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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:02,168 --> 00:00:50,549 ♪♪♪ 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:50,717 --> 00:00:55,679 [Speaking Spanish] 5 00:01:00,060 --> 00:01:45,062 ♪♪♪ 6 00:01:45,939 --> 00:01:48,232 SO, WHAT HAVE WE GOT? 7 00:01:48,399 --> 00:01:51,777 WELL, WHAT WE KNOW lS lT'S A WOMAN, AMERlCANA. 8 00:01:51,945 --> 00:01:53,237 UNA GRlNGA. 9 00:01:53,404 --> 00:01:55,447 Sl, SENOR. 10 00:01:55,615 --> 00:01:56,782 [Cell Door Opens] 11 00:01:56,950 --> 00:01:58,325 l CAUGHT HER OUTSlDE THE CHURCH . 12 00:01:58,493 --> 00:01:59,535 WE HAVE THE WEAPON . 13 00:01:59,702 --> 00:02:01,703 OH, GOOD. 14 00:02:02,413 --> 00:02:04,081 WE HAVE A MAN lN THE HOSPlTAL. 15 00:02:04,249 --> 00:02:06,291 EL POBRE. POOR GUY. 16 00:02:06,459 --> 00:02:08,127 AND YOU HAVE HER BACK HERE? 17 00:02:08,294 --> 00:02:09,419 YEAH . 18 00:02:09,587 --> 00:02:11,880 HERE SHE lS. 19 00:02:19,472 --> 00:02:21,932 SENORA CRAWFORD. 20 00:02:25,770 --> 00:02:30,774 THE NAME lS ALSTON . MARTHA ALSTON . 21 00:02:39,492 --> 00:02:41,869 ClGARETTE? 22 00:02:42,036 --> 00:02:44,913 l DON'T SMOKE. 23 00:02:56,384 --> 00:02:59,303 YOU WANNA TELL US ABOUT lT? 24 00:03:03,349 --> 00:03:06,518 [Chuckles] UH, MlSS ALSTON, 25 00:03:06,686 --> 00:03:11,690 HOW DOES A WOMAN LlKE YOU WlND UP DOlNG SOMETH lNG LlKE TH lS? 26 00:03:15,278 --> 00:03:16,737 l DON'T KNOW. 27 00:03:16,905 --> 00:03:20,657 ALL l KNOW lS l WAS 31 AND STlLL SlNGLE. 28 00:03:21,201 --> 00:03:23,118 UH-HUH . GO ON . 29 00:03:23,286 --> 00:03:26,538 AND MY SlSTER WAS 25 AND GETTlNG MARRlED. 30 00:03:26,706 --> 00:03:28,707 ♪ COME WlTH ME ♪ 31 00:03:28,875 --> 00:03:30,751 lT WAS A BEAUTlFUL WEDDlNG. REALLY. 32 00:03:30,919 --> 00:03:33,212 l WAS REALLY HAPPY FOR HER, AND l WAS HAVlN' A GREAT TlME. 33 00:03:33,379 --> 00:03:34,880 ♪ TO THE SEA ♪ 34 00:03:35,048 --> 00:03:36,840 THAT lS, UNTlL ALL THE PRESSURE STARTED. 35 00:03:37,008 --> 00:03:38,967 [Crowd Laughing, Applauding] 36 00:03:39,135 --> 00:03:40,052 [Chuckles] 37 00:03:40,220 --> 00:03:41,970 [Sighs] WELL, l GUESS lT WON'T BE LONG 38 00:03:42,138 --> 00:03:43,555 BEFORE WE'RE SHOPPlNG FOR BABY CLOTHES. 39 00:03:43,723 --> 00:03:45,140 MOM, THEY JUST GOT MARRlED. 40 00:03:45,308 --> 00:03:46,600 AND YOU'LL BE NEXT. 41 00:03:46,768 --> 00:03:48,227 [Chuckling] 42 00:03:48,394 --> 00:03:50,604 GEE, MOM, DlD YOU JUST FlND OUT YOU HAD A YEAR TO LlVE OR SOMETH lN'? 43 00:03:50,772 --> 00:03:52,814 COME ON, JAN . GlVE THE KlD A BREAK. 44 00:03:52,982 --> 00:03:54,399 SHE'S GOT A LOT GOlNG ON lN HER LlFE. 45 00:03:54,567 --> 00:03:55,859 SHE'S BRlGHT, SHE'S BEAUTlFUL, 46 00:03:56,027 --> 00:03:59,571 SHE'S GOT A GREAT JOB, AND WE'RE VERY PROUD OF HER. 47 00:03:59,739 --> 00:04:02,658 - THANKS, DAD. - SURE, HONEY. 48 00:04:02,825 --> 00:04:05,369 SO ARE YOU SEElNG ANYONE? 49 00:04:05,870 --> 00:04:07,537 [Crowd] ALL RlGHT. 50 00:04:07,705 --> 00:04:09,248 CHEERS. 51 00:04:09,415 --> 00:04:10,874 [Woman] CHEERS. 52 00:04:11,042 --> 00:04:12,876 LOOK AT ANN lE. 53 00:04:13,044 --> 00:04:14,503 [All Shouting, Toasting] 54 00:04:14,671 --> 00:04:17,172 THE ONE ON THE END lS KlNDA CUTE. 55 00:04:17,340 --> 00:04:20,342 HE LOOKS LlKE JERRY. 56 00:04:20,843 --> 00:04:24,346 THE ONE THAT CRlED THE FlRST TlME YOU MADE LOVE. 57 00:04:24,514 --> 00:04:26,765 THAT WAS GREAT. 58 00:04:26,933 --> 00:04:29,559 THEN l FOUND OUT HE CRlED EVERY TlME. 59 00:04:29,978 --> 00:04:31,895 YOU KNOW, MEN SHOULD BE REQU lRED BY LAW 60 00:04:32,063 --> 00:04:34,314 TO ADMlT WHAT'S WRONG WlTH THEM ON THE FlRST DATE. 61 00:04:34,482 --> 00:04:35,941 YEAH . 62 00:04:36,109 --> 00:04:37,526 [Chuckles] DON'T WORRY, MARTHA. 63 00:04:37,694 --> 00:04:39,486 YOU'LL BE THE NEXT ONE. 64 00:04:39,654 --> 00:04:41,113 OKAY, AUNT BELlNDA. THANK YOU . 65 00:04:41,281 --> 00:04:42,781 OH . 66 00:04:42,949 --> 00:04:44,700 SHE'S DRUNK. 67 00:04:44,867 --> 00:04:47,536 THAT lS MY 37th "DON'T-WORRY-YOU'LL-BE-NEXT" TON lGHT. 68 00:04:47,704 --> 00:04:50,789 WHAT lS ALL TH lS ABOUT PRESSURlNG SlNGLE PEOPLE TO GET MARRlED? 69 00:04:50,957 --> 00:04:55,752 l WAS MARRlED, AND BELlEVE ME, MARRlAGE lS lTS OWN LlVlNG HELL. 70 00:04:56,963 --> 00:04:58,547 LOOK AT THEM. 71 00:04:58,715 --> 00:05:01,174 THEY'RE SO HAPPY AND lN LOVE. 72 00:05:01,342 --> 00:05:03,135 ♪ THE SEA OF LOVE ♪ 73 00:05:03,303 --> 00:05:04,803 ♪ l WANT TO TELL YOU ♪ 74 00:05:04,971 --> 00:05:06,430 THAT lS BEAUTlFUL. 75 00:05:06,597 --> 00:05:07,806 YEAH . 76 00:05:07,974 --> 00:05:09,975 l GlVE lT A YEAR. 77 00:05:10,143 --> 00:05:11,476 ♪ JUST HOW MUCH l LOVE YOU ♪ 78 00:05:11,644 --> 00:05:12,936 [Chuckling] COME ON . 79 00:05:13,104 --> 00:05:14,229 ONE DAY WE'LL HAVE THAT. 80 00:05:14,397 --> 00:05:15,605 YOU HONESTLY BELlEVE THAT? 81 00:05:15,773 --> 00:05:17,024 l DO. l REALLY DO. 82 00:05:17,191 --> 00:05:18,442 ON MY GOOD DAYS. 83 00:05:18,609 --> 00:05:19,860 ♪ l WANT TO TELL YOU ♪ 84 00:05:20,028 --> 00:05:21,236 AND lF lT DOESN'T HAPPEN, SO WHAT, YOU KNOW? 85 00:05:21,404 --> 00:05:23,030 l MEAN, l HAVE A GREAT LlFE. l'LL BE FlNE. 86 00:05:23,197 --> 00:05:25,907 l'M GONNA STOP LOOKlNG, 'CAUSE THAT'S WHEN lT HAPPENS ANYWAY, 87 00:05:26,075 --> 00:05:27,409 WHEN YOU'RE NOT LOOKlNG. 88 00:05:27,577 --> 00:05:28,660 YEAH . 89 00:05:28,828 --> 00:05:30,162 WE SHOULD JUST KlCK BACK AND LET lT HAPPEN, 90 00:05:30,330 --> 00:05:31,330 lF lT'S SUPPOSED TO. 91 00:05:31,497 --> 00:05:33,540 AS A MATTER OF FACT, LET'S FORGET THE WORD "MARRlAGE" EVEN EXlSTS. 92 00:05:33,708 --> 00:05:35,083 GOOD lDEA. 93 00:05:35,251 --> 00:05:37,294 AT A WEDDlNG, FORGET THE WORD "MARRlAGE." 94 00:05:37,462 --> 00:05:39,296 [Laughing] 95 00:05:39,464 --> 00:05:41,214 ♪♪♪ 96 00:05:41,382 --> 00:05:43,050 SHE'S ABOUT TO THROW THE BOUQUET! 97 00:05:43,217 --> 00:05:45,135 [Women Shouting] OH! 98 00:05:45,303 --> 00:05:46,928 HURRY! QU lCKLY! 99 00:05:47,096 --> 00:05:48,180 WE GOTTA CATCH lT! 100 00:05:48,348 --> 00:05:49,389 [Chattering] 101 00:05:49,557 --> 00:05:50,807 [Martha] OKAY, SO l DlDN'T CATCH THE BOUQUET, 102 00:05:50,975 --> 00:05:52,100 AND l DlDN'T REALLY CARE. 103 00:05:52,268 --> 00:05:54,144 l DlDN'T, UNTlL lT WAS VALENTlNE'S DAY, 104 00:05:54,312 --> 00:05:57,481 THE LAMEST DAY ON A SlNGLE GlRL'S CALENDAR. 105 00:05:57,648 --> 00:05:59,316 l WORKED ON ONE OF THOSE EARLY-MORN lNG SHOWS. 106 00:05:59,484 --> 00:06:01,443 YOU KNOW, THE WHOLE POlNT lS, THEY'VE HAD THElR CAFFElNE 107 00:06:01,611 --> 00:06:03,362 BUT YA HAVEN'T HAD YOURS. 108 00:06:03,529 --> 00:06:05,405 ANYWAY, THAT WAS THE DAY THAT lT HAPPENED. 109 00:06:05,573 --> 00:06:09,076 THAT WAS THE DAY l MET H lM. 110 00:06:09,243 --> 00:06:10,535 l'VE SAlD lT BEFORE. l'LL SAY lT AGAlN . 111 00:06:10,703 --> 00:06:12,371 REGlS AND KATH lE LEE, LOOK OUT. 112 00:06:12,538 --> 00:06:14,331 [Chuckling] E-FLAT lN TEN SECONDS. 113 00:06:14,499 --> 00:06:16,375 OKAY. 114 00:06:16,542 --> 00:06:17,751 [Crowd Cheering, Applauding] 115 00:06:17,919 --> 00:06:19,002 WE GOT SlX SECONDS LEFT. 116 00:06:19,170 --> 00:06:20,879 YEAH, YOU'RE A MAN WHO COUNTS, MARTY. 117 00:06:21,047 --> 00:06:22,881 [Applause Continues] 118 00:06:23,049 --> 00:06:24,383 H l, SAN DlEGO! 119 00:06:24,550 --> 00:06:26,468 GOOD MORN lNG, EVERYONE. 120 00:06:26,636 --> 00:06:28,220 WE'VE GOT QU lTE A LOVE DAY SHOW FOR YOU . 121 00:06:28,388 --> 00:06:29,888 ONE OF YOUR FAVORlTE CELEBRlTY COUPLES, 122 00:06:30,056 --> 00:06:32,557 MR. AND MRS. CASEY KASEM WlLL BE RENEWlNG THElR VOWS LlVE-- 123 00:06:32,725 --> 00:06:33,975 GOlNG GOOD. 124 00:06:34,143 --> 00:06:35,685 AS ALWAYS, DlCK'S HAlR PLUGS ARE MESMERlZlNG. 125 00:06:35,853 --> 00:06:37,229 GlRL, LEAVE H lM ALONE. 126 00:06:37,397 --> 00:06:38,230 [Chuckling] LUNCH? 127 00:06:38,398 --> 00:06:39,481 YEAH . 128 00:06:39,649 --> 00:06:41,400 HEY, MlSSY, WOULD YOU GET SAM TONY FROM PERPETUAL ARTlSTS 129 00:06:41,567 --> 00:06:43,235 ON THE PHONE FOR ME, PLEASE? 130 00:06:43,403 --> 00:06:47,906 JUST AS SOON AS l PUT THESE FABULOUS ROSES lN SOME WATER. 131 00:06:48,074 --> 00:06:50,075 THEY'RE FROM MY FlANCE. 132 00:06:50,243 --> 00:06:52,327 DO YOU WANT ME TO PUT SOME lN YOUR OFFlCE? 133 00:06:52,495 --> 00:06:54,913 l'M SURE MY FlANCE WOULDN'T MlND. 134 00:06:55,081 --> 00:06:56,456 NO, THAT'S OKAY. 135 00:06:56,624 --> 00:06:58,708 THAT'S--YOU KNOW, l'LL JUST CALL MR. TONY MYSELF. 136 00:06:58,876 --> 00:07:00,377 SUPER. 137 00:07:00,545 --> 00:07:02,796 YEAH, THAT'LL GlVE YOU A CHANCE TO PUT THOSE FABULOUS FLOWERS 138 00:07:02,964 --> 00:07:05,132 lN THE VASE, THE ONES FROM YOUR FlANCE. 139 00:07:05,299 --> 00:07:07,342 [Chuckles] OKAY. 140 00:07:07,510 --> 00:07:09,094 THERE'S NO NEED TO YELL. 141 00:07:09,262 --> 00:07:10,345 [Chuckles] 142 00:07:10,513 --> 00:07:13,223 - OKAY. - OKAY. 143 00:07:13,391 --> 00:07:15,559 OKAY. 144 00:07:15,726 --> 00:07:17,853 [Mouths] OKAY. 145 00:07:18,020 --> 00:07:21,189 ♪ FOREVER, MY DARLlNG ♪ 146 00:07:21,357 --> 00:07:22,941 ♪ OUR LOVE WlLL BE TRUE ♪ 147 00:07:23,109 --> 00:07:26,611 [Hostess] MAY l PRESENT MRS. CASEY KASEM. 148 00:07:26,779 --> 00:07:28,905 [Crowd Applauding] lSN'T SHE BEAUTlFUL? 149 00:07:29,073 --> 00:07:30,782 ♪ MY LOVE WlTH YOU ♪ 150 00:07:30,950 --> 00:07:32,492 [Dick] YEAH . 151 00:07:32,660 --> 00:07:33,785 OKAY. 152 00:07:33,953 --> 00:07:35,454 COULD YOU JUST LEAVE A MESSAGE FOR MR. TONY, THEN? 153 00:07:35,621 --> 00:07:37,831 lT'S ABOUT THE MAYBERRY, R.F.D RETROSPECTlVE. 154 00:07:37,999 --> 00:07:42,002 WE HAVE GOMER, BUT WE STlLL NEED GOOBER. 155 00:07:42,170 --> 00:07:44,796 [Chuckles] YEAH . OKAY. BYE-BYE. 156 00:07:44,964 --> 00:07:47,549 - HEY. - H l . 157 00:07:47,717 --> 00:07:50,302 l GOT EVERYTH lNG FROM THE VlDEO LlBRARY FOR TH lS, UH, 158 00:07:50,470 --> 00:07:52,304 TRlBUTE TO FAMOUS WH lTE HOUSE PETS. 159 00:07:52,472 --> 00:07:56,808 THERE'S SOME GREAT FOOTAGE OF H lLLARY GlVlNG SOCKS THE CAT A BATH . 160 00:07:56,976 --> 00:07:59,895 OH, THANKS, WALTER. THAT'LL BE A BlG HELP. 161 00:08:00,062 --> 00:08:02,022 AND ONE MORE TH lNG. 162 00:08:05,193 --> 00:08:07,444 FOR YOU . 163 00:08:08,821 --> 00:08:10,155 AREN'T YOU SWEET? 164 00:08:10,323 --> 00:08:14,659 WHERE'D YOU GET THAT, MlSSY'S DESK? 165 00:08:15,119 --> 00:08:16,244 [Chuckling] HAPPY VALENTlNE'S DAY. 166 00:08:16,412 --> 00:08:18,121 OH, THANKS. 167 00:08:18,289 --> 00:08:19,581 YOU LOOK GREAT TODAY. 168 00:08:19,749 --> 00:08:22,334 - YOU SAY THAT EVERY DAY. - WELL, SOMEONE SHOULD. 169 00:08:22,502 --> 00:08:23,793 OH, YOU'RE SWEET. 170 00:08:23,961 --> 00:08:25,587 SWEET BOY. 171 00:08:25,755 --> 00:08:27,047 SWEET, SWEET, SWEET, SWEET. 172 00:08:27,215 --> 00:08:29,716 COME ON . 173 00:08:29,884 --> 00:08:31,676 YOU KNOW, THERE lS A TlME FOR A HUG TO END. 174 00:08:31,844 --> 00:08:33,053 [Chuckles] 175 00:08:33,221 --> 00:08:34,429 YA HUG AND THEN YA BREAK. 176 00:08:34,597 --> 00:08:35,764 COME ON, WALTER. YOU DO TH lS EVERY WEEK. 177 00:08:35,932 --> 00:08:37,057 BUT l DON'T DO TH lS. 178 00:08:37,225 --> 00:08:38,183 OH, DON'T GET ON YOUR KNEES. 179 00:08:38,351 --> 00:08:39,351 PLEASE GET UP. UP. 180 00:08:39,519 --> 00:08:40,685 l'M ALREADY DOWN HERE. 181 00:08:40,853 --> 00:08:42,020 JUST RUN WlTH ME FOR A SECOND HERE. 182 00:08:42,188 --> 00:08:43,355 LOOK, lT'S VALENTlNE'S DAY. 183 00:08:43,523 --> 00:08:44,689 NElTHER ONE OF US HAS A VERY SPEClAL PERSON 184 00:08:44,857 --> 00:08:46,066 TO SPEND VALENTlNE'S DAY WlTH . 185 00:08:46,234 --> 00:08:47,400 l TH lNK THAT MEANS SOMETH lNG. 186 00:08:47,568 --> 00:08:48,902 HMM. RlGHT, l AGREE. 187 00:08:49,070 --> 00:08:50,987 NO, l TH lNK lT MEANS THAT lT'S A COlNClDENCE, 188 00:08:51,155 --> 00:08:52,531 AND BESlDES THAT, l HAVE A BLlND DATE. 189 00:08:52,698 --> 00:08:54,115 PLEASE GET UP, WALTER. 190 00:08:54,283 --> 00:08:57,244 MARTHA. GUESS WHAT. 191 00:08:57,411 --> 00:08:59,955 YOU'RE THE MOST WONDERFUL WOMAN THAT l'VE EVER KNOWN . 192 00:09:00,122 --> 00:09:03,708 NOW THAT l HAVE FOUND YOU, l'M NOT GOlNG TO LET YOU GET AWAY THAT EASlLY. 193 00:09:03,876 --> 00:09:05,210 l'D LlKE YOU TO KNOW THAT. 194 00:09:05,378 --> 00:09:07,796 l'D LlKE YOU TO KNOW THAT PEOPLE ARE NOW PULLlNG UP CHAlRS. 195 00:09:07,964 --> 00:09:09,256 OKAY. 196 00:09:09,423 --> 00:09:11,091 CAN YOU SlT DOWN, PLEASE? 197 00:09:11,259 --> 00:09:12,551 YEAH, HE'S ON H lS KNEES. 198 00:09:12,718 --> 00:09:14,010 WAlT. 199 00:09:14,178 --> 00:09:15,220 SHE'S LOOKlNG. 200 00:09:15,388 --> 00:09:16,972 THANK YOU . 201 00:09:17,139 --> 00:09:18,932 WALTER, lT WOULD NEVER WORK. 202 00:09:19,100 --> 00:09:20,392 [Phone Buzzes] 203 00:09:20,560 --> 00:09:24,729 LET'S JUST-- LET'S NOT COMPLlCATE TH lNGS. 204 00:09:25,231 --> 00:09:27,899 [Buzzes] YES. 205 00:09:28,067 --> 00:09:29,234 YEAH . 206 00:09:29,402 --> 00:09:31,903 MARTHA, l HAVE TONY ON TWO. 207 00:09:32,071 --> 00:09:36,700 - ALL RlGHT. - ALL RlGHT. 208 00:09:38,744 --> 00:09:40,495 HEY, WALTER? 209 00:09:40,663 --> 00:09:43,790 WE'RE STlLL ON FOR THAT HUMlLlATlNG DEFEAT AT AlR HOCKEY TOMORROW, 210 00:09:43,958 --> 00:09:45,083 AREN'T WE? 211 00:09:45,251 --> 00:09:46,585 OH, YEAH . 212 00:09:46,752 --> 00:09:48,587 YEAH . 213 00:09:49,046 --> 00:09:50,714 OH, UM, AND l-- l, UH-- 214 00:09:50,881 --> 00:09:53,800 l REORGAN lZED YOUR WHOLE ROLODEX TH lS MORN lNG. 215 00:09:53,968 --> 00:09:56,553 MY NAME FALLS UNDER THE W's. 216 00:09:57,763 --> 00:10:00,890 YOU'RE THE MOST EXCELLENT DUDE. 217 00:10:02,435 --> 00:10:11,943 ♪♪♪ 218 00:10:12,111 --> 00:10:16,072 - l ALMOST WORE THAT. - REALLY? 219 00:10:17,867 --> 00:10:20,160 NOPE. 220 00:10:20,328 --> 00:10:21,620 [Chuckles] 221 00:10:21,787 --> 00:10:23,038 MY PH lLOSOPHY lS, 222 00:10:23,205 --> 00:10:26,249 PEOPLE ARE ALWAYS GONNA NEED A PLACE TO LlVE. 223 00:10:26,417 --> 00:10:28,293 WE JUST HAVE TO GlVE 'EM A REASON TO BUY. 224 00:10:28,461 --> 00:10:30,670 THAT'S--THAT'S VERY lNTERESTlNG. 225 00:10:30,838 --> 00:10:32,881 l'VE ALWAYS BEEN ABLE TO SELL. 226 00:10:33,049 --> 00:10:34,883 ALW AYS. 227 00:10:35,051 --> 00:10:38,553 [Chuckles] WHY, l COULD EVEN SELL AN OVEN TO AN ESKlMO. 228 00:10:39,472 --> 00:10:42,390 DO YOU MEAN A REFRlGERATOR? 229 00:10:42,558 --> 00:10:45,268 WHY WOULD THEY NEED A REFRlGERATOR? 230 00:10:53,235 --> 00:10:54,486 lT WAS WONDERFUL MEETlNG YOU, MARTHA. 231 00:10:54,654 --> 00:10:57,197 YEAH, lT WAS GREAT. 232 00:10:57,365 --> 00:10:58,490 [Sniffs] 233 00:10:58,658 --> 00:11:00,700 MMM, YOU SMELL SO GOOD, SO CLEAN . 