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1
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(TENSE INSTRUMENTAL MUSIC)
2
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(ALL EXCLAIM)
3
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ANT: Down! Down!
Get your heads down!
4
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NARRATOR: 14 Aussie civilians...
5
00:00:17,760 --> 00:00:18,800
Welcome to hell.
6
00:00:18,840 --> 00:00:20,200
STAFF: Go!
7
00:00:20,240 --> 00:00:23,680
..have pushed themselves beyond
their physical and mental limits.
8
00:00:23,720 --> 00:00:25,760
Down, down!
Sorry, sorry, sorry!
9
00:00:25,800 --> 00:00:27,000
I can't breathe!
10
00:00:28,080 --> 00:00:29,080
MAN: Don't panic! Hey!
11
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Look at me. Look at me.
12
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(DRAMATIC MUSIC BUILDS)
13
00:00:31,400 --> 00:00:34,080
There's been extraordinary
triumphs...
14
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(DRAMATIC MUSIC SWELLS)
ANT: Well done!
15
00:00:37,440 --> 00:00:39,440
..and devastating heartbreak.
16
00:00:40,440 --> 00:00:42,440
I lost my son ten days ago.
17
00:00:42,480 --> 00:00:44,120
I've gotta shake your hand
for being here.
18
00:00:45,120 --> 00:00:47,760
I guess I just see myself
being like my dad.
19
00:00:47,800 --> 00:00:49,080
(STIRRING INSTRUMENTAL MUSIC)
20
00:00:49,120 --> 00:00:50,440
One by one...
21
00:00:50,480 --> 00:00:52,200
ANT: If you can't do it,
give me your number!
22
00:00:52,240 --> 00:00:53,640
I can't do this. Sorry.
23
00:00:53,680 --> 00:00:55,240
..recruits surrendered.
24
00:00:55,280 --> 00:00:56,560
Thanks, staff.
25
00:00:56,600 --> 00:00:58,160
Arggh!
26
00:00:58,200 --> 00:00:59,200
It's your time.
27
00:01:00,200 --> 00:01:02,040
Leave this course
with your head held high.
28
00:01:02,080 --> 00:01:03,160
(STIRRING INSTRUMENTAL MUSIC)
29
00:01:03,200 --> 00:01:05,120
It's nothing personal, but Baz.
30
00:01:05,160 --> 00:01:06,920
We don't want to have to
have the liability.
31
00:01:06,960 --> 00:01:08,440
It's all good.
32
00:01:08,480 --> 00:01:10,800
This is the most
life-changing experience.
33
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(STIRRING MUSIC SWELLS)
34
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Now only six remain...
35
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How badly do you want it?
36
00:01:16,920 --> 00:01:19,320
(DRAMATIC MUSIC BUILDS)
37
00:01:19,360 --> 00:01:22,760
..as they dig deep to see
if they have what it takes.
38
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MAN: I want to prove I am
spiritually tougher than I think.
39
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(GRUNTS)
40
00:01:27,600 --> 00:01:29,480
When I'm mentally, physically done,
41
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I have tapped into something
entirely different within me.
42
00:01:32,040 --> 00:01:34,080
(DRAMATIC MUSIC CONTINUES)
43
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MAN: Even though you are smaller
than everyone else,
44
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you can achieve anything.
45
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(GRUNTS)
46
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I think dancers are underestimated.
47
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Resilience is something
I hold close to my heart.
48
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Come on! Keep going.
49
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It was just born into me
to be competitive.
50
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Losing's just not on the agenda.
51
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WOMAN: I can't imagine quitting.
52
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Think about what you're doing!
53
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Only the elite of the elite
pass the course.
54
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(DRAMATIC MUSIC CONTINUES)
55
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This concludes
the selection process.
56
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That doesn't mean you've all passed.
57
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(DRAMATIC MUSIC BUILDS)
58
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Who will pass...
Arggh!
59
00:02:10,360 --> 00:02:11,800
..final selection?
60
00:02:11,840 --> 00:02:13,480
Can't hold on! Arggh!
61
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(DRAMATIC MUSIC SWELLS)
62
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(BIRDSONG)
63
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(DRAMATIC MUSIC BUILDS)
64
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WOMAN: What's up, my G?
65
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(SIGHS) I'm just...
66
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..just wanna (BLEEP) get it done,
you know what I mean?
67
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One step at a time.
No, I'm with you.
68
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Yeah.
69
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It's day six of Hell Week,
70
00:02:34,800 --> 00:02:38,800
an intensive version
of the brutal SAS training course,
71
00:02:38,840 --> 00:02:41,960
and only six civilian recruits remain
72
00:02:42,000 --> 00:02:45,440
in the final stage to pass selection.
73
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I got two cigars.
74
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I wanna have one at the end
of the course with you.
75
00:02:51,320 --> 00:02:53,360
OK.
(LAUGHS)
76
00:02:53,400 --> 00:02:56,160
I'm here 'cause I wanna
be able to push myself.
77
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I want to be part
of the SAS,
78
00:02:58,440 --> 00:03:00,480
and I want to prove
that I'm good enough.
79
00:03:00,520 --> 00:03:02,600
After I did fail with football,
80
00:03:02,640 --> 00:03:05,440
I want to show that I can do it,
mentally and physically.
81
00:03:05,480 --> 00:03:07,280
That failing mentality
82
00:03:07,320 --> 00:03:09,880
is just something that
I don't want to feel anymore.
83
00:03:09,920 --> 00:03:11,520
That's it, mate.
84
00:03:11,560 --> 00:03:14,440
If you envision yourself
doing something,
85
00:03:14,480 --> 00:03:15,880
you know what I mean?
86
00:03:15,920 --> 00:03:18,040
It's just inevitable that
it will just happen, you know?
87
00:03:19,280 --> 00:03:21,280
You just gotta keep working for it.
88
00:03:21,320 --> 00:03:24,720
I want to show my son
that it was a challenge,
89
00:03:24,760 --> 00:03:27,040
but whatever you put your mind to,
you can get over it.
90
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Don't think about where the end it.
91
00:03:31,000 --> 00:03:33,400
Just think about that next step.
Yeah.
92
00:03:35,280 --> 00:03:36,680
(SIGHS)
93
00:03:36,720 --> 00:03:39,960
I'm doing this course
to really test myself,
94
00:03:40,000 --> 00:03:42,120
to give myself confidence,
95
00:03:42,160 --> 00:03:46,480
and to prove to other people
that I can actually do this.
96
00:03:46,520 --> 00:03:47,760
MAN: Good!
97
00:03:49,120 --> 00:03:50,640
Well done. Well done.
There we go.
98
00:03:50,680 --> 00:03:52,360
Was that a three?
99
00:03:52,400 --> 00:03:55,760
I'll go the whole way.
I'll be there till the end.
100
00:03:55,800 --> 00:03:57,480
There's no doubt about that.
101
00:03:57,520 --> 00:04:00,520
(STIRRING INSTRUMENTAL MUSIC)
102
00:04:03,680 --> 00:04:05,640
MAN: How's our fires looking?
103
00:04:05,680 --> 00:04:08,760
Doing this course means
the absolute world to me.
104
00:04:08,800 --> 00:04:12,680
I do believe I have what it takes
to pass SAS selection.
105
00:04:12,720 --> 00:04:14,680
Big day!
Big day, mate.
106
00:04:14,720 --> 00:04:16,959
Just gotta take it
an hour at a time.
107
00:04:17,000 --> 00:04:19,279
Yep, each footstep.
That's it.
108
00:04:19,320 --> 00:04:22,800
'Cause obviously every footstep
at the moment is (BLEEP) painful.
109
00:04:22,840 --> 00:04:23,920
(LAUGHS) Yeah.
110
00:04:23,960 --> 00:04:26,400
(MOMENTOUS MUSIC BUILDS)
111
00:04:26,440 --> 00:04:30,120
My motivation is proving I'm more
than just James, the dancer.
112
00:04:30,160 --> 00:04:31,800
(MOMENTOUS MUSIC CONTINUES)
113
00:04:31,840 --> 00:04:36,280
I know that dance and what's
involved in the SAS is worlds apart,
114
00:04:36,320 --> 00:04:38,720
but dancers work their arses off.
115
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They're some of the most hardworking
people I've ever met.
116
00:04:40,680 --> 00:04:43,560
You know, you've gotta have drive,
you've gotta have discipline.
117
00:04:43,600 --> 00:04:45,600
Dancers are underestimated,
118
00:04:45,640 --> 00:04:47,640
and I'm hoping that
I can use those things
119
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that I've learnt from my career
and make it to the end.
120
00:04:52,960 --> 00:04:55,880
ANT: Five minutes, I want everybody
on this parade square!
121
00:04:55,920 --> 00:04:57,200
Let's move! Let's go!
122
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(TENSE INSTRUMENTAL MUSIC)
123
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Move!
124
00:05:00,480 --> 00:05:03,480
(TENSE MUSIC CONTINUES)
125
00:05:14,280 --> 00:05:16,280
Right, this is where
we really step up now,
126
00:05:16,320 --> 00:05:19,920
physically, psychologically,
and emotionally.
127
00:05:19,960 --> 00:05:22,520
We're getting
more brutal and brutal.
128
00:05:22,560 --> 00:05:25,120
Bang, bang, bang.
Number will be gone.
129
00:05:25,160 --> 00:05:27,520
Do not let that be you.
130
00:05:27,560 --> 00:05:30,480
We need you to go beyond
your limitations.
131
00:05:30,520 --> 00:05:32,520
(TENSE MUSIC CONTINUES)
132
00:05:32,560 --> 00:05:34,200
Is that understood?
ALL: Yes, staff.
133
00:05:34,240 --> 00:05:35,360
Good.
134
00:05:36,360 --> 00:05:39,440
The final phase - this is it.
It's do or die.
135
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Go! Move, move! Let's go.
136
00:05:41,760 --> 00:05:42,920
Let's go!
137
00:05:42,960 --> 00:05:45,360
This is where
we put the final pressure on
138
00:05:45,400 --> 00:05:48,360
to find that special,
or special individuals.
139
00:05:48,400 --> 00:05:49,840
In front. Look!
140
00:05:49,880 --> 00:05:51,520
(TENSE INSTRUMENTAL MUSIC)
141
00:05:51,560 --> 00:05:54,920
This is where we see
and dig deep into their reserve.
142
00:05:54,960 --> 00:05:56,960
(TENSE MUSIC CONTINUES)
143
00:05:57,000 --> 00:05:58,440
MAN: Anyone a bit nervous?
Yeah, def.
144
00:05:58,480 --> 00:06:00,320
Always get a bit nervous
before all of them, eh?
145
00:06:00,360 --> 00:06:01,360
Before I see them, yeah.
146
00:06:01,400 --> 00:06:03,760
Like, what are the limits
I'm pushing myself to today?
147
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Yeah, yeah, yeah, exactly!
148
00:06:05,480 --> 00:06:08,480
(DRAMATIC MUSIC BUILDS)
149
00:06:09,920 --> 00:06:11,200
How you feeling? Better?
150
00:06:11,240 --> 00:06:13,000
I'm good, mate, yeah.
Yeah? Feeling good?
151
00:06:13,040 --> 00:06:16,440
As a holistic health coach,
I work in personal development,
152
00:06:16,480 --> 00:06:18,400
spiritual evolution, healing,
153
00:06:18,440 --> 00:06:20,880
but when I was younger,
154
00:06:20,920 --> 00:06:23,920
I was someone who didn't make
great choices.
155
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We're up pretty high.
156
00:06:25,240 --> 00:06:26,720
Are we?
Mmm.
157
00:06:26,760 --> 00:06:30,920
So, my reason for doing this
is to grow and to learn -
158
00:06:30,960 --> 00:06:32,680
to leave it all on the line.
159
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MAN: One behind the other.
160
00:06:34,360 --> 00:06:36,040
I'm all in, 100%.
161
00:06:36,080 --> 00:06:38,640
(TENSE INSTRUMENTAL MUSIC)
162
00:06:38,680 --> 00:06:41,080
ANT: They're starting to realise
what they're capable of.
163
00:06:41,120 --> 00:06:44,080
They're starting
to realise their potential...
164
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..and they will become a better
version of who they are.
165
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They will beyond any limitations
that they've been before.
166
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(TENSE INSTRUMENTAL MUSIC)
167
00:06:54,720 --> 00:06:56,960
Shoulder to shoulder.
Nice and tight.
168
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Alright, listen in.
169
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Guess what we've come to -
a cliff edge.
170
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(TENSE MUSIC CONTINUES)
171
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Your job is to (BLEEP) get across it
as quick as possible,
172
00:07:09,040 --> 00:07:10,480
because if you don't,
173
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what are you if you're sitting
on that (BLEEP) rope?
174
00:07:12,600 --> 00:07:14,000
JAMES: Sitting target.
175
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A sitting target.
176
00:07:15,520 --> 00:07:17,440
A danger to yourself,
a danger to others.
177
00:07:18,720 --> 00:07:20,280
Turn around. Watching the demo.
178
00:07:23,000 --> 00:07:26,200
Today's first task
is known as the cat crawl,
179
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a gruelling examination
of the recruits' focus, will,
180
00:07:30,480 --> 00:07:33,440
and ability to control their fear.
181
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He is pulling with his arms
and pushing with his back leg.
182
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Pull and push motion.
183
00:07:38,400 --> 00:07:40,800
Pull from the front,
push from the back.
184
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To pass the task,
185
00:07:42,960 --> 00:07:45,920
the recruits will need to use
a specific technique
186
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to complete the 30-metre crossing,
187
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suspended a perilous
50 metres above the ground.
188
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(TENSE INSTRUMENTAL MUSIC)
189
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Turn around.
190
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Get your (BLEEP) headspace
where it needs to be right now,
191
00:07:57,440 --> 00:07:59,920
which is surviving
for a place on this course.
192
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It's over to you now.
193
00:08:01,800 --> 00:08:03,600
How badly do you want it?
194
00:08:03,640 --> 00:08:05,440
(TENSE MUSIC CONTINUES)
195
00:08:05,480 --> 00:08:07,080
I'm gonna put you in pairs.
196
00:08:07,120 --> 00:08:08,840
You're gonna be racing.
197
00:08:08,880 --> 00:08:13,440
Number eight and number 11,
you will be first.
198
00:08:13,480 --> 00:08:14,880
You two, harness up.
199
00:08:14,920 --> 00:08:16,080
(TENSE INSTRUMENTAL MUSIC)
200
00:08:16,120 --> 00:08:17,800
I can be a very competitive person.
201
00:08:19,160 --> 00:08:20,760
Whether it's noughts and crosses
202
00:08:20,800 --> 00:08:23,960
or it's, like, a random foot race
on the beach.
203
00:08:26,440 --> 00:08:29,440
The DS will assess the recruits
on their speed and agility
204
00:08:29,480 --> 00:08:32,799
to maintain their control and nerve
through the task.
205
00:08:32,840 --> 00:08:34,159
(TENSE INSTRUMENTAL MUSIC)
206
00:08:34,200 --> 00:08:37,000
The cat crawl
is a test of discipline.
207
00:08:37,039 --> 00:08:39,159
Number 11, you're on this line.
Yes, staff.
208
00:08:40,159 --> 00:08:43,400
In Afghanistan,
the mountains are vast.
209
00:08:44,680 --> 00:08:46,480
It's a scary place to be,
210
00:08:46,520 --> 00:08:48,080
and if you don't control
that fear...
211
00:08:48,120 --> 00:08:49,440
(DRAMATIC MUSIC BUILDS)
212
00:08:49,480 --> 00:08:51,880
..if you're not disciplined enough
to have confidence in yourself...
213
00:08:53,000 --> 00:08:54,880
..it's a very long fall.
214
00:08:54,920 --> 00:08:56,600
(DRAMATIC MUSIC BUILDS)
215
00:08:56,640 --> 00:08:59,920
Go! Let's move! Fast as you can!
216
00:08:59,960 --> 00:09:01,200
Everything!
217
00:09:02,960 --> 00:09:04,120
Oh, (BLEEP)!
218
00:09:06,280 --> 00:09:08,880
Get back on the top of the rope,
then. Do what you can!
219
00:09:08,920 --> 00:09:11,560
(DRAMATIC MUSIC CONTINUES)
220
00:09:12,560 --> 00:09:15,440
In his haste to beat number 11,
rapper Isabella...
221
00:09:16,440 --> 00:09:20,080
..number eight James's lack of focus
sees him lose control.
222
00:09:21,080 --> 00:09:22,800
(BLEEP) gone tits up now, hasn't it?
223
00:09:22,840 --> 00:09:24,600
(DRAMATIC MUSIC CONTINUES)
224
00:09:24,640 --> 00:09:26,120
Let's go, number 11!
225
00:09:26,160 --> 00:09:28,200
We leave everything on this rope!
226
00:09:28,240 --> 00:09:30,800
Stay where you are!
Stay in that zone!
227
00:09:30,840 --> 00:09:31,880
Good!
228
00:09:33,840 --> 00:09:35,320
ISABELLA: 100% scared
of the heights.
229
00:09:36,520 --> 00:09:38,400
But even the things that scare
the shit out of me,
230
00:09:38,440 --> 00:09:39,800
I'm gonna get
the job done,
231
00:09:39,840 --> 00:09:40,880
because that's what
I'm here to do.
232
00:09:40,920 --> 00:09:42,520
Sort yourself out. Good!
233
00:09:42,560 --> 00:09:43,840
Good effort, number 11!
(PUFFS)
234
00:09:43,880 --> 00:09:46,680
(BLEEP) strong! Well done!
Look at me.
235
00:09:46,720 --> 00:09:48,080
(BLEEP) strong effort.
Thank you!
236
00:09:48,120 --> 00:09:49,920
Good, good, good. Stay there.
(PUFFS)
237
00:09:49,960 --> 00:09:52,760
Having maintained
her composure and technique,
238
00:09:52,800 --> 00:09:56,680
number 11, Isabella,
has successfully passed the task.
239
00:09:56,720 --> 00:09:58,040
(PUFFS)
240
00:09:58,080 --> 00:09:59,960
Good job, mate.
Thanks, mate.
