TENSE INSTRUMENTAL MUSIC) 189 00:07:53,280 --> 00:07:54,920 Turn around. 190 00:07:54,960 --> 00:07:57,400 Get your (BLEEP) headspace where it needs to be right now, 191 00:07:57,440 --> 00:07:59,920 which is surviving for a place on this course. 192 00:07:59,960 --> 00:08:01,760 It's over to you now. 193 00:08:01,800 --> 00:08:03,600 How badly do you want it? 194 00:08:03,640 --> 00:08:05,440 (TENSE MUSIC CONTINUES) 195 00:08:05,480 --> 00:08:07,080 I'm gonna put you in pairs. 196 00:08:07,120 --> 00:08:08,840 You're gonna be racing. 197 00:08:08,880 --> 00:08:13,440 Number eight and number 11, you will be first. 198 00:08:13,480 --> 00:08:14,880 You two, harness up. 199 00:08:14,920 --> 00:08:16,080 (TENSE INSTRUMENTAL MUSIC) 200 00:08:16,120 --> 00:08:17,800 I can be a very competitive person. 201 00:08:19,160 --> 00:08:20,760 Whether it's noughts and crosses 202 00:08:20,800 --> 00:08:23,960 or it's, like, a random foot race on the beach. 203 00:08:26,440 --> 00:08:29,440 The DS will assess the recruits on their speed and agility 204 00:08:29,480 --> 00:08:32,799 to maintain their control and nerve through the task. 205 00:08:32,840 --> 00:08:34,159 (TENSE INSTRUMENTAL MUSIC) 206 00:08:34,200 --> 00:08:37,000 The cat crawl is a test of discipline. 207 00:08:37,039 --> 00:08:39,159 Number 11, you're on this line. Yes, staff. 208 00:08:40,159 --> 00:08:43,400 In Afghanistan, the mountains are vast. 209 00:08:44,680 --> 00:08:46,480 It's a scary place to be, 210 00:08:46,520 --> 00:08:48,080 and if you don't control that fear... 211 00:08:48,120 --> 00:08:49,440 (DRAMATIC MUSIC BUILDS) 212 00:08:49,480 --> 00:08:51,880 ..if you're not disciplined enough to have confidence in yourself... 213 00:08:53,000 --> 00:08:54,880 ..it's a very long fall. 214 00:08:54,920 --> 00:08:56,600 (DRAMATIC MUSIC BUILDS) 215 00:08:56,640 --> 00:08:59,920 Go! Let's move! Fast as you can! 216 00:08:59,960 --> 00:09:01,200 Everything! 217 00:09:02,960 --> 00:09:04,120 Oh, (BLEEP)! 218 00:09:06,280 --> 00:09:08,880 Get back on the top of the rope, then. Do what you can! 219 00:09:08,920 --> 00:09:11,560 (DRAMATIC MUSIC CONTINUES) 220 00:09:12,560 --> 00:09:15,440 In his haste to beat number 11, rapper Isabella... 221 00:09:16,440 --> 00:09:20,080 ..number eight James's lack of focus sees him lose control. 222 00:09:21,080 --> 00:09:22,800 (BLEEP) gone tits up now, hasn't it? 223 00:09:22,840 --> 00:09:24,600 (DRAMATIC MUSIC CONTINUES) 224 00:09:24,640 --> 00:09:26,120 Let's go, number 11! 225 00:09:26,160 --> 00:09:28,200 We leave everything on this rope! 226 00:09:28,240 --> 00:09:30,800 Stay where you are! Stay in that zone! 227 00:09:30,840 --> 00:09:31,880 Good! 228 00:09:33,840 --> 00:09:35,320 ISABELLA: 100% scared of the heights. 229 00:09:36,520 --> 00:09:38,400 But even the things that scare the shit out of me, 230 00:09:38,440 --> 00:09:39,800 I'm gonna get the job done, 231 00:09:39,840 --> 00:09:40,880 because that's what I'm here to do. 232 00:09:40,920 --> 00:09:42,520 Sort yourself out. Good! 233 00:09:42,560 --> 00:09:43,840 Good effort, number 11! (PUFFS) 234 00:09:43,880 --> 00:09:46,680 (BLEEP) strong! Well done! Look at me. 235 00:09:46,720 --> 00:09:48,080 (BLEEP) strong effort. Thank you! 236 00:09:48,120 --> 00:09:49,920 Good, good, good. Stay there. (PUFFS) 237 00:09:49,960 --> 00:09:52,760 Having maintained her composure and technique, 238 00:09:52,800 --> 00:09:56,680 number 11, Isabella, has successfully passed the task. 239 00:09:56,720 --> 00:09:58,040 (PUFFS) 240 00:09:58,080 --> 00:09:59,960 Good job, mate. Thanks, mate. 241 00:10:00,000 --> 00:10:02,520 (DRAMATIC MUSIC BUILDS) 242 00:10:02,560 --> 00:10:04,320 Number eight! Yes, staff? 243 00:10:04,360 --> 00:10:06,000 (BLEEP) that up royally, didn't you? 244 00:10:06,040 --> 00:10:07,400 Yes, staff. (GRUNTS) 245 00:10:07,440 --> 00:10:10,040 Try and get back up from that position. 246 00:10:10,080 --> 00:10:13,080 (DRAMATIC MUSIC BUILDS) 247 00:10:17,680 --> 00:10:19,360 (STRAINS) 248 00:10:22,280 --> 00:10:23,480 (GROANS) 249 00:10:25,840 --> 00:10:26,840 Just can't hold on! 250 00:10:26,880 --> 00:10:28,480 (DRAMATIC MUSIC SWELLS) 251 00:10:28,520 --> 00:10:29,720 (BLEEP)! 252 00:10:33,600 --> 00:10:37,280 (TENSE INSTRUMENTAL MUSIC) 253 00:10:37,320 --> 00:10:41,160 It can be very hard, getting knocked down, 254 00:10:41,200 --> 00:10:44,040 but then you gotta sort of put your boots on and march forward. 255 00:10:44,080 --> 00:10:46,560 It was that mad rush at the beginning, wasn't it? 256 00:10:47,560 --> 00:10:49,080 Yes, staff. 257 00:10:49,120 --> 00:10:51,360 (TENSE INSTRUMENTAL MUSIC) 258 00:10:51,400 --> 00:10:55,840 Next to tackle the cat crawl is a determined number two, tradie Luke, 259 00:10:55,880 --> 00:11:00,560 and number five, dating coach, Sarah, who is keen to show her grit. 260 00:11:01,560 --> 00:11:03,440 SARAH: I'm doing this for myself. 261 00:11:03,480 --> 00:11:04,960 I have doubts. 262 00:11:05,000 --> 00:11:07,240 Like, I need to see somebody else do it first. 263 00:11:07,280 --> 00:11:09,200 Right, mount the ropes. 264 00:11:09,240 --> 00:11:12,800 So, I second-guess myself sometimes, 265 00:11:12,840 --> 00:11:15,120 and I don't want to feel like that anymore. 266 00:11:15,160 --> 00:11:16,320 Go! 267 00:11:16,360 --> 00:11:17,880 (DRAMATIC MUSIC BUILDS) 268 00:11:17,920 --> 00:11:18,920 Everything! 269 00:11:18,960 --> 00:11:20,840 Number five, catch him! 270 00:11:21,960 --> 00:11:23,800 Pull and push! 271 00:11:23,840 --> 00:11:25,880 There is this mongrel within me 272 00:11:25,920 --> 00:11:29,240 that I honestly feel will be what gets me through to the end. 273 00:11:29,280 --> 00:11:32,760 Number five, two arms are better than one! 274 00:11:32,800 --> 00:11:35,360 Up and pull! 275 00:11:35,400 --> 00:11:38,280 Trust me, you will blow out like that! 276 00:11:39,280 --> 00:11:41,160 That's it! 277 00:11:41,200 --> 00:11:42,640 Let's go, number two! 278 00:11:42,680 --> 00:11:44,920 LUKE: Determination is everything to me. 279 00:11:44,960 --> 00:11:48,360 When I have a goal, I want to be able to get it done. 280 00:11:48,400 --> 00:11:50,320 I give everything. 281 00:11:50,360 --> 00:11:51,720 Let's go - all the way in! 282 00:11:52,800 --> 00:11:54,360 Good effort, number two. Let's go! 283 00:11:54,400 --> 00:11:55,520 (TENSE INSTRUMENTAL MUSIC) 284 00:11:55,560 --> 00:11:57,480 All the way in. We don't stop. 285 00:12:01,400 --> 00:12:02,880 Get yourself up! Stand up! 286 00:12:02,920 --> 00:12:04,880 That's it. On and off! 287 00:12:04,920 --> 00:12:07,160 Good effort! Well done, number two. Strong! 288 00:12:07,200 --> 00:12:09,600 (DRAMATIC MUSIC BUILDS) 289 00:12:09,640 --> 00:12:11,200 Come here, number five. 290 00:12:13,120 --> 00:12:15,600 Pull. You're doing one arm at a time. 291 00:12:15,640 --> 00:12:16,960 No wonder he (BLEEP) beat you. 292 00:12:17,000 --> 00:12:18,120 Yes, staff. 293 00:12:18,160 --> 00:12:21,000 I'm very hard on myself. 294 00:12:21,040 --> 00:12:23,480 There's always that little voice that's, like, 295 00:12:23,520 --> 00:12:26,960 "This is good, Sarah, but if you can do this, you could be better." 296 00:12:28,000 --> 00:12:29,040 (BLEEP)! 297 00:12:29,080 --> 00:12:30,960 You did good, mate. You did good. (SIGHS) 298 00:12:31,000 --> 00:12:32,480 (TENSE INSTRUMENTAL MUSIC) 299 00:12:32,520 --> 00:12:35,360 The final pair to attempt the daunting crawl 300 00:12:35,400 --> 00:12:38,240 are number 13, dancer James, 301 00:12:38,280 --> 00:12:40,600 and number six, youngest recruit, Mitch, 302 00:12:40,640 --> 00:12:42,760 who is eager to make an impression. 303 00:12:43,800 --> 00:12:45,200 Who do you guys reckon? 304 00:12:45,240 --> 00:12:46,440 Maybe Mitch. 305 00:12:46,480 --> 00:12:49,640 Keep the (BLEEP) noise down. You got a (BLEEP) loud mouth on you. 306 00:12:50,760 --> 00:12:51,840 Go! 307 00:12:51,880 --> 00:12:54,000 (DRAMATIC MUSIC BUILDS) 308 00:12:54,040 --> 00:12:56,560 Stay on top of that (BLEEP) rope, number six. 309 00:12:56,600 --> 00:12:59,440 (DRAMATIC MUSIC SWELLS) 310 00:12:59,480 --> 00:13:00,720 Get back on there. 311 00:13:00,760 --> 00:13:03,760 (DRAMATIC MUSIC CONTINUES) 312 00:13:11,640 --> 00:13:12,800 ANT: Get on top of it, number six! 313 00:13:12,840 --> 00:13:15,840 (DRAMATIC MUSIC CONTINUES) 314 00:13:19,400 --> 00:13:20,880 MITCH: I've been labelled as a pretty boy. 315 00:13:20,920 --> 00:13:22,760 So, I think a lot of people would look at me 316 00:13:22,800 --> 00:13:25,000 and think I would not be able to pass this course. 317 00:13:25,040 --> 00:13:26,720 Use that leg to pendulum... that's it! 318 00:13:26,760 --> 00:13:28,760 Look up the rope when you do it. 319 00:13:28,800 --> 00:13:31,400 I wanna prove to those people that I'm more than that. 320 00:13:31,440 --> 00:13:32,680 (DRAMATIC MUSIC BUILDS) 321 00:13:32,720 --> 00:13:34,320 If you had a Bergen on, 322 00:13:34,360 --> 00:13:36,480 you would have been off that rope a long time ago! 323 00:13:38,080 --> 00:13:41,800 You either get on top of the rope or you let go of the rope. 324 00:13:41,840 --> 00:13:44,840 (DRAMATIC MUSIC CONTINUES) 325 00:13:50,920 --> 00:13:51,920 (ISABELLA EXCLAIMS) 326 00:13:53,080 --> 00:13:54,520 Keep the noise down, number 11! 327 00:13:54,560 --> 00:13:55,760 (BLEEP)! 328 00:13:55,800 --> 00:13:57,920 (LAUGHS) 329 00:13:57,960 --> 00:13:59,080 (TENSE INSTRUMENTAL MUSIC) 330 00:13:59,120 --> 00:14:00,880 Do you think it's funny, number 11? 331 00:14:03,760 --> 00:14:05,000 No, staff. Sorry, staff. Sorry. 332 00:14:08,720 --> 00:14:10,880 Do you know what, you're all gonna (BLEEP) pay later 333 00:14:10,920 --> 00:14:12,400 if you think it's (BLEEP) funny. 334 00:14:13,400 --> 00:14:14,400 Sorry. 335 00:14:14,440 --> 00:14:15,800 You should be sorry to the others, 336 00:14:15,840 --> 00:14:17,840 because they're gonna pay because of you, number 11! 337 00:14:19,200 --> 00:14:20,760 Stand by for when we get back now. 338 00:14:20,800 --> 00:14:23,800 (DRAMATIC MUSIC CONTINUES) 339 00:14:23,840 --> 00:14:27,240 I love to have a joke, and I love to lighten any situation. 340 00:14:27,280 --> 00:14:28,320 Sorry. 341 00:14:28,360 --> 00:14:30,800 When I talked to my friends about doing this course, 342 00:14:30,840 --> 00:14:34,400 all of them said, "How would you take being yelled at?" 343 00:14:34,440 --> 00:14:37,880 (TENSE INSTRUMENTAL MUSIC) 344 00:14:37,920 --> 00:14:39,280 Yeah, that would get under my skin. 345 00:14:41,560 --> 00:14:42,760 Over to me. 346 00:14:44,640 --> 00:14:45,800 Good effort. 347 00:14:45,840 --> 00:14:49,640 Having maintained focus and pulled off the cat crawl correctly, 348 00:14:49,680 --> 00:14:52,760 number 13, James, has passed the task. 349 00:14:52,800 --> 00:14:55,800 (TENSE MUSIC CONTINUES) 350 00:14:59,680 --> 00:15:02,440 How does it feel, dangling there like a spare prick? 351 00:15:02,480 --> 00:15:03,880 Not good, staff. 352 00:15:03,920 --> 00:15:05,880 No, it's no (BLEEP) good, is it? No, staff. 353 00:15:05,920 --> 00:15:08,080 (BLEEP) went wrong there, then? 354 00:15:08,120 --> 00:15:10,280 I just lost my balance off the kick. 355 00:15:10,320 --> 00:15:12,440 Distractions. Yes, staff. 356 00:15:12,480 --> 00:15:14,560 Distracted with the race. Yep. 357 00:15:14,600 --> 00:15:15,680 Rather than the technique. 358 00:15:17,400 --> 00:15:19,800 At this stage of the course, that's unacceptable, number six. 359 00:15:21,200 --> 00:15:23,920 You need to be 100% on your game 360 00:15:23,960 --> 00:15:27,480 and focus on the task at hand. 361 00:15:27,520 --> 00:15:30,200 You really needed that, and you (BLEEP) that up. 362 00:15:31,200 --> 00:15:33,720 If you don't, at this point of the course... 363 00:15:36,000 --> 00:15:38,280 ..it's mission failure for you. 364 00:15:38,320 --> 00:15:40,240 (TENSE INSTRUMENTAL MUSIC) 365 00:15:40,280 --> 00:15:42,400 Distractions. 366 00:15:42,440 --> 00:15:43,960 (TENSE MUSIC CONTINUES) 367 00:15:44,000 --> 00:15:45,320 It wasn't about the (BLEEP) race. 368 00:15:46,360 --> 00:15:48,200 You think we (BLEEP) race each other? 369 00:15:49,840 --> 00:15:55,080 No - to see how you dealt with distractions, 370 00:15:55,120 --> 00:15:59,920 rather than staying focused on the task, on the job. 371 00:16:01,440 --> 00:16:02,720 What do you think happens 372 00:16:02,760 --> 00:16:04,520 when (BLEEP) bullets and bombs go over our heads? 373 00:16:05,800 --> 00:16:08,440 That's why it's so important to ignore the distractions, 374 00:16:08,480 --> 00:16:12,320 to ignore the noise, especially at this stage of the course. 