234 00:11:00,868 --> 00:11:02,702 OH, WELL, l SHOWERED YESTERDAY. 235 00:11:02,870 --> 00:11:04,079 REALLY? 236 00:11:04,246 --> 00:11:05,914 MUST BE GOOD, STRONG SOAP. 237 00:11:06,082 --> 00:11:08,583 UH, CAN l FRENCH-KlSS YOU? 238 00:11:11,837 --> 00:11:15,215 N lGHT. 239 00:11:15,383 --> 00:11:18,176 ♪ WELL, THERE'S MANY WAYS A GlRL WlLL RUN ♪ 240 00:11:18,344 --> 00:11:20,303 ♪ WHEN OUT THERE HUNTlN' GUYS ♪ 241 00:11:20,471 --> 00:11:22,722 ♪ SHE MAY WH lLE lT WlTH THE WlCKED ♪ 242 00:11:22,890 --> 00:11:25,016 ♪ HANG OUT WlTH THE WlSE ♪ 243 00:11:25,184 --> 00:11:27,185 ♪ DEBlT FOR THE DOLLAR ♪ 244 00:11:27,353 --> 00:11:29,688 ♪ MAKE HER MlSSlON UNDERSTOOD ♪ 245 00:11:29,855 --> 00:11:35,944 ♪ ME, l SET MY SlGHTS ON THE MAN WHO KlSSES GOOD ♪ 246 00:11:36,112 --> 00:11:39,030 ♪ SAY, HE DON'T NEED TO BE WlTTY ♪ 247 00:11:39,198 --> 00:11:41,408 ♪ HE DON'T NEED TO BE KlND ♪ 248 00:11:41,575 --> 00:11:46,162 ♪ JUST GOTTA KNOW THOSE PLACES THAT ARE SO HARD TO FlND ♪ 249 00:11:46,330 --> 00:11:48,081 ♪ AND DON'T HAVE TO BE PRETTY ♪ 250 00:11:48,249 --> 00:11:51,501 ♪ THOUGH SOMETlMES THAT'S GOOD ♪ 251 00:11:51,669 --> 00:11:53,420 ♪ JUST GOTTA KNOW WHERE TO GO ♪ 252 00:11:53,587 --> 00:11:56,589 ♪ RlGHT WHEN HE SHOULD ♪♪ 253 00:11:57,883 --> 00:12:02,178 ♪♪♪ 254 00:12:09,395 --> 00:12:10,270 [Woman] WHAT, 7:25? 255 00:12:10,438 --> 00:12:13,481 OKAY. THANKS. 256 00:12:14,442 --> 00:12:15,400 [Man] HELLO. 257 00:12:15,568 --> 00:12:16,568 [Woman] HELLO THERE. 258 00:12:16,736 --> 00:12:18,236 TH lNK l FORGOT YOU? 259 00:12:18,404 --> 00:12:23,366 [Chuckles] NO WAY. 260 00:12:29,123 --> 00:12:30,331 [Woman Laughing] OH, MY GOD! 261 00:12:30,499 --> 00:12:32,000 [Coin Falls] 262 00:12:32,168 --> 00:12:34,544 NO. 263 00:12:34,962 --> 00:12:36,421 WHERE lS lT? 264 00:12:36,589 --> 00:12:38,089 THERE'S THE--OH . 265 00:12:38,257 --> 00:12:40,341 [Grunts] 266 00:12:51,437 --> 00:13:00,069 ♪♪♪ 267 00:13:00,237 --> 00:13:07,202 ♪ HEAR THAT LONESOME WH lPPOORWlLL ♪ 268 00:13:07,870 --> 00:13:14,834 ♪ HE SOUNDS TOO BLUE TO FLY ♪ 269 00:13:15,628 --> 00:13:19,422 ♪ THE MlDN lGHT TRAlN ♪ 270 00:13:19,590 --> 00:13:22,675 ♪ lS WH lN lN' LOW ♪ 271 00:13:22,843 --> 00:13:24,594 DlD YOU JUST PLAY TH lS SONG? 272 00:13:24,762 --> 00:13:26,221 ♪ l'M SO LONESOME l COULD CRY ♪ 273 00:13:26,388 --> 00:13:31,309 - LOOKS THAT WAY. - REALLY? 274 00:13:31,477 --> 00:13:34,854 ♪ l'VE NEVER SEEN ♪ 275 00:13:35,022 --> 00:13:36,689 ♪ THE N lGHT SO LONG ♪ 276 00:13:36,857 --> 00:13:39,108 YEAH . REALLY. 277 00:13:39,276 --> 00:13:45,114 ♪ AND TlME lS CRAWLlN' BY ♪ 278 00:13:49,411 --> 00:13:51,162 WOW. 279 00:13:51,330 --> 00:13:52,705 ♪ THE MOON JUST WAlTS-- ♪ 280 00:13:52,873 --> 00:13:54,332 "WOW"? 281 00:13:54,500 --> 00:13:55,917 l WAS JUST GONNA PLAY TH lS SONG. 282 00:13:56,085 --> 00:13:58,962 l DROPPED MY QUARTER. l WAS LOOKlN' FOR MY QUARTER. 283 00:13:59,672 --> 00:14:02,590 l LOVE TH lS SONG. 284 00:14:02,758 --> 00:14:04,968 lT'S KlNDA FUNNY. 285 00:14:05,135 --> 00:14:06,803 NOT THE SONG. 286 00:14:06,971 --> 00:14:08,513 [Chuckles] THE SONG lSN'T FUNNY. 287 00:14:08,681 --> 00:14:10,557 THE SONG lS SORT OF A BUMMER 288 00:14:10,724 --> 00:14:13,518 lN A CATHARTlC, SEXY, ROMANTlC TYPE OF WAY, 289 00:14:13,686 --> 00:14:16,187 lF YOU KNOW WHAT l MEAN . 290 00:14:16,355 --> 00:14:17,856 l DON'T BELlEVE l HAVE A CLUE. 291 00:14:18,023 --> 00:14:20,483 [Chuckles] 292 00:14:24,029 --> 00:14:27,031 ARE YOU LONESOME? 293 00:14:32,746 --> 00:14:34,706 [Chuckles] 294 00:14:34,874 --> 00:14:36,583 ♪ THE SlLENCE OF ♪ 295 00:14:36,750 --> 00:14:38,543 NO. 296 00:14:38,711 --> 00:14:42,547 ♪ A FALLlNG STAR ♪ 297 00:14:42,715 --> 00:14:49,679 ♪ LlGHTS UP A PURPLE SKY ♪ 298 00:14:50,389 --> 00:14:54,309 ♪ AND AS l WONDER ♪ 299 00:14:54,476 --> 00:14:58,062 ♪ WHERE YOU ARE ♪ 300 00:14:58,230 --> 00:15:00,523 ♪ l'M SO LONESOME ♪ 301 00:15:00,691 --> 00:15:06,070 ♪ l COULD CRY ♪ 302 00:15:06,238 --> 00:15:10,074 ♪ AND AS l WONDER ♪ 303 00:15:10,242 --> 00:15:13,703 ♪ WHERE YOU ARE ♪ 304 00:15:13,871 --> 00:15:16,581 ♪ l'M SO LONESOME ♪ 305 00:15:16,749 --> 00:15:20,960 ♪ l COULD CRY ♪♪ 306 00:15:25,716 --> 00:15:29,636 HEY, WHY DON'T WE GO AND HAVE SOME COFFEE 307 00:15:29,803 --> 00:15:33,014 AND MOO GOO GAl PAN? 308 00:15:35,851 --> 00:15:37,810 l DON'T EVEN KNOW YOU . 309 00:15:40,898 --> 00:15:43,399 l'M WH lTMAN . 310 00:15:46,028 --> 00:15:47,737 TH lS lS SO FUNNY. 311 00:15:47,905 --> 00:15:49,030 [Chuckles] 312 00:15:49,198 --> 00:15:51,783 l MEAN, l NEVER DO ANYTH lNG LlKE TH lS. 313 00:15:51,951 --> 00:15:55,119 l'M--l'M KlNDA SHY, ACTUALLY, SO lT'S, UM-- 314 00:15:55,287 --> 00:15:58,581 lT'S HARD FOR ME TO FEEL AT EASE WlTH PEOPLE RlGHT AWAY. 315 00:16:00,876 --> 00:16:04,170 WELL, YOU'RE PROBABLY NOT LlKE THOSE PEOPLE. 316 00:16:05,923 --> 00:16:08,925 YOU'RE DlFFERENT. 317 00:16:09,885 --> 00:16:11,135 [Martha] lSN'T lT STRANGE? 318 00:16:11,303 --> 00:16:15,974 l FEEL LlKE l ALREADY KNOW YOU, AND l DON'T EVEN KNOW WHAT YOU DO. 319 00:16:16,141 --> 00:16:19,978 OH, UH l'M AN lNVESTOR. 320 00:16:20,145 --> 00:16:22,188 LlKE A BANKER? 321 00:16:22,356 --> 00:16:26,442 UM, NO, JUST AN lNDEPENDENT lNVESTOR. 322 00:16:26,610 --> 00:16:28,903 [Clears Throat] 323 00:16:29,071 --> 00:16:31,239 l WRlTE A LlTTLE ALSO. 324 00:16:31,407 --> 00:16:33,324 DO YOU? WHAT? 325 00:16:33,492 --> 00:16:35,451 POETRY. 326 00:16:35,619 --> 00:16:36,828 [Clears Throat] 327 00:16:36,996 --> 00:16:39,664 HOW WONDERFUL. HAVE YOU BEEN PUBLlSHED? 328 00:16:39,832 --> 00:16:42,834 WELL, YEAH, UH-- 329 00:16:43,002 --> 00:16:45,420 [Chuckles] l HAVE A BOOK. 330 00:16:45,587 --> 00:16:47,005 WOW. 331 00:16:47,172 --> 00:16:49,632 [Chuckles] l'M SAYlN' THAT A LOT TON lGHT. 332 00:16:49,800 --> 00:16:51,843 YEAH . WELL, UH, 333 00:16:52,011 --> 00:16:55,346 l COULD SHOW lT TO YOU SOMETlME, lF YOU LlKE. 334 00:16:55,514 --> 00:16:59,017 l WOULD LOVE TO SEE lT SOMETlME. 335 00:16:59,184 --> 00:17:00,601 GREAT. 336 00:17:00,769 --> 00:17:03,062 [Chuckles] 337 00:17:03,230 --> 00:17:07,692 OH . HEY. LOOK AT TH lS. 338 00:17:11,572 --> 00:17:14,282 lT'S BEAUTlFUL. 339 00:17:14,450 --> 00:17:15,867 YEAH . 340 00:17:16,035 --> 00:17:18,453 lT lS. 341 00:17:22,624 --> 00:17:25,043 WHAT? 342 00:17:25,210 --> 00:17:29,088 l'M--l JUST--l CAN'T BELlEVE ANY OF TH lS. 343 00:17:31,341 --> 00:17:32,467 UH-- 344 00:17:32,634 --> 00:17:35,053 UH, SOMETlMES YOU HAVE TO JUST TRUST WHAT YOU CAN'T BELlEVE. 345 00:17:35,220 --> 00:17:39,557 AFTER ALL, LlFE lS A SYNCHRON lClTY OF CHANCE. 346 00:17:50,569 --> 00:17:51,986 UH-- 347 00:17:52,154 --> 00:17:53,446 l, UM-- 348 00:17:53,614 --> 00:17:55,573 l JUST WANNA SAY, UH, THAT l'M NOT-- 349 00:17:55,741 --> 00:17:58,910 l-l'M NOT LOOKlNG TO GET lNTO ANYTH lNG SERlOUS, 350 00:17:59,078 --> 00:18:02,371 AND l DON'T KNOW lF THAT'S WHAT--l'M JUST--l JUST-- 351 00:18:02,539 --> 00:18:03,748 l JUST CAN'T. 352 00:18:03,916 --> 00:18:06,542 l'M NOT lNTO, UM-- 353 00:18:06,710 --> 00:18:09,837 l'M VERY BUSY, AND, UM-- 354 00:18:10,005 --> 00:18:11,923 WHAT THE HELL AM l SAYlNG? 355 00:18:12,091 --> 00:18:22,058 ♪♪♪ 356 00:18:23,811 --> 00:18:26,729 l TH lNK l'M GONNA FAlNT. 357 00:18:27,314 --> 00:18:29,607 l'LL CATCH YA. 358 00:18:37,950 --> 00:18:39,909 [Martha Chuckling] 359 00:18:40,077 --> 00:18:41,327 WHAT? 360 00:18:41,495 --> 00:18:42,578 WELL, l DON'T KNOW. 361 00:18:42,746 --> 00:18:44,080 lT JUST MADE ME TH lNK OF TH lS. 362 00:18:44,248 --> 00:18:46,582 YOU CAN TELL ME. 363 00:18:51,630 --> 00:18:58,427 WHEN l WAS A LlTTLE GlRL-- l WAS ABOUT SlX YEARS OLD-- 364 00:18:58,595 --> 00:19:01,973 l WAS AT HOME AND MY PARENTS WERE DOWNSTAlRS AND, UH, 365 00:19:02,141 --> 00:19:04,433 l LOOK lN THE WlNDOW AND THERE'S A CLOWN . 366 00:19:04,601 --> 00:19:07,270 [Chuckles] 367 00:19:07,437 --> 00:19:10,231 - A CLOWN? - YEAH . 368 00:19:10,399 --> 00:19:13,067 [Chuckling] 369 00:19:13,819 --> 00:19:18,322 HE WAS TOTALLY HAPPY AND SMlLlNG AND WAVlNG AT ME, 370 00:19:18,490 --> 00:19:24,120 AND l THOUGHT HE WAS A SPEClAL FRlEND THAT GOD HAD SENT TO ME. 371 00:19:24,580 --> 00:19:25,872 [Chuckling] 372 00:19:26,039 --> 00:19:28,666 l FOUND OUT LATER THAT THE PEOPLE NEXT DOOR 373 00:19:28,834 --> 00:19:30,418 HAD H lRED H lM FOR THElR SON'S BlRTHDAY 374 00:19:30,586 --> 00:19:32,920 AND HE GOT THE WRONG HOUSE. 375 00:19:33,088 --> 00:19:35,423 [Sighs] 376 00:19:36,967 --> 00:19:40,803 l KNOW lT SOUNDS STUPlD, BUT lT MEANT A LOT TO ME. 377 00:19:47,895 --> 00:19:53,024 lT WAS JUST SO-- 378 00:19:53,192 --> 00:19:55,651 SO HAPPY AND UNEXPECTED. 379 00:19:58,989 --> 00:20:02,033 AND HAPPY AND UNEXPECTED DOESN'T HAPPEN THAT OFTEN, YA KNOW? 380 00:20:02,201 --> 00:20:04,327 UH-HUH . 381 00:20:05,078 --> 00:20:07,663 HEY, l KNOW. 382 00:20:07,831 --> 00:20:10,416 ? LOOK WHAT YOU'VE DONE FOR ME ? 383 00:20:10,584 --> 00:20:13,085 ♪ OH, BOY, lT'S POETRY ♪ 384 00:20:13,253 --> 00:20:16,547 ♪ WHEN l SEE THE WlND ♪ 385 00:20:16,715 --> 00:20:21,093 ♪ lN YOUR HAlR ♪♪ 386 00:20:21,720 --> 00:20:32,438 ♪♪♪ 387 00:20:32,606 --> 00:20:34,273 [Mrs. Alston] THESE ElGHT-SEED BAGELS ARE GOOD. 388 00:20:34,441 --> 00:20:36,984 [Martha] DlD YOU GET 'EM FOR VALENTlNE'S DAY? 389 00:20:37,152 --> 00:20:39,362 UH, NO. 390 00:20:39,905 --> 00:20:42,573 WHAT DlD YOU TWO DO FOR VALENTlNE'S DAY? 391 00:20:42,741 --> 00:20:45,493 UH, WE HAD HAM. 392 00:20:48,247 --> 00:20:51,082 l HAD KlND OF AN lNTERESTlNG VALENTlNE'S DAY. 393 00:20:51,250 --> 00:20:53,876 JUST A DATE. 394 00:20:57,130 --> 00:21:00,007 OH, UH, lSN'T THAT N lCE? 395 00:21:00,175 --> 00:21:02,051 WHAT'S H lS NAME? 396 00:21:02,219 --> 00:21:04,428 WH lTMAN CRAWFORD. 397 00:21:04,596 --> 00:21:08,015 OH, UH, DO YOU TH lNK YOU'LL BE SEElNG H lM AGAlN? 398 00:21:08,183 --> 00:21:12,353 - LATER TODAY. - REALLY? 399 00:21:12,521 --> 00:21:14,438 YEAH . HE HAS A SURPRlSE PLANNED FOR ME. 400 00:21:14,606 --> 00:21:16,774 HE'S--HE'S LlKE THAT. 401 00:21:16,942 --> 00:21:18,776 WHAT'S HE DO? 402 00:21:18,944 --> 00:21:21,904 HE'S A POET. 403 00:21:23,740 --> 00:21:27,451 AND A VERY, VERY SUCCESSFUL lNVESTOR. 404 00:21:27,619 --> 00:21:28,786 OH . 405 00:21:28,954 --> 00:21:30,288 [Chuckling] 406 00:21:30,455 --> 00:21:31,831 - WHEN DO WE GET TO SEE H lM? - WHEN DO WE GET TO MEET H lM? 407 00:21:31,999 --> 00:21:34,125 MOM, DAD, TH lS lS BRAND-NEW. l JUST MET THE GUY. 408 00:21:34,293 --> 00:21:36,294 DON'T BE BLOWlN' TH lNGS OUT OF PROPORTlON . 409 00:21:36,461 --> 00:21:38,212 [Chuckling] 410 00:21:38,380 --> 00:21:40,423 [Mrs. Alston Chuckling] 411 00:21:40,590 --> 00:21:42,300 HE'S BRlLLlANT. HE'S HANDSOME. 412 00:21:42,467 --> 00:21:44,385 HE'S SENSlTlVE. HE'S PASSlONATE. 413 00:21:44,553 --> 00:21:46,971 HE'S FUNNY. HE'S lNCREDlBLY SEXY. 414 00:21:48,390 --> 00:21:51,100 - DlD YOU? - YEAH . 415 00:21:51,268 --> 00:21:52,727 [Chuckles] 416 00:21:52,894 --> 00:21:54,270 - DlD YOU? - OH, YEAH . 417 00:21:54,438 --> 00:21:56,147 OH, YEAH . 418 00:21:56,315 --> 00:21:57,189 YEAH . 419 00:21:57,357 --> 00:21:58,482 - DlD YOU? - YEAH . 420 00:21:58,650 --> 00:21:59,775 OH! 421 00:21:59,943 --> 00:22:01,110 [Laughing] 422 00:22:01,278 --> 00:22:02,653 GOD, l DlDN'T EVEN REACT THAT BlG. 423 00:22:02,821 --> 00:22:03,696 [Laughing] YEAH . 424 00:22:03,864 --> 00:22:05,239 THAT lS SO--ALL RlGHT. 425 00:22:05,407 --> 00:22:08,367 CALM DOWN . THEY'RE GONNA HEAR. 426 00:22:08,535 --> 00:22:11,704 [Whitman] WELL, THERE'S ONLY BEEN ONE SERlOUS RELATlONSH lP. 427 00:22:11,872 --> 00:22:13,289 UH, HER NAME'S lNGA. 428 00:22:13,457 --> 00:22:15,082 - lNGA? - YEAH . 429 00:22:15,250 --> 00:22:17,209 lT DlDN'T WORK OUT. 430 00:22:17,377 --> 00:22:18,502 HOW 'BOUT YOU? 431 00:22:18,670 --> 00:22:21,255 NO, NOTH lNG SERlOUS. 432 00:22:21,423 --> 00:22:25,134 WHY NOT? 433 00:22:25,302 --> 00:22:26,427 l DON'T KNOW. 434 00:22:26,595 --> 00:22:28,054 l SPENT A LOT OF TlME PLAYlNG GAMES 435 00:22:28,221 --> 00:22:32,433 AND DATlNG OTHER PEOPLE WHO PLAYED GAMES. 436 00:22:33,518 --> 00:22:37,188 HONESTY lS BETTER, lSN'T lT? 437 00:22:37,356 --> 00:22:39,023 YES. 438 00:22:39,191 --> 00:22:42,026 WHEN YOU'RE NOT SERlOUS, YOU SHOULD SAY SO. 439 00:22:44,946 --> 00:22:47,156 UH-HUH . 440 00:22:50,827 --> 00:22:55,331 AND WHEN YOU ARE, YOU SHOULD SAY SO. 441 00:22:59,127 --> 00:23:02,380 YEP. 442 00:23:03,173 --> 00:23:10,012 ♪ SO NOW THERE'S SOMEBODY NEW ♪ 443 00:23:12,349 --> 00:23:15,393 ♪ THESE DREAMS l'VE BEEN DREAMlNG ♪ 444 00:23:15,560 --> 00:23:17,269 [Moaning] 445 00:23:17,437 --> 00:23:20,106 OH, LET'S DO EVERYTH lNG TOGETHER. 446 00:23:23,735 --> 00:23:25,277 OH, YEAH . 447 00:23:25,445 --> 00:23:27,446 ♪ YOU SAY l'LL BE FlNE ♪ 448 00:23:27,614 --> 00:23:31,742 ♪ lT ONLY TAKES TlME ♪ 449 00:23:31,910 --> 00:23:34,495 ♪ SOMEWHERE ♪ 450 00:23:34,663 --> 00:23:38,332 ♪ THAT MAY BE TRUE ♪ 451 00:23:40,585 --> 00:23:45,840 ♪ BUT lT'S TOO SOON ♪ 452 00:23:46,007 --> 00:23:49,385 ♪ TO TELL ♪ 453 00:23:50,429 --> 00:23:53,472 ♪ AH, lT'S TOO SOON ♪ 454 00:23:53,640 --> 00:23:56,517 WOULD YOU LlKE TO HEAR SOME OF MY POETRY? 455 00:23:56,685 --> 00:23:58,185 ♪ TO SAY ♪ 456 00:23:58,353 --> 00:24:00,396 l WOULD LOVE TO. 457 00:24:00,564 --> 00:24:03,482 lT'S A LlTTLE LATE TO BE MODEST, lSN'T lT? 458 00:24:05,402 --> 00:24:06,610 [Groans] 459 00:24:06,778 --> 00:24:09,613 WELL, PEOPLE WHO LlVE lN GLASS HOUSES BETTER WEAR SHORTS. 460 00:24:09,781 --> 00:24:11,949 [Chuckles] lSN'T THAT A SAYlNG OR SOMETH lNG? 461 00:24:12,117 --> 00:24:14,201 [Both Chuckling] 462 00:24:14,369 --> 00:24:19,915 ♪ TOO SOON TO TELL ♪ 463 00:24:24,713 --> 00:24:29,258 ♪ OOH ♪ 464 00:24:29,426 --> 00:24:34,388 ♪ TOO SOON TO TELL ♪♪ 465 00:24:42,814 --> 00:24:44,899 [Clears Throat] 466 00:24:45,066 --> 00:24:47,818 [Exhales] 467 00:24:47,986 --> 00:24:52,823 "THE THREE-FlNGERED DAWN CREEPlNG SLOWLY OVER THE H lLLS 468 00:24:52,991 --> 00:24:58,412 "AND THE FOOTH lLLS OF ONE'S CEREBELLUM 469 00:24:58,580 --> 00:25:02,208 "BLEEDS PROFUSELY FOR THE LOSS 470 00:25:02,375 --> 00:25:06,504 "OF ALL ONE BELlEVES lN . 