All language subtitles for 20. Finishing

Hello everyone. Thank you for watching.

First, I would like to review the previous video.

In the previous video, I did the process of adding highlights.

I used Overlay to make it look like this.

Metal-like hard objects make the boundaries clear,

and soft parts such as clothes and skin blur the boundaries,

so I think you can see that the texture is expressed.

At this stage, the shadows and highlights have been completed,

so I would like to finish it this time.

Let's get started.

First, let's adjust the skin color.

I'm going to correct the color tone,

but I'd like to make it brighter

while looking around.

Next, I'm going to adjust the hue of the clothes.

Next, I'm going to adjust the hue of the clothes.

Next, I'm going to adjust the hue of the hair.

Let's also change the hair in the back.

Since the light is shining in the back,

I tried to make the saturation higher.

By increasing the brightness of the center of the face,

I tried to make the saturation higher.

By increasing the brightness of the center of the face,

I tried to make the saturation higher.

Next, let's make the eyes.

Let's start with the eyelashes.

Let's start with the eyelashes.

Let's start with the eyelashes.

Let's draw the eyes.

Let's make it brighter.

Let's make the eyelashes.

Let's make the eyelashes.

Let's make the eyelashes.

I'd like to change the expression of the face.

I'd like to change the expression of the face.

I feel like it's different from the expression I want to convey, so I'll draw it with a mesh deformation.

It takes a long time to finish.

I'd appreciate it if you could watch over me for a long time.

I'm doing it as usual.

As usual, I'm working diligently like this.

First of all, the mouth.

I want to make the mouth laugh a little.

A smile?

Like the happiness when you overcome it?

I want to make it look like I'm feeling that way.

Like, I did it.

The shape of the mouth is really subtle.

The appearance changes completely.

It's a difficult part of the mouth.

Let's deform it a little.

It might be good for the time being.

And let's fix the eyes.

Let's remove the upper eyelid for a moment.

I made it look like a reddish upper eyelid.

If you add the light of the eyes, the expression may change.

Let's draw in the eyes for now.

First of all, the shadow of the eyelashes.

I'm going to apply it where the eyelashes are.

I'm going to lock the X.

I'm going to make the gradation brighter.

I'm going to use a dark color.

I'm going to put a dark color on the boundary.

I'm going to make it look sharp.

Screen.

You can use a normal layer.

I'm going to use a screen.

I want to make it look full of hope.

I want to make it look full of hope.

I'm going to lock the X.

I'm going to put a dark color on the boundary.

I'm going to make it look sharp.

I felt like my eyes were dark.

I'm going to make it brighter.

I think this is enough.

I might fix it later.

Next, the highlights of the clothes and hair.

I think it's better to do it like this.

Next, I'm going to do the same thing for the eyes.

It's a reflection of the fingers and ears.

I've got a hit.

Next, I'd like to reflect the environmental light.

It's the color of the morning sun.

I'm putting the color of the morning sun on the highlight part.

This layer is in normal mode.

Yes, I've settled down like this, so I'd like to tweak the line art a little bit next time.

There's a way to get the line art to blend in a little bit, but I'm going to copy it a lot.

Copy the line art and blur it out.

I'm going to combine a layer that I blurred with about 4.42.

If you look at it, the boundaries of the lines are blurred.

Then it feels like it's getting used to it.

After this, I'm going to color-trace it, and then I can make it blend in even more.

I'd like to do something called color-tracing.

Now, all the lines are black, but I'm going to lock the transparent pixel and do this.

For example, if it's skin color, I'm going to make it a little darker than skin color and do it like this.

This is called color-tracing.

This will make the lines more three-dimensional, right?

I'm going to do it like this. Partially.

I think it's possible to get a three-dimensional effect by color-tracing the areas where the light hits and where the light is high like this.

In the far distance, the color of the lines and the inside is almost the same, so it's okay.

Then you can get a sense of distance. It feels like it's far away.

I think the atmosphere will change a lot by color-tracing.

Well, the colors are okay, so let's combine them.

I'm going to combine the layers.

It's getting a lot more. Next.

Yes, I'm done with the color-tracing, so I'm going to add more lines from here.

I'd like to add some sharpness. It's still too much.

Sharpness is...

Then, I'm going to add a little red line to the border between light and shadow.

The red is the effect of this light.

If this light is blue, I'll make it blue.

If it's green, I'll make it green.

If there's no light, I'm going to draw these lines.

Here, I'm going to lower the brightness and saturation of the colors around here.

I'm going to do the same thing for the other character.

I've done it to a certain extent, so I'm going to add hair next.

Hair addition is...

I'm going to add thin hair like this with a curved ruler.

If you duplicate the layer, lower the brightness, and move it a little,

the drawn line will stand out.