241
00:10:00,000 --> 00:10:02,520
(DRAMATIC MUSIC BUILDS)
242
00:10:02,560 --> 00:10:04,320
Number eight!
Yes, staff?
243
00:10:04,360 --> 00:10:06,000
(BLEEP) that up royally, didn't you?
244
00:10:06,040 --> 00:10:07,400
Yes, staff. (GRUNTS)
245
00:10:07,440 --> 00:10:10,040
Try and get back up
from that position.
246
00:10:10,080 --> 00:10:13,080
(DRAMATIC MUSIC BUILDS)
247
00:10:17,680 --> 00:10:19,360
(STRAINS)
248
00:10:22,280 --> 00:10:23,480
(GROANS)
249
00:10:25,840 --> 00:10:26,840
Just can't hold on!
250
00:10:26,880 --> 00:10:28,480
(DRAMATIC MUSIC SWELLS)
251
00:10:28,520 --> 00:10:29,720
(BLEEP)!
252
00:10:33,600 --> 00:10:37,280
(TENSE INSTRUMENTAL MUSIC)
253
00:10:37,320 --> 00:10:41,160
It can be very hard,
getting knocked down,
254
00:10:41,200 --> 00:10:44,040
but then you gotta sort of put
your boots on and march forward.
255
00:10:44,080 --> 00:10:46,560
It was that mad rush
at the beginning, wasn't it?
256
00:10:47,560 --> 00:10:49,080
Yes, staff.
257
00:10:49,120 --> 00:10:51,360
(TENSE INSTRUMENTAL MUSIC)
258
00:10:51,400 --> 00:10:55,840
Next to tackle the cat crawl is
a determined number two, tradie Luke,
259
00:10:55,880 --> 00:11:00,560
and number five, dating coach, Sarah,
who is keen to show her grit.
260
00:11:01,560 --> 00:11:03,440
SARAH: I'm doing this for myself.
261
00:11:03,480 --> 00:11:04,960
I have doubts.
262
00:11:05,000 --> 00:11:07,240
Like, I need to see somebody else
do it first.
263
00:11:07,280 --> 00:11:09,200
Right, mount the ropes.
264
00:11:09,240 --> 00:11:12,800
So, I second-guess myself sometimes,
265
00:11:12,840 --> 00:11:15,120
and I don't want
to feel like that anymore.
266
00:11:15,160 --> 00:11:16,320
Go!
267
00:11:16,360 --> 00:11:17,880
(DRAMATIC MUSIC BUILDS)
268
00:11:17,920 --> 00:11:18,920
Everything!
269
00:11:18,960 --> 00:11:20,840
Number five, catch him!
270
00:11:21,960 --> 00:11:23,800
Pull and push!
271
00:11:23,840 --> 00:11:25,880
There is this mongrel within me
272
00:11:25,920 --> 00:11:29,240
that I honestly feel will be
what gets me through to the end.
273
00:11:29,280 --> 00:11:32,760
Number five,
two arms are better than one!
274
00:11:32,800 --> 00:11:35,360
Up and pull!
275
00:11:35,400 --> 00:11:38,280
Trust me,
you will blow out like that!
276
00:11:39,280 --> 00:11:41,160
That's it!
277
00:11:41,200 --> 00:11:42,640
Let's go, number two!
278
00:11:42,680 --> 00:11:44,920
LUKE: Determination
is everything to me.
279
00:11:44,960 --> 00:11:48,360
When I have a goal,
I want to be able to get it done.
280
00:11:48,400 --> 00:11:50,320
I give everything.
281
00:11:50,360 --> 00:11:51,720
Let's go - all the way in!
282
00:11:52,800 --> 00:11:54,360
Good effort, number two. Let's go!
283
00:11:54,400 --> 00:11:55,520
(TENSE INSTRUMENTAL MUSIC)
284
00:11:55,560 --> 00:11:57,480
All the way in. We don't stop.
285
00:12:01,400 --> 00:12:02,880
Get yourself up! Stand up!
286
00:12:02,920 --> 00:12:04,880
That's it. On and off!
287
00:12:04,920 --> 00:12:07,160
Good effort!
Well done, number two. Strong!
288
00:12:07,200 --> 00:12:09,600
(DRAMATIC MUSIC BUILDS)
289
00:12:09,640 --> 00:12:11,200
Come here, number five.
290
00:12:13,120 --> 00:12:15,600
Pull.
You're doing one arm at a time.
291
00:12:15,640 --> 00:12:16,960
No wonder he (BLEEP) beat you.
292
00:12:17,000 --> 00:12:18,120
Yes, staff.
293
00:12:18,160 --> 00:12:21,000
I'm very hard on myself.
294
00:12:21,040 --> 00:12:23,480
There's always that little voice
that's, like,
295
00:12:23,520 --> 00:12:26,960
"This is good, Sarah, but if you can
do this, you could be better."
296
00:12:28,000 --> 00:12:29,040
(BLEEP)!
297
00:12:29,080 --> 00:12:30,960
You did good, mate. You did good.
(SIGHS)
298
00:12:31,000 --> 00:12:32,480
(TENSE INSTRUMENTAL MUSIC)
299
00:12:32,520 --> 00:12:35,360
The final pair to attempt
the daunting crawl
300
00:12:35,400 --> 00:12:38,240
are number 13, dancer James,
301
00:12:38,280 --> 00:12:40,600
and number six,
youngest recruit, Mitch,
302
00:12:40,640 --> 00:12:42,760
who is eager to make an impression.
303
00:12:43,800 --> 00:12:45,200
Who do you guys reckon?
304
00:12:45,240 --> 00:12:46,440
Maybe Mitch.
305
00:12:46,480 --> 00:12:49,640
Keep the (BLEEP) noise down.
You got a (BLEEP) loud mouth on you.
306
00:12:50,760 --> 00:12:51,840
Go!
307
00:12:51,880 --> 00:12:54,000
(DRAMATIC MUSIC BUILDS)
308
00:12:54,040 --> 00:12:56,560
Stay on top of that (BLEEP) rope,
number six.
309
00:12:56,600 --> 00:12:59,440
(DRAMATIC MUSIC SWELLS)
310
00:12:59,480 --> 00:13:00,720
Get back on there.
311
00:13:00,760 --> 00:13:03,760
(DRAMATIC MUSIC CONTINUES)
312
00:13:11,640 --> 00:13:12,800
ANT: Get on top of it, number six!
313
00:13:12,840 --> 00:13:15,840
(DRAMATIC MUSIC CONTINUES)
314
00:13:19,400 --> 00:13:20,880
MITCH: I've been labelled
as a pretty boy.
315
00:13:20,920 --> 00:13:22,760
So, I think a lot of people
would look at me
316
00:13:22,800 --> 00:13:25,000
and think I would not be able
to pass this course.
317
00:13:25,040 --> 00:13:26,720
Use that leg to pendulum...
that's it!
318
00:13:26,760 --> 00:13:28,760
Look up the rope when you do it.
319
00:13:28,800 --> 00:13:31,400
I wanna prove to those people
that I'm more than that.
320
00:13:31,440 --> 00:13:32,680
(DRAMATIC MUSIC BUILDS)
321
00:13:32,720 --> 00:13:34,320
If you had a Bergen on,
322
00:13:34,360 --> 00:13:36,480
you would have been off that rope
a long time ago!
323
00:13:38,080 --> 00:13:41,800
You either get on top of the rope
or you let go of the rope.
324
00:13:41,840 --> 00:13:44,840
(DRAMATIC MUSIC CONTINUES)
325
00:13:50,920 --> 00:13:51,920
(ISABELLA EXCLAIMS)
326
00:13:53,080 --> 00:13:54,520
Keep the noise down, number 11!
327
00:13:54,560 --> 00:13:55,760
(BLEEP)!
328
00:13:55,800 --> 00:13:57,920
(LAUGHS)
329
00:13:57,960 --> 00:13:59,080
(TENSE INSTRUMENTAL MUSIC)
330
00:13:59,120 --> 00:14:00,880
Do you think it's funny, number 11?
331
00:14:03,760 --> 00:14:05,000
No, staff. Sorry, staff. Sorry.
332
00:14:08,720 --> 00:14:10,880
Do you know what,
you're all gonna (BLEEP) pay later
333
00:14:10,920 --> 00:14:12,400
if you think it's (BLEEP) funny.
334
00:14:13,400 --> 00:14:14,400
Sorry.
335
00:14:14,440 --> 00:14:15,800
You should be sorry to the others,
336
00:14:15,840 --> 00:14:17,840
because they're gonna pay
because of you, number 11!
337
00:14:19,200 --> 00:14:20,760
Stand by for when we get back now.
338
00:14:20,800 --> 00:14:23,800
(DRAMATIC MUSIC CONTINUES)
339
00:14:23,840 --> 00:14:27,240
I love to have a joke,
and I love to lighten any situation.
340
00:14:27,280 --> 00:14:28,320
Sorry.
341
00:14:28,360 --> 00:14:30,800
When I talked to my friends
about doing this course,
342
00:14:30,840 --> 00:14:34,400
all of them said, "How would you
take being yelled at?"
343
00:14:34,440 --> 00:14:37,880
(TENSE INSTRUMENTAL MUSIC)
344
00:14:37,920 --> 00:14:39,280
Yeah, that would get under my skin.
345
00:14:41,560 --> 00:14:42,760
Over to me.
346
00:14:44,640 --> 00:14:45,800
Good effort.
347
00:14:45,840 --> 00:14:49,640
Having maintained focus and pulled
off the cat crawl correctly,
348
00:14:49,680 --> 00:14:52,760
number 13, James,
has passed the task.
349
00:14:52,800 --> 00:14:55,800
(TENSE MUSIC CONTINUES)
350
00:14:59,680 --> 00:15:02,440
How does it feel, dangling there
like a spare prick?
351
00:15:02,480 --> 00:15:03,880
Not good, staff.
352
00:15:03,920 --> 00:15:05,880
No, it's no (BLEEP) good, is it?
No, staff.
353
00:15:05,920 --> 00:15:08,080
(BLEEP) went wrong there, then?
354
00:15:08,120 --> 00:15:10,280
I just lost my balance off the kick.
355
00:15:10,320 --> 00:15:12,440
Distractions.
Yes, staff.
356
00:15:12,480 --> 00:15:14,560
Distracted with the race.
Yep.
357
00:15:14,600 --> 00:15:15,680
Rather than the technique.
358
00:15:17,400 --> 00:15:19,800
At this stage of the course,
that's unacceptable, number six.
359
00:15:21,200 --> 00:15:23,920
You need to be 100% on your game
360
00:15:23,960 --> 00:15:27,480
and focus on the task at hand.
361
00:15:27,520 --> 00:15:30,200
You really needed that,
and you (BLEEP) that up.
362
00:15:31,200 --> 00:15:33,720
If you don't,
at this point of the course...
363
00:15:36,000 --> 00:15:38,280
..it's mission failure for you.
364
00:15:38,320 --> 00:15:40,240
(TENSE INSTRUMENTAL MUSIC)
365
00:15:40,280 --> 00:15:42,400
Distractions.
366
00:15:42,440 --> 00:15:43,960
(TENSE MUSIC CONTINUES)
367
00:15:44,000 --> 00:15:45,320
It wasn't about the (BLEEP) race.
368
00:15:46,360 --> 00:15:48,200
You think we (BLEEP) race
each other?
369
00:15:49,840 --> 00:15:55,080
No - to see how you dealt
with distractions,
370
00:15:55,120 --> 00:15:59,920
rather than staying focused
on the task, on the job.
371
00:16:01,440 --> 00:16:02,720
What do you think happens
372
00:16:02,760 --> 00:16:04,520
when (BLEEP) bullets and bombs
go over our heads?
373
00:16:05,800 --> 00:16:08,440
That's why it's so important
to ignore the distractions,
374
00:16:08,480 --> 00:16:12,320
to ignore the noise, especially
at this stage of the course.
375
00:16:12,360 --> 00:16:16,040
(TENSE INSTRUMENTAL MUSIC)
376
00:16:16,080 --> 00:16:19,040
What's so funny, number 11?
What do you want to share with me?
377
00:16:19,080 --> 00:16:20,280
(TENSE INSTRUMENTAL MUSIC)
378
00:16:20,320 --> 00:16:21,440
Go on.
379
00:16:21,480 --> 00:16:23,000
Well... (COUGHS)
380
00:16:23,040 --> 00:16:25,040
(TENSE MUSIC CONTINUES)
381
00:16:25,080 --> 00:16:26,760
..I laughed, and it was too loud.
382
00:16:26,800 --> 00:16:29,600
It wasn't funny, it was... mmm.
383
00:16:30,600 --> 00:16:32,360
Respect is crucial,
384
00:16:32,400 --> 00:16:35,840
not only on this course,
but in life itself.
385
00:16:36,840 --> 00:16:39,440
I told you to keep your noise down
and you (BLEEP) laughed in my face.
386
00:16:39,480 --> 00:16:41,600
(TENSE INSTRUMENTAL MUSIC)
387
00:16:41,640 --> 00:16:44,040
You arrogant prick!
388
00:16:44,080 --> 00:16:46,520
(TENSE MUSIC CONTINUES)
389
00:16:46,560 --> 00:16:48,240
(BLEEP) stand by for that,
all of you.
390
00:16:48,280 --> 00:16:50,880
(TENSE MUSIC CONTINUES)
391
00:16:50,920 --> 00:16:53,400
When people come into our world,
392
00:16:53,440 --> 00:16:56,680
when we're trying to give them
our time and our knowledge,
393
00:16:56,720 --> 00:16:58,640
and they throw it back
in our face...
394
00:16:58,680 --> 00:16:59,800
Get your Bergens on.
395
00:16:59,840 --> 00:17:02,680
..that's the biggest sign
of disrespect...
396
00:17:03,680 --> 00:17:05,960
..and I will (BLEEP) not have it
on my course.
397
00:17:06,000 --> 00:17:07,400
Follow on.
398
00:17:07,440 --> 00:17:09,240
(TENSE MUSIC CONTINUES)
399
00:17:11,079 --> 00:17:12,200
Go!
400
00:17:12,240 --> 00:17:13,280
Coming up...
401
00:17:13,319 --> 00:17:14,560
Everybody say,
"Thank you, number 11!"
402
00:17:14,599 --> 00:17:16,000
RECRUITS: Thank you, number 11.
403
00:17:16,040 --> 00:17:18,000
..a brutal beasting...
(GROANS)
404
00:17:18,040 --> 00:17:20,119
He won't stop until
they throw in their number.
405
00:17:20,160 --> 00:17:22,480
..ends in a shocking VW.
406
00:17:22,520 --> 00:17:24,040
(CRIES) Ow! Stop!
407
00:17:24,079 --> 00:17:25,359
And later...
408
00:17:25,400 --> 00:17:27,480
Obviously I had my differences
with my ex,
409
00:17:27,520 --> 00:17:29,040
and when you miss out
410
00:17:29,080 --> 00:17:31,160
on just getting to put your kid
to bed every night...
411
00:17:31,200 --> 00:17:34,640
..darkest secrets and shames
are confessed.
412
00:17:34,680 --> 00:17:36,880
(CRIES) And I just kept lying.
413
00:17:36,920 --> 00:17:39,760
So, that's something that
I carry with me every day.
414
00:17:45,760 --> 00:17:48,760
(TENSE INSTRUMENTAL MUSIC)
415
00:17:50,440 --> 00:17:53,520
NARRATOR: There's less than 24 hours
left on the final stage
416
00:17:53,560 --> 00:17:55,840
of the SAS selection course.
417
00:17:55,880 --> 00:17:57,320
Hurry up! Get your Bergens out!
418
00:17:57,360 --> 00:18:00,840
Put them against the wall!
Get on the square! Move!
419
00:18:00,880 --> 00:18:02,600
During the last task,
420
00:18:02,640 --> 00:18:05,640
number 11, Isabella,
showed disrespect
421
00:18:05,680 --> 00:18:07,840
by inappropriately laughing,
422
00:18:07,880 --> 00:18:09,880
raising the ire of the DS.
423
00:18:09,920 --> 00:18:12,200
Onto the square! Sprint! Hurry up!
424
00:18:12,240 --> 00:18:16,960
Now the recruits will be punished
as a group for her insolence.
425
00:18:17,000 --> 00:18:18,560
(TENSE MUSIC CONTINUES)
426
00:18:18,600 --> 00:18:24,520
Right, we're tired
of the (BLEEP) lack of effort
427
00:18:24,560 --> 00:18:25,880
from this course -
428
00:18:25,920 --> 00:18:29,080
and then today you, number 11,
429
00:18:29,120 --> 00:18:31,440
thinking it's a (BLEEP) joke!
430
00:18:33,840 --> 00:18:37,520
So, I tell you now, at least
one of you is going after this.
431
00:18:37,560 --> 00:18:39,000
At least one!
432
00:18:41,520 --> 00:18:43,720
Press-up position, please!
433
00:18:45,320 --> 00:18:48,040
Punishment will not come in the form
of a standard beasting.
434
00:18:48,080 --> 00:18:49,520
Go!
435
00:18:49,560 --> 00:18:52,760
They will endure a sickener.
436
00:18:52,800 --> 00:18:55,840
(BLEEP) go! (BLEEP)!
437
00:18:55,880 --> 00:18:58,560
(BLEEP) slow! Too slow! Move!
Go!
438
00:18:58,600 --> 00:18:59,800
(TENSE MUSIC CONTINUES)
439
00:18:59,840 --> 00:19:02,480
A sickener is the worst type
of beasting there is.
440
00:19:02,520 --> 00:19:04,000
Keep moving!
Go!
441
00:19:04,040 --> 00:19:05,160
Keep moving!
442
00:19:05,200 --> 00:19:08,680
We keep on going
until we start to lose people.
443
00:19:08,720 --> 00:19:12,600
RECRUITS: Six! Seven! Eight! Nine!
444
00:19:12,640 --> 00:19:13,880
And we don't stop
until that happens.
445
00:19:13,920 --> 00:19:15,320
(TENSE MUSIC CONTINUES)
446
00:19:15,360 --> 00:19:16,360
Stretch.
