All language subtitles for DCI.Banks.S02E05.Innocent.Graves.Part.1.1080p.WEB-DL.DD2.0.H.264-squalor_Track03

MAN: I want you to
show me your fear.

Show me your fear.

Ask yourself what
you're afraid of.

It's following
you down the road.

You can't turn your head
because if you do you will
see it. You are terrified!

-You are petrified!
-(BOTH CHUCKLING)

What the hell's going on?
What are you doing?

I'm sorry Owen, it's her.
(LAUGHS)

Becca, stop making her laugh.

Ellie, um,
really good, but you could
allow yourself to be, uh...

more vulnerable. And then...
Then it'll come.

(GIGGLING)

Concentrate.

(ALL TALKING, INDISTINCT)

(INAUDIBLE)

Yeah, I'll see you. Bye, then.

Becca?

"I want you to show me fear!"

(PANTING)

ALAN: Right. Right.

Yes. (SIGHS)

Right. Thank you.

Insufficient
evidence to warrant
a charge of murder.

Oh.

I'm sorry, Ken,
I know how hard
you worked on this.

We all did.

We can still get
him for manslaughter.

-It's twice in two weeks,
Ron.
-RON: I know.

First Draper, now Sheldon.
Both knocked back by the CPS.

I know.

It's affecting morale!
God knows what it's doing to
public confidence.

-Am I right?
-You are right.

Thank you.

Every time you
talk about this,
you're right.

Apparently you
don't actually need
a pub to be a pub bore.

I'm serious. If the
criminal justice system
exists
to provide justice

for criminals
ahead of victims,
then what's...

-(KNOCKING AT DOOR)
-Come in!

Sorry to interrupt.
Ellie Clayton's been found.

-Good.
-Who's that?

Uh, 16-year-old
girl from Valley Edge,
been missing since last
night.

No, sorry, boss.
When I say found...

Boss.

Almost certainly what it says
on the tin.

Asphyxia by
ligature strangulation.

(CAMERA CLICKING)

I'd say between
12 and 15 hours,
if pushed.

But definitely no more.

Have you got enough now?
Cover the body,
will you, please?

What about all the blood?

Scalp wound.
Not terribly severe
but they can bleed heavily.

Any signs of sexual assault?

Well her underwear
has been ripped in two.

That doesn't
actually constitute
evidence of rape. (SIGHS)

Well that's one
for post-mortem,
I'm afraid.

I couldn't possibly say
from initial examination.

-HELEN: No phone?
-Not yet.

Boss,
there's a local at the cordon
asking to speak

to the officer in charge.

Inspector Banks.

Have you got anything
that you can give me?

As soon as we can, we will.

Is it true that
it's Daniel Clayton's
daughter?

Do me a favour, Glen, don't go
speculating
publicly until the victim

has been formally identified,
okay?

-And has she been...
-(SIGHS)

You've covered
enough of these by now
to know how it works.

We do have
a media liaison team,
Mr Painter.

Come on. Look, this must be
the biggest
thing that's happened

in this part of
the Valley for years.

It's the biggest thing
that will ever
happen to one family.

As soon as we can, we will.

REPORTER 1:
Have you got anything?
REPORTER 2: Detectives?

DCI Banks, DI Morton.
Mr Clarke lives
in East Valley.

I don't know
if this is any use
to you but, um...

sometime last night,
after eight,

I noticed a car half
blocking my driveway.

So I kept my eye out and later
saw a chap I didn't recognise

getting in the car
in a bit of a hurry.

Can you describe him?

Well the,
uh, light was very poor,
I'm afraid.

But he was
definitely wearing a cap
and a leather jacket.

And what about the car?

Um, dark blue. Very dirty.

The rear light was damaged.

Thank you, Mr Clarke.
That's very helpful.

Get him in with E-Fit,
then run the car

and pass the details
on to the door-to-doors.

Thank you.

Pretty exclusive address,
even for Valley Edge.

So when will it be
my turn to drive?