375 00:16:12,360 --> 00:16:16,040 (TENSE INSTRUMENTAL MUSIC) 376 00:16:16,080 --> 00:16:19,040 What's so funny, number 11? What do you want to share with me? 377 00:16:19,080 --> 00:16:20,280 (TENSE INSTRUMENTAL MUSIC) 378 00:16:20,320 --> 00:16:21,440 Go on. 379 00:16:21,480 --> 00:16:23,000 Well... (COUGHS) 380 00:16:23,040 --> 00:16:25,040 (TENSE MUSIC CONTINUES) 381 00:16:25,080 --> 00:16:26,760 ..I laughed, and it was too loud. 382 00:16:26,800 --> 00:16:29,600 It wasn't funny, it was... mmm. 383 00:16:30,600 --> 00:16:32,360 Respect is crucial, 384 00:16:32,400 --> 00:16:35,840 not only on this course, but in life itself. 385 00:16:36,840 --> 00:16:39,440 I told you to keep your noise down and you (BLEEP) laughed in my face. 386 00:16:39,480 --> 00:16:41,600 (TENSE INSTRUMENTAL MUSIC) 387 00:16:41,640 --> 00:16:44,040 You arrogant prick! 388 00:16:44,080 --> 00:16:46,520 (TENSE MUSIC CONTINUES) 389 00:16:46,560 --> 00:16:48,240 (BLEEP) stand by for that, all of you. 390 00:16:48,280 --> 00:16:50,880 (TENSE MUSIC CONTINUES) 391 00:16:50,920 --> 00:16:53,400 When people come into our world, 392 00:16:53,440 --> 00:16:56,680 when we're trying to give them our time and our knowledge, 393 00:16:56,720 --> 00:16:58,640 and they throw it back in our face... 394 00:16:58,680 --> 00:16:59,800 Get your Bergens on. 395 00:16:59,840 --> 00:17:02,680 ..that's the biggest sign of disrespect... 396 00:17:03,680 --> 00:17:05,960 ..and I will (BLEEP) not have it on my course. 397 00:17:06,000 --> 00:17:07,400 Follow on. 398 00:17:07,440 --> 00:17:09,240 (TENSE MUSIC CONTINUES) 399 00:17:11,079 --> 00:17:12,200 Go! 400 00:17:12,240 --> 00:17:13,280 Coming up... 401 00:17:13,319 --> 00:17:14,560 Everybody say, "Thank you, number 11!" 402 00:17:14,599 --> 00:17:16,000 RECRUITS: Thank you, number 11. 403 00:17:16,040 --> 00:17:18,000 ..a brutal beasting... (GROANS) 404 00:17:18,040 --> 00:17:20,119 He won't stop until they throw in their number. 405 00:17:20,160 --> 00:17:22,480 ..ends in a shocking VW. 406 00:17:22,520 --> 00:17:24,040 (CRIES) Ow! Stop! 407 00:17:24,079 --> 00:17:25,359 And later... 408 00:17:25,400 --> 00:17:27,480 Obviously I had my differences with my ex, 409 00:17:27,520 --> 00:17:29,040 and when you miss out 410 00:17:29,080 --> 00:17:31,160 on just getting to put your kid to bed every night... 411 00:17:31,200 --> 00:17:34,640 ..darkest secrets and shames are confessed. 412 00:17:34,680 --> 00:17:36,880 (CRIES) And I just kept lying. 413 00:17:36,920 --> 00:17:39,760 So, that's something that I carry with me every day. 414 00:17:45,760 --> 00:17:48,760 (TENSE INSTRUMENTAL MUSIC) 415 00:17:50,440 --> 00:17:53,520 NARRATOR: There's less than 24 hours left on the final stage 416 00:17:53,560 --> 00:17:55,840 of the SAS selection course. 417 00:17:55,880 --> 00:17:57,320 Hurry up! Get your Bergens out! 418 00:17:57,360 --> 00:18:00,840 Put them against the wall! Get on the square! Move! 419 00:18:00,880 --> 00:18:02,600 During the last task, 420 00:18:02,640 --> 00:18:05,640 number 11, Isabella, showed disrespect 421 00:18:05,680 --> 00:18:07,840 by inappropriately laughing, 422 00:18:07,880 --> 00:18:09,880 raising the ire of the DS. 423 00:18:09,920 --> 00:18:12,200 Onto the square! Sprint! Hurry up! 424 00:18:12,240 --> 00:18:16,960 Now the recruits will be punished as a group for her insolence. 425 00:18:17,000 --> 00:18:18,560 (TENSE MUSIC CONTINUES) 426 00:18:18,600 --> 00:18:24,520 Right, we're tired of the (BLEEP) lack of effort 427 00:18:24,560 --> 00:18:25,880 from this course - 428 00:18:25,920 --> 00:18:29,080 and then today you, number 11, 429 00:18:29,120 --> 00:18:31,440 thinking it's a (BLEEP) joke! 430 00:18:33,840 --> 00:18:37,520 So, I tell you now, at least one of you is going after this. 431 00:18:37,560 --> 00:18:39,000 At least one! 432 00:18:41,520 --> 00:18:43,720 Press-up position, please! 433 00:18:45,320 --> 00:18:48,040 Punishment will not come in the form of a standard beasting. 434 00:18:48,080 --> 00:18:49,520 Go! 435 00:18:49,560 --> 00:18:52,760 They will endure a sickener. 436 00:18:52,800 --> 00:18:55,840 (BLEEP) go! (BLEEP)! 437 00:18:55,880 --> 00:18:58,560 (BLEEP) slow! Too slow! Move! Go! 438 00:18:58,600 --> 00:18:59,800 (TENSE MUSIC CONTINUES) 439 00:18:59,840 --> 00:19:02,480 A sickener is the worst type of beasting there is. 440 00:19:02,520 --> 00:19:04,000 Keep moving! Go! 441 00:19:04,040 --> 00:19:05,160 Keep moving! 442 00:19:05,200 --> 00:19:08,680 We keep on going until we start to lose people. 443 00:19:08,720 --> 00:19:12,600 RECRUITS: Six! Seven! Eight! Nine! 444 00:19:12,640 --> 00:19:13,880 And we don't stop until that happens. 445 00:19:13,920 --> 00:19:15,320 (TENSE MUSIC CONTINUES) 446 00:19:15,360 --> 00:19:16,360 Stretch. 447 00:19:16,400 --> 00:19:18,120 (TENSE MUSIC CONTINUES) 448 00:19:18,160 --> 00:19:19,440 Straighten your back, number five! 449 00:19:20,680 --> 00:19:23,400 It's designed to eliminate the weak. 450 00:19:23,440 --> 00:19:25,280 Squat and hold! 451 00:19:25,320 --> 00:19:28,880 Arms straight, number six! Stop (BLEEP) whinging! 452 00:19:28,920 --> 00:19:30,640 Arms, number six! Arggh! 453 00:19:30,680 --> 00:19:32,840 Looking at those that are faltering, those at the back of the pack. 454 00:19:32,880 --> 00:19:33,880 Stand up! 455 00:19:33,920 --> 00:19:36,200 And we won't stop until they throw in their number. 456 00:19:36,240 --> 00:19:37,880 Go! Out the other end! 457 00:19:37,920 --> 00:19:39,600 Let's go! In you go! 458 00:19:39,640 --> 00:19:41,720 Catch him up! Get in there! 459 00:19:41,760 --> 00:19:42,840 Go! 460 00:19:42,880 --> 00:19:44,640 All the way around the parade square and back! 461 00:19:44,680 --> 00:19:46,400 All the way around the parade square! 462 00:19:47,520 --> 00:19:48,640 Away you go. 463 00:19:48,680 --> 00:19:52,000 (DRAMATIC MUSIC BUILDS) 464 00:19:52,040 --> 00:19:55,480 When you get thrashed, your body is absolutely spent. 465 00:19:55,520 --> 00:19:57,920 You (BLEEP) twat! Get here! Go! 466 00:19:57,960 --> 00:19:59,040 Hurry up! 467 00:19:59,080 --> 00:20:00,880 Your mind is telling you to give in. 468 00:20:01,880 --> 00:20:03,840 We're looking for people that can push beyond that. 469 00:20:03,880 --> 00:20:06,080 You have to go until you physically drop. 470 00:20:06,120 --> 00:20:07,680 (DRAMATIC MUSIC CONTINUES) 471 00:20:07,720 --> 00:20:09,320 Look at you (BLEEP) dawdling round! 472 00:20:09,360 --> 00:20:11,400 Drop, back, sprint! Into the water! Back into the square! 473 00:20:11,440 --> 00:20:14,960 The brutality of the sickener will push the recruits 474 00:20:15,000 --> 00:20:17,160 both physically and mentally. 475 00:20:17,200 --> 00:20:18,800 You are (BLEEP) pathetic! 476 00:20:18,840 --> 00:20:20,800 Absolutely (BLEEP) weak! 477 00:20:20,840 --> 00:20:22,040 Get going! 478 00:20:22,080 --> 00:20:23,160 Arggh! 479 00:20:23,200 --> 00:20:25,040 Next one on! No use to anyone! 480 00:20:25,080 --> 00:20:26,960 SARAH: This is one of the most brutal physical tests 481 00:20:27,000 --> 00:20:28,280 that I've done, 482 00:20:28,320 --> 00:20:31,280 and when I'm mentally, physically done, 483 00:20:31,320 --> 00:20:34,840 that's when I tap into something entirely different within me. 484 00:20:34,880 --> 00:20:36,320 Arggh! 485 00:20:36,360 --> 00:20:37,840 Keep going! 486 00:20:37,880 --> 00:20:39,160 Move! Get in there! 487 00:20:39,200 --> 00:20:40,520 (BLEEP) move yourself! 488 00:20:40,560 --> 00:20:43,440 MITCH: Your body's aching. Everything's hurting. 489 00:20:43,480 --> 00:20:45,280 You've really gotta, like, be determined 490 00:20:45,320 --> 00:20:47,720 to push through all that pain to get through it. 491 00:20:47,760 --> 00:20:48,800 Come on, six! 492 00:20:48,840 --> 00:20:50,360 (BLEEP) pathetic! 493 00:20:50,400 --> 00:20:53,280 When you hit breaking point, your body can't really keep up, 494 00:20:53,320 --> 00:20:56,600 but I just don't want to let anyone down. 495 00:20:56,640 --> 00:20:59,520 Back into the square! Into the (BLEEP) square now! 496 00:20:59,560 --> 00:21:02,600 Drop your legs down like a seal! Get off your knees and crawl! 497 00:21:02,640 --> 00:21:05,560 The idea is to push them to a place they've never been before. 498 00:21:05,600 --> 00:21:10,200 They give us absolutely everything. It's brutal (BLEEP). 499 00:21:10,240 --> 00:21:12,960 Get off your knees, number 11, or give me your number now! 500 00:21:13,000 --> 00:21:14,440 Get off your knees! 501 00:21:14,480 --> 00:21:16,520 It's because of you we're (BLEEP) doing this! 502 00:21:16,560 --> 00:21:18,720 ISABELLA: I will never quit. 503 00:21:18,760 --> 00:21:21,120 To ever give up is... is... 504 00:21:21,160 --> 00:21:23,200 ..I can't imagine doing it. 505 00:21:23,240 --> 00:21:25,160 Tuck jumps! Away you go! 506 00:21:25,200 --> 00:21:26,480 Let's go! Go! 507 00:21:26,520 --> 00:21:28,200 Let's go! I didn't say stop! 508 00:21:28,240 --> 00:21:30,080 We're not even close yet! 509 00:21:30,120 --> 00:21:33,120 This is gonna be a (BLEEP) long night! 510 00:21:33,160 --> 00:21:34,520 Jump! 511 00:21:34,560 --> 00:21:37,320 To be in a physical and mental state where I would do that, 512 00:21:37,360 --> 00:21:38,720 that would be next level. 513 00:21:38,760 --> 00:21:41,240 Everybody say, "Thank you, number 11!" 514 00:21:41,280 --> 00:21:42,720 RECRUITS: Thank you, number 11! 515 00:21:42,760 --> 00:21:44,560 We are gonna keep on going 516 00:21:44,600 --> 00:21:49,080 until one of you has got the (BLEEP) balls to hand in their number! 517 00:21:49,120 --> 00:21:51,520 (TENSE INSTRUMENTAL MUSIC) 518 00:21:51,560 --> 00:21:53,160 You can see those that are weak. 519 00:21:53,200 --> 00:21:54,920 You can assume who's gonna give in. 520 00:21:54,960 --> 00:21:56,080 Nine! Come on, away you go. 521 00:21:56,120 --> 00:21:57,520 Sorry. 522 00:21:57,560 --> 00:22:00,120 Don't be sorry! Get on your (BLEEP) feet! 523 00:22:00,160 --> 00:22:03,680 But you just have no idea where that number is gonna come from. 524 00:22:03,720 --> 00:22:04,720 (GROANS) 525 00:22:04,760 --> 00:22:07,120 I'd like to say we haven't got all night, 526 00:22:07,160 --> 00:22:08,600 but we actually (BLEEP) have! 527 00:22:08,640 --> 00:22:10,040 (GROANS) 528 00:22:10,080 --> 00:22:13,160 Keep going! Get on his shoulder, you (BLEEP) big lump! 529 00:22:13,200 --> 00:22:14,760 But that's the beauty of a sickener. 530 00:22:14,800 --> 00:22:16,480 There's always that wildcard, 531 00:22:16,520 --> 00:22:18,480 there's always that element of surprise. 532 00:22:18,520 --> 00:22:21,240 Down and up. (GROANS) 533 00:22:21,280 --> 00:22:23,040 Who's gonna throw in the towel? 534 00:22:23,080 --> 00:22:24,160 (DRAMATIC MUSIC BUILDS) 535 00:22:24,200 --> 00:22:26,360 After a crippling two hours... 536 00:22:26,400 --> 00:22:27,400 (DRAMATIC MUSIC SWELLS) 537 00:22:27,440 --> 00:22:29,520 Get (BLEEP) moving! (WHIMPERS) 538 00:22:29,560 --> 00:22:32,080 ..each recruit is on the brink of collapse... 539 00:22:32,120 --> 00:22:34,000 Get up! Shut up! 540 00:22:34,040 --> 00:22:36,400 You don't even look like you're making a (BLEEP) effort! 541 00:22:36,440 --> 00:22:38,080 (DRAMATIC MUSIC CONTINUES) 542 00:22:38,120 --> 00:22:40,760 Get him up and drag him, number two! 543 00:22:40,800 --> 00:22:42,880 ..but their suffering will continue 544 00:22:42,920 --> 00:22:46,120 until one of them voluntarily withdraws. 545 00:22:46,160 --> 00:22:47,200 (DRAMATIC MUSIC BUILDS) 546 00:22:47,240 --> 00:22:49,600 MITCH: Staff, I VW. 547 00:22:49,640 --> 00:22:51,560 You VW? Yeah. 548 00:22:51,600 --> 00:22:52,800 Why you VW? 549 00:22:52,840 --> 00:22:54,640 'Cause everyone's going through the pain and suffering. 550 00:22:54,680 --> 00:22:56,800 You mean you can't (BLEEP) handle it, is that what you're saying? 551 00:22:56,840 --> 00:22:58,480 Yes, staff. OK. 552 00:22:58,520 --> 00:23:00,320 Go back to your accommodation, sort out your kit. 553 00:23:00,360 --> 00:23:02,120 Keep going! 554 00:23:02,160 --> 00:23:03,880 Get in, number 11! 555 00:23:03,920 --> 00:23:07,520 (TENSE INSTRUMENTAL MUSIC) 556 00:23:07,560 --> 00:23:11,360 Despite number 11 Isabella's actions causing the sickener, 557 00:23:11,400 --> 00:23:15,560 it's number six, Mitch, who sacrifices himself for the group. 558 00:23:17,560 --> 00:23:20,560 I'm all about character, like, what type of person you are. 559 00:23:20,600 --> 00:23:22,840 I think I'm always willing to put, you know, 560 00:23:22,880 --> 00:23:24,880 other interests before mine. 561 00:23:24,920 --> 00:23:28,160 (TENSE MUSIC CONTINUES) 562 00:23:28,200 --> 00:23:30,040 (CRIES) 563 00:23:42,560 --> 00:23:44,240 (CRIES) 564 00:23:48,560 --> 00:23:50,560 Quitting is not really in me, 565 00:23:50,600 --> 00:23:54,400 but I don't like seeing people go through pain. 566 00:23:58,000 --> 00:24:01,000 (TENSE MUSIC CONTINUES) 567 00:24:02,240 --> 00:24:04,400 Another one bites the dust. 568 00:24:04,440 --> 00:24:06,600 Not particularly my choice. 569 00:24:06,640 --> 00:24:09,880 If it was up to me, (BLEEP) you all off, 570 00:24:09,920 --> 00:24:11,080 'cause you're pathetic... 