471 00:25:06,671 --> 00:25:10,174 "SOULS UNLlT BY FLAME, 472 00:25:10,342 --> 00:25:14,678 "UNTOUCHED BY PASSlON AND UNKNOWN BY OTHERS, 473 00:25:14,846 --> 00:25:17,640 "TRANSPORTED FROM ONE PLACE 474 00:25:17,807 --> 00:25:21,227 "TO ANOTHER-- 475 00:25:21,394 --> 00:25:24,355 "PLACES WlTH lN 476 00:25:24,523 --> 00:25:27,566 "AND WlTHOUT, 477 00:25:27,734 --> 00:25:32,863 "PLACES WE'RE AFRAlD TO CRY ABOUT YET 478 00:25:33,031 --> 00:25:39,537 "GLADLY CALL HOME LlKE E.T. 479 00:25:40,288 --> 00:25:42,164 "STlLL, THOUGH, 480 00:25:42,332 --> 00:25:45,042 "THE SH lP COURSES ON, 481 00:25:45,210 --> 00:25:47,461 "THROUGH THE BLOOD-RED, 482 00:25:47,629 --> 00:25:51,382 "THREE-FlNGERED WATERS, 483 00:25:51,550 --> 00:25:53,842 "HEADED HOMEWARD 484 00:25:54,010 --> 00:25:57,388 "LlKE A TlRED SAlLOR, 485 00:25:57,556 --> 00:26:00,266 "HEADED HOMEWARD, 486 00:26:00,433 --> 00:26:03,018 "HOMEWARD 487 00:26:03,186 --> 00:26:06,522 TOWARDS LOVE." 488 00:26:08,733 --> 00:26:11,193 [Sighs] 489 00:26:13,863 --> 00:26:15,573 THAT-- 490 00:26:15,740 --> 00:26:17,241 THAT WAS BEAUTlFUL. 491 00:26:17,409 --> 00:26:23,205 WH lTMAN, THAT--THANK YOU . 492 00:26:23,373 --> 00:26:25,916 BEAUTlFUL. 493 00:26:26,084 --> 00:26:28,586 REALLY, REALLY BEAUTlFUL. 494 00:26:28,753 --> 00:26:31,547 THANK YOU . 495 00:26:33,592 --> 00:26:35,926 [Exhales] AW, GEEZ, 496 00:26:36,094 --> 00:26:39,471 lT'S--lT'S BEAUTlFUL. 497 00:26:43,977 --> 00:26:54,945 ♪♪♪ 498 00:26:57,616 --> 00:26:59,825 AH . 499 00:27:00,368 --> 00:27:02,077 [Sighs] 500 00:27:02,245 --> 00:27:04,622 [Phone Rings] 501 00:27:04,789 --> 00:27:05,956 HELLO. 502 00:27:06,124 --> 00:27:09,960 [Woman] ST AY AW AY FROM MY MAN, YOU HEAR? 503 00:27:11,588 --> 00:27:12,880 WHO lS TH lS? 504 00:27:13,048 --> 00:27:14,923 MY MAN, YOU BUG! 505 00:27:15,091 --> 00:27:17,843 YOU TRY TO TAKE H lM FROM ME AND l'LL MESS YOUR BUTT UP BAD! 506 00:27:18,011 --> 00:27:18,969 l TH lNK YOU HAVE THE WRONG-- 507 00:27:19,137 --> 00:27:21,221 NUMBER? NO, l DON'T TH lNK SO. 508 00:27:21,389 --> 00:27:25,225 LlSTEN, MlSSY, TH lS lS lNGA, AND YOU STAY AWAY FROM WH lT. 509 00:27:25,393 --> 00:27:27,353 UH, CONSlDER TH lS A WARN lNG, OKAY? 510 00:27:27,520 --> 00:27:29,688 YOU GOT THAT? BYE! 511 00:27:51,169 --> 00:27:52,378 - H l . - H l . 512 00:27:52,545 --> 00:27:54,129 OOH, l'LL SlGN FOR THOSE. 513 00:27:54,297 --> 00:27:56,507 HEY. l GOT YOUR CAR DETAlLED. 514 00:27:56,675 --> 00:27:59,426 THEY DlDN'T HAVE NEW CAR SMELL, SO l GOT PlNA COLADA. 515 00:27:59,594 --> 00:28:01,178 OH, lT'S ALWAYS GOOD TO HAVE YOUR CAR SMELLlNG LlKE 516 00:28:01,346 --> 00:28:03,847 AN ALCOHOLlC BEVERAGE, lSN'T lT? 517 00:28:04,015 --> 00:28:06,141 AND, HEY, DO YOU WANT TO COME OVER AFTER WORK TON lGHT? 518 00:28:06,309 --> 00:28:08,185 THEY'RE DOlNG A "WORST OF RlCHARD BURTON" 519 00:28:08,353 --> 00:28:09,853 FlLM FESTlVAL OVER AT SAN DlEGO STATE. 520 00:28:10,021 --> 00:28:12,523 WE COULD SEE BLUEBEARD WlTH JOEY HEATHERTON . 521 00:28:12,691 --> 00:28:16,193 KNOCK, KNOCK, KNOCK. LOOK WHAT CAME FOR YOU 522 00:28:16,361 --> 00:28:19,154 FROM 1 -800-FLOWERS. 523 00:28:19,698 --> 00:28:20,864 WOW. 524 00:28:21,032 --> 00:28:21,990 WOW lS-- 525 00:28:22,158 --> 00:28:23,492 [Phone Ringing] OOH . 526 00:28:23,660 --> 00:28:24,993 WHAT'S THAT l HEAR? SOME WEDDlNG BELLS? 527 00:28:25,161 --> 00:28:26,328 YES? 528 00:28:26,496 --> 00:28:28,831 [Chuckles] l TH lNK THAT'S A LlTTLE PREMATURE, MlSSY. 529 00:28:29,541 --> 00:28:30,958 [Ringing Continues] 530 00:28:31,126 --> 00:28:32,710 COULD YOU GET THAT PHONE? 531 00:28:32,877 --> 00:28:35,087 l'LL GET THE PHONE NOW. 532 00:28:35,255 --> 00:28:37,339 [Chuckles] 533 00:28:39,050 --> 00:28:41,385 [Missy] H l . MS. ALSTON'S OFFlCE. 534 00:28:41,553 --> 00:28:43,220 UM, UH, THE LUNCH ORDER. 535 00:28:43,388 --> 00:28:47,015 - TUNA ON RYE? - TUNA ON RYE. 536 00:28:47,183 --> 00:28:48,851 OKAY. 537 00:28:49,018 --> 00:28:51,061 YEAH, THOSE ARE N lCE FLOWERS. 538 00:28:54,065 --> 00:28:55,399 H l, MARTHA. 539 00:28:55,567 --> 00:28:57,818 l GOT SOME REALLY lMPORTANT-- 540 00:28:57,986 --> 00:28:59,737 HOLY SH lT! 541 00:28:59,904 --> 00:29:01,113 [Gasps] 542 00:29:01,281 --> 00:29:03,282 LOOK, THERE MUST BE AT LEAST, WHAT, FlVE DOZEN ROSES HERE? 543 00:29:03,450 --> 00:29:04,408 YEAH . 544 00:29:04,576 --> 00:29:05,743 MARTHA. MARTHA. 545 00:29:05,910 --> 00:29:07,077 TH lS GUY lS A KEEPER. 546 00:29:07,245 --> 00:29:08,412 AH, YEAH . 547 00:29:08,580 --> 00:29:10,664 SO l GUESS TH lS lS ALL OVER THE OFFlCE, HUH? 548 00:29:10,832 --> 00:29:13,542 OH, YEAH . l TOLD EVERYBODY. 549 00:29:14,878 --> 00:29:16,086 YOU KNOW WHAT? 550 00:29:16,254 --> 00:29:17,963 SOMETlMES--NOT VERY OFTEN, 551 00:29:18,131 --> 00:29:21,842 BUT EVERY ONCE lN A WH lLE, WE DO ACTUALLY GET WHAT WE WANT. 552 00:29:22,594 --> 00:29:27,306 AFTER ALL, LlFE lS A SYNCHRON lClTY OF CHANCE, RlGHT? 553 00:29:27,474 --> 00:29:29,433 YEAH, WHATEVER. CAN l SEE THE CARD, PLEASE? 554 00:29:29,601 --> 00:29:31,727 HMM? 555 00:29:32,645 --> 00:29:34,605 JANE, WlTH BOYFRlENDS THAT YOU'VE HAD, 556 00:29:34,773 --> 00:29:38,066 HAVE YOU HAD TROUBLE WlTH EX-GlRLFRlENDS BElNG JEALOUS? 557 00:29:38,234 --> 00:29:40,486 AND THEY WOULD BE JEALOUS OF WHAT, MARTH? 558 00:29:40,653 --> 00:29:41,653 [Chuckles] 559 00:29:41,821 --> 00:29:43,030 MARTHA, YOU ARE JUST SO LUCKY. 560 00:29:43,198 --> 00:29:45,574 - OH . - OH . 561 00:29:48,286 --> 00:29:49,453 [Mrs. Alston] THERE HE lS. 562 00:29:49,621 --> 00:29:51,914 THERE'S WH lTMAN . 563 00:29:52,081 --> 00:29:53,832 OH, LOOK. HE'S GETTlNG THE DOOR FOR HER. 564 00:29:54,000 --> 00:29:55,417 OH . 565 00:29:55,585 --> 00:29:57,753 [Chuckling] OH, HE'S SO THOUGHTFUL. 566 00:29:58,505 --> 00:29:59,963 [Chuckles] H l . 567 00:30:00,131 --> 00:30:01,215 HEY, YOU TWO. 568 00:30:01,382 --> 00:30:02,382 HELLO, DEAR. 569 00:30:02,550 --> 00:30:03,592 TH lS lS WH lTMAN . 570 00:30:03,760 --> 00:30:05,135 TH lS lS MY MOTHER AND MY SlSTER ANN lE. 571 00:30:05,303 --> 00:30:06,386 HOW DO YOU DO, WH lTMAN? 572 00:30:06,554 --> 00:30:07,596 HOW DO YOU DO? 573 00:30:07,764 --> 00:30:08,889 GREAT TO MEET YOU . 574 00:30:09,057 --> 00:30:11,308 l, UH, BROUGHT A LlTTLE GAZPACHO. 575 00:30:11,476 --> 00:30:13,268 GAZPACHO? 576 00:30:13,436 --> 00:30:16,188 WELL, THANK YOU, WH lTMAN, VERY MUCH . 577 00:30:16,356 --> 00:30:17,981 UH, COME lN, PLEASE. 578 00:30:18,149 --> 00:30:19,441 JUST COME lN . 579 00:30:19,609 --> 00:30:21,610 ♪ SO GOOD ♪ 580 00:30:21,778 --> 00:30:22,986 ♪ SO GOOD ♪♪ 581 00:30:23,154 --> 00:30:25,531 - HE'S CUTE. - THANKS. 582 00:30:25,698 --> 00:30:26,740 [Mrs. Alston] HERE lT GOES. 583 00:30:26,908 --> 00:30:28,283 OH, MY. 584 00:30:28,451 --> 00:30:29,660 [Chuckling] TH lRTY-FlVE YEARS. 585 00:30:29,828 --> 00:30:31,495 l DON'T KNOW HOW ANYONE MAKES lT THAT LONG. 586 00:30:31,663 --> 00:30:33,914 - WELL, l WAS ONLY 1 6 WHEN WE MARRlED. - l TELL YOU, WH lT, 587 00:30:34,082 --> 00:30:37,167 l TH lNK THAT'S PROBABLY THE BEST DAMN GAZPACHO l'VE EVER HAD EVER TASTED. 588 00:30:37,335 --> 00:30:40,504 OH, RUSS, NO, COME ON . BUT lT lS AN OLD FAMlLY REClPE. 589 00:30:40,672 --> 00:30:41,964 REALLY? 590 00:30:42,131 --> 00:30:43,465 YOU WANT lT, DON'T YOU? 591 00:30:43,633 --> 00:30:45,384 l'LL SLlP lT TO YA lF YOU HAVE TO HAVE lT. 592 00:30:45,552 --> 00:30:47,803 [Chuckles] 593 00:30:49,097 --> 00:30:53,433 [Stuart] BUY LOW, SELL H lGH? 594 00:30:53,601 --> 00:30:56,979 YOU AREN'T GONNA GO WRONG DOlN' THAT, l DON'T TH lNK. 595 00:30:59,190 --> 00:31:01,149 THANK YOU, DEAR. 596 00:31:01,317 --> 00:31:02,860 THAT WAS LOVELY. 597 00:31:03,027 --> 00:31:05,988 [Chuckling] 598 00:31:10,201 --> 00:31:13,704 ♪ OOH, YEAH ♪♪ 599 00:31:19,794 --> 00:31:21,128 YOU WERE lNCREDlBLE TODAY, WH lTMAN . 600 00:31:21,296 --> 00:31:22,504 DlD YOU ENJOY YOURSELF? 601 00:31:22,672 --> 00:31:24,840 YEAH . lT WAS OKAY. 602 00:31:25,008 --> 00:31:28,927 YOUR PARENTS ARE PLEASANT, VERY WHOLESOME 603 00:31:29,095 --> 00:31:31,638 AND FUNNY lN A SPEClAL WAY. 604 00:31:33,057 --> 00:31:35,267 [Sighs] 605 00:31:36,352 --> 00:31:40,814 l WASN'T REALLY BElNG MYSELF, BUT THAT'S OKAY. 606 00:31:41,482 --> 00:31:43,358 YOU KNOW HOW YOU ALWAYS HAVE TO PRESENT YOURSELF 607 00:31:43,526 --> 00:31:48,780 lN FRONT OF PEOPLE YOU DON'T KNOW OR YOU TRY TO MAKE 'EM FEEL GOOD, 608 00:31:49,407 --> 00:31:52,910 BUT lS THAT GOOD FOR YOU? 609 00:31:53,077 --> 00:31:54,244 lS THAT GOOD FOR YOUR SOUL? 610 00:31:54,412 --> 00:31:56,955 l DON'T KNOW. WHAT DO YOU TH lNK? 611 00:31:57,123 --> 00:32:00,375 WELL, l WANT YOU TO BE YOURSELF. 612 00:32:02,045 --> 00:32:04,254 REALLY? 613 00:32:04,422 --> 00:32:09,384 [Chuckles] JUST BE MYSELF. 614 00:32:10,094 --> 00:32:11,803 [Chuckling] 615 00:32:11,971 --> 00:32:13,764 JUST FOREVER AND EVER? 616 00:32:13,932 --> 00:32:15,432 JUST--THAT lS GREAT. 617 00:32:15,600 --> 00:32:17,309 THAT'S WHY lT'S GREAT TO BE WlTH SOMEBODY LlKE YOU, 618 00:32:17,477 --> 00:32:20,395 SOMEBODY l CAN--l CAN BE MYSELF WlTH . 619 00:32:20,563 --> 00:32:24,358 THAT'S SO GREAT. 620 00:32:26,110 --> 00:32:27,319 WHOO! 621 00:32:27,487 --> 00:32:28,779 l FEEL FREE. 622 00:32:28,947 --> 00:32:31,657 [Chuckling] l FEEL REALLY FREE. 623 00:32:32,617 --> 00:32:39,039 HEY, YOU WANNA DO SOMETH lN' FUN? LET'S DO SOMETH lN' FUN, ALL RlGHT? 624 00:32:39,207 --> 00:32:42,542 - WELL. . . - COME ON . 625 00:32:42,710 --> 00:32:44,461 lT'LL BE FUN . 626 00:32:44,629 --> 00:32:45,963 ♪♪♪ 627 00:32:46,130 --> 00:32:48,590 AlEEE! 628 00:32:52,887 --> 00:32:54,805 CHA CHA CHA! 629 00:32:54,973 --> 00:32:58,350 [Singing ln Spanish] 630 00:32:58,518 --> 00:33:00,352 [Martha] WH lTMAN, WHAT ARE YOU DOlNG? 631 00:33:00,520 --> 00:33:03,271 MMM, JUST HAVlN' FUN . 632 00:33:03,940 --> 00:33:07,234 - WH lTMAN, NO. DON'T. - HMM? 633 00:33:07,402 --> 00:33:08,610 YEAH . 634 00:33:08,778 --> 00:33:11,238 COME ON . TH lS WlLL BE VERY FUN . 635 00:33:11,406 --> 00:33:14,408 NO, lT WON'T BE FUN . TH lS lS NOT FUN TO ME. 636 00:33:14,575 --> 00:33:16,159 - OH, REALLY? - NO. 637 00:33:16,327 --> 00:33:17,536 STOLEN BEERS TASTE BETTER. 638 00:33:17,704 --> 00:33:18,996 l--WH lTMAN, l DON'T WANT TO STEAL BEER. 639 00:33:19,163 --> 00:33:20,497 YES, YOU DO. 640 00:33:20,665 --> 00:33:26,169 [Moaning Loudly] OH . THANKS. 641 00:33:26,337 --> 00:33:27,671 [Humming] 642 00:33:27,839 --> 00:33:30,966 AND ONCE AGAlN, lT COMES DOWN TO PASTRlES. 643 00:33:31,134 --> 00:33:33,593 DlNG-DONG'LL BE ALL FOR YA? 644 00:33:33,761 --> 00:33:35,971 lT LOOKS LlKE lT'S lT, HOMES. 645 00:33:41,477 --> 00:33:43,895 - YOU ALL RlGHT? - YEAH . 646 00:33:44,063 --> 00:33:47,858 l--YEAH . JUST A LlTTLE TUMMY ACHE. 647 00:33:48,026 --> 00:33:49,192 [Chuckles] 648 00:33:49,360 --> 00:33:50,485 DO YOU HAVE ANY, UH, ANTAClD OR ANYTH lNG LlKE THAT 649 00:33:50,653 --> 00:33:52,571 FOR A STOMACH ACHE? 650 00:33:53,114 --> 00:33:54,865 - NO, WE'RE OUT OF ANTAClD. 651 00:33:55,033 --> 00:33:59,119 COME TO TH lNK OF lT, A DlSPOSABLE CAMERA lS A GOT-TO-HAVE lTEM. 652 00:33:59,287 --> 00:34:02,205 l'VE GOT TO HAVE ONE. 653 00:34:03,416 --> 00:34:06,209 [Clears Throat] YOU KNOW WHAT l'M TALKlN' ABOUT. 654 00:34:06,377 --> 00:34:08,962 - HERE YA GO. - ALL RlGHT. 655 00:34:09,130 --> 00:34:11,214 WELL, WHY DON'T YOU JUST KEEP THE CHANGE 656 00:34:11,382 --> 00:34:14,634 AND WE'LL CATCH YA ON THE REBOUND, HOMEY? 657 00:34:23,394 --> 00:34:26,229 THANKS AGAlN . 658 00:34:27,899 --> 00:34:30,317 YOU STEALlN' FROM ME, YOU SH lT? 659 00:34:31,444 --> 00:34:33,528 l GOTCHA! 660 00:34:34,739 --> 00:34:35,989 [Whitman] COME ON THERE. COME ON . 661 00:34:36,157 --> 00:34:37,324 ALL RlGHT! 662 00:34:37,492 --> 00:34:38,408 AND SMlLE! 663 00:34:38,576 --> 00:34:39,701 GO! GO! GO! GO! 664 00:34:39,869 --> 00:34:42,120 HEY! HEY! 665 00:34:42,288 --> 00:34:45,040 [Tires Screech] 666 00:34:48,503 --> 00:34:51,046 WEEEE-HOO! 667 00:34:51,589 --> 00:34:53,757 [Laughs] HE WAS SERlOUS. 668 00:34:53,925 --> 00:34:56,593 HE ALMOST TOOK A LlTTLE CHUNK OUTTA YOU, DlDN'T HE? 669 00:34:56,761 --> 00:34:59,262 [Laughs] THAT WAS FUN . 670 00:34:59,931 --> 00:35:01,264 [Clears Throat] WH lTMAN, THAT WASN'T FUN! 671 00:35:01,432 --> 00:35:03,100 YES, lT WAS FUN . 672 00:35:03,267 --> 00:35:05,060 COME ON . WASN'T THAT FUN? 673 00:35:05,228 --> 00:35:07,270 NO, lT WASN'T FUN, WH lTMAN! 674 00:35:07,438 --> 00:35:08,897 TAKE A TASTE OF TH lS STOLEN BEER. 675 00:35:09,065 --> 00:35:09,981 NO! 676 00:35:10,149 --> 00:35:11,274 OH, YOU'LL LlKE lT. 677 00:35:11,442 --> 00:35:12,442 COME ON . TAKE A TASTE. 678 00:35:12,610 --> 00:35:13,610 YOU DON'T WANT ANY? 679 00:35:13,778 --> 00:35:14,945 NO, l DON'T. 680 00:35:15,113 --> 00:35:16,238 ALL RlGHT. ALL RlGHT. 681 00:35:16,405 --> 00:35:17,447 THE BEER'S GONE. 682 00:35:17,615 --> 00:35:18,698 SEE TH lS? 683 00:35:18,866 --> 00:35:19,825 GOOD-BYE, STOLEN BEER. 684 00:35:19,992 --> 00:35:20,951 GOOD BEER. 685 00:35:21,119 --> 00:35:23,203 CHECK TH lS OUT. 686 00:35:23,371 --> 00:35:24,454 [Grunts] 687 00:35:24,622 --> 00:35:25,956 [Whooping] 688 00:35:26,124 --> 00:35:27,666 - AAH! - WHOO! 689 00:35:27,834 --> 00:35:29,042 WH lTMAN! 690 00:35:29,210 --> 00:35:31,336 [Laughs] HE SHOOTS! HE SCORES! 691 00:35:31,504 --> 00:35:34,131 WH lTMAN, YOU H lT THAT OLD MAN! 692 00:35:34,298 --> 00:35:36,675 [Sighs] WHAT CAN l SAY? l'M lN THE ZONE. 693 00:35:36,843 --> 00:35:40,262 l AM GOlNG TO LOVE YOU TON lGHT 'TlL YOU'RE DRENCHED lN SWEAT, BABY. 694 00:35:42,140 --> 00:35:43,348 [Audience Laughing] 695 00:35:43,516 --> 00:35:44,766 AW . 696 00:35:44,934 --> 00:35:46,143 [Hostess] LOU lE ANDERSON, EVERYBODY. 697 00:35:46,310 --> 00:35:47,686 OH, OH, OKAY. ALL RlGHT. 698 00:35:47,854 --> 00:35:48,895 WHAT ARE YOU TALKlNG ABOUT? 699 00:35:49,063 --> 00:35:50,147 TH lS GUY SOUNDS GREAT. 700 00:35:50,314 --> 00:35:52,357 l MEAN, HE'S SMART, HE'S HANDSOME, HE'S SUCCESSFUL. 701 00:35:52,525 --> 00:35:55,443 BUT HE THREW A CAN OF BEER AT AN OLD MAN . 702 00:35:55,611 --> 00:35:57,445 OKAY, SO YOU'RE GONNA BREAK UP WlTH A GUY BECAUSE HE THREW 703 00:35:57,613 --> 00:35:59,239 A CAN OF BEER AT AN OLD MAN? 704 00:35:59,407 --> 00:36:01,283 WHY DlD HE THROW A CAN OF BEER AT AN OLD MAN? 705 00:36:01,450 --> 00:36:02,784 l DON'T KNOW. THAT'S WHAT l'M SAYlNG. 706 00:36:02,952 --> 00:36:04,161 HE LOVES '70s BANDS. 707 00:36:04,328 --> 00:36:06,121 HE LOVES R.E.O. SPEEDWAGON, BOSTON . 708 00:36:06,289 --> 00:36:09,374 MARTHA, THE GUY l'M GOlNG OUT WlTH LOVES MONSTER TRUCKS. 709 00:36:09,542 --> 00:36:13,003 ALL RlGHT, NO, HE TH lNKS SlZZLER lS A FlNE FRENCH RESTAURANT. 710 00:36:13,171 --> 00:36:16,548 MARTHA, HE CALLS MY BREASTS "BAZOONGAS." 711 00:36:16,716 --> 00:36:18,675 ALL MEN ARE HORRlBLE lN THElR OWN WAY. 712 00:36:18,843 --> 00:36:22,095 YOU JUST HAVE TO LEARN TO ACCEPT THAT. 713 00:36:23,514 --> 00:36:25,473 YEAH . MAYBE YOU'RE RlGHT. 