I've told you,
it depends on
whose car we're in.

Right.
So it's not a control thing.

(SCOFFS)

(CLEARS THROAT)

Am I supposed to know
who this Daniel Clayton is?

LastChanceToBuy.com.
Founder or co-founder.

You don't know
what that is, do you?

It's an auction website.

You must be having
a positive influence.

Anything?

No, not much. What I'd like
to know is what
a 16-year-old was doing alone

in the park late at night.
If it was one of mine,
I'd...

Yeah.

-Mr Clayton?
-No, I'm Simon Harris,

-Daniel's business partner.
-Detective Chief
Inspector Alan Banks.

-DI Morton.
-Hi. Come in.

WOMAN: Every Friday after
school, she goes to her
theatre workshop.

If one of us
can't pick her up,
she'd get a cab.

Last night she
phoned and asked if...

(SOBS)

...she could go for a pizza
with Becca Smith.

She should have been back
by half eight at the latest.

She wasn't
answering her phone,
so I tried Becca.

She knew
nothing about a pizza.
(SNIFFLES)

She said that
she had left Ellie
outside the theatre.

And, um...

(SOBBING) I'm sorry.

I believe when Dan came bac
k from work he called
the usual cab company,

and they said that
Ellie hadn't ordered a car.

And that's when you
called the Harrises?

I said Dan should contact you.

Um, could we speak to Mr and
Mrs Clayton on
their own, please?

-Of course.
-No, please.

I'd like them to stay.

Lauren, we need a full list
of all Ellie's friends.

Do you think
you could you
help us with that?

We weren't that close,
to be honest.

-Is there a boyfriend?
-No.

No, there isn't.
(BREATHING HEAVILY)

You haven't even said
it's definitely her.

Nobody's actually
said that it's Ellie.

We believe the body in
the park belongs to
your daughter, Mr Clayton,

but we will need someone
to make a formal
identification.

I can't.

I'll do it.

We'll get whoever did this.

That's a promise.

(INAUDIBLE)

(INAUDIBLE)

Ellie Clayton.

Last seen outside the theatre
on West Street at 7:30

after attending
a weekly workshop.

Run by an Owen Pierce.

We were going to talk to him
while you're at the school.

Yeah,
and we're trying to recover
the CCTV from the local area.

And we need to talk
to the other cab
companies nearby.

Now, local uniform reckon
this sculpture's

a meeting place for teenagers.

So was Ellie meeting someone
last night? And if so,
how did she get there?

-And check her...
-Social media? Already on it.

Make sure you all get
a copy of this E-Fit.

Seen in Valley Edge
an hour before the murder

wearing a cap
and leather jacket.

You have a description of
the car. Dark blue,
dirty, damaged rear light.

We need to find out who is he,
why was he in the area?

And then there's
Daniel Clayton.

We all know how often
the person we're after

turns out to be
sitting next to us
at the press conference.

Ellie Clayton. She was young,
she was pretty,
from a prominent family.

Needless to say,
the media are going
to have a field day.

Public interest will follow

along with
everything that goes with
it.
Okay?

I'll go and see him now.

SIMON: Inspector Banks.

Mr Harris.

Thanks for coming in.
I know you're very busy.

But I couldn't really talk
back at the house.

That's fine.

You asked if
Ellie had a boyfriend.

Now, I was never actually
able to establish if
that's what he was.

But a few months back
I was passing Dan and Soph's

and I saw this car
that I didn't know
parked outside.

I caught Ellie
bunking off school
and hitting the drinks
cabinet

with this
horrible little shit.

Could you be more specific?

Older lad.
Older than Ellie, anyway.
Twenty, maybe?

I managed to throw him out
but if Ellie hadn't
mediated,

there was no way
he was going without a fight.

Do you remember the car?

It was a convertible... I
know
I was surprised
he could afford it.

Did you talk to
the Claytons about this?

No,
I promised Ellie I wouldn't.

If she promised
not to see him again.

