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These are the user uploaded subtitles that are being translated: 1 00:00:00,420 --> 00:00:05,490 In this lesson what we're going to do is pull in some of the photography we want to use and start building 2 00:00:05,490 --> 00:00:06,740 our general layout. 3 00:00:06,750 --> 00:00:07,990 So first things first. 4 00:00:08,130 --> 00:00:12,630 What I typically do is open up Safari or chrome or whatever happens to be the browser of choice for 5 00:00:12,630 --> 00:00:13,350 that week. 6 00:00:13,500 --> 00:00:15,450 And I'll usually do a google search. 7 00:00:15,450 --> 00:00:21,510 So in this case is going to pre-ban poster and then I'll choose images up here on the top. 8 00:00:21,510 --> 00:00:25,620 So I just want to see all the images available and you can see right away that there are a ton of really 9 00:00:25,620 --> 00:00:29,870 creative band posters which is part of the reason why we're doing this in our first exercise. 10 00:00:29,870 --> 00:00:31,090 It's something fun. 11 00:00:31,150 --> 00:00:38,220 It's something that will teach you how to use brushes textures type biography photography and use all 12 00:00:38,220 --> 00:00:40,940 these different pieces to create something fun that you enjoy. 13 00:00:41,280 --> 00:00:45,710 So what we're going to do right now is just briefly look at some different ideas that might be inspiring 14 00:00:45,730 --> 00:00:45,830 . 15 00:00:45,930 --> 00:00:51,000 And when I look at poster ideas or any idea for anything that I'm trying to research I usually am looking 16 00:00:51,000 --> 00:00:55,680 at either fonts that inspire me or I'm looking at color schemes that I like or lay out designs that 17 00:00:55,680 --> 00:00:56,010 I like. 18 00:00:56,010 --> 00:00:58,570 So for example looking at this real quick. 19 00:00:58,590 --> 00:01:05,350 I like that it's not just straight horizontal text on this waterfront poster it's got kind of a not 20 00:01:05,520 --> 00:01:10,230 quite a 45 degree angle but you know it's at an angle which adds some visual interest as Lincoln Park 21 00:01:10,230 --> 00:01:10,680 poster. 22 00:01:10,680 --> 00:01:14,550 I like the color and I like that the guys are kind of cut out. 23 00:01:14,550 --> 00:01:18,480 So what I'm going to do is things that I want to find that they are like I either do one of a couple 24 00:01:18,480 --> 00:01:24,430 of things left or right click and I will save the image too like an ideas folder. 25 00:01:24,540 --> 00:01:33,660 So if I come in here and I'll make a new folder and I called ideas I'd save or what I can do is I can 26 00:01:33,660 --> 00:01:39,620 click in just drag an image straight over the Photoshop icon in my dock hover until it comes up. 27 00:01:39,710 --> 00:01:43,470 It comes back there and then let go and I dropped it right in an open space. 28 00:01:43,470 --> 00:01:51,390 Now in Photoshop the way you can scale things up the shortcut is command T or control t on a PC. 29 00:01:51,930 --> 00:01:59,550 So the way you would find that if you forget it's up under Edit and we're looking for free transform 30 00:02:00,130 --> 00:02:02,200 and that shortcut right there is command. 31 00:02:02,370 --> 00:02:07,040 So what it does is it gives me these little handles that I can start to drag this up larger. 32 00:02:07,260 --> 00:02:10,350 And Photoshop will let you skew an image right. 