571 00:24:12,080 --> 00:24:13,480 ..but it's all we've got. 572 00:24:14,920 --> 00:24:17,800 Do you all want to be here? RECRUITS: Yes, staff! 573 00:24:17,840 --> 00:24:19,880 Well, start (BLEEP) showing us. 574 00:24:19,920 --> 00:24:22,920 (TENSE MUSIC CONTINUES) 575 00:24:26,120 --> 00:24:27,600 (CRIES) 576 00:24:28,600 --> 00:24:32,200 Emotionally distraught by his sudden exit from the course, 577 00:24:32,240 --> 00:24:34,840 number six, Mitch, calls home 578 00:24:34,880 --> 00:24:37,880 to break the news to his mother and brother. 579 00:24:37,920 --> 00:24:39,040 Hello? 580 00:24:39,080 --> 00:24:41,080 Hey... (INAUDIBLE) ..OK? 581 00:24:41,120 --> 00:24:43,880 Yeah. So hard. 582 00:24:43,920 --> 00:24:45,400 (MITCH EXHALES) 583 00:24:45,440 --> 00:24:46,760 Ohh! 584 00:24:46,800 --> 00:24:49,080 (SOBS) 585 00:24:49,120 --> 00:24:52,120 (GENTLE INSTRUMENTAL MUSIC) 586 00:24:53,560 --> 00:24:55,760 Oh, I'm so proud of you. You've done well, mate. 587 00:24:55,800 --> 00:24:57,440 (SOBS) 588 00:24:57,480 --> 00:24:59,480 (GENTLE MUSIC CONTINUES) 589 00:24:59,520 --> 00:25:01,000 Harder than you thought? 590 00:25:01,040 --> 00:25:04,080 (MITCH SOBS) 591 00:25:04,120 --> 00:25:06,480 So much harder. 592 00:25:06,520 --> 00:25:09,520 (GENTLE MUSIC CONTINUES) 593 00:25:09,560 --> 00:25:12,280 But... I nearly got there. 594 00:25:12,320 --> 00:25:14,040 That's all that matters. 595 00:25:16,400 --> 00:25:17,600 I missed mum a lot. 596 00:25:17,640 --> 00:25:19,440 My mum's my best friend, 597 00:25:19,480 --> 00:25:21,560 and someone that I could tell anything to. 598 00:25:21,600 --> 00:25:25,400 We're so proud of you, bub. So proud of you. 599 00:25:26,400 --> 00:25:27,560 Being away from her, 600 00:25:27,600 --> 00:25:31,520 you realise how much you're grateful for what my mum has done for me. 601 00:25:31,560 --> 00:25:33,720 There was people suffering, and... 602 00:25:34,800 --> 00:25:36,120 ..I knew I had more in me, 603 00:25:36,160 --> 00:25:38,080 but I just couldn't let them suffer anymore. 604 00:25:38,120 --> 00:25:39,760 I just feel so let down! 605 00:25:39,800 --> 00:25:41,760 (GENTLE INSTRUMENTAL MUSIC) 606 00:25:41,800 --> 00:25:43,080 You haven't let anyone down. 607 00:25:43,120 --> 00:25:45,920 (GENTLE INSTRUMENTAL MUSIC) 608 00:25:45,960 --> 00:25:49,360 You did the right thing. You're an honourable young man. 609 00:25:49,400 --> 00:25:51,200 It's honestly been the best... 610 00:25:52,560 --> 00:25:54,760 ..most whack thing I've ever done in my life. 611 00:25:54,800 --> 00:25:56,920 I get a warm shower, though. 612 00:25:56,960 --> 00:25:58,040 Yeah. (LAUGHS) 613 00:25:58,080 --> 00:25:59,120 (GENTLE INSTRUMENTAL MUSIC) 614 00:25:59,160 --> 00:26:01,400 But I've learnt a lot. 615 00:26:03,280 --> 00:26:05,720 We love you. Love you. Love you, bro. 616 00:26:05,760 --> 00:26:06,960 See you, guys. You've done so well. 617 00:26:07,000 --> 00:26:09,520 We're proud. See you, bub. Bye. Bye. 618 00:26:12,560 --> 00:26:14,920 I've learnt, by pushing yourself through limits... 619 00:26:16,080 --> 00:26:18,720 ..you're a lot stronger than what you think you are. 620 00:26:18,760 --> 00:26:21,480 (TENSE INSTRUMENTAL MUSIC) 621 00:26:21,520 --> 00:26:23,160 Next... 622 00:26:23,200 --> 00:26:25,520 LUKE: This far into it, we should know better! 623 00:26:25,560 --> 00:26:27,880 ..tension amongst the recruits... 624 00:26:27,920 --> 00:26:29,120 How do you feel about Mitch? 625 00:26:29,160 --> 00:26:30,360 (DRAMATIC MUSIC SWELLS) 626 00:26:30,400 --> 00:26:32,400 ..threatens to boil over. 627 00:26:32,440 --> 00:26:35,280 It's unfair for someone to go that shouldn't be going. 628 00:26:35,320 --> 00:26:36,920 It shouldn't have been him. 629 00:26:41,800 --> 00:26:44,400 (TENSE INSTRUMENTAL MUSIC) 630 00:26:44,440 --> 00:26:46,520 (BLEEP), I'm so (BLEEP) sick of this. 631 00:26:47,960 --> 00:26:52,000 NARRATOR: It's the end of day six of the SAS selection course, 632 00:26:52,040 --> 00:26:54,880 and the recruits have returned to the dorm 633 00:26:54,920 --> 00:26:57,360 after a brutal two-hour sickener 634 00:26:57,400 --> 00:27:01,280 caused by number 11 Isabella's disrespect. 635 00:27:01,320 --> 00:27:02,800 (TENSE INSTRUMENTAL MUSIC) 636 00:27:02,840 --> 00:27:06,320 If anyone puts us back through that shit, put your hand up! 637 00:27:06,360 --> 00:27:07,560 (BLEEP) bullshit! 638 00:27:08,560 --> 00:27:09,920 JAMES: Mitch shouldn't have gone. 639 00:27:10,920 --> 00:27:12,000 ISABELLA: No. 640 00:27:12,040 --> 00:27:13,680 This far into it, we should (BLEEP) know better! 641 00:27:13,720 --> 00:27:14,800 That's right. 642 00:27:14,840 --> 00:27:17,200 I've learnt my lesson. I won't do it again. 643 00:27:17,240 --> 00:27:18,960 SARAH: I feel so bad. (BLEEP)! 644 00:27:19,000 --> 00:27:20,600 There's always times when, like, you know, 645 00:27:20,640 --> 00:27:22,600 if teamwork isn't working out, 646 00:27:22,640 --> 00:27:24,680 is if you've got too many individuals, 647 00:27:24,720 --> 00:27:26,960 but I'm more of a team player. 648 00:27:27,000 --> 00:27:28,160 (TENSE INSTRUMENTAL MUSIC) 649 00:27:28,200 --> 00:27:30,600 I definitely would have been the one to hand my number in 650 00:27:30,640 --> 00:27:32,240 if was the one responsible. 651 00:27:32,280 --> 00:27:35,120 I feel sorry that it had to be someone, 652 00:27:35,160 --> 00:27:37,000 but it should have been number 11. 653 00:27:37,040 --> 00:27:38,840 (TENSE INSTRUMENTAL MUSIC) 654 00:27:38,880 --> 00:27:40,520 With the recruits still furious 655 00:27:40,560 --> 00:27:44,280 at number 11 Isabella's refusal to VW... 656 00:27:44,320 --> 00:27:47,320 (TENSE INSTRUMENTAL MUSIC) 657 00:27:47,360 --> 00:27:52,120 ..chief instructor Ant checks on an emotional number six, Mitch. 658 00:27:53,360 --> 00:27:55,200 Listen, for a young man, 659 00:27:55,240 --> 00:27:57,800 you should hold your head extremely high, 660 00:27:57,840 --> 00:27:59,360 because you've done extremely well. 661 00:27:59,400 --> 00:28:03,200 (CRIES) I just hated seeing everyone suffer. 662 00:28:03,240 --> 00:28:06,240 Listen, that's what we do - we sacrifice ourselves. 663 00:28:06,280 --> 00:28:08,000 What do you think we do when we go to war? 664 00:28:08,040 --> 00:28:09,040 (EXHALES) 665 00:28:09,080 --> 00:28:11,440 We're willing to give the ultimate sacrifice for each other. 666 00:28:11,480 --> 00:28:14,760 That's ultimately what you've done, so there's no shame in it. 667 00:28:14,800 --> 00:28:16,800 It's (BLEEP) the right thing to do. 668 00:28:16,840 --> 00:28:18,280 (EXHALES) 669 00:28:18,320 --> 00:28:19,880 And you should be extremely proud of yourself, 670 00:28:19,920 --> 00:28:21,120 do you understand me, number six? 671 00:28:21,160 --> 00:28:22,840 Yes, staff. (SNIFFS) 672 00:28:22,880 --> 00:28:24,080 Well done. 673 00:28:24,120 --> 00:28:26,280 Come here. Stand up. 674 00:28:28,160 --> 00:28:31,360 Honestly, (BLEEP) good effort. Well done. 675 00:28:32,760 --> 00:28:34,720 The beastings are character building. 676 00:28:34,760 --> 00:28:36,360 You learn from them, you grow from them, 677 00:28:36,400 --> 00:28:38,440 and you move forward as a team. 678 00:28:38,480 --> 00:28:42,480 You're willing to give the ultimate sacrifice for each other. 679 00:28:43,800 --> 00:28:45,080 (CRIES) They were suffering. 680 00:28:45,120 --> 00:28:47,120 Done the right thing. (CRIES) 681 00:28:47,160 --> 00:28:49,160 It takes courage... 682 00:28:50,880 --> 00:28:53,880 Absolutely brilliant, and I mean that from the bottom of my heart. 683 00:28:53,920 --> 00:28:55,800 Yeah. Proud to have you on the course. 684 00:28:55,840 --> 00:28:58,000 You're the (BLEEP) youngest one we've probably had on the course. 685 00:28:59,000 --> 00:29:01,400 And I promise you, you will smash through life. 686 00:29:01,440 --> 00:29:02,440 Mmm. (EXHALES) 687 00:29:02,480 --> 00:29:03,840 Fact. Yep. 688 00:29:03,880 --> 00:29:05,320 Fact. 689 00:29:05,360 --> 00:29:07,680 SAS selection is the toughest of challenges 690 00:29:07,720 --> 00:29:09,560 that you could ever think of. 691 00:29:09,600 --> 00:29:12,680 I've definitely become stronger, mentally and physically. 692 00:29:12,720 --> 00:29:15,720 (STIRRING PIANO MUSIC) 693 00:29:17,040 --> 00:29:19,880 Being out here really pushes you beyond limits that you don't know, 694 00:29:19,920 --> 00:29:22,320 and I know that, like, tomorrow, 695 00:29:22,360 --> 00:29:25,040 I'll be a way stronger person mentally, 696 00:29:25,080 --> 00:29:27,880 and I can't wait to use that in my future life. 697 00:29:27,920 --> 00:29:29,920 (EXHALES) 698 00:29:29,960 --> 00:29:33,520 (STIRRING MUSIC CONTINUES) 699 00:29:33,560 --> 00:29:34,760 Alright. 700 00:29:34,800 --> 00:29:37,200 Today extracts a heavy toll. 701 00:29:38,520 --> 00:29:42,600 So, this afternoon, the task was the cat crawl in pairs. 702 00:29:42,640 --> 00:29:46,920 Number five started off arm over arm, rather than using both. 703 00:29:46,960 --> 00:29:49,280 She blew out pretty quick, and then she started pulling. 704 00:29:49,320 --> 00:29:53,160 So, got across the rope and got the job done. 705 00:29:53,200 --> 00:29:55,480 Number eight - really disappointing. 706 00:29:55,520 --> 00:29:58,440 The moment he looked over, he fell off the rope. 707 00:29:58,480 --> 00:29:59,480 (BLEEP)! 708 00:29:59,520 --> 00:30:01,040 He absolutely flapped. 709 00:30:01,080 --> 00:30:03,160 He was all over the place, and number 11 - 710 00:30:03,200 --> 00:30:06,680 you know, she got across, done exactly what we asked of her, 711 00:30:06,720 --> 00:30:07,720 and she got the job done. 712 00:30:07,760 --> 00:30:09,000 So, fair play to number 11... 713 00:30:10,000 --> 00:30:12,400 ..but then heard number 11 laugh, 714 00:30:12,440 --> 00:30:15,120 and as I said, "Keep the noise down," 715 00:30:15,160 --> 00:30:16,760 she just laughed in my face. 716 00:30:16,800 --> 00:30:18,160 (BLEEP) 717 00:30:19,600 --> 00:30:21,840 Cocky. Yeah, just cockiness. 718 00:30:21,880 --> 00:30:24,280 The fact that she's at this stage now, 719 00:30:24,320 --> 00:30:26,560 she's sort of, like, maybe her true colours are shining through. 720 00:30:26,600 --> 00:30:28,320 Yeah. I don't know. 721 00:30:28,360 --> 00:30:30,160 Gutted to see number six go, to be fair, you know? 722 00:30:30,200 --> 00:30:32,880 Yeah, I was and all, and it was a good thrashing, 723 00:30:32,920 --> 00:30:34,720 and all the way through, it was, 724 00:30:34,760 --> 00:30:36,880 "We will keep on going until SOMEONE," 725 00:30:36,920 --> 00:30:39,200 directing everything at number 11, 726 00:30:39,240 --> 00:30:40,960 "someone gives in their number." 727 00:30:41,000 --> 00:30:42,480 She just was stubborn! 728 00:30:42,520 --> 00:30:44,800 BILLY: Slow slug stubborn. Really? 729 00:30:44,840 --> 00:30:46,920 Yeah. She weren't stopping. 730 00:30:46,960 --> 00:30:48,760 There was no way she would have ever pulled that off. 731 00:30:48,800 --> 00:30:50,280 You could just tell by the look on her face. 732 00:30:50,320 --> 00:30:51,640 Yep. There's no way. 733 00:30:51,680 --> 00:30:54,320 She's got nowhere to hide tomorrow. No. 734 00:30:54,360 --> 00:30:56,160 Absolutely nowhere to hide. 735 00:30:56,200 --> 00:30:59,200 (TENSE INSTRUMENTAL MUSIC) 736 00:31:02,920 --> 00:31:05,240 As the recruits get ready for bed, 737 00:31:05,280 --> 00:31:08,840 tension in the dorm is at an all-time high. 738 00:31:08,880 --> 00:31:12,160 (TENSE MUSIC CONTINUES) 739 00:31:16,000 --> 00:31:20,280 Should we do a quick debrief and... open up the floor 740 00:31:20,320 --> 00:31:25,000 to maybe break down what went wrong today and what we can do better? 741 00:31:25,040 --> 00:31:27,800 (TENSE MUSIC CONTINUES) 742 00:31:27,840 --> 00:31:29,040 (EXHALES) 743 00:31:29,080 --> 00:31:32,600 Are we talking about the beasting? (LAUGHS) 744 00:31:32,640 --> 00:31:34,280 Yeah, that's what went wrong today. 745 00:31:34,320 --> 00:31:38,720 OK, yeah, well, I wish it hadn't have happened... 746 00:31:40,000 --> 00:31:41,240 ..and I'm sorry that it did. 747 00:31:43,480 --> 00:31:45,840 How do you feel about Mitch VW? 748 00:31:45,880 --> 00:31:47,440 Devastated. 749 00:31:48,720 --> 00:31:52,560 I don't know, I just think if I was the cause behind that, I'd... 750 00:31:53,560 --> 00:31:55,680 ..I would really own up to that and say, 751 00:31:55,720 --> 00:31:58,080 "I should have VW, and I put you guys through a lot of shit." 752 00:31:58,120 --> 00:31:59,120 Mmm. 753 00:31:59,160 --> 00:32:02,360 Honestly, it's just integrity. I don't know. 754 00:32:02,400 --> 00:32:03,840 LUKE: I feel sorry for Mitch, 755 00:32:03,880 --> 00:32:07,000 because, like, it's obviously, like, the DS were clearly indicating 756 00:32:07,040 --> 00:32:08,960 that this was going on because of what happened. 757 00:32:09,000 --> 00:32:10,120 Mmm. 758 00:32:10,160 --> 00:32:12,600 Then it's unfair for someone to go that shouldn't be going. 