714 00:36:25,641 --> 00:36:29,227 l MEAN, MAYBE HE'S JUST TRYlNG TOO HARD. 715 00:36:29,395 --> 00:36:32,314 THERE YOU GO. TOMORROW WlLL BE BETTER. 716 00:36:32,481 --> 00:36:33,690 YEAH . 717 00:36:33,858 --> 00:36:37,152 YEAH, HE SAYS HE HAS A SPEClAL SURPRlSE PLANNED FOR ME. 718 00:36:38,404 --> 00:36:45,952 ♪♪♪ 719 00:36:46,120 --> 00:36:48,455 HELLO, DARLlNG. 720 00:36:52,210 --> 00:36:53,752 - H l . - H l . 721 00:36:53,920 --> 00:36:56,630 WHAT HAPPENED TO YOUR OTHER CAR? 722 00:36:57,798 --> 00:37:01,343 OH . YEAH . TH lS lS JUST A LlTTLE MORE ME. 723 00:37:27,828 --> 00:37:29,162 HERE WE GO. 724 00:37:29,330 --> 00:37:35,252 HELLO, MOTHER. 725 00:37:35,419 --> 00:37:36,503 HELLO, DEAR. 726 00:37:36,671 --> 00:37:38,922 MMM. 727 00:37:39,090 --> 00:37:41,258 AND TH lS MUST BE MARTHA. 728 00:37:41,425 --> 00:37:42,884 H l . 729 00:37:43,052 --> 00:37:44,427 [Both] YES. 730 00:37:44,595 --> 00:37:49,224 LET ME LOOK AT YOU . TURN AROUND. 731 00:37:57,483 --> 00:38:00,068 [Mrs. Crawford] MMM. 732 00:38:00,236 --> 00:38:03,154 AH-HA. GOOD BlRTH lNG H lPS. 733 00:38:03,322 --> 00:38:04,614 MMM. 734 00:38:04,782 --> 00:38:07,033 AND AN ADEQUATE BOSOM. 735 00:38:07,201 --> 00:38:10,120 [Chuckles] THANK YOU . 736 00:38:11,455 --> 00:38:16,459 NOW, UH, LATER, UH, WE'LL PLAY CHARADES. 737 00:38:17,044 --> 00:38:20,005 MOTHER, WHEN WE START TO PLAY, l WAS TH lNKlNG THAT MARTHA AND l 738 00:38:20,172 --> 00:38:21,756 COULD BE A TEAM 739 00:38:21,924 --> 00:38:23,717 AND YOU AND CONSUELA CAN PLAY TOGETHER. 740 00:38:23,884 --> 00:38:25,427 HOW ABOUT THAT? 741 00:38:25,594 --> 00:38:27,470 HOW ABOUT CHEERS? 742 00:38:27,638 --> 00:38:29,639 lT'S A LlTTLE EASY, DON'T YOU TH lNK? 743 00:38:29,807 --> 00:38:33,310 MOTHER lS QU lTE OLD, MARTHA. 744 00:38:33,477 --> 00:38:35,228 LET'S GlVE HER A BREAK. 745 00:38:35,396 --> 00:38:36,896 "CHEERS." 746 00:38:37,064 --> 00:38:39,899 THROW lN A TOUGH ONE. 747 00:38:41,777 --> 00:38:44,279 "BlG." 748 00:38:45,823 --> 00:38:51,619 [Foot Tapping] 749 00:38:53,497 --> 00:38:55,290 [Whitman] HERE WE GO. 750 00:38:55,458 --> 00:38:58,501 [Ticking] 751 00:39:01,005 --> 00:39:02,297 BOOK. 752 00:39:02,465 --> 00:39:03,715 TWO WORDS. 753 00:39:03,883 --> 00:39:06,509 GREAT GATSBY. 754 00:39:06,677 --> 00:39:07,844 NO. 755 00:39:08,012 --> 00:39:10,805 AH, THE FlRST WORD. 756 00:39:11,349 --> 00:39:12,807 VAVOOM. 757 00:39:12,975 --> 00:39:14,225 UH, MARTHA. 758 00:39:14,393 --> 00:39:15,393 YOU . 759 00:39:15,561 --> 00:39:16,561 YOU--UH, NO. 760 00:39:16,729 --> 00:39:18,480 UH-- 761 00:39:18,647 --> 00:39:21,649 [Mrs. Crawford Tapping Foot] 762 00:39:30,618 --> 00:39:33,328 TH lNK WE SHOULD GO TO THE NEXT WORD. 763 00:39:36,624 --> 00:39:39,542 SECOND WORD SOUNDS LlKE-- 764 00:39:40,711 --> 00:39:43,713 [Exhales] 765 00:39:43,881 --> 00:39:45,298 [Chuckles] 766 00:39:45,466 --> 00:39:46,674 OVARY. 767 00:39:46,842 --> 00:39:47,717 HUH . 768 00:39:47,885 --> 00:39:49,177 OVARY, DOVARY, FOVARY, HOVARY, UH-- 769 00:39:49,345 --> 00:39:51,096 OKAY, YOVARY. 770 00:39:51,263 --> 00:39:52,514 Z-OVARY. 771 00:39:52,681 --> 00:39:53,723 ZE OVARY. 772 00:39:53,891 --> 00:39:54,974 Z--FRENCH WORD FOR OVARY. 773 00:39:55,142 --> 00:39:58,186 TlME'S UP! 774 00:39:58,354 --> 00:40:02,023 WHAT WAS lT? 775 00:40:02,191 --> 00:40:04,818 MADAME BOVARY. 776 00:40:04,985 --> 00:40:06,069 SEE? 777 00:40:06,237 --> 00:40:07,362 WE ALMOST HAD THAT. 778 00:40:07,530 --> 00:40:08,696 THE FRENCH, YOU KNOW? 779 00:40:08,864 --> 00:40:10,365 l THOUGHT lT HAD SOMETH lNG TO DO WlTH THE FROGS. 780 00:40:10,533 --> 00:40:11,533 THAT'S ALL RlGHT. 781 00:40:11,700 --> 00:40:13,743 WE'RE GONNA DO BETTER NEXT TlME. 782 00:40:20,084 --> 00:40:23,002 MMM. 783 00:40:25,756 --> 00:40:27,590 YEAH . 784 00:40:27,758 --> 00:40:32,762 MMM. MMM. MMM. MMM. 785 00:40:32,930 --> 00:40:33,972 GOOD-BYE, DEAR. 786 00:40:34,140 --> 00:40:35,223 MM-HMM. 787 00:40:35,391 --> 00:40:36,307 MMM. 788 00:40:36,475 --> 00:40:37,600 COME HOME. 789 00:40:37,768 --> 00:40:40,478 MMM. 790 00:40:40,646 --> 00:40:45,108 MMM, ALL RlGHT, MOM. 791 00:40:45,276 --> 00:40:46,317 MMM. 792 00:40:46,485 --> 00:40:47,652 MARTHA, lT WAS A PLEASURE MEETlNG YOU . 793 00:40:47,820 --> 00:40:51,614 - WELL, THANK YOU FOR HAVlNG ME. - YOU'LL MAKE A LOVELY BRlDE. 794 00:40:51,782 --> 00:40:55,785 AND l'M SURE YOU'LL GlVE MY SON A BlG BONE-FEST 795 00:40:55,953 --> 00:40:57,745 OF A HONEYMOON . 796 00:40:57,913 --> 00:40:59,664 MOTHER. 797 00:41:00,458 --> 00:41:02,834 YOU MAY KlSS ME GOOD-BYE. 798 00:41:19,477 --> 00:41:25,523 ♪ LOVE lSN'T ALWAYS ON TlME ♪ 799 00:41:25,691 --> 00:41:29,027 ♪ HOLD THE LlNE ♪ 800 00:41:29,195 --> 00:41:34,240 ♪ LOVE lSN'T ALWAYS ON TlME ♪ 801 00:41:34,408 --> 00:41:35,992 ♪ LOVE lSN'T ALWAYS LOVE lSN'T ALWAYS ♪ 802 00:41:36,160 --> 00:41:37,285 ♪ ON TlME ♪ 803 00:41:37,453 --> 00:41:38,495 ♪ HOLD THE LlNE ♪ 804 00:41:38,662 --> 00:41:39,662 COME ON . 805 00:41:39,830 --> 00:41:40,747 YOU CAN GET lN ON THE NEXT CHORUS. 806 00:41:40,915 --> 00:41:41,998 - WH lTMAN? - WHAT? 807 00:41:42,166 --> 00:41:43,124 CAN WE STOP FOR COFFEE? 808 00:41:43,292 --> 00:41:44,792 l TH lNK WE NEED TO TALK. 809 00:41:44,960 --> 00:41:47,545 ♪ LOVE lSN'T ALWAYS ON TlME ♪♪ 810 00:41:52,218 --> 00:41:56,137 YOU AREN'T STlLL UPSET ABOUT LOSlN' AT CHARADES, ARE YOU? 811 00:41:59,183 --> 00:42:00,350 NO. 812 00:42:00,518 --> 00:42:01,643 SHE'S A KlLLER. 813 00:42:01,810 --> 00:42:02,727 YEAH . 814 00:42:02,895 --> 00:42:04,979 - SHE'S GOOD. - SOMETH lN' ELSE? 815 00:42:05,147 --> 00:42:08,233 UM, YEAH . WH lTMAN, 816 00:42:10,027 --> 00:42:12,195 YOU ARE-- 817 00:42:12,363 --> 00:42:15,990 YOU'RE AN lNCREDlBLE PERSON . 818 00:42:16,158 --> 00:42:19,369 l MEAN, YOU'RE REALLY SOMETH lN' ELSE, YOU KNOW? 819 00:42:19,537 --> 00:42:23,873 UM, AND l'VE--l'VE REALLY MOSTLY ENJOYED 820 00:42:24,041 --> 00:42:27,835 THE TlME THAT WE'VE SPENT TOGETHER. 821 00:42:28,003 --> 00:42:31,047 BUT SOMETlMES lT'S ABOUT CHEMlSTRY, YOU KNOW? 822 00:42:31,215 --> 00:42:35,760 AND--AND SOMETlMES CHEMlSTRY WORKS AND SOMETlMES lT DOESN'T. 823 00:42:35,928 --> 00:42:40,056 SOMETlMES YOU GET A-- GET AN EXPLOSlON 824 00:42:40,224 --> 00:42:45,061 OR--OR A REALLY BAD SMELL. 825 00:42:45,229 --> 00:42:47,939 [Chuckles] YOU KNOW WHAT l MEAN? 826 00:42:49,316 --> 00:42:50,483 lT'S NOT GOOD. 827 00:42:50,651 --> 00:42:51,693 OKAY. 828 00:42:51,860 --> 00:42:53,152 YOU KNOW HOW, UM, YOU FEEL ABOUT lNGA? 829 00:42:53,320 --> 00:42:55,572 YOU KNOW HOW, YOU KNOW, HOW SHE STlLL LOVES YOU 830 00:42:55,739 --> 00:42:57,365 BUT YOU DON'T LOVE HER? 831 00:42:57,533 --> 00:43:00,368 HOW YOU USED TO LOVE HER BUT-- BUT YOU DON'T LOVE HER ANYMORE? 832 00:43:00,536 --> 00:43:03,997 HOW--HOW--OKAY, LOOK. 833 00:43:04,164 --> 00:43:05,248 HERE'S GOOD. 834 00:43:05,416 --> 00:43:06,583 TH lS lS GOOD. 835 00:43:06,750 --> 00:43:11,546 l AM SALT AND YOU ARE PEPPER, ALL RlGHT? 836 00:43:11,714 --> 00:43:12,755 OKAY? 837 00:43:12,923 --> 00:43:16,509 NOW, SALT AND PEPPER GOES TOGETHER, RlGHT? 838 00:43:16,677 --> 00:43:18,177 SOMETlMES, YOU KNOW? 839 00:43:18,345 --> 00:43:19,762 BUT SOME--lT DOESN'T HAVE TO. 840 00:43:19,930 --> 00:43:21,431 YOU DON'T HAVE TO HAVE PEPPER WlTH SALT. 841 00:43:21,599 --> 00:43:24,017 SOMETlMES SALT GOES ALONE. 842 00:43:24,184 --> 00:43:28,396 SOMETlMES SALT GOES WlTH OTHER HERBS, EVEN . 843 00:43:28,564 --> 00:43:34,235 AND l'M--l'M SAYlNG THAT l WANNA SEE OTHER HERBS. 844 00:43:36,780 --> 00:43:39,157 MARTHA-- 845 00:43:39,908 --> 00:43:44,621 l UNDERSTAND WHAT YOU'RE SAYlNG. AND DON'T WORRY. 846 00:43:44,788 --> 00:43:48,750 l'M NOT GONNA LET YOUR FEAR OF lNTlMACY DESTROY TH lS. 847 00:43:48,917 --> 00:43:50,793 l'M NOT. 848 00:43:50,961 --> 00:43:53,630 YOU KNOW, l WON'T DO WHAT THOSE OTHERS DlD. 849 00:43:53,797 --> 00:43:55,423 l'M NOT GONNA WALK OUT ON YOU . 850 00:43:55,591 --> 00:43:57,675 l WON'T DESERT YOU AND THE KlDS. 851 00:43:57,843 --> 00:43:59,344 l SWEAR THAT, ALL RlGHT? 852 00:43:59,511 --> 00:44:00,470 WH lTMAN . 853 00:44:00,638 --> 00:44:01,679 - OKAY. - KNOW THAT. 854 00:44:01,847 --> 00:44:02,930 LlVE WlTH THAT. 855 00:44:03,098 --> 00:44:05,933 WH lTMAN, WE'RE NOT GONNA HAVE CH lLDREN . 856 00:44:09,730 --> 00:44:12,273 JUMP OFF A CLlFF WlTH ME. 857 00:44:12,941 --> 00:44:17,320 TAKE MY HAND AND JUMP OFF A CLlFF WlTH ME. 858 00:44:17,488 --> 00:44:18,696 l DON'T WANNA JUMP OFF A CLlFF. 859 00:44:18,864 --> 00:44:19,822 YEAH . YEAH . 860 00:44:19,990 --> 00:44:21,324 l WANNA PROVE SOMETH lNG TO YOU . 861 00:44:21,492 --> 00:44:22,992 OH, PLEASE DON'T. 862 00:44:23,160 --> 00:44:25,078 HOW MUCH DO YOU TH lNK l LOVE YOU? 863 00:44:25,245 --> 00:44:27,246 [Chuckling] l DON'T KNOW. 864 00:44:27,414 --> 00:44:31,501 ENOUGH TO--TO BREAK MY OWN FlNGER? 865 00:44:32,002 --> 00:44:33,169 OH, GOD. 866 00:44:33,337 --> 00:44:34,379 l MEAN, DO YA? 867 00:44:34,546 --> 00:44:38,341 l MEAN, DO YOU TH lNK THAT l LOVE YOU ENOUGH TO BREAK MY OWN FlNGER? 868 00:44:38,509 --> 00:44:40,009 l DON'T KNOW, AND l DON'T CARE. 869 00:44:40,177 --> 00:44:42,220 - l MEAN, TELL ME. - lT'S HARD TO SAY. 870 00:44:42,388 --> 00:44:43,680 OKAY, FlNE. l DO. 871 00:44:43,847 --> 00:44:45,640 l CAN . l WlLL. 872 00:44:45,808 --> 00:44:46,724 OH, NO, DON'T. DON'T DO lT. 873 00:44:46,892 --> 00:44:47,725 DON'T-- 874 00:44:47,893 --> 00:44:50,520 [Cracks] 875 00:44:53,315 --> 00:44:54,649 AH . 876 00:44:54,817 --> 00:44:57,402 OH, MY GOD. 877 00:45:01,365 --> 00:45:02,365 [Grunts] 878 00:45:02,533 --> 00:45:04,325 HOO! 879 00:45:04,493 --> 00:45:06,160 THAT'S LOVE. 880 00:45:06,328 --> 00:45:09,080 [Clears Throat] 881 00:45:11,375 --> 00:45:13,209 [Exhales] 882 00:45:13,377 --> 00:45:16,462 [Whitman] MARTHA, l LOVE YOU! 883 00:45:17,172 --> 00:45:19,048 l'M GONNA CALL YOU TOMORROW. 884 00:45:19,216 --> 00:45:20,883 [lgnition Starts] 885 00:45:21,051 --> 00:45:22,552 GOlN' TOO FAST, l GUESS. 886 00:45:22,720 --> 00:45:24,554 SHE'LL SLEEP ON lT. 887 00:45:24,722 --> 00:45:27,432 l'LL TRY TOMORROW. 888 00:45:32,563 --> 00:45:34,147 [Screams] 889 00:45:34,314 --> 00:45:37,734 YOU H lDEOUS CUR. 890 00:45:38,235 --> 00:45:39,861 WHO THE HELL ARE YOU? 891 00:45:40,028 --> 00:45:45,074 DOES THE NAME lNGA MEAN ANYTH lNG TO YOU? 892 00:45:45,784 --> 00:45:49,495 OH . H l . HOW ARE YOU? 893 00:45:51,123 --> 00:45:53,708 UH, H l, l'M BOB. 894 00:45:53,876 --> 00:45:54,876 HERE WE GO NOW. 895 00:45:55,043 --> 00:45:56,043 UPSY-DAlSY. 896 00:45:56,211 --> 00:45:57,295 HEY! HEY! HEY! 897 00:45:57,463 --> 00:45:58,963 HAY lS FOR HORSES, MlSSY. 898 00:45:59,131 --> 00:46:01,758 l LOVE TH lS WOMAN, AND YOU'RE HURTlNG HER. 899 00:46:01,925 --> 00:46:05,178 STOP SEElNG WH lT! 900 00:46:05,345 --> 00:46:07,847 YOU GOT THAT? 901 00:46:08,974 --> 00:46:11,267 OKAY. FlNE. 902 00:46:11,435 --> 00:46:13,102 OKAY, YOU CAN GO NOW. 903 00:46:13,270 --> 00:46:16,147 OKAY, FlNE, l CAN GO NOW? 904 00:46:16,315 --> 00:46:19,192 l DON'T TH lNK SO! 905 00:46:19,902 --> 00:46:22,487 CUT THE COUCH, BOB. 906 00:46:23,447 --> 00:46:24,697 DON'T--DON'T CUT THE COUCH . 907 00:46:24,865 --> 00:46:25,948 HEY! HEY! 908 00:46:26,116 --> 00:46:27,992 HAY lS FOR HORSES, FlSH TANK! 909 00:46:28,160 --> 00:46:29,786 WANT US TO BREAK UP YOUR SHOWER TOO? 910 00:46:29,953 --> 00:46:30,870 HUH, DO YA? 911 00:46:31,038 --> 00:46:31,954 NO. 912 00:46:32,122 --> 00:46:33,414 THEN SHUT UP AND SlT DOWN! 913 00:46:33,582 --> 00:46:37,126 WHAT DlD YOU DO TOGETHER, HUH? 914 00:46:37,294 --> 00:46:39,295 DlD YOU MAKE lT? 915 00:46:39,463 --> 00:46:41,714 LOOK, YOU CAN HAVE WH lTMAN, OKAY? l DON'T WANT H lM. 916 00:46:41,882 --> 00:46:44,133 HE'S ALL YOURS, l SWEAR. 917 00:46:44,301 --> 00:46:46,511 [Laughs] 918 00:46:47,012 --> 00:46:50,306 OH, LlKE SUDDENLY YOU'RE GONNA BLOW H lM OFF. 919 00:46:50,474 --> 00:46:53,142 [Chuckling] DROP THE PALAVER, PRlNCESS. 920 00:46:53,310 --> 00:46:54,644 ALL WOMEN WANT WH lT. 921 00:46:54,812 --> 00:46:56,771 l KNOW THAT. 922 00:46:56,939 --> 00:46:59,023 YOU WANT SOME GUM lN YOUR HAlR? 923 00:46:59,483 --> 00:47:01,984 - NO, l DON'T. - OH, OKAY. 924 00:47:02,152 --> 00:47:04,862 [Spits] 925 00:47:05,489 --> 00:47:10,284 NOW, CONSlDER TH lS YOUR LAST WARN lNG. 926 00:47:10,452 --> 00:47:13,788 NEXT TlME, EXPECT AGONY. 927 00:47:18,001 --> 00:47:19,502 COME ON, BOB. 928 00:47:19,670 --> 00:47:21,754 SORRY ABOUT THAT COUCH . 929 00:47:22,297 --> 00:47:25,508 UM, WE GRABBED A COUPLE OF SNAPPLES FROM THE FRlDGE. 930 00:47:25,676 --> 00:47:27,009 l HOPE THAT'S OKAY. 931 00:47:27,177 --> 00:47:28,344 [lnga] BOB! 932 00:47:28,512 --> 00:47:30,304 BOB, WHAT WERE YOU DOlNG lN THERE? 933 00:47:30,472 --> 00:47:33,432 - OH, l WAS JUST BElN' N lCE. - WELL, DON'T YOU DARE! 934 00:47:33,600 --> 00:47:35,685 [Exhales] WELL, TH lS SURE SUCKS. 935 00:47:35,853 --> 00:47:37,186 [Bob And lnga Arguing] 936 00:47:37,354 --> 00:47:42,191 ♪♪♪ 937 00:47:42,359 --> 00:47:45,194 ♪ TH lS TH lNG CALLED LOVE ♪ 938 00:47:45,362 --> 00:47:48,281 ♪ l JUST CAN'T HANDLE lT ♪ 939 00:47:48,448 --> 00:47:51,242 ♪ TH lS TH lNG CALLED LOVE ♪ 940 00:47:51,410 --> 00:47:54,453 ♪ l MUST GET 'ROUND TO lT ♪ 941 00:47:54,621 --> 00:47:56,581 ♪ l AlN'T READY ♪ 942 00:47:56,748 --> 00:48:01,043 ♪ CRAZY LlTTLE TH lNG CALLED LOVE ♪ 943 00:48:01,211 --> 00:48:04,881 ♪ TH lS TH lNG CALLED LOVE ♪ 944 00:48:05,048 --> 00:48:06,048 ♪ l CRY LlKE A BABY ♪ 945 00:48:06,216 --> 00:48:07,383 ♪ lN MY CRADLE ALL N lGHT ♪ 946 00:48:07,551 --> 00:48:08,801 ♪ lT STlNGS ♪ 947 00:48:08,969 --> 00:48:10,511 ♪ lT JABS ♪ 948 00:48:10,679 --> 00:48:13,890 ♪ SHAKES ALL OVER LlKE A TREMBLlNG FlST ♪ 949 00:48:14,057 --> 00:48:15,391 ♪ l KlNDA LlKE lT ♪ 950 00:48:15,559 --> 00:48:18,853 ♪ CRAZY LlTTLE TH lNG CALLED LOVE ♪ 951 00:48:19,021 --> 00:48:22,899 ♪ THERE GOES MY BABY ♪ 952 00:48:23,066 --> 00:48:25,318 ♪ SHE KNOWS HOW TO ROCK 'N' ROLL ♪ 953 00:48:25,485 --> 00:48:28,905 ♪ SHE DRlVES ME CRAZY ♪ 954 00:48:29,072 --> 00:48:30,781 ♪ SHE GlVES ME HOT AND COLD FEVER ♪ 955 00:48:30,949 --> 00:48:32,158 [Man] HEY, WALTER. 956 00:48:32,326 --> 00:48:34,827 THAT ONE'S DUE AT 5:00 OR 6:00 TOMORROW MORN lNG. 957 00:48:37,247 --> 00:48:38,915 HEY, WALTER. WHAT'S UP? 958 00:48:39,082 --> 00:48:40,458 HEY. 959 00:48:40,626 --> 00:48:42,084 UM, THE SCHEDULE FOR TODAY'S SHOW. 960 00:48:42,252 --> 00:48:43,336 THANKS. 961 00:48:43,503 --> 00:48:44,503 AND l'M GOlN' ON A DOUGHNUT RUN FOR DlCK. 962 00:48:44,671 --> 00:48:45,713 YOU WANT ANYTH lNG? 963 00:48:45,881 --> 00:48:46,839 OH, MY GOD. 964 00:48:47,007 --> 00:48:47,965 MARTHA, lT'S OKAY. 965 00:48:48,133 --> 00:48:49,008 THE CH lCKEN! 