33 00:02:10,350 --> 00:02:13,540 So we want to keep it proportionate so it reduces hold down the Shift key. 34 00:02:13,560 --> 00:02:19,750 And now when I click and drag it stays in the right perspective here. 35 00:02:19,770 --> 00:02:24,360 So when I get it where I want it I can hit the enter key or I can hit this little checkmark up here 36 00:02:24,690 --> 00:02:29,820 to finish my transform and I'm just going to start building in a bunch of layers here into this poster 37 00:02:29,820 --> 00:02:33,830 file just to start getting some ideas and things I can work with. 38 00:02:33,830 --> 00:02:39,100 So I'll come back over here to Safari and that's just kind of see what else we've got here. 39 00:02:39,630 --> 00:02:41,480 Things that inspire me this Mumford and Sons. 40 00:02:41,490 --> 00:02:48,240 I kind of like how they've got this illustrate give instead of a you know a photographic poster or like 41 00:02:48,240 --> 00:02:53,210 the illustration behind it some of the reichlich or save image as an author wrote in that ideas folders 42 00:02:53,250 --> 00:02:57,540 I can refer to it later usually I'd work one way or the other I'd either save it into that folder or 43 00:02:57,660 --> 00:03:04,950 I would click and drag and drop it right into Photoshop for me to work with later and I let go too soon 44 00:03:04,950 --> 00:03:05,000 . 45 00:03:05,000 --> 00:03:06,390 Let me try it one more time. 46 00:03:06,390 --> 00:03:08,940 Click and drag hold. 47 00:03:09,480 --> 00:03:10,640 Bring it back. 48 00:03:11,420 --> 00:03:11,890 OK. 49 00:03:12,060 --> 00:03:15,570 So we could spend a lot of time researching and grabbing a lot of things. 50 00:03:15,600 --> 00:03:21,210 So what's best practice at least for me is almost to literally set a timer for maybe 10 minutes. 51 00:03:21,210 --> 00:03:25,270 Otherwise you can start to get overwhelmed with the possibilities in what you could do. 52 00:03:25,410 --> 00:03:30,060 And all of a sudden you lose your entire day just looking for images or just trying to find inspiration 53 00:03:30,060 --> 00:03:31,240 for different things. 54 00:03:31,530 --> 00:03:33,300 There's one I saw earlier. 55 00:03:33,630 --> 00:03:34,700 Oh here it is. 56 00:03:34,740 --> 00:03:36,490 I really like this. 57 00:03:36,840 --> 00:03:37,860 I don't know I just that was really cool. 58 00:03:37,860 --> 00:03:39,450 So I'm going to click on that right click 59 00:03:43,260 --> 00:03:49,050 save him Jazz out it that folder so I can refer to it later if I need to. 60 00:03:49,190 --> 00:03:52,440 And in this case I'm going to throw it right into Photoshop. 61 00:03:53,590 --> 00:03:57,060 There is no t in that I'm holding down the Shift key. 62 00:03:57,060 --> 00:03:59,760 And I'm also in the old key by holding down the key. 63 00:03:59,760 --> 00:04:02,050 Let's see if I just hold down the Shift key. 64 00:04:02,620 --> 00:04:05,760 It anchors it to the top left but have a hold on the old key. 65 00:04:05,760 --> 00:04:08,660 It scales out from the center so just it's just faster. 66 00:04:08,670 --> 00:04:10,190 That helps me scale up faster. 67 00:04:10,200 --> 00:04:15,810 I return actually in this case my in Turkey Day and you can see on the right I've got my layers I'm 68 00:04:15,810 --> 00:04:17,910 going to shift click. 69 00:04:17,930 --> 00:04:19,380 So right now there are three selected. 70 00:04:19,390 --> 00:04:23,880 Hold down shift and I'll click down there one and it will slide to everything in between. 71 00:04:24,000 --> 00:04:28,500 And then when I hit this little folder icon down here and what that's going to do is put it into a folder 72 00:04:28,520 --> 00:04:28,700 . 73 00:04:28,920 --> 00:04:35,190 I could have also hit command G on a Mac control G on a PC and I've got my group and I can click on 74 00:04:35,190 --> 00:04:38,220 this and I'll just give it a name it's really good to keep your file organized. 