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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:22,270 --> 00:00:25,310 IT SCARES US JUST THINKING ABOUT IT. 2 00:00:25,379 --> 00:00:27,511 WHEN YOU HEAR IT, YOU'RE GONNA THINK WE'RE INSANE. 3 00:00:27,580 --> 00:00:30,716 TRY US. PLEASE, FROM THE START. 4 00:00:32,485 --> 00:00:34,252 IT STARTED OUT SMALL, 5 00:00:34,321 --> 00:00:37,355 LIKE A HAND OR A LEG WAS IN A DIFFERENT POSITION. 6 00:00:37,424 --> 00:00:40,057 THEN ITS HEAD WAS LOOKING UP INSTEAD OF DOWN. 7 00:00:40,126 --> 00:00:43,427 AND THEN ONE DAY, IT WAS IN A COMPLETELY DIFFERENT ROOM. 8 00:00:43,496 --> 00:00:44,730 IT WAS MOVING AROUND BY ITSELF. 9 00:00:44,799 --> 00:00:45,963 EVER THINK 10 00:00:46,032 --> 00:00:47,765 THAT MAYBE SOMEBODY HAD A KEY TO YOUR APARTMENT 11 00:00:47,834 --> 00:00:49,501 AND WAS JUST PLAYING A TRICK ON YA? 12 00:00:49,570 --> 00:00:51,369 THAT'S EXACTLY WHAT WE THOUGHT. 13 00:00:51,438 --> 00:00:53,004 BUT NEVER ONCE DID WE FIND 14 00:00:53,073 --> 00:00:55,134 ANY SIGN OR EVIDENCE OF INTRUSION. 15 00:00:55,203 --> 00:00:56,540 AND THIS ALL LED YOU TO BELIEVE 16 00:00:56,609 --> 00:00:59,077 THAT THE DOLL WAS POSSESSED? YES. 17 00:00:59,146 --> 00:01:00,445 CAMILLA GOT IN TOUCH WITH A MEDIUM. 18 00:01:00,514 --> 00:01:01,846 WE LEARNED FROM HER 19 00:01:01,915 --> 00:01:03,515 THAT A SEVEN-YEAR-OLD GIRL NAMED ANNABELLE HIGGINS 20 00:01:03,584 --> 00:01:05,716 HAD DIED IN THIS APARTMENT. 21 00:01:05,785 --> 00:01:09,653 SHE WAS LONELY AND TOOK A LIKING TO MY DOLL. 22 00:01:09,722 --> 00:01:12,456 ALL SHE WANTED WAS TO BE FRIENDS. 23 00:01:12,525 --> 00:01:15,359 WHEN WE HEARD THIS, WE FELT REALLY SORRY FOR HER. 24 00:01:15,428 --> 00:01:17,561 I MEAN, WE'RE NURSES, WE HELP PEOPLE. 25 00:01:17,630 --> 00:01:22,835 SO WE GAVE HER PERMISSION TO MOVE INTO THE DOLL. 26 00:01:22,904 --> 00:01:25,536 WAIT, YOU DID WHAT? 27 00:01:25,605 --> 00:01:27,906 SHE WANTED TO LIVE WITH US BY INHABITING THE DOLL. 28 00:01:27,975 --> 00:01:29,140 WE SAID YES. 29 00:01:29,209 --> 00:01:31,977 BUT THEN THINGS GOT WORSE. 30 00:01:49,930 --> 00:01:52,930 WHEN WE CAME HOME, SHE WAS SITTING IN THE HALLWAY. 31 00:01:52,999 --> 00:01:56,338 BUT WE HAD LEFT HER IN THE SPARE ROOM. 32 00:02:33,506 --> 00:02:35,777 DEBBIE! DEBBIE, WAIT! 33 00:03:50,584 --> 00:03:52,516 WE ARE BEYOND TERRIFIED. 34 00:03:52,585 --> 00:03:55,187 WE DON'T KNOW WHAT'S GOING ON OR WHAT TO DO. 35 00:03:55,256 --> 00:03:56,822 CAN YOU HELP US? 36 00:03:56,891 --> 00:03:58,055 YES, WE CAN. 37 00:03:58,124 --> 00:04:02,360 NOW, FIRSTLY, THERE'S NO SUCH THING AS ANNABELLE, 38 00:04:02,429 --> 00:04:03,661 AND THERE NEVER WAS. 39 00:04:03,730 --> 00:04:04,963 GHOSTS DON'T POSSESS SUCH POWER. 40 00:04:05,032 --> 00:04:05,898 I THINK WHAT WE HAVE HERE 41 00:04:05,967 --> 00:04:08,934 IS SOMETHING EXTREMELY MANIPULATIVE. 42 00:04:09,003 --> 00:04:10,402 IT'S SOMETHING INHUMAN. 43 00:04:10,471 --> 00:04:13,271 IT WAS A BIG MISTAKE ACKNOWLEDGING THIS DOLL. 44 00:04:13,340 --> 00:04:15,840 AND THROUGH THAT, THE INHUMAN SPIRIT TRICKED YOU. 45 00:04:15,909 --> 00:04:19,310 YOU GAVE IT PERMISSION TO INFEST YOUR LIVES. 46 00:04:19,379 --> 00:04:21,078 WHAT'S AN INHUMAN SPIRIT? 47 00:04:21,147 --> 00:04:25,417 IT'S SOMETHING THAT'S NEVER WALKED THE EARTH IN HUMAN FORM. 48 00:04:25,486 --> 00:04:27,689 IT'S SOMETHING DEMONIC. 49 00:04:30,857 --> 00:04:33,859 SO THE DOLL WAS NEVER POSSESSED? 50 00:04:33,928 --> 00:04:35,554 NO, NO, IT WAS USED AS A CONDUIT. 51 00:04:35,623 --> 00:04:38,028 IT WAS MOVED AROUND TO GIVE THE IMPRESSION OF POSSESSION. 52 00:04:38,097 --> 00:04:41,866 DEMONIC SPIRITS DON'T POSSESS THINGS, THEY POSSESS PEOPLE. 53 00:04:41,935 --> 00:04:44,972 IT WANTED TO GET INSIDE OF YOU. 54 00:04:54,614 --> 00:04:56,715 ALL RIGHT, THAT'S GOOD, DREW. 55 00:04:56,784 --> 00:04:58,382 YOU CAN SHUT IT DOWN NOW. 56 00:04:58,451 --> 00:05:00,922 HIT THE LIGHTS. 57 00:05:02,955 --> 00:05:05,155 SO WE GOT THE CHURCH TO SEND A PRIEST OVER 58 00:05:05,224 --> 00:05:07,992 TO PERFORM A BLESSING ON THE HOUSE AND THE OCCUPANTS. 59 00:05:08,061 --> 00:05:09,894 WHATEVER WAS OPPRESSING THAT APARTMENT 60 00:05:09,963 --> 00:05:12,067 WAS NO LONGER WITH THEM. ANY QUESTIONS? 61 00:05:14,068 --> 00:05:15,233 YES. 62 00:05:15,302 --> 00:05:17,068 WHERE'S THE DOLL NOW?? 63 00:05:17,137 --> 00:05:19,574 SOMEPLACE SAFE. 64 00:05:20,240 --> 00:05:21,205 YEP. 65 00:05:21,274 --> 00:05:22,440 SO, WHAT ARE YOU GUYS? 66 00:05:22,509 --> 00:05:24,376 I MEAN, WHAT DO PEOPLE CALL YOU? 67 00:05:24,445 --> 00:05:28,747 UH, WELL, WE'VE BEEN CALLED DEMONOLOGISTS. 68 00:05:28,816 --> 00:05:29,982 THAT'S ONE NAME FOR US. 69 00:05:30,051 --> 00:05:32,117 GHOST HUNTERS, PARANORMAL RESEARCHERS. 70 00:05:32,186 --> 00:05:33,586 KOOKS. 71 00:05:34,850 --> 00:05:36,487 WACKOS. 72 00:05:36,556 --> 00:05:37,856 BUT WE PREFER TO BE KNOWN 73 00:05:37,925 --> 00:05:40,128 SIMPLY AS ED AND LORRAINE WARREN. 74 00:06:25,571 --> 00:06:29,040 ♪ "THERE GOES JOHN JACOB JINGLEHEIMER SCHMIDT" ♪ 75 00:06:29,109 --> 00:06:30,708 ♪ DA-DA-DA-DA-DA-DA-DA-DA ♪ 76 00:06:30,777 --> 00:06:33,611 ♪ JOHN JACOB JINGLEHEIMER SCHMIDT ♪ 77 00:06:33,680 --> 00:06:36,815 ♪ HIS NAME IS MY NAME TOO ♪ 78 00:06:36,884 --> 00:06:38,449 ♪ WHENEVER WE GO OUT ♪ 79 00:06:38,518 --> 00:06:39,884 ♪ THE PEOPLE ALWAYS SHOUT ♪ 80 00:06:39,953 --> 00:06:41,519 ♪ "THERE GOES JOHN JACOB JINGLEHEIMER SCHMIDT" ♪ 81 00:06:41,588 --> 00:06:43,158 HERE WE ARE. 82 00:06:46,260 --> 00:06:47,793 WOW, HEAR THAT? 83 00:06:47,862 --> 00:06:49,394 I DON'T HEAR ANYTHING. 84 00:06:49,463 --> 00:06:51,562 EXACTLY. OH. 85 00:06:51,631 --> 00:06:54,932 OKAY. GUYS, WE ARE HERE! 86 00:06:55,001 --> 00:06:56,867 OH, GOD, WE'RE IN THE MIDDLE OF NOWHERE. 87 00:06:56,936 --> 00:06:58,837 ARE YOU SO EXCITED? WHERE'S MY "YES"? 88 00:06:58,906 --> 00:07:00,504 - WHERE'S MY "YES"? - YES! 89 00:07:00,573 --> 00:07:02,941 I'LL RACE YA! ARE YOU GUYS EXCITED? 90 00:07:03,010 --> 00:07:04,742 I'M SO EXCITED! 91 00:07:04,811 --> 00:07:08,079 COME ON, SADIE! I GET MY OWN ROOM! 92 00:07:08,148 --> 00:07:10,482 ARE YOU KIDDING ME? NO DIBS ON THE ROOMS! 93 00:07:10,551 --> 00:07:11,849 WHAT?! 94 00:07:11,918 --> 00:07:13,251 SO DO I GET TO PICK MY OWN ROOM? 95 00:07:13,320 --> 00:07:15,290 OR DO I HAVE NO CHOICE IN THAT EITHER? 96 00:07:17,991 --> 00:07:21,559 WELL, FIRST CUTE BOY SHE MEETS, SHE'LL FORGET ABOUT JERSEY. 97 00:07:21,628 --> 00:07:23,562 AH, GREAT. I HOPE. 98 00:07:23,631 --> 00:07:24,696 CAN'T WAIT. 99 00:07:24,765 --> 00:07:26,025 COME ON, SADIE. 100 00:07:27,001 --> 00:07:28,266 SADIE, LET'S GO. 101 00:07:29,537 --> 00:07:32,637 HEY, COME. 102 00:07:32,706 --> 00:07:34,372 WHAT'S THE MATTER WITH YOU? 103 00:07:34,441 --> 00:07:36,641 HEY, COME ON, GIRL. 104 00:07:36,710 --> 00:07:39,310 ALL RIGHT, SUIT YOURSELF. 105 00:07:45,652 --> 00:07:46,985 ♪ WHAT'S YOUR NAME? ♪ 106 00:07:47,054 --> 00:07:48,019 ♪ WHAT'S YOUR NAME? ♪ 107 00:07:48,088 --> 00:07:49,320 ♪ WHO'S YOUR DADDY? ♪ 108 00:07:49,389 --> 00:07:50,388 ♪ WHO'S YOUR DADDY? ♪ 109 00:07:50,457 --> 00:07:51,423 ♪ HE RICH ♪ 110 00:07:51,492 --> 00:07:52,623 ♪ IS HE RICH LIKE ME? ♪ 111 00:07:52,692 --> 00:07:54,092 WATCH YOUR STEP. COMING THROUGH. 112 00:07:54,161 --> 00:07:55,526 ♪ HAS HE TAKEN ♪ 113 00:07:55,595 --> 00:07:56,594 WHOA, WATCH OUT, DAD. 114 00:07:56,663 --> 00:07:57,695 WHERE DO YOU WANT IT? 115 00:07:57,764 --> 00:07:58,864 THAT GOES IN THE LIVING ROOM. 116 00:07:58,933 --> 00:08:00,198 HEY, ANDREA, WHERE'S MY WIND CHIME? 117 00:08:00,267 --> 00:08:01,933 I THINK NANCY'S GOT IT IN THE OTHER ROOM. 118 00:08:02,002 --> 00:08:03,935 OH, THANKS. HEY, NANCY, HAVE YOU SEEN MY WIND CHIME? 119 00:08:04,004 --> 00:08:05,036 OH, THIS ONE? YEAH, THANKS. 120 00:08:05,105 --> 00:08:06,171 YOU'RE GONNA HAVE TO CATCH IT. 121 00:08:06,240 --> 00:08:07,806 NANCY! LET GO! GIVE IT HERE. 122 00:08:07,875 --> 00:08:09,608 ♪ I REALLY WANT TO KNOW ♪ 123 00:08:09,677 --> 00:08:10,775 YOU'RE SO MEAN. 124 00:08:10,844 --> 00:08:12,076 ♪ IT'S THE TIME OF THE SEASON ♪ 125 00:08:12,145 --> 00:08:13,878 HEY, MOM, CAN I HANG UP MY WIND CHIME? 126 00:08:13,947 --> 00:08:16,047 OF COURSE. THERE'S A LINE OUTSIDE YOU CAN HANG IT ON. 127 00:08:16,116 --> 00:08:17,849 HONEY, HAVE APRIL COME IN, OKAY? 128 00:08:17,918 --> 00:08:19,787 IT'S GONNA BE DARK SOON. OKAY. 129 00:08:29,330 --> 00:08:32,496 COME ON, APRIL! MOM WANTS US INSIDE! 130 00:08:32,565 --> 00:08:35,703 LOOK WHAT I FOUND, CINDY. 131 00:08:55,089 --> 00:08:56,455 Nancy and Cindy: ONE... 132 00:08:56,524 --> 00:08:58,256 TWO... 133 00:08:58,325 --> 00:09:00,358 THREE. 134 00:09:00,427 --> 00:09:02,894 NO PEEKING! FOUR. 135 00:09:02,963 --> 00:09:04,562 ARE YOU GUYS DONE WITH THE PIZZA? 136 00:09:04,631 --> 00:09:06,164 I DON'T WANT IT GOING TO WASTE. 137 00:09:06,233 --> 00:09:08,800 IT'S EXPENSIVE FEEDING YOU GIRLS. 138 00:09:08,869 --> 00:09:12,537 ...SEVEN, EIGHT, NINE, TEN. 139 00:09:12,606 --> 00:09:13,672 WHERE SHOULD I HIDE? 140 00:09:13,741 --> 00:09:17,443 READY OR NOT, HERE I COME! 141 00:09:17,512 --> 00:09:18,810 OKAY, CLAP. 142 00:09:27,321 --> 00:09:28,286 WHOA! WHOA! 143 00:09:28,355 --> 00:09:29,854 GUYS, YOU DON'T KNOW THE HOUSE WELL ENOUGH. 144 00:09:29,923 --> 00:09:31,389 SOMEONE'S GONNA GET HURT. 145 00:09:31,458 --> 00:09:32,491 I'M OKAY, I'M OKAY. 146 00:09:32,560 --> 00:09:35,330 SECOND CLAP. 147 00:09:40,968 --> 00:09:43,005 THAT'S CHEATING. 148 00:09:54,615 --> 00:09:58,216 CLAP. 149 00:09:59,353 --> 00:10:00,585 GOT YOU! AAH! 150 00:10:01,789 --> 00:10:03,721 ARE YOU OKAY? UH, YEAH. 151 00:10:03,790 --> 00:10:05,556 ALL RIGHT, WHAT DID WE BREAK NOW? 152 00:10:05,625 --> 00:10:06,524 I-I-I DIDN'T MEAN TO. 153 00:10:06,593 --> 00:10:07,725 MOVE OUT THERE, PLEASE. 154 00:10:07,794 --> 00:10:10,728 IT WAS CHRISTINE'S FAULT. AH, JEEZ. 155 00:10:10,797 --> 00:10:11,830 MY FAULT? OH, MY GOD. 156 00:10:11,899 --> 00:10:13,565 CHRISTINE DID IT. 157 00:10:13,634 --> 00:10:15,294 NO, I DIDN'T, YOU DID. NO, TOTALLY, YOU PUSHED ME. 158 00:10:15,363 --> 00:10:16,600 NO, NO, YOU FELL BACK. 159 00:10:16,669 --> 00:10:19,637 HEY, NANCY, CAN YOU GO GET ME THE MATCHES, PLEASE? 160 00:10:19,706 --> 00:10:21,505 NANCY BROKE SOMETHING. 