966 00:48:49,176 --> 00:48:50,509 l FORGOT TO BOOK THE CH lCKEN, THE SAN DlEGO CH lCKEN! 967 00:48:50,677 --> 00:48:51,719 MARTHA. lT'S ALL RlGHT. 968 00:48:51,887 --> 00:48:52,970 lT'S NOT ALL RlGHT! lT'S A DlSASTER! 969 00:48:53,138 --> 00:48:54,138 HE'S A LEGEND lN TH lS TOWN! 970 00:48:54,306 --> 00:48:55,681 HOW COULD l FORGET THE SAN DlEGO CH lCKEN? 971 00:48:55,849 --> 00:48:57,058 NOW l'M GONNA HAVE TO BOOK THE MONKEYS. 972 00:48:57,225 --> 00:48:58,476 YOU KNOW HOW MUCH DlCK HATES THE MONKEYS. 973 00:48:58,644 --> 00:49:01,896 MARTHA, THE CH lCKEN lS BOOKED. l TOOK CARE OF lT. 974 00:49:02,064 --> 00:49:04,607 l TOLD THEM l WAS YOUR ASSlSTANT. DlCK WlLL NEVER KNOW. 975 00:49:06,610 --> 00:49:08,444 OH . THANKS, WALTER. YOU'RE THE BEST. 976 00:49:08,612 --> 00:49:10,613 [Sighs] RlGHT. 977 00:49:10,781 --> 00:49:12,573 YOU'VE GOT SOME FAXES. 978 00:49:12,741 --> 00:49:15,534 [Exhales] 979 00:49:15,702 --> 00:49:17,286 l'LL GET YOU A DOUGHNUT. 980 00:49:17,454 --> 00:49:21,082 ♪ YEAH ♪ 981 00:49:21,249 --> 00:49:23,000 ♪ l'VE GOTTA BE COOL ♪ 982 00:49:23,168 --> 00:49:24,460 ♪ RELAX ♪ 983 00:49:24,628 --> 00:49:26,087 AHH . 984 00:49:26,254 --> 00:49:27,838 ♪ GET H lP GET ON MY TRACKS ♪ 985 00:49:28,006 --> 00:49:30,633 ♪ TAKE A BACK SEAT H lTCHH lKE ♪ 986 00:49:30,801 --> 00:49:32,176 ♪ UMM, UMM ♪ 987 00:49:32,344 --> 00:49:33,970 ♪ TAKE A LONG RlDE ON MY MOTORBlKE ♪ 988 00:49:34,137 --> 00:49:35,262 ♪ OOOH ♪ 989 00:49:35,430 --> 00:49:36,389 ♪ UNTlL l'M READY ♪ 990 00:49:36,556 --> 00:49:37,890 ♪ READY, FREDDlE ♪ 991 00:49:38,058 --> 00:49:39,517 ♪ CRAZY LlTTLE TH lNG CALLED LOVE ♪ 992 00:49:39,685 --> 00:49:40,810 [Phone Rings] 993 00:49:40,978 --> 00:49:42,144 [Ringing] 994 00:49:42,312 --> 00:49:43,396 ♪ TH lS TH lNG CALLED LOVE ♪ 995 00:49:43,563 --> 00:49:46,482 ♪ l MUST GET 'ROUND TO lT ♪ 996 00:49:46,650 --> 00:49:48,359 ♪ l AlN'T READY ♪ 997 00:49:48,527 --> 00:49:49,819 ♪ CRAZY LlTTLE TH lNG CALLED LOVE ♪♪ 998 00:49:49,987 --> 00:49:51,028 HELLO. 999 00:49:51,196 --> 00:49:52,488 lT'S MOM, DEAR. 1000 00:49:52,656 --> 00:49:55,992 [Sighs] OH . H l, MOM. 1001 00:49:56,159 --> 00:49:59,328 HONEY, COULD YOU POSSlBLY HOUSE-SlT JUST FOR TON lGHT? 1002 00:49:59,496 --> 00:50:01,038 - TON lGHT? - YES. 1003 00:50:01,206 --> 00:50:02,915 WE'RE GOlNG UP TO YOUR AUNT PEGGY'S. 1004 00:50:03,083 --> 00:50:05,835 [Martha] MOM, YOU HAVE GREAT TlMlNG. l'D LOVE TO HOUSE-SlT. 1005 00:50:06,670 --> 00:51:07,313 ♪♪♪ 1006 00:51:07,481 --> 00:51:09,231 [Screams] AAH! 1007 00:51:09,399 --> 00:51:10,733 H l . 1008 00:51:10,901 --> 00:51:12,985 WH lTMAN . 1009 00:51:13,653 --> 00:51:16,113 [Exhales] CAN l--CAN l COME lN? 1010 00:51:16,948 --> 00:51:18,240 l'D LlKE TO COME lN . 1011 00:51:18,408 --> 00:51:20,993 - NO, YOU CAN'T. - YES, l CAN . 1012 00:51:21,578 --> 00:51:22,620 NO, YOU CAN'T. 1013 00:51:22,788 --> 00:51:23,621 YES, l CAN . 1014 00:51:23,789 --> 00:51:24,997 - NO, YOU CAN'T. - YES, l CAN . 1015 00:51:25,165 --> 00:51:27,124 WANNA KNOW WHY? 1016 00:51:27,292 --> 00:51:28,250 NO, YOU CAN'T. 1017 00:51:28,418 --> 00:51:30,252 l'M A SPEClAL FRlEND FROM GOD. REMEMBER? 1018 00:51:30,420 --> 00:51:31,587 HA. 1019 00:51:31,755 --> 00:51:32,797 OH! 1020 00:51:32,964 --> 00:51:36,175 WH lTMAN, YOU ARE REALLY FREAKlNG ME OUT HERE! 1021 00:51:36,343 --> 00:51:37,760 [Grunting] lSN'T TH lS HAPPY? 1022 00:51:37,928 --> 00:51:39,095 lSN'T TH lS UNEXPECTED? 1023 00:51:39,262 --> 00:51:40,387 WH lTMAN, LlSTEN TO ME. 1024 00:51:40,555 --> 00:51:41,597 WAlT, WAlT, WAlT. 1025 00:51:41,765 --> 00:51:42,932 OH, YOU HAVEN'T SEEN MY LOVE DANCE. 1026 00:51:43,100 --> 00:51:44,308 ♪ UM, A DlNGA-DlNGA DlNGA DlNGA-DlNGA-DlNGA ♪ 1027 00:51:44,476 --> 00:51:45,768 ♪ DlNGA-DlNGA-DlNGA-DlNGA DlNGA-DlNGA-DlNGA-DlNGA ♪ 1028 00:51:45,936 --> 00:51:49,355 ♪ DlNGA-DlNGA-DlNGA-DlNG TlCKA-TlCKA-TlCKA-TlCKA ♪ 1029 00:51:49,523 --> 00:51:52,441 ♪ TlCKA-TlCKA-TlCKA-TlCK ♪ 1030 00:51:52,609 --> 00:51:56,362 [Shouting, Crash] 1031 00:51:56,530 --> 00:51:58,114 [Dog Barking] 1032 00:51:58,281 --> 00:52:00,491 [Grunting] 1033 00:52:00,659 --> 00:52:03,244 [Dog Barking] 1034 00:52:03,411 --> 00:52:06,288 [Groaning] 1035 00:52:09,292 --> 00:52:12,378 l TH lNK l'M GONNA GO HOME NOW. 1036 00:52:14,714 --> 00:52:16,090 [Man] DlD HE DO ANYTH lNG TO YOU? 1037 00:52:16,258 --> 00:52:17,925 ASSAULT YOU lN ANY WAY? 1038 00:52:18,093 --> 00:52:21,053 [Martha] NO, BUT l MEAN, HE DRESSED LlKE A CLOWN . 1039 00:52:21,221 --> 00:52:22,805 DO YOU KNOW HOW SCARY THAT lS? 1040 00:52:22,973 --> 00:52:26,183 HE'S GOT AN EX-GlRLFRlEND, A CRAZY EX-GlRLFRlEND, lNGA, 1041 00:52:26,351 --> 00:52:31,147 WHO'S, WHO'S HARASSlNG ME AND, AND BOB, HER SlDEKlCK, A HUGE GUY, BOB. 1042 00:52:31,314 --> 00:52:32,439 lNGA--CHECK YOUR CLlPBOARD. 1043 00:52:32,607 --> 00:52:34,733 lNGA AND BOB. ANYTH lNG FOR THEM? 1044 00:52:34,901 --> 00:52:37,278 WE'LL FlLE A REPORT, MA'AM. 1045 00:52:37,445 --> 00:52:39,864 GOOD N lGHT, MA'AM. 1046 00:52:43,827 --> 00:52:46,620 THEY--SHE STUCK GUM lN MY HAlR! 1047 00:52:50,250 --> 00:53:02,678 ♪♪♪ 1048 00:53:02,846 --> 00:53:05,347 [Man] FROM WHAT YOU'VE TOLD ME, MS. ALSTON, 1049 00:53:05,515 --> 00:53:09,185 TH lS GUY lS JUST YOUR GARDEN-VARlETY COMPULSlVE TYPE. 1050 00:53:09,352 --> 00:53:10,436 POOH . 1051 00:53:10,604 --> 00:53:12,188 l'VE SEEN A MlLLlON OF 'EM, 1052 00:53:12,355 --> 00:53:13,814 BUT l'LL CHECK H lM OUT, 1053 00:53:13,982 --> 00:53:15,524 SEE lF THERE'S ANYTH lNG lN H lS BACKGROUND 1054 00:53:15,692 --> 00:53:17,067 THAT YOU SHOULD BE ALARMED ABOUT. 1055 00:53:17,235 --> 00:53:18,819 GREAT. 1056 00:53:18,987 --> 00:53:21,655 MM, UH, lN THE MEANTlME-- 1057 00:53:21,823 --> 00:53:25,159 lN THE MEANTlME, JUST LlVE YOUR LlFE. 1058 00:53:25,327 --> 00:53:27,578 TRY NOT TO WORRY SO MUCH . 1059 00:53:27,746 --> 00:53:29,914 THANKS, MR. TRAMONTE. 1060 00:53:31,333 --> 00:53:36,295 [Orchestra Tuning] 1061 00:53:46,932 --> 00:53:50,059 SO l'M REALLY SORRY TH lNGS DlDN'T WORK OUT WlTH WH lTMAN . 1062 00:53:50,227 --> 00:53:52,728 WELL, YOU WlN SOME, YOU LOSE SOME. 1063 00:53:52,896 --> 00:53:57,524 YEAH . l'M REALLY SORRY ABOUT THAT. REALLY SORRY. 1064 00:53:58,235 --> 00:54:01,070 YOU SOUND SO GENU lNE. THANK YOU FOR YOUR CONCERN . 1065 00:54:01,238 --> 00:54:02,988 - THAT'S WHAT FRlENDS ARE FOR. - AREN'T THEY? 1066 00:54:03,156 --> 00:54:04,281 - DAMN SHAME. - OKAY. 1067 00:54:04,449 --> 00:54:05,824 THAT'S ENOUGH OF THAT, OKAY? 1068 00:54:05,992 --> 00:54:08,035 [Clears Throat] 1069 00:54:08,828 --> 00:54:10,621 YOU KNOW, l CHECKED OUT TH lS OPERA WE'RE ABOUT TO SEE. 1070 00:54:10,789 --> 00:54:12,289 - MM-HMM? - MM-HMM. 1071 00:54:12,457 --> 00:54:15,084 TURNS OUT lT'S THE TOUCH lNG STORY OF A YOUNG SERVANT 1072 00:54:15,252 --> 00:54:18,462 WHO GOES THROUGH ALL THESE CHANGES OVER TH lS OLDER, RlCH MASTER GUY'S 1073 00:54:18,630 --> 00:54:20,547 WOULD-BE GlRLFRlEND, 1074 00:54:20,715 --> 00:54:23,092 BUT THE YOUNG GUY ENDS UP WlTH HER lN THE END, ODDLY ENOUGH . 1075 00:54:23,260 --> 00:54:24,468 HMM. 1076 00:54:24,636 --> 00:54:26,095 SO lT TURNS OUT THAT THE WHOLE TH lNG 1077 00:54:26,263 --> 00:54:27,972 COULD'VE BEEN AVOlDED lF SHE JUST-- 1078 00:54:28,139 --> 00:54:31,809 NOT THAT TH lS RESEMBLES YOUR LlFE lN ANY WAY. 1079 00:54:31,977 --> 00:54:32,977 SURE. 1080 00:54:33,144 --> 00:54:34,353 THEN WE WOULDN'T BE HERE, WOULD WE? 1081 00:54:34,521 --> 00:54:35,729 THERE WOULD BE NO OPERA, SO lT'S GOOD THAT-- 1082 00:54:35,897 --> 00:54:37,523 WHO WOULDN'T--SHH . 1083 00:54:37,691 --> 00:54:39,650 [Overture music playing] 1084 00:54:40,277 --> 00:54:41,777 THAT'S ENOUGH . lT'S STARTlNG. 1085 00:54:41,945 --> 00:54:44,071 [Whispers] YOU LOOK TERRlFlC. 1086 00:54:45,156 --> 00:55:01,130 ♪♪♪ 1087 00:55:01,298 --> 00:55:03,590 [Walter] TH lS lS EVEN BETTER THAN THAT PADRES GAME WE WENT TO. 1088 00:55:03,758 --> 00:55:05,175 THANKS FOR NOT BRlNGlNG THAT BEACH BALL. 1089 00:55:05,343 --> 00:55:08,012 THAT WOULD'VE BEEN EMBARRASSlNG. 1090 00:55:08,680 --> 00:55:10,097 EXCUSE ME. 1091 00:55:10,265 --> 00:55:12,599 OH, l SAW A SOUVEN lR STAND UP THERE. 1092 00:55:12,767 --> 00:55:14,435 THOUGHT MAYBE WE COULD GET SOME T-SH lRTS. 1093 00:55:14,602 --> 00:55:15,602 YOU BE ALL RlGHT HERE? 1094 00:55:15,770 --> 00:55:18,397 YEAH . l'LL BE FlNE. l'LL SEE YOU lN A MlNUTE. 1095 00:55:22,110 --> 00:55:25,863 MARTHA. HEY. HEY. 1096 00:55:26,823 --> 00:55:27,906 EXCUSE ME. 1097 00:55:28,074 --> 00:55:29,074 GOD, NO. PLEASE. 1098 00:55:29,242 --> 00:55:30,534 PLEASE. NO. 1099 00:55:30,702 --> 00:55:32,453 MARTHA, HEY. 1100 00:55:32,996 --> 00:55:34,288 H l . 1101 00:55:34,456 --> 00:55:38,000 MARTHA? HEY, MARTHA. 1102 00:55:38,752 --> 00:55:39,793 OH-HO. 1103 00:55:39,961 --> 00:55:41,170 YOU WON . OKAY. 1104 00:55:41,338 --> 00:55:43,130 YOU WANTED TO MAKE ME JEALOUS, AND YOU HAVE, ALL RlGHT? 1105 00:55:43,298 --> 00:55:44,715 SO LET'S JUST GO NOW, ALL RlGHT? 1106 00:55:44,883 --> 00:55:46,842 WH lTMAN, NO. NO. l WASN'T KlDDlNG. 1107 00:55:47,010 --> 00:55:48,594 l SAlD l DON'T WANNA SEE YOU ANYMORE. 1108 00:55:48,762 --> 00:55:51,180 l DON'T WANNA SEE YOU ANYMORE. lS THAT CLEAR? 1109 00:55:51,681 --> 00:55:52,681 LOUD AND CLEAR. 1110 00:55:52,849 --> 00:55:54,016 OKAY, OKAY. 1111 00:55:54,184 --> 00:55:55,309 YOU WANT ME TO LlSTEN TO YOU MORE, 1112 00:55:55,477 --> 00:55:57,561 TO HEAR YOU MORE AND STOP TH lNKlNG ONLY OF MYSELF. 1113 00:55:57,729 --> 00:55:59,104 SO COME ON . LET'S GO. 1114 00:55:59,272 --> 00:56:00,439 l'M NOT TALKlNG TO YOU ANYMORE, OKAY? 1115 00:56:00,607 --> 00:56:01,690 COME--COME HERE. 1116 00:56:01,858 --> 00:56:03,150 MARTHA, DON'T WALK AWAY FROM ME. 1117 00:56:03,318 --> 00:56:05,152 DON'T WALK AWAY, MARTHA. 1118 00:56:05,320 --> 00:56:06,820 MARTHA! 1119 00:56:07,405 --> 00:56:10,074 lS TH lS GENTLEMAN BOTHERlNG YOU? 1120 00:56:12,243 --> 00:56:15,871 EXCUSE ME? 1121 00:56:16,039 --> 00:56:17,373 [Chuckling] 1122 00:56:17,540 --> 00:56:19,917 l'M HER SOUL MATE. 1123 00:56:20,085 --> 00:56:22,211 l'M HER LOVER. 1124 00:56:22,379 --> 00:56:24,505 - OH, MY GOD. - THERE. 1125 00:56:24,672 --> 00:56:25,714 THAT ONE. 1126 00:56:25,882 --> 00:56:27,841 DON'T TRY TO UNDERSTAND WHAT YOUR MlND lS TOO SMALL TO CONTEMPLATE, 1127 00:56:28,009 --> 00:56:30,886 OKAY, MR. REALLY N lCE SU lT? 1128 00:56:31,054 --> 00:56:33,347 LOVER. GET lT? 1129 00:56:33,515 --> 00:56:36,266 LO-VER. 1130 00:56:38,645 --> 00:56:41,730 l'VE MADE LOVE TO HER, MR. REALLY N lCE SU lT. 1131 00:56:41,898 --> 00:56:43,273 FFT-FFT-FFT. 1132 00:56:43,441 --> 00:56:47,945 [Man Singing Opera] 1133 00:56:48,113 --> 00:56:51,573 AND, UH, lT WAS BEAUTlFUL. 1134 00:56:51,741 --> 00:56:53,700 lT WAS--COME WlTH ME, SlR. 1135 00:56:53,868 --> 00:56:54,952 UH, OKAY. YEAH . 1136 00:56:55,120 --> 00:56:55,953 LET'S GO. 1137 00:56:56,121 --> 00:56:58,789 [Clears Throat] 1138 00:56:58,957 --> 00:57:01,250 [Singing Continues] 1139 00:57:02,085 --> 00:57:04,545 [Tramonte] HE GETS A MONTHLY CHECK FROM A TRUST FUND, 1140 00:57:04,712 --> 00:57:06,713 A VERY LARGE TRUST FUND-- 1141 00:57:06,881 --> 00:57:10,759 50,000-BUCKS-A-MONTH LARGE. 1142 00:57:10,927 --> 00:57:12,219 HMM. 1143 00:57:12,387 --> 00:57:16,598 UH, HE LlVED WlTH H lS MOTHER UNTlL SlX MONTHS AGO. 1144 00:57:16,766 --> 00:57:21,979 HE'S HAD ONE SERlOUS RELATlONSH lP WlTH lNGA GUNTHER, 1145 00:57:22,147 --> 00:57:24,731 AND TH lS lNGA ONCE TRlED TO ASSASSlNATE 1146 00:57:24,899 --> 00:57:28,110 THE ROCK TEMPTRESS STEVlE N lCKS. 1147 00:57:28,278 --> 00:57:32,906 OH, GOD. OH, GOD. OH, GOD. 1148 00:57:33,074 --> 00:57:34,491 - OH, GOD. - WHAT'S WRONG? 1149 00:57:34,659 --> 00:57:38,704 OH, GOD. OH, GOD. OH, GOD. OH, GOD. 1150 00:57:38,872 --> 00:57:40,122 OH, GOD. OH, GOD. 1151 00:57:40,290 --> 00:57:41,415 HEY. HEY. TAKE lT EASY. 1152 00:57:41,583 --> 00:57:42,666 "OH, GOD. OH, GOD." 1153 00:57:42,834 --> 00:57:43,709 - HEY. - GOD. 1154 00:57:43,877 --> 00:57:45,669 TAKE lT EASY, WlLL YA? COME ON . SlT DOWN . SlT DOWN . 1155 00:57:45,837 --> 00:57:47,212 YOU GOTTA HELP ME. YOU GOTTA GET H lM OUT OF MY LlFE. 1156 00:57:47,380 --> 00:57:48,672 DO SOMETH lNG. l DON'T CARE WHAT lT lS. 1157 00:57:48,840 --> 00:57:50,716 YOU CAN JUST-- JUST NAME YOUR PRlCE. 1158 00:57:50,884 --> 00:57:53,594 JUST DO WHATEVER lT TAKES. 1159 00:57:54,804 --> 00:57:56,722 NO. 1160 00:57:58,349 --> 00:57:59,933 AH . 1161 00:58:00,101 --> 00:58:01,226 AH! 1162 00:58:01,394 --> 00:58:02,978 EEKEE. 1163 00:58:03,146 --> 00:58:07,566 NOW, TH lS KlND OF ACTlON THAT YOU'RE TALKlNG NOW, 1164 00:58:07,734 --> 00:58:10,152 TH lS lS GONNA COST YOU BlG TlME. 1165 00:58:10,320 --> 00:58:12,946 WHAT ACTlON? 1166 00:58:13,698 --> 00:58:19,703 BUMPED. RUBBED. SMOKED. lCED. 1167 00:58:19,871 --> 00:58:22,331 - THE BlG MONKEY. - NO! 1168 00:58:22,499 --> 00:58:24,541 l--NO, l-l DON'T-- 1169 00:58:24,709 --> 00:58:26,376 [Chuckling] l DON'T WANT YOU TO KlLL H lM. 1170 00:58:26,544 --> 00:58:28,712 NO. l DlDN'T SAY THAT. 1171 00:58:28,880 --> 00:58:31,632 l SAlD--l MEAN, l JUST WANT YOU TO TALK TO H lM. 1172 00:58:31,799 --> 00:58:33,842 CAN YOU TALK TO H lM? 1173 00:58:34,010 --> 00:58:38,472 OH . SURE. TALK TO H lM. 1174 00:58:39,140 --> 00:58:41,058 SURE. 1175 00:58:41,893 --> 00:58:44,728 UH, YOU KNOW, THAT DOESN'T MEAN TO BREAK H lS SPlNAL CORD, OKAY? 1176 00:58:44,896 --> 00:58:47,189 THAT MEANS l JUST--l REALLY JUST WANT YOU TO TALK TO H lM, 1177 00:58:47,357 --> 00:58:48,815 MAKE H lM STOP BOTHERlNG ME. 1178 00:58:48,983 --> 00:58:50,692 JUST--CAN YOU DO THAT? 1179 00:58:50,860 --> 00:58:53,487 HEY. l CAN DO ANYTH lNG. 1180 00:58:53,655 --> 00:58:56,990 TH lS GUY lS NOT GONNA BOTHER YOU ANYMORE. 1181 00:58:58,034 --> 00:59:08,502 ♪♪♪ 1182 00:59:08,670 --> 00:59:10,629 [Door Opens] 1183 00:59:27,355 --> 00:59:44,913 ♪♪♪ 1184 00:59:45,081 --> 00:59:47,124 THERESA? 1185 00:59:52,046 --> 00:59:53,171 [Missy] WHERE'S THE ZOO GUY? 1186 00:59:53,339 --> 00:59:55,674 COME ON . PLEASE HURRY. WE HAVE A SlTUATlON HERE. 1187 00:59:55,842 --> 00:59:57,301 ALL RlGHT, l WlLL SHOW-- EVERYONE, CALM. 1188 00:59:57,468 --> 00:59:58,302 LOOK-- 1189 00:59:58,469 --> 00:59:59,595 MARTHA! 1190 00:59:59,762 --> 01:00:00,596 MONKEY! 1191 01:00:00,763 --> 01:00:02,973 UP! 1192 01:00:03,141 --> 01:00:05,309 [Chattering] 1193 01:00:05,476 --> 01:00:06,602 [Screeching] 1194 01:00:06,769 --> 01:00:08,604 OH, MY GOD. THE MONKEYS. 1195 01:00:08,771 --> 01:00:10,188 [Chimp Squeaking] 1196 01:00:10,356 --> 01:00:11,398 MARTHA! 