All language subtitles for 09. How To Draw The Body

Hello, thank you for watching.

First of all, I would like to do a brief review of the last time.

The last time, I talked about the face.

Here it is.

In the last video, I told you that the face conveys the idea of drawing,

and the impression that can be conveyed by the way of drawing each part of the face changes.

Next, I talked about structure and simplification.

Under the skin, there is a skull in this shape,

and on the surface of the skin, the nose and lips can be expressed in this simple form.

And I also talked about learning the actual human placement balance

and applying it to the deformed character.

And I also talked about the eyeball structure.

And finally, I explained about each facial expression.

So, this time, I would like to learn about the structure and application of Section 3, the body.

First, please look at this figure.

First, let's take a look at the proportion of the adult male and female.

The proportion of the human body represents the length of the head in units.

There are not many people with eight heads,

but it is convenient to treat it as an ideal standard for adults.

First of all, the height of a woman is generally lower than that of a man,

but since the measurement criteria for eight heads are the same,

it is expressed as the same height for the simplification of the figure.

From the top of the head to the chin is the size of the head,

so this is the first head.

There is the first head,

and it's around the chest.

So far, the second head.

And the neck is about one-third of the head.

And from the chest to the navel is the third head.

From the navel to the crotch is the fourth head.

And from the crotch to the middle of the thigh is the fifth head.

From the middle of the thigh to the lower part of the kneecap is the sixth head.

And from the lower part of the kneecap to the middle of the shin is the seventh head.

From the middle of the shin to the bottom of the foot is the eighth head.

And the ankle is about one-third of the foot from the middle of the shin to the bottom of the foot.

It's like this.

If you look closely, you can see that the male pelvis,

the entire waist, is narrower than the shoulder width.

The torso is slightly shorter than the legs.

And in the case of women, the pelvis is wide, but the shoulder width is not as wide as men.

And compared to men, the shoulders are slender and the neck is a little longer.

There is such a beautiful impression.

Next, I'd like to look at the horizontal figure.

Please take a look here.

I'd like you to look at the neck of both men and women.

The neck is not vertical, but slightly slanted.

And the legs are slanted like this,

and the legs are slightly slanted from top to bottom like this.

And the curve of the legs is upside down.

What I mean by that is,

the front part of the body has a curve like this.

However, in the lower part, around the shin, the calf draws a curve.

In this sense, it means that it draws the opposite curve.

Now, let's go back to the front figure.

This time, I'd like to look at the bones.

Here are the bones.

In this figure, it shows the difference in the skeleton of a man and a woman,

and it explains why the form that appears on the surface differs depending on gender.

In general, women's bones are smaller and softer than men's,

and they are covered more densely by the heart.

Also, compared to men's thick bones,

women's bones are less visible on the surface.

If you look at the head,

the head of a woman is slightly smaller than that of a man,

and the skeleton is short and bent.

Here it is.

If the size is different, you can see that the shape is slightly different.

This is what a man looks like.

This is what a woman looks like.

And the woman's shoulders are not as wide as that of a man.

And there's a subtle difference,

but the female skeleton is straighter and shorter.

The male is relatively longer.

Next, the female's torso is longer than that of a man.

The legs are shorter.

The torso is shorter.

The female's torso is a little longer.

The pelvis is wider than that of a man,

so the hips are wider than that of a man.

The male's pelvis is narrow and the female's pelvis is wide.

And the male's pelvis is almost the same width as the female's.

However, if you look at the female's pelvis,

the female's pelvis is narrower.

So there's a difference.

Next, let's look at the movement of the joints.

Here it is.

To accurately draw a moving figure,

you need to know the position of the joints and the range in which they move.

The main points of exercise are the head, neck, shoulders,

elbows, hips, wrists, fingers, knees, ankles, and toes.

Let's actually move various parts of yourself

and see how much you move to reflect it in the picture.

Please look at this figure.

It shows the movement of the arms and legs.

The arms can move in a wide range like this,

with the axis of the hip joint.

And the legs draw a line vertically from this hip joint,

and then move forward.

The range to move forward is said to be about 2 times the range to move backward.

I think it's a good idea to keep this range in mind as you draw.

And next.

Next, I'd like to explain about the elbows, which are easy to draw vaguely.

First, I'd like to draw an arm.

This is a picture of the torso from the side.

There's an arm like this.

Next, I'd like to draw an elbow bent.

This is also a picture from the side.

What I'd like you to pay attention to is this part of the elbow.

The position of the elbow when the arm is straight and the position of the elbow when the elbow is bent.

This part is particularly easy to draw vaguely,

so let's keep in mind where the elbow comes from when the arm is bent.

The reason why the elbow moves when the elbow is bent and stretched is because there are bones inside.

There's a bone like this.

This is the shape of the bone.

If you bend it, the bones of the forearm bend, so this part moves.

It moves like this.

By moving this bone, the position of the elbow changes.

It's good to observe while bending and stretching your arm in the mirror.