161 00:10:21,574 --> 00:10:23,175 SHUT UP. IT WAS YOU! 162 00:10:23,244 --> 00:10:25,110 WHAT BROKE? IT'S THE WALL. 163 00:10:25,179 --> 00:10:26,144 WHOA. 164 00:10:26,213 --> 00:10:29,381 I THINK WE HAVE A CELLAR OR SOMETHING. 165 00:10:29,450 --> 00:10:30,749 I WANNA SEE, I WANNA SEE. 166 00:10:30,818 --> 00:10:32,017 OKAY. MOVE, MOVE, MOVE. 167 00:10:32,086 --> 00:10:35,787 HERE, MATCHES. THANK YOU. 168 00:10:35,856 --> 00:10:36,955 - MOM, I WANNA SEE. - YOU CAN SEE. 169 00:10:37,024 --> 00:10:38,422 I WANNA SEE TOO. 170 00:10:38,491 --> 00:10:39,625 YOU CAN ALL SEE. 171 00:10:39,694 --> 00:10:40,962 MOVE! 172 00:10:51,439 --> 00:10:53,141 AH, MAN. 173 00:10:57,545 --> 00:10:58,677 HUH. 174 00:10:58,746 --> 00:11:01,046 ROGER? 175 00:11:01,115 --> 00:11:04,049 WHAT DO YOU SEE DOWN THERE? 176 00:11:04,118 --> 00:11:06,751 JUST, UH, HARD TO TELL, YOU KNOW? 177 00:11:06,820 --> 00:11:11,790 IT'S -- IT'S AN OLD PIANO AND A WHOLE BUNCH OF GARBAGE. 178 00:11:13,794 --> 00:11:16,261 AH! SON OF A- 179 00:11:19,567 --> 00:11:21,303 WOW. 180 00:11:25,606 --> 00:11:29,241 ROG? 181 00:11:29,310 --> 00:11:31,442 COME ON UP. 182 00:11:34,942 --> 00:11:36,314 I DON'T WANT ANY OF YOU GIRLS GOING DOWN THERE. 183 00:11:36,383 --> 00:11:37,649 THAT PLACE IS LOADED WITH SPIDERS. 184 00:11:37,718 --> 00:11:38,651 EW! 185 00:11:38,720 --> 00:11:40,017 JUST RELAX. 186 00:11:40,086 --> 00:11:42,420 STOP IT, NANCY. IT'S NOT FUNNY. 187 00:11:42,489 --> 00:11:44,156 WE'VE GOT EXTRA SQUARE FOOTAGE ANYWAY. 188 00:11:44,225 --> 00:11:45,756 I'LL CHECK IT OUT IN THE MORNING. 189 00:11:45,825 --> 00:11:47,325 I WONDER WHY IT WAS BOARDED UP. 190 00:11:47,394 --> 00:11:48,593 I DON'T KNOW. 191 00:11:48,662 --> 00:11:50,295 - OKAY, GUYS, SHOW'S OVER. - FIVE MORE MINUTES. 192 00:11:50,364 --> 00:11:51,564 NO MORE MINUTES. UP TO BED. 193 00:11:51,633 --> 00:11:52,830 PLEASE. THANK YOU. 194 00:11:52,899 --> 00:11:54,293 BUT I'M NOT TIRED. ALL RIGHT, TO BED. 195 00:11:58,039 --> 00:11:59,704 MAN, I'M FRIED. 196 00:11:59,773 --> 00:12:02,140 SOMETHING'S UP WITH SADIE. 197 00:12:02,209 --> 00:12:04,375 YEAH, I DON'T KNOW WHAT HER PROBLEM IS. 198 00:12:04,444 --> 00:12:06,344 COULDN'T GET HER TO COME INSIDE. 199 00:12:06,413 --> 00:12:08,212 WE CAN'T LEAVE HER OUT THERE. 200 00:12:08,281 --> 00:12:11,816 SHE'S ALL RIGHT. I GOT HER ON A CHAIN. 201 00:12:11,885 --> 00:12:15,223 SADIE, HEY, BE QUIET. 202 00:12:16,356 --> 00:12:19,652 THANKS FOR MAKIN' THIS WORK. 203 00:12:19,721 --> 00:12:21,260 I KNOW IT WAS A LOT TO BITE OFF. 204 00:12:21,329 --> 00:12:22,393 YEAH. 205 00:12:22,462 --> 00:12:24,763 IT'S GONNA BE GREAT, ISN'T IT? 206 00:12:24,832 --> 00:12:27,366 I THINK IT'S GREAT ALREADY. 207 00:12:27,435 --> 00:12:29,604 YEAH. 208 00:12:31,971 --> 00:12:34,472 YOU STILL TOO FRIED TO CHRISTEN THE NEW HOUSE? 209 00:12:34,541 --> 00:12:37,642 WHO SAID I'M FRIED? 210 00:12:37,711 --> 00:12:41,016 AIN'T NOBODY HERE'S FRIED. 211 00:13:15,215 --> 00:13:17,782 MOM? 212 00:13:17,850 --> 00:13:19,951 HEY. HOW DID YOU GUYS SLEEP? 213 00:13:20,020 --> 00:13:21,119 I'M COLD. 214 00:13:21,188 --> 00:13:23,421 IT IS CHILLY, ISN'T IT? 215 00:13:23,490 --> 00:13:25,323 DO YOU THINK MAYBE WE COULD HAVE BOUGHT A HOUSE 216 00:13:25,392 --> 00:13:26,958 THAT HAS A TOILET THAT ACTUALLY WORKS? 217 00:13:27,027 --> 00:13:28,159 TELL YOUR FATHER. 218 00:13:28,228 --> 00:13:29,661 AND THERE WAS THIS REALLY FUNKY SMELL 219 00:13:29,730 --> 00:13:30,795 IN MY BEDROOM LAST NIGHT. 220 00:13:30,864 --> 00:13:31,997 REEKED LIKE SOMETHING DIED. 221 00:13:32,066 --> 00:13:32,997 IS IT STILL THERE? 222 00:13:33,066 --> 00:13:34,502 NO. PROBLEM SOLVED. 223 00:13:59,760 --> 00:14:02,164 ROGER? 224 00:14:02,830 --> 00:14:04,690 ROGER? 225 00:14:04,759 --> 00:14:06,632 DOWN HERE, HONEY. 226 00:14:10,905 --> 00:14:12,474 MORNING. 227 00:14:14,008 --> 00:14:16,574 OH. 228 00:14:16,643 --> 00:14:20,245 THIS IS GONNA TAKE SOME SERIOUS ELBOW GREASE. 229 00:14:20,314 --> 00:14:21,914 YEAH. 230 00:14:21,983 --> 00:14:23,986 OH, MY GOD. 231 00:14:31,091 --> 00:14:32,723 WHAT ARE WE GONNA DO WITH ALL THIS STUFF? 232 00:14:32,792 --> 00:14:34,892 WELL, WE PROBABLY OUGHT TO GO THROUGH IT, YOU KNOW? 233 00:14:34,961 --> 00:14:37,395 THERE MIGHT BE SOME ANTIQUES DOWN HERE WORTH A LOT OF MONEY. 234 00:14:37,464 --> 00:14:39,865 YEAH, OR JUST A LOT OF JUNK THE PREVIOUS OWNER DIDN'T WANT. 235 00:14:39,934 --> 00:14:41,800 IT'S OURS NOW. 236 00:14:41,869 --> 00:14:43,001 KNOCK YOURSELF OUT. 237 00:14:43,070 --> 00:14:44,697 I'M GONNA MAKE SOME COFFEE. 238 00:14:44,766 --> 00:14:46,038 OKAY. I'LL BE UP IN A MINUTE. 239 00:14:46,107 --> 00:14:47,639 I'M GONNA SEE IF I CAN GET THIS FURNACE WORKING. 240 00:14:47,708 --> 00:14:50,141 YEAH, THAT'D BE NICE. IT'S FREEZING. YEAH. 241 00:15:03,923 --> 00:15:07,358 SADIE! COME HERE, SADIE! 242 00:15:07,427 --> 00:15:11,096 MOMMY! MOMMY, WHERE'S SADIE? 243 00:15:11,165 --> 00:15:12,364 SHE'S OUTSIDE. 244 00:15:12,433 --> 00:15:13,464 YOU KNOW, I'M SURE SHE'S HUNGRY BY NOW. 245 00:15:13,533 --> 00:15:15,203 WHY DON'T YOU GO AND GET HER. 246 00:15:16,369 --> 00:15:17,469 OH! MORNING, DAD. 247 00:15:17,538 --> 00:15:19,805 CAN YOU HOLD THIS? HEY. SURE. 248 00:15:19,874 --> 00:15:21,139 SADIE! SLOW IT DOWN, SCOOT. 249 00:15:21,208 --> 00:15:23,274 ROGER. YEAH. 250 00:15:23,343 --> 00:15:24,509 - THIS CLOCK STOPPED - 07, 251 00:15:24,578 --> 00:15:26,010 AND SO DID THE ONE IN THE HALLWAY. 252 00:15:26,079 --> 00:15:27,449 THAT'S WEIRD. 253 00:15:29,549 --> 00:15:31,645 MAYBE IT GOT KNOCKED AROUND IN THE MOVE. 254 00:15:31,714 --> 00:15:32,918 SPEAKING OF KNOCKED AROUND, 255 00:15:32,987 --> 00:15:34,485 WHAT DID YOU DO TO ME LAST NIGHT? 256 00:15:34,554 --> 00:15:36,388 OUCH. I DIDN'T DO THAT. 257 00:15:36,457 --> 00:15:37,756 DID I? I DON'T KNOW. 258 00:15:37,825 --> 00:15:40,728 SADIE! 259 00:15:49,003 --> 00:15:51,169 APRIL! APRIL! 260 00:15:51,238 --> 00:15:52,771 APRIL! WHAT'S--? 261 00:15:52,840 --> 00:15:54,673 APRIL! WHAT'S GOING ON? 262 00:15:54,742 --> 00:15:56,108 WHAT HAPPENED? 263 00:15:56,177 --> 00:15:58,276 OH, MY GOD! 264 00:15:58,345 --> 00:16:01,947 OH, SADIE. 265 00:16:02,016 --> 00:16:03,585 ROGER. 266 00:16:09,184 --> 00:16:10,888 WE KEEP EVERYTHING LOCKED IN HERE. 267 00:16:10,957 --> 00:16:15,330 FEEL FREE TO LOOK AROUND. JUST DON'T TOUCH ANYTHING. 268 00:16:17,998 --> 00:16:20,732 WOW. 269 00:16:20,801 --> 00:16:23,968 THIS IS CRAZY. 270 00:16:24,037 --> 00:16:27,606 SO ALL THESE ARE TAKEN FROM CASES YOU'VE INVESTIGATED? 271 00:16:27,675 --> 00:16:28,806 THAT'S RIGHT. 272 00:16:28,875 --> 00:16:31,576 EVERYTHING YOU SEE IN HERE IS EITHER HAUNTED, CURSED, 273 00:16:31,645 --> 00:16:34,574 OR HAS BEEN USED IN SOME KIND OF RITUALISTIC PRACTICE. 274 00:16:34,643 --> 00:16:36,848 NOTHING'S A TOY. 275 00:16:36,917 --> 00:16:38,686 NOT EVEN THE TOY MONKEY. 276 00:16:39,921 --> 00:16:41,123 DON'T TOUCH IT. 277 00:16:43,624 --> 00:16:45,323 WELL... 278 00:16:45,392 --> 00:16:47,892 WELL, ISN'T IT SCARY, OR DOESN'T IT WORRY YOU 279 00:16:47,961 --> 00:16:50,562 TO HAVE ALL THESE ITEMS RIGHT IN YOUR HOME? 280 00:16:50,631 --> 00:16:52,264 THAT'S WHY WE HAVE A PRIEST THAT COMES BY ONCE A MONTH 281 00:16:52,333 --> 00:16:53,831 TO BLESS THE ROOM. 282 00:16:53,900 --> 00:16:57,101 IT'S SAFER FOR THESE THINGS 283 00:16:57,170 --> 00:16:58,469 TO BE IN HERE THAN OUT THERE. 284 00:16:58,538 --> 00:17:00,471 IT'S KIND OF LIKE KEEPIN' GUNS OFF THE STREET. 285 00:17:00,540 --> 00:17:02,741 WELL, WHY NOT JUST THROW 'EM IN AN INCINERATOR? 286 00:17:02,810 --> 00:17:03,841 DESTROY 'EM. 287 00:17:03,910 --> 00:17:05,510 WELL, THAT WOULD ONLY DESTROY THE VESSEL. 288 00:17:05,579 --> 00:17:09,014 SOMETIMES IT'S BETTER TO KEEP THE GENIE IN THE BOTTLE. 289 00:17:09,083 --> 00:17:13,051 SAY, IS THE ANNABELLE DOLL HERE? 290 00:17:13,120 --> 00:17:16,119 RIGHT THIS WAY. 291 00:17:18,792 --> 00:17:19,827 YEAH. 292 00:17:28,535 --> 00:17:30,134 YOU SAID SHE'S A CONDUIT? 293 00:17:30,203 --> 00:17:32,103 THAT'S RIGHT. WHAT DOES THAT MEAN? 294 00:17:32,172 --> 00:17:33,238 A VERY POWERFUL DEMONIC 295 00:17:33,307 --> 00:17:36,408 HAS LATCHED ITSELF ONTO HER. 296 00:17:36,477 --> 00:17:39,244 SO WHEN YOU GUYS INVESTIGATE THESE HAUNTINGS, 297 00:17:39,313 --> 00:17:41,813 HOW DO YOU STOP 'EM FROM LATCHIN' ONTO YOU? 298 00:17:41,882 --> 00:17:43,948 WE HAVE TO TAKE GREAT PRECAUTION. 299 00:17:44,017 --> 00:17:45,249 BUT WHAT ABOUT YOUR WIFE? 300 00:17:45,318 --> 00:17:48,586 WHAT ABOUT HER? 301 00:17:48,655 --> 00:17:50,588 WELL, FATHER GORDON TOLD ME THAT- 302 00:17:50,657 --> 00:17:52,056 WELL, THAT WAS DIFFERENT. 303 00:17:52,125 --> 00:17:54,926 WHAT HAPPENED TO MY WIFE HAPPENED DURING AN EXORCISM. 304 00:17:54,995 --> 00:17:56,556 WELL, WHAT'S THE DIFFERENCE? 305 00:17:59,232 --> 00:18:01,466 'SCUSE ME. 306 00:18:01,535 --> 00:18:03,501 HONEY, WHAT ARE YOU DOIN'? 307 00:18:03,570 --> 00:18:06,470 COME HERE. YOU KNOW BETTER. 308 00:18:06,539 --> 00:18:08,606 ALL RIGHT? GEORGIANA? 309 00:18:08,675 --> 00:18:11,043 COME ON. DID YOU TOUCH ANYTHING? 310 00:18:11,112 --> 00:18:12,210 NO. 311 00:18:12,279 --> 00:18:13,878 ALL RIGHT, COME ON, HONEY. 312 00:18:13,947 --> 00:18:15,041 GEORGIANA! 313 00:18:15,110 --> 00:18:16,448 COULD YOU TAKE JUDY UPSTAIRS? 314 00:18:16,517 --> 00:18:18,316 OH, SURE. YOU CAN'T GO INTO THIS ROOM, 315 00:18:18,385 --> 00:18:20,184 NO MATTER WHAT, REMEMBER? YES, DADDY. 316 00:18:20,253 --> 00:18:21,419 ALL RIGHT. 317 00:18:21,488 --> 00:18:22,787 GO ON. OKAY, COME ON. 318 00:18:22,856 --> 00:18:25,090 LET'S SEE IF I CAN FIND YOU A LITTLE SNACK, OKAY? 319 00:18:25,159 --> 00:18:26,428 COME ON. 320 00:18:34,401 --> 00:18:36,835 HEY. WHAT'S GOIN' ON IN HERE? 321 00:18:36,904 --> 00:18:37,902 DADDY, LOOK. 322 00:18:37,971 --> 00:18:39,070 YOU LOOK VERY PRETTY. 323 00:18:39,139 --> 00:18:40,371 ALL RIGHT. ALL DONE. 324 00:18:40,440 --> 00:18:41,472 GO GET DRESSED FOR DINNER. 325 00:18:41,541 --> 00:18:42,841 I'M WEARING IT TO DINNER. 326 00:18:42,910 --> 00:18:44,876 NO, YOU'RE NOT! 327 00:18:44,945 --> 00:18:47,946 HERE YOU GO. 328 00:18:48,015 --> 00:18:49,347 HOW'D IT GO? 329 00:18:49,416 --> 00:18:51,449 OH, I THINK HE MAY WRITE A POSITIVE ARTICLE. 330 00:18:51,518 --> 00:18:54,019 OOH, A NON-SKEPTIC. 331 00:18:54,088 --> 00:18:55,621 THAT'S A PLEASANT CHANGE. 332 00:18:55,690 --> 00:18:56,758 YEAH. 333 00:19:03,497 --> 00:19:06,368 STOP BLAMING YOURSELF. 