447
00:19:16,400 --> 00:19:18,120
(TENSE MUSIC CONTINUES)
448
00:19:18,160 --> 00:19:19,440
Straighten your back, number five!
449
00:19:20,680 --> 00:19:23,400
It's designed to eliminate the weak.
450
00:19:23,440 --> 00:19:25,280
Squat and hold!
451
00:19:25,320 --> 00:19:28,880
Arms straight, number six!
Stop (BLEEP) whinging!
452
00:19:28,920 --> 00:19:30,640
Arms, number six!
Arggh!
453
00:19:30,680 --> 00:19:32,840
Looking at those that are faltering,
those at the back of the pack.
454
00:19:32,880 --> 00:19:33,880
Stand up!
455
00:19:33,920 --> 00:19:36,200
And we won't stop
until they throw in their number.
456
00:19:36,240 --> 00:19:37,880
Go!
Out the other end!
457
00:19:37,920 --> 00:19:39,600
Let's go!
In you go!
458
00:19:39,640 --> 00:19:41,720
Catch him up! Get in there!
459
00:19:41,760 --> 00:19:42,840
Go!
460
00:19:42,880 --> 00:19:44,640
All the way around the parade square
and back!
461
00:19:44,680 --> 00:19:46,400
All the way around
the parade square!
462
00:19:47,520 --> 00:19:48,640
Away you go.
463
00:19:48,680 --> 00:19:52,000
(DRAMATIC MUSIC BUILDS)
464
00:19:52,040 --> 00:19:55,480
When you get thrashed,
your body is absolutely spent.
465
00:19:55,520 --> 00:19:57,920
You (BLEEP) twat! Get here!
Go!
466
00:19:57,960 --> 00:19:59,040
Hurry up!
467
00:19:59,080 --> 00:20:00,880
Your mind is telling you to give in.
468
00:20:01,880 --> 00:20:03,840
We're looking for people
that can push beyond that.
469
00:20:03,880 --> 00:20:06,080
You have to go
until you physically drop.
470
00:20:06,120 --> 00:20:07,680
(DRAMATIC MUSIC CONTINUES)
471
00:20:07,720 --> 00:20:09,320
Look at you (BLEEP) dawdling round!
472
00:20:09,360 --> 00:20:11,400
Drop, back, sprint! Into the water!
Back into the square!
473
00:20:11,440 --> 00:20:14,960
The brutality of the sickener
will push the recruits
474
00:20:15,000 --> 00:20:17,160
both physically and mentally.
475
00:20:17,200 --> 00:20:18,800
You are (BLEEP) pathetic!
476
00:20:18,840 --> 00:20:20,800
Absolutely (BLEEP) weak!
477
00:20:20,840 --> 00:20:22,040
Get going!
478
00:20:22,080 --> 00:20:23,160
Arggh!
479
00:20:23,200 --> 00:20:25,040
Next one on!
No use to anyone!
480
00:20:25,080 --> 00:20:26,960
SARAH: This is one of
the most brutal physical tests
481
00:20:27,000 --> 00:20:28,280
that I've done,
482
00:20:28,320 --> 00:20:31,280
and when I'm mentally,
physically done,
483
00:20:31,320 --> 00:20:34,840
that's when I tap into something
entirely different within me.
484
00:20:34,880 --> 00:20:36,320
Arggh!
485
00:20:36,360 --> 00:20:37,840
Keep going!
486
00:20:37,880 --> 00:20:39,160
Move!
Get in there!
487
00:20:39,200 --> 00:20:40,520
(BLEEP) move yourself!
488
00:20:40,560 --> 00:20:43,440
MITCH: Your body's aching.
Everything's hurting.
489
00:20:43,480 --> 00:20:45,280
You've really gotta, like,
be determined
490
00:20:45,320 --> 00:20:47,720
to push through all that pain
to get through it.
491
00:20:47,760 --> 00:20:48,800
Come on, six!
492
00:20:48,840 --> 00:20:50,360
(BLEEP) pathetic!
493
00:20:50,400 --> 00:20:53,280
When you hit breaking point,
your body can't really keep up,
494
00:20:53,320 --> 00:20:56,600
but I just don't want
to let anyone down.
495
00:20:56,640 --> 00:20:59,520
Back into the square!
Into the (BLEEP) square now!
496
00:20:59,560 --> 00:21:02,600
Drop your legs down like a seal!
Get off your knees and crawl!
497
00:21:02,640 --> 00:21:05,560
The idea is to push them to a place
they've never been before.
498
00:21:05,600 --> 00:21:10,200
They give us absolutely everything.
It's brutal (BLEEP).
499
00:21:10,240 --> 00:21:12,960
Get off your knees, number 11,
or give me your number now!
500
00:21:13,000 --> 00:21:14,440
Get off your knees!
501
00:21:14,480 --> 00:21:16,520
It's because of you
we're (BLEEP) doing this!
502
00:21:16,560 --> 00:21:18,720
ISABELLA: I will never quit.
503
00:21:18,760 --> 00:21:21,120
To ever give up is... is...
504
00:21:21,160 --> 00:21:23,200
..I can't imagine doing it.
505
00:21:23,240 --> 00:21:25,160
Tuck jumps! Away you go!
506
00:21:25,200 --> 00:21:26,480
Let's go!
Go!
507
00:21:26,520 --> 00:21:28,200
Let's go! I didn't say stop!
508
00:21:28,240 --> 00:21:30,080
We're not even close yet!
509
00:21:30,120 --> 00:21:33,120
This is gonna be
a (BLEEP) long night!
510
00:21:33,160 --> 00:21:34,520
Jump!
511
00:21:34,560 --> 00:21:37,320
To be in a physical and mental state
where I would do that,
512
00:21:37,360 --> 00:21:38,720
that would be next level.
513
00:21:38,760 --> 00:21:41,240
Everybody say,
"Thank you, number 11!"
514
00:21:41,280 --> 00:21:42,720
RECRUITS: Thank you, number 11!
515
00:21:42,760 --> 00:21:44,560
We are gonna keep on going
516
00:21:44,600 --> 00:21:49,080
until one of you has got the (BLEEP)
balls to hand in their number!
517
00:21:49,120 --> 00:21:51,520
(TENSE INSTRUMENTAL MUSIC)
518
00:21:51,560 --> 00:21:53,160
You can see those that are weak.
519
00:21:53,200 --> 00:21:54,920
You can assume who's gonna give in.
520
00:21:54,960 --> 00:21:56,080
Nine!
Come on, away you go.
521
00:21:56,120 --> 00:21:57,520
Sorry.
522
00:21:57,560 --> 00:22:00,120
Don't be sorry!
Get on your (BLEEP) feet!
523
00:22:00,160 --> 00:22:03,680
But you just have no idea where
that number is gonna come from.
524
00:22:03,720 --> 00:22:04,720
(GROANS)
525
00:22:04,760 --> 00:22:07,120
I'd like to say
we haven't got all night,
526
00:22:07,160 --> 00:22:08,600
but we actually (BLEEP) have!
527
00:22:08,640 --> 00:22:10,040
(GROANS)
528
00:22:10,080 --> 00:22:13,160
Keep going! Get on his shoulder,
you (BLEEP) big lump!
529
00:22:13,200 --> 00:22:14,760
But that's the beauty of a sickener.
530
00:22:14,800 --> 00:22:16,480
There's always that wildcard,
531
00:22:16,520 --> 00:22:18,480
there's always
that element of surprise.
532
00:22:18,520 --> 00:22:21,240
Down and up.
(GROANS)
533
00:22:21,280 --> 00:22:23,040
Who's gonna throw in the towel?
534
00:22:23,080 --> 00:22:24,160
(DRAMATIC MUSIC BUILDS)
535
00:22:24,200 --> 00:22:26,360
After a crippling two hours...
536
00:22:26,400 --> 00:22:27,400
(DRAMATIC MUSIC SWELLS)
537
00:22:27,440 --> 00:22:29,520
Get (BLEEP) moving!
(WHIMPERS)
538
00:22:29,560 --> 00:22:32,080
..each recruit
is on the brink of collapse...
539
00:22:32,120 --> 00:22:34,000
Get up! Shut up!
540
00:22:34,040 --> 00:22:36,400
You don't even look like
you're making a (BLEEP) effort!
541
00:22:36,440 --> 00:22:38,080
(DRAMATIC MUSIC CONTINUES)
542
00:22:38,120 --> 00:22:40,760
Get him up and drag him, number two!
543
00:22:40,800 --> 00:22:42,880
..but their suffering will continue
544
00:22:42,920 --> 00:22:46,120
until one of them
voluntarily withdraws.
545
00:22:46,160 --> 00:22:47,200
(DRAMATIC MUSIC BUILDS)
546
00:22:47,240 --> 00:22:49,600
MITCH: Staff, I VW.
547
00:22:49,640 --> 00:22:51,560
You VW?
Yeah.
548
00:22:51,600 --> 00:22:52,800
Why you VW?
549
00:22:52,840 --> 00:22:54,640
'Cause everyone's going through
the pain and suffering.
550
00:22:54,680 --> 00:22:56,800
You mean you can't (BLEEP) handle
it, is that what you're saying?
551
00:22:56,840 --> 00:22:58,480
Yes, staff.
OK.
552
00:22:58,520 --> 00:23:00,320
Go back to your accommodation,
sort out your kit.
553
00:23:00,360 --> 00:23:02,120
Keep going!
554
00:23:02,160 --> 00:23:03,880
Get in, number 11!
555
00:23:03,920 --> 00:23:07,520
(TENSE INSTRUMENTAL MUSIC)
556
00:23:07,560 --> 00:23:11,360
Despite number 11 Isabella's actions
causing the sickener,
557
00:23:11,400 --> 00:23:15,560
it's number six, Mitch, who
sacrifices himself for the group.
558
00:23:17,560 --> 00:23:20,560
I'm all about character, like,
what type of person you are.
559
00:23:20,600 --> 00:23:22,840
I think I'm always willing to put,
you know,
560
00:23:22,880 --> 00:23:24,880
other interests before mine.
561
00:23:24,920 --> 00:23:28,160
(TENSE MUSIC CONTINUES)
562
00:23:28,200 --> 00:23:30,040
(CRIES)
563
00:23:42,560 --> 00:23:44,240
(CRIES)
564
00:23:48,560 --> 00:23:50,560
Quitting is not really in me,
565
00:23:50,600 --> 00:23:54,400
but I don't like seeing people
go through pain.
566
00:23:58,000 --> 00:24:01,000
(TENSE MUSIC CONTINUES)
567
00:24:02,240 --> 00:24:04,400
Another one bites the dust.
568
00:24:04,440 --> 00:24:06,600
Not particularly my choice.
569
00:24:06,640 --> 00:24:09,880
If it was up to me,
(BLEEP) you all off,
570
00:24:09,920 --> 00:24:11,080
'cause you're pathetic...
571
00:24:12,080 --> 00:24:13,480
..but it's all we've got.
572
00:24:14,920 --> 00:24:17,800
Do you all want to be here?
RECRUITS: Yes, staff!
573
00:24:17,840 --> 00:24:19,880
Well, start (BLEEP) showing us.
574
00:24:19,920 --> 00:24:22,920
(TENSE MUSIC CONTINUES)
575
00:24:26,120 --> 00:24:27,600
(CRIES)
576
00:24:28,600 --> 00:24:32,200
Emotionally distraught
by his sudden exit from the course,
577
00:24:32,240 --> 00:24:34,840
number six, Mitch, calls home
578
00:24:34,880 --> 00:24:37,880
to break the news
to his mother and brother.
579
00:24:37,920 --> 00:24:39,040
Hello?
580
00:24:39,080 --> 00:24:41,080
Hey... (INAUDIBLE) ..OK?
581
00:24:41,120 --> 00:24:43,880
Yeah. So hard.
582
00:24:43,920 --> 00:24:45,400
(MITCH EXHALES)
583
00:24:45,440 --> 00:24:46,760
Ohh!
584
00:24:46,800 --> 00:24:49,080
(SOBS)
585
00:24:49,120 --> 00:24:52,120
(GENTLE INSTRUMENTAL MUSIC)
586
00:24:53,560 --> 00:24:55,760
Oh, I'm so proud of you.
You've done well, mate.
587
00:24:55,800 --> 00:24:57,440
(SOBS)
588
00:24:57,480 --> 00:24:59,480
(GENTLE MUSIC CONTINUES)
589
00:24:59,520 --> 00:25:01,000
Harder than you thought?
590
00:25:01,040 --> 00:25:04,080
(MITCH SOBS)
591
00:25:04,120 --> 00:25:06,480
So much harder.
592
00:25:06,520 --> 00:25:09,520
(GENTLE MUSIC CONTINUES)
593
00:25:09,560 --> 00:25:12,280
But... I nearly got there.
594
00:25:12,320 --> 00:25:14,040
That's all that matters.
595
00:25:16,400 --> 00:25:17,600
I missed mum a lot.
596
00:25:17,640 --> 00:25:19,440
My mum's my best friend,
597
00:25:19,480 --> 00:25:21,560
and someone that I could
tell anything to.
598
00:25:21,600 --> 00:25:25,400
We're so proud of you, bub.
So proud of you.
599
00:25:26,400 --> 00:25:27,560
Being away from her,
600
00:25:27,600 --> 00:25:31,520
you realise how much you're grateful
for what my mum has done for me.
601
00:25:31,560 --> 00:25:33,720
There was people suffering, and...
602
00:25:34,800 --> 00:25:36,120
..I knew I had more in me,
603
00:25:36,160 --> 00:25:38,080
but I just couldn't let them
suffer anymore.
604
00:25:38,120 --> 00:25:39,760
I just feel so let down!
605
00:25:39,800 --> 00:25:41,760
(GENTLE INSTRUMENTAL MUSIC)
606
00:25:41,800 --> 00:25:43,080
You haven't let anyone down.
607
00:25:43,120 --> 00:25:45,920
(GENTLE INSTRUMENTAL MUSIC)
608
00:25:45,960 --> 00:25:49,360
You did the right thing.
You're an honourable young man.
609
00:25:49,400 --> 00:25:51,200
It's honestly been the best...
610
00:25:52,560 --> 00:25:54,760
..most whack thing
I've ever done in my life.
611
00:25:54,800 --> 00:25:56,920
I get a warm shower, though.
612
00:25:56,960 --> 00:25:58,040
Yeah. (LAUGHS)
613
00:25:58,080 --> 00:25:59,120
(GENTLE INSTRUMENTAL MUSIC)
614
00:25:59,160 --> 00:26:01,400
But I've learnt a lot.
615
00:26:03,280 --> 00:26:05,720
We love you.
Love you. Love you, bro.
616
00:26:05,760 --> 00:26:06,960
See you, guys.
You've done so well.
617
00:26:07,000 --> 00:26:09,520
We're proud. See you, bub. Bye.
Bye.
618
00:26:12,560 --> 00:26:14,920
I've learnt, by pushing yourself
through limits...
619
00:26:16,080 --> 00:26:18,720
..you're a lot stronger
than what you think you are.
620
00:26:18,760 --> 00:26:21,480
(TENSE INSTRUMENTAL MUSIC)
621
00:26:21,520 --> 00:26:23,160
Next...
622
00:26:23,200 --> 00:26:25,520
LUKE: This far into it,
we should know better!
623
00:26:25,560 --> 00:26:27,880
..tension amongst the recruits...
624
00:26:27,920 --> 00:26:29,120
How do you feel about Mitch?
625
00:26:29,160 --> 00:26:30,360
(DRAMATIC MUSIC SWELLS)
626
00:26:30,400 --> 00:26:32,400
..threatens to boil over.
627
00:26:32,440 --> 00:26:35,280
It's unfair for someone to go
that shouldn't be going.
628
00:26:35,320 --> 00:26:36,920
It shouldn't have been him.
629
00:26:41,800 --> 00:26:44,400
(TENSE INSTRUMENTAL MUSIC)
630
00:26:44,440 --> 00:26:46,520
(BLEEP), I'm so (BLEEP) sick
of this.
631
00:26:47,960 --> 00:26:52,000
NARRATOR: It's the end of day six
of the SAS selection course,
632
00:26:52,040 --> 00:26:54,880
and the recruits
have returned to the dorm
633
00:26:54,920 --> 00:26:57,360
after a brutal two-hour sickener
634
00:26:57,400 --> 00:27:01,280
caused by number 11 Isabella's
disrespect.
635
00:27:01,320 --> 00:27:02,800
(TENSE INSTRUMENTAL MUSIC)
636
00:27:02,840 --> 00:27:06,320
If anyone puts us back through
that shit, put your hand up!
637
00:27:06,360 --> 00:27:07,560
(BLEEP) bullshit!
638
00:27:08,560 --> 00:27:09,920
JAMES: Mitch shouldn't have gone.
639
00:27:10,920 --> 00:27:12,000
ISABELLA: No.
640
00:27:12,040 --> 00:27:13,680
This far into it,
we should (BLEEP) know better!
641
00:27:13,720 --> 00:27:14,800
That's right.
642
00:27:14,840 --> 00:27:17,200
I've learnt my lesson.
I won't do it again.
643
00:27:17,240 --> 00:27:18,960
SARAH: I feel so bad.
(BLEEP)!
644
00:27:19,000 --> 00:27:20,600
There's always times when,
like, you know,
645
00:27:20,640 --> 00:27:22,600
if teamwork
isn't working out,
646
00:27:22,640 --> 00:27:24,680
is if you've got too many
individuals,
647
00:27:24,720 --> 00:27:26,960
but I'm more of a team player.
648
00:27:27,000 --> 00:27:28,160
(TENSE INSTRUMENTAL MUSIC)
649
00:27:28,200 --> 00:27:30,600
I definitely would have been the one
to hand my number in
650
00:27:30,640 --> 00:27:32,240
if was the one responsible.
651
00:27:32,280 --> 00:27:35,120
I feel sorry that
it had to be someone,
652
00:27:35,160 --> 00:27:37,000
but it should have been number 11.
653
00:27:37,040 --> 00:27:38,840
(TENSE INSTRUMENTAL MUSIC)
654
00:27:38,880 --> 00:27:40,520
With the recruits still furious
655
00:27:40,560 --> 00:27:44,280
at number 11 Isabella's
refusal to VW...