1197 01:00:11,566 --> 01:00:13,900 WHO WERE THE SCHEDULED GUESTS ON TODAY'S SHOW, MARTHA? 1198 01:00:14,068 --> 01:00:16,403 LlNDA EVANS, SHARl LEWlS AND THAT BODYBU lLDER, 1199 01:00:16,571 --> 01:00:17,946 MR. BlKlN l BEACH SAN DlEGO. 1200 01:00:18,114 --> 01:00:19,197 WHY? 1201 01:00:19,365 --> 01:00:21,408 WHAT'S GOlNG ON? 1202 01:00:21,993 --> 01:00:23,243 "TELEGRAM, MlSS LlNDA EVANS. 1203 01:00:23,411 --> 01:00:25,912 lN THE lNTEREST OF OUR VlEWERS, PLEASE STAY HOME. 1204 01:00:26,080 --> 01:00:27,205 STOP. 1205 01:00:27,373 --> 01:00:29,249 SlGNED, MARTHA ALSTON ." 1206 01:00:29,417 --> 01:00:30,959 "TELEGRAM TO SHARl LEWlS. 1207 01:00:31,127 --> 01:00:32,169 STOP. 1208 01:00:32,337 --> 01:00:33,837 l LlKE MY LAMB CHOPS RAW. 1209 01:00:34,005 --> 01:00:35,047 STOP. 1210 01:00:35,214 --> 01:00:36,423 SlGNED, MARTHA ALSTON ." 1211 01:00:36,591 --> 01:00:38,800 "TELEGRAM, MR. BlKlN l BEACH SAN DlEGO." 1212 01:00:38,968 --> 01:00:40,719 WELL, l DON'T HAVE TO FlN lSH THAT. 1213 01:00:40,887 --> 01:00:41,970 WHY? WHAT DOES lT SAY? 1214 01:00:42,138 --> 01:00:43,221 YOU DON'T KNOW. 1215 01:00:43,389 --> 01:00:44,556 NO, l DON'T KNOW WHAT lT SAYS. 1216 01:00:44,724 --> 01:00:45,682 TELL ME WHAT lT SAYS, DlCK. 1217 01:00:45,850 --> 01:00:47,434 "MR. BlKlN l BEACH SAN DlEGO. 1218 01:00:47,602 --> 01:00:48,810 STOP. 1219 01:00:48,978 --> 01:00:50,187 BLOW ME, MUSCLE MAN . 1220 01:00:50,355 --> 01:00:51,647 SlGNED, MARTHA ALSTON ." 1221 01:00:51,814 --> 01:00:53,065 "BLOW ME, MUSCLE MAN"? 1222 01:00:53,232 --> 01:00:54,441 l DlDN'T SEND THOSE TELEGRAMS. 1223 01:00:54,609 --> 01:00:56,652 DlCK, YOU KNOW l DlDN'T SEND THOSE TELEGRAMS, RlGHT? 1224 01:00:56,819 --> 01:00:57,903 NOW, LOOK, MARTHA. 1225 01:00:58,071 --> 01:01:00,405 WE KNOW THAT PEOPLE HAVE BEEN COVERlNG FOR YOU, OKAY? 1226 01:01:00,573 --> 01:01:02,199 l TALKED TO THE CH lCKEN, OKAY? 1227 01:01:02,367 --> 01:01:04,993 BUT THESE, THESE--TOO MUCH . 1228 01:01:05,161 --> 01:01:06,119 NO! 1229 01:01:06,287 --> 01:01:07,537 l DlDN'T SEND THOSE TELEGRAMS! 1230 01:01:07,705 --> 01:01:09,164 l Dl--WH lTMAN CRAWFORD SENT THOSE TELEGRAMS! 1231 01:01:09,332 --> 01:01:10,666 JANE, TELL H lM ABOUT WH lTMAN! 1232 01:01:10,833 --> 01:01:12,292 OH, WH lTMAN lS THE GUY THAT SHE LOVES. 1233 01:01:12,460 --> 01:01:13,543 NO! l DON'T LOVE H lM! 1234 01:01:13,711 --> 01:01:15,796 HE'S--HE'S TRYlNG TO RU lN MY LlFE! 1235 01:01:15,963 --> 01:01:18,173 WALTER! YOU WERE AT THE OPERA. 1236 01:01:18,341 --> 01:01:20,842 TELL H lM WHAT HAPPENED AT THE OPERA. 1237 01:01:21,010 --> 01:01:22,260 SHE FAlNTED. 1238 01:01:22,428 --> 01:01:23,887 AAH! NO. HE'S lNSANE! 1239 01:01:24,055 --> 01:01:25,263 HE'S RU lN lNG MY LlFE! 1240 01:01:25,431 --> 01:01:26,848 HE SENDS ME GlFTS EVERY DAY. 1241 01:01:27,016 --> 01:01:28,266 HE SENT ME A FOOTBALL. 1242 01:01:28,434 --> 01:01:29,685 HE--H lS BUTT GOT BlGGER. 1243 01:01:29,852 --> 01:01:31,353 MARTHA, WE CAN'T HAVE ANY OF TH lS. 1244 01:01:31,521 --> 01:01:33,647 l NEED SOMEONE WHO CAN HANDLE TH lS JOB. 1245 01:01:33,815 --> 01:01:34,981 DlCK. 1246 01:01:35,149 --> 01:01:36,525 NOW, MAYBE--MAYBE lT'S BECAUSE OF TH lS NEW GUY. . . 1247 01:01:36,693 --> 01:01:37,943 DlCK, LlSTEN TO ME. 1248 01:01:38,111 --> 01:01:39,695 THAT YOU'VE BEEN SEElNG HAS BEEN CAUSlNG TH lS, BUT MARTHA, 1249 01:01:39,862 --> 01:01:41,071 THAT'S NOT MY PROBLEM. 1250 01:01:41,239 --> 01:01:43,031 HOSTlNG TH lS SHOW lS MY PROBLEM, 1251 01:01:43,199 --> 01:01:45,867 AND l NEED SOMEONE WHO CAN HELP ME TO DO JUST THAT. 1252 01:01:46,035 --> 01:01:47,160 WHAT ARE YOU SAYlNG, DlCK? 1253 01:01:47,328 --> 01:01:48,704 l'M SAYlNG THAT YOU NEED TO-- 1254 01:01:48,871 --> 01:01:51,206 NO, l'M SAYlNG YOU'RE GOlNG TO TAKE SOME TlME OFF, 1255 01:01:51,374 --> 01:01:53,083 A LONG TlME OFF, OKAY? 1256 01:01:53,251 --> 01:01:55,252 l HOPE YOU CAN SOLVE YOUR PROBLEMS, MARTHA, 1257 01:01:55,420 --> 01:01:57,671 BUT YA AlN'T GONNA BE DOlNG lT HERE. 1258 01:01:57,839 --> 01:01:59,381 ♪♪♪ 1259 01:01:59,549 --> 01:02:00,674 [lnhales] ENERGY. 1260 01:02:00,842 --> 01:02:01,842 ENERGY. 1261 01:02:02,009 --> 01:02:04,219 [Exhales] 1262 01:02:04,387 --> 01:02:05,929 DlCK, WAlT. 1263 01:02:06,097 --> 01:02:08,348 [Announcer] LADlES AND GENTLEMEN, PLEASE GlVE A WARM WELCOME 1264 01:02:08,516 --> 01:02:10,475 TO THE HOSTS OF DAYBREAK SAN DlEGO, 1265 01:02:10,643 --> 01:02:13,353 DlCK BRAXTON AND NANCY CULPEPPER. 1266 01:02:14,480 --> 01:02:16,440 [Tires Screeching] 1267 01:02:16,899 --> 01:02:48,722 ♪♪♪ 1268 01:02:49,056 --> 01:02:50,640 MOM! DAD! 1269 01:02:50,808 --> 01:02:52,058 OH, H l, HONEY. 1270 01:02:52,226 --> 01:02:54,144 THANKS FOR COMlNG BY TO SEE US OFF. 1271 01:02:54,312 --> 01:02:55,771 WHAT DO YOU--WHAT DO YOU MEAN? 1272 01:02:55,938 --> 01:02:56,938 CAN'T TALK NOW, SWEETHEART. 1273 01:02:57,106 --> 01:02:58,982 THE CAB WAS LATE, AND THE CRU lSE SH lP'S GONNA LEAVE. 1274 01:02:59,150 --> 01:03:00,859 THANK WH lTMAN FOR THE TlCKETS. 1275 01:03:01,027 --> 01:03:03,236 [Mrs. Alston] MEXlCO, HERE WE COME! 1276 01:03:03,404 --> 01:03:06,907 GOOD-BYE, HONEY! BYE-BYE! 1277 01:03:07,950 --> 01:03:09,493 - BYE! - BYE! 1278 01:03:09,660 --> 01:03:12,871 YOU CAN'T GO! l NEED YOU! 1279 01:03:13,039 --> 01:03:15,248 MOMMY! 1280 01:03:18,127 --> 01:03:20,128 l'LL GO WlTH 'EM. l'LL GO TO MEXlCO TOO. 1281 01:03:20,296 --> 01:03:21,296 THAT'S WHAT l'LL DO. 1282 01:03:21,464 --> 01:03:22,631 l'LL GRAB A FEW TH lNGS. l'LL MEET 'EM AT THE PlER. 1283 01:03:22,799 --> 01:03:24,883 l'LL STOW AWAY. l'LL SWlM lF l HAVE TO. 1284 01:03:25,301 --> 01:03:28,178 [Tires Screech] 1285 01:03:29,639 --> 01:03:32,808 [Tires Screeching] 1286 01:03:32,975 --> 01:03:35,602 [Tires Screech, Door Slams] 1287 01:03:41,234 --> 01:03:43,777 CRAZY lDlOT. 1288 01:03:44,987 --> 01:03:46,947 [Panting] 1289 01:03:56,415 --> 01:03:58,542 PERFECT. 1290 01:04:00,169 --> 01:04:02,879 YOU PLANN lNG ON GOlNG SOMEWHERE, MlSS ALSTON? 1291 01:04:05,341 --> 01:04:08,301 YOU DlCK. 1292 01:04:09,971 --> 01:04:15,100 YOU STUPlD PRlVATE DlCK DlCK! 1293 01:04:15,268 --> 01:04:16,768 WHAT AM l PAYlNG YOU FOR? 1294 01:04:16,936 --> 01:04:18,270 YOU SAlD YOU'D KEEP H lM AWAY FROM ME. 1295 01:04:18,437 --> 01:04:19,604 WELL, KEEP H lM AWAY FROM ME. 1296 01:04:19,772 --> 01:04:21,064 DO WHATEVER YOU HAVE TO DO. 1297 01:04:21,232 --> 01:04:22,691 BUMP H lM. DUNK H lM. lCE H lM. 1298 01:04:22,859 --> 01:04:24,025 THE MONKEY! 1299 01:04:24,193 --> 01:04:26,862 THE BlG MOTHER-LOVlN' MONKEY! 1300 01:04:27,029 --> 01:04:29,573 OW! 1301 01:04:30,074 --> 01:04:32,868 DO YOU WANT MY PROFESSlONAL OPlN lON, MlSS ALSTON? 1302 01:04:33,035 --> 01:04:35,829 WHAT? 1303 01:04:35,997 --> 01:04:38,540 GO WlTH H lM. 1304 01:04:38,708 --> 01:04:44,129 MY OPlN lON, TH lS lS A SWEET GUY. HE LOVES YOU VERY MUCH . 1305 01:04:44,297 --> 01:04:45,630 GO WlTH H lM. 1306 01:04:45,798 --> 01:04:47,173 TELL YOU SOMETH lNG: 1307 01:04:47,341 --> 01:04:48,383 l TALKED TO WH lTMAN . 1308 01:04:48,551 --> 01:04:49,593 OKAY. STOP TALKlNG. 1309 01:04:49,760 --> 01:04:52,429 HEY, YOU'RE NOT SO SPEClAL, SlSTER. YOU'RE LlKE EVERY OTHER DAME. 1310 01:04:52,597 --> 01:04:54,472 YOU DON'T KNOW WHAT YOU WANT WHEN YOU WANT lT, 1311 01:04:54,640 --> 01:04:56,725 AND YOU DON'T KNOW WHAT YOU GOT WHEN YOU GOT lT. 1312 01:04:56,893 --> 01:04:58,435 UH! NO. 1313 01:04:58,603 --> 01:05:01,646 THE TRUTH HURTS, SlSTER. JUST MY PROFESSlONAL OPlN lON . 1314 01:05:01,814 --> 01:05:03,189 OKAY, WELL, HERE'S MY PROFESSlONAL OPlN lON . 1315 01:05:03,357 --> 01:05:04,691 - YOU'RE FlRED! - HA! 1316 01:05:04,859 --> 01:05:06,234 YOU CAN'T FlRE ME. 1317 01:05:06,402 --> 01:05:08,111 [Laughs] l'M WORKlN' FOR H lM NOW. 1318 01:05:08,279 --> 01:05:10,864 - YOU CAN'T DO THAT! - OH, YEAH? 1319 01:05:11,032 --> 01:05:12,949 CHECK OUT THESE. 1320 01:05:13,117 --> 01:05:14,576 [Laughs] COME ON, LlTTLE LADY. 1321 01:05:14,744 --> 01:05:15,702 NO. NO. 1322 01:05:15,870 --> 01:05:16,953 LET'S GO SEE H lM. 1323 01:05:17,121 --> 01:05:18,163 YEAH . 1324 01:05:18,331 --> 01:05:19,539 LlTTLE LADY, COME ON . WE'RE GONNA GO SEE H lM. 1325 01:05:19,707 --> 01:05:20,790 NO. AND DON'T CALL ME LlTTLE LADY! 1326 01:05:20,958 --> 01:05:22,250 OHH! 1327 01:05:22,418 --> 01:05:23,335 OH! 1328 01:05:23,502 --> 01:05:24,628 HEY, WATCH OUT! 1329 01:05:24,795 --> 01:05:26,755 [Brakes Screech] 1330 01:05:26,923 --> 01:05:28,924 [Screams] 1331 01:05:30,635 --> 01:05:31,718 OH, LOOK AT THAT. 1332 01:05:31,886 --> 01:05:33,345 SHE'S OUT LlKE A LlGHT. 1333 01:05:33,512 --> 01:05:34,763 FLOWERS FOR MlSS ALSTON? 1334 01:05:34,931 --> 01:05:37,599 THAT'S HER. 1335 01:05:38,851 --> 01:05:43,813 [Heart Monitor Beeping] 1336 01:05:52,865 --> 01:05:56,952 l'M HERE, BlG SlSTER. ANN lE'S HERE. 1337 01:05:57,119 --> 01:05:58,328 lT'S ALL RlGHT. 1338 01:05:58,496 --> 01:06:00,038 MMM. 1339 01:06:00,206 --> 01:06:02,749 WELL, GOOD MORN lNG, SUNSH lNE. 1340 01:06:02,917 --> 01:06:04,751 OH, l'VE BEEN WAlTlN' FOR YOU TO WAKE UP. 1341 01:06:04,919 --> 01:06:06,836 l'VE BEEN HERE SlNCE lT HAPPENED. 1342 01:06:07,004 --> 01:06:08,129 MMM. 1343 01:06:08,297 --> 01:06:09,422 OH, MARTHA, lT'S A MlRACLE YOU WEREN'T BADLY HURT. 1344 01:06:09,590 --> 01:06:10,966 HMM. 1345 01:06:11,133 --> 01:06:14,260 [Chuckles] OH, HONEY, l TH lNK l UNDERSTAND. 1346 01:06:14,428 --> 01:06:19,307 YOU MEET TH lS WONDERFUL GUY. THEN YOU TH lNK YOU'VE LOST H lM. 1347 01:06:19,475 --> 01:06:23,228 STlLL, SU lClDE? 1348 01:06:23,688 --> 01:06:27,232 BUT lT'S ALL RlGHT NOW. YOU DlDN'T LOSE WH lTMAN, 1349 01:06:27,400 --> 01:06:31,569 AND NOW YOU NEVER WlLL. NEVER, NEVER, NEVER. 1350 01:06:31,737 --> 01:06:33,279 [Chuckles] 1351 01:06:33,447 --> 01:06:35,198 [Heart Monitor Beeping Rapidly] NOW l'VE GOTTA GO. 1352 01:06:35,366 --> 01:06:36,825 [Door Opens] 1353 01:06:36,993 --> 01:06:39,160 STUART'S WAlTlNG FOR ME, JUST LlKE WH lTMAN'S WAlTlNG FOR YOU . 1354 01:06:39,328 --> 01:06:40,370 WHO'S WAlTlNG? 1355 01:06:40,538 --> 01:06:41,663 [Gasps] OHH! 1356 01:06:41,831 --> 01:06:42,998 UHH-- 1357 01:06:43,165 --> 01:06:43,999 [Annie] ALL RlGHTY. 1358 01:06:44,166 --> 01:06:45,166 YOU TAKE GOOD CARE OF HER, WH lTMAN . 1359 01:06:45,334 --> 01:06:46,167 UHH-- 1360 01:06:46,335 --> 01:06:47,168 BYE-BYE. 1361 01:06:47,336 --> 01:06:48,545 BYE. BYE, SlS. 1362 01:06:48,713 --> 01:06:50,630 UHH-- 1363 01:06:51,549 --> 01:06:53,717 [Groans] 1364 01:06:54,135 --> 01:06:55,927 [Whispering] QU lET. 1365 01:06:56,095 --> 01:06:58,179 HERE, LlSTEN TO TH lS. 1366 01:07:00,266 --> 01:07:03,810 ♪ l WANNA KNOW WHAT LOVE lS ♪ 1367 01:07:03,978 --> 01:07:08,314 ♪ l WANT YOU TO SHOW ME ♪ 1368 01:07:08,482 --> 01:07:12,694 ♪ l WANNA FEEL WHAT LOVE lS ♪♪ 1369 01:07:12,862 --> 01:07:15,739 [Whispers] l KNOW YOU CAN SHOW ME. 1370 01:07:16,365 --> 01:07:19,701 GOD, YOU LOOK SEXY lN THAT LlTTLE HAT. 1371 01:07:23,205 --> 01:07:25,540 OH, OH, OH, OH, OH, OH . 1372 01:07:25,708 --> 01:07:28,293 OH . 1373 01:07:36,385 --> 01:07:41,306 [Snoring] 1374 01:07:42,433 --> 01:07:46,936 [Groaning, Snoring] 1375 01:07:52,234 --> 01:08:19,094 [Snoring Continues] 1376 01:08:29,647 --> 01:08:32,107 [Rhythmic Snoring] 1377 01:08:32,274 --> 01:08:35,693 [Snore] 1378 01:08:35,861 --> 01:08:37,112 [Creaks] 1379 01:08:37,279 --> 01:08:38,238 [Snore] 1380 01:08:38,405 --> 01:08:40,907 [Creaks] 1381 01:08:41,075 --> 01:08:43,952 [Snore, Snore, Snore, Snore] [Creak, Creak, Creak, Creak] 1382 01:08:44,120 --> 01:08:47,747 [Long Snore, Exhales] [Creaking Stops] 1383 01:08:49,416 --> 01:08:53,253 [Snoring] 1384 01:08:54,171 --> 01:08:56,798 [Softly] YEAH . 1385 01:09:05,432 --> 01:09:06,266 [Grunting] 1386 01:09:06,433 --> 01:09:08,893 STUPlD RlNG. 1387 01:09:09,061 --> 01:09:12,397 [Moaning] 1388 01:09:12,565 --> 01:09:16,151 [Gasps] MARTHA! MARTHA! 1389 01:09:16,318 --> 01:09:18,236 HONEY! HELP! 1390 01:09:18,404 --> 01:09:21,156 THE SU lClDE'S LOOSE! 1391 01:09:21,323 --> 01:09:23,491 [Martha] SOMEBODY HELP! 1392 01:09:24,201 --> 01:09:26,369 HEY! STOP! 1393 01:09:27,288 --> 01:09:28,371 HEY, YOU NEED A RlDE, MlSS? 1394 01:09:28,539 --> 01:09:29,747 YEAH . YEAH . 1395 01:09:29,915 --> 01:09:31,082 HERE. HOP ON lN . 1396 01:09:31,250 --> 01:09:32,208 OH, GOD. THANKS. 1397 01:09:32,376 --> 01:09:33,209 THANKS. 1398 01:09:33,377 --> 01:09:34,252 YOU OKAY? 1399 01:09:34,420 --> 01:09:36,379 GO, GO, GO, GO, GO! 1400 01:09:37,464 --> 01:09:41,843 MARTHA? HONEY? l'M RlGHT HERE. 1401 01:09:42,011 --> 01:09:44,137 DON'T LEAVE THE LOVE ZONE. 1402 01:09:44,763 --> 01:09:45,972 OH, THANK YOU SO-- 1403 01:09:46,140 --> 01:09:47,390 UH-OH . 1404 01:09:47,558 --> 01:09:48,558 WHOA! 1405 01:09:48,726 --> 01:09:50,977 [lnga] l WARNED YOU NOT TO GET lN THE WAY OF A COSMlC 1406 01:09:51,145 --> 01:09:53,271 KlND OF LOVE, WlTCH lE. 1407 01:09:53,814 --> 01:09:55,398 [Grunting] REST YOUR HEAD. 1408 01:09:55,566 --> 01:09:56,733 DON'T BE N lCE TO HER! 1409 01:09:56,901 --> 01:09:58,943 DON'T YOU BE N lCE TO HER, BOB! 1410 01:09:59,820 --> 01:10:02,030 - l'M SORRY. - PULL HER HAlR! 1411 01:10:02,198 --> 01:10:03,031 BUT-- 1412 01:10:03,199 --> 01:10:04,199 JUST DO lT! 1413 01:10:04,366 --> 01:10:05,325 [Grunts] OW! 1414 01:10:05,492 --> 01:10:07,452 OW! OW! OW! OW! OW! 1415 01:10:07,620 --> 01:10:10,205 [Screams] 1416 01:10:13,626 --> 01:10:15,585 [Martha] OW. OW. OW. 1417 01:10:15,753 --> 01:10:17,253 [lnga] HARDER. 1418 01:10:17,421 --> 01:10:19,672 PULL lT HARDER! 1419 01:10:20,883 --> 01:10:24,928 ♪♪♪ 1420 01:10:25,095 --> 01:10:26,221 [Martha] WHAT ARE YOU DOlNG, BOB? 1421 01:10:26,388 --> 01:10:27,722 [lnga] HOLD HER DOWN, BOB! 1422 01:10:27,890 --> 01:10:29,515 GET HER SECURE! 1423 01:10:29,683 --> 01:10:33,686 MAKE THOSE KNOTS N lCE AND TlGHT! 1424 01:10:37,733 --> 01:10:40,610 WHAT ARE YOU DO--WHY ARE YOU ALWAYS PUTTlNG STlCKY STUFF ON ME? 1425 01:10:40,778 --> 01:10:42,320 GlVE ME THE ANTS, BOB. 1426 01:10:42,488 --> 01:10:44,530 ANTS? WHAT ANTS? 1427 01:10:45,616 --> 01:10:50,328 PREPARE TO BE CONSUMED, MARTHA ALSTON . 1428 01:10:50,496 --> 01:10:53,164 PREPARE TO BE-- 1429 01:10:54,625 --> 01:10:56,834 [Grunting] 1430 01:10:57,294 --> 01:11:01,381 OH, GOD! THEY'RE DEAD, BOB. 1431 01:11:01,548 --> 01:11:03,216 - THEY ARE? - YES, BOB, THEY ARE. 1432 01:11:03,384 --> 01:11:04,592 DlDN'T YOU FEED THEM? 1433 01:11:04,760 --> 01:11:06,469 l THOUGHT THAT YOU SAlD THAT YOU WANTED THEM HUNGRY. 1434 01:11:06,637 --> 01:11:10,598 HUNGRY, BOB! NOT DEAD! 1435 01:11:10,766 --> 01:11:12,350 NOW WHAT ARE WE GONNA DO? 1436 01:11:12,518 --> 01:11:14,352 WE COULD, UH--WE COULD, UH, RESCHEDULE. 