334 00:19:15,943 --> 00:19:18,810 NO SUGAR. 335 00:19:18,879 --> 00:19:20,415 BE RIGHT BACK. 336 00:20:16,369 --> 00:20:18,236 NOT FUNNY, NANCY. 337 00:20:18,305 --> 00:20:21,306 WHAT? 338 00:20:21,375 --> 00:20:23,441 STOP GRABBING MY FOOT. 339 00:20:23,510 --> 00:20:25,844 SHUT UP, I DIDN'T DO ANYTHING. 340 00:20:25,913 --> 00:20:29,414 YEAH, RIGHT. 341 00:20:29,483 --> 00:20:34,247 AND STOP FARTING. IT REALLY STINKS. 342 00:20:34,316 --> 00:20:36,788 DON'T BLAME THAT ON ME. IT'S YOU. 343 00:20:36,857 --> 00:20:39,023 PHEW. 344 00:22:53,360 --> 00:22:54,960 DAD? 345 00:22:55,029 --> 00:22:57,563 ANDREA, WHAT ARE YOU DOIN' OUTTA BED? 346 00:22:57,632 --> 00:22:58,763 WHAT'S THAT SOUND? 347 00:22:58,832 --> 00:23:01,600 IT'S CINDY. SHE'S IN MY ROOM. 348 00:23:01,669 --> 00:23:03,968 SHE'S SLEEPWALKING AGAIN. 349 00:23:17,750 --> 00:23:21,023 I'VE NEVER SEEN HER DO THIS BEFORE. 350 00:23:24,657 --> 00:23:26,925 I REMEMBERED YOU SAYING NOT TO WAKE HER IF SHE'S LIKE THIS. 351 00:23:26,994 --> 00:23:29,494 NO, WE JUST PUT HER BACK TO BED. 352 00:23:29,563 --> 00:23:30,996 HEY, HEY. SWEETIE. 353 00:23:31,065 --> 00:23:34,036 SHH. LET'S GO BACK TO BED. 354 00:23:44,611 --> 00:23:46,840 SHE'S OKAY. GOOD NIGHT. 355 00:23:46,909 --> 00:23:49,117 NIGHT. 356 00:24:00,794 --> 00:24:02,527 SHE'S SLEEPWALKING AGAIN? 357 00:24:02,596 --> 00:24:04,095 SHE HASN'T DONE THAT FOR AWHILE. 358 00:24:04,164 --> 00:24:06,564 SHE ENDED UP IN ANDREA'S ROOM TOO. 359 00:24:06,633 --> 00:24:08,099 I THINK KIND OF FREAKED HER OUT. 360 00:24:08,168 --> 00:24:09,100 THAT'S NOT GOOD. 361 00:24:09,169 --> 00:24:11,136 WHAT ARE WE GONNA DO? I DON'T KNOW. 362 00:24:11,205 --> 00:24:13,371 HONEY, YOU GOT ANOTHER BRUISE HERE. 363 00:24:13,440 --> 00:24:14,876 HMM? DOES THAT HURT? 364 00:24:16,876 --> 00:24:18,176 THAT'S WEIRD. I DON'T KNOW. 365 00:24:18,245 --> 00:24:21,941 WILL YOU DO ME A FAVOR, GO SEE A DOCTOR FOR THAT? 366 00:24:22,010 --> 00:24:22,847 YEAH, I WILL. 367 00:24:22,916 --> 00:24:24,515 DRIVE SAFE. YEAH. 368 00:24:24,584 --> 00:24:26,288 I LOVE YOU. I LOVE YOU TOO. 369 00:24:56,651 --> 00:24:59,017 BYE! LOVE YOU! 370 00:24:59,086 --> 00:25:02,421 CINDY, YOU HAVE YOUR LUNCH? 371 00:25:02,490 --> 00:25:04,156 YEAH. 372 00:25:04,225 --> 00:25:09,261 YES, I DO. I MISS SADIE A LOT. 373 00:25:09,330 --> 00:25:12,598 SHE WAS MY BEST FRIEND. 374 00:25:12,667 --> 00:25:16,367 YOU'RE MY FRIEND, RIGHT? 375 00:25:16,436 --> 00:25:18,570 YEAH, LET'S PLAY. 376 00:25:23,777 --> 00:25:25,043 WHO ARE YOU TALKING TO? 377 00:25:25,112 --> 00:25:27,212 RORY. 378 00:25:27,281 --> 00:25:28,713 RORY? 379 00:25:28,782 --> 00:25:30,815 HE'S MY NEW FRIEND. OH, REALLY. 380 00:25:30,884 --> 00:25:32,250 YEAH, DO YOU WANT TO SEE HIM? 381 00:25:32,319 --> 00:25:34,218 YEAH. UH-HUH. HOW? 382 00:25:34,287 --> 00:25:35,319 WITH THIS. 383 00:25:35,388 --> 00:25:37,054 WHEN THE MUSIC STOPS, 384 00:25:37,123 --> 00:25:39,558 YOU SEE HIM IN THE MIRROR STANDING BEHIND YOU. 385 00:25:39,627 --> 00:25:40,725 OKAY. 386 00:25:40,794 --> 00:25:43,228 BUT YOU HAVE TO TWIST THE KEY. 387 00:25:43,297 --> 00:25:44,930 OKAY. 388 00:26:08,522 --> 00:26:10,088 BOO, MOMMY! OH! 389 00:26:10,157 --> 00:26:11,723 GOT YOU! 390 00:26:11,792 --> 00:26:14,460 APRIL, YOU JUST GAVE ME A HEART ATTACK. 391 00:26:14,529 --> 00:26:15,860 WELL, OKAY. 392 00:26:15,929 --> 00:26:18,163 I GUESS RORY DOESN'T WANT TO SEE ME, HUH? 393 00:26:18,232 --> 00:26:18,997 HMM. OH, WELL. 394 00:26:19,066 --> 00:26:21,098 CAN WE PLAY HIDE-AND-CLAP? 395 00:26:21,167 --> 00:26:23,201 HIDE-AND-CLA--? OH, HONEY, I DON'T WANT TO PLAY. 396 00:26:23,270 --> 00:26:24,770 PLEASE! NOBODY EVER LETS ME PLAY. 397 00:26:24,839 --> 00:26:28,339 OKAY, OKAY. 398 00:26:30,043 --> 00:26:33,344 REMEMBER, YOU GET TO ASK ME FOR THREE CLAPS. OKAY. 399 00:26:33,413 --> 00:26:36,815 ONE, TWO, THREE. 400 00:26:36,884 --> 00:26:38,316 I'M GONNA GO HIDE NOW! OKAY. 401 00:26:38,385 --> 00:26:48,463 FOUR, FIVE, SIX, SEVEN, EIGHT, NINE, TEN! 402 00:26:51,431 --> 00:26:52,931 FIRST CLAP! 403 00:27:12,687 --> 00:27:14,386 OW. SHIT. 404 00:27:14,455 --> 00:27:16,455 SECOND CLAP! 405 00:27:31,071 --> 00:27:34,409 APRIL. 406 00:27:35,643 --> 00:27:37,812 UM... 407 00:27:39,747 --> 00:27:41,279 APRIL. 408 00:27:51,791 --> 00:27:54,627 OH, I KNOW WHERE YOU'RE HIDING. 409 00:27:54,696 --> 00:27:56,531 GIVE ME THE THIRD CLAP. 410 00:28:05,205 --> 00:28:06,771 I'M GONNA GET YOU NOW. 411 00:28:14,048 --> 00:28:16,715 I CAN HEAR YOU BREATHING. 412 00:28:16,784 --> 00:28:19,685 APRIL. APRIL. 413 00:28:26,260 --> 00:28:28,326 HA, HA! YOU TOOK YOUR BLINDFOLD OFF. 414 00:28:28,395 --> 00:28:30,395 I WIN! YOU WEREN'T EVEN WARM, MOM. 415 00:28:30,464 --> 00:28:33,335 I WAS IN CHRISTINE AND NANCY'S ROOM. 416 00:28:36,637 --> 00:28:39,003 I GOTTA HAVE SOME ROUTES HERE, 417 00:28:39,072 --> 00:28:41,673 OR I'M GONNA LOSE THE INSURANCE ON THE RIG. 418 00:28:43,110 --> 00:28:46,914 THAT'S LIKE HALF OF MY RATE, MAN. 419 00:28:48,348 --> 00:28:50,849 YEAH, OKAY. 420 00:28:50,918 --> 00:28:53,212 WELL, UH, I'LL TAKE IT. 421 00:28:53,281 --> 00:28:54,456 THANK YOU. 422 00:28:56,991 --> 00:28:58,289 WHAT'S THE ROUTE? 423 00:28:58,358 --> 00:29:01,426 IT'S, UH, FLORIDA. IT'S A WEEK TURNAROUND. 424 00:29:01,495 --> 00:29:03,662 I START TOMORROW. 425 00:29:03,731 --> 00:29:05,497 WE'LL GET THROUGH THIS. 426 00:29:05,566 --> 00:29:08,366 YEAH. 427 00:29:08,435 --> 00:29:10,038 COME ON, LET'S GO TO BED. 428 00:29:33,127 --> 00:29:36,228 MM. STOP IT, NANCY. 429 00:29:36,297 --> 00:29:37,728 IT'S NOT FUNNY ANYMORE. 430 00:29:37,797 --> 00:29:41,369 I'M TRYING TO SLEEP, PLEASE STOP GRABBING MY FEET. 431 00:31:25,005 --> 00:31:26,872 NANCY? 432 00:31:26,941 --> 00:31:30,378 NANCY? 433 00:31:32,345 --> 00:31:34,482 WHAT ARE YOU DOING? 434 00:31:37,885 --> 00:31:41,086 CHRISTINE? 435 00:31:41,155 --> 00:31:42,187 ARE YOU ALL RIGHT? 436 00:31:42,256 --> 00:31:45,627 DO YOU SEE IT? 437 00:31:48,529 --> 00:31:50,365 SEE WHAT? 438 00:31:55,002 --> 00:31:57,336 THERE'S SOMEONE BEHIND THE DOOR. 439 00:31:57,405 --> 00:32:00,638 WHAT? 440 00:32:00,707 --> 00:32:03,411 THERE'S SOMEONE STANDING OVER THERE. 441 00:32:06,013 --> 00:32:07,715 I DON'T SEE ANYONE. 442 00:32:10,684 --> 00:32:13,121 IT'S LOOKING RIGHT AT US. 443 00:32:22,229 --> 00:32:24,362 NANCY, DON'T! NANCY. 444 00:32:24,431 --> 00:32:26,497 NO, NO. LOOK. LOOK. 445 00:32:26,566 --> 00:32:28,700 LOOK, THERE'S NO ONE - THERE'S NO ONE HERE. 446 00:32:28,769 --> 00:32:30,830 SEE? 447 00:32:30,899 --> 00:32:33,806 UGH. IT'S THAT SMELL AGAIN. 448 00:32:33,875 --> 00:32:36,508 OH, MY GOD. 449 00:32:36,577 --> 00:32:39,811 IT'S STANDING RIGHT BEHIND YOU. 450 00:32:55,429 --> 00:32:58,629 CHRISTINE?! CHRISTINE! CHRISTINE! 451 00:32:58,698 --> 00:33:01,232 CHRIS- GOD, IT WON'T OP- 452 00:33:01,301 --> 00:33:03,135 CHRISTINE! 453 00:33:03,204 --> 00:33:04,468 NO! NO! NO! 454 00:33:04,537 --> 00:33:05,932 WHAT'S GOING ON? WHAT HAPPENED? 455 00:33:06,001 --> 00:33:07,772 THERE WAS SOMEONE ELSE IN HERE! 456 00:33:07,841 --> 00:33:09,235 WHAT? WHERE? 457 00:33:09,304 --> 00:33:12,410 BY THE DOOR. IT WAS BEHIND THE DOOR. 458 00:33:12,479 --> 00:33:13,912 HONEY, THERE'S NOTHING IN HERE. 459 00:33:13,981 --> 00:33:15,080 THERE'S NOBODY IN HERE. 460 00:33:15,149 --> 00:33:17,048 THERE WAS SOMEONE ELSE IN HERE! 461 00:33:17,117 --> 00:33:19,284 I WAS JUST SLEEPING, 462 00:33:19,353 --> 00:33:21,748 AND THEN I FELT SOMEBODY GRAB MY FEET. 463 00:33:21,817 --> 00:33:23,954 SO I THOUGHT IT WAS NANCY. 464 00:33:24,023 --> 00:33:26,858 WELL, HONEY, I'M PRETTY SURE IT WAS JUST A BAD DREAM. 465 00:33:26,927 --> 00:33:30,328 NO! NO! IT TALKED TO ME! 466 00:33:30,397 --> 00:33:37,202 IT SAID THAT IT WANTS MY FAMILY DEAD. 467 00:33:43,144 --> 00:33:46,278 MR. WINSTON! 468 00:33:46,347 --> 00:33:48,346 WINSTON? WINSTON? 469 00:33:48,415 --> 00:33:50,849 GET BEHIND HIM. 470 00:33:50,918 --> 00:33:52,317 WHERE YOU OFF TO? 471 00:33:52,386 --> 00:33:55,887 I JUST GOTTA RUN TO THE STORE FOR A FEW THINGS. 472 00:33:55,956 --> 00:33:58,122 WHY DO YOU EVEN TRY? 473 00:33:58,191 --> 00:33:59,591 WHAT? WHAT DO YOU MEAN? 474 00:33:59,660 --> 00:34:01,392 IN 15 YEARS HAVE YOU EVER BEEN ABLE TO LIE TO ME? 475 00:34:01,461 --> 00:34:03,227 FATHER GORDON CALLED. 476 00:34:03,296 --> 00:34:05,397 HE'S GOT A CASE HE WANTS US TO LOOK INTO. 477 00:34:05,466 --> 00:34:07,332 I SAID I'D GO CHECK IT OUT MYSELF. 478 00:34:07,401 --> 00:34:09,134 LORRAINE, MYSELF. 479 00:34:09,203 --> 00:34:10,868 I'M GOING WITH YOU. 480 00:34:10,937 --> 00:34:13,438 I KNOW YOU'RE WORRIED IT'S GONNA HAPPEN AGAIN. 481 00:34:13,507 --> 00:34:15,243 YEAH, I AM. I REALLY AM. 482 00:34:18,240 --> 00:34:21,045 MAYBE IT'S JUST TIME WE TAKE A BREAK. 483 00:34:21,114 --> 00:34:22,647 WRITE THAT BOOK. 484 00:34:22,716 --> 00:34:25,884 DO YOU REMEMBER WHAT YOU SAID TO ME ON OUR WEDDING NIGHT? 485 00:34:25,953 --> 00:34:29,291 "CAN WE DO IT AGAIN?" 486 00:34:31,726 --> 00:34:32,891 AFTER THAT. 487 00:34:34,995 --> 00:34:37,996 YOU SAID THAT GOD BROUGHT US TOGETHER FOR A REASON. 488 00:34:38,065 --> 00:34:39,464 RIGHT? 489 00:34:39,533 --> 00:34:43,201 I'M PRETTY SURE IT'S NOT TO WRITE A BOOK. 490 00:34:43,270 --> 00:34:46,308 I'M GONNA GET DRESSED. 491 00:34:49,776 --> 00:34:51,643 WE'VE ISOLATED THE DISTURBANCES TO THE ATTIC. 492 00:34:51,712 --> 00:34:53,746 NOW, I JUST WANT YOU TO LISTEN FOR A SECOND. 493 00:34:54,914 --> 00:34:57,677 OH, MY GOD. THAT'S IT. 494 00:34:57,746 --> 00:34:59,785 DO IT AGAIN, ED. 495 00:35:00,753 --> 00:35:02,587 RIGHT NOW IT'S JUST MY WEIGHT. 496 00:35:02,656 --> 00:35:04,489 BUT YOU TAKE THE WATER COMIN' OFF-A THE PIPE 497 00:35:04,558 --> 00:35:06,724 COMBINED WITH THE WIND COMIN' THROUGH THE BROKEN WINDOW, 498 00:35:06,793 --> 00:35:09,027 THESE BOARDS ARE GONNA EXPAND AND RUB AGAINST EACH OTHER. 499 00:35:09,096 --> 00:35:10,328 YOU HEARD IT ALL THROUGH THE HOUSE 500 00:35:10,397 --> 00:35:13,398 'CAUSE OF THESE PIPES LEADING TO THE RADIATOR. 501 00:35:13,467 --> 00:35:16,068 SO THIS PLACE ISN'T HAUNTED? 502 00:35:16,137 --> 00:35:17,368 NO, IT RARELY IS. 503 00:35:17,437 --> 00:35:19,604 YEAH, THERE'S USUALLY ALWAYS 504 00:35:19,673 --> 00:35:22,374 SOME KIND OF RATIONAL EXPLANATION. 