759 00:32:12,640 --> 00:32:14,320 JAMES: That's right, yeah. 760 00:32:14,360 --> 00:32:15,800 It shouldn't have been him. ISABELLA: Mmm. 761 00:32:15,840 --> 00:32:17,720 (TENSE INSTRUMENTAL MUSIC) 762 00:32:17,760 --> 00:32:19,000 Mitch is such a good guy, 763 00:32:19,040 --> 00:32:22,360 and I just felt like he sacrificed himself to save us all. 764 00:32:22,400 --> 00:32:23,440 Yeah. 765 00:32:23,480 --> 00:32:24,600 Yeah. 766 00:32:24,640 --> 00:32:25,680 (TENSE INSTRUMENTAL MUSIC) 767 00:32:25,720 --> 00:32:28,120 I think if someone keeps going against their word 768 00:32:28,160 --> 00:32:31,120 or keeps doing things that they weren't meant to be doing, 769 00:32:31,160 --> 00:32:32,880 it just becomes harder and harder 770 00:32:32,920 --> 00:32:34,880 to be able to trust them and rely on them. 771 00:32:34,920 --> 00:32:36,400 We'll move on from it, 772 00:32:36,440 --> 00:32:39,040 and we just know that tomorrow, whatever we go through, 773 00:32:39,080 --> 00:32:41,200 if we're struggling, I think anyone just needs to say, 774 00:32:41,240 --> 00:32:42,640 "OK, I'm putting my hand up." 775 00:32:42,680 --> 00:32:43,720 Yep. JAMES: That's right. 776 00:32:43,760 --> 00:32:44,960 Is that agreed from everyone? 100%! 777 00:32:45,000 --> 00:32:46,280 Yeah, yeah. 778 00:32:46,320 --> 00:32:47,800 100%, guys. That's it. 779 00:32:47,840 --> 00:32:50,840 (DRAMATIC MUSIC BUILDS) 780 00:32:57,720 --> 00:33:00,720 (TENSE INSTRUMENTAL MUSIC) 781 00:33:03,120 --> 00:33:04,720 NARRATOR: Five civilian recruits remain 782 00:33:04,760 --> 00:33:07,240 on the final stage of Hell Week. 783 00:33:07,280 --> 00:33:09,920 (TENSE MUSIC CONTINUES) 784 00:33:09,960 --> 00:33:11,040 ANT: Duty recruit, let's go! 785 00:33:13,520 --> 00:33:15,600 It's the last night of the course, 786 00:33:15,640 --> 00:33:19,960 and chief instructor Ant unexpectedly calls the recruits to the mess hall. 787 00:33:20,000 --> 00:33:23,080 (TENSE INSTRUMENTAL MUSIC) 788 00:33:27,440 --> 00:33:29,760 Going into the final stage of this course... 789 00:33:32,240 --> 00:33:34,080 ..you're gonna need each other. 790 00:33:34,120 --> 00:33:36,080 (TENSE MUSIC CONTINUES) 791 00:33:36,120 --> 00:33:39,640 That trust, that bond, is what's gonna get you through. 792 00:33:39,680 --> 00:33:41,480 (TENSE INSTRUMENTAL MUSIC) 793 00:33:41,520 --> 00:33:44,360 We all have weaknesses. We all have insecurities. 794 00:33:44,400 --> 00:33:46,240 Things we regret. 795 00:33:47,240 --> 00:33:49,320 But when we can expose our vulnerabilities... 796 00:33:50,360 --> 00:33:52,080 ..it brings us closer. 797 00:33:53,240 --> 00:33:56,640 The honesty test is about baring your soul. 798 00:33:56,680 --> 00:34:01,440 When you let your teammates into your deepest, darkest secrets, 799 00:34:01,480 --> 00:34:04,480 people realise that they're not alone. 800 00:34:04,520 --> 00:34:06,080 So, when I leave, 801 00:34:06,120 --> 00:34:09,920 you will tell each other the thing that you're most ashamed of. 802 00:34:11,159 --> 00:34:13,199 And you need that in the special forces, 803 00:34:13,239 --> 00:34:15,480 because it's hardship and suffering, 804 00:34:15,520 --> 00:34:20,320 but you have a solid fortified team that works together 805 00:34:20,360 --> 00:34:22,719 and that will get the job done together. 806 00:34:22,760 --> 00:34:23,840 (TENSE INSTRUMENTAL MUSIC) 807 00:34:23,880 --> 00:34:28,040 Um... through all my school career, 808 00:34:28,080 --> 00:34:30,679 you know, I put all my eggs in one basket. 809 00:34:30,719 --> 00:34:32,920 It's all based around footy. 810 00:34:32,960 --> 00:34:37,080 I was rookie drafted in 2009 to the Carlton Football Club. 811 00:34:37,120 --> 00:34:42,000 It was huge - a dream come true - but I never did get to play a game. 812 00:34:42,040 --> 00:34:45,360 I started going out on the piss and everything, 813 00:34:45,400 --> 00:34:50,400 and then from there it was just, for the last 13 years, just been... 814 00:34:50,440 --> 00:34:53,440 (SOMBRE INSTRUMENTAL MUSIC) 815 00:34:55,280 --> 00:34:56,880 ..just lost. 816 00:34:58,200 --> 00:35:01,200 (SOMBRE INSTRUMENTAL MUSIC) 817 00:35:03,800 --> 00:35:07,280 Just no real direction, I guess. It's been hard. 818 00:35:08,280 --> 00:35:10,720 Just that shame of, you know, 819 00:35:10,760 --> 00:35:12,920 I pissed that (BLEEP) career up the wall, 820 00:35:12,960 --> 00:35:15,760 and I've gotta live with that now for the rest of my life. 821 00:35:15,800 --> 00:35:17,640 Something I definitely regret - 822 00:35:17,680 --> 00:35:20,640 I failed, and I don't want to have that feeling again. 823 00:35:20,680 --> 00:35:22,800 I guess another thing's probably... 824 00:35:24,040 --> 00:35:27,440 ..obviously I had my differences with my ex, and it is what it is... 825 00:35:29,400 --> 00:35:31,040 ..but when you miss out 826 00:35:31,080 --> 00:35:33,280 on just getting to put your kid to bed every night... 827 00:35:33,320 --> 00:35:36,520 (SOMBRE INSTRUMENTAL MUSIC) 828 00:35:38,040 --> 00:35:40,600 ..it's just not been... yeah, it's really (BLEEP). 829 00:35:40,640 --> 00:35:42,240 (CRIES) 830 00:35:42,280 --> 00:35:46,320 Love being a dad - it's awesome, but everything happens for a reason. 831 00:35:46,360 --> 00:35:47,680 (SNIFFS) Thanks. 832 00:35:48,800 --> 00:35:50,280 I want to do a lot for him, 833 00:35:50,320 --> 00:35:52,720 and I really want to show him that I can be something 834 00:35:52,760 --> 00:35:54,440 and I did do something with my life. 835 00:35:54,480 --> 00:35:57,440 (SOMBRE INSTRUMENTAL MUSIC) 836 00:35:57,480 --> 00:36:02,040 Um... yeah, a couple of years ago, 837 00:36:02,080 --> 00:36:05,040 I took a risk with my career and I moved to France. 838 00:36:05,080 --> 00:36:07,760 I didn't get any work for a whole year there. 839 00:36:07,800 --> 00:36:09,920 My savings went out the window. 840 00:36:09,960 --> 00:36:12,840 I had no friends, I had no family there. 841 00:36:12,880 --> 00:36:14,360 Basically a bum. 842 00:36:14,400 --> 00:36:16,800 Like, I just was at the bottom of life, really. 843 00:36:16,840 --> 00:36:19,920 My only brother, which is my twin, he was in a jail cell... 844 00:36:20,920 --> 00:36:22,080 ..and that hit me hard. 845 00:36:22,120 --> 00:36:24,360 My brother was one of the most talented guys. 846 00:36:24,400 --> 00:36:26,280 He could have done anything, 847 00:36:26,320 --> 00:36:29,840 and now he's the president of a bikie club, yeah. 848 00:36:29,880 --> 00:36:32,360 That can come with violence, 849 00:36:32,400 --> 00:36:34,440 and I can't get that thought out of my head. 850 00:36:35,440 --> 00:36:38,240 What if something happens and I'm not there to help? 851 00:36:38,280 --> 00:36:40,000 I felt like I let my family down. 852 00:36:41,240 --> 00:36:45,680 I felt selfish, like I shouldn't follow my own dreams. 853 00:36:45,720 --> 00:36:49,880 So, that's something that I carry with me every day, yep. 854 00:36:49,920 --> 00:36:51,480 Yeah. 855 00:36:51,520 --> 00:36:52,640 I got depressed, 856 00:36:52,680 --> 00:36:57,200 and that motivated me to succeed through my career. 857 00:36:57,240 --> 00:37:01,320 Like, I've got a responsibility to make my family proud. 858 00:37:01,360 --> 00:37:04,600 (SOMBRE INSTRUMENTAL MUSIC) 859 00:37:06,240 --> 00:37:07,240 (EXHALES) 860 00:37:08,240 --> 00:37:10,840 Um, I think, for me. 861 00:37:10,880 --> 00:37:14,560 I just really wanted to follow my dreams of sport... 862 00:37:15,600 --> 00:37:21,480 ..and for four years of my life, you know, all I did was train. 863 00:37:22,480 --> 00:37:26,960 I'm ashamed of the fact that I let all of my friends down, 864 00:37:27,000 --> 00:37:28,800 a lot of my closest friends, 865 00:37:28,840 --> 00:37:32,240 because I was so focused on what I was trying to achieve, 866 00:37:32,280 --> 00:37:34,720 which is selfish. 867 00:37:34,760 --> 00:37:37,480 There's a lot of sacrifices when you do sport at a high level. 868 00:37:37,520 --> 00:37:40,640 You give up so much along the way. 869 00:37:40,680 --> 00:37:43,200 All the things that I said no to - 870 00:37:43,240 --> 00:37:47,040 weddings, birthdays, even funerals. 871 00:37:48,080 --> 00:37:51,800 I said no to all those things, and I do regret that, actually. 872 00:37:51,840 --> 00:37:55,680 And I didn't even achieve my goal. 873 00:37:55,720 --> 00:37:57,440 So, what was the point in that? 874 00:37:57,480 --> 00:38:00,680 Like... I'm pretty much nothing - 875 00:38:00,720 --> 00:38:03,440 just, like, an athlete that didn't quite make it. 876 00:38:03,480 --> 00:38:05,120 (SOMBRE INSTRUMENTAL MUSIC) 877 00:38:05,160 --> 00:38:06,200 Yeah. 878 00:38:06,240 --> 00:38:10,120 Whenever life's been tough, music is the one thing I had, 879 00:38:10,160 --> 00:38:13,840 and hip-hop is an incredible genre, 880 00:38:13,880 --> 00:38:15,760 because it's where people share their stories. 881 00:38:15,800 --> 00:38:17,200 That's why I love it. 882 00:38:18,920 --> 00:38:25,520 Yeah, I guess one of the biggest things I'm ashamed of is, um... 883 00:38:26,520 --> 00:38:30,600 ..I think pushing everybody away when I was younger. 884 00:38:31,960 --> 00:38:33,440 I put my parents through a lot. 885 00:38:33,480 --> 00:38:36,760 I would, you know, go to parties and drink a lot, 886 00:38:36,800 --> 00:38:42,200 and actually woke up in a hospital bed with my mum next to me. 887 00:38:42,240 --> 00:38:48,280 I don't think any parent should have to see their daughter nearly dead, 888 00:38:48,320 --> 00:38:52,360 and, uh... (CRIES) 889 00:38:52,400 --> 00:38:54,960 ..still carry so much guilt 890 00:38:55,000 --> 00:38:58,720 for the pain that I put the people around me through. 891 00:38:58,760 --> 00:39:02,120 You can't undo the past, and I've accepted that, 892 00:39:02,160 --> 00:39:04,080 but it hurts when I think about it. 893 00:39:05,480 --> 00:39:07,720 So... thanks, guys. 894 00:39:07,760 --> 00:39:10,800 (SOMBRE INSTRUMENTAL MUSIC) 895 00:39:13,960 --> 00:39:18,800 Um... what I'm most ashamed of was... 896 00:39:18,840 --> 00:39:21,840 (TENSE INSTRUMENTAL MUSIC) 897 00:39:29,120 --> 00:39:32,600 ..a couple of years after school, I was lined up to study fitness. 898 00:39:33,600 --> 00:39:35,920 I wasn't going to class or any of that sort of stuff. 899 00:39:35,960 --> 00:39:37,440 (SOMBRE INSTRUMENTAL MUSIC) 900 00:39:37,480 --> 00:39:43,080 And I got really overweight, with... partying, drinking. 901 00:39:43,120 --> 00:39:45,960 (SOMBRE INSTRUMENTAL MUSIC) 902 00:39:51,200 --> 00:39:52,200 (EXHALES) 903 00:39:52,240 --> 00:39:56,000 (SOMBRE INSTRUMENTAL MUSIC) 904 00:39:57,200 --> 00:39:59,840 My mum and dad live in country western Queensland... 905 00:40:01,640 --> 00:40:06,080 ..and were in drought, and... financially, really hard. 906 00:40:06,120 --> 00:40:07,880 (CRIES) 907 00:40:07,920 --> 00:40:11,600 And they were supporting me, paying my rent. 908 00:40:12,600 --> 00:40:15,000 Paying for my study. 909 00:40:15,040 --> 00:40:16,760 (CRIES) 910 00:40:16,800 --> 00:40:19,200 And I just kept lying. 911 00:40:19,240 --> 00:40:21,400 I said I was going to college when I wasn't. 912 00:40:21,440 --> 00:40:23,520 (SOMBRE INSTRUMENTAL MUSIC) 913 00:40:23,560 --> 00:40:26,600 I just felt, um... really bad... 914 00:40:27,720 --> 00:40:29,160 ..about that, sorry. 915 00:40:30,640 --> 00:40:33,640 (SOMBRE INSTRUMENTAL MUSIC) 916 00:40:35,040 --> 00:40:37,360 Ever since, I've just tried to undo it, 917 00:40:37,400 --> 00:40:40,360 and just be the best son that I can be, 918 00:40:40,400 --> 00:40:43,480 to make things up to them. 919 00:40:43,520 --> 00:40:45,280 (SOMBRE INSTRUMENTAL MUSIC) 920 00:40:45,320 --> 00:40:46,440 Thank you. 921 00:40:48,840 --> 00:40:53,080 It's my biggest regret, but in the end, it's all learning. 922 00:40:54,080 --> 00:40:55,840 I'm here because I want to grow, 923 00:40:55,880 --> 00:40:59,120 and to prove something to myself, 924 00:40:59,160 --> 00:41:00,920 not to anyone else. 925 00:41:01,920 --> 00:41:03,040 Ow! 926 00:41:03,080 --> 00:41:06,240 The change that I'm looking to get out of it 927 00:41:06,280 --> 00:41:09,000 is a better understanding of my limits. 928 00:41:09,040 --> 00:41:11,760 We're gonna have a ripper big day tomorrow, 929 00:41:11,800 --> 00:41:13,280 but it'll be a good day. 930 00:41:14,680 --> 00:41:17,280 The belief I have in myself will pull me through. 931 00:41:20,880 --> 00:41:22,880 ANT: Move! Next... 932 00:41:22,920 --> 00:41:25,880 (BLEEP) taking ages in there! Come on! (BLEEP)! 933 00:41:25,920 --> 00:41:27,600 ..in a gruelling test of endurance... 934 00:41:28,640 --> 00:41:31,440 Get a (BLEEP) move on or I want your armband now! 935 00:41:31,480 --> 00:41:33,320 ..one recruit will fall. 936 00:41:33,360 --> 00:41:34,360 (DRAMATIC MUSIC SWELLS) 937 00:41:34,400 --> 00:41:35,520 Out of time! 938 00:41:40,160 --> 00:41:43,160 (TENSE INSTRUMENTAL MUSIC) 939 00:41:48,560 --> 00:41:51,200 NARRATOR: It's the final day of SAS selection. 