1437 01:11:14,520 --> 01:11:16,396 LlKE MAYBE NEXT TUESDAY lS GOOD FOR ME. 1438 01:11:16,563 --> 01:11:17,605 HMM? 1439 01:11:17,773 --> 01:11:20,233 DREAM ON, LlTTLE BEAUTY! 1440 01:11:21,026 --> 01:11:22,902 GUESS WE'LL JUST HAVE TO CUT HER HEART OUT. 1441 01:11:23,070 --> 01:11:24,279 ARE YOU OKAY WlTH THAT? 1442 01:11:24,446 --> 01:11:25,613 NO, BOB! 1443 01:11:25,781 --> 01:11:27,448 l WANTED HER EATEN BY ANTS, 1444 01:11:27,616 --> 01:11:30,660 BUT TH lS lS OBVlOUSLY THE BEST WE'RE GONNA DO! 1445 01:11:30,828 --> 01:11:33,246 HOLD HER DOWN, BOB! 1446 01:11:34,206 --> 01:11:36,082 [Martha] TH lNK ABOUT TH lS, 'CAUSE, YOU KNOW, THE ANT lDEA WAS GOOD. 1447 01:11:36,250 --> 01:11:37,458 l KlNDA LlKED THE ANT lDEA. 1448 01:11:37,626 --> 01:11:38,710 OKAY, WE COULD-- 1449 01:11:38,877 --> 01:11:40,712 lNGA! 1450 01:11:41,213 --> 01:11:43,548 - WH lTMAN! - WH lTMAN! - WH lTMAN! 1451 01:11:45,134 --> 01:11:47,593 PUT THE KN lFE DOWN, lNGA. 1452 01:11:47,761 --> 01:11:48,803 NO. 1453 01:11:48,971 --> 01:11:52,223 SHE'S lN THE WAY, WH lT! DON'T YA SEE THAT? 1454 01:11:52,391 --> 01:11:57,729 NO, lNGA, YOU'RE lN THE WAY. MARTHA AND l LOVE EACH OTHER. 1455 01:11:58,272 --> 01:11:59,647 WE DON'T. l DON'T. 1456 01:11:59,815 --> 01:12:01,024 [Sobs] 1457 01:12:01,191 --> 01:12:03,651 WE ARE GOlNG TO BU lLD A LlFE UNTO EACH OTHER. 1458 01:12:03,819 --> 01:12:08,072 lF YOU TRY TO GET BETWEEN US, l'LL PUT YOU OUT THE DOOR. 1459 01:12:09,074 --> 01:12:14,579 NOW, FOR THE LAST TlME, PUT DOWN THE KN lFE. 1460 01:12:18,292 --> 01:12:23,713 NEVER! NEVER! NEVER! 1461 01:12:25,674 --> 01:12:27,050 [Gunshot] 1462 01:12:27,217 --> 01:12:29,302 [Yowls] 1463 01:12:30,220 --> 01:12:32,347 [Blowing] 1464 01:12:34,016 --> 01:12:36,768 GOD, YOU'RE BlTCH lN', WH lT. 1465 01:12:37,561 --> 01:12:39,479 [lnga Grunts] 1466 01:12:39,646 --> 01:12:40,646 OOH, SAVE HER! 1467 01:12:40,814 --> 01:12:41,981 DON'T LET H lM TAKE HER! 1468 01:12:42,149 --> 01:12:45,443 [Cries] l CAN'T LET YOU TAKE HER, WH lTMAN . 1469 01:12:45,861 --> 01:12:48,237 DON'T MAKE ME SHOOT YOU, TOO, BOB. 1470 01:12:49,073 --> 01:12:50,907 OKAY. 1471 01:12:51,950 --> 01:12:53,534 [Cries] MAYBE l SHOULD CALL AAA. 1472 01:12:53,702 --> 01:12:56,204 NO, l'M NOT A CAR, YOU-- 1473 01:12:56,372 --> 01:12:57,538 OW! OW! OW! 1474 01:12:57,706 --> 01:12:59,040 OOH-HOO-HOO HOO! 1475 01:12:59,208 --> 01:13:00,833 [Crying] TH lNK ABOUT SOMETH lNG ELSE. 1476 01:13:02,044 --> 01:13:03,378 [lnga Cries] NOT N lCE! 1477 01:13:03,545 --> 01:13:05,171 NOT N lCE. 1478 01:13:05,339 --> 01:13:07,131 [Crying] 1479 01:13:07,299 --> 01:13:10,009 l'LL GET YOU, YOU TRAMP! 1480 01:13:10,803 --> 01:13:12,887 l LOVE YOU . 1481 01:13:13,055 --> 01:13:16,099 [Sobs] 1482 01:13:16,266 --> 01:13:19,018 [Cries] 1483 01:13:19,728 --> 01:13:22,397 [Whitman] OH, lNGA'S GONNA BE JUST FlNE. 1484 01:13:22,564 --> 01:13:23,523 [Martha] PUT ME DOWN . 1485 01:13:23,690 --> 01:13:24,857 NO, NO, NO. 1486 01:13:25,025 --> 01:13:27,735 LAST TlME l LET YOU OUT OF MY SlGHT, THERE WAS A SU lClDE ATTEMPT. 1487 01:13:27,903 --> 01:13:29,654 WHAT WAS TH lS, SOME KlND OF HUMAN SACRlFlCE? 1488 01:13:29,822 --> 01:13:31,364 YOU NEED TAKlNG CARE OF, DEAR. 1489 01:13:31,532 --> 01:13:34,117 WH lTMAN . 1490 01:13:34,660 --> 01:13:36,702 [Groans] 1491 01:13:38,747 --> 01:13:43,543 - WHAT lS TH lS? - TH lS lS AN R.V., HONEY. 1492 01:13:44,920 --> 01:13:49,215 - WHOSE R.V.? - OURS. 1493 01:13:49,758 --> 01:13:52,260 l THOUGHT WE COULD USE A FAMlLY VEH lCLE. 1494 01:13:52,428 --> 01:13:57,390 - FOR WHAT? - FOR OUR LlTTLE FAMlLY. 1495 01:13:59,101 --> 01:14:00,893 SAY HELLO TO MAMA, KlDS. 1496 01:14:01,061 --> 01:14:02,979 [Children Together] HOLA, MAMA. 1497 01:14:04,356 --> 01:14:07,233 THAT'S LlTTLE N lCOLE, AND THAT'S CODY. 1498 01:14:07,401 --> 01:14:08,734 [Chuckles] AREN'T THEY CUTE? 1499 01:14:08,902 --> 01:14:10,319 THEY'RE CONSUELA'S KlDS. 1500 01:14:10,487 --> 01:14:11,946 YOU REMEMBER. MOM'S HOUSEKEEPER. 1501 01:14:12,114 --> 01:14:15,408 [Chuckling] YEAH . 1502 01:14:16,034 --> 01:14:17,368 OH, GOD, WH lTMAN . 1503 01:14:17,536 --> 01:14:18,870 HMM. 1504 01:14:19,037 --> 01:14:21,956 WELL, l KNOW WHAT YOU'RE TH lNKlN'. l ALWAYS DO. 1505 01:14:22,124 --> 01:14:23,249 YOU'RE TH lNKlN', "WH lT, 1506 01:14:23,417 --> 01:14:25,626 HOW COME WE AREN'T HAVlNG KlDS OF OUR OWN?" 1507 01:14:25,794 --> 01:14:29,046 WELL, THEY'RE JUST TO PRlME THE PUMP A LlTTLE BlT. 1508 01:14:29,214 --> 01:14:33,718 WE'RE GONNA BEGlN OUR OWN FAMlLY JUST AS SOON AS WE ARE MARRlED. 1509 01:14:33,886 --> 01:14:35,761 - Sl . - YEAH . 1510 01:14:36,472 --> 01:14:38,264 WHAT? 1511 01:14:38,432 --> 01:14:40,141 [Clears Throat] THAT'S RlGHT. 1512 01:14:40,309 --> 01:14:44,645 lN SlX HOURS, YOU AND l WlLL BE WED lN LOS CABOS, MEXlCO, 1513 01:14:44,813 --> 01:14:50,026 AT A BEAUTlFUL LlTTLE CHURCH CALLED SAlNT MARGARET OF THE GOATS. 1514 01:14:50,486 --> 01:14:51,694 SEE? 1515 01:14:51,862 --> 01:14:55,031 NO PESKY BLOOD TESTS TO SLOW US UP THERE! 1516 01:14:55,199 --> 01:14:56,824 AH, LET'S GET ON THE ROAD. 1517 01:14:56,992 --> 01:14:58,367 HERE WE GO! 1518 01:14:58,535 --> 01:14:59,619 OKAY, THAT'S lT. 1519 01:14:59,786 --> 01:15:02,830 CH lLDREN, COME WlTH, UH, ME-- 1520 01:15:02,998 --> 01:15:05,374 UH, POQU lTO LlTTLE CH lLDREN, UM-- 1521 01:15:05,542 --> 01:15:08,211 NOS VAMOS A QUEDAR AQU l . 1522 01:15:09,671 --> 01:15:12,006 [Clears Throat] NO, YOU DON'T UNDERSTAND. 1523 01:15:12,174 --> 01:15:15,176 NO, LlTTLE MOTHER. YOU DON'T UNDERSTAND. 1524 01:15:20,307 --> 01:15:22,475 ARE YOU KlDDlNG? 1525 01:15:22,643 --> 01:15:23,726 LlTTLE JOKlE? 1526 01:15:23,894 --> 01:15:26,354 EL JOKO? 1527 01:15:26,522 --> 01:15:28,648 NO MORE QUESTlONS, LlTTLE MOTHER. 1528 01:15:28,815 --> 01:15:30,399 ALL RlGHT, ALL RlGHT. COME ON . 1529 01:15:30,567 --> 01:15:31,651 LET'S BREAK lT UP. 1530 01:15:31,818 --> 01:15:33,528 lSSUES OF CONTROL HAPPEN WHEN WE'RE TlRED. 1531 01:15:33,695 --> 01:15:38,282 CAN'T YOU SEE, KlDS, THAT YOUR MOTHER lS JUST ALL WORN OUT? 1532 01:15:38,909 --> 01:15:40,952 [Chuckles] DON'T BE LlKE THAT. 1533 01:15:46,500 --> 01:15:47,833 [Martha] l DON'T KNOW WHAT YOU DlD TO THESE KlDS, 1534 01:15:48,001 --> 01:15:50,294 BUT l AM GONNA FlND A WAY OUT AND TAKE 'EM WlTH ME. 1535 01:15:50,462 --> 01:15:51,546 l AM. 1536 01:15:51,713 --> 01:15:53,422 YOU'RE NOT GONNA GET AWAY WlTH TH lS. 1537 01:15:53,590 --> 01:15:59,554 HONEY, YOU DON'T UNDERSTAND. TH lS FAMlLY lS A LEGEND lN THE MAKlNG. 1538 01:15:59,721 --> 01:16:00,805 MM-HMM. 1539 01:16:00,973 --> 01:16:02,056 l MEAN, JUST LOOK. 1540 01:16:02,224 --> 01:16:03,391 [Children Giggling] 1541 01:16:03,559 --> 01:16:04,934 lT WAS AN ACT OF FATE THAT WE EVEN MET. 1542 01:16:05,102 --> 01:16:06,227 KlDS? 1543 01:16:06,395 --> 01:16:08,396 YOU WANNA HEAR HOW YOUR MOTHER AND l MET? 1544 01:16:08,564 --> 01:16:10,898 [Both] YES, DAD. 1545 01:16:11,066 --> 01:16:12,817 l WAS lN A BAR, 1546 01:16:12,985 --> 01:16:15,945 AND l PLAYED HER FAVORlTE SONG. 1547 01:16:16,113 --> 01:16:17,238 HMM. 1548 01:16:17,406 --> 01:16:18,406 BY ACClDENT. 1549 01:16:18,574 --> 01:16:20,199 [Laughing] 1550 01:16:20,367 --> 01:16:22,910 YEAH, H lT THE WRONG BUTTON, BUT FROM THAT POlNT ON, 1551 01:16:23,078 --> 01:16:26,914 WE WERE ON EACH OTHER LlKE A COUPLE OF WEASELS. 1552 01:16:27,082 --> 01:16:31,460 MORAL OF THAT STORY lS, ACClDENTS ARE THE DlRT 1553 01:16:31,628 --> 01:16:33,796 THAT LEGENDS GROW OUT OF. 1554 01:16:36,883 --> 01:16:38,593 [Cody Speaking Spanish] 1555 01:16:38,760 --> 01:16:39,927 [Whitman] HUH? 1556 01:16:40,095 --> 01:16:41,262 COME ON, HONEY. 1557 01:16:41,430 --> 01:16:44,724 ♪♪♪ 1558 01:16:44,891 --> 01:16:48,102 YOU LOOK LOVELY lN THE CLOTHES THAT l PlCKED OUT FOR YOU . 1559 01:16:48,270 --> 01:16:49,895 l FEEL FUNNY. 1560 01:16:50,063 --> 01:16:51,063 DO YA? 1561 01:16:51,231 --> 01:16:54,650 WELL, l TOOK THE LlBERTY OF SLlPPlNG A LlTTLE RELAXANT 1562 01:16:54,818 --> 01:16:56,611 lNTO YOUR WATER. 1563 01:16:56,778 --> 01:16:59,363 [Clears Throat] l THOUGHT YOU MlGHT BE A LlTTLE TENSE. 1564 01:16:59,531 --> 01:17:01,532 NOW--OH, THAT'S NOTH lNG SCARY, DARLlNG, 1565 01:17:01,700 --> 01:17:04,660 JUST A LlTTLE MlXTURE THAT l CAME UP WlTH : 1566 01:17:04,828 --> 01:17:09,999 A LlTTLE, UH, CHAMOMlLE AND SOME, UH, L.S.D. 1567 01:17:10,167 --> 01:17:12,543 [Exhales] OKAY, THAT WOULD W-- 1568 01:17:12,711 --> 01:17:15,963 THAT WOULD BE WHY l'M SEElNG WORMS ON YOUR FACE. 1569 01:17:16,131 --> 01:17:18,007 [Chuckles] 1570 01:17:20,510 --> 01:17:23,137 KlDS! WE'RE GETTlN' CLOSE! 1571 01:17:23,305 --> 01:17:24,764 [Children] ALL RlGHT, DAD. 1572 01:17:24,931 --> 01:17:26,098 UH-- 1573 01:17:26,266 --> 01:17:28,351 [Laughing] 1574 01:17:28,518 --> 01:17:31,687 SO WHEN l--WHEN l WAS DRlNKlN' THE--THE--THE--THE-- 1575 01:17:31,855 --> 01:17:32,897 THE TEA? 1576 01:17:33,065 --> 01:17:34,732 [Laughing] 1577 01:17:34,900 --> 01:17:36,275 YOU'RE GETTlN' lN TOUCH WlTH YOUR JOY. 1578 01:17:36,443 --> 01:17:38,944 [Laughing] 1579 01:17:42,074 --> 01:17:43,658 OH, YOU'RE GONNA GET ME STARTED NOW. 1580 01:17:43,825 --> 01:17:45,201 YEAH . 1581 01:17:45,369 --> 01:17:46,994 [Laughing Continues] 1582 01:17:47,162 --> 01:17:48,621 [Laughs] WHOA! 1583 01:17:48,789 --> 01:17:49,997 WHOA! 1584 01:17:50,165 --> 01:17:52,625 [Both Laughing] 1585 01:17:55,337 --> 01:17:57,672 GOD, lT'S GOOD TO HAVE YOU BACK! 1586 01:17:57,839 --> 01:17:59,006 l'M GONNA KlLL YA! 1587 01:17:59,174 --> 01:18:01,217 [Laughing Loudly] 1588 01:18:01,385 --> 01:18:03,761 NO, YOU'RE NOT. 1589 01:18:03,929 --> 01:18:06,013 YES, l A-- 1590 01:18:06,181 --> 01:18:07,848 [Laughing] NO, YOU'RE NOT. 1591 01:18:08,016 --> 01:18:09,308 l'M GONNA KlLL YA. 1592 01:18:09,476 --> 01:18:12,353 WHOA, WELL, l'LL JUST HAVE TO LOVE YA AS A GHOST, 1593 01:18:12,521 --> 01:18:15,981 AND, UH, YOU COULD HAVE DREADLOCKS LlKE WHOOPl GOLDBERG. 1594 01:18:16,149 --> 01:18:18,651 [Both Laughing] 1595 01:18:20,737 --> 01:18:23,531 DlD YOU LlKE THAT? 1596 01:18:25,534 --> 01:18:27,535 l'M GONNA BE SlCK. 1597 01:18:27,703 --> 01:18:29,120 WELL, lN SlCKNESS AND lN HEALTH, DEA-- 1598 01:18:29,287 --> 01:18:30,454 NO. WHOA. 1599 01:18:30,622 --> 01:18:31,706 NOW, THAT'S A LlTTLE-- 1600 01:18:31,873 --> 01:18:32,873 COME HERE. 1601 01:18:33,041 --> 01:18:33,999 NOW, WE DON'T REALLY WALK-- 1602 01:18:34,167 --> 01:18:35,376 UH, OKAY. 1603 01:18:35,544 --> 01:18:37,712 OH, UH, KlDS, KlDS! 1604 01:18:38,755 --> 01:18:40,756 [Cody Speaking Spanish] 1605 01:18:40,924 --> 01:18:42,883 [Nicole] MOMMY, WHERE ARE YOU GOlNG? 1606 01:18:50,225 --> 01:18:53,352 [Sighs] 1607 01:18:55,272 --> 01:18:56,480 DARLlNG. 1608 01:18:56,648 --> 01:18:57,732 N lCOLE. 1609 01:18:57,899 --> 01:19:01,944 GO ON OUTSlDE AND FlND A LlZARD. 1610 01:19:02,696 --> 01:19:05,281 BE QU lCK. 1611 01:19:07,033 --> 01:19:09,160 [Whitman] WHERE'S MOMMY, N lCOLE? 1612 01:19:09,327 --> 01:19:11,412 [Nicole] SHE'S WASH lNG HER HANDS AND FACE. 1613 01:19:11,580 --> 01:19:14,540 l TH lNK SHE'S HAVlNG A BAD TRlP, DADDY. 1614 01:19:23,925 --> 01:19:26,177 [Coin Drops] 1615 01:19:35,270 --> 01:19:38,564 [Phone Ringing] 1616 01:19:47,616 --> 01:19:49,116 HELLO. 1617 01:19:49,284 --> 01:19:50,159 [Whispering] WALTER. 1618 01:19:50,327 --> 01:19:51,160 lT'S MARTHA. 1619 01:19:51,328 --> 01:19:52,828 OH . YEAH . 1620 01:19:52,996 --> 01:19:54,997 l WANNA CONGRATULATE YOU ON YOUR WEDDlNG, MARTHA. 1621 01:19:55,165 --> 01:19:56,499 YOUR HAPPlNESS MEANS A LOT TO ME. 1622 01:19:56,666 --> 01:19:57,666 SHUT UP. LlSTEN TO ME. 1623 01:19:57,834 --> 01:19:58,918 SHUT UP. 1624 01:19:59,085 --> 01:20:00,586 HERE'S WHAT l WANT YA TO DO. 1625 01:20:00,754 --> 01:20:04,256 l WANT YOU TO GET ON A PLANE. JUST GET ON A PLANE AND FLY FAST. 1626 01:20:04,424 --> 01:20:06,926 COME TO, UH, LOS CABOS. 1627 01:20:07,093 --> 01:20:08,302 LOS CABOS. 1628 01:20:08,470 --> 01:20:11,514 BUY A GUN AND MEET ME AT A CHURCH . 1629 01:20:11,681 --> 01:20:13,808 WH lTMAN SAlD YOU MlGHT TRY SOMETH lNG LlKE TH lS, 1630 01:20:13,975 --> 01:20:17,436 THAT YOU'D DO ANYTH lNG TO SABOTAGE YOUR OWN HAPPlNESS. 1631 01:20:17,979 --> 01:20:18,896 GOAT! 1632 01:20:19,064 --> 01:20:19,897 SHH . 1633 01:20:20,065 --> 01:20:21,148 GOATS. 1634 01:20:21,316 --> 01:20:22,274 SAlNT MARGARET OF THE GOATS. 1635 01:20:22,442 --> 01:20:23,859 MARTHA, YOU'RE GONNA HAVE TO SPEAK UP. l CAN'T HEAR. 1636 01:20:24,027 --> 01:20:25,110 YOU'RE GONNA HAVE TO SPEAK UP A LlTTLE. 1637 01:20:25,278 --> 01:20:26,612 l CAN'T HEAR YOU VERY WELL. 1638 01:20:26,780 --> 01:20:28,072 lT'S A LlTTLE NOlSY HERE. 1639 01:20:28,240 --> 01:20:30,616 l NEED YOU TO SPEAK UP A LlTTLE LOUDER FOR ME. 1640 01:20:30,784 --> 01:20:31,826 [Woman] TH lS lS THE OPERATOR. 1641 01:20:31,993 --> 01:20:33,160 YOUR TlME lS UP. 1642 01:20:33,328 --> 01:20:35,704 lF YOU WANT TO CONTlNUE, PLEASE MAKE ANOTHER DEPOSlT. 1643 01:20:35,872 --> 01:20:38,457 HELLO? HELLO? 1644 01:20:39,543 --> 01:20:49,385 ♪♪♪ 1645 01:20:49,553 --> 01:20:52,596 [Bleating] 1646 01:20:52,764 --> 01:20:57,017 [Church Bell Pealing] 1647 01:21:07,112 --> 01:21:09,029 [Nicole] YOU LOOK BEAUTlFUL, SENORlTA. 1648 01:21:09,197 --> 01:21:10,197 [Martha] THANK YOU . 1649 01:21:10,365 --> 01:21:13,325 LET'S GO OUT NOW. 1650 01:21:24,379 --> 01:21:31,343 [Children's Choir Singing ln Spanish] 1651 01:21:32,178 --> 01:21:34,805 [Bleating] 1652 01:21:34,973 --> 01:21:37,182 [Boy Soloist] 1653 01:21:37,350 --> 01:21:40,102 ♪ lN MY LlFE ♪ 1654 01:21:40,270 --> 01:21:44,481 ♪ THERE'S BEEN HEARTACHE AND PAlN ♪ 1655 01:21:44,649 --> 01:21:47,735 ♪ l DON'T KNOW ♪ 1656 01:21:47,903 --> 01:21:53,574 ♪ lF l CAN FACE lT AGAlN ♪ 1657 01:21:53,742 --> 01:21:56,619 ♪ CAN'T STOP NOW ♪ 1658 01:21:56,786 --> 01:22:00,414 ♪ l'VE TRAVELED TOO FAR ♪ 1659 01:22:00,582 --> 01:22:07,546 ♪ TO CHANGE TH lS LONELY LlFE ♪ 1660 01:22:09,591 --> 01:22:13,427 ♪ l WANT TO KNOW WHAT LOVE lS ♪ 1661 01:22:13,595 --> 01:22:19,266 [Continuing ln Spanish] 1662 01:22:19,434 --> 01:22:23,270 ♪ l WANT TO FEEL WHAT LOVE lS ♪ 1663 01:22:23,438 --> 01:22:25,773 OH, YOU LOOK BEAUTlFUL, DEAR. 1664 01:22:25,941 --> 01:22:28,943 OH, TH lS lS THE HAPPlEST DAY OF MY LlFE. 1665 01:22:29,110 --> 01:22:31,195 OHH . 1666 01:22:31,363 --> 01:22:32,863 ♪ l WANT TO KNOW WHAT ♪ 1667 01:22:33,031 --> 01:22:37,159 ♪ LOVE lS ♪♪ 1668 01:22:41,373 --> 01:22:43,791 FATHER, HELP ME. 1669 01:22:43,959 --> 01:22:47,294 BlENVEN lDOS, DAMAS Y CABALLEROS. 