505 00:35:30,050 --> 00:35:35,486 ♪ SLEEP WALK ♪ 506 00:35:35,555 --> 00:35:42,555 ♪ INSTEAD OF DREAMING, I SLEEP WALK ♪ 507 00:35:42,763 --> 00:35:48,099 ♪ 'CAUSE I LOST YOU AND NOW WHAT AM I TO DO? ♪ 508 00:35:50,504 --> 00:35:51,770 ♪ CAN'T BELIEVE ♪ 509 00:35:53,106 --> 00:35:58,738 ♪ THAT WE'RE THROUGH ♪ 510 00:36:03,784 --> 00:36:06,488 GIRLS, IT'S WAY PAST YOUR BEDTIME. 511 00:38:03,336 --> 00:38:04,872 WHO IS THAT?! 512 00:39:07,066 --> 00:39:09,768 WHO'S EVER DOWN THERE, I'M GONNA LOCK YOU IN NOW! 513 00:39:09,837 --> 00:39:11,504 AAH! 514 00:39:11,573 --> 00:39:13,605 AAH! AAH! 515 00:39:13,674 --> 00:39:15,908 AAH! AAH! 516 00:40:01,255 --> 00:40:03,121 AAH! 517 00:40:03,190 --> 00:40:05,524 AAH! AAH! 518 00:40:05,593 --> 00:40:07,225 ANDREA!! HELP!! 519 00:40:31,918 --> 00:40:34,517 HEY, WANNA PLAY HIDE-AND-CLAP? 520 00:40:37,692 --> 00:40:39,257 AAAAH! 521 00:41:09,056 --> 00:41:10,592 CINDY? 522 00:41:24,404 --> 00:41:28,072 OKAY, NOW... 523 00:41:28,141 --> 00:41:29,575 ALL RIGHT? 524 00:41:29,644 --> 00:41:31,677 ALL RIGHT, COME ON. 525 00:41:31,746 --> 00:41:35,213 COME ON. THERE YOU GO. 526 00:41:35,282 --> 00:41:37,749 OKAY, YOU CAN, UH, JUST SLEEP WITH ME TONIGHT, 527 00:41:37,818 --> 00:41:39,154 ALL RIGHT? 528 00:41:43,524 --> 00:41:45,391 THERE YOU GO. 529 00:41:45,460 --> 00:41:47,829 THERE. 530 00:42:40,447 --> 00:42:41,379 AAH! 531 00:42:51,353 --> 00:42:52,190 ANDREA?! 532 00:42:52,259 --> 00:42:53,759 HELP! HELP! HELP! 533 00:42:56,497 --> 00:42:59,431 WHO'S IN HERE? ANDREA! 534 00:42:59,500 --> 00:43:00,599 ANDREA?! 535 00:43:00,668 --> 00:43:01,765 IN HERE! 536 00:43:01,834 --> 00:43:03,768 HELP, DADDY! HELP, IT'S ANDREA! 537 00:43:03,837 --> 00:43:06,638 WHO'S IN HERE? WHAT HAPPENED? 538 00:43:06,707 --> 00:43:09,241 WHAT'S WRONG, BABY? 539 00:43:09,310 --> 00:43:12,114 SOMEBODY, GODDAMN IT, TELL ME WHAT'S GOIN' ON HERE?! 540 00:43:15,548 --> 00:43:19,812 FEAR IS DEFINED AS A FEELING OF AGITATION AND ANXIETY 541 00:43:19,881 --> 00:43:22,820 CAUSED BY THE PRESENCE OR IMMINENCE OF DANGER. 542 00:43:22,889 --> 00:43:25,757 WHETHER IT'S A GHOST, A SPIRIT OR AN ENTITY, 543 00:43:25,826 --> 00:43:26,892 THEY ALL FEED ON IT. 544 00:43:26,961 --> 00:43:27,926 TAKE MAURICE HERE. 545 00:43:27,995 --> 00:43:29,427 HE'S A FRENCH-CANADIAN FARMER 546 00:43:29,496 --> 00:43:32,391 WHO HAD NOTHING MORE THAN A THIRD-GRADE EDUCATION, 547 00:43:32,460 --> 00:43:33,792 YET AFTER HE WAS POSSESSED, 548 00:43:33,861 --> 00:43:35,634 SPOKE SOME OF THE BEST LATIN I'D EVER HEARD. 549 00:43:35,703 --> 00:43:37,035 SOMETIMES BACKWARDS. 550 00:43:37,104 --> 00:43:38,770 HE'D BEEN MOLESTED BY HIS FATHER, 551 00:43:38,839 --> 00:43:40,938 WHO HAD ALSO TORTURED HIM REPEATEDLY. 552 00:43:41,007 --> 00:43:44,642 A DARK SPIRIT MADE ITS HOME IN THIS MAN. 553 00:43:44,711 --> 00:43:47,112 NOW, IF YOU LOOK INTO HIS EYES, 554 00:43:47,181 --> 00:43:50,248 YOU CAN SEE HIM TEARING BLOOD. 555 00:43:56,356 --> 00:43:59,791 AND LIKE THAT, AN UPSIDE-DOWN CROSS 556 00:43:59,860 --> 00:44:02,188 STARTED TO APPEAR FROM WITHIN HIS BODY. 557 00:44:05,465 --> 00:44:07,699 ALL RIGHT, DREW, YOU CAN HIT THE LIGHTS. 558 00:44:07,768 --> 00:44:09,100 OH. OH. 559 00:44:09,169 --> 00:44:10,868 DID YOU PERSONALLY PERFORM THE EXORCISM? 560 00:44:10,937 --> 00:44:14,406 NO, I'M NOT AUTHORIZED. BUT I'VE ASSISTED ON MANY. 561 00:44:14,475 --> 00:44:16,440 SEE, AN EXORCISM CAN BE VERY DANGEROUS, 562 00:44:16,509 --> 00:44:19,143 NOT ONLY FOR THE VICTIM, BUT FOR ANYONE IN THE ROOM. 563 00:44:19,212 --> 00:44:21,412 SO, WHAT HAPPENED TO MAURICE? 564 00:44:21,481 --> 00:44:22,881 WELL, HE TRIED TO KILL HIS WIFE, 565 00:44:22,950 --> 00:44:24,149 BUT INSTEAD HE SHOT HER IN THE ARM 566 00:44:24,218 --> 00:44:25,616 AND THEN HE TURNED THE GUN ON HIMSELF. 567 00:44:25,685 --> 00:44:29,988 MAURICE HAD A VERY TROUBLED LIFE WITH LITTLE TO LIVE FOR 568 00:44:30,057 --> 00:44:33,291 AND NOT EVEN AN EXORCIST COULD BRING HIM BACK. 569 00:44:33,360 --> 00:44:36,494 WHICH BRINGS US TO THE THREE 570 00:44:36,563 --> 00:44:38,996 INFESTATION, OPPRESSION AND POSSESSION. 571 00:44:39,065 --> 00:44:43,034 THAT'S THE WHISPERING, THE FOOTSTEPS, 572 00:44:43,103 --> 00:44:44,836 THE FEELING OF ANOTHER PRESENCE, 573 00:44:44,905 --> 00:44:48,539 WHICH ULTIMATELY GROWS INTO OPPRESSION, THE SECOND STAGE. 574 00:44:48,608 --> 00:44:51,008 NOW THIS IS WHERE THE VICTIM, AND IT'S USUALLY THE ONE 575 00:44:51,077 --> 00:44:52,943 WHO'S THE MOST PSYCHOLOGICALLY VULNERABLE, 576 00:44:53,012 --> 00:44:56,013 IS TARGETED SPECIFICALLY BY AN EXTERNAL FORCE. 577 00:44:56,082 --> 00:44:59,718 BREAKS THE VICTIM DOWN. CRUSHES THEIR WILL. 578 00:44:59,787 --> 00:45:01,586 AND, ONCE IN A WEAKENED STATE, 579 00:45:01,655 --> 00:45:05,457 - LEADS THEM TO THE THIRD - POSSESSION. 580 00:45:07,261 --> 00:45:09,327 HEY, ED? LORRAINE? 581 00:45:09,396 --> 00:45:11,896 THERE'S SOMEONE HERE THAT WOULD LIKE TO TALK TO YOU. 582 00:45:11,965 --> 00:45:13,498 HI. THANKS, DREW. 583 00:45:13,567 --> 00:45:15,000 THANK YOU. SURE. I'LL SEE YOU LATER. 584 00:45:15,069 --> 00:45:16,701 HOW CAN WE HELP YOU? 585 00:45:16,770 --> 00:45:19,304 THERE'S SOMETHING HORRIBLE HAPPENING IN MY HOUSE. 586 00:45:19,373 --> 00:45:21,072 COULD YOU COME AND TAKE A LOOK? 587 00:45:21,141 --> 00:45:22,906 YOU KNOW, UH, IT'S GETTIN' KINDA LATE. 588 00:45:22,975 --> 00:45:24,876 WE REALLY NEED TO BE HEADIN' TO OUR FAMILY. 589 00:45:24,945 --> 00:45:25,977 NO, YOU DON'T UNDERSTAND. 590 00:45:26,046 --> 00:45:27,345 BUT WE DO. 591 00:45:27,414 --> 00:45:28,946 THERE'S USUALLY SOME SORT OF RATIONAL EXPLANATION. 592 00:45:29,015 --> 00:45:30,881 I HAVE FIVE DAUGHTERS WHO ARE SCARED TO DEATH. 593 00:45:30,950 --> 00:45:33,150 I'M SO AFRAID THIS THING WANTS TO HURT US. 594 00:45:33,219 --> 00:45:36,182 YOU HAVE A DAUGHTER. WOULDN'T YOU DO ANYTHING YOU COULD TO PROTECT HER? 595 00:45:36,251 --> 00:45:37,255 PLEASE. 596 00:45:37,324 --> 00:45:39,927 PLEASE CAN YOU COME AND TAKE A LOOK? 597 00:45:42,062 --> 00:45:42,995 OF COURSE WE WILL. 598 00:45:43,064 --> 00:45:46,534 OF COURSE WE WILL. 599 00:45:57,110 --> 00:45:59,547 COME ON, JAN! OPEN UP! 600 00:46:00,948 --> 00:46:02,748 JAN, WHAT HAPPENED? 601 00:46:04,218 --> 00:46:05,583 THE TOP OF YOUR HEAD TURNED BLACK. 602 00:46:05,652 --> 00:46:07,152 HEY. YOU GUYS STRAIGHTEN UP? THANKS. 603 00:46:07,221 --> 00:46:08,487 DON'T BE SILLY, IT'S A WIG. 604 00:46:12,827 --> 00:46:14,627 HELLO. HI. 605 00:46:14,696 --> 00:46:16,694 THANKS FOR COMING. 606 00:46:16,763 --> 00:46:19,097 HI, I'M ROGER. LORRAINE. 607 00:46:19,166 --> 00:46:21,366 HEY, NICE TO MEET YOU, ROGER. ED WARREN. 608 00:46:21,435 --> 00:46:23,535 THANKS FOR COMIN'. PLEASE, COME IN. 609 00:46:23,604 --> 00:46:25,837 THANK YOU. 610 00:46:25,906 --> 00:46:27,339 SO... 611 00:46:27,408 --> 00:46:28,973 OH, MY GOD. LOOK AT YOU ALL. 612 00:46:29,042 --> 00:46:30,876 WHO ARE THESE BEAUTIFUL YOUNG WOMEN? 613 00:46:30,945 --> 00:46:32,010 THIS IS ANDREA, THE OLDEST, 614 00:46:32,079 --> 00:46:36,848 NANCY, CINDY, CHRISTINE, AND APRIL. 615 00:46:36,917 --> 00:46:39,051 IT'S MR. AND MRS. WARREN. 616 00:46:39,120 --> 00:46:41,486 WE, UM, WE'RE ALL SLEEPING DOWN HERE NOW. 617 00:46:41,555 --> 00:46:42,553 MM. 618 00:46:42,622 --> 00:46:45,818 THE GIRLS FEEL SAFER AND IT'S WARMER. 619 00:46:45,887 --> 00:46:47,525 I'M CONSTANTLY TURNING UP THE HEAT, 620 00:46:47,594 --> 00:46:49,327 BUT THE HOUSE IS ALWAYS FREEZING. 621 00:46:49,396 --> 00:46:52,130 IT'S NOT A PROBLEM WITH THE FURNACE, THOUGH. 622 00:46:52,199 --> 00:46:54,136 I MEAN, NOT THAT I CAN FIND. 623 00:46:58,037 --> 00:47:02,240 IT'S GOTTEN A LOT WORSE THE PAST FEW NIGHTS. 624 00:47:02,309 --> 00:47:06,505 THERE'S THIS AWFUL SMELL, LIKE ROTTING MEAT. 625 00:47:06,574 --> 00:47:08,050 IT MOVES AROUND THE HOUSE. 626 00:47:09,817 --> 00:47:11,883 UH... 627 00:47:11,952 --> 00:47:13,185 WHAT? WHAT IS IT? 628 00:47:13,254 --> 00:47:16,889 WELL, RANCID SMELLS COULD INDICATE 629 00:47:16,958 --> 00:47:19,458 SOME TYPE OF DEMONIC ACTIVITY. 630 00:47:19,527 --> 00:47:22,530 OH, MY GOD. 631 00:47:25,165 --> 00:47:26,230 WELL, THAT'S TO KEEP THOSE DOORS 632 00:47:26,299 --> 00:47:27,232 FROM BANGIN' AT NIGHT. 633 00:47:27,301 --> 00:47:29,333 OTHERWISE, IT'S LIKE... 634 00:47:29,402 --> 00:47:30,936 ALL NIGHT LONG, JUST LIKE THAT. 635 00:47:31,005 --> 00:47:33,539 DOES IT COME IN THREES? 636 00:47:33,608 --> 00:47:34,573 YEAH. 637 00:47:34,642 --> 00:47:35,807 IT STOPS AT DAWN? 638 00:47:35,876 --> 00:47:38,609 UH-HUH. 639 00:47:38,678 --> 00:47:42,180 WELL, SOMETIMES IT'S MEANT 640 00:47:42,249 --> 00:47:45,120 THE FATHER, THE SON AND THE HOLY SPIRIT. 641 00:47:46,486 --> 00:47:48,220 YOU KNOW, IT'S THE DAMNDEST THING, 642 00:47:48,289 --> 00:47:49,820 BUT WE ALSO GET ALL KINDS OF BIRDS 643 00:47:49,889 --> 00:47:52,290 THAT WILL JUST FLY AGAINST THE SIDE OF THE HOUSE 644 00:47:52,359 --> 00:47:53,959 AND BREAK THEIR NECKS. 645 00:47:54,028 --> 00:47:55,093 MM. REALLY? 646 00:47:55,162 --> 00:47:57,796 - AND THE CLOCKS STOP - 07 A.M. 647 00:47:57,865 --> 00:48:00,202 ALL OF THEM? EVERY ONE. 648 00:48:03,270 --> 00:48:06,238 OH, WE WERE HANGING THOSE ALONG THE STAIRS. 649 00:48:06,307 --> 00:48:09,107 SOMETHING JUST KEPT KNOCKING THEM DOWN, 650 00:48:09,176 --> 00:48:11,513 SO WE STOPPED HANGING 'EM UP. 651 00:48:14,148 --> 00:48:16,481 THAT'S WHAT I WAS TALKING ABOUT. 652 00:48:16,550 --> 00:48:18,149 IT WAS HERE WHEN WE MOVED IN. 653 00:48:18,218 --> 00:48:20,455 THERE'S ALSO A LOT OF STUFF IN THE CELLAR. 654 00:48:23,791 --> 00:48:25,360 SHOW ME THE CELLAR. 655 00:48:37,271 --> 00:48:40,205 LOOK WHAT SHE MADE ME DO. 656 00:48:40,274 --> 00:48:43,006 YOU PICKIN' UP ANYTHING IN HERE, HON? 657 00:48:46,246 --> 00:48:48,650 SOMETHIN' AWFUL HAPPENED HERE, ED. 658 00:48:52,752 --> 00:48:56,420 THOSE BRUISES, THEY FROM SOMETHIN' THAT HAPPENED HERE? 659 00:48:56,489 --> 00:49:00,195 OH, IT'S SOME IRON DEFICIENCY THING I HAVE. 660 00:49:02,229 --> 00:49:04,362 YOU KNOW, WITH ALL THAT'S BEEN GOIN' ON, 661 00:49:04,431 --> 00:49:06,059 WHY HAVEN'T YOU JUST MOVED OUT? 662 00:49:06,128 --> 00:49:08,200 WELL, I DON'T KNOW WHERE WE'D MOVE TO, YOU KNOW? 663 00:49:08,269 --> 00:49:10,135 WE GOT ALL OUR MONEY TIED UP IN THIS PLACE 664 00:49:10,204 --> 00:49:13,138 AND HAD A LOT OF REPAIRS ON TOP OF THAT. 665 00:49:13,207 --> 00:49:14,606 AND I DON'T KNOW ANYBODY 666 00:49:14,675 --> 00:49:17,508 WHO'S GONNA TAKE IN A FAMILY OF SEVEN INDEFINITELY. 