940 00:41:52,200 --> 00:41:54,200 Oh, (BLEEP) I'm that sore. 941 00:41:54,240 --> 00:41:57,240 (TENSE MUSIC CONTINUES) 942 00:41:57,280 --> 00:41:58,960 6:45. 943 00:41:59,000 --> 00:42:00,320 Alright, let's go. Come on! 944 00:42:00,360 --> 00:42:01,520 Alright? Yep. 945 00:42:01,560 --> 00:42:02,920 (TENSE MUSIC CONTINUES) 946 00:42:02,960 --> 00:42:04,520 By the end of the day, 947 00:42:04,560 --> 00:42:10,360 the DS will decide who, if anyone, will pass SAS selection, 948 00:42:10,400 --> 00:42:13,040 and with a punishing day of tasks ahead, 949 00:42:13,080 --> 00:42:16,400 the final recruits will need to dig deep. 950 00:42:16,440 --> 00:42:20,440 ANT: This course isn't for the majority. 951 00:42:21,560 --> 00:42:27,120 It's for a few unique, special people that will make it to the end. 952 00:42:27,160 --> 00:42:28,960 Last day, mate. LUKE: I know. 953 00:42:29,000 --> 00:42:31,040 So, hopefully, I get through. 954 00:42:31,080 --> 00:42:32,520 You will, mate. (BLEEP). 955 00:42:32,560 --> 00:42:34,720 I'll be behind to get you there too. 956 00:42:34,760 --> 00:42:36,800 I'd love to see everyone (BLEEP) at the end, eh? 957 00:42:36,840 --> 00:42:37,880 Same. 958 00:42:38,880 --> 00:42:42,400 I know that I've got what it takes to make it to the end. 959 00:42:42,440 --> 00:42:44,680 I'm doing this for my family. 960 00:42:44,720 --> 00:42:47,760 We're two generations infantry, 961 00:42:47,800 --> 00:42:52,800 and my great-grandfather was given an Order of Knighthood 962 00:42:52,840 --> 00:42:55,080 for his service in World War I, 963 00:42:55,120 --> 00:42:57,160 and I'm pretty proud of it. 964 00:42:57,200 --> 00:42:59,800 I want to be a soldier too, if I've got what it takes. 965 00:43:00,800 --> 00:43:04,920 So, that's a big motivation for me, and I want to make them proud. 966 00:43:04,960 --> 00:43:07,760 This morning is gonna be (BLEEP) hard. 967 00:43:07,800 --> 00:43:09,600 (DRAMATIC MUSIC BUILDS) 968 00:43:09,640 --> 00:43:12,000 It's about going beyond the (BLEEP) limits. 969 00:43:12,040 --> 00:43:14,240 Going to a place you've probably never been before. 970 00:43:14,280 --> 00:43:15,400 Stop! 971 00:43:15,440 --> 00:43:17,640 This morning you gotta go on a circuit - 972 00:43:17,680 --> 00:43:19,040 a circular circuit. 973 00:43:19,080 --> 00:43:20,200 What does that tell you? 974 00:43:21,200 --> 00:43:22,920 There's no end to a circle, is there? 975 00:43:23,960 --> 00:43:26,280 We will (BLEEP) decide if and when... 976 00:43:26,320 --> 00:43:27,480 (DRAMATIC MUSIC CONTINUES) 977 00:43:27,520 --> 00:43:28,520 ..enough is enough. 978 00:43:29,520 --> 00:43:32,400 In today's task, the recruits will make their way 979 00:43:32,440 --> 00:43:35,080 through a variety of difficult obstacles 980 00:43:35,120 --> 00:43:38,640 on a course that spans a punishing 2km loop. 981 00:43:39,640 --> 00:43:43,960 If, at any time, you wish to take the freedom bird to Bali and relax, 982 00:43:44,000 --> 00:43:46,160 hand in your (BLEEP) armband. 983 00:43:46,200 --> 00:43:50,200 If, at any time, we think you are not pulling your weight, 984 00:43:50,240 --> 00:43:52,760 you are not giving what we want, 985 00:43:52,800 --> 00:43:54,920 we will (BLEEP) take that armband from you. 986 00:43:54,960 --> 00:43:56,600 Does everybody understand that? RECRUITS: Yes, staff. 987 00:43:56,640 --> 00:43:58,080 (DRAMATIC MUSIC CONTINUES) 988 00:43:58,120 --> 00:44:02,120 There is where they leave everything they have got on that course. 989 00:44:02,160 --> 00:44:04,560 They give us absolutely everything, 990 00:44:04,600 --> 00:44:06,760 and we will run them until we get there. 991 00:44:07,760 --> 00:44:08,920 Go! 992 00:44:08,960 --> 00:44:11,120 (DRAMATIC MUSIC BUILDS) 993 00:44:11,160 --> 00:44:13,760 I want to know, when you're in the (BLEEP) trenches 994 00:44:13,800 --> 00:44:16,880 and head shots are coming at you, you're pinned down, 995 00:44:16,920 --> 00:44:19,680 can you still get back up and carry on? 996 00:44:19,720 --> 00:44:20,720 Go. 997 00:44:20,760 --> 00:44:22,240 Let's go! 998 00:44:22,280 --> 00:44:24,040 Catch the person in front of you, number 13! 999 00:44:24,080 --> 00:44:29,200 And if you don't like it and it's not for you... go. 1000 00:44:29,240 --> 00:44:30,720 Come on, rock slug! 1001 00:44:30,760 --> 00:44:33,040 You've either got what it takes or you don't. 1002 00:44:34,480 --> 00:44:37,680 This is where we see who you really are. 1003 00:44:37,720 --> 00:44:39,280 (DRAMATIC MUSIC CONTINUES) 1004 00:44:39,320 --> 00:44:40,760 It's as simple as that. 1005 00:44:41,760 --> 00:44:43,560 Let's go. Good effort. Turn around. 1006 00:44:43,600 --> 00:44:45,880 That's it. Pull yourself. Keep your head above the water. 1007 00:44:45,920 --> 00:44:48,440 The recruits are yet to hit the halfway mark, 1008 00:44:48,480 --> 00:44:53,080 but number five, Sarah, has overtaken number 11, Isabella, 1009 00:44:53,120 --> 00:44:55,920 who was first to begin the course... 1010 00:44:55,960 --> 00:44:57,960 Let's go. Good effort, number five! Well done. 1011 00:44:58,960 --> 00:45:00,800 Sprint! Let's go. 1012 00:45:00,840 --> 00:45:04,000 ..and the remaining recruits are rapidly catching up. 1013 00:45:04,040 --> 00:45:05,200 Let's go! Let's go! 1014 00:45:05,240 --> 00:45:08,120 Come on, five! (BLEEP) taking ages in there! 1015 00:45:08,160 --> 00:45:09,320 Do not come off the gas! 1016 00:45:09,360 --> 00:45:11,520 Come on! This is (BLEEP) weak! 1017 00:45:11,560 --> 00:45:15,560 Number 11, you started off first and you're at the back! 1018 00:45:15,600 --> 00:45:17,040 Move! 1019 00:45:17,080 --> 00:45:20,480 There's no (BLEEP) second place today! 1020 00:45:20,520 --> 00:45:22,720 Let's go! Pays to be a winner! 1021 00:45:22,760 --> 00:45:25,840 Come on, all the way in! Do not let him catch you! 1022 00:45:25,880 --> 00:45:27,160 (BLEEP) hurry up! 1023 00:45:27,200 --> 00:45:28,200 Arggh! 1024 00:45:28,240 --> 00:45:31,280 With four recruits having completed a lap of the course, 1025 00:45:31,320 --> 00:45:35,120 number 11, Isabella, is yet to clear the final obstacle. 1026 00:45:36,560 --> 00:45:37,560 Move! 1027 00:45:37,600 --> 00:45:40,920 FOXY: The military training course is designed to (BLEEP) people up. 1028 00:45:40,960 --> 00:45:43,360 It's an endurance course, 1029 00:45:43,400 --> 00:45:47,760 and it is to see which person is the weakest in the group. 1030 00:45:47,800 --> 00:45:51,040 While number 11, Isabella, struggles, 1031 00:45:51,080 --> 00:45:54,200 the remaining recruits are punished as they wait. 1032 00:45:54,240 --> 00:45:55,720 Go on, let's go, let's go, let's go! 1033 00:45:55,760 --> 00:45:57,240 (CRIES OUT) 1034 00:45:57,280 --> 00:45:59,880 This isn't a course that you just stick out... 1035 00:45:59,920 --> 00:46:01,480 Hurry up! 1036 00:46:01,520 --> 00:46:03,240 ..and if you show grit and determination, 1037 00:46:03,280 --> 00:46:04,760 you'll make it through. 1038 00:46:04,800 --> 00:46:06,320 Number 11, look at me. Yes, staff? 1039 00:46:06,360 --> 00:46:07,400 Look at me. 1040 00:46:07,440 --> 00:46:10,000 They're (BLEEP) suffering because of you. 1041 00:46:10,040 --> 00:46:11,840 I suggest you (BLEEP) do the right thing! 1042 00:46:11,880 --> 00:46:13,880 And if it's not for you, it's not for you. 1043 00:46:13,920 --> 00:46:16,680 Be honest with yourself. Be honest with your teammates. 1044 00:46:16,720 --> 00:46:20,080 Do yourself a favour... and VW. 1045 00:46:20,120 --> 00:46:22,680 You can stop their suffering right now 1046 00:46:22,720 --> 00:46:26,760 by either getting over this or giving me your number. 1047 00:46:26,800 --> 00:46:28,280 Move! 1048 00:46:31,160 --> 00:46:32,280 Move! 1049 00:46:32,320 --> 00:46:34,000 They're suffering because of your round! 1050 00:46:35,000 --> 00:46:36,000 Look! 1051 00:46:36,040 --> 00:46:38,640 I suggest you do the honourable thing 1052 00:46:38,680 --> 00:46:40,480 and (BLEEP) hand your number in. 1053 00:46:40,520 --> 00:46:41,720 Away you go. 1054 00:46:41,760 --> 00:46:44,480 See, they're (BLEEP) going again because of you - 1055 00:46:44,520 --> 00:46:46,040 because of you! 1056 00:46:46,080 --> 00:46:48,680 Two laps. You're (BLEEP) putting them through as well. 1057 00:46:48,720 --> 00:46:49,920 Away you go. Away you go. 1058 00:46:49,960 --> 00:46:51,240 Away you go! 1059 00:46:51,280 --> 00:46:54,160 Either (BLEEP) move or undo your armband now! 1060 00:46:54,200 --> 00:46:56,080 Move! Number 11, move! 1061 00:46:57,880 --> 00:47:01,200 Number 11, if you don't make it in time again, they're gonna go again. 1062 00:47:01,240 --> 00:47:02,280 (DRAMATIC MUSIC CONTINUES) 1063 00:47:02,320 --> 00:47:05,040 Isabella stubbornly refuses to VW, 1064 00:47:05,080 --> 00:47:07,720 and she continues to fall further behind. 1065 00:47:07,760 --> 00:47:09,960 (DRAMATIC MUSIC CONTINUES) 1066 00:47:10,000 --> 00:47:12,600 Number 11, stop being (BLEEP) selfish 1067 00:47:12,640 --> 00:47:15,120 and letting your (BLEEP) teammates suffer! 1068 00:47:15,160 --> 00:47:16,880 (DRAMATIC MUSIC BUILDS) 1069 00:47:16,920 --> 00:47:18,520 ISABELLA: I'm a team player. 1070 00:47:18,560 --> 00:47:21,640 I love seeing teams achieve goals. 1071 00:47:21,680 --> 00:47:24,640 When you achieve something individually, 1072 00:47:24,680 --> 00:47:28,920 it's great, because you know that it was all on you, 1073 00:47:28,960 --> 00:47:31,280 but when you achieve something in a team, 1074 00:47:31,320 --> 00:47:34,360 you share the joy with those other people. 1075 00:47:34,400 --> 00:47:35,880 You lift each other up, 1076 00:47:35,920 --> 00:47:39,720 and you kind of balance out each other's strengths and weaknesses, 1077 00:47:39,760 --> 00:47:41,760 and I love that. 1078 00:47:43,080 --> 00:47:44,160 (PUFFS) I know. 1079 00:47:44,200 --> 00:47:47,400 No, you're out of time! You're out of time! 1080 00:47:47,440 --> 00:47:48,680 Listen to me, number 11! 1081 00:47:48,720 --> 00:47:51,200 Get here! Get here! Get here now! 1082 00:47:52,480 --> 00:47:55,120 Listen to me - you are out of time, 1083 00:47:55,160 --> 00:47:58,960 and they're gonna keep going around and around and around! 1084 00:47:59,000 --> 00:48:00,840 You are out of time! 1085 00:48:00,880 --> 00:48:01,880 (DRAMATIC MUSIC SWELLS) 1086 00:48:01,920 --> 00:48:03,400 They have made it! You haven't! 1087 00:48:04,400 --> 00:48:06,040 Think about what you're doing! 1088 00:48:06,080 --> 00:48:08,640 Think about the unnecessary suffering that they're gonna have, 1089 00:48:08,680 --> 00:48:10,080 and that you're having! 1090 00:48:10,120 --> 00:48:11,760 (DRAMATIC MUSIC CONTINUES) 1091 00:48:11,800 --> 00:48:15,840 If I were to VW, that would break me. 1092 00:48:15,880 --> 00:48:17,600 I can't imagine quitting. 1093 00:48:17,640 --> 00:48:20,200 Think about it whilst you're (BLEEP) getting through this obstacle, 1094 00:48:20,240 --> 00:48:22,040 and make a decision at the end of it! 1095 00:48:24,480 --> 00:48:26,280 Teamwork is absolutely crucial. 1096 00:48:27,760 --> 00:48:29,800 Can you rely on your teammates? 1097 00:48:30,840 --> 00:48:33,520 Who's the weak link? Who's the burden? 1098 00:48:33,560 --> 00:48:36,800 Because you don't want people in your team that you have to babysit - 1099 00:48:36,840 --> 00:48:38,840 that are purely an individual. 1100 00:48:40,720 --> 00:48:43,880 That's when integrity comes into play, 1101 00:48:43,920 --> 00:48:45,640 and that's when we (BLEEP) you off. 1102 00:48:45,680 --> 00:48:46,760 You got it! 1103 00:48:46,800 --> 00:48:50,440 The four punished recruits continuously run the course, 1104 00:48:50,480 --> 00:48:53,480 and number 11 Isabella's failure to catch up 1105 00:48:53,520 --> 00:48:55,920 is prolonging their suffering. 1106 00:48:55,960 --> 00:48:57,720 (DRAMATIC MUSIC BUILDS) 1107 00:48:57,760 --> 00:48:59,240 You're out of time. 1108 00:48:59,280 --> 00:49:02,240 (DRAMATIC MUSIC BUILDS) 1109 00:49:02,280 --> 00:49:03,320 It's done. 1110 00:49:04,320 --> 00:49:06,480 Give me your (BLEEP) number now. 1111 00:49:06,520 --> 00:49:08,000 (PUFFS) 1112 00:49:08,040 --> 00:49:11,520 Let's go! Look how far behind you are, number 11. 1113 00:49:11,560 --> 00:49:13,360 Look how far behind... (INDISTINCT) 1114 00:49:13,400 --> 00:49:14,960 No, you can't go... no, it's not about you! 1115 00:49:15,000 --> 00:49:16,000 I know... 1116 00:49:16,040 --> 00:49:18,080 This is what you can't (BLEEP) understand in your head! 1117 00:49:18,120 --> 00:49:19,120 It's about... 1118 00:49:19,160 --> 00:49:20,600 They're gonna keep (BLEEP) suffering 1119 00:49:20,640 --> 00:49:22,440 because you're not making it in time - they are! 1120 00:49:22,480 --> 00:49:26,280 What does that tell you? Maybe it's the end of the road for you! 1121 00:49:26,320 --> 00:49:28,160 Start thinking in your head! 1122 00:49:29,160 --> 00:49:31,080 I just know I can contribute in other ways. 1123 00:49:31,120 --> 00:49:34,280 No, you cannot contribute in other ways! Enough is enough. 