1670 01:22:47,462 --> 01:22:50,047 YA QUE EL NOVlO ESTA ANClOSO-- 1671 01:22:50,215 --> 01:22:51,423 [Martha Thinking] OKAY. 1672 01:22:51,591 --> 01:22:54,218 l GET THE POlNT. lT'S BlGGER THAN ME. 1673 01:22:54,386 --> 01:22:56,345 YOU'VE WORN ME DOWN . 1674 01:22:56,513 --> 01:23:01,308 MAYBE TH lS COULD WORK. WHAT THE HELL AM l SAYlNG? 1675 01:23:01,476 --> 01:23:03,978 l'VE GOTTA GET OUT OF HERE. l'VE GOTTA GET OUT OF TH lS. 1676 01:23:04,145 --> 01:23:08,107 TH lS CAN'T HAPPEN . CAN lT? 1677 01:23:08,817 --> 01:23:13,404 WH lTMAN, ACEPTAS A MARTHA COMO TU ESPOSA? 1678 01:23:13,571 --> 01:23:16,323 l DO. 1679 01:23:18,034 --> 01:23:30,295 MARTHA, ACEPTAS TU? 1680 01:23:33,925 --> 01:23:37,052 [Wind Blows] 1681 01:23:45,979 --> 01:23:47,646 WALTER! 1682 01:23:47,814 --> 01:23:50,315 MARTHA! 1683 01:23:51,317 --> 01:24:01,285 ♪♪♪ 1684 01:24:01,453 --> 01:24:04,038 AAH! 1685 01:24:04,205 --> 01:24:07,041 [Grunts] 1686 01:24:14,966 --> 01:24:17,843 [Crowd Gasping, Moaning] 1687 01:24:25,101 --> 01:24:26,977 GlMME THAT! 1688 01:24:27,145 --> 01:24:28,020 [Crowd Shouting] 1689 01:24:28,188 --> 01:24:29,063 DROP THE GUN, N lCOLE. 1690 01:24:29,230 --> 01:24:30,105 DROP THE GUN! 1691 01:24:30,273 --> 01:24:32,733 N lCOLE, DROP THE GU-- 1692 01:24:33,359 --> 01:24:34,943 A WATER PlSTOL. 1693 01:24:35,111 --> 01:24:36,904 [Sputters] 1694 01:24:37,072 --> 01:24:38,072 HEADS UP, EVERYBODY. 1695 01:24:38,239 --> 01:24:39,573 SHE'S ON PHARMACEUTlCALS. 1696 01:24:39,741 --> 01:24:41,909 OH, MARTHA, ON YOUR WEDDlNG DAY? 1697 01:24:42,077 --> 01:24:43,869 OH, PUT THAT GUN DOWN, MARTHA. 1698 01:24:44,037 --> 01:24:45,537 TH lS lS NO TlME FOR PLAYlNG GAMES. 1699 01:24:45,705 --> 01:24:48,457 NOW, YOU GO RlGHT UP THERE TH lS MlNUTE. 1700 01:24:50,919 --> 01:24:53,087 STOP THAT TAPPlNG. 1701 01:24:53,254 --> 01:24:54,338 [Gunshot] 1702 01:24:54,506 --> 01:24:55,464 [Ricocheting] 1703 01:24:55,632 --> 01:24:56,465 [Crowd Screaming] 1704 01:24:56,633 --> 01:24:58,509 OHH! 1705 01:24:58,676 --> 01:25:00,719 HONEY. 1706 01:25:00,887 --> 01:25:04,264 HONEY, lT'S GONNA BE ALL RlGHT. 1707 01:25:04,432 --> 01:25:05,974 STAY BACK! DON'T TOUCH ME! 1708 01:25:06,643 --> 01:25:07,684 HEY. 1709 01:25:07,852 --> 01:25:10,979 l WASN'T GONNA TELL YA, BUT l JUST BOUGHT US A BlG BOAT. 1710 01:25:11,147 --> 01:25:12,439 STOP TALKlNG. STOP lT. 1711 01:25:12,607 --> 01:25:13,982 lMAGlNE THE NEXT-- 1712 01:25:14,150 --> 01:25:15,317 BE QU lET. PLEASE. 1713 01:25:15,485 --> 01:25:16,652 TWO SOLlD YEARS AT SEA. 1714 01:25:16,820 --> 01:25:17,861 JUST YOU AND ME-- 1715 01:25:18,029 --> 01:25:19,154 STOP TALKlNG, WH lTMAN . 1716 01:25:19,322 --> 01:25:20,322 MOTHER AND CONSUELA. 1717 01:25:20,490 --> 01:25:21,448 LlSTEN TO ME. 1718 01:25:21,616 --> 01:25:22,658 STOP TALKlNG. 1719 01:25:22,826 --> 01:25:23,867 lMAGlNE THE CHARADES. 1720 01:25:24,035 --> 01:25:25,285 lMAGlNE THE NATURAL CH lLDBlRTH . 1721 01:25:25,453 --> 01:25:27,621 - SHUT UP! - OW! 1722 01:25:28,164 --> 01:25:32,960 OH, MARTHA, MY LOVE. OW. 1723 01:25:33,128 --> 01:25:34,128 l HAVE A GUN . 1724 01:25:34,295 --> 01:25:37,005 WH lTMAN, YOU HAVE TO LlSTEN TO ME. LlSTEN TO ME. 1725 01:25:37,173 --> 01:25:39,633 l WANT MY LlFE BACK. YOU HEAR ME? 1726 01:25:39,801 --> 01:25:40,926 l MlSS MY LlFE. 1727 01:25:41,094 --> 01:25:42,678 lT WAS A BEAUTlFUL LlFE, AND l WANT lT BACK. 1728 01:25:42,846 --> 01:25:45,848 l WANT MYSELF BACK. 1729 01:25:49,644 --> 01:25:54,773 SO FOR THE LAST TlME, WH lTMAN, lT'S OVER, YOU UNDERSTAND? 1730 01:25:55,608 --> 01:25:57,151 OVER. 1731 01:25:57,318 --> 01:26:01,989 OVER, OVER, OVER! 1732 01:26:02,157 --> 01:26:04,283 [Echoing] OVER! OVER! OVER! 1733 01:26:12,000 --> 01:26:14,668 MARTHA, ARE YOU SAYlNG lT'S OVER? 1734 01:26:16,671 --> 01:26:19,715 GlMME THE CAR KEYS, WH lTMAN . GlMME THE KEYS NOW. 1735 01:26:20,592 --> 01:26:25,762 MARTHA, YOU DON'T NEED CAR KEYS. 1736 01:26:25,930 --> 01:26:30,893 YOU JUST NEED A GREAT BlG HUG! 1737 01:26:31,060 --> 01:26:32,019 COME HERE! 1738 01:26:32,187 --> 01:26:34,062 [Gunshot] 1739 01:26:36,065 --> 01:26:38,817 [Match Strikes] 1740 01:26:45,742 --> 01:26:47,743 SO l SHOT H lM. 1741 01:26:47,911 --> 01:26:50,162 l MEAN, l CAN'T BELlEVE lT MYSELF, BUT. . . 1742 01:26:50,330 --> 01:26:53,332 [Chuckles] l SHOT H lM. 1743 01:26:54,042 --> 01:26:56,543 l MEAN, WHAT CHOlCE DlD l HAVE? YOU KNOW? 1744 01:26:56,711 --> 01:26:59,671 HE RU lNED MY LlFE. HE KlDNAPPED ME. 1745 01:26:59,839 --> 01:27:01,423 HE DRUGGED ME. 1746 01:27:01,591 --> 01:27:03,425 YOU CAN UNDERSTAND THAT, CAN'T YOU? 1747 01:27:03,593 --> 01:27:05,636 MM-HMM. 1748 01:27:07,680 --> 01:27:11,058 MALDlLTA MUJER MALVADA. 1749 01:27:11,226 --> 01:27:12,517 QUE Sl ENTENDEMOS? 1750 01:27:12,685 --> 01:27:13,769 CLARO QUE Sl . 1751 01:27:13,937 --> 01:27:15,103 Sl . 1752 01:27:15,271 --> 01:27:16,230 OH, WE UNDERSTAND. 1753 01:27:16,397 --> 01:27:17,564 MM-HMM. 1754 01:27:17,732 --> 01:27:19,316 YOU SHOT YOUR HUSBAND, 1755 01:27:19,484 --> 01:27:23,528 YOU SNOOTY, H lGHFALUTlN, GO-TO-TOWN BlTCH! 1756 01:27:23,696 --> 01:27:26,448 ASESlNA! 1757 01:27:26,616 --> 01:27:29,201 l'M TAKlNG YOU lN . 1758 01:27:30,245 --> 01:27:33,038 [Barking] 1759 01:27:38,503 --> 01:27:40,087 lNSlDE. lNSlDE. 1760 01:27:42,924 --> 01:27:44,258 OW. 1761 01:27:44,425 --> 01:27:47,219 ESTA ADENTRO, LA ASESlNA ESA. 1762 01:27:48,012 --> 01:27:50,138 [Grunting] 1763 01:27:50,306 --> 01:27:51,807 [lgnition Starts] 1764 01:27:51,975 --> 01:27:52,933 [Shouting] HEY! 1765 01:27:53,101 --> 01:27:53,934 HEY. 1766 01:27:54,102 --> 01:27:55,352 HEY! 1767 01:27:55,520 --> 01:27:57,688 [Shouting ln Spanish] 1768 01:27:57,855 --> 01:27:59,022 [Air Hisses] 1769 01:27:59,190 --> 01:28:00,440 [Detective Speaking Spanish] 1770 01:28:00,608 --> 01:28:02,818 YOU--NO--l SHOT WH lTMAN! YOU CAN'T DO TH lS. 1771 01:28:02,986 --> 01:28:06,113 [lmitating John Wayne] YOU DlDN'T SHOOT WH lTMAN CRAWFORD. 1772 01:28:06,572 --> 01:28:09,074 TH lNK BACK, PlLGRlM. 1773 01:28:09,242 --> 01:28:13,829 YOU WERE STANDlN' lN THE AlSLE, AND YOU HAD THE DROP ON H lM. 1774 01:28:13,997 --> 01:28:18,959 GlMME THE CAR KEYS, WH lTMAN . GlMME THE KEYS NOW. 1775 01:28:19,585 --> 01:28:22,379 YOU DON'T NEED CAR KEYS. 1776 01:28:22,547 --> 01:28:26,383 YOU JUST NEED A GREAT BlG HUG! 1777 01:28:26,551 --> 01:28:27,801 [Gunshot] 1778 01:28:27,969 --> 01:28:29,177 [Crowd Shouting, Screaming] 1779 01:28:29,345 --> 01:28:32,514 OH! OH, NO! OHH! 1780 01:28:32,682 --> 01:28:33,890 HOW DO YOU KNOW ALL TH lS? 1781 01:28:34,058 --> 01:28:35,475 BOB TOLD ME. 1782 01:28:35,643 --> 01:28:37,602 BOB? 1783 01:28:39,397 --> 01:28:41,356 [Neighs] 1784 01:28:41,941 --> 01:28:56,997 ♪♪♪ 1785 01:28:57,165 --> 01:28:58,623 HEY, GUYS! 1786 01:28:58,791 --> 01:29:01,209 l BEEN FlGURlN' TH lS OUT, AND l TH lNK THEY'RE GONNA BE WATCH lN' 1787 01:29:01,377 --> 01:29:05,088 THE MAlN ROADS, SO YOU'D BE BETTER OFF CUTTlN' CROSS-COUNTRY. 1788 01:29:05,256 --> 01:29:06,506 l GOTTA GET BACK TO lNGA. 1789 01:29:06,674 --> 01:29:09,176 SHE'S BEEN DOlN' TEQU lLA SHOTS. 1790 01:29:09,344 --> 01:29:12,095 PROBABLY DOWN TO THE WORM BY NOW. 1791 01:29:13,389 --> 01:29:17,309 SO LONG, KlD. THANKS, BOB. 1792 01:29:17,769 --> 01:29:19,019 DON'T GET ME WRONG. 1793 01:29:19,187 --> 01:29:22,314 l LOVE lNGA, BUT l COULDN'T LET YOU TAKE THE FALL. 1794 01:29:23,524 --> 01:29:28,445 OF COURSE, TH lS DOESN'T MEAN l WON'T HELP MY BABY HUNT YOU DOWN! 1795 01:29:29,364 --> 01:29:31,198 SURE. 1796 01:29:31,366 --> 01:29:34,159 LOVE'S WElRD. 1797 01:29:34,994 --> 01:29:36,870 l KNOW. 1798 01:29:37,038 --> 01:29:39,873 VAYA CON DlOS, MARTHA ALSTON . 1799 01:29:40,041 --> 01:29:41,333 ADlOS, BOB. 1800 01:29:41,501 --> 01:29:43,502 GOTTA GO, GOTTA GO. 1801 01:29:46,547 --> 01:29:56,098 [Exhales] 1802 01:29:59,811 --> 01:30:05,649 ♪♪♪ 1803 01:30:05,817 --> 01:30:09,152 THANKS FOR BElN' THERE FOR ME WHEN NO ONE ELSE WAS. 1804 01:30:13,491 --> 01:30:15,784 OKAY, MARTHA, THERE'S A TlME FOR A HUG TO END, AND TH lS lS lT. 1805 01:30:15,952 --> 01:30:17,869 COME ON . WE GOTTA GET OUTTA HERE. 1806 01:30:18,037 --> 01:30:19,162 COME ON . 1807 01:30:19,330 --> 01:30:21,873 [Chuckles] 1808 01:30:22,583 --> 01:30:24,918 [Exhales] 1809 01:30:30,091 --> 01:30:31,925 SORRY l COULD JUST GET ONE HORSE. 1810 01:30:32,093 --> 01:30:33,427 AW . 1811 01:30:33,594 --> 01:30:36,388 YOU KNOW, THEY HANG YOU FOR STEALlN' HORSES AROUND HERE. 1812 01:30:36,848 --> 01:30:38,765 [Chuckling] 1813 01:30:39,684 --> 01:30:40,684 ARE YOU LlMPlNG? 1814 01:30:40,852 --> 01:30:41,893 OH, NO. 1815 01:30:42,061 --> 01:30:43,687 l JUST TWlSTED MY ANKLE lN THE CHURCH . 1816 01:30:43,855 --> 01:30:45,105 COME ON . GET ON THE HORSE. 1817 01:30:45,273 --> 01:30:46,481 NO, l'LL WALK. 1818 01:30:46,649 --> 01:30:47,691 YEAH, l lNSlST. COME ON . 1819 01:30:47,859 --> 01:30:49,693 GET ON THE HORSE. 1820 01:30:56,826 --> 01:30:57,826 [Horse Whinnies] 1821 01:30:57,994 --> 01:30:59,453 THANK GOD. 1822 01:30:59,620 --> 01:31:01,621 [Ring Bounces] 1823 01:31:08,546 --> 01:31:11,047 WOW, TH lS lS ROMANTlC. 1824 01:31:11,215 --> 01:31:15,719 TWO PEOPLE SEPARATED BY CHANCE FlNALLY REUN lTED, GOlNG OFF lNTO THE SUNSET. 1825 01:31:15,887 --> 01:31:20,140 lT REMlNDS ME OF AN AFFAlR TO REMEMBER WlTH CARY GRANT AND DEBORAH KERR. 1826 01:31:20,308 --> 01:31:23,226 WALTER, SHE CAN'T WALK. SHE GETS RUN OVER. 1827 01:31:23,394 --> 01:31:25,437 NO, BUT l MEAN, UH--ALL RlGHT. 1828 01:31:25,605 --> 01:31:26,813 ALL RlGHT. 1829 01:31:26,981 --> 01:31:28,064 WHAT ABOUT CASABLANCA? 1830 01:31:28,232 --> 01:31:29,316 HUMPHREY BOGART, lNGRlD BERGMAN . 1831 01:31:29,484 --> 01:31:30,484 WALTER, SHE LEAVES H lM. 1832 01:31:30,651 --> 01:31:31,651 WHAT ABOUT GONE WlTH THE WlND? 1833 01:31:31,819 --> 01:31:33,069 HE LEAVES HER. 1834 01:31:33,237 --> 01:31:34,070 AAH . 1835 01:31:34,238 --> 01:31:35,280 WHAT, UH-- 1836 01:31:35,448 --> 01:31:36,406 WHAT MOVlE ENDS WlTH TWO PEOPLE RlDlN' OFF lN THE SUNSET? 1837 01:31:36,574 --> 01:31:37,532 DON'T WORRY ABOUT lT. 1838 01:31:37,700 --> 01:31:38,825 lT DOESN'T MATTER, WALTER. YOU KNOW WHY? 1839 01:31:38,993 --> 01:31:39,993 WHY? 1840 01:31:40,161 --> 01:31:41,161 BECAUSE THE SUN SETS lN THE WEST, 1841 01:31:41,329 --> 01:31:42,829 AND WE'RE SUPPOSED TO BE HEADlNG NORTH TOWARDS THE BORDER. 1842 01:31:42,997 --> 01:31:46,166 OH, YEAH . 1843 01:31:46,334 --> 01:31:48,543 WELL, CAN'T WE JUST TURN RlGHT WHEN THE LlGHTS GO OUT? 1844 01:31:48,711 --> 01:31:51,713 - l MEAN, TH lS lS KlNDA N lCE. - YEAH, lT lS N lCE. 1845 01:31:51,881 --> 01:31:55,800 BLlNDlNG, BUT lT'S N lCE. 1846 01:31:56,844 --> 01:32:42,222 ♪♪♪ 1847 01:32:42,390 --> 01:32:46,726 ♪ WELL, l DON'T TELL JOKES ♪ 1848 01:32:46,894 --> 01:32:49,896 ♪ AND l DON'T TAKE NOTES ♪ 1849 01:32:50,064 --> 01:32:53,900 ♪ YOU BEEN SAYlN' THERE AlN'T MUCH HOPE ♪ 1850 01:32:54,068 --> 01:32:57,362 ♪ YOU GOT NOTH lN' ON ME ♪ 1851 01:32:59,073 --> 01:33:03,535 ♪ l GOT FRlENDS UPTOWN ♪ 1852 01:33:03,703 --> 01:33:06,746 ♪ AND THEY DON'T TALK DOWN ♪ 1853 01:33:06,914 --> 01:33:10,584 ♪ AND THEY BEEN KEEPlN' ME SAFE AND SOUND ♪ 1854 01:33:10,751 --> 01:33:15,755 ♪ WE GOT SOMETH lN' TO BE ♪ 1855 01:33:15,923 --> 01:33:18,466 ♪ SO lN CASE YOU HAVEN'T NOTlCED ♪ 1856 01:33:18,634 --> 01:33:20,594 ♪ l'M ALL RlGHT ♪ 1857 01:33:20,761 --> 01:33:24,264 ♪ NOT LlKE l WAS BEFORE ♪ 1858 01:33:24,432 --> 01:33:28,602 ♪ TH lNGS USED TO BE SO HOPELESS BUT NOT TON lGHT ♪ 1859 01:33:28,769 --> 01:33:34,316 ♪ TON lGHT l'M WALKlN' OUT THAT DOOR ♪ 1860 01:33:35,359 --> 01:33:39,279 ♪ l'M NOT GONNA CRY ♪ 1861 01:33:39,447 --> 01:33:41,615 ♪ l'M WAVlN' GOOD-BYE ♪ 1862 01:33:41,782 --> 01:33:44,117 ♪ AND l KNOW TH lS TlME ♪ 1863 01:33:44,285 --> 01:33:48,163 ♪ YA GOT NOTH lN' ON ME ♪ 1864 01:33:54,170 --> 01:33:57,881 ♪ l'M NOT GONNA CRY ♪ 1865 01:33:58,049 --> 01:34:00,425 ♪ AND l'M WAVlN' GOOD-BYE ♪ 1866 01:34:00,593 --> 01:34:03,094 ♪ AND l KNOW TH lS TlME ♪ 1867 01:34:03,262 --> 01:34:06,556 ♪ YOU GOT NOTH lN' ON ME ♪ 1868 01:34:06,724 --> 01:34:10,477 ♪ l'M NOT GONNA CRY ♪ 1869 01:34:10,645 --> 01:34:13,313 ♪ AND l'M WAVlN' GOOD-BYE ♪ 1870 01:34:13,481 --> 01:34:15,649 ♪ AND l KNOW TH lS TlME ♪ 1871 01:34:15,816 --> 01:34:20,695 ♪ YOU GOT NOTH lN' ON ME ♪ 1872 01:34:20,863 --> 01:34:24,407 ♪ NOTH lN' ON ME ♪♪ 1873 01:34:26,827 --> 01:34:43,718 ♪♪♪ 1874 01:34:43,886 --> 01:34:48,014 ♪ TOO MANY BROKEN HEARTS HAVE FALLEN lN THE RlVER ♪ 1875 01:34:48,182 --> 01:34:52,352 ♪ TOO MANY LONELY SOULS HAVE DRlFTED OUT TO SEA ♪ 1876 01:34:52,520 --> 01:34:55,271 ♪ YOU LAY YOUR BETS AND THEN YOU PAY THE PRlCE ♪ 1877 01:34:55,439 --> 01:35:01,194 ♪ THE TH lNGS WE DO FOR LOVE ♪ 1878 01:35:01,362 --> 01:35:05,615 ♪ COMMUN lCATlON lS THE PROBLEM TO BE ANSWERED ♪ 1879 01:35:05,783 --> 01:35:10,036 ♪ YOU'VE GOT A NUMBER AND YOUR HAND lS ON THE PHONE ♪ 1880 01:35:10,204 --> 01:35:13,248 ♪ THE WEATHER'S TURNED AND ALL THE LlNES ARE DOWN ♪ 1881 01:35:13,416 --> 01:35:17,544 ♪ THE TH lNGS WE DO FOR LOVE ♪ 1882 01:35:17,712 --> 01:35:20,588 ♪ LlKE WALKlN' lN THE RAlN AND THE SNOW ♪ 1883 01:35:20,756 --> 01:35:22,799 ♪ AND THERE'S NOWHERE TO GO ♪ 1884 01:35:22,967 --> 01:35:27,220 ♪ AND YOU'RE FEELlN' LlKE A PART OF YOU lS DYlN' ♪ 1885 01:35:27,388 --> 01:35:31,725 ♪ AND YOU'RE LOOKlN' FOR THE ANSWER lN H lS EYES ♪ 1886 01:35:31,892 --> 01:35:33,893 ♪ YOU TH lNK YOU'RE GONNA BREAK UP ♪ 1887 01:35:34,061 --> 01:35:37,480 ♪ THEN HE SAYS HE WANTS TO MAKE UP ♪ 1888 01:35:37,648 --> 01:35:41,651 ♪ OOH, YOU HAD ME CRAWLlN' ♪ 1889 01:35:41,819 --> 01:35:45,697 ♪ ON THE FLOOR ♪ 1890 01:35:46,866 --> 01:35:51,244 ♪ A COMPROMlSE WOULD SURELY HELP THE SlTUATlON ♪ 1891 01:35:51,412 --> 01:35:55,540 ♪ AGREE TO DlSAGREE WE'VE DlSAGREED BEFORE ♪ 1892 01:35:55,708 --> 01:35:58,418 ♪ WELL, AFTER ALL lT'S JUST A COMPROMlSE ♪ 1893 01:35:58,586 --> 01:36:00,587 ♪ OF THE TH lNGS WE DO FOR LOVE ♪ 1894 01:36:00,755 --> 01:36:09,345 ♪ THE TH lNGS WE DO FOR LOVE ♪ 1895 01:36:09,513 --> 01:36:11,681 ♪ THE TH lNGS WE DO FOR LOVE, OH ♪ 1896 01:36:11,849 --> 01:36:13,850 ♪ THE TH lNGS WE DO FOR LOVE ♪ 1897 01:36:14,018 --> 01:36:16,019 ♪ THE TH lNGS WE DO FOR LOVE, OH ♪ 1898 01:36:16,187 --> 01:36:18,021 ♪ THE TH lNGS WE DO FOR LOVE ♪ 1899 01:36:18,189 --> 01:36:20,148 ♪ THE TH lNGS WE DO FOR LOVE, OH ♪ 1900 01:36:20,316 --> 01:36:22,192 ♪ THE TH lNGS WE DO FOR LOVE ♪ 1901 01:36:22,359 --> 01:36:24,360 ♪ THE TH lNGS WE DO FOR LOVE, OH ♪ 1902 01:36:24,528 --> 01:36:27,405 ♪ THE TH lNGS WE DO FOR LOVE ♪♪ 118435