667 00:49:17,577 --> 00:49:19,711 THAT'S WHY WE TRACKED YOU DOWN. 668 00:49:19,780 --> 00:49:22,080 WE'RE GLAD YOU FOUND US. 669 00:49:22,149 --> 00:49:26,517 ALL RIGHT, LET'S GET STARTED. 670 00:49:26,586 --> 00:49:29,587 MY NAME IS ED WARREN. IT'S NOVEMBER 1st, 1971. 671 00:49:29,656 --> 00:49:32,257 I'M SITTING HERE WITH CAROLYN PERRON, 672 00:49:32,326 --> 00:49:33,625 WHO, WITH HER FAMILY, 673 00:49:33,694 --> 00:49:37,195 HAS BEEN EXPERIENCING SUPERNATURAL OCCURRENCES. 674 00:49:37,264 --> 00:49:38,633 OKAY, GO AHEAD. 675 00:49:40,367 --> 00:49:42,233 WHERE DO I START? 676 00:49:42,302 --> 00:49:45,003 FROM THE FIRST OCCURRENCE. 677 00:49:45,072 --> 00:49:47,172 I GUESS IT WAS THE CLOCKS. 678 00:49:47,241 --> 00:49:49,274 MOM AND DAD TELL ME THAT YOU HAVE A FRIEND. 679 00:49:49,343 --> 00:49:51,910 HIS NAME'S RORY. HE LIVES HERE TOO. 680 00:49:51,979 --> 00:49:53,578 BUT HE'S ALWAYS SAD. 681 00:49:53,647 --> 00:49:55,846 WHY'S THAT? HE WON'T TELL ME 682 00:49:55,915 --> 00:49:59,387 BUT I THINK SOMETHING BAD HAPPENED TO HIM. 683 00:50:01,355 --> 00:50:04,426 DO YOU MIND IF I TRY TO SEE RORY? 684 00:51:35,049 --> 00:51:36,014 HEY. 685 00:51:46,293 --> 00:51:48,193 WHAT IS IT? 686 00:52:08,715 --> 00:52:10,714 WE BOUGHT IT AT AUCTION FROM THE BANK, 687 00:52:10,783 --> 00:52:13,421 SO, YOU KNOW, WE NEVER KNEW WHO LIVED HERE. 688 00:52:17,357 --> 00:52:19,557 WELL, LORRAINE AND I BOTH FEEL 689 00:52:19,626 --> 00:52:24,229 THAT WHAT YOUR HOUSE NEEDS IS A CLEANSING. 690 00:52:24,298 --> 00:52:25,764 AN EXORCISM. 691 00:52:25,833 --> 00:52:28,803 WHAT, EXORCISM? 692 00:52:30,237 --> 00:52:31,603 I THOUGHT THAT WAS - 693 00:52:31,672 --> 00:52:33,572 I THOUGHT THAT WAS SOMETHIN' THAT YOU DO TO PEOPLE. 694 00:52:33,641 --> 00:52:35,239 NO, NOT NECESSARILY, NO. 695 00:52:35,308 --> 00:52:37,175 WE HAVE TO GET OUTTA HERE. 696 00:52:37,244 --> 00:52:39,977 I'M AFRAID THAT'S NOT GONNA HELP. 697 00:52:40,046 --> 00:52:45,387 LORRAINE SAW SOMETHIN', WHICH-- GO AHEAD, HON. 698 00:52:46,887 --> 00:52:49,287 I'VE BEEN SEEING THE DARK ENTITY 699 00:52:49,356 --> 00:52:52,294 THAT HAUNTS YOUR HOUSE AND YOUR LAND. 700 00:52:56,430 --> 00:53:00,498 I SAW IT FIRST WHEN I CAME THROUGH YOUR DOOR. 701 00:53:00,567 --> 00:53:03,005 IT WAS LATCHED TO YOUR BACK. 702 00:53:05,038 --> 00:53:07,471 AND THEN I SAW IT AGAIN WITH THE GIRLS 703 00:53:07,540 --> 00:53:10,142 WHEN WE WALKED INTO THE LIVING ROOM. 704 00:53:10,211 --> 00:53:12,577 AND IT DOESN'T MATTER WHERE YOU GO, 705 00:53:12,646 --> 00:53:15,980 THIS DARK ENTITY HAS LATCHED ITSELF TO YOUR FAMILY 706 00:53:16,049 --> 00:53:17,752 AND IT'S FEEDING OFF YOU. 707 00:53:20,554 --> 00:53:22,886 EVEN IF WE LEAVE? 708 00:53:22,955 --> 00:53:25,591 SOMETIMES WHEN YOU GET HAUNTED, IT'S LIKE STEPPIN' ON GUM. 709 00:53:25,660 --> 00:53:28,226 YOU TAKE IT WITH YOU. 710 00:53:28,295 --> 00:53:30,361 LOOK, I GOTTA TELL YOU, 711 00:53:30,430 --> 00:53:32,096 YOU HAVE A LOT OF SPIRITS IN HERE, 712 00:53:32,165 --> 00:53:34,432 BUT THIS IS THE ONE THAT I'M MOST WORRIED ABOUT, 713 00:53:34,501 --> 00:53:37,135 BECAUSE IT IS SO HATEFUL. 714 00:53:37,204 --> 00:53:39,203 OKAY, SO WHAT DO WE DO? 715 00:53:39,272 --> 00:53:40,738 CAN WE CALL A PRIEST? 716 00:53:40,807 --> 00:53:42,506 I WISH IT WERE THAT EASY. 717 00:53:42,575 --> 00:53:45,110 PERFORMING AN EXORCISM IS AN ARCHAIC PROCEDURE. 718 00:53:45,179 --> 00:53:46,910 REQUIRES YEARS OF TRAINING. 719 00:53:46,979 --> 00:53:51,383 AND EVEN THEN, I HAVE SEEN IT GO HORRIBLY WRONG. 720 00:53:51,452 --> 00:53:53,617 BUT BEFORE WE EVEN GET THAT FAR, 721 00:53:53,686 --> 00:53:55,820 THE CHURCH HAS TO AUTHORIZE IT FIRST. 722 00:53:55,889 --> 00:53:58,523 IT MEANS WE GOTTA INVESTIGATE, GATHER EVIDENCE 723 00:53:58,592 --> 00:54:01,363 AND PROVIDE PROOF, AND THAT'S THE HARD PART. 724 00:54:03,397 --> 00:54:04,862 HAVE YOUR CHILDREN BEEN BAPTIZED? 725 00:54:04,931 --> 00:54:06,864 UH, NO, WE NEVER GOT AROUND TO THAT. 726 00:54:06,933 --> 00:54:09,467 WE'RE NOT REALLY A CHURCHGOING FAMILY. 727 00:54:09,536 --> 00:54:11,969 WELL, YOU MAY WANT TO RETHINK THAT. 728 00:54:12,038 --> 00:54:14,072 OUR PRESENCE HERE COULD MAKE THINGS WORSE. WHY? 729 00:54:14,141 --> 00:54:15,640 BECAUSE WE'RE A THREAT. 730 00:54:15,709 --> 00:54:19,010 AND WHATEVER YOU'RE DEALING WITH HERE ISN'T GONNA LIKE US. 731 00:54:19,079 --> 00:54:21,279 SO FAR IT HASN'T DONE ANYTHING VIOLENT, 732 00:54:21,348 --> 00:54:22,646 AND THAT'S A GOOD SIGN. 733 00:54:22,715 --> 00:54:24,415 SO WE'RE GONNA HAVE OUR GUY 734 00:54:24,484 --> 00:54:25,918 DO SOME HOMEWORK ON THE PROPERTY, THOUGH, 735 00:54:25,987 --> 00:54:27,522 TO SEE WHAT WE'RE UP AGAINST. 736 00:54:29,021 --> 00:54:32,090 JUDY, WHAT ARE YOU UP TO? 737 00:54:32,159 --> 00:54:33,458 I GOT YOU A PRESENT. 738 00:54:34,895 --> 00:54:38,063 ME AND NANNA GOT THESE AT THE CHURCH'S YARD SALE. 739 00:54:38,132 --> 00:54:39,192 HONEY. 740 00:54:39,261 --> 00:54:40,233 ONE FOR YOU AND ONE FOR ME. 741 00:54:40,302 --> 00:54:41,532 AWW! 742 00:54:41,601 --> 00:54:43,134 SHE PUT A PICTURE OF YOU AND DADDY IN MINE. 743 00:54:43,203 --> 00:54:46,804 NANNA SAID THIS WAY WE'LL ALWAYS BE TOGETHER. 744 00:54:46,873 --> 00:54:49,544 YOU'LL BE WITH ME AND I'LL BE WITH YOU. 745 00:54:52,246 --> 00:54:54,082 I MISS YOU AND DADDY. 746 00:55:04,558 --> 00:55:06,325 HEY, HON. 747 00:55:06,394 --> 00:55:09,493 YUP. 748 00:55:09,562 --> 00:55:11,462 YOU'RE NOT GONNA BELIEVE THIS. 749 00:55:11,531 --> 00:55:13,465 CAROLYN'S VOICE DIDN'T RECORD. 750 00:55:13,534 --> 00:55:15,033 WHAT DO YOU MEAN? 751 00:55:15,102 --> 00:55:17,268 LISTEN. 752 00:55:17,337 --> 00:55:20,938 MY NAME IS ED WARREN. IT'S NOVEMBER 1st, 1971. 753 00:55:21,007 --> 00:55:22,140 I'M SITTING HERE WITH CAROLYN PERRON, 754 00:55:22,209 --> 00:55:23,807 WHO, WITH HER FAMILY, 755 00:55:23,876 --> 00:55:26,110 HAS BEEN EXPERIENCING SUPERNATURAL OCCURRENCES. 756 00:55:26,179 --> 00:55:28,150 OKAY, GO AHEAD. 757 00:55:30,450 --> 00:55:33,555 FROM THE FIRST OCCURRENCE. 758 00:55:36,823 --> 00:55:39,391 NOTHIN'. THE WHOLE TIME. 759 00:55:39,460 --> 00:55:41,793 I DON'T KNOW. YOU FIND ANYTHING? 760 00:55:41,862 --> 00:55:42,728 LOTS. 761 00:55:42,797 --> 00:55:43,928 I MEAN, IT'S NO WONDER 762 00:55:43,997 --> 00:55:45,696 THEY'RE GOING THROUGH WHAT THEY ARE. 763 00:55:45,765 --> 00:55:48,266 THAT'S THE ORIGINAL FARMHOUSE. 764 00:55:48,335 --> 00:55:51,935 IT WAS BUILT IN 1863 BY A MAN NAMED JEDSON SHERMAN, 765 00:55:52,004 --> 00:55:54,639 WHO WAS MARRIED TO A WOMAN NAMED BATHSHEBA. 766 00:55:54,708 --> 00:55:57,942 ED, SHE'S RELATED TO MARY TOWNE ESTYE. 767 00:55:58,011 --> 00:56:00,112 SHE WAS ONE OF THE WOMEN ACCUSED OF WITCHCRAFT IN SALEM. 768 00:56:00,181 --> 00:56:02,246 SHE WAS HUNG DURING THE TRIALS. WOW. 769 00:56:02,315 --> 00:56:05,516 AFTER BATHSHEBA MARRIED JEDSON, THEY HAD A BABY, 770 00:56:05,585 --> 00:56:07,385 AND WHEN THE BABY WAS 7 DAYS OLD, 771 00:56:07,454 --> 00:56:09,153 JEDSON CAUGHT HER SACRIFICING IT 772 00:56:09,222 --> 00:56:10,588 IN FRONT OF THE FIREPLACE. 773 00:56:10,657 --> 00:56:13,758 SHE RAN OUT TO THAT TREE BY THE DOCK, CLIMBED UP, 774 00:56:13,827 --> 00:56:15,126 PROCLAIMED HER LOVE TO SATAN, 775 00:56:15,195 --> 00:56:17,329 AND CURSED ANYONE WHO TRIED TO TAKE HER LAND, 776 00:56:17,398 --> 00:56:20,798 AND HUNG HERSELF. 777 00:56:20,867 --> 00:56:24,569 - TIME OF DEATH WAS PRONOUNCED - 07 IN THE MORNING. 778 00:56:24,638 --> 00:56:27,172 WELL, THAT EXPLAINS A FEW THINGS. 779 00:56:27,241 --> 00:56:29,207 YEAH, SO DOES THIS. 780 00:56:29,276 --> 00:56:32,077 HER LAST NAME'S WALKER. SHE LIVED THERE IN THE '30s. 781 00:56:32,146 --> 00:56:33,111 SHE HAD A BOY NAMED RORY 782 00:56:33,180 --> 00:56:35,047 WHO MYSTERIOUSLY DISAPPEARED IN THE WOODS. 783 00:56:35,116 --> 00:56:37,148 THEN SHE KILLED HERSELF IN THE CELLAR. 784 00:56:37,217 --> 00:56:39,187 AND THAT'S NOT ALL. 785 00:56:41,655 --> 00:56:44,088 SO, WHAT WAS THE ORIGINAL 200-ACRE FARM 786 00:56:44,157 --> 00:56:46,791 HAS SINCE BEEN SUBDIVIDED AND SOLD OFF. 787 00:56:46,860 --> 00:56:48,894 THERE WAS ANOTHER BOY WHO DROWNED IN A POND HERE. 788 00:56:48,963 --> 00:56:50,695 HE LIVED IN A HOUSE OVER HERE. 789 00:56:50,764 --> 00:56:53,197 AND A WOMAN WHO WORKED AS A MAID IN A NEIGHBORING HOME, 790 00:56:53,266 --> 00:56:55,070 SHE COMMITTED SUICIDE TOO. 791 00:56:56,669 --> 00:56:58,469 PEOPLE WHO TOOK HER LAND. 792 00:57:00,141 --> 00:57:01,406 I'M SITTING HERE WITH CAROLYN PERRON, 793 00:57:01,475 --> 00:57:03,006 WHO, WITH HER FAMILY, 794 00:57:03,075 --> 00:57:06,077 HAS BEEN EXPERIENCING SUPERNATURAL OCCURRENCES. 795 00:57:06,146 --> 00:57:08,612 OKAY, GO AHEAD. 796 00:57:10,985 --> 00:57:14,019 FROM THE FIRST OCCURRENCE. 797 00:57:49,524 --> 00:57:51,623 OH. HERE'S BRAD. 798 00:57:54,728 --> 00:57:56,027 - YOU FIND IT OKAY? - OH, YEAH. 799 00:57:56,096 --> 00:57:57,562 DREW, THIS IS OFFICER BRAD. 800 00:57:57,631 --> 00:58:00,865 OFFICER BRAD HAMILTON, HARRISVILLE, RHODE ISLAND, PD. 801 00:58:00,934 --> 00:58:02,667 MM. NICE TO MEET YOU, MAN. 802 00:58:02,736 --> 00:58:04,736 SO YOU'RE THE LUCKY NEW COP, HUH? 803 00:58:04,805 --> 00:58:05,971 GUESS SO. 804 00:58:06,040 --> 00:58:07,906 YOU KNOW YOU CAN'T SHOOT GHOSTS, RIGHT? 805 00:58:07,975 --> 00:58:09,241 TAKE IT EASY ON HIM, DREW. 806 00:58:09,310 --> 00:58:11,276 ALL RIGHT, GUYS, HELP ME GET THIS STUFF UNLOADED. 807 00:58:13,280 --> 00:58:15,046 YOU TAKE THIS. 808 00:58:15,115 --> 00:58:17,285 HI, ROGER. 809 00:58:21,922 --> 00:58:23,955 ALL RIGHT. WHEN YOU'RE FINISHED HERE, 810 00:58:24,024 --> 00:58:26,324 WHY DON'T YOU HIT UPSTAIRS, ALL RIGHT, DREW? 811 00:58:26,393 --> 00:58:27,659 YOU GOT IT. 812 00:58:27,728 --> 00:58:32,230 ♪ I SAW SOMETHING SITTING ON YOUR BED ♪ 813 00:58:32,299 --> 00:58:37,703 ♪ I SAW SOMETHING TOUCHING YOUR HEAD ♪ 814 00:58:38,972 --> 00:58:41,839 ♪ IN THE ROOM WHERE YOU SLEEP ♪ 815 00:58:41,908 --> 00:58:44,743 ♪ IN THE ROOM WHERE YOU SLEEP ♪ 816 00:58:44,812 --> 00:58:47,983 ♪ WHERE YOU SLEEP ♪ 817 00:58:51,051 --> 00:58:52,784 WHAT'S WRONG WITH YOUR CHEVY? 818 00:58:52,853 --> 00:58:54,853 WHAT'S NOT WRONG WITH HER? 819 00:58:54,922 --> 00:58:56,621 NEEDS A NEW CARBURETOR TO START. 