All language subtitles for 21. Effects

Hello everyone. Thank you for watching my video.

First of all, I would like to briefly review the last video.

Last time, I did the finishing process.

I added shadows and highlights,

and then adjusted the overall color to brush up the expression, texture, and line art.

This time, I would like to add an effect, which is the last step.

Let's get started.

First, the effect.

This time, I would like to express the feeling that the character with black hair is scattering like this,

so I would like to express it with an effect.

I thought a lot about how to make it look like it's scattering,

so I pulled the obi a little and made it look like this.

With the tool that extends the fingertips well, which is included in the color mixture attached to the Clip Studio,

I will extend the tip and make it smooth.

Then, let's add a little bit of gas blur.

The weakest, 2.00.

It's the effect from before.

There are a lot of effects, so let's copy it a little and put it so that it can be used again when something happens.

Let's adjust the amount.

It's like this fragment, but I want to make it transparent like a crystal later.

I'm conscious of this kind of flow, which is the standard for placing the effect.

It's like this.

If you do this, it will be easier for the line of sight to flow to the character with black hair.

After this is done, I want to make it look like a crystal, so I'll add a clipping layer.

Before that, I'll copy this character layer once in the folder.

Copy only the character layer once and clip it here.

Then, lower the transparency to make it easier to understand,

and clip the normal layer with a little less transparency to the top, and return the transparency.

With the normal layer that I clipped at the top, I'll make the outline white like this,

and add light to make it look like a crystal.

You can also make it look transparent.

I'm going to do all of this in the same way.

Let's draw while looking at the crystal or ice materials.

Copy and clip.

This part, which was white before, will also be transparent.

Let's make it a pinkish color with the effect of environmental light.

Let's make the color vivid.

I want to see what it looks like.

I think this is good.

I'd like to do it like this overall.

I'll duplicate this and blur it with a big brush.

After that, I lowered the original layer to opacity 37 and lowered the big brush to opacity 54.

This is what it looks like.

I'd like to change the color of this, too.

I'm going to duplicate this layer and blur it with a big brush.

I'm going to duplicate this layer and blur it with a big brush.

I'm going to duplicate the original layer and erase it.

I'm going to erase it all.

I'm going to use a soft spray.

If you select this transparent color, it will have the same effect as the eraser.

I'm going to make the tip thinner.

I think it's a little intense.

I'd like to try to move it.

I'm going to move it.

I'm going to move it.

You can adjust the angle of blurring here.

I want to blur this way, so I'm going to blur it.

I'm going to move it.

Before, after.

It feels like it's moving.

I'm going to add a little more color, and I'm going to duplicate it and move it.

Move the lower layer.

Move it forward.

If you move it forward, the blur will be added in this direction.

Then it will look like it's moving outward on the screen.

I'm going to decrease the number of adjustments.

I'll also adjust the position and amount of the fragments.

It was in a similar rhythm, so I'm correcting it.

Next, let's move the hair.

When moving the hair, you have to do the line art together.

Duplicate.

I'm going to separate the ones that are not connected and the ones that are connected.

You can blur this.

I'm blurring it.

If you blur it, it feels like it's far away.

I'm going to duplicate this once.

It could be a radiation blur.

The X mark is the center.

If it's on the outside, it's a radiation blur.

If you think it's strong, adjust the amount here.

I'm going to copy the original one more time and blur it.

I'm going to apply a weak blur.

The place where you want to put more force.

By erasing it with an eraser and bending it, you can make it look like it's getting stronger.

Erase it.

This one, too.

It's just a big blur.

Next, let's merge it.

I'll leave the original one.

I'm going to merge the line art of the head and the hair.

This is one layer.

As for the position you want to blur,

I'm going to copy this.

I'm going to copy it again.

Let's start with the moving blur.

It's not moving, it's radiation blur.

I'm going to put the center around here.

Next, this one.

The normal one is a light blur.

I'm going to put in a good amount of radiation blur.

I'm going to blur the ends of my hair again.

The bigger the thing in front of you, the more radiation you can see.

I'm going to erase this part.

The more radiation there is, the gentler the blur.

I think I can make the blur a little stronger.

Let's erase the original layer.

Erase the original layer of the blurred part.

In the same way, I'm going to blur it more and more.

Now, I've merged this part of the layer.

Next, I'm going to leave the original data.

Around here.

The legs in the back.

I want to blur this.

So I'm going to blur it.

The boundary is a little vague.

The ribbon, too.

I want to make this part a little clearer.

I'm going to erase this part of the original layer.

By doing this, by using the original layer,

You can fix it like this.

That's what I'm going to do with this character.

Let's put the center around here.

Maybe there's an easier way to do this in Photoshop.