656
00:27:44,320 --> 00:27:47,320
(TENSE INSTRUMENTAL MUSIC)
657
00:27:47,360 --> 00:27:52,120
..chief instructor Ant checks
on an emotional number six, Mitch.
658
00:27:53,360 --> 00:27:55,200
Listen, for a young man,
659
00:27:55,240 --> 00:27:57,800
you should hold your head
extremely high,
660
00:27:57,840 --> 00:27:59,360
because you've done extremely well.
661
00:27:59,400 --> 00:28:03,200
(CRIES) I just hated
seeing everyone suffer.
662
00:28:03,240 --> 00:28:06,240
Listen, that's what we do -
we sacrifice ourselves.
663
00:28:06,280 --> 00:28:08,000
What do you think we do
when we go to war?
664
00:28:08,040 --> 00:28:09,040
(EXHALES)
665
00:28:09,080 --> 00:28:11,440
We're willing to give the ultimate
sacrifice for each other.
666
00:28:11,480 --> 00:28:14,760
That's ultimately what you've done,
so there's no shame in it.
667
00:28:14,800 --> 00:28:16,800
It's (BLEEP) the right thing to do.
668
00:28:16,840 --> 00:28:18,280
(EXHALES)
669
00:28:18,320 --> 00:28:19,880
And you should be
extremely proud of yourself,
670
00:28:19,920 --> 00:28:21,120
do you understand me, number six?
671
00:28:21,160 --> 00:28:22,840
Yes, staff. (SNIFFS)
672
00:28:22,880 --> 00:28:24,080
Well done.
673
00:28:24,120 --> 00:28:26,280
Come here. Stand up.
674
00:28:28,160 --> 00:28:31,360
Honestly, (BLEEP) good effort.
Well done.
675
00:28:32,760 --> 00:28:34,720
The beastings
are character building.
676
00:28:34,760 --> 00:28:36,360
You learn from them,
you grow from them,
677
00:28:36,400 --> 00:28:38,440
and you move forward as a team.
678
00:28:38,480 --> 00:28:42,480
You're willing to give the ultimate
sacrifice for each other.
679
00:28:43,800 --> 00:28:45,080
(CRIES) They were suffering.
680
00:28:45,120 --> 00:28:47,120
Done the right thing.
(CRIES)
681
00:28:47,160 --> 00:28:49,160
It takes courage...
682
00:28:50,880 --> 00:28:53,880
Absolutely brilliant, and I mean
that from the bottom of my heart.
683
00:28:53,920 --> 00:28:55,800
Yeah.
Proud to have you on the course.
684
00:28:55,840 --> 00:28:58,000
You're the (BLEEP) youngest one
we've probably had on the course.
685
00:28:59,000 --> 00:29:01,400
And I promise you,
you will smash through life.
686
00:29:01,440 --> 00:29:02,440
Mmm. (EXHALES)
687
00:29:02,480 --> 00:29:03,840
Fact.
Yep.
688
00:29:03,880 --> 00:29:05,320
Fact.
689
00:29:05,360 --> 00:29:07,680
SAS selection
is the toughest of challenges
690
00:29:07,720 --> 00:29:09,560
that you could ever think of.
691
00:29:09,600 --> 00:29:12,680
I've definitely become stronger,
mentally and physically.
692
00:29:12,720 --> 00:29:15,720
(STIRRING PIANO MUSIC)
693
00:29:17,040 --> 00:29:19,880
Being out here really pushes you
beyond limits that you don't know,
694
00:29:19,920 --> 00:29:22,320
and I know that, like, tomorrow,
695
00:29:22,360 --> 00:29:25,040
I'll be a way stronger person
mentally,
696
00:29:25,080 --> 00:29:27,880
and I can't wait to use that
in my future life.
697
00:29:27,920 --> 00:29:29,920
(EXHALES)
698
00:29:29,960 --> 00:29:33,520
(STIRRING MUSIC CONTINUES)
699
00:29:33,560 --> 00:29:34,760
Alright.
700
00:29:34,800 --> 00:29:37,200
Today extracts a heavy toll.
701
00:29:38,520 --> 00:29:42,600
So, this afternoon,
the task was the cat crawl in pairs.
702
00:29:42,640 --> 00:29:46,920
Number five started off arm over
arm, rather than using both.
703
00:29:46,960 --> 00:29:49,280
She blew out pretty quick,
and then she started pulling.
704
00:29:49,320 --> 00:29:53,160
So, got across the rope
and got the job done.
705
00:29:53,200 --> 00:29:55,480
Number eight - really disappointing.
706
00:29:55,520 --> 00:29:58,440
The moment he looked over,
he fell off the rope.
707
00:29:58,480 --> 00:29:59,480
(BLEEP)!
708
00:29:59,520 --> 00:30:01,040
He absolutely flapped.
709
00:30:01,080 --> 00:30:03,160
He was all over the place,
and number 11 -
710
00:30:03,200 --> 00:30:06,680
you know, she got across,
done exactly what we asked of her,
711
00:30:06,720 --> 00:30:07,720
and she got the job done.
712
00:30:07,760 --> 00:30:09,000
So, fair play to number 11...
713
00:30:10,000 --> 00:30:12,400
..but then heard number 11 laugh,
714
00:30:12,440 --> 00:30:15,120
and as I said,
"Keep the noise down,"
715
00:30:15,160 --> 00:30:16,760
she just laughed in my face.
716
00:30:16,800 --> 00:30:18,160
(BLEEP)
717
00:30:19,600 --> 00:30:21,840
Cocky.
Yeah, just cockiness.
718
00:30:21,880 --> 00:30:24,280
The fact that
she's at this stage now,
719
00:30:24,320 --> 00:30:26,560
she's sort of, like, maybe her
true colours are shining through.
720
00:30:26,600 --> 00:30:28,320
Yeah.
I don't know.
721
00:30:28,360 --> 00:30:30,160
Gutted to see number six go,
to be fair, you know?
722
00:30:30,200 --> 00:30:32,880
Yeah, I was and all,
and it was a good thrashing,
723
00:30:32,920 --> 00:30:34,720
and all the way through, it was,
724
00:30:34,760 --> 00:30:36,880
"We will keep on going
until SOMEONE,"
725
00:30:36,920 --> 00:30:39,200
directing everything at number 11,
726
00:30:39,240 --> 00:30:40,960
"someone gives in their number."
727
00:30:41,000 --> 00:30:42,480
She just was stubborn!
728
00:30:42,520 --> 00:30:44,800
BILLY: Slow slug stubborn.
Really?
729
00:30:44,840 --> 00:30:46,920
Yeah. She weren't stopping.
730
00:30:46,960 --> 00:30:48,760
There was no way she would
have ever pulled that off.
731
00:30:48,800 --> 00:30:50,280
You could just tell
by the look on her face.
732
00:30:50,320 --> 00:30:51,640
Yep.
There's no way.
733
00:30:51,680 --> 00:30:54,320
She's got nowhere to hide tomorrow.
No.
734
00:30:54,360 --> 00:30:56,160
Absolutely nowhere to hide.
735
00:30:56,200 --> 00:30:59,200
(TENSE INSTRUMENTAL MUSIC)
736
00:31:02,920 --> 00:31:05,240
As the recruits get ready for bed,
737
00:31:05,280 --> 00:31:08,840
tension in the dorm
is at an all-time high.
738
00:31:08,880 --> 00:31:12,160
(TENSE MUSIC CONTINUES)
739
00:31:16,000 --> 00:31:20,280
Should we do a quick debrief
and... open up the floor
740
00:31:20,320 --> 00:31:25,000
to maybe break down what went wrong
today and what we can do better?
741
00:31:25,040 --> 00:31:27,800
(TENSE MUSIC CONTINUES)
742
00:31:27,840 --> 00:31:29,040
(EXHALES)
743
00:31:29,080 --> 00:31:32,600
Are we talking about the beasting?
(LAUGHS)
744
00:31:32,640 --> 00:31:34,280
Yeah, that's what went wrong today.
745
00:31:34,320 --> 00:31:38,720
OK, yeah, well,
I wish it hadn't have happened...
746
00:31:40,000 --> 00:31:41,240
..and I'm sorry that it did.
747
00:31:43,480 --> 00:31:45,840
How do you feel about Mitch VW?
748
00:31:45,880 --> 00:31:47,440
Devastated.
749
00:31:48,720 --> 00:31:52,560
I don't know, I just think if I was
the cause behind that, I'd...
750
00:31:53,560 --> 00:31:55,680
..I would really own up to that
and say,
751
00:31:55,720 --> 00:31:58,080
"I should have VW, and I put
you guys through a lot of shit."
752
00:31:58,120 --> 00:31:59,120
Mmm.
753
00:31:59,160 --> 00:32:02,360
Honestly, it's just integrity.
I don't know.
754
00:32:02,400 --> 00:32:03,840
LUKE: I feel sorry for Mitch,
755
00:32:03,880 --> 00:32:07,000
because, like, it's obviously, like,
the DS were clearly indicating
756
00:32:07,040 --> 00:32:08,960
that this was going on
because of what happened.
757
00:32:09,000 --> 00:32:10,120
Mmm.
758
00:32:10,160 --> 00:32:12,600
Then it's unfair for someone to go
that shouldn't be going.
759
00:32:12,640 --> 00:32:14,320
JAMES: That's right, yeah.
760
00:32:14,360 --> 00:32:15,800
It shouldn't have been him.
ISABELLA: Mmm.
761
00:32:15,840 --> 00:32:17,720
(TENSE INSTRUMENTAL MUSIC)
762
00:32:17,760 --> 00:32:19,000
Mitch is such a good guy,
763
00:32:19,040 --> 00:32:22,360
and I just felt like he sacrificed
himself to save us all.
764
00:32:22,400 --> 00:32:23,440
Yeah.
765
00:32:23,480 --> 00:32:24,600
Yeah.
766
00:32:24,640 --> 00:32:25,680
(TENSE INSTRUMENTAL MUSIC)
767
00:32:25,720 --> 00:32:28,120
I think if someone keeps going
against their word
768
00:32:28,160 --> 00:32:31,120
or keeps doing things that
they weren't meant to be doing,
769
00:32:31,160 --> 00:32:32,880
it just becomes harder and harder
770
00:32:32,920 --> 00:32:34,880
to be able to trust them
and rely on them.
771
00:32:34,920 --> 00:32:36,400
We'll move on from it,
772
00:32:36,440 --> 00:32:39,040
and we just know that tomorrow,
whatever we go through,
773
00:32:39,080 --> 00:32:41,200
if we're struggling,
I think anyone just needs to say,
774
00:32:41,240 --> 00:32:42,640
"OK, I'm putting my hand up."
775
00:32:42,680 --> 00:32:43,720
Yep.
JAMES: That's right.
776
00:32:43,760 --> 00:32:44,960
Is that agreed from everyone?
100%!
777
00:32:45,000 --> 00:32:46,280
Yeah, yeah.
778
00:32:46,320 --> 00:32:47,800
100%, guys.
That's it.
779
00:32:47,840 --> 00:32:50,840
(DRAMATIC MUSIC BUILDS)
780
00:32:57,720 --> 00:33:00,720
(TENSE INSTRUMENTAL MUSIC)
781
00:33:03,120 --> 00:33:04,720
NARRATOR: Five civilian
recruits remain
782
00:33:04,760 --> 00:33:07,240
on the final stage of Hell Week.
783
00:33:07,280 --> 00:33:09,920
(TENSE MUSIC CONTINUES)
784
00:33:09,960 --> 00:33:11,040
ANT: Duty recruit, let's go!
785
00:33:13,520 --> 00:33:15,600
It's the last night of the course,
786
00:33:15,640 --> 00:33:19,960
and chief instructor Ant unexpectedly
calls the recruits to the mess hall.
787
00:33:20,000 --> 00:33:23,080
(TENSE INSTRUMENTAL MUSIC)
788
00:33:27,440 --> 00:33:29,760
Going into the final stage
of this course...
789
00:33:32,240 --> 00:33:34,080
..you're gonna need each other.
790
00:33:34,120 --> 00:33:36,080
(TENSE MUSIC CONTINUES)
791
00:33:36,120 --> 00:33:39,640
That trust, that bond,
is what's gonna get you through.
792
00:33:39,680 --> 00:33:41,480
(TENSE INSTRUMENTAL MUSIC)
793
00:33:41,520 --> 00:33:44,360
We all have weaknesses.
We all have insecurities.
794
00:33:44,400 --> 00:33:46,240
Things we regret.
795
00:33:47,240 --> 00:33:49,320
But when we can expose
our vulnerabilities...
796
00:33:50,360 --> 00:33:52,080
..it brings us closer.
797
00:33:53,240 --> 00:33:56,640
The honesty test
is about baring your soul.
798
00:33:56,680 --> 00:34:01,440
When you let your teammates
into your deepest, darkest secrets,
799
00:34:01,480 --> 00:34:04,480
people realise
that they're not alone.
800
00:34:04,520 --> 00:34:06,080
So, when I leave,
801
00:34:06,120 --> 00:34:09,920
you will tell each other the thing
that you're most ashamed of.
802
00:34:11,159 --> 00:34:13,199
And you need that
in the special forces,
803
00:34:13,239 --> 00:34:15,480
because it's hardship and suffering,
804
00:34:15,520 --> 00:34:20,320
but you have a solid fortified team
that works together
805
00:34:20,360 --> 00:34:22,719
and that will get the job
done together.
806
00:34:22,760 --> 00:34:23,840
(TENSE INSTRUMENTAL MUSIC)
807
00:34:23,880 --> 00:34:28,040
Um... through all my school career,
808
00:34:28,080 --> 00:34:30,679
you know, I put all my eggs
in one basket.
809
00:34:30,719 --> 00:34:32,920
It's all based around footy.
810
00:34:32,960 --> 00:34:37,080
I was rookie drafted in 2009
to the Carlton Football Club.
811
00:34:37,120 --> 00:34:42,000
It was huge - a dream come true -
but I never did get to play a game.
812
00:34:42,040 --> 00:34:45,360
I started going out on the piss
and everything,
813
00:34:45,400 --> 00:34:50,400
and then from there it was just,
for the last 13 years, just been...
814
00:34:50,440 --> 00:34:53,440
(SOMBRE INSTRUMENTAL MUSIC)
815
00:34:55,280 --> 00:34:56,880
..just lost.
816
00:34:58,200 --> 00:35:01,200
(SOMBRE INSTRUMENTAL MUSIC)
817
00:35:03,800 --> 00:35:07,280
Just no real direction, I guess.
It's been hard.
818
00:35:08,280 --> 00:35:10,720
Just that shame of, you know,
819
00:35:10,760 --> 00:35:12,920
I pissed that (BLEEP) career
up the wall,
820
00:35:12,960 --> 00:35:15,760
and I've gotta live with that now
for the rest of my life.
821
00:35:15,800 --> 00:35:17,640
Something I definitely regret -
822
00:35:17,680 --> 00:35:20,640
I failed, and I don't want
to have that feeling again.
823
00:35:20,680 --> 00:35:22,800
I guess another thing's probably...
824
00:35:24,040 --> 00:35:27,440
..obviously I had my differences
with my ex, and it is what it is...
825
00:35:29,400 --> 00:35:31,040
..but when you miss out
826
00:35:31,080 --> 00:35:33,280
on just getting to put your kid
to bed every night...
827
00:35:33,320 --> 00:35:36,520
(SOMBRE INSTRUMENTAL MUSIC)
828
00:35:38,040 --> 00:35:40,600
..it's just not been...
yeah, it's really (BLEEP).
829
00:35:40,640 --> 00:35:42,240
(CRIES)
830
00:35:42,280 --> 00:35:46,320
Love being a dad - it's awesome,
but everything happens for a reason.
831
00:35:46,360 --> 00:35:47,680
(SNIFFS) Thanks.
832
00:35:48,800 --> 00:35:50,280
I want to do a lot for him,
833
00:35:50,320 --> 00:35:52,720
and I really want to show him
that I can be something
834
00:35:52,760 --> 00:35:54,440
and I did do something with my life.
835
00:35:54,480 --> 00:35:57,440
(SOMBRE INSTRUMENTAL MUSIC)
836
00:35:57,480 --> 00:36:02,040
Um... yeah, a couple of years ago,
837
00:36:02,080 --> 00:36:05,040
I took a risk with my career
and I moved to France.
838
00:36:05,080 --> 00:36:07,760
I didn't get any work
for a whole year there.
839
00:36:07,800 --> 00:36:09,920
My savings went out the window.
840
00:36:09,960 --> 00:36:12,840
I had no friends,
I had no family there.
841
00:36:12,880 --> 00:36:14,360
Basically a bum.
842
00:36:14,400 --> 00:36:16,800
Like, I just was at the bottom
of life, really.
843
00:36:16,840 --> 00:36:19,920
My only brother, which is my twin,
he was in a jail cell...
844
00:36:20,920 --> 00:36:22,080
..and that hit me hard.
845
00:36:22,120 --> 00:36:24,360
My brother was one
of the most talented guys.
846
00:36:24,400 --> 00:36:26,280
He could have done anything,
847
00:36:26,320 --> 00:36:29,840
and now he's the president
of a bikie club, yeah.
848
00:36:29,880 --> 00:36:32,360
That can come with violence,
849
00:36:32,400 --> 00:36:34,440
and I can't get that thought
out of my head.
850
00:36:35,440 --> 00:36:38,240
What if something happens
and I'm not there to help?
851
00:36:38,280 --> 00:36:40,000
I felt like I let my family down.
852
00:36:41,240 --> 00:36:45,680
I felt selfish, like I shouldn't
follow my own dreams.
853
00:36:45,720 --> 00:36:49,880
So, that's something that
I carry with me every day, yep.
854
00:36:49,920 --> 00:36:51,480
Yeah.
855
00:36:51,520 --> 00:36:52,640
I got depressed,
856
00:36:52,680 --> 00:36:57,200
and that motivated me
to succeed through my career.
857
00:36:57,240 --> 00:37:01,320
Like, I've got a responsibility
to make my family proud.