It... Dan would have...
It would've broken his heart.

Ellie was everything to him.

And did she do what you asked?

As far as I know but...

Presumably you'd
recognise him again?

Definitely.

Mr Owen Pierce?

I was expecting you sooner.
Please, won't you come in?

OWEN: The living room is
just through there.

I can't claim
to have known her
all that well.

But she was always
such a bright young thing.

So vital.

You know there's...
There's some really
twisted...

Are you sure
I can't offer
you a cup of tea?

No.

So you actually
saw Ellie leave
the theatre last night?

Yes, with Becca Smith.

Ellie's the more talented
but Becca tries harder.

It's often
the way it is, isn't it?

Then what did you do?

I just came
straight back here.

-You live alone?
-I'm currently single, yeah.

Any family?

Not any more.

And you didn't leave
the house again after that?

No.

Can anybody verify that?

Well, that'd be a bit
difficult, wouldn't it?
Because like I just said...

You, uh, picked up a takeaway
on your way home?

That...

is actually a few days old.

I'm ashamed to
say I haven't done
much cleaning up in here...

(MOBILE RINGING)

I've just been really
snowed under with work.

What exactly is
it that you do?

DC Blackstone.

I'm a freelance
theatre director.

I'm mounting
a touring
production ofAntigone.

Which is also a tragedy,
you know.

WOMAN:
We cancelled lessons but, um,

it seems a lot of the students
would rather be here, anyway.

That's understandable.

Ellie was
an extremely popular girl.

-Was she doing
well academically?
-Yes.

Yes,
there was a huge improvement
this term.

Improvement?

She...wobbled
a little a while back.

But nothing serious.
And we talked about it

without needing to
involve the parents.

Ellie was a very
mature young lady.

Becca Smith was
her best friend.
She's through here.

I'm sorry,
I'm not in the office yet.

Right, okay. Yeah, yeah, yeah.
Yeah, that's fine.

Yeah, but I'll need to see
it
before you do that.
Yeah. Okay.

Listen, can I call you back?

HELEN:
Had Ellie ever done
that before, Becca?

Lied to her parents that
she was with you
when she wasn't?

Not as far as I know.

In order to meet a boy,
perhaps?

A boy that maybe her dad
didn't approve of?

I don't think Mr Clayton
would have
approved of any boy but...

no.

So no boyfriend at all?

Not at another school
or at the theatre group?

No self-respecting teenage
girl goes out with boys her
own age, does she, Becca?

There was nobody.

None that I know of, anyway.

HELEN: Maybe Ellie
kept the boyfriend
a secret from everyone.

So why do so
many teenage girls
go for older lads?

Because most 16-year-old boys
are immature and dull.

What were you
like at that age?

Heartbroken, mostly.
Kate Saunders laughed in my
face when I asked her out.

She already had a boyfriend
with an Escort
and a flick knife.

Sounds like a lucky escape.

Probably. She went on
to develop a drug habit.

Well, I meant for her.

When I was 16, I went out
with a 28-year-old
roofer called Simon.

Can you drop me at
the mortuary, please?

Sorry, I tried to sort it,
but they need to
speak to you as well.

Just give us a few minutes.
You can stay there.

Of course.
I'm sure you're very
much in demand.

A cap and leather jacket.
It's a match, Win.
It's a perfect match.

Well, there must be hundreds
of men that own leather
jackets and caps.

-Doesn't make him a killer,
though. -He was lying
about the takeaway.

-Possibly.
-Definitely.

How long have we
worked together?
Trust me on this.

Well, we're going to need more
than that if we
want to bring him in.

Will that do you?
Dark blue,
dirty, damaged brake light.

Mrs Clayton,
I know you've probably
had enough of us,

but would you mind
showing me
Ellie's room, please?

Daniel, Inspector Banks
needs to have a look around.

-They've already
searched the room.
-I won't be long.

They, um,
they took away her computer.

It will come back.

Take as long as you like.