Creep Studio is the main one.

I have to study Photoshop again.

Yes, that's what it looks like.

I'm going to add a little bit of light.

Let's duplicate it and erase it.

Let's blur this, too.

It gives you a sense of speed.

I drew something like this.

It's like a glimmer of light.

I drew it in black to make it easier to understand.

I want to put in a lot of colors.

Duplicate and blur.

I want to make it look like this is coming out of the body.

I don't know if there's a good way to do this.

I want something more here.

I added a particle like this with a non-fertilizer spray.

It's a shape with a little bit of color.

There's this filter.

This is what I downloaded from the Creep Studio material.

There's a noise filter like this.

I'll make it an overlay.

It's noisy.

Change the size to your favorite size.

I'm going to rasterize it.

It's a lot brighter.

I'm going to use the tone curve.

The bright part is the dark part.

If you lower this, the bright part gets darker.

If you raise this, the dark part gets brighter.

I'm going to adjust it like this.

It's like this.

This is Retro Noise.

The reason I put this on is because...

It's a little rough.

It's a little deep in the picture.

It's got an analog feel to it.

If you like this kind of atmosphere, I recommend it.

This is the end of this illustration.

The effects I added are mainly...

This and the particles.

This is it.

This is the light.

That's it.

There's one more thing I'd like to talk about the effects.

I'll make it an underexposure.

I'd like to introduce you to the effects that I often use at work.

First of all, smoke.

I often draw smoke.

Smoke.

It's like this.

This is how I draw it.

First of all, I'm going to draw a circle in a simple way.

And I'm going to draw a rough shape like this.

Next, I'll decide which way the light hits.

Let's say the light hits from this side.

I'm going to draw a circle.

The light hits around here.

I'm going to fill in the rest of the space.

It's very rough.

By drawing it in this way,

You can draw smoke like this.

Smoke blown by the wind.

Let's say the wind is blowing from this side.

Then the smoke is blown.

Like this.

There's still a shape around here.

Like this.

Roughly.

I'll make it a different layer.

I'll make it a little thinner.

It's a shadow.

Let's say the light hits from this side.

You can draw it like this.

This is how to draw smoke.

Smoke is very convenient.

There's a person here.

Let's say there's smoke.

If you draw smoke around here,

You can get a good sense of perspective.

In this way, you can get a good sense of perspective.

If you draw it in a lighter color,

Smoke in the distance.

You can easily express that with one smoke.

That's it.

Next is the aura.

An effect like an aura.

I'll tell you what it's like.

Let's ask the person to vote again.

There's this person.

He's wearing an aura.

It's how to draw an aura effect.

First of all, I'll draw a silhouette like this.

Lock the transparent pixel.

A place with a high degree of clarity.

It's good to draw while being aware of the flow.

And a little dark place.

It's a place with a low degree of clarity and a high degree of detail.

I'll add it.

You can use a spray to add a gradation like this.

You can extend it with the tool that stretches the fingertips well.

And on top of this effect layer,

I'll add another 8 layers.

Clipping.

Lower the opacity to about 30.

It's hard to see because the background is white.

I'm sorry.

Under the effect,

I'll blur it with a spray.

This is also a normal layer.

I'll add another 8 layers without clipping.

I'll make it shine like this.

I'll make it shine with a spray.

You can draw an aura-like effect like this.

Even if it's not an over-emission,

Even if it's an over-emission,

Over-emission emits a sharper light.

I'll add another aura pattern.

It's similar to smoke.

I'll add a random amount of color.

I'll blur it.

I'll make it shine with a spray.

I'll make it shine with an over-emission layer.

You can draw an effect that creates this kind of flow.

If you remember this,

It's an easy-to-use element that's often used in line drawing.

This kind of line.

It's a very useful effect for line drawing.

I think it'd be good to use this, too.

If it's a usable scene.

If you use the effect like this,

I think the quality of the illustration will improve.

This is the end of the flow of illustration production.

And this illustration I made this time.

The flow of the line of sight is like this.

First of all, the eyes go around their faces.

And along the flow of the paper.

The line of sight goes like this.

Or I think there are people who go from this side.

Either way, it goes back like this.

And this fragment.

The direction of the fragment is all going inward.

From the outside to the inside.

I'm aiming for the effect that the line of sight is being carried.

That's right.

Even after the rough production,

I was hesitating about the composition.

It doesn't always have to be as rough as it is.

However, by imagining and shaping the finished form at the rough stage,

There will be fewer major corrections and hesitations later.

I think the composition stage of the rough is still very important.

I hope the content so far has been helpful to you.

So that's it for section 7 effect.

Next time, I'd like to summarize it.

Thank you for watching this video until the end.

See you next time.