Observation is really important.

Because the body is difficult.

Let's continue.

Let's take a look at the structure of the hand, which is also a difficult point.

The shape of the hand is different for each person, but the basic shape is like this.

It's about the same length from the tip to the base of the hand.

The width of the palm is a little shorter than the length of the hand.

It's a little short.

There's this much left over.

The first joint of the finger, the second joint, and the first joint of the meat.

This curve.

It's getting stronger.

You can see that the joints are getting further apart.

Let's take a look at the thumb.

The length of the thumb is about one-third of the length of the first joint of the index finger.

The range of motion is like this.

When drawing a hand,

First, this part.

This part.

And the finger.

I think it's good to simplify it like this.

And next.

It's how to draw a hand, but it's different for each person.

For example, if you look at the fingertips,

If it's a woman, it's sharper than a man.

The bone protrusion is inconspicuous.

And the fingers are thin and smooth.

If you make it a rugged, bone-like arm,

It's more masculine.

This hand is also a place that represents human personality and emotions as well as the face.

Let's take a good look at your own hand and incorporate it.

When I look at a person's picture, I look closely at their hands.

I look closely to see if the hand is drawn properly.

I've said many times that observation is important.

Drawing a hand is particularly difficult.

The shape of the hand when you hold something.

You can see the difference between what you drew while observing and what you drew in your imagination.

And finally,

Let's take a look at the structure of the foot.

The foot is designed to serve the main role of supporting the weight.

The foot is made of an arch structure.

It works like a spring when transferring weight to the ground or floor.

And if you look here,

This is the inside of the foot.

This is the foot seen from the outside.

You can see that the inside is an arch.

The figure below shows the shape of the back of the foot.

This is the one seen from the outside.

If you look at this,

The back of the foot seen from the outside sticks perfectly to the ground.

You can see that the inside is lifted.

This means that this part is not touching the ground.

This is also a place that can be a little ambiguous.

The position of the ankle.

There are two protrusions on the outside of the ankle.

The protrusion on the outside is slightly lower than the inside.

If you look at it from the back, it looks like this.

The protrusion on the outside is lower than the inside.

It's a positional relationship like this.

The foot is also difficult.

It's a place where there aren't many opportunities to draw.

Now, based on the body structure I've explained so far,

I'd like to apply it to the deformed character.

I'm going to apply it to the deformed character.

First of all, I'd like to draw a person who is standing straight and facing the front.

It's easy to understand if you change the name.

I'm going to use the pencil tool.

I'm going to draw a person who is standing straight and facing the front.

The area I just drew is the area I described earlier.

This is the area I drew earlier.

The area I just drew is the area I described earlier.

I often use this area as a reference.

If you take it, it's a little more simplified.

I drew a lot of things like a cylinder, and I got a rough hit like this.

There are dolls like this. Now that I've got a rough shape of the whole thing, I'm going to draw the details from here.

Make it a little thinner. If you look at this shape, you can tell which is a man or a woman.

The pelvis is wider, so it's a woman.

I drew a little more shape, shape, and body characteristics.

I made a draft.

It's done like this. Let's take a look at this balance.

This is the first head, the second head, and the third head.

It's roughly like this.

The second head is around the center of the torso, and the third head is a little above the crotch.

Four around the center of the thigh, five around the shins, and six around the ankles.

Is it about 6.5?

The hand is roughly the lower part of the crotch.

The hand comes around the lower part of the crotch.

The elbow is about the same position as the navel.

It's a guideline. There is.

I think it's a good idea to decide the proportion like this, simplify it, and then draw it in order.

But this...

Everyone has their own head, body, and proportion, so I think it would be good to refer to your favorite pattern of the head and body and draw your favorite shape.

Let's draw other poses based on this.

The upper arm and the forearm are roughly the same length.

It's here. It's roughly the same length.

With this, take the position of the whole body, and while being aware of the position of the elbow that I explained earlier,

I'll draw the body.

Then let's look at another pattern.

I'm conscious of the spine of this line that I'm drawing now.

Knees, ankles, elbows, wrists, and elbows.

Then I'll make it a little more simplified, and I've got a rough idea.

So, I'm going to draw it in detail.

I think the human body is the most difficult structure in nature.

It's really difficult.

The shape changes completely depending on the angle you look at it.

The person sitting down.

I can also draw a pose like this.

Then let's add a little more drawing.

If you draw clothes after drawing the body like this, it's very easy to balance.

I'm drawing clothes without thinking about anything, so it's kind of like a uniform.

I'll erase the unnecessary parts.

Let's refer to the wrinkles on the clothes while looking at them.

Let's look at the picture and refer to it.

You can see right away if you look at the wrinkles on the clothes or draw them in your imagination.

I'm conscious of the three-dimensional effect of the legs like this.

It's a really simple rough state.

So, that's it for section 3.

Next time, I'll go into section 4 and explain the colors.

Thank you very much for watching until the end.

I look forward to working with you again.