820 00:58:56,690 --> 00:58:58,089 OH, YEAH? 821 00:58:58,158 --> 00:59:00,592 KIND OF PUT FIXING HER UP ON HOLD FOR AWHILE. 822 00:59:00,661 --> 00:59:02,864 YEAH. 823 00:59:04,097 --> 00:59:06,701 HEY, BRAD, HAND ME A THERMOSTAT, WOULD YA? 824 00:59:08,668 --> 00:59:11,269 WHAT'S THIS, UH, DO? 825 00:59:11,338 --> 00:59:13,171 WELL, WHEN THERE'S AN INSTANT DROP IN TEMPERATURE, 826 00:59:13,240 --> 00:59:15,139 THE THERMOSTAT TRIGGERS THE CAMERA TO TAKE A PICTURE. 827 00:59:15,208 --> 00:59:18,243 YOU'VE ACTUALLY CAUGHT THINGS ON FILM? 828 00:59:18,312 --> 00:59:21,647 WELL, YEAH, THAT'S, UH, THE POINT. 829 00:59:21,716 --> 00:59:25,015 WHY, UH...WHY OUT HERE? 830 00:59:25,084 --> 00:59:28,286 WELL, THIS IS WHERE THE WITCH COMMITTED SUICIDE. 831 00:59:28,355 --> 00:59:30,255 SHE HUNG HERSELF FROM THAT BRANCH 832 00:59:30,324 --> 00:59:32,694 RIGHT ABOVE WHERE YOU'RE STANDIN'. 833 00:59:38,565 --> 00:59:41,066 HOW COULD A MOTHER KILL HER OWN CHILD? 834 00:59:41,135 --> 00:59:43,001 IT WAS NEVER A CHILD TO HER. 835 00:59:43,070 --> 00:59:45,137 SHE JUST USED HER GOD-GIVEN GIFT 836 00:59:45,206 --> 00:59:47,405 AS THE ULTIMATE OFFENSE AGAINST HIM. 837 00:59:47,474 --> 00:59:49,608 WITCHES BELIEVE IT ELEVATES THEIR STATUS 838 00:59:49,677 --> 00:59:50,912 IN THE EYES OF SATAN. 839 00:59:59,219 --> 01:00:00,719 MM. 840 01:00:00,788 --> 01:00:02,320 WOW. 841 01:00:02,389 --> 01:00:04,389 THAT'S A NICE DAY AT THE BEACH, HUH? 842 01:00:04,458 --> 01:00:06,658 HOW DID YOU KNOW? 843 01:00:06,727 --> 01:00:07,925 IT'S AN INSIGHT. 844 01:00:07,994 --> 01:00:09,762 IT'S LIKE A PEEK THROUGH THE CURTAIN 845 01:00:09,831 --> 01:00:11,162 INTO ANOTHER PERSON'S LIFE. 846 01:00:11,231 --> 01:00:13,398 MM. 847 01:00:13,467 --> 01:00:15,033 MM. 848 01:00:15,102 --> 01:00:17,596 THAT DAY MEANT SO MUCH TO ME. 849 01:00:17,665 --> 01:00:19,137 WE WERE DRIVING ALONG THE COAST. 850 01:00:19,206 --> 01:00:22,139 NANCY POINTED OUT HOW PRETTY THE VIEW WAS. 851 01:00:22,208 --> 01:00:25,410 I THOUGHT THIS IS A PERFECT OPPORTUNITY FOR A PHOTO. 852 01:00:25,479 --> 01:00:27,245 WE WERE GONNA START FRESH, YOU KNOW? 853 01:00:27,314 --> 01:00:28,846 A NEW HOUSE, A NEW BEGINNING. 854 01:00:28,915 --> 01:00:30,714 YOU SHOULD HAVE SEEN ROGER AND THE GIRLS. 855 01:00:30,783 --> 01:00:31,917 I'VE NEVER SEEN THEM SO HAPPY. 856 01:00:31,986 --> 01:00:33,684 CHEESE! 857 01:00:33,753 --> 01:00:37,225 THEY MEAN THE WORLD TO ME. 858 01:00:47,967 --> 01:00:51,336 PUT YOUR HAND FLAT ON THE DESK. 859 01:00:51,405 --> 01:00:53,041 YEAH, AND TAKE IT OFF. 860 01:00:56,010 --> 01:00:57,212 HERE WE GO. 861 01:01:02,316 --> 01:01:03,447 SEE? 862 01:01:03,516 --> 01:01:06,117 IT JUST REVEALS TO US WHAT THE NAKED EYE CAN'T SEE. 863 01:01:06,186 --> 01:01:08,386 PRETTY FAR OUT, ISN'T IT? 864 01:01:08,455 --> 01:01:11,459 YEAH, IT'S GROOVY. 865 01:01:16,095 --> 01:01:18,162 DREW, YOU GOT THE BOLEX READY FOR BRAD? 866 01:01:18,231 --> 01:01:21,667 YEAH, ALREADY LOCKED AND LOADED, SIR. 867 01:01:38,385 --> 01:01:42,057 WHAT? I HAD TO GO. 868 01:02:03,910 --> 01:02:06,378 ALL THE ROOMS ARE COMING IN PRETTY GOOD. 869 01:02:06,447 --> 01:02:08,183 GOOD. 870 01:02:13,086 --> 01:02:15,688 WHAT'S IN THE BOTTLE? 871 01:02:15,757 --> 01:02:16,958 HOLY WATER. 872 01:02:18,859 --> 01:02:20,886 PRESENCE OF RELIGIOUS ICONS 873 01:02:20,955 --> 01:02:24,166 WILL GET A REACTION FROM ANYTHING UNHOLY. 874 01:02:26,133 --> 01:02:29,400 SORT OF PISSES THEM OFF. 875 01:02:29,469 --> 01:02:31,903 SO I SET THESE THROUGHOUT THE HOUSE, 876 01:02:31,972 --> 01:02:34,138 SEE IF I CAN STIR THINGS UP A BIT. 877 01:02:34,207 --> 01:02:37,342 LIKE HOLDING A CROSS TO A VAMPIRE? 878 01:02:37,411 --> 01:02:39,777 YEAH. EXACTLY. 879 01:02:39,846 --> 01:02:42,815 EXCEPT I DON'T BELIEVE IN VAMPIRES. 880 01:02:47,054 --> 01:02:54,054 WASN'T ME. 881 01:03:02,069 --> 01:03:04,372 BRAD, GET THE CAMERA. 882 01:03:08,342 --> 01:03:09,577 OKAY. 883 01:03:14,848 --> 01:03:17,449 ALL RIGHT, IT'S 9:18, WE'RE HEADED DOWN INTO THE CELLAR 884 01:03:17,518 --> 01:03:19,417 WHERE THE DOOR'S JUST OPENED ON ITS OWN. 885 01:03:19,486 --> 01:03:23,221 I HAVE LORRAINE AND OFFICER BRAD HAMILTON WITH ME. 886 01:03:23,290 --> 01:03:25,293 LET'S KEEP THE CELLAR LIGHT OFF. 887 01:03:39,440 --> 01:03:42,377 GIVE US A SIGN THAT YOU WANNA COMMUNICATE WITH US. 888 01:04:10,737 --> 01:04:13,075 HON, YOU ALL RIGHT? 889 01:04:16,943 --> 01:04:20,411 THERE'S DEFINITELY SOMETHING HERE. 890 01:04:20,480 --> 01:04:22,047 ALL RIGHT, CLOSE THE DOOR. MOVE SOMETHING. 891 01:04:22,116 --> 01:04:23,651 MY HANDS ARE SO COLD. 892 01:04:25,986 --> 01:04:27,155 COME ON. 893 01:04:32,093 --> 01:04:33,625 NO. 894 01:04:33,694 --> 01:04:34,893 IT'S GONE? 895 01:04:34,962 --> 01:04:35,927 IT'S GONE. 896 01:04:35,996 --> 01:04:38,433 I GOT NOTHIN'. OKAY. 897 01:04:59,186 --> 01:05:00,352 WELL, LIKE I SAID, 898 01:05:00,421 --> 01:05:03,155 IT DOESN'T ALWAYS WORK WHEN YOU WANT IT TO. 899 01:05:03,224 --> 01:05:06,091 YEAH, MAYBE THE CAMERA PICKED SOMETHIN' UP. 900 01:05:06,160 --> 01:05:08,596 WATCH OUT! 901 01:05:11,232 --> 01:05:12,964 FOR A GUY WHO DOESN'T BELIEVE, 902 01:05:13,033 --> 01:05:14,599 YOU LOOKED A LITTLE FREAKED OUT 903 01:05:14,668 --> 01:05:16,438 WHEN THAT DOOR SLAMMED SHUT. 904 01:05:19,240 --> 01:05:22,240 IT MUST HAVE BEEN A DRAFT. 905 01:05:22,309 --> 01:05:23,675 OH, THAT'S FUNNY. 906 01:05:23,744 --> 01:05:27,615 A DRAFT NEVER PUT THAT LOOK ON MY FACE BEFORE. 907 01:05:29,183 --> 01:05:32,684 I BELIEVE THE CLOCK. 908 01:05:32,753 --> 01:05:34,589 IT'S 3:08. 909 01:05:45,866 --> 01:05:47,432 FOR YOU. 910 01:05:47,501 --> 01:05:49,968 I THINK I MIGHT TAKE SOME GIRLS FOR ICE CREAM LATER ON. 911 01:05:50,037 --> 01:05:51,570 WHAT DO YOU SAY ABOUT THAT? 912 01:05:51,639 --> 01:05:52,837 YEAH! YES! 913 01:05:52,906 --> 01:05:54,906 HONEY, YOU WANNA COME? NO, I'M -- I'M EXHAUSTED. 914 01:05:54,975 --> 01:05:56,307 I'M JUST GONNA TAKE A NAP. 915 01:05:56,376 --> 01:05:57,908 THE LATE NIGHTS ARE - THEY'RE GETTIN' TO ME. 916 01:05:57,977 --> 01:05:59,744 THAT'S PROBABLY A GOOD IDEA. WHY DON'T YOU GET SOME REST. 917 01:05:59,813 --> 01:06:01,713 LORRAINE AND I'LL WATCH OVER THINGS FOR A BIT. REALLY? 918 01:06:01,782 --> 01:06:03,514 I'M GONNA TAKE OFF. 919 01:06:03,583 --> 01:06:05,015 I HAVE A SHIFT STARTING IN AN HOUR. 920 01:06:05,084 --> 01:06:07,485 THE HOUSE HASN'T FELT LIKE THIS IN A LONG TIME. 921 01:06:07,554 --> 01:06:10,758 I THINK THE KIDS FEEL A LOT SAFER WITH YOU AROUND. 922 01:06:13,360 --> 01:06:15,093 I COULD GET USED TO THIS. 923 01:06:15,162 --> 01:06:16,795 WHAT, ME DOING LAUNDRY? 924 01:06:18,866 --> 01:06:21,132 YOU'RE FUNNY. 925 01:06:21,201 --> 01:06:23,034 NO, THIS PLACE. 926 01:06:23,103 --> 01:06:24,603 NICE, FRESH COUNTRY AIR. 927 01:06:27,541 --> 01:06:28,773 MM. 928 01:06:28,842 --> 01:06:31,543 THEY HAVE SUCH A BEAUTIFUL FAMILY, DON'T THEY? 929 01:06:31,612 --> 01:06:34,178 YEAH, THAT LITTLE ONE, APRIL, 930 01:06:34,247 --> 01:06:36,418 DID YOU SEE HER BRING ME PANCAKES? YEAH. 931 01:06:41,455 --> 01:06:44,490 WE'VE GOTTA HELP THEM. 932 01:06:44,559 --> 01:06:46,190 I KNOW. 933 01:06:46,259 --> 01:06:47,626 I'LL START WITH THE CHEVY. 934 01:07:54,495 --> 01:07:56,862 AAH! 935 01:08:11,078 --> 01:08:13,378 CAROLYN! 936 01:08:13,447 --> 01:08:14,379 ARE YOU OKAY?! 937 01:08:14,448 --> 01:08:15,881 CAROLYN, OPEN THE DOOR. 938 01:08:15,950 --> 01:08:17,015 CAROLYN, OPEN UP! 939 01:08:23,290 --> 01:08:25,223 ARE YOU OKAY? 940 01:08:25,292 --> 01:08:26,558 OH, I'M FINE. ARE YOU SICK? 941 01:08:26,627 --> 01:08:28,159 I WOKE UP JUST FEELING A LITTLE NAUSEOUS, 942 01:08:28,228 --> 01:08:29,394 THAT'S ALL. I THOUGHT I SAW- 943 01:08:29,463 --> 01:08:31,997 I HEAR ROGER AND THE GIRLS. 944 01:08:32,066 --> 01:08:33,468 ONE MINUTE. 945 01:08:44,877 --> 01:08:46,744 HEY, GUYS, DO YOU WANNA PLAY A GAME? 946 01:08:46,813 --> 01:08:48,279 BORING! THANK YOU, DADDY. 947 01:08:48,348 --> 01:08:51,553 - LET'S GO PLAY! - LET'S GO INSIDE. 948 01:08:54,855 --> 01:08:56,554 I THOUGHT THAT WAS YOU. 949 01:08:56,623 --> 01:08:57,755 HEY, I HOPE YOU DON'T MIND. 950 01:08:57,824 --> 01:08:59,257 I GOT A GOOD DEAL ON A REBUILD 951 01:08:59,326 --> 01:09:00,724 AT THAT WRECKING YARD IN SMITHFIELD. 952 01:09:00,793 --> 01:09:02,722 NO, YOU LOOK LIKE YOU KNOW WHAT YOU'RE DOIN'. 953 01:09:02,791 --> 01:09:03,831 YEAH, WE'LL SEE. 954 01:09:07,234 --> 01:09:08,666 GOT A NICE PLACE HERE, ROGER. 955 01:09:08,735 --> 01:09:11,169 LORRAINE AND I ALWAYS WANTED A SPOT IN THE COUNTRY. 956 01:09:11,238 --> 01:09:13,604 I'LL SELL YOU THIS ONE. 957 01:09:13,673 --> 01:09:16,544 HEY, HAND ME A WRENCH, WOULD YA? 958 01:09:18,812 --> 01:09:23,448 HEY, UH, IT REALLY MEANS A LOT TO US TO HAVE YOU HERE. 959 01:09:23,517 --> 01:09:27,518 I GOTTA ADMIT, I WAS A LITTLE BIT SKEPTICAL GOING IN. 960 01:09:27,587 --> 01:09:29,454 JUST WANNA SAY THANK YOU, THOUGH, 961 01:09:29,523 --> 01:09:31,326 FOR COMIN' OUT WHEN YOU DID. 962 01:09:32,960 --> 01:09:34,326 I CAN'T TAKE THE CREDIT. 963 01:09:34,395 --> 01:09:36,461 THAT'S, UH, THAT'S ALL LORRAINE. 964 01:09:36,530 --> 01:09:38,029 I DIDN'T WANT TO. 965 01:09:38,098 --> 01:09:39,534 OH. WHY'S THAT? 966 01:09:42,335 --> 01:09:46,099 WHATEVER LORRAINE SEES, FEELS, TOUCHES, IT HELPS PEOPLE. 967 01:09:46,168 --> 01:09:48,540 BUT IT ALSO TAKES A TOLL ON HER. 968 01:09:48,609 --> 01:09:52,042 LITTLE PIECE EACH TIME. 969 01:09:52,111 --> 01:09:56,348 COUPLE MONTHS AGO WE WERE WORKIN' ON A CASE. 970 01:09:56,417 --> 01:09:59,852 SHE SAW SOMETHIN'. 971 01:10:08,763 --> 01:10:09,695 AAH! 972 01:10:09,764 --> 01:10:12,295 IT TOOK A REAL BIG PIECE. 973 01:10:13,766 --> 01:10:16,834 WHEN WE GOT HOME, SHE WENT INTO OUR ROOM, 974 01:10:16,903 --> 01:10:20,304 LOCKED HERSELF IN, DIDN'T TALK, DIDN'T EAT, 975 01:10:20,373 --> 01:10:22,507 DIDN'T COME OUT FOR EIGHT DAYS. 976 01:10:22,576 --> 01:10:24,142 WHAT'D SHE SEE? 977 01:10:24,211 --> 01:10:27,011 AAH! 978 01:10:27,080 --> 01:10:28,146 GET OUTTA HERE! 979 01:10:28,215 --> 01:10:30,949 I DON'T KNOW. 980 01:10:31,018 --> 01:10:33,488 AND I WON'T ASK. 981 01:10:50,003 --> 01:10:53,005 I NEED TO RELOAD. YOU WANT SOME? 982 01:10:53,074 --> 01:10:56,107 I'M GOOD, THANKS. 983 01:10:56,176 --> 01:10:57,712 ALL RIGHT. 