(DOOR CLOSES)

Did Ellie keep a diary?

She did
everything on her, um...
her phone.

You haven't found it?

No.

Obviously very
proud of her father.

And the company.

Would you say
that Ellie was closer
to you or your wife?

I think girls gravitate
towards their fathers at
a certain stage.

And Ellie and me, we...

We found we could talk.

About?

Anything.

Well, that's very rare.

She was more perceptive
than some women twice her age.

She was a great listener.

That's what made her so lovely
and attractive.

It's just... (SOBS)

No sign of recent
sexual activity,
forced or otherwise.

Nothing recent.
So she wasn't a virgin?

-No, no.
-What else?

Well, there are no
defence injuries.
In fact, there's no
indication

that she put up
a fight at all.

What about this?

CORONER:
No, there's no bruising.
That wasn't caused by a blow.

It's more of a scratch,
really.

Forensics?

Well, we took a series of
tiny fibres from underneath
the fingernails

of both hands.
Already at the lab.

I'll get onto them now.

(POLICE RADIO CHATTERING)

(TALKING INDISTINCTLY)

Last time I wore
an outfit like this

I was promoting a tour
ofA Clockwork Orange.

Isn't that
the one where they rape
and murder for fun?

It's about a bit
more than that,
actually, Inspector.

Why were you hanging around
Valley Edge last night?

I...wasn't.

Then why did the Golden Lotus
on Park Approach confirm

that you bought a takeaway
at 9:26 p.m.?

When you told our officers
you didn't leave your house

after coming straight home
from the theatre.

Have you spoken
to Tyler Judd yet?

He joined my
workshop for a while.

That is until I had
to ask him to leave.

He was seeing Ellie Clayton,
I believe.

I thought you said you hardly
knew her. How do you know
who she was seeing?

Well, they all
talk to me, the kids.

They kind of treat me
like I'm one of them.

Mostly the girls,
strangely enough.

And you
encourage that, do you?

In the workshop.

If it gets
the required...performance.

Did you find Ellie
attractive,
Mr Pierce?

(SIGHS)

Let's just say
I appreciate the female form.

Well, we can take
that as a yes, then.

Look, is my detention here
based solely on
the memory of some bloke

that works at
the Golden Lotus, hmm?

Seriously?

(CHUCKLES)

I mean, you've got nothing,
nothing on me, so, uh...

I'd like to go
home now, please.

Not yet, Mr Pierce.

Actually, I don't think that
you can keep me here.

Actually, we can.

Well, in that case, I'd
like
to speak to my solicitor,
please.

ALAN: Well?

Lonely.

Inadequate, probably deluded
and quite possibly harmless.

We should get
this Tyler Judd in.

Yeah, background first.
And sleep. (EXHALES DEEPLY)

-Oh, yes, the 9 a.m.
press call.
-Mmm-hmm.

It's a bit inconsiderate,
isn't it?

Asking you to face the cameras
that early.
Especially at your age.

(REPORTERS CLAMOURING)

(ALL SHOUTING QUESTIONS)

Anything of
potential interest, bag it.

So please,
if anybody knows anything

that could help
stop whoever did this

from doing it again,

please, tell the police.

(REPORTERS CLAMOURING)

-MAN: Sir.
-What have you got?

(CAMERA CLICKING)

Whoever she is,
she's got at least one fan.

Detective Chief
Inspector Banks
will take any questions.

Inspector? Is it true that
you've arrested
a man overnight?

As Chief
Superintendent McLaughlin
has already said,

we're pursuing
several active
lines of inquiry

and it's
important at this time...

Can you confirm that the man
in custody is Owen Pierce?

(CLAMOURING)

"Can you confirm the man
in custody is Owen Pierce?"

I mean, what the hell
does he think
he's trying to do?

Doing what crime reporters
are paid to do these days,

putting the story ahead
of the investigation.

Boss, found in Pierce's house.

Looks like Ellie Clayton,
don't you think?

So who is she?

