All language subtitles for 15. Color Scheme

Hello. Thank you for watching.

Let's start with a brief review of the last time.

Last time, I explained about the gaze guidance by the maid, and the third stage of the rough production,

which is to think about the maid. First of all, in this course rough,

I put a shade like this, and I put light around the upper body of the person.

And with the surrounding contrast, I tried to make it so that the position surrounded by the red circle of the person stands out.

Here is the next course rough.

In this course rough, I lowered the brightness of the whole person,

emphasized the silhouette by increasing the brightness of the background,

and put the highest brightness on the outline of the main character to play the most important role on the screen.

And of these two,

I decided to proceed colorfully with this illustration, so this time

The next stage is color rough.

It is a very important process that affects the shape of the finished work while drawing an illustration, so I think I will adjust a lot of details such as the balance of the person and the background.

By showing a realistic production process, I wanted you to know the trial and error of drawing a picture,

and the flow of production, so it's going to be a long video, but thank you again this time.

Then I would like to start. Once the top 3 layers on the character are

made a sub-layer. And this is the color of the base, the character.

Lock the transparent pixel there so that it does not stick out,

and paint the color that will be the base.

I think it's easier to divide the layers of the person in front and the person in the back, so I'll divide it for a while.

Select the person in front with the throw tool.

And copy and paste. By deleting the selected part as it is, you can divide it like this.

Then, as the main character, let's start with the main character's coloring.

I'll also hide the background, so it's easy to understand.

I'm imagining a character with a light color tone, so I'm going to darken the background so that it's easy to understand.

I'm designing it with an image.

Now, I've done a rough coloring. Next is the avatar. I'll do it in the same way.

Since it's an avatar, I'd like to reverse the color of the clothes.

Do you want to reverse it?

Let's go with this color.

The base is almost done, so I'd like to rotate the character a little bit.

I think there's a little more balance, so I'll try it.

I'm sorry that the data is heavy and the operation is slow.

I'd like to try it at this angle. What does it look like?

This might be better.

Let's put this character's arm out a little more.

I think it would be better to see the legs a little more, so I'll show you.

I'm going to combine the line and the undercoat and make it a single layer.

If you want to do it as it is without combining it, you can do it, but let's do it in a cool way.

And from here

It's a little bit of a hand, right? I'm going to make it look good.

This hand is over the character, so I'm going to make it look like this.

Let's look at the photos I used as a reference.

It's hard to do it by hand, so it's definitely better to look at it.

I'd like to add this kind of color to the necktie.

And if you rotate it a little like this,

It's easy to draw.

This is also a shortcut key, so let's set it up so that it's easy to do.

And this is the button on the uniform, but for men and women, the direction of the stop button

It's different on the left and right. Let's pay attention to that.

If it's a man, this is the opposite. It's this way.

The woman is this way. And these skirts are also very difficult, so let's collect the materials well

Let's use it as a reference. It's time to draw a frill like this, but basically

This is a frill

It's a frill. I'm trying to make sure that the frills don't have the same shape as much as possible.

Like this

If you make a wave like this,

It's a shape that doesn't get boring when you look at it. I made the bottom white.

Let's add a little pattern. If you make fine adjustments,

It's easy to try this image.

The difference between 1mm units has a great impact on the expression, so

Especially, take your time and carefully

Think about the eyes. And while reversing

I'll check it out. To make it easier to understand the hair

I darkened the background.

I'll look for a good shape. I scraped it like this, but it's this little gap.

Just opening this place will change the balance and balance, so

The edge of the screen is quite important. Put a layer under the body layer

If you draw hair like this, you don't have to worry about sticking out

I'll try it. You can try various shapes like this.

I will add this fine hair again when I make it.

To make it easier to understand that there is a little bit in the back, I reduced the brightness a little bit.

What I erased here now is

This and this.

They are lined up in a similar shape, so I try to avoid as many similar shapes as possible.

In this way, the main character is

It's about the same.

I guess it's like this.

Let's add a little more. Then next.

Let's go to the body part.

This ribbon is

I made it a little different layer so that it is easy to correct.

It's easy to change the direction like this.

This is hair.

Next, I will think about the background.

First of all, I would like to paint from the base color of the sky.

And there's a cloud on top of this

I would like to draw.

The pen I'm using now is Clip Studio Paint

It's a brush called Dark Watercolor from the beginning.

I'm using a brush that I've been using since the beginning.

Cloud outline. Ah, it's a silhouette.

Once the silhouette is done, I will add a transparent pixel.

And I'll add a shade.

There is a meter called Brush Node,

If you lower this, the brush ink will be thinner.

When you want to layer various colors and apply thickly, I think it's good to paint while adjusting this brush node.

This is the light source, so I'm going to highlight this light source color.

It's the highlight part of the cloud. I'm going to put it where the light hits.

By adjusting the hardness, it gives a soft impression.

If you open the cloud in the foreground and the cloud in the back, it's really easy to fix

It's convenient for writing, so I recommend it.

For the time being, I'll try to make it look like this.

So, next, when I was doing the composition rough at first,

I displayed the top 3 layers that I had put on the character.

Let's adjust the shadow of this top 3 as well.

The main character is arranged like this.

Next is the avatar.

Yes, it's like this.

After adjusting the shadow, this time I want to match the color to the ambient light of the background, so I'm going to lock the transparent pixel.

Blue and pink in the sky.

Select the color of the ambient light like this, and then the pink color.

I'm going to match this ambient light.

If it's blue, the color will be bad, so I'm going to cover it with a warm-toned color.

Next is the avatar.

I think it's an image like this.

I'm going to add an effect.

The moment when the avatar character disappears by solving the problem of the main character?

This fragment that appears when it disappears.

That's it.

You have to think carefully about the balance of the arrangement of these fragments.

Let's erase the boundary a little.

Yes, I erased the edge.

I'm going to enlarge it or transform it to find a good-looking shape.

Is it like this for the time being?

There is a spray called Himatsu Brush that comes with Clip Studio Paint, but if you spray this, you can easily create a good atmosphere.

If you change the brush size, the size of the particles will also change.

Like this, I'll erase the unnecessary parts.

Is it like this for the time being?

I'm curious about the pen.

I can't do anything about it.

I hope I can do it.

Let's bring the hair to the front.

I'm sorry to keep you waiting.

It's like this.

I settled down like this.

So, it's a color rough.

The color rough turned out to be like this.

Thank you for your patience.

This is how you make a color rough while thinking about various things.

Yes.

Thank you for your patience.

At this point, if you think about it a lot like this,

there will be no major corrections when it is close to completion,

so let's get lost a lot at this stage.

This time, the background was lightened because it is an illustration that has a meaning to face forward,

so I chose a lightened background that has the image of beginning and progress.

So, that's it for section 5.

Next time is section 6, line drawing.

It was a long video, but thank you for watching.

Thank you again.