858
00:37:01,360 --> 00:37:04,600
(SOMBRE INSTRUMENTAL MUSIC)
859
00:37:06,240 --> 00:37:07,240
(EXHALES)
860
00:37:08,240 --> 00:37:10,840
Um, I think, for me.
861
00:37:10,880 --> 00:37:14,560
I just really wanted
to follow my dreams of sport...
862
00:37:15,600 --> 00:37:21,480
..and for four years of my life,
you know, all I did was train.
863
00:37:22,480 --> 00:37:26,960
I'm ashamed of the fact that
I let all of my friends down,
864
00:37:27,000 --> 00:37:28,800
a lot of my closest friends,
865
00:37:28,840 --> 00:37:32,240
because I was so focused
on what I was trying to achieve,
866
00:37:32,280 --> 00:37:34,720
which is selfish.
867
00:37:34,760 --> 00:37:37,480
There's a lot of sacrifices
when you do sport at a high level.
868
00:37:37,520 --> 00:37:40,640
You give up so much
along the way.
869
00:37:40,680 --> 00:37:43,200
All the things that I said no to -
870
00:37:43,240 --> 00:37:47,040
weddings, birthdays, even funerals.
871
00:37:48,080 --> 00:37:51,800
I said no to all those things,
and I do regret that, actually.
872
00:37:51,840 --> 00:37:55,680
And I didn't even achieve my goal.
873
00:37:55,720 --> 00:37:57,440
So, what was the point in that?
874
00:37:57,480 --> 00:38:00,680
Like... I'm pretty much nothing -
875
00:38:00,720 --> 00:38:03,440
just, like, an athlete
that didn't quite make it.
876
00:38:03,480 --> 00:38:05,120
(SOMBRE INSTRUMENTAL MUSIC)
877
00:38:05,160 --> 00:38:06,200
Yeah.
878
00:38:06,240 --> 00:38:10,120
Whenever life's been tough,
music is the one thing I had,
879
00:38:10,160 --> 00:38:13,840
and hip-hop is an incredible genre,
880
00:38:13,880 --> 00:38:15,760
because it's where people
share their stories.
881
00:38:15,800 --> 00:38:17,200
That's why I love it.
882
00:38:18,920 --> 00:38:25,520
Yeah, I guess one of the biggest
things I'm ashamed of is, um...
883
00:38:26,520 --> 00:38:30,600
..I think pushing everybody away
when I was younger.
884
00:38:31,960 --> 00:38:33,440
I put my parents
through a lot.
885
00:38:33,480 --> 00:38:36,760
I would, you know, go to parties
and drink a lot,
886
00:38:36,800 --> 00:38:42,200
and actually woke up in a hospital
bed with my mum next to me.
887
00:38:42,240 --> 00:38:48,280
I don't think any parent should have
to see their daughter nearly dead,
888
00:38:48,320 --> 00:38:52,360
and, uh... (CRIES)
889
00:38:52,400 --> 00:38:54,960
..still carry so much guilt
890
00:38:55,000 --> 00:38:58,720
for the pain that I put
the people around me through.
891
00:38:58,760 --> 00:39:02,120
You can't undo the past,
and I've accepted that,
892
00:39:02,160 --> 00:39:04,080
but it hurts when I think about it.
893
00:39:05,480 --> 00:39:07,720
So... thanks, guys.
894
00:39:07,760 --> 00:39:10,800
(SOMBRE INSTRUMENTAL MUSIC)
895
00:39:13,960 --> 00:39:18,800
Um... what I'm most ashamed of was...
896
00:39:18,840 --> 00:39:21,840
(TENSE INSTRUMENTAL MUSIC)
897
00:39:29,120 --> 00:39:32,600
..a couple of years after school,
I was lined up to study fitness.
898
00:39:33,600 --> 00:39:35,920
I wasn't going to class
or any of that sort of stuff.
899
00:39:35,960 --> 00:39:37,440
(SOMBRE INSTRUMENTAL MUSIC)
900
00:39:37,480 --> 00:39:43,080
And I got really overweight,
with... partying, drinking.
901
00:39:43,120 --> 00:39:45,960
(SOMBRE INSTRUMENTAL MUSIC)
902
00:39:51,200 --> 00:39:52,200
(EXHALES)
903
00:39:52,240 --> 00:39:56,000
(SOMBRE INSTRUMENTAL MUSIC)
904
00:39:57,200 --> 00:39:59,840
My mum and dad live
in country western Queensland...
905
00:40:01,640 --> 00:40:06,080
..and were in drought,
and... financially, really hard.
906
00:40:06,120 --> 00:40:07,880
(CRIES)
907
00:40:07,920 --> 00:40:11,600
And they were supporting me,
paying my rent.
908
00:40:12,600 --> 00:40:15,000
Paying for my study.
909
00:40:15,040 --> 00:40:16,760
(CRIES)
910
00:40:16,800 --> 00:40:19,200
And I just kept lying.
911
00:40:19,240 --> 00:40:21,400
I said I was going to college
when I wasn't.
912
00:40:21,440 --> 00:40:23,520
(SOMBRE INSTRUMENTAL MUSIC)
913
00:40:23,560 --> 00:40:26,600
I just felt, um...
really bad...
914
00:40:27,720 --> 00:40:29,160
..about that, sorry.
915
00:40:30,640 --> 00:40:33,640
(SOMBRE INSTRUMENTAL MUSIC)
916
00:40:35,040 --> 00:40:37,360
Ever since,
I've just tried to undo it,
917
00:40:37,400 --> 00:40:40,360
and just be the best son
that I can be,
918
00:40:40,400 --> 00:40:43,480
to make things up to them.
919
00:40:43,520 --> 00:40:45,280
(SOMBRE INSTRUMENTAL MUSIC)
920
00:40:45,320 --> 00:40:46,440
Thank you.
921
00:40:48,840 --> 00:40:53,080
It's my biggest regret,
but in the end, it's all learning.
922
00:40:54,080 --> 00:40:55,840
I'm here because I want to grow,
923
00:40:55,880 --> 00:40:59,120
and to prove something to myself,
924
00:40:59,160 --> 00:41:00,920
not to anyone else.
925
00:41:01,920 --> 00:41:03,040
Ow!
926
00:41:03,080 --> 00:41:06,240
The change that I'm looking
to get out of it
927
00:41:06,280 --> 00:41:09,000
is a better understanding
of my limits.
928
00:41:09,040 --> 00:41:11,760
We're gonna have
a ripper big day tomorrow,
929
00:41:11,800 --> 00:41:13,280
but it'll be a good day.
930
00:41:14,680 --> 00:41:17,280
The belief I have in myself
will pull me through.
931
00:41:20,880 --> 00:41:22,880
ANT: Move!
Next...
932
00:41:22,920 --> 00:41:25,880
(BLEEP) taking ages in there!
Come on! (BLEEP)!
933
00:41:25,920 --> 00:41:27,600
..in a gruelling test of endurance...
934
00:41:28,640 --> 00:41:31,440
Get a (BLEEP) move on
or I want your armband now!
935
00:41:31,480 --> 00:41:33,320
..one recruit will fall.
936
00:41:33,360 --> 00:41:34,360
(DRAMATIC MUSIC SWELLS)
937
00:41:34,400 --> 00:41:35,520
Out of time!
938
00:41:40,160 --> 00:41:43,160
(TENSE INSTRUMENTAL MUSIC)
939
00:41:48,560 --> 00:41:51,200
NARRATOR: It's the final day
of SAS selection.
940
00:41:52,200 --> 00:41:54,200
Oh, (BLEEP) I'm that sore.
941
00:41:54,240 --> 00:41:57,240
(TENSE MUSIC CONTINUES)
942
00:41:57,280 --> 00:41:58,960
6:45.
943
00:41:59,000 --> 00:42:00,320
Alright, let's go. Come on!
944
00:42:00,360 --> 00:42:01,520
Alright?
Yep.
945
00:42:01,560 --> 00:42:02,920
(TENSE MUSIC CONTINUES)
946
00:42:02,960 --> 00:42:04,520
By the end of the day,
947
00:42:04,560 --> 00:42:10,360
the DS will decide who, if anyone,
will pass SAS selection,
948
00:42:10,400 --> 00:42:13,040
and with a punishing day of tasks
ahead,
949
00:42:13,080 --> 00:42:16,400
the final recruits
will need to dig deep.
950
00:42:16,440 --> 00:42:20,440
ANT: This course
isn't for the majority.
951
00:42:21,560 --> 00:42:27,120
It's for a few unique, special
people that will make it to the end.
952
00:42:27,160 --> 00:42:28,960
Last day, mate.
LUKE: I know.
953
00:42:29,000 --> 00:42:31,040
So, hopefully,
I get through.
954
00:42:31,080 --> 00:42:32,520
You will, mate.
(BLEEP).
955
00:42:32,560 --> 00:42:34,720
I'll be behind to get you there too.
956
00:42:34,760 --> 00:42:36,800
I'd love to see everyone (BLEEP)
at the end, eh?
957
00:42:36,840 --> 00:42:37,880
Same.
958
00:42:38,880 --> 00:42:42,400
I know that I've got what it takes
to make it to the end.
959
00:42:42,440 --> 00:42:44,680
I'm doing this for my family.
960
00:42:44,720 --> 00:42:47,760
We're two generations infantry,
961
00:42:47,800 --> 00:42:52,800
and my great-grandfather was given
an Order of Knighthood
962
00:42:52,840 --> 00:42:55,080
for his service in World War I,
963
00:42:55,120 --> 00:42:57,160
and I'm pretty proud of it.
964
00:42:57,200 --> 00:42:59,800
I want to be a soldier too,
if I've got what it takes.
965
00:43:00,800 --> 00:43:04,920
So, that's a big motivation for me,
and I want to make them proud.
966
00:43:04,960 --> 00:43:07,760
This morning is gonna
be (BLEEP) hard.
967
00:43:07,800 --> 00:43:09,600
(DRAMATIC MUSIC BUILDS)
968
00:43:09,640 --> 00:43:12,000
It's about going
beyond the (BLEEP) limits.
969
00:43:12,040 --> 00:43:14,240
Going to a place you've probably
never been before.
970
00:43:14,280 --> 00:43:15,400
Stop!
971
00:43:15,440 --> 00:43:17,640
This morning
you gotta go on a circuit -
972
00:43:17,680 --> 00:43:19,040
a circular circuit.
973
00:43:19,080 --> 00:43:20,200
What does that tell you?
974
00:43:21,200 --> 00:43:22,920
There's no end to a circle,
is there?
975
00:43:23,960 --> 00:43:26,280
We will (BLEEP) decide
if and when...
976
00:43:26,320 --> 00:43:27,480
(DRAMATIC MUSIC CONTINUES)
977
00:43:27,520 --> 00:43:28,520
..enough is enough.
978
00:43:29,520 --> 00:43:32,400
In today's task,
the recruits will make their way
979
00:43:32,440 --> 00:43:35,080
through a variety
of difficult obstacles
980
00:43:35,120 --> 00:43:38,640
on a course that spans
a punishing 2km loop.
981
00:43:39,640 --> 00:43:43,960
If, at any time, you wish to take
the freedom bird to Bali and relax,
982
00:43:44,000 --> 00:43:46,160
hand in your (BLEEP) armband.
983
00:43:46,200 --> 00:43:50,200
If, at any time, we think
you are not pulling your weight,
984
00:43:50,240 --> 00:43:52,760
you are not giving what we want,
985
00:43:52,800 --> 00:43:54,920
we will (BLEEP) take
that armband from you.
986
00:43:54,960 --> 00:43:56,600
Does everybody understand that?
RECRUITS: Yes, staff.
987
00:43:56,640 --> 00:43:58,080
(DRAMATIC MUSIC CONTINUES)
988
00:43:58,120 --> 00:44:02,120
There is where they leave everything
they have got on that course.
989
00:44:02,160 --> 00:44:04,560
They give us absolutely everything,
990
00:44:04,600 --> 00:44:06,760
and we will run them
until we get there.
991
00:44:07,760 --> 00:44:08,920
Go!
992
00:44:08,960 --> 00:44:11,120
(DRAMATIC MUSIC BUILDS)
993
00:44:11,160 --> 00:44:13,760
I want to know, when you're in
the (BLEEP) trenches
994
00:44:13,800 --> 00:44:16,880
and head shots are coming at you,
you're pinned down,
995
00:44:16,920 --> 00:44:19,680
can you still get back up
and carry on?
996
00:44:19,720 --> 00:44:20,720
Go.
997
00:44:20,760 --> 00:44:22,240
Let's go!
998
00:44:22,280 --> 00:44:24,040
Catch the person in front of you,
number 13!
999
00:44:24,080 --> 00:44:29,200
And if you don't like it
and it's not for you... go.
1000
00:44:29,240 --> 00:44:30,720
Come on, rock slug!
1001
00:44:30,760 --> 00:44:33,040
You've either got what it takes
or you don't.
1002
00:44:34,480 --> 00:44:37,680
This is where we see
who you really are.
1003
00:44:37,720 --> 00:44:39,280
(DRAMATIC MUSIC CONTINUES)
1004
00:44:39,320 --> 00:44:40,760
It's as simple as that.
1005
00:44:41,760 --> 00:44:43,560
Let's go. Good effort. Turn around.
1006
00:44:43,600 --> 00:44:45,880
That's it. Pull yourself.
Keep your head above the water.
1007
00:44:45,920 --> 00:44:48,440
The recruits are yet
to hit the halfway mark,
1008
00:44:48,480 --> 00:44:53,080
but number five, Sarah, has overtaken
number 11, Isabella,
1009
00:44:53,120 --> 00:44:55,920
who was first to begin the course...
1010
00:44:55,960 --> 00:44:57,960
Let's go. Good effort, number five!
Well done.
1011
00:44:58,960 --> 00:45:00,800
Sprint! Let's go.
1012
00:45:00,840 --> 00:45:04,000
..and the remaining recruits
are rapidly catching up.
1013
00:45:04,040 --> 00:45:05,200
Let's go! Let's go!
1014
00:45:05,240 --> 00:45:08,120
Come on, five!
(BLEEP) taking ages in there!
1015
00:45:08,160 --> 00:45:09,320
Do not come off the gas!
1016
00:45:09,360 --> 00:45:11,520
Come on! This is (BLEEP) weak!
1017
00:45:11,560 --> 00:45:15,560
Number 11, you started off first
and you're at the back!
1018
00:45:15,600 --> 00:45:17,040
Move!
1019
00:45:17,080 --> 00:45:20,480
There's no (BLEEP)
second place today!
1020
00:45:20,520 --> 00:45:22,720
Let's go!
Pays to be a winner!
1021
00:45:22,760 --> 00:45:25,840
Come on, all the way in!
Do not let him catch you!
1022
00:45:25,880 --> 00:45:27,160
(BLEEP) hurry up!
1023
00:45:27,200 --> 00:45:28,200
Arggh!
1024
00:45:28,240 --> 00:45:31,280
With four recruits having completed
a lap of the course,
1025
00:45:31,320 --> 00:45:35,120
number 11, Isabella, is yet to clear
the final obstacle.
1026
00:45:36,560 --> 00:45:37,560
Move!
1027
00:45:37,600 --> 00:45:40,920
FOXY: The military training course
is designed to (BLEEP) people up.
1028
00:45:40,960 --> 00:45:43,360
It's an endurance course,
1029
00:45:43,400 --> 00:45:47,760
and it is to see which person
is the weakest in the group.
1030
00:45:47,800 --> 00:45:51,040
While number 11, Isabella, struggles,
1031
00:45:51,080 --> 00:45:54,200
the remaining recruits
are punished as they wait.
1032
00:45:54,240 --> 00:45:55,720
Go on, let's go, let's go, let's go!
1033
00:45:55,760 --> 00:45:57,240
(CRIES OUT)
1034
00:45:57,280 --> 00:45:59,880
This isn't a course
that you just stick out...
1035
00:45:59,920 --> 00:46:01,480
Hurry up!
1036
00:46:01,520 --> 00:46:03,240
..and if you show
grit and determination,
1037
00:46:03,280 --> 00:46:04,760
you'll make it through.
1038
00:46:04,800 --> 00:46:06,320
Number 11, look at me.
Yes, staff?
1039
00:46:06,360 --> 00:46:07,400
Look at me.
1040
00:46:07,440 --> 00:46:10,000
They're (BLEEP) suffering
because of you.
1041
00:46:10,040 --> 00:46:11,840
I suggest you (BLEEP)
do the right thing!
1042
00:46:11,880 --> 00:46:13,880
And if it's not for you,
it's not for you.
1043
00:46:13,920 --> 00:46:16,680
Be honest with yourself.
Be honest with your teammates.
1044
00:46:16,720 --> 00:46:20,080
Do yourself a favour... and VW.
1045
00:46:20,120 --> 00:46:22,680
You can stop their suffering
right now
1046
00:46:22,720 --> 00:46:26,760
by either getting over this
or giving me your number.
1047
00:46:26,800 --> 00:46:28,280
Move!
1048
00:46:31,160 --> 00:46:32,280
Move!
1049
00:46:32,320 --> 00:46:34,000
They're suffering
because of your round!
1050
00:46:35,000 --> 00:46:36,000
Look!
1051
00:46:36,040 --> 00:46:38,640
I suggest you
do the honourable thing
1052
00:46:38,680 --> 00:46:40,480
and (BLEEP) hand your number in.
1053
00:46:40,520 --> 00:46:41,720
Away you go.
1054
00:46:41,760 --> 00:46:44,480
See, they're (BLEEP) going again
because of you -
1055
00:46:44,520 --> 00:46:46,040
because of you!
1056
00:46:46,080 --> 00:46:48,680
Two laps. You're (BLEEP)
putting them through as well.
1057
00:46:48,720 --> 00:46:49,920
Away you go. Away you go.
1058
00:46:49,960 --> 00:46:51,240
Away you go!
1059
00:46:51,280 --> 00:46:54,160
Either (BLEEP) move
or undo your armband now!
1060
00:46:54,200 --> 00:46:56,080
Move!
Number 11, move!
1061
00:46:57,880 --> 00:47:01,200
Number 11, if you don't make it in
time again, they're gonna go again.