Maddy Phillips.
Lives in Leeds now,

but she was in
Pierce's workshop
a few years back.

According to
staff at the theatre,
they had a fling.

Well, that's nice work,
both of you.

Yes,
but it's only an interesting
coincidence at the moment.

Well, let's get
these in front of him
and hit him with everything.

Forensic report on
Owen Pierce first.

You two bring in Tyler Judd
and we'll visit
this Maddy Phillips.

Then we'll hit
him with everything.

(PHONE RINGING)

Detectives.

ALAN:
Glen Painter,
what are you doing here?

So it looks
like I did the same
detective work as your team,

only I got here first.
And she has got
quite the story to tell.

If you don't report this
responsibly from the
beginning, it could compromise

our investigation
and any subsequent trial.

Listen, I'm not trying
to make your jobs any harder.

But when these
cases come along,

the world doesn't just stop
and wait for youse

to arrange a news conference.

These cases?

We should work together.
I'm sorry for
outing him like I did

but he did do it, didn't he?

I think perhaps
you're missing the point
here.

-Thanks, Glen.
-I'll be in touch.

I was 17 when it started

and it lasted for about
two and a half years,
on and off.

I know he's older,
but he knew about acting

and that's all I
ever wanted to do.
I've got an agent now.

Why did you split up?

He got a bit creepy.

He started making me
feel a bit nervous.

He didn't like me
talking to people.
Well, men, really.

And then, when I tried
to end it, he wouldn't take
no for an answer.

He started pestering me,
and my mum,
and he only stopped

when I threatened him
with a restraining order.

But he did stop?

Well, yeah, but I still
didn't
feel safe.
That's why I moved away.

Tell us more about how
he made you feel nervous,
specifically.

I don't know what Glen said,

but if we find that
you've withheld information

in order to
profit from it later,
you'll be in serious
trouble.

Owen liked porn.

MADDY: Not like regular porn,

more rough sex.

We play-acted for a while,
you know, like role play.

Is that what he
did to Ellie Clayton?

Is that why you're here?
Could that have been me?

Would you be prepared
to repeat this in court?

In front of all those people?

Oh, I don't know.

Just facing Owen
across a packed courtroom...

It would be really traumatic.

But, you know, if you...

if you needed me to, to help
bring him to justice,
then, well...

I guess it's my duty,
really, isn't it?

Right then, Mr Pierce.
I'd like to begin...

Actually, I'd like to begin.

I made a mistake.

About the takeaway.

I made a mistake.
I got my days mixed up.

It was an oversight.

WINSOME:
That's quite an impressive
record you got there, Tyler.

You must be something
of a hero amongst
the aspiring car thieves.

Be even more impressive
if you hadn't
been caught so often.

(SCOFFS)

There's no sign of
sexual assault or indeed any
kind of struggle.

Which suggests to us that
Ellie may well have
known her attacker.

It also suggests that whoever
killed her arranged her
clothes afterwards

to make it look like rape.

Carefully stage-managed scene,

right down to the ripping
of her underwear.

No comment.

How long were you
seeing Ellie for?

Uh...

No comment.

You're bored,
we're bored, Tyler.

How about we get the man
who threw you out
of the Claytons'

to come and
formally identify you

and we can see how far
we get with a charge of B&E?

HELEN:
Do you like pornography,
Mr Pierce?

Maddy Phillips told us you do.

She said you particularly
like rough sex
and that sometimes,

you won't take
no for an answer.

(WHISPERING)

I haven't seen
Maddy for some time.

ALAN:
She still bears
some resemblance...

to Ellie Clayton.

So I was there, and what?

She invited me in.

Then why keep it secret?

She was fifteen.

And you were having
a sexual relationship?

What do you think?

She was always stressing
about her old man finding out.

They were like...

(EXCLAIMS SOFTLY)

Don't know if he'd be angry
or jealous, know what I mean?

Where were you between
7:30 and 8:30
last Friday night?

