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"The Ugly Ones" Please tell us as much as you can
about filming your first Western
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The cast was headed by Tomas Milian,
who was considered by many as arrogant and difficult.
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How did you find him to work with?
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- What is the name of the other guy?
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- Richard Wyler.
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- Remember.
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One Spanish producer,
a friend of mine gave me me a little book.
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For me to read and tell him whether I could like...
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the story to shoot the picture.
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I like the book and I like it very much.
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The author was a specialist...
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in stories from the west.
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After I read, I said, well,
thanks God, we have here. Something good.
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Good story.
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The script was...
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I think that it helped me for the dialogues.
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One American...
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american scriptwriter...
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curiously that American scriptwriter
had been working for Abbott and Costello
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Actually now was working for me in a Western
and he did it marvelously.
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Because the dialogue...
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sometimes I took from the novel, but some other time we had to invent.
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Invent a dialog for a Western was very difficult.
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The story was perfect and the actor Tomas Milian...
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worked with me beautifully.
I didn't had one single day of problem. Never.
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Then... I didn't know why,
but then I understood...
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what happened.
As a matter of fact,
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Tomas Milian, was one of these actors...
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Intellectual, that was trying always to do political things
30
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And was difficult for to work with.
31
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But he had realized that,
if he kept doing this sort of picture,
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He would never come to make pictures that were bigger.
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That could have a wide audience.
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He was very intelligent.
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He asked for the scrip and because ...
36
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he knew me, I don't remember for what.
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He asked for the script, I have written the script
and he said, I'm interested in doing this.
38
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Then my producer talk to him,
because he was expensive...
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and they got an agreement ...
40
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and when I met him, everything was smooth
and I didn't had problems.
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The other guy,
the American was not a big actor.
42
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But we had no other possibilities,
no other choices.
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And then I tried to do the Western...
44
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as any dramatic picture requires.
45
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Well I think we had luck,
because we were lucky because...
46
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the picture was considered in Spain
as the best picture of the year.
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They gave it not only best picture and best Director,
but also best...
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Another thing that was very interesting was...
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special interest and artistic.
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And then, giving this sort of...
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this sort of thing,
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to a Western was something really, and...
53
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it astonished me.
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I like the picture.
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Today it would be worth
getting the "The Goya Award" I belief,
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but in those time "The Goya Award" did not exist of course.
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I don't know whether I have any other thing, tell me...
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- So how was Richard Wyler to work with?
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- Richard Wyler was, was very nice.
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He was a, he was as an actor, not very much.
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So I think,
they told me, they told me later,
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That Richard Wyler and Tomas Milian
were like cat and dog.
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They were all the time...
64
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But I didn't noticed it,
because in the scenes that we shot, they were perfect.
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They understand everything,
we talked about everything,
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got an agreement
and nothing was was wrong.
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- The Supporting Cast was great visually,
with Mario Brega, Frank Brana, Tito Garc�a, Ricardo Palacios...
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did you supervise the casting on it?
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Yes of course. I actually chose the cast...
70
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because I knew these guys...
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those guys had been very famous during this time.
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The time when Western was beginning in Spain.
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Actually my picture and
"A fistful of dollars"...
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from Sergio Leone came came out...
75
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where shown in Italy and Spain at the same time practically.
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This type of supports were very well known,
because they make a type...
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they were all types.
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As actors, they were a well discreet,
but they were very good types.
79
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I remember one of them...
80
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I told him shave all your hair
and stay completely bold.
81
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That was a good type for you.
And in fact, he did it.
82
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I don't remember the name of this guy,
but he was bold...
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with a special face
and he was signed to make many, many Western
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because of his bald head.
7181
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