1124 00:49:34,320 --> 00:49:35,800 (SIGHS) 1125 00:49:36,800 --> 00:49:38,800 Give me your number! Think about it. 1126 00:49:38,840 --> 00:49:41,240 Think about this decision. Get your head up! 1127 00:49:41,280 --> 00:49:43,000 Think about it. 1128 00:49:43,040 --> 00:49:44,760 That's why we set you up (BLEEP) first... 1129 00:49:44,800 --> 00:49:45,800 Yeah. 1130 00:49:45,840 --> 00:49:49,000 ..'cause I was hoping that you would (BLEEP) come in in the middle. 1131 00:49:50,960 --> 00:49:53,640 You're done. Yeah. Thanks so much. 1132 00:49:53,680 --> 00:49:55,080 Good effort. You're a legend. 1133 00:49:55,120 --> 00:49:58,800 That was easily, like, the best experience of my life. 1134 00:49:58,840 --> 00:50:00,000 Strong effort! 1135 00:50:00,040 --> 00:50:03,000 I can't believe some of the things I did. 1136 00:50:04,240 --> 00:50:08,880 The biggest thing I learnt would be to keep my mind on all the time, 1137 00:50:08,920 --> 00:50:12,880 and I think I'm more confident because I know what I'm capable of. 1138 00:50:14,280 --> 00:50:16,880 I gave 110% the whole time, and I'm wrecked. 1139 00:50:16,920 --> 00:50:18,600 Like, right now, I feel like I'm gonna die, 1140 00:50:18,640 --> 00:50:20,120 but that's OK - I'll die happy. 1141 00:50:20,160 --> 00:50:23,120 (GENTLE INSTRUMENTAL MUSIC) 1142 00:50:23,160 --> 00:50:24,840 Next... 1143 00:50:24,880 --> 00:50:27,800 Everything that you've been taught up to now will be tested. 1144 00:50:27,840 --> 00:50:30,200 ..the recruits prepare... Go! 1145 00:50:30,240 --> 00:50:31,760 ..for their final mission. 1146 00:50:31,800 --> 00:50:33,360 You need to (BLEEP) start moving. 1147 00:50:38,320 --> 00:50:41,320 (TENSE INSTRUMENTAL MUSIC) 1148 00:50:43,320 --> 00:50:45,720 NARRATOR: It's the last day of SAS selection, 1149 00:50:45,760 --> 00:50:49,880 and with number 11, Isabella, culled from the course by the DS, 1150 00:50:49,920 --> 00:50:53,600 the remaining four recruits have returned to base 1151 00:50:53,640 --> 00:50:56,960 to recuperate before their final task. 1152 00:50:57,000 --> 00:50:59,560 (TENSE INSTRUMENTAL MUSIC) 1153 00:50:59,600 --> 00:51:02,560 We don't have any more Panadol and that, do we? 1154 00:51:02,600 --> 00:51:03,840 No. 1155 00:51:03,880 --> 00:51:05,920 Is that all gone? I think it might be. 1156 00:51:05,960 --> 00:51:07,200 SARAH: Oh, that hurts! 1157 00:51:07,240 --> 00:51:08,640 (TENSE INSTRUMENTAL MUSIC) 1158 00:51:08,680 --> 00:51:12,080 Being a dancer, I think it'd just be an incredible life achievement 1159 00:51:12,120 --> 00:51:14,480 to pass something like SAS selection. 1160 00:51:15,880 --> 00:51:17,680 I know this last day is gonna be tough, 1161 00:51:17,720 --> 00:51:19,880 but you know, I've taken hits throughout my life, 1162 00:51:19,920 --> 00:51:21,120 throughout my career. 1163 00:51:21,160 --> 00:51:24,120 I've had to pick myself off the floor so many times 1164 00:51:24,160 --> 00:51:26,560 and find the motivation when I didn't think I had it, 1165 00:51:26,600 --> 00:51:28,720 and I'm hoping that can get me to the end of the course. 1166 00:51:29,720 --> 00:51:32,160 I hope it's something long and adventurous. 1167 00:51:32,200 --> 00:51:33,600 LUKE: Yeah. 1168 00:51:33,640 --> 00:51:36,880 Like, get to a rendezvous point or something. That'd be pretty cool. 1169 00:51:36,920 --> 00:51:39,800 I think it's just gonna be something you gotta dig deep through. 1170 00:51:39,840 --> 00:51:43,920 Like, just trekking is what's (BLEEP) hard. 1171 00:51:43,960 --> 00:51:46,000 Yeah. Oh, (BLEEP), yeah. 1172 00:51:47,360 --> 00:51:49,240 JAMES: How's everyone - alright? Yeah, mate. 1173 00:51:49,280 --> 00:51:51,360 Water bottles sorted? 1174 00:51:53,120 --> 00:51:55,000 Yeah, everything looks good, eh? 1175 00:51:56,680 --> 00:51:58,440 (PUFFS) Yeah, mate. 1176 00:51:59,600 --> 00:52:01,000 Alright. Goodbye, accommodation, eh? 1177 00:52:01,040 --> 00:52:02,960 Au revoir. Au revoir! 1178 00:52:05,280 --> 00:52:07,440 Leaving the dorm for the last time... 1179 00:52:07,480 --> 00:52:09,080 MAN: Come on, move it! 1180 00:52:09,120 --> 00:52:11,720 Number eight, James, number two, Luke, 1181 00:52:11,760 --> 00:52:14,760 number five, Sarah, and number 13, James, 1182 00:52:14,800 --> 00:52:18,360 have so far survived the brutality of Hell Week, 1183 00:52:18,400 --> 00:52:21,680 and are on their way to the end stage of the course. 1184 00:52:21,720 --> 00:52:23,680 (TENSE INSTRUMENTAL MUSIC) 1185 00:52:23,720 --> 00:52:27,920 You are just about to depart on the final mission. 1186 00:52:28,920 --> 00:52:31,800 Everything that you've been taught up to now will be tested. 1187 00:52:31,840 --> 00:52:36,400 You cannot afford to fall short at any stage. 1188 00:52:36,440 --> 00:52:39,360 That will be you off the course. 1189 00:52:41,080 --> 00:52:45,200 And hopefully, you will get to the end of the course. 1190 00:52:46,680 --> 00:52:49,680 That does not mean that you pass the course. 1191 00:52:49,720 --> 00:52:52,200 (TENSE MUSIC CONTINUES) 1192 00:52:52,240 --> 00:52:55,200 Do not get me wrong, getting to the end is a huge accomplishment... 1193 00:52:56,800 --> 00:52:58,600 ..but it's that pass that you want. 1194 00:52:59,920 --> 00:53:01,440 Close up together. 1195 00:53:01,480 --> 00:53:03,600 (TENSE MUSIC CONTINUES) 1196 00:53:03,640 --> 00:53:04,960 The final mission. 1197 00:53:05,000 --> 00:53:06,960 This is it. It's do or die. 1198 00:53:08,040 --> 00:53:11,240 This is, really, where it's over to them. 1199 00:53:11,280 --> 00:53:13,040 We've done our job. 1200 00:53:13,080 --> 00:53:14,840 We've done everything that we can 1201 00:53:14,880 --> 00:53:16,880 to get them to this stage of the course. 1202 00:53:18,880 --> 00:53:21,160 They've proven that they deserve to be there. 1203 00:53:22,360 --> 00:53:28,120 Now we hand a full mission over to them to complete. 1204 00:53:33,520 --> 00:53:36,920 (MOMENTOUS MUSIC BUILDS) 1205 00:53:52,800 --> 00:53:54,880 Right, we've now been forward-mounted 1206 00:53:54,920 --> 00:53:56,520 to a secure location. 1207 00:53:56,560 --> 00:53:58,040 You're gonna go in pairs. 1208 00:53:58,080 --> 00:54:00,600 You will complete this mission together. 1209 00:54:00,640 --> 00:54:03,960 You do what it takes to get the mission done. 1210 00:54:04,960 --> 00:54:06,600 (TENSE INSTRUMENTAL MUSIC) 1211 00:54:06,640 --> 00:54:10,200 Their first task will be to jump from a helicopter into enemy territory. 1212 00:54:11,800 --> 00:54:14,800 Then, navigating their way with a map, 1213 00:54:14,840 --> 00:54:18,040 they'll need to find a cache of crucial equipment... 1214 00:54:19,720 --> 00:54:23,040 ..ending with a difficult hostage rescue scenario 1215 00:54:23,080 --> 00:54:25,360 amidst crippling tear gas. 1216 00:54:26,360 --> 00:54:28,560 Not completing each element of the mission 1217 00:54:28,600 --> 00:54:31,000 will result in task failure. 1218 00:54:31,040 --> 00:54:32,640 We're looking to see if they've learnt 1219 00:54:32,680 --> 00:54:34,480 everything we've taught them on the course. 1220 00:54:35,640 --> 00:54:36,800 Everything. 1221 00:54:38,000 --> 00:54:40,160 To see if they've retained that information - 1222 00:54:40,200 --> 00:54:43,160 if they've managed to adapt that military mindset. 1223 00:54:44,200 --> 00:54:45,600 That's what we're looking for. 1224 00:54:46,760 --> 00:54:48,720 The first team to start the mission 1225 00:54:48,760 --> 00:54:51,440 are number five, Sarah, and number eight, James. 1226 00:54:52,680 --> 00:54:57,280 This is where the thinking soldier comes into play. 1227 00:54:57,320 --> 00:55:01,280 When it counts, can you deliver? 1228 00:55:01,320 --> 00:55:06,240 Can you do the basics to the highest standards consistently, 1229 00:55:06,280 --> 00:55:10,360 even though you are physically and psychologically drained? 1230 00:55:12,480 --> 00:55:13,880 Get down in front! 1231 00:55:15,600 --> 00:55:17,880 (DRAMATIC MUSIC BUILDS) 1232 00:55:17,920 --> 00:55:19,040 Go! Go! 1233 00:55:19,080 --> 00:55:22,080 (DRAMATIC MUSIC SWELLS) 1234 00:55:24,760 --> 00:55:29,560 SARAH: My motivation for doing this is to prove to myself 1235 00:55:29,600 --> 00:55:32,360 that I can be the person that I really want to be. 1236 00:55:33,440 --> 00:55:34,920 I have messed up in the past, 1237 00:55:34,960 --> 00:55:38,000 and I've lost touch of who I was, 1238 00:55:38,040 --> 00:55:43,320 but this experience has been absolutely life-changing for me. 1239 00:55:43,360 --> 00:55:45,000 There were moments where I wanted to give up. 1240 00:55:45,040 --> 00:55:48,040 I just had no idea what I was truly capable of. 1241 00:55:49,040 --> 00:55:51,160 I know that I'm really gonna be able to... 1242 00:55:52,520 --> 00:55:54,200 ..just accomplish so much more, 1243 00:55:54,240 --> 00:55:57,640 and I feel unstoppable. 1244 00:55:58,640 --> 00:55:59,640 Right, what we're gonna do, 1245 00:55:59,680 --> 00:56:01,400 we're gonna move off from this location in a minute. 1246 00:56:01,440 --> 00:56:02,920 I'm gonna show you where on the sketch map. 1247 00:56:02,960 --> 00:56:04,160 I'm then gonna give you that sketch map. 1248 00:56:04,200 --> 00:56:05,440 Make sure it stays reasonably dry 1249 00:56:05,480 --> 00:56:07,120 so you can understand what it says in the ground. 1250 00:56:07,160 --> 00:56:08,200 (DRAMATIC MUSIC BUILDS) 1251 00:56:08,240 --> 00:56:09,520 Along with their map, 1252 00:56:09,560 --> 00:56:13,600 the recruits are required to memorise a code to their cache 1253 00:56:13,640 --> 00:56:16,160 in order to complete this element of the mission. 1254 00:56:17,240 --> 00:56:19,400 The final mission is basically an amalgamation 1255 00:56:19,440 --> 00:56:20,840 of everything we've taught them. 1256 00:56:20,880 --> 00:56:24,960 So, we'll be expecting to see them pull on all their reserves 1257 00:56:25,000 --> 00:56:28,360 and put into practice everything that they've been taught. 1258 00:56:28,400 --> 00:56:32,440 It's gonna be physical, mental, uncomfortable. 1259 00:56:32,480 --> 00:56:34,080 It's gonna be tough work. 1260 00:56:36,680 --> 00:56:40,560 Next to tackle the mission are recruits number 13, James, 1261 00:56:40,600 --> 00:56:42,200 and number two, Luke. 1262 00:56:42,240 --> 00:56:44,480 (DRAMATIC MUSIC BUILDS) 1263 00:56:44,520 --> 00:56:47,720 LUKE: Being part of the SAS course has definitely changed my life. 1264 00:56:47,760 --> 00:56:51,240 I wanted to know how far I could be pushed. 1265 00:56:51,280 --> 00:56:53,280 (DRAMATIC MUSIC CONTINUES) 1266 00:56:53,320 --> 00:56:58,080 It's given me the confidence to attack all challenges head on 1267 00:56:58,120 --> 00:57:00,360 to prove myself that I am good enough. 1268 00:57:00,400 --> 00:57:02,240 You know, moving forward now, 1269 00:57:02,280 --> 00:57:05,120 I can really use the positive mindset 1270 00:57:05,160 --> 00:57:08,240 to get myself through any difficult challenges in life. 1271 00:57:09,240 --> 00:57:12,840 To be able to get through this course and to prove that, you know, 1272 00:57:12,880 --> 00:57:14,720 that I do have what it takes 1273 00:57:14,760 --> 00:57:17,040 would be, probably, the biggest achievement of my life. 1274 00:57:19,160 --> 00:57:21,520 Next... Go! 1275 00:57:21,560 --> 00:57:23,240 ..who will fall... 1276 00:57:23,280 --> 00:57:25,640 You two, come here, come here! Recompose yourselves! 1277 00:57:25,680 --> 00:57:27,080 (COUGHS) 1278 00:57:27,120 --> 00:57:28,120 ..at the final test? 1279 00:57:28,160 --> 00:57:29,760 Stand up! (GROANS) 1280 00:57:29,800 --> 00:57:32,160 It's almost like being suffocated in a split second. 1281 00:57:32,200 --> 00:57:33,680 (GROANS) I can't open my eyes! 1282 00:57:38,960 --> 00:57:41,800 NARRATOR: It's the final mission of SAS selection, 1283 00:57:41,840 --> 00:57:45,440 and everything is on the line for the four remaining recruits. 1284 00:57:46,840 --> 00:57:49,080 Each decision could be the difference 1285 00:57:49,120 --> 00:57:51,440 between passing and failing the course, 1286 00:57:51,480 --> 00:57:54,360 and affecting their chances of selection. 1287 00:57:55,600 --> 00:57:58,280 Special forces teams have been on the ground all week 1288 00:57:58,320 --> 00:58:00,560 gathering information on a likely enemy target. 1289 00:58:00,600 --> 00:58:04,240 To that end, they have left vital intelligence at cache 1290 00:58:04,280 --> 00:58:06,920 that you must retrieve. 1291 00:58:06,960 --> 00:58:09,920 Certain numbers relate to something at that cache, 1292 00:58:09,960 --> 00:58:11,600 and that's 6-2-8-3-9. 1293 00:58:11,640 --> 00:58:13,120 Yep. Understand? 1294 00:58:13,160 --> 00:58:14,440 What is that number I gave you? 1295 00:58:14,480 --> 00:58:16,800 6-2-3-8-9. 6-2-8-3-9. 1296 00:58:16,840 --> 00:58:19,080 Correct. Incorrect. 