984 01:11:41,955 --> 01:11:44,126 LOOK WHAT SHE MADE ME DO. 985 01:12:27,434 --> 01:12:30,105 LOOK WHAT SHE MADE ME DO. 986 01:12:32,106 --> 01:12:33,775 HEY. 987 01:12:41,282 --> 01:12:42,413 ED? 988 01:12:42,482 --> 01:12:45,216 LOOK WHAT SHE MADE ME DO! 989 01:12:45,285 --> 01:12:47,952 ED! ED! 990 01:12:48,021 --> 01:12:50,689 ED! 991 01:12:50,758 --> 01:12:51,857 DUDE, YOU OKAY? 992 01:12:51,926 --> 01:12:53,525 HOLD UP, BRAD. WHAT'S GOING ON? 993 01:12:53,594 --> 01:12:54,792 I SAW SOMEONE. 994 01:12:54,861 --> 01:12:56,661 THERE WAS A WOMAN DRESSED AS A MAID. 995 01:13:00,467 --> 01:13:02,570 ED? ED, WE'RE GETTING SOMETHING. 996 01:13:07,774 --> 01:13:09,207 IT'S JUST CINDY. SHE'S SLEEPWALKING. 997 01:13:09,276 --> 01:13:10,608 NO, NO, NO, NO, WAIT, WAIT, WAIT. WE NEED THIS. 998 01:13:10,677 --> 01:13:11,810 WHY DO WE NEED PICTURES OF CINDY? 999 01:13:13,141 --> 01:13:14,112 SHE DIDN'T TRIGGER IT. 1000 01:13:14,181 --> 01:13:16,042 WHAT DO YOU MEAN SHE DIDN'T TRIGGER IT? 1001 01:13:16,111 --> 01:13:17,685 SOMEBODY'S WITH HER. 1002 01:13:19,820 --> 01:13:23,486 WHO? 1003 01:13:26,394 --> 01:13:28,596 CINDY! 1004 01:13:29,962 --> 01:13:32,267 CINDY! 1005 01:13:39,406 --> 01:13:42,707 HEY, OVER HERE. IT'S SAFE. 1006 01:13:42,776 --> 01:13:45,910 THERE'S SOMEONE ELSE IN THERE WITH HER. 1007 01:13:45,979 --> 01:13:47,949 I'M HEARING ANOTHER VOICE. HERE, LISTEN. 1008 01:13:52,987 --> 01:13:55,419 FOLLOW ME. THIS WAY. 1009 01:13:55,488 --> 01:13:58,160 THIS IS WHERE I HIDE. 1010 01:14:03,698 --> 01:14:06,231 CINDY? 1011 01:14:06,300 --> 01:14:08,270 CINDY? 1012 01:14:10,603 --> 01:14:11,770 WHERE'D SHE GO, ED? 1013 01:14:11,839 --> 01:14:13,641 WINDOWS ARE LOCKED. 1014 01:14:16,376 --> 01:14:18,580 ED, WHERE'D SHE GO?! 1015 01:14:20,414 --> 01:14:21,746 BRAD, GET THE UV LIGHT. 1016 01:14:21,815 --> 01:14:24,449 THE WHAT? JUST ASK DREW. 1017 01:14:24,518 --> 01:14:27,318 DREW, I NEED A UV LIGHT. 1018 01:14:27,387 --> 01:14:29,791 UH...HERE, THAT'S IT. GO, GO, GO, GO! 1019 01:14:36,396 --> 01:14:38,133 TURN OFF THE LIGHT. 1020 01:14:41,234 --> 01:14:42,670 GET OUT OF THE WAY. 1021 01:14:46,206 --> 01:14:47,305 OKAY. 1022 01:15:16,203 --> 01:15:17,600 HIT THE LIGHTS! 1023 01:15:29,684 --> 01:15:31,286 FOUND HER. 1024 01:15:33,320 --> 01:15:34,252 HERE WE GO. 1025 01:15:34,321 --> 01:15:38,017 ALL RIGHT. YOU GOT HER? YEAH. 1026 01:15:48,269 --> 01:15:51,973 THAT'S WHERE RORY HIDES WHEN HE'S AFRAID. 1027 01:16:17,031 --> 01:16:17,996 HON? 1028 01:16:18,065 --> 01:16:20,599 COULD I HAVE APRIL'S MUSIC BOX PLEASE? 1029 01:16:20,668 --> 01:16:21,836 YEAH. 1030 01:16:23,671 --> 01:16:24,702 HOW'S CINDY? 1031 01:16:24,771 --> 01:16:26,074 SHE DOESN'T REMEMBER A THING. 1032 01:16:29,243 --> 01:16:31,309 THERE YOU GO. 1033 01:16:31,378 --> 01:16:32,447 THANK YOU. 1034 01:17:08,483 --> 01:17:10,248 AAH! 1035 01:17:10,317 --> 01:17:12,451 LORRAINE! 1036 01:17:15,489 --> 01:17:17,892 NO. 1037 01:17:29,837 --> 01:17:31,369 LORRAINE! 1038 01:17:31,438 --> 01:17:33,041 LORRAINE! 1039 01:17:36,811 --> 01:17:38,810 LORRAINE! 1040 01:17:38,879 --> 01:17:39,911 LORRAINE! 1041 01:18:31,865 --> 01:18:35,367 SHE MADE ME DO IT. 1042 01:18:35,436 --> 01:18:39,802 SHE MADE ME DO IT. 1043 01:18:59,794 --> 01:19:03,098 SHE MADE ME DO IT. 1044 01:19:40,735 --> 01:19:43,535 AAH! AAH! 1045 01:19:43,604 --> 01:19:46,165 AAH! 1046 01:19:46,234 --> 01:19:47,105 ED! 1047 01:19:47,174 --> 01:19:49,107 COME ON! LORRAINE! 1048 01:19:50,544 --> 01:19:51,613 ED! 1049 01:19:56,283 --> 01:19:58,817 ED! 1050 01:19:58,886 --> 01:20:00,751 ED, I KNOW WHAT SHE DID. 1051 01:20:00,820 --> 01:20:03,321 I GOT YA. I KNOW WHAT SHE DID. 1052 01:20:03,390 --> 01:20:04,622 I KNOW WHAT SHE DID. WHAT? 1053 01:20:04,691 --> 01:20:06,524 SHE POSSESSED THE MOTHER TO KILL THE CHILD. 1054 01:20:06,593 --> 01:20:07,993 SHE VISITS CAROLYN EVERY NIGHT. 1055 01:20:08,062 --> 01:20:09,488 THAT'S WHAT THE BRUISE MARKS ARE! 1056 01:20:09,557 --> 01:20:11,630 SHE'S FEEDING OFF OF HER! 1057 01:20:24,044 --> 01:20:27,349 UH...NANCY? 1058 01:20:34,154 --> 01:20:35,521 ARE YOU OKAY? 1059 01:20:35,590 --> 01:20:36,955 NANCY! 1060 01:20:38,560 --> 01:20:41,960 GRAB HER! 1061 01:20:42,029 --> 01:20:44,095 DADDY! HELP! 1062 01:20:44,164 --> 01:20:45,533 NANCY! 1063 01:20:52,706 --> 01:20:53,805 IS SHE OKAY? 1064 01:20:53,874 --> 01:20:55,206 IT'S OKAY, I GOT YOU. 1065 01:20:55,275 --> 01:20:56,475 D'YOU GET THAT? 1066 01:20:56,544 --> 01:21:00,048 YEAH. 1067 01:21:01,881 --> 01:21:04,182 I'LL HAVE THE FOOTAGE DEVELOPED 1068 01:21:04,251 --> 01:21:05,851 AND GET IT OVER TO FATHER GORDON. 1069 01:21:05,920 --> 01:21:07,285 HE'S OUR LIAISON AT THE CHURCH. 1070 01:21:07,354 --> 01:21:10,121 I IMAGINE WE'LL GET A PRETTY FAST RESPONSE. 1071 01:21:10,190 --> 01:21:12,523 LISTEN, ROGER? YEAH? 1072 01:21:12,592 --> 01:21:14,993 LISTEN, WHEN WE GET THE EXORCIST, I'LL BE BACK. 1073 01:21:15,062 --> 01:21:16,560 BUT LORRAINE- YEAH, I UNDERSTAND. 1074 01:21:16,629 --> 01:21:18,563 UNTIL THEN DREW'S GONNA KEEP AN EYE ON YOU. 1075 01:21:18,632 --> 01:21:20,466 HEY, ED, THANK YOU FOR EVERYTHING. 1076 01:21:20,535 --> 01:21:21,567 YEAH. 1077 01:21:21,636 --> 01:21:25,770 MOMMY? 1078 01:21:27,074 --> 01:21:28,343 THAT'S EVERYTHING. 1079 01:21:40,020 --> 01:21:42,090 MOMMY? 1080 01:21:58,640 --> 01:22:00,906 JUDY? 1081 01:22:00,975 --> 01:22:04,146 OH, GOD! JUDY? 1082 01:22:11,151 --> 01:22:14,389 LORRAINE! WAIT! 1083 01:22:16,056 --> 01:22:17,489 LORRAINE. WHAT? 1084 01:22:17,558 --> 01:22:19,057 MOM. MOM, IT'S ME. IS JUDY OKAY? 1085 01:22:19,126 --> 01:22:20,191 WHAT? 1086 01:22:20,260 --> 01:22:21,993 CAN YOU GO CHECK, PLEASE? 1087 01:22:22,062 --> 01:22:23,828 DAMN IT, MOM, JUST CHECK, PLEASE! 1088 01:22:23,897 --> 01:22:25,630 LORRAINE, ARE YOU GONNA TELL ME WHAT'S GOING ON? 1089 01:22:25,699 --> 01:22:26,999 IT'S JUDY. 1090 01:22:27,068 --> 01:22:28,066 WHAT? WHAT DO YOU MEAN? WHAT? 1091 01:22:28,135 --> 01:22:30,101 WHAT?! 1092 01:22:32,607 --> 01:22:34,472 OH, THANK GOD. 1093 01:22:34,541 --> 01:22:36,474 MOM, I'M SORRY. I DIDN'T MEAN TO SCARE YOU. 1094 01:22:36,543 --> 01:22:38,280 I'LL EXPLAIN LATER, OKAY? 1095 01:22:39,379 --> 01:22:41,079 WHAT THE HELL HAPPENED? 1096 01:22:41,148 --> 01:22:44,682 I HAD A VISION OF JUDY IN THE WATER. 1097 01:22:44,751 --> 01:22:47,447 I KNOW IT WAS SOME KIND OF WARNING. 1098 01:22:47,516 --> 01:22:50,055 I KNOW IT. 1099 01:22:50,124 --> 01:22:51,990 OKAY. 1100 01:22:53,193 --> 01:22:55,730 LET'S GET OUTTA HERE. 1101 01:23:42,476 --> 01:23:43,441 SO? 1102 01:23:43,510 --> 01:23:45,043 YEAH, WELL, YOU WEREN'T KIDDING. 1103 01:23:45,112 --> 01:23:46,645 NO. 1104 01:23:47,814 --> 01:23:50,048 LOOK, ED, THIS IS COMPLICATED 1105 01:23:50,117 --> 01:23:51,950 BECAUSE THE KIDS AREN'T BAPTIZED. 1106 01:23:52,019 --> 01:23:53,451 NO, I UNDERSTAND. 1107 01:23:53,520 --> 01:23:55,487 AND THE FAMILY, THEY'RE NOT MEMBERS OF THE CHURCH. 1108 01:23:55,556 --> 01:23:57,555 OH, COME ON. AND THE APPROVAL 1109 01:23:57,624 --> 01:24:01,625 WOULD HAVE TO COME DIRECTLY FROM THE VATICAN. 1110 01:24:01,694 --> 01:24:04,632 FATHER, WE'VE NEVER SEEN NOTHING LIKE THIS. 1111 01:24:08,502 --> 01:24:11,573 YEAH, WELL, NEITHER HAVE I. 1112 01:24:19,879 --> 01:24:22,080 FATHER, THEY DON'T HAVE A LOT OF TIME. 1113 01:24:22,149 --> 01:24:25,316 ALL RIGHT. 1114 01:24:25,385 --> 01:24:26,985 I'LL PUSH IT THROUGH MYSELF. 1115 01:24:27,054 --> 01:24:28,053 THANK YOU, FATHER. 1116 01:24:28,122 --> 01:24:29,387 THANK YOU. 1117 01:24:29,456 --> 01:24:31,590 ALL RIGHT, WE'LL WAIT FOR YOUR CALL. 1118 01:24:31,659 --> 01:24:32,758 YEAH. 1119 01:25:36,256 --> 01:25:38,389 MOMMY? DADDY? 1120 01:25:56,043 --> 01:25:58,913 MOMMY? DADDY? 1121 01:26:21,969 --> 01:26:24,369 DAD? 1122 01:26:40,553 --> 01:26:44,723 NANNA? NANNA? 1123 01:27:38,412 --> 01:27:41,447 NANNA! NANNA, HELP! 1124 01:27:41,516 --> 01:27:43,682 NANNA, HELP! 1125 01:27:43,751 --> 01:27:44,811 JUDY? 1126 01:27:44,880 --> 01:27:47,886 NANNA! NANNA! 1127 01:27:47,955 --> 01:27:49,822 NANNA! 1128 01:27:49,891 --> 01:27:51,122 HELP! 1129 01:27:51,191 --> 01:27:53,191 JUDY! NANNA! 1130 01:27:53,260 --> 01:27:55,188 JUDY, OPEN THE DOOR! MOM! 1131 01:27:55,257 --> 01:27:58,364 ED, THERE'S SOMETHING WRONG. 1132 01:27:58,433 --> 01:28:01,032 WHAT? 1133 01:28:02,569 --> 01:28:04,836 NANNA! JUDY! 1134 01:28:04,905 --> 01:28:06,933 HELP! JUDY! JUDY, OPEN THIS DOOR! 1135 01:28:07,002 --> 01:28:07,906 MOM! WHAT IS IT? 1136 01:28:07,975 --> 01:28:09,540 WHAT'S WRONG WITH HER?! JUDY! 1137 01:28:09,609 --> 01:28:11,309 HEY, MOVE. MOVE, MOVE, MOVE, MOVE. 1138 01:28:11,378 --> 01:28:13,111 JUDY, GET BACK, HONEY. GET BACK! 1139 01:28:13,180 --> 01:28:15,514 HURRY. 1140 01:28:15,583 --> 01:28:17,983 HELP! HELP! 1141 01:28:18,052 --> 01:28:19,487 DAD! GET AWAY FROM THE DOOR, JUDY! 1142 01:28:21,689 --> 01:28:23,521 AAH! 1143 01:28:23,590 --> 01:28:26,324 OH, GOD! ARE YOU OKAY? 1144 01:28:26,393 --> 01:28:30,495 THERE WAS SOMEONE ROCKING IN THE CHAIR WITH ANNABELLE. 1145 01:28:36,904 --> 01:28:39,007 IT'S OKAY. 1146 01:28:59,359 --> 01:29:00,928 SHE'S STILL IN THE CASE. 1147 01:29:04,065 --> 01:29:06,125 IT'S OKAY. 1148 01:29:06,194 --> 01:29:07,735 IT'S OKAY. IT'S OKAY. 1149 01:29:12,706 --> 01:29:15,273 - DAD! DAD! - DADDY! 1150 01:29:15,342 --> 01:29:16,541 DAD! DAD! 1151 01:29:16,610 --> 01:29:18,576 MOM JUST LEFT WITH CHRISTINE AND APRIL. 1152 01:29:18,645 --> 01:29:19,643 SHE J-- SHE JUST WENT IN THE CAR AND DROVE AWAY. 1153 01:29:19,712 --> 01:29:20,911 I DON'T KNOW WHAT HAPPENED. 1154 01:29:20,980 --> 01:29:22,380 DADDY, SHE SMELLS LIKE ROTTING MEAT. 1155 01:29:22,449 --> 01:29:23,915 SHE DIDN'T SAY WHAT WAS GOING ON. SHE JUST LEFT. 1156 01:29:23,984 --> 01:29:25,711 HUH? WHAT DO YOU MEAN, SHE LEFT? 1157 01:29:25,780 --> 01:29:27,122 LEFT WHERE? GONE! I DON'T KNOW WHERE SHE WAS GOING. 1158 01:29:32,192 --> 01:29:34,696 WHERE ARE WE GOING, MOM? 1159 01:29:42,436 --> 01:29:43,901 HELLO? 1160 01:29:43,970 --> 01:29:45,403 It's Roger. There's something going on with Carolyn. 1161 01:29:45,472 --> 01:29:47,238 ANDREA WAS HERE AND SHE SAID THAT CAROLYN TOOK OFF 1162 01:29:47,307 --> 01:29:48,573 WITH CHRISTINE AND APRIL. 1163 01:29:48,642 --> 01:29:50,174 THE GIRLS SAID SHE SMELLED LIKE ROTTEN MEAT. 1164 01:29:50,243 --> 01:29:51,942 SHE POSSESSES THE MOTHER TO KILL THE CHILD, 1165 01:29:52,011 --> 01:29:54,212 THAT'S WHAT SHE DOES. SHE'S TAKING THEM BACK TO THE HOUSE. 