75 00:04:38,220 --> 00:04:39,990 We'll call it ideas game. 76 00:04:40,230 --> 00:04:41,750 And then that's a really good time to save. 77 00:04:41,760 --> 00:04:45,300 So command less control S on a PC always save your work. 78 00:04:45,300 --> 00:04:48,800 It should be like a nervous twitch that just happens so you don't lose anything. 79 00:04:48,810 --> 00:04:50,940 All right so the reasons why I like these. 80 00:04:50,940 --> 00:04:53,000 This blue color was inspiring. 81 00:04:53,000 --> 00:04:57,430 I also liked the idea I don't know the organic nature of this is creative. 82 00:04:57,430 --> 00:04:58,930 There's Mumford and Sons again. 83 00:04:58,950 --> 00:05:04,740 I liked how the high contrast of this darker illustration against the white background and this Linkin 84 00:05:04,740 --> 00:05:08,140 Park image here I'm going to drag this up a little bit so I can see it. 85 00:05:08,160 --> 00:05:09,550 I liked that. 86 00:05:10,050 --> 00:05:11,850 They've got this and if you look closer at the guy. 87 00:05:11,850 --> 00:05:17,440 So this blue triangle that kind of interacts is layers merge together to kind of color them. 88 00:05:17,520 --> 00:05:20,850 And I think we're going to probably take that approach on this poster. 89 00:05:20,850 --> 00:05:26,260 So what I'm gonna do now is I'm going to turn out that ideas and we're going to pretend you have this 90 00:05:26,360 --> 00:05:34,620 this photo in your in your in your assets file that I'll provide for you but I'm just going to drag 91 00:05:34,620 --> 00:05:38,790 this image we're going to pretend like this is an artist it's coming to a venue here we've got to make 92 00:05:38,790 --> 00:05:39,930 a poster for him. 93 00:05:39,930 --> 00:05:46,060 You can find this image in your downloads or this is on a Web site called pectorals dot com. 94 00:05:46,060 --> 00:05:49,380 So p x d l s dot com. 95 00:05:49,800 --> 00:05:50,900 And he's right here. 96 00:05:50,900 --> 00:05:55,680 So what we can do is click on it and then click free download and it'll bring to when you like it right 97 00:05:55,680 --> 00:05:57,290 click and then save image to downloads. 98 00:05:57,330 --> 00:05:57,830 OK. 99 00:05:58,030 --> 00:05:58,920 So how about that one. 100 00:05:58,920 --> 00:06:02,610 And then about a couple of other voters that I found in Texas dotcom that were inspiring that might 101 00:06:02,610 --> 00:06:03,560 work for this project. 102 00:06:03,560 --> 00:06:08,950 We've got some guitars and then we've got this soundboard here. 103 00:06:09,090 --> 00:06:10,950 So what am I to do with these. 104 00:06:10,950 --> 00:06:11,580 Same deal. 105 00:06:11,640 --> 00:06:14,110 Right click save image to downloads. 106 00:06:14,160 --> 00:06:18,100 Click on this one right click save image to downloads. 107 00:06:18,100 --> 00:06:20,340 So I'm starting to gather all my assets OK. 108 00:06:20,850 --> 00:06:25,950 So we've brought him into our workspace and now what we're going to do is in the next lesson we're going 109 00:06:25,950 --> 00:06:29,970 to cut him out or isolate this photo still crop him out. 110 00:06:30,210 --> 00:06:35,180 And that's one of the moat between the layers using layers and Photoshop and making really good selections 111 00:06:35,180 --> 00:06:35,200 . 112 00:06:35,200 --> 00:06:40,200 Those are the two probably most critical skills you'll learn in Photoshop because once you master those 113 00:06:40,650 --> 00:06:43,560 you can really do just about anything and composite anything together. 114 00:06:43,560 --> 00:06:47,730 So we're going to go ahead and shut this down for this is core for this lesson in the next lesson we'll 115 00:06:47,730 --> 00:06:52,670 dive into making selections and starting to work with all these assets we've started to collect. 11145

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