All language subtitles for 18. Add Shading

Hello. Thank you for watching.

First of all, I would like to briefly review the last time.

Last time, I made a base coat.

It was a steady process of placing the color with a bucket tool and crushing the remaining part by hand.

And it became like this.

When asked to submit a line drawing at work, I will send it with this base coat.

And from this section, we will enter the stage of shading.

Let's get started right away. I'm going to add a shade here.

I would like to use the top 3 layers used in the color rough stage as follows.

And I'm going to arrange this top 3 layer. First of all.

By the way, the color I'm using is

It's a thin blue color around here.

I'm using it around here, and the part where the light hits

I'm using the color around here, where the red side is thin.

So let's do it.

I will use a round pen this time as well.

And this time

Hair, eyes, skin, clothes

And the hair behind it. Clipping each layer folder like this

I want to do it so that it doesn't stick out.

It's how to make a shadow, but it's a drawing doll.

Actually, from the light source and the body part,

It's good to look at the light and observe how the shadow is made and reflect it like this.

If you divide the layers, you can make it very smooth when you paint the color like this.

If you just look at the skin normally in the same blue color as before, the color will be pretty bad.

Ignore the environmental light to some extent

It's a color like this.

I'll make it a color that doesn't make the color too bad.

Now that the shape has been organized to some extent,

Lock the transparent pixel once

Environmental light, like this

I will arrange it neatly again.

I'm doing this with a spray now.

Soft spray

It's a brush that has been attached to Clip Studio Paint since the beginning.

Thin fabric like frill is easier to pass light

Like this

Make it a pinkish color of light

I would like to express the feeling of being transparent.

And the ears are also thin, so the skin is easy to pass light like this, so I'll try to make it a little thinner.

The tip of the brush is also easy to pass light, so like this

Oh, I'm sorry. I forgot to lock the pixel. I'll do it again.

I forgot to lock the pixel, so I painted it to the place where I scraped it.

I'd like to fix it a little.

Thin the color to some extent

On the contrary, if you darken the light like this towards the dark side, the distance will be easier to convey.

It's like this.

Next, let's go to the avatar.

In the same way, I will clip the layer to the layer folder.

It's the skin.

When adjusting the overall shadow, make the screen smaller like this

By pulling it, the balance is easy to take.

I've done it all, so let's clip it and adjust the color.

It's about this.

This completes the first stage of shading.

There is a stage where you add another stage of shading, so I would like to continue.

And when you add the second stage of shading, it is also done by multiplication, but I would like to lower the transparency to about 46 and take a look.

Let's start with the hair.

This is the main character's hair.

It's noisy, but it's like this, conscious of the shape of the head's circle.

This area is bright, and this area is dark.

You can make a shadow.

I will add a shadow with that image.

First, I will draw from the line of the hair.

This line is also drawn with the image of spreading from the top of the head.

I've gathered my hair here with a braid, so I can make a line like this.

When I want to draw a long and beautiful curve, I use a curve tool.

By strengthening the line like this, there is a intention to reduce the constant rhythm.

And after drawing the line, I would like to draw a shadow for the three-dimensional effect.

It's a shadow like this.

I think it will be a more interesting shape if you add a line like this and add a line like this.

First, it's the first stage of the multiplication layer.

I don't want to stick out from here, so I'll select the first stage of the multiplication layer and try not to stick out from there.

If you make it look glossy like this, you can express the glossiness of the hair.

Is it like this?

If you look at this, you can see that the boundary line here and the boundary line here are like this, and the boundary line here is a little jagged.

This is the hair here.

I wanted to give it a sense of speed, so I drew it like this.

Finally, I'll blur the color to give it a sense of movement.

I'll add a transparent pixel to add color and gradation.

Next, let's do the hair of the clone.

The hair is like this.

Hair is the hardest part.

I'm a little desperate.

Next, let's do the clothes.

I'm going to draw a soft-looking place like this with a spray.

If the outline is blurry, it can give a soft impression.

When it's a soft material like this, by blurring the border, it gives a soft impression like cloth.

I'm using a blur tool.

This is the tip of the pen.

It's a glossy surface, so when you do that, it's a clear shadow.

If you add it, it will give you a sense of glossiness and hardness depending on the contrast.

I haven't added highlights yet, so if I add highlights, it will give you a sense of reflection or a sense of metal.

This character's clothes are up to here.

Next, let's go to the clone.

I'm selecting it with one click.

If you click while controlling the thumbnail of the layer with the range you want to select, you can select it with one click.

Next is the skin of the clone.

Is it like this?

Is it like this for the time being?

What I'm conscious of when I add shadows is that the hair is intertwined and the silhouettes are complicated.

I try not to draw too many shadows under these places.

Shadows in places like this.

If you make it wrinkled, it looks messy when you look at it.

So it's good to make a difference where to draw shadows and where not to draw shadows.

If you want to draw a line of sight as much as possible, you can draw a shadow and draw it in detail.

You can draw a line of sight and draw it in detail.

I'm conscious of that too.

I'm going to draw it.

The eyes are the highlight.

The eyes are the highlight.

The eyes are the highlight.

The eyes are the highlight.

So, that's it for this section 7 shadow.

It's been a very long video this time, but thank you for watching until the end.

Next time, I'm going to add highlights.

Thank you again next time.