1062
00:47:01,240 --> 00:47:02,280
(DRAMATIC MUSIC CONTINUES)
1063
00:47:02,320 --> 00:47:05,040
Isabella stubbornly refuses to VW,
1064
00:47:05,080 --> 00:47:07,720
and she continues
to fall further behind.
1065
00:47:07,760 --> 00:47:09,960
(DRAMATIC MUSIC CONTINUES)
1066
00:47:10,000 --> 00:47:12,600
Number 11,
stop being (BLEEP) selfish
1067
00:47:12,640 --> 00:47:15,120
and letting
your (BLEEP) teammates suffer!
1068
00:47:15,160 --> 00:47:16,880
(DRAMATIC MUSIC BUILDS)
1069
00:47:16,920 --> 00:47:18,520
ISABELLA: I'm a team player.
1070
00:47:18,560 --> 00:47:21,640
I love seeing teams achieve goals.
1071
00:47:21,680 --> 00:47:24,640
When you achieve something
individually,
1072
00:47:24,680 --> 00:47:28,920
it's great, because you know
that it was all on you,
1073
00:47:28,960 --> 00:47:31,280
but when you achieve something
in a team,
1074
00:47:31,320 --> 00:47:34,360
you share the joy
with those other people.
1075
00:47:34,400 --> 00:47:35,880
You lift each other up,
1076
00:47:35,920 --> 00:47:39,720
and you kind of balance out each
other's strengths and weaknesses,
1077
00:47:39,760 --> 00:47:41,760
and I love that.
1078
00:47:43,080 --> 00:47:44,160
(PUFFS) I know.
1079
00:47:44,200 --> 00:47:47,400
No, you're out of time!
You're out of time!
1080
00:47:47,440 --> 00:47:48,680
Listen to me, number 11!
1081
00:47:48,720 --> 00:47:51,200
Get here! Get here! Get here now!
1082
00:47:52,480 --> 00:47:55,120
Listen to me - you are out of time,
1083
00:47:55,160 --> 00:47:58,960
and they're gonna keep going
around and around and around!
1084
00:47:59,000 --> 00:48:00,840
You are out of time!
1085
00:48:00,880 --> 00:48:01,880
(DRAMATIC MUSIC SWELLS)
1086
00:48:01,920 --> 00:48:03,400
They have made it! You haven't!
1087
00:48:04,400 --> 00:48:06,040
Think about what you're doing!
1088
00:48:06,080 --> 00:48:08,640
Think about the unnecessary
suffering that they're gonna have,
1089
00:48:08,680 --> 00:48:10,080
and that you're having!
1090
00:48:10,120 --> 00:48:11,760
(DRAMATIC MUSIC CONTINUES)
1091
00:48:11,800 --> 00:48:15,840
If I were to VW,
that would break me.
1092
00:48:15,880 --> 00:48:17,600
I can't imagine quitting.
1093
00:48:17,640 --> 00:48:20,200
Think about it whilst you're (BLEEP)
getting through this obstacle,
1094
00:48:20,240 --> 00:48:22,040
and make a decision
at the end of it!
1095
00:48:24,480 --> 00:48:26,280
Teamwork is absolutely crucial.
1096
00:48:27,760 --> 00:48:29,800
Can you rely on your teammates?
1097
00:48:30,840 --> 00:48:33,520
Who's the weak link?
Who's the burden?
1098
00:48:33,560 --> 00:48:36,800
Because you don't want people in
your team that you have to babysit -
1099
00:48:36,840 --> 00:48:38,840
that are purely an individual.
1100
00:48:40,720 --> 00:48:43,880
That's when integrity
comes into play,
1101
00:48:43,920 --> 00:48:45,640
and that's when we (BLEEP) you off.
1102
00:48:45,680 --> 00:48:46,760
You got it!
1103
00:48:46,800 --> 00:48:50,440
The four punished recruits
continuously run the course,
1104
00:48:50,480 --> 00:48:53,480
and number 11 Isabella's
failure to catch up
1105
00:48:53,520 --> 00:48:55,920
is prolonging their suffering.
1106
00:48:55,960 --> 00:48:57,720
(DRAMATIC MUSIC BUILDS)
1107
00:48:57,760 --> 00:48:59,240
You're out of time.
1108
00:48:59,280 --> 00:49:02,240
(DRAMATIC MUSIC BUILDS)
1109
00:49:02,280 --> 00:49:03,320
It's done.
1110
00:49:04,320 --> 00:49:06,480
Give me your (BLEEP) number now.
1111
00:49:06,520 --> 00:49:08,000
(PUFFS)
1112
00:49:08,040 --> 00:49:11,520
Let's go! Look how far behind
you are, number 11.
1113
00:49:11,560 --> 00:49:13,360
Look how far behind...
(INDISTINCT)
1114
00:49:13,400 --> 00:49:14,960
No, you can't go...
no, it's not about you!
1115
00:49:15,000 --> 00:49:16,000
I know...
1116
00:49:16,040 --> 00:49:18,080
This is what you can't (BLEEP)
understand in your head!
1117
00:49:18,120 --> 00:49:19,120
It's about...
1118
00:49:19,160 --> 00:49:20,600
They're gonna keep (BLEEP) suffering
1119
00:49:20,640 --> 00:49:22,440
because you're not making it
in time - they are!
1120
00:49:22,480 --> 00:49:26,280
What does that tell you? Maybe
it's the end of the road for you!
1121
00:49:26,320 --> 00:49:28,160
Start thinking in your head!
1122
00:49:29,160 --> 00:49:31,080
I just know I can contribute
in other ways.
1123
00:49:31,120 --> 00:49:34,280
No, you cannot contribute
in other ways! Enough is enough.
1124
00:49:34,320 --> 00:49:35,800
(SIGHS)
1125
00:49:36,800 --> 00:49:38,800
Give me your number!
Think about it.
1126
00:49:38,840 --> 00:49:41,240
Think about this decision.
Get your head up!
1127
00:49:41,280 --> 00:49:43,000
Think about it.
1128
00:49:43,040 --> 00:49:44,760
That's why we set you up
(BLEEP) first...
1129
00:49:44,800 --> 00:49:45,800
Yeah.
1130
00:49:45,840 --> 00:49:49,000
..'cause I was hoping that you would
(BLEEP) come in in the middle.
1131
00:49:50,960 --> 00:49:53,640
You're done.
Yeah. Thanks so much.
1132
00:49:53,680 --> 00:49:55,080
Good effort.
You're a legend.
1133
00:49:55,120 --> 00:49:58,800
That was easily, like,
the best experience of my life.
1134
00:49:58,840 --> 00:50:00,000
Strong effort!
1135
00:50:00,040 --> 00:50:03,000
I can't believe
some of the things I did.
1136
00:50:04,240 --> 00:50:08,880
The biggest thing I learnt would be
to keep my mind on all the time,
1137
00:50:08,920 --> 00:50:12,880
and I think I'm more confident
because I know what I'm capable of.
1138
00:50:14,280 --> 00:50:16,880
I gave 110% the whole time,
and I'm wrecked.
1139
00:50:16,920 --> 00:50:18,600
Like, right now,
I feel like I'm gonna die,
1140
00:50:18,640 --> 00:50:20,120
but that's OK - I'll die happy.
1141
00:50:20,160 --> 00:50:23,120
(GENTLE INSTRUMENTAL MUSIC)
1142
00:50:23,160 --> 00:50:24,840
Next...
1143
00:50:24,880 --> 00:50:27,800
Everything that you've been taught
up to now will be tested.
1144
00:50:27,840 --> 00:50:30,200
..the recruits prepare...
Go!
1145
00:50:30,240 --> 00:50:31,760
..for their final mission.
1146
00:50:31,800 --> 00:50:33,360
You need to (BLEEP) start moving.
1147
00:50:38,320 --> 00:50:41,320
(TENSE INSTRUMENTAL MUSIC)
1148
00:50:43,320 --> 00:50:45,720
NARRATOR: It's the last day
of SAS selection,
1149
00:50:45,760 --> 00:50:49,880
and with number 11, Isabella,
culled from the course by the DS,
1150
00:50:49,920 --> 00:50:53,600
the remaining four recruits
have returned to base
1151
00:50:53,640 --> 00:50:56,960
to recuperate
before their final task.
1152
00:50:57,000 --> 00:50:59,560
(TENSE INSTRUMENTAL MUSIC)
1153
00:50:59,600 --> 00:51:02,560
We don't have any more Panadol
and that, do we?
1154
00:51:02,600 --> 00:51:03,840
No.
1155
00:51:03,880 --> 00:51:05,920
Is that all gone?
I think it might be.
1156
00:51:05,960 --> 00:51:07,200
SARAH: Oh, that hurts!
1157
00:51:07,240 --> 00:51:08,640
(TENSE INSTRUMENTAL MUSIC)
1158
00:51:08,680 --> 00:51:12,080
Being a dancer, I think it'd just
be an incredible life achievement
1159
00:51:12,120 --> 00:51:14,480
to pass something
like SAS selection.
1160
00:51:15,880 --> 00:51:17,680
I know this last day
is gonna be tough,
1161
00:51:17,720 --> 00:51:19,880
but you know, I've taken hits
throughout my life,
1162
00:51:19,920 --> 00:51:21,120
throughout my career.
1163
00:51:21,160 --> 00:51:24,120
I've had to pick myself
off the floor so many times
1164
00:51:24,160 --> 00:51:26,560
and find the motivation
when I didn't think I had it,
1165
00:51:26,600 --> 00:51:28,720
and I'm hoping that can get me
to the end of the course.
1166
00:51:29,720 --> 00:51:32,160
I hope it's something long
and adventurous.
1167
00:51:32,200 --> 00:51:33,600
LUKE: Yeah.
1168
00:51:33,640 --> 00:51:36,880
Like, get to a rendezvous point or
something. That'd be pretty cool.
1169
00:51:36,920 --> 00:51:39,800
I think it's just gonna be something
you gotta dig deep through.
1170
00:51:39,840 --> 00:51:43,920
Like, just trekking
is what's (BLEEP) hard.
1171
00:51:43,960 --> 00:51:46,000
Yeah. Oh, (BLEEP), yeah.
1172
00:51:47,360 --> 00:51:49,240
JAMES: How's everyone - alright?
Yeah, mate.
1173
00:51:49,280 --> 00:51:51,360
Water bottles sorted?
1174
00:51:53,120 --> 00:51:55,000
Yeah, everything looks good, eh?
1175
00:51:56,680 --> 00:51:58,440
(PUFFS) Yeah, mate.
1176
00:51:59,600 --> 00:52:01,000
Alright. Goodbye, accommodation, eh?
1177
00:52:01,040 --> 00:52:02,960
Au revoir.
Au revoir!
1178
00:52:05,280 --> 00:52:07,440
Leaving the dorm for the last time...
1179
00:52:07,480 --> 00:52:09,080
MAN: Come on, move it!
1180
00:52:09,120 --> 00:52:11,720
Number eight, James,
number two, Luke,
1181
00:52:11,760 --> 00:52:14,760
number five, Sarah,
and number 13, James,
1182
00:52:14,800 --> 00:52:18,360
have so far survived
the brutality of Hell Week,
1183
00:52:18,400 --> 00:52:21,680
and are on their way
to the end stage of the course.
1184
00:52:21,720 --> 00:52:23,680
(TENSE INSTRUMENTAL MUSIC)
1185
00:52:23,720 --> 00:52:27,920
You are just about to depart
on the final mission.
1186
00:52:28,920 --> 00:52:31,800
Everything that you've been taught
up to now will be tested.
1187
00:52:31,840 --> 00:52:36,400
You cannot afford to fall short
at any stage.
1188
00:52:36,440 --> 00:52:39,360
That will be you off the course.
1189
00:52:41,080 --> 00:52:45,200
And hopefully, you will get
to the end of the course.
1190
00:52:46,680 --> 00:52:49,680
That does not mean
that you pass the course.
1191
00:52:49,720 --> 00:52:52,200
(TENSE MUSIC CONTINUES)
1192
00:52:52,240 --> 00:52:55,200
Do not get me wrong, getting to
the end is a huge accomplishment...
1193
00:52:56,800 --> 00:52:58,600
..but it's that pass that you want.
1194
00:52:59,920 --> 00:53:01,440
Close up together.
1195
00:53:01,480 --> 00:53:03,600
(TENSE MUSIC CONTINUES)
1196
00:53:03,640 --> 00:53:04,960
The final mission.
1197
00:53:05,000 --> 00:53:06,960
This is it. It's do or die.
1198
00:53:08,040 --> 00:53:11,240
This is, really,
where it's over to them.
1199
00:53:11,280 --> 00:53:13,040
We've done our job.
1200
00:53:13,080 --> 00:53:14,840
We've done everything that we can
1201
00:53:14,880 --> 00:53:16,880
to get them to this stage
of the course.
1202
00:53:18,880 --> 00:53:21,160
They've proven that
they deserve to be there.
1203
00:53:22,360 --> 00:53:28,120
Now we hand a full mission
over to them to complete.
1204
00:53:33,520 --> 00:53:36,920
(MOMENTOUS MUSIC BUILDS)
1205
00:53:52,800 --> 00:53:54,880
Right, we've now been
forward-mounted
1206
00:53:54,920 --> 00:53:56,520
to a secure location.
1207
00:53:56,560 --> 00:53:58,040
You're gonna go in pairs.
1208
00:53:58,080 --> 00:54:00,600
You will complete
this mission together.
1209
00:54:00,640 --> 00:54:03,960
You do what it takes
to get the mission done.
1210
00:54:04,960 --> 00:54:06,600
(TENSE INSTRUMENTAL MUSIC)
1211
00:54:06,640 --> 00:54:10,200
Their first task will be to jump from
a helicopter into enemy territory.
1212
00:54:11,800 --> 00:54:14,800
Then, navigating their way
with a map,
1213
00:54:14,840 --> 00:54:18,040
they'll need to find a cache
of crucial equipment...
1214
00:54:19,720 --> 00:54:23,040
..ending with a difficult
hostage rescue scenario
1215
00:54:23,080 --> 00:54:25,360
amidst crippling tear gas.
1216
00:54:26,360 --> 00:54:28,560
Not completing each element
of the mission
1217
00:54:28,600 --> 00:54:31,000
will result in task failure.
1218
00:54:31,040 --> 00:54:32,640
We're looking to see
if they've learnt
1219
00:54:32,680 --> 00:54:34,480
everything we've taught them
on the course.
1220
00:54:35,640 --> 00:54:36,800
Everything.
1221
00:54:38,000 --> 00:54:40,160
To see if they've retained
that information -
1222
00:54:40,200 --> 00:54:43,160
if they've managed to adapt
that military mindset.
1223
00:54:44,200 --> 00:54:45,600
That's what we're looking for.
1224
00:54:46,760 --> 00:54:48,720
The first team to start the mission
1225
00:54:48,760 --> 00:54:51,440
are number five, Sarah,
and number eight, James.
1226
00:54:52,680 --> 00:54:57,280
This is where the thinking soldier
comes into play.
1227
00:54:57,320 --> 00:55:01,280
When it counts, can you deliver?
1228
00:55:01,320 --> 00:55:06,240
Can you do the basics to the highest
standards consistently,
1229
00:55:06,280 --> 00:55:10,360
even though you are physically
and psychologically drained?
1230
00:55:12,480 --> 00:55:13,880
Get down in front!
1231
00:55:15,600 --> 00:55:17,880
(DRAMATIC MUSIC BUILDS)
1232
00:55:17,920 --> 00:55:19,040
Go! Go!
1233
00:55:19,080 --> 00:55:22,080
(DRAMATIC MUSIC SWELLS)
1234
00:55:24,760 --> 00:55:29,560
SARAH: My motivation for doing this
is to prove to myself
1235
00:55:29,600 --> 00:55:32,360
that I can be the person
that I really want to be.
1236
00:55:33,440 --> 00:55:34,920
I have messed up
in the past,
1237
00:55:34,960 --> 00:55:38,000
and I've lost touch
of who I was,
1238
00:55:38,040 --> 00:55:43,320
but this experience has been
absolutely life-changing for me.
1239
00:55:43,360 --> 00:55:45,000
There were moments
where I wanted to give up.
1240
00:55:45,040 --> 00:55:48,040
I just had no idea
what I was truly capable of.
1241
00:55:49,040 --> 00:55:51,160
I know that
I'm really gonna be able to...
1242
00:55:52,520 --> 00:55:54,200
..just accomplish so much more,
1243
00:55:54,240 --> 00:55:57,640
and I feel unstoppable.
1244
00:55:58,640 --> 00:55:59,640
Right, what we're gonna do,
1245
00:55:59,680 --> 00:56:01,400
we're gonna move off
from this location in a minute.
1246
00:56:01,440 --> 00:56:02,920
I'm gonna show you where
on the sketch map.
1247
00:56:02,960 --> 00:56:04,160
I'm then gonna give you
that sketch map.
1248
00:56:04,200 --> 00:56:05,440
Make sure it stays reasonably dry
1249
00:56:05,480 --> 00:56:07,120
so you can understand what it says
in the ground.
1250
00:56:07,160 --> 00:56:08,200
(DRAMATIC MUSIC BUILDS)
1251
00:56:08,240 --> 00:56:09,520
Along with their map,
1252
00:56:09,560 --> 00:56:13,600
the recruits are required to memorise
a code to their cache
1253
00:56:13,640 --> 00:56:16,160
in order to complete
this element of the mission.
1254
00:56:17,240 --> 00:56:19,400
The final mission is basically
an amalgamation
1255
00:56:19,440 --> 00:56:20,840
of everything we've taught them.
1256
00:56:20,880 --> 00:56:24,960
So, we'll be expecting to see them
pull on all their reserves
1257
00:56:25,000 --> 00:56:28,360
and put into practice everything
that they've been taught.
1258
00:56:28,400 --> 00:56:32,440
It's gonna be physical, mental,
uncomfortable.
1259
00:56:32,480 --> 00:56:34,080
It's gonna be tough work.
1260
00:56:36,680 --> 00:56:40,560
Next to tackle the mission
are recruits number 13, James,
1261
00:56:40,600 --> 00:56:42,200
and number two, Luke.