Driving. And yeah, on my own.

And no, I don't have a car.

I lent it off a mate
who will vouch for me.

Yeah, I'm sure he will.
But did anyone
actually see you?

-CCTV?
-I tend to avoid it.

Mr Pierce, why were you
in Eastvale Valley
Park on Friday night

between 8:00 and 9:00 p.m.?

-But I wasn't there!
-Yes, you were!

You and your car were seen.

The witness provided us
with this E-Fit.

WINSOME: He's lying.
ALAN: They're both lying.

Well, we're going to have
to charge or release within
the next two hours.

And all we've got on either
is circumstantial.

ALAN: Not any more.
DNA results on Pierce are in.

Cell three,
back to
interview room one, now.

To clarify, Mr Pierce,
you weren't in
the park on Friday night?

No. How much longer
are you going to keep me here?

And you didn't see Ellie
after she left the theatre?

No.

Why, then, are there traces
of Ellie's blood on the
jacket

which you admit
you were
wearing on that night?

Okay.

I did bump into her.

I think, perhaps, my client
and I...

No, it's fine. It's fine.
It's fine.

I was in the park.

Ellie appeared out of nowhere.

She...

She was cut, on the head.
She...

She seemed
totally disorientated

and she literally walked
right into me.

-Owen.
-I tried to stop her.

I tried to talk to her.

But she ran off.

(SIGHS) So I let her go.

Are you sure that's
what you want to say,
on record?

Yes, I'm sure.

SOLICITOR: I would like
to suggest a break.

Why were you in the park?

I was visiting Maddy's mother.

Well, I was waiting outside.

She lives near there.

God, it was so stupid.

But it was an oversight.

Can I go now?

You do know the difference
between an oversight and
a lie, Mr Pierce?

Don't patronise me, please.

I haven't patronised you,
despite having to sit here

and answer questions
of a very personal nature

in the presence of a woman
who clearly hates men!

And my command
of the English
language is far better

than yours will
ever be, darling.
Now, I'd like to go.

No, you can go when
we say you can go.

-You dried-up bitch.
-Sit down, Mr Pierce!

I want to go home!

Let's just deal
with what we know.

He's stalked women before.

Although Maddy Phillips
is a lousy actress

and she'll make
an even worse witness.

He lives on his own,
he uses specialist porn,

he's into violent sex.

Yes, but being a bachelor

doesn't necessarily make you
a sex murderer, does it?

(SIGHS) He's got
no plausible alibi.

-And neither has Tyler Judd.
-He's lied to us throughout.

And so has Judd.
I'm playing devil's advocate.

He's got Ellie's
blood on his jacket!

Okay. But if everything
hinges on forensics,

the fibres under Ellie's
nails
don't match her
clothes or Pierce's.

-So what do you
think happened?
-Well, I don't know yet.

What... (SCOFFS)

HELEN: But that doesn't make
Pierce guilty, does it?

My instinct says he is.

Your instinct can't be
submitted as evidence.

Even assuming
it's not compromised.

-Meaning?
-Is it instinct?

Or are you
willing him to be guilty
for other reasons?

Like fear of not being
able to deliver on a promise

you probably
should never have made.

Yes, all right. Thank you.

(SIGHS)

You are charged that sometime
between 7:30 and 8:30
last Friday evening,

you murdered Ellie Clayton
of Hillcrest, Valley Edge.

(REPORTERS CLAMOURING)

You do not have
to say anything,
but it may harm your defence

if you do not mention
something which you later
rely on in court.

(ALL MURMURING)

COURT CLERK: All rise.

DEFENCE SOLICITOR:
The fact remains,
Chief Inspector Banks,

that during
the series of interviews
you've described,

Mr Pierce gave
satisfactory explanations
for every one of his actions

on the night of
Ellie Clayton's death.

He was also shown to be lying
in every one of
those interviews.

And we didn't
find his explanations
at all satisfactory.

