subtitlecat.com

All language subtitles for Basic Drum Miking_ The Room - YouTube - English

Afrikaans

Albanian

Amharic

Arabic

Armenian

Azerbaijani

Basque

Belarusian

Bengali

Bosnian

Bulgarian

Catalan

Cebuano

Chichewa

Chinese (Simplified)

Chinese (Traditional) Download

Corsican

Croatian

Czech

Danish

Dutch

English

Esperanto

Estonian

Filipino

Finnish

French

Frisian

Galician

Georgian

German

Greek

Gujarati

Haitian Creole

Hausa

Hawaiian

Hebrew

Hindi

Hmong

Hungarian

Icelandic

Igbo

Indonesian

Irish

Italian

Japanese

Javanese

Kannada

Kazakh

Khmer

Korean

Kurdish (Kurmanji)

Kyrgyz

Lao

Latin

Latvian

Lithuanian

Luxembourgish

Macedonian

Malagasy

Malay

Malayalam

Maltese

Maori

Marathi

Mongolian

Myanmar (Burmese)

Nepali

Norwegian

Pashto

Persian

Polish

Portuguese

Punjabi

Romanian

Russian

Samoan

Scots Gaelic

Serbian

Sesotho

Shona

Sindhi

Sinhala

Slovak

Slovenian

Somali

Spanish

Sundanese

Swahili

Swedish

Tajik

Tamil

Telugu

Thai

Turkish

Ukrainian

Urdu

Uzbek

Vietnamese

Welsh

Xhosa

Yiddish

Yoruba

Zulu

Odia (Oriya)

Kinyarwanda

Turkmen

Tatar

Uyghur

Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:17,440 --> 00:00:18,440 room mics add depth and ambience to the 2 00:00:20,120 --> 00:00:21,120 overall kit sound this added space 3 00:00:22,310 --> 00:00:23,310 around the kit can really bring your 4 00:00:23,810 --> 00:00:24,810 drums to life in the mix here we have a 5 00:00:26,300 --> 00:00:27,300 pair of 1840 50s in an XY configuration 6 00:00:29,390 --> 00:00:30,390 about 8 feet in front of the kit an XY 2 7 00:00:32,300 --> 00:00:33,300 cardioid microphones are set with the 8 00:00:34,339 --> 00:00:35,339 elements as close together as possible 9 00:00:35,800 --> 00:00:36,800 90 degrees off axis from each other 10 00:00:38,480 --> 00:00:39,480 the XY pattern gives us a focused phase 11 00:00:41,030 --> 00:00:42,030 coherent stereo picture of the kit in 12 00:00:42,980 --> 00:00:43,980 the room the farther away from the kit 13 00:00:44,870 --> 00:00:45,870 the more ambient the sound every room is 14 00:00:47,269 --> 00:00:48,269 different and finding the sweet spot may 15 00:00:48,949 --> 00:00:49,949 take some experimenting now we have the 16 00:01:13,490 --> 00:01:14,490 18 40 50 s in the same spot in a mid 17 00:01:16,100 --> 00:01:17,100 side configuration in mid/side mode one 18 00:01:19,340 --> 00:01:20,340 element is set to cardioid and pointed 19 00:01:21,230 --> 00:01:22,230 directly at the source this is the mid 20 00:01:23,450 --> 00:01:24,450 channel the other element is oriented 21 00:01:25,790 --> 00:01:26,790 perpendicular to the mid element and set 22 00:01:27,830 --> 00:01:28,830 to figure 8 this is the side channel in 23 00:01:30,440 --> 00:01:31,440 the control room the side signal is 24 00:01:32,750 --> 00:01:33,750 molted to two channels and the right 25 00:01:34,400 --> 00:01:35,400 side is flipped out of phase these two 26 00:01:36,680 --> 00:01:37,680 channels are panned hard left right and 27 00:01:38,570 --> 00:01:39,570 combined with the mid signal panned dead 28 00:01:40,310 --> 00:01:41,310 center this creates a balanced phase 29 00:01:42,860 --> 00:01:43,860 coherent stereo image the width of the 30 00:01:45,290 --> 00:01:46,290 image can be manipulated by adjusting 31 00:01:47,180 --> 00:01:48,180 the balance between the mid and side 32 00:01:48,920 --> 00:01:49,920 channels 33 00:02:11,730 --> 00:02:12,730 for the ultimate all-in-one recording 34 00:02:14,200 --> 00:02:15,200 solution Audio Technica offers the 18 35 00:02:16,540 --> 00:02:17,540 40-50 stereo condenser this microphone 36 00:02:19,540 --> 00:02:20,540 contains one cardioid and one figure 8 37 00:02:21,760 --> 00:02:22,760 element configured in a mid side 38 00:02:23,260 --> 00:02:24,260 arrangement in one housing providing 39 00:02:25,450 --> 00:02:26,450 maximum flexibility and ease of setup 40 00:02:27,670 --> 00:02:28,670 for stereo recording the 80 40 50 st 41 00:02:30,640 --> 00:02:31,640 features a 10 DB pad 80 Hertz roll-off 42 00:02:33,310 --> 00:02:34,310 and 3 output modes a standard mid/side 43 00:02:35,980 --> 00:02:36,980 mode and two internally matric stereo 44 00:02:38,260 --> 00:02:39,260 modes of 90 and 127 degrees sometimes a 45 00:02:41,830 --> 00:02:42,830 mono room might canet all the depth you 46 00:02:43,510 --> 00:02:44,510 need the 80 40 60 to mic can capture a 47 00:02:46,690 --> 00:02:47,690 warm detailed full range picture of the 48 00:02:49,120 --> 00:02:50,120 kit in the room again finding the sweet 49 00:02:51,489 --> 00:02:52,489 spot can take some experimentation 50 00:03:15,370 --> 00:03:16,370 with these techniques you can add just 51 00:03:17,780 --> 00:03:18,780 the right space around the kit on the 52 00:03:20,000 --> 00:03:21,000 stage or in the studio Audio Technica 53 00:03:21,860 --> 00:03:22,860 has you covered 54 00:03:28,420 --> 00:03:29,420 you4035