1262
00:56:42,240 --> 00:56:44,480
(DRAMATIC MUSIC BUILDS)
1263
00:56:44,520 --> 00:56:47,720
LUKE: Being part of the SAS course
has definitely changed my life.
1264
00:56:47,760 --> 00:56:51,240
I wanted to know how far
I could be pushed.
1265
00:56:51,280 --> 00:56:53,280
(DRAMATIC MUSIC CONTINUES)
1266
00:56:53,320 --> 00:56:58,080
It's given me the confidence
to attack all challenges head on
1267
00:56:58,120 --> 00:57:00,360
to prove myself
that I am good enough.
1268
00:57:00,400 --> 00:57:02,240
You know, moving forward now,
1269
00:57:02,280 --> 00:57:05,120
I can really use
the positive mindset
1270
00:57:05,160 --> 00:57:08,240
to get myself through
any difficult challenges in life.
1271
00:57:09,240 --> 00:57:12,840
To be able to get through this
course and to prove that, you know,
1272
00:57:12,880 --> 00:57:14,720
that I do have what it takes
1273
00:57:14,760 --> 00:57:17,040
would be, probably, the biggest
achievement of my life.
1274
00:57:19,160 --> 00:57:21,520
Next...
Go!
1275
00:57:21,560 --> 00:57:23,240
..who will fall...
1276
00:57:23,280 --> 00:57:25,640
You two, come here, come here!
Recompose yourselves!
1277
00:57:25,680 --> 00:57:27,080
(COUGHS)
1278
00:57:27,120 --> 00:57:28,120
..at the final test?
1279
00:57:28,160 --> 00:57:29,760
Stand up!
(GROANS)
1280
00:57:29,800 --> 00:57:32,160
It's almost like being suffocated
in a split second.
1281
00:57:32,200 --> 00:57:33,680
(GROANS) I can't open my eyes!
1282
00:57:38,960 --> 00:57:41,800
NARRATOR: It's the final mission
of SAS selection,
1283
00:57:41,840 --> 00:57:45,440
and everything is on the line
for the four remaining recruits.
1284
00:57:46,840 --> 00:57:49,080
Each decision could be the difference
1285
00:57:49,120 --> 00:57:51,440
between passing and failing
the course,
1286
00:57:51,480 --> 00:57:54,360
and affecting their chances
of selection.
1287
00:57:55,600 --> 00:57:58,280
Special forces teams
have been on the ground all week
1288
00:57:58,320 --> 00:58:00,560
gathering information
on a likely enemy target.
1289
00:58:00,600 --> 00:58:04,240
To that end, they have left
vital intelligence at cache
1290
00:58:04,280 --> 00:58:06,920
that you must retrieve.
1291
00:58:06,960 --> 00:58:09,920
Certain numbers relate
to something at that cache,
1292
00:58:09,960 --> 00:58:11,600
and that's 6-2-8-3-9.
1293
00:58:11,640 --> 00:58:13,120
Yep.
Understand?
1294
00:58:13,160 --> 00:58:14,440
What is that number I gave you?
1295
00:58:14,480 --> 00:58:16,800
6-2-3-8-9.
6-2-8-3-9.
1296
00:58:16,840 --> 00:58:19,080
Correct. Incorrect.
1297
00:58:19,120 --> 00:58:20,240
(TENSE INSTRUMENTAL MUSIC)
1298
00:58:20,280 --> 00:58:22,920
Alright, let's go. (BLEEP) move.
1299
00:58:22,960 --> 00:58:24,440
Move, move, move as fast as you can.
1300
00:58:24,480 --> 00:58:26,720
(TENSE MUSIC CONTINUES)
1301
00:58:26,760 --> 00:58:28,000
At this stage of the course,
1302
00:58:28,040 --> 00:58:30,520
we're looking for someone
that can complete the mission
1303
00:58:30,560 --> 00:58:32,360
to the best of their abilities.
1304
00:58:32,400 --> 00:58:33,960
That looks like the track.
1305
00:58:34,000 --> 00:58:36,200
Did they complete the task?
1306
00:58:36,240 --> 00:58:38,200
Did they do everything
they were asked to do,
1307
00:58:38,240 --> 00:58:41,720
and did they push beyond
their limitations?
1308
00:58:42,880 --> 00:58:44,160
Because at the end of this,
1309
00:58:44,200 --> 00:58:46,600
we're gonna have to decide
who goes forward.
1310
00:58:46,640 --> 00:58:48,600
OK, 'X' marks the spot over here.
1311
00:58:48,640 --> 00:58:50,680
What side of the track is it on?
1312
00:58:50,720 --> 00:58:52,160
It's on this side, staff.
1313
00:58:52,200 --> 00:58:54,200
Well, start to look
around the area, then.
1314
00:58:54,240 --> 00:58:57,440
Recruits number eight, James,
and number five, Sarah,
1315
00:58:57,480 --> 00:59:00,400
have reached the T-junction
where the cache is hidden.
1316
00:59:00,440 --> 00:59:01,480
(WHISPERING)
1317
00:59:01,520 --> 00:59:02,800
And then you take the combination.
1318
00:59:02,840 --> 00:59:05,040
SARAH: OK.
6-2-8-3-9.
1319
00:59:07,160 --> 00:59:08,240
Well done.
1320
00:59:09,400 --> 00:59:10,600
Right, what's in there?
1321
00:59:10,640 --> 00:59:11,920
Bolt cutters.
Bolt cutters.
1322
00:59:11,960 --> 00:59:13,600
Right, take them out.
Hang on to it, yeah.
1323
00:59:13,640 --> 00:59:16,120
Making quick work of the lock,
1324
00:59:16,160 --> 00:59:19,240
the two recruits have retrieved
the cache's contents
1325
00:59:19,280 --> 00:59:22,480
and must move fast
to their last task.
1326
00:59:22,520 --> 00:59:24,880
(TENSE MUSIC CONTINUES)
1327
00:59:24,920 --> 00:59:27,920
If I pass the selection
for SAS,
1328
00:59:27,960 --> 00:59:31,280
knowing how severe it is,
1329
00:59:31,320 --> 00:59:34,560
it would be one of the single
most greatest accomplishments
1330
00:59:34,600 --> 00:59:36,520
of my life so far.
1331
00:59:36,560 --> 00:59:38,480
Once we get past the tree,
we'll get a new bearing.
1332
00:59:38,520 --> 00:59:41,280
This course has
positively changed me
1333
00:59:41,320 --> 00:59:44,080
in a way that's almost
indescribable.
1334
00:59:45,080 --> 00:59:47,960
Self-belief, confidence.
1335
00:59:48,000 --> 00:59:50,760
Mindset is number one
with everything,
1336
00:59:50,800 --> 00:59:53,960
and being able to make it this far
1337
00:59:54,000 --> 00:59:58,560
is something that I could
not be prouder of myself.
1338
01:00:00,760 --> 01:00:01,920
Arggh!
1339
01:00:01,960 --> 01:00:03,640
Let's get in there. Come on.
1340
01:00:03,680 --> 01:00:06,280
Arriving at the location
of the cache,
1341
01:00:06,320 --> 01:00:10,160
number two, Luke,
and number 13, James,
1342
01:00:10,200 --> 01:00:13,200
get to work on retrieving
their vital piece of equipment.
1343
01:00:14,280 --> 01:00:15,760
What was it? (PUFFS)
1344
01:00:15,800 --> 01:00:17,240
6-2-8-3-9.
1345
01:00:17,280 --> 01:00:18,440
Six... (PUFFS)
1346
01:00:18,480 --> 01:00:20,080
Yep, put it down. That's it.
1347
01:00:20,120 --> 01:00:22,240
(STRAINS) What the (BLEEP)?
1348
01:00:22,280 --> 01:00:23,320
Hurry up.
1349
01:00:24,520 --> 01:00:25,640
Two, yeah?
(LOCK CLUNKS)
1350
01:00:25,680 --> 01:00:27,720
Ahh, (BLEEP)!
1351
01:00:27,760 --> 01:00:29,480
(TENSE INSTRUMENTAL MUSIC)
Come on!
1352
01:00:30,800 --> 01:00:32,480
You need to (BLEEP) start moving.
1353
01:00:32,520 --> 01:00:33,560
What was it?
1354
01:00:33,600 --> 01:00:35,560
6-2-8.
Eight.
1355
01:00:35,600 --> 01:00:36,880
Three.
Three.
1356
01:00:36,920 --> 01:00:38,160
Nine.
Nine.
1357
01:00:38,200 --> 01:00:40,080
Good effort, number 13.
1358
01:00:40,120 --> 01:00:42,800
With both teams
now having secured the cache...
1359
01:00:42,840 --> 01:00:43,880
Right, put that down.
1360
01:00:43,920 --> 01:00:46,720
..they move on to the crucial
final stage of the mission -
1361
01:00:46,760 --> 01:00:48,720
the hostage rescue.
1362
01:00:48,760 --> 01:00:50,320
(TENSE INSTRUMENTAL MUSIC)
1363
01:00:50,360 --> 01:00:55,360
Intel suggests that there's a cabin
this direction here...
1364
01:00:56,480 --> 01:00:57,800
..in a little outcrop of wood.
1365
01:00:57,840 --> 01:01:00,360
The hostage is in there.
1366
01:01:00,400 --> 01:01:01,680
Is that understood?
BOTH: Yes, staff.
1367
01:01:01,720 --> 01:01:04,400
What have you got?
Bolt cutters, staff.
1368
01:01:04,440 --> 01:01:06,920
Exactly. So, grab that.
OK.
1369
01:01:06,960 --> 01:01:09,840
Move with stealth, move with guile,
and get them home.
1370
01:01:09,880 --> 01:01:10,880
Let's go!
1371
01:01:10,920 --> 01:01:12,360
Go ahead of me.
1372
01:01:12,400 --> 01:01:13,880
(TENSE INSTRUMENTAL MUSIC)
1373
01:01:13,920 --> 01:01:17,080
Hostage rescue is probably
one of the hardest things
1374
01:01:17,120 --> 01:01:18,680
that a military person
can be asked to do.
1375
01:01:18,720 --> 01:01:20,360
(DRAMATIC MUSIC BUILDS)
1376
01:01:20,400 --> 01:01:23,720
It's about saving someone's life
with everything against you.
1377
01:01:23,760 --> 01:01:25,120
I see it, I see it. Over here!
1378
01:01:25,160 --> 01:01:26,200
SARAH: Where?
Cabin - up here.
1379
01:01:26,240 --> 01:01:27,680
Stay low, stay quiet.
1380
01:01:27,720 --> 01:01:30,360
The enemy's against you,
time is against you.
1381
01:01:30,400 --> 01:01:32,080
The surroundings are against you.
1382
01:01:32,120 --> 01:01:33,120
(TENSE INSTRUMENTAL MUSIC)
1383
01:01:33,160 --> 01:01:34,760
Unknown to the recruits
1384
01:01:34,800 --> 01:01:38,320
is that the cabin is filled
with toxic tear gas.
1385
01:01:38,360 --> 01:01:40,920
FOXY: Let's go, let's go!
BILLY: Let's go!
1386
01:01:40,960 --> 01:01:42,200
Get in here!
1387
01:01:42,240 --> 01:01:44,520
Hostage is there! Get over here!
1388
01:01:44,560 --> 01:01:47,320
Forget the CS gas! Sort it out!
Where's your cutters?!
1389
01:01:47,360 --> 01:01:49,720
Get in there - you got the
bolt cutters. Compose yourself.
1390
01:01:49,760 --> 01:01:51,040
Hey! Where you going?!
1391
01:01:51,080 --> 01:01:52,360
Breath and go, breath and go.
1392
01:01:52,400 --> 01:01:53,440
(COUGHS)
Get in here!
1393
01:01:53,480 --> 01:01:55,720
Come out. Come out.
Compose yourself.
1394
01:01:55,760 --> 01:01:57,480
(COUGHS)
1395
01:01:57,520 --> 01:01:59,360
Stand up. Stand up.
(SARAH COUGHS)
1396
01:01:59,400 --> 01:02:00,800
Stand up!
FOXY: Don't touch your face.
1397
01:02:00,840 --> 01:02:03,160
Don't touch your face. Stand up.
(GASPS)
1398
01:02:03,200 --> 01:02:05,880
The CS gas takes away
your breathing, your vision.
1399
01:02:05,920 --> 01:02:07,880
It is petrifying.
1400
01:02:07,920 --> 01:02:10,720
It's almost like being suffocated
in a split second.
1401
01:02:10,760 --> 01:02:12,160
Do not touch your faces.
1402
01:02:12,200 --> 01:02:15,120
Your body will purge
anything that's alien in it.
1403
01:02:15,160 --> 01:02:16,720
(RECRUITS GASP)
1404
01:02:16,760 --> 01:02:19,600
You can't focus, you can't see.
You can't breathe.
1405
01:02:19,640 --> 01:02:21,960
(GROANS)
(GROANS) I can't open my eyes!
1406
01:02:22,000 --> 01:02:23,000
(GROANS)
1407
01:02:23,040 --> 01:02:24,240
Hold yourselves.
1408
01:02:24,280 --> 01:02:26,360
BILLY: It will create dysfunction,
it will create panic.
1409
01:02:26,400 --> 01:02:30,400
It's like drowning,
and it's relentless.
1410
01:02:30,440 --> 01:02:32,400
She (BLEEP) ran in there
and you left her in there.
1411
01:02:33,760 --> 01:02:35,760
You had the bolt cutters as well,
didn't you?
1412
01:02:35,800 --> 01:02:36,920
Yes, staff.
1413
01:02:36,960 --> 01:02:38,960
You (BLEEP) left her in there
to go in there by herself.
1414
01:02:39,000 --> 01:02:40,320
Didn't you?
Yes, staff.
1415
01:02:40,360 --> 01:02:42,560
SARAH: I know where he is, James.
1416
01:02:42,600 --> 01:02:45,120
He's sitting down in the corner.
My corner?
1417
01:02:45,160 --> 01:02:48,120
I just don't know where we have
to cut with the bolt cutters yet.
1418
01:02:48,160 --> 01:02:49,160
OK.
1419
01:02:49,200 --> 01:02:51,320
What have you got in your Bergens?
Have you got your jacket?
1420
01:02:51,360 --> 01:02:52,920
OK. What can we strap up?
1421
01:02:52,960 --> 01:02:54,240
Start thinking about it.
OK.
1422
01:02:54,280 --> 01:02:56,240
Quick! Quick! Hurry up.
1423
01:02:56,280 --> 01:02:58,240
Something to cover the face.
Towel.
1424
01:02:58,280 --> 01:02:59,880
And let's do it. Let's hurry up!
1425
01:02:59,920 --> 01:03:03,200
FOXY: Working in an environment
that's been flooded with tear gas
1426
01:03:03,240 --> 01:03:05,480
is a (BLEEP) nightmare,
1427
01:03:05,520 --> 01:03:06,560
and it will (BLEEP) you up.
1428
01:03:06,600 --> 01:03:08,240
Ready?
JAMES: OK, ready? Here we go.
1429
01:03:08,280 --> 01:03:11,360
And you need to know
how to work as a team.
1430
01:03:11,400 --> 01:03:13,640
You're never gonna pass this course
on your own.
1431
01:03:13,680 --> 01:03:15,240
Never.
1432
01:03:15,280 --> 01:03:17,080
If you need to come back out,
come back out.
1433
01:03:17,120 --> 01:03:18,240
Let's go!
1434
01:03:18,280 --> 01:03:20,960
There's the hostage! Save him!
Ignore the gas!
1435
01:03:21,000 --> 01:03:22,920
Come on, then!
You need to cut him free!
1436
01:03:22,960 --> 01:03:24,760
You need to look
at what you're (BLEEP) doing!
1437
01:03:24,800 --> 01:03:26,160
What are you looking at?!
1438
01:03:26,200 --> 01:03:27,720
(TENSE INSTRUMENTAL MUSIC)
1439
01:03:27,760 --> 01:03:28,760
(GAGS)
1440
01:03:28,800 --> 01:03:31,120
Come on, then! Free the hostage!
Get the hostage!
1441
01:03:31,160 --> 01:03:32,960
(RECRUITS COUGH)
1442
01:03:33,000 --> 01:03:35,680
Door shut, door shut.
Compose yourselves.
1443
01:03:35,720 --> 01:03:37,280
NARRATOR: Overcome by the gas,
1444
01:03:37,320 --> 01:03:40,920
the recruits are unable
to rescue the hostage...
1445
01:03:40,960 --> 01:03:42,080
Move, you two.
1446
01:03:42,120 --> 01:03:44,640
..let down by James's hesitation.
1447
01:03:45,680 --> 01:03:48,440
(TENSE INSTRUMENTAL MUSIC)
1448
01:03:48,480 --> 01:03:49,640
Stay this side.
OK.
1449
01:03:49,680 --> 01:03:51,720
Then we'll get to that next tree
just on the right.
1450
01:03:51,760 --> 01:03:53,000
What do you reckon?
Hang on, hang on!
1451
01:03:53,040 --> 01:03:54,880
This one on the left here
with the big...
1452
01:03:54,920 --> 01:03:55,920
Alright, let's go to that one.
1453
01:03:55,960 --> 01:03:57,960
(TENSE INSTRUMENTAL MUSIC)
1454
01:03:58,000 --> 01:04:01,680
I'm doing this for my family,
you know, my friends,
1455
01:04:01,720 --> 01:04:04,240
and most importantly,
I'm doing this for myself.
1456
01:04:04,280 --> 01:04:07,360
This is probably the toughest thing
I've ever experienced in my life.
1457
01:04:07,400 --> 01:04:09,560
OK, these barrels on the left,
let's debrief.
1458
01:04:09,600 --> 01:04:11,760
If I'm completely honest,
1459
01:04:11,800 --> 01:04:14,560
there was plenty of times
I didn't think I'd make it this far.
1460
01:04:14,600 --> 01:04:16,240
Being selected or not,
1461
01:04:16,280 --> 01:04:18,680
I just want to know that
when it's all said and done,
1462
01:04:18,720 --> 01:04:20,720
I've given my absolute everything,
1463
01:04:20,760 --> 01:04:22,920
and I'm hoping that that's gonna get
me to the end.
