All language subtitles for How to Compress Drum Overheads - Tricks for Setting the Attack and Release - YouTube - English

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional) Download
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,030 --> 00:00:01,030 hey guys Ryan Earnhardt here from 2 00:00:01,319 --> 00:00:02,319 creative Sound Lab TV today we're gonna 3 00:00:03,689 --> 00:00:04,689 be talking about how to compress 4 00:00:04,770 --> 00:00:05,770 overheads this is something that I don't 5 00:00:07,500 --> 00:00:08,500 think I've covered before I want to get 6 00:00:09,090 --> 00:00:10,090 into some more mixing tutorials and this 7 00:00:11,910 --> 00:00:12,910 is it can be really important 8 00:00:14,040 --> 00:00:15,040 you can definitely mess up your overhead 9 00:00:16,170 --> 00:00:17,170 track getting this right is often the 10 00:00:19,949 --> 00:00:20,949 top end of a rock mix so the cymbals are 11 00:00:23,580 --> 00:00:24,580 very important the snare is very 12 00:00:25,109 --> 00:00:26,109 important and both are affected by how 13 00:00:27,660 --> 00:00:28,660 you set your compressor for the 14 00:00:29,460 --> 00:00:30,460 overheads so let's check it out okay so 15 00:00:35,040 --> 00:00:36,040 my basic approach to compressing 16 00:00:37,469 --> 00:00:38,469 overheads is to listen to two things the 17 00:00:40,710 --> 00:00:41,710 snare through the attack the so between 18 00:00:47,070 --> 00:00:48,070 those two things 19 00:00:49,170 --> 00:00:50,170 [Music] 20 00:01:13,980 --> 00:01:14,980 that's really cranked unity gain I think 21 00:01:21,790 --> 00:01:22,790 is about it's three here so below three 22 00:01:31,680 --> 00:01:32,680 we can really or have a snare is 23 00:01:34,000 --> 00:01:35,000 changing and when the cymbals are hit we 24 00:01:36,310 --> 00:01:37,310 can hear how the cymbals are changing in 25 00:01:38,950 --> 00:01:39,950 the sustain somebody's kind of stick out 26 00:02:03,370 --> 00:02:04,370 [Music] 27 00:02:06,360 --> 00:02:07,360 with compression the snare blends in and 28 00:02:09,340 --> 00:02:10,340 the cymbals blend in so it's all around 29 00:02:12,670 --> 00:02:13,670 one dynamic within the drum set 30 00:02:15,690 --> 00:02:16,690 everything is kind of blending together 31 00:02:17,820 --> 00:02:18,820 this is actually a pair of su 0 and 3 so 32 00:02:22,000 --> 00:02:23,000 diaphragm and I think it does a really 33 00:02:24,640 --> 00:02:25,640 nice job blending together so let's 34 00:02:30,250 --> 00:02:31,250 change up the attack and release 35 00:02:31,870 --> 00:02:32,870 settings first the attack settings what 36 00:02:34,330 --> 00:02:35,330 you listen to how the snare changes with 37 00:02:37,209 --> 00:02:38,209 the attack 38 00:02:46,190 --> 00:02:47,190 give it some more juice here really tell 39 00:02:50,000 --> 00:02:51,000 [Music] 40 00:03:06,080 --> 00:03:07,080 barely touching it here touching it a 41 00:03:11,010 --> 00:03:12,010 little bit there 42 00:03:13,850 --> 00:03:14,850 [Music] 43 00:03:15,440 --> 00:03:16,440 here's a nice gooey spot a little bit of 44 00:03:18,390 --> 00:03:19,390 a tag a little bit of that gooey 45 00:03:19,920 --> 00:03:20,920 compression here we might have lost too 46 00:03:25,709 --> 00:03:26,709 much of the attack so again you have to 47 00:03:28,260 --> 00:03:29,260 kind of listen to the snare because it's 48 00:03:31,290 --> 00:03:32,290 most likely the loudest thing in the 49 00:03:33,150 --> 00:03:34,150 overheads I don't want to destroy all 50 00:03:39,870 --> 00:03:40,870 the transients you just want to kind of 51 00:03:41,370 --> 00:03:42,370 soften them up blend them in a little 52 00:03:43,709 --> 00:03:44,709 bit this is pretty aggressive work 4 to 53 00:03:47,280 --> 00:03:48,280 1 at probably a 6 DB of production 54 00:03:51,590 --> 00:03:52,590 [Music] 55 00:04:00,049 --> 00:04:01,049 okay let's talk about release so moment 56 00:04:03,959 --> 00:04:04,959 these symbols come man we're gonna 57 00:04:05,159 --> 00:04:06,159 really be able to play with this release 58 00:04:06,959 --> 00:04:07,959 it'll also affect the sound of the snare 59 00:04:09,000 --> 00:04:10,000 too so it's not exactly you know this is 60 00:04:12,329 --> 00:04:13,329 just affecting the snare simple okay you 61 00:04:22,979 --> 00:04:23,979 don't like that it's too slow Otto's a 62 00:04:29,039 --> 00:04:30,039 little bit too slow as well there we go 63 00:04:33,770 --> 00:04:34,770 [Music] 64 00:04:35,300 --> 00:04:36,300 ya hear that crash with a slower lease 65 00:05:01,979 --> 00:05:02,979 we'll hear a little bit more definition 66 00:05:05,490 --> 00:05:06,490 to that snare the snare Oh seemed like a 67 00:05:08,010 --> 00:05:09,010 little bit thicker we're gonna get more 68 00:05:12,150 --> 00:05:13,150 room in the snare here it'll be more 69 00:05:14,430 --> 00:05:15,430 punchy over here so punchy for slow 70 00:05:17,370 --> 00:05:18,370 release more of a washed-out sound for 71 00:05:20,280 --> 00:05:21,280 fast release on that snare but really 72 00:05:23,849 --> 00:05:24,849 we're trying to kind of find a good 73 00:05:26,250 --> 00:05:27,250 medium for the cymbals now Brant the 74 00:05:28,500 --> 00:05:29,500 sustains at the beginning of the crashes 75 00:05:31,080 --> 00:05:32,080 aren't so loud and the sustain of the 76 00:05:33,960 --> 00:05:34,960 crashes aren't so quiet so that way we 77 00:05:36,570 --> 00:05:37,570 can have less overheads in the final mix 78 00:05:39,300 --> 00:05:40,300 and that means a smoother sounding mix 79 00:05:41,550 --> 00:05:42,550 we have more control of it this way 80 00:05:44,170 --> 00:05:45,170 [Music] 81 00:06:03,330 --> 00:06:04,330 let's see how this sounds here on the 82 00:06:05,410 --> 00:06:06,410 symbols could really use either setting 83 00:06:30,790 --> 00:06:31,790 but I think I like the snare a little 84 00:06:32,230 --> 00:06:33,230 bit more on the point eight setting one 85 00:06:53,170 --> 00:06:54,170 thing I've noticed is that the knee is 86 00:06:54,940 --> 00:06:55,940 definitely rounded off at these lower 87 00:06:58,330 --> 00:06:59,330 read ratios here boom all of a sudden 88 00:07:12,540 --> 00:07:13,540 we're compressing particular has a very 89 00:07:19,480 --> 00:07:20,480 distinct sound realistically this is 90 00:07:29,650 --> 00:07:30,650 something that I might use you don't 91 00:07:32,110 --> 00:07:33,110 want to overdo it and if you have any 92 00:07:34,060 --> 00:07:35,060 doubts as far as how much you're 93 00:07:35,590 --> 00:07:36,590 compressing turn it down listen at a 94 00:07:37,900 --> 00:07:38,900 lower volume again we're listening to 95 00:07:42,310 --> 00:07:43,310 the snare and snare a pack here I'm 96 00:07:45,460 --> 00:07:46,460 listening to some of the snare most of 97 00:07:48,010 --> 00:07:49,010 the symbols here we're trying to even 98 00:07:49,480 --> 00:07:50,480 out the beginning of the crashes so they 99 00:07:51,940 --> 00:07:52,940 kind of blend it in to the rest of the 100 00:07:53,440 --> 00:07:54,440 groove 101 00:07:57,430 --> 00:07:58,430 [Music] 102 00:08:03,430 --> 00:08:04,430 c22 one we can really hear it start to 103 00:08:06,050 --> 00:08:07,050 get small if we overdo it here we gotta 104 00:08:10,970 --> 00:08:11,970 make sure we don't overdo things and 105 00:08:15,680 --> 00:08:16,680 general lower ratios might say a little 106 00:08:17,660 --> 00:08:18,660 bigger sounding and these higher ratios 107 00:08:20,780 --> 00:08:21,780 might sound a little more clamped down 108 00:08:22,130 --> 00:08:23,130 or smaller sound more aggressive sound 109 00:08:35,600 --> 00:08:36,600 of course we're not compressing one 110 00:08:37,370 --> 00:08:38,370 about 40 B you really have to use your 111 00:08:41,090 --> 00:08:42,090 ear some compressors you can't really 112 00:08:43,310 --> 00:08:44,310 pay attention to the meter 113 00:08:44,690 --> 00:08:45,690 you have to listen sometimes the meter 114 00:08:46,970 --> 00:08:47,970 won't even be moving but just tickling 115 00:08:49,370 --> 00:08:50,370 the meter just like that and it can be 116 00:08:51,410 --> 00:08:52,410 perfect so always use your ears always 117 00:08:54,350 --> 00:08:55,350 listen to the things in the material 118 00:08:56,450 --> 00:08:57,450 you're compressing to help me make 119 00:08:57,920 --> 00:08:58,920 decisions never go completely on presets 120 00:09:01,850 --> 00:09:02,850 always use your ears okay I'm gonna let 121 00:09:06,650 --> 00:09:07,650 it rip 122 00:09:07,320 --> 00:09:08,320 [Music] 123 00:09:11,150 --> 00:09:12,150 so cute ahead of the compressor 124 00:09:19,270 --> 00:09:20,270 [Music] 125 00:09:31,649 --> 00:09:32,649 pretty cool 126 00:09:33,610 --> 00:09:34,610 [Music] 127 00:09:41,680 --> 00:09:42,680 really hear how this attack is changing 128 00:09:44,269 --> 00:09:45,269 the sound heck that might actually 129 00:09:59,990 --> 00:10:00,990 perfect for some for some sounds that 130 00:10:05,029 --> 00:10:06,029 may be just right but I think the three 131 00:10:07,070 --> 00:10:08,070 is about right so there you have it a 132 00:10:10,790 --> 00:10:11,790 little bit about how to compress 133 00:10:12,110 --> 00:10:13,110 overheads okay I'd love to hear what you 134 00:10:14,870 --> 00:10:15,870 think about compressing overheads what 135 00:10:17,149 --> 00:10:18,149 are your favorite compressors to use for 136 00:10:18,709 --> 00:10:19,709 the job I'd love to hear your thoughts 137 00:10:22,120 --> 00:10:23,120 [Music]9955

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.