(CROWD MURMURING)

And this was sufficient
grounds to arouse your
suspicions, DS Jackman,

based solely on
the clothing shown here?

Well, it also doesn't look
unlike Owen Pierce, facially.

It doesn't look
unlike most men
in Yorkshire, Detective.

Which raises the question,

did you decide this was
Mr Pierce and then make him
fit the picture?

There were other factors.

-When we interviewed him...
-This is the initial
interview

in Mr Pierce's home?

-Yes.
-Where exactly
did that take place?

WINSOME: In the sitting room.

And what happened

when Detective Constable
Blackstone received a call
to his mobile phone?

-He answered it, I think.
-You think?

He did.

And did he then leave the room
to continue the call?

I'm sorry, um...
Could you repeat the question?

Did DC Blackstone leave
the sitting room unaccompanied

in order to
continue his phone call?

I should remind
you at this point
that you are under oath.

I'm sorry.
I... I don't exactly
recall.

(CROWD MURMURING)

DEFENCE SOLICITOR:
Detective
Constable Blackstone,

whilst
interviewing the defendant
in his sitting room,

did you receive a phone call?

I did.

Can you tell the court what
happened next, please?

I answered it.

And during that call,
did you leave the room?

-May I refer to
my notes, please?
-You may.

There's no reference to that
in my notes.

I didn't ask what
was in your notes.

Before you
repeat the question,

would you explain your line
of questioning, please?

-For the benefit of the jury.
-DEFENCE SOLICITOR: Of course.

Whilst it may seem
a small procedural matter,

if Detectives
Jackman or Blackstone

were in any
part of Mr Pierce's
house unaccompanied

and without a search warrant,

all evidence
obtained during that visit
may be deemed inadmissible.

In this case,
I'm referring specifically

to Mr Pierce's cap and jacket.

(ALL MURMURING)

DEFENCE SOLICITOR:
DC Blackstone,
did you leave the room

to continue your phone call?

I think...

I don't honestly...

-Yes, I did.
-(ALL MURMURING)

JUDGE: Ladies and
gentlemen of the jury,
I'll need you to withdraw,

if you will, while I confer
with the prosecution
and defence teams.

DANIEL: I don't understand.

ALAN: I know.

DANIEL: What's this got to do
with whether he
killed her or not?

Now, what did we talk about?

When I promised to stay calm,
I had a whisky in my hands

and you didn't tell
me the jury might be
dismissed on the first day.

That's because I didn't know.

So what's going
to happen next?

(BELL RINGS)

(SIGHS)

Due to
procedural irregularities
in the prosecution case,

I have no alternative
but to declare a mistrial.

(ALL MURMURING)

Ladies and gentlemen
of the jury,
you are discharged.

Mr Pierce.

You are free to go.

(CROWD TALKING, INDISTINCT)

COURT CLERK: All rise.

RON:
I have complete
faith in my officers,

both in terms of their
professionalism and
integrity.

If errors are found to have
been made, then of course
we'll address them.

(REPORTERS CLAMOURING)

Well, obviously
there's disappointment.

This is not the outcome we all
wanted for the Clayton family.

We'll look again
at everything again
in some detail

and a full statement
will be issued in due
course.

Thank you.
That's all I
have for the moment.

(REPORTERS
TALKING INDISTINCTLY)

Boss?

This is my fault.

Don't tell me I'm going
to have to remind you
that we're a team.

You thought we had
the wrong man all along.

-I never said that.
-(SIGHS)

That's why we haven't talked
about it for three months,

so you didn't have to.

We got it wrong.
Now we need to start again.

There is no "we". I'm the head
of this unit.
It was my decision.

Now I've dropped the rest
of the team in the shit

and the Claytons won't
sleep again tonight.

It's not about you.

There's a killer
still out there
and it's our job to stop
him.

Before he does it again.

(CHURCH BELL TOLLING)

(SIGHS)

(GLASS CRUNCHING)

(TRAIN PASSING)

(TRAIN WHISTLE BLOWING)