1464
01:04:22,960 --> 01:04:24,360
(TENSE MUSIC CONTINUES)
1465
01:04:24,400 --> 01:04:26,200
Approaching the cabin with caution,
1466
01:04:26,240 --> 01:04:29,320
recruits number two, Luke,
and number 13, James,
1467
01:04:29,360 --> 01:04:33,480
are unaware the cabin is compromised
with tear gas.
1468
01:04:35,040 --> 01:04:36,160
Go! Go!
1469
01:04:36,200 --> 01:04:37,360
BILLY: Let's go!
Oh!
1470
01:04:37,400 --> 01:04:40,040
There's the hostage! Free him!
Get him out!
1471
01:04:40,080 --> 01:04:41,400
Right, come out, come out, come out!
1472
01:04:41,440 --> 01:04:42,440
Where are you going?!
1473
01:04:42,480 --> 01:04:43,520
You two, come here!
(BLEEP)
1474
01:04:43,560 --> 01:04:46,320
Come here! Recompose yourselves.
Get down on your knees.
1475
01:04:46,360 --> 01:04:47,920
Number two,
get down on your knees!
1476
01:04:47,960 --> 01:04:49,120
(COUGHS)
1477
01:04:49,160 --> 01:04:50,320
Right, listen in! Listen in!
1478
01:04:50,360 --> 01:04:51,880
Recom... compose yourself!
1479
01:04:51,920 --> 01:04:54,760
OK, did anyone
see anything in there?
1480
01:04:54,800 --> 01:04:56,520
(GASPS) There's a hostage on the...
1481
01:04:56,560 --> 01:04:59,400
So... so, you know where he is, OK.
1482
01:04:59,440 --> 01:05:00,840
What have you got
in your (BLEEP) Bergens?
1483
01:05:00,880 --> 01:05:02,320
Have you got any kit
you can wrap around your faces?
1484
01:05:02,360 --> 01:05:03,520
Yes, staff.
Have you?
1485
01:05:03,560 --> 01:05:06,400
Right, I suggest you (BLEEP) go
and get what you need
1486
01:05:06,440 --> 01:05:08,560
to get back in there
1487
01:05:08,600 --> 01:05:10,080
Hurry up! Hurry up!
1488
01:05:10,120 --> 01:05:11,200
(DRAMATIC MUSIC BUILDS)
1489
01:05:11,240 --> 01:05:13,840
This is where the thinking soldier
comes into play.
1490
01:05:13,880 --> 01:05:16,680
That's what we want -
the thinking soldier.
1491
01:05:16,720 --> 01:05:20,720
When you think your life
is at stake,
1492
01:05:20,760 --> 01:05:24,200
can you ignore all of that
to complete a mission?
1493
01:05:24,240 --> 01:05:25,920
BILLY: Ignore the gas! Let's go!
1494
01:05:25,960 --> 01:05:27,480
Quick, quick, quick, quick!
1495
01:05:27,520 --> 01:05:30,680
Ignore the gas! Get him!
Get him out! get him out!
1496
01:05:30,720 --> 01:05:32,120
(DRAMATIC MUSIC BUILDS)
1497
01:05:32,160 --> 01:05:33,160
(BOLT CUTTERS CLICK)
1498
01:05:33,200 --> 01:05:34,280
Get him out!
1499
01:05:34,320 --> 01:05:38,480
(DRAMATIC MUSIC CONTINUES)
1500
01:05:38,520 --> 01:05:40,360
That's it!
Come on!
1501
01:05:40,400 --> 01:05:42,840
That's it, that's it!
Get your Bergens on.
1502
01:05:42,880 --> 01:05:45,640
Leave him there, leave him there!
Get your Bergens on. Let's go.
1503
01:05:45,680 --> 01:05:48,280
Let's go! Hurry up! Grab that
casualty and follow the DS!
1504
01:05:48,320 --> 01:05:51,120
With the hostage rescued safely,
1505
01:05:51,160 --> 01:05:54,120
number two, Luke,
and number 13, James,
1506
01:05:54,160 --> 01:05:56,440
pass the final task of the mission.
1507
01:05:57,440 --> 01:05:59,240
Get the casualty in quickly!
Get the casualty in!
1508
01:05:59,280 --> 01:06:01,160
With the final mission complete...
1509
01:06:01,200 --> 01:06:02,200
Come on, hurry up!
1510
01:06:02,240 --> 01:06:04,040
..it's now up to the DS to decide...
1511
01:06:04,080 --> 01:06:05,120
Make sure he's in there.
1512
01:06:05,160 --> 01:06:07,120
..who, if any recruit...
Go!
1513
01:06:07,160 --> 01:06:09,120
..will pass SAS selection.
1514
01:06:09,160 --> 01:06:10,360
Quick, quick, quick!
1515
01:06:10,400 --> 01:06:13,440
The decision is always based
on one question.
1516
01:06:14,640 --> 01:06:19,760
Would I have this person by my side
on the battlefield?
1517
01:06:27,920 --> 01:06:31,240
(TENSE INSTRUMENTAL MUSIC)
1518
01:06:31,280 --> 01:06:33,680
NARRATOR: The four remaining
civilian recruits
1519
01:06:33,720 --> 01:06:36,760
have completed the intensive
SAS selection course,
1520
01:06:36,800 --> 01:06:38,840
known as Hell Week.
1521
01:06:39,920 --> 01:06:41,800
No idea what we're doing now.
1522
01:06:41,840 --> 01:06:44,320
Just expect the unexpected.
Oh, yeah!
1523
01:06:44,360 --> 01:06:46,560
The DS will assess their performance
1524
01:06:46,600 --> 01:06:49,320
and decide who, if any recruit,
1525
01:06:49,360 --> 01:06:52,280
will pass SAS selection.
1526
01:06:52,320 --> 01:06:54,560
Alright, debrief, gents.
1527
01:06:54,600 --> 01:06:57,240
The first pair were number five
and number eight,
1528
01:06:57,280 --> 01:07:00,120
and the second pair were number 13
and number two.
1529
01:07:00,160 --> 01:07:01,640
(DRAMATIC MUSIC BUILDS)
1530
01:07:01,680 --> 01:07:03,400
So, all in all,
what a (BLEEP) good team there.
1531
01:07:04,400 --> 01:07:06,000
I mean, yeah, they're a tight group,
to be honest.
1532
01:07:06,040 --> 01:07:08,440
You can tell that they're (BLEEP)
bonded and what have you.
1533
01:07:08,480 --> 01:07:11,920
They've all deserved to get to where
we've got to now at the end.
1534
01:07:11,960 --> 01:07:13,000
We'll go round the table,
1535
01:07:13,040 --> 01:07:15,640
'cause obviously we've got
an important decision to make.
1536
01:07:15,680 --> 01:07:17,080
Ollie, over to you.
1537
01:07:17,120 --> 01:07:19,880
13, from day one,
the backward dive -
1538
01:07:19,920 --> 01:07:21,840
I mean, he did that perfectly.
1539
01:07:21,880 --> 01:07:23,000
Go!
1540
01:07:23,040 --> 01:07:25,440
(DRAMATIC MUSIC SWELLS)
1541
01:07:27,280 --> 01:07:28,680
Good! Go!
1542
01:07:28,720 --> 01:07:30,680
His performance didn't stop.
Yeah.
1543
01:07:30,720 --> 01:07:33,000
Yeah, that (BLEEP) sketchy day
on the cas-evac.
1544
01:07:33,040 --> 01:07:34,800
Down! Down! Arggh!
1545
01:07:34,840 --> 01:07:36,040
Let's go!
1546
01:07:36,080 --> 01:07:38,480
13's had a couple of little mistakes
there, like everybody else.
1547
01:07:38,520 --> 01:07:40,960
Five picked it up today.
1548
01:07:41,000 --> 01:07:45,480
Get over here! Forget the CS gas!
Sort it out!
1549
01:07:45,520 --> 01:07:47,920
Awesome effort. She was there.
1550
01:07:47,960 --> 01:07:49,600
Number five has just been
an absolute workhorse
1551
01:07:49,640 --> 01:07:50,880
the whole way through.
1552
01:07:50,920 --> 01:07:54,240
She's done everything she's been
asked to do, plus some.
1553
01:07:54,280 --> 01:07:55,280
Fight!
1554
01:07:55,320 --> 01:07:56,320
(DRAMATIC MUSIC BUILDS)
1555
01:07:56,360 --> 01:07:57,480
(GROANS)
1556
01:07:57,520 --> 01:07:59,640
The only thing I will say
about number five
1557
01:07:59,680 --> 01:08:01,520
is she needs to keep her mouth shut.
1558
01:08:01,560 --> 01:08:02,960
(SOBS)
1559
01:08:03,000 --> 01:08:05,200
Stop (BLEEP) whinging!
1560
01:08:05,240 --> 01:08:08,560
Number two, for me,
he's put in a massive effort.
1561
01:08:08,600 --> 01:08:11,640
Keep going, guys. Come on! (GRUNTS)
1562
01:08:12,640 --> 01:08:15,680
One little thing, which has
a massive influence on our world,
1563
01:08:15,720 --> 01:08:17,040
is his apprehension.
1564
01:08:17,080 --> 01:08:18,800
Yep.
1565
01:08:18,840 --> 01:08:21,960
(BLEEP) jump out! (BLEEP) go!
1566
01:08:22,000 --> 01:08:23,240
Jump!
1567
01:08:23,279 --> 01:08:25,359
(DRAMATIC MUSIC BUILDS)
1568
01:08:25,399 --> 01:08:26,640
When you've gotta go,
you've gotta go,
1569
01:08:26,680 --> 01:08:28,160
and you can't afford
to have that apprehension.
1570
01:08:28,200 --> 01:08:31,160
So, that's the one thing,
and then add that to today -
1571
01:08:31,200 --> 01:08:33,600
he couldn't have opened that case
without number 13 there,
1572
01:08:33,640 --> 01:08:37,200
and if number 13, for real, wasn't
there, it wouldn't have happened.
1573
01:08:37,240 --> 01:08:39,279
That was a bit disappointing.
1574
01:08:39,319 --> 01:08:41,840
I actually do think number two
was (BLEEP) good.
1575
01:08:41,880 --> 01:08:43,120
Better than I expected.
1576
01:08:43,160 --> 01:08:44,240
(DRAMATIC MUSIC CONTINUES)
1577
01:08:44,279 --> 01:08:47,760
Then looking at number eight,
who has been consistent.
1578
01:08:47,800 --> 01:08:49,960
Come on, push!
1579
01:08:50,000 --> 01:08:53,800
Eight was good, but he let himself
down at that last minute there.
1580
01:08:53,840 --> 01:08:56,920
You (BLEEP) ran! She went in there
by her (BLEEP) self!
1581
01:08:56,960 --> 01:08:58,760
(SIGHS)
1582
01:08:58,800 --> 01:09:00,160
Billy?
1583
01:09:00,200 --> 01:09:02,880
Yeah, for me, I've seen
level pegging with three of them.
1584
01:09:02,920 --> 01:09:03,920
Mm-hm.
1585
01:09:03,960 --> 01:09:07,960
And one sort of clear
slightly in front.
1586
01:09:08,000 --> 01:09:09,200
(TENSE MUSIC CONTINUES)
1587
01:09:09,240 --> 01:09:10,720
I think it's been an amazing course.
1588
01:09:10,760 --> 01:09:12,800
Listen, they all deserve
to be here at the end.
1589
01:09:12,840 --> 01:09:14,399
They've all put in a shift.
1590
01:09:14,439 --> 01:09:18,000
Such a tight call, this one,
such a tight call, but I think...
1591
01:09:18,040 --> 01:09:19,680
It's one of the tightest calls
we've had, I think.
1592
01:09:19,720 --> 01:09:22,720
(TENSE MUSIC CONTINUES)
1593
01:09:24,640 --> 01:09:26,800
There's no set mould
with our decision.
1594
01:09:26,840 --> 01:09:28,680
We look at that person and we say,
1595
01:09:28,720 --> 01:09:32,120
"Would I put my life
in that person's hands?
1596
01:09:32,160 --> 01:09:34,000
"Do I trust that person enough?"
1597
01:09:34,040 --> 01:09:36,640
And if the answer is no,
1598
01:09:36,680 --> 01:09:39,080
then I don't care if you've got
to the end of the course.
1599
01:09:39,120 --> 01:09:40,760
You will not pass.
1600
01:09:41,760 --> 01:09:46,200
This concludes
the selection process.
1601
01:09:46,240 --> 01:09:49,080
This is the end of the course.
1602
01:09:50,080 --> 01:09:52,960
So, well done to all four of you
for reaching the end.
1603
01:09:54,120 --> 01:09:56,400
That doesn't mean
that you've all passed.
1604
01:09:56,440 --> 01:09:58,000
(TENSE MUSIC CONTINUES)
1605
01:09:58,040 --> 01:10:01,240
But you should be extremely proud
where you're stood right now.
1606
01:10:01,280 --> 01:10:03,960
Look how many
have fallen before you.
1607
01:10:04,000 --> 01:10:05,320
(MOMENTOUS MUSIC BUILDS)
1608
01:10:05,360 --> 01:10:07,760
And to have such a tight-knit group
at the end
1609
01:10:07,800 --> 01:10:10,160
means that we've done
a (BLEEP) good job,
1610
01:10:10,200 --> 01:10:12,320
and we're extremely proud
of what we've done
1611
01:10:12,360 --> 01:10:15,880
to see you stood here
in front of us at the end.
1612
01:10:15,920 --> 01:10:17,480
(MOMENTOUS MUSIC CONTINUES)
1613
01:10:17,520 --> 01:10:21,320
When I call your number,
you take one step forward.
1614
01:10:21,360 --> 01:10:24,840
(MOMENTOUS MUSIC CONTINUES)
1615
01:10:28,320 --> 01:10:29,360
Number 13.
1616
01:10:29,400 --> 01:10:32,680
(MOMENTOUS MUSIC CONTINUES)
1617
01:10:39,440 --> 01:10:40,440
Number five.
1618
01:10:43,800 --> 01:10:48,840
Number 13 and number five, you have
successfully passed this course.
1619
01:10:48,880 --> 01:10:50,400
Well done.
1620
01:10:50,440 --> 01:10:53,840
(MOMENTOUS MUSIC CONTINUES)
1621
01:10:53,880 --> 01:10:57,200
Number eight and number two,
you did not pass the course.
1622
01:10:57,240 --> 01:10:59,000
(MOMENTOUS MUSIC CONTINUES)
1623
01:10:59,040 --> 01:11:01,960
Well done, number five.
Well done, number 13.
1624
01:11:02,000 --> 01:11:05,000
(MOMENTOUS MUSIC CONTINUES)
1625
01:11:05,040 --> 01:11:09,160
This has been the hardest thing
I've ever done in my entire life,
1626
01:11:09,200 --> 01:11:10,200
plus some.
1627
01:11:10,240 --> 01:11:13,440
I came here to prove a point,
to prove my resilience,
1628
01:11:13,480 --> 01:11:16,920
to prove that I'm capable
of doing this,
1629
01:11:16,960 --> 01:11:19,800
'cause I've doubted myself a lot
throughout my life.
1630
01:11:21,560 --> 01:11:24,720
So, this is just
one of those moments -
1631
01:11:24,760 --> 01:11:27,560
every time I doubted myself,
I went and I did it,
1632
01:11:27,600 --> 01:11:29,920
and I stuck to it
even when I wanted to quit.
1633
01:11:29,960 --> 01:11:31,440
(MOMENTOUS MUSIC CONTINUES)
1634
01:11:31,480 --> 01:11:33,080
JAMES: Oh, just absolutely
on top of the world.
1635
01:11:33,120 --> 01:11:34,600
I just can't believe it.
1636
01:11:34,640 --> 01:11:36,480
Oh, this course
has absolutely changed my life.
1637
01:11:36,520 --> 01:11:38,520
It's broken me down,
1638
01:11:38,560 --> 01:11:41,720
and it's made me assess myself
and my weaknesses
1639
01:11:41,760 --> 01:11:43,560
and face up to my fears,
1640
01:11:43,600 --> 01:11:46,000
and moving on with my life now,
1641
01:11:46,040 --> 01:11:48,200
I just feel like
I'm capable of so much more.
1642
01:11:48,240 --> 01:11:50,320
It's changed my perspective on life,
1643
01:11:50,360 --> 01:11:53,440
and changed me as a person,
and shaped me as a person.
1644
01:11:55,160 --> 01:11:57,400
Outstanding effort.
Thank you.
1645
01:11:57,440 --> 01:11:58,600
Really, really good.
1646
01:11:58,640 --> 01:12:01,880
Just lacked that tiny bit
at the end.
1647
01:12:01,920 --> 01:12:03,000
Thank you, staff.
1648
01:12:03,040 --> 01:12:04,240
Well done, two.
Ta.
1649
01:12:04,280 --> 01:12:05,760
Absolutely outstanding.
1650
01:12:05,800 --> 01:12:08,400
(MOMENTOUS MUSIC BUILDS)
1651
01:12:08,440 --> 01:12:11,000
Having done this course
and getting to the end,
1652
01:12:11,040 --> 01:12:14,640
if you tell me that you're not
a better version of who you are,
1653
01:12:14,680 --> 01:12:17,640
then I will call you a liar
to your face.
1654
01:12:17,680 --> 01:12:18,840
(MOMENTOUS MUSIC CONTINUES)
1655
01:12:18,880 --> 01:12:20,640
We're out, baby!
1656
01:12:21,760 --> 01:12:23,120
There's nothing out there...
1657
01:12:23,160 --> 01:12:25,280
(BOTH CHEER)
1658
01:12:25,320 --> 01:12:28,560
..that teaches you about yourself
in such a short amount of time...
1659
01:12:29,800 --> 01:12:31,480
..than this selection process,
1660
01:12:31,520 --> 01:12:34,520
and for those standing
at the end of the course,
1661
01:12:34,560 --> 01:12:38,520
pass or fail, I salute you.
1662
01:12:38,560 --> 01:12:40,240
We did it, James.
1663
01:12:40,280 --> 01:12:41,920
(MOMENTOUS MUSIC CONTINUES)
1664
01:12:41,960 --> 01:12:43,160
(WHOOPING)
124925
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