Yes, I've been adding more and more hair like this.

I think this will make it look better, so I'm going to do the same thing for the other character.

Next, I'm going to prepare a layer called Overlay Lighting and clip it to the character's folder.

And make the opacity about 30%.

Take the skin color and apply it with a spray.

It brightens up the face.

This character's face and the part where the light hits.

Next, I'm going to use a layer called Overlay Lighting to emphasize the light on the metal part like this.

The effect of Overlay Lighting is the impression of sharp light.

Overlay Lighting gives the impression of soft light.

When using metal, when hard things are shining, Overlay Lighting.

When clothes, skin, hair, etc. are shining,

It's good to use Overlay Lighting.

Yes, I've done it roughly like this.

Let's move on to the next step.

The eyes are too yellow, so I'm going to use the Sketchup Composite Layer to make it look yellow.

Yes, in that way, the rest is the background.

Yes, then I'd like to draw the background.

First, I'll draw in the clouds.

It's a brush used to draw clouds, but I'm going to use a cloud brush.

With something like this, the tip of the brush is shaped like a cloud.

It's like a cloud, or it's shaped like a cloud, and it's like this.

It's a brush that records the shape of various shapes of clouds.

This brush is a special brush that came with the book I bought when I bought the book on how to draw illustrations.

I'd like to use that.

I'm going to put a bright pink color on the place where the light hits.

I'd like to change the color little by little.

If you turn on the eye mark, this meter will appear in this column.

If you turn it off, it'll disappear.

If you turn it on, it'll come out.

You can do this right here, so it's convenient to put out the function you often use.

I'd like to fix the red part of my hair later.

As time goes by, I find places I want to fix one after another.

So, I recommend that you lie down for about a day and see if the composition rough and the color rough are okay.

Once you've got some shape,

There's a tool called Delicate Blur, which has been attached to Flip Studio Paint from the beginning.

I'd like to use it to blend it in like this.

Delicate Blur can also weaken or strengthen the effect by adjusting the brush density.

Clouds.

This is how I put the clouds to induce the line of sight.

So, I'm going to make the background a little clearer so that the outline of the clouds for the line of sight is easy to understand.

I'm going to make the background a little clearer so that the outline of the clouds for the line of sight is easy to understand.

I'd like to adjust the color of the clouds.

Let's use a gradation map.

A gradation map is a color with the highest brightness and the darkest brightness.

By assigning this color to it, the highest brightness is this color, and the lowest brightness is this color, and the medium brightness is the color around the medium brightness.

I'm emphasizing the high brightness with Overlay.

The background is done like this.

Let's merge.

Let's fix it from the side.

I feel like the side is too high.

In this case, I'm going to add a layer to fix the line of sight.

Next, I'm going to use the Overlay effect.

I feel like there's too much hair around here, so I want to reduce it.

I'm going to transform this shape.

I'm going to duplicate the exhaust layer.

I'm going to merge two clouds.

I'm going to blur this cloud a little bit.

It's a little far away, isn't it?

And I'm going to try this.

I've added some light.

Finally, I'd like to adjust the color balance.

I'm going to put the character alone in one layer folder.

I'm going to clip the color balance layer to the character's layer folder.

The highlight is the color of light.

It's like this.

I'm going to add red, yellow, and a little bit of purple.

Shadow.

The color of the shadow is particularly easy to change.

I'm going to add a little blue.

I think it's okay to just add a little blue.

The middle color is the area where the overall color is easy to change.

This area is the shadow of this character.

It's a little far from the light, so I'm going to erase it a little bit.

It's like this.

I'm going to add an effect.

I'd like to try one more thing.

I'm going to duplicate the character and the color balance.

I'm going to merge them.

And I'm going to merge it with the level correction layer.

I'm going to merge it with the right-hand side.

I'm going to apply a lot of Gaussian blur.

I'm going to make this a screen layer.

Can you see it?

The light is a little blurry.

This expression is good.

This is good.

I'm going to weaken it a little bit.

It's good.

It's good.

I should have done this with an effect.

There's something like this.

So, the finish is like this.

I'm going to use the effect to blur the hair.

I'm curious about the light here.

It's a little dark because it looks like it's standing out.

It's like this.

I'd like to leave this for about a day and see what it looks like, but I'm sure there's going to be a place I want to fix again.

It's going to look like this.

So, the work I did for this finish is...

Blur the line art and color it.

And I'm going to fix the strength of the line.

I'm going to draw in the eyes.

I'm going to fix the expression.

I'm going to add more texture.

Next, I'm going to draw in the background.

And I'm going to add environmental light to the characters and so on.

That's what I did.

Next time, I'd like to add an effect here.

It's been a very long video.

Thank you for watching until the end.

See you next time.