1166 01:29:54,281 --> 01:29:56,247 ROGER, GET BACK TO THE HOUSE NOW. I'LL MEET YOU THERE. 1167 01:29:56,316 --> 01:29:59,685 LOCK THE DOOR, CLOSE THE BLINDS. STAY OFF THE PHONE! 1168 01:30:01,154 --> 01:30:02,524 GO. 1169 01:30:07,494 --> 01:30:08,426 I'M COMING WITH YOU. NO WAY. 1170 01:30:08,495 --> 01:30:09,527 YOU STAY HERE WITH JUDY. 1171 01:30:09,596 --> 01:30:10,795 THE ONLY WAY TO PROTECT JUDY 1172 01:30:10,864 --> 01:30:12,130 IS IF WE STOP THIS WHERE IT STARTED. 1173 01:30:12,199 --> 01:30:14,066 OTHERWISE, SHE'S JUST GONNA LATCH ONTO US AGAIN. 1174 01:30:14,135 --> 01:30:15,666 THAT'S EXACTLY WHY I'M GOIN'. 1175 01:30:15,735 --> 01:30:17,603 YOU THINK I'M GONNA LET YOU WALK INTO THIS ALONE? 1176 01:30:17,672 --> 01:30:20,238 I CAN'T LOSE YOU. 1177 01:30:20,307 --> 01:30:22,908 YOU WON'T. 1178 01:30:22,977 --> 01:30:25,711 LET'S FINISH THIS TOGETHER. 1179 01:30:43,630 --> 01:30:44,796 IT'S LOCKED. 1180 01:30:44,865 --> 01:30:46,965 CAROLYN! 1181 01:30:47,034 --> 01:30:47,866 ROGER! 1182 01:30:47,935 --> 01:30:49,300 GET OUTTA THE WAY! 1183 01:30:55,509 --> 01:30:57,103 - ROGER! - ED! 1184 01:30:57,172 --> 01:30:59,344 CAROLYN! ED! 1185 01:30:59,413 --> 01:31:00,345 CAROLYN! 1186 01:31:00,414 --> 01:31:01,645 WE'RE DOWN HERE! 1187 01:31:01,714 --> 01:31:04,182 CAROLYN, DON'T! NO, NO! SHE'S GOT--! 1188 01:31:04,251 --> 01:31:05,684 GET HER HAND! GRAB THE SCISSORS! 1189 01:31:17,564 --> 01:31:20,264 - WE GOTTA GET HER TO THE CAR! - AND BRING HER WHERE?! 1190 01:31:20,333 --> 01:31:23,268 TO TAKE HER TO THE PRIEST FOR THE EXORCISM. 1191 01:31:23,337 --> 01:31:24,739 WAIT, WHERE'S APRIL? 1192 01:31:26,140 --> 01:31:28,005 APRIL? 1193 01:31:28,074 --> 01:31:30,541 TAKE CHRISTINE TO THE CAR AND FIND APRIL! 1194 01:31:30,610 --> 01:31:33,378 APRIL! COME ON! 1195 01:31:44,225 --> 01:31:45,556 SHE WON'T LET HER LEAVE THE HOUSE! 1196 01:31:45,625 --> 01:31:46,924 WHAT?! WHAT DO YOU MEAN?! 1197 01:31:46,993 --> 01:31:48,296 IF WE TAKE HER OUT, THE WITCH WILL KILL HER. 1198 01:31:55,469 --> 01:31:59,602 ROGER! CAROLYN! 1199 01:32:01,474 --> 01:32:03,178 CAROLYN? 1200 01:32:07,847 --> 01:32:09,513 OKAY, I'M GONNA PUT YOU IN HERE. 1201 01:32:09,582 --> 01:32:11,281 COME ON. 1202 01:32:11,350 --> 01:32:12,883 GET IN. STAY IN HERE. I DON'T WANT TO STAY HERE BY MYSELF. 1203 01:32:12,952 --> 01:32:14,185 STAY IN HERE NO MATTER WHAT. I'LL BE BACK, I PROMISE. 1204 01:32:14,254 --> 01:32:16,354 NO! I HAVE TO FIND APRIL, OKAY? 1205 01:32:16,423 --> 01:32:18,193 I'LL BE BACK, I PROMISE. 1206 01:32:20,628 --> 01:32:22,625 APRIL? 1207 01:32:24,599 --> 01:32:25,698 YOU OKAY? 1208 01:32:34,608 --> 01:32:36,975 STOP! BRAD! 1209 01:32:37,044 --> 01:32:38,980 BRAD! 1210 01:32:41,482 --> 01:32:43,151 AAH! 1211 01:32:51,024 --> 01:32:53,926 LET'S GET SOMETHING TO TIE HER UP! 1212 01:33:00,567 --> 01:33:01,836 HOLD IT. 1213 01:33:12,479 --> 01:33:13,778 I GOTTA CALL FATHER GORDON. 1214 01:33:13,847 --> 01:33:15,646 WE GOTTA GET FATHER GORDON OUT HERE. 1215 01:33:15,715 --> 01:33:17,819 HE'S TOO FAR AWAY. SHE WON'T MAKE IT. LOOK AT HER. 1216 01:33:28,528 --> 01:33:29,795 THEN YOU NEED TO LEAVE. 1217 01:33:29,864 --> 01:33:31,162 WHAT ARE YOU TALKING ABOUT? 1218 01:33:31,231 --> 01:33:33,397 I HAVE TO DO IT. THE EXORCISM. 1219 01:33:33,466 --> 01:33:35,800 WHAT? I THOUGHT YOU SAID WE NEED A PRIEST. 1220 01:33:35,869 --> 01:33:36,901 YOU'RE NOT A PRIEST. 1221 01:33:36,970 --> 01:33:38,270 WELL, YOU GOT A BETTER IDEA? 1222 01:33:38,339 --> 01:33:41,406 HE CAN DO IT. YOU CAN DO IT. 1223 01:33:41,475 --> 01:33:43,575 BUT YOU GOTTA GET OUTTA HERE. I'M NOT LEAVING YOU! 1224 01:33:43,644 --> 01:33:46,181 DAMN IT, LORRAINE, I'M NOT DOING THIS WITH YOU IN HERE. 1225 01:33:48,315 --> 01:33:50,449 GOD BROUGHT US TOGETHER FOR A REASON. 1226 01:33:50,518 --> 01:33:51,750 THIS IS IT. 1227 01:33:51,819 --> 01:33:54,122 I'M GONNA GET THE BOOK. 1228 01:34:10,738 --> 01:34:13,736 APRIL! 1229 01:34:20,848 --> 01:34:23,385 APRIL! 1230 01:34:44,136 --> 01:34:48,176 "IN THE NAME OF THE FATHER, THE SON, THE HOLY SPIRIT." 1231 01:34:51,945 --> 01:34:54,412 "VADE RETRO SATANA. 1232 01:34:54,481 --> 01:34:58,684 SANCTE MICHAEL ARCHANGELE, DEFENDE NOS IN PROEILO." 1233 01:35:25,379 --> 01:35:26,779 AAH! 1234 01:35:26,848 --> 01:35:28,680 APRIL! 1235 01:36:14,861 --> 01:36:16,331 "DEUM VERUM." 1236 01:36:23,330 --> 01:36:28,806 "TE" -- UH, "TE PER DEUM VERUM, PER DEUM SANCTUM QUI SIC DI--" 1237 01:36:28,875 --> 01:36:30,809 HOLD HER STILL! HOLD HER STILL! 1238 01:36:30,878 --> 01:36:32,544 COME HERE! HOLD HER STILL! 1239 01:36:32,613 --> 01:36:35,614 "QUI SIC DILEXIT MUNDUM. RECEDE, SEDUCTOR! 1240 01:36:35,683 --> 01:36:38,120 VOS IN CUBILI TUO!" 1241 01:36:41,589 --> 01:36:43,525 APRIL? 1242 01:36:49,731 --> 01:36:50,729 APRIL! 1243 01:36:50,798 --> 01:36:53,064 APRIL, YOU UNDER THERE? 1244 01:36:53,133 --> 01:36:54,833 APRIL! 1245 01:36:56,003 --> 01:36:57,435 "SANCTE MICHAEL ARCHANGELE, 1246 01:36:57,504 --> 01:37:00,271 CONTRA NEQUITIAM ET INSIDIAS DIABOLI ESTO PRAESIDIUM." 1247 01:37:00,340 --> 01:37:02,574 CAROLYN. CAROLYN. DON'T GIVE IN! 1248 01:37:02,643 --> 01:37:03,969 DON'T LET HER TAKE YOU! 1249 01:37:04,038 --> 01:37:05,643 ED! YOU GOTTA STOP, YOU'RE KILLIN' HER. STOP! 1250 01:37:05,712 --> 01:37:08,613 NO, HE CAN'T! "NOS ARE PADRES DE PROTESTATE DIABOLI..." 1251 01:37:08,682 --> 01:37:10,648 ROGER, HELP ME! 1252 01:37:10,717 --> 01:37:15,353 "...MALEDICTUS. TU PENCHEFS INTERFECTORIBUS..." 1253 01:37:15,422 --> 01:37:19,024 ED! GODDAMN IT, STOP IT! 1254 01:37:19,093 --> 01:37:20,258 UNDERSTAND THIS! 1255 01:37:20,327 --> 01:37:21,793 WE ARE NOW FIGHTING FOR HER SOUL! 1256 01:37:21,862 --> 01:37:25,129 "IN THE NAME OF JESUS CHRIST, THE SAINTS AND ALL THE ANGELS, 1257 01:37:25,198 --> 01:37:27,232 I COMMAND YOU TO REVEAL YOURSELF!" 1258 01:37:56,197 --> 01:38:00,031 ROGER, HELP ME! 1259 01:38:00,100 --> 01:38:03,835 "ABODE HOSTE VISIBILE ET INVISIBLE ET UBIQUE 1260 01:38:03,904 --> 01:38:06,038 EN HOC SECULAR LIBERATOR." 1261 01:38:34,563 --> 01:38:36,029 "OMINI FANTASMA, 1262 01:38:36,098 --> 01:38:40,242 O-O-OMINI SELEGIO E NOMINE DOMINE NOSTRI, JESU." 1263 01:38:48,215 --> 01:38:49,514 WHOA. 1264 01:38:49,583 --> 01:38:52,451 PUT HER DOWN! 1265 01:38:52,520 --> 01:38:54,689 PUT HER DOWN! 1266 01:38:55,757 --> 01:38:57,459 PUT HER DOWN! 1267 01:38:59,025 --> 01:39:01,629 - CAROLYN! - CAROLYN! 1268 01:39:04,164 --> 01:39:05,897 ED, LOOK OUT! 1269 01:39:10,704 --> 01:39:11,603 ARE YOU OKAY? 1270 01:39:13,540 --> 01:39:15,874 HOLD HER STILL! DON'T LET HER UP! 1271 01:39:15,943 --> 01:39:17,309 WE'RE LOSIN' HER, ROGER! 1272 01:39:17,378 --> 01:39:20,045 DAMN YOU! YOU LEAVE MY FAMILY ALONE, YOU HEAR ME? 1273 01:39:20,114 --> 01:39:21,312 I DON'T KNOW WHAT YOU ARE, 1274 01:39:21,381 --> 01:39:22,614 BUT YOU LEAVE MY WIFE ALONE, GODDAMN IT! 1275 01:39:22,683 --> 01:39:24,817 LET HER GO! DO YOU HEAR ME?! 1276 01:39:24,886 --> 01:39:26,051 LET HER GO! 1277 01:39:26,120 --> 01:39:28,153 "DAT ORABE SPARATEM ES IGNIS." 1278 01:39:28,222 --> 01:39:30,488 LET HER GO, GODDAMN IT! LET HER GO! 1279 01:39:30,557 --> 01:39:33,692 "--PENCHEFS INTERFECTORIBUS PATRIS LABIDINIS OPTER." 1280 01:39:37,097 --> 01:39:39,263 SHE'S ALREADY GONE. 1281 01:39:39,332 --> 01:39:42,500 AND NOW YOU'RE ALL GONNA DIE. 1282 01:39:49,609 --> 01:39:50,575 APRIL! 1283 01:39:50,644 --> 01:39:53,812 I FOUND HER! SHE'S UNDER THE HOUSE! 1284 01:39:53,881 --> 01:39:55,280 UNDER THE KITCHEN! 1285 01:39:55,349 --> 01:39:57,516 NO, CAROLYN, DON'T! NO! 1286 01:39:57,585 --> 01:39:59,082 GET HER! 1287 01:40:14,034 --> 01:40:15,266 HERE. CAROLYN! 1288 01:40:17,771 --> 01:40:18,703 CAROLYN! 1289 01:40:18,772 --> 01:40:20,342 SHE'S IN THAT HOLE. RIGHT THERE. 1290 01:40:22,977 --> 01:40:24,943 CAROLYN? OH, MY GOD. NO! 1291 01:40:25,012 --> 01:40:27,913 CAN'T GO IN. CAN'T REACH. 1292 01:40:27,982 --> 01:40:31,817 NO! CAROLYN, DON'T! NO! 1293 01:40:31,886 --> 01:40:33,184 CAROLYN, NO! 1294 01:40:33,253 --> 01:40:35,621 BATHSHEBA! 1295 01:40:37,558 --> 01:40:41,826 BY THE POWER OF GOD, I CONDEMN YOU BACK TO HELL! 1296 01:40:41,895 --> 01:40:44,128 AAH! 1297 01:40:44,197 --> 01:40:45,797 THIS IS YOUR DAUGHTER! 1298 01:40:47,367 --> 01:40:49,933 YOU CAN'T GIVE IN! 1299 01:40:50,002 --> 01:40:53,371 ROGER, WE NEED TO GET HER TO FIGHT FROM THE INSIDE. 1300 01:40:53,440 --> 01:40:54,872 DON'T LET HER DO THIS TO YOU, OKAY? 1301 01:40:54,941 --> 01:40:56,441 DON'T LET THIS THING DO THIS. YOU GOTTA FIGHT IT. 1302 01:40:56,510 --> 01:40:57,875 I KNOW YOU'RE STRONGER THAN SHE IS. 1303 01:40:57,944 --> 01:41:00,112 YOU GOTTA FIGHT IT! KEEP IT GOING, ROGER! 1304 01:41:00,181 --> 01:41:01,179 YOU GOTTA STAY WITH US, ALL RIGHT? 1305 01:41:01,248 --> 01:41:03,714 COME ON BACK, CAROLYN. 1306 01:41:03,783 --> 01:41:05,083 LORRAINE, THAT'S IT! GET HER BACK! 1307 01:41:05,152 --> 01:41:06,585 REMEMBER WHAT YOU SHOWED ME. 1308 01:41:06,654 --> 01:41:07,889 NO! 1309 01:41:09,584 --> 01:41:12,257 REMEMBER THAT DAY THAT YOU SAID YOU WOULD NEVER FORGET. 1310 01:41:21,768 --> 01:41:24,569 YOU SAID THEY MEANT THE WORLD TO YOU. 1311 01:41:24,638 --> 01:41:27,172 THIS IS WHAT YOU'LL BE LEAVING BEHIND. 1312 01:42:40,882 --> 01:42:42,347 IT'S OVER. 1313 01:42:42,416 --> 01:42:44,516 I AM SO SORRY. 1314 01:42:44,585 --> 01:42:48,686 I LOVE YOU SO MUCH. I LOVE YOU SO MUCH. 1315 01:42:48,755 --> 01:42:51,256 I LOVE YOU SO MUCH. 1316 01:42:51,325 --> 01:42:52,824 I'M SO HAPPY. 1317 01:42:52,893 --> 01:42:56,529 OH! 1318 01:42:56,598 --> 01:42:59,301 HEY! 1319 01:43:12,446 --> 01:43:16,381 OOH. A DRAFT DO THAT TO YOUR FACE? 1320 01:43:16,450 --> 01:43:19,454 I'D TAKE A GUY WITH A GUN ANY DAY. 1321 01:43:23,224 --> 01:43:25,223 YOU DID GOOD. 1322 01:43:25,292 --> 01:43:27,729 NO, YOU DID. 1323 01:44:27,388 --> 01:44:30,221 I'LL CALL FATHER GORDON AND LET HIM KNOW WHAT HAPPENED. 1324 01:44:30,290 --> 01:44:32,827 SOUNDS GOOD. 1325 01:44:57,484 --> 01:45:01,352 THE VATICAN APPROVED THE EXORCISM. 1326 01:45:01,421 --> 01:45:03,821 NICE TIMING. 1327 01:45:03,890 --> 01:45:08,759 AND IF WE CAN, THEN HE'D LIKE TO MEET WITH US TOMORROW. 1328 01:45:08,828 --> 01:45:11,329 THERE'S A CASE IN LONG ISLAND HE'D LIKE TO DISCUSS. 1329 01:45:11,398 --> 01:45:13,535 REALLY? 89827