1297 00:58:19,120 --> 00:58:20,240 (TENSE INSTRUMENTAL MUSIC) 1298 00:58:20,280 --> 00:58:22,920 Alright, let's go. (BLEEP) move. 1299 00:58:22,960 --> 00:58:24,440 Move, move, move as fast as you can. 1300 00:58:24,480 --> 00:58:26,720 (TENSE MUSIC CONTINUES) 1301 00:58:26,760 --> 00:58:28,000 At this stage of the course, 1302 00:58:28,040 --> 00:58:30,520 we're looking for someone that can complete the mission 1303 00:58:30,560 --> 00:58:32,360 to the best of their abilities. 1304 00:58:32,400 --> 00:58:33,960 That looks like the track. 1305 00:58:34,000 --> 00:58:36,200 Did they complete the task? 1306 00:58:36,240 --> 00:58:38,200 Did they do everything they were asked to do, 1307 00:58:38,240 --> 00:58:41,720 and did they push beyond their limitations? 1308 00:58:42,880 --> 00:58:44,160 Because at the end of this, 1309 00:58:44,200 --> 00:58:46,600 we're gonna have to decide who goes forward. 1310 00:58:46,640 --> 00:58:48,600 OK, 'X' marks the spot over here. 1311 00:58:48,640 --> 00:58:50,680 What side of the track is it on? 1312 00:58:50,720 --> 00:58:52,160 It's on this side, staff. 1313 00:58:52,200 --> 00:58:54,200 Well, start to look around the area, then. 1314 00:58:54,240 --> 00:58:57,440 Recruits number eight, James, and number five, Sarah, 1315 00:58:57,480 --> 00:59:00,400 have reached the T-junction where the cache is hidden. 1316 00:59:00,440 --> 00:59:01,480 (WHISPERING) 1317 00:59:01,520 --> 00:59:02,800 And then you take the combination. 1318 00:59:02,840 --> 00:59:05,040 SARAH: OK. 6-2-8-3-9. 1319 00:59:07,160 --> 00:59:08,240 Well done. 1320 00:59:09,400 --> 00:59:10,600 Right, what's in there? 1321 00:59:10,640 --> 00:59:11,920 Bolt cutters. Bolt cutters. 1322 00:59:11,960 --> 00:59:13,600 Right, take them out. Hang on to it, yeah. 1323 00:59:13,640 --> 00:59:16,120 Making quick work of the lock, 1324 00:59:16,160 --> 00:59:19,240 the two recruits have retrieved the cache's contents 1325 00:59:19,280 --> 00:59:22,480 and must move fast to their last task. 1326 00:59:22,520 --> 00:59:24,880 (TENSE MUSIC CONTINUES) 1327 00:59:24,920 --> 00:59:27,920 If I pass the selection for SAS, 1328 00:59:27,960 --> 00:59:31,280 knowing how severe it is, 1329 00:59:31,320 --> 00:59:34,560 it would be one of the single most greatest accomplishments 1330 00:59:34,600 --> 00:59:36,520 of my life so far. 1331 00:59:36,560 --> 00:59:38,480 Once we get past the tree, we'll get a new bearing. 1332 00:59:38,520 --> 00:59:41,280 This course has positively changed me 1333 00:59:41,320 --> 00:59:44,080 in a way that's almost indescribable. 1334 00:59:45,080 --> 00:59:47,960 Self-belief, confidence. 1335 00:59:48,000 --> 00:59:50,760 Mindset is number one with everything, 1336 00:59:50,800 --> 00:59:53,960 and being able to make it this far 1337 00:59:54,000 --> 00:59:58,560 is something that I could not be prouder of myself. 1338 01:00:00,760 --> 01:00:01,920 Arggh! 1339 01:00:01,960 --> 01:00:03,640 Let's get in there. Come on. 1340 01:00:03,680 --> 01:00:06,280 Arriving at the location of the cache, 1341 01:00:06,320 --> 01:00:10,160 number two, Luke, and number 13, James, 1342 01:00:10,200 --> 01:00:13,200 get to work on retrieving their vital piece of equipment. 1343 01:00:14,280 --> 01:00:15,760 What was it? (PUFFS) 1344 01:00:15,800 --> 01:00:17,240 6-2-8-3-9. 1345 01:00:17,280 --> 01:00:18,440 Six... (PUFFS) 1346 01:00:18,480 --> 01:00:20,080 Yep, put it down. That's it. 1347 01:00:20,120 --> 01:00:22,240 (STRAINS) What the (BLEEP)? 1348 01:00:22,280 --> 01:00:23,320 Hurry up. 1349 01:00:24,520 --> 01:00:25,640 Two, yeah? (LOCK CLUNKS) 1350 01:00:25,680 --> 01:00:27,720 Ahh, (BLEEP)! 1351 01:00:27,760 --> 01:00:29,480 (TENSE INSTRUMENTAL MUSIC) Come on! 1352 01:00:30,800 --> 01:00:32,480 You need to (BLEEP) start moving. 1353 01:00:32,520 --> 01:00:33,560 What was it? 1354 01:00:33,600 --> 01:00:35,560 6-2-8. Eight. 1355 01:00:35,600 --> 01:00:36,880 Three. Three. 1356 01:00:36,920 --> 01:00:38,160 Nine. Nine. 1357 01:00:38,200 --> 01:00:40,080 Good effort, number 13. 1358 01:00:40,120 --> 01:00:42,800 With both teams now having secured the cache... 1359 01:00:42,840 --> 01:00:43,880 Right, put that down. 1360 01:00:43,920 --> 01:00:46,720 ..they move on to the crucial final stage of the mission - 1361 01:00:46,760 --> 01:00:48,720 the hostage rescue. 1362 01:00:48,760 --> 01:00:50,320 (TENSE INSTRUMENTAL MUSIC) 1363 01:00:50,360 --> 01:00:55,360 Intel suggests that there's a cabin this direction here... 1364 01:00:56,480 --> 01:00:57,800 ..in a little outcrop of wood. 1365 01:00:57,840 --> 01:01:00,360 The hostage is in there. 1366 01:01:00,400 --> 01:01:01,680 Is that understood? BOTH: Yes, staff. 1367 01:01:01,720 --> 01:01:04,400 What have you got? Bolt cutters, staff. 1368 01:01:04,440 --> 01:01:06,920 Exactly. So, grab that. OK. 1369 01:01:06,960 --> 01:01:09,840 Move with stealth, move with guile, and get them home. 1370 01:01:09,880 --> 01:01:10,880 Let's go! 1371 01:01:10,920 --> 01:01:12,360 Go ahead of me. 1372 01:01:12,400 --> 01:01:13,880 (TENSE INSTRUMENTAL MUSIC) 1373 01:01:13,920 --> 01:01:17,080 Hostage rescue is probably one of the hardest things 1374 01:01:17,120 --> 01:01:18,680 that a military person can be asked to do. 1375 01:01:18,720 --> 01:01:20,360 (DRAMATIC MUSIC BUILDS) 1376 01:01:20,400 --> 01:01:23,720 It's about saving someone's life with everything against you. 1377 01:01:23,760 --> 01:01:25,120 I see it, I see it. Over here! 1378 01:01:25,160 --> 01:01:26,200 SARAH: Where? Cabin - up here. 1379 01:01:26,240 --> 01:01:27,680 Stay low, stay quiet. 1380 01:01:27,720 --> 01:01:30,360 The enemy's against you, time is against you. 1381 01:01:30,400 --> 01:01:32,080 The surroundings are against you. 1382 01:01:32,120 --> 01:01:33,120 (TENSE INSTRUMENTAL MUSIC) 1383 01:01:33,160 --> 01:01:34,760 Unknown to the recruits 1384 01:01:34,800 --> 01:01:38,320 is that the cabin is filled with toxic tear gas. 1385 01:01:38,360 --> 01:01:40,920 FOXY: Let's go, let's go! BILLY: Let's go! 1386 01:01:40,960 --> 01:01:42,200 Get in here! 1387 01:01:42,240 --> 01:01:44,520 Hostage is there! Get over here! 1388 01:01:44,560 --> 01:01:47,320 Forget the CS gas! Sort it out! Where's your cutters?! 1389 01:01:47,360 --> 01:01:49,720 Get in there - you got the bolt cutters. Compose yourself. 1390 01:01:49,760 --> 01:01:51,040 Hey! Where you going?! 1391 01:01:51,080 --> 01:01:52,360 Breath and go, breath and go. 1392 01:01:52,400 --> 01:01:53,440 (COUGHS) Get in here! 1393 01:01:53,480 --> 01:01:55,720 Come out. Come out. Compose yourself. 1394 01:01:55,760 --> 01:01:57,480 (COUGHS) 1395 01:01:57,520 --> 01:01:59,360 Stand up. Stand up. (SARAH COUGHS) 1396 01:01:59,400 --> 01:02:00,800 Stand up! FOXY: Don't touch your face. 1397 01:02:00,840 --> 01:02:03,160 Don't touch your face. Stand up. (GASPS) 1398 01:02:03,200 --> 01:02:05,880 The CS gas takes away your breathing, your vision. 1399 01:02:05,920 --> 01:02:07,880 It is petrifying. 1400 01:02:07,920 --> 01:02:10,720 It's almost like being suffocated in a split second. 1401 01:02:10,760 --> 01:02:12,160 Do not touch your faces. 1402 01:02:12,200 --> 01:02:15,120 Your body will purge anything that's alien in it. 1403 01:02:15,160 --> 01:02:16,720 (RECRUITS GASP) 1404 01:02:16,760 --> 01:02:19,600 You can't focus, you can't see. You can't breathe. 1405 01:02:19,640 --> 01:02:21,960 (GROANS) (GROANS) I can't open my eyes! 1406 01:02:22,000 --> 01:02:23,000 (GROANS) 1407 01:02:23,040 --> 01:02:24,240 Hold yourselves. 1408 01:02:24,280 --> 01:02:26,360 BILLY: It will create dysfunction, it will create panic. 1409 01:02:26,400 --> 01:02:30,400 It's like drowning, and it's relentless. 1410 01:02:30,440 --> 01:02:32,400 She (BLEEP) ran in there and you left her in there. 1411 01:02:33,760 --> 01:02:35,760 You had the bolt cutters as well, didn't you? 1412 01:02:35,800 --> 01:02:36,920 Yes, staff. 1413 01:02:36,960 --> 01:02:38,960 You (BLEEP) left her in there to go in there by herself. 1414 01:02:39,000 --> 01:02:40,320 Didn't you? Yes, staff. 1415 01:02:40,360 --> 01:02:42,560 SARAH: I know where he is, James. 1416 01:02:42,600 --> 01:02:45,120 He's sitting down in the corner. My corner? 1417 01:02:45,160 --> 01:02:48,120 I just don't know where we have to cut with the bolt cutters yet. 1418 01:02:48,160 --> 01:02:49,160 OK. 1419 01:02:49,200 --> 01:02:51,320 What have you got in your Bergens? Have you got your jacket? 1420 01:02:51,360 --> 01:02:52,920 OK. What can we strap up? 1421 01:02:52,960 --> 01:02:54,240 Start thinking about it. OK. 1422 01:02:54,280 --> 01:02:56,240 Quick! Quick! Hurry up. 1423 01:02:56,280 --> 01:02:58,240 Something to cover the face. Towel. 1424 01:02:58,280 --> 01:02:59,880 And let's do it. Let's hurry up! 1425 01:02:59,920 --> 01:03:03,200 FOXY: Working in an environment that's been flooded with tear gas 1426 01:03:03,240 --> 01:03:05,480 is a (BLEEP) nightmare, 1427 01:03:05,520 --> 01:03:06,560 and it will (BLEEP) you up. 1428 01:03:06,600 --> 01:03:08,240 Ready? JAMES: OK, ready? Here we go. 1429 01:03:08,280 --> 01:03:11,360 And you need to know how to work as a team. 1430 01:03:11,400 --> 01:03:13,640 You're never gonna pass this course on your own. 1431 01:03:13,680 --> 01:03:15,240 Never. 1432 01:03:15,280 --> 01:03:17,080 If you need to come back out, come back out. 1433 01:03:17,120 --> 01:03:18,240 Let's go! 1434 01:03:18,280 --> 01:03:20,960 There's the hostage! Save him! Ignore the gas! 1435 01:03:21,000 --> 01:03:22,920 Come on, then! You need to cut him free! 1436 01:03:22,960 --> 01:03:24,760 You need to look at what you're (BLEEP) doing! 1437 01:03:24,800 --> 01:03:26,160 What are you looking at?! 1438 01:03:26,200 --> 01:03:27,720 (TENSE INSTRUMENTAL MUSIC) 1439 01:03:27,760 --> 01:03:28,760 (GAGS) 1440 01:03:28,800 --> 01:03:31,120 Come on, then! Free the hostage! Get the hostage! 1441 01:03:31,160 --> 01:03:32,960 (RECRUITS COUGH) 1442 01:03:33,000 --> 01:03:35,680 Door shut, door shut. Compose yourselves. 1443 01:03:35,720 --> 01:03:37,280 NARRATOR: Overcome by the gas, 1444 01:03:37,320 --> 01:03:40,920 the recruits are unable to rescue the hostage... 1445 01:03:40,960 --> 01:03:42,080 Move, you two. 1446 01:03:42,120 --> 01:03:44,640 ..let down by James's hesitation. 1447 01:03:45,680 --> 01:03:48,440 (TENSE INSTRUMENTAL MUSIC) 1448 01:03:48,480 --> 01:03:49,640 Stay this side. OK. 1449 01:03:49,680 --> 01:03:51,720 Then we'll get to that next tree just on the right. 1450 01:03:51,760 --> 01:03:53,000 What do you reckon? Hang on, hang on! 1451 01:03:53,040 --> 01:03:54,880 This one on the left here with the big... 1452 01:03:54,920 --> 01:03:55,920 Alright, let's go to that one. 1453 01:03:55,960 --> 01:03:57,960 (TENSE INSTRUMENTAL MUSIC) 1454 01:03:58,000 --> 01:04:01,680 I'm doing this for my family, you know, my friends, 1455 01:04:01,720 --> 01:04:04,240 and most importantly, I'm doing this for myself. 1456 01:04:04,280 --> 01:04:07,360 This is probably the toughest thing I've ever experienced in my life. 1457 01:04:07,400 --> 01:04:09,560 OK, these barrels on the left, let's debrief. 1458 01:04:09,600 --> 01:04:11,760 If I'm completely honest, 1459 01:04:11,800 --> 01:04:14,560 there was plenty of times I didn't think I'd make it this far. 1460 01:04:14,600 --> 01:04:16,240 Being selected or not, 1461 01:04:16,280 --> 01:04:18,680 I just want to know that when it's all said and done, 1462 01:04:18,720 --> 01:04:20,720 I've given my absolute everything, 1463 01:04:20,760 --> 01:04:22,920 and I'm hoping that that's gonna get me to the end. 1464 01:04:22,960 --> 01:04:24,360 (TENSE MUSIC CONTINUES) 1465 01:04:24,400 --> 01:04:26,200 Approaching the cabin with caution, 1466 01:04:26,240 --> 01:04:29,320 recruits number two, Luke, and number 13, James, 1467 01:04:29,360 --> 01:04:33,480 are unaware the cabin is compromised with tear gas. 1468 01:04:35,040 --> 01:04:36,160 Go! Go! 1469 01:04:36,200 --> 01:04:37,360 BILLY: Let's go! Oh! 1470 01:04:37,400 --> 01:04:40,040 There's the hostage! Free him! Get him out! 1471 01:04:40,080 --> 01:04:41,400 Right, come out, come out, come out! 1472 01:04:41,440 --> 01:04:42,440 Where are you going?! 1473 01:04:42,480 --> 01:04:43,520 You two, come here! (BLEEP) 1474 01:04:43,560 --> 01:04:46,320 Come here! Recompose yourselves. Get down on your knees. 1475 01:04:46,360 --> 01:04:47,920 Number two, get down on your knees! 1476 01:04:47,960 --> 01:04:49,120 (COUGHS) 1477 01:04:49,160 --> 01:04:50,320 Right, listen in! Listen in! 1478 01:04:50,360 --> 01:04:51,880 Recom... compose yourself! 1479 01:04:51,920 --> 01:04:54,760 OK, did anyone see anything in there? 1480 01:04:54,800 --> 01:04:56,520 (GASPS) There's a hostage on the... 1481 01:04:56,560 --> 01:04:59,400 So... so, you know where he is, OK. 1482 01:04:59,440 --> 01:05:00,840 What have you got in your (BLEEP) Bergens? 1483 01:05:00,880 --> 01:05:02,320 Have you got any kit you can wrap around your faces? 1484 01:05:02,360 --> 01:05:03,520 Yes, staff. Have you? 1485 01:05:03,560 --> 01:05:06,400 Right, I suggest you (BLEEP) go and get what you need 1486 01:05:06,440 --> 01:05:08,560 to get back in there 1487 01:05:08,600 --> 01:05:10,080 Hurry up! Hurry up! 1488 01:05:10,120 --> 01:05:11,200 (DRAMATIC MUSIC BUILDS) 1489 01:05:11,240 --> 01:05:13,840 This is where the thinking soldier comes into play. 1490 01:05:13,880 --> 01:05:16,680 That's what we want - the thinking soldier. 1491 01:05:16,720 --> 01:05:20,720 When you think your life is at stake, 1492 01:05:20,760 --> 01:05:24,200 can you ignore all of that to complete a mission? 1493 01:05:24,240 --> 01:05:25,920 BILLY: Ignore the gas! Let's go! 1494 01:05:25,960 --> 01:05:27,480 Quick, quick, quick, quick! 1495 01:05:27,520 --> 01:05:30,680 Ignore the gas! Get him! Get him out! get him out! 1496 01:05:30,720 --> 01:05:32,120 (DRAMATIC MUSIC BUILDS) 1497 01:05:32,160 --> 01:05:33,160 (BOLT CUTTERS CLICK) 1498 01:05:33,200 --> 01:05:34,280 Get him out! 1499 01:05:34,320 --> 01:05:38,480 (DRAMATIC MUSIC CONTINUES) 1500 01:05:38,520 --> 01:05:40,360 That's it! Come on! 1501 01:05:40,400 --> 01:05:42,840 That's it, that's it! Get your Bergens on. 1502 01:05:42,880 --> 01:05:45,640 Leave him there, leave him there! Get your Bergens on. Let's go. 1503 01:05:45,680 --> 01:05:48,280 Let's go! Hurry up! Grab that casualty and follow the DS! 1504 01:05:48,320 --> 01:05:51,120 With the hostage rescued safely, 1505 01:05:51,160 --> 01:05:54,120 number two, Luke, and number 13, James, 1506 01:05:54,160 --> 01:05:56,440 pass the final task of the mission. 1507 01:05:57,440 --> 01:05:59,240 Get the casualty in quickly! Get the casualty in! 1508 01:05:59,280 --> 01:06:01,160 With the final mission complete... 1509 01:06:01,200 --> 01:06:02,200 Come on, hurry up! 1510 01:06:02,240 --> 01:06:04,040 ..it's now up to the DS to decide... 1511 01:06:04,080 --> 01:06:05,120 Make sure he's in there. 1512 01:06:05,160 --> 01:06:07,120 ..who, if any recruit... Go! 1513 01:06:07,160 --> 01:06:09,120 ..will pass SAS selection. 1514 01:06:09,160 --> 01:06:10,360 Quick, quick, quick! 1515 01:06:10,400 --> 01:06:13,440 The decision is always based on one question. 1516 01:06:14,640 --> 01:06:19,760 Would I have this person by my side on the battlefield? 1517 01:06:27,920 --> 01:06:31,240 (TENSE INSTRUMENTAL MUSIC) 1518 01:06:31,280 --> 01:06:33,680 NARRATOR: The four remaining civilian recruits 1519 01:06:33,720 --> 01:06:36,760 have completed the intensive SAS selection course, 1520 01:06:36,800 --> 01:06:38,840 known as Hell Week. 1521 01:06:39,920 --> 01:06:41,800 No idea what we're doing now. 1522 01:06:41,840 --> 01:06:44,320 Just expect the unexpected. Oh, yeah! 1523 01:06:44,360 --> 01:06:46,560 The DS will assess their performance 1524 01:06:46,600 --> 01:06:49,320 and decide who, if any recruit, 1525 01:06:49,360 --> 01:06:52,280 will pass SAS selection. 1526 01:06:52,320 --> 01:06:54,560 Alright, debrief, gents. 1527 01:06:54,600 --> 01:06:57,240 The first pair were number five and number eight, 1528 01:06:57,280 --> 01:07:00,120 and the second pair were number 13 and number two. 1529 01:07:00,160 --> 01:07:01,640 (DRAMATIC MUSIC BUILDS) 1530 01:07:01,680 --> 01:07:03,400 So, all in all, what a (BLEEP) good team there. 1531 01:07:04,400 --> 01:07:06,000 I mean, yeah, they're a tight group, to be honest. 1532 01:07:06,040 --> 01:07:08,440 You can tell that they're (BLEEP) bonded and what have you. 1533 01:07:08,480 --> 01:07:11,920 They've all deserved to get to where we've got to now at the end. 1534 01:07:11,960 --> 01:07:13,000 We'll go round the table, 1535 01:07:13,040 --> 01:07:15,640 'cause obviously we've got an important decision to make. 1536 01:07:15,680 --> 01:07:17,080 Ollie, over to you. 1537 01:07:17,120 --> 01:07:19,880 13, from day one, the backward dive - 1538 01:07:19,920 --> 01:07:21,840 I mean, he did that perfectly. 1539 01:07:21,880 --> 01:07:23,000 Go! 1540 01:07:23,040 --> 01:07:25,440 (DRAMATIC MUSIC SWELLS) 1541 01:07:27,280 --> 01:07:28,680 Good! Go! 1542 01:07:28,720 --> 01:07:30,680 His performance didn't stop. Yeah. 1543 01:07:30,720 --> 01:07:33,000 Yeah, that (BLEEP) sketchy day on the cas-evac. 1544 01:07:33,040 --> 01:07:34,800 Down! Down! Arggh! 1545 01:07:34,840 --> 01:07:36,040 Let's go! 1546 01:07:36,080 --> 01:07:38,480 13's had a couple of little mistakes there, like everybody else. 1547 01:07:38,520 --> 01:07:40,960 Five picked it up today. 1548 01:07:41,000 --> 01:07:45,480 Get over here! Forget the CS gas! Sort it out! 1549 01:07:45,520 --> 01:07:47,920 Awesome effort. She was there. 1550 01:07:47,960 --> 01:07:49,600 Number five has just been an absolute workhorse 1551 01:07:49,640 --> 01:07:50,880 the whole way through. 1552 01:07:50,920 --> 01:07:54,240 She's done everything she's been asked to do, plus some. 1553 01:07:54,280 --> 01:07:55,280 Fight! 1554 01:07:55,320 --> 01:07:56,320 (DRAMATIC MUSIC BUILDS) 1555 01:07:56,360 --> 01:07:57,480 (GROANS) 1556 01:07:57,520 --> 01:07:59,640 The only thing I will say about number five 1557 01:07:59,680 --> 01:08:01,520 is she needs to keep her mouth shut. 1558 01:08:01,560 --> 01:08:02,960 (SOBS) 1559 01:08:03,000 --> 01:08:05,200 Stop (BLEEP) whinging! 1560 01:08:05,240 --> 01:08:08,560 Number two, for me, he's put in a massive effort. 1561 01:08:08,600 --> 01:08:11,640 Keep going, guys. Come on! (GRUNTS) 1562 01:08:12,640 --> 01:08:15,680 One little thing, which has a massive influence on our world, 1563 01:08:15,720 --> 01:08:17,040 is his apprehension. 1564 01:08:17,080 --> 01:08:18,800 Yep. 1565 01:08:18,840 --> 01:08:21,960 (BLEEP) jump out! (BLEEP) go! 1566 01:08:22,000 --> 01:08:23,240 Jump! 1567 01:08:23,279 --> 01:08:25,359 (DRAMATIC MUSIC BUILDS) 1568 01:08:25,399 --> 01:08:26,640 When you've gotta go, you've gotta go, 1569 01:08:26,680 --> 01:08:28,160 and you can't afford to have that apprehension. 1570 01:08:28,200 --> 01:08:31,160 So, that's the one thing, and then add that to today - 1571 01:08:31,200 --> 01:08:33,600 he couldn't have opened that case without number 13 there, 1572 01:08:33,640 --> 01:08:37,200 and if number 13, for real, wasn't there, it wouldn't have happened. 1573 01:08:37,240 --> 01:08:39,279 That was a bit disappointing. 1574 01:08:39,319 --> 01:08:41,840 I actually do think number two was (BLEEP) good. 1575 01:08:41,880 --> 01:08:43,120 Better than I expected. 1576 01:08:43,160 --> 01:08:44,240 (DRAMATIC MUSIC CONTINUES) 1577 01:08:44,279 --> 01:08:47,760 Then looking at number eight, who has been consistent. 1578 01:08:47,800 --> 01:08:49,960 Come on, push! 1579 01:08:50,000 --> 01:08:53,800 Eight was good, but he let himself down at that last minute there. 1580 01:08:53,840 --> 01:08:56,920 You (BLEEP) ran! She went in there by her (BLEEP) self! 1581 01:08:56,960 --> 01:08:58,760 (SIGHS) 1582 01:08:58,800 --> 01:09:00,160 Billy? 1583 01:09:00,200 --> 01:09:02,880 Yeah, for me, I've seen level pegging with three of them. 1584 01:09:02,920 --> 01:09:03,920 Mm-hm. 1585 01:09:03,960 --> 01:09:07,960 And one sort of clear slightly in front. 1586 01:09:08,000 --> 01:09:09,200 (TENSE MUSIC CONTINUES) 1587 01:09:09,240 --> 01:09:10,720 I think it's been an amazing course. 1588 01:09:10,760 --> 01:09:12,800 Listen, they all deserve to be here at the end. 1589 01:09:12,840 --> 01:09:14,399 They've all put in a shift. 1590 01:09:14,439 --> 01:09:18,000 Such a tight call, this one, such a tight call, but I think... 1591 01:09:18,040 --> 01:09:19,680 It's one of the tightest calls we've had, I think. 1592 01:09:19,720 --> 01:09:22,720 (TENSE MUSIC CONTINUES) 1593 01:09:24,640 --> 01:09:26,800 There's no set mould with our decision. 1594 01:09:26,840 --> 01:09:28,680 We look at that person and we say, 1595 01:09:28,720 --> 01:09:32,120 "Would I put my life in that person's hands? 1596 01:09:32,160 --> 01:09:34,000 "Do I trust that person enough?" 1597 01:09:34,040 --> 01:09:36,640 And if the answer is no, 1598 01:09:36,680 --> 01:09:39,080 then I don't care if you've got to the end of the course. 1599 01:09:39,120 --> 01:09:40,760 You will not pass. 1600 01:09:41,760 --> 01:09:46,200 This concludes the selection process. 1601 01:09:46,240 --> 01:09:49,080 This is the end of the course. 1602 01:09:50,080 --> 01:09:52,960 So, well done to all four of you for reaching the end. 1603 01:09:54,120 --> 01:09:56,400 That doesn't mean that you've all passed. 1604 01:09:56,440 --> 01:09:58,000 (TENSE MUSIC CONTINUES) 1605 01:09:58,040 --> 01:10:01,240 But you should be extremely proud where you're stood right now. 1606 01:10:01,280 --> 01:10:03,960 Look how many have fallen before you. 1607 01:10:04,000 --> 01:10:05,320 (MOMENTOUS MUSIC BUILDS) 1608 01:10:05,360 --> 01:10:07,760 And to have such a tight-knit group at the end 1609 01:10:07,800 --> 01:10:10,160 means that we've done a (BLEEP) good job, 1610 01:10:10,200 --> 01:10:12,320 and we're extremely proud of what we've done 1611 01:10:12,360 --> 01:10:15,880 to see you stood here in front of us at the end. 1612 01:10:15,920 --> 01:10:17,480 (MOMENTOUS MUSIC CONTINUES) 1613 01:10:17,520 --> 01:10:21,320 When I call your number, you take one step forward. 1614 01:10:21,360 --> 01:10:24,840 (MOMENTOUS MUSIC CONTINUES) 1615 01:10:28,320 --> 01:10:29,360 Number 13. 1616 01:10:29,400 --> 01:10:32,680 (MOMENTOUS MUSIC CONTINUES) 1617 01:10:39,440 --> 01:10:40,440 Number five. 1618 01:10:43,800 --> 01:10:48,840 Number 13 and number five, you have successfully passed this course. 1619 01:10:48,880 --> 01:10:50,400 Well done. 1620 01:10:50,440 --> 01:10:53,840 (MOMENTOUS MUSIC CONTINUES) 1621 01:10:53,880 --> 01:10:57,200 Number eight and number two, you did not pass the course. 1622 01:10:57,240 --> 01:10:59,000 (MOMENTOUS MUSIC CONTINUES) 1623 01:10:59,040 --> 01:11:01,960 Well done, number five. Well done, number 13. 1624 01:11:02,000 --> 01:11:05,000 (MOMENTOUS MUSIC CONTINUES) 1625 01:11:05,040 --> 01:11:09,160 This has been the hardest thing I've ever done in my entire life, 1626 01:11:09,200 --> 01:11:10,200 plus some. 1627 01:11:10,240 --> 01:11:13,440 I came here to prove a point, to prove my resilience, 1628 01:11:13,480 --> 01:11:16,920 to prove that I'm capable of doing this, 1629 01:11:16,960 --> 01:11:19,800 'cause I've doubted myself a lot throughout my life. 1630 01:11:21,560 --> 01:11:24,720 So, this is just one of those moments - 1631 01:11:24,760 --> 01:11:27,560 every time I doubted myself, I went and I did it, 1632 01:11:27,600 --> 01:11:29,920 and I stuck to it even when I wanted to quit. 1633 01:11:29,960 --> 01:11:31,440 (MOMENTOUS MUSIC CONTINUES) 1634 01:11:31,480 --> 01:11:33,080 JAMES: Oh, just absolutely on top of the world. 1635 01:11:33,120 --> 01:11:34,600 I just can't believe it. 1636 01:11:34,640 --> 01:11:36,480 Oh, this course has absolutely changed my life. 1637 01:11:36,520 --> 01:11:38,520 It's broken me down, 1638 01:11:38,560 --> 01:11:41,720 and it's made me assess myself and my weaknesses 1639 01:11:41,760 --> 01:11:43,560 and face up to my fears, 1640 01:11:43,600 --> 01:11:46,000 and moving on with my life now, 1641 01:11:46,040 --> 01:11:48,200 I just feel like I'm capable of so much more. 1642 01:11:48,240 --> 01:11:50,320 It's changed my perspective on life, 1643 01:11:50,360 --> 01:11:53,440 and changed me as a person, and shaped me as a person. 1644 01:11:55,160 --> 01:11:57,400 Outstanding effort. Thank you. 1645 01:11:57,440 --> 01:11:58,600 Really, really good. 1646 01:11:58,640 --> 01:12:01,880 Just lacked that tiny bit at the end. 1647 01:12:01,920 --> 01:12:03,000 Thank you, staff. 1648 01:12:03,040 --> 01:12:04,240 Well done, two. Ta. 1649 01:12:04,280 --> 01:12:05,760 Absolutely outstanding. 1650 01:12:05,800 --> 01:12:08,400 (MOMENTOUS MUSIC BUILDS) 1651 01:12:08,440 --> 01:12:11,000 Having done this course and getting to the end, 1652 01:12:11,040 --> 01:12:14,640 if you tell me that you're not a better version of who you are, 1653 01:12:14,680 --> 01:12:17,640 then I will call you a liar to your face. 1654 01:12:17,680 --> 01:12:18,840 (MOMENTOUS MUSIC CONTINUES) 1655 01:12:18,880 --> 01:12:20,640 We're out, baby! 1656 01:12:21,760 --> 01:12:23,120 There's nothing out there... 1657 01:12:23,160 --> 01:12:25,280 (BOTH CHEER) 1658 01:12:25,320 --> 01:12:28,560 ..that teaches you about yourself in such a short amount of time... 1659 01:12:29,800 --> 01:12:31,480 ..than this selection process, 1660 01:12:31,520 --> 01:12:34,520 and for those standing at the end of the course, 1661 01:12:34,560 --> 01:12:38,520 pass or fail, I salute you. 1662 01:12:38,560 --> 01:12:40,240 We did it, James. 1663 01:12:40,280 --> 01:12:41,920 (MOMENTOUS MUSIC CONTINUES) 1664 01:12